Archive for the ‘Sulking-Appeasing song’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4823 | Post No. : | 16601 |
On this 1st October 2021, I am completing 9 years of my blogging here. My first post was published on this Blog on 1-10-2012. It was on the film Savitri-1937. Since then in the last 9 years I have been continuously writing here and elsewhere. Though my writings are also published on several other Blogs and sites, my main favourite place is this one only.
Most of my original works were first published first here, except the interviews of relatives of old time artistes, which were published on memsaabstory.com. Some articles were published on anmol fankaar, Sangeet ke Sitare,Harveypam Blog, Kalyan Music Group, Songs of yore etc etc. In the last 9 years I have written, till today, 1020 posts here. It works out to an average of 1 article every 3.2 days-every 4th day- continuously for 9 years. In addition I have written film synopses of more than 600 films and more than 500 comments on this Blog alone. When I look back, I get surprised. How did I do it ?
There are reasons how and why I could do it. First, I like the atmosphere of this Blog. Secondly, Atul ji is a silent motivator, a good leader and he encourages contributors by giving a free hand and without disturbing styles of narrations. Thirdly, it is a very congenial and friendly team of Atulites. There are many more points but we all know them.
The Blog has created a special place for itself in the Blogosphere for its Credibility, Variety, Quantum of songs with lyrics and pots of information not available easily elsewhere. The Blog has actually become ” A Point Of Reference” for most other music and old film lovers. Information from the Blog is invariably quoted as proof and authenticity. Credit for all this goes to Atul ji. Thanks Atul ji. We feel proud to be associated with atusongaday !
Today’s song is from a Mythological film – Jai Bhim-1949. The film was made by Nav Jhankar productions, Bombay. It was directed by Anant mane -who became one of the all time successful Directors of marathi Cinema, later on. Music was by Sudhir Phadke, for songs written by lyricist Amar Verma- who married the famous Classical Singer Manik Dadarkar, better known as Manik Verma. The cast of the film was Vishwas, Vasant Thengdi, Ganapatrao Bakre, uma Devi, kusum deshpande, kanta kumari and many others.
Film Jai Bhim-49 was a MYthological film, but its information is not available anywhere. It is one of those films which have existance only in HFGK pages. The film was directed by Anant Mane. He was a struggling Director in 1949, but due to hard work and of course with good luck, he became a very big and renowned director in Marathi cinema. His contribution in the Hindi cinema was of a minimal nature but his Marathi films were mostly Hit films.
Anant mane was born in a lower middle class family of kolhapur, on 22-9-1915. His uncle Gyanba Mane was working in Prabhat films as an actor (in his last days Gyanba was seen selling vegetables on the roads of Kolhapur, for survival). Anant used to go with him to Prabhat studio. The studio life attracted him. At the age of 15 years, he left school and joined Prabhat. he was given work in the Laboratory. First 2 years he worked without pay and then he got a salary of Rs.10 pm.
While in Prabhat he worked and learned a lot in editing, Artwork, Sound recording in addition to working as an extra in a Mob scene. He was impressed with Shantaram’s knowledge in the studio. When the film ” Sairandhri” was made, he was given Vishnu’s role in it.
His diligence impressed Shantaram and he was taken in Editing laboratory. When Prabhat shifted to Poona, he too came with it and continued working in editing. He did editing of all Prabhat films till 1941. When Shantaram left Prabhat in 1942, he too left but joined as an assistant to director Raja nene till 1946. In 1949, he directed his first Hindi film ” Jai Bhim”-1949.
In 1950, Anant mane and Dada Dharmadhikari started ” Alhad Chitra”. Its very first Marathi film ” Bala jo jo re” became a hit and celebrated Silver jubilee. Their next two films ” Stree janma hi tuzi kahani” and ” Chimni Pakhare” also became Jubilee films. Chimni Pakhare was remade in Hindi as Nanhe Munne-1952. Anant mane directed 2 Hindi films in 1954-Kalakar and Suhagan, which were remakes of their Marathi films.
After this he concentrated only on marathi cinema and became a well known and successful director of 58 Marathi films. He also wrote stories and screenplays of 14 films. He won many State and Central Government awards. He considered Shantaram as his Guru. Even after being so successful, he worked as an assistant director to Shantaram for his famous film ‘ Pinjara”-1972.
Anant Mane died on 5-10-1995.
In the cast of this film you will find 2 names- Vasant Thengdi and Kusum Deshpande. They were husband and wife in real life. Thengdi was a very handsome person. Vasant Thengadi was born on 11-1-1910 at Nagpur. He was son of Congress leader Dhaniram Thengadi. Vasant had his education in Poona. He could not join the Army, because of his father’s political connections. He had to leave his Engineering college after father’s death. Being very handsome,tall and with good physique, he started working in Marathi dramas and films. He started his Hindi work with the film Dhuwandhar-35. ( This was also the Debut film for Leela Chitnis and Meera Alexander). He started doing Villain roles and became popular and famous. Besides Marathi films, his Hindi films were Taramati-45, Phir bhi apna hai-46, Mera Ladka-38, Din Raat-45, Ten o clock-42 etc. Later he also worked as assistant director to Raja Nene.
Kusum Deshpande was born on 20-11-1914 at Nagpur. She came to Bombay in 1930 and worked in Minerva as an apprentice, without pay. She worked in A.I.R. and some Marathi dramas and films. Her first Hindi film was Ghar ki Rani-40. She also did Charnon ki Daasi-41, Village Girl-45, Wamaq Azra-46 and Zamin Asmaan-46. In all she did 20 Hindi films. She married actor Vasant Thengadi on 30-11-1944.
After she stopped getting roles in Hindi films, she turned to Marathi films and had a long and fruitful career in it. She was the sister of actress Ranjana, who was Dilip Kumar’s Heroine in film Milan-1946( a bilingual in Hindi and Bangla, made by Bombay talkies).
Today’s song is a duet by Sudhir Phadke and Lalit Deulkar ( after this film they got married on 29-5-1949).
Song-O roop nagar ki raani dekho roothh ke na jaao (Jai Bhim)(1949) Singers- Sudhir Phadke, Lalita Deulkar, Lyricist- Amar Verma, MD-Sudhir Phadke
Lyrics
O roop nagar ki raani
dekho roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao o
roothh ke na jaao
mera jiya na dukhaao
o o
roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao
o o o
prem nagar ke raaja
prem nagar ke raaja
haath na lagaao o
haath na lagaao
jahaan rahe wahi jaao
haath na lagaao
main to jaan gaya
tere man ki batiyaan
o main to jaan gaya
tere man ki batiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
haan
to isliye roothhhi thi meri raani
suno
main to thha Panchal desh mein
jahaan hua Draupadi swayamwar
jahaan hua Draupadi swayamwar
nagar nagar ke raaja aaye
bade dhanurdhar veer dhurandhar
bade dhanurdhar veer dhurandhar
sabne apne dhanush baan ki
vidhya ke kaushal dikhlaaye
vidhya ke kaushal dikhlaaye
par koi bhi chakr beech
machhli ki aankhen bhed na paaye
haay raam
phir kya hua
phir brahman ke vesh mein
aaya Arjun veer
chhaaya dekhi tel mein
diya lakshya ko cheer
tab muskaayi jyun sadi
tab muskaayi jyun sadi
prem ras tabhi laga ??
phir mangal baaje baje
Parth ko varmaala pahnaai
o roopnagar ki raani
aao naacho dhoom machaao
dhoom machaao
o prem nagar ke raaja
aao naacho dhoom machaao
dhoom machaao
Arre main tera deewaana
Posted on: August 7, 2021
- In: Amit Kumar songs | Amit Kumar Suresh Wadkar duet | expression of love | Feelings of heart | Guest posts | Post by Peevesie's mom | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1985 | Sulking-Appeasing song | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4768 | Post No. : | 16517 | Movie Count : |
4493 |
Hullo Atuldom
“Bond 303” (1985) was produced B.C. Devra and directed by Ravi Tandon. It was one of those movies that was in the making for a long time.
It was one of the three movies that had Jeetendra play a Spy- an Indian James Bond. His James Bond act began with his ‘mast bahaaron ka main aashiq’ in “Farz” (1967) continued with “Raksha” (1981) {in both these movies Jeetendra was Agent 116}. “Bond 303” was the third in that list.
This spy-movie had all the ingredients, a movie of this genre, required viz: a hero who looks handsome, can shake a leg, do action sequences with ease, and a bevy of lovely ladies. The lovely ladies of ‘Bond 303’ were headed Parveen Babi (in a double role), Jayshree T. and Helen. The list of supporting actors had Prem Chopra, Deven Verma, Tom Alter, Iftikhar, Satyen Kappu, Shreeram Lagoo, Dev Kumar, Yusuf Khan (a.k.a Zebisco of Amar Akbar Anthony).
The story was very simple:
There are terrorist attacks all over the world. Planes, trains, houses are blown to smithereens by unknown rockets! The one to call is India’s super agent Bond 303! When we first meet him he’s preoccupied with a dozen ladies and they all burst out in an intensive song-and-dance number! Bond 303 befriends a young smart scientist, played by the cool Parveen Babi and they start to gather information about the evil organization behind it all. But someone wants to stop them and sooner than you can say “curry” they are in gravy, oops they are in danger!
This Indian spy movie had five songs that were written by Gulshan Bawra and composed by R D Burman. Amit Kumar, Asha Bhonsle, Kishore Kumar, Suresh Wadkar, R D Burman, were the playback singers used. Today’s song is in the voices of Amit Kumar, Suresh Wadkar and Kalyani Mitra.
(The blog’s statistics page shows a name Kalyani Das Mitra whose 11 songs are there on the blog. I would like some knowledgeable follower to confirm if Kalyani Mitra and Kalyani Das Mitra are one and the same. The title song of ‘Saawan Ko Aane do’, posted on the blog, has Kalyani Mitra listed as playback singer.)
The song is a typical ‘roothna-manana’ song where Jeetendra and Deven Verma are seen trying to appease Parveen Babi and her companion. (I think that is Meenakshi Thakur, but I am not sure. Prakashchandraji, please help) The ladies are of course putting on an act of being upset with the boys.
We are wishing Suresh Wadkar on his 66th birthday. And remembering Gulshan Bawra on his 12th anniversary.
Song-Arre main tera deewaana (Bond 303)(1985) Singers-Amit Kumar, Suresh Wadkar, Kalyani Mitra, Lyrics-Gulshan Baawra, MD-R D Burman
Lyrics
ae ae ae he he he
ae he he he
chal yahaan se
yeh toh deewaane lagte hain
arre main tera deewaana
yeh kaise tune jaana
zara meri jaan yeh bata
suno dil waali
chaahe de tu gaali
chhodoon na peechha tera
ho ho ho
main tera deewaana
yeh kaise tune jaana
zara meri jaan ye bata
suno dil waali
chaahe de tu gaali
chhodoon na peechha tera
ha ha
he he heee
he he heee
awaara loafer
arre dabe dabe honthon mein chhupaati hai hansi
hansegi
arre phansegi
hansegi phansegi
haan dekho toh deewaanon ki udaati hai hansi
hansegi
ai phansegi
arre hansegi phansegi
dabe dabe honthon mein chhupaati hai hansi
arre dekho toh deewaanon ki udaati hai hansi
aise na dil jalaao
o ho ho
main tera deewaana
ye kaise tune jaana
jara meri jaan ye bata
suno dilwaali
chaahe de tu gali
chhodoon na peechha tera
yeh toh gunde hain
badmaash
he he
kisi ko toh degi dil kabhi na kabhi
ai haseen
arre dilnasheen
ai haseen dilnasheen
haan kabhi wali baat kyun na ho jaaye abhi
ai haseen
ai dilnasheen
arre ai haseen
ai dilnasheen
kisi ko to degi dil kabhi na kabhi
kabhi waali baat kyun na ho jaaye abhi
dil hai aashiq tera
o ho ho
main tera deewaana
yeh kaise tune jaana
zara meri jaan yeh bata
suno dil waali
chaahe de tu gali
chhodoon na peechha tera
la la la la
la la la la la
la la la la la
la la la la la
la la la la la
- In: "sulking" song | Duet | expression of love | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1975 | Sulking-Appeasing song | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4651 | Post No. : | 16315 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXIX: Year 1975
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1975.
In 1975, 119 Hindi movies containing 568 songs were released. Lata Mangeshkar got to sing in 45 of these movies and she sang 90 songs in these movies. So Lata Mangeshkar’s voice was heard in 37.8 % of the movies released in 1975. Her voice was heard in 15.8 % of the songs appearing in the movies of 1975.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1975 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aakhri Daao | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Hasrat Jaipuri |
| 2 | Aakraman | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 3 | Aandhi | R D Burman | 3 | 3 | 0 | 3 | 0 | 0 | Gulzar |
| 4 | Anaadi | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 5 | Angaarey | Chitragupta | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 6 | Apne Rang Hazaar | Laxmikant Pyarelal | 2 | 2 | 2 | 0 | 0 | 0 | Anjaan |
| 7 | Baalak Aur Jaanwar | Chitragupta | 0 | 2 | 2 | 0 | 0 | 0 | Bharat Vyas |
| 8 | Bhoola Bhatka | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 9 | Chaitaali | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 10 | Chhoti Si Baat | Salil Chaudhary | 1 | 1 | 1 | 0 | 0 | 0 | Yogesh |
| 11 | Chupke Chupke | S D Burman | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 12 | Daakoo | Shamji Ghanshamji | 0 | 1 | 1 | 0 | 0 | 0 | Amrita Preetam |
| 13 | Dafa 302 | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 14 | Dharam Karam | R D Burman | 3 | 3 | 1 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 15 | Dharmatma | Kalyanji Anandji | 1 | 1 | 0 | 1 | 0 | 0 | Indeevar |
| 16 | Do Jaasoos | Ravindra Jain | 2 | 2 | 0 | 2 | 0 | 0 | Ravindra Jain+ Hasrat Jaipuri |
| 17 | Do Jhoothh | Shankar Jaikishan | 1 | 5 | 2 | 1 | 1 | 1 | Vishveshar Sharma (2) Verma Malik (1) M G Hashmat (1) Vitthalbhai Patel (1) |
| 18 | Ek Mahal Ho Sapnon Ka | Ravi | 2 | 2 | 1 | 1 | 0 | 0 | Sahir Ludhianvi |
| 19 | Faraar | Kalyanji Anandji | 2 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 20 | Himalay Se Ooncha | Kalyanji Anandj | 1 | 2 | 2 | 0 | 0 | 0 | Indeevar |
| 21 | Jaggu | Sonik Omi | 1 | 2 | 2 | 0 | 0 | 0 | S H Bihari |
| 22 | Julie | Rajesh Roshan | 1 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 23 | Khushboo | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 24 | Lafange | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 25 | Mausam | Madan Mohan | 3 | 3 | 1 | 2 | 0 | 0 | Gulzar |
| 26 | Mere Sajna | Laxmikant Pyarelal | 1 | 3 | 3 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 27 | Mili | S D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Yogesh |
| 28 | Mrigtrishna | Shambhu Sen | 1 | 2 | 2 | 0 | 0 | 0 | Shambhu Sen |
| 29 | Naatak | Laxmikant Pyarelal | 2 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 30 | Ponga Pandit | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 31 | Pratigya | Laxmikant Pyarelal | 1 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 32 | Prem Kahaani | Laxmikant Pyarelal | 4 | 4 | 1 | 3 | 0 | 2 | Anand Bakshi |
| 33 | Qaid | Nitin Mangesh | 0 | 1 | 1 | 0 | 0 | 0 | Maya Govind |
| 34 | Raja | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 35 | Sangat | Salil Chaudhary | 2 | 2 | 0 | 2 | 0 | 0 | Jaan Nisaar Akhtar |
| 36 | Sanyaasi | Shankar Jaikishan | 3 | 6 | 1 | 5 | 0 | 0 | Vishveshvar Sharma (2) M G Hashmat (1) Indeevar (1) Verma Malik (1) Vitthal Bhai Patel (1) |
| 37 | Sevak | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anjaan |
| 38 | Sholay | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 39 | Sansaar | Naushad | 1 | 2 | 0 | 1 | 1 | 0 | Anand Bakshi |
| 40 | Uljhan | Kalyanji Anandji | 1 | 2 | 2 | 0 | 0 | 0 | M G Hashmat |
| 41 | Umar Qaid | Sonik Omi | 1 | 1 | 0 | 1 | 0 | 0 | Gulshan Baawra |
| 42 | Vandana | Ravi | 2 | 3 | 3 | 0 | 0 | 0 | Asad Bhopali (2) Anjaan (1) |
| 43 | Warrant | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 44 | Zakhmee | Bappi Lahiri | 2 | 2 | 1 | 0 | 1 | 0 | Gauhar Kanpuri |
| 45 | Zinda Dil | Laxmikant Pyarelal | 1 | 3 | 1 | 1 | 0 | 1 | Verma Malik |
| Total | 45 movies | 17 MDs | 60 | 90 | 50 | 35 | 3 | 2 | 22 lyricists |
Lata Mangeshkar worked with 17 music directors and 22 lyricists in these 45 movies released in 1975. Shankar Jaikishan with 443 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by Laxmikant Pyarelal with 409 songs. C Ramchandra was in third position with 274 songs. Other top music directors for Lata Mangeshkar were Kalyanji Anandji (247), Chitragupta (238), Madan Mohan (189), S D Burman (173), R D Burman (156), Roshan (144), Naushad (136), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Vasant Desai (104) and Salil Chaudhary (101). Together these fifteen music directors composed 2970 songs out of 3992 songs that Lata Mangeshkar had sung in Hindi movies till end of 1975. The top nine lyricists till end of 1975 for Lata Mangeshkar were Rajinder Krishan (543),Anand Bakshi (381), Shailendra (361), Majrooh Sultanpuri (314), Hasrat Jaipuri (294), Prem Dhawan (201), Shakeel Badayuni (189), Bharat Vyas (189) and Sahir Ludhianvi (132). These nine lyricists had penned 2604 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Bappi Lahiri, Nitin Mangesh, Shamji Ghanshamji and Shambhu Sen for the first time in movies of this year. Lyricists Amrita Preetam, Gauhar Kanpuri, Shambhu Sen and Vishweshwar Sharmat got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1975 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 77 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 86 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 105 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 96 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 92 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 69 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 60 | 90 | 50 | 35 | 3 | 2 | |
| Total upto 1975 | 1269 movies | 3278 | 3992 | 2756 | 996 | 182 | 76 |
It can be seen from the table of 1975 that Lata Mangeshkar sang 90 songs in 45 movies released in 1975.
60 songs sung by Lata Mangeshkar in movies of 1975 have been covered in the blog. That leaves us with 30 songs from movies of 1975 that are yet to be covered.
All Lata Mangeshkar songs from 24 movies of 1975 are already covered in the blog. So 30 Lata Mangeshkar songs from 21 movies of 1975 are still available to be discussed.
Alphabetically “Aakhri Daao”(1975)is the first movie of 1975 that offers us Lata Mangeshkar songs.
“”AAkhri Daao”(1975) was directed by A Salaam for Kalabharati, Bombay. The movie had Saira Bano, Jeetendra, Danny, Padma Khanna, Ifthikar, Ramesh Deo, Satyen Kappu, Mohan Choti, Pinchoo Kaspoor, Amarjeet < Maqbool, Moolchand, Rajan Kapoor, Ratan Gaurang, Darshan, Ranjeet etc in it.
The movie had four songs in it. One song has been covered in the past.
The movie had one Lata song. It is a duet song sung with Kishore Kumar. Hasrat Jaipuri is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a “roothhna-manaana” song on Saira Bano and Jeetendra.
Song-Jhoothhe sang pyaar kiyaa (Aakhri Daao)(1975) Singers-Lata, Kishore Kumar, Lyrics-Hasrat Jaipuri, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
jhoothha
beimaan
bedardi
daghaabaaz
jhoothha
jhoothha
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
ham hi naadaan thhe jo itna intzaar kiya
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
jhoothhe sang pyaar kiya
haay
haay honey doll
sorry der ho gayi
jhoothe sang pyaar kiya
waade ka aitbaar kiya
kahin phans gaya thha
bura maan gayi
naaraaz ho gayi kya
jhoothe sang pyar kiya
waade ka aitbaar kiya
arre kuchh bolo to sahi
jaa
main nahin bolti
aaj se tumhaari meri katti
dhokhebaaz kahin ke
kab se khadi hoon main to aas lagaaye
kab se khadi hoon main to aas lagaaye
hare bhare raston par ankhiyaan bichhhaaye
bada bekaraar kiya
jhoothe sang pyaar kiya
wade ka aitbaar kiya
jhuthe sang pyar kiya
waade ka aitbaar kiya
(arre maaf kardo baba
arre bhool ho gayi
haath jodta hoon)
koi farishta to hoon nahin main
aadmi hoon aadmi
chalo jhagda chhodo
tumhen meri qasam
haan
tumse hi pyaar kiya
kisi se kya waasta
tumse hi pyaar kiya
kisi se kya waasta
mera tumhaara dilbar ek hi raasta
tumko ghamkhwar kiya aa
jhoothe sang pyar kiya
wade ka aitbaar kiya
jhoothe sang pyar kiya
wade ka aitbaar kiya
nahin maanoogi
haan
badi ziddi hoon
chahe haath jodo chaahe paanw pado
nahin maanugi badi ziddi hoon
chahe haath jodo chaahe paanw pado
tum
bade waise ho
apni kasam patthar ho
chalo hato
kaali ghataayen dekho parwat se pyaar karen
kaali ghataayen dekho parwat se pyaar karen
ye to sitam hai dekho
hum intzaar karen
sab kuchh nisaar kiya aa
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
jhoothhe sang pyaar kiya
wade ka aitbaar kiya
aay haay kyon tadpaati ho
arre kyon tarsaati ho
aur kya kahoon
tum kaho to jaan de doon jaan
tauba karo
kaan pakdo
tauba karo kan pakdo
phir kabhi aisa na karoge
waada karoge to poora karoge
acha baba jo kahogi wo karoonga
chalo maaf kiya
good
dil saaf kiya
waah
ho ho ho
aa haa aa haa
aaj ikraar kiya aa
jhoothe sang pyaar kiya
waade ka aitbaar kiya
jhoothe sang pyar kiya
wade ka aitbaar kiya
ham hi naadaan the jo itna intzaar kiya
jhoothhe sang pyaar kiya
wade ka aitbaar kiya
laa laa laa
laa laa laa
laa laa laa laa
laa laa laa
Maaf karo o baba maaf karo
Posted on: October 10, 2020
- In: "Nok-Jhonk" song | "teasing" song | Devnagri script lyrics by Avinash Scrapwala | Duet | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1973 | Sulking-Appeasing song | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4467 | Post No. : | 15959 | Movie Count : |
4373 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 104# Qeemat-1973 (Happy Birthday – Rekha) #
—————————————- ————————————————–
On the blog, other than sharing songs and posts for special occasions we also simultaneously work on ‘different projects’ from time to time. One of the projects that I have taken up is to introduce ‘movies having same titles’ on the blog.
We also combine launching of new ‘movie’ with special occasions like anniversaries of artists, actors, actresses etc.
Today I am presenting a song from the 1973 movie ‘Qeemat’. We already have a movie titled ‘Qeemat-1946’ on the blog and all its songs have also been covered on the blog.
Movies with the title ‘Qeemat’ (or ‘Keemat’) were also made in the year 1956 and later on recently in 1998.
However, I guess that the songs of the ‘Qeemat-1956’ are difficult to find and may be not available as of now.
Coming back to today’s movie and its song, the song is from ‘Qeemat-1973’ and it is picturised on lead pair of Dharmendra and Rekha of this movie.
Today 10th October is sixty-sixth birth anniversary (born on 10th October’1954) of Bhanurekha Ganeshan or Rekha as we fondly know her. So, today we wish her a very happy birthday and a healthy and peaceful life ahead.
Today’s song is from a movie of ‘1973’ i.e. a movie released almost forty-seven years back. Let us have a look on how this year was for Rekha and the movies she appeared on screen in this year;
–
| SNo | Movie Title | Date Passed by Censor Board | Director | Co-Star |
|---|---|---|---|---|
| 01 | Anokhi Adaa | 03.04.1973 | Kundan Kumar | Jeetendra |
| 02 | Barkhaa Bahaar | 15.10.1973 | Amar Kumar | Navin Nischol |
| 03 | Dharmaa | 23.11.1973 | Chaand | Navin Nischol |
| 04 | Double Cross | 25.10.1973 | Gogi Anand | Vijay Anand |
| 05 | Kahaani Qismat Ki | 19.12.1973 | Arjun Hingorani | Dharmendra |
| 06 | Kashamkash | 21.11.1973 | Feroz Chinoy | Feroz Khan |
| 07 | Khoon Khoon* | 02.06.1973 | Mohammad Hussain | |
| 08 | Namak Haraam | 19.11.1973 | Hrishikesh Mukherjee | Rajesh Khanna |
| 09 | Pran Jaaye Par Vachan Na Jaaye | 29.12.1973 | Ali Raza | Sunil Dutt |
| 10 | Qeemat | 29.06.1973 | Ravi Nagaich | Dharmendra |
*(as ‘Special appearance’)
We can see from the above details that she was paired with Dharmendra in ‘Qeemat’ and ‘Kahaani Kismat Ki’. ‘Kahaani Kismat Ki’ was one of the super-hit movies of that year.
I am not aware of the today’s movie ‘Qeemat’. I guess it was flop and forgotten movie.
I had watched this movie ‘Keemat-1973’ in 1985-1988 during my stay Parli-Vaijnath and I had earlier mentioned the same in my post here .
I do not remember the story of the movie now, nor do I remember how I felt about the moview back then. This movie was an action packed ‘spy thriller’ movie.
Dharmendra was known as ‘he-man’ those days. Considered the most suitable hero for ‘action packed’ movies, he was in the lead role in this movie along with Rekha, Prem Chopra and others.
1973 was a significant year in Dharmendra’s career as many of his movies released during 1973 were ‘super-hits’ and his roles in these movies were well appreciated.
The year preceding ‘1973’ and succeeding it were also successful years in his film career.
He was nominated for the ‘best actor’ ‘Filmfare award’ for ‘Yaadon Ki Baaraat-1973’, however he did not win it.
Here let us have a look at the movies starring Dharmendra released in the year 1973 (in alphabetical order):
| SNo | Movie Title | Date Passed by Censor Board | Director | Co-Star |
|---|---|---|---|---|
| 01 | Blackmail | 28.11.1973 | Vijay Anand | Rakhi |
| 02 | Jheel Ke Us Paar | 28.08.1973 | Bhappi Soni | Mumtaz |
| 03 | Jugnu | 28.07.1973 | Pramod Chakravarty | Hema Malini |
| 04 | Jwaar Bhaataa | 16.10.1973 | A. Subbarao | Saira Banu |
| 05 | Kahaani Qismat Ki | 19.12.1973 | Arjun Hingorani | Rekha |
| 06 | Loafer | 12.03.1973 | A. Bhim Singh | Mumtaz |
| 07 | Phaagun* | 08.06.1973 | Rajinder Singh Bedi | Waheeda Rehman |
| 08 | Qeemat | 29.06.1973 | Ravi Nagaich | Rekha |
| 09 | Yaadon Ki Baarat | 05.10.1973 | Nasir Hussain |
–
*(as ‘Special appearance’)
‘Qeemat-1973’ or ‘Keemat-1973’was directed by Ravi Nagaich for ‘Bharti Internationals, Madras’. Ravi Nagaich had also done the photography of this movie. It was produced by P. Mallikharjuna Rao.
It had Dharmendra, Rekha, Prem Chopra, Rajendra Nath, Aagha, Satyen Kappu, Maruti, Murad, Puranik, J.N. Anand, Prem Kumar, Kirti Kumar, Subhash, Suhail, Arjun Kumar, Shabnam, Indira Bansal, Halam, Kalam, Munni, Rani, with Jayshree T., Padma Khanna, Ranjeet.
K.N. Singh and Jayadev make a friendly appearance in this movie.
Dialogues of this movie were written by Vishwamitra Adil while the story idea was by Ramjee. V.D. Puranik was the dialogue director for this movie. Editing of this movie was done by N.S. Prakasam.
This movie had total six songs composed to music by Laxmikant-Pyarelal. The lyrics for all the six songs were written by Anand Bakshi.
Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie. (The titles of this movie mentioned the name of Ajit Singh in the list of singers, however HFGK Vol V doesn’t mentioned his voice in the songs of this movie in the list on the movie page of this movie).
Today’s song is sung by Kishore Kumar and Lata Mangeshkar. I guess this song would have been the only somewhat ‘known song’ from this movie. Because I remember to have listened to it in my childhood years on the radios and so when I watched the movie in 1987-88, I remember to have heard it earlier.
However, this and other songs of this movie seem to be all forgotten because in the recent years also I have recollections of listening to them on radio.
I would request knowledgeable readers to throw more light on this movie and its songs.
‘Qeemat-1973’ was passed by Censor Board on 29.06.1973 under ‘restricted viewing’ (A) certificate.
Today’s song is picturised on Dharmendra and Rekha where Dharmendra in his ‘own’ style is requesting Rekha to forgive him 😊
Let us now listen to this song…!!!
With this song ‘Qeemat-1973’ makes its debut on the blog. 🙂
Song-Maaf karo o baba maaf karo (Qeemat)(1973) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
suno to
naa naa naa naa naa
dekho to
naa naa naa naa naa
ruko naa
naa naa naa naa naa
ruko
ruko
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baaba maaf karo
oon hoon
oon hoon
maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
aaj koi des
kal aur koi bhes
mere dil pe lagi thhes
behroopiye
bol mujhe tang tune
kiya ke nahin kiya
kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
maaf karo
o baby maaf karo
neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
dil se nikaal mat mera khayaal
o buraa hai mera haal
teri yaad mein
pyaar tere sang maine kiya ke
nahin kiya
kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
oon hoon
oon hoon
maaf karo
o baaba maaf karo
__________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————-
सुनो तो
ना ना ना ना ना
देखो तो
ना ना ना ना ना
रुको ना
ना ना ना ना ना
रुको
रुको
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
ऊँ हूँ
ऊँ हूँ
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
आज कोई देश
कल और कोई भेस
मेरे दिल पे लगी ठेस
बहरूपिये
बोल मुझे तंग तूने
किया के नहीं किया
किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
माफ़ करो
ओ बेबी माफ़ करो
नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
दिल से निकाल मत मेरा ख़याल
ओ बुरा है मेरा हाल
तेरी याद में
प्यार तेरे संग मैंने किया के
नहीं किया
किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
ऊँ हूँ
ऊँ हूँ
माफ़ करो
ओ बाबा माफ़ करो
- In: "beach" song | "Jeep" song | "wooing" song | Dev Anand present without lip syncing | Dev Anand songs | Dev Anand songs by Kishore Kumar | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lata solo | Lata song | Multiple version song | Post by nahm | Songs of 1970s (1971 to 1980) | Songs of 1974 | Sulking-Appeasing song | Theme song | Yearwise breakup of songs
- 6 Comments
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4453 | Post No. : | 15919 |
Dev Anand – 97th Birth Anniversary
—————————————————–
Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), is the full name of the dashing, debonair yet chocolate hero of the 50’s, also nicknamed as the ever green actor, he was a hero, director, producer and what not. He is known for never say die attitude and being a gentleman of the old world sense. He formed a trio of superstars with Dilip Kumar and Raj Kapoor in the black n white era.
He was like a shining star which kept shining when all his neighbour, were laid down by age, health and simply lack of motivation. In the old ways, the culture of the film industry was about respect of seniors, treating others including junior artists, with respect and values which were based on humanity and equality in opportunities etc. The background of Dev Anand is an educated family of means. Plus that was an erawhen people with means had rich tastes and it converted into their conduct and dealing with fellow human beings. I have no knowledge how charitable or not Dev Anand himself was, because charity is not just sharing of monetary wealth, but sharing of positivity and knowledge also amounts of charity. Of course, there are people with such meanness in their makeup they will not lift an eyebrow, to facilitate someone else. And if such a person did lift an eyebrow, and someone else was slightly benefitted from it, the former will not like it. Ah…. I don’t know where I am going with this, but this is not towards Dev Anand.
I have recently seen his movies, “Kaala Bazaar” “Manzil” and “Kaala Paani” on youtube. Other unforgettable movie are such classics as “Guide”, “Tere Ghar Ke Saamne , “Jewel theif”, etc. I have read the Wikipedia page on Dev Anand. As I read through it, things got curious, as there is not filmography there. Very few films are mentioned, some of them I am yet to see. Zeenat Aman finds a mention as being discovered by him, but there is no mention of “Hare Rama Hare Krishna”. Also I found amiss the mention of his brothers Vijay Anand and Chetan Anand who were instrumental in his life and career. No mention of his great equation with SDB-RDB and Kishore Kumar.
There is also this line :
“Guru Dutt, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Kishore Kumar, S.D. Burman and R.D. Burman were his closest friends from the film industry.” If a man is known by the company he keeps, than there are no better examples.
The song I am presenting as a tribute to Dev Anand on his 97th birth anniversary is from the film “Amir Garib” (1974). The song comprises of two separate solos, by Lata Mangeshkar and Kishore Kumar, which are the mirror images of each other. The song picturization and the lyrics are also mirroring each other. Both songs are picturised on Dev Anand and Hema malini, singing the two solos. With colourful clothes, a beach, an open jeep on the beach, than the Swimming pool at the Sun & Sand just beyond the Juhubeach(Common in both songs, with extra’s looking like Europeans in colourful swim suits) and a park road with a tonga ride. This is a beach song, tonga song, car song swimming pool song, teasing song, pacifying song all rolled into one.
About version songs which are mirror image of each other, I can recall one song from the film “Himalaya ki god mein”
.
The following three songs from “Ameer Gareeb”(1974)are already posted in the blog :
| Song | Date posted |
|---|---|
| Mere pyaale mein sharaab daal de phir dekh tamaasha | 21 June 2009 |
| Main aaya hoon leke saaz haathon mein | 12 August 2012 |
| Kahin janaab ko mera to intezaar nahin | 3 December 2018 |
The post is by Peevesie’s Mom which has a synopsis of the film. Another trivia is that the first song from this movie appeared on the blog as early as 21.06.2009, within its first year.
Lata version
Kishore Kumar version
Song-Soni aur moni ki hai jodi ajeeb (Ameer Gareeb)(1974) Singer-Lata/ Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
————————
Lata version
————————
ho moni
Ho moni
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
khoya phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa
galiyon mein bada shor
sunaa tere naam kaa
maana tere paas hai baajaa
tu hai raajaa
magar raani binaa kis kaam kaa aa
magar raani binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaayeea
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare piyaa baaten
mulaaqaaten
piya jal kat ke reh jaayeea
piya jal kat ke reh jaaye
hohohoho
hai mera mehboob meraa raqeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
———————————-
Kishore Kumar version :
———————————-
ho Soni
ho soni
moni aur soni ki hai jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
ik door jaaye ik aaye qareeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
khoyi phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa aa
galiyon mein bada shor
sunaa tere naam kaa
maana teraa naam hai raani
mahaarai
magar raajaa binaa kis kaam kaa aa
magar raajaa binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaaye ae
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare kabhi baaten
mulaaqaaten
jiya jalkat ke reh jaaye ae
jiya jal kat ke reh jaaye
hohohoho
mehboob meraa hai meraa raqeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day: |
4451 | Post No. : | 15912 |
ik arz meri maan lo daftar ko jaana hai
mangal ka din hai aaj koi itwaar nahin hai
These two lines in the song “kyun garm sard hote ho takraar nahin hai” from ‘Chokori’ (1949) sung by Mohammed Rafi has made me to present this song which was not available on-line until SAREGAMA uploaded the audio clip of this rare song on one of the video sharing platforms in early 2019.
‘Chakori’ (1949) was the first film of Ravindra Dave as a producer which he produced under the banner of Ramesh Pictures. The film was directed by his younger brother, Ram Narayan Dave. The star cast included Nalini Jaywant, Bharat Bhushan, Manorama, Om Prakash, Randhir, Narbada Shankar, Uma Dutt, Cuckoo etc. The story, screen-play, dialogues and songs were written by Mulkraj Bhakri.
Ravindra Dave was the son of Karachi-based Seth Ratilal Dave who had a flourishing business of film distribution for North Indian territories under the name, Empire Talkie Distributors. This was the first film distribution company which undertook to distribute India’s first talkie ‘Alam Ara’ (1931) in Northern India. He joined his father’s film distribution company and helped his father in procuring distributions rights of films produced in Mumbai.
Dalsukh Pancholi was the uncle of Ravindra Dave who was already in film production and the owner of Pancholi Studio in Lahore. Ravindra Dave became the Production Manager in Pancholi Films. He got his first assignment as a director in Pancholi’s ‘Poonji’ (1943) along with Vishnu Pancholi. With his talent firmly established in film making, Pancholi gave him the assignment of writing the script for ‘Dhamki’ (1943) and directing it.
When Ravindra Dave was directing Pancholi’s next film, ‘Patjhad’ (1948), the partition happened and the communal riots that broke out in Lahore made him and Pancholis to come to Bombay with the completed reels of the film which was later released in 1948 after completion of the film in Mumbai. For both Pancholis and Ravindra Dave, it was like starting their filmy career afresh. Ravindra Dave directed about 30 Hindi films during 1943-69. Later, he shifted to Gujarati films producing and directing around 20 films until 1985.
Mulkhraj Bhakri, the story, screen-play, dialogue and song writer of ‘Chakori’ (1949) was born in Gujranwala in Punjab (now in Pakistan). His father, Moolchand Bhakri was the store-keeper in Indian Army Service Corps (IASC) at Pathankot. He went to school in Lyallpur (now Faisalabad in Pakistan). After completion of his Matriculation examination in 1931, he was keen to join the film industry.
Mulkraj Bhakri started his career as Cinema Manager. It took him a long time to get his first break in the film ‘Arsi’ (1947) as story and dialogue writer. After the success of the film, Mukraj Bhakri got two films – ‘Barsaat Ki Ek Raat’ (1948) and ‘Papiha Re’ (1948) for which he wrote story, dialogues, screen play and lyrics. Both these films were being produced in Lahore studios. Unfortunately, both the films became the victims of partition and were temporarily abandoned. These films were later released in some parts of India.
Mukraj Bhakri came to Bombay (Mumbai) after the partition along with his brothers, Lekhraj Bhakri, Deshraj Bhakri and Rajkumar Bhakri who were all associated with Hindi films. Mulkraj Bhakri became the rallying point for displaced film artists and technicians from Lahore. Bhakri who was the ‘de facto’ producer of the film ‘Chunariya’ (1948) gave Ravindra Dave his first assignment in post-partition India to direct the film. Next, Ravindra Dave got Prakash Pictures’ ‘Saawan Baadhon’ (1949) to direct. He also directed his uncle Pancholi’s first film in post-independent India – ‘Meena Baazar’ (1950).
Note: The profiles of Ravindra Dave and Mulkraj Bhakri up to 1949 are based on articles written by character actor, Janki Dass in film magazine ‘Sound’ – May 1949 and July 1949 issues, respectively.
So far, 7 songs (out of 11 songs) of ‘Chakori’ (1949) have been covered in the Blog. The song under presentation is the 8th song from the film to appear on the Blog. Song is written by Mulkraj Bhakri which is set to music by Hansraj Bahl.
In Hindi film songs, I had not come across the Urdu word ‘dehleez’ (threshold; may be चौखट in Hindi) until Gulzar saab used it in mudke na dekho dilbaro in ‘Raazi’ (2018). I was pleasantly surprised to note that Mulkraj Bhkari had used the word ‘dahleez’ in the song under presentation as early as 1949. Interestingly, Gulzar saab has also used the Hindi equivalent word ‘Chaukhat’ in the song, chhod aaye ham wo galiyaan in the film ‘Maachis’ (1996).
Enjoy the ‘wooing and pleading with the beloved’ song.
Audio Clip:
Song-Kyun garm sard hote ho takraar nahin hai(Chakori)(1949) Singer-Rafi, Lyrics-Mulkraj Bhakri, MD-Hansraj Bahl
Lyrics
kyun garm sard hote ho
takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
kyun garm sard hote ho
takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
baitha hoon main dehleez pe ghutnon ko thhaam ke
aji ghutnon ko thhaam ke
baitha hoon main dehleez pe ghutnon ko thhaam ke
aji ghutnon ko thhaam ke
main khali jaaun
achcha ye sarkaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
ye sochta hoon roz tujhe sair karaaun
tujhe main sair karaaun
ye sochta hoon roz tujhe sair karaaun
tujhe main sair karaaun
magar kya karoon
bekaar hoon saahib
mere paas car nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
ik arz meri maan lo
daftar ko jaana hai
aji daftar ko jaana hai
ik arz meri maan lo
daftar ko jaana hai
ho maine daftar jaana hai
mangal ka din hai
aaj koi itwaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
teri judaai mein mujhe kyun aayen siskiyaan
haay
aayen siskiyaan
teri judaai mein mujhe kyun aayen siskiyaan
mujhe kyun aayen siskiyaan
achha bhala to hoon
koi bhukhaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
kyun garm sard hote ho takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
- In: Duet | expression of love | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1972 | Sulking-Appeasing song | Yearwise breakup of songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4400 | Post No. : | 15783 |
I cut my HFM teeth in late 1960s when old order was giving way to new. Old order meant Rafi as the male playback singer of choice, Shammi Kapoor as the heart throb, and Shankar Jaikishan as the music directors of choice for big banners. In a matter of a few years or so, the musical order was turned upside down. When the dus settled, we found Shammi Kapoor being replaced by Rajesh Khanna, Rafi by Kishore Kumar and Shankar Jaikishan by R D Burman.
I became a young music lover sometime in mid to late 1960s. From being used to Rafi voice blaring from loudspeakers, I found a new male voice beginning to blare out of loudspeakers. Alongwith rest of the population, I too was mesmerised by this voice. The vesry first time I listened to the voice of Kishore Kumar, i loved it. the song was the iconic “Padosan”(1968) song-“mere saamne waali khidki”.
Rajesh Khanna meanwhile took the movie world by storm with “Aradhana”(1969), and that was followed by a string of hits. I would have loved to watch all those Rajesh Khanna songs, but I ended up watching “Haathi Mere Saathi”(1971) and “Apna Desh”(1971), that is all. By the time my movie watchin spree began in right earnest in june 1978, Rajesh Khanna had lost his crown as the first superstar of Hindi movies. That crown had passed on to Amitabh Bachchan.
Unlike Rajesh Khanna, Kishore Kumar never lost the crown of the top male playback singer. He continued to hold this crown troughout his life, till 1987. What longevity ! It is not easy to hold on to the top spot, as we see from the example of Rajesh Khanna. If Kishore Kumar could do it for close to two decades till his death, they this speaks highly of his durability and saleability. In fact, I feel that he almost singlehandedly held up the quality of playback singing during 1980s after all other leading playback singers had passed away.
On the occasion of Kishore Kumar’s 91st birth anniversary today on 4 august 2020 here is an archtypical Rajesh Khanna song sung by Kishore Kumar. The song is a duet from “Shahzaada”(1972). This movie was directed by K Shankar for Amar Chhaaya, Bombay. The movie had Rajesh Khanna, Raakhee, Madan Puri, Veena, Karan Dewan, Pandari Bai, Jairaj, Sunder, Mohan Choti, Gulshan Baawra, Badri Prasad, Halam, Varalakshmi, Shreeram Shastri etc in it. The movie had five songs in it. Two songs have been covered in the past.
Here is the third song from “Shehzaada”(1972) to appear in the blog. the song is sung by Kishore Kumar and Lata Mangeshkar. The song is penned by Rajinder Krishan. Music is composed by RD Burman. This roothhna manaana genre of song is picturised on Rajesh Khanna and Raakhi.
Lyrics of this song were sent to me by Avinash Scrapwala.
Song-Na jaiyyo chhod ke na jaiyyo meri raani (Shehzaada)(1972) Singer-Kishore Kumar, Lata, Lyrics-Rajinder Krishan, MD-R D Burman
Lyrics(Provided by Avinash Scrapwala)
Na jaiyyo o
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Haan jaayegi saath tere
Jaayegi saath tere
Meri zindgaani
Haan Na jaiyyo
Chhod ke na jaiyyo meri raani
Na jaiyyo
Hoye
Chhodke na jaiyyo meri raani
Baagon mein kaliyaan khilne ke din
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
Hey ae
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
O ho
De doonga jaan meri
De doonga jaan meri
Baat jo na maani haan
Naa jaaun
Chhodke naa jaaun tohe jaani
Ho kadmon mein tere meri
Kadmon mein tere meri
Phool si jawaani
Ho jaani jaaun
Naa jaaun
Naa jaaun
Chhodke naa jaaun tohe jaani
Tu hi sawera
Tu hi meri shaam
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam re
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam
Likh de jiya pe mere
Likh de jiya pe mere
Preet ki kahaani
Ho jaani jaaun
Naa jaaun
naa jaaaun
Chhodke naa jaaun tohe jaani
Kaahe ko roothhi thhi
pehle Gujariya
Jaanoon thhi manaa lega mera
Sawariyaa aa
Aankh micholi ki ye
Aankh micholi ki ye
Reet hai puraani
Ho jaani jaaun
Naa jaaun
naa jaaun
Chhodke naa jaaun tohe jaani
Ho
Jaayegi saath tere
haan
jaayegi saath tere
Meri zindgaani
Haan
Na jaiyyo oye
Chhodke na jaiyyo meri raani
Maaf karo maaf karo
Posted on: July 23, 2020
- In: "teasing" song | Asha Bhonsle songs | Guest posts | Kishore Kumar songs | Mehmood Song | Multiple version song | Post by Peevesie's mom | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1973 | Sulking-Appeasing song | Usha Mangeshkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4388 | Post No. : | 15749 |
Hullo Atuldom
Today’s song is sure to get a “How Come?” reaction from all concerned, even Atulji and Sudhirji will probably include it in the category of “How come this song was not posted earlier?” and “How did I forget to post this song earlier?”. Also I know we have fans of today’s song among the followers of the blog who will say “How did we miss it in all these 12 years of the blog?” I, who regularly try and send a song for the birthday and anniversary of the main actor in this song, also kept putting it off for God Knows what occasion!!!
But better late than never. And here is an all-time popular song.
There are hundreds of multi-version songs in filmdom. Usually we will have the same song sung as happy and sad, male- female, family reunion versions etc. Today’s is a hatke (different) multi-version song. It cannot be categorized as Happy-Sad or Male -female versions. In both versions of this song all the characters involved lip-sync. There are two couples, hence four singers. And finally, the mood of the songs are “roothna-manaana” and/or “teasing song”. I won’t call it eve-teasing as one song has the girls teasing the guys. There is equality here. 😉
The first version (in the movie) happens when the boys -Chuttan and Puttan land up accidentally in the house of Shaila (Aruna Irani) and she walks in, with her friend Poonam (Anjana -she was not yet Anjaana Mumtaz then). The girls have the upper hand in this version as they threaten the boys of handing them over to her father (Jeevan) or Poonam’s inspector brother (Chandrashekar). The song closes with the girls tying up the boys.
The second one is in Mahabaleswar where the boys are in hiding from their strict father (Ashok Kumar). I must mention here that I was reminded of this movie because of Guruji’s recent post where he mentioned the actress who played the mother character to Chuttan (Mehmood) and Puttan (Vinod Mehra). This movie “Do Phool” was a 1973 release which was directed by S. Ramanathan, a remake of the Tamil “Anubavi Raja Anubavi”. The movie had four songs written by Majrooh Sultanpuri which were set to music by R D Burman. Only one song from this movie Muthukodi kawaadi hadaa is present on the blog, posted way back in 2009.
Here is the next one today, which also happens to be Mehmood’s 16th anniversary. It is in the vocals of Asha, Usha, Kishore and Mehmood.
Part I
Part II
Song-Maaf Karo Maaf Karo (Do Phool)(1973) Singers-Asha Bhonsle, Usha Mangeshkar, Kishore Kumar, Mehmood, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
———————
Part I
———————
maaf karo
maaf karo
ha jaane do
ha jaane do
arey haye allah
arey haye allah
chhod do na
chhod do na
arre paagal ho gaye ho kya aa tum
baba maaf karo
ha baba maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
socho zara
ladki hoon main
itna na sharminda karo
aankhon se tum maro mujhe
thokar se phir zinda karo
(girls blabbering)
chhup
ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
jaane bhi do
peecche hato
aage mere kyun ho khade
dekh ke chalo
ae gulbadan
raaho mein hum
bhi hai pade
(mujhe toh rona aa raha hai
mat ro mat ro baby mat ro
chhup)
ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
m m maaf karo
m m maaf karo
j j jaane do
j j jaane do
hai hai hai allah
hai hai hai allah
chh chh chhod do na
chh chh chhod do na
arre paagal ho gaye ho kya aa tum
————–
Part II
————–
chtu chtu chtu
ho maaf karo,
haan maaf karo
jaane do,
arre jaane do
hai allah,
hai hai allah
chhod do na,
chhod chhod do na
chup
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chup
aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
ha ha ha
aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
keh toh raha
hoon main sanam
maafi karo galti hui
bandhan toh ab (aa)
khulta nahi (oh)
karte raho ui ui
(maine kaha tha na,
tune mujhe fasaaya
tune mujhe fasaaya,
tune
tune mujhe fansaya,
tune, main kaha tha)
chup
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main toh maaroongi phoolon ki jhadi
ha ha ha
vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main to maaroongi phoolon ki jhadi
nazuk hoon main,
dhakka na do
ro doonga main,
meri kasam
rona nahi,
main bhi kahin rone lagoon
teri kasam
mat ro, mat ro, main kehta hoon mat ro
mat ro
chhup
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chhup
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4328 | Post No.: | 15620 |
Hullo Atuldom
Continuing from last year, next song from “Doosra Aadmi”.
Movie made a debut on this blog with kya mausam hai , the most popular song. The next song to be posted was maathe pe lagaaike bindiya.
aao manaayen jashn e muhabbat was posted last year on this date to remember Majrooh Sultanpuri on his anniversary and also to wish Rajesh Roshan on his birthday.
This not-so-popular movie of the Rishi Kapoor -Neetu Singh jodi is rather slow moving on our blog as can be seen from the fact that after two songs in 2008 the next appeared in 2019. It had six songs here is the fourth today for the same purpose as last year – remembering Majroohsaab and wishing Rajesh Roshan a happy birthday.
We, the regular HFM fans, know that the movie had Shashi Kapoor in a guest role and Rakhee, Neetu Singh and Rishi Kapoor were part of the love quadrangle tha formed the basis of the movie. I say quadrangle because when Rakhee sees Rishi for the first time (in the movie) she feels that her dead fiance (Shashi Kapoor) is back. At the same time a married Rishi Kapoor takes a liking to Rakhee and her independent way of living which has adverse effects on his family life. Deven Verma and Parikshit Shani played important characters in the movie.
Today we have the typical roothna-manana song sung by Kishore Kumar and Pamela Chopra. The song teaches that it takes a few stanzas by the best songwriter to pacify a upset/angry lover or wife. And she may also join you in singing a few lines towards the end of the song. I don’t think this formula works in real-life.
Song-Jaan meri roothh gayi (Doosra Aadmi)(1977) Singers-Kishore Kumar, Pamela Chopra, Lyris-Majrooh Sultanpuri, MD-Rajesh Roshan
Both
Lyrics
jaan meri rooth gayi
jaane kyun hamse
aafat mein
aafat mein pad gayi jaan
ho ho o
jaan meri rooth gayi jaane kyun hamse
aafat mein
hey
aafat mein pad gayi jaan
arre laakh kahoon ek nahin maane kasam se
aafat mein
haaye
aafat mein pad gayi jaan
ho ho jaan meri rooth gayi re
ho o ho o ho
ban jaao shola
ya chingaari
chhodoon nahin mai baanh tumhaari
ya yeh tamaasha dekhegi duniya
ya phir maano baat hamaari
ladna bhi hai tumse sanam
milna bhi tumse
aafat mein
hey hey
aafat mein pad gayi jaan
ho ho jaan meri rooth gayi re
naak pe gussa
aankhon mein masti
thhodi garajti thhodi barasti
naak pe gussa
ankhon mein masti
thhodi garajti thhodi barasti
choom naa le koi
aisi ada pe
honthon se chup hai
aankhon se hansti
peechhe hi pad jaaye bacho
peechhe hi pad jaaye bacho aise sanam se
aafat mein
aafat mein pad gayi jaan
ho ho
lakh kahoon ek nahin mane kasam se
aafat mein
hy hey
aafat mein pad gayi jaan
ho ho
jaan meri maan gayi maan gayi jaanoo
aafat se
hoye hoye
aafat se bach gayi jaan
ho ho
jaan meri maan gayi ee re ae
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