Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Maina songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4751 Post No. : 16486 Movie Count :

4479

Today’s song is from the film Maharani Minal Devi-1946. This film was made by Lakshmi Productions, Bombay, owned by the Director Chimanlal Trivedi. This film was made on a remarkable historical personality from Gujarat.

Bombay film industry has made more than 12000 films so far, on various Genres, but it’s score on making films on Historical Indian personalities is very pathetic. While films on Mughal Kings, Queens and other personalities were made in all decades since the films started talking, not much focus was given on Indian historyHero and Heroines. Not that no films were made at all on them, but if you see its number, there can not be a justification for the large gap.

In the history of India, there were hundreds of such worthy sons and daughters who fought for the country, brought social reforms, did extraordinary work for the people and generally did things for which the country remembers them proudly. Actually,in every state of India, there are Heroes and Heroines who did a lot of good work for the people, in the past few hundred years. Sadly, Hindi films are very poor on this count.

However, I find that regional cinemas are way ahead of Hindi cinema in this matter. Particularly I would quote Tamil, Telugu, Kannada and Bangla films in the first list. The second list is of Marathi and Oriya films. Mind you, I am not talking about films on religious personalities and saints like Kabir, Tulsida etc. Even in this category, very few are the subject matter of Hindi films.

People like Rana Pratap, Ishwarchandra Vidyasagar, Rabindranath Tagore, Dhondo Keshav Karve, Rani Chennamma etc etc deserved Hindi films. The entire focus was on Mughals and those who came from outside.The regional films at least did some justice by making films on their Heroes/heroines. Tamil and Bangla films are leaders in this. The strong Regional Pride was the causal factor essentially but honouring heroes is a matter of appreciation. Films on Babar, Humayun, Shahjehan, Bahadurshah Zafar and the likes of them are made in plenty, for obvious reasons, but how many films were made on Savarkar, Shivaji, Rana Pratap, Ashoka the great, Jhansi ki Rani etc ? Leave the older ones. Are there films on Indira Gandhi, Nehru, Gandhi ? A British person had to come here to make a film on Gandhi !

During the British rule – till 1947 – it was probably not possible, allowed or was risky, but since 1947 till date what was the problem ? I feel sad at this state of affairs in making films. Luckily, in the last few years, some enterprising filmmakers have dared to make films on Indian Heroes. I do hope that the situation will improve further and films on Indian heroes/Heroines (there are plenty of them) will be made.

Film maharani Minal devi-1946 is a film on a brave, intelligent, kind and Patriotic personality from Gujarat. I could not get any information on her, the story of the film or other details. Fortunately, I could find a site http://www.streeshakti.com, wherein I found a note on her. here it is to get an idea who she was and what she did….

“Minal Devi or Mayanalla, a famous queen of eleventh century Gujarat, is remembered as an able and just administrator. She was the daughter of Jayakeshin, a king of the Kadamba dynasty in Karnataka and was married to Karna I, a Chalukya king of Anahillapatanawada who met an early death, leaving his queen and young son Siddharaja Jayasimha. Minal Devi acted as regent for her son, who went on to become a legendary hero. An incident described in Rajashekhar Suri’s Prabandha Kosha testifies to the fact that she inspired him in many of his warlike exploits.
She also managed affairs of state, built several monuments and lakes and was responsible for the remission of the tax on pilgrims visiting the Somnath temple. Two lakes built in her period were Minalasar or Munsar near Viramgam and Malva at Dhavalakka or Dholka in Ahmedabad. According to legend, there was a house owned by a woman at the proposed site of the lake Malva, which needed to be demolished to give the lake a regular shape. The queen offered a big sum of money to the woman for her house, but she refused, saying, ‘I shall be famous with your lake,’ thus threatening to sacrifice her life if her house was touched. The queen did not coerce her, showing herself to be a just ruler. This event led to the Gujarati saying: ‘If you want to see justice, go to Dholka and have a look at Malva lake.’

Minal Devi is mentioned with high esteem in contemporary literature. A Sanskrit play entitled Mudritakumudachandra-prakarana depicts a learned dispute between the Digambaras and Svetambaras, the two major Jain sects. One topic in this dispute is whether a woman can achieve salvation. The Svetambaras here claim that women possessing sattwa (identity: an inner quality of goodness) could attain salvation and cite Sita from mythology and Minal Devi in the court of Siddharaja Jayasimha as examples.”

The film had 7 songs written by two lyricists, composed by Saraswati Devi-the music Director. The film was directed by Chimanlal Trivedi. The cast of the film was Prem Adeeb, Leela desai, Durga Khote, Jagdish bSethi, Agha, Sankatha prasad and many others. Director Chimanlal trivedi was a remarkable enterprising person.

Chimanlal Trivedi, was one of the major filmmakers of the 30s and the 40s decade. He was more a Producer businessman than a Director. While he directed hardly 7 films, he produced close to 50 films- all having A grade actors, directors and composers !

Born on 19-3-1909 at a village near Anand in Gujarat he was from a Brahmin family. He did his schooling in Ahmedabad and technical graduation from Baroda. Being an expert in weaving, he took up a job as a weaving Master in Calcutta. Fond of writing, he started writing Dramas, which were staged in Bengal and Gujarat. He was attracted towards Cinema and tried some work in New Theatres. Knowing that the real playing field is Bombay he reached there. He wrote stories for the film Chevrolet-36 and Danger Signal-37 for Mohan pictures.

He established his own production company CIRCO (Cine Industries Recording COmpany) in 1937. By 1943, he had made 12 films. He preferred not to direct his films, but appointed directors like Mohan Sinha for Laxmi-40, Anuradha-40 and Vanmala-41, Balwant Bhatt for Suhag-40 and Madhusudan-41, A R Kardar for Swami-41 and Nai Duniya-42 and Debki Bose for Apna Ghar-42.

He had the art of getting the most popular stars for his films like, Prithviraj kapoor, Chandramohan, Durga Khote,Mazhar khan, Bibbo,Surendra, Jairaj, Sitara, Jeevan, Yaqub, Shobhana Samarth, Prem Adeeb, Vishnupant Pagnis,Leela Desai, Pahadi Sanyal, Shanta Apte and many others. Even big directors like Debki Bose,Nitin Bose, Kardar,Mohan Sinha, Sarvottam Badami, Nandlal Jaswantlal,Profull Roy, Sudhir Sen, R S Chaudhary, Phani mujumdar, Balwant Bhatt etc. worked for him. From Prabhat he brought Shanta Apte for Rs.1000 pm, and also Chandramohan, Pagnis and Mazhar khan. His friend Chandulal Shah followed his way and brought K L Saigal from New Theatres !

C L Trivedi was an expert in gathering funds for his films. After CIRCO at Parel, he started Laxmi Productions at Andheri, in 1942. He made mera Gaon,Sharafat,Bhagya Laxmi,Kadambari,Tamanna,Inkaar,Mohabbat,Miss Devi etc. In 1951, it was Supreme Pictures, Trivedi Productions was in 1952, Kala Kendra in 1953 and with Chitra Bharati in 1954, he made 13 films upto 1961. Top Composers like Timir Baran,Ashok Ghosh,Rafiq Gaznavi,K C Dey,Saraswati Devi,Husnlal-Bhagatram and Naushad gave music to his films.

In the end, he turned to Stage and started Abhinay Bharati. He staged many dramas in Bombay and Gujarat. Chimanlal always went for big names. He had close relations with Nehru, Menon, Morarji Desai, and other National leaders. His wife Kantaben was a Leader herself. Chimanlal Trivedi died on 25-11-1973. His wife, 3 sons and a daughter settled in the USA.

It may be a coincidence, but Gujarati businessmen like Chimanlal Trivedi, Chimanlal Desai,Chimanlal Luhar, Chaturbhuj Doshi, Chimankant Desai, Chunibhai Desai and Chandulal Shah made sizable contribution to Hindi cinema in the first 20 years of the Talkie era. All names started with CH ( ? ) !

Today’s song is sung by Rajkumari dubey. With this song the film makes its Debut on this Blog.


Song- Ae maina madhubaina tu kehna sajan se (Maharani Minal Devi)(1946) Singer- Rajkumari Dubey, Lyricist- Not known, MD- Saraswati Devi

Lyrics

Ae maina
madhubaina
tu kehna sajan se
sapnon mein aaye na
Ae maina
madhubaina
tu kehna sajan se
sapnon mein aaye na
chupke chupke
nindiya churaaye na
chupke chupke
nindiya churaaye na
sapnon mein aaye na

raat ko jab main sudh budh khowoon
nindiya ka main jhoola jhooloon
chanda ki kirnon mein chhupke
muskaata wo aaye
chanda ki kirnon mein chhupke
muskaata wo aaye
dheere dheere man mein samaaye
soye peer jagaaye
main man ki
main man ki us ko poochhoon
wo bhed na kuchh batlaayen
wo bhed na kuchh batlaayen
main pallaa uska pakdoon
main pallaa uska pakdoon
wo apna aap chhudaaye
wo apna aap chhudaaye
isi raar mein sapna toote
aankh meri khul jaaye ae ae
aankh meri khul jaaye

aankh khule to yaad mein unki
gaaun geet piya ke
gaaun geet piya ke
taaron ki aankhon mein chhupke
phir wo kare ishaare
phir wo kare ishaare

sun ree pyaari koyal kaali
sun ree pyaari koyal kaali
jaa ke sajan ko keh de aali ee ee ee
keh de aali
bhola sa man mera
bhola hai man
bhola sa man mera
bhola hai man
kisi ko tarsaaye na
sapnon mein aaye na
kisi ko tarsaaye na
sapnon mein aaye na


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4712 Post No. : 16418

———————————————–————————————
Blog 10-Year Challenge (2011-2021) – Song No. 25
———————————————————————————–

“Teen Bhai”(1955) was directed by Hem Chandra for D P Productions, Bombay. This “social” movie had Nirupa roy, Shyama, Bharat Bhushan, Pahadi sanyal, Hiralal, Nazir Hussain, Gulab, Leela Mishra, Madan Puri,Chandrakala, Bhupendra Kapoor, Menka, Samar Chatterjee, Sarita devi, Colin Pal, Shivji Bhai, Nimbalkar, Shah, Sailen Bose, Shailaj, Kammo etc in it ith
Guest appearance by Pal Mahendra.

The movie had eight songs in it. One song has been covered in the past. That song was covered on this day ten years ago, and that song- Jaan gayi hoon pehchaan gayi hoon , remains the only song from the movie in the blog so far.

As blog ten year challenge, here is the second song from “Teen Bhai”(1955) to appear in the blog. This song is sung by Sudha Malhotra. Bharat Vyas is the lyricist. Music is composed by Arun Kumar Mukherjee.

Only the audio of the song is available. It appears that only two stanzas of the song are available and those two stanzas have been repeated by the uploader to make it look like a long enough song.

I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Prakashchandra.


Song-Ban mein boley bulbul aur man mein boley maina(Teen Bhai) (1955) Singer-Sudha Malhotra, Lyrics-Bharat Vyas, MD-Arun Kumar Mukherjee

Lyrics(Provided by Prakashchandra)

bann mein boley bulbul
aur mann mein boley mainaa
ho bann mein boley
bann mein boley bulbul
aur mann mein boley mainaa
rey ud ud jaaye
o udd udd jaaye
gagan mein morey naainaa aa
bann mein boley
bann mein boley bulbul
aur mann mein boley mainaa
ho bann mein boley

ye kaarey kaarey baadal
baajaaye meethi maadal
hooo oo ooo hoo oo hoo oo
aahhhaaa hhaaa hhaaa hhhaaa
ye kaarey kaarey baadal
baajaaye meethi maadal
ye sunn sunn ankhiyon mein
phailaa jaaye kaajal
ho phailaa jaaye kaajal
laagey rey laagey aey ae ae
sunehrey laagey
sunehrey laagey din ye
rupahaley laagey rainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey nainaa aa
bann mein boley

ye kaarey kaarey baadal
baajaaye meethi maadal
hooo oo ooo hoo oo hoo oo
aahhhaaa hhaaa hhaaa hhhaaa
ye kaarey kaarey baadal
baajaaye meethi maadal
ye sunn sunn ankhiyon mein
phailaa jaaye kaajal
ho phailaa jaaye kaajal
laagey rey laagey aey ae ae
sunehrey laagey
sunehrey laagey din ye
rupahaley laagey rainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey nainaa aa
bann mein boley
bann mein boley bulbul
aur mann mein boley mainaa
ho bann mein boley

ye meethhi meethhi ghadiyaan
jo moti si thin ladiyaan
oo oooo ooo oo oo ooo
haahhhaa aaahhaaa hhhaaa hhhaaaa
ye meethi meethi ghadiyaan
o jo moti si thin ladiyaan
o lagee lagee phaagun mein
phoolon ki phuljadiyaan
ho phoolon ki phuljhadiyaan
main kis sey kahoon oon oon
kis sey kahoon
main kis sey kahoon
baat meri kaun suney bainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey naainaa aan aa
bann mein boley

ye meethhi meethhi ghadiyaan
jo moti si thhin ladiyaan
ho o ho o ho o
haahhhaa aaahhaaa hhhaaa hhhaaaa
ye meethi meethi ghadiyaan
o jo moti si thin ladiyaan
ho lagee lagee phaagun mein
phoolon ki phuljadiyaan
ho phoolon ki phuljhadiyaan
main kis sey kahoon oon oon
kis sey kahoon
main kis sey kahoon
baat meri kaun suney bainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey naainaa aan aa
bann mein boley


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3508 Post No. : 14096

Today, 24th February is the birth anniversary of Talat Mehmood (born 1924).

There are approximately 650 film songs identified, as being sung by him. It is a known fact that during the decade of 1950s, Talat Sb spent more of his energies in trying to establish himself as an actor-singer. He had the presence and the looks of a leading hero, plus a voice that at one time had stolen the hearts of film goers and listeners. But the on-screen combination somehow did never strike a rapport with the audience, getting only a lukewarm reception at the box office. Rising from the mid 1940s along with the other mainstream singers, he allowed his ratings as a playback singer to falter, in his effort to be a singing start. Now, it is just a matter of speculation how the history of Hindi films and Hindi film music could have been different, had some different choices had been made by Talat Sb.

In this context, it is very interesting to note that the decade of 1950 evolved in the manner it did – given that some leading singers made some different choices. The other names that come to mind are Mukesh, and Kishore Kumar. Mukesh also focused his energies on becoming an actor, for a good part of the early half of 1950s. Similarly, Kishore Kumar did not focus on being a dedicated playback singer – he also first went the actor route to establish himself in the industry. It is recognized that he was successful to a great extent to establish himself as an actor of some merit and popular following, with a continuous string of films that mattered. But even for him, his career as an actor eclipsed by mid 1960s, and his decision to come into his own as a playback singer in late 1960s, did wonders of a different type in his career. And so the debate about ‘What if. . .’ applied to these three singers is interesting, but of course a moot exercise. The history of Hindi film music is what it is. The choices had been made.

Today’s song has been sent in by Avinash ji. The film is ‘Samaapti’ from 1949. The film is produced at the Calcutta center, under the banner of Uma Productions, and is directed by Amar Mullick. The star cast of the film is briefly listed in the Geet Kosh as Talat Mehmood, Bharti Devi, Heeralal and Sunder. Given that Talat Mehmood is starring in this film, this song most likely is picturized on himself.

The film has 8 songs listed. Music direction is by Timir Baran. The lyricist name is listed for six of the songs – Pandit Bhushan. Two of these songs, including this one, are solo renderings by Talat Sb, two are solo songs by Suprabha Sarkar, and two are duets of Talat and Suprabha Sarkar. Information about the lyricists and singers of the remaining two songs is not available.

A light hearted song of happiness, that tells about the heart singing like a bird – rendered so effortlessly by Talat Sb. Listen and enjoy.

 


Song – Mann Ki Maina Bol Rahi Hai (Samaapti) (1949) Singer – Talat Mehmood, Lyrics – Pandit Bhushan, MD – Timir Baran

Lyrics(Provided by Avinash Scrapwala)

mann ki maina bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina
uski boli har leti hai
mere mann ka chaina aa
mere mann ka chaina aa aa
bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina aa

desh mein wo jaane ko kehti
jahaan prem ki ganga behti..ee
kaanon mein aa kar ras gholen
kaanon mein aa kar ras gholen
kisi ke meethe baina
bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina

wahaan ek bholi..ee matwaali..ee
sundar nain nachaaye
wahaan ek bholi..ee matwaali..ee
sundar nain nachaaye
koyal ki si pal pal kooke
hans hans phool khilaaye
koyal ki si pal pal kooke
hans hans phool khilaaye
use dekhne ko..o
ab mere
tadap rahe hai naina
bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina

————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
————————————————————————
मन कि मैना बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना
उसकी बोली हर लेती है
मेरे मन का चैना॰॰आ
मेरे मन का चैना॰॰आ
बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना आ

देश में वो जाने को कहती
जहां प्रेम कि गंगा बहती॰॰ई
कानों में आकर रस घोलें
कानों में आकर रस घोलें
किसीके मीठे बैना
बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना

वहाँ एक भोली॰॰ई मतवाली॰॰ई
सुन्दर नैन नचाये
वहाँ एक भोली॰॰ई मतवाली॰॰ई
सुन्दर नैन नचाये
कोयल कि सी पल पल कूके
हंस हंस फूल खिलाये
कोयल कि सी पल पल कूके
हंस हंस फूल खिलाये
उसे देखने को॰॰ओ
अब मेरे
तड़प रहे है नैना
बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3466 Post No. : 13912

“Birhan”(1948) was directed by Kailash Bhandari for National Film Producers, Bombay. The movie had Roopa, Pran, Begam Parveen, Gul Zamaan, Ram Lal, Zaheer, Nafees Begam, Krishna Rane, Cuckkoo etc in it.

The movie had twelve songs in it that were penned by two lyricists vz. Bekal and Sarshar Sailaani but the distribution of songs among the two is not known.

Four songs from the movie has been covered in the past.

Here is the fifth song from “Birhan”(1948) to appear in the blog. HFGK is slent about the singer of the song. The uploader mentions the singer as Dilshad Begam. Lyricist is not known. Music is composed by Pt Lachchiram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Audio

Song-Gaa meri maina ga (Birhan)(1948) Singer-Dilshad Begam, MD-Pt Lachchiram

Lyrics

aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa
main mil aayi hoon apne balam se
apne balam se
tu bhi na sharma aa
tu bhi na sharma aa
wo baithha tera rasiya bulaaye
wo baithha tera rasiya bulaaye
ja ri ja
mil aa
ja ri ja
mil aa
ja ri ja
mil aa
ja ri ja
mil aa
aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa

komal kaliyon
tum phir (??) phoolo
komal kaliyon
tum phir (??) phoolo
aaj gale mil mil jhoolo
aaj gale mil mil jhoolo
o bhanwre o lobhi bhanwre
o bhanwre o lobhi bhanwre
kali kali par ghoomne waale
kali kali par ghoomne waale
kaliyon ka munh choomne waale
kaliyon ka munh choomne waale
kaliyon ka ras choos le pagle ae ae
dil ki lagi bujha
kaliyon ka ras choos le pagle ae
dil ki lagi bujha
aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa

dekho thhaam thhaam ke haaye
dekho thhaam thhaam ke daaman
poochho na tum raaz ki baaten aen aen
dekho tham tham ke daaman
poochho na tum raaz ki baaten
more saajan maan gaye
more saajan maan gaye
ab naa katengi ro ro raaten aen aen
ab naa katengi ro ro raate aen aen
aaj mera man naach raha hai
aaj mera man naach raha hai
man ka meet mila aa
man ka meet mila aa
aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kurbaani”(1943) was directed by Ram Daryani for Murli Movietone, Bombay. This obscure “social” movie had Durga Khote, Ishwarlal, Vasanti, Kaushalya, Gulab, Kamla, Gope, Majid, Sheikh, Dharpure etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Devdaasi”(1945) was directed by C S Bose for New Maharashtra Production, Bombay. This movie had Prithviraj Kapoor, Monika Desai, K C Dey, Vikram Kapoor, Suman, Kamla, Dar Kashmiri (Jeewan), G L Vaid, Arbind Sen, Prasann Kumar, Ashbela, Muma Tagore, Dubey etc in it.
Read more on this topic…


“Saawan Aaya Re” (1949) was a Hindustan Chitra production movie. It was directed by Kishore Sahu. The movie had Kishore Sahu, Pratima Devi, Ramola, Sofia, Mohana, Gulab, Anant Prabhu, Promoth Bose, David Abraham, Ramesh Gupta etc in it.
Read more on this topic


“Waapas” (1969) was a S S Chitra Mandir Presentation. It was directed by Satyen Bose. The movie had Ajay, Satyajit, Kishwar, Azra, Leela Mishra, Shekhar Purohit, Parveen Paul, Jankidas, Chandrima Bhaduri, Alka, Kumud Tripathi etc in it.
Read more on this topic…


“Anban” (1944) is as obscure a movie as a movie ever can be. Hardly any information is available about this movie now. This movie was directed by N Lahiri. Its star cast included names like Shah Nawaz, David Abraham, Mubarak , Pahari Sanyal, Nargis , Jagirdar , Shobhana Samarth etc.
Read more on this topic…


“Pyaar Kiye Jaa” (1966) was a runaway hit. Though Shashi Kapoor was the hero of this movie, it had many other entertainers in it, viz Kishore Kumar, Mehmood, Mumtaz ( then an upcoming actress) etc.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

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Blog Start date: 19 july 2008

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