Archive for the ‘Songs of 2015’ Category
Jeena kya hai jaana maine
Posted on: December 6, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4889 | Post No. : | 16687 | Movie Count : |
4547 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LXIII: Year 2015
———————————————————————————————————
In this episode, the 63nd episode, we cover Lata Mangeshkar songs that she sang in Hindi movies released in 2015. In the previous episode, we covered a Lata Mangeshkar song from a movie of 2011. So this time we should have covered a movie song of 2012. But it turns out that Lata Mangeshkar did not sing any songs in Hindi movies released in 2012, 2013 and 2014. In 2015, she sang one song in a movie. So, in this episode we jump over three years and arrive at the year of 2015.
Lata Mangeshkar sang just one song in one movie released in 2015.
Here are the details of the song sung by Lata Mangeshkar in Hindi movies released in 2011 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | DunnoY2 Life is a moment | Nikhil Kamath | 0 | 1 | 1 | 0 | 0 | 0 | Vimal Kashyap |
| Total | 1 movie | 1 MD | 0 | 1 | 1 | 0 | 0 | 0 | 1 lyricist |
Lata Mangeshkar worked with 1 music director and 1 lyricist in this one movie released in 2015.
Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2007. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5244 songs that Lata Mangeshkar had sung in Hindi movies till end of 2015. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.
The above figures have remained unchanged for several years because Lata Mangeshkar no longer got to collaborate with the above music directors and lyricists after 2000.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2015 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 142 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 116 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 190 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 151 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 173 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 190 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 100 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 62 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 60 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 4 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 7 movies | 3 | 14 | 6 | 7 | 0 | 1 | |
| 2000 | 2 movies | 3 | 5 | 1 | 2 | 0 | 2 | |
| 2001 | 6 movies | 2 | 12 | 6 | 5 | 0 | 1 | |
| 2002 | 2 movies | 1 | 8 | 3 | 5 | 0 | 0 | |
| 2003 | NIL movies | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2004 | 1 movie | 4 | 9 | 2 | 4 | 0 | 3 | |
| 2005 | 3 movies | 1 | 4 | 3 | 1 | 0 | 0 | |
| 2006 | 1 movie | 1 | 1 | 0 | 1 | 0 | 0 | |
| 2007 | 1 movie | 1 | 1 | 0 | 1 | 0 | 0 | |
| 2008 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2009 | 1 movie | 1 | 1 | 1 | 0 | 0 | 0 | |
| 2010 | 1 movie | 1 | 1 | 1 | 0 | 0 | 0 | |
| 2011 | 1 movie | 1 | 1 | 1 | 0 | 0 | 0 | |
| 2012 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2013 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2014 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2015 | 1 movie | 0 | 1 | 1 | 0 | 0 | 0 | |
| Total upto 2015 | 1884 movies | 3767 | 5244 | 3390 | 1515 | 213 | 126 |
“DunnoY2 Life is a moment”(2015) is the only movie released in 2015 that had a song in it which was sung by Lata Mangeshkar.
“DunnoY2 Life is a moment”(2015) was directed by Kapil Sharma for Movies Masti Magic Studios, Mumbai. The movie had Zeenat Aman, Kapil Sharma, Yuvraaj Parashar, Meera, Sadia Khan, Danish Bhat, Roniel Rajkunwar, Tonje Gjevjon, Injeborg Kolle, Edith Roth Gjevjon, Nasrullah Qureshi, Saru Maini, Nary Singh, Rahul Chaudhary, Shubham Sharma, Rahool Chaudhary, Kushal Anand, Manisha Mendonza, Shashi Shaini, Sara Marielle Gaup Beaska, Mona Krager, Ellen Froysaa, Amir Malik, Tarje F. Jortoft , Marius Loftum etc in it.
The movie had four songs in it. One song has the voice of Lata Mangeshkar.
Here is that song.
The song is sung by Lata Mangeshkar and chorus. Vimal Kashyap is the lyricist. Music is composed by Nikhil Kamath.
The song is picturised on Yuvraj Parashar and Kapil Kaustubh Sharma.
Lyrics of the song and other details are provided by Prakashchandra.
With this song, the movie “DunnoY2 Life is a moment”(2015) makes its debut in the blog.
Lata Mangeshkar did not sing any other songs in Hindi movies released in the subsequent years. So with this article, we have come to the end of this marathon series of Lata Mangeshkar songs which began on monday 27 september 2020 and continued for 63 mondays without a break.
List of Lata Mangeshkar songs till 1985 can be taken from the six volumes of HFGK. Songs from 1986 till 1989 can be seen from Lata Mangeshkar Gandhar Swaryatra. But no list of Lata Mangeshkar songs after 1989 is available. Searching for Lata Mangeshkar songs after 1989 was a voyage which was undertaken by me, and also by Prakashchandra (independent of each other). In the process, we may have discovered several Lata Mangeshkar songs that few music lovers may have been aware of.
I take this opportunity to thank Prakashchandra, who on his own initiative was searching for Lata Mangeshkar songs independentally. Searching for Lata Mangehkar songs sung by her after 2000 is like searching for needle in haystack, and prakashchandra has been a great help in this backbreaking work. I cannot thank him enough for this work which he undertook on his own for last so many weeks.
The yearwise breakup of Lata Mangeshkar songs is done and dusted with. During this journey, I have come up with vast amount of statistics pertaining to Lata Mangeshkar songs. For instance, I can now tell you how many male duets and how many female duets she has sung with which singers. I can give exact number of songs that she has sung for various music directors and lyricists. I will come up with those statistics sometime in future on suitable occcasions.
In future, I may undertake similar exercises for other big name singers as well. Keep watching these spaces.
As the final offering of this series here is the very last song of Lata Mangeshkar that she sang in Hindi movies:-
Song-Jeena kya hai jaana maine (DunnoY2 Life is a moment)(2015) Singer-Lata, Lyrics-Vimal Kashyap, MD-Nikhil Kamat
FF00FF
Lyrics(Provided by Prakashchandra)
jeena kya hai
jaanaa maine
jab se tumko jaanaa hai ae aey ae ae
lamhaa lamhaa..aa
kwaahish hai ye ae
bas tumko hee paanaa hai ae ae
ho oho o ho o
neendon se
dooriyan see hain
chain bin tere
ab naheen..een..een..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
ek doojey mein hee..ee..ee
saans hum lete hain..aen..aen
dard bhee khushee khushee..ee
baant hum lete hain…en..en
hai alag duniyaa se aey ae ae
rishtaa teraa meraa..aa.
manzilon se aagey..ey
rastaa teraa meraa..aaaa
chaahey le chal (chaahey le chal)
tu jahaan bhee (tu jahaan bhee)
sang tere aanaa hai ae ae ae
tere liye ae ae
duniyaa kya hai ae ae
khud ko bhool jaanaa hai ae ae
o ho o o
neendon se
dooriyaan see hain
chaain bin tere
ab naheen..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen ..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
khwaab ye hai agar..rr…rrr
khwaab ye na tootey aey ae ae ae
maangey dil yehee duaa..aa..aaa
saath ye naa chootey aey ae
khaas har lamhaa hai aey
paas tere honey se aey ae ae
dartaa hai dil meraa..aaa
tumko kho dene se ae ae
ishq kyaa hai (ishq kyaa hai)
pyaar kyaa hai (pyaar kyaa hai)
tumse milke jaanaa hai aey ae ae
phoolon mein hai ae
khushboo jaisey aey ae ae
tujh mein yoon kho jaanaa hai ae ae
o ho o o
neendon se
dooriyaan see hain
chaain bin tere
ab naheen..een..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
jeena kya hai
jaanaa maine
jab se tumko jaanaa hai ae aey ae ae
lamhaa lamhaa..aan
kwaahish hai ye ae
bas tumko hee paanaa hai ae ae
ho oho o ho o o
neendon se
dooriyan see hain
chain bin tere
ab naheen..een..een..een
rehthi hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
aaaa…aaa…aaa….aaaaa
aaa..aaa…aaaaa…aaa…aaaan…aaaa
oo …oo.ooo…ooo…ooo
oo ooo ooo ooo ooo ooo ooo
ooo ooo ooo
aaa…aaa…aaa…aaa…aaaa
aaa …aaaan…aaa…aaaa
Matargashti
Posted on: January 6, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4555 | Post No. : | 17147 | Movie Count : |
4401 |
Hullo Atuldom
Deepika Padukone, daughter of champion badminton player Prakash Padukone, herself a national level player, entered the glamour world of films through the modelling route. She is one of the highest paid actresses currently and winner of three filmfare awards for acting. 2006 was her debut year in Kannada films and 2007 saw her debut in Hindi films through Farah Khan’s ‘Om Shanti Om.’ Since then she has had a mixed bag of fortune as far as successful movies are concerned, but she hasn’t shied away from experimenting with the characters she plays on-screen. Her roles in ‘Piku’, ‘Bajirao Mastaani’, ‘Padmaavat’, ‘Finding Fanny’ etc are all diametrically different from each other and that doesn’t mean that she hasn’t done roles of young, modern damsels as in ‘Happy New Year’, ‘Chennai Express’, ‘Cocktail’, ‘Aarakshan’, ‘Yeh Jawaani Hai Deewani’ etc.
2015 saw her star opposite Ranbir Kapoor in Imtiaz Ali directed “Tamasha”. She played the role of a businessperson who helps Ranbir Kapoor’s character overcome his complexes. The movie was a drama based on a non-linear screenplay. A type of story telling which I have seen in a few movies in recent times. The story was loosely based on a French novel ‘The Little Prince’. It may have been a moderate success but the work of the lead pair was well received. It had music by A. R. Rehman and lyrics were by Irshad Kamil.
Irshad Kamil has been around writing songs for some successful movies for the last 15-16 years. He was born in Punjab and is a graduate of journalism and a post graduate and PhD in Hindi.
A. R. Rehman, born in Chennai as A.S. Dileep Kumar, in 1967 converted to Islam when he was in his 20s. His journey in the music world began when he scored music for jingles and documetaries for Television in the late 80s when he was still Dileep. His most enduring and easily re-callable jingle being for Titan Watches. His first independent score was for Mani Ratnam’s ‘Roja’ in 1991. Prior to that he was playing in the orchestra of famous South Indian music composers.
With today’s song we are wishing the maestro, that A. R. Rehman has turned out to be, on his 54th birthday. May he keep giving us lovely, loving, hummable songs. Let us also wish Deepika on her birthday which was yesterday (5th January) with health and happiness.
The song with this post is something that I have been hearing and seeing from the time it released in 2015. What struck me was the choreography and the spirited performance of Ranbir and Deepika. There is a portion of the song where he tries to ape Dev Anand in terms of steps, costume, cap etc. This is a song which is a good showcase for Deepika’s beauty and Rehman’s music. The playback is by Mohit Chauhan. As I was writing this I realized that there is one other movie with the same title starring Dev Anand, Meena Kumari, Ashok Kumar etc. and that is already present on the blog waiting to be yyiippeed.
Audio
Video
Song-Matargashti (Tamaasha)(2015) Singer-Mohit Chauhan, Lyrics-Irshad Kamil, MD-A R Rahman
Chorus
Lyrics
aaa
nanananana
nanananana
nanananana
matargashti khuli sadak mein
takdi tadak bhadak mein
ole gire sulagte se sulagte se
sadak mein chhatri na thhi bagal mein
aaya hi na akal mein
ke bhaagen ham
ya bheegen ham akad mein
to socha phir geela hua hai jo sukhaana ho ho ho
chaahe janaana ya mardaana
ho ho ho ho ho
attention
phenka naya paasa phir de gayi jhaansa
aenwain mujhe phaansa teri aisi ki ho taisi zindagi
phenka naya paasa phir de gayi jhaansa
aenwe mujhe phaansa
chirkut zindagi you know
nanananaanana
nananaa
tingning ting tenw
tu hi hai wo
hey
jis’se
hey
khela tha mein kho kho
khela tha kho kho
hey
tu hai
hey
laila shirin
hey
sohni juliet
hey
sun lo
hey
mujhko
hey
dhoondha na jungle mele mein
whatsapp
hey
main hoon
hey
ha ha ha ha ha ha
na tera na mera zamaana ho ho ho
na ye janaana na mardaana
ho ho ho ho
pakad paana
phenka naya paasa phir de gayi jhaansa
aenwain mujhe phaansa phir de gayi jhaansa
aenwain mujhe phaansa
chirkut zindagi you ow
ho
tu hi hai wo
hey
jisne
hey
khechi meri dhoti
hey
dhoti khechi
hey
o tu
hey
dhoondhe kahan bande
na main kaba kashi
hey
main twitter pe hoon
dp meri
hey
dekho
hu hu hu hu hu
sun re sun beliya
dil ne dhokha diya
aankhen milin tumse naajneen
mere hosho hawaas kho gaye
ho dil ro roka
ye aankhen hain dil ki jubaan
khwaab roz roz dekhe naye
ho o
dil ka bhanwar bole sun saathiya
chhup na dupatte mein tu o chhaliya
prem pujaari ke
dil ka bayaan hota raha
rota raha priye
to phir deng deng deng deng deng
tang tang dang dang
tand dang dang dang
dang dang dang
chhuk chhuk too too
tenw ting tanw
ting ting ting tenw tain
ding deng deng tenw
mamamamama
dung dung teng
dang dang dang dang
tang tang tang tang
dang dang dang dang
dung dung dung
chhup chhup tu tu
hmm
Chain Kahaan Prabhu Bin Manwa
Posted on: June 26, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day: |
4361 | Post No. : | 15685 |
Hindi Songs in Bangla Film – 32
———————————-
The folk singer I am discussing here is from Assam. She has no direct or indirect connection to the soils of Bihar, Jharkhand and Uttar Pradesh. Yet her fans from these states has given her the title of ‘Bhojpuri Queen’. It is not that she has consciously chosen to sing in Bhojpuri. The fact is that it is one of the music recording companies who made her to sing Bhojpuri songs. Again, the title ‘Bhojpuri Queen’ to her would give an impression that she has restricted her singing mainly to Bhojpuri songs. But it is not so. She has been in her professional music scene since 2001 rendering nearly 9000 songs in 30 different languages/dialects of India. She has also done the playback singing in Hindi, Bhojpuri, Bangla, Assamese, Tamil and Marathi films, beside acting in some films. She is a folk musicologist and has done extensive research on the history of folk music especially in the Bhojpuri region.
I am referring to Kalpana Patowary (b. 27/10/1978) who has been endowed with a rich and powerful voice capable of singing in high octaves with ease. She was born in Sorbhog town in Barpeta district of Assam. Her father, Bipin Patowary, a folk singer himself and working for AIR (Aakashvani), Guwahati, gave Kalpana the initial training in Kamrupiya and Gaolporiya folk singing of Assam. She also learnt Baul singing from Naren Das. After completing her graduation in English literature from Cotton College, Guwahati, Kalpana enrolled in Bhatkhande College of Music, Lucknow from where she completed her Sangeet Visharad.
Even though Kalpana Patowary has been performing on the stage since her childhood, her professional music journey started in 2001 when after marrying Pervez Khan, her school-mate and neighbour in Assam, she shifted to Mumbai. She learnt Hindustani classical music from Ustad Ghulam Mustafa Khan of Rampur-Sahaswan Gharana in Mumbai. The first music album recorded by Kalpana Patowary was in 2001 which was a remix of popular Hindi songs. Her first Bhojpuri song album “Na Hum Se Bhangiya Pisaai’ae Ganesh Ke Papa” released in 2002 made her very popular among the Bhojpuri speaking population. With this popularity, she sang for the first time in a Bhojpuri film, ‘Sasura Bada Paisewala’ (2004) after which she became a regular playback singer of Bhojpuri films. She expanded her command over Bhojpuri songs by singing non-film folk songs in Puria, Pachra, Kajri, Birha, Sohar, Chaita and Nautanki genres. She traveled extensively in Bhojpuri speaking regions to study the folklore of the region. She was the first woman singer to sing and record a Chhapraihiya Purvi folk style song which was hitherto a male preserve.
In June 2012, Kalpana Patowary launched her music cum documentary album ‘The Legacy of Bhikari Thakur’ which was released by a British recording company, Virgin EMI Records. It received popularity all over the world, especially from in those countries having a sizeable Bhojpuri speaking population. It was a sort of Kalpana Patowary’s tribute to Bhikari Thakur who is regarded as ‘Shakespeare of Bhojpuri literature’. In addition, she also recorded documentary musical albums like ‘The Sacred Scriptures of Monikut’ and ‘Anthology of Birha’. She is the first singer to sings a Khadi Birha folk song for Coke Studio.
Kalpana Patowary as a playback singer in Bhojpuri films has faced criticism from some quarters for popularising Bhojpuri film songs with raunchy lyrics. She has defended herself by saying that in the initial period of her career in Bhojpuri film music, she was not well-versed with Bhojpuri dialect and the meanings. Also, she has pointed out that it is the writers of the songs who have to take care of the raunchy wordings. Also, she says that if the song was obscene than how did the Censor Board not take objection?
One of the effects of such criticism on Kalpana Patowary seems to be that she has become more determined to study the folklore of Bhojpuri region and popularise such folk songs not only all over India but also all over the world. Hence, during the last five years or so, she has been devoting much of her time in folklores of not only the Bhojpuri region but also of Bihar, Jharkhand, Uttar Pradesh, West Bengal, and North-Eastern States. She has also started her focus on devotional songs of these states.
It is in this background that Kalpana Patowary seems to have lapped up an opportunity by singing a devotional song “Chain Kahaan Prabhu Bin Manwa” in the film ‘Har Har Byomkesh’ (2015) which is picturised on herself. The song is written by Sutapa Basu which is set to music by Bickram Ghosh. The song in the video clip is partial as picturised in the film. The audio clip has got the full song.
The details of the film and the story have been given in my earlier article on the song – “Roothe Sajan Kaise Manaawe Ho Rama“.
—————————————————————————————————————————————————————–
Acknowledgements: The profile and other information on Kalpana Patowary is based on her interviews which appeared in some newspapers, magazines and also on Rajya Sabha TV. Information on her musical journey is also based on info from her website, http://singerkalpana.blogspot.com/
Video
Audio
Song – Chain Kahaan Prabhu Bin Manwa (Har Har Byomkesh) (2015) Singer – Kalpana Patowary, Lyrics – Sutapa Basu, MD – Bickram Ghosh
Lyrics
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
mann ki aankh se aansoo nikle
mann ki aankh se aansoo nikle
tan ki aankh rowe na
tan ki aankh rowe na
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
saagar paar kiya bajrangi..ee..ee
bajrangi ee..ee..ee
saagar paar kiya bajrangi
prabhu ke naam sahaayi
naam lewe to door ho peeda
naam lewe to door ho peeda
door howe kathinaayi
door howe kathinaayi
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
naam sahaare kaam sawaare..ae
naam sahaare kaam sawaare
mann ho mail kabhi na
main ho mail kabhi na
naam ke upar aur kachhu naahin
naam ke upar aur kachhu naahin
bhoole to ab nahin jeena
bhoole to ab nahin jeena
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
mann ki aankh ke aansoo nikle
tan aankh rowe na
tan aankh rowe na
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
chain kahaan prabhu bin manwa
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
मन की आँख से आँसू निकले
मन की आँख से आँसू निकले
तन की आँख रोवे ना
तन की आँख रोवे ना
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
सागर पार किया बजरंगी॰॰ई॰॰ई
बजरंगी॰॰ई॰॰ई॰॰ई
सागर पार किया बजरंगी
प्रभु के नाम सहाई
नाम लेवे तो दूर हो पीड़ा
नाम लेवे तो दूर हो पीड़ा
दूर होवे कठिनाई
दूर होवे कठिनाई
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
नाम सहारे काम सवारे॰॰ए
नाम सहारे काम सवारे
मन हो मैल कभी ना
मन हो मैल कभी ना
नाम के ऊपर और कछु नाहीं
नाम के ऊपर और कछु नाहीं
भूले तो अब नहीं जीना
भूले तो अब नहीं जीना
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
मन की आँख से आँसू निकले
तन की आँख रोवे ना
तन की आँख रोवे ना
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
चैन कहाँ प्रभु बिन मनवा
Roothe Sajan Kaise Manaawe Ho Raama
Posted on: June 14, 2020
- In: Boat song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Hindi Songs in Non-Hindi Films | Lyrics contributed by readers | Mujra song | Post by Sadanand Kamath | Sabina Mumtaz Alam Solo Song | Sabina Mumtaz Alam Song | Song from regional movies | Songs of 2010s (2011 to 2020) | Songs of 2015 | Yearwise breakup of songs
- 7 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4349 | Post No. : | 15660 | Movie Count : |
4313 |
Hindi Songs in Bangla Film – 29
———————————-
I became aware about the stories built around the fictional character of Byomkesh Bakshi, the murder mystery solver when a TV serial based on these stories was telecast on the Doordarhsan’s National channel in early 1990s. The serial was directed by Basu Chatterjee with Rajit Kapoor playing the role of Byomkesh Bakshi and KK Raina as Ajit, his assistant. During those days, the character of Byomkesh Bakshi became known all over India. ‘Byomkesh’ became synonymous with persons having inquisitive nature.
I had watched most of the episodes during those years. The episodes of this serial were recently re-telecast on the Doordarshan Channel during the Covid-19 lockdown. What I liked about the serial was restrained acting by Rajit Kapur as an investigator in a cool and calm mind, trying to solve the mysteries of murders with ‘much ado about nothing’ manner. In the end, the culprits were mostly the ones who were least suspected by the audience. This made the each and every episode a suspense thriller and the audience were glued to the show till the end.
Sharadindhu Bandopadhyay, the creator of Byomkesh Bakshi had written 32 published stories on his fictional character during 1932-70. He was associated with Bombay Talkies during 1938-40 as a story-writer for the films like ‘Bhabhi’ (1938), ‘Vachan’ (1938), ‘Navjeevan’ (1939), ‘Kangan’ (1939), ‘Durga’ (1939), ‘Punar Milan’ (1940) and ‘Azaad’ (1940). In 1970, he had started writing the 33rd story of Byomkesh Bakshi with ‘Bisupati Badh’ as its title. However, before the completion of the story, he died in 1970.
Some of the stories of Byomkesh Bakshi were made into feature films, mainly in Bengali. I got a list of 20 Bangla films made on Byomkesh Bakshi between 1967-2019. Probably, a few more films may have been made on Byomkesh Bakshi with different titles. One film was made in Hindi titled ‘Detective Byomkesh Bakshy’ (2015) under the banner of Yash Raj Films.
Last week, Partha Chanda, one of the regular visitors to our Blog conveyed to me that the Bangla film, ‘Har Har Byomkesh’ (2015) had 3 Hindi songs. I watched the film on one of the OTT media services with English subtitles. The film is based on one of 32 stories – ‘Banhi Patanga’ (English title: ‘Moth and Flame’). In Urdu, this story could have got the title of ‘Shama and Parwaana’. It is directed by Arindam Sil. The story is set in around mid-1940s. The gist of the story of the film is as under:
Byomkesh (Abir Chatterjee), his wife, Satyabati (Sohoni Sarkar) and his friend Ajit (Ritwick Chakraborty) have come from Kolkata on a holiday to Varanasi. They are the guests of DSP Pandey (Harsh Chhaaya). However, in a couple of days, Byomkesh co-incidentally gets involved in solving the murder mystery in Varanasi.
Pandey had received an invitation from Deepnarayan Singh (Adil Hussain), a rich zamindar to attend a party along with his guests in his palace for celebrating his cure from a liver ailment which had made him bed-ridden for about 5 months. In the party, Byomkesh was introduced, among others, to zamindar’s physician, Dr Palit (Dipankar Dey), Debnarayan (Indradip Dasgupta), the ‘good for nothing’ nephew of Deepnarayan, Shakuntala (Nusrat Jahan), the wife of Deepnarayan who is half of his age and whom he had married rather forcefully after the death of his first wife. During the party, Inspector (Shadab Kamal) came to the palace and informed Dr Palit of robbery in his clinic. However, not much monetary loss was reported. What could be the reason for robbery?
On the very next day, Deepnarayan dies soon after Dr. Palit administers injection for his liver problem. DSP Pandey rushes to the palace along with Byomkesh and Ajit. After interrogating those present in the palace including Dr. Palit and other relatives of Deepnarayan, Byomkesh comes to the conclusion that Deepnarayan has been murdered, possibly for one of the two motives – to corner his vast property by the interested relatives and second, to get rid of him due to extra-marital relationship.
As the investigation progresses, the list of suspects grows in the eyes of Byomkesh. The first is Debnarayan, the nephew of the deceased who would be the immediate beneficiary of the vast property as Deepnarayan has no children. Debnarayan’s wife, Chandni could also be a suspect as after the death, Shakuntala, now widow, would lose power in the palace. Chandni would be the de fact owner of the property as her husband, Debnarayan is not a smart person. Third, the Manager of the estate of Deepnarayan who. with his boss Deepnarayan’s death would get more freedom in managing the financial assets with the scope for misappropriation of money for his own benefits.
Even Shankutala, the widow of Deepnarayan is not above suspicion who is now 3-month pregnant. Byomkesh regards this as an illicit pregnancy as she has become pregnant when Deepnarayan had been bedridden for nearly 5 months with 24 hours surveillance from nurses on him because of his serious illness. Of course, Dr Palit is also in suspect’s list as it is only after he administered the injection, Deepnarayan had died. It is possible that he could have been influenced by any one of the suspects with an offer of handsome monetary rewards for administering poison to Deepnarayan. And lastly, Narmada Shankar (Subrata Dutta) who is from the same native place as Shakuntala has been friendly with her and has an access to meet her in the palace.
Finally, Byomkesh finds the killer and he is not from the above list. He reveals to all those present in the palace as to how he cracked the case. The film ends with Byomkesh, his wife, Satyabati and Ajit taking a stroll over the ghats of Varanasi as their holidays have just now begun.
I was curious about the title of the film, ‘Har Har Byomkesh’. After watching the film, I guess that the director wanted to give an indication that the whole episode took place in Varanasi, the city of Mahadev (Lord Shiva). So salutation, ‘Har Har Mahadev’ became ‘Har Har Byomkesh’. Interestingly, ‘Vyomkesh’ (pronounced in Bangla as ‘Byomkesh) is made up of two words, ‘Vyom’ (Air, space) and ‘Kesh’ (hair or jatta). When Lord Shiva is doing tandav nrutya, his hairs swing into the air. So Vyomkesh is another name for Lord Shiva. This is the interpretation I got on the internet about ‘Vyomkesh’.
‘Har Har Byomkesh’ (2015) has 3 songs – all in the sub-dialects of Hindi. This is not surprising as the story is set in Varanasi (as against Patna in original story). All 3 songs are composed in three different genres of Hindustani semi-classical music – Thumri, Chaiti and Bhajan. I am presenting here a Chaiti song “Roothe Sajan Kaise Manaawe Ho Raama” sung by Sabina Mumtaz Alam, Hindustani classical singer. The song is written by Sutapa Basu and is set to music by Bickram Ghosh, also a Hindustani classical musician and a fusion music director.
It is a mujra song which is being performed by a mujra singer in the midst of her admirers led by Debnarayan (Indradip Dasgupta), Narmada Shankar (Subrta Dutta) and their cronies in a boat sailing in River Ganga near the Varanasi ghats. Ajit (Ritwick Bandopadhyay), Byomkesh’s friend has gone for a stroll on the ghats of Varanasi. He is surprised to find Debnarayan on the boat enjoying the mujra performance just one day after the death of his uncle, Deepnarayan.
Song – Roothe Sajan Kaise Manaawe Ho Raama (Har Har Byomkesh) (2015) Singer – Sabina Mumtaz Alam, Lyrics – Sutapa Basu, MD – Bickram Ghosh
Lyrics
roothe sajan kaise manaawe ho raama. . .
roothe sajan kaise.. manaawe ho raama..aa
un dwaar kaise hum jaibe
un dwaar kaise hum jaibe
saanjh saverwa..aa..aa
saa..aanjh saverwa
kaate bin sandeswa
saa..njh.. saverwa
kaate bin sandeswaa
ho dikhaike
ho o o dikhaike sapanwa paas na aaibe
dikhaike sapanwa paas na aaibe
ho raa..aama..
kaise manaawe
roothe sajan kaise manaawe ho raama..
roothe sajan kaise.. manaawe
———————————————
Hindi script lyrics (Provided by Sudhir)
———————————————
रूठे सजन कैसे मनावे हो रामा॰॰
रूठे सजन कैसे॰॰ मनावे हो रामा॰॰आ
उन द्वार कैसे हम जईबे
उन द्वार कैसे हम जईबे
साँझ सवेरवा॰॰आ॰॰आ
साँ॰॰आँझ सवेरवा
काटे बिन संदेसवा
साँ॰॰आँझ॰॰ सवेरवा
काटे बिन संदेसवा
हो दिखईके
हो ओ ओ दिखईके सपनवा पास ना अइबे
दिखईके सपनवा पास ना अइबे
हो रा॰॰आमा॰॰
कैसे मनावे
रूठे सजन कैसे मनावे हो रामा॰॰
रूठे सजन कैसे॰॰ मनावे
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
|
Blog Day : |
4117 | Post No. : | 15270 | Movie Count : |
4197 |
Hullo Atuldom
Let me wish a very Happy Deepawali to one and all. Let the festival light up our lives with lots of positivity love and peace. Let the new Samvat bring in prosperity all around. In all this let us try and make the life of everyone around us happy too. Dhanteras, Naraka Chaturdashi and Laxmi Pooja starts the festive week which goes on to Bhai Dooj and ends with Chat Pooja. May there be no issues of weight gain for anyone 😉
Now there are other things that group “Atulites” is celebrating today. One of us is having his birthday. Also, birthday wishes to the daughter of another atulite. God bless them with lots of health and happiness.
A few months back we had a party song for Atulji’s birthday which asked “where’s the party tonight?”; don’t remember the reply. But here is the next party and it is a song on Bhai with Kareena Kapoor Khan in tow and the whole “mohalla” joining in the celebration. As it is the whole country is in festival mood and this song fits in for the occasion.
A confession – I knew the existence of this song which was written by Shabbir Ahmed and composed by Pritam Chakraborty. But I hadn’t heard it completely. Neither in the movie nor on any music channel. As I sat to write it for the post and heard it, I knew this was a song which our birthday boy will love as it underlines his quality of being a great host. Specially the line “aao jahaaz mein ya bharke truck se”; he will definitely say “aaj ki party meri taraf se”. Another thing which I realized is that this is the end credits- song of the 2015 Kareena Kapoor- Salman Khan blockbuster “Bajrangi Bhaijaan” which was directed by Kabir Khan. The song features the entire cast of the movie which includes Nawazuddin Siddique, Sharat Saxena, the child – who played the ‘mute central character’- Harshaali Malhotra, and all the actors who played parents to Kareena and Harshaali. Much like the whole of Atuldom wishing our Atulite and Daughter of the other Atulite on their birthdays. Gang work 😉
I am sure the regular followers of this blog have guessed who is the Atulite I am wishing. He was one of the first follower and farmaish(er) of the blog [sorry for the hinglish word and wrong grammar.] He is a doston ka dost. An occasional NRA – non-resident Atulite. A very gracious host and then he also is a fan of HFM thanks to having spent a small part of his life in that sphere of the country where Hindi films were the only source of entertainment. A Rafi fan who is addicted to Kishore Kumar’s voice too. Fan of Rajesh Khanna who learnt to love Amitabh too. Over the years his love for Sahir Ludhianvi’s work has grown that by no means, means that he doesn’t appreciate other lyricists. He loves to occasionally slip into the Punjabi way of speaking and loves to hear Urdu in songs and poetry. I am speaking of Rajaji. Wishing our dear Rajaji a very Happy Birthday.
I don’t know much about the daughter who has her birthday today. Don’t even know her name but all the best to her too. I hope, she too, will like today’s song. May she have lots of dreams and may they come true.
Happy Deepawali once again to all!!!
Audio
Video
Song-Ae party o party ae party party party(Bajrangi Bhaijaan)(2015) Singer-Mika Singh, Lyrics-Shabbir Ahmad, MD-Preetam Chakraborty
Chorus
Lyrics
ae party, o party,
aye party party party
aye party, o party,
aye party party party
papapappapapa
papapappapapa
papapappapapa
papapappapapa
papapappapapa
hai celebration
naacho dhana-dhan
music bajaao keh do yeh sabse
hai celebration naacho dhana-dhan
music bajaao keh do yeh sabse
aaj ki party meri taraf se
aaj ki party meri taraf se
chaand ko bolo utre falak se
aaj ki party meri taraf se
chaand ko bolo utre falak se
aaj ki party meri taraf se
um dum dukur dukur ahaa
dum dum dukur dukur oho
dum dum dukur dukur
dhing pata pat dhingri popo
dum dum dukur dukur
dum dum dukur dukur
dum dum dukur dukur
dhing pata pat dhingri popo
machi hai chull
tod ke rule
kare wo step ki gire log daayein baayein
neend bhi gull,
jashn hai full
naache jamke ke poora floor hill jaaye
baaz naa aaye,
shor machaaye
party jo na kare usko tata bye
machi hai chull
tod ke rule
kare wo step ki gire log daayein baayein
neend bhi gull
jashn hai full
naache jamke ke poora floor hill jaaye
baaz naa aaye
shor machaaye
party jo na kare usko tata bye
shaadi na function
aajao bantan
aao jahaaz mein ya bharke truck se
aaj ki party meri taraf se
aaj ki party meri taraf se
chaand ko bolo utre falak se
aaj ki party meri taraf se
dum dum dukur dukur ahaa
dum dum dukur dukur oho
dum dum dukur dukur
dhing pata pat dhingri popo
dum dum dukur dukur
dum dum dukur dukur
dum dum dukur dukur
dhing pata pat dhingri popo
. . . Kar Le Gallaan Goodiyan
Posted on: July 23, 2018
- In: 10th Anniversary Celebration Song | Celebration Song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Group Dance | Guest posts | Lyrics contributed by readers | Post by Peevesie | Song sung by three or more singers | Songs of 2010s (2011 to 2020) | Songs of 2015 | Yearwise breakup of songs
- 4 Comments
This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3657 | Post No. : | 14519 |
ASAD 10th Anniversary Celebrations – 17
———————————————————————
Some achievements boggle your mind. A few years ago it was 10k song and now its 10 years of this blog. Maybe I should say it bloggles my mind! Terrible puns aside, I apologize for this delayed write up. Some incidents over the last weekend, caused me to tragically lose my phone, and after a remote data erase, miraculously find it again. It felt like a Hindi film honestly, one I would have titled ‘Kabhi Khushi Kabhi Gham’ if there hadn’t already been one by that name.
But today I am spurred into re-action as I seemed to be the only one without a post on this occasion despite being named by the fantastic Atul ji as the youngest contributor (though, isn’t that credit long stolen. I remember a 18 yr old writing about amirbai karnataki?) I decided that ‘देर आए पर दुरुस्त आए’ will be my style and I will write a new article and mark my attendance so to speak.
As I read what Atul ji wrote, I reflected on my own journey, from a watcher of movies to being someone who now stands behind the camera for 16 hrs a day and watches the magic happen. I love watching movies for fun even today and that’s how my first watch of anything still is. But my subsequent watches have me looking at individual shots and camera movements, production design and set decor, costuming and makeup, and all these aspects as they come together with the script and dialogue as an experience. I not only appreciate the executive brilliance but also spend time imagining the sight of some poor production guy whose life turned miserable for the shot to be executed.
Of course there are a lot of people who would like to say that movies made earlier are better than current movies but this honestly not true. Especially the 70s-90s, I grew up in the 90s, but I have to have my nostalgia glasses glued to my face when I see the movies. Else I will start ranting about their problematic portrayals for a few days. Similarly some movies were technically brilliant then but there is some great original work being done today too. Of course like in a podcast by SnG comedy’s Aadar Malik (nephew to Anu Malik and a comedian in his own right) mentioned, (talking about the lack of technical advancement they recorded under in the 70s), “Yeh log ko itna mehnat aur perfection rakhana padta tha, because ek mistake bhi kitna bhari padta, ek do gaana chura liya toh kya hua aisa lagta hai”
My song today is one I picked not just because of its celebratory mood, nor because it has a varied ensemble that resembles us Atulites, but also to appreciate the hard work behind the whole thing. It’s the first song that’s been filmed, and presented in entirely one take in one camera. Our beloved song from ‘Aradhna’ (1969) had multiple cameras and the song from ‘Main Hoon Na’ had cuts from a separate location. This one had neither and you have to appreciate all the work and practice needed for everyone to be exactly in the place they needed to be at every moment whether in focus or out, their high energy throughout and the absolute conviction in co-ordination they had. There is also a very cute shot of Priyanka doing a dance step like an extra with her face looking away as she moved from one side to another for her next cue. The dance is cute and fun and Priyanka and Ranveer make the cutest siblings.
The song is from ‘Dil Dhadakne Do’ (2015) which is directed by Zoya Akhtar. and has a whole list of performers. We have Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh as Kabir Mehra, Farhan Akhtar, Rahul Bose, Vikrant Massey, Ridhima Sud, Parmeet Sethi, Dolly Mattdo, Manoj Pahwa, Preeti Mamgain, and a few I couldn’t identify dancing along perfectly in sync. The music is by Shankar ehsaan Loy and the lyrics are by Javed Akhtar. The singers are Shankar Mahadevan, Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar and Sukhwinder Singh.
Enjoy. And congratulations to all
Audio
Video
Song – . . . Kar Le Gallaan Goodiyan (Dil Dhadakne Do) (2015) Singers – Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar, Shankar Mahadevan, Sukhwinder Singh, Lyrics – Javed Akhtar, MD – Shankar Ehsaan Loy
Lyrics
main daalun taal pe bhangra
tu bhi gidda paa le
chal aisa rang jamaa de hum
ke bane sabhi matwaale
mann kahe ki main le aaun
chaand aur taare saare
inn haathon par main chaand rakhun
iss maang mein bhar doon taare
hello!
hello!
tu floors pe jab hai aayi
ye lo
ye lo
badi solid masti chhaayi
hello!
hello!
too much hai tumne lagaayi
ye lo
ye lo
control karo mere bhai
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
ye nain matakka tera
oy mujhe bada tadpaave
tu dekhe to ajj vi dilbar kudiye
teer sa ik chal jaave
aahaa..
aahaa..
kar de bin piye saraabi
chehra tera gulaabi
koi kyun na yamla ban jaave
jo itni ho betaabi
hello!
hello!
dil dil se connect karna
ye lo
ye lo
ye lo
ye lo
ye baatein direct karna
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
aha..ho
aha…
o mar jaane..
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak
main kabootar phaseya ki hor koi phase vi na
haaye phase vi na
phase vi na haaye phase vi na
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
ho..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi naa..aa..aa..aa
ye baat na maine jaani
kyun itni khush hai diwaani
tu mujhko aisi kahaani
samjha de
samjha de..
ye baat hai sab ne chaahi
miley janmon ka humraahi
yahaan hua hai kuchh aisa hi
samjhe na samjhe na o ho..
ab main jaana
keh rahi ho
kya fasaana ho ho
pyaar karne
se bhi mushqil
hai nibhaana ho ho
hello!
hello!
don’t mind mera ye kehna
ye lo
whoo
ye lo
whoo
zara mere touch mein rehna
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
aa.. aa.. aa.. aa.. aa.. aa..
o haaye…
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
o mar jaa ve…
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
मैं डालूँ ताल पे भंगड़ा
तू भी गिद्दा पा लै
चल ऐसा रंग जमा दें हम
के बने सभी मतवाले
मन कहे मैं ले आऊँ
चाँद और तारे सारे
इन हाथों पर मैं चाँद रखूँ
इस मांग में भर दूँ तारे
हैल्लो
हैल्लो
तू फ्लोरस् पे जब है आई
ये लो
ये लो
बड़ी सॉलिड मस्ती छाए
हैल्लो
हैल्लो
टू मच है तुमने लगाई
ये लो
ये लो
कंट्रोल करो मेरे भाई
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
ये नैन मटक्का तेरे
ओय मुझे बड़ा तड़पावे
तू देखे तो अज वी दिलबर कुड़िए
तीर सा इक चल जावे
आ हा॰॰
आ हा॰॰
कर दे बिन पिये सराबी
चेहरा तेरा गुलाबी
कोई क्यों ना यमला बन जावे
जो इतनी हो बेताबी
हैल्लो
हैल्लो
दिल दिल से कोन्नेक्ट करना
ये लो
ये लो
ये लो
ये लो
ये बातें डरैक्ट करना
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
आहा॰॰हो
आहा॰॰
ओ मर जाने
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क
मैं कबूतर फसेया ते होर कोई फसे वी ना
हाए फसे वी ना
फसे वी ना हाए फसे वी ना
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
हो॰॰
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना॰॰आ॰॰आ॰॰आ॰॰आ
ये बात ना मैंने जानी
क्यों खुश हैं इतनी दीवानी
तू मुझको ऐसी कहानी
समझा दे
समझा दे
ये बात है सब ने चाही
मिले जन्मों का हमराही
यहाँ हुआ है कुछ ऐसा ही
समझे ना
समझे ना ओ हो
अब मैं जाना
कह रही हो
क्या फसाना हो हो
प्यार करने
से भी मुश्किल
है निभाना हो हो
हैल्लो
हैल्लो
डोन्ट माइंड मेरा ये कहना
ये लो
व्हू
ये लो
व्हू
ज़रा मेरे टच में रहना
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
ओ हाए
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
ओ मर जा वे
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3489 | Post No. : | 14017 |
Hullo Atuldom
Today (5 february 2018) is Monday, first day of a working week and the song with this post is asking for a weekend. I had fallen in love with it the minute I heard it about 2/3 years back in 2015. I had immediately noted its lyrics so that I could use it at the first opportunity.
This song is neither unique nor rare. It is from a movie where the young actor has co-starred with a senior actor whom he had probably addressed as uncle in the 1980s/90s. The junior actor was a bigger fan of the senior than the junior was of his own father’s.
Confused? Well let me clear the air. So, today’s song features Rishi Kapoor with Abhishek Bachchan. I have read a loooonggg time ago, in one of Amitabh Bachchan’s interviews, in a film magazine of the 80s; wherein Amitabh had said that his kids loved Rishi Kapoor movies more than his own as his movies had more of romance and feel good factors as opposed to Amitabh’s which had violence etc. Confusion cleared?
Ok it can be called unique in the sense after having acted and danced around with AB Sr. Rishi is here with AB Jr.
The movie was a very straight story of misunderstandings between father and son. How the son walks away from the family but returns on learning of a crisis in the family and how he reunites his parents and at the end “ALL IS WELL” — that was the name of the movie too. The movie was directed by Umesh Shukla the person who had made “OMG—OH My God!” in 2012. All is Well starred Asin and Supriya Pathak as the females in the life of RK and AB Jr. the movie has six songs with Himesh Reshammiya, Meet Brothers, Amaal Malik etc. as composers and assorted writers too. Today’s song is penned by Shabbir Ahmed and Amaal Malik is the composer. The playback is by Vishal Dadlani and the rap part is by Badshah.
Here I must confess that I have no clue about Badshah Amaal Malik, and very little knowledge about Meet Brothers. I only hope there are young followers to the blog who can throw light on these NEW NAMES for us. 🙂
Any guesses why I chose this song today— Abhishek Bachchan turns a year older today.
Wishing Abhishek Bachchan, a very Happy Birthday.
Audio
Video
Song-Hafte mein chaar shaniwaar hone chaahiye (All is Well)(2015) Singers-Badshah, Armaan Malik, Vishaal Dadlaani, Lyrics-Shabbir Ahmad, MD-Amaal Malik
Lyrics
rule saare break karo
jo kabhi na kiya wo karo
party karne ka mood bane toh
weekend ka na wait karo
rule saare break karo
jo kabhi na kiya wo karo
party karne ka mood bane toh
weekend ka na wait karo
arrey common ye sabke vichaar hone chahiye
hafte mein chaar shanivaar hone chaahiye
hafte mein chaar shaniwaar hone chaahiye
shanivaar bole toh saturday
woh bhi chaar chaar
kabhi aisa bhi ho
sooraj chhuti pe ho
ghadi ke kaante
mutthi mein ho
in the lambi limo
full-on masti bhi ho
saath mein hot beauty bhi ho
arrey speaker ka volume hazaar hona chaahiye ae ae
hafte mein chaar shanivar hone chaahiye
chaar chaar char chaar
hafte mein char shanivar hone chahiye
four chaar
four chaar
maine kaha party karo,
kehna kyun nahi maante
jeene ke din hote hain,
bas chaar insaan ke
sharmaana aur ghabraana,
yeh dono cheezen chhod do
rules aur dance floor,
ye dono cheezen tod do
its yo boy badshaah
jab ye gaana bajegaa toh
automatically hi tu dance karega
kaan ke neeche do de doonga
jo kabhi faltu bakwaas karega
jisne party nahin karni
they can go to hell
?? boy is in the house
baby all is well
saal ke yaar gin
teen sau painsath din
52 hi shaniwaar hai
kar calendar ko flush
chhod de saare rush
din jawaani ke bas chaar hain
worldwide yehi prachar hona chaahiye ae ae ae
hafte mein chaar shanivaar hone chaahiye
hafte mein chaar shanivaar hone chaahiye
This article is written by Shivani Abhang, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The bond of Father and Daughter is one of the most Special bonds in the world. 12th february is my Father’s birthday and iam dedicating this song to him. Music has been one of the common interests we (my sister , father and I ) share.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments