Archive for the ‘Sulking-Appeasing song’ Category
Sun Banto baat meri
Posted on: July 19, 2022
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The blog completes 14 years of its existence today (19 july 2008-19 july 2022).
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Blog Day : |
5114 | Post No. : | 17059 |
Hullo Atuldom
19th July- our blog turns an year older. I have been writing for the occasion for a few years now. (Think the habit set-in in 2015 or 2016). But I seem to have missed writing a post in 2021. Here is my post from 2020. Whatever I have said in that post still holds true for me.
I am still thankful that I discovered the blog and thankful that Atulji gave us this platform where novices like me have a place to post our thoughts. Thankful that Atulsongaday gave me a new set of HFM loving friends who have a wealth of information which has enriched us. There are some among the regulars who I have met a few times and some whom I have never met – Atulji included. Let us hope we have a grand party where all Atulites and Satulites congregate. As Rajaji has said in the comments to my post (on 19th July 2020), and I quote “We all might have got onto this journey at different stations but it has been a wonderful journey, with lots of memories and shared experiences.”
In my post on 19th July 2020 I had mentioned my blog journey but I simply love what Sudhirji has written in his post dated 19th July 2012. And I quote “I suggest to Atul ji, to put up a Statutory Warning on the home page – that the new visitors be aware that this website is intensely habit forming – enter at your own risk. 🙂 🙂 ”
This blogsite is indeed very addictive.
The following are Atulji’s thoughts on his post of 19th July 2020
“Once again, I thank one and all on the occasion of the birthday of the blog. Let us hope and wish that this musical bandwagon will keep rolling on and on for many more years.”
To which I say ‘Tathastu’ or ‘Ameen’ or ‘So Be It’
May we have many more birthdays of our favourite blog and may we find many more gems.
I am not attempting a blog-ten-year-challenge. Just out of curiosity I visited the post of 19th July 2012 and these are the songs posted on that date.
| Blog post number | Song | Movie (Year) | Poster | YIPPEE status |
|---|---|---|---|---|
| 6265 | Allah megh de paani de | Palkon Ki Chhaaon Mein(1977) | Atul Ji | YIPPEED |
| 6266 | Chupke se dil de de nahin te shor mach jaayegaa | Maryada(1971) | Atul Ji | YIPPEED |
| 6267 | Aa bhi jaa meri duniya mein | Daaera(1953) | Raja ji | YIPPEED |
| 6268 | Ye kaafilaa hai pyaar ka chalta hi jaayegaa | Lekh(1949) | Sudhir ji | Not YIPPEED |
| 6269 | Duniya mein rehna hai to kaam karo pyaare | Haathi Mere Saathi (1971) | Atul Ji | YIPPEED |
As can been seen five songs were posted of which only one movie is yet to be yyiippeeeed, and I have no clue as to the availability of the songs of that particular movie viz. “Lekh” (1949). But three of the songs posted that day featured the much-loved Rajesh Khanna. He had just said ‘goodbye’ to this mortal world on 18th. Gosh!!! unbelievable, it is already ten years!!! As Rajesh Khanna has mouthed in one of his songs-
“waqt chalta hi rehta hai rukta nahin
ek pal mein ye aage nikal jaata hai”
Even though he has said in another song “Yahaan kal kya ho kisne jaana”.
Let us have a song from a Rajesh Khanna movie today and recall his lovely smile, expressive eyes and dancing style.
Currently I am on a short vacation, along the Western Sea Coast of this lovely country of ours. Soaking in the sea and the rains, much like the date in 2014 when the 10000th song was being awaited by the followers. I also seem to be making a habit of taking a break from routine around this time of the year.
I tried looking up for a Rajesh Khanna song that is filmed on a beach, Goa specifically. Could only recall the iconic song from “ANAND”. The other song which features Rajesh Khanna as a fisherman has been posted. Hence I am settling for the following. (Rajesh Khanna fans on the blog will definitely think up of more Kaka songs on the beaches and seashore)
The song is from the 1976 release “Mahaachor” which had music by RD Burman and Anand Bakshi was the lyricist. The playback singers used were Asha Bhonsle-Lata Mangeshkar-Kishore Kumar. There was a very Punjabi-flavoured song which had Rajesh Khanna in disguise. He looks lean & handsome and Neetu Singh looks charming as the ‘roothhi biwi’. The couple seem to be running from the cops and suddenly leave the vehicle to break into the song. That song has Anand Bakshi giving his voice for Rajesh Khanna (I think it is a first) and Asha Bhonsle sings for Neetu.
Happy Birthday to Atulsongaday.me
Song-Sun banto baat meri (Mahachor)(1976) Singers-Anand Bakshi, Asha Bhonsle, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
Sun banto baat meri ee haaye
sun banto baat meri
din ta guzar jaaega aa aa aa
naiyo katni raat meri
din ta guzar jaaega aa aa aa
naiyo katni raat meri
rahne de yeh betaabi
ve chuteya rahne de yeh betaabi
main ghar nahin jaana aa aa
lai fad ghar di chaabi
main ghar nahin jaana aa aa
lai fad ghar di chaabi
o chup kar ke gaddi de vich baija aa
chup kar ke gaddi de vich baija
ke roi te chaped khaayengi
roi te chaped khayenegi
teri gaddi vich nayin baina
ve ja teri gaddi vich nayin baina
jithe teri yaad aaye ae ae
uthhe baith ke ro lena
jithe teri yaad aaye ae
uthhe baith ke ro lena
main tujhe ghar se bhaga ke nahin laaya aa
tujhe ghar se bhaga ke nahin laaya
ke aayi hai tu marzi se ae e
aai hai tu marji se
hatt chhod mazaak channa
oy ae
hatt chhod mazaak channa
teri meri nayi nibhni ee
mainu de de talaaq channa
teri meri nayi nibhni ee
mainu de de talaaq channa aa aa
te apne ghar rahna tha
apne ghar rahna tha
doli mein na daae
baabul se kehna thha
doli mein na daale ae
baabul se kehna tha
mere baabul ka naam na lena aa
mere baabul ka naam na lena
tu chaahe meri jaan kad lai ae ae
chaahe meri jaan kad lai
ho ik roothe te dooja manaye ae ae
ik roothe te dooja manaye
yahi toh pyaar hai mitraan
ek roothe
tum samjhe main rooth gai
ve ja tu samajhe mai rooth gai
umraan di yaari ee ee
pal na vich toot gai
umraan di yaari ee ee
pal na vich toot gai ee
Baalam se munh mod maad ke
Posted on: March 27, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5000 | Post No. : | 16899 |
When one looks at the songs of Hindi movies, there are lots and lots of songs of the genre of feelings of heart” and “expression of love”. Going by the statistics of the blog, 46 % songs are “feelings of heart” and 25 % of all Hindi movie songs are “expression of love”.
An interesting and spicy version of the above mentioned genre of songs is “nok jhonk” songs or. They may be fewer in number, but they are great fun songs to listen to.
Another variation of such songs is “roothhna-manaana” aka “sulking-appeasing” song.
The blog so far has 61 “nok jhonk” songs that often take place between the lovers, who are often spouses. I had done some research in these songs and I had come to the conclusion that all the roothhna (on the past of the lady) lasts for 2 minutes and 30 seconds in a 3 minutes song, and the lady then relents in the slog overs of the match and then all is well. 🙂
Here is another “nok jhonk”cum “sulking appeasing” song. This song is from “Guru Dakshina”(1950).
“Guru Dakshina”(1950) was produced by Rajasthan Studios, Bombay. This is all the detail that is mentioned about this movie in HFGK.
The movie had eight songs in it. Two songs have been covered in the past.
This third song from the movie is sung by Trilok Kapoor (singer) and Prempal. Prempal is a female singer unlike what the name suggests. Sarshar Sailaani is the lyricist according to the uploader (Mr Girdharilal Vishwakarma, a renowned collector of records). Music is composed by Pt Lachchiram.
This is an interesting song. after the roothna-manaana on the part of the lady, it is the gentleman that sulks, and then quicky gets appeased just in the nick of time as the record time is coming to an end. 🙂
Song-Baalam se munh mod maad ke (Guru Dakshina)(1950) Singers-Trilok Kapoor, Prempal, Lyrics-Sarshar Sailaani, MD-Pt Lachchiram
Both
Lyrics
O baalam se mukh mod maad ke
prem ka naata tod taad ke
gehne kapde chhod chhaad ke
kaahe roothh chali ho gori
kaahe roothh chali
main chali shahar ke thhaane
rapat likhaane
mulzim ko saza dilaane
ho kaisa mulzim
ik Rajput ka bachccha
baat ka kachcha
jo kare mera dil chori
dikhlaaye seena jori
ab bhanwra ban ke kali kali ka
ghoome gali gali
o gori kaahe roothh chali
o o
kisne bhar diye tere kaan
kaun hai aisa beimaan
naam uska batlaao gori
yoonhi kaam na khaa
kyun batlaaun
kyun batlaaun ke nandu naai
usko batlaawe harjaai
sach kehta hai ?? baniya
tera baalam bada ??
teri aankh mein dhool daal ke
ghoome gali gali
o gori kaahe roothh chali
o rajput ki bachchi
kaan ki kachchi
?? se mera mair puraana
nandu ko mera karz chukaana
isi liye karte hain donon
baaten bhali buri
o gori kaahe roothh chali
chhod bhi do taqraar ki baaten
aao karen kuchh pyaar ki baaten
sun le chaukidaar ki baaten
aadhi aadhi raat gaye tu
ghoome gali gali
chaukidaar se mera pehra
gaaon ka numberdaar jo thhehra
chaukidaar ki dekh bhaal ko
ghoomoon gali gali
ho gori kaahe roothh chali
sach kehta hai
teri qasam main sach kehta hoon
pooch ?? jaaye
jo aur ko chaahoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
uhoon
roz roz tu kare ladaai
roz kare meri ruswaai
ab main roothh chala
tumse roothhe meri bala
sach kehti hai
teri qasam main sach kehti hoon
tujhse mil ke khush rehti hoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
Pyaar tum mujhse karti ho
Posted on: October 19, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4841 | Post No. : | 16629 | Movie Count : |
4530 |
Hullo Atuldom
The song with this post is heavily inspired by this song. This 1973 song which was sung by Kishore Kumar had Dharmendra trying to pacify his upset love Rekha. He resorted to all kinds of buffoonery to get a smile on her face and also get her to admit her love for him
In today’s song Kishore Kumar’s son Amit Kumar is the voice for Dharmendra’s son Sunny Deol. Sunny is running behind a ‘roothhi’ Meenakshi Seshadri and trying to get her to re-admit her love. So, the situation is like this. Just before this song, Sunny -who is a boxer for his college- has been reprimanded by his coach (Viju Khote) for day-dreaming about Meenakshi. Consequently, he refuses to acknowledge when she comes to meet him at his coaching camp. Later, when Sunny goes to meet her at a cafe, she pays him back in the same coin and also gathers public support citing that he is eve-teasing her. Now, it is the duty of our naayak to ‘manao’ a ‘roothhi’ naayikaa.
Hence this song which is written by Anjaan and composed by Bappi Lahiri. As I have said in the previous paragraph the male voice is Amit Kumar’s and S. Janaki sings for Meenakshi Seshadri. This marks the debut of “Ghayal” (as written in the titles of the movie). This 1990 movie starred Raj Babbar and Moushumi Chatterjee as Sunny’s bhaiyya and bhabhi. Amrish Puri played Balwant Rai (the villain) with Kulbhushan Kharbanda, Om Puri, Ashalata, Shafi Inamdar, Annu Kapoor etc in supporting roles. There were a few actors like Shabbir Khan, Sudesh Berry and Mitwa who played Sunny’s support in his mission to expose the wrong-doings of the big-time businessman Balwant Rai. Disco Shanti had a dance number too.
I am writing this post to wish the ‘dhai kilo ke haath’ wala, hand-pump ookhadnewala (uprooting a hand-pump), strong dialogue delivery wala, son of Dharmendra and Prakash Kaur- Ajay Singh Deol a.k.a Sunny Deol- on his birthday today. . It is apparent from his recent movies that he is a huge fan of his father. He has acted in three editions of a movie whose title was inspired by a famous song of his father from the ’70s- the Yamla Pagla Deewana series. He also chose another of his father’s song from the ’70s to use as a title for a movie that he directed to launch his son Karan in Bollywood- Pal Pal Dil Ke Paas. Additionally he has acted with his father in ‘Sultanat’, ‘Apne’ and a few more.
Happy birthday Sunny Deol.
Video
Audio
Song-Pyaar tum mujhse karti ho (Ghayal)(1990) Singers-Amit Kumar, S Janaki, Lyrics-Anjaan, MD-Bappi Lahiri
Lyrics
pyaar tum mujhse karti ho
don’t say no
pyaar tum mujhse karti ho
don’t say no
marti ho mujh par marti ho
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haan haan
chhodo na na
pyaar tum mujhse karti ho
don’t say no
marti ho mujh par marti ho
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haan haan
chhodo na na
nahin nahin nahin
main tumse pyar nahin karti
haah haah
pyaar tum mujhse karti ho
don’t say no
bol bol bol bol bol sachh bol
teri hansi se saari khul gayi pol
jahaan jahaan jaayegi main aaoonga vahaan
bhaagi kahaan yeh saari duniya hai gol
peechha tera chhodoon na
bol bhi de ab haan haan haan haan
arrey baba bola na
main tum se pyar nahi karti
hmmm
chhodo gussa jaane do
na
don’t say no
dil se dil mil jaane do
na
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haa haa
chhodo na na
pyar tum mujhse karti ho
don’t say no
dekho dekho dekho
kaisa pyaara hai samaa
dil ke deewaane miley khul ke yahaan
tod ke dil yoon na rooth ke jaa
varna kasam teri de doonga jaan
thham jaaye na dil ye jawaan
bol bhi de ab haan haan haan
arey jiyo chahe maro
mera peechha mat karo
ai
arey jiyo chahe maro
mera peechha mat karo
oye
mar gaya to pachhtaogi
don’t say no
ro ro kar mar jaaogi
don’t say no
inkaar mein ikraar hai
ye pyaar hai
bolo haan haan
chhodo na na
pyaar tum mujhse karti ho
don’t say no
main bolta hoon haan
maan bhi jaao varna
shor machaoonga
cheekhoonga chillaaoonga
logon ko bulaaoonga
logon suno suno zara meri daastaan
pyaar mein guzrikya mujh pe yahaan
ogo suno suno zara meri daastaan
pyaar mein guzari kya mujh pe yahaan
jaan meri leke bhagemeri jaan
lut gaya
mit gaya
mar gaya haan haan haan haan
hadd ho chuki
kar na dukhi
bol bhi de ab ha ha ha ha
haan baba haan baba
I love you, I love you
pyaar main tumse karti hoon
I love you
marti hoon tum pe marti hoon
I love you
tum jeete aur main haari
I love you
jaan gayi duniya saari
I love you
I love you
I love you
hoo hoo ooo
pat gayi pat gayi pat gayi re
soni kudi dekho pat gayi re
mere galey se lipat gayi re,
kismat meri palat gayi re
hey pat gayi pat gayi pat gayi re
soni kudi dekho pat gayi re
bruu bruu ya ya
arre pat gayi re
pat pat pat pat pataa
pat pat pat pat pataa
pataa
haha
hoy hoy hoy
hey hey hey hey
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4823 | Post No. : | 16601 |
On this 1st October 2021, I am completing 9 years of my blogging here. My first post was published on this Blog on 1-10-2012. It was on the film Savitri-1937. Since then in the last 9 years I have been continuously writing here and elsewhere. Though my writings are also published on several other Blogs and sites, my main favourite place is this one only.
Most of my original works were first published first here, except the interviews of relatives of old time artistes, which were published on memsaabstory.com. Some articles were published on anmol fankaar, Sangeet ke Sitare,Harveypam Blog, Kalyan Music Group, Songs of yore etc etc. In the last 9 years I have written, till today, 1020 posts here. It works out to an average of 1 article every 3.2 days-every 4th day- continuously for 9 years. In addition I have written film synopses of more than 600 films and more than 500 comments on this Blog alone. When I look back, I get surprised. How did I do it ?
There are reasons how and why I could do it. First, I like the atmosphere of this Blog. Secondly, Atul ji is a silent motivator, a good leader and he encourages contributors by giving a free hand and without disturbing styles of narrations. Thirdly, it is a very congenial and friendly team of Atulites. There are many more points but we all know them.
The Blog has created a special place for itself in the Blogosphere for its Credibility, Variety, Quantum of songs with lyrics and pots of information not available easily elsewhere. The Blog has actually become ” A Point Of Reference” for most other music and old film lovers. Information from the Blog is invariably quoted as proof and authenticity. Credit for all this goes to Atul ji. Thanks Atul ji. We feel proud to be associated with atusongaday !
Today’s song is from a Mythological film – Jai Bhim-1949. The film was made by Nav Jhankar productions, Bombay. It was directed by Anant mane -who became one of the all time successful Directors of marathi Cinema, later on. Music was by Sudhir Phadke, for songs written by lyricist Amar Verma- who married the famous Classical Singer Manik Dadarkar, better known as Manik Verma. The cast of the film was Vishwas, Vasant Thengdi, Ganapatrao Bakre, uma Devi, kusum deshpande, kanta kumari and many others.
Film Jai Bhim-49 was a MYthological film, but its information is not available anywhere. It is one of those films which have existance only in HFGK pages. The film was directed by Anant Mane. He was a struggling Director in 1949, but due to hard work and of course with good luck, he became a very big and renowned director in Marathi cinema. His contribution in the Hindi cinema was of a minimal nature but his Marathi films were mostly Hit films.
Anant mane was born in a lower middle class family of kolhapur, on 22-9-1915. His uncle Gyanba Mane was working in Prabhat films as an actor (in his last days Gyanba was seen selling vegetables on the roads of Kolhapur, for survival). Anant used to go with him to Prabhat studio. The studio life attracted him. At the age of 15 years, he left school and joined Prabhat. he was given work in the Laboratory. First 2 years he worked without pay and then he got a salary of Rs.10 pm.
While in Prabhat he worked and learned a lot in editing, Artwork, Sound recording in addition to working as an extra in a Mob scene. He was impressed with Shantaram’s knowledge in the studio. When the film ” Sairandhri” was made, he was given Vishnu’s role in it.
His diligence impressed Shantaram and he was taken in Editing laboratory. When Prabhat shifted to Poona, he too came with it and continued working in editing. He did editing of all Prabhat films till 1941. When Shantaram left Prabhat in 1942, he too left but joined as an assistant to director Raja nene till 1946. In 1949, he directed his first Hindi film ” Jai Bhim”-1949.
In 1950, Anant mane and Dada Dharmadhikari started ” Alhad Chitra”. Its very first Marathi film ” Bala jo jo re” became a hit and celebrated Silver jubilee. Their next two films ” Stree janma hi tuzi kahani” and ” Chimni Pakhare” also became Jubilee films. Chimni Pakhare was remade in Hindi as Nanhe Munne-1952. Anant mane directed 2 Hindi films in 1954-Kalakar and Suhagan, which were remakes of their Marathi films.
After this he concentrated only on marathi cinema and became a well known and successful director of 58 Marathi films. He also wrote stories and screenplays of 14 films. He won many State and Central Government awards. He considered Shantaram as his Guru. Even after being so successful, he worked as an assistant director to Shantaram for his famous film ‘ Pinjara”-1972.
Anant Mane died on 5-10-1995.
In the cast of this film you will find 2 names- Vasant Thengdi and Kusum Deshpande. They were husband and wife in real life. Thengdi was a very handsome person. Vasant Thengadi was born on 11-1-1910 at Nagpur. He was son of Congress leader Dhaniram Thengadi. Vasant had his education in Poona. He could not join the Army, because of his father’s political connections. He had to leave his Engineering college after father’s death. Being very handsome,tall and with good physique, he started working in Marathi dramas and films. He started his Hindi work with the film Dhuwandhar-35. ( This was also the Debut film for Leela Chitnis and Meera Alexander). He started doing Villain roles and became popular and famous. Besides Marathi films, his Hindi films were Taramati-45, Phir bhi apna hai-46, Mera Ladka-38, Din Raat-45, Ten o clock-42 etc. Later he also worked as assistant director to Raja Nene.
Kusum Deshpande was born on 20-11-1914 at Nagpur. She came to Bombay in 1930 and worked in Minerva as an apprentice, without pay. She worked in A.I.R. and some Marathi dramas and films. Her first Hindi film was Ghar ki Rani-40. She also did Charnon ki Daasi-41, Village Girl-45, Wamaq Azra-46 and Zamin Asmaan-46. In all she did 20 Hindi films. She married actor Vasant Thengadi on 30-11-1944.
After she stopped getting roles in Hindi films, she turned to Marathi films and had a long and fruitful career in it. She was the sister of actress Ranjana, who was Dilip Kumar’s Heroine in film Milan-1946( a bilingual in Hindi and Bangla, made by Bombay talkies).
Today’s song is a duet by Sudhir Phadke and Lalit Deulkar ( after this film they got married on 29-5-1949).
Song-O roop nagar ki raani dekho roothh ke na jaao (Jai Bhim)(1949) Singers- Sudhir Phadke, Lalita Deulkar, Lyricist- Amar Verma, MD-Sudhir Phadke
Lyrics
O roop nagar ki raani
dekho roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao o
roothh ke na jaao
mera jiya na dukhaao
o o
roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao
o o o
prem nagar ke raaja
prem nagar ke raaja
haath na lagaao o
haath na lagaao
jahaan rahe wahi jaao
haath na lagaao
main to jaan gaya
tere man ki batiyaan
o main to jaan gaya
tere man ki batiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
haan
to isliye roothhhi thi meri raani
suno
main to thha Panchal desh mein
jahaan hua Draupadi swayamwar
jahaan hua Draupadi swayamwar
nagar nagar ke raaja aaye
bade dhanurdhar veer dhurandhar
bade dhanurdhar veer dhurandhar
sabne apne dhanush baan ki
vidhya ke kaushal dikhlaaye
vidhya ke kaushal dikhlaaye
par koi bhi chakr beech
machhli ki aankhen bhed na paaye
haay raam
phir kya hua
phir brahman ke vesh mein
aaya Arjun veer
chhaaya dekhi tel mein
diya lakshya ko cheer
tab muskaayi jyun sadi
tab muskaayi jyun sadi
prem ras tabhi laga ??
phir mangal baaje baje
Parth ko varmaala pahnaai
o roopnagar ki raani
aao naacho dhoom machaao
dhoom machaao
o prem nagar ke raaja
aao naacho dhoom machaao
dhoom machaao
Arre main tera deewaana
Posted on: August 7, 2021
- In: Amit Kumar songs | Amit Kumar Suresh Wadkar duet | expression of love | Feelings of heart | Guest posts | Post by Peevesie's mom | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1985 | Sulking-Appeasing song | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4768 | Post No. : | 16517 | Movie Count : |
4493 |
Hullo Atuldom
“Bond 303” (1985) was produced B.C. Devra and directed by Ravi Tandon. It was one of those movies that was in the making for a long time.
It was one of the three movies that had Jeetendra play a Spy- an Indian James Bond. His James Bond act began with his ‘mast bahaaron ka main aashiq’ in “Farz” (1967) continued with “Raksha” (1981) {in both these movies Jeetendra was Agent 116}. “Bond 303” was the third in that list.
This spy-movie had all the ingredients, a movie of this genre, required viz: a hero who looks handsome, can shake a leg, do action sequences with ease, and a bevy of lovely ladies. The lovely ladies of ‘Bond 303’ were headed Parveen Babi (in a double role), Jayshree T. and Helen. The list of supporting actors had Prem Chopra, Deven Verma, Tom Alter, Iftikhar, Satyen Kappu, Shreeram Lagoo, Dev Kumar, Yusuf Khan (a.k.a Zebisco of Amar Akbar Anthony).
The story was very simple:
There are terrorist attacks all over the world. Planes, trains, houses are blown to smithereens by unknown rockets! The one to call is India’s super agent Bond 303! When we first meet him he’s preoccupied with a dozen ladies and they all burst out in an intensive song-and-dance number! Bond 303 befriends a young smart scientist, played by the cool Parveen Babi and they start to gather information about the evil organization behind it all. But someone wants to stop them and sooner than you can say “curry” they are in gravy, oops they are in danger!
This Indian spy movie had five songs that were written by Gulshan Bawra and composed by R D Burman. Amit Kumar, Asha Bhonsle, Kishore Kumar, Suresh Wadkar, R D Burman, were the playback singers used. Today’s song is in the voices of Amit Kumar, Suresh Wadkar and Kalyani Mitra.
(The blog’s statistics page shows a name Kalyani Das Mitra whose 11 songs are there on the blog. I would like some knowledgeable follower to confirm if Kalyani Mitra and Kalyani Das Mitra are one and the same. The title song of ‘Saawan Ko Aane do’, posted on the blog, has Kalyani Mitra listed as playback singer.)
The song is a typical ‘roothna-manana’ song where Jeetendra and Deven Verma are seen trying to appease Parveen Babi and her companion. (I think that is Meenakshi Thakur, but I am not sure. Prakashchandraji, please help) The ladies are of course putting on an act of being upset with the boys.
We are wishing Suresh Wadkar on his 66th birthday. And remembering Gulshan Bawra on his 12th anniversary.
Audio
Video
Song-Arre main tera deewaana (Bond 303)(1985) Singers-Amit Kumar, Suresh Wadkar, Kalyani Mitra, Lyrics-Gulshan Baawra, MD-R D Burman
Lyrics
ae ae ae he he he
ae he he he
chal yahaan se
yeh toh deewaane lagte hain
arre main tera deewaana
yeh kaise tune jaana
zara meri jaan yeh bata
suno dil waali
chaahe de tu gaali
chhodoon na peechha tera
ho ho ho
main tera deewaana
yeh kaise tune jaana
zara meri jaan ye bata
suno dil waali
chaahe de tu gaali
chhodoon na peechha tera
ha ha
he he heee
he he heee
awaara loafer
arre dabe dabe honthon mein chhupaati hai hansi
hansegi
arre phansegi
hansegi phansegi
haan dekho toh deewaanon ki udaati hai hansi
hansegi
ai phansegi
arre hansegi phansegi
dabe dabe honthon mein chhupaati hai hansi
arre dekho toh deewaanon ki udaati hai hansi
aise na dil jalaao
o ho ho
main tera deewaana
ye kaise tune jaana
jara meri jaan ye bata
suno dilwaali
chaahe de tu gali
chhodoon na peechha tera
yeh toh gunde hain
badmaash
he he
kisi ko toh degi dil kabhi na kabhi
ai haseen
arre dilnasheen
ai haseen dilnasheen
haan kabhi wali baat kyun na ho jaaye abhi
ai haseen
ai dilnasheen
arre ai haseen
ai dilnasheen
kisi ko to degi dil kabhi na kabhi
kabhi waali baat kyun na ho jaaye abhi
dil hai aashiq tera
o ho ho
main tera deewaana
yeh kaise tune jaana
zara meri jaan yeh bata
suno dil waali
chaahe de tu gali
chhodoon na peechha tera
la la la la
la la la la la
la la la la la
la la la la la
la la la la la
- In: "sulking" song | Duet | expression of love | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1975 | Sulking-Appeasing song | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4651 | Post No. : | 16315 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXIX: Year 1975
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1975.
In 1975, 119 Hindi movies containing 568 songs were released. Lata Mangeshkar got to sing in 45 of these movies and she sang 90 songs in these movies. So Lata Mangeshkar’s voice was heard in 37.8 % of the movies released in 1975. Her voice was heard in 15.8 % of the songs appearing in the movies of 1975.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1975 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aakhri Daao | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Hasrat Jaipuri |
| 2 | Aakraman | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 3 | Aandhi | R D Burman | 3 | 3 | 0 | 3 | 0 | 0 | Gulzar |
| 4 | Anaadi | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 5 | Angaarey | Chitragupta | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 6 | Apne Rang Hazaar | Laxmikant Pyarelal | 2 | 2 | 2 | 0 | 0 | 0 | Anjaan |
| 7 | Baalak Aur Jaanwar | Chitragupta | 0 | 2 | 2 | 0 | 0 | 0 | Bharat Vyas |
| 8 | Bhoola Bhatka | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 9 | Chaitaali | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 10 | Chhoti Si Baat | Salil Chaudhary | 1 | 1 | 1 | 0 | 0 | 0 | Yogesh |
| 11 | Chupke Chupke | S D Burman | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 12 | Daakoo | Shamji Ghanshamji | 0 | 1 | 1 | 0 | 0 | 0 | Amrita Preetam |
| 13 | Dafa 302 | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 14 | Dharam Karam | R D Burman | 3 | 3 | 1 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 15 | Dharmatma | Kalyanji Anandji | 1 | 1 | 0 | 1 | 0 | 0 | Indeevar |
| 16 | Do Jaasoos | Ravindra Jain | 2 | 2 | 0 | 2 | 0 | 0 | Ravindra Jain+ Hasrat Jaipuri |
| 17 | Do Jhoothh | Shankar Jaikishan | 1 | 5 | 2 | 1 | 1 | 1 | Vishveshar Sharma (2) Verma Malik (1) M G Hashmat (1) Vitthalbhai Patel (1) |
| 18 | Ek Mahal Ho Sapnon Ka | Ravi | 2 | 2 | 1 | 1 | 0 | 0 | Sahir Ludhianvi |
| 19 | Faraar | Kalyanji Anandji | 2 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 20 | Himalay Se Ooncha | Kalyanji Anandj | 1 | 2 | 2 | 0 | 0 | 0 | Indeevar |
| 21 | Jaggu | Sonik Omi | 1 | 2 | 2 | 0 | 0 | 0 | S H Bihari |
| 22 | Julie | Rajesh Roshan | 1 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 23 | Khushboo | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 24 | Lafange | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 25 | Mausam | Madan Mohan | 3 | 3 | 1 | 2 | 0 | 0 | Gulzar |
| 26 | Mere Sajna | Laxmikant Pyarelal | 1 | 3 | 3 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 27 | Mili | S D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Yogesh |
| 28 | Mrigtrishna | Shambhu Sen | 1 | 2 | 2 | 0 | 0 | 0 | Shambhu Sen |
| 29 | Naatak | Laxmikant Pyarelal | 2 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 30 | Ponga Pandit | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 31 | Pratigya | Laxmikant Pyarelal | 1 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 32 | Prem Kahaani | Laxmikant Pyarelal | 4 | 4 | 1 | 3 | 0 | 2 | Anand Bakshi |
| 33 | Qaid | Nitin Mangesh | 0 | 1 | 1 | 0 | 0 | 0 | Maya Govind |
| 34 | Raja | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 35 | Sangat | Salil Chaudhary | 2 | 2 | 0 | 2 | 0 | 0 | Jaan Nisaar Akhtar |
| 36 | Sanyaasi | Shankar Jaikishan | 3 | 6 | 1 | 5 | 0 | 0 | Vishveshvar Sharma (2) M G Hashmat (1) Indeevar (1) Verma Malik (1) Vitthal Bhai Patel (1) |
| 37 | Sevak | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anjaan |
| 38 | Sholay | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 39 | Sansaar | Naushad | 1 | 2 | 0 | 1 | 1 | 0 | Anand Bakshi |
| 40 | Uljhan | Kalyanji Anandji | 1 | 2 | 2 | 0 | 0 | 0 | M G Hashmat |
| 41 | Umar Qaid | Sonik Omi | 1 | 1 | 0 | 1 | 0 | 0 | Gulshan Baawra |
| 42 | Vandana | Ravi | 2 | 3 | 3 | 0 | 0 | 0 | Asad Bhopali (2) Anjaan (1) |
| 43 | Warrant | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 44 | Zakhmee | Bappi Lahiri | 2 | 2 | 1 | 0 | 1 | 0 | Gauhar Kanpuri |
| 45 | Zinda Dil | Laxmikant Pyarelal | 1 | 3 | 1 | 1 | 0 | 1 | Verma Malik |
| Total | 45 movies | 17 MDs | 60 | 90 | 50 | 35 | 3 | 2 | 22 lyricists |
Lata Mangeshkar worked with 17 music directors and 22 lyricists in these 45 movies released in 1975. Shankar Jaikishan with 443 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by Laxmikant Pyarelal with 409 songs. C Ramchandra was in third position with 274 songs. Other top music directors for Lata Mangeshkar were Kalyanji Anandji (247), Chitragupta (238), Madan Mohan (189), S D Burman (173), R D Burman (156), Roshan (144), Naushad (136), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Vasant Desai (104) and Salil Chaudhary (101). Together these fifteen music directors composed 2970 songs out of 3992 songs that Lata Mangeshkar had sung in Hindi movies till end of 1975. The top nine lyricists till end of 1975 for Lata Mangeshkar were Rajinder Krishan (543),Anand Bakshi (381), Shailendra (361), Majrooh Sultanpuri (314), Hasrat Jaipuri (294), Prem Dhawan (201), Shakeel Badayuni (189), Bharat Vyas (189) and Sahir Ludhianvi (132). These nine lyricists had penned 2604 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Bappi Lahiri, Nitin Mangesh, Shamji Ghanshamji and Shambhu Sen for the first time in movies of this year. Lyricists Amrita Preetam, Gauhar Kanpuri, Shambhu Sen and Vishweshwar Sharmat got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1975 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 77 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 86 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 105 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 96 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 92 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 69 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 60 | 90 | 50 | 35 | 3 | 2 | |
| Total upto 1975 | 1269 movies | 3278 | 3992 | 2756 | 996 | 182 | 76 |
It can be seen from the table of 1975 that Lata Mangeshkar sang 90 songs in 45 movies released in 1975.
60 songs sung by Lata Mangeshkar in movies of 1975 have been covered in the blog. That leaves us with 30 songs from movies of 1975 that are yet to be covered.
All Lata Mangeshkar songs from 24 movies of 1975 are already covered in the blog. So 30 Lata Mangeshkar songs from 21 movies of 1975 are still available to be discussed.
Alphabetically “Aakhri Daao”(1975)is the first movie of 1975 that offers us Lata Mangeshkar songs.
“”AAkhri Daao”(1975) was directed by A Salaam for Kalabharati, Bombay. The movie had Saira Bano, Jeetendra, Danny, Padma Khanna, Ifthikar, Ramesh Deo, Satyen Kappu, Mohan Choti, Pinchoo Kaspoor, Amarjeet < Maqbool, Moolchand, Rajan Kapoor, Ratan Gaurang, Darshan, Ranjeet etc in it.
The movie had four songs in it. One song has been covered in the past.
The movie had one Lata song. It is a duet song sung with Kishore Kumar. Hasrat Jaipuri is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a “roothhna-manaana” song on Saira Bano and Jeetendra.
Audio
Video
Song-Jhoothhe sang pyaar kiyaa (Aakhri Daao)(1975) Singers-Lata, Kishore Kumar, Lyrics-Hasrat Jaipuri, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
jhoothha
beimaan
bedardi
daghaabaaz
jhoothha
jhoothha
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
ham hi naadaan thhe jo itna intzaar kiya
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
jhoothhe sang pyaar kiya
haay
haay honey doll
sorry der ho gayi
jhoothe sang pyaar kiya
waade ka aitbaar kiya
kahin phans gaya thha
bura maan gayi
naaraaz ho gayi kya
jhoothe sang pyar kiya
waade ka aitbaar kiya
arre kuchh bolo to sahi
jaa
main nahin bolti
aaj se tumhaari meri katti
dhokhebaaz kahin ke
kab se khadi hoon main to aas lagaaye
kab se khadi hoon main to aas lagaaye
hare bhare raston par ankhiyaan bichhhaaye
bada bekaraar kiya
jhoothe sang pyaar kiya
wade ka aitbaar kiya
jhuthe sang pyar kiya
waade ka aitbaar kiya
(arre maaf kardo baba
arre bhool ho gayi
haath jodta hoon)
koi farishta to hoon nahin main
aadmi hoon aadmi
chalo jhagda chhodo
tumhen meri qasam
haan
tumse hi pyaar kiya
kisi se kya waasta
tumse hi pyaar kiya
kisi se kya waasta
mera tumhaara dilbar ek hi raasta
tumko ghamkhwar kiya aa
jhoothe sang pyar kiya
wade ka aitbaar kiya
jhoothe sang pyar kiya
wade ka aitbaar kiya
nahin maanoogi
haan
badi ziddi hoon
chahe haath jodo chaahe paanw pado
nahin maanugi badi ziddi hoon
chahe haath jodo chaahe paanw pado
tum
bade waise ho
apni kasam patthar ho
chalo hato
kaali ghataayen dekho parwat se pyaar karen
kaali ghataayen dekho parwat se pyaar karen
ye to sitam hai dekho
hum intzaar karen
sab kuchh nisaar kiya aa
jhoothhe sang pyaar kiya
waade ka aitbaar kiya
jhoothhe sang pyaar kiya
wade ka aitbaar kiya
aay haay kyon tadpaati ho
arre kyon tarsaati ho
aur kya kahoon
tum kaho to jaan de doon jaan
tauba karo
kaan pakdo
tauba karo kan pakdo
phir kabhi aisa na karoge
waada karoge to poora karoge
acha baba jo kahogi wo karoonga
chalo maaf kiya
good
dil saaf kiya
waah
ho ho ho
aa haa aa haa
aaj ikraar kiya aa
jhoothe sang pyaar kiya
waade ka aitbaar kiya
jhoothe sang pyar kiya
wade ka aitbaar kiya
ham hi naadaan the jo itna intzaar kiya
jhoothhe sang pyaar kiya
wade ka aitbaar kiya
laa laa laa
laa laa laa
laa laa laa laa
laa laa laa
Maaf karo o baba maaf karo
Posted on: October 10, 2020
- In: "Nok-Jhonk" song | "teasing" song | Devnagri script lyrics by Avinash Scrapwala | Duet | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1973 | Sulking-Appeasing song | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4467 | Post No. : | 15959 | Movie Count : |
4373 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 104# Qeemat-1973 (Happy Birthday – Rekha) #
—————————————- ————————————————–
On the blog, other than sharing songs and posts for special occasions we also simultaneously work on ‘different projects’ from time to time. One of the projects that I have taken up is to introduce ‘movies having same titles’ on the blog.
We also combine launching of new ‘movie’ with special occasions like anniversaries of artists, actors, actresses etc.
Today I am presenting a song from the 1973 movie ‘Qeemat’. We already have a movie titled ‘Qeemat-1946’ on the blog and all its songs have also been covered on the blog.
Movies with the title ‘Qeemat’ (or ‘Keemat’) were also made in the year 1956 and later on recently in 1998.
However, I guess that the songs of the ‘Qeemat-1956’ are difficult to find and may be not available as of now.
Coming back to today’s movie and its song, the song is from ‘Qeemat-1973’ and it is picturised on lead pair of Dharmendra and Rekha of this movie.
Today 10th October is sixty-sixth birth anniversary (born on 10th October’1954) of Bhanurekha Ganeshan or Rekha as we fondly know her. So, today we wish her a very happy birthday and a healthy and peaceful life ahead.
Today’s song is from a movie of ‘1973’ i.e. a movie released almost forty-seven years back. Let us have a look on how this year was for Rekha and the movies she appeared on screen in this year;
–
| SNo | Movie Title | Date Passed by Censor Board | Director | Co-Star |
|---|---|---|---|---|
| 01 | Anokhi Adaa | 03.04.1973 | Kundan Kumar | Jeetendra |
| 02 | Barkhaa Bahaar | 15.10.1973 | Amar Kumar | Navin Nischol |
| 03 | Dharmaa | 23.11.1973 | Chaand | Navin Nischol |
| 04 | Double Cross | 25.10.1973 | Gogi Anand | Vijay Anand |
| 05 | Kahaani Qismat Ki | 19.12.1973 | Arjun Hingorani | Dharmendra |
| 06 | Kashamkash | 21.11.1973 | Feroz Chinoy | Feroz Khan |
| 07 | Khoon Khoon* | 02.06.1973 | Mohammad Hussain | |
| 08 | Namak Haraam | 19.11.1973 | Hrishikesh Mukherjee | Rajesh Khanna |
| 09 | Pran Jaaye Par Vachan Na Jaaye | 29.12.1973 | Ali Raza | Sunil Dutt |
| 10 | Qeemat | 29.06.1973 | Ravi Nagaich | Dharmendra |
*(as ‘Special appearance’)
We can see from the above details that she was paired with Dharmendra in ‘Qeemat’ and ‘Kahaani Kismat Ki’. ‘Kahaani Kismat Ki’ was one of the super-hit movies of that year.
I am not aware of the today’s movie ‘Qeemat’. I guess it was flop and forgotten movie.
I had watched this movie ‘Keemat-1973’ in 1985-1988 during my stay Parli-Vaijnath and I had earlier mentioned the same in my post here .
I do not remember the story of the movie now, nor do I remember how I felt about the moview back then. This movie was an action packed ‘spy thriller’ movie.
Dharmendra was known as ‘he-man’ those days. Considered the most suitable hero for ‘action packed’ movies, he was in the lead role in this movie along with Rekha, Prem Chopra and others.
1973 was a significant year in Dharmendra’s career as many of his movies released during 1973 were ‘super-hits’ and his roles in these movies were well appreciated.
The year preceding ‘1973’ and succeeding it were also successful years in his film career.
He was nominated for the ‘best actor’ ‘Filmfare award’ for ‘Yaadon Ki Baaraat-1973’, however he did not win it.
Here let us have a look at the movies starring Dharmendra released in the year 1973 (in alphabetical order):
| SNo | Movie Title | Date Passed by Censor Board | Director | Co-Star |
|---|---|---|---|---|
| 01 | Blackmail | 28.11.1973 | Vijay Anand | Rakhi |
| 02 | Jheel Ke Us Paar | 28.08.1973 | Bhappi Soni | Mumtaz |
| 03 | Jugnu | 28.07.1973 | Pramod Chakravarty | Hema Malini |
| 04 | Jwaar Bhaataa | 16.10.1973 | A. Subbarao | Saira Banu |
| 05 | Kahaani Qismat Ki | 19.12.1973 | Arjun Hingorani | Rekha |
| 06 | Loafer | 12.03.1973 | A. Bhim Singh | Mumtaz |
| 07 | Phaagun* | 08.06.1973 | Rajinder Singh Bedi | Waheeda Rehman |
| 08 | Qeemat | 29.06.1973 | Ravi Nagaich | Rekha |
| 09 | Yaadon Ki Baarat | 05.10.1973 | Nasir Hussain |
–
*(as ‘Special appearance’)
‘Qeemat-1973’ or ‘Keemat-1973’was directed by Ravi Nagaich for ‘Bharti Internationals, Madras’. Ravi Nagaich had also done the photography of this movie. It was produced by P. Mallikharjuna Rao.
It had Dharmendra, Rekha, Prem Chopra, Rajendra Nath, Aagha, Satyen Kappu, Maruti, Murad, Puranik, J.N. Anand, Prem Kumar, Kirti Kumar, Subhash, Suhail, Arjun Kumar, Shabnam, Indira Bansal, Halam, Kalam, Munni, Rani, with Jayshree T., Padma Khanna, Ranjeet.
K.N. Singh and Jayadev make a friendly appearance in this movie.
Dialogues of this movie were written by Vishwamitra Adil while the story idea was by Ramjee. V.D. Puranik was the dialogue director for this movie. Editing of this movie was done by N.S. Prakasam.
This movie had total six songs composed to music by Laxmikant-Pyarelal. The lyrics for all the six songs were written by Anand Bakshi.
Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie. (The titles of this movie mentioned the name of Ajit Singh in the list of singers, however HFGK Vol V doesn’t mentioned his voice in the songs of this movie in the list on the movie page of this movie).
Today’s song is sung by Kishore Kumar and Lata Mangeshkar. I guess this song would have been the only somewhat ‘known song’ from this movie. Because I remember to have listened to it in my childhood years on the radios and so when I watched the movie in 1987-88, I remember to have heard it earlier.
However, this and other songs of this movie seem to be all forgotten because in the recent years also I have recollections of listening to them on radio.
I would request knowledgeable readers to throw more light on this movie and its songs.
‘Qeemat-1973’ was passed by Censor Board on 29.06.1973 under ‘restricted viewing’ (A) certificate.
Today’s song is picturised on Dharmendra and Rekha where Dharmendra in his ‘own’ style is requesting Rekha to forgive him 😊
Let us now listen to this song…!!!
With this song ‘Qeemat-1973’ makes its debut on the blog. 🙂
Audio
Video
Song-Maaf karo o baba maaf karo (Qeemat)(1973) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
suno to
naa naa naa naa naa
dekho to
naa naa naa naa naa
ruko naa
naa naa naa naa naa
ruko
ruko
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baaba maaf karo
oon hoon
oon hoon
maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
aaj koi des
kal aur koi bhes
mere dil pe lagi thhes
behroopiye
bol mujhe tang tune
kiya ke nahin kiya
kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
maaf karo
o baby maaf karo
neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
dil se nikaal mat mera khayaal
o buraa hai mera haal
teri yaad mein
pyaar tere sang maine kiya ke
nahin kiya
kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
oon hoon
oon hoon
maaf karo
o baaba maaf karo
__________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————-
सुनो तो
ना ना ना ना ना
देखो तो
ना ना ना ना ना
रुको ना
ना ना ना ना ना
रुको
रुको
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
ऊँ हूँ
ऊँ हूँ
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
आज कोई देश
कल और कोई भेस
मेरे दिल पे लगी ठेस
बहरूपिये
बोल मुझे तंग तूने
किया के नहीं किया
किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
माफ़ करो
ओ बेबी माफ़ करो
नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
दिल से निकाल मत मेरा ख़याल
ओ बुरा है मेरा हाल
तेरी याद में
प्यार तेरे संग मैंने किया के
नहीं किया
किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
ऊँ हूँ
ऊँ हूँ
माफ़ करो
ओ बाबा माफ़ करो
- In: "beach" song | "Jeep" song | "wooing" song | Dev Anand present without lip syncing | Dev Anand songs | Dev Anand songs by Kishore Kumar | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lata solo | Lata song | Multiple version song | Post by nahm | Songs of 1970s (1971 to 1980) | Songs of 1974 | Sulking-Appeasing song | Theme song | Yearwise breakup of songs
- 6 Comments
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4453 | Post No. : | 15919 |
Dev Anand – 97th Birth Anniversary
—————————————————–
Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), is the full name of the dashing, debonair yet chocolate hero of the 50’s, also nicknamed as the ever green actor, he was a hero, director, producer and what not. He is known for never say die attitude and being a gentleman of the old world sense. He formed a trio of superstars with Dilip Kumar and Raj Kapoor in the black n white era.
He was like a shining star which kept shining when all his neighbour, were laid down by age, health and simply lack of motivation. In the old ways, the culture of the film industry was about respect of seniors, treating others including junior artists, with respect and values which were based on humanity and equality in opportunities etc. The background of Dev Anand is an educated family of means. Plus that was an erawhen people with means had rich tastes and it converted into their conduct and dealing with fellow human beings. I have no knowledge how charitable or not Dev Anand himself was, because charity is not just sharing of monetary wealth, but sharing of positivity and knowledge also amounts of charity. Of course, there are people with such meanness in their makeup they will not lift an eyebrow, to facilitate someone else. And if such a person did lift an eyebrow, and someone else was slightly benefitted from it, the former will not like it. Ah…. I don’t know where I am going with this, but this is not towards Dev Anand.
I have recently seen his movies, “Kaala Bazaar” “Manzil” and “Kaala Paani” on youtube. Other unforgettable movie are such classics as “Guide”, “Tere Ghar Ke Saamne , “Jewel theif”, etc. I have read the Wikipedia page on Dev Anand. As I read through it, things got curious, as there is not filmography there. Very few films are mentioned, some of them I am yet to see. Zeenat Aman finds a mention as being discovered by him, but there is no mention of “Hare Rama Hare Krishna”. Also I found amiss the mention of his brothers Vijay Anand and Chetan Anand who were instrumental in his life and career. No mention of his great equation with SDB-RDB and Kishore Kumar.
There is also this line :
“Guru Dutt, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Kishore Kumar, S.D. Burman and R.D. Burman were his closest friends from the film industry.” If a man is known by the company he keeps, than there are no better examples.
The song I am presenting as a tribute to Dev Anand on his 97th birth anniversary is from the film “Amir Garib” (1974). The song comprises of two separate solos, by Lata Mangeshkar and Kishore Kumar, which are the mirror images of each other. The song picturization and the lyrics are also mirroring each other. Both songs are picturised on Dev Anand and Hema malini, singing the two solos. With colourful clothes, a beach, an open jeep on the beach, than the Swimming pool at the Sun & Sand just beyond the Juhubeach(Common in both songs, with extra’s looking like Europeans in colourful swim suits) and a park road with a tonga ride. This is a beach song, tonga song, car song swimming pool song, teasing song, pacifying song all rolled into one.
About version songs which are mirror image of each other, I can recall one song from the film “Himalaya ki god mein”
.
The following three songs from “Ameer Gareeb”(1974)are already posted in the blog :
| Song | Date posted |
|---|---|
| Mere pyaale mein sharaab daal de phir dekh tamaasha | 21 June 2009 |
| Main aaya hoon leke saaz haathon mein | 12 August 2012 |
| Kahin janaab ko mera to intezaar nahin | 3 December 2018 |
The post is by Peevesie’s Mom which has a synopsis of the film. Another trivia is that the first song from this movie appeared on the blog as early as 21.06.2009, within its first year.
Audio – Lata version
Video – Lata version
Audio – Kishore Kumar version
Video – Kishore Kumar version
Song-Soni aur moni ki hai jodi ajeeb (Ameer Gareeb)(1974) Singer-Lata/ Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
————————
Lata version
————————
ho moni
Ho moni
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
khoya phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa
galiyon mein bada shor
sunaa tere naam kaa
maana tere paas hai baajaa
tu hai raajaa
magar raani binaa kis kaam kaa aa
magar raani binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaayeea
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare piyaa baaten
mulaaqaaten
piya jal kat ke reh jaayeea
piya jal kat ke reh jaaye
hohohoho
hai mera mehboob meraa raqeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
———————————-
Kishore Kumar version :
———————————-
ho Soni
ho soni
moni aur soni ki hai jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
ik door jaaye ik aaye qareeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
khoyi phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa aa
galiyon mein bada shor
sunaa tere naam kaa
maana teraa naam hai raani
mahaarai
magar raajaa binaa kis kaam kaa aa
magar raajaa binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaaye ae
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare kabhi baaten
mulaaqaaten
jiya jalkat ke reh jaaye ae
jiya jal kat ke reh jaaye
hohohoho
mehboob meraa hai meraa raqeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4451 | Post No. : | 15912 |
ik arz meri maan lo daftar ko jaana hai
mangal ka din hai aaj koi itwaar nahin hai
These two lines in the song “kyun garm sard hote ho takraar nahin hai” from ‘Chokori’ (1949) sung by Mohammed Rafi has made me to present this song which was not available on-line until SAREGAMA uploaded the audio clip of this rare song on one of the video sharing platforms in early 2019.
‘Chakori’ (1949) was the first film of Ravindra Dave as a producer which he produced under the banner of Ramesh Pictures. The film was directed by his younger brother, Ram Narayan Dave. The star cast included Nalini Jaywant, Bharat Bhushan, Manorama, Om Prakash, Randhir, Narbada Shankar, Uma Dutt, Cuckoo etc. The story, screen-play, dialogues and songs were written by Mulkraj Bhakri.
Ravindra Dave was the son of Karachi-based Seth Ratilal Dave who had a flourishing business of film distribution for North Indian territories under the name, Empire Talkie Distributors. This was the first film distribution company which undertook to distribute India’s first talkie ‘Alam Ara’ (1931) in Northern India. He joined his father’s film distribution company and helped his father in procuring distributions rights of films produced in Mumbai.
Dalsukh Pancholi was the uncle of Ravindra Dave who was already in film production and the owner of Pancholi Studio in Lahore. Ravindra Dave became the Production Manager in Pancholi Films. He got his first assignment as a director in Pancholi’s ‘Poonji’ (1943) along with Vishnu Pancholi. With his talent firmly established in film making, Pancholi gave him the assignment of writing the script for ‘Dhamki’ (1943) and directing it.
When Ravindra Dave was directing Pancholi’s next film, ‘Patjhad’ (1948), the partition happened and the communal riots that broke out in Lahore made him and Pancholis to come to Bombay with the completed reels of the film which was later released in 1948 after completion of the film in Mumbai. For both Pancholis and Ravindra Dave, it was like starting their filmy career afresh. Ravindra Dave directed about 30 Hindi films during 1943-69. Later, he shifted to Gujarati films producing and directing around 20 films until 1985.
Mulkhraj Bhakri, the story, screen-play, dialogue and song writer of ‘Chakori’ (1949) was born in Gujranwala in Punjab (now in Pakistan). His father, Moolchand Bhakri was the store-keeper in Indian Army Service Corps (IASC) at Pathankot. He went to school in Lyallpur (now Faisalabad in Pakistan). After completion of his Matriculation examination in 1931, he was keen to join the film industry.
Mulkraj Bhakri started his career as Cinema Manager. It took him a long time to get his first break in the film ‘Arsi’ (1947) as story and dialogue writer. After the success of the film, Mukraj Bhakri got two films – ‘Barsaat Ki Ek Raat’ (1948) and ‘Papiha Re’ (1948) for which he wrote story, dialogues, screen play and lyrics. Both these films were being produced in Lahore studios. Unfortunately, both the films became the victims of partition and were temporarily abandoned. These films were later released in some parts of India.
Mukraj Bhakri came to Bombay (Mumbai) after the partition along with his brothers, Lekhraj Bhakri, Deshraj Bhakri and Rajkumar Bhakri who were all associated with Hindi films. Mulkraj Bhakri became the rallying point for displaced film artists and technicians from Lahore. Bhakri who was the ‘de facto’ producer of the film ‘Chunariya’ (1948) gave Ravindra Dave his first assignment in post-partition India to direct the film. Next, Ravindra Dave got Prakash Pictures’ ‘Saawan Baadhon’ (1949) to direct. He also directed his uncle Pancholi’s first film in post-independent India – ‘Meena Baazar’ (1950).
Note: The profiles of Ravindra Dave and Mulkraj Bhakri up to 1949 are based on articles written by character actor, Janki Dass in film magazine ‘Sound’ – May 1949 and July 1949 issues, respectively.
So far, 7 songs (out of 11 songs) of ‘Chakori’ (1949) have been covered in the Blog. The song under presentation is the 8th song from the film to appear on the Blog. Song is written by Mulkraj Bhakri which is set to music by Hansraj Bahl.
In Hindi film songs, I had not come across the Urdu word ‘dehleez’ (threshold; may be चौखट in Hindi) until Gulzar saab used it in mudke na dekho dilbaro in ‘Raazi’ (2018). I was pleasantly surprised to note that Mulkraj Bhkari had used the word ‘dahleez’ in the song under presentation as early as 1949. Interestingly, Gulzar saab has also used the Hindi equivalent word ‘Chaukhat’ in the song, chhod aaye ham wo galiyaan in the film ‘Maachis’ (1996).
Enjoy the ‘wooing and pleading with the beloved’ song.
Audio Clip:
Song-Kyun garm sard hote ho takraar nahin hai(Chakori)(1949) Singer-Rafi, Lyrics-Mulkraj Bhakri, MD-Hansraj Bahl
Lyrics
kyun garm sard hote ho
takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
kyun garm sard hote ho
takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
baitha hoon main dehleez pe ghutnon ko thhaam ke
aji ghutnon ko thhaam ke
baitha hoon main dehleez pe ghutnon ko thhaam ke
aji ghutnon ko thhaam ke
main khali jaaun
achcha ye sarkaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
ye sochta hoon roz tujhe sair karaaun
tujhe main sair karaaun
ye sochta hoon roz tujhe sair karaaun
tujhe main sair karaaun
magar kya karoon
bekaar hoon saahib
mere paas car nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
ik arz meri maan lo
daftar ko jaana hai
aji daftar ko jaana hai
ik arz meri maan lo
daftar ko jaana hai
ho maine daftar jaana hai
mangal ka din hai
aaj koi itwaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
teri judaai mein mujhe kyun aayen siskiyaan
haay
aayen siskiyaan
teri judaai mein mujhe kyun aayen siskiyaan
mujhe kyun aayen siskiyaan
achha bhala to hoon
koi bhukhaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
kyun garm sard hote ho takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
- In: Duet | expression of love | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1972 | Sulking-Appeasing song | Yearwise breakup of songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4400 | Post No. : | 15783 |
I cut my HFM teeth in late 1960s when old order was giving way to new. Old order meant Rafi as the male playback singer of choice, Shammi Kapoor as the heart throb, and Shankar Jaikishan as the music directors of choice for big banners. In a matter of a few years or so, the musical order was turned upside down. When the dus settled, we found Shammi Kapoor being replaced by Rajesh Khanna, Rafi by Kishore Kumar and Shankar Jaikishan by R D Burman.
I became a young music lover sometime in mid to late 1960s. From being used to Rafi voice blaring from loudspeakers, I found a new male voice beginning to blare out of loudspeakers. Alongwith rest of the population, I too was mesmerised by this voice. The vesry first time I listened to the voice of Kishore Kumar, i loved it. the song was the iconic “Padosan”(1968) song-“mere saamne waali khidki”.
Rajesh Khanna meanwhile took the movie world by storm with “Aradhana”(1969), and that was followed by a string of hits. I would have loved to watch all those Rajesh Khanna songs, but I ended up watching “Haathi Mere Saathi”(1971) and “Apna Desh”(1971), that is all. By the time my movie watchin spree began in right earnest in june 1978, Rajesh Khanna had lost his crown as the first superstar of Hindi movies. That crown had passed on to Amitabh Bachchan.
Unlike Rajesh Khanna, Kishore Kumar never lost the crown of the top male playback singer. He continued to hold this crown troughout his life, till 1987. What longevity ! It is not easy to hold on to the top spot, as we see from the example of Rajesh Khanna. If Kishore Kumar could do it for close to two decades till his death, they this speaks highly of his durability and saleability. In fact, I feel that he almost singlehandedly held up the quality of playback singing during 1980s after all other leading playback singers had passed away.
On the occasion of Kishore Kumar’s 91st birth anniversary today on 4 august 2020 here is an archtypical Rajesh Khanna song sung by Kishore Kumar. The song is a duet from “Shahzaada”(1972). This movie was directed by K Shankar for Amar Chhaaya, Bombay. The movie had Rajesh Khanna, Raakhee, Madan Puri, Veena, Karan Dewan, Pandari Bai, Jairaj, Sunder, Mohan Choti, Gulshan Baawra, Badri Prasad, Halam, Varalakshmi, Shreeram Shastri etc in it. The movie had five songs in it. Two songs have been covered in the past.
Here is the third song from “Shehzaada”(1972) to appear in the blog. the song is sung by Kishore Kumar and Lata Mangeshkar. The song is penned by Rajinder Krishan. Music is composed by RD Burman. This roothhna manaana genre of song is picturised on Rajesh Khanna and Raakhi.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Video
Song-Na jaiyyo chhod ke na jaiyyo meri raani (Shehzaada)(1972) Singer-Kishore Kumar, Lata, Lyrics-Rajinder Krishan, MD-R D Burman
Lyrics(Provided by Avinash Scrapwala)
Na jaiyyo o
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Haan jaayegi saath tere
Jaayegi saath tere
Meri zindgaani
Haan Na jaiyyo
Chhod ke na jaiyyo meri raani
Na jaiyyo
Hoye
Chhodke na jaiyyo meri raani
Baagon mein kaliyaan khilne ke din
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
Hey ae
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
O ho
De doonga jaan meri
De doonga jaan meri
Baat jo na maani haan
Naa jaaun
Chhodke naa jaaun tohe jaani
Ho kadmon mein tere meri
Kadmon mein tere meri
Phool si jawaani
Ho jaani jaaun
Naa jaaun
Naa jaaun
Chhodke naa jaaun tohe jaani
Tu hi sawera
Tu hi meri shaam
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam re
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam
Likh de jiya pe mere
Likh de jiya pe mere
Preet ki kahaani
Ho jaani jaaun
Naa jaaun
naa jaaaun
Chhodke naa jaaun tohe jaani
Kaahe ko roothhi thhi
pehle Gujariya
Jaanoon thhi manaa lega mera
Sawariyaa aa
Aankh micholi ki ye
Aankh micholi ki ye
Reet hai puraani
Ho jaani jaaun
Naa jaaun
naa jaaun
Chhodke naa jaaun tohe jaani
Ho
Jaayegi saath tere
haan
jaayegi saath tere
Meri zindgaani
Haan
Na jaiyyo oye
Chhodke na jaiyyo meri raani
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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