Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Krishna related songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5312 Post No. : 17418

#the Decade of Sixties – 1961 – 1970 #
————————————————————————
#A tribute to Jani Babu Qawwal-Remembrance Day 28th Jan’2023 #
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As the title of this post suggests this post is in ‘Remembrance of the great Qawwal – Jani Babu Qawwal.

We are paying a belated tribute to him on his ‘Remembrance Anniversary’ which was on 28th January.

I had in my earlier posts in the series of ‘Qawwalis from the Seventies’ mentioned that I grow up hearing these names for ‘singing Qawwalis’, Jani Babu, Shakila Bano Bhopali, Aziz Nazan and Shankar-Shambhu in my childhood days.

I vaguely remember to have attended one such program with my father when I was a child. And, when I get associated with this blog, I was always eager to read about these artistes. I have a big nostalgia with this ‘mehangaayi maar gayi’ song from ‘Roti Kapada Aur Makaan-1974’ and the voice of Jani Babu in it (in fact voices of all in this song). During recent years I was looking for detailed information about his biography and career but could not get to know much about him.

Then I came across his Qawwalis uploaded on ‘YouTube’ by a person in Dhamangaon-Amravati (Maharashtra). I was in Kenya then. In fact, I even spoked to this person on phone but could not get much information or details. I also contacted one senior person in the WhatsApp group from Nagpur and he helped me with a brief write-up. About a couple of days back when I was just going through my book collection, I find this book ‘Swaron Ki Yatra’ (Hindi Film Gaayaki ka Safar). When I checked this book, I find a detailed two-page article on Jani Babu Qawwal. Using this information, I am presenting a brief about Jani Babu as given below.

Jani Babu Qawwal was born as Syed Jaan Muhammad at Hinganghat (a big city in District Wardha, near Nagpur Maharashtra). Details of his date of birth are not available so far.

He mastered in singing Qawwalis at a very young age. He started taking lessons in classical music and Qawwalis from Ustad Mohammad Khan Shamshiry when he was seven years old only. After that he came to Jalgaon (Maharashtra) and took lessons in music from Abdul Rehman Kaanchwaale. Later he came to Bombay (now Mumbai).

In those years Qawwalis were played like ‘kirtans’ in social gatherings. Jaani Babu wanted Qawwalis to be more entertaining with easily understandable language for common people. So, he gave Qawwalis a simple texture, and a new dimension to Qawwalis, like Qawwalis on ‘husn aur ishq’, ‘sawaal-jawaab’ etc. Many film personalities showed interest in his works and motivated him in his efforts to make ‘Qawwalis’ more entertaining. He also got a major support from Shakila Bano Bhopali. They jointly entertained people for years together thereafter. Their concerts always run to packed houses and even the tickets for their concerts used to be sold in ‘black’.

Jaani Babu’s first film song, a Qawwali from the movie -‘Jungle Princess’ – came in 1958 with Shakila Bano Bhopali only. It was ‘adaayen teer hain andaaz barchhi bhaale hain’ which was picturized on Jaani Babu and Shakila Bano Bhopali. Playback for Shakila Bano Bhopali was given by Mubarak Begum. This is said to be the first qawwali of ‘men vs. women’ competition and is considered a ‘modern qawwali’ well ahead of its time as it did contain ‘English words’ into its lyrics as well.

After ‘Jungle Princess’ Jaani Babu’s Qawwalis appeared in ‘Behram Daaku-1959’, ‘Aalamaara ki Beti’, ‘Choron Ki Baaraat’, ‘Diler Haseena’ (all from 1960), ‘Black Shadow’ (1961), ‘Magic Box-1963’, ‘Birju Ustaad’(1964), ‘Chaar Darvesh’(1964), ‘Magic Carpet’(1964), ‘Rustom-E-Rome’(1964), ‘Accident’(1965), ‘Black Arrow’(1965), ‘Chhupa Rustom’(1965), ‘Son of Hatimtai’(1965), ‘Sakhi Lootera’(1969), ‘Truck Driver’(1970), ‘Mere Ghareeb Nawaaz’(1973),
In the movie ‘Son of Hatimtai’ he sang with Mohd Rafi. His qawwali – from ‘Sakhi Lootera’ (meethhi baaton mein na inki aana kabhi) also became very popular then.

In 1974 his voice was again very well appreciated by all, in the qawwali ‘mehangaayi maar gayi’ (for me this song is pure nostalgia) (it stood at no.1 in the annual ‘Binaca Geetmala’ of 1975).
There after Jani Babu’s voice featured in ‘Shankar-Shambhu-1976’, ‘Do Khilaadi-1976’ (raat abhi baaki hai, baat abhi baaki hai’ (again a pure nostalgic song for me), ‘Mandir Masjid-1977’, ‘Do Dilwaale’ (1977), ‘Mastaan Dada’ (1977), ‘Aulia E Islaam-1979’. In ‘Shirdi Ke Sai Baba-1977’ his voice appeared in the song ‘Saibaba bolo’.

(There must be many more which did not find mentioned above. We need to compile the total list of his songs in HFM. I would be happy to share the list of his songs in HFM in future whenever I get an opportunity for that.)

Jani Babu also took lessons from Shabbir Hussain (Pakistani Ghazal Singer?) in singing Ghazals and he started moulding ghazals into qawwali format which again tells us how innovative he was.

Some of his ghazal-qawwalis like ‘seenaa dhuaan dhuaan hai, ishaare kahaan gaye’ and ‘is tarah gardish e ayyaam se baatein ki hai, kabhi taubaa kabhi jaam se baatein ki hai’ became very popular.

His devotional qawwali ‘aasaar -e -qayaamat’ created new records and its ‘records’ were sold in many thousands.

As a music director he gave music for the movies ‘Noor Mahal-1965’ and ‘Aulia-E-Islaam-1979’.

Jani Babu Qawwal passed away on 28th January’2008.

He will be always remembered for his pioneering works in Qawwali and for giving new dimensions to qawwali singing. Qawwalis which were hitherto restricted to Sufi Saints and to singing in Dargah’ only became popular and reach out to common man because of Jani Babu Qawwal.

***

In remembrance of Jani Babu Qawwal I am presenting a song from the movie
‘Noor Mahal – 1965’.

“Noor Mahal-1965” was a costume drama movie directed by Naushir Engineer for ‘Ratan Productions, Bombay’.

It had Chitra, Jagdeep, Tiwari, Lalita Desai, Wazeer Muhammad Khan, Madhumati and others.

This movie had six songs written by Saba Afghani (four songs), Aziz Ghazi and Noor Dewasi (one song each).

Music for this movie was composed by Jani Babu Qawwal.

In the singers’ list, for the songs of this movie, HFGK Vol-IV (1961-1970) mentions the names of Mohd Rafi, Manna Dey, Suman Kalyanpur, Suresh Rajwanshi, Kamal Barot and Krishna Kalle.

The most well-known song from this movie ‘mere mehboob na jaa, aaj ki raat na jaa’ was posted on the blog on 04.01.2009 and one more song – a qawwali– has been posted from this movie on 14.12.2021. (I was under the impression that the Rafi song from this movie has already been posted by Atul ji, but it seems that we still have to wait or it further 🙂 ).

Today’s song is sung by Manna Dey and lyrics are by Aziz Ghazi. Music is composed by Jani Babu.

In the movie this song happens in the back ground of a stage-act where, I guess, a dance troop is playing a show where they play a typical ‘radha-krishna’ love song.

We can see people watching this play in the movie and some ‘conspiracy’ going on behind the scenes in the movie.
I am unable to identify the actors and actresses performing on this song.

The audio version of this song is longer version. The song picturisation in the movie doesn’t have the first stanza. (I am not aware if the movie video available on internet is an edited one or complete version).

Listening to this composition reminds me of the ‘holi song’ from the movie ‘Navrang-1959’.

Let us now enjoy the today’s wonderful composition by Music Director Jani Babu ‘Qawwal’…

(Source of Information about Jani Babu Qawwal is– ‘Swaron Ki Yatra’– Hindi Film Gaayaki Ka Safar- (1931-2010), by Shri. Anil Bhargava)

Audio

Video


Song-Radha gori Govinda hai kaala (Noor Mahal)(1965) Singer-Manna Dey, Lyrics-Aziz Ghazi, MD-Jaani Babu Qawwaal

Lyrics

hei ee ee ee ee ee ee brijbala aa aa
hei ee ee ee ee ee ee brijbala aa aa
aa aa aa aa aa aa
hei ee ee ee ee ee ee brijbala re
baala aa aa

pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala aa

chhede radha ko
radha ki sakhiyaan aan
gori hamse chhupaa
tu na batiyaan aan
chhede radha ko
radha ki sakhiyaan
gori hamse chhupaa
tu na batiyaan aan
pyaar kaise huaa
ye bataa de zaraa
kab andhere mein dekha
ujaala re
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala aa
radha gori
govinda hai kaala aa

brij mein khelta hai wo holi
rang mein doobi hai
radha bholi
brij mein khelta hai wo holi
rang mein doobi hai
radha bholi
saamne jo gaya uske
wo naa bachaa
badaa natkhat hai wo
murliwaala re
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala aa
radha gori
govinda hai kaala aa

isko tokaa wahaan
khatpat kii
khaaya maakhan
kahin phodi matki ee ee
isko tokaa wahaan
khatpat kii
khaaya maakhan
kahin phodi matki ee ee
maa yashode zaraa
dekh le tu bhi aa
raah chalne naa de
tera paala re
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala

naam uske jape
sab zamaanaa
shyam govinda
giridhaari kaanhaa aa aa
naam uske jape
sab zamaanaa
shyam govinda
giridhaari kaanhaa aa aa
man ko chain aaye naa
usko dekhe binaa aa
aisaa jaadoo hai kuchh
usne daala re ae
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala
pyaar jhaala re ae
jhaala
radha gori
govinda hai kaala aa
radha gori
govinda hai kaala aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5306 Post No. : 17386

“Chehra”(1946) was directed by Rajendra Sharma for Upright pictures, Bombay. The movie had Najma, Kamal Jamindar, Suraiya Zulfi, Mustafa, Jugal Kishore, Kneez, Baby Anwari, Baldev Raj etc.in it.

The movie had nine songs. Five songs have been covered so far.

Here is the sixth song from “Chehra”(1946). Mohantara Talpade is the singer. The song is written by I C Kapoor. Music is composed by M A Mukhtaar.

Lyrics of this song were sent to me by Prakashchandra.
audio link:

song-Man ke mankon ki maala (Chehra)(1946) Singer-Mohantara Talpade, Lyrics-Ishwar Chand Kapoor, MD-M A Mukhtaar

Lyrics (Provided by Prakashchandra)

man ke ae ae mankon ki maalaa
prem kee dor piro
prem kee dor piro
haree charanan mein laayee hoon oon oon
ab jo ho so ho

meera aa aaa aaa aa
meeraa ne girdhar naam kee
goonthhi thhee ek maalaa aa
aa aaa aa
goonthhi thhee ek maalaa aa aa


seet ne sri raam chandra ke
galey mein usko daalaa aaa aa aaaa
galey mein usko daalaa aa aa
phir jo seep ke ae ae
chun chhun moti ee
phir jo seep ke ae ae
chun chhun moti ee ee
nainan mein ban jyot
bhakti ke komal taaron mein
liye hain aaj piroye
ab jo ho so ho o

o o o o
narsi ne ae man ke mandir mein
haree naam ko paalaa aaa
hari..eee naam ko paalaa
soordaas ne
soordaas ne ae aankhein phodeen
jag mein aen
jag mein kiyaa ujaalaa
jag mein kiyaa ujaalaa

man ke ae mankon ki maalaa
prem kee dor piro o o
prem ki dor piro
hari..eee charanan mein laayee hoon oon oon
ab jo ho so ho o o


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5282 Post No. : 17304

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Blog 10-Year Challenge (2013-2023) – Song No. 1
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After a fruitful Blog Ten Year Challenge in 2022 that saw as many as 141 songs getting covered under blog Ten Year Challenge (2012-2022), we now enter into the new challenge viz Blog Ten Year Challenge 2013-2023. This is the first ilstalment of this new challenge.

On this date ten years back viz on 3 January 2013, four songs from four movies were covered in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
7311 Aaja ri nindiya aaja Nai Maa (1946) 2 songs covered out of 8 by now
7312 Mujhe wo dekhkar jab muskuraayen Zalzalaa (1952) Movie YIPPEED by now
7313 Kaise rokoge aise toofaan ko Anandmath(1952) Movie YIPPEED by now
7314 Dil ke paar ho gayee Bambai Ki Billi (1960) 3 songs covered out of 7 by now

We can observe that two movies (out of four) whose songs were covered on this date ten years ago have since been YIPPEED in the blog. That leaves us with two movies that are eligible for Blog Ten Year challenge today on 3 January 2023.

“Nai Maa”(1946)is one eligible movie. It was directed by K.J.Parmar for Prakash Pictures. The movie had Jeevan, Ranjana, Rajkumari Shukla, Baby Madhuri, Rajkumar, N.Kabeer etc in it.

“Nai Maa”(1946) had eight songs in it. Two songs have been covered.

Here is the third song from the movie to appear in the blog. HFGK is silent about the singer and the uploader mentions the singer as Chhaaya. Listening to the song it is clear that the singer is Parul Ghosh. The earlier two songs from the movie that have been covered in the blog had her voice in them as well. So it is Parul Ghosh wihout a doubt. Chaaya could be the name of the character who lip syncs the song on screen, which is how “Singers” of songs were “identified” on movie records that were issued those days.

Ramesh Gupta is the lyricist. Music is composed by Hanuman Prasad.

I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio link:

Song-Radha Mohan se bolee aao khelen aankh michauli (Nai Maa)(1946) Singer-Parul Ghosh, Lyrics-Ramesh Gupta, MD-Hanuman Prasad

Lyrics(Provided by Prakashchandra)

Raadhaa Raadhaa
Mohan se bolee eee ee
aao o
khelein aankh micholi…ee
aao o
khelein aankh michaulee

tum chhupogey iskee oar
shyaam main tumhein dhoondhney aaoon..oon

tum chhupogey iskee oar
shyaam main tumhein dhoondhney aaoon
main tumhein dhoondhney aaoon..oon
kisee aur muraliyaa bolee
kisee aur muraliyaa bolee
bolee rey ae
boleee rey ae ae
kisee aur muraliyaa bolee
kyaa boleee
aao o aao o
khelein aankh micholi
Raadhaa Mohan se bolee eee
aao o khelen aankh micholi
aao khelen aankh micholee

koyal ban kar
main tumhein pukaaroon oon oon
koyal ban kar
main tumhein pukaaroon oon
aur daal daal par dolooon oon
aur daal daal par dolooon oon oon
aur daal daal par dolooon
phir bhaagey bhaagey aaoogey
phir bhaagey bhaagey aaogey
tum sun kar meri bolee ee
sun kar meri bolee
tum sun kar meri bolee ee
sun kar meri bolee
aao aao o
khelein aankh micholi
Raadhaa Mohan se bolee ee
aao o khelen aankh micholi
aao o khelein aankh micholee..eee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5266 Post No. : 17272 Movie Count :

4650

#the Decade of Seventies – 1981 – 1990 #
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#Bhoole-Bisre Geet # (missing movies of 1976)
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Today 18th Dec’2022 is the eighty second birth anniversary of Singer Krishna Kalle (18.12.1940 – 15.03.2015). She was a known name in Hindi, Kannada and Marathi Film Music during the decades of sixties and seventies. She has sung over two hundred songs in Hindi Films.

As a tribute to her on her birth anniversary today, I am presenting a song from the ‘1976’ movie ‘Meeraa Shyaam’.

“Meeraa Shyaam-1976” was directed by Satish Kumar for ‘K. Mamta Films, Bombay’. It had Kanan Kaushal, Ashish Kumar (the ‘Jai Santoshi Maa’ pair), and Abhi Bhattacharya, Jairaj, K.N. Singh, Gajanan Jagirdar, Manmohan Krishna, B.M .Vyas, Anant Marathe, Mohan Shery, Chand Usmani, Leela Mishra, Sanjana, Tun Tun, Satyadeep, Mala, Vandana, Master Kapil, Baby Rehana, Master Alankar, Keshto Mukherjee and others.

This movie was passed by Censor Board on 21.07.1976.

This movie has eight songs as per following details.

S.No Song Title Lyricist Singer/s
01 Man re, paras hari ke charan Meerabai Krishna Kalle
02 Saanware, mat jaa mat jaa Pt. Narendra Sharma Lata Mangeshkar
03 Itni binti suno mori Meerabai Asha Bhonsle
04 Pag ghunghroo baandhi meera naachi re Meerabai Krishna Kalle
05 Maayi, mohe Vrindavan niko Meerabai Krishna Kalle
06 Ankhiyaan shyaam milan ki pyaasi Pt. Narendra Sharma Asha Bhonsle
07 Murli ke swar ban ban Pt. Narendra Sharma Neeta Mehta
08 Tumhare kaaran sab jag chhodya Meerabai Krishna Kalle

As mentioned above Narendra Sharma wrote lyrics for three songs of this movie while the other five songs were based on traditional Meerabai Bhajans.

Music for this movie was composed by Govind-Naresh.

Today’s song is a ‘meera bhajan’ and as mentioned above it is sung by Krishna Kalle. It is a very sweet melodious song composed by Govind-Naresh who makes their debut as music composer on this blog today.

Also with today’s song this movie ‘Meeraa Shyaam-1976’ makes its debut on the blog today.

I guess this movie is an obscure movie of its time. Video of this movie or its songs seems to be unavailable.
I would request knowledgeable readers to throw more light on this movie and its songs.
Let us listen to the today’s song now…

(Only audio of this song is available)

Audio

Song-Tumhre kaaran sab sukh chhodya (Meera Shyaam)(1976) Singer-Krishna Kalle, Lyrics-Meerabai, MD-Govind Naresh

Lyrics

tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran
sab sukh chhodya
ab mohe kyun tarsaao ho
tumhre kaaran
tumhre kaaran
sab sukh chhodya
ab mohe kyun tarsaao ho o o
tumhre kaaran
tumhre kaaran

birha bithha
laagi ur antar
birha bithha
laagi ur antar
so tum aay bujhaao o o o
tumhre kaaran
tumhre kaaran
sab sukh chhodya
ab mohe kyun tarsaao ho o o
tumhare kaaran
tumhare kaaran

ab chhodat nahin
bane prabhu jee
ab chhodat nahin
bane prabhu jee
hanskar turat bulaao ho o
tumhre kaaran
tumhre kaaran
sab sukh chhodya
ab mohe kyun tarsaao ho o o
tumhre kaaran
tumhre kaaran

meera daasi ee ee ee ee ee
meera daasi
janam janam ki ee
meera daasi
janam janam ki
ang se ang lagaao ho o o
tumhre kaaran
tumhre kaaran
sab sukh chhodya
ab mohe kyun tarsaao ho o o
tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5218 Post No. : 17208

Dada Burman – the senior doyen of the music directors of Indian cinema. A music director who, unlike many other music dirrctors,  maintained  consistency in his work all through his career. His fans, critics and observers of music, journalists and industry biggies – whatever they may say about his work, all agree that Sachin Da has consistently maintained a very high quality and a very high standard of his music direction work, across all his films.

Remembering SD Burman on the anniversary of his passing away – 31st October, 1975, i.e. 47 years ago.

He started his career as a singer with the Calcutta Radio Station in the late 1920s. There are some other interesting trivia about his early career which are probably not well known. That he made his debut as a singer in the New Theatres production ‘Yahudi Ki Ladki’ (1933), but the songs recorded by him were not used. They were rercorded in the voice of Pahadi Sanyal. Then in 1934, he appeared on screen in the film ‘Selima’, in which is played a role of a singer. In 1935, he made another similar on screen appearance in the Bangla film ‘Birodhi’. The same year he also sang in another Bangla film – ‘Sanjher Pidim.

Before entering the cinema world as a music director, he worked for the Bangla theatre in Calcutta, and composed music for famous plays such as ‘Sati Tirath’ and ‘Janani’. In Bangla cinema, his first film as a music director was ‘Sudurer Priye’ in 1935. In the next decade, from 1935 to 1945, he composed music for 18 Bangla films. In 1945, he moved to Bombay as the invitation of Sashadhar Mukherjee of Filmistan. In 1946, Filmistan released two films with his music – ‘Shikari’ and ‘Eight Days’. Big time success came his way the subsequent year when ‘Do Bhai’ (1947) was released. The iconic song “Mera Sundar Sapna Beet Gaya” in the voice of Geeta Dutt became and all time great hit. And the rest, as they say, is history.

In a career that spans four decades, Sahin Da has composed music for about 110 films – both Hindi and Bangla.

Almost five decades have gone by since he bid farewell to this life. And it seems that we have not heard all of his music; that there are still more of his creations to be explored and enjoyed. As I was searching today for a song to go with this post, I stumbled upon this wonderful melody from thr 1954 film ‘Radha Krishna’. A song in the voice of Asha Bhosle, this is an exquisite piece of melody and poetry that is such a pleasing listen. After a long time I use the phrase ‘love at first listen’, as I started to hear this song for the first time, earlier in the day today.

The lyrics are wonderful poetry by Narendra Sharma. The words tell of an expected tryst between the Eternal Lovers – Radha and Krishna. The poet writes such exquisite lines – “. . .ghir ghir aayi milan yaamini, kabhi na hogi bhor. . .”. The sound of chorus is so beautifully used in this composition.

A must listen song – I am sure you will fall in love with.

Song – Neel Gagan Mein Maadal Baaje (Radha Krishna) (1954) Singer – Asha Bhosle, Lyrics – Narendra Sharma, MD – SD Burman
Chorus

Lyrics

neelgagan  mein maadal baaje
maadal baaje. . .
neelgagan  mein maadal baaje
angnaa mein naache mor sakhi ri ali
angnaa mein naache mor. . .
ghir ghir aayi milan yamini
kabhi na hogi bhor sakhi ri ali
kabhi na hogi bhor. . .
neelgagan  mein maadal baaje

sapne mein aaye manhar saiyyan
hans kar pakdi baiyyan ho
hans kar pakdi baiyyan
laaj ke maare mar mar jaaun
padun sajan ke paiyyan
paiyyan
hans kar pakdi baiyyan
jhagad ke hum ne baanh chhudaai
angnaa ki tooti kor sakhi ri ali
angnaa ki tooti kor. . .
neelgagan  mein maadal baaje

naath kahi meri ek na maani
piya kare manmaani ho
piya kare manmaani
jitna sataaye ati mann bhaaye
reet hai ye anjaani
piya kare manmaani
pag pag par mujhe rokat mori
anchal ka pakde chhor sakhi ri ali
anchal ka pakde chhor. . .
neelgagan  mein maadal baaje

kabhi milan kabhi bichhdan waali
preet ki reet niraali ho
preet ki reet niraali
ho oo neend ke maare lag gayi akhiyaan
rooth gaye banmaali
rooth gaye banmaali. . .
jaag jaag mann bhaavan aaye
bhavnaan mein mach gaya shor sakhi ri ali
bhavnaan mein mach gaya shor. . .
neelgagan  mein maadal baaje
angnaa mein naache mor sakhi ri ali
angnaa mein naache mor. . .
ghir ghir aayi milan yamini
kabhi na hogi bhor sakhi ri ali
kabhi na hogi bhor. . .
neelgagan  mein maadal baaje. . .

maadal baaje
maadal baaje
maadal baaje
aa aaa aaa aaaa
aa aaa aaa

maadal baaje
maadal baaje
maadal baaje
aa aaa aaa aaaa
oo oo oo

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

नीलगगन में मादल बाजे
मादल बाजे॰ ॰ ॰
नीलगगन में मादल बाजे
अंगना में नाचे मोर सखी री आली
अंगना में नाचे मोर॰ ॰ ॰
घिर घिर आई मिलन यामिनी
कभी ना होगी भोर सखी री आली
कभी ना होगी भोर॰ ॰ ॰
नीलगगन में मादल बाजे

सपने में आए मन हर सैंय्यां
हंस कर पकड़ी बैंय्यां हो
हंस कर पकड़ी बैंय्यां
लाज के मारे मर मर जाऊँ
पड़ूँ सजन के पैंय्यां
पैंय्यां
हंस कर पकड़ी बैंय्यां
झगड़ कर हमने बांह छुड़ाई
अंगना की टूटी कोर सखी री आली
अंगना की टूटी कोर॰ ॰ ॰
नीलगगन में मादल बाजे

नाथ कही मेरी एक ना मानी
पिया करे मनमानी हो
पिया करे मनमानी
जितना सताये अति मन भाए
रीत है ये अनजानी
पिया करे मनमानी
पग पग पर मुझे रोकत मोरे
अंचल का पकड़े छोर सखी री आली
अंचल का पकड़े छोर॰ ॰ ॰
नीलगगन में मादल बाजे

कभी मिलन कभी बिछड़न वाली
प्रीत की रीत निराली हो
प्रीत की रीत निराली
हो ओ
नींद के मारे लग गई अखियां
रूठ गए बनमाली
रूठ गए बनमाली॰ ॰ ॰
जाग जाग मन भावन आए
भवनां में मच गया शोर सखी री आली
भवनां में मच गया शोर॰ ॰ ॰
नीलगगन में मादल बाजे
अंगना में नाचे मोर सखी री आली
अंगना में नाचे मोर॰ ॰ ॰
घिर घिर आई मिलन यामिनी
कभी ना होगी भोर सखी री आली
कभी ना होगी भोर॰ ॰ ॰
नीलगगन में मादल बाजे॰ ॰ ॰

मादल बाजे
मादल बाजे
मादल बाजे
आ आ आ आ
आ आ आ

मादल बाजे
मादल बाजे
मादल बाजे
आ आ आ आ
ओ ओ ओ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5207 Post No. : 17192

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 116
————————————————————————————–

Ten years back on this date viz on 20th October 2012, two songs from two different movies were covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6874 Parmukh bani tu Kamla Madhuri (1932) 4 songs covered out of 16 by now
6875 Naachat jhoomat jaayen Gopal Krishna(1938) 2 songs covered out of 14 by now

We can observe that this date ten years ago (20 October 2012) was a lean day when only two songs from two different movies were covered. Both these movies are still unyippeed in the blog. So technically both these movies are eligible for Blog Ten Year Challenge today (20 october 2022).

“Gopal Krishna”(1938) which is one of two movies, was directed by V Damle and S Fattelal for Prabhat Films company. The movie had Ram Marathe(as Krishna), Shanta Apte(as Radha), Shankar (as Anay), Parashram (as Mansukh), Karuna Devi (as Yashodha), Manji Rao(as Nand), Ulhas (as Keshi), Prahlad(as Kansa), Kaushal etc in it.

“Gopal Krishna”(1938) had 14 songs in it. Two songs have been covered so far.

Here is the third song from “Gopal Krishna”(1938) to appear in the blog. The song is sung by Shanta Apte. The song is picturised on her alongwith Ram Marathe and Parashram.

Pt Anuj was the lyricist. Music was composed by Master Krishna Rao.

Lyrics of the song and other details were sent by Prakashchandra.

Video link


Audio link:

Song-Bachpan ka yaad aaya (Gopal Krishna)(1938) Singer-Shanta Apte, Lyrics-Pt Anuj, MD-Master Krishna Rao

Lyrics(Provided by Prakashchandra)

haan haan haan haaan
haan aaan aaa haan aaan aaa aan aaa
bachpan ka yaad aayaa aaa
bachpan ka yaad aayaa aaa
bhoolaa huaa zamaanaa aan aan
bhoolaa huaa zamanaa aan aan
aaa aaan aaa aaa
gaatey thhe jab bhi milkar
haan aan aaan
gaatey thhe jab bhi milkar
sukh chain ka taraanaa
haan aan haan aaan
sukh chain ka taraanaa

jeevan kaa hai ae tu saahil
jeevan kaa hai ae tu saahil
hai dhanya bhaag meraa
hai ae dhanya bhaag meraa aaa aa
ab ek baar mohan
mohan
ab ek baar mohan
mohan
mohan mohan
ab ek baar mohan
murli..eee zaraa bajaanaa aan aaaan
aaa aaan aaa aaa
murli..eee zaraa bajaanaa
haan aa aaan
murli..eee zaraa bajaanaa aan
bajaanaa aaa
bajaanaaa aa aa
bajaanaa
murlee zaraa bajaanaa aan aa aa

gopon kaa hai tu pyaaraaa aa
gopon kaa hai tu pyaaraaa aa
gopon hai tu pyaaraaa aa
go jan ka hai sahaaraa aa aa aaa
hhaa aaa aaaa aaahhaaa aaa aaaa
godhan ka hai sahaara aaaa aaaa
godhan ka hai sahaara aaaa
nutan diye ki jyoti ee
nutan diye ki jyoti ee
mere liye jaagaanaaa aan aan aa aaa aa aaa
aan aa aaaa aaa
mere liye jagaanaa aa
haan aan aa aaan aaa
mere liye jagaanaa aa aaa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5182 Post No. : 17158

Today’s song is from the film Aap ki Marzi-1939. This film was made by Sudama productions, Bombay, founded by Dr. Ambadas patel, after Sagar Movietone merged with National Studios. This comedy social film was directed by Sarvottam Badami and the music was given by Gyan Dutt. The cast of the film was Sabita Devi, Motilala, Vasanti , mazhar, Khursheed, Sunalini devi, K.N.Singh, jagdish Sethi and others. Lyricists were P.L.Santoshi and S.P.Kalla Film Aap ki Marzi aka As you please-1939 was based on the hit Hollywood film” Paradise for 3 “-1938.

” FATE ” is a phenomenon which no one has understood so far and no one will ever know how it works.It makes the Rich a poor one and a Pauper may become a millionaire. Fate takes you through unknown destinations and you can niot guess where it will take you. There is no better example of this FATE, other than the life story of this film’s director.

The changes in the career of Sarvottam Badami took place are simply unimaginable. His life started as an ordinary Motor Garage mechanic.Fate made him a Film projectionist, an Automobile Engineer, a Sound Recording Engineer, a Film director of Tamil, Telugu and Hindi films, Film Division producer, An industrialist and finally a management Consultant ! Can you beat it ?

Sarvottam Badami was born in 1910 at Channapatna in Karnataka,to a revenue officer working in Mysore. He passed his SSLC and worked as a garage mechanic and then a projectionist in Select Picture House, Bangalore, both of which were owned by Dr. Ambalal Patel. Patel moved to Bombay and financed Ardeshir Irani of Imperial Film Company, and Chimanlal Desai as a partner, forming Sagar Movietone in 1930.
At the age of 19 years, Badami went to Bombay to study automobile engineering. He was asked by Ardeshir Irani who met him at a wedding to help out with the recording equipment he had purchased from abroad.

Badami helped in the sound recording department for the first Talkie in India, Ardeshir Irani’s Alam Ara (1931). Around that time a German director making the film Harishchandra left half-way and Badami offered to complete it, the co-director was Raja Chandrasekhar, although the co-director credit has also been cited as T. C. Vadivelu Naicker. The film turned out to be successful. He was contracted by Sagar Movietone (Sagar Film Company) to direct three films, two in Telugu and one in Tamil: Galava Rishi (Tamil), Rama Paduka Pattabhishekam and Shakuntala in Telugu. The success of these films established him as a director. His working team had people like the cinematographer Faredoon Irani, music director Anil Biswas and the Sagar Movietone favourites Sabita Devi and Motilal.

Initially, to avoid embarrassment to his family he requested not to be credited in the regional language films. He did not know Hindi but from 1932-1947, he worked for Sagar Movietone and also directed nearly 30 films in Hindi, for many others. His first Hindi film was Chandrahasa (1933) starring Noor Mohammed Charlie. He was paid Rs 2000 per film with the complete film being made within Rs 50,000. He worked with most of the top actors of the time like Motilal, Nargis, Ashok Kumar and Pahari Sanyal. He brought Mehboob Khan who was then doing roles as an extra out of obscurity and gave him the role of Sabita Devi’s father in the film Vengeance is mine(1935).

He made several films based on novels. Some of the writers whose work he used were K.M.Munshi, Sarat Chandra and Ramanlal Vasanthlal Desai. The film Aap ki Marzi (1939) was inspired by the Hollywood film Paradise for Three (1938). He became known for his satirical comedies and “socially relevant films”.His film Grihalaxmi (1934), which starred Jal Merchant and Sabita Devi, had the woman getting into marriage only if her doctor husband agreed not to want children. The success of the film mitigated the enraged public reaction at the time.

He showed his understanding of media publicity required for films when in 1937, Badami resorted to woo audiences by announcing cash prizes of Rs.500, Rs.200 and Rs.100 for the best reviews of his newly released film Kulvadhu (1937). The promotional gambit worked sending audiences to the theatres. According to an interview, most of Badami’s films didn’t survive as the negatives were burnt to extract the silver from the silver nitrate.

After Aap ki Marzi-38, he followed his mentor, Dr. Patel and joined Sudama Pictures, when in 1939, Sagar Movietone merged into National Films. Badami also worked in Famous Cine Laboratories, from 46 to 48.

Apparently, in 1948 Deputy Prime Minister Vallabh Bhai Patel, who was then also in charge of the Information Ministry, on a visit to the Cine Laboratories Bombay, asked Badami to help set up a NewsReel and Documentary section. The Films Division was established in 1948. He became chief producer in the newsreel department and made several documentaries. He worked in the Films Division making documentaries from 1948-1952. After that he stopped making films and returned to Bangalore to retire as “I was a forgotten man in the feature film world”. He became an industrialist by starting a manufacturing business. Later he worked as a Consultant for Kamani Group of Industries also. He died in 2005 in Bangalore, Karnataka, India.

FILMOGRAPHY: 1932: Harishchandra; Galava Rishi; Paduka Pattabhishekham; Shakuntala; 1933: Chandrahasa; 1934: Grihalakshmi; 1935: Dr. Madhurika; Vengeance is Mine; 1936: Jeevan Lata; Grama Kanya; 1937: Kokila; Kulavadhu; 1938: Three Hundred Days and After; 1939: Aap Ki Marzi; Ladies Only; 1940: Chingari; Sajani; 1941: Holiday in Bombay; 1942: Khilona; 1943: Prarthana; 1944: Bhagya Lakshmi; 1945: Ramayani; 1946: Uttara Abhimanyu; 1947: Manmani; 1951: Vinoba Bhave (Doc);1952: Roof over the head

(Ack: Sapnon ke saudagar by Vithal Pandya, Sagar Movietone by Biren Kothari, HFGK, muVyz, Encyclopedia of Indian Cinema, and my notes)

Film industry is one place where the most unimaginable things happen. Here are some examples – A young man working as a laboratory Technician overnight becomes, albeit reluctantly, an actor and later on a famous Hero in Hindi films (Ashok Kumar), A Choreographer becomes a very famous and successful Director and actor (Guru Dutt), A Clerk in Government Rationing office touches the sky and becomes a heart throb Cinema Hero (Dev Anand), A Bus Conductor is turned into a famous cult Hero of South (Rajnikant), A simple young man goes to meet his actor brother in a studio and is mistaken for his brother and made a hero in 40 Hindi films(D.Billimoria), a clueless scholarly young man standing in a bus queue in Madras is picked up as a hero and works in about 55 hindi films (Ranjan). These are some examples of how, when Lady Luck smiles on a person, his life changes !

Here is one case. The case of the suave, handsome actor MOTILAL who had absolutely no dream of becoming a film hero ! Born in Shimla on 4 December 1910, Motilal Rajwansh came from a distinguished family. His father was a renowned educationist, who died when Motilal was one year old. He was brought up by his uncle who was a well-known civil surgeon in Uttar Pradesh. At first, Moti was sent to an English school at Shimla and later, in Uttar Pradesh (UP). Thereafter, he shifted to Delhi where he continued with school and college.

After leaving college, Motilal came to Bombay to join the Navy, but he fell ill and could not appear for the test. Fate had other choices charted out for him. One day, he went to see a film shoot at Sagar Studios, where director K. P. Ghosh was shooting. Motilal, even then, was quite the man about the town and he caught Ghosh’s eye. Motilal described this event in his inimitable style,in one of his interviews….” The director Ghosh Babu looked towards me and said,” please come here”. I first thought he was calling someone standing behind me. I looked back and moved to one side. Nobody came forward, but Ghosh Babu came to me and pointed his finger at me and said, ” Yes, I am talking to you. Please come here” I went with him .” In 1934 (aged 24), he was offered the hero’s role in Shaher Ka Jadoo -1934 by the Sagar Film Company. Sabita Devi and Motilal’s first movie as a pair in the famous Sagar Movietone, the movie Lure of the City (aka Shaher ka Jadoo) released on 29 th September 1934 at the Imperial Cinema Bombay.

Mehboob Khan was earlier selected for the lead role and was later replaced by Motilal. This was actor Motilal’s debut film and Motilal – Sabita made the best pair in the Sagar Film Company. They acted together in many other movies under the banner of the Sagar like, Silver King -1935, Dr Madhurika -1935, Lagna Bandhan -1936, Jeevan Lata -1939, Kulvadhu -1937, Kokila -1937, Three hundred days and after -1938 and later in Sudhama Films in Ap Ki Marzi -1939 and Minerva’s Prarthana -1944. He worked with Mehboob Khan in Jagirdar -1937 and Hum Tum Aur Woh -1938 under the Sagar Movietone banner, in Taqdeer -1943 for Mehboob Productions, and Kidar Sharma’s Armaan -1942 and Kaliyan -1944. He also acted in S. S. Vasan’s film Paigham -1959 (Gemini Studios), and Raj Kapoor’s Jagte Raho -1956. In 1965, he also acted in the Bhojpuri film Solaho Singar Kare Dulhaniya.

Perhaps the role for which he received the most critical appreciation was that of the gentleman crook in S. S. Vasan’s adaptation of R K Narayan’s book Mr Sampat -1952. He is most remembered for his role as “Chunni Babu” in Bimal Roy’s Devdas -1955, for which he won his first Filmfare Best Supporting Actor Award. Actor Naseeruddin Shah once described him as one of three all-time best actors of Hindi cinema, others being Balraj Sahni and Yakub.

Motilal was very suave and polished, and moved in high society, though towards the end of his life he was in financial difficulty. Although a thorough gentleman, he enjoyed gambling and races, and died almost penniless on 17th June 1965.

Motilal was an excellent Pilot and owned a small aircraft. He rarely travelled by train and always liked to fly. His family life was happy. His wife was a doctor.

He was in a relationship for several years with the actress Nadira. He was later involved with actress Shobhna Samarth after she separated from her husband, and he played Samarth’s real-life daughter Nutan’s father in Hamari Beti, Shobhana’s launch movie for Nutan. He also played her guardian in Anari, though this time the role had a villainous touch to it.

Motilal and Ashok Kumar were popular stars at the same time. Ashok Kumar was employed by Bombay Talkies and Motilal was employed by Ranjit. It is said that Sardar Chandulal paid Rs. One lakh to Motilal in those days. Motilal was a gambler. Once Chandulal Shah paid his debt of 75000 rupees which Motilal had lost in gambling, just to keep Motilal with Ranjit ! It is surprising that Ashok Kumar never worked with Motilal’s Heroines-Shobhana Samarth or Khursheed and Motilal never worked with Ashok Kumar’s heroines- Devika Rani or Leela Chitnis !

Actor Chandra Mohan treated Motilal as his son. During the last days of Chandra mohan, once Motilal had gone to meet him. Chandra Mohan was drinking from a costly forein Whisky bottle, but he did not offer it to Motilal. Motilal was feeling bad and then Chandra Mohan said, ” I know you must be feeling bad that I am not offering you this Whisky, but trust me it is not whisky- I am drinking Bewada (country liquor) from this bottle and I don’t want my son to drink this dirty stuff ! ”

Motilal was the winner of Filmfare Best Supporting Actor Award for Devdas -1955 and Parakh -1960. He is credited with being among Hindi cinema’s first natural actors.

He also directed the film Chhoti Chhoti Baatein -1965, but died before its release. At the 13th National Film Awards, it won the award for Certificate of Merit for the Third Best Feature Film and he posthumously won the Certificate of Merit for the Best Story Writer. ( adapted some information from Vithal Pandya’s book-Asli Nakli Chehere, wiki, Star portraits, nett4you, the book Sagar Movietone, and Shirish Kanekar’s book- Yaadon ki Baaraat, with thanks and my notes.)


Song- Gauven charaa ke Baanke Bihaari apne ghar nahin aate thhe (Aap Ki Marzi)(1939) Singers- Khursheed Bano, Gyan Dutt, Lyricist- P L Santoshi, MD- Gyan Dutt
Both

Lyrics

gauven charaa ke
baanke bihaari
apne ghar nahin aate thhe ae
gauven charaa ke baanke bihari
apne ghar nahin aate thhe
phir jaa ke kahaan kho jaate thhe
phir jaa ke kahaan ko jaate thhe ae

gauven charaa ke baanke bihaari
apne ghar nahin aate thhe ae
gauven charaa ke baanke bihari
apne ghar nahin aate thhe

saath chhodkar gwaal baal sang
kunjon mein chhup jaate thhe
saath chhodkar gwaal baal sang
kunjon mein chhup jaate thhe
phir jaise hi ghar aate thhe
wo thappad maa ka khaate thhe
phir jaise hi ghar aate thhe
wo thappad maa ka khaate thhe

bansi baja ke Raadha ko wo
chupke chupke bulaate thhe
haan
bansi baja ke Raadha ko wo
chupke chupke bulaate thhe

sun bansi ki taan niraali
aji Raadha
aji Raadha
ho matwaali
sun bansi ki taan niraali
aji Raadha
aji Raadha
ho matwaali
donon raas rachaate thhe
kuchh hanste thhe kuchh gaate thhe
donon raas rachaate thhe
kuch hanste thhe kuchh gaate thhe
wo apna jee bahlaate thhe
wo apna jee bahlaate thhe
gauven charaa ke baanke bihaari
apne ghar nahin aate thhe
gauven charaa ke baanke bihaari
apne ghar nahin aate thhe


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5178 Post No. : 17153

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 97
————————————————————————————–

This date ten years ago (viz 21 September 2012) saw eight songs from eight different movies getting covered in the blog.

Here are the details:-

Blog post number Song Movie (Year) Remarks
6687 Diya jalaa kar aap bujhaaya Badi Maa (1945) 6 songs covered out of 10 by now
6688 Aaj ki raat saaz e dil e purdard na chhed Jugnu(1947) Movie YIPPEED by now
6689 Ham dard ka afsaana duniya ko suna denge Dard (1947) Movie YIPPEED by now
6690 Ghir ke barsen ye ghataayen to mazaa aa jaaye Do Roti (1957) Movie YIPPEED by now
6691 Isi sheher ki kisi galli mein Mr Romeo(1973) 2 songs out of 7 done
6692 Vrishti pade tapor tupur Paheli (1977) One song out of 6 done
6693 Aisi haseen chaandni pehle kabhi na thhi Dard(1981) Movie YIPPEED by now
6694 Kaise naache Mayuri Naache Mayuri(1986) One song out of 6 done

We can notice that four movies (out of eight) whose songs were covered on this date ten years ago have since been YIPPEED in the blog. That leaves us with four movies that are still eligible for Blog Ten Year Challenge today (21 September 2022).

“Paheli”(1977) is one movie that is eligible.

“Paheli”91977) was produced y Tarachand Barjatya and directed by Prashant Nanda for Rajshree Productions Private Limited, Bombay. the movie had Satyajeet and Introducing Nameeta Chandra (debut) in lead roles. Poornima Jayaram (debut), Durga Khote, A.K.Hangal, Dina Pathak, Leela Mishra, Abha Dhulia, Nitin Sethi, Gopal Tak, Albela, Babu Kumar, Kishore, Birbal, Shivraj, Vrijendra Mohan, Pardesi, Hari Shukla, Avinash, Jaidev etc. The movie had new actresses Nina Mahapatra and Anita Singh and new child artiste Master Amitabh in it. The movie also introduced Arun Govil.

The movie had six songs in it. Only one song has been covered in the blog. That one song was covered exactly ten years ago.

Now ten year later, here is the second song from “Paheli”(1977). the song is sung by Hemlata and Chandrani Mukherjee. Ravindra Jain is the lyricist and Music director. The song is picturised as a dance song on Namita Chandra and Poornima Jayaram who enact the roles of Radha and Kaanha respectively in the dance. The audience of their performance include Leela Mishra, Durga Khote, Satyajeet, Pardesi, Master Amitabh etc.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio link:

video link:

Song-Kaanha ki zidd per naachegi Radha (Paheli)(1977) Singers-Hemlata, Chandrani Mukherjee, Lyrics-Ravindra Jain, MD-Ravindra Jain
Both

Lyrics(Provided by Prakashchandra)

kanhaa ki zid par naachegi raadhaa aaa
kanhaa ki zid par naachegi raadhaa
chaahey aaaye na aaye ae naachnaa
naachnaa
aaye na aaye ae naachnaa
murli bajegi jab mohan kee
ho o o o o
murli bajegi jab mohan ki
khud aa jaayegaa naachnaa
naachnaa aa
aa jaayegaa naachnaa

tan kab naachey
tan to paglee
man kaa kahaa kare aey ae
man ko bhee koyi
aur nachaaye jo
chhup kar rahaa karey aey ae ae

o o o o o o
tan kab naachey
tan to paglee
mann kaa kahaa karey ae ae
man ko bhee koyi
aur nachaaye jo
chhup kar rahaa karey aey ae ae

bin ghunghroo
bin taal ke
bin ghunghroo bin taal ke
raadhaa naachthi phirey ae ae
chaahey aaaye na aaye ae naachnaa

kanhaa ki zid par naachegi raadhaa
chaahey aaaye na aaye ae naachnaa
naachnaa
aa jaayegaa naachnaa

saari sakhiyaan aan
moond ke ankhiyaan
sur madhupaan karein aen

murli ke ae sur
banke noopur
pag mein chhand bharen ae ae
saari sakhiyaan aan
moond ke ankhiyaan
sur madhupaan karein aen

murli ke sur
banke noopur
pag mein chhand bharey ae ae
bin seekhey ae
bin gyaan ke ae
bin seekhey bin gyaan ke
woh to naachte marey aey ae
chaahey aaaye na aaye ae naachnaa
naachnaa
aaye na aaye ae naachnaa

murli bajegi jab mohan kee
o o o o
murli bajegi jab mohan ki
khud aa jaayegaa naachnaa
naachnaa aa
aa jaayegaa naachnaa

(Laughing sound)


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5167 Post No. : 17136

“Poornima”(1965) was produced by Mahipat Ray Shah and directed by Narinder Suri for Roop Kala pictures, Bombay. The movie had Meena Kumari, Dharmendra, Anita Guha, Mahmood, Siddhu, Nazir Hussain, Durga Khote, Parveeen chaudhary, Sadhana Khote, Rajaa Nene, Kanu Roy, Kanchanmala, Kesari, Polson, Honey Irani, Babloo, P.D.Lal ,Polson, Snehmala, Raju, Baby Chand, Rajendra Singh, Johny Whisky, Shivjibhai etc in it.

The movie had eight songs in it. Four songs have been covered so far.

Here is the fifth song from “Poornima”(1965) to appear in the blog. The song is sung by Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a stage dance song on Meena Kumari, Anita Guha and others. Towards the end of the picturisation, a stanza from another song of the movie ( gori nain tumhaare kya kehne sung by Mukesh is artficially inserted.

It is one case where the video version, even though longer than the audio version is not authentic. It is the audio version, a Suman Kalyanpur solo song, which is the authentic version of the song. The video version may give the impression that it is a duet, but it is not.

Lyrics of the song and other details were sent to me by Prakashchandra.

audio line(does not contains Mukesh`s Lines)

video link:

Song-Raadha torey Kaanha ne murli bajaayee re (Poornima)(1965) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Kalyanji Anandji
Chorus

Lyrics(Provided by Prakashchandra)

Sharad Chandra kee poornimaaa..aa aa
ras barsaati raat
kadamb taley kaanhaa khadey aey ae
liye murliyaa aawaaz(?)

aa aaa aaa aaaa aa
aaa aa aaa aaaa
aa aaa aaa aaaa
oo oo ooo ooo ooo ooo

raadhaa torey kaanhaa ne murli bajaayi rey
raadhaa torey kaanhaa ne murli bajaayi rey
sakhi ree kaahey roothhi
sakhi rey kaahey roothhi
sakhi rey kaahey roothhi
sakhi rey kaahey roothi

jin`ke binaa kal tohey nindiyaa na aayee rey
jin`ke binaa kal tohey nindiyaa na aayee rey
sakhi rey kaahey roothhi
sakhi rey kaahey roothhi
sakhi ree kaahey roothhi
sakhi ree kaahey roothhi

aa aaa aaa aaaa
aa aaa aaa aaaa
aa aaa aaa aaaa
aa aaa aaa aaaa
aa aaa aaa aaaa

maanaa sakhi ree
natkhat hai woh
gokul waalaa gwaalaa…aaa…aaa..aa
gokul waalaa gwaalaa
phir kaahey ko
uske rang ka
kajraa nainon mein daalaa..aaa…aaa
kajraa nainon mein daalaa
tu chhod ye bahaanaa
ab hamse kya chhupaanaa
hai baat teri jhoothhee
hai baat teri jhoothhee
sakhi rey kaahey roothhi
sakhi rey kaahey roothi

mohan mere mann ko bhaaye
murli nahin suhaaye

aa aaa aaa aaaa aa aaa aaa aaaa
aaaa aaaa
aa aaa aaa aaaa aa aaa aaa aaaa
aa aaa aaa aaaa
aa aaa aaa aaaa aa aaa aaa aaaa

tere..ae uske beech khadi hai
ye bansee bairaniyaa..aaa..aa aaaa
ya bansee bairaniyaa
chhod bhee do ye
baans ki poree
Raadhaa ki sautaniyaa aa aa
Raadha kee sautaniyaa
jaao jee zaraa jhatpat
mitaao naa ye khattphat
nahin to preet tooti
nahin to preet tooti
sakhi rey kaahey roothhi
sakhi rey kaahey roothhi

kaanhaa tori raadhaa se kya hai ladaai rey
jaake zara itnaa to poochho Kanhaayi rey
sakhi rey kaahey roothhi
sakhi rey kaahey roothhi
sakhi rey kaahey roothhi
sakhi rey kaahey roothhi

chanchal chanchal chaal tumhaaree
hirnee dhokhaa khaaye aey ae ae
goraa goraa dekh ke mukhdaa
chandaa chhup chhup jaaye ae
baat karey to phool jharey aey ae
muskaaye to rang bharey ae
baat kare to phool jharey aey ae
muskaaye to rang bharey ae
zulm karey ae
gori nain tumhaare aey ae
kyaa kehney


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Blog Day :

5162 Post No. : 17127

“Sautela Bhai”(1962) was directed by Mahesh Kaul for Alok Bharti, Bombay. The movie had Pranati, Guru Dutt, Rajkumar, Bipin Gupta, Kanhaiyalal, SN Bannerjee, Asit Sen, Ratna aka Ratna Bhushan, Bela Bose, Radheyshyam, Sarosh Irani, Honey Irani, Jeevankala, Rani, Surendra, Madan Kumar, Dev Kishen, Laxman Singh, Suresh, Anwari, Samar Chatterjee, Bagla, Mohan Jerry, Shahji, Narmada Shanker, Kesri, Ranibala, Khatana, Dulari, Baby Farida etc in it.

The movie had eight songs in it. Seven songs have been covered in the past. Here are the details of the seven songs already covered in the blog.:-

Blog post number song Date of post Singer (s)
1987 Jaa main tose naahin boloon 25 September 2009 Lata
3848 Paisaa hi maalik paisaa hi daataa 5 May 2011 Manna Dey, Anil Biswas
6472 Phoole ban bagiyaa 18 August 2012 Manna Dey, Meena Kapoor
13850 Dekho re logon bhai bhai ka naata dekho 30 December 2017 Manna Dey, Pankaj Mitra, Anil Biswas
15983 Laagi naahin chhoote raam chaahe jiyaa jaaye 20 October 2020 Lata, Meena Kapoor, Anil Biswas
16071 Maiyya maiyya boley baal kanhaiyya 29 November 2020 Meena Kapoor, Pankaj Mitra
17113 O man rey main jag mein aaj paraaya 24 August 2022 Mahendra Kapoor

Here is the eighth and final song from “Sautela Bhai”(1962). This song is a duet song. HFGK is silent about the singers. Several youtubers who have uploaded this song describe the singers as Mahendra Kapoor and Lata Mangeshkar.

On listening to the song, it is clear that the male voice is Manna Dey. How experienced youtube uploaders cannot differentiate between Mahendra Kapoor and Manna Dey beats me. The two singers have little in common as far as their voices are concerned.

It is the female voice that creates doubts. Prakashchandra guesses that the singers are Manna Dey and Suman Kalyanpur. I find that the seven songs that we already have from this movie had Manna Dey’s voice in three songs and Lata Mangeshkar’s voice in two songs. Voices of Meena Kapoor, Pankaj Mitra, Anil Biswas and Mahendra Kapoor were also used in the songs of this movie.

Seeing that Pranati (the heroine) is present in the picturisation and she lip synced in two other songs in the movie in Lata Mangeshkar voice, I guess that the female voice could well be Lata Mangeshkar’s. I request our knowledgeable readers to throw light on the identity of the female voice.

The song is picturised as a Krishn bhajan where the bhajan singers (Radheshyam, Laxmi Chhaya and Pranati) criticise a repentant Yashoda Mata (Dulaari) for abandoning Krishn. This song is a forgotten gem. It is written by Shailendra. Music is composed by Anil Biswas.

Lyrics of the song and other details were sent by Prakashchandra.

with this song, all soongs of “Sautela Bhai”(1962) are covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.


Song-Kaanha jo tera hota apna laal (Sautela Bhai)(1962) Singers-Manna Dey, Lata, Lyrics-Shailendra, MD-Anil Biswas

Lyrics(Provided by Prakashchandra)

maa aa aa aa aa
aa aa aa aa aa aa
maaadhav
bin madhav saara brij soona aa
kya gokul kya jamuna teer
koi yasoda ki peer na samjhe ae
taane deve naar adheer
yasoda tera kitna hiya kathor
bhej diye mathura nand kishor
bhookh aur pyaas se nit bechain
dhoondta hoga tujhe din rain

haaye ree toone kiya hai kabhi vichaar
krishn tera kitna sukumaar

krishn tera kitna sukumaar
krishn tera kitna aa aa aasukumaaar
jasomati maiya aa ri
kaanha jo tera hota apna laal
kaanha jo tera hota apna laal
to rakhti palkan beech sambhaal
to rakhti palkan beech sambhaal
kaanha jo tera hota apna laal

kokh se teri janam na paaya
par tera balak to kahlaaye
kokh se teri janam na paaya
teri door kabhi rishta nahin hamse
phir bhi hamse raha na jaaye

phir bhi hamse raha na jaaye
kanhaiya bin haal bhaya behaal
kanhaiya bin haal bhaya behaal
kaanha jo tera hota apna laal
kaanha jo tera hota apna laal

tu jo kahti mat jaa lalna
taal na deta wo teri baat
tu jo kahti mat ja lalna

are hum na bilakhte tere kunwar bin a
aur na tadapta wo bin maa
aur na tadapta wo bin ma
haaye ri toone tanik na kiya khayaal
haaye ri toone tanik na kiya khayaal
kaanha jo tera hota apna laal
kaanha jo tera hota apna laal
to rakhti palkan beech sambhaal
to rakhti palkan beech sambhaal
kaanha jo tera hota apna laal


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17400 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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Total number of songs posts discussed

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Total Number of movies covered=4685

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