Archive for the ‘C Ramchandra – Lata duet’ Category
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Blog Day : |
4469 | Post No. : | 15964 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part III: 1950
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So, we come to the year 1950. Lata Mangeshkar had announced her arrival on HFM scene in 1949. That year also marked the beginning of the golden era of HFM, which lasted till 1980.
Here are the details of the songs that Lata Mangeshkar sang in HFM in movies that were released in 1950:-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aadhi Raat | Husnlal Bhagatram | 6 | 6 | 5 | 1 | 0 | 0 | Asad Bhopali (3) Sarshar Sailaani (2) Khumar Barabankvi (1) |
| 2 | Anmol Ratan | Vinod | 7 | 7 | 5 | 2 | 0 | 0 | D N Madhok |
| 3 | Apni Chhaaya | C Ramchandra | 1 | 2 | 1 | 1 | 0 | 0 | P L Santoshi |
| 4 | Aarzoo | Anil Biswas | 5 | 5 | 5 | 0 | 0 | 0 | Majrooh Sultanpuri (3) Prem Dhawan (2) |
| 5 | Baawra | Krishn Dayal B Sc | 2 | 2 | 2 | 0 | 0 | 0 | Raghupat Rai (1) Gafil Harnalwi (1) |
| 6 | Baabul | Naushaad | 3 | 3 | 2 | 0 | 1 | 0 | Shakeel Badayuni |
| 7 | Beqasoor | Anil Biswas (4) Hansraj Bahl (2) | 6 | 6 | 4 | 2 | 0 | 0 | Ehsan Rizvi (4) Aarzoo Lucknowi (2) |
| 8 | Bhai Bahan | Shyam Sundar | 1 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 9 | Birha Ki Raat | Husnlal Bhagatram | 2 | 2 | 1 | 1 | 0 | 0 | Sarshar Sailaani |
| 10 | Chhoti Bhaabhi | Husnlal Bhagatram | 4 | 5 | 3 | 2 | 0 | 0 | Qamar Jalalabadi |
| 11 | Chore | Pt Govindram | 3 | 4 | 3 | 0 | 1 | 0 | Rammurty Chaturvedi (3) I C Kapoor (1) |
| 12 | Gauna | Husnlal Bhagatram | 0 | 1 | 1 | 0 | 0 | 0 | Qamar Jalalabadi |
| 13 | Hamaari Beti | Snehal Bhatkar | 1 | 3 | 3 | 0 | 0 | 0 | Pt Phani (1) Unknown (2) |
| 14 | Hanste Aansoo | Ghulam Mohammad | 1 | 1 | 0 | 1 | 0 | 0 | Shewan Rizvi |
| 15 | Hanste Rahna | Wadhwa | 0 | 1 | 1 | 0 | 0 | 0 | Unknown |
| 16 | Khel | Sajjad Hussain | 2 | 2 | 2 | 0 | 0 | 0 | Saaghar Nizami (1) Shams Azimabadi (1) |
| 17 | Khilaadi | Hansraj Bahl | 1 | 1 | 1 | 0 | 0 | 0 | Nakshab |
| 18 | Laajawaab | Anil Biswas | 5 | 9 | 4 | 2 | 1 | 2 | Prem Dhawan (4) Shekhar (2) Safdar Aah Sitapuri (2) |
| 19 | Maang | Ghulam Mohammad | 4 | 5 | 3 | 1 | 1 | 0 | Sagheer Usmani (2) Nizaam (1) Raja Mehdi Ali Khan (1) Prakash (1) |
| 20 | Mashaal | S D Burman | 2 | 2 | 2 | 0 | 0 | 0 | Kavi Pradeep |
| 21 | Meena Baaazaar | Husnlal Bhagatram | 6 | 6 | 1 | 5 | 0 | 0 | Qamar Jalalabadi |
| 22 | Meharbaani | Hafeez Khan | 1 | 5 | 2 | 2 | 1 | 0 | Anjum Jaipuri (2) Mashhar (1) Khawar Zamaan (2) |
| 23 | Niraala | C Ramchandra | 5 | 5 | 5 | 0 | 0 | 0 | P L Santoshi |
| 24 | Nirdosh | Shyam Sundar | 1 | 1 | 1 | 0 | 0 | 0 | Asad Bhopali |
| 25 | Pardes | Ghulam Mohammad | 6 | 6 | 5 | 1 | 0 | 0 | Shakeel Badayuni |
| 26 | Pyaar Ki Manzil | Husnlal Bhagatram | 3 | 6 | 4 | 1 | 1 | 0 | Shewan Rizvi (4) Rajinder Krishan (2) |
| 27 | Raaj Mukut | Pt Govind Ram | 1 | 4 | 2 | 1 | 1 | 0 | Bharat Vyas |
| 28 | Raaj Raani | Hansraj Bahl | 1 | 2 | 2 | 0 | 0 | 0 | D N Madhok |
| 29 | Samaadhi | C Ramchandra | 3 | 3 | 2 | 0 | 1 | 0 | Rajinder Krishan |
| 30 | Sangeeta | C Ramchandra | 8 | 8 | 7 | 1 | 0 | 0 | P L Santoshi |
| 31 | Sangraam | C Ramchandra | 5 | 5 | 3 | 1 | 1 | 0 | Brajendra Gaud (2) Raja Mehdi Ali Khan (2) P L Santoshi (1) |
| 32 | Sargam | C Ramchandra | 9 | 9 | 2 | 4 | 1 | 2 | P L Santoshi |
| 33 | Sartaj | Husnlal Bhagatram | 2 | 6 | 3 | 1 | 2 | 0 | Majrooh (4) Partab (1) Shewan (1) |
| 34 | Shaadi Ki Raat | Pt Govind Ram | 0 | 2 | 2 | 0 | 0 | 0 | Sarshar Sailaani (1) Feroz (1) |
| 35 | Surajmukhi | Husnlal Bhagatram | 1 | 2 | 0 | 1 | 1 | 0 | Aabid Gulrej |
| 36 | Wafa | Vinod | 3 | 5 | 3 | 1 | 1 | 0 | Hasrat Jaipuri(3) Aziz Kashmiri(2) |
| Total | 36 movies | 15 MDs | 111 | 143 | 93 | 32 | 14 | 4 | 40 lyricists |
Thus we can see that Lata Mangeshkar sang 143 songs under the music direction of 15 Music composers in 1950.
But during those days no one knew what future had in store. If one thinks about it, Geeta Roy was also doing very well. During 1949, she sang 103 songs while Lata Mangeshkar had sung 157 songs 143 songs. In 1950, Geeta Roy sang 166 songs ! More than what Lata Mangeshkar sang in the year ! So, it was Geeta Roy who was ahead of Lata Mangeshkar in 190s in the race for the leading female playback singer of HFM.
Out of 36 movies of 1950, all Lata songs of as many as 20 movies have already been covered. So, only 16 movies of 1950 can be taken up for discussing a Lata song in the blog.
“Apni Chhaayaa”(1950) is alphabetically the first such movie of 1950. This movie was directed by P L Santoshi for Chitralaya Limited, Bombay. This “social” movie had Sulochana Chatterjee, Balwant singh, Radhakishan, Mumtaz Ali, Sajjan, tiwari, Ram Singh, Dulaari, Mona, Neelam, Satyarani, Jawahar Kaul, Bab Raja, Narbada Shankar, Karadkar, Niranjan, Madan singh, Cuckoo etc in it.
The movie had ten songs in it, including two Lata songs. Four songs from the movie, including one Lata solo (incorrecly mentioned in HFGK as a Lata Chitalkar duet), namely Andhiyaare ghar mein jyot jali has been covered in the blog.
Here is the second and final Lata song from “Apni Chhaayaa”(1950) to appear in the blog. This song is sung by Lata and Chitalkar. P L Santoshi is the lyricist.
The movie had two music directors, via=z Husnlal Bhagatram Nd Hanuman Prasad. HFGK mentions two songs as Hanuman Prasad composion and is silent about the music directors of other movies. Here I have assumed Husnlal Bhagatram as the music director of the song.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Ae jee bade bade mahlon se wo ghar bhale (Apni Chhaaya)(1950) Singers-Lata, C Ramchandra, Lyrics-P L Santoshi, MD-Husnlal Bhagatram
Both
Lyrics
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
ae jee bade bade
un mehlon pe laanat
un mehlon pe thhoo
un mehlon pe thhoo
jin ki deewaaron mein daulat ki boo
aji daulat ki boo
jo dukhiyon ke aahon se ban ke khade
jo dukhiyon ke aahon se ban ke khade
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
daulat jahaan hai wahaan laakhon beemaari
laakhon beemaari
laakhon beemaari ki ek hai beemaari
ek hai beemaari
jis mein ghul ghul ke rahne waale maren
jis mein ghul ghul ke rahne waale maren
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
o jee duniya se door kahin ambuwa tale
duniya se door kahin ambuwa tale
chhoti hamaari madhhaiyya bane
tum Radha bano
tum Radha bano
ham Kanhaiyya banen
jahaan preet ki paavan jamuna bahe
aur prem ki mohan bansi baje
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
- In: Aansoo song | C Ramchandra - Lata duet | C Ramchandra - Lata duet | C Ramchandra songs as a singer | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lyrics by Sudhir | Lyrics contributed by readers | MD-Singer Song | philosophical song | Post by Arunkumar Deshmukh | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3843 | Post No. : | 14854 |
Today’s song is from film ‘Bhedi Bangla’ (1949). This film was produced by Anand Subramanyam, under the banner of Jagriti films, owned by Master Bhagwan. The story, dialogues and songs were by Ehsaan Rizvi and music was by P Ramakant. This was a name used by C Ramchandra, because he was under contract with Filmistan and could not give music in his own name. It started with Raja Nene’s film Shadi Se Pehle’ in 1947, in which he first used his assistant’s name Paingankar (the joint MD was Karnad). His name was Ramakant Paingankar and was assisting Chitalkar for a long time. Later, for Bhagwan’s films like ‘Bhedi Bangla’, ‘Bhole Bhale’ (1949), ‘Babuji’ (1950), and ‘Bakshish’ (1950) also, Chitalkar used the pseudo name P Ramakant as MD (information from Marathi Chitrapat Sangeetkar Kosh by Madhu Potdar).
Master Bhagwan was a very hard working person. In the real sense, he brought in the wave of stunt films in the late 40s. After the films of Master Vithal and Fearless Nadia waned in their popularity by 1944-45, it was Master Bhagwan, who established his own Production house – Jagriti Films, and produced several stunt films. He had a set of actors and actresses, which included Baburao Pehelwan, Vasantrao Pehelwan, Azeembhai, Shanta Patel, Chanchal, Leela Gupte, Usha Shukla and Vitha Lokare.
The storyline for most of his films was also fixed. Two young vagabonds – Baburao Pehelwan and Bhagwan, come to Bombay in search of employment. One Sethji (Azeembhai) appoints them to protect him from the local criminal (Vasantrao Pehelwan). Sethji has a good looking daughter (one of the stock Heroines), who has a maid (another girl from the stock). Baburao loves Seth ji’s daughter and Bhagwan loves the maid. After lot many stunts and fighting scenes, the end would be happy. The same story with changed names and other minor changes was used in almost all his films like ‘Badla’, ‘Bahadur’, ‘Jalan’, ‘Madadgaar’, ‘Dosti’, ‘Shake Hand’, ‘Matlabi’, ‘Bach Ke Rehna’, ‘Bhole Bhale’, ‘Jeete Raho’ or such other films. The audience did not mind . They were happy with the stunts. (Did Nasir Hussain get inspiration from Bhagwan in this matter ?)
Master Bhagwan entered the film world with silent film ‘Bewafa Ashiq’ (1930). His first talkie film was ‘Himmat-e-Marda’ (1934). Initially, like all other heroes, even Bhagwan used to sing his own songs. Once he had gone to Columbia company for rehearsal and recording a song. While entering, he saw a young man sitting under a tree and writing something. After rehearsal, he saw that fellow again and even after recording the man was still writing something. Bhagwan went to him and asked with curiosity what was he writing. The man answered, I am writing songs and stories. He came to know that his name was Ehsaan Rizvi and that he too lives in Dadar like Bhagwan. He took Rizvi’s address and left.
In 1938, Bhagwan got his first film as a director- ‘Bahadur Kisaan’ (1938). He called Ehsan Rizvi and gave him the job of writing the story, dialogues and songs. From that day Ehsaan Rizvi became a part of his team. He wrote for at least 25 films of Bhagwan’s. Born in 1914, Rizvi wrote lyrics for 60 films, but most of them were B or C grade films. He however wrote dialogues and screenplay for some well known films like ‘Do Ustad’ (1959), ‘Mughal e Azam’ (1960), ‘Woh Kaun Thi’ (1964), ‘Aan Milo Sajna’ (1971), ‘Gopichand Jasoos’ (1982) etc. He had shared the Filmfare award for dialogues of ‘Mughal e Azam’, with 3 other writers. He died on 16-1-1983.
Bhagwan and CR got introduced when Bhagwan was directing film ‘Bahadur Kisaan’ for producer Chandrarao Kadam. The MD was Meer Saheb and CR was his assistant. Of course, that time he was just Ram Chitalkar. Their friendship lasted for many more years. For film ‘Bahadur Kisaan’, the background music was composed by Naushad, CR and Sajjad Hussain. Naushad played piano, CR played organ and Sajjad played mandolin. Another person Prem, played clarinet. They were all struggling artistes then.
In 1942 Bhagwan directed ‘Sukhi Jeevan’, for which CR was the MD for the first time. Bhagwan and the producer Harishchandra Rao Kadam had some dispute on payments. Bhagwan decided to start his own production company and he started Jagriti Pictures. His first film was ‘Badla’ (1943). For this film he took 80,000 from a financier, with a condition of repaying one lakh rupees after the film is released. After this film Bhagwan churned out film after film in the stunt genre. In 1949, Bhagwan made film ‘Bhedi Bangla’, which was the first of its kind – a sort of horror cum mystery film. The film was a hit film. With this film Bhagwan had reached the zenith of his stunt films.
In this film, there were several scenes, where Bhagwan sees a ghost and his eyes widen and breath is held up. Due to the strain on the eyes, they became red and swollen and after some time, suddenly, he could not see anything. He thought that he has become blind. He shouted for his brother Shanker. Bhagwan was immediately taken to a hospital in Girgaon. The doctor examined him,gave him an injection and some tablets. That night he slept like a dead man, but after getting up on next day noon, he was happy that his eyesight was normal now.
Bhagwan had noticed that whenever his film’s trial show was arranged, a handsome young man would be present there. When he saw this man at the trial show of ‘Bhedi Bangla’ again, he inquired as to who he was. The young man told him that his name was Raj Kapoor and he was son of the great Prithviraj Kapoor. Bhagwan called him and asked him why he came. Raj kapoor said, “Sir, I like your stunt films. I am your fan. In my films, I copy your dance style. Why don’t you make a social film ?”. Few days later, even CR also pushed him hard to enter the social film genre now, so that CR can openly lend his name to Bhagwan’s films as MD and his film will get the benefit of his fame. Thereafter Bhagwan started thinking about it seriously and then ‘Albela’ happened. The rest is history, as they say! The story of Albela making, some other time. . .
The story of film Bhedi Bangla was,
Shyam (Baburao Pehelwan) and Manglu (Bhagwan) are friends and good for nothing. They come to Bombay to look for easy money. They pretend to be lame and blind and start begging. However, after few days, their secret is out and and the enraged public of Bombay gives them a sound thrashing. An onlooker calls them and asks if they would do a good job, instead of this nonsense. The agree and they are appointed as watchmen for a deserted haveli. It is owned by a Sethani (Tarabai – elder sister of Sitara Devi and mother of dancer Gopi Krishna). Her daughter is beautiful Prema (Leela Gupte). There is an estate manager also (Azeembhai – who later became a famous fight master in Hindi films), who does not like their coming there.
One day the friends find the dead body of the haveli’s maali (gardener) (Inamdar) in the premises of the haveli. The estate manager complains to the police. Police start investigations. Maali had a good looking daughter – Champa (Usha Shukla). While Manglu tries to take care of her, the estate manager tells police that he suspects this duo of murdering the maali. In absence of any proof, police do not arrest them but keep an eye on them.
Suddenly, the friends start seeing ghosts in the haveli. First few days, they are scared, but realise that this is all bogus and they try to reach the bottom of the matter. Finally, they unearth a plan of the estate manager to scare everybody, so that no one will remain there and he can conduct his gold smuggling business from there. He only has murdered the maali. After solid stunts and fighting scenes, the culprits are arrested and Shyam and Prema and Manglu and Champa are united. (658).
The film had 8 songs. Most songs are available on You Tube. 4 songs are already discussed here. Today’s song is the 5th song. It is a duet of Lata and Chitalkar. All in all, ‘Bhedi Bangla’ aka ‘The House of Mystery’ was a ‘paisa vasool‘ entertainment.
(Thanks to ‘Ek Albela’ by Isaq Mujawar and Mike Barnum’s Blog, for some information used here).
Song – Aansoo Na Bahaana, Ab Aansoo Na Bahaana (Bhedi Bangla (aka House of Mystery)) (1949) Singer – Chitalkar, Lata Mangeshkar, Lyrics – Ehsaan Rizvi, Music – P Ramakant (aka C Ramchandra)
Chitalkar + Lata Mangeshkar
Lyrics (Provided by Sudhir)
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
mast pawan is phulwari mein
kali kali khilaati hai
mast pawan is phulwari mein
kali kali khilaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
tum kehte ho is jag mein
bas hansna aur hasaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
sukh mein to hansti hai duniya
sabka yehi haal hai
sukh mein to hansti hai duniya
sabka yehi haal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
jag ki reet badal kar dekho
dukh ko bhi sukh banaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
lekin dil mein himmat ho to
khud badlega zamaana
kaanton bhari ye raah se hai
muskuraate jaana
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Hindi script lyrics (Provided by Sudhir)
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आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
मस्त पावन इस फुलवारी में
कली कली खिलाती है
मस्त पावन इस फुलवारी में
कली कली खिलाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
तुम कहते हो इस जग में
बस हँसना और हँसाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
सुख में तो हँसती है दुनिया
सबका येही हाल है
सुख में तो हँसती है दुनिया
सबका येही हाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
जग की रीत बदल कर देखो
दुख को भी सुख बनाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
लेकिन दिल में हिम्मत हो तो
खुद बदलेगा ज़माना
काँटों भरी ये राह से है
मुसकुराते जाना
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3468 | Post No. : | 13922 |
Lata’s songs NOT YET covered in this Musical Blog – 22
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The 1949 film ‘Bhedi Bangla’ was a stunt film Produced by ‘Jagruti Pictures, Bambai’ (as the city was called then) and Directed by Master Bhagwan. The star-cast included himself as well as Baburao, Azim, Shankar Mirajkar, Inamdar, K K Swamy, Leela Gupte, Usha Shukla, Tarabai etc.
Music was provided by P Ramakant to the lyrics of Ehsan Rizvi. The Film Had Six songs and Lataji had Five songs according to ‘Lata Samagra’. (2 Solos and 3 Duets with Chitalkar)
HFGK is slent about the singers of 7 songs and attributes only one song to the credit of Lataji.
After this duet of Lata and Chitalkar, only one duet is to follow soon, in this serial ‘Lata’s songs NOT YET covered in this Musical Blog’.
Song– Jhoolo more laalna sukh ke hindole (Bhedi Bangla) (1949) Singer– Lata, Chitalkar, Lyrics– Ehsan Rizvi, MD–P Ramakant
Lyrics
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna sukh ke hindole
resham ki ho doriyaan aaa aa
resham ki ho doriyaan
sone ka ho paalna
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna
chaandni suhaani tumhen jhoolnaa jhulaaye
chaandni suhaani tumhen jhoolnaa jhulaaye
taaron ke des pe phir nindiya raani aaye
ho nindiya raani aaye
apni nindiya rani ko tum nainon mein sambhaalna
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna
kaun hamen sunaata hai yeh meethhi loriyaan
kaun hamen sunaata hai yeh meethhi loriyaan
badhha rahi hain peengen mere hirday ki doriyaan
ho hirday ki doriyaan
jhoolnaa jhulaane waale saath(?) se na taalnaa
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna
waan waan waah
hun hun hun uu
haa aaa aaa
Kaali Ghata Chhaaye Re
Posted on: January 3, 2018
- In: "baadal" song | C Ramchandra - Lata duet | Calling the beloved | Devnagri script lyrics by Sudhir | Duet | Dupatta song | Feelings of heart | Guest posts | Lata song | Love song | Lyrics contributed by readers | Post by Bharat Upadhyay | Songs of 1940s (1941 to 1950) | Songs of 1949 | Waiting for love | Yearwise breakup of songs
- Leave a Comment
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3456 | Post No. : | 13860 |
Lata’s Songs NOT YET covered on our Blog – 21
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The last post I had posted on our wonderful musical blog was on 11th October 2017 !! After such a looooooooong gap, I am encouraged by what Sadanand Bhai has started and being one of the contributors (though a minor one) I am trying to post one song in this new year in my series ‘Lata’s Songs NOT YET covered on our Blog’.
This reminds me of a funny proverb in Gujarati, ‘Mai Bhi Dich’. In olden days there were community dinners for various castes and there was a dinner hosted for Brahmins. All will sit on cleaned ground in rows and the host will come to each with salt in the hand and ask for the sub-caste of Brahmins. The town had maximum Audichya Brahmins, so the major response from the row will be ‘AauDICH’, which sounded ‘Dich’ ‘Dich’ on the whole. One Miyabhai was tempted to taste the wonderful smelling food, also set down in the row. When the host came to him he said ‘Ma Bhi Dich’ and exposed himself that he was not a Brahmin. (ha ha ha ha )
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Chori chori tumse mulaaqaat huyi
Posted on: October 18, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jigar”(1949) was directed by Bhagwan for Chandni Chitra Production. The movie had Bhagwan, Leela Gupte, Vasantrao, Baburao etc in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all Atulites
Today is 1st August 2017 – the birth anniversary of Bhagwan Dada. He would have been 104. Phew! Whatever I know of Bhagwan Dada or Bhagwan is all hearsay and whatever I have read up on the various sites on the net.
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“Sangeeta” (1950) was directed by Ramanlal Desai for Sudha Pictures Production. The movie had Shyam, Nigar Sultana, Suraiya Choudhary, Ramsingh, Radha Krishnan, Pran, Mumtaz Ali etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In children’s stories, comics etc, people would eat/ drink some stuff that would give them great strength/ supernatural powers. Who can forget the escapades of Asterix and co, who would drink magic potion prepared by druit Getafix that would give them supernatural powers which they would use to thrash Roman legionnaires.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Ustaad Pedro”(1951) was produced by Sheikh Mukhtar and directed by Harish for Omar Khayyam Films Bombay. The movie had Sheikh Mukhtaar and Begam Para in lead roles along with Mukri, Shammi, Sapru, Ansari, Sunalini Devi, Chaman Puri, Agha also in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
We return to the ‘ Melody yatra of the 50s ‘ with yet another song from film Nadaan-51. This film was made by M and T Films, Bombay. Directed by Heera Singh, it was produced by S R Bhattacharya. The Chic Chocolate was the music director. In the credits of the film it was mentioned that the music was given under the “supervision” of C.Ramchandra. The cast of the film was Madhubala, Dev Anand,Mubarak, Madan Puri, Manmohan krishna, Sunalini Devi etc etc.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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