Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 2015’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4240 Post No. : 15455 Movie Count :

4257

Hindi Songs from Bangla Films : 19
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‘Jogajog’ (Relationship, 2015) was a Bangla film which was based on a novel of the same name written by Gurudev Rabindranath Tagore and published in 1929. The film was directed by Shekhar Das. The main cast included Bhartya Basu, Suvalagna Mukherjee, Ananya Chatterjee, Arjun Chakraborty, Shaheb Chatterjee, Locket Chatterjee etc. By the way, Bhartya Basu, the lead actor in the film was the MLA and the Minister of Tourism of the Government of West Bengal when the film’s shooting started. It was a debut film for the lead actress, Suvalogna Mukherjee.

Unfortunately, the film is not available on video sharing platforms. So, I had to depend upon the English edition of Tagore’s novel which is available online as well as review of the film on the Times of India. Having gone through both the sources, I get an impression that the film’s director, Shekhar Das has, by and large, adhered to the story of the novel including the names of the characters. The novel itself is a commentary on the declining influence of aristocracy of landlords in Bengal Presidency from early 20th Century and the emergence of neo-rich business class and their clash of culture and values. It is a feminist novel but at the end, it is the defeat for the female protagonist in the novel.

The gist of the story of the film is as under:

The story revolves around the hostility of two families – the Chatterjees and the Ghoshals. The Chatterjees are landlords whose fortunes have declined while that of Ghoshals have improved considerably thanks to their flourishing business. Bipradas Chatterjee (Arjun Chakraborty), current head of Chatterjee family is indebted to Madhusudan Ghoshal (Bratya Basu), the middle-aged head of Ghoshal family. To resolve the debt issue, Madhusudhan offers Bipradas to marry his younger sister, Kumudini (Suvalogna Mukherjee), a strong-willed, religious minded and cultured girl. She agrees to get married to Madhusudan who is twice her age to save her elder brother from the clutches of indebtedness to Ghoshals.

From the day Kumudini comes to Madhusudhan’s house after her marriage, she is assigned a subsidiary status in an already dysfunctional Ghoshal family in which there is a hen-pecked younger brother, a sister-in-law, Shyamasundari (Ananya Chatterjee) who has become widow at a young age. Kumuduni carries out her work in the household which is expected of a married woman. As she has been brought up in a cultured family where women have been treated equal with their men folks, Kumudini finds Ghoshal house exactly opposite of her cultural upbringing. Here she is treated as a sub-servient to Madhusudan as well as an object of his sexual desires. His vulgar display of wealth and the rustic way of conversations with her puts her off to such an extent that she develops aversion towards her husband. Added to her woos is Madhusudan’s illicit relationship with his sister-in-law, Shyamasundari. With these background , she takes recourse to spirituality. She identifies herself with Meerabai and find solace in singing Meera bhajans.

Over a period of time, Kumudini is subjected to emotional trauma and the marital rape. Not able to cope up with her emotional trauma any more, Kumudini comes back to her elder brother’s house. He gives her assurance that she is not a burden on him. On the contrary, it is her right to be in his house. However, when Kumudini’s pregnancy is revealed, her elder brother does not agree with Kumudini to get her liberation from the marriage as she is carrying Madhusudhan’s child. He justifies his stand by saying that it is not right to deprive the child from the father’s home. Kumudini is sent back to the Ghoshal household.

In a way, it is a defeatist end in the novel to Kumudini. Probably, Tagore went with the stark reality of that time. Since director, Shekhar Das had made this film in the 21st century, the film’s end comes with some minor changes so as not to make the film with a defeatist end for Kumudini. I have seen the end part of a pirated version of the film on a video sharing platform in which Madhusudhan visits Chatterjee’s house and meets Kumudini privately. He tenders his apology to Kumudini for his wrongdoings and request her to come back home.

‘Jogajog’ (2015) has two Meera bhajans of which I am presenting one of the most popular and famous bhajans ‘mere to Giridhar Gopal doosro na koi’. The bhajan is rendered by Shreya Ghosal whom I consider as ‘Lata Mangeshkar of 21st century insofar as per playback singing is concerned. I have watched her growing from the winner of ZEE TV’s ‘sa re ga ma’(children) programme sometime in the 90s and her first playback singing for Hindi film ‘Devdas’ (2002) and thereafter. I still remember the confidence and the pose with which she rendered a song in front of stalwarts like Ustad Ali Akbar Khan, Ustad Zakir Hussain, Girija Devi, Anil Biswas etc on the dais and many more stalwarts in the audience.

The song is picturised on Suvalogna Mukherjee and Bratya Basu is an impatient listener. The bhajan is set to music by Pandit Debojyoti Bose who is a Sarod player and a disciple of Sarod Maestro Ustad Amjad Ali Khan. He is more into concerts than the music director.

I checked and found out that this Meera bhajan has been a part of more than a dozen Hindi films from 1932 onward. The singers varied from Zubieda, Sitara Kanpuri, M S Subbulaxmi, Mangeshkar sisters (Lata, Asha, Usha) to Vaani Jayraman. This is not an exhaustive list. There may be more singers in non-film segment.

I find Shreya’s Ghoshal’s version of this popular Meera bhajan equally pleasing to listen.

Video Clip:

Audio Clip:

Song-Mere to Giridhar Gopal doosro na koye (Jogajog)(Bangla)(2015) Singer-Shreya Ghoshal, Lyrics-Meera Bai, MD-Pandit Debojyoti Bose

Lyrics

mere to Giridhar Gopal doosro na koi
mere to Giridhar Gopal doosro na koi
jaake sir mor mukut mero pati soi
mere to Giridhar Gopal

taat maat bharta bandhu apna nahi koi
chhaadi do kul ki kaani
chhaadi do kul ki kaani kaa kariye koi
mere to Giridhar Gopal

aayi main bhakti ka jo jagat dekhat mohi
daasi Meera Giridhar prabhu
daa..aasi Meera Giridhar prabhu taaro ab mohi
mere to Giridhar Gopal doosro na koi
mere to Giridhar Gopal doosro na koi
jaake sir mor mukut mero pati soi
mere to Giridhar Gopal


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4117 Post No. : 15270 Movie Count :

4197

Hullo Atuldom

Let me wish a very Happy Deepawali to one and all. Let the festival light up our lives with lots of positivity love and peace. Let the new Samvat bring in prosperity all around. In all this let us try and make the life of everyone around us happy too. Dhanteras, Naraka Chaturdashi and Laxmi Pooja starts the festive week which goes on to Bhai Dooj and ends with Chat Pooja. May there be no issues of weight gain for anyone 😉

Now there are other things that group “Atulites” is celebrating today. One of us is having his birthday. Also, birthday wishes to the daughter of another atulite. God bless them with lots of health and happiness.

A few months back we had a party song for Atulji’s birthday which asked “where’s the party tonight?”; don’t remember the reply. But here is the next party and it is a song on Bhai with Kareena Kapoor Khan in tow and the whole “mohalla” joining in the celebration. As it is the whole country is in festival mood and this song fits in for the occasion.

A confession – I knew the existence of this song which was written by Shabbir Ahmed and composed by Pritam Chakraborty. But I hadn’t heard it completely. Neither in the movie nor on any music channel. As I sat to write it for the post and heard it, I knew this was a song which our birthday boy will love as it underlines his quality of being a great host. Specially the line “aao jahaaz mein ya bharke truck se”; he will definitely say “aaj ki party meri taraf se”. Another thing which I realized is that this is the end credits- song of the 2015 Kareena Kapoor- Salman Khan blockbuster “Bajrangi Bhaijaan” which was directed by Kabir Khan. The song features the entire cast of the movie which includes Nawazuddin Siddique, Sharat Saxena, the child – who played the ‘mute central character’- Harshaali Malhotra, and all the actors who played parents to Kareena and Harshaali. Much like the whole of Atuldom wishing our Atulite and Daughter of the other Atulite on their birthdays. Gang work 😉

I am sure the regular followers of this blog have guessed who is the Atulite I am wishing. He was one of the first follower and farmaish(er) of the blog [sorry for the hinglish word and wrong grammar.] He is a doston ka dost. An occasional NRA – non-resident Atulite. A very gracious host and then he also is a fan of HFM thanks to having spent a small part of his life in that sphere of the country where Hindi films were the only source of entertainment. A Rafi fan who is addicted to Kishore Kumar’s voice too. Fan of Rajesh Khanna who learnt to love Amitabh too. Over the years his love for Sahir Ludhianvi’s work has grown that by no means, means that he doesn’t appreciate other lyricists. He loves to occasionally slip into the Punjabi way of speaking and loves to hear Urdu in songs and poetry. I am speaking of Rajaji. Wishing our dear Rajaji a very Happy Birthday.

I don’t know much about the daughter who has her birthday today. Don’t even know her name but all the best to her too. I hope, she too, will like today’s song. May she have lots of dreams and may they come true.

Happy Deepawali once again to all!!!


Song-Ae party o party ae party party party(Bajrangi Bhaijaan)(2015) Singer-Mika Singh, Lyrics-Shabbir Ahmad, MD-Preetam Chakraborty
Chorus

Lyrics

ae party, o party,
aye party party party
aye party, o party,
aye party party party
papapappapapa
papapappapapa
papapappapapa
papapappapapa
papapappapapa

hai celebration
naacho dhana-dhan
music bajaao keh do yeh sabse
hai celebration naacho dhana-dhan
music bajaao keh do yeh sabse
aaj ki party meri taraf se
aaj ki party meri taraf se
chaand ko bolo utre falak se
aaj ki party meri taraf se
chaand ko bolo utre falak se
aaj ki party meri taraf se
um dum dukur dukur ahaa
dum dum dukur dukur oho
dum dum dukur dukur
dhing pata pat dhingri popo
dum dum dukur dukur
dum dum dukur dukur
dum dum dukur dukur
dhing pata pat dhingri popo

machi hai chull
tod ke rule
kare wo step ki gire log daayein baayein
neend bhi gull,
jashn hai full
naache jamke ke poora floor hill jaaye
baaz naa aaye,
shor machaaye
party jo na kare usko tata bye
machi hai chull
tod ke rule
kare wo step ki gire log daayein baayein
neend bhi gull
jashn hai full
naache jamke ke poora floor hill jaaye
baaz naa aaye
shor machaaye
party jo na kare usko tata bye
shaadi na function
aajao bantan
aao jahaaz mein ya bharke truck se
aaj ki party meri taraf se
aaj ki party meri taraf se
chaand ko bolo utre falak se

aaj ki party meri taraf se
dum dum dukur dukur ahaa
dum dum dukur dukur oho
dum dum dukur dukur
dhing pata pat dhingri popo
dum dum dukur dukur
dum dum dukur dukur
dum dum dukur dukur
dhing pata pat dhingri popo


This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3657 Post No. : 14519

ASAD 10th Anniversary Celebrations – 17
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Some achievements boggle your mind. A few years ago it was 10k song and now its 10 years of this blog. Maybe I should say it bloggles my mind! Terrible puns aside, I apologize for this delayed write up. Some incidents over the last weekend, caused me to tragically lose my phone, and after a remote data erase, miraculously find it again. It felt like a Hindi film honestly, one I would have titled ‘Kabhi Khushi Kabhi Gham’ if there hadn’t already been one by that name.

But today I am spurred into re-action as I seemed to be the only one without a post on this occasion despite being named by the fantastic Atul ji as the youngest contributor (though, isn’t that credit long stolen. I remember a 18 yr old writing about amirbai karnataki?) I decided that ‘देर आए पर दुरुस्त आए’ will be my style and I will write a new article and mark my attendance so to speak.

As I read what Atul ji wrote, I reflected on my own journey, from a watcher of movies to being someone who now stands behind the camera for 16 hrs a day and watches the magic happen. I love watching movies for fun even today and that’s how my first watch of anything still is. But my subsequent watches have me looking at individual shots and camera movements, production design and set decor, costuming and makeup, and all these aspects as they come together with the script and dialogue as an experience. I not only appreciate the executive brilliance but also spend time imagining the sight of some poor production guy whose life turned miserable for the shot to be executed.

Of course there are a lot of people who would like to say that movies made earlier are better than current movies but this honestly not true. Especially the 70s-90s, I grew up in the 90s, but I have to have  my nostalgia glasses glued to my face when I see the movies. Else I will start ranting about their problematic portrayals for a few days. Similarly some movies were technically brilliant then but there is some great original work being done today too. Of course like in a podcast by SnG comedy’s Aadar Malik (nephew to Anu Malik and a comedian in his own right) mentioned, (talking about the lack of technical advancement they recorded under in the 70s), “Yeh log ko itna mehnat aur perfection rakhana padta tha, because ek mistake bhi kitna bhari padta, ek do gaana chura liya toh kya hua aisa lagta hai”

My song today is one I picked not just because of its celebratory mood, nor because it has a varied ensemble that resembles us Atulites, but also to appreciate the hard work behind the whole thing. It’s the first song that’s been filmed, and presented in entirely one take in one camera. Our beloved song from ‘Aradhna’ (1969) had multiple cameras and the song from ‘Main Hoon Na’ had cuts from a separate location. This one had neither and you have to appreciate all the work and practice needed for everyone to be exactly in the place they needed to be at every moment whether in focus or out, their high energy throughout and the absolute conviction in co-ordination they had. There is also a very cute shot of Priyanka doing a dance step like an extra with her face looking away as she moved from one side to another for her next cue. The dance is cute and fun and Priyanka and Ranveer make the cutest siblings.

The song is from ‘Dil Dhadakne Do’ (2015) which is directed by Zoya Akhtar. and has a whole list of performers. We have Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh as Kabir Mehra, Farhan Akhtar, Rahul Bose, Vikrant Massey, Ridhima Sud, Parmeet Sethi, Dolly Mattdo, Manoj Pahwa, Preeti Mamgain, and a few I couldn’t identify dancing along perfectly in sync. The music is by Shankar ehsaan Loy and the lyrics are by Javed Akhtar. The singers are Shankar Mahadevan, Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar and Sukhwinder Singh.

Enjoy. And congratulations to all

Song – . . . Kar Le Gallaan Goodiyan (Dil Dhadakne Do) (2015) Singers – Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar, Shankar Mahadevan, Sukhwinder Singh, Lyrics – Javed Akhtar, MD – Shankar Ehsaan Loy

Lyrics

main daalun taal pe bhangra
tu bhi gidda paa le
chal aisa rang jamaa de hum
ke bane sabhi matwaale

mann kahe ki main le aaun
chaand aur taare saare
inn haathon par main chaand rakhun
iss maang mein bhar doon taare

hello!
hello!
tu floors pe jab hai aayi
ye lo
ye lo
badi solid masti chhaayi
hello!
hello!
too much hai tumne lagaayi
ye lo
ye lo
control karo mere bhai

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

ye nain matakka tera
oy mujhe bada tadpaave
tu dekhe to ajj vi dilbar kudiye
teer sa ik chal jaave
aahaa..
aahaa..
kar de bin piye saraabi
chehra tera gulaabi
koi kyun na yamla ban jaave
jo itni ho betaabi

hello!
hello!
dil dil se connect karna
ye lo
ye lo
ye lo
ye lo
ye baatein direct karna

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

aha..ho
aha…
o mar jaane..

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak
main kabootar phaseya ki hor koi phase vi na
haaye phase vi na
phase vi na haaye phase vi na
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
ho..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi naa..aa..aa..aa

ye baat na maine jaani
kyun itni khush hai diwaani
tu mujhko aisi kahaani
samjha de
samjha de..
ye baat hai sab ne chaahi
miley janmon ka humraahi
yahaan hua hai kuchh aisa hi
samjhe na samjhe na o ho..
ab main jaana
keh rahi ho
kya fasaana ho ho
pyaar karne

se bhi mushqil
hai nibhaana ho ho

hello!
hello!
don’t mind mera ye kehna
ye lo
whoo
ye lo
whoo
zara mere touch mein rehna

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
aa.. aa.. aa.. aa.. aa.. aa..
o haaye…

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

o mar jaa ve…

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

मैं डालूँ ताल पे भंगड़ा
तू भी गिद्दा पा लै
चल ऐसा रंग जमा दें हम
के बने सभी मतवाले

मन कहे मैं ले आऊँ
चाँद और तारे सारे
इन हाथों पर मैं चाँद रखूँ
इस मांग में भर दूँ तारे

हैल्लो
हैल्लो
तू फ्लोरस् पे जब है आई
ये लो
ये लो
बड़ी सॉलिड मस्ती छाए
हैल्लो
हैल्लो
टू मच है तुमने लगाई
ये लो
ये लो
कंट्रोल करो मेरे भाई

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

ये नैन मटक्का तेरे
ओय मुझे बड़ा तड़पावे
तू देखे तो अज वी दिलबर कुड़िए
तीर सा इक चल जावे
आ हा॰॰
आ हा॰॰
कर दे बिन पिये सराबी
चेहरा तेरा गुलाबी
कोई क्यों ना यमला बन जावे
जो इतनी हो बेताबी

हैल्लो
हैल्लो
दिल दिल से कोन्नेक्ट करना
ये लो
ये लो
ये लो
ये लो
ये बातें डरैक्ट करना

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

आहा॰॰हो
आहा॰॰
ओ मर जाने

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क
मैं कबूतर फसेया ते होर कोई फसे वी ना
हाए फसे वी ना
फसे वी ना हाए फसे वी ना
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
हो॰॰
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना॰॰आ॰॰आ॰॰आ॰॰आ

ये बात ना मैंने जानी
क्यों खुश हैं इतनी दीवानी
तू मुझको ऐसी कहानी
समझा दे
समझा दे
ये बात है सब ने चाही
मिले जन्मों का हमराही
यहाँ हुआ है कुछ ऐसा ही
समझे ना
समझे ना ओ हो
अब मैं जाना
कह रही हो
क्या फसाना हो हो
प्यार करने
से भी मुश्किल
है निभाना हो हो

हैल्लो
हैल्लो
डोन्ट माइंड मेरा ये कहना
ये लो
व्हू
ये लो
व्हू
ज़रा मेरे टच में रहना

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
ओ हाए

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

ओ मर जा वे


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3489 Post No. : 14017

Hullo Atuldom

Today (5 february 2018) is Monday, first day of a working week and the song with this post is asking for a weekend. I had fallen in love with it the minute I heard it about 2/3 years back in 2015. I had immediately noted its lyrics so that I could use it at the first opportunity.
This song is neither unique nor rare. It is from a movie where the young actor has co-starred with a senior actor whom he had probably addressed as uncle in the 1980s/90s. The junior actor was a bigger fan of the senior than the junior was of his own father’s.

Confused? Well let me clear the air. So, today’s song features Rishi Kapoor with Abhishek Bachchan. I have read a loooonggg time ago, in one of Amitabh Bachchan’s interviews, in a film magazine of the 80s; wherein Amitabh had said that his kids loved Rishi Kapoor movies more than his own as his movies had more of romance and feel good factors as opposed to Amitabh’s which had violence etc. Confusion cleared?
Ok it can be called unique in the sense after having acted and danced around with AB Sr. Rishi is here with AB Jr.

The movie was a very straight story of misunderstandings between father and son. How the son walks away from the family but returns on learning of a crisis in the family and how he reunites his parents and at the end “ALL IS WELL” — that was the name of the movie too. The movie was directed by Umesh Shukla the person who had made “OMG—OH My God!” in 2012. All is Well starred Asin and Supriya Pathak as the females in the life of RK and AB Jr. the movie has six songs with Himesh Reshammiya, Meet Brothers, Amaal Malik etc. as composers and assorted writers too. Today’s song is penned by Shabbir Ahmed and Amaal Malik is the composer. The playback is by Vishal Dadlani and the rap part is by Badshah.

Here I must confess that I have no clue about Badshah Amaal Malik, and very little knowledge about Meet Brothers. I only hope there are young followers to the blog who can throw light on these NEW NAMES for us. 🙂

Any guesses why I chose this song today— Abhishek Bachchan turns a year older today.

Wishing Abhishek Bachchan, a very Happy Birthday.


Song-Hafte mein chaar shaniwaar hone chaahiye (All is Well)(2015) Singers-Badshah, Armaan Malik, Vishaal Dadlaani, Lyrics-Shabbir Ahmad, MD-Amaal Malik

Lyrics

rule saare break karo
jo kabhi na kiya wo karo
party karne ka mood bane toh
weekend ka na wait karo

rule saare break karo
jo kabhi na kiya wo karo
party karne ka mood bane toh
weekend ka na wait karo
arrey common ye sabke vichaar hone chahiye
hafte mein chaar shanivaar hone chaahiye
hafte mein chaar shaniwaar hone chaahiye

shanivaar bole toh saturday
woh bhi chaar chaar

kabhi aisa bhi ho
sooraj chhuti pe ho
ghadi ke kaante
mutthi mein ho
in the lambi limo
full-on masti bhi ho
saath mein hot beauty bhi ho
arrey speaker ka volume hazaar hona chaahiye ae ae
hafte mein chaar shanivar hone chaahiye
chaar chaar char chaar
hafte mein char shanivar hone chahiye
four chaar
four chaar

maine kaha party karo,
kehna kyun nahi maante
jeene ke din hote hain,
bas chaar insaan ke
sharmaana aur ghabraana,
yeh dono cheezen chhod do
rules aur dance floor,
ye dono cheezen tod do
its yo boy badshaah

jab ye gaana bajegaa toh
automatically hi tu dance karega
kaan ke neeche do de doonga
jo kabhi faltu bakwaas karega
jisne party nahin karni
they can go to hell
?? boy is in the house
baby all is well

saal ke yaar gin
teen sau painsath din
52 hi shaniwaar hai
kar calendar ko flush
chhod de saare rush
din jawaani ke bas chaar hain
worldwide yehi prachar hona chaahiye ae ae ae
hafte mein chaar shanivaar hone chaahiye
hafte mein chaar shanivaar hone chaahiye


This article is written by Shivani Abhang, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The bond of Father and Daughter is one of the most Special bonds in the world. 12th february is my Father’s birthday and iam dedicating this song to him. Music has been one of the common interests we (my sister , father and I ) share.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

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Total Number of movies covered =4270

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