Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Krishna related songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4566 Post No. : 16165

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Blog 10-Year Challenge (2011-2021) – Song No. 2
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This day ten year ago (viz 17 January 2011) was a lean day when only one song from “Paayal”(1957) was discussed. This song, Jaago aur jagaao was the second song from the movie to be covered in the blog. The movie had nine songs in it and six of these songs have been covered so far. So the movie is still unYIPPEED and therefore this movie is eligible for Blog Ten Year Challenge today.

“Paayal”(1957) was was produced By Joseph Thomas and directed by Joseph Taliath Jr.for Madras Talkies. The movie had Padmini, Sunil Dutt, David, Baby Naaz, Ragini, Bipin Gupta, Raj Mehra(Guest Artiste), Achla Sachdev, Meenu Mumtaz, Sheoraj(Shivraj),Laxman Rao, Agha,Praveen Paul,Puri,Bhavan etc in it.

The songs covered in the blog so far are:

Song Date of post
Chale chalen se sajan dheere dheere 11 september 2010
Jaago aur jagaao 17 January 2011
Ae meri maut thahar 16 February 2011
Ye duniya rail niraali 5 February 2013
Maidaan mein ham jo aa jaayen 31 August 2014
Piyaa milan ko chali Raadhika 11 September 2020

Here is the seventh song from “Paayal”(1957). This song is sung by Lata Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Hemant Kumar.

The song is picturised as a dance song on Padmini, with many others also seen watching her dance performance.

Lyrics of this song were sent to me by Prakashchandra.

Audio

Video

Song-Jaa re saanwle salone natkhat banwaari (Paayal)(1957) Singer-Lata, Lyrics-Rajinder Krishan, MD-Hemant Kumar

Lyrics(Provided by Prakashchandra)

jaa rey saanwley saloney
natkhat banwaari
chhodo chhodo ji baiyyan hamaari
jaa rey saanwley saloney
natkhatt banwari
chhodo chhodo ji bainyyan hamaari
ho o chhodo chhodo ji bainyyan hamaari

dekho ji akeli mohey dekh ke sataao naa
dekho ji akeli mohey dekh ke sataao na
kaun hoon tumhaari main
Radhaa sang jaao na
jaao jaao chhaliya
ye ankhiyaan dikhaao na
ye ankhiyaan dikhaao na
jaao jaao chhaliya
ye ankhiyaan dikhaao na
ye ankhiyaan dikhaao
mori baat jo na maani
to main doongi tohey gaari
chhodo chhodo ji bahiyyan hamaari
jaa rey saanwley saloney
natkhat banwari
chhodo chhodo ji bainyyan hamaari
ho o chhodo chhodo ji bainyyan hamaari

achchi nahin joraajori
chhod do kalaayee jee
achchi nahin joraajori
chhod do kalaayee jee
saaraa jag jaan lega doongi jo duhaayee ji
ghar ghar hongi phir batiyaan kanhaayi ji
bathiyaan kanhaayi ji
ghar ghar hongi phir batiyaan kanhaayi ji
bathiyaan kanhaayi
hato hato ji hattiley
main to roye roye haari
chhodo chhodo ji bainyyan hamaari
jaa rey saanwley saloney
nattkhatt banwari
chhodo chhodo ji bainyyan hamaari
ho o o chhodo chhodo ji bainyyan hamaari


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4557 Post No. : 16150

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 118 # (A tribute to Singer Krishna Kalle)
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‘Sapne Suhaane-1974’ was a ‘social movie’ directed by A.K. Chalukya for ‘Kalpit Chitra, Poona’. It had Kalpit, Soni, Sharma, Arvind, Shefali, Mohan Jery, Mohan Shery, Sundar, Firoza, Lakiram, Master Kalpit, and Padma Chavan (in guest appearance). This movie introduced Anil, Rawal, Suresh, Bina, Suryakant, Gaekwad and Lalsingh Chouhan.

‘Sapne Suhaane-1974’ had three songs. All ere written by Hasrat Jaipuri. Music was composed by Shamji Ghanshamji.

This movie was passed by Censor Board on 05.11.1974.

One song from this movie was posted on the blog on 23.07.2013. Our inhouse encyclopedia Shri Arunkumar Deshmukh Sir provided the following information in comments section;

SAPNE SUHANE-1974 was truly an obscure movie.
It was produced by Kalpit Chitra Poona, directed by A.K. Chalukya and the music was by Shyam ji Ghanashyamji (One person-not a jodi), for the lyrics by Hasrat Jaipuri. There were only 3 songs in it.
The cast was full of newcomers (all probably debutants or one film actors), like Kalpit, Soni, Sharma, Arvind, Shefali, Firoza, Luckyram, Anil, Raval, Suresh Beena, Suryakant etc.
The story was of a Motor mechanic who dreams of becoming a film actor. He tells his beloved, who is working as a maid with a seth ji, that he will go to Bombay and return only after becoming an actor. Soon he realises the valley between Sapne suhane and the reality

Today we are presenting the second song from this movie which is sung by Krishna Kalle.

Krishna Kalle (18.12.1940 – 15.03.2015) was a known name in Kannada and Marathi Film Music, in addition to Hindi Film Music.

Let us now listen to today’s song …

Audio

Song-Ae bansi bajaiyya (Sapne Suhaane)(1974) Singer-Krishna Kalle, Lyrics-Hasrat Jaipuri, MD-Shamji Ghanshamji

Lyrics

ae bansi bajaiyyaa aa aa aa
aa aa aa
ae bansi bajaiyyaa aa

ae bansi bajaiyyaa
kya tujhe iski khabar hai
dukhiya tere charnon mein hai
aur tujhpe nazar hai
ae bansi bajaiyyaa aa aa aa aa

main saans ki maalaa pe
tera naam japoon hoon
main saans ki maalaa pe
tera naam japoon hoon
jis haal mein rakkhe mujhe
us haal mein khush hoon oon oon
mujh par bhi nazar daal
tera dhyaan kidhar hai
dukhiya tere charnon mein ae hai
aur tujhpe nazar hai
ae bansi bajaiyyaa aa aa aa aa

tujhse koi shikwaa naa
ye fariyaad hai sun le ae
tujhse koi shikwaa naa
ye fariyaad hai sun le
qismat meri barbaad thhi
barbaad hai sun le ae ae ae
jab tu hai mere saath to
kis baat ka darr hai
dukhiya tere charnon mein hai
aur tujhpe nazar hai
ae bansi bajaiyyaa aa aa aa aa


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4548 Post No. : 16128

Today, December 30, 2020 is 7th Remembrance Day of Lakshmi Shankar.

What a musical journey Lakshmi Shankar had in her career spreading over 7 decades! Her journey from a Bharatnataym dancer to Uday Shankar’s ballet dancer, an actress in a Tamil film, a playback singer in Hindi films, a Hindustani classical vocalist and as a catalyst in spreading the Hindustani classical music across the continents is unparalleled. And it is more so for a woman who had to cross the societal barrier. Lakshmi Shankar was really a woman of substance.

In 2009, 83-year-old Lakshmi Shankar received a Grammy Nomination for Best Traditional World Music Album. Although she could not make it to the final list, the Grammy nomination itself was a great event for a woman Hindustani classical vocalist in the Western music dominated award. The irony is that she never got the status of a celebrity in her own country. She did not get any ‘Padma’ awards from Government of India nor any award from Sangeet Academy – whether Central or State levels.

Lakshmi Shankar, was born as Mahalakshmi Sastri (16/06/1926- 30/12/2013) in Jamshedpur where her father Vaidyanath Sastri was employed in Tata Iron and Steel Company as a Chartered Accountant. He was a native of a village in Pudukkottai district. Her mother, Visalaksi was from Palghat (Palakkad) district – both districts being part of the then Madras Presidency. During Vaidyanath Sastri’s stay in Jamshedpur, Mahatma Gandhi made a number of visits to Jamshedpur. The result was that he became attracted to Gandhian ideology. Mahatma Gandhi picked him up to devote time for the upliftment of harijans. He left the job and shifted to Poona (Pune) in 1930 for the assigned work. His other family members, including Lakshmi Shankar, shifted to Madras (Chennai).

At the age of 8, Lakshmi was put under Guru Kandappa Pillai for learning Bharatnataym dance in Chennai. At the age of 11, she performed her arangetram in Bharatnatyam dance. At the age of 13, she joined Uday Shankar’s India Cultural Centre in Almora for training in fusion dances. During her stint in Almora, Lakshmi Shankar got married to Rajendra Shankar, (the next younger brother of Uday Shankar) who was 21 years older than her. Rajendra Shankar, with M.Sc. in Physics and Chemistry was working as a script writer and was handling publicity in Uday Shankar’s Dance Academy. During 1940-43, Lakshmi Shankar travelled across India as one of the dancers with Uday Shankar’s dance troupe. In 1944, Uday Shankar’s India Cultural Centre in Almora was closed down due to financial constraints.

Following the closure of Uday Shankar’s Dance Academy, Lakshmi Shankar with her husband and brother-in-law, Ravi Shankar came to Mumbai. Both the Shankar brothers got associated with Indian People’s Theatre Association (IPTA). While Rajendra Shankar joined Bombay Talkies (later Filmistan) as story and script writer, Ravi Shankar got his first assignment for scoring music for Chetan Anand’s ‘Neecha Nagar’ (1946) followed by K A Abbas’s ‘Dharti Ke Laal’ (1946). In the first film, Lakshmi Shankar sang for Kamini Kaushal a lullaby so na o nanhi so na. In ‘Dharti Ke Laal’ (1946), she sang beete ho sukh ke din aayee dukh ki ratiyaan.

With these two films, the musical collaboration of Lakshmi Shankar with her brother-in-law, Ravi Shankar started which continued until the latter’s death in December 2012.

Ravi Shankar and his other associates were disillusioned with IPTA as they were not given the freedom in creating the work of their respective fields. Ravi Shankar set up his own artists’ group in which his wife Annapurna Devi, sister-in-law, Lakshmi Shankar and his elder brother, Rajendra Shankar, Zohra Sehgal, Shanti Bardhan etc became the important part of this group.

It was around this time that Jawaharlal’s Nehru’s book ‘The Discovery of India’ (1946) was published and Ravi Shankar felt that this book was a good choice for adapting it as a ballet-cum-opera on the stage. He got the financial backing for the project from Indian National Theatre, the cultural wing of the Indian National Congress. While Ravi Shankar and Annapurna Devi took charge of the music, Rajendra Shankar wrote the script and looked after the production. Lakshmi Shankar and Sachin Shankar became the main dancers to be choreographed by Shanti Bardhan.

The premier of ‘The Discovery of India Ballet-Cum-Opera’ was held in New Delhi in April 1947 in the presence of Pandit Jawaharlal Nehru. The premier of the ballet-cum-opera was highly successful. Later, it was staged at many prominent cities all over India because of which Lakshmi Shankar became a well-known dancer.

In 1948, while the ballet-cum-opera was still being staged, Lakshmi Shankar fell ill and was diagnosed as suffering from pleurisy affecting her lungs. She was taken back to her house in Chennai for recuperation. The doctor advised her to give up dancing as it would be too hard for her weak lungs. With this, her professional dancing career came to an end.

After a complete recovery from illness, Lakshmi Shankar returned to Mumbai where her husband was already working as a story and screenplay writer in Amiya Chakraborty’s film production company, ‘Mars & Movies’. [Lakshmi Shankar’s younger sister Kamala Sastri was married to Amiya Chakraborty in 1951]. In the absence of dancing, she thought of pursuing the playback singing career in films.

Post-illness, Lakshmi Shankar sang jingles in some advertising films and got a chance to sing a bhajan ‘in Aandhiyaan (1952). It was during her rehearsal of the song recording for the film ‘Mastaana’ (1954) when its music director, Madan Mohan advised her to learn Hindustani classical music as he felt that her voice was most suited for thumri singing. Though Lakshmi Shankar liked Hindustani classical music in instruments, she was not keen to become Hindustani classical vocalist.

It was because of Madan Mohan’s persistence that Lakshmi Shankar agreed to give a try. The next day, Madan Mohan came to her house with Ustad Abdul Rehman Khan of Patiala Gharana and with a harmonium. Madan Mohan played on harmonium and Ustad played on his swarmandal. Ustad’s one line of some bandish mesmerised Lakshmi Shankar so much that she resolved to learn Hindustani classical music as a vocalist from him.

Lakshmi Shankar completed her training in three years’ time. In January 1957, she gave her maiden performance at Entally Music Festival in Kolkata which was very much appreciated. With this success, she was invited to many music festivals all over India. She continued learning Hindustani classical music with Professor B R Deodhar and completed her Bachelor of Music degree under him. In the meanwhile, she occasionally sang for Hindi films as playback singer about 30 songs in 20 films from 1946 to 1974. In the Marathi film ‘Pativrata’ (1959), she had sung 2 thumris with Pandit Bhimsen Joshi.

In 1962-63, she got her first opportunity for a 4-month tour to the USA and Europe as a part of Uday Shankar’s group as a lead vocalist and the music director of the ballet orchestra. In 1968, Ravi Shankar organised the Festival of India in the USA in which she was again a lead vocalist along with many eminent musicians from India. In 1970, she travelled to Italy (Rome, Florence and Venice) and the Shiraz Festival in Iran for her solo performance as a vocalist.

Some of Lakshmi Shankar’s notable works included her cross collaborations with George Harrison in 1974. One of her collaborations with him was a Krishna song in English, ‘I am missing you’ which received good receptions in its live performance throughout the USA. This song made her well-known in the Western countries. The English song was written by Pandit Ravi Shankar. She also sang a couple of soulful bhajans in Attenborough’s Oscar winning film ‘Gandhi’ (1982) for which Ravi Shankar was the music director.

Lakshmi Shankar had been travelling quite often on her musical tours abroad either as a part of Pandit Ravi Shankar’s troupe or as a solo performer. For this reason, Lakshmi Shankar moved to the USA along with her family and took permanent residency near Los Angeles in 1984. She cut many discs in the USA and Europe besides India. Later in her life, she started teaching Hindustani classical music to American-Indians in her house in Simi Valley, California.

With the death of Pandit Ravi Shankar on December 11, 2012, Lakshmi Shankar’s collaborations with him of over 7 decades ended. It had started first as dancers in Uday Shankar’s academy in 1939, as a playback singer under his music direction in 1946, as a dancer in his ballet-cum-opera ‘Discovery of India’ in 1947-48 and both national and international collaboration from 1963 onwards with him. After Ravi Shankar’s death, Lakshmi Shankar’s health started deteriorating. Almost one year after her mentor’s death, Lakshmi Shankar passed away on December 30, 2013.

On the occasion of the 7th Remembrance Day of Lakshmi Shankar, I am presenting one of her popular non-film Krishna bhajans, ehi Muraare kunjavihaare (1979). She has rendered this bhajan in Raag Pahadi. Most of the on-line references have accredited this Sanskrit bhajan to Jayadeva. But a section of the listeners has pointed out that this bhajan is not found in Jayadeva’s Ashtapadi.

Lakshmi Shankar recorded this devotional song in the USA which became a part of a Long-Playing Record, ‘Lakshmi Shankar Sings Devotional Songs’ for ISCKKON Golden Avatar Productions in 1979 under the orchestration of L Subramaniam, a renowned violinist supported by Ustad Zakir Hussain on tabla. I feel that Lakshmi Shankar may have composed the tune herself. Later, sometime in the 1980s, she sang live on All India Radio/Doordarshan as part of the National Programme of Music. I personally like her live version because of the audio quality, the clarity of the words, the excellent tabla rhythm and the elaborations with which Lakshmi Shankar rendered the bhajan.

How could Lakshmi Shankar mesmerise her foreign audience with her bhajans? The answer is that she did with her emotive voice as evident in this bhajan.

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Acknowledgements:

1. ‘Poignant Song – The Life and Music of Lakshmi Shankar’ (2019) By Kavita Das.

2. An Interview with Lakshmi Shankar by Shreen Isal, June 2001 published in http://www.associationsargam.com

Audio Clip: (Record version)

Video Clip: (From live concert on AIR/Doordarshan)

Song-Ehi muraare kunjavihaare (Lakhmi Shankar NFS)(1979) Singer-Lakshmi Shankar

Lyrics (Based on record version)
[The equivalent lyrics are written based on the phonetics of Sanskrit stotram].

ehi muraare
ehi mura…are
ehi muraare kunjavihaa…re
ehi praṇata jana bandho
ehi muraare kunjavihaare
ehi praṇata jana bandho
hey Madhava madhumathana vareṇya
Keshava karuṇasindho

raasa nikunje gunjati niyatam
raasa nikunje gunjati niyatam
bhramarashatam kil kaanta aa
ehi nibhṛta pathapaantha..aa
tvamiha yaache darashandaanam
tvamiha yaache darashandaanam
he Madhusoodan shanta
ehi muraare kunjavihaare
ehi praṇata janabandho

nava neeraj dhara shyaamal sundara
nava neeraj dhara shyaamal sundara
chandra kusum ruchivesha
gopigaṇ hṛidayesha..aa
govardhana dhara vṛindaavanachara
govardhana dhara vṛindaavanachara
vanshīdhara paramesha
ehi muraare kunjavihaare
ehi praṇata janabandho

Raadharanjan kansaniṣhoodan
Raadharanjan kansaniṣoodan
praṇatistaavaka charaṇe
nikhila niraashraya sharaṇe
ehi Janaardana pitaambaradhara
ehi Janaardana pitaambaradhara
kunje mantharapavane..ae
ehi muraare
ehi muraare
ehi muraare kunja vihaare
ehi praṇata jana bandh..o
he Madhava madhu mathana vareṇya
Keshava karuṇa sindho

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English Translation (Source: http://www.kksongs.org )
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O killer of the demon Mura who roams in the gardens, come near.
O Mādhava, who is the friend of those who bow upon, who destroyed Madhu, who is desirable, who is Keshva and who is the ocean of compassion, come near.

Hundreds of shiny bumble-bees are continuously buzzing in the gardens of [our] transcendental mellows. O You, who beyond the paths of material standards, come near. We all are craving for the sight of You, O Madhusoodana, who is calm.

O You, who holds a new lotus, who is dark in complexion, who is beautiful, who is decorated with chandrakusuma, who rules the heart of group of Gopī, who held Govardhana, who roams in Vrindaavana, who holds a flute, who is the supreme ruler.

O who gives pleasure to Rādhaa, who destroyed Kamsa, who is complete. I am bowing into Your feet which is the shelter of the unsheltered.
O Janaardana, who has yellow robes, come close to me in this garden.


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4527 Post No. : 16087

“Angulimaal”(1960) was produced by M/s Prakash Veramal and directed by Vijay Bhatt for P V Films, Bombay. This historical movie had Nimmi, Bharat Bhushan, Anita Guha, Ulhas, Chandrashekhar, Achla Sachdev, Manmohan Krishn, Prem Adeeb, Kesri, Rammohan, Vinod Kumar, Sheela Kashmiri, Vimla, Helen etc in it.

The movie had seven songs in it. Six songs have been covered in the past. Here are their details :-

Song Date of posting Singers Remarks
Aayi aayi basanti belaa 18 March 2011 Lata Mangeshkar, Manna Dey, Meena Kapoor
Dheere dheere dhal ri chanda ( 20 April 2011 Aarti Mukherjee
Bade aaye shikaari shikaar karne 5 May 2011 Manna Dey, Asha Bhonsle
Jaa ri na bataaun main to naam chitchor kaa 6 May 2011 Lata Mangeshkar, Meena Kapoor
Mere chanchal naina madhur ras ke bhare 27 October 2018 Meena Kapoor
Buddham sharnam gachhaami 11 October 2020 Manna Dey Picturised as a Five part song

The eighth and final song from the movie is sung by a male voice and Asha Bhonsle. Bharat Vyas is the lyricist. Music is composed by Anil Biswas.

The song is picturised on Manmohan Krishn and a lady who I guess is a young Achla Sachdev. I request our knowledgeable readers to throw light on the picturisation of the song including the identification of the lady. I feel that the male voice is that of Manmohan Krishn himself, who was an occasional singer as well.

With this song, all the songs of “Angulimaal”(1960) are now covered and the movie joins the lists of movies that have been YIPPEED in the blog.


Song-Murliwaale Gopal teri sharan mein hai mera laal (Angulimaal)(1960) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Anil Biswas
Murli Krishn

Lyrics

om namo brahmanayadevay
go bramhanahitayse
jagathitay krishnay govinday namo namah
om

muraliwaale gopal,
gopaal
gopal

muraliwaale gopal
teri sharan mein hai mera laal
tere charan mein hai mera laal
muraliwaale gopal
teri sharan mein hai mera laal
tere charan mein hai mera laal
tu hi rakhana ise sambhal
teri sharan mein hai mera laal
tere sharan mein hai mera laal
tere charan mein hai mera laal
muraliwale gopa aa aal

phool mera hai komal-komal
kathin tera sansaar
iski dag-mag naiya kanhaiya tu hi lagaana par
khewaiyya tu hi lagaana par
har sankat dena taa aal
teri sharan mein hai mera laal
tere sharan mein hai mera laal
tere charan me hai mera laal
muraliwale gopaa aa aal
muraliwale gopal, ho muraliwale gopal

nainon ke gangaajal se
jeewan ke paap dhula de
nainon ke gangaajal se
jeewan ke paap dhula de
apni umar chadhhaaun tujhe
mere laal ko amar bana de
mere laal ko amar bana de
hey shaanti ki liye mashaal
jagaaye jag mein jyot vishal
kare uncha bharat ka bhaa aal
teri sharan mein hai mera laal
teri sharan mein hai mera laal
tere charan mein hai mera laal
muraliwaale gopal
teri sharan mein hai mera laal
tere charan mein hai mera laal
muraliwaale gopaa aa aal


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4517 Post No. : 16071

Today’s song is from the film Sautela Bhai-62. The film was made by Alok Bharti, Bombay. It was directed by Mahesh Kaul and Anil Biswas provided the Music.The cast of the film was, Guru Dutt, Pranoti Bhattacharya, Bipin Gupta, Rajkumar, Ratna, Honey Irani, Sarosh Irani, Asit Sen, Bela Bose, Kanhaiyalal etc.etc.

The film was based on a famous novel in Bangla- ” Baikunther will “, written by Sarat Chandra Chatterjee. Many people mix up this novel with another novel- ” Krishnakanter will “, written by Bankim chandra Chatterjee. Films were made on both the novels. This reminds me that in 1932, Bharat Laxmi Pictures of Calcutta had made a film ” Krishkanter will” in Bangla language. When I went into details, I found that a silent film was also made on this novel in 1927 and a Talkie was made in 1932. One more film was also made in 2007. Even a Tamil film was made on this novel -Rohini in 1953. Its storyline was woven around a forged will and it was very popular. Comparatively, Baikunther will was made only once in Bangla and now this in Hindi. This novel was based on a family issue.

The screenplay and dialogues of film Sautela Bhai-62 were by Dev Kishen and Mahesh Kaul had directed it. The story of film Sautela Bhai-62 was….

Baikunth Muzumdar (Bipin Gupta) is a small time grocery merchant, having property and money in a village. After his first wife’s death, who has borne him a child, he gets marries again to Bhawani (Pranoti Bhattacharya). Contrary to everybody’s fears, Bhawani gives her love to Gokul, the infant. When she gets her own son, Vinod, both brothers love each other, like Ram-Laxman. Gokul (Guru Dutt) looks after family business, while Vinod (Rajkumar Khatri) goes to Calcutta for college studies. There, he gets into bad company and starts drinking etc.

Meanwhile, Baikunth dies after making a will, giving all property to Gokul, on wife’s instructions, as she is sure that Gokul will look after Vinod very well. When Vinod comes back, he is taunted by Gokul’s wife and father in law (Kanhaiyalal). Vinod thinks that, being a step brother, Gokul has instigated this. He leaves the house with his mother against her will. He also plans to put a case against Gokul.

When Gokul learns all this, he goes to Vinod’s house, drags him out, beats him and gives away all the property to him in exchange of his love, which he professes with tears. Seeing all this, Vinod repents and realises how much Gokul loves him. He begs pardon and then all is well in the end.

In the star cast, you find 2 names Rajkumar and Sarosh Irani. I remember, when I was new in this Blog group, there was a discussion in 2011 about who this Rajkumar was. It was only later, when I started my research on my project ” Same Name Confusion”, I found that this Rajkumar was different from the ” Jaani” wala Rajkumar.

In fact, I found that there were 5 Rajkumars operating at the same time in the film industry, causing so much confusion that filmology details were mixed up of everybody. The first was Kannada Hero Dr. Rajkumar. However, he never worked in any Hindi film, so no confusion about him.The second was the famous Dialogue master Raaj Kumar ‘Jaani’. Third was Rajkumar Gupta ( from Ranchi), who was the main character in popular film Jagriti-54. He never worked again in any film. Fourth was Raj(u) Kumar, a junior artist, who did minor roles- mostly uncredited-in films like Shri 420-55, Jagte Raho-56. Dilli ka Thug-58, Aaj aur kal-63, Ziddi-64 etc etc..The fifth was this Rajkumar, who mostly worked in Religious and Mythological films. His name was Rajkumar Khatri.

Rajkumar khatri may have been born in or around 1940. He started as a child artiste in films like Janmashtami-50, Jai Mahakali-51 and Insaan-52. His first film as an adult was Shuk Rambha-53, in which he did the role of young Shukdev. He was a fine actor, not extraordinary, but there was something special about his screen presence. Apart from his boyish looks, he had an unspoken charm and emanated an inherent goodness. In his second film “Tulsidas”-54 he played the role of Shri Ram. He was hardly 15-16 year old then. This must be the youngest and most boyish looking Shri Ram ever seen on the screen !

Rajkumar khatri acted in 61 films, mostly Religious and Mythological films (47 to be precise). Not that he did not work in any social films, but such films were less. He was seen in films like Sautela Bhai-62, Aaj aur kal-63, Ustadon ke ustad-63, Ziddi-64, Nai umer ki nai fasal-65 etc etc. Due to his young looks, boyish face and innocent looks, he was generally given roles of younger brother. As Laxman, he acted in 7 films. His last film was probably Chintamanee Surdas-87.

In the mid 80s, when film offers became scarce, he joined Prakash Mehra as an assistant. He used to live in Chembur. He was known as Chhota Rajkumar in the industry. He worked with Prakash Mehra for a long time, as Assistant Director and as also his P.A. Reportedly, he died in September 2014. No further information on him was available. (Thanks to maitrimanthan.com for information.)

Now let us come to the other name Sarosh Irani. Normally the filmgoers are aware of Daisy Irani, Honey Irani or Aruna Irani. Few people even knew Menaka Irani, but hardly anyone knows about Sarosh Irani. Being an unusual name we debated earlier whether this is a Girl’s name or Boy’s. Here is some information on Him….

Sarosh was born to Perin and Noshir Irani on 7 August, 1948 in Bombay. He is third among five siblings, namely, Menka, Bunny, Sarosh, Daisy and Honey. In 1979 he married Mona and the couple is blessed with two lovely daughters, Sabah and Delnaaz. He did his initial schooling in Deolali’s well-known boarding school, The Barnes School. After he joined the film industry he went to St. Teresa’s High School in Bandra.
Sarosh’s first film as a child-actor was Masoom released in 1960. He was finalised to play the eldest of the three siblings in the film. Little Honey Irani was chosen to play his younger sister. The song ‘Nani Teri Morni Ko Mor Le Gaye‘ picturized on her, sung by Ranu Mukherjee.

Sarosh says “Satyen Bose was a good Director. He had a lot of patience, he would wait till we gave the shot just like he had visualised. He would keep encouraging, even enact and show us at times. He was very friendly, never rude. I had a nice time shooting with him. Soon I got offers for Aarti (1962) and Sautela Bhai (1962). I started liking acting.”

Tarachand Barjatya‘s Aarti (1962) was directed by Phani Majumdar. Alok Bharati‘s Sautela Bhai (1962) directed by Mahesh Kaul was based on Sarat Chandra Chattopadhyay‘s “Baikunther Will” and had Pranoti Ghosh, Bipin Gupta, Guru Dutt, Raj Kumar and Kanhaiyalal playing pivotal parts. It’s a story of two step-brothers, the elder one a good-hearted rustic played by Guru Dutt and the younger, an educated weakling, spoiled by his crooked friends played by Raj Kumar. The film was honoured with the All India Certificate of Merit for the Third Best Feature Film at the 10th National Film Awards. The film is also known for Guru Dutt’s best ever performance as an actor. Sarosh played his childhood part.

Sarosh did a total of 5 films as a child actor – Masoom (1960), Aarti (1962), Sautela Bhai (1962), Man Mauji (1962) and Grahasti (1963). By the time Grahasti (1963) was released Sarosh was about 15 years old, an age when one is neither a child nor an adult and child stars hardly get acting assignments. In his short acting career Sarosh has left a mark, Masoom (1960) and Sautela Bhai (1962) are among our most loved films. Around 1967 Sarosh joined his brother-in-law Kamran as an assistant director. The first film he assisted on was Watan Se Door (1968) which had Dara Singh and Nishi in leading roles. He assisted Kamran on about six films including Chalbaaz (1969) and Aisa Bhi Hota Hai(1971).

After his stint as a child-actor he and his brother, Bunny started their own construction company, B Irani S Irani. In 1976 looking at favourable opportunities he went to Iran where he worked in the construction business. When the war broke out he was forced by the family to return and he came back to India with his wife towards the end of 1983. On his return he joined his brother Bunny (now retired) who by then was looking after the Irani Cafe, B Merwan which was started by their grandfather.

Since then he hasn’t been associated with the film Industry directly but is glad to see the next generation, his nephews and nieces, Farah Khan, Sajid Khan, Farhan Akhtar and Zoya Akhtar do well and make a mark in the entertainment industry. ( Thanks to maitrimanthan.com for information.)

The music director Anil Biswas, once upon a time in Top rung and respected as the original composer and a Mentor to many MDs, including C Ramchandra, was on the way to end his musical career. After this film, he only did one more film- by his friend Motilal- Chhoti Chhoti Baten-1965. Then he retired from the films and joined All India Radio at Delhi. Today’s song is sung by Meena Kapoor, Pankaj Mitra and chorus. The song is shot on Dulari and Radhakrishna. The video also shows Pranoti and Bipin Gupta.


Song-Maiyya maiyya boley baal kanhaiyya (Sautela Bhai)(1962) Singers-Meena Kapoor, Pankaj Mitra, Lyrics-Shailendra, MD-Anil Biswas
Both

Lyrics

maiyya aa aa
maiyya aa
maiyya aa
maiyya maiyya boley baal kanhaiyya
chalat chalat pag dukhan aaye
ab to god uthha le
maiyya aa aa aa aa aa aa aaaa aa aa aa

aa ha ha haa ha ha
aa haa haa haa
balihaari yashoda hari leenhe godi uthhaaye
yashoda hari leenhe god uthhaye
aah mamta ki ye chhavi jo dekhe
mamta ki ye chhavi jo dekhe
dekhat hi rah jaaye
chhavi dekhat hi rah jaaye
chhavi dekhat hi rah jaaye
chhavi dekhat hi rah jaaye
yashoda hari leenhe god uthaaye
yashoda hari leenhe god uthaaye

hmm hmm hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
lori ga nit rain sunaaye
bhor hi choom jagaaye yashoda
bhor hi choom jagaaye
kahe jaago o
jaago o o o
kahe jaago jaago jaago re kanhaiyya jaago
re gopaala
jaago jaago jaago

paraat mein nand kunwar ka
maa mukh chandr dhulaaye
dekho maa mukh chandr dhulaaye
jal bich sundar shyam hanse ae ae ae ae ae ae
jal bich sundar shyam hanse
jyun neelkamal muskaaye
jyun neelkamal muskaaye
sheet lage na lage natkhat hari
sheet lage na lage natkhat hari
kat kat daant bajaaye

hari kat kat daant bajaaye
yashoda hari leenhe god uthhaaye
yashoda hari leenhe god uthhaaye


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 400th song as a playback singer for Suman Kalyanpur and 300th article as a guest contributor for Avinash Scrapwala in the blog.

Blog Day :

4500 Post No. : 16037

Welcome all to this post, which should have come yesterday. But as they say ‘it is better late than never’ and as we on the blog say ‘it is never too late (even if the post comes after a long gap (ranging from a week to a month) of a particular special day).
😊
In any case we will be having a song to enjoy, a look-back (or glance? 😊) on the yesteryears or a brief journey ‘down memory lane’ …

I will directly come to the point now and clear the suspense that yesterday 11th November’2020 was the eighty-fourth (born on 11.11.1936) birthday of the gorgeous, beautiful, (plus sober, decent?), cheerful, ever smiling and ‘chulbuli’ actress Mala Sinha.

On the blog we today belatedly wish her a very happy birthday and a healthy and peaceful life ahead.

I got to watch many of her movies from the ‘golden era’ or ‘black & white’ era and later many of her movies from the ‘colored’ era too. I am not going to list them all here because it will be a long list. I would only like to say that I do not remember any single movie of her ‘where I have not liked her performance’. I always like her screen presence and also her appearances in the songs or song sequences.

When I was looking for information about her initial career, I got to learn that she was an approved singer of ‘All India Radio’ but never got to playback singing in movies.
Ot of the twentythree Bangla movies she acted in, she was paired with Uttam Kumar in seven movies. Interested readers can visit for more interesting information on her on ‘wiki’ here.

On the occasion of her birthday I am going to present a song picturized on her from the movie ‘Rivaaj-1972’ which I came across recently. After listening to the song I totally fall in love with this song.

‘Rivaaj-1972’ was directed by T. Prakash Rao for ‘Sona Films, Madras’. (This movie was dedicated to the memory of the great K. Asif)

It was presented by H. Prasann Chand Nahar. K.C. Bokadia was the producer of this movie.

It had Mala Sinha, Sanjeev Kumar (the sub title for Sanjeev Kumar mentions ‘President award winner), Shatrughan Sinha, Farida Jalal, Jr Mehmood, Baby Gauri and Zeb Rehman.
They were supported by Nazir Hussain, Sulochana, Jayshree T., Pandri Bai, Mukri, Mrs. Shaukat Kaifi Azmi, Raj Kishore, Swaraj Kumar, Subrato and others.

The story of this movie was written by R. Venkatachalam. Its dialogues were written by Kaifi Azmi.
Editing of this movie was done by R. Bhaskaran.

This movie was passed by Censor Board on 19.08.1972.

The movie had eights songs (including a multiple version song) written by Kaifi Azmi, Indeevar, Hasrat Jaipuri, Anjaan, S.H. Bihari and Neeraj. Lata Mangeshkar, Mohd Rafi, Kishore Kumar, Asha Bhonsle, Manna Dey and Suman Kalyanpur were the playback singers for this movie.

Here is the list of the eight songs of this movie and the songs already posted have been added with their link;

Song Lyricist Posted On
Main teri prem deewaani meera Neeraj Being covered in this post
Tujh mein hoon main mujh mein hai tu S.H. Bihari 09.07.2013
Pyaara pyaara sabse nyaara aanewaala hai koyi hamaara Indeevar
Tujh jaisi laadli laakhon mein ek (male version) Hasrat Jaipuri
Tujh jaisi laadli laakhon mein ek (female version) Hasrat Jaipuri
Lagey koi lottery yaa jackpot lagey Anjaan 30.01.2015
Jalaa do jalaa do jaalaa do duniya ko jalaa do Kaifi Azmi 06.11.2020
Phoolon sa mahka huaa ye reshmi tan mera Anjaan

Music for this movie was composed by Shankar-Jaikishan.

Today’s song is picturized on Mala Sinha where she is lip-syncing in Suman Kalyanpur’s voice. Sanjeev Kumar and many others are also seen in the picturization of the song which happens in a temple (the famous Meera temple of Udaipur, as mentioned in the ‘wiki’ page of this movie ‘Rivaaj-1972).

The beautiful lyrics for today’s song are by Neeraj ji.

When I listened to the song for first time around a week or ten days back, I was totally taken up by this song and fall in love with it. It grows upon us if we listen to it again and again.
This beautiful composition of Shankar-Jaikishan is sung by Suman Kalyanpur and I must say what I mentioned for Mala Sinha that I have never came across a single Suman Kalyanpur song which I had not liked and enjoyed.

With the song Suman Kalyanpur has now four hundred song on the blog. Still a long to go to cover her remaining songs. It is still below half way mark if we consider the total 857 songs sung by her in Hindi movies. Today happens to be the 4500th day for the blog. Suman Kalyanpur completing her 400th song in the blog on the 4500th day for the blog sounds quite a befitting occasion.

Let us now enjoy this wonderful song …
Ed note:-Moreover, this article is the 300th article for Avinash Scrapwala as a guest contributor in the blog.

Video

Audio (Longer)

Song-Main teri prem deewaani Meera (Rivaaj)(1972) Singer-Suman Kalyanpur, Lyrics-Neeraj, MD-Shankar Jaikishan

Lyrics

main teri prem deewaani meera
meera aa

main teri prem deewaani
meera
main teri prem deewaani
aao chhaliyaa
aao naa aa
aao chhaliyaa
aao naa aa
ab to preet nibhaao naa aa
main teri prem deewaani meera
meera
meera aa
meera aa

angin tere roop saanwre ae
angin tere roop saanwre
dekh ke naina huye baawre
o behroopiyaa
ab to pal bhar
ek roop ho jaao naa
main teri prem deewaani meera
main teri prem deewaani

jeewan mera dhyaan hai teraa aa
jeewan mera dhyaan hai teraa
bol bol re kaun hai tera
har ek raah tere ghar jaaye
jaaun kidhar bataao naa
main teri prem deewaani meera
main teri prem deewaani
aao chhaliyaa
aao naa aa
ab to preet nibhaao naa aa
main teri prem deewaani meera
meera
meera aa
meera aa

tu sabke sang raas rachaaye
tu sabke sang raas rachaaye
saare jag ko naach nachaaye
ek baar mujhko bhi apni
murli shyaam banaao naa aa
main teri prem deewaani meera
main teri prem deewaani ee
aao chhaliyaa
aao naa aa
ab to preet nibhaao naa aa
main teri prem deewaani meera
meera
meera aa
meera aa
meera aa
meera aa

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
मैं तेरी प्रेम दीवानी मीरा
मीरा आ
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी
आओ छलिया
आओ ना आ
आओ छलिया
आओ ना आ
अब तो प्रीत निभाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मीरा
मीरा आ
मीरा आ

अनगिन तेरे रूप सांवरे ए
अनगिन तेरे रूप सांवरे
देख के नैना हुए बाँवरे
ओ बहरूपिया
अब तो पल भर एक रूप हो जाओ ना
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी

जीवन मेरा ध्यान है तेरा आ
जीवन मेरा ध्यान है तेरा
बोल बोल रे कौन है तेरा
हर एक राह तेरे घर जाए
जाऊं किधर बताओ ना
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी
आओ छलिया
आओ ना आ
अब तो प्रीत निभाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मीरा
मीरा आ
मीरा आ

तू सबके संग रास रचाए
तू सबके संग रास रचाए
सारे जग को नाच नचाये
एक बार मुझको भी अपनी
मुरली श्याम बनाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी
आओ छलिया
आओ ना आ
अब तो प्रीत निभाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मीरा
मीरा आ
मीरा आ
मीरा आ
मीरा आ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4500 Post No. : 16034

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 91
———————————————————————————–

Welcome all to this post under the ‘Blog Ten Year Challenge 2010-2020’. Considering that we have already now entered into the ninetees, let us see if this ‘ten-year challenge for the year ‘2010-2020’ gets to a first ‘hundred’ in this category or not? It all depends upon the movies who started their journey on the blog in ‘2010’ (now for November -remaining days, and the next month December only) and are yet to all their songs posted or they are ‘un-Yippeee’ed’ so far 😊

Well today we have two movies due for a song in this challenge viz. ‘Shree Ganesh Mahima-1950’ and ‘Roopkumari-1956’.

Ten years back on this day i.e. 12th November 2010 saw as many as five songs posted on the blog. Here is the list of these songs, their movies and the status of these movies on the blog;

Song Title Movie & Year Status of songs of the movie on the blog
Ulfat ke jaadoo ka dil mein asar hai Sangram-1950 All Songs covered
Sakhi mera man naache mera tan naache Shri Ganesh Mahimaa-1950 04 of 11 songs posted
Aayi bahaar muskuraayi bahaar Roopkumari-1956 02 of songs posted
Main to tere haseen khayaalon mein kho gayaa Sangram-1965 All Songs covered
Raju ka hai ek khwaab Raja Saahab-1969 All Songs covered

‘Shri Ganesh Mahima-1950’ (aka ‘Shri Krishna Vivaah) was directed by Homi Wadia for ‘Basant Pictures, Bombay’.
It was a mythological movie having star cast as Meena Kumari, Mahipal, S.N. Tripathi, Moolchand, Dalpat, Amarnath and others.

This movie had eleven songs written by Anjum Jaipuri and Ramesh Pande. Music for this movie was composed by S.N. Tripathi.

HFGK (Vol-II, 1941-1950) mentions the song titles of these eleven songs as per following order, however it mentioned the singer name for only four songs and i.e. of Geeta Roy (Dutt) and lyricist name is mentioned only for one song (sakhi ri mera man naache, mera tan naache).

S.No. Song Title Posted on
01 Gaayiye Ganpati jag vandan Shankar suvan
02 Shambho Mahadev, Shankar trilochan
03 Mere nainon mein preet hai, mere honthon par geet Being posted today
04 Surya dev Dinesh hey 13.07.2015
05 Rahe aasha ke geet adhoore, na honge poore
06 O Mohan murliwaale raakho laaj hamaari
07 Kartab hain balwaan jagat mein kartab hain balwaan
08 Man Mohan raas rachaayo ri madhuban mein
09 Taaron ke palne mein jhoole chaand hamaaraa ho 03.08.2019
10 Hey Ganesh Jai Ganesh 09.09.2013
11 Sakhi mera man naache mera tan naache 12.11.2010

Our in-house encyclopaedia respected Arun Kumar ji described the story of this movie in his post Hey Ganesh Jai Ganesh which I am reproducing below;

He has also mentioned that

“Although the title of the film was about Ganesha, most of the film centred around Lord Shri Krishna”.

The story of the film was-

Great and Miraculous power are attributed to Shri Ganesh the benefactor of mortals as well as the immortals. Such a benign being was once laughted at by Chandra only to be cursed by him. Realising his folly Chandra begged her forgivenness and the curse was modified by the merciful divinity to be effective only on the day of Ganesh Chaturthi. He ordained that anybody looking at the moon on that day will be a victim of false accusations. It was on such a day that Shri Krishna unwittingly looked at the moon and had to suffer the indignity of being falsely accused of theft of Syamantak Mani. This jewel was acquired by Satrajit, one of the Yadavas as a boon from God Sun. Shri Krishna had sent Narad to Satrajit expressing his desire to possess the Mani. The events took such a turn that there was circumstantial evidence against Shri Krishna who happened to be at the Chambers of Satrajit’s daughter Satyabhama, devotee of Lord Krishna on the night prior to Satrajits losing the Mani. Shri Krishna was shocked at such allegation made by Satrajit and Shatadhanva (Another Yadava) who had been promised by Satrajit the hand of his daughter Satyabhama.

Shri Krishna took upon himself to find out the jewel and redeem it to its rightful owner only to clear himself of the allegation. A search party was organised which came across the dead body of Prasain, a carcass of lion and also the foot-prints of a bear blazing a new trail which when followed led the party to a cave. Shri Krishna went inside the cave telling the followers to wait at the cave entrance for seven days and if he did not return by then, to go back to Dwarka. Inside the cave Shri Krishna found the Syamantak Mani and also Jambuwanti, the daughter of the powerful bear king Jambuwant. There ensued a fight between Shri Krishna and Jambuwant lasting for twenty-one days. The people at the entrance of the cave returned as per instruction after the seventh day. The duration of this fight gave Shatadhanva a real chance for villainy. He puts in an all over effort to win the hand of Satyabhama who would marry none but Shri Krishna. Jambuwant after losing the battle gave away his daughter in marriage and Syamantak Mani as dowry to Shri Krishna.

Coming to Dwarka, Shri Krishna returned the jewel to its rightful owner, Satrajit repented and made amends by giving away his daughter to Shri Krishna in marriage. Shatadhanva came to know of this alliance and made short work of his unsuspecting father Satrajit and decamped with the Mani. Shri Krishna brought justice to the evil doer and the villain Shatachanva fell a victim to his famous Sudershana Chakra.

Arun Kumar ji has written two more posts with songs of this movie and they are;
Surya dev Dinesh hey and Taaron ke palne mein jhoole chaand hamaaraa ho.

Today I am presenting a song from this movie sung by Geeta Dutt (Geeta Roy then).
This lovely melodious song is composed by S.N. Tripathi and it is performed on screen by Meena Kumari.

Let us now enjoy this beautiful song …

Video

Audio

Song-Mere nainon mein preet mere honthon pe geet(Shree Ganesh Mahima)(1950) Singer-Geeta Dutt, MD-S N Tripathi

Lyrics

mere nainon mein preet
mere honthon pe geet
mere sapnon mein tumhi samaaye ae
mere nainon mein preet
mere honthon pe geet
mere sapnon mein tumhi samaaye ae

aaj man ki kali
phool ban kar khili ee
chaandni jaise chandaa se hanskar mili
aaj man ki kali
phool ban kar khili
chaandni jaise chandaa se hanskar mili ee
baji murli mohan
baji murli mohan
lagi man mein lagan
meri aasha ne deep jalaaye
mere nainon mein preet
mere honthon pe geet
mere sapnon mein tumhi samaaye ae

hans rahaa hai jeewan
chamki man mein kiran
mere praanon ki jyoti
tumhi ho mohan
hans rahaa hai jeewan
chamki man mein kiran
mere praanon ki jyoti
tumhi ho mohan
meri chanchal umang
nache murli ke sang
man mein preetam ki yaad chhupaaye
mere nainon mein preet
mere honthon pe geet
mere sapnon mein tumhi samaaye ae
mere nainon mein preet


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4438 Post No. : 15880

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Blog 10-Year Challenge (2010-2020) – Song No. 76
———————————————————————————–

This date 10 years ago (11 september 2010) was rather unremarkable, in contrast to the same day in 1893, or 2011, when rather more important events had taken place. On 11 september 1893, Swami Vivekanand delivered an iconic and eloquent speech at the Chicago Convention of Parliament of Religions. Introducing Hinduism to the world, Swami Vivekanand spoke about intolerance, religion and the need to end all forms of fanaticism. on 11 september 2001, One of the biggest terrorist attacks took place at New York.

In cricketing news, Lala Amarnath was born this day in 1911. Sri Lanka earned their first test match victory on this day in 1985 (no prizes for guessing that it was against India).

On this day in 1967, Indian troop gave a bloody nose to Chinese aggressors, when Chinese troops got a taste of their own medicine and nearly 300 plus Chinese troops was killed at Nathu La (Sikkim- China bordeer) when Brigadier Sagat Singh took matter in his own hands and retaliated in a manner that left Chinese army shellshocked for nearly half a century.

11 september 2010 was a rather more sedate day when things happened in a routine way, not only around the world but even in the blog. Six songs from six different movies were covered on that day. Here are the details :-

Blog Song number Song Movir-year Remarks
2945 Kyaa mil gayaa Bhagwaan tumhe dil ko dukhaa ke Anmol Ghadi 1946 YIPPEED
2946 Achchaa hotaa jo dil mein tu aayaa naa hotaa Naadaan 1951 10 songs covered out of 11
2947 Radha na bole na bole na bole re Aazaad 1955 YIPPEED
2948 Chaand chupchaap hai sitaare gumsum Daal Mein Kaala 1964 3 songs covered out of 8
2949 Chale chalen se sajan dheere dheere Paayal 1957 5 songs covered out of 9
2950 Mehfil meri raaten meri Badnaam 1975 YIPPEED

Three out of six of these movies have since been YIPPEED. So today we have as many as three movies that can be taken up in our “Blog Ten Year Challenge” exercise.

“Paayal”(1957), one of these BTYC eligible movies was produced By Joseph Thomas and directed by Joseph Taliath Jr.for Madras Talkies. The movie had Padmini, Sunil Dutt, David, Baby Naaz, Ragini, Bipin Gupta, Raj Mehra(Guest Artiste), Achla Sachdev, Meenu Mumtaz, Sheoraj(Shivraj),Laxman Rao, Agha,Praveen Paul,Puri,Bhavan etc in it.

The movie had nine songs in it. The movie made its debut in the blog ten years ago on this date. Five songs have been covered in the blog so far as detailed here:-

Song Date of post
Chale chalen se sajan dheere dheere 11 september 2010
Jaago aur jagaao 17 January 2011
Ae meri maut thahar 16 February 2011
Ye duniya rail niraali 5 February 2013
Maidaan mein ham jo aa jaayen 31 August 2014

Here is the sixth song from “Paayal”(1957) to appear in the blog. This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Hemant Kumar.

The song is picturised on Padmini as a Lord Krishn related stage dance performance song.

Lyrics of this song were sent to me by Prakashchandra.

Audio link:

video link:

Song-Piya milan ko chali Raadhika (Paayal)(1957) Singer-Lata, Lyrics-Rajinder Krishan, MD-Hemant Kumar

Lyrics (Provided by Prakashchandra)

jhuki jhuki ankhiyaan ghaayal hain
piya milan ko chali raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan
kahen ye batiyaan
haayye jiya ghaayal hai

oonchi neechi raah preet ki
paayal chhamm chhamm doley
behkey behkey paaon padey to
dhadhak dhadhak dil boley
oonchi neechi raah preet ki
paayal chhamm chhamm doley
behkey behkey paaon padey to
dhadhak dhadhak dil boley
sunn ri saanwri tu hai baawri
dil mein tere halchal hai
piya milan ko chali Raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan kahen ye batiyaan
haayye jiya ghaayal hai

mann hi mann mein dekh rahi hai
preet ke sundar sapney ae
jamuna tat par
raah dekhte hongey preetam apney
mann hi mann mein dekh rahi hai
preet ke sundar sapney ae
jamunaa tat par
raah dekhthe hongey preetam apney
huaa saamna koyee thhaamna
haayye badi mushkil hai
piya milan ko chali Raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan
kahen ye batiyaan
haayye jiya ghaayal hai
piya milan ko chali Raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan
kahen ye batiyaan
haaye jiya ghaayal hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4435 Post No. : 15874

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 73
———————————————————————————–

On this day ten years ago viz on 8 September 2010, six songs from six movies were covered, as was the norm those days.

Here are the details of the six songs:-

Song Movie title-Year Remarks
Aawaaz de kahaan hai duniyaa meri jawaan hai Anmol Ghadi-1946 All songs covered
Rahiye ab aisi jagah chal kar jahaan koi na ho Mirza Ghalib-1954 All songs covered
Nazren uthaa ke zaraa dekh le Chacha Zindabad-1959 All songs covered
Do nain milye do phool khiley Ghoonghat-1960 06 songs posted
Shokh nazar ki bijliyaan Wo Kaun Thi-1964 All songs covered
Aagre se ghaaghro mangaa de rasiyaa Chor Machaaye Shor-1974 All songs covered

Except one movie, all other five movies, that got represented that day have been YIPPEED by now.

That leaves us with just “Ghoonghat”(1960) as the sole movie eligible for today’s blog Ten year challenge.

As many as six songs of “Ghoonghat”(1960) have been covered so far. Here are the details:-

Song Posted On
Laage naa moraa jiyaa 13.05.2009
Mori chham chham baaje paayaliyaa 14.05.2009
Kyaa kyaa nazaaren dikhaatin hai ankhiyaan 06.09.2009
Do nain milye do phool khiley 08.09.2010
Haay re insaan ki majbooriyaan 13.09.2010
Ye zindagi ka mausam aur ye samaa suhaanaa 24.03.2012

Here is a song from “Ghoonghat”(1960). This song is sung by Lata. Shakeel Badayuni is the lyricist. Music is composed by Ravi.

The song is picturised on Bina Rai who is seen singing this bhajan in front of an idol of Lord Krishn. Though I consider my Hindi knowledge to be quite decent, I am stumped by this word “pat” in the lyrics. I request our nowledgeable readers to tel us the meaning of this word in the lyrics. Is this word in some way a synonym of “laaj” ?

Lyrics of this song were sent to me by Prakashchandra and the blog ten year challenge details were sent by Avinash Scrapwala.

audio link:

video link:

Song-Meri pat raakho Giridhaari (Ghoonghat)(1960) Singer-Lata, Lyrics-Shakeel Badayuni, MD-Ravi

Lyrics(Provided by Prakashchandra)

pat raakho o o Giridhaari
pat raakho rey ae ae ae Giridhaari

meri pat raakho giridhaari..ee
meri pat raakho giridhaari
meri pat raakho giridhaari..ee
meri pat raakho giridhaari
main dukhiya sharan tihaari..ee
meri pat raakho giridhaari..ee
meri pat raakho giridhaari

chhod tumhaara
dwaar prabhu main
kiske dwaarey jaaoon..oon..oon
chhod tumhaara
dwaar prabhu main
kiske dwaarey jaaoon..oon
tum bin meraa
kaun sahaara
kiski aas lagaaoon
ye bolo krishn muraari ee
meri pat raakho giridhaari…ee
meri pat raakho giridhaari

dekho meri
beech bhanwar mein
doob rahi hai naiyya
chaaron oar hai ghoar andhera
koi nahin khiwaiyyaan
toofaan uttha hai bhaari ee ee
mujhe shakti do o o o
mujhe shakti do banwaari ee
meri pat raakho giridhaari..eee
meri pat raakho giridhaari
main dukhiya sharan tihaari..ee ee
meri pat raakho giridhaari ee
meri pat raakho giridhaari


This article is written by Peevesie’s Mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4408 Post No. : 15797

Hullo Atuldom

Happy Gokulashtami to all followers of this blog.

Yesterday we had a song which should have been categorised under “How come this has not been posted as yet?” The song with this post can also fall under the same category.
It is sung by Kishore Kumar and Lata Mangeshkar, written by Majrooh Sultanpuri and Rajesh Roshan is the music composer. It is from the 1982 Ravi Tandon directed “Khuddar”.

This song depicts the ‘dahi-handi’ aspect of Gokulashtami. ‘Dahi-Handi’ draws inspiration from the antics of Lord Krishna or Balgopal who was rather mischievous and used to stealthily enter homes in Gokul and eat up freshly churned Dahi (curds or yogurt in modern parlance) and Makhan (butter). That is why one of his names is Maakhanchor. There is a lot of stories attached with the ‘leela’ of Balkrishna:- how the ladies of Gokul go complaining to Yashoda maa about Balkrishna eating away their dahi and makhan and how he used to say “Maiyya mori main nahin maakhan khaayo”. We have three versions of this song from movies made in 1959, 1977, and the version whose link I have given here was the first ever that came in 1942.

“Mach gayaa shor saari nagari” has Amitabh Bachchan making the human-pyramid and Parveen Babi in typical Maharastrian attire is out there either distracting him or encouraging him (don’t remember). We can see Vinod Mehra, A K Hangal enjoying the proceedings from the verandah of their chawl. Madhu Malini (permanent sister in many movies) walks in halfway through the song.


Song-Mach gaya shor saari nagri re (Khuddaar)(1982) Singers-Kishore Kumar, Lata, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan
Chorus

Lyrics

mach gaya shor saari nagri re
saari nagri re
aaya Biraj ka banka sambhaal teri gagri re
ho oo aaya Biraj ka banka sambhaal teri gagri re
arre mach gaya shor saari nagri re,
saari nagri re
aaya Biraj ka banka sambhaal teri gagri re
ho oo aaya Biraj ka banka sambhaal teri gagri re

dekho arre dekho kahin aisa na ho jaaye
chori kare maakhan,
tera jiya bhi churaaye
dekho arre dekho kahin aisa na ho jaaye
chori kare maakhan,
tera jiya bhi churaaye
arre dhamkata hai
itna tu kisko
darta hai kaun aane de usko
darta hai kaun aane de usko

aise na bahut bolo
mat thumak-thumak dolo
chillaogi tab gori
jab ulat dega tori
gagri aake peechhe dagri re
arre mach gaya shor saari nagri re,
saari nagri re
aaya Biraj ka banka sambhaal teri gagri re
ho o aaya Biraj ka banka sambhaal teri gagri re

lalala lalaa lalala lalaa lalala lalaa
lalala lalaa lalala lalaa lalala lalaa

jaane kya karta agar hota kahin gora
jaake Jamuna mein zara shakal dekhe chhora
jaane kya karta agar hota kahin gora
jaake Jamuna mein zara shakal dekhe chhora

bindiya chamkaati raste mein na ja
manchala bhi hai Gokul ka raja
manchala bhi hai Gokul ka raja
pad jaaye nahin paala
Radha se kahin lala
phir royega Govinda
maaregi aisa phanda
gardan se baandhegi chunri re
mach gaya shor saari nagri re,
saari nagri re
aaya Biraj ka banka sambhaal teri gagri re
ho aaya Biraj ka banka sambhaal teri gagri re

arre mach gaya shor saari nagri re,
saari nagri re
aaya Biraj ka banka sambhaal teri gagri re
ho oo aaya Biraj ka banka sambhaal teri gagri re

o o o o o

mach gaya shor saari nagri re,
saari nagri re
aaya Biraj ka banka sambhaal teri gagri re
hoy hoy hoy hoy hoy hoy
hoy hoy hoy hoy

aala re aala Govinda aala
aala re aala Govinda aala
aala re aala Govinda aala
ala re aala Govinda aala
aala re aala Govinda aala
aala re aala Govinda aala


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16174

Number of movies covered in the blog

Movies with all their songs covered =1246
Total Number of movies covered =4402

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