Archive for the ‘Sulking-Appeasing song’ Category
- In: Duet | expression of love | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1972 | Sulking-Appeasing song | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4400 | Post No. : | 15783 |
I cut my HFM teeth in late 1960s when old order was giving way to new. Old order meant Rafi as the male playback singer of choice, Shammi Kapoor as the heart throb, and Shankar Jaikishan as the music directors of choice for big banners. In a matter of a few years or so, the musical order was turned upside down. When the dus settled, we found Shammi Kapoor being replaced by Rajesh Khanna, Rafi by Kishore Kumar and Shankar Jaikishan by R D Burman.
I became a young music lover sometime in mid to late 1960s. From being used to Rafi voice blaring from loudspeakers, I found a new male voice beginning to blare out of loudspeakers. Alongwith rest of the population, I too was mesmerised by this voice. The vesry first time I listened to the voice of Kishore Kumar, i loved it. the song was the iconic “Padosan”(1968) song-“mere saamne waali khidki”.
Rajesh Khanna meanwhile took the movie world by storm with “Aradhana”(1969), and that was followed by a string of hits. I would have loved to watch all those Rajesh Khanna songs, but I ended up watching “Haathi Mere Saathi”(1971) and “Apna Desh”(1971), that is all. By the time my movie watchin spree began in right earnest in june 1978, Rajesh Khanna had lost his crown as the first superstar of Hindi movies. That crown had passed on to Amitabh Bachchan.
Unlike Rajesh Khanna, Kishore Kumar never lost the crown of the top male playback singer. He continued to hold this crown troughout his life, till 1987. What longevity ! It is not easy to hold on to the top spot, as we see from the example of Rajesh Khanna. If Kishore Kumar could do it for close to two decades till his death, they this speaks highly of his durability and saleability. In fact, I feel that he almost singlehandedly held up the quality of playback singing during 1980s after all other leading playback singers had passed away.
On the occasion of Kishore Kumar’s 91st birth anniversary today on 4 august 2020 here is an archtypical Rajesh Khanna song sung by Kishore Kumar. The song is a duet from “Shahzaada”(1972). This movie was directed by K Shankar for Amar Chhaaya, Bombay. The movie had Rajesh Khanna, Raakhee, Madan Puri, Veena, Karan Dewan, Pandari Bai, Jairaj, Sunder, Mohan Choti, Gulshan Baawra, Badri Prasad, Halam, Varalakshmi, Shreeram Shastri etc in it. The movie had five songs in it. Two songs have been covered in the past.
Here is the third song from “Shehzaada”(1972) to appear in the blog. the song is sung by Kishore Kumar and Lata Mangeshkar. The song is penned by Rajinder Krishan. Music is composed by RD Burman. This roothhna manaana genre of song is picturised on Rajesh Khanna and Raakhi.
Lyrics of this song were sent to me by Avinash Scrapwala.
Song-Na jaiyyo chhod ke na jaiyyo meri raani (Shehzaada)(1972) Singer-Kishore Kumar, Lata, Lyrics-Rajinder Krishan, MD-R D Burman
Lyrics(Provided by Avinash Scrapwala)
Na jaiyyo o
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Haan jaayegi saath tere
Jaayegi saath tere
Meri zindgaani
Haan Na jaiyyo
Chhod ke na jaiyyo meri raani
Na jaiyyo
Hoye
Chhodke na jaiyyo meri raani
Baagon mein kaliyaan khilne ke din
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
Hey ae
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
O ho
De doonga jaan meri
De doonga jaan meri
Baat jo na maani haan
Naa jaaun
Chhodke naa jaaun tohe jaani
Ho kadmon mein tere meri
Kadmon mein tere meri
Phool si jawaani
Ho jaani jaaun
Naa jaaun
Naa jaaun
Chhodke naa jaaun tohe jaani
Tu hi sawera
Tu hi meri shaam
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam re
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam
Likh de jiya pe mere
Likh de jiya pe mere
Preet ki kahaani
Ho jaani jaaun
Naa jaaun
naa jaaaun
Chhodke naa jaaun tohe jaani
Kaahe ko roothhi thhi
pehle Gujariya
Jaanoon thhi manaa lega mera
Sawariyaa aa
Aankh micholi ki ye
Aankh micholi ki ye
Reet hai puraani
Ho jaani jaaun
Naa jaaun
naa jaaun
Chhodke naa jaaun tohe jaani
Ho
Jaayegi saath tere
haan
jaayegi saath tere
Meri zindgaani
Haan
Na jaiyyo oye
Chhodke na jaiyyo meri raani
Maaf karo maaf karo
Posted on: July 23, 2020
- In: "teasing" song | Asha Bhonsle songs | Guest posts | Kishore Kumar songs | Mehmood Song | Multiple version song | Post by Peevesie's mom | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1973 | Sulking-Appeasing song | Usha Mangeshkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4388 | Post No. : | 15749 |
Hullo Atuldom
Today’s song is sure to get a “How Come?” reaction from all concerned, even Atulji and Sudhirji will probably include it in the category of “How come this song was not posted earlier?” and “How did I forget to post this song earlier?”. Also I know we have fans of today’s song among the followers of the blog who will say “How did we miss it in all these 12 years of the blog?” I, who regularly try and send a song for the birthday and anniversary of the main actor in this song, also kept putting it off for God Knows what occasion!!!
But better late than never. And here is an all-time popular song.
There are hundreds of multi-version songs in filmdom. Usually we will have the same song sung as happy and sad, male- female, family reunion versions etc. Today’s is a hatke (different) multi-version song. It cannot be categorized as Happy-Sad or Male -female versions. In both versions of this song all the characters involved lip-sync. There are two couples, hence four singers. And finally, the mood of the songs are “roothna-manaana” and/or “teasing song”. I won’t call it eve-teasing as one song has the girls teasing the guys. There is equality here. 😉
The first version (in the movie) happens when the boys -Chuttan and Puttan land up accidentally in the house of Shaila (Aruna Irani) and she walks in, with her friend Poonam (Anjana -she was not yet Anjaana Mumtaz then). The girls have the upper hand in this version as they threaten the boys of handing them over to her father (Jeevan) or Poonam’s inspector brother (Chandrashekar). The song closes with the girls tying up the boys.
The second one is in Mahabaleswar where the boys are in hiding from their strict father (Ashok Kumar). I must mention here that I was reminded of this movie because of Guruji’s recent post where he mentioned the actress who played the mother character to Chuttan (Mehmood) and Puttan (Vinod Mehra). This movie “Do Phool” was a 1973 release which was directed by S. Ramanathan, a remake of the Tamil “Anubavi Raja Anubavi”. The movie had four songs written by Majrooh Sultanpuri which were set to music by R D Burman. Only one song from this movie Muthukodi kawaadi hadaa is present on the blog, posted way back in 2009.
Here is the next one today, which also happens to be Mehmood’s 16th anniversary. It is in the vocals of Asha, Usha, Kishore and Mehmood.
Part I
Part II
Song-Maaf Karo Maaf Karo (Do Phool)(1973) Singers-Asha Bhonsle, Usha Mangeshkar, Kishore Kumar, Mehmood, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
———————
Part I
———————
maaf karo
maaf karo
ha jaane do
ha jaane do
arey haye allah
arey haye allah
chhod do na
chhod do na
arre paagal ho gaye ho kya aa tum
baba maaf karo
ha baba maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
socho zara
ladki hoon main
itna na sharminda karo
aankhon se tum maro mujhe
thokar se phir zinda karo
(girls blabbering)
chhup
ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
jaane bhi do
peecche hato
aage mere kyun ho khade
dekh ke chalo
ae gulbadan
raaho mein hum
bhi hai pade
(mujhe toh rona aa raha hai
mat ro mat ro baby mat ro
chhup)
ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
m m maaf karo
m m maaf karo
j j jaane do
j j jaane do
hai hai hai allah
hai hai hai allah
chh chh chhod do na
chh chh chhod do na
arre paagal ho gaye ho kya aa tum
————–
Part II
————–
chtu chtu chtu
ho maaf karo,
haan maaf karo
jaane do,
arre jaane do
hai allah,
hai hai allah
chhod do na,
chhod chhod do na
chup
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chup
aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
ha ha ha
aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
keh toh raha
hoon main sanam
maafi karo galti hui
bandhan toh ab (aa)
khulta nahi (oh)
karte raho ui ui
(maine kaha tha na,
tune mujhe fasaaya
tune mujhe fasaaya,
tune
tune mujhe fansaya,
tune, main kaha tha)
chup
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main toh maaroongi phoolon ki jhadi
ha ha ha
vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main to maaroongi phoolon ki jhadi
nazuk hoon main,
dhakka na do
ro doonga main,
meri kasam
rona nahi,
main bhi kahin rone lagoon
teri kasam
mat ro, mat ro, main kehta hoon mat ro
mat ro
chhup
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chhup
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4328 | Post No.: | 15620 |
Hullo Atuldom
Continuing from last year, next song from “Doosra Aadmi”.
Movie made a debut on this blog with kya mausam hai , the most popular song. The next song to be posted was maathe pe lagaaike bindiya.
aao manaayen jashn e muhabbat was posted last year on this date to remember Majrooh Sultanpuri on his anniversary and also to wish Rajesh Roshan on his birthday.
This not-so-popular movie of the Rishi Kapoor -Neetu Singh jodi is rather slow moving on our blog as can be seen from the fact that after two songs in 2008 the next appeared in 2019. It had six songs here is the fourth today for the same purpose as last year – remembering Majroohsaab and wishing Rajesh Roshan a happy birthday.
We, the regular HFM fans, know that the movie had Shashi Kapoor in a guest role and Rakhee, Neetu Singh and Rishi Kapoor were part of the love quadrangle tha formed the basis of the movie. I say quadrangle because when Rakhee sees Rishi for the first time (in the movie) she feels that her dead fiance (Shashi Kapoor) is back. At the same time a married Rishi Kapoor takes a liking to Rakhee and her independent way of living which has adverse effects on his family life. Deven Verma and Parikshit Shani played important characters in the movie.
Today we have the typical roothna-manana song sung by Kishore Kumar and Pamela Chopra. The song teaches that it takes a few stanzas by the best songwriter to pacify a upset/angry lover or wife. And she may also join you in singing a few lines towards the end of the song. I don’t think this formula works in real-life.
Song-Jaan meri roothh gayi (Doosra Aadmi)(1977) Singers-Kishore Kumar, Pamela Chopra, Lyris-Majrooh Sultanpuri, MD-Rajesh Roshan
Both
Lyrics
jaan meri rooth gayi
jaane kyun hamse
aafat mein
aafat mein pad gayi jaan
ho ho o
jaan meri rooth gayi jaane kyun hamse
aafat mein
hey
aafat mein pad gayi jaan
arre laakh kahoon ek nahin maane kasam se
aafat mein
haaye
aafat mein pad gayi jaan
ho ho jaan meri rooth gayi re
ho o ho o ho
ban jaao shola
ya chingaari
chhodoon nahin mai baanh tumhaari
ya yeh tamaasha dekhegi duniya
ya phir maano baat hamaari
ladna bhi hai tumse sanam
milna bhi tumse
aafat mein
hey hey
aafat mein pad gayi jaan
ho ho jaan meri rooth gayi re
naak pe gussa
aankhon mein masti
thhodi garajti thhodi barasti
naak pe gussa
ankhon mein masti
thhodi garajti thhodi barasti
choom naa le koi
aisi ada pe
honthon se chup hai
aankhon se hansti
peechhe hi pad jaaye bacho
peechhe hi pad jaaye bacho aise sanam se
aafat mein
aafat mein pad gayi jaan
ho ho
lakh kahoon ek nahin mane kasam se
aafat mein
hy hey
aafat mein pad gayi jaan
ho ho
jaan meri maan gayi maan gayi jaanoo
aafat se
hoye hoye
aafat se bach gayi jaan
ho ho
jaan meri maan gayi ee re ae
Kis liye maathe pe bal hai
Posted on: May 2, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3940 | Post No. : | 15016 |
“Ek Jhalak”(1957) was produced by Deep Khosla and Pradeep Kumar and directed by Kalidas for Deep and Pradeep Productions, Bombay. The movie had Vyjyantimala, Pradeep Kumar, Anita Guha, Rajendra Kumar, Pran, Mubarak, Lalita Pawar, Bipin Gupta, Randhir, Om Prakash, Hira Sawant, Rashid Khan, Tuntun, CV Rao, Patanjali, Gajendra, Amin, Fazal Khan, Saar, Deep Khosla etc in it.
The movie had nine songs in it. Six songs have been covered in the past.
Here is the seventh song from “Ek Jhalak”(1957) to appear in the blog. This song, perhaps the least heard song from the movie, is sung by Geeta Dutt. S H Bihari is the lyricist. Music is composed by Hemant Kumar.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song of “roothhne manaana” genre.
Song-Kis liye maathe pe bal hai (Ek Jhalak)(1957) Singer-Geeta Dutt, Lyrics-S H Bihari, MD-Hemant Kumar
Lyrics
kis liye maathe pe bal hai
ranj ka izhaar kyun
kis liye maathe pe bal hai
ranj ka izhaar kyun
dil se jab iqraar hai to
munh se phir inkaar kyun
dil se jab iqraar hai to
munh se phir inkaar kyun
kis liye maathe pe bal hai
ranj ka izhaar kyun
aap ki khaamoshiyaan
achchi nahin lagti hamen
aap ki khaamoshiyaan
achchi nahin lagti hamen
aji kuchh to kahiye
kya hua
naaraaz hain sarkaar kyun
kuchh to kahiye
kya hua
naaraaz hain sarkaar kyun
kis liye maathe pe bal hai
ranj ka izhaar kyun
dil ne chaahaa aap ko
ismein hamaara kya qusoor
dil ne chaahaa aap ko
ismein hamaara kya qusoor
baat hai chhoti si phir bhi
is qadar taqraar kyun
baat hai chhoti si phir bhi
is qadar taqraar kyun
kis liye maathe pe bal hai
ranj ka izhaar kyun
aap ke hote huye bhi
kyun na ho
dil ka ilaaj kahiye
kyun na ho
dil ka ilaaj
siskiyaan le le ke mar jaayen
bhala beemaar kyun
siskiyaan le le ke mar jaayen
bhala beemaar kyun
kis liye maathe pe bal hai
ranj ka izhaar kyun
baat meri maan lo
ik baar to keh do jee
dil se haan
baat meri maan lo
ik baar to keh do jee
dil se haan
hmm
naa naa naa
Laalan tum ho bade hathheele
Posted on: September 25, 2018
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3721 | Post No. : | 14657 | Movie Count : |
4005 |
Today’s song is from a very old film, Raja Gopichand-1938. The film was made by Saraswati Cinetone, Poone in Hindi and Marathi. The film was directed by Bhal G Pendharkar. The music director was C.Balaji. Name of the Lyricist is not mentioned in HFGK. The cast of the film was Chandrakant, Ranade, Chandraprabha, Miss Leela, Usha, Dinkar Kamanna etc.etc. The story was written by Pendharkar and it was translated by Shri Arun, B.A., for film’s Hindi version.
Saraswati Cinetone was a film making company owned by one of the Pioneers of Talkie films in India- Dadasaheb Torne. He is one of those less fortunate people in the film industry, who failed to get the credit of being the First to make a full length Silent film in India. But there are a large number of people in India, who believe that the first film in India was made by Torne and not Phalke. Torne achieved that feat one year before Phalke released his film in 1913. Saraswati Cinetone was one of the major film making company in India in those days.
The young man who migrated from Konkan to Mumbai in search of a new horizon was the pioneer of Indian cinema, Ramchandra Gopal alias Dadasaheb Torne. Unfortunately, this name did not find its rightful place in the history of Indian cinema. Dadasaheb Torne, who had a flood of accolades for his various achievements in the film industry, lost his life’s work in real floods that occurred on July 12, 1961, when the swollen waters of Mutha River destroyed all the valuable negatives, photographs, documents after bursting from Panshet dam near Pune.
The forgotten father of Indian Cinema Ramchandra Gopal alias Dadasaheb Torne made the first ever Indian film ‘Pundalik’ which was screened at the Coronation Cinematograph in Mumbai on May 18, 1912. That was one year prior to Dhundiraj Govind alias Dadasaheb Phalke’s ‘Raja Harishchandra’ which was released at the same venue on May 3, 1913.
Born on April 13, 1890, at Sukalwad in Malvan taluka of (undivided) Ratnagiri district (now Sindhudurg district) Dadasaheb Torne lost his father when he was three years old. His mother Radhabai brought him up. Due to financial difficulties he could not get higher education.
After being involved in the distribution of full-length (30-40 minute long) English films in India, he hit upon the idea of film making, and founded his own studio ‘Saraswati Cinetone’ (1931) in Pune. Under Saraswati’s banner he produced memorable movies like ‘Shyamsundar’, ‘Aut Ghatkecha Raja’, ‘Bhakt Pralhad’, ‘Chhatrapati Sambhaji’, ‘Thaksen Rajputra’, ‘Savitri’, ‘Raja Gopichand’, ‘Bhagva Jhenda’, ‘Majhi Ladki’, ‘Devyani’.
‘Shyamsundar’-32 was the first ever Indian movie to celebrate silver jubilee. Dadasaheb Torne introduced the first ever double role in ‘Aut Ghatkecha Raja’. He was equally proficient in editing and sound recording. He successfully experimented trick scenes in ‘Bhakt Pralhad’ and ‘Savitri’ in the decade of 1930-1940 when the film technique was not advanced.
He gave first break to artists like Rose, Shahu Modak, Dada Salvi, Jayashri (Shantaram), Dinkar Kamanna (Dhere), Ratnamala (Kamal Desai) and Indurani.
Many famous music directors of the earlier years, such as Annasaheb Mainkar, Sureshbabu Mane, C. Balaji and Vinayakbuwa Patwardhan were introduced by Torne.
Dadasaheb Torne also worked as a manager at Maharashtra Film Company, Kolhapur from 1920 to 1924, and worked as a general manager at Laxmi Cinetone, Royal Art Company, Imperial Film Company and Sagar Movietone, later.
Dadasaheb Torne breathed his last on January 19, 1960 in Pune.
Movies produced: ‘Pundlik’ (1912), ‘Sati ka Shaap’ (1923), ‘Prithvivallabh’ (1924), ‘Neera’ (1926), ‘Sindbad Khalasi’ (1930).
Movies produced under the banner of ‘Saraswati Cinetone’: ‘Shyamsundar’ (1932), ‘Aut Ghatkecha Raja’ (1933), ‘Bhakt Pralhad‘ (1933), ‘Chhatrapati Sambhaji’ (1934), ‘Thaksen Rajputra (1934), ‘Krishna shishtai’ (1935), ’Savitri’ (1936), ‘Raja Gopichand’ (1938), ‘Sach Hai’ (Hindi-1939), ‘Bhagva Jhenda’ (1939), ‘Majhi Laadki’ (1939), ‘Devyani’ (1940), ‘Narad Naradi’ (1941), ‘Navardev’ (1941), ‘Awaz’ (Hindi-1942).
As far as the star cast is concerned,lead actor Chandrakant ( father of today’s award winning actor Vikram Gokhale) was given this name by pendharkar. His real name was Gopal. The lead Heroine Leela was Leela Chandragiri, about whom I have written in details in my article on film Alakh Niranjan-40. Dinkar Kamanna( Dhere) was a famous and popular comedian on Marathi drama stage.
Let us now come to the Music Director C.Balaji. I am sure, hardly anyone has ever heard his name so far. it is natural also, because Balaji gave music only to 2 Hindi films. The other film was Paisa-41. Both his films were bilingual-in Hindi and Marathi. Basically Balaji was a marathi film composer. He was the first music director to change his name to look like a South indian name. C.Ramchandra came much later.
His real name was Balaji Gopal Chougule. Originally his family was from Kolhapur, but he was born at Varanashi on 12-10-1913. After the death of his maternal grandfather Balaji came to Kolhapur. here he learnt music from Ustad Manji khan (son of Ustad Alladiya khan), Shankarrao Sarnaik and Govindrao Tembe. Tembe taught him the skill to give music to films.
He started working with some drama companies like Kirloskar natak mandali and Yeshwant Sangeet mandali, as a Harmonium player. In 1937, he became assistant to Govindrao Tembe for film ‘Pratibha'(Hindi/marathi). When Tembe left the film halfway, he completed its music, but his name was not credited. He got his first Marathi film independently, Kanhopatra. Its songs became very popular. Pendharkar gave him Raja Gopichand-38 as an independent MD. Later he did another film in Hindi/Marathi, Paisa-41.
In 1945, Balaji started learning music again, this time under Bhurji khan(youngest son of Alladiya Khan). Balaji gave music to 5 Marathi films and 2 Hidi/Marathi films. When Shivaji University started in Kolhapur in 1962, he started an agitation for inclusion of Music in its curriculum. His efforts bore fruits and it was done in 1964. He gave tutions of Music in his last days. C.Balaji expired on 11-9-1984 at his home town, Kolhapur.
The story of Raja Gopichand is from Navnath Pothi.
When I was about 6 to 7 year old, during the visits to my Naani’s (maternal grandmother’s) home in a village, I used to hear a typical call, ‘ Alakh Niranjan ‘ from the gossain, who stood outside the door. Someone from the house used to give uncooked food material like rice, wheat or jowar. Even wheat atta was given. These gossains had a jholi (a spacious carrying bag made of cloth), having 4-5 compartments and they would expertly add the bhiksha to the appropriate compartment. They never took money. These people were the desciples of Nath Sampraday and used to visit a fixed number of houses for Bhiksha. They were also called by the name avadhoot (अवधूत) (a mystic or a saint who is beyond ego-consciousness, duality and common worldly concerns).
A brief description of the Nath Sampradaay . It is likely that some of our readers may not be familiar with the details behind these names. In the Hindu Sanaatan traditions the worship of Lord Shiva is called Shaivism and the worshippers and followers of Lord Shiva are called Shaivs. Nath Sampradaay is a sub tradition within Shaivism. The followers of this tradition consider Adinath or Lord Shiva as their first Lord. The word Nathimplies Master. In this tradition, there is a lineage of nine Gurus or Teachers. The form of sadhna practiced by the followers of this tradition is called Hath Yog (हठ योग).
The first Guru in this lineage is Matsyendra Nath, who is better known as Machhindra Nath (मच्छिंद्रनाथ). The traditional history recounts that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. In the ocean the baby was swallowed by a large fish, and he lived and grew up inside the belly of the fish, for many years. The fish swam to the bottom of the ocean where Lord Shiva was imparting the secrets of yoga to Mata Parvati. Matsyendra overheard this discourse and learnt the secrets of yoga. He began to practice this yog sadhana inside the fish’s belly. After twelve years he finally emerged as an enlightened Siddha.
There is a list of Nine Nath Gurus, who are called Navnath. The first Nath Guru is Machhindra. The complete list is as follows
Machhindranath
Gorakhnath
Jalandhar Nath
Kanif Nath (Kanhoba)
Gahini Nath
Raja Bhartrihari Nath (Bharthari)
Revan Sidha Nath
Charpati Nath and
Naag Nath.
The stories surrounding every Nath Guru, especially the earlier ones, are very exciting, thrilling and entertaining. One must read them from the original Nath Puraan or Nav Nath Pothi. I have read all of them. These stories are in no way less than any Arabian Night stories. Due to their entertainment value, several films in several languages have been made on the early Gurus like Machhindranath and Gorakhnath. Films on Machhindranath were made as ‘Maaya Machhindra’ in Hindi, in 1932, 1951, 1960 and 1975. Films on Gorakhnath as ‘Alakh Niranjan’, were made in 1940, 1950 and 1975. Films on Bharthari were made in 1932 and 1944. Films on other Naths were made as ‘Raja Gopichand’ in 1933, 1938 and 1950. Same way films on Naths in Telugu, Tamil, Gujarati and other languages were also made. There could be some more films also on this subject.
Raja Gopichand was the son of Raja Bharthari nath’s sister and was blessed by him and Gorakhnath. The story of Raja Gopichand is..
King Padmasen and queen Mainavati had a son Gopichand and a daughter Chandravali. In due course, Gopichand got married. He got a daughter. He was married again and now also a daughter was born. He was married 16 times and he got everytime a daughter only. Queen Mainavati requested her brother Bharthari nath to help. He advies Gopichand to go to forest and do Penance for 5 years. He did the penance. After the 5 years, once he went , as usual , to get Bhiksha and by chance he visited his sister Chandravali’s home. Seeing her brother as a Gossain, she died in grief. Gopichand met Gorakhnath and requested him to make his sister alive again. Pleased by his love for sister, Gorakhnath not only brought alive Chandravali, but also blessed Gopichand for a Son.
Gopichand returned to his kingdom. He was crowned the king and in due course he got a son also.
Today’s song is sung by Leela Chandragiri. This is a rare song. With this song, MD C.Balaji and the film Raja Gopichand-38 are making its debut on the Blog.
( Credits- Marathi Sangeetkar Kosh, marathisanman.com, theneutralview.com, amarujala.com, wiki, HFGK,and my notes)
Song-Laalan tum ho bade hathheele (Raja Gopichand)(1938) Singer-Leela Chandragiri, MD-C Balaji
Lyrics
bade hathheele
laalan tum ho bade hathheele
laalan tum ho bade hathheele
bade hathheele
laaj lajeele
laalan tum ho bade hathheele
roothh gaye kya
tumhen manaaun
roothh gaye kya
tumhen manaaun
aao
tum par bali bali jaaun
aao
tum par bali bali jaaun
laalan tum ho saaj sajeele
bade hathheele
laaj lajeele
laalan tum ho
bade hathheele
laalan
bade hathheel
kyon chup ho
kuchh bolo bolo
bolo bolo
maa ki mamta man se tolo
maa ki mamta man se tolo
laalan
tum bin naina geele
bade hathheele
laaj lajeele
laalan tum ho
laalan tum ho
laalan tum ho
bade hathheele
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3538 | Post No. : | 14208 |
“Daawat”(1974) was produced by Dilip Dutt and directed by B R Ishaara. The movie had Sanjeev Kumar, Dilip Dutt, Raza Murad, Satish Kaul, Sarita, Manmohan Krishnan, Jaishree Gadkar, Johnny Walker, Pammi etc in it.
This obscure movie had four obscure songs in it. Here is the first song from “Daawat”(1974) to appear in the blog. The song is sung by Mukesh and Asha Bhonsle. Naqsh Llayalpuri is the lyricist. Music is composed by Bipin Baabul.
Only the audio of the song is available. Lisateing to the song, one can guess that it is a “sulking-appeasing” genre of song. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.
With this song, “Daawat”(1974) makes its debut in the blog.
Song-Aise bhi na roothho tum ke jeena mushqil ho (Daawat)(1974) Singers-Mukesh, Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Bipin Babul
Lyrics
aise bhi na rootho tum ke jeena mushqil ho
aise bhi na rootho tum ke jeena mushqil ho
ja re piya jaana nahin toone mere dil ko
aise bhi na rootho tum ke jeena mushqil ho
aise bhi na rootho tum ke jeena mushqil ho
dil mera leke yoon na dil ka karaar lo
mukhde pe bikhri si zulfen sanwaar lo
dil mera leke yoon na dil ka karaar lo
mukhde pe bikhri si zulfen sanwaar lo
ghadiyaan ye pyaar ki na beete takraar mein
rang bhari shaam galey mil ke guzaar lo
ja re piya jaaana nahin toone mere dil ko
aise bhi na rootho tum ke jeena mushqil ho
aise bhi na rootho tum ke jeena mushqil ho
ja ja ke mile tu shahar ke ujaalon se
rista hi kya hai
rista hi kya hai tera ab gaanv waalon se
mujhko hansaaye kabhi mujhe rulaaye tu
mujhko hansaaye kabhi mujhe rulaaye tu
samjha hai toone kya khilauna mere dil ko
aise bhi na rootho tum ke jeena mushqil ho
aise bhi na rootho tum ke jeena mushqil ho
jitne bharam hain wo dil se nikaal do
chupke se baahen meri baahon mein daal do
waada karo ke kabhi tum nahin todoge
waada karo ke kabhi tum nahin todoge
wada karo ke kabhi tum nahin todoge
piya mere sapnon ke sheesh mahal ko
aise bhi na rootho tum ke jeena mushqil ho
aise bhi na rootho tum ke jeena mushqil ho
ja re piya jaana nahin toone mere dil ko
aise bhi na rootho tum ke jeena mushqil ho
aise bhi na rootho tum ke jeena mushqil ho
Shamma parwaana shamma parwaana
Posted on: March 5, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3517 | Post No. : | 14128 |
“Chaar Paise”(1955) was produced and directed by N K Ziri for National Movies, Bombay. The movie had Kishore Kumar, Shyama, Johnny Walker, Agha, Kammo, Nishi, Nazir Kashmiri etc in it.
The movie had six songs in it. Five songs from the movie have been covered in the past. Here are the details of the five songs that have already figured:-
|
Song Title |
Post No. |
Post Date |
| Badnaam na ho jaaun | 3244 | 23-Nov-10 |
| Tere liye hai pyaar mera | 6061 | 8-Jun-12 |
| Chhan chhan chhan chhan baje rupaiyya naache duniya | 11945 | 23-Mar-16 |
| Maajhi meri naiyya ko jee chaahe jahaan le chal | 13296 | 1-Jun-17 |
| Dil hai nishaana nainon ke teer ka | 14124 | 4-Mar-18 |
As noted in the past, “Chaar Paise”(1955) was not released, still the prints of the movie are available. The video of the songs of the movie are also available.
Here is the sixth and final song from “Chaar Paise”(1955) to appear in the blog. the song is sung by Lata. Sartaj Rahmani is the lyricist. Music is composed by B D Burman.
Picturisation shows that it is a roothhna-manaana song with roles reversed. Here Kishore Kumar is sulking and the lady is trying her best to appease Kishore Kumar, with her singing accompanied by dancing, of course.
The lady is not Shyama, so going by the cast, I guess her to be Nishi. I request our knowledgeable readers to help identify her.
It is a delightful sulking-appeasing song, and if I understand the mechanism of such songs correctly that Kishore Kumar would respond favourably by the time the song ends. 🙂
With this song, “Chaar Paise”(1955) joins the list of movies that have all their songs covered in the blog.
Song-Shamma parwaana shamma parwaana (Chaar Paise)(1955) Singer-Lata, Lyrics-Sartaj Rahmani, MD-B D Burman
Lyrics
shamma parwaana
shamma parwaana
ho
shamma parwaana aa
ek deewaani
ek deewaana
shamma parwaana
shamma parwaana
ho shamma parwaana aa
ek deewaani
ek deewaana
shamma parwaana
dil ki lagi jab aag lagaaye
tan man sab jal jaaye ae
tan man sab jal jaaye
dil ki lagi jab aag lagaaye
tan man sab jal jaaye
raakh to saari mehfil dekhe
raaz na koi paaye
raaz na koi paaye
duniya mein hai paagal premi
duniya se begaana
ek deewaani ee
ek deewaana
shamma parwaana
jiska saajan roothh gaya ho
aakar prem dwaare
aakar prem dwaare
jiska saajan roothh gaya ho
aakar prem dwaare
vo dukhiyaari preet ki maari
ro ro rain guzaare
ro ro rain guzaare
roz sunaaya jaata hai
ye dard bhara afsaana aa
ek deewaani
ek deewaana
shamma parwaana
khel samajh kar prem se khele
duniya phir pachhtaaye ae
duniya phir pachhtaaye
khel samajh kar prem se khele
duniya phir pachhtaaye
khel nahin ye prem hai pagle
jaan bhi ismein jaaye
jaan bhi ismein jaaye
donon mohabbat karne waale
dete hain nazraana
ek deewaani
ek deewaana
shamma parwaana
shamma parwaana
ho
shamma parwaana aa
ek deewaani
ek deewaana
shamma parwaana
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3513 | Post No. : | 14112 |
“Deewaangi”(1976) was produced by Subodh Mukherji and directed by Sameer Ganguly. The movie had Shashi Kapoor, Zeenat Aman, Helen, Manju, Mehmood, Madan Puri, Narendra Nath, Paintal etc in it.
The movie had six songs in it.
Here is the first song from “Deewaangi”(1976) to appear in the blog. This song is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by S D Burman.
The song is picturised as a roothna-manaana song on Shashi Kapoor and Zeenat Aman.
This song was the only song of the movie which was composed by S D Burman. He expired before he could compose other songs. The remaining five songs were later composed by Ravindra Jain.
With this song, all Hindi relaesed movies with music by S D Burman (except one movie ) have now been represented in the blog. “Chittor Vijay”(1947) is the only movie with S D Burman’s music which is missing from the blog because songs from this movie are not available to us as of now.
With this song, “Deewaangi”(1976) makes itd debut in the blog.
Song-Chal sapnon ke shahar mein tujhe le jaata hoon (Deewaangi)(1976) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-S D Burman
Lyrics
ae
suno to
kyun roothhi ho
maan jaao na
hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm
chal sapnon ke shahar mein tujhe le jaata hoon
chal sapnon ke shahar mein tujhe le jaata hoon
teri raahon mein sitaare main bikhraata hoon
chal sapnon ke shahar
tu kis liye mehnat kare
tu hai mohabbat ke liye haseena
teri kasam
kya hai sitam
tere badan se kyun chamakta hai paseena
ho ho ho
main tere haathon ke chhaalon se jal jaata hoon
chal sapnon ke shahar mein tujhe le jaata hoon
chal sapnon ke shahar
kadmon ki dhool ban kar ye phool
tere mere kadam choom rahe hain
har gham se door
masti mein choor
ban ke sharaabi se hum jhoom rahe hain
ho
ho ho ho
apni aashaaon ki main paalki le aata hoon
chal sapnon ke shahar mein tujhe le jaata hoon
chal sapnon ke shahar
gore gore
phoolon jaise paanv mein
shabnam ki paayal padi hai
heere moti
pahne huye
sheeshmahal mein tu pari ban ke khadi hai
hmm
hmm hmm
maine jo dekha hai tujhko bhi dikhlaata hoon
chal sapnon ke shahar mein tujhe le jaata hoon
teri raahon mein sitaare main bikhraata hoon
chal sapnon ke shahar
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