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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Krishna related songs’ Category


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 25
—————————

As repeatedly mentioned earlier, those were the days when under ‘Super Cassettes Industries Limited’ banner, Gulshan Kumar had released a number of Devotional and Gazal cassettes under T-Series, to the utter joy of real good taste music lovers.  He had many singers as well as many MDs under contract and had made a bank of songs suitable for various situations and had used them in films, whenever needed.

This song ‘Govind Leeno Mol ‘ is from the album ‘He Govind He Gopal’ released in 1995. This one is the ninth presentation out of ten from that Album of immortal devotionals by our sureeli Suman. The last bhajan from this Album will be presented soon, Hari Ichchha permitting. The MD for this Meera Bhajan is Pandit Govind Prasad Jaipurwale.

This famous Meera Bhajan is sung by many singers including Parveen Sultana and Anup Jalota, with minor variation in words.


Song – Govind Leeno Mol (Suman Kalyanpur NFS) (1995) Singer– Suman Kalyanpur, Lyrics– Meerabai, MD – Govind Prasad Jaipurwaale

Lyrics

govind lino
govind lino
mol maai govind lino mol
govind lino
govind lino
mol maai govind lino mol
maine govind lino mol
 
koi kahe sasta koi kahe mehnga
koi kahe sasta koi kahe mehnga
lino taraaju tol
lino taraaju to..ol
maai govind lino mol
haa..aan
govind lino
govind lino
mol maai govind lino mol
maai govind lino mol
 
koi kahe ghar mein
koi kahe ban mein
koi kahe ghar mein
koi kahe ban mein
radha ke sang kilol
radha ke sang kilol
maai govind lino mol
haa..aan
govind lino
govind lino
mol maai govind lino mol
maai govind lino mol
 
meera ke prabhu giridhar naagar
meera ke prabhu giridhar naagar
meera ke prabhu giridhar naagar
aavat prem ke mol
aavat prem ke mol
maai govind lino mol
haa..aan
govind lino
govind lino
mol maai govind lino mol
maine govind lino mol
haan maine govind lino mol

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
गोविन्द लीनो
गोविन्द गोविंद लीनो
मोल माई गोविन्द लीनो मोल
गोविन्द लीनो
गोविन्द लीनो
मोल माई गोविन्द लीनो मोल
मैंने गोविन्द लीनो मोल

कोई कहे सस्ता
कोई कहे महंगा
कोई कहे सस्ता
कोई कहे महंगा
लीनों तराजू तोल
लीनों तराजू तो॰॰ल
माई गोविन्द लीनो मोल
हाँ॰॰आं
गोविन्द लीनो
गोविन्द लीनो
मोल माई गोविन्द लीनो मोल
माई गोविन्द लीनो मोल

कोई कहे घर में
कोई कहे बन में
कोई कहे घर में
कोई कहे बन में
राधा के संग किलोल
राधा के संग किलोल
माई गोविन्द लीनो मोल
हाँ॰॰आं
गोविन्द लीनो
गोविन्द लीनो
मोल माई गोविन्द लीनो मोल
माई गोविन्द लीनो मोल

मीरा के प्रभु गिरिधर नागर
मीरा के प्रभु गिरिधर नागर
मीरा के प्रभु गिरिधर नागर
आवत प्रेम के मोल
आवत प्रेम के मोल
माई गोविन्द लीनो मोल
हाँ॰॰आं
गोविन्द लीनो
गोविन्द लीनो
मोल माई गोविन्द लीनो मोल
मैंने गोविन्द लीनो मोल
हाँ मैंने गोविन्द लीनो मोल

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naagin aur Sapera” (1966) was directed by Balwant Bhatt for Pramila Productions Bombay. The movie had Manhar Desai, Bela Bose, Padma Chavhan, Sapru, Paro, Rajan Haksar, Raja Nene, Mirza Musharraf, Leela, Shammi, Bhagwan etc in it.

There were five obscure songs in this little heard movie.

Here is the first song from “Naagin aur Sapera” (1966) to appear in the blog. This song is sung by Rafi. Satyapal Verma is the lyricist. Music is composed by Harbans.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Naagin aur Sapera” (1966), the lyricist as well as the music director, make their respective debuts in the blog.


Song-Laut bhi aao o giridhaari (Naagin Aur Sapera)(1966) Singer-Rafi, Lyrics-Satyapal Verma, MD-Harbans

Lyrics

laut bhi aao
o giridhaari
radha neer bahaaye ae ae
laut bhi aao
o giridhaari
radha neer bahaaye
raadha tihaari phir na milegi
raadha tihaari phir na milegi
jo tum der se aaye ae
laut bhi aao o giridhaari
raadha neer bahaaye

pal pal baawri panth nihaare
pal pal baawri panth nihaare
aas ki jyot jalaaye
deepak jal gaya
jal gayi baati
deepak jal gaya
jal gayi baati
paagal manva gaaye
kya bigdega aa aa aa
kya bigdega tera o chhaliye
aake jo dheer bandhaaye ae
laut bhi aao o giridhaari
raadha neer bahaaye

prem deewaani khoj mein phirti ee
prem deewaani khoj mein phirti
apne piya ko paane
pawan se poochhe
poochhe gagan se
pawan se poochhe
poochhe gagan se
paapi ji na maane
o nirmohi ee ee
o nirmohi patthar dil
kahin raadha na mar jaaye ae
laut bhi aao
o giridhaari
radha neer bahaaye
laut bhi aao
laut bhi aao
laut bhi aao


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

With this post, the blog has now clocked thirteen thousand two hundred unique songs. It may be so that these century milestone are now an expected regularity. But then, it is these (now) minor milestones, that come together and collectively put together and characterize the larger milestones – A journey of a thousand steps is made up of a thousand steps.

Congratulations to all members of the bandwagon. This, and many, many more such milestones put together, are the entire story of this blog.  The ‘wood’ is the outspread treasure that is dear to us, and every ‘tree’ is a different fruit, different flavor. The ‘wood’ – it is our honor and pride. The ‘trees’ – each one is a feast of different flavor and listening pleasure.

As we saunter about the woods and seek to explore newer flavors, the senses want to come to explore and to taste the rare and untouched flavors. The ritual is consistent and persistent. And the wood, it is rife with trees of un-tasted flavors, some of them so rare that it is a realization and a triumph, to be able to seek them, touch them, feel them, and partake of its flavor.

It is an anniversary also that we are celebrating with this song. In the 1940s and 1950s, there was a music director active whose name is simply Premnath. (Mind you, different from the actor Premnath). Today is the anniversary of the passing away of music director Premnath.

One of the mysterious and enigmatic names in the history of Hindi film music – Premnath belongs to that list of music directors who have a reasonably sized body of work spread over a good number of years; and yet, despite having a recognizable body of work, there is very little of almost nothing known about him. I have searched and checked with some of the more important sources of information relating to Hindi films and film music. But have consistently drawn a blank. Pankaj Raag in his book, ‘Dhunon Ki Yatra’, has put in almost a full page to this music director. But the write up is more of a sampling of Premnath’s body of work.

Premnath was born in the town of Gujranwala (now in Pakistan), on 5th July, 1918. His education as well as training in classical music happened in Multan, Lahore and Amritsar. In his early twenties, he gravitated to the nascent Punjabi film industry and Lahore. His did act in small roles – one film identified by Pankaj Raag is ‘Shehar e Khamoshi’. The author also identifies a film ‘Sohni Mahiwal’ from 1938, in which he also sang a song.

In the first half of1940s, he got married and migrated to Bombay in search of a career in films. In 1946, he made his debut in the Bombay film industry as a music director, with the film ‘Rangbhoomi’. With a certain regularity, he would be directing the music for one to three films over a little less than a decade or so.

In 1947 came ‘Dehati’, ‘Pehla Pyaar’ and ‘Chandrahaas’. 1948 saw the release of his most discussed film, ‘Chaand Sitaare’ which carries the popular “Kaali Ghataayen Hain, Thandi Hawaaein Hain” in the voice of Mukesh. As per available information, Premnath was also the producer of ‘Chaand Sitaare’. This film also has some more notable songs in the voices of Shamshad Begum and Geeta Dutt. In 1951 came ‘Alakh Niranjan’ and ‘Maaya Machhindra’. Then there is a gap of a few years, and Premnath reappears as music director in 1959 with the religious film ‘Sati Vaishalini’. In the interim he recorded some songs for the film ‘Qaatil Kaun’, but that one remained unreleased. The career slowly fading away, he appeared as a joint music director for ‘Main Hoon Jaadugar’ (1965) with Nashaad, and for ‘Tarzan In Fairyland’ (1968) with Jimmy (James Singh).

In the few films that he has worked on, there are some notable gems as one gets to listen. The rare song being presented today, in the voice of Amirbai Karnataki Rajkumari Dubey, is a delightful composition. The words are from the pen of Rammurty Chaturvedi. Names that are obscure and unfamiliar, have come together to create a beautiful song that is a pleasure to listen to.

Song – Se Naina, Morey Naina Jhuk Jhuk Jaayen (Dehati) (1947) Singers – Rajkumari, Lyrics – Rammurty Chaturvedi, MD – Premnath

Lyrics

sharam se naina

sharam se naina
sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina
chori chori chupke chupke
jab shyam hamaare ghar aayen
sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina

door rahen to paas bulaaun
paas bulaaun
door rahen to paas bulaaun
paas bulaaun
paas rahen kuchh keh na paaun
keh na paaun
paas rahen kuchh keh na paaun
keh na paaun
bina kahe main samajh naa paaun
kya samjhe samjhaaun
bina kahe main samajh naa paaun
kya samjhe samjhaaun
sharam se naina
sharam se naina
o sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina

jiya hamaara dag mag doley
dag mag doley
paagal mann
mann hi mann boley
main mein boley
jiya hamaara dag mag doley
dag mag doley
paagal mann
mann hi mann boley
main mein boley
bichhde shyam miley hain aa ke
kaise preet jataaun
sharam se naina
sharam se naina
ho sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina
chori chori chupke chupke
jab shyam hamaare ghar aayen
sharam se naina
morey naina jhuk jhuk jaayen
sharam se naina

———————————————————

Hindi script lyrics (Provided by Sudhir)
———————————————————

शरम से नैना

शरम से नैना
शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना
चोरी चोरी चुपके चुपके
जब श्याम हमारे घर आयें
शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना

दूर रहें तो पास बुलाऊँ
पास बुलाऊँ
दूर रहें तो पास बुलाऊँ
पास बुलाऊँ
पास रहें कुछ कह ना पाऊँ
कह ना पाऊँ
पास रहें कुछ कह ना पाऊँ
कह ना पाऊँ
बिना कहे मैं समझ ना पाऊँ
क्या समझे समझाऊँ
बिना कहे मैं समझ ना पाऊँ
क्या समझे समझाऊँ
शरम से नैना
शरम से नैना
ओ शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना

जिया हमारा डगमग डोले
डगमग डोले
पागल मन मन ही मन बोले
मन में बोले
जिया हमारा डगमग डोले
डगमग डोले
पागल मन मन ही मन बोले
मन में बोले
बिछड़े श्याम मिले हैं आके
कैसे प्रीत जताऊँ
बिछड़े श्याम मिले हैं आके
कैसे प्रीत जताऊँ
शरम से नैना
शरम से नैना
हो शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना
चोरी चोरी चुपके चुपके
जब श्याम हमारे घर आयें
शरम से नैना
मोरे नैना झुक झुक जाएँ
शरम से नैना


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

de de
de de
allah ke naam pe de de
ek time machine ka sawaal hai baba

I need a time machine. Ah yes, you will all also say the same; exactly, we all need a time machine. I want to go back into the previous century, and view all these movies that create so much mystery and intrigue. Every film that I am not able to find anything about, makes me want to invent a time machine, and fly back into the past and watch the films, and then come back and write a more informed article about it.

Par kya karen, science has made a lot of promises, tried to explain a lot of things, but has not been successful in communicating with the past. Oh how I wish it were possible. There are ten thousand reasons that I want this wish to be fulfilled, and majority of them are the old cinema that I just crave to be able to lay my eyes on. And this lacuna is only increasing by the day.

Here we are Yippeeing films regularly, and here I am, lost and thinking – here is a film I am writing the post for its final song to be posted. Today’s Yippeee films is ‘Madam XYZ’ (1959). And we have absolutely no inkling what this film contained, how did the storyline progress, how did the songs fit into the screenplay, how did the actors perform on screen, etc. Most such films are financially not successful and hence they are lost without anyone wanting to take care of them.

Ah yes, these are the “lost children” of the industry, whom no one cared for. These creatures were ‘conceived’, then ‘developed’ and ‘produced’ putting together many methods, and then they were finally ‘delivered’. But for some reason these ‘children’ were not accepted by the society. Mind you, nothing illegitimate about them. Just that many people, not many enough people took a liking for them. And so the very parents who had conceived and developed and delivered them, now chose to discard them on the trash heap. And no one bothered. No one paused to consider – these are legitimate creations, they have a certain content and a certain beauty, and more importantly, each one has a story to tell. And beyond that, even more important, each such offspring knew some very beautifully crafted poems and songs, that were probably sung to either empty halls or to un-appreciative audiences. Nobody, or let me say, not enough people paid up to watch these toddlers sing. Some of them; nay most of them had some very wonderful, some very touching, some very exciting melodies to share. But they were shunned, by the very people for whom they created this music. And the worst is, even their ‘parents’ stopped caring for them. Even they shunned them, and simply let them go.

So many of these new born babes were lost, some thrown in the garbage dumps, some even put to fire by greedy men who just wanted to take the silver thread from the adornment and ornamentation stitched into the clothes of these innocent, blameless and helpless children, uncared for by their own creators, who let them out without any support, to be lost in the vagaries of a cruel world, of a cruel and greedy industry. We are searching for more information, and yes, hoping against hope to trace the visuals. And then, when such pursuits all fail, then one realizes the utility of a time machine. Oh how I wish. . .

As I write the Yippeee post for this film today, I have gone back and listened to all the five songs that came before this one. And goodness, what a lovely set of creations these songs are –

Chali Chali Matwaali Hawaa”, such delightful melodious three some shared by Lata, Usha and Sudha.

Jaadoo Bhari Ye Chaandni”, such a magical number, making you feel the moonlight in the words, materializing the ‘pyaar ka samaa’ right in front of the eyes

Qadam Qadam Pe Bahaaren Lutaataa”, such a soft and romantic setup created so beautifully by Rafi Sb and Lata ji

Kuchh Meri Nazar Madhosh Hai”, another such soft romantic contemplation by Lata ji, ‘madhosh’ and ‘mastaani’ nazar, kya kehne

and “O Goriye O Poriye O Chhoriye”, such an unbelievable foot tapping number by Manna Da and Geeta Dutt, it takes all the persuasion to confirm that it IS Chitragupt and not Jimmy or Sardool Kwatra.

On listening to these wonderful gems, one just can’t help thinking of the film itself, and the people who created these delightful melodies. Luckily, in this case, we have ‘inside help’. Our own in-house encyclopedia, dear Arun ji, has seen this movie when it was released on the big screen, and he has provided us the story outline, in one of the previously posted songs. I reproduce here, the synopsis that he has shared earlier.

MADAME XYZ (1959) was a B/C grade stunt picture, under the banner of Neo Light films, produced by Ram Kamlani and Balawant Bhatt and directed by Nanubhai Bhatt.
This film was the ultimate in extremes that a hindi film can show.To see such films, one has to suspend the use of brain and normal thinking.

Radha Kishen has 3 daughters – Asha (Shakila), Laxmi(Nalini Chonkar) and Kirti(Purnima). They are shown as super-women. They are trained in Music, Dance, Drama, Riding, Driving, Martial Arts, Swimming, Flying Aircrafts (and all other skills I forgot to mention). They are kind, lovable, rich and God knows what else ! They have 3 boy friends – Suresh, Bhagwan and Sudesh respectively who are equally qualified like them.

A terribly rich friend of Radha Kishen, Raja Biharilal, on a visit to them is murdered in their house. Radha Kishen is arrested and given 15 days to prove his innocence. Raja Biharilal’s hugh wealth is in a safe,which has 4 keys. 3 Keys are kept with people in 3 corners of India, and the 4th Master key is here.

The girls and their friends start their chase of the killer and move from Qutub Minar to Brindavan Gardens to Jagannath puri to Calcutta and Punjab. They fight the criminals on road, in rail and in aircraft, as well as on a ship.

Finally they all gather in Calcutta, where they send a remote controlled riderless motor cycle after the killer (Pran) and arrest him.

Need I further tell you what happens next ? Of course I must (why only I should suffer alone?).

The end is sweet, father is released – ba-izzat, and the 3 daughters get married to 3 (idiots, you said?) boy friends.

The End (at last !).

This movie is a Neolite films production. It was produced by Ram Kamalani, Balwant Bhatt and directed by Nanabhai Mistry. The movie had Suresh, Shakeela, David, Nalini Chonkar, Purnima, Shammi, Bhagwan, Pran, Sudesh Kumar, Nana Palsikar, Kumar, Jamal, Hari Shivdasani, Hameed, Majnu, Genius, Raja Amrohi, Brahmadutt, Fazloo, Arvind Pandya, Douglas etc in it.

This song is sung by Lata ji. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

A delightful semi classical construction. Quite a wonder that the same music director has composed this aria, the foot tapper “O Goriye, O Poriye. . .” and the soft romantic “Qadam Qadam Pe Bahaaren Lutaata”, all of them together in this film. Chitragupt at his most versatile best.

With this song, the film ‘Madam XYZ’ now joins the ranks of the films with all their songs represented on our blog.

Yippeee. . .

Song – Maane Na Maane Na Manmohan (Madam XYZ) (1959) Singers – Lata Mangehskar, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

maane na maane na
manmohan
maane na maane na
manmohan
murali bajaaye
jiya tadpaaye
murali bajaaye
jiya tadpaaye
murali bajaaye
jiya tadpaaye
maane na maane na
manmohan
maane na maane na
manmohan

aaa aaa aaaaaaaa
jamuna kina..aa..are
jab wo puka..aa..are
jamuna kina..aa..are
jab wo puka..aa..are
daudi daudi aaun
raha nahin jaaye
maane na maane na
manmohan
maane na maane na. . .
maane na maane na. . .
maane na maane na . . .

ga ma re sa
re ma ni ni pa ma
pa ni sa re sa
bainyaan maro..o..ode
anchra na chhode
bainyaan maro..o..ode
anchra na chhode
ro ro main haari
jiya ghabraaye
maane na maane na
manmohan
maane na maane na..aa..aa

sa re sa
pa ni pa
ga ma re sa re ga
dha pa ma pa
pa ni pa
pa dha ni sa ni re sa
dha pa ma pa pa ni pa pa dha ni sa ni re sa ga

aaa aaa aaa aaa aaa aaaaaa
aaa aaaa aaaaa aaaaa aaaaaaaa
maane na maane
na
maane na maane
na
maane na maane na..aa..aa..aaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

माने ना माने ना
मनमोहन
माने ना माने ना
मनमोहन
मुरली बजाए
जिया तड़पाये
मुरली बजाए
जिया तड़पाये
मुरली बजाए
जिया तड़पाये
माने ना माने ना
मनमोहन
माने ना माने ना
मनमोहन

आss आs आssssss
जमुना किना॰॰आ॰॰रे
जब वो पुका॰॰आ॰॰रे
जमुना किना॰॰आ॰॰रे
जब वो पुका॰॰आ॰॰रे
दौड़ी दौड़ी आऊँ
रहा नहीं जाये
माने ना माने ना
मनमोहन
माने ना माने ना॰ ॰ ॰
माने ना माने ना॰ ॰ ॰
माने ना माने ना॰ ॰ ॰

ग म रे स
रे माँ नी नी प म
प नी स रे स
बइय्यां मरो॰॰ओ॰॰ड़े
अँचरा ना छोड़े
बइय्यां मरो॰॰ओ॰॰ड़े
अँचरा ना छोड़े
रो रो मैं हारी
जिया घबराए
माने ना माने ना
मनमोहन
माने ना माने ना॰॰आ॰॰आ

स रे स
प नी प
ग म रे स रे ग
ध प म प
प नी प
प ध नी स नी रे स
ध प म प प नी प प ध नी स नी रे स ग

आs आs आs आs आs आsssss
आs आss आsss आsss आssssss
माने ना माने
ना
माने ना माने
ना
माने ना माने ना॰॰आ॰॰आ॰॰आss


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bin Phere Ham Tere”(1979) was directed by Rajat Rakshit for N P International, Bombay. The movie had Asha Parekh, Vinod Mehra, Sarika, Nazneen, Nadira, Kamal Kapoor, C S Dubey, Jankidas, Mushtaq Merchant, Jagdish Raj, Master Salim, Johny Whisky, Dr Dutt, Master Pappu etc in it, with Rajendra Kumar in a friendly appearance.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shri Krishn Bhakti”(1955) was directed by Babubhai Mistri for Combine Film Traders, Bombay. The movie had Bipin Gupta, Lalita Pawar, Mahipal, Manmohan Krishna, Krishna Kumari, B M Vyas etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Preet Na Jaane Reet”(1966) was directed by S Bannerji for Moviestan, Bombay. The movie had Shammi Kapoor, B Saroja Devi, Siddhu, Johny Walker, Nazeer Hussain, Dhumal, Praveen Chaudhary, Minu Mumtaz, Shammi, Randhir, Shivji, Shroff, Razia etc in it.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 23
————————————-
Produced by Gulshan Kumar under ‘T Series’ by Super Cassettes Industries Limited,
an album ‘He Govind He Gopal’ with Suman Kalyanpur’s sureele devotional offerings. The album had ten gems out of which six have already been discussed, in this musical Blog. This is the seventh one. Still three more bhajans left, before Hari Ichchha permitting, I complete the list.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (12 january 2017) is the 99th birth anniversary of C Ramchandra (12 january 1918- 5 january 1982). One of the earlier pioneers of HFM, C Ramchandra composed music in several languages viz Tamil, Marathi, Hindi. During his career, he was known by different names viz C Ramchandra, Chitalkar, Annasahab, Ram Chitalkar, Shyaamoo, R N Chitalkar etc.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mere Jeewan Saathi”(1972) was directed by Ravi Nagaich for Shilpkar, Bombay. The movie had Rajesh Khanna, Tanuja, Sujit Kumar, Helen, Bindu, Rajendranath, Utpal Dutt, Sulochana, Nazeer Hussain, K N Singh, Krishnkant, Brahmchaari, Renu, Sonu, V D Puranik, Gurnam, Sabeena, Vijay Dewan, Rrun Bose, Master Tito, Mohan, Fazlu, Kabir Kumar, Sapru, Mamaji etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13273

Number of movies covered in the blog

Movies with all their songs covered =1003 Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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