Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Shailendra Singh songs’ Category


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4403 Post No. : 15790 Movie Count :

4349

Hullo Atuldom

7th August- remembrance day of Gulshan Kumar Mehta. It seems like just recently that my husband read the news of his demise from the morning papers and asked me who it was? I just rattled out a list of songs that were written by him and he was surprised that almost all the songs that I mentioned he knew he had heard but without knowing who had written it or other details about the song. Today is this Gulshan Kumar Mehta’s 11th anniversary. He is known popularly as Gulshan Bawra.

The name “Baawra” was goven to him by distributor Shantilal Dave who could not believe that the then 19 year old “Baawra” could write such meaningful lyrics. And this moniker “Baawra” stuck.

As I sat to write this post I found a link on youtube that gave me 45 minutes of Gulshan Bawra songs under the title “Best of Gulshan Bawra” and contained the following songs: tumhe-yaad-hogaa; Aapse humko bicchde huye ek zamaana beet gaya; Hamne jo dekhe sapne; Waada karle saajna tere bina main na rahoon; Le chal le chal mere jeewan saathhi; Jeewan ke har mod pe mil jaayenge hamsafar; Tumko mere dil ne pukaara hai; Yaari hai imaan mera yaar meri zindagi.

Of the 10 songs in that list I didn’t know only two:- “dil sambhaale sambhalta nahin” and “beete hue din kuch aise hi hain”. But of course all the 10 are present on our blog. And 141 out of the 380 odd songs that he has written, are present in the blog. His first outing in movies was in the 1959 movie “Satta Bazaar” (1959) with the classic ‘tumhe yaad hoga kabhi hum mile the’. His career spanned almost four decades and we have a range of songs to entertain ys from the patriotic Aaj hai do october ka din and ‘mere desh ki dharti’; melodiously romantic ‘chaand ko kya maloom’ and funnily romantic ‘peenewaalon ko peene ka bahana chahiye’. His ‘dukki pe dukki ho’ is as popular as ‘dilbar mere kab tak mujhe’. And I remember having seen him on screen lip syncing ‘deewane hai deewano ko na darr chahiye’ and also enjoying the party in ‘Parivaar’ when Nanda sang ‘aaj hai do october ka din’. He was there on screen in Manoj Kumar directed ‘Upkaar’ as the halwai’s son. His songs have been put to music by Kalyanji Anandji, R D Burman, Shankar Jaikishan. He was awarded the best lyricist Filmfare award for “mere desh ki dharti” and “yaari hai imaan mera yaar meri zindagi” which also topped that years Binaca Geetmala.

Thinking of this lyricist on his anniversary with a song from the 1984 release “Andar Baahar”. 1984 was when I had discovered the new crop of good looking actors Jackie Shroff, Anil Kapoor, Sunny Deol etc. They looked good and danced/ acted reasonably well too. So I could request my dad to see this movie. He was also a fan of movies which were of the ‘masala’ genre and had some good songs for added pleasure and relaxation. I could never convince him to see any of the Arty movies, but that is another story.

“Andar Baahar” was a movie produced by Romu Sippy and directed by Raj N. Sippy. It had a cast of Jackie Shroff- Anil Kapoor- Parikshit Sahni- Anita Raaj- Danny. This was Moon Moon Sen’s Hindi debut (one of the reasons my dad agreed to come for the movie, he wanted to see Suchitra Sen’s daughter).

The movie had a very simple storyline:- A cop-n-crook story. The crooks led by Danny crack the safe of a bank, and one of them turns greedy and tries to shoot the others out of his way. The sound gets cop Ajay Sahni (Parikshat Sahni) to the spot and one of the team of crooks runs away with the loot. Danny escapes from prison and threatens the absconding Gulshan Grover of killing his sister if he doesn’t return the loot. Gulshan squeals to the cops and inspector Ajay and his friend Ravi Khanna (Jackie) reach the spot. Only this time, in the operations, inspector Ajay is fatally wounded and now inspector Ravi seeks vengeance. With the permission of the commissioner he brings the wounded crook Raja (Anil Kapoor), who is still in his custody, to help him track Shera (Danny) Gulshan etc and bring the movie to a close. In the process Ravi Khanna finds a friend in Raja who takes Ajay’s place in his life.

Now since there are friends in the movie it is mandatory to have a song where the heroes proclaim their love for each other. This is sung by Shailendra Singh and Suresh Wadkar. R D Burman is the music composer. The song has a stamp of RD all over it:- great opening piece and in between the mukhda and antara. We can also hear the harmonica (popularly called mouth organ) through the song.

Incidentally it also happens to be Suresh Wadkar’s 65th birthday. He has been active since 1977 – ‘Paheli’ and ‘Gaman’ (1978). His voice was different from the reigning voices of that time. He also is trained in classical music which is evident in “Saanjh Dhale Gagan Taley” and his numerous songs which need a clear voice at high pitch. We have 71 songs of his on the blog. We have a lot more songs out there for us to learn the range that he can sing in. For today we shall hear him here in this song and wish him a very Happy Birthday.

N.B.: There is a sad version to this song, video of which I am unable to locate.

(Jackie with Parikshat Sahni)(lyrics based on this)

(Jackie – Sad Version)

(Jackie with Anil Kapoor)

Song-O hamko toh yaari se matlab hai (Andar Baahar)(1984) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

o humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
arre humko toh yaari se matlab hai
haan humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

haan humko toh yaari se matlab hai
oo humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hey ek aur ek toh gyaarah hote hai
ab toh hum wohi gyaarah hain
humko jo koyi aankhen dikhaayega
uski maut ka ishaara hai ae ae

ek aur ek toh gyaarah hote hai
ab toh hum wohi gyaarah hain
humko jo koyi aankhen dikhaayega
uski maut ka ishaara hai

ho jab tak bhi jeeye
yoon hi hasatein rahe
log kuchh bhi kahein yaara

arre humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hey jeene ko jeete hain
yoon toh sabhi yaaro
jeena usiko kehte hain
jeete nahin jo apne liye hi
auron ke dil mein rehte hai hae hae
jeene ko jeete hain
yun toh sabhi yaaro
jeena usiko kehte hai
jeete nahi jo apne liye hi
auron ke dil mein rehte hai
kaun rahega yahaan
hai yeh phaani jahaan
kal honge kahaan yaara
hey humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hae ab toh hum kabhi
door na honge ji
apna aisa iraada hai
tere liye pyaare
jaan haazir hai
tujhse yeh mera waada hai

ho ab toh hum kabhi
door na honge ji
apna aisa iraada hai
haan tere liye pyaare jaan haazir hai
tujh se yeh mera waada hai

ho ik dooje ka hum
sada baatenge gum
aaj khaale kasam yaara
arre humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahi yaara
arre humko toh yaari se matlab hai
arre humko toh yaari se matlab hai


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4382 Post No. : 15731 Movie Count :

4337

Zarina Wahab, born this day in 1959, turns 61 today.

My first introduction to this actress of pronounced and natural underplay, was ‘Chit Chor’ of 1976. Yes, for a brief time, the phrase used for her was ‘Chit Chor Girl’. The debut was impressive and the performance in ‘Chit Chor’ was followed up in 1977 with another superb performance in the film ‘Gharonda’.

In both films, she plays the role of the typical girl next door, who wins your heart with an understatement of her performance as the young coming of age heroine, and her first encounter with love. These two assays, the Geeta of ‘Chit Chor’ and Chhaaya of ‘Gharonda’, quite adequately define for me, the accomplished actress she is.

This song is from the 1995 film ‘Mera Damaad’, almost two decades into her career. The film had a good successful run at the box office, as a comedy of mixed up intents and identities of young hearts seeking their first love.

The film is directed by Partho Ghosh. The lead pair in the film is Zarina Wahab and Farooque Sheikh and the rest of the cast includes Utpal Dutt, Ashok Kumar, Rakesh Bedi, Rakesh Bedi, Prema Narayan, Jankidas, Bhagwan Dada, Tarique, Priyadarshini, Parvin Paul, Abha Mukherjee, Khokha Mukherjee, Brahmachari, Kukku Saigal, Jagannath Prabhu, Balraj, Master Romel Kaul, and Baby Nivedita.

The music director for the film is Salil Chaudhry, and this song is penned by Yogesh.

Wishing Zarina a very happy birthday, with greetings for good healty, peace and many more such celebrations in the coming years.

The lyrics of this song have been sent in by our dear Prakash ji.

Song – Jhir Jhir Barse Aaj Gagan Se Ye Kaise Baadal  (Mera Damaad) (1995) Singer – Amit Kumar, Anuradha Paudhwal, Shailendra Singh, Sabita Chowdhury, Lyrics – Yogesh, MD – Salil Chaudhry

Lyrics (Provided by Prakashchandra)

jhir jhir barse
aaj gagan se
yeh kaisse baadal
jhir jhir barse
aaj gagan se
yeh kaisse baadal
aaye matwaale
matwaale
pyaar ke yeh pal
likh di kyaa tumne
iss dil mein pyaar ki gazal
aaye matwaale
matwaale
pyaar ke yeh pal
likh di kyaa tumne
iss dil mein pyaar ki gazal
jhir jhir barse
aaj gagan se
yeh kaisse baadal

dekho
madhosh mausam gaa rahaa hai ae
chhalkaa huaa rang hai
naye
albele raaston par
tera meraa sang hai
dekho
madhosh mausam gaa rahaa hai ae
chhalkaa huaa rang hai
naye
albele raaston par 
tera meraa sang hai
thaamey
rehnaa meraa aanchal
jhir jhir barse 
aaj gagan se
yeh kaisse baadal

bheegey
bheegey badan mein bhi aaj kaissi
jalne lagi hai aggan
jaane abke baras kaissi
chalne lagi hai pawan
bheegey 
bheegey badan mein bhi aaj kaissi
jalne lagi hai aggan
jaane abke baras kaissi
chalne lagi hai pawan
mere armaan huye paagal
jhir jhir barse 
aaj gagan se
yeh kaisse baadal
aaye matwaale 
matwaale 
pyaar ke yeh pal
likh di kyaa tumne 
iss dil mein pyaar ki gazal
aaye matwaale 
matwaale 
pyaar ke yeh pal
likh di kyaa tumne 
iss dil mein pyaar ki gazal
jhir jhir barse 
aaj gagan se
yeh kaisse baadal
yeh kaisse baadal
yeh kaisse baadal
yeh kaisse baadal


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4362 Post No. : 15687

Hullo Atuldom

27th June- birth anniversary of our beloved Panchamda a.k.a RD Burman. We have many posts on this blog which gives us details of his birth, his lineage, and many many other trivia connected with how he got the nickname “Pancham”.

So without wasting time or as some people would like to say ‘zyaada footage khaaye bagair’ I will come straight to today’s song. It is from the 1989 released, Vidhu Vinod Chopra written-produced & directed “Parinda”. It had Madhuri Dixit, Jackie Shroff, Anil Kapoor, and Nana Patekar in a rather grey role. Anupam Kher was there in a special appearance.

Anil Kapoor and Jackie Shroff played brothers. Anupam Kher played Anil Kapoor’s friend and Madhuri’s brother. Jackie Shroff works for the underworld chieftain Anna (Nana Patekar). Anil Kapoor returns from studying abroad and meets his childhood friend Anupam Kher who has become a police officer. He also witnesses his friend being shot down by the underworld and decides to avenge his death.

The movie is interspersed with the tender love and camaraderie that is shared between the brothers and their dreams of having a family complete with wife children etc. Today’s song is when the brothers are thinking of the impending marriage of Anil Kapoor with Madhuri.

“Parinda” had seven songs which were written by Khurshid Hallauri of which one is there on the blog, posted on 15th of May 2015. (It has a sad version which was posted in the comments by Prakashchandraji) There was also a comment there by Prakashchandraji:- “And Who is Khursheed Hallauri ??, the lyricist, Any one who has information about him, Please share with us.” This question still remains.

This movie was planned by Vinod Chopra after his low-budget suspense thriller “Khamosh” failed to find a distributor for theatrical release. “Parinda” received critical acclaim when released. It also won two National awards and five Filmfare awards. It was also selected to represent India at the Oscars that year.

I chose this particular song as it talks of a marriage and we have an active follower of this blog celebrating his anniversary today. He is a big fan of Pancham and his music so I hope he and his life-partner (also known as Satulite in Atuldom) like this song.

Thank You Panchamda for leaving us this fun song.

Audio

Video

Song-Sehre mein dulha hoga (Parinda)(1989) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Khursheed Halluri, MD-R D Burman
Both

Lyrics

sehre mein dulha hoga,
ghoonghat mein dulhan hogi
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi

masti mein naachenge yaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoongat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega

ho o aayega jab din woh khushi ka
hosh rahega kisko kisika
hoo ghar aayegi bhaiyya ki dulhan
jhoom uthhega yeh ghar aangan
hey raat suhaani hogi,
chadhhti jawaani hogi

duniya deewaani hogi,
saath me rani hogi
karke sola singaar
ke ghar me baaja bajega

haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
sehre mein dulha hoga,
he ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar me baja bajega

poore honge armaan dil ke
honge khush dulhan se mil ke
pyaar se hongi pyaari baatein,
katt jaayengi pal mein raatein

haan saanson mein hogi jwaala
chaabhi hogi na hoga taala
saali hogi na saala,
saala hoga na saali

aaya hai tere dar pe sawaali
shirdiwaale sai baba
shirdiwaale sai baba
aaya hai tere dar pe sawaali
no no no bhaiyya
sawaali nahin saali saali
saali hogi na saala,
chaabi hoga na taala

saali hogi na saala,
chaabi hoga na taala
donon karenge pyaar
ke ghar mein baaja bajega

haan sehre mein dulha hoga,
ghoonghat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega

armaanon ki bagiya khilegi,
bhaiyya ko mere dulhan milegi
o o behne lagegi prem ki dhaara
paawan hoga jeewan saara

hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
haan duniya dekhegi mera kamaal
ho chhorra ganga kinaare waalaa
ho chhorra ganga kinaare waalaa
o khaike paan banaaras waalaa
khuli jaaye band akal kaa taalaa
phir to aisa kare kamaal
seedhi karde sabki chaal

arre arre arre
chaal nahin gadhe
saal saal
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
chhota sukhi parivaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoonghat mein dulhan hogi
sehre mein dulha hoga
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
haan baaja bajega
ha ha
arre baaja bajega
baaja bajega


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4339 Post No.: 15638

She was born in Mumbai, raised in Lucknow and Canberra (Australia), grew up in Pune, did some theatre course in Paris, spent a considerable time in Delhi and now she spends time commuting between Mumbai and her ancestral home in Pune. She has worked through almost all the segments of mulit-media – a radio announcer, television producer, documentary film maker, Hindi film writer-director, author and some more. She is not shy of mincing words about those personalities even of high statures who have one time or the other rubbed her in a wrong way. She is Sai Paranjpye (born on March 19, 1938). It is interesting to note the background of family as she seems to have inherited some genes from them.

1. Her maternal grandfather, Sir R P Paranjpye was an alumnus of University of Cambridge and a renowned Mathematician. He was the Chancellor of University of Bombay and the University of Lucknow. He was Indian High Commissioner in Australia during 1944-47. He had interest in literature.

2. Her mother, Shankuntala Paranjpye had been an alumini of University of Cambridge and worked in International Labour Organisation in Geneva for about 2 years in the 1930s. In the 1930s and 40s, she acted in Marathi and Hindi films. She also wrote novels and plays in Marathi and English. She did a pioneering work in propagating family planning as early as in 1938. She was a nominated Rajya Sabha member and was awarded Padma Bhushan in 1991.

3. Her father, Youra Sleptzoff was a Russian painter to whom her mother married in Geneva but divorced him after the birth of her daughter, Sai.

4. Her paternal Grandmother, Babushka was a theater personality. She had acted in some major plays.

With these backgrounds, Sai Paranjpye became proficient in Marathi, Hindi and English with some working knowledge of Sanskrit and French. She started her career as an Announcer and Compere of children’s programme in All India Radio, Pune. She also did some children’s plays in partnership with Arun Joglekar to whom she married. She joined Film Institute of India as Lecturer in which Jala Agha, Sadhu Mahadev and Rehana Sultana were her students.

In 1963, Sai Paranjpye joined the National School of Drama, Delhi and completed her graduation. She joined All India Radio, Delhi. During the 1970s, she worked with Doordarshan, Delhi as producer and director. During this period, she produced and directed many teleplays and documentaries. One of her documentary films was on Pankaj Mullick (1973) which was based on an extensive research and was made with some rare photographs as montage. Unfortunately, according to Sai Paranjpye, this documentary film is not traceable in Doordarshan’s archive. She had also directed children’s films, ‘Jaadu Ka Shankh’ (1974), ‘Sikander’ (1976) and ‘Bhaago Bhoot’ (2001). After coming into National Doordarshan channel in 1982, Sai Paranjpye made her debut TV serials ‘Ados Pados’ (1985) followed by ‘Chhote Bade’ (1985).

Sai Paranjpye produced/directed 8 Hindi feature films – ‘Sparsh’ (1980), ‘Chashm-e-Baddoor’ (1981), ‘Katha’ (1982), ‘Disha’ (1990), ‘Chooriyaan’ (1993), ‘Papeeha’ (1994) ‘Saaz’ (1997) and ‘Chakachak’ (2005). In all these films, she has taken up issues in each film like visual impairment, migrants, alcoholism, playback singing career, environment etc. In some of these films which are available for viewing, she does not preach nor creates melodramatic moods. These films are more like an eye opener to the audience.

In the decade of 2010-20, Sai Paranjpye has been mostly busy with writing her biography in Marathi which was published and got released in 2016. The title of her autobiography is interesting – ‘Sai – Maza Kalapravaas’ meaning ‘My Artistic Journey’. She has restricted the coverage in the biopgraphy to her artisitc jpourney only. She is now working on the English version of her autobiography. In 2006, Government of India awarded her with Padma Bhushan.

Coming to ‘Chashm-e-Baddoor’ (1981), Sai Paranjpye, in one of her interviews, revealed that at the screening of her first film ‘Sparsh’ (1980) at Tashkent Film Festival, she met Gul Anand, who liked the film. He said that he would like to make a film with her but it should be a comedy film. Fortunately, she had a teleplay ‘Dhuaan Dhuaan’ ready which she turned into a script for the film ‘Chashm-e-Baddoor’ (1981) produced by Gul Anand and directed by her. The star cast included, Farooq Shaikh, Dipti Naval, Rakesh Bedi, Ravi Baswani, Saeed Jafrey, Leela Mishra, Vinod Nagpal, Vinod Doshi etc with Amitabh Bachchan and Rekha making cameo appearances. The film was digitally restored in 2013. The film was shot in Delhi. Some people had told Sai Paranjpye that ‘Chashm-e-Baddoor’ (1981) is the publicity material for Delhi.

I had watched this film in a theatre when it was released in 1981. While I have a general idea about the plot, the scene which has still firmly stored in my mind is when Dipti Naval visits Farooq Shaikh’s room to market the ‘chamko’ brand of washing powder. And seeing her, Rakesh Bedi and Ravi Baswani run out of the room before she enters. Recently, I watched the digitally restored film to recapitulate the plot of the film which I have summarized below:

The film starts with Omi (Rakesh Bedi) smoking a cigarette and then passing it on to Jomo (Ravi Baswani) who smokes and passes it on to Sid (Farooq Shaikh). In the background, a gramophone record is symbolically playing Meer Taqi Meer’s ghazal ‘ye dhuaan kahaan se uttha hai’, rendered by Mehdi Hasan. It is clear from their dialogues that the trio are the University students who are sharing a rented room in Delhi. They are enjoying their summer vacation. While Sid is a serious type who keeps himself busy in reading books, the other two, Omi and Jomo are vagabonds who like to indulge in impressing girls and watching plays in the theatre.

Omi and Jomo have an arrangement with Lallan Miyaan (Saeed Jaffrey), the shopkeeper from whom they buy cigarettes on credit but they postpone clearing their debt with some pretext or the other. There are always some friendly banters between Lallan and the trios.

A girl, Neha (Dipti Naval) staying in a neighbouring house becomes the centre of attraction to Omi and Jomo who decide to individually visit her house to impress her. While their experiences of meeting in her house was not good, but for the sake of impressing one another, both Omi and Jomo pretend to each other and also to Sid that they had a gala day with Neha.

One day, Neha visits their room to market ‘Chamko’ washing powder. Seeing her through the peephole of the main door, both Omi and Jomo run away from the room lest their true experiences with her would be exposed. It is Sid, who opens the door and get to know the purpose of Neha’s visit. It is for the first time that Sid has experienced talking to a girl. Neha leaves the room after showing the demonstration of washing powder. Sid is now attracted to Neha. After their frequent meetings at a restaurant, both decides to formalize their relationship in to the marriage.

This sudden developments in the life of Sid is not digestible to his friends, Omi and Jomo. They try to discourage Sid by concocting stories about Neha to break their relationship. They succeed in their efforts. Sid is devasted so is Neha. Sid losses interest in office work and his studies for Ph.D. He even tenders his resignation to his boss in the office. Both Omi and Jomo are alarmed at Sid’s depressed mood especially when they find Tik-20 bottle in Sid’s drawer (which he had actually bought for eliminating bedbugs). They decide to reunite Sid and Neha. Both had heard a spate of kidnapping in Delhi. So, both Omi and Jomo hatch a plan under which they would kidnap Neha with Neha’s grandmother (Leela Mishra) being kept in the loop and Sid would turn a saviour of Neha.

But before their fake kidnapping plan is operationalized, Neha is actually kidnapped by a gang. It is Sid who with the help of Omi and Jomo captures the kidnappers. As a satire on mainstream Bollywood films, when everything is over, the police team comes to arrest the kidnappers. Sid and Neha are united.

On the basis of some of the films I have seen, Sai Paranjpye must be a keen observer wherever she goes. She must have observed the college students during her long stay in Delhi when she was associated with Delhi Doordarshan. She may have encountered or observed some timid stalkers like Omi and Jomo in the 1970s. The wits and humour in the film may not turn the audience laugh but certainly the smile will be written on their face. This is Sai Pranjpye brand of humour which I have also witnessed in ‘Katha’ (1982) and in TV Serial, ‘Ados Pados’ (1985).

With the advent of information technology, everything is changed now. Therefore, it is difficult to recreate the environment of Chashm-e-Baddoor of 1981 in the 21st century setting. The remake of the film, ‘Chashm-e-Baddoor’ (2013) did not create the same interest among the cinegoers as the cult status of ‘Chashm-e-Baddoor’ (1981) has created. I can watch this film any number of times.

‘Chashme-e-Baddoor’ (1981) had 7 songs of which 5 songs have been covered in the Blog. Here is the 6th song, ‘is nadi ko mera aaina maan lo’ sung by Shailendra Singh and Haimanti Sukla. The song is set to music by Raj Kamal. Indu Jain who wrote the lyrics was an author and a poetess who was known for writing poems on the contemporary issues. She also uses imageries which are evident in the lyrics of the song. Probably, she would have given a tough competition to Gulzar saab if she was actively involved in writing Hindi film songs in terms of the use of imageries.

Indu Jain was the Head of Hindi Department in Indraprastha College, Delhi when the film was being shot in Delhi. Duriing this period, she was scheduled to visit Japan as a visiting professor. While leaving India, she had taken the situation of the songs in the film in detail and dictated the lyrics to Sai Paranjpye over the phone. (Source: ‘Sai – Maza Kalapravaas’).

The background of the song is that Omi (Rakesh Bedi) visits Neha’s (Dipti Naval) house to impress her. But she thinks that he is the plumber who has come to repair her kitchen’s sink. She tells him to bring his tool box and get the work done fast. He goes out of the house never to return to her house but return to his own room. When his competitor Jomo asks him as to how the meeting went on with Neha, he narrates a false story upon which the screen shows the song under discussion.

Probably, this may be the first time when Rakesh Bedi has got chance to sing a song with the heroine of the film.

Audio Clip:

Video Clip:

Song-Is nadi ko mera aainaa maan lo (Chashme Baddoor)(1981) Singers-Shailendra Singh, Haimanti Shukla, Lyrics-Indu Jain, MD-Rajkamal
Both

Lyrics(Based in Audio Clip)

is nadi ko mera aaina maan lo
is nadi ko mera aaina maan lo
ki muhabbat ka bahta nasha jaan lo
is nadi ko mera aaina maan lo

tarangon mein dhadkan larajta jigar
raks karte kamal thharthharaata bhanwar
tarangon mein dhadkan larajta jigar
raks karte kamal thharthharaata bhanwar
ye chheenten kisi ki tamaanna na ho..o
ye chheenten kisi ki tamaanna na ho
kahin aapke haathon tanha na ho
is roopak ko mera aaina maan lo
unkahe raaz ki daastaan jaan lo

is nadi ko mera aaina maan lo

ude baadalon mein bala hasraten
parindon si chhoo aaye behad haden
ude baadalon mein bala hasraten
parindon si chhoo aaye behad hade
hawaaon ko itni izaazat na do
hawaaon ko itni izaazat na do
ki auron ka bhi sabr tauba karo
ye kinaara mera aaina maan lo
har lahar se meri aarzoo jaan lo

is nadi ko mera aaina maan lo

tani doriyon par saji zindagi
ishaaron pe chadhti utarti khushi
tani doriyon par saji zindagi
ishaaron pe chadhti utarti khushi
dupatte se tinke jhatakti raho..o
dupatte se tinke jhatakti raho
gul o naaz se mera daaman bharo
is nadi ko mera aaina maan lo
ki mohabbat ka bahta nasha jaan lo
is nadi ko mera aaina maan lo


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4282 Post No. : 15528

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 18
—————————————————————————

‘Do Jaasoos-1975’ was directed by Naresh Kumar for ‘Dimple Films, Bombay’. He was also the producer of this movie. It had Raj Kapoor, Rajendra Kumar, Prem Chopra, Aruna Irani, Kamal Kapoor, Manmohan Krishan, Ram Mohan, Asit Sen, Randhir, Jagdish Raj, Appi Umrani, Dulari, V. Gopal, Madhu Apte, Ratna, Moolchand, Ratan Gaurang, Bachan Singh and others.

This movie introduced Shailendra Singh and Bhavna Bhatt as an actor and it was mentioned in titles as ‘introducing Bobby singer…’ and ‘Teenager’ for Bhavna Bhatt respectively.

Farida Jalal, Alka, Sanjana, Sundar, Ram Avtaar made friendly appearance in this movie.

Story of this movie was written by K.A. Narayan. Dialogues were written by Irshad and editing was done by Govind Dalwadi.

This movie had total seven songs written by Hasrat Jaipuri (five songs), Rajkavi Tulsi (one song) and one song was uncredited (as per HFGK Vol V 1971-1980).

Music for this movie was composed by Ravindra Jain.

This movie was passed by Censor Board on 29.05.1975.

Lata Mangeshkar, Mohd Rafi, Mukesh, Asha Bhonsle and Shailendra Singh had given their voices to the songs in this movie.

“Do Jaasoos-1975” made its debut on the blog exactly ten years ago on this day (8 april 2010) and thus this movie completes its ten-year run on the blog and this movie is not yet YIPPEED till now despite getting introduced in the blog one decade ago :).

Total three songs were represented on the blog on 08.04.2010 including a song from this movie;

Song Movie title-Year Remarks
Purvaiyya leke chali meri naiyya Do Jaasoos-1975 04 of 07 songs posted
Meri jaan meri jaan kehna maano Do Chor-1972 All songs posted
Koyi nazraanaa le kar aaya hoon main Aan Milo Sajana-1970 All songs posted

I remember to have watched this movie ‘Do Jaasoos’ in my childhood with elders in the family but have forgotten it now. Two songs from this movie i.e. ‘Purvaiyya leke chali meri naiyya’ and ‘Do jaasoos karen mahsoos’ have remained imprinted in my memory and I have a big nostalgia for them. Later, when I grew up and started my collection of songs, I was on the look out for these songs, and my search for these songs ended much later.

The only other song from this movie that I vaguely remember was ‘chadh gayi chadh gayi angoor ki beti chadh gayi’ and I had decided to present it today and had also sought permission 🙂 from Mahesh ji (Mukesh ji’s greatest fan) but when I browsed through other songs of this movie I selected this one another cheerful, refreshing and pleasant song sung by Shailendra Singh and Lata Mangeshkar. This song is picturized on Shailendra Singh himself and on Bhavna Bhatt.

I don’t remember to have heard this song in the recent years, or even I feel I like I have not heard it earlier or may have forgotten it over the years.

(Note: – In the details of this movie in HFGK Vol-V (1971-1980), HFGK mentions Ravindra Jain as co-lyricist for all songs written by Hasrat Jaipuri. However, no details/reason has been mentioned for this in the addendum/corrigendum in HFGK.
I would request knowledgeable readers to throw more light on this.
Also, HFGK doesn’t mention lyricist name for the song ‘Happy new year’.)

Following songs from “Do Jaasoos-1975” have been posted on the blog till now :-

Song Posted On
Purvaiyya leke chali meri naiyya 08.04.2010
Saal mubaarak sahib jee 01.01.2012
Happy new year to you 01.01.2013
Do jaasoos karen mehsoos 02.06.2018

let us now enjoy this lovely duet song from “Do Jaasoos”(1975). Incidentally exactly the same singers and actors sing and lip sync this song who figured in the debut song of the movie ten years ago on the same day ! Needless to say that the lyricists and Music director also remain the same. 🙂


Song-Main bijli hoon titli hoon hirni hoon (Do Jaasoos)(1975) Shailendra Singh, Lata, Lyrics-Hasrat Jaipuri + Ravindra Jain, MD-Ravindra Jain

Lyrics

aa jaa
un hunh
aa jaa aa jaa
nahin nahin nahin
main bijli hoon
titli hoon
hirni hoon
main bijli hoon
titli hoon
hirni hoon
tere haath naa aaungi
din raat sataaungi
main chhup chhup jaaungi ee

arey arey
main baadal hoon
bhanwraa hoon
jharnaa hoon
main shor machaaungaa
gaa gaa ke bulaaungaa aa
peechhaa naa chhodungaa
arey arey
main bijli hoon
titli hoon
hirni hoon

main jo patang banoon
tum kya karoge
main jo patang banoon
tum kya karoge
baadal ke paar udoon
phir kya karoge
bolo
bolo
bolo
bolo
phir kya karoge

ae he
o ho
aa haa
dhaaga ban jaaungaa
tujhe kheench ke laaunga aa
peechhaa naa chhodungaa aa
arey arey
main bijli hoon
titli hoon
hirni hoon

main jo gulaab banoon
tum kya karogi
main jo gulaab banoon
tum kya karogi
auron ka khwaab banoon
phir kya karogi
kaho
kaho
kaho
kaho
phir kya karogi
ae he
o ho
aa haa
kaantaa ban jaaungi
gairon se bachaaungi ee
joode mein sajaaungi

arey arey
main baadal hoon
bhanwraa hoon
jharnaa hoon

ulfat ki raah mein jo
toofaan aaye
ulfat ki raah mein jo
toofaan aaye
toofaan aake meri kashti dubaaye
suno
suno
suno
suno
phir kya karoge

ae he
o ho
aa haa
maanjhi ban jaaunga
patwaar uthhaaunga aa
saahil se laaungaa
main saath nibhaaungi
ab door naa jaaungi ee
teri ban jaaungi
teri ban jaaungi
ho o
teri ban jaaungi

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————–
आ जा
हुंह हुंह
आजा आजा
नहीं नहीं नहीं
मैं बिजली हूँ
तितली हूँ
हिरनी हूँ
मैं बिजली हूँ
तितली हूँ
हिरनी हूँ
तेरे हाथ ना आऊँगी
दिन रात सताऊँगी
मैं छुप छुप जाऊँगी ई

अरे अरे
मैं बादल हूँ
भंवरा हूँ
झरना हूँ
मैं शोर मचाऊँगा
गा गा के बुलाऊँगा आ
पीछा ना छोडूंगा
अरे अरे
मैं बिजली हूँ
तितली हूँ
हिरनी हूँ

मैं जो पतंग बनूं
तुम क्या करोगे
मैं जो पतंग बनूं
तुम क्या करोगे
बादल के पार उडूं
फिर क्या करोगे
बोलो
बोलो
बोलो
बोलो
फिर क्या करोगे

ए हे
ओ हो
आ हा
धागा बन जाऊँगा
तुझे खीच के लाऊँगा आ
पीछा ना छोडूंगा आ
अरे अरे
मैं बिजली हूँ
तितली हूँ
हिरनी हूँ

मैं जो गुलाब बनूं
तुम क्या करोगी
मैं जो गुलाब बनूं
तुम क्या करोगी
औरों का ख्वाब बनूं
फिर क्या करोगी
कहो
कहो
कहो
कहो
फिर क्या करोगी
ए हे
ओ हो
आ हा
काँटा बन जाऊँगी
गैरों से बचाऊँगी ई
जूड़े में सजाऊँगी

अरे अरे
मैं बादल हूँ
भंवरा हूँ
झरना हूँ

उल्फत की राह में जो
तूफ़ान आये
उल्फत की राह में जो
तूफ़ान आये
तूफ़ान आके मेरी
कश्ती डूबाये
सुनो
सुनो
सुनो
सुनो
फिर क्या करोगे

ए हे
ओ हो
आ हा
माँझी बन जाऊँगा
पतवार उठाऊंगा आ
साहिल से लाऊंगा
मैं साथ निभाउंगी
अब दूर ना जाऊँगी ई
तेरी बन जाऊँगी
तेरी बन जाऊँगी
हो ओ
तेरी बन जाऊँगी


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4240 Post No. : 15456

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 9
——————————————————————————

We have two movies that qualify to be covered Under the ‘Blog Ten Year challenge 2010-2020’ today (26 february 2020). One is the ‘1958’ movie ‘Chaubees Ghante’ and the other movie is from the ‘Seventies’ i.e. ‘Ahsaas-1979’.

‘Ahsaas’ was released in ‘1979’ that is when I was above eleven years old. Since the movie was released with ‘restricted viewing’ means we had no chance of watching and discussing this movie among out not yet adult friend circle.

One song from this movie was frequently played on radio and had also make its mark in the ‘Binaca Geetmala’ (it ranked eighteenth in the annual list of Binaca Geetmala of 1980). Unlike the movie, its songs were not deemed restricted for adult listening. So listened to this song a lot. This song was the main reason why I and others adolescents like me remembered the name of this movie. That song was ‘sapnon ke shahar ham banaayenge ghar’. I think that this this was the only popular song from this movie at that time.

‘Ahsaas-1979’ was directed by S.K. Suri for ‘Sippy Films Pvt Ltd, Bombay’. S.K. Suri or Surendra Suri also wrote the story and screenplay of this movie. It was produced by G.P. Sippy.

(Atul ji has mentioned in his post here that this movie from the Sippy’s came in between ‘Sholay-1975’ and ‘Shaan-1980’. But with newcomers and also with a new music team).

The cast of ‘Ahsaas’ include the new comers Dina, Parvez, Rakesh Bedi, Kiran Vairale, Sahil and Rita Rani Kaul.

This movie had special appearances of Shammi Kapoor, Shashi Kapoor, Amitabh Bachchan, Simmi, Bindiya Goswami, Bindu, Simple Kapadia and Amjad Khan.

The other supporting cast include Chand Usmani, Leela Mishra, Sunder, Mohan Sheri, Asha Potdar, Arun Desai, Deepak, Raj, Sanjay Kaushik, Ashok Junior, K.S. Deshpande and Dina Nath.

M.S. Shinde was the editor of this movie (He was also the editor of ‘Sholay-1975’).

Dialogues of this movie were written by Suraj Sanim.

This movie had six songs written by Indeevar (five songs) and Ravindra Peepat (one song). Music for this movie was composed by Bappi Lahiri.

Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Shailendra Singh gave their voices to the songs of this movie.

This movie was passed by Censor Board on 23.10.1979.

So far four songs from this movie have been posted on the blog.

During the preparation of this post I also listened to other songs from this movie. I had not paid attention to them earlier though I might have heard them earlier. I discovered that the other songs are also good, particularly today’s song which appears familiar. Among other songs the first song of the movie which starts with the title is also a nice one and seems to be inspired from ‘ye dosti ham nahin todenge’ (the music is nice but may be the song didn’t get much attention since the movie didn’t go well with the audiences).

Coming back to the songs posted on the blog ten years back, three songs were discussed on that day :-

Song Movie title-Year Remarks
Kitne raanjhe tujhe dekhkar bairaagi ban gaye Ahsaas-1979 04 of 06 songs posted
Aur kuchh der thahar aur kuchh der na jaa Aakhri Khat-1966 All Songs posted
Hame haal e dil tumse kahna hai Chaubees Ghante-1958 05 of 08 songs posted

Let us now listen to today’s song sung by Kishore Kumar and Shailendra Singh. Lyrics are by Indeevar and music is composed by Bappi Lahiri.

(Lyrics are noted as per the audio version which is a longer version with three stanzas)

Video

Audio (longer)

Song-Jo na chhote hain na bade (Ahsaas)(1979) Singers-Kishore Kumar, Shailendra Singh, Lyrics-Indeewar, MD-Bappi Lahiri
Both

Lyrics ( As per the audio version)

jo naa chhote hai naa bade
badi mushkil mein wo pade ae

jo naa chhote hai naa bade
badi mushkil mein wo pade
jo naa chhote hai naa bade
badi mushkil mein wo pade ae

unki mushkilon ka
ahsaas nahin ee
unke liye waqt kisi ke paas nahin
ho jo naa chhote hai naa bade
badi mushkil mein wo pade

unki mushkilon ka
ahsaas nahin ee
unke liye waqt kisi ke paas nahin
ho jo naa chhote hai naa bade
badi mushkil mein wo pade ae

unke liye naa to baahar ki duniya
unke liye naa to ghar ki duniya
unke liye naa to baahar ki duniya
naa is kinaare
naa us kinaare
ho naa is kinaare ae
naa us kinaare
beech dhaare par hai wo khade
jo naa chhote hai naa bade
badi mushkil mein wo pade ae

unki mushkilon ka
ahsaas nahin ee
unke liye waqt kisi ke paas nahin
ho jo naa chhote hai naa bade
badi mushkil mein wo pade ae

hamko sabhi har baat pe tokey
jo khud karey wo hi karne se roke ae
hamko sabhi har baat pe tokey
karey ham kisise pyaar
chheena ye bhi adhikaar
karey ham kisise pyaar
chheena ye bhi adhikaar
mele mein ham to akele khade
jo naa chhote hai naa bade
badi mushkil mein wo pade ae

unki mushkilon ka
ahsaas nahin ee
unke liye waqt kisi ke paas nahin
ho jo naa chhote hai naa bade
badi mushkil mein wo pade

toofaan umangon ka itnaa jyaada
duniya badalne ka apnaa iraada
toofaan umangon ka itnaa jyaada
hamaara jawaan pyaar
tod dega har deewaar
hamaara jawaan pyaar
tod dega har deewaar
bandhan mein kab tak rahenge jakde
jo naa chhote hai naa bade
badi mushkil mein wo pade ae

unki mushkilon ka
ahsaas nahin ee
unke liye waqt kisi ke paas nahin
ho jo naa chhote hai naa bade
badi mushkil mein wo pade ae

——————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————————–

जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े

जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े
जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े

उनकी मुश्किलों का
अहसास नहीं ई
उनके लिए वक़्त किसी के पास नहीं
हो जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े

उनकी मुश्किलों का
अहसास नहीं ई
उनके लिए वक़्त किसी के पास नहीं
हो जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े ए

उनके लिए ना तो बाहर की दुनिया
उनके लिए ना तो घर की दुनिया
उनके लिए ना तो बाहर की दुनिया
ना इस किनारे
ना उस किनारे
हो ना इस किनारे ए
ना उस किनारे
बीच धारे पर है वो खड़े
जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े

उनकी मुश्किलों का
अहसास नहीं ई
उनके लिए वक़्त किसी के पास नहीं
हो जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े ए

हमको सभी हर बात पे टोके
जो खुद करे वो ही करने से रोके ए
हमको सभी हर बात पे टोके
करे हम किसीसे प्यार
छीना ये भी अधिकार
करे हम किसीसे प्यार
छीना ये भी अधिकार
मेले में हम तो अकेले खड़े
जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े

उनकी मुश्किलों का
अहसास नहीं ई
उनके लिए वक़्त किसी के पास नहीं
हो जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े

तूफ़ान उमंगों का इतना ज्यादा
दुनिया बदलने का अपना इरादा
तूफ़ान उमंगों का इतना ज्यादा
हमारा जवान प्यार
तोड़ देगा हर दीवार

हमारा जवान प्यार
तोड़ देगा हर दीवार
बंधन में कब तक रहेंगे जकड़े
जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े ए

उनकी मुश्किलों का
अहसास नहीं ई
उनके लिए वक़्त किसी के पास नहीं
हो जो ना छोटे है ना बड़े
बड़ी मुश्किल में वो पड़े ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4226 Post No. : 15433

I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !

It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.

Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.

It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂

In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.

Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !

Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).

On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.

Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.

Quite a lively and appropriate song for the occasion it is.

Video
(video)
Audio

Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar

Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar

Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar

Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-

आ आ आ आ आ
आ आ आ आ आ

शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार

पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार

पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार

पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार

देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4095 Post No. : 15239

“Aapas Ki Baat”(1981) was produced by Salim Akhtar and directed by Harmesh Malhotra for Citizen Pictures, Bombay. The movie had Raj Babbar, Poonam Dhillon, Shakti Kapoor, Bharat Kapoor, Huma Khan, Narendranath, Asrani, Dina Pathak, Purnima, Abhi Bhattacharya, Kalpana Iyer, Madhu Malhotra, Bhushan Tiwari, Janaki Dass, Ajay, Sunder, Azad Irani, Rammurti Chatrurvedi, Sunder Taneja, Dolly, Khushboo, Moolchand, Kirti,Goga Kapoor etc in it.

The movie had five songs in it. One song from the movie has been covered in the past.

Today (4 october 2019) is the 67th birthday of Shailendra Singh (DoB 4 october 1952). It is so unbelievable to realise that he is 67 years old. It appears only yesterday that he had made his debut as a playback singer in “Bobby”(1973) as a 20 year old playback singer !

On this occasion, here is a song from “Aapas Ki Baat”(1981). This song is sung by Shailendra Singh and Lata. Dayanath Pandey is the lyricist. Music is composed by Anu Malik.

The song is picturised as an expression of love song on Raj Babbar and Poonam Dhillon.

Lyrics of this song were sent to me by Prakashchandra.


Song-Kehni hai do baaaten tumse (Aapas Ki Baat)(1981) Singers-Shailendra Singh, Lata, Lyrics-Dayanath Pandey, MD-Anu Malik

Lyrics(Provided by Prakashchandra)

kehnee hai do baatein tumse
magar kahoongaa kaanon mein
jo tum kehnaa nahin kisee se
apne yaa begaanon mein
kaanon mein toh chor hai kehte
aap bhi koyee chor hain kyaa
soorat se ho bhole bhaale
andhar se kuchch aur hain kyaa

kehnee hai
kehte raho

baat hawaayein le udti hain
abhi tujhe maaloom nahin
teri tarhaa se har koyee hai
jaan-e-mann maasoom nahin

kaun see baat pehle kahoon
dil ki yaa haseen khwaab ki
ho
baat seedhee si hamse karo
yeh paheli hai kyaa aapki

paas aao toh phir hum bataayein
dhadhkanon ki zubaan se sunaayein
kehnee hai do baatein tumse
magar kahoongaa kaanon mein
jo tum kehnaa nahin kisee se
apne yaa begaanon mein
kaanon mein toh chor hain kehte
aap bhi koyee chor hain kyaa
soorat se ho bhole bhaale
andar se kuchch aur hain kyaa

kehnee hai
kehte raho

dil ki baat hai kehnaa mushkil
khwab ki hi baat bataayein
itnaa pyaaraa thaa woh sapnaa
bhoole se bhi bhool naa paayen
aaa….haaa…aaaa…aaaa
ik paree dekhi maine utarte
taaron ki raah se dheere dheere
aankhon mein thi chamak neelam ki
thhe angoothhee mein bhi uske heere
haath se usne apne utaaree
hubahoo shakl soorat tumhaari
aaahha..haaa.haa..haa..haa…haaaa
ussne pehnaayee phir tumko hogi
ho gaye hoge pal bhar mein
jogi
ussne chaahaa hogaa jab bhi jaanaa
raah badhke wahin roki hogee

arre toone yeh sab kaise jaanaa
haath apnaa zaraa yeh dikhaanaa
naa.naa.naaa..aaa
ab kahoge yehi hai angoothhi
baat bilkul magar hai yeh jhoothhi
tum toh jhoothhe ho ek numbree
naa thaa sapnaa na koyee paree
tum chale thhe ham hi ko banaane
dekh ke mast mausam suhaane

kehnee hai do baatein tumse
magar kahoongaa kaanon mein
jo tum kehnaa nahin kissee se
apne yaa begaanon mein
kaanon mein toh chor hai kehte
aap bhi koyee chor hain kyaa
soorat se ho bhole bhaale
andar se kuch aur hai kyaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4045 Post No. : 15173 Movie Count :

4169

Today (15 august 2019) is not only the independence day, it also happens to be the festival of Rakhi.

I have managed to post one independence day song on this occasion. Now it is time I cover a Rakhi festival song as well, before the day wears off.

This raakhi festival song is from “Dav Pech”(1989). The correct spelling should be “Daanv Pench”. This movie was produced by Padmini Kolhapure and directed by Kewal Verma for Padmini Films Private Limited, Bombay. The movie had Jeetendra, BhanuPriya(south),Prem Chopra, Dinesh Hingoo, Chandrashekhar,Shakti Kapoor, Bob Christo, Sunil Dhawan, Renu Joshi,C.S.Dubey, Manik Irani,Kamaldeep, Neeta Kapoor,
Sangeeta Kapoor,Master Rinku,Gurbachchan Singh, Gauri Verma,Jugnu, Azad Irani,Umesh Khanna, Surbhi Zaveri etc in it.

This rakhi song had two versions. The duet version (happy version) was sung by Sadhana Sargam and Shailendra Singh. It was picturised on Gauri Verma, Jeetendra and Master Rinku. The sad female solo version was just one stanza long and it was sung by Sadhana Sargam.

Indeewar is the lyricist. Music is composed by Anu Malik.

Lyrics of the song were sent to me by Prakashchandra long back.

With this song, “Dav Pech”(1989) makes its debut in the blog.

I take this opportunity to wish our visitors happy Raakhi and also happy independence day.

Duet

Female solo

Song-Main har janam teri bahna banoon (Daanv Pench)(1989) Singers-Sadhana Sargam, Shailendra Singh, Lyrics-Indeewar, MD-Anu Malik
Both

Lyrics(Provided by Prakashchandra)
———————————
Duet version
———————————

hoooo…oooooo…ooooo
oooo…oooooo…….oooooo

main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
ek janam kyaa
saaton janam
teraa hi saayaa
sar pe rahe ae
main har janam teraa bhaiyyaa banoon
tu har janam meri behnaa bane

rishte naate bahut hain jag mein
koyee na rishtaa aisaa

bhai behan kaa pyaar hai paawan
gangaa jal ke jaisaa
main uss ghar ki karoon hifaazat
tu jis ghar ka gehnaa bane ae

main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane

des rahen pardes rahen hum
badlenge naa iraade

raakhi ke dhaagon mein chhupe hain
pyaar bhare kuchch vaade
buri nazar koyee
chhoo na paaye
tu meraa laaj rakhaiyyaa bane ae
main har janam teraa bhaiyyaa banoon
tu har janam meri behnaa bane

ek janam kyaa
saaton janam
teraa hi saayaa
sar pe rahe ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
hooooo….oooooooooo…ooooo ooooo….oooooooooo…..
ooooo….hoooooooooo……….ooooooooooooo….ooooo

————————————-
Lyrics (Sad female solo version)
————————————-
main har janam teri behnaa banoon
tu har janam meraa bhaiyya bane
ek janam kyaa
saaton janam teraa hi saayaa sar pe rahe ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyya bane
tu har janam meraa bhaiyya bane


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3897 Post No. : 14940

The Many Colors of Love #30 – The Covenants of Love
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

And so wrote the scribe

kar le dil ka sauda dil se
dil milta hai mushkil se
(‘Yahudi Ki Ladki’, 1957)

The transactions of heart are bound, but by just one covenant – it is the treasures of heart in exchange only for treasures of heart. No other exchange is possible, no other exchange is expected, nothing else in this whole wide world can be traded for the treasures of heart. For those who may want to, or expect to transact this exchange for something else, then they do not understand the true meaning of love.

And this thought brings up this song today. The burden of this song reiterates this maxim –

deta hai dil de
badle mein dil ke
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin

For the longest of time, I was under the impression that this song is already posted. And the reason for that is, that the song “Jhooth Bole Kauwwa Kaate” has been around on the blog for almost two years now. Being familiar with the film, one clearly remembers that these two songs are tandem songs, presented on screen one after the other – rather one flows into the next. Yes, true that Geet Kosh lists these two songs separately, but somehow in my mind, I have carried this impression that these two are a single song.

So when I posted the song by Narendra Chancalon 10th March (“Beshaq Mandir Masjid Todo“), and I reviewed the status of this film on our blog, I realized that this song is not yet posted – we are following the Geet Kosh convention. Since the day I have posted “Beshaq Mandir Masjid. . .”, it has been kind of an eagerness within, to see this movie yippeee’d here. Part of that is being surprised that songs of this film are not yet all on here.

This particular song is performed on screen by Premnath and Rishi Kapoor.  We are into about a third of the film. The two young hearts are now committed to each other, beyond any repair. Although not of legal age yet, but they want to get married and be partners for life. Premnath is non-committal, in the sense that he would do whatever makes his daughter happy. Pran, on the other hand, is a calculating and a manipulative person, eyeing this relationship with suspicion. As he sees the intensity of his son’s emotions, he decides to make a manipulative move, in an attempt to drive a wedge between the young lovers.

He asks his son to invite his beloved and her family for dinner. The young man is extremely excited. Not worldly wise as his businessman father, he thinks his father is a great man and is agreeing with his son’s wishes and choice for a life partner. Little does he know what his father has planned.

With this joyful and amiable news, he rushes to his beloved’s home, to present the invite himself. At her place, a fishermen’s neighborhood, another wedding is in progress. The ambiance is celebratory. There is singing and dancing, congratulations and the auspicious throwing of rice – in short, the mood is just right to share the supposedly wonderful news.

Without much preamble, Rishi delivers the invite to Premnath. The latter accepts forthwith with the comment that for his daughter’s happiness, he will gladly bow his head at the door of anyone, but he will never bend his knees. And to explain his comment, he breaks out in this song – that in the matters of love it is only the treasure of the heart which is to be exchanged for another treasure of heart. There is no other bargaining chip in the matters of love. Rishi readily joins in this song – the theme is so easily understood and reflected in his own mind. For him too, love is simply a give and take of the treasures of the heart.

Manna Dey starts this song, giving playback for Premnath. Shailendra Singh joins in for Rishi Kapoor. As always, it is a delight to watch a song in an RK film. The complete scenario and the ambiance are so totally focused on the song, its emotions and its renditions. Midway through the song, Dimple makes an appearance, as she is preparing for the next part of the song – yes, “Jhooth Boley. . .”. She is just there for now, not participating – but her face, her eyes are going along with the song that her beau is singing. The emotions expressed by her are so endearing, so freshly young, as she coyly and silently expresses herself in response to the lines that Rishi is performing. This small interlude is so charming, so. . . so winning. Dimple simply stole a million hearts right here in this song. Yes – you guessed it right, I too was smitten, and was in love. 🙂

One word in the lyrics had intrigued me right from the start. It is the word ‘ghe’, ‘घे’. Over the decades, this word has been presented variously and almost always erroneously. Some lyrics wrote this down as ‘khe’, ‘खे’; other places would write it down as ‘le’, ‘ले’; even today, the hindi-geet-mala web page for this song has actually written it down as ‘khel’, ‘खेल’. Wonder how they got to it, it does not even fit into the rendered metre of this line.

Once the internet was available, I had done the search for this word in Konkani language. Given that the entire scenario was a Goan neighborhood, it was only logical to seek this word in the local lingua. In Konkani, the word ‘ghe’, ‘घे’ means ‘to take’. The expression follows the lines which say

deta hai dil de
badle mein dil ke

And the young man, and the chorus responds with

ghe ghe ghe ghe
ghe re saaiba

saying – hey young man, just take this bargain, take.. take.. take.. take..  Once this meaning is known, the lyrics fall in place so beautifully.

‘Bobby’ is so close to the heart, and I mean the film, and Bobby. It appeals to an age, a mind set, and emotions – that I am never going to grow out of. It is 1973 forever.

And the talisman for life is forever – “प्यार में सौदा नहीं”.

[Editor’s Note: The initial lines of this song, which are in Konkani, have been provided by Dr Pradeep Shetty ji, in his comment below. The line is now added to the lyrics below. Thanks Dr Pradeep ji.]

[Video – Song Reprised at the end of the film.]

Song – Na Chaahoon Sona Chaandi (Bobby) (1973) Singer – Manna Dey, Shailendra Singh, Lyrics – Vithalbhai Patel, MD – Laxmikant Pyaarelal
Chorus

Lyrics

aagey naari
tujya matyancha phoolan paaya saoree
aagey naari
tujya matyancha phoolan paaya saoree

laallallall laa la llallall laa llallall laa
laallallall laa la llallall laa llallall laa

[Dialogue between Premnath and Rishi Kapoor]

na chaahoon sona chandi
na chaahoon heera moti
ye mere kis kaam ke

aaaa aaaaa aaaaaaaa aaaa aaa

na maangu bangla baadi
na maangu ghoda gaadi
ye to hain bas naam ke

aaaaa aaaaaa

deta hai dil de
badle mein dil ke
deta hai dil de
badle mein dil ke
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin
ghe ghe ghe ghe

ghe re saaiba
pyaar mein sauda nahin

o lall o lall laa laa
lallal laa laa laa
lallaa laa laa laa laa laa
lallal lallal laa laa

na jaanu mulla qaazi
na jaanu kaaba kaashi
main to hoon prem piyaasa re
mere sapnon ki rani
hogi tum ko hairaani
main to tera deewaana re
deti hai dil de
badle mein dil ke
deti hai dil de
badle mein dil ke
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin

pyaar mein sauda nahin

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आगे नारी
तुज्या मात्यांचा फूलाँ पाया साओरी
आगे नारी
तुज्या मात्यांचा फूलाँ पाया साओरी

लाल्लल्लल्ल ला ल ल्लाल्लल्ल ला ल्लाल्लल्ल ला
लाल्लल्लल्ल ला ल ल्लाल्लल्ल ला ल्लाल्लल्ल ला

[प्रेमनाथ और ऋषि कपूर की बात चीत।]

ना चाहूँ सोना चाँदी
न चाहूँ हीरा मोती
ये मेरे किस काम के

आsss आssss आsssssss आsss आss

ना माँगूँ बंगला बाड़ी
ना माँगूँ घोड़ा गाड़ी
ये तो हैं बस नाम के

आssss आsssss

देता है दिल दे
बदले में दिल के
देता है दिल दे
बदले में दिल के
घे घे घे घे घे
घे रे सायबा
प्यार में सौदा नहीं
घे घे घे घे घे

घे रे सायबा
प्यार में सौदा नहीं

ओ लल्ल ओ लल्ल ला ला
लल्लल ला ला ला
लल्ला ला ला ला ला
लल्लल लल्लल ला ला

ना जानूँ मुल्ला क़ाज़ी
ना जानूँ काबा काशी
मैं तो हूँ प्रेम पियासा रे
मेरे सपनों की रानी
होगी तुमको हैरानी
मैं तो तेरा दीवाना रे
देती है दिल दे
बदले में दिल के
देती है दिल दे
बदले में दिल के
घे घे घे घे घे
घे रे सायबा
प्यार में सौदा नहीं
घे घे घे घे घे
घे रे सायबा
प्यार में सौदा नहीं

प्यार में सौदा नहीं


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15932

Number of movies covered in the blog

Movies with all their songs covered =1224
Total Number of movies covered =4365

Total visits so far

  • 13,844,296 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,908 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: