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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Krishna related songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4040 Post No. : 15165

Today’s song is from film Gulami-45. It was a film made by Shalimar Pictures, Poona. Directed by M.Wadhwani, its music was by S.K.Pal. Songs were written by Bharat Vyas, Josh Malihabadi, Akhtar-ul-iman and Majaj. Film Gulami aka Rape of Burma-45 was not a great film. The cast of the film was Renuka Devi, Masood Pervez, David, Tiwari, Bharat Vyas, H. Prakash, Kathana, Balraj Mehta, Neelam etc etc.

The Heroine Renuka Devi was an extraordinary woman, considering the times in which she was living. Renuka Devi ( Begum Khursheed Mirza) was perhaps one of the most educated, upper class, sophisticated and highly cultured Muslim lady, who ever joined the film industry then. One more striking feature of Renuka Devi was that she was one of the very few actresses, who joined films after their marriage. The other such examples I remember off hand are those of Meenakshi Shirodkar (Bramhachari-38 fame), Shobhana Samarth and actress Neena ( real name Shahida-wife of Mohsin Abdulla, brother of Renuka Devi).

Renuka Devi (4-3-1918 to 8-2-1989) had studied up to Masters degree in English Literature, from Aligarh Muslim University. The only other nearest example I remember off hand is that of actress Vanmala (real name Susheela Devi Pawar), who had done B.A., B.T. and was a Teacher in the college before joining films,at the behest of writer, journalist and Director P.K.Atre.

Back in the Thirties, acting in films was not considered an honourable profession for anybody. And for a married woman from a well-educated and respectable upper-middle class Muslim family, it was forbidden to even think about it. But Khurshid Mirza, the daughter of the founders of the Aligarh Women’s College, the wife of a police officer and already a mother of two, was too free-spirited to be tied down by any social norm. She took the plunge and soon a star named Renuka Devi was born.

In those days,popular actresses used to earn quite a lot. For example, Shobhana Samarth earned 36000 ( about 18 lakhs at today’s rate) rupees every year. Other actresses like Shanta Apte, Naseem Bano, Sardar Akhtar, Madhuri etc got about 30000 or so. This was a time when a Chiffon Saree was for Rs.9 and a brand New Studbaker car was for Rs. 5000 only. Renuka Devi also was interested in earning money. However Renuka Devi did only few films in her career. She worked with Bombay Talkies, New Theatres, Shalimar and such big banners. Her films are Jeevan Prabhat-37, Bhabhi-38, Badi didi-39, Naya Sansar-41, Shri Ramanuja-43, Sahara-43, Samrat Chandragupta-45, and Gulami-45 .

After partition, her family migrated to Pakistan. In Pakistan, though in demand, she refused to do any films. Instead, she decided to devote her time for women’s uplift, education, welfare and social work. She also did some work on Pakistan Radio,and Pakistan TV.

She published 9 instalments of her autobiography in the popular magazine ” Herald ” from August 1982 to April 1983, under the title ” The uprooted sapling”. This was,later on edited and published by her daughter Lubna as a Book, in 2004, titled- ” A woman of substance- the memoirs of Begum Khursheed Mirza “.

In her book she included a chapter of 24 pages ” Renuka Devi-my celluloid identity”, in which she has described many interesting anecdotes. Her detailed description of the times of the 30s and 40s is a lovely chronicle of the history of Bombay film industry.

Renuka Devi died on 8-2-1989 at Lahore after a prolonged illness. ( As her bio has already been given earlier in this Blog by me and Sadanand Kamath ji, I am not repeating it here).

Film Gulami-45 was a film without the regular Heroine of Shalimar pictures-Neena- real name Shahida. She was Mohsin Abdulla’s wife before W.Z.Ahmed lured her in his net. Abdulla was Renuka Devi’s younger brother. it is said that during the shooting of the film in the studio, Neena never ever visited the studio, as she was too embarrassed to face her sister-in-law.

Bharat Vyas (18-12-1918 to 5-7-82) -who wrote the story,songs and even acted in it, was spotted by W. Z.Ahmed and he offered Vyas a lucrative salary which was hard to refuse, to join Shalimar. Vyas was happy to join because, in Shalimar, he had the company of Josh Malihabaqdi,Akhtar-ul-iman, Kishen Chander, Ramanand Sagar and Sagar Nizami-all employed by Shalimar.He started by writing all 12 songs for film Prem Sangeet-43.Then came Mann ki jeet-44 and Prithwiraj Sanyogita-46. His last film here, Meerabai-47, was also the last film of Shalimar. His job was to adapt Meera bhajans in song form.

After Partition,Neena and Ahmed migrated to Pakistan, taking along with them all the prints of their films and Shalimar became an orphan. Vyas went to Madras to work for S S Vasan for his film ‘ Chandralekha’-48. When he came back, he was approached by some ex-workers of Shalimar. They wanted to revive Shalimar by completing the incomplete film ‘ Rangila Rajasthan. Actually, in 1946 itself, Ahmed had entrusted this film’s direction to Bharat Vyas and some shooting was also done. However due to several reasons, this film was stopped and Meerabai was completed.

They wanted like minded ex-employees to work free to produce the film.Bharat Vyas agreed.He not only wrote songs,but also composed few songs, along with MDs S K Pal and B S Kalla. Further he directed film ‘Rangeela Rajasthan’-49.However, despite all efforts, the film flopped and Shalimar closed down for ever.

In film Gulami, Vyas wrote some songs and aslo sang a duet and a solo song, besides acting in it.Bharat Vyas wrote 1247 songs in a85 films. He acted in 3 films- Gulami-45, Prithviraj Sanyogita-46 and Maa-52. He sang 8 songs in 6 films- Prem sangeet-43, Mann ki jeet-44, Gulami-45, Chandralekhs-48, Navrang-59 and Bharat ki santan-80.

A very odd name in the cast can be seen- Balraj Mehta. I am sure,hardly anyone has ever heard his name, but he was a very active person in his life. Born on 22-4-1918 at Lahore, he was the son of Sukh Dayal Mehta – Superintendent in the Commissioner’s office at Lahore. He completed Matriculation from Central Model High School and B.A. from Dayal Singh College of Lahore in 1939.

He was active in Students’ union and held General Secretary’s post of Punjab University Students’ Union, in 35-37. He organised All India Student Federation conference in 36/37. He was a born Leader. He was interested in acting on stage. In 1944, he founded Indian National Theatre (I.N.T.), which is a very famous institution in India now also. He wrote, directed and produced its first stage drama ” Aawaaz’ in 1945.

By now he was married and needed to earn money. He joined film line. He acted first in ‘ Dulla Batti’ in 1939-40. Then came Sajjan-41,Panna-44, Parakh-44, Patharon ka Saudagar-44, Gulami-45 and lastly Pul-47.In the period 1944-45, he also became Secretary of Film Artistes’ Association and served it for a long time. In 1947, he entered Politics. After Independence, he became a journalist. There is no information about him after this.

Though, film Gulami-45 was completed and certified by Censors in 45, it was released somewhere in the mid 46, as per news item found in Film India magazine. Though the magazine did not publish its full review, a short note, as usual, criticised the lead pair’s acting and praised the direction. It had no good words about the music also. Some readers’ comments also criticised the film.

It was pointed out by one reader that the film was a copy of Hollywood film ” Dragon Seed “-1944. The film ,in its advertisement, described it to be a ‘ Thrilling Patriotic story’. The parallel title of the film was ” Rape of Burma”, indicating a love story in Burma with the war background. However,when the film was released in or around May 1946, the War had ended long back and the film had lost its advantage of Topicality. Baburao Patel also ridiculed showing the married and a mother of 2 kids (Renuka Devi) as an 18 year old girl in the movie.

Renuka Devi was not a singer, nor is there any evidence that she received training is Music. Same case was with Bharat Vyas. Still,they sang this duet in a well balanced way. Though the songs of this film ( I have 4 songs of this film with me) are not that well tuned to remain in memory, but they were of average standard. Even otherwise the MD-S.K.Pal ( nephew of Ramchandra Pal,MD with Bombay Talkies), was not famous to have created any memorable song in his career.

So, here is the duet of Bharat Vyas and Renuka Devi.

(Some information in this article is used, with thanks, from the book ” A woman of substance” by Renuka Devi, webly.com, Who’s who in Film Industry-46, issues of Film India for 1945 and 1946 and my own notes.)


Song-Aajaa aajaa aajaa re O Geeta ke Bhagwaan (Ghulaami)(1945) Singers-Bharat Vyas, Renuka Devi, Lyrics-Bharat Vyas, MD-S K Pal
Both

Lyrics

aaja aaja aaja re
aaja aaja aaja re
aaja aaja aaja re
aaja aaja aaja re
o geeta ke bhagwaan
wo apna vachan nibha ja re
o krishn shiv aajaa aajaa re
aaja aaja aaja re

kab se naina pyaase hain
pal bhar to pyaas bujha jaa
kab se naina pyaase hain
pal bhar to pyaas bujha jaa

ham laakh baar aayen mohan
tu ek baar to aa jaa
ham laakh baar aayen mohan
tu ek baar to aa jaa
aaja aaja aaja re
aaja aaja aaja re

ek baar phir braj mein raas racha ja
bansiwaale
ek baar phir braj mein raas racha ja
bansiwaale

sang tumhaare naachen ham
ban kar gokul ke gwaale
sang tumhaare naachen ham
ban kar gokul ke gwaale

bas ek baar phir braj ki wo
bas ek baar phir braj ki wo
jhaanki dikhla jaa re
?? dikhlaa jaa re
phir usi baansuri ki sundar wo
taan suna jaa re ae ae
seeta ke bhagwaan wo apna
vachan nibha jaa re
o krishn phir aaja aajaa re
aaja aajaa aajaa re

brij baalaayen roti hain
rote hain gokul waale
brij baalaayen roti hain
rote hain gokul waale

jamuna ki lahren roti hain
kyun roothhe bansi waale
bansi waale ham roton ko
kuchh dheer bandhaa jaa re ae
bansi waale ham roton ko
kuchh dheer bandhaa jaa re

hamen ye to samjha jaa re
kya bhool huyi jo bhool gaya
kya bhool huyi jo bhool gaya
ye bhed bataa jaa re
geeta ke bhagwaan ho apna vachan nibha jaa re
o krishn phir aajaa aajaa re
aajaa aajaa aajaa re

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3948 Post No. : 15023 Movie Count :

4118

Missing Films of 1960s – 106
– – – – – – – – – – – – – – –

Today, we bring on board the 1968 film ‘Balram Srikrishna’. We are now down to some of the most obscure films on this list of pending films of 1960s. However, the film itself is available, and the video clip of this song is uploaded. As the name suggests, it is a mythological / historical film based on our scriptures. It depicts some of the episodes from the stories related to the Sri Krishna avataar of the Supreme Lord. And Balram is the name of the elder brother of Sri Krishna in this incarnation.

The film is produced under the banner of Joy Films, Bombay and is directed by Chandrakant. The star cast listed for this film is very very impressive – Dara Singh, Shahu Modak, Premnath, Nana Palsikar, Randhawa, Azad, Ashish Kumar, Gemini Ganesh, Prithviraj, Savitri, Jaishri Gadkar, Geetanjali, Madhumati, Bela Bose, Padma Rani, Sushma, Uma Khosla, Aruna Irani, Sulochana Chatterjee, Babu Raje, Sherry, BM Vyas, Anand Joshi, Arvind Pandya, Bhale Rao, Radheshyam, and Pal Sharma.

There are nine songs listed for this film. All songs are from the pen of Kavi Pradeep. The music composition is by C Ramchandra. This song is rendered by Asha Bhosle, supported by a chorus of voices.

On screen this song is performed by Geetanjali, accompanied by a group of sahelis. I have not seen this film, but my intuition tells me that Geetanjali is playing the role of Rukmani, the daughter of Bhishmaka, the king of Vidarbha. As per the descriptions in the Puranas, Rukmani is the incarnation of Goddess Lakshmi. In this incarnation, she is born on this earth as the daughter of Bhishmaka. At a young age, she learns about Lord Krishna, His beauty and His virtues. She starts to love Him in Her heart, and takes a vow that She would be married only Him. As is logical even, for Goddess Lakshmi cannot be betrothed to anyone other than the Supreme Lord Vishnu himself, because they are the Eternal Couple.

The later part of the stories tell about how Her brother Rukmi announces Her betrothal to Shishupal, the crown prince of Chedi. This is to please Jarasandh, the King of Magadh. Jarasandh is a sworn enemy of Krishna, as he is the father-in-law of King Kamsa of Mathura, whom Krishna had slain in hand-to-hand combat. The detailed stories are quite intricate. Suffice to say that Rukmini becomes aware of Rukmi’s plans to get Her married to Shishupal. Having made a personal vow to Herself, that She would marry Krishna only, She sends a message to Him through a brahmin. On receiving the message, Krishna, who is now the King of Dwarka, sets out in His chariot to reach Vidarbha at the earliest. Balram, His elder brother, follows him with the army, quite correctly anticipating trouble, when Krishna would reach Vidarbha.

Bhishmaka, Rukmani’s father, is in favor of his daughter marrying Krishna, but is helpless in the face of Rukmi’s arrogant insistence. On the morning of the wedding day, Rukmani goes to the temple for prayers. Krishna is waiting there, all set with His chariot and horses. They elope from the temple, and start Their journey towards Dwarka. When Rukmi learns about this elopement, gathers his army and sets out in chase of the fleeing Couple. The two armies catch up. While Balram with his army vanquishes the army of Rukmi and Jarasandh, Krishna engages in a duel with Rukmi and defeats him. He is just going to behead him, when Rukmani begs that Her brother be forgiven. Krishna relents and spares Rukmi’s life.

As mentioned earlier, the complete description is very detailed and intricate. Only a brief summary has been presented above to establish the context. This song, from the lyrics and the performance, is most likely from the time when Rukmani has realized Her love for Krishna in Her heart, and She is pining to meet Him and see Him. The verses tell of the depth of Her anxious eagerness to meet Him.

A very melodious song, that I have heard for the first time, as I prepare for this post. A lost gem that should have been better known. Listen and enjoy.

Song – Jis Ki Sohni Hai Soorat, Mann Mohini Hai Moorat  (Balram Srikrishna) (1968) Singer – Asha Bhosle, Lyrics – Kavi Pradeep, MD – C Ramchandra
Chorus

Lyrics

aa aaa aaaa aaaaa

koi bata do
pata piya ka
kahaan mera chit chor
main wo prem deewaani
jis ka preetam
nand kishore

jis ki sohni hai soorat
mann mohni hai moorat
aise saanwariya se jaane kab hoga milan
aise saanwariya se jaane kab hoga milan

jis ki sohni hai soorat
mann mohni hai moorat
aise saanwariya se jaane kab hoga milan
aise saanwariya se jaane kab hoga milan

door disha mein muraliya boley
taan taan par jiya mera doley
door disha mein muraliya boley
taan taan par jiya mera doley
muraliya boley
jiyara doley
jis ka naam bansi waala
jis ne chhup chhup jaadu daala
aise natkhat se mere kab ladenge nayan
aise natkhat se mere kab ladenge nayan
jis ki sohni hai soorat
mann mohni hai moorat
aise saanwariya se jaane kab hoga milan
aise saanwariya se jaane kab hoga milan

jaane kis din
aayenge sainyaan
pyaar se meri
pakdenge bainyaan
jaane kis din
aayenge sainyaan
pyaar se meri
pakdenge bainyaan
aayenge sainyaan
pakdenge bainyaan
jin ka sunder hai badan
jin ka roop mann mohan
aise prabhu mujhe denge kab darshan
aise prabhu mujhe denge kab darshan
jis ki sohni hai soorat
mann mohni hai moorat
aise saanwariya se jaane kab hoga milan
aise saanwariya se jaane kab hoga milan

jab jab nabh mein
baadal chhaate
mujhe ghan shyaam mere
bade yaad aate
jab jab nabh mein
baadal chhaate
mujhe ghan shyaam mere
bade yaad aate
baadal chhaate
yaad wo aate
jis ko maana mann hi mann
maine apna jeevan dhan
aise piya ji ki main kab banungi dulhan
aise piya ji ki main kab banungi dulhan
jis ki sohni hai soorat
mann mohni hai moorat
aise saanwariya se jaane kab hoga milan
aise saanwariya se jaane kab hoga milan

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ आss आss आssss

कोई बता दो
पता पिया का
कहाँ मेरा चित चोर
मैं वो प्रेम दीवानी
जिसका प्रीतम
नन्द किशोर

जिसकी सोहनी है सूरत
मन मोहनी है मूरत
ऐसे साँवरिया से जाने कब होगा मिलन
ऐसे साँवरिया से जाने कब होगा मिलन

जिसकी सोहनी है सूरत
मन मोहनी है मूरत
ऐसे साँवरिया से जाने कब होगा मिलन
ऐसे साँवरिया से जाने कब होगा मिलन

दूर दिशा में मुरलीया बोले
तान तान पर जिया मोरा डोले
दूर दिशा में मुरलीया बोले
तान तान पर जिया मोरा डोले
मुरलीया बोले
जियरा डोले
जिसका नाम बंसी वाला
जिस ने छुप छुप जादू डाला
ऐसे नटखट से मेरे कब लड़ेंगे नयन
ऐसे नटखट से मेरे कब लड़ेंगे नयन
जिसकी सोहनी है सूरत
मन मोहनी है मूरत
ऐसे साँवरिया से जाने कब होगा मिलन
ऐसे साँवरिया से जाने कब होगा मिलन

जाने किस दिन
आएंगे संईयां
प्यार से मेरी
पकड़ेंगे बंईयां
जाने किस दिन
आएंगे संईयां
प्यार से मेरी
पकड़ेंगे बंईयां
आएंगे संईयां
पकड़ेंगे बंईयां
जिनका सुंदर है बदन
जिनका रूप मन मोहन
ऐसे प्रभु मुझे देंगे कब दर्शन
ऐसे प्रभु मुझे देंगे कब दर्शन
जिसकी सोहनी है सूरत
मन मोहनी है मूरत
ऐसे साँवरिया से जाने कब होगा मिलन
ऐसे साँवरिया से जाने कब होगा मिलन

जब जब नभ में
बादल छाते
मुझे घन श्याम मेरे
बड़े याद आते
जब जब नभ में
बादल छाते
मुझे घन श्याम मेरे
बड़े याद आते
बादल छाते
याद वो आते
जिसको माना मन ही मन
मैंने अपना जीवन धन
ऐसे पिया जी की मैं कब बनूँगी दुल्हन
ऐसे पिया जी की मैं कब बनूँगी दुल्हन
जिसकी सोहनी है सूरत
मन मोहनी है मूरत
ऐसे साँवरिया से जाने कब होगा मिलन
ऐसे साँवरिया से जाने कब होगा मिलन


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3898 Post No. : 14946

Little earlier in the day, Atul ji mentioned about the timing of posting of Holi songs, and I quote,

Different festivals remain topical for different duration of time. If we do not post a write up within this time then the post loses its relevance. In case of Holi, it is the first half of the day mostly when people are mostly in festive mood, though it spills over to the afternoon as well.

As I am rushing to complete this post, it is already around 6 pm. Yes, the festivities for the day have been over for some time. Mostly the people have cleaned up and many would have had their afternoon siestas too. Maybe the only remaining sign of the festivities from earlier part of the day are the splashes of colored water on walls and floors, which most people would address tomorrow morning. Ah yes, another lingering evidence of the celebration could be some people still in the hangover of the bhaang, maybe still sleeping it off, or if awake, not yet back from the cuckoo land. 🙂

This post is coming somewhat late in the day, but the attempt is cover an important aspect of the celebrations of today. The festival of Holi, for ages now, has been intimately associated with the story of Lord Krishna. And so, the celebration somehow does not seem to be complete without having one song about Holi in Biraj, or Brij, the native place where the child Krishna grew up. There abound many a legends and folk songs that tell of the Holi celebrations when Krishna was in Brij. And the same has also been carried over into the Hindi films. Many a songs of Holi in Hindi films revolve around the stories and pastimes of Krishna.

I present this lovely Holi song from the 1970 film ‘Mastaana’. The lyrics for this song have been sent in by dear Prakash ji.

Produced under the banner of Suchitra and directed by A Subbarao, the cast of actors in this film is Mehmood, Padmini, Vinod Khanna, Bharti, Rehman, Bobby, Shyama, Ramesh Dev, Manorama, Mukri, Leela Mishra, Kamal Kapoor, Shivraj, Paro, Narbada Shankar, Mumtaz Begum, Raj Kishore, Jankidas, Ravikant, Prabhat Kumar, Habeeb, and Guddi.

The song is written by Anand Bakshi and the music composition is by Laxmikant Pyaarelal. We have three singing voices in this song – Mohammed Rafi, Asha Bhosle and Mukesh. Interestingly, Asha ji’s voice is used as playback for three artists on screen – Padmini, the child actor Bobby who plays the role of child Krishna in this song, and Bharati. Rafi Sb’s voice is used for playback for Mehmood and Mukesh’s voice for Vinod Khanna. Another dear song that I was not aware that it has not yet been posted here.

Interesting part of the song – it uses four different folk dance forms. Initially it is the typical filmi style choreography that is used. Then later in the song, we see the four flavors, and the language of the chorus also gets modified accordingly. First we have the typical Brij rendition and folk dance. Then we have the Punjabi bhangra and Punjabi words in the chorus. This is followed by Gujarati dandia raas, with Gujarati words in the chorus. And then we have the Maharashtra folk dance steps, and Marathi words in the chorus. Very interestingly done. 🙂

Greetings for the festival yet once more before the day is out. Well, it is still daytime in other parts of the world. Khyati Ben is probably just in the process of waking up, and for her, the planning and cooking and the celebration is still to happen. 🙂  Krishna makes his appearance for the festivities and we all wish everyone, a very happy and colorful ambiance of this festival to last and continue through to the next year. And then, we shall have more songs to post. 🙂

Happy Holi.

Song – Nand Laala. . . Holi Khelen Biraj Mein Dhoom Machi Hai  (Mastaana) (1970) Singer – Mohammed Rafi, Asha Bhosle, Mukesh, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Male Chorus
Female Chorus
All Chorus

Lyrics (Provided by Prakashchandra)

hoyye
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala
holi khele
biraj mein dhoom machhi hai

heyye
sa ra rara rara rara rara rara
sar se paaon tak bheej gayi brij baala
ara rara rara rara
beech dagar mein
raadhaa ko rang daala
daala
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala
holi khele
biraj mein dhoom machhi hai

ho sa ra rara rara rara rara rara
goraa mukh
neelaa peelaa kar daalaa
ara rara rara rara
bhaago daudo
aayaa murli waala
laala
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala

gagari phodoonga
main na chhodoonga
gagari phodoonga
o main na chhodoonga
tu aagey daudegi
main peechhe daudoongaa..aa
gagari phodoonga
main na chhodoonga
tu gokul ki ek gujariyaa
main mathura ka gwaalaa
tera mukhda kyon goraa
jab mera mukdaa kaalaa
kaalaa
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala

holi khelenge
jhaanjhar waali se
holi khelenge
jhaanjhar waali se
o hum kya darte hain
kisi ki gaali se..ae
holi khelenge
jhaanjhar waali se
haayye rey barjori
peechhe pad gaya ye matwaalaa
tooti meri kaanch ki choodi
gir gaya kaan ka baala
baala
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala

sa ra rara rara rara raa. . .

holi
nandlaala
holi khele
biraj mein dhoom machhi
holi nandlaala

aa ho
nandlaala
holi khele
biraj wich dhoom machhi
aa ho
nandlaala

bhaa lo
nandlaala
holi ramey
biraj maa dhoom machhi
ke bhaalo
nandlaala

aa laa
nandlaala
holi kheru
brij nu raas ho la
aa laa
nandlaala

hoo ooo
ooo ooo ooo oooooo oo

rangey ik rang mein
o apne begaane
ho rangey ik rang mein
o apne begaane
to kaise phir koi
kisi ko pehchaane..e..e
rangey ik rang mein
ho apne begaane
saamne jo bhi aaya
hum ne kuchh na dekha bhaala
dusman ke bhi galey mein hum ne
daal di prem ki maala
maala

nandlaala
holi khele
biraj mein dhoom machhi hai

ik maati ke hum putle
(nandlaala. . .  holi khele)
ye kehta hai mastaana
(biraj mein dhoom machhi hai)
bhed bhaav jo mann mein rakhe
(nandlaala. . .  holi khele)
wo paagal deewaana
(biraj mein dhoom machhi hai)

nandlaala
holi khele
biraj mein dhoom machhi hai

nandlaala
holi khele
biraj mein dhoom machhi hai

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

होये॰ ॰ ॰
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला
होली खेले
बिरज में धूम मची है

हेय॰ ॰ ॰
स र रर रर रर रर रर
सर से पाँव तक भीज गई ब्रिजबाला
आरा रारा रारा रारा
बीच डगर में
राधा को रंग डाला
डाला
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला
होली खेले
बिरज में धूम मची है

हो स र रर रर रर रर रर
गोरा मुख
नीला पीला कर डाला
आरा रारा रारा रारा
भागो दौड़ो
आया मुरली वाला
लाला
नंदलाला
होली खेले
बिरज में धूम मची है

गगरी फोड़ूंगा
मैं ना छोड़ूंगा
गगरी फोड़ूंगा
ओ मैं ना छोड़ूंगा
तू आगे दौड़ेगी
मैं पीछे दौड़ूंगा
गगरी फोड़ूंगा
मैं ना छोड़ूंगा
तू गोकुल की एक गुजरिया
मैं मथुरा का ग्वाला
तेरा मुखड़ा क्यों गोरा
जब मेरा मुखड़ा काला
काला
नंदलाला
होली खेले
बिरज में धूम मची है

होली खेलेंगे
झांझरवाली से
होली खेलेंगे
झांझरवाली से
ओ हम क्या डरते हैं
किसी की गाली से
होली खेलेंगे
झांझरवाली से
हाये रे बरजोरी
पीछे पड़ गया ये मतवाला
टूटी मेरी काँच की चूड़ी
गिर गया कान का बाला
बाला
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला

स र रर रर रर रर रर

होली
नंदलाला
होली खेले
बिरज में धूम मची है
होली नंदलाला

आ हो
नंदलाला
होली खेले
बिरज विच धूम मची
आ हो
नंदलाला

भालो नंदलाला
होली रमे
बिरज मा धूम मची
के भालो नंदलाला

आला नंदलाला
होली खेरू
बिरज नू रास हो ला
आला नंदलाला

होss ओss
ओss ओss ओss ओsssss ओs

रंगे इक रंग में
ओ अपने बेगाने
हो रंगे इक रंग में
ओ अपने बेगाने
तो कैसे फिर कोई
किसी को पहचाने॰॰ए॰॰ए
हो रंगे इक रंग में
अपने बेगाने
सामने जो भी आया
हमने कुछ ना देखा भाला
दुसमन के भी गले में हमने
दाल दी प्रेम की माला
माला

नंदलाला
होली खेले
बिरज में धूम मची है

इक माटी के हम पुतले
(नंदलाला॰ ॰ ॰ होली खेले)
ये कहता है मस्ताना
(बिरज में धूम मची है)
भेद भाव जो मन में रखे
(नंदलाला॰ ॰ ॰ होली खेले)
वो पागल दीवाना
(बिरज में धूम मची है)

नंदलाला
होली खेले
बिरज में धूम मची है

नंदलाला
होली खेले
बिरज में धूम मची है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3890 Post No. : 14923

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 16
————————————————

15 songs have been covered so far in the ‘ten-year challenge’ on the blog so far and this will be the 16th post in the series.

As we proceed in this journey, it is getting more and more interesting at least as far as I am concerned. I was not associated with the blog ten years ago, so my browsing through the blog for posts of those days give me an interesting singh on the way posts were appearing on the blog ten year ago. My first comment on the blog would appear on the blog on 15.09.2009.

This process of visiting or revisiting or re-revisiting brings back memories associated with those movies or songs that were covered those days. Some of these movies are those which I have watched when I was growing and some are when I was already a grown up (:) ) person, like from 1989 onwards.

Coming back to the movies of songs that were presented on 13.03.2009 we have the following list;

‘Naiyya-1979’
‘Zakhmee-1975’
‘Saajan-1969’
‘Chitchor-1976’
‘Parwaana-1971’
‘Haqeeqat-1964’
‘Bandhan-1940’
‘Dushman-1939’

All the movies except ‘Saajan-1969’ have achieved ‘all songs covered’ (Yippeeee:) ) status on the blog.

I remember to have watched ‘Saajan-1969’ either during mid-seventies or in late seventies. And since then two songs from this movie were always in my memory and nostalgic for me. Both of these songs viz. ‘resham ki dori’ and ‘saajan saajan pukaaroon galiyon mein’ have already been posted on the blog.

Today’s song is a classical based song where Asha Parekh is performing on a stage. Watching this reminds me of many of her classical dance-based performances in other movies, and which I think were a regular feature in the movies she acted in given her prowess in classical dance.

When I initially checked the songs from ‘Saajan-1969’ I thought I had come across a longer version of this song (or maybe I am mistaken) , but finally at the time of drafting this article I could locateonly a shorter video link.
However, I looked for the audio of this song which has two stanzas, though only one stanza is there in the in movie available online. Knowledgeable readers are requested to throw more light on this. Or maybe, I guess, this song was edited in the movie.

‘Saajan-1969’ was produced and directed by Mohan Sehgal for ‘Delux Films, Bombay’. It had Asha Parekh, Manoj Kumar, Om Prakash, Shabnam, Sulochana, Madan Puri, Jagirdar, Sapru, Raj Mehra, S.P. Sinha, Jankidas, Brahm Bharadwaj, Shammi, Lata Bose, Murad, Iftekhar, Ratan Gaurang, Mirajkar, Parasram, and Narmada Shankar.

This movie had total seven tracks including one music track and one multiple version song. All songs in this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.
So far four songs (including one multiple version song) from this movie have been covered.

Today’s song is the fifth song from this movie being posted and that would leave us with only one song remaining to be posted from this movie to take it to the ‘Yippeeee land’ 🙂 (however this remaining song doesn’t seem to be available either on video or audio, we need to search and check or knowledgeable readers can advice and throw more light on this)

Let us now enjoy today’s song …

Audio (Full)

Video (Partial)

Song-Baansuri tihaari Nandlal (Saajan)(1969) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Baansuri tihaari Nandlal
Bani mori sautaniyaa
Baansuri tihaari Nandlal
Bani mori sautaniyaa
Ye paas tere bairan
Hoon door main sajaniyaa
Baansuri tihaari Nandlal
Bani mori sautaniyaa
Baansuri tihaari Nandlal
Bani mori sautaniyaa

Bansi ko tu honthhon se lagaaye
Bansi ko tu honthhon se lagaaye
Man tadpaaye
Mora jee tarsaaye
Kaahe ko maine tose neha lagaaye ae
Kaahe ko maine tose neha lagaaye
Ye jag maine chhoda
Bani main joganiya
Baansuri
Baansuri ee
Baansuri tihaari Nandlal
Bani mori sautaniyaa
Baansuri tihaari Nandlal
Bani mori sautaniyaa

Kehne lage hain mohe birhan saare
Kehne lage hain mohe birhan saare
Ye do naina more birhaa ke maare
Baat nihaare teri saanj sakhaare ae
Baat nihaare teri saanj sakhaare
O raat bhar jaagoon main ban ke chandaniya
Baansuri
Baansuri ee
Baansuri tihaari Nandlal
Bani mori sautaniyaa
Ye paas tere bairan
Hoon door main sajaniyaa
Baansuri tihaari Nandlal
Bani mori sautaniyaa
Mori sautaniyaa
Mori sautaniyaa
Baansuri tihaari Nandlal
Bani mori sautaniyaa

———————————-
Devnagri Script lyrics(Provided by Avinash Scrapwala)
———————————-
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया
ये पास तेरे बैरन
हूँ दूर मैं सजनिया
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया

बंसी को तू होंठों से लगाए
बंसी को तू होंठों से लगाए
मन तडपाये
मोरा जी तरसाए
काहे को मैंने तोसे नेहा लगाए ए
काहे को मैंने तोसे नेहा लगाए
ये जग मैंने छोड़ा
बनी मैं जोगनिया
बांसुरी
बांसुरी ई
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया

कहने लगे हैं मोहे बिरहन सारे
कहने लगे हैं मोहे बिरहन सारे
ये दो नैना मोरे बिरहा के मारे
बाट निहारे तेरी सांज सखारे ए
बाट निहारे तेरी सांज सखारे
ओ रात भर जागु मैं बन के चंदनिया
बांसुरी
बांसुरी ई
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया
ये पास तेरे बैरन
हूँ दूर मैं सजनिया
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया
मोरी सौतनिया
मोरी सौतनिया
बांसुरी तिहारी नन्दलाल
बनी मोरी सौतनिया


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3888 Post No. : 14919 Movie Count :

4074

Today (11 march 2019) finds myself out of my comfort zone, viz outside my base and away from the familiar routine. Today I am in Lucknow and I will be here for three days.

I thought that it is a capital city and so I would be blessed with good internet connection, namely high speed internet and wi fi, but that is not the case. So I am dependent on my dongle and I am thankful that at least this is working, even if slowly. I hope to at least ensure that my days here are not dot days as far as the blog is concerned.

Here is a song from “Dhanyawad”(1948). This remonstrating with the Almighty genre of song is sung by Meena Kapoor. Lyrics are by Sajjan (the character artist). Music is composed by A R Qureshy.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, “Dhanyawad”(1948) makes its debut in the blog.


Song-Main roti hoon tum hans rahe ho krishn muraari(Dhanywaad)(1948) Singer-Meena Kapoor, Lyrics-Sajjan, MD-A R Qureshi

Lyrics

Main roti hoon tum hans rahe ho
krishn muraari
krishn muraari
Main roti hoon tum hans rahe ho
krishn muraari
krishn muraari
mitti mein mili jaati yahaan
duniya hamaari
krishn muraari
mitti mein mili jaati yahaan
duniya hamaari
krishn muraari

jholi meri khaali hai
aankhon mein andhera
jholi meri khaali hai
aankhon mein andhera
jab roothh gaye tum hi to phir
kaun hai mera
jab roothh gaye tum hi to phir
kaun hai mera
majhdhaar ki naiyya ko hai bas
aas tumhaari
aas tumhaari
aas tumhaari
Main roti hoon tum hans rahe ho
krishn muraari
krishn muraari
mitti mein mili jaati yahaan
duniya hamaari
krishn muraari

bhagwaan ho patthar na bano
ab na sataao
bhagwaan ho patthar na bano
ab na sataao
duniya basaane waale
meri bigdi banaao
duniya basaane waale
meri bigdi banaao
ro ro ke mari jaati hai
ye daasi tumhaari
krishn muraari
krishn muraari


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822 Post No. : 14823

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 4
– – – – – – – – – – – – – – – – – – – – –

Today 4th January is the twenty fifth ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. One cannot believe that it is twenty five years now since Pancham Da left us. His songs are a daily routine for me and maybe many like me, and so it never appears that he is not there. He is always there with us – the music lovers.

I wish to send an article with other song composed by Pancham for this occasion, however could not finish that article hence I for today’s occasion I am sharing herewith one of my already pending article under the series ‘Pancham-Rafi Jodi’s variety songs. We already have the following songs earlier in this series posted on the blog;

Jaag devta naag devta

Raqqaasa mare naam

Maine kab chaaha ke doolha banoonga

So coming back after a long gap in this series, today we have song composed by RD Burman from the movie ‘Takkar’ (1980). Today’s song of ‘Pancham – Rafi Jodi Songs’ is a melodious devotional song.

‘Takkar’ is a Padmalaya Films Production. produced by GA Sheshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra, Jayaprada, Vinod Mehra (double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani, Shivaraj, Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A. Abdul Hameed, Mac Mohan, Umesh Sharma, Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc. in it.

As per HFGK this movie was passed by Censor Board on 07.04.1980. It had total seven songs in it wherein Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, and Mohd Rafi gave their voices to the songs in this movie. Lyrics for this movie were written by Anand Bakshi and Music was composed by R.D. Burman.

I do not remember to have heard this song till this post. Also from the list of other songs of this movie they don’t seem familiar to me. Though I am aware that there was this movie in those days, but have not watched it then and even till date. This is the second song from this film to appear on the blog.

Here is the brief about this film that Atul ji mentioned while posting the first song from this film (on 09.09.2013) – Moorty Ganesh Ki Andar Daulat Desh Ki.

In today’s song Sanjeev Kumar and Zeenat Aman are lip syncing in Mohd Rafi and Asha Bhonsle’s voice respectively on the screen. Ashok Kumar, Kamini Kaushal, Jeevan, Bindiya Goswami and others are seen in the song.

From the video of the song one can assume that Zeenat Aman looks for her ‘Shyam’ in Sanjeev Kumar and Ashok Kumar seems to find the spiritual one, few seem to be interested in Kanhaiyya’s moorty itself and Sanjeev Kumar preparing to take on the evils or he too wants to get this ‘moorty’. Only those who have watched this movie can help us.

But the song is a nice hummable one. As mentioned above lyrics of this song are by Anand Bakshi and it is composed by RD Burman.

Let us now enjoy this interesting song.

Song – Maakhan Chor Nandkishore Manmohan Ghanshyam Re (Takkar) (1980) Singer – Mohammed Rafi, Asha Bhonsle, Lyrics – Anand Bakshi, MD – RD Burman
Mohammed Rafi + Asha Bhonsle

Lyrics

maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

arey maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

devki maa ne janam diya aur
maiyya yashoda ne paala aa aa aa
devki maa ne janam diya aur
maiyya yashoda ne paala aa
tu gokul ka gwaala
bindraban ka bansari waala aa

ho aaj teri bansi phir baaji
mere mann ke dhaam re
kitne tere roop re
kitne tere naam re

ho maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa aa
kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa
baal awasthaa mein hi tune
khela khel ye saara

tera bachpan
tera jeewan
jaise ek sangraam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re ae
kitne tere naam re ae

tu ne sabka chain churaaya
o chitchor kanhaiyya aa aa aa
tu ne sabka chain churaaya
o chitchor kanhaiyya
o o o
o jaane kab ghar aaye dekhe
raah yashoda maiyya
arey vyaakul radha dhoondhe shyam
na aaya ho gayi shaam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re ae …


———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

अरे माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ आ आ
देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ
तू गोकुल का ग्वाला
बिंद्राबन का बंसरी वाला आ

हो आज तेरी बंसी फिर बाजी
मेरे मन के धाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

हो माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ आ
काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ
बाल अवस्था में ही तुने
खेला खेल ये सारा

तेरा बचपन
तेरा जीवन
जैसे एक संग्राम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए

तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या आ आ आ
तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या
ओ ओ ओ
जाने कब घर आये देखे
राह यशोदा मैय्या
अरे व्याकुल राधा ढूंढें श्याम
न आया हो गयी शाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे


ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए …


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3792 Post No. : 14778 Movie Count :

4040

Missing Films of 1960s – 85
– – – – – – – – – – – – – – –

The next in this series is a religious film from 1970. Yes, the times were when this genre of films had a serious following, and the producers in the industry would be creating films in this category. Today’s film, ‘Shri Krishna Leela’ is from the house of Wadia’s, under their banner of Basant Pictures. As we review the data about film production under this banner, we find that this has been one of the very active production houses over the decades. [Note: I am examining the data in the Geet Kosh from 1931 to 1980 only.]

Over the years, Wadia film production company went about its business under the names as – Wadia Brothers, Wadia Brothers Productions, Wadia Films and Wadia Movietone. Collectively, these banners have been active since 1933 till the year 1971, having produced 50+ films in various genres – social, stunt, religious, mythical, costume dramas, historical etc. In 1943, the company launched another banner, named Basant Pictures. As we scan their list of films, once again we find slight variations in the banner names as – Basant Pictures, Basant Pictures (Wadia Brothers) and Basant Wadia Brothers Production. Collectively, this banner has a listing of about 60 films between 1943 and 1980. The films in this list also cover just the same set of film genres.

A brief about the House of Wadia. The ancestors of this Parsi family originally settled in Surat after migrating from Persia. The original business of Wadia family was shipbuilding. The logo of Wadia Movietone prominently carries an image of a ship – it is a representation of their origins – the legacy business that started off their fortunes. The Wadia Group’s shipbuilding business was set up in 1736 by Lowjee Nuserwanjee Wadia. Later during that century, the group shifted its base from Surat to Bombay. They built trading ships, and later in 1800s they build maritime vessels for the Royal Navy (Great Britain).

Wadia Movietone was founded in 1933 by the brothers – JBH Wadia and Homi Wadia. JBH Wadia (born 1901) was a very well educated young man, who came into the film industry in the closing years of silent cinema. He produced about a dozen silent films, with moderate success. His productions were mostly adaptations of successful Hollywood productions of that era.

The other co-founders were Manchersha Billimoria, and Burjore and Nadirshaw Tata. Their first film – ‘Laal e Yaman’ (1933) was a major commercial success. In 1935, the company produced ‘Hunterwali’ with Nadia in the title role, along with Boman Shroff and John Cawas in prominent roles. This film became a surprise hit, bringing in a huge commercial windfall for the company. In the process, it set a trend which was duplicated by Wadias themselves and also copied by many other production houses. In 1936 came ‘Miss Frontier Mail’, followed by ‘Lutaru Lalna’ in 1938, ‘Punjab Mail’ in 1939, ‘Diamond Queen’ in 1940, and ‘Bambaiwali’ in 1941. However, by this time, the repeated use of the stunt formula lost its luster, and the company started facing losses. In 1936, the Tata brothers had already moved out from the partnership. In 1942, the Wadia Movietone studio was put up for sale. V Shantaram, who was moving out of Prabhat at the same time, purchased this studio and set up his famous production house – Rajkamal Kalamandir, at this premises.

In 1942 itself, the younger brother, Homi Wadia, set up Basant Pictures as a new production house. He started producing films under this banner using studio facilities at other premises. In 1947, he eventually set up his own studio once again. Basant Studio was functional till 1981. In 1990, the studio was inherited by Riyad Vinci Wadia, the grandson of JBH Wadia. He revived film production once again under this banner. However, he too passed away in 2003. The studio now houses the Wadia Movietone and Basant Pictures archives and memorabilia collection.

The film ‘Shri Krishna Leela’ is directed by Homi Wadia. The star cast includes Master Sachin, Heena Kumari, Jaishri Gadkar, Sapru, Manhar Desai, Kumar Dighe, Deepak, Tabassum, Ratnamala, Padmarani, Uma Dutt, Shekhar, Master Bobby, Master Ratan, Tuntun, Babu Raje, Habeeb, Dalpat, H Prakash, and Prince Arjun. The songs of this film are penned by Bharat Vyas and the music is from the mind of SN Tripathi.

Today’s song is a lullaby, in the voice of Asha Bhosle. On screen, the song is performed by Jaishree Gadkar, in the role of Maa Yashoda, as she is crooning to put the infant Krishna to sleep. Close to the end of this clip, we see a little more grown up child Krishna, role played by Master Sachin.

A wonderfully soothing melody. . . listen, and relax.

Song – Palkon Ka Palna Nainon Ki Dori  (Shri Krishna Leela) (1970) Singer – Asha Bhosle, Lyrics – Bharat Vyas, MD – SN Tripathi

Lyrics

palkon ka palna
nayanon ki dori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
sapnon mein aaye tere
parion ki chhori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

dekhun jo mukhda
mit jaaye dukhda
dekhun jo mukhda
mit jaaye dukhda
mere liye tu hai
chanda ka tukda
mere liye tu hai
chanda ka tukda
mamta bhari hai
mere mann ki katori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

soya hai madhuban
jamuna hai soi
saari nagariya hai
nindiya mein khoi
saari nagariya hai
nindiya mein khoi
tujhko chandaniya sulaaye chori chori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

पलकों का पलना
नयनों की डोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
अपनों में आए तेरे पारियों की छोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

देखूँ जो मुखड़ा
मिट जाये दुखड़ा
देखूँ जो मुखड़ा
मिट जाये दुखड़ा
मेरे लिए तू है चाँद का टुकड़ा
मेरे लिए तू है चाँद का टुकड़ा
ममता भरी है मेरे मन की कटोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

सोया है मधुबन
जमुना है सोई
सारी नगरिया है नींदिया में खोई
सारी नगरिया है नींदिया में खोई
तुझको चंदनीया सुलाये चोरी चोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3761 Post No. : 14734 Movie Count :

4027

“Ajaamil”(1948) was directed by Jamnadas Kapadia for Sanskar Chitra, Bombay. The movie had Umakant, Malti, Kanta Kumari, Narmadashankar, Kashinath, Bhimji Bhai, Chandrika, Shanta bai, Suresh, Manhar Desai etc in it.

This obscure movie had twelve songs according to HFGK. A few of these songs have become available on YT. Though HFGK is silent about the singers of all these songs, One can make out which song contain which voices.

Here is the first song from “Ajaamil”(1948) to appear in the blog. This song is sung by Rajkumari. Lyrics are penned by Kavi Prabhulal Dwiwedi according to HFGK. Music is composed by Master Mohan junior.

It is interesting to note that the uploader of this song, well known record collector Mr Girdharilal Vishhwakarma mention the lyricist as S P Tripathi, an entirely different name from what is mentioned in HFGK. I have gone with the name provided by uploader.

Music is composed by Master Mohan Junior.

With this song, “Ajaamil”(1948) makes its debut in the blog. As many as 149 HIndi movies were released in 1948. With this song, “Ajaamil”(1948) becomes the 100th movie of 1948 to find representation in the blog. So this is yet another example of an “artificial” though significant landmark for the blog. 🙂


Song-Maanat naahin bihaari re (Ajaamil)(1948) Singer-Rajkumari, Lyrics-S P Tripathi, MD-Master Mohan Junior

Lyrics

Maanat naahin bihaari re ae
laakh jatan kar haari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae

jaaun jahaan main
sang sang doley
jaaun jahaan main
sang sang doley
madhur madhur sur
bain wo boley
naath hamaare
nain ishaare
lok ki laaj bisaari re ae
lok ki laaj bisaari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae

aap mahaawar mehndi lagaaye
aap mahaawar mehndi lagaaye
aap hi ang hamaar sajaaye
aap hi mohe paan khilaaye
haat se apne lagaayi re
haat se apne lagaayi re
Maanat naahin bihaari re
laakh jatan kar haari re

roothh jo jaaun
mujhko manaaye
roothh jo jaaun
mujhko manaaye
pair paden
aur binti sunaayen
nain neer se
dhoye charan mora
kare manuhaar wo bhaari re ae
kare manuhaar wo bhaari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3745 Post No. : 14703

“Sangam”(1941) was directed by Junnarkar for Navyug Chitrapat Limited, Poona. The movie had Meenakshi, Vatsala Kumthekar, Sundarabai, Malti gupte, Baby Devi, Salvi, Damuanna Malwankar, Jog, Nandu khote, Vinayak etc in it.

This forgotten movie had 14 songs in it. One song from the movie is covered in the past.

Here is the second song from “Sangam”(1941) to appear in the blog. The song is sung by Sundarabai. Amritlal Nagar, a famous and prominent Hindi writer is the lyricist of this song. Music is composed by Dada Chandekar.

Seeing that Sundarabai acted in the movie as well, one can guess that this song was picturised on herself.

I request our knowledgeable readers to throw light on the details of this rare movie.


Song-Sakhi shyaam na aaye nahin aaye(Sangam)(1941) Singer-Sundarbai, Lyrics-Amritlal Nagar, MD-Dada Chandekar

Lyrics

sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
aa aa aa aa
aa aa aa aa
dharke mori chhatiyaa

dhoodhnat hari van van raadha
jaaye chhipe kit kaanha aa aa
dhoodhnat haari van van raadha
jaye chhipe kit kaanha
haan
paany padoon ab aao mohan
saawan ban gayi ankhiyaan
haan aan
sawan ban gayi aankhiyaan
sakhi shyaam na aaye
nahin aaye
ghar khelne chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa

jal bin meen bhajan bin meera
jal bin meen bhajan bin meera
tarpat praan gaanwaye
aao madhav main balihaari
aao madhav main nalihaari
aao madhav
aao madhav
aao madhav
main nalihaari
chain padat din raatiyaan
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3733 Post No. : 14678

“Shyaam Tere Kitne Naam”(1977) was produced by Vinod Kumar and A Narang and directed by Shantilal Soni. All these days I was undr the impression that the movie was a Rajshree Production movie !

The movie had Sachin, Sarika, Meena T, Manhar Desai, Bharat Bhooshan, Shyama, Jalal Agha, Sunder etc in it.

The movie had six songs in it. One song has been covered in the past.

Here is the second song from “Shyaam Tere Kitne Naam”(1977) to appear in the blog. The song is sung by Jaspal Singh, Aarti Mukherji and chorus. Anjaan is the lyricist. Music is composed by Ravindra Jain.

The song is picturised as a dance song on Sachin, Sarika and many others.


Song-Jamuna kinaare baje shyaam ki baansuriya (Shyaam Tere Kitne Naam)(1977) Singers-Jaspal Singh, Aarti Mukherji, Lyrics-Anjaan, MD-Ravindra Jain
All Chorus
Male chorus
Female chorus
Aarti Mukherji + Chorus
Jaspal Singh + Aarti Mukherji

Lyrics

ho o o
aa aa aa

jamuna kinaare baje shyaam ki baansuriya
shyaam ki baansuriya baje shyaam ki baansuriya
shyaam to hai raadha ka baawra
shyaam to hai raadha ka baavra
ho o kaanha ke rang rangi raadha baawariya
raadha ke rang ranga saanwra

saanvra
saanvra

saanvra
saanvra

jamuna kinaare baje shyaam ki baansuriya
shyam ki baansuriya baje shyam ki baansuriya

gokul mein
gokul mein
shor macha
shor macha
kahaan gayin gwaalan ki chhoriyaan
kahaan gayin gwaalan ki chhoriyaan
ghar angna
ghar angna
bisra ke
bisra ke
mohan sang raas rachen goriyaan
mohan sang raas rachen goriyaan
o o sab mein samaake sabse aankhiyaan churaake
raadha ke sang chala saanwra

saanwara saanwara
o ho ho
saanwara saanwara
o ho ho
jamuna kinaare baje shyaam ki baansuriya
shyaam ki baansuriya baje shyaam ki baansuriya

o o o o
o o o o
o o o o

raadha ki
raadha ki
paayal se
paayal se
bandhi jaise murli ki taan re
bandhi jaise murli ki taan re
kaanha ki
kaanha ki
murli mein
murli mein
base jaise raadha ke praan re
base jaise raadha ke praan re
o o o
raadha ke jaisi koi dooji na premika

kaanha sa premi nahin doosra
saanwra saanwra
o ho ho
saanwara saanwara
o ho ho
jamuna kinaare baje shyaam ki baansuriya
shyaam ki baansuriya baje shyam ki baansuriya


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15175

Number of movies covered in the blog

Movies with all their songs covered =1176
Total Number of movies covered =4169

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Active for more than 4000 days.

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