Posts Tagged ‘1956’
Mere dil mein tum chhupe ho
Posted on: October 8, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4465 | Post No. : | 15951 |
“Aanbaan”(1956) was produced and directed by D D Kashyap for Kashyap Productions, Bombay. This costi=ume drama movie had Nalini Jaiwant, Usha Kiran, Ajit, Mahipal, Pran, Ulhas, Niranjan Sharma, Manmohan Krishna, Baij Sharma, Parvati devi, Maya devi, Fazal, Shree Bhagwan, Nazeer etc in it.
The movie had eight songs in it. One song has been covered in the past.
Here is the second song from “Aanbaan”(1956) to appear in the blog. The song is sung by Asha Bhonsle. Qamar Jalalabadi is the lyicist. Music is composed by Husnlal Bhagatram.
Only the audio of this song is available. This movie had two female singers. Asha Bhonsle had sung four songs whereas Lata Mangeshkar has sung three. So it is difficult to guess who sang for which actress. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Mere dil mein tum chhupe ho (Aan Baan)(1956) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa
mere dil mein tum chhupe ho
mere dil mein tum chhupe ho
dil mein aa kar dekh lo o
meri nazron mein ho tum
nazren milaa kar dekh lo o
mere dil mein tum
yoon kahin aawaaz detin
hain ye dil ki dhadkanen ae
yoon kahin aawaaz detin
hain ye dil ki dhadkanen aen
gar yaqeen hota nahin to
paas aa kar dekh lo o
gar yaqeen hota nahin to
paas aa kar dekh lo o
mere dil mein tum
ho gaye pehli nazar mein
zindagi ke faisle ae
ho gaye pehli nazar mein
zindagi ke faisle ae
aajmaana ho agar to
aajmaa kar dekh lo o
aajmaana ho agar to
aajmaa kar dekh lo o
mere dil mein tum
kya khabar thhi yoon
muhabbat ka asar ho jaayegaa
kya khabar thhi yoon
muhabbat ka asar ho jaayegaa
apne dil ki aag mere
dil mein aa kar dekh lo o
apne dil ki aag mere
dil mein aa kar dekh lo o
mere dil mein tum chhupe ho
dil mein aa kar dekh lo o
mere dil mein tum
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4413 | Post No. : | 15812 |
Today’s song is from film Patrani-1956. It was a Prakash Pictures’ film, produced by Shankarbhai Bhatt-the elder brother and directed by Vijay Bhatt, the younger brother. The music was by Shankar-Jaikishen (S-J). Songs were written by Shailendra (9) and Hasrat Jaipuri (1).
In my last post, I had talked about songs from the 50’s decade, especially songs from Shankar-Jaikishen films of this decade. I was determined to discuss such songs from Shankar-Jaikishen in the 50’s, so I started scanning each of their films made in the 50s. From 1951 to 1960, Shankar-Jaikishen gave music in a total of 41 films. First, I made a list and then revised it to an alphabetical list. That way, it would be easier for me to check songs from every film, from the Blog’s ” List of songs-moviewise”. Before starting, I went through the list once again and my heart sank. Looking at the titles of the films, I was afraid that most films must have already been ‘ Yippied ‘.
When I sat at the Laptop and started going through the movie titles, my worst fears seemed to get confirmed. When I finished scanning all the 41 films, I found that as many as 40 films out of the 41 total films had been Yippied, with all their songs covered. Only 2 songs from the film Patrani-56 miraculously remained uncovered yet. I felt like ‘ खोदा पहाड और निकला चूहा ‘. At this point , I remembered that in Nov-Dec-2015, I had myself done a series ” Songs of Shankar-Jaikishen from the 50’s “, in this Blog. In this series, I think, I must have discussed some 15 songs from 15 such films. Film Patrani-56 song was also one of that series, I remember.
Today’s song is from the film Patrani-56, and Shankar- Jaikishan were the Music Directors. Yesteryear composer Lallubhai Nayak was their assistant in this film. Lallubhai was the First music Director of Prakash Pictures since 1934. He gave a break to Rajkumari in 1934. He was a paid composer with Prakash in the 30s. Later he was first replaced by Shankar Rao Vyas and then by Naushad. After 1948, Lallubhai was living an anonymous life. Shankar Jaikishan brought him again in the industry with Patrani-56, to help him financially.
Patrani-56 was probably the First film of Shankar Jaikishan after they fought back and gained control over their music compositions in Raj Kapoor movies where Raj Kapoor used to exercise control over their compositions till then.
The film is set in Gujarat in the 11th century. it was based on a novel by Kanhaiyalal Munshi. The producers took plenty of cinematic liberties with the novel. PATRANI-1956 was supposed to be a Historical film,but there is no base for its story in real History. As I said once,Historical movies in India are most of the times ’Distortical’ movies, either being imaginary or bent for cinematic liberty.
A Prakash picture’s film (actually they were known for Mythological films), it was directed by Vijay Bhatt,its owner himself. The story,Dialogues and Screenplay was by R.S.Chaudhary. The music was by Shankar-Jaikishen and their assistant in this film was Lallubhai Naik, who played Sarod in this film.
The story of Patrani -56 was…..
King Karnadev Solanki,king of Gujrat(Pradeep Kumar) had many queens but no issues. The Rajmata(Durga Khote) insisted that he marry another girl after ascertaining astrologically her capability to give children.
The king had seen one princess in Somnath temple once and wanted to marry only her.But he does not know who she is. Actually she is princess Mrinal(Vyjayanti Mala) daughter of King Jai keshi(Ramesh Sinha) ofKarnatak.She was on a Teerth yatra when she saw Karnadev. She also wanted to only marry him,but did not know who he was.
Munjal Mehta (David),Mahamantri of Karndev goes on a mission and soon finds out Mrinal.She is beautiful,but her skin becomes black in the sunlight.Munjal knows Karndev’s dislike of black.mrinal is astrologically also fit.He tells her and shows the sketch of Karandev,after which she is happily ready to marry him.
They all travel to Gujarat, but during travel Mrinal’s skin becomes black.During marriage,there is a veil,but after marriage Karndev sees that she is black and rejects her.
She is good natured and becomes Raj mata’s pet. When the King falls sick, Mrinal serves him very well and slowly the King realises that outer skin colour does not make a person good or bad. He accepts her as she is and all’s well that ends well.
The cast of the film included Vaijayanti mala, Pradeep kumar, Omprakash, Shashikala, Praveen Paul, Sheela Vaz, Helen, David, Jeevan and many others.Actress Praveen Paul was born in 1930 in Punjab. She entered films in 1953, with the film Naulakha Haar-53. She did 128 films.Her last film was Sawerey wali gaadi-86. After her first marriage ended, she got involved with actor K.N.Singh. K.N.Singh was married and never acknowledged Praveen. They were involved with each other for 25 years. From this relationship , they had a son named “Vibhu”. He also went by the name’s “Vibhu Paul”,”Vibhu Singh”. He is now known as “Vibhushan Singh Paul” and is based in Toronto, Ontario,Canada. He is an owner operator of a Transport company. He has a daughter named Sarah Faria who is married to Cyrus Faria. K.N.Singh never publicly accepted Vibhushan as his son. (Thanks to IMDB).
This film’s Hero Pradeep Kumar was a fortunate actor. He was the first choice to play prince/king in numerous Hindi films. His talwar-cut moustache, broad shoulders, receding-into-his-temples coiffure, peaches-and-honey complexion, and regal bearing made him fit the role of an amorous aristocrat like a made-to-order crown.
Pradeep was the kind who could smoke a hookah with the same élan as while puffing State Express cigarettes when he played the modern lover.
Pradeep Kumar aka Sital Batabyal was born on 4 January 1925. Pradeep bided his time till he was 17 years old before he announced his decision to pursue an acting career. Despite his father’s disapproval, Pradeep began acting on stage. During one of his performances, renowned filmmaker Debaki Bose spotted him and cast him in a Bengali film, Alaknanda (1947).
Encouraged, Pradeep moved to Mumbai and found a job in the bustling Filmistan Studio. He brushed up on his Hindi and learnt Urdu in a bid to make an impression in his first Hindi film, Anand Math (1952). The film, set in the 18th century, had strong nationalistic overtones and co-starred Prithviraj Kapoor and Geeta Bali. The Vande Mataram number from this film became a cult success.
In the next two years, Pradeep’s career escalated to the top with two hugely successful musical hits — the Bina Rai-starrer Anarkali (1953) and the Vyjayanthimala-starrer Nagin (1954). While Anarkali revolved around the eternally popular legend of Mughal prince Salim’s passionate affair with a commoner Anarkali, Nagin was a reed-slim romance between two lovers belonging to rival snake-catching tribes.
The songs of both films (Nagin had as many as 12) had audiences transfixed. Pradeep’s lessons in fencing for Anarkali and his gamble of letting a python play on his wrist for Nagin paid off.
Pradeep’s regal demeanour won him legions of fans. He went on a signing spree (in 1956, he had 10 releases) and inked deals with V Shantaram (Subah Ka Tara) and Raj Kapoor (Jagte Raho).
All the top-notch heroines of the 1950s — Nimmi (Jayshree), Nargis (Adalat), Nutan (Heer), Meena Kumari (Bandhan) — were paired with Pradeep.
After Rajhath (1956), the actor tried desperately to make a hit pair with the beauteous Madhubala. They did as many as five other films together — Yahudi Ki Ladki (1957), Gateway Of India (1957), Police (1958), Mahlon Ke Khwaab (1960) and Passport (1961), but Pradeep’s efforts were in vain.
His films with lucky mascot Vyjayanthimala (including his home production Ek Jhalak) did not enjoy even a fraction of the success of Nagin. But his pairing with Bina Rai seemed to have stilled the wings of time. This teaming salvaged Pradeep’s career from the late-1950s dip, first with Ghunghat (1960) and more decisively with Taj Mahal (1963). Even a decade after Anarkali, Pradeep could evoke a regal aura while playing love-struck Mughal royalty. Roshan’s dulcet duet, Paon chhu lene do toh and Jo vaada kiya from Taj Mahal, like an unforgettable promise, continue to haunt radio listeners even today.
Pradeep’s career got a further fillip with Rajshri’s social, Aarti. Meena Kumari and Pradeep played lovers who bond together because of their common desire to serve the poor. But their love story comes under a cloud when a rich, unscrupulous doctor (played by the late Ashok Kumar) is irretrievably drawn towards Meena Kumari. Aarti’s success ensured that Pradeep and Meena worked unceasingly in a series of films. Pradeep once said, “Meena and I made a fine pair and worked very well together, but her husband did not like our friendship.”
He worked with Meena Kumari in seven films; Adil-E-Jahangir, Bandhan (1956 film), Chitralekha, Bahu Begum, Bheegi Raat, Aarti and Noorjehan; and with Mala Sinha in eight films; Naya Zamana, Hamlet, Baadshah, Detective (1958 movie), Fashion (1959 film), Ek Shola, Duniya Na Maane, and Mitti Mein Sona.
He did not get to act in lead roles with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in Ghoonghat and Meri Surat Teri Aankhen and with Waheeda Rehman in Raakhi (1963). In 1969, he moved to character roles with Sambandh and Mehboob Ki Mehndi, but did not have many visible roles till Jaanwar and Razia Sultan in 1983.
The first Meena-Pradeep film to release on the heels of Aarti was Kidar Sharma’s Chitralekha (1964). Pradeep played the hedonistic Samanta Beejgupta in this period film set in the Gupta period. Despite lavish production values, the stolid support of veteran Ashok Kumar and exquisite penmanship by Sharma and Sahir, the film collapsed at the box office. Kalidas’s love triangle Bheegi Raat, which featured the tried triangle of Ashok Kumar, Meena Kumari and Pradeep once again, was an average success. But M Sadiq’s Muslim socials Bahu Begum (Ashok Kumar again) and Noorjehan, both released in the same year, spelt the death knell for the team.
Pradeep, who had not signed a single film with the new breed of successful heroines of the 1960s like Sadhana, Saira Banu and Sharmila Tagore, suddenly found himself without a rudder.
In 1969, Pradeep saw a glimpse of success once again with Sambandh, albeit in a character role. Ironically, Ajoy Biswas, the director of Sambandh, who had provided him with a short burst of fame, caused him a lot of heartburn too. Biswas had a short-lived and unhappy marriage with Pradeep Kumar’s actress daughter, Bina.
Pradeep’s princely persona and impeccable Urdu was relegated to the pages of history for the next decade and more. But the onscreen prince was destined to play an emperor in Kamal Amrohi’s Razia Sultan (1983). Pradeep Kumar acted in 144 Hindi films. He directed one film-Do dilon ki dastan-1966. He won the Kalakar Award-Lifetime Achievement Award (1999).
The semi-retired Pradeep played the emperor as only he could — forcefully. After all, he had played blue-blooded characters all his life. He lived a life removed from the spotlight for the next 18 years. His end was pathetic. Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging him, unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days,on 28-10-2001, at the age of 76 years.. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful, and even close relatives desert you in bad times.
He is survived by his daughters Reena, Meena and Beena Banerjee who plays character roles in movies and TV serials including Uttaran, son Debiprasad and granddaughters Tanisha, Suparna, Riya and Hrishita. Beena Banerjee’s son Siddharth Banerjee worked as assistant director in Sajid Khan’s Housefull 2 (2012) and Himmatwala (2013).
(Ack: adapted from an article ” Ever the Royal” by Dinesh Raheja in Rediff.com dt 2-6-2003 and my notes, HFGK and muVyz. Thanks to all).
So, here is the song from the film Patrani-56, with music by Shankar-Jaikishen. It is sung by sisters Lata and Usha Mangeshkar with chorus. Enjoy….
Song-Raaja pyaare mat karo pyaar ka mol (Patraani)(1956) Singers-Lata, Usha Mangeshkar, Lyrics-Shailendra, MD-Shankar Jaikishan
Chorus
Lyrics
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
is duniya mein
ho is duniya mein ek yahi cheez anmol
raaja pyaare
mat karo pyaar ka mol
raaja pyaare
ae ae
ae ae
tum khushiyon ke saagar pyaare
main ithlaati lehri
tum khushiyon ke saagar pyaare
main ithlaati lehri
tum umde to o o
o o o
tum umde to main lehraayi
varna thahri thahri
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
is duniya mein
ek yahi cheez anmol
raaja pyaare
ae ae
ae ae
satrangi kirnon ke sooraj
tumse jag mein jyoti
satrangi kirnon ke sooraj
tumse jag mein jyoti
main shabnam
ho o o o
o o
main shabnam tum se hi jagmag
varna jhoothha moti
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
raaja pyaare
mat karo pyaar ka mol
is duniya mein
ek yahi cheez anmol
raaja pyaare
ae ae ae ae
Ye to bataa rasiyaa
Posted on: August 8, 2020
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Lata solo | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Songs of 1950s (1951 to 1960) | Songs of 1956 | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4404 | Post No. : | 15792 |
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Blog 10-Year Challenge (2010-2020) – Song No. 52
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Ten years ago on this day, viz on 8 august 2010, the blog clocked as many as seven songs !!
Here are the details:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Muhabbat cheez hai kyaa muhabbat kar ke dekhenge | Ye Raat Phir Naa Aayegi-1966 | All songs covered |
| Teri yaad naa dil se jaa saki | Chaand Aur Suraj-1965 | All songs covered |
| Taana der na taani tum | Pyaar Kaa Saagar-1961 | All songs covered |
| Ye waadaa karen jahaan bhi rahen | Dil Bhi Tera Ham Bhi Tere-1960 | All songs covered |
| Yaar chulbulaa hai | Dil Deke Dekho-1959 | All songs covered |
| Lo chalen ham behke qadam aaj khushi se | Zimbo-1958 | All songs covered |
| Chal diya dil mera tod ke | Fifty Fifty-1956 | 05 songs posted |
When I checked up on that day ten years ago, I realised that the day fell on a sunday. On week days I was posting six articles a day, and this holiday gave me additional time to post a whopping ONE song more. 🙂
The weekend is upon us now as well. Can I cover similar number of songs that I did ten years ago on the same days. Lots of water has flown under the bridges. Things and circumstances are entirely different. I find myself a bit more encumbered now that what I was ten years ago. Still, let us keep oyr fingers crossed. We achieved nine post a feat this year too, on 31 july 2020.
Six out of seven movies whose songs were covered that day have since been YIPPEED. Only one movie, viz “Fifty Fifty” (1956) remains unyippeed and hence eligible for Blog ten year challenge today.
“Fifty Fifty” (1956) had eight songs in it. This movie had made its debut on this day ten years ago. Since then, four more songs from the movie have been covered. So overall five songs of “Fifty Fifty”(1956) have been covered in the blog. Here are the details:-
| Song | Posted On |
|---|---|
| Chal diya dil mera tod ke | 08.08.2010 |
| Aadhi tum khaa lo aadhi ham khaa len | 25.08.2010 |
| Mere jaisa nahin milega ulfat ka deewaanaa | 14.09.2012 |
| Ye bhool huyi bhoole se kabhi | 13.07.2013 |
| Shaam ka aanchal dhalkaa | 23.06.2016 |
Here is the sixth song from “Fifty Fifty” (1956) to appear in the blog. The song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Madan Moghan.
This blog used to cover a lot of songs of Madan Mohan in the past, including ten years ago. 65 of Madan Movies (out of 96), including most of his movies of 1950s and 1960s, have already been YIPPEED. So very few songs of Madan Mohan are still left to be covered. So it came as a pleasant surprise to me that there are still a few Madan Mohan songs from 1950s that are not yet covered. There are 7 unyippeed movies of Madan Mohan from 1950s and 8 unyippeed movies of Madan Mohan from 1950s. So we still have a few more Madan Mohan songs that can be discussed in the blog.
Only the audio of the song is available. ISeeing that Nalini Jaiwant was the leading lady, my guess is that the song was picturised on her.
Lyrics of this song were sent to me by Avinash Scrapwala.
Song-Ye to bata rasiyaa (Fifty Fifty)(1956) Singer-Lata, Lyrics-Rajinder Krishan, MD-Madan Mohan
Lyrics(Provided by Avinash Scrapwala)
ye to bataa rasiyaa aa aa aa
ye to bataa rasiyaa aa aa
kaahe meri ankhiyon se
nindiyaa churaaye liye jaaye
ye to bataa rasiyaa aa aa aa aa
ye to bataa rasiyaa aa aa
bas gayi nain mein
sooratiyaa tihaari ee ee ee ee
bas gayi nain mein
sooratiyaa tihaari ee
ankhiyon hi ankhiyon mein
raat bitaaun
saari raat bitaaun
saari raat bitaaun
saari ho o o o o o o
jaane ye kyaa huaa aa aa aa
ye to bataa rasiyaa aa aa
kaahe meri ankhiyon se
nindiyaa churaaye liye jaaye
ye to bataa rasiyaa aa aa aa aa
baithhe bithhaaye mora jiyaa
kaahe doley ae
baithhe bithhaaye mora jiyaa
kaahe doley ae
samajh na aaye kaise
bol anokhe boley
bol anokhe boley
bol anokhe boley ae
ho o o o o o
jaadu kiyaa rasiyaa aa aa aa
ye to bataa rasiyaa aa aa
kaahe meri ankhiyon se
nindiyaa churaaye liye jaaye
ye to bataa rasiyaa aa aa aa aa
ye to bataa rasiyaa aa
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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ये तो बता रसिया आ आ आ
ये तो बता रसिया आ आ
काहे मेरी अंखियों से
निंदिया चुराए लिए जाए
ये तो बता रसिया आ आ आ आ
ये तो बता रसिया आ आ
बस गयी नैन में
सुरतिया तिहारी ई ई ई ई
बस गयी नैन में
सुरतिया तिहारी ई
अंखियों हि अंखियों में
रात बिताऊं
सारी रात बिताऊं
सारी रात बिताऊं
सारी हो ओ ओ ओ ओ ओ ओ
जाने ये क्या हुआ आ आ आ
ये तो बता रसिया आ आ
काहे मेरी अंखियों से
निंदिया चुराए लिए जाए
ये तो बता रसिया आ आ आ आ
बैठे बिठाए मोरा जिया
काहे डोले ए
बैठे बिठाए मोरा जिया
काहे डोले ए
समझ न आये कैसे बोल
अनोखे बोले
बोल अनोखे बोले
बोल अनोखे बोले ए
हो ओ ओ ओ ओ ओ
जादू किया रसिया आ आ आ
ये तो बता रसिया आ आ
काहे मेरी अंखियों से
निंदिया चुराए लिए जाए
ये तो बता रसिया आ आ आ आ
ये तो बता रसिया आ
Zara dekh idhar
Posted on: August 7, 2020
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4403 | Post No. : | 15788 |
‘Baadshaah Salaamat-1956’ was directed by Prem Sinha for ‘Mayfair Pictures, Bombay’. It had Shyama, Amarnath, Smriti Biswas, Bhagwan, B. M. Vyas, Chandrashekhar, Maruti, Ramesh Thakur, Naaz, Heera Sawant, R. Tiwari, Vinay Kumar and others. Anwar Hussain and Minu Mumtaz make a guest appearance in this movie.
This movie had nine songs composed by Bulo C. Rani. Five lyricists contributed as lyrics writer where P. L. Santoshi wrote two songs, K. Razdaan-two songs, Raja Mehdi Ali Khan-one song, Vinay Kumar- two songs and Shafiq Kanpuri-two songs. Asha Bhonsle, C.H. Atma, Geeta Dutt, G.M. Durrani, Manna Dey, Mohd Rafi and Sudha Malhotra had given their voices to the songs in this movie.
This movie was passed by Censor Board on 12.10.1956.
So far only one song from this movie have been posted on the blog on 09.09.2014.
Today 7th August 2020 is the 104th birth anniversary of Producer, Director, Writer P.L. Santoshi (07.08.1916- 07.09.1978).
On this occasion here is a song written by him from the movie ‘Baadshaah Salaamat-1956’.
This song is sung by Geeta Dutt and Mohd Rafi and it is composed by Bulo C. Rani. Lyrics are by P.L. Santoshi.
Song-Zara dekh idhar (Baadshah Salaamat)(1956) Singers-Geeta Dutt, Rafi, Lyrics-P L Santoshi, MD-Bulo C Rani
Both
Lyrics
Zaraa dekh idhar rr
Zaraa dekh dekh
Dekh idhar
Ka ka ka kidhar rr
Zaraa dekh idhar
Zaraa dekh dekh
Dekh idhar
Sun to sahi kehti hai kya
Meri nazar
Ye meri nazar
Lagtaa hai darr
Kahin tirchhi nazar
Lag jaaye na idhar
Main jaaun na marr
Zaraa dekh udhar rr
Yaa
Zaraa dekh idhar
Zaraa dekh dekh
Dekh idhar
Kehti hai paas mere tu aa
Nazron se meri nazar milaa
Are kehti hai paas mere tu aa
Nazron se meri nazar milaa aa
Nazron se meri nazar milaa
Ek duniya dil mein nayi basaa
Magar rr rr
Lagtaa hain darr
Kahin tirchhi nazar
Lag jaaye na idhar
Main jaaun na marr
Zaraa dekh udhar
Are udhar udhar udhar
Zaraa dekh idhar
Zaraa dekh dekh
Dekh idhar
Ye kaisi mohabbat
Karta hai tu oo
Ye kaisi mohabbat
Karta hai tu oo
Marne se itna darta hai tu
Marne se banda darta nahin
Ja ja ja ja ja kabhi ulfat mein koyi martaa nahin
Hoo hoo hoo
Marne se banda darta nahin
Kabhi ulfat mein koyi martaa nahin
Kabhi ulfat mein koyi martaa nahin
Kabhi ulfat mein koyi martaa nahin
Phir kaisi agar
Phir kaisi magar
Hu aha ha
Phir kaisi agar
Phir kaisi magar
Zaraa dekh udhar
Zaraa dekh dekh dekh udhar
Ye o h aha ha
———————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
ज़रा देख इधर ’र’र
ज़रा देख देख
देख इधर
क क क किधर ‘र’र
ज़रा देख इधर
ज़रा देख देख
देख इधर
सुन तो सही कहती है क्या
मेरी नज़र
ये मेरी नज़र
लगता हैं डर
कहीं कहीं तिरछी नज़र
लग जाए न इधर
मैं जाऊं न मर
ज़रा देख उधर ‘र’र’
या
ज़रा देख इधर
ज़रा देख देख
देख इधर
कहती है पास मेरे तू आ
नज़रों से मेरी नज़र मिला
अरे कहती है पास मेरे तू आ
नज़रों से मेरी नज़र मिला आ
नज़रों से मेरी नज़र मिला
एक दुनिया दिल में नयी बसा
मगर ‘र’र ‘र’र
लगता हैं डर
कहीं तिरछी नज़र
लग जाए न इधर
मैं जाऊं न मर
ज़रा देख उधर
अरे उधर उधर उधर
ज़रा देख इधर
ज़रा देख देख
देख इधर
ये कैसी मोहब्बत
करता है तू ऊ
ये कैसी मोहब्बत
करता है तू ऊ
मरने से इतना डरता है तू
मरने से बन्दा डरता नहीं
जा जा जा जा जा कभी उल्फत में कोई मरता नहीं
हू हू हू
मरने से बन्दा डरता नहीं
कभी उल्फत में कोई मरता नहीं
कभी उल्फत में कोई मरता नहीं
कभी उल्फत में कोई मरता नहीं
फिर कैसी अगर
फिर कैसी मगर
हु आहा हा
फिर कैसी अगर
फिर कैसी मगर
ज़रा देख उधर
ज़रा देख देख देख उधर
ये ओ ह आहा हा
- In: "Nok-Jhonk" song | Artist century song in blog | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | fun timepass song | Guest posts | Jagmohan Bakshi Songs | Lyrics contributed by readers | Post by Sudhir | S Balbir song | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1956 | Sudha Malhotra songs | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4306 | Post No. : | 15578 |
Another wonderful discovery, another song that I had never heard before. The film is ‘Zindagi’ from 1956. The music composition is by Mohammed Shafi.
Mohammed Shafi is the name I was trying to get to also, on 30th April, which is the remembrance day for him. After getting the post in place for C Arjun that evening, I was not able to pull together this post, for remembering Mohammed Shafi Sb.
Once again, another very talented music director about whom, not much information is available. After much searching, I am able to locate a very brief article by a gentleman named Qaseem Abbaasi on the web site ‘Apnaarchives.org’. I am including some details from that article in this post.
He was born sometimes in 1920s. His father’s name was Majid Khan, who passed away when Shafi was very young. Majid Khan was the grandson of the renowned beenkar Bande Ali Khan. Bande Ali was also a master of swar-pradhan gayaki and was the brother of Abdul Karim Khan Sb’s father. As I searched for more details about Bande Ali Khan, I reached the website Swarganga Music Foundation, and a somewhat detailed article on Bande Ali Khan. Browsing through this article, I discover that one of the more famous disciples of Bande Ali Khan is Imdaad Khan of Etawah, who is none other than the grandfather of Ustad Vilayat Khan (28 Aug, 1928 – 13 Mar, 2004), the renowned Sitar maestro of India.
A little clue about his early years can be surmised from a family connection that is mentioned. Mohammed Shafi’s wife, Zeenat, was the sister of Ustad Vilayat Khan. Vilayat Khan Sb’s family came originally from Etawah (close to Agra in UP). Apparently, Vilayat Khan Sb’s grandfather, Imdaad Khan, moved from Etawah to Gouripur in Mymenshingh district in undivided Bengal (now in Bangladesh). Vilayat Khan Sb was born in Gouripur. Sitar and classical music was a family tradition with them, and the family and their music tradition is known as Etawah gharana.
It can be surmised that Mohammed Shafi Sb was also based in Bengal in his early years. One, being married to the sister of Ustad Vilayat Khan, a family based in Mymensingh at that time. Second, Mohammed Shafi started his career at New Theatres, Calcutta (now Kolkata), working as a musician and assisting RC Boral, Pankaj Mullick and KC Dey. It is suggested that he contributed as a musician to films like ‘Kapaal Kundala’ (1939) and ‘Aandhi’ (1940).
In early 1940s, along with the migration of many artists from Calcutta to Bombay (now Mumbai), Mohammed Shafi also moved to Bombay. Although not listed in Geet Kosh, Qaseem Abbaasi Sb has written that he assisted music director Bashir Dehlavi in the 1942 film ‘Ujaala’. In this film, Prithviraj Kapoor played the role of a sitar player, and apparently, some special pieces were composed by Mohammed Shafi for this film.
Later on, he had a long association with Naushad as an assistant music director. For the film ‘Mughal e Azam’, the sitar pieces were prepared/played by both Abdul Haleem Jafar Khan Sb and Mohammed Shafi. It’s said that K Asif used to send a car to pick both of them for playing Sitar for the background music.
He got his first break as independent music director 1946 with the film ‘Haqdaar’. He continued to work till mid 1970s, but has only about 22 24 films to his credit. The number maybe 23, if we consider ‘Badi Maa’ (1974) as a re-release of ‘Tanhaai’ (1961). In parallel, he continued to assist many directors as a musician and music arranger. Following is the list of films for which has composed music,
- 1946 Haqdaar
- 1946 Kaango
- 1947 Do Naina
- 1947 Rishta (unreleased)
- 1947 Shikaarpuri
- 1949 Anokhi Sewa – along with Dhoomi Khan
- 1949 Bedard – along with BN Bali and Ram Prasad
- 1949 Gharaana
- 1951 Hulchul – along with Sajjad Hussain
- 1952 Annadaata
- 1952 Krishna Kanhaiya – along with BS Kalla
- 1953 Aabshaar – along with Ghulam Haider & Bhola Shreshtha
- 1953 Daara
- 1954 Baazooband
- 1954 Mangu – 2 songs, rest by OP Nayyar
- 1956 Zindagi
- 1960 Mohabbat Ki Jeet
- 1960 Shriman Balasaheb (Marathi)
- 1961 Tanhaai – later released as Badi Maa in 1974
- 1965 Kite Fight (Wo Kata)
- 1967 Shrimant Mehuna Pahije (Marathi)
- 1971 Iraada – along with Vitthal-Mumtaz
- 1974 Bari Maa – same as Tanhai (1961)
- 1975 Dayaar-e-Madina
To his credit – Suman Hemadi Kalyanpur sang her debut song in the film ‘Mangu’ (1954), a wonderfully soft lorie “Koi Pukaare Dheere Se Tujhe” under his music direction. And again, singer Hemlata made her debut under his music direction in the film ‘Iraada’ (1971) – the songs “Main Ankahi Kahaani, Sadiyon Ki Hoon Nishaani” and “Main Jaan Ke Badle Mein Le Loongi Dhadakta Dil”.
A connected piece of information is that he also gave music under different names – Shafi M Nagri / Shafi Nagri / Shafi. All the films that he composed under these pseudonyms are stunt / fantasy type films. The list is,
- 1953 Shamsheerbaaz
- 1954 Sher Dil
- 1955 Carnival Queen
- 1956 Baghdad Ka Jaadu
- 1957 Diler Daaku
- 1959 Chini Jaadugar
- 1959 Circus Queen
- 1966 Tarzan Aur Jaadui Chirag – along with Shaukat
[Author’s Note: The name Shaukat for the above listed film ‘Tarzan Aur Jaadui Chirag’ (1966) is most probably Shaukat Dehlavi.]
[Author’s Note: I thank dear Arun ji. His comment on two missing films by Mohammad Shafi prompted me to re check and update the list of films above.]
Adding the above listed eight films, the total films by Mohammad Shafi comes to 32.
In the latter half of 1970s, Mohammed Shafi’s health deteriorated, and his last years were very difficult. He suffered a stroke, which resulted in partial amnesia. It is said that he did not receive any help or friendly hand, from the industry, except from Rafi Sb who would visit him occasionally and quietly leave money under his pillow without telling him.
He passed away after long years of illness on 30th April, 1980.
‘Zindagi’ (1956) is produced under the banner of Kesar Films, Bombay and is directed by CL Dheer. The star cast is listed as Geeta Bali, Vijaylakshmi, Jaswant, Baby Naaz, Gulab, Rasheed, Sudarshan, Krishnakant, Tuntun, and Jagdish Sethi.
There are 8 songs listed for this film. Seven songs are written by Kaifi Azmi, and one song is by Raja Mehdi Ali Khan. Today’s song is that solitary song from the pen of Raja Mehdi Ali Khan.
The singing voices are of Sudha Malhotra, S Balbir and Jagmohan Bakshi. The song is beautifully structured around a very clever use of chorus lines, with clear demarcation of male and female chorus lines. The pace and the rhythm of the song is quite energetic. It seems to be a picnic song, from the manner of singing and the words being said. I request other knowledgeable readers to please add information about this song and the film.
Listen and enjoy.
[Editor’s Note – This song is the 300th song of Raja Mehdi Ali Khan in the blog as a lyricist.]
[Acknowledgements: Sources referred to for compiling the above article are – (1) ‘Dhunon Ki Yatra’ by Pankaj Raag; (2) Article on Mohammed Shafi by Qaseem Abbaasi on Apnaarchives.org; (3) Wikipedia article on Ustad Vilayat Khan; (4) Article on Ustad Bande Ali Khan on Swarganga Music Foundation website.]
Song – Kaali Kaali Ye Ghata, Thandi Thandi Ye Hawa (Zindagi) (1956) Singer – Balbir, Jagmohan Bakshi, Sudha Malhotra, Lyrics – Raja Mehdi Ali Khan, MD – Mohammed Shafi
Male Chorus
Female Chorus
Lyrics
kaali kaali
ye ghata
o thandi thandi
ye hawa
kahe pyaar karo ji
kahe pyaar karo
o kaali kaali
laa laal laal
ye ghata
laa laal laal
o thandi thandi
laa laal laal
ye hawa
la la laa
kahe pyaar karo ji
kahe pyaar karo
kaali kaali
la lallall laa
ye ghata
la lallal laa
o thandi thandi
la lallall laa
ye hawa
la lallall laa
kahe pyaar karo ji
kahe pyaar karo
aankhen aankhon si mila ke
zara dekho muskura ke
aankhen aankhon si mila ke
zara dekho muskura ke
koi teer jigar ke paar karo
o kaali kaali
la lallal laa
ye ghata
la lallal laa
o thandi thandi
la lallal laa
ye hawa
la lallal laa
kahe pyaar karo ji
kahe pyaar karo
aise ghoor ghoor ke
dekha na kar mere ko
sharam mohe laage
dekh maarungi tere ko
teer e nazar chala ke
maar daalo muskura ke
teer e nazar chala ke
maar daalo muskura ke
hum par na daya sarkaar karo
kaali kaali
la lallal laa
ye ghata
la lallal laa
o thandi thandi
la lallal laa
ye hawa
la lallal laa
kahe pyaar karo ji
kahe pyaar karo
tera chehra phoola phoola omlet ki taraah
o teri gaaliyaan kha loonga chaklet ki taraah
mere saamne na chal ghaaslet ki taraah
o mere dil ko na tal poplet (?) ki taraah
teri surat tutti futti..ee..ee
pyaar kare meri jutti..ee..ee
teri surat tutti futti
pyaar kare meri jutti
kisi aur se naina chaar karo
o kaali kaali
la lallal laa
ye ghata
la lallal laa
o thandi thandi
la lallal laa
ye hawa
la lallal laa
kahe pyaar karo ji
kahe pyaar karo
laaaa
lall laaa lee laaa
lall laaa lee laaa
lee da da ri da da rum
da da ri da da rum
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————
काली काली
ये घटा
ओ ठंडी ठंडी
ये हवा
कहे प्यार करो जी
कहे प्यार करो
ओ काली काली
ला लाल लाल
ये घटा
ला लाल लाल
ओ ठंडी ठंडी
ला लाल लाल
ये हवा
ला लाल लाल
कहे प्यार करो जी
कहे प्यार करो
ओ काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो
आँखें आँखों से मिला के
ज़रा देखो मुस्कुरा के
आँखें आँखों से मिला के
ज़रा देखो मुस्कुरा के
कोई तीर जिगर के पार करो
ओ काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो
ऐसे घूर घूर कर
देखा ना कर मेरे को
शरम मोहे लागे
देख मारूँगी तेरे को
तीर ए नज़र चला के
मार डालो हमें मुस्कुरा के
तीर ए नज़र चला के
मार डालो हमें मुस्कुरा के
हम पर ना दया सरकार करो
काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो
तेरा चेहरा फूला फूला आमलेट की तरह
ओ तेरी गालियां खा लूँगा चाकलेट कि तरह
मेरे सामने ना चल घासलेट की तरह
ओ मेरे दिल को ना तल पापलेट(?) की तरह
तेरी सूरत टूटी फूटी॰॰ई॰॰ई
प्यार करे मेरी जूती॰॰ई॰॰ई
तेरी सूरत टूटी फूटी॰॰ई॰॰ई
प्यार करे मेरी जूती॰॰ई॰॰ई
किसी और से नैना चार करो
ओ काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो
ला॰॰॰
ल लल्लल ला ली ला
ल लल्लल ला ली ला
ली डा डा ली डा डा रम
डा डा री डा डा रम
Dil se mere dil milaa
Posted on: April 3, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4277 | Post No.: | 15512 |
“Ghulaam Begam Baadshah”(1956) was directed by Jugal Kishore for Niagra Films, Bombay. This “costume drama” movie had Sheila Ramani, Daljeet, Wazir Mohammad Khan, Altaf, Nishi, Sadiq, Paaras, Khairaati, Malika, R Nath, Jogendra, Prretam, Dilip Bamblahri, Wazid Ali, Bhanesh Kumar, Svivji Bhai, Chaand, Kamaldeep, Raj Puri, Prakash etc, with Johny Walker in guest appearance.
The movie had six songs. All songs were solo songs. Five different singers sang these six songs.
Two songs from the movie have been covered in the past.
Here is the third song from “Ghulaam Begam Baadshah”(1956) to appear in the blog. this song is sung by Geeta Dutt, who was the only singer to sing two songs in the movie. Other four songers got to sing one song each.
This song is penned by Indeewar. Music is composed by Sudeept.
PS-Sheila Ramani is the dancer, as ponted out by Prakashchandra, our inhouse face recongnition expert.
The song is picturised as a Rajdarbaar dance song. I am unable to identify the dancer. I request our knowledgeable readers to help identify her as well as the other actors seen in the picturisation.
Song-Dil se mere dil mila (Ghulaam Begam Baadshah)(1956) Singer-Geeta Dutt, Lyrics-Indeewar,MD- Sudeept
Lyrics
duniya
kya hai ae ae ae ae ae
dekh zara
o dilruba
dil se mere dil mila aa
aa dil se mere dil mila
dil se mere dil mila aa
aa dil se mere dil mila
chupke se kya jaadu kiya
nazron se kisne mujhe chhoo liya
chupke se kya jaadu kiya
nazron se kisne mujhe chhoo liya
guncha mere dil ka hans kar khila
guncha mere dil ka hans kar khila
dil se mere dil mila aa
aa dil se mere dil mila
lab pe hansi
dil mein khushi
doobi rahe masti mein ye zindagi
lab pe hansi
dil mein khushi
dubi rahe masti mein ye zindagi
ek jaam nazron se aisa pila
ek jaam nazron se aisa pila
dil se mere dil mila aa
aa dil se mere dil mila
kashti hoon main saahil hai tu
kehta hai dil meri manzil hai tu
kashti hoon main saahil hai tu
kehta hai dil meri manzil hai tu
ab toot bhi jaane de faasla
ab toot bhi jaane de faasla
dil se mere dil mila
aa dil se mere dil mila
marzi jahaan
le chal wahaan
tere liye thhukra doon donon jahaan
marzi jahaan
le chal wahaan
tere liye thhukra doon donon jahaan
duniya hai kya mujhko tu jab mila
duniya hai kya mujhko tu jab mila
dil se mere dil mila aa
aa dil se mere dil mila
dil se mere dil mila aa
aa dil se mere dil mila aa aa
Ham tumse raazi tum hamse raazi
Posted on: April 2, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4276 | Post No.: | 15511 |
“Aawaara Shahzaadi”(1956) was produced and directed by Pyarelal for Hind Pictures, Bombay. This “social” movie had Meena Shorey, Daljeet, Johny Walker, Sheila Ramani, Malika, Sheikh, Habeeb, Radheshyam, Maqbool, Rajraani, Jillani, Azeem, Pal Sharma, Raju, Rajni, Heera Sawant etc in it.
The movie had seven songs in it. One song has been covered in the past.
Here is the second song from “Aawaara Shahzaadi”(1956) to appear in the blog. This song is a romantic song which is sung by G M Durrani and Geeta Dutt. Khawar Zamaan is the lyricist. Music is composed by Jimmy.
Only the audio of the song is available. My guess is that the song was picturised on the lead pair of Daljeet and Meena Shorey. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Ham tumse raazi tum hamse raazi (Aawaara Shahzaadi)(1956) Singers-G M Durrani, Geeta Dutt, Lyrics-Khawar Zamaan, MD-Jimmy
Both
Lyrics
hum tumse raazi
tum hamse raazi
bolo ji bolo ab kya karega kaazi
hey chhodo ji chhodo
ham nahin raazi
bolo ji bolo ab kya karega kaazi
pehle kyun tumne teer chalaaye
kyun leke dil ko mere saamne aaye
pehle kyun tumne teer chalaaye
kyun leke dil ko mere saamne aaye
aapki hai ye zarranawaazi
bolo ji bolo ab kya karega kaazi
hey chhodo ji chhodo
ham nahin raazi
bolo ji bolo ab kya karega kaazi
mushkil hai mushkil pyaar nibhaana
bachpan se seekha maine dil ka lagaana
mushkil hai mushkil pyaar nibhaana
ae jee
bachpan se seekha maine dil ka lagaana
nahin chalegi ye jaalsaazi
bolo ji bolo ab kya karega kaazi
hey
ham tumse raazi
tum hamse raazi
bolo ji bolo ab kya karega kaazi
tere liye main sab kuchh luta doon
kadmon pe tere apna sar bhi jhuka doon
tere liye main sab kuchh luta doon
kadmon pe tere apna sar bhi jhuka doon
dil bhi ha taza ulfat bhi taazi
bolo ji bolo ab kya karega kaazi
hey chhodo ji chhodo
ham nahin raazi
bolo ji bolo ab kya karega kaazi
jalti hai duniya jalti rahegi
ulfat ki gaadi apni chalti rahegi
achcha jee
jalti hai duniya jalti rahegi
ulfat ki gaadi apni chalti rahegi
hey hey
jeet gaye ham pyaar ki baazi
bolo ji bolo ab kya karega kaazi
hey hum tumse raazi
ham tumse raazi
bolo ji bolo ab kya karega kaazi
hey ham tumse raazi
tum hamse raazi
bolo ji bolo ab kya karega kaazi
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4272 | Post No.: | 15504 |
———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 15
——————————————————————————
“Insaaf” is a title that is like Halley’s comet. It arrives in Hindi movie scene at ten year intervals or so, We have seen movies titles “Insaaf” being released in 1946, 1956, 1966, after break of one decade, it appeared again in 1987.
“Insaaf”(1956) was produced by Ravjibhai U Patel and Natwar Shyam and directed by Kedar Kapoor for Bhagyoday Pictures, Bombay. This movie had Nalini Jaiwant, Ajeet, Kamal Kapoor, Tiwari, Kamal, Sagar, Ramesh Tiwari, Helen, Durga Khote, Johny Walker etc in it.
The movie had eight songs in it. Four of these songs have been covered in the past.
The first song from this movie had appeared in the blog on this day ten years ago. This song was Do dil dhadak rahe hain aur aawaaz ek hai .
So, this song is one out of five movies that are eligible for blog ten year challenge this week.
Here is the fifth song from “Insaaf”(1956) to appear in the blog. This song is sung by Lata and chorus. Asad Bhopali is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Zindagi mein husn hai husn mein guroor hai (Insaaf)(1956) Singer-Lata, Lyrics-Asad Bhopali, MD-Chitragupta
Chorus
Lyrics
zindagi mein husn hai
husn mein guroor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai
zindagi mein husn hai
husn mein guroor hai
ek nayi bahar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
o o o
itni sanwarne lagi ae meri sarkaar kyun
itni sanwarne lagi ae meri sarkaar kyun
dekhti hun aaina din mein kai baar kyun
din mein kai baar kyun
dekhti hu aaina din mein kai baar kyun
din mein kai baar kyun
kya kahoon dil aa gaya
baat kya huzoor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
o o o o
o o o o
aisi na baaten karo
rooth ke chal denge ham
aisi na baaten karo
rooth ke chal denge ham
dil jo kahin aayega
dil ko masal denge ham
dil ko masal denge ham
hamko apne aap par
naaz hai guroor hai
ek nayi bahar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
zindagi mein husn hai
husn mein guroor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
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