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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1956


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3506 Post No. : 14087

“Shatranj”(1956) was produced and directed by Gyan Mukherji for Revati Productions, Bombay. This movie had Ashok Kumar, Meena Kumari, Yakub, Jagdish Sethi, Misra, VijayaLaxmi, Nana Palsikar etc in it.

This “social” movie had eight songs in it. Seven songs from the movie have been covered in the past.

Here are the details of the seven songs from the movie that have been covered till now:-

Song Title

Post No.

Post Date

Badli mein chhupe chand ne kuchh mujhse kahaa hai 1766 17-Aug-09
Chali bhi aa ke tera intezaar kab se hai 10577 10-Dec-14
Jawaani thhi soyee sapnon mein khoyee 11408 21-Sep-15
Hawa hai sard sard Multiple version song 11676 21-Dec-15
Kahin se shaam hote hi sitaare aa hi jaate hain 11716 31-Dec-15
Baaji kahin shahnaai aiyyo jee aiyyo 14061 16-Feb-18

Here is the eighth and final song from “Shatranj”(1956) to appear in the blog. This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra. The song is picturised on Meena Kumari and Ashok Kumar.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Shatranj”(1956) joins the list of movies that have all their songs covered in the blog.

Audio

Video

Song-Tu hai meri zindagi ka sahaara(Shatranj)(1956) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics(Provided by Prakashchandra)

kitnaa bhi hum
alag rahein aen
manzil to ek hai
ae ae ae ae
kashti judaa judaa sahi
saahil to ek hai

tu hai meri zindagi ka sahaaraa
nazar dhoondhti hai tera hi ishaara
tu hai meri zindagi ka sahaaraa
nazar dhoondhti hai tera hi ishaara

sunaa hai ke ban ke bigadti hain baatein
aen aen aen aen aen aen aen
sunaa hai ke ban ke bigadti hain baatein
nahin gham jo dooba hai qismat ka taaraa
nahin gham jo dooba hai qismat ka taaraa
nazar dhoondhti hai tera hi ishaara
tu hai meri zindagi ka sahaaraa
nazar dhoondhti hai tera hi ishaara

aaa aaa aaa aaa
aaa aaa aaa aaa
agar jism tu hai
main saayaa hoon teraa
aaa aaa aaa aaa
agar jism tu hai
main saayaa hoon teraa
rahega hamesha ye rishtaa hamaara
rahega hamesha ye rishtaa hamaara
nazar dhoondhti hai tera hi ishaara
tu hai meri zindagi ka sahaaraa
nazar dhoondhti hai tera hi ishaaraa

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3500 Post No. : 14061

Today is Friday, 16 february 2018. It is just another day. But trust us to find something remarkable even out of seemingly routine matters. Today is a special day for the blog. It is the 3500th day for the blog.

It follows that the blog has seen 34 such occasions in the past as well. But we took notice of such kind of centuries for the first time only last year on 8 november 2017 when it was the 3400th day for the blog.

A quick mental calculation would show that there are 365 days in a year and so ten years have 3650 days (decimal system zindabaad ! 🙂 ). Add two additional days for two leap years. So the blog will turn one decade old or 3652 days old in another 152 days from now, on 19 july 2018 !

Another quick mental calculation would reveal that 3500 x 4= 14000. The blog has 14060 songs posts as of now. So it turns out that the blog is going on at a strike rate of just over four songs a day for 3500 days !

When a blog lasts this long and adds so many articles to it, then one is able to reel off quite a few statistics associated with it. I find that the blog by now has songs from as many as 3835 movies. As many as 1080 of these movies have already been YIPPEED ! So we no longer need to search for any additional songs for these 1080 movies because all of them have already been accounted for.

In the process of discussing songs, many artists have completed their own milestones in the blog. 35 music directors, 28 lyricists and 21 singers have more than one hundred songs each in the blog. Some of them in fact have their songs running into thousands in the blog.

There are a few artists who have almost all their songs covered in the blog. All available songs of K L Saigal, Suraiyya and Sajjad Hussain are showcased in the blog. Artists like Naushad, O P Nayyar, S D Burman, Madan Mohan, Talat Mehmood etc have less than 100 songs each left to be covered in the blog.

The blog is a great example of the power of online collaboration of likeminded individuals. All these individuals are making valuable contributions through their articles, lyrics, comments, suggestions etc. Some of these contributors have completed their own centuries in the blog.

The kind of skill sets that our contributors possess for the cause of HFM can be the envy of many professional set ups. We have contributors who are like research scholars and their original researches in the field of HFM have helped add to the information in the field of HFM.

The thing that pleases me most is the fact that we all feel like a group of people close to each other. Some of us have actually met each other and continue to meet each other from time to time. We have got to know each other quite closely and we often share in the joys and sorrow of each other.

I have a feeling that what we have seen so far is just the tip of the iceberg as far as our work in the field of HFM is concerned. The real extent of the iceberg has not yet been revealed. Lots of valuable background information and statistics pertaining to HFM have been collected during this nearly one decade long journey and that information has not yet appeared in the blog.

On the occasion of the blog touching 3500 days, here is a joie de vivre genre of song from “Shatranj” (1956). This song, the sixth out of eight songs from the movie is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

The song is picturised as a dance song on Sheila Vaz and others. The lead pair of Ashok Kumar and Meena Kumari are also visible in the picturisatoon as spectators.

Lyrics of this song were sent to me by Prakashchandra. He points out that one line in the audio version differs from the video version. Trust Prakashchandra to be able to differentiate between such fine details. 🙂

Video

Audio


Song-Baaji kahin shahnaai aiyyo jee aiyyoo (Shatranj)(1956) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Chorus

Lyrics (Provided by Prakashchandra)

baaji kahin shehnaayi
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo

o o o o
khushiyon ka zamaanaa hai
khushiyon ka zamaanaa hai
ye masti ka samaa hai
khushiyon ka zamaanaa hai
ye masti ka samaa hai
aabaad mohabbat ka mere dil mein jahaan hai
aabaad mohabbat ka mere dil mein jahaan hai
aane lagi angdaayee (video version “Milne ki ghadi aayee”)
aiyyo jee aiyyo
aane lagi angdaayee (video version “Milne ki ghadi aayee”)
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo

uss paar khade tum ho
haa aaa aaa aaa aaa
uss paar khade tum ho
to iss paar khade hum
uss paar khade tum ho
to iss paar khade hum
beete na kahin aisey hi
ye pyaar ka mausam
beete na kahin aisey hi
ye pyaar ka mausam
kehti hai ye tanhaayee
aiyyo jee aiyyo
kehti hai ye tanhaayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3456 Post No. : 13863

“Baghdad Ka Jaadoo”(1956) was directed by John Cawas for Basant Pictures production, Bombay. The movie had John Cawas and Nadia in lead roles alongwith Krishna Kumari, Sheila Kashmiri, Habib, S Advani, Vijaya Chaudhary, Azeem, Nazeer Kashmiri, Poonam, Dalpat, Abdullah, Neeta Roy, H Prakash, Julien, Shanta Patel, Shree Bhagwan, Korega, Baby Rehana, Ismail, Yadav, Prithvi, Munshi Munaqqa, Ratan Kumar, Sikandar, Mitthoo Miyaan, Sardar Mansoor, M K Hasan etc in it.

The movie had five songs in it. Four of these songs have been covered in the past. So that leaves just one song from the movie.

The remaining song is a rare song, as can be expected. The song is sung by Khursheed Bawra. Preetam Dehalvi is the lyricist. Music is composed by Shafi M Nagri, who was also known as Mohammad Shafi.

The song is picturised as a roadside tamasha song where the lip syncer (I am unable to identify him) sings this song while people gather around him.

I request our knowledgeable readers to help identify the actors in the picturisation.

With this interesting song, “Baghdad Ka Jaadoo”(1956) joins the list of movies that have all their songs covered in the blog.


Song-Meri paheli koi na boojhe…suno bhai duniya waalon (Baghdad Ka Jaadoo)(1956) Singer-Khursheed Baawra , Lyrics-Preetam Dehalvi, MD-Shafi M Nagri

Lyrics

ha aa aa
meri paheli koi na boojhe
duniya zor lagaaye ae ae ae ae
jo sun le wo hansta jaaye
jo samjhe pachhtaaye

suno bhai duniya waalon
suno bhai duniya waalon
sunlo zara
hosh sambhaalo zara
hosh sambhaalo sambhaalo sambhaalo zara
suno bhai duniya waalon o o o o

ek din khwaab ye dekha ke
main gulshan mein gaya
dekhta baag ki raunak jo zara aage badha
thhodi si der mein ek simat se ye aayi sada
ek kali ne muskura ke
mujhse phir ye kaha
kya kaha
ek lutera shaah ke darbaar mein
jaana chaahta thha
bhesh badalkar shaahi khazaana
lootke laana chaahta thha
bhai wayi wayi wayi wayi wayi wayi
ho o o o
lekin shaahon
aji lekin shaahon
jaisa uske pass na koi kapda thha
isi fikar mein
bhai isi fikar mein
thha wo hardam
isi baat ka jhagda tha
bhai wayi wayi wayi wayi wayi wayi
phir kya hua

phir chala aisi wo chaal
aa gaya usko khayaal
aisa bichhaya usne jaal
kar diya usne kamaal
ho saka na paayamaal
baaton mein lagaa ke
kapde churaake
hanske hansaa ke ji hi hi hi
chala wo jhoomta aur gaata hua
are matwaalon zara
hosh sambhaalo sambhaalo sambhaalo zara
suno bhai duniya waalon o o o

saari duniya dekh rahi thhi
koi na samjha uske dhang
sun’ne waale
bhai sunne waale
sun rahe the
ho rahe the saare dang
bhai wayi wayi wayi wayi wayi wayi
ab shahzaadon
bhai ab shahzaadon
jaisi pagdi aur joote ka thha sawaal
is dhun mein wo
aji is dhun mein wo
aage jaaker chala doosri chaal
dhaagi tit
dhaagi tit
udan khatola upar jaakar
ban gaya gola
pakad le bam bam bam
pakad le bam bam bam
pakad le bam bam ha
saamne dukaan par baitha tha
ek bekhabar
uski pad gayi najar
dekh kar idhar udhar
tay kiya apna safar
dhoom machaake kaam banaake
rang jamaake ji hi hi hi

raste par
bhai raste par
ek jaadugar ko dekh ke
uske paas gaya
jaadugar ko
jaadugar ko
bhi usne phir apna jaadu dikhlaaya
kya dikhaaya
karke makkar
deke chakkar
jaadu ki koi cheez udaakar
ho gaya wo to rafoochakkar
dekhta rah gaya wo ghanchakkar
chhoom chhaank chhu chhnak chhnak chhu
chhoom chhaank chhu chha
chhoom chhaank chhu chha
chhoom chhaank chhu ha


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

After a long gap-a very long gap really-I am discussing a song from a Mythological film- Ayodhyapati-56.

This song is sung by Hemant Kumar- who had actually specialised in singing such songs in the decade of 1950s. This decade was a Golden period for Religious films, because as many as 124 Religious, Mythological and devotional films were released in the decade from 1950 to 1959. This worked out to an average of one such film released in every month for 120 months, that is 10 years, continuously. Some of the best Bhajans of Hemant Kumar are from this decade only.

Among Mythological stories, Ram katha has always been the most popular, having a slight edge over Lord Krishna’s stories. No wonder that so many films were made, from the silent era till the 1970s on this topic. After 1970s, the baton of religious films/ stories was passed on to Television and no mythological films, barring some exceptions, have been made during the last 30-40 years.

Film Ayodhyapati was slightly different from the normal movies of this genre, viz Ramkatha. The story content of this film was based on a little known but interesting chapter of Ramayana. It was related to an episode before Rama’s birth.

The central theme of the film ( and it occupied a major portion of the film ) was focused on King Dashratha and queen Kaikeyi.

The name Kaikeyi, when uttered, brings hatred, anger and disgust to one’s mind, as she is branded as a ” Villain ” in Ramayana. If one reads the original version of Ramayana, written by the sage Valmiki, one will find that the truth is entirely different. In film Ayodhyapati, the focus is on Kaikeyi- explaining how she got those two Boons, which changed the course of Ramayana, from king Dashrath.

When I went into details, I learnt so many new things. It seems, all was planned with a purpose. Lord Rama, being an incarnation of Bhagwan Vishnu, had a specific mission on this earth and Kaikeyi was made a vehicle to initiate this mission.

Rama accorded Kaikeyi full respect; he gave her his abode and released her from the cycle of births and deaths. Yet Rama’s devotees find it difficult to forgive her for banishing him to the forest. Tulasidas, however, says it was all a Cosmic Play to destroy the demons. But devotees argue that Rama could have gone to the forest anyway, to destroy the demons. Why drag Sita along? Yet a reading of Ramayana shows that all those who met Rama, Sita and Lakshmana were blessed and they attained life’s goal by seeing, meeting, serving, talking to Rama. Many lives were transformed by the vision of Rama with Sita and Lakshmana. Only one person was forever disgraced and disrespected, and that person was Kaikeyi.

No girl is named Kaikeyi lest she takes on her characteristics. This is the bhakti perspective as Kaikeyi is seen in negative light. A jnani would know that what Kaikeyi contributed to the Cosmic Drama. Hers was the greatest sacrifice as she embraced infamy forever. Rama acknowledges her sacrifice and gives her due respect when they all come to meet him in the forest and when he comes back to Ayodhya later.

Kaikeyi’s maid Manthara’s motives are clear as she wanted to serve the king’s mother. But Kaikeyi’s change of behaviour is strange. Kaikeyi was the daughter of King Ashwapati and the only sister of seven brothers. She was brave, daring, rode chariots, fought wars, was extremely beautiful, played instruments, sang and danced. King Dasaratha saw her on a hunting expedition in Kashmir and fell in love with her. Kaikeyi’s father extracted a promise that her son (his grandson) would ascend the throne. Dasaratha agreed as he had no son from any of his wives. But Kaikeyi did not bear a son and so Dasaratha married Sumitra.

It is only in old age that Dasaratha gets four sons due to a yagna ceremony and Rama is the beloved of all. Kaikeyi loves Rama more than her own son Bharata, so it was inconceivable that she would banish Rama to the forest for 14 years. Sages say all this was going according to a Cosmic Plan. Just as there are several grounds for God’s incarnation as Rama and the creation of Ravana, there are several reasons for Kaikeyi’s actions. Firstly, Dasaratha had promised the throne to Kaikeyi’s son and the promise had to be honoured as was the rule of the Raghu Dynasty- ‘Praan jaaye par vachan na jaaye’- ‘Our words must be honoured even at the cost of our life.’ Second, as a child, Rama told Kaikeyi that since he was the incarnation of Vishnu, he needed an excuse to destroy demons and save sages. He needed someone to banish Him for 14 years and chose Kaikeyi as she was the boldest of the queens. Thirdly, as a child, Kaikeyi had blackened the face of a sage in meditation and he cursed her that she too would get a similar black reputation.

Ramkatha exponent Morari Bapu, gives us a fourth reason. Kaikeyi’s guru Sage Ratna, an astrologer, predicted that she would marry the king of Ayodhya who would die due of grief for his sons. To save the Raghu Dynasty, Kaikeyi would have to ensure that for 14 years no one sat on the throne for that would lead to misfortune. Sage Ratna was father of Shravan Kumar’s grandparents. Shravan Kumar was later killed accidentally by King Dasaratha’s arrow. Shravan Kumar’s grandfather was Sage Dhoumya whose parents were Ratnavali and Sage Ratna. Sage Ratna was a royal priest of Nandigram ruled by King Ashwapati. Sage Ratna had warned her that life as a queen would be very testing and her husband would die of grief for his son. Guru Vasishtha knew of this and decided that grief for son could be death of a son so rather than one son and king dying it would be better that only the king dies. So grief of separation was introduced and Dasaratha was allowed to die. Vasishtha advised Kaikeyi to ask for her two boons — for Rama to be exiled for 14 years and throne for Bharata. He knew that Bharata would never sit on the throne as long as Rama was living. It was Vasishtha who advised Bharata to install Rama’s wooden slippers on the throne if Rama disagreed to return to Ayodhya. The whole drama was planned and the players merely acted.

Kaikeyi had been given two boons for her fighting skills. When Indra, king of gods, requested Dasaratha to fight demon Samhasura, Kaikeyi accompanied him. In the battle Dasaratha’s chariot wheel got loose and Kaikeyi put her little finger in the spoke. Soon she took the chariot to a safe place, changed the wheel, nursed the wounded king and again went in the battlefield and they won. Dasaratha promised her two boons which she laughed away. She had forgotten about these boons but not Vashishtha and Manthara. They advised her to use these boons, but the intentions were different.

Kaikeyi inherited obstinacy from her mother. Once when King Ashwapati and his queen were strolling he heard a pair of birds talking and laughed uncontrollably. Ashwapati, King of Kashmir, had the boon of understanding language of birds, insects and animals. The queen wanted to know what the bird had said but the king replied that according to the boon if he disclosed it he would die. The queen said she didn’t care whether he lived or died but he must tell her what the birds had said. The king banished her forever to her parental home. Kaikeyi was raised by maid Manthara who wanted Kaikeyi to enjoy the highest status.

Kaikeyi knew she would be abused, hated and disliked for all times to come but she agreed to be a part of God’s leela or play.(thanks to speaking tree.in for some information.)

Film Ayodhyapati-56 was produced by A.A.Nadiyadwala, under the banner of Pushpa Pictures. The film was directed by S. Fattelal. Sheikh Fattelal Yasin Mistri was born on 20-10-1897, at Kagal in Kolhapur state of Maharashtra. He was the son of a stone Mason.He took artistic education from Abalal Rehman in Kolhapur. At the age of 21 years, he co-founded Maharashtra Film Company in Kolhapur, with Baburao Painter. He worked as an alround technician, learning many aspects of film making, including cinematography to a perfection. He had a friend Vishnu Govind Damle here, who was with Fattelal till he died.

In 1929, Fattelal left Maharashtra Film Company, along with his friends, Damle, Shantaram, Dhaiber nd Sitaram Kulkarni, to establish Prabhat Film company. He was popularly known as ‘ Saheb Mama ‘. In Prabhat, Fattelal became head of the production department and built sets for all the major films of Prabhat. His sets were appreciated even in Hollywood in those days. He made a team with Damle and they first directed a silent film ” Maharathi Karna “. Their next venture was Talkie film ” Sant Tukaram”-36. This film won laurels all over India and also in the Venice film festival. He worked on film ” Gopal Krishna”-38, ” Sant Dyaneshwar”-40 and ” Sant Sakhu”-42. After Damle died in July 1945, Fattelal directed film ” Jagadguru Shankaracharys”-55 and his last film as a Director was ” Ayodhyapati”-56. Then he retired.
Fattelal died on 24-1-1964 at Bombay.

Fattelal had married actress Gulab bai alias Kamla Devi.She was an actress in Maharashtra film company and later on in Prabhat film company. Most of our readers must have seen the famous Logo of Prabhat Films. It shows a bent lady, blowing ” Tutari “. The lady was Gulab bai, on whom this logo was filmed…by Fattelal himself.

Film Ayodhyapati-56 had 11 songs. One song is already discussed here. Today’s song is the second song.Unfortunately, barring these two, no other song is presently available on You Tube or anywhere on Internet. There is a 3 part very melodious song in this film, which depicts the preparation for young Rama’s proposed coronation, which never took place then.

The cast of the film was Usha Kiran ( Kaikeyi), Abhi Bhattacharya (King Dashrath), Rajkumar-khatri ( Rama), Ratnamala (Seeta), Dar Kashmiri alias Jeevan (Narad) etc etc. We also find a name ‘ Baby Asha Parikh’- who was to debut as a Heroine within 3 years from then on. Today’s song by Hemant kumar is played in the background when lord Rama leaves Ayodhya for the banishment to Jungles for 14 years……..


Song-Chhod chaley aaj hamaare Raam Ayodhya chhod chaley (Ayodhyapati)(1956) Singer-Hemant Kumar, Lyrics-Saraswati Kumar Deepak, MD-Ravi

Lyrics

chhod chale ae ae
aaj hamaare raam ayodhya chhod chaley
chhod chale ae
aaj hamaare raam ayodhya chhod chaley
vanvaasi ban raj dulaare sabse naata tod chaley
mukh mod chaley ae
aaj hamaare raam ayodhya chhod chaley

chala raam ka sewak ban kar laxman jaisa bhai
chali jaanki ban kar apne preetam ki parchhaai
nar naari pashu panchhi sabka manyak(?) naata tod chaley
mukh mod chaley ae
aaj hamaare ram ayodhya chhod chaley

jaise bachhde chhin jaane par dekha karti gaiyya
jaise bachhde chhin jaane par dekha karti gaiyya
waise hi ro ro kar dekhen ram lakhan ko maiya
maaya mamta mahal moh in sabse naata tod chaley
mukh mod chaley ae
aaj hamare raam ayodhya chhod chaley

Laxman bina mahal hai soona
seeta bina rasoi
raam bina hai sooni ayodhya
saari parja royi
chhod ke kaliyon ki galiyaan kaanton se nata jod chaley
mukh mod chaley ae
aaj hamaare
raam ayodhya chhod chaley
aaj hamaare
raam ayodhya chhod chaley


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Patraani”(1956) was produced by Shankarbhai Bhatt and directed by his younger brother Vijay Bhatt for Prakash Pictures. The movie had Vyjayantimala, Pradeep Kumar, Omprakash, Shashikala, Durga Khote, David, Jeevan etc. in it. The movie was based on a novel by Kanhaiyalal Munshi.

Six songs from this movie have been discussed in the past. Here is the seventh song from “Patraani”(1956) to appear in the blog. This song is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

This cheerful expression of love song is picturised on Vyjyanti Mala.


Song-Saat samandar paar haaye re mera sapnon ka sansaar(Patraani)(1956) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

saat samandar paar haaye re mera sapnon ka sansaar
saat samandar paar haaye re mera sapnon ka sansaar
sapnon ka sansaar kahoon ya saajan tera dwaar kahoon main
saat samandar paar haaye re mera sapnon ka sansaar

maat pita ko chhod chali is paar
tumhre kaaran chhod diya gharbaar
tu jo miley to sab kuchh pa loon
bigdi huyi taqdeer bana loon
kehti hai dil ki pukaar
darshan pyaasi aankhen meri bekaraar
haaye raam
saat samandar paar haaye re mera sapnon ka sansaar

laakh bhi aaye is path par toofaan
paa ke rahoongi main man ka bhagwaan
tan ko man ki dhoop jalaaye
man ki agan ko kaun bujhaaye
rooth chukhi hai bahaar
piya bin jeevan hai dushvaar haaye raam
saat samandar paar haaye re mera sapnon ka sansaar

dil ko laga hai birha agan ka rog
mera unse janam janam sanjog
yoon to bade naajon ki pali main
pi ke liye kaanton pe chali main
naav meri majhdhaar padi hai
door hai khevan-haar haaye raam
saat samandar paar haaye re mera sapnon ka sansaar
saat samandar paar haaye re mera sapnon ka sansaar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chaar Meenaar”(1956) was directed by Ravindra Dave for Nagina Films, Bombay. The movie had Nasir Khan, Jabeen, Bhagwan, Renu Makad, Anjali Devi, Nazi, Altaf, Gyani, S K prem, Ramesh Sinha, Rasheed Khan, Narbada Shankar, Helen, Sadiq etc in it.

One song from this movie has been covered in the past. That article was by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia. Then a resident of Hyderabad, he, alongwith fellow Hyderabadis, went to the movie hall with great enthusiasm. But all of them were in for a rude shock when they realised that this movie had nothing to do with “Chaar Meenaar”, the famous landmark of Hyderabad. 🙂 That reminded me of my experiences with our Engineering institute library where one would find books on radio activity on the shelf marked “books on radio”. 🙂

The songs of this movie had nothing to with “Chaar Meenaar” either. The songs were good to listen to, though they have become obscure songs by now.

Here is the second song from “Chaar Meenaar”(1956) to aappear in the blog. This song is sung by Geeta Dutt. Vishwamitra Adil is the lyricist. Music is composed by Sardul Kwatra.

Only the audio of this song is available. It sounds like a club dance song picturised on Helen, but I cannot be sure. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Mausam jawaan hai sab kuchh yahaan hai (Chaar Meenaar)(1956) Singer-Geeta Dutt, Lyrics-Vishwamitra Adil, Sardul Kwatra

Lyrics

mausam jawaan hai
sab kuchh yahaan hai
masti mein jhoom jhoom le
nazron se choom choom le
rut meharbaan hai
tera dil kahaan hai
masti mein jhoom jhoom le
nazron se choom choom le
mausam jawaan hai

dil dil dil mera dil hai tera
mil mil mil piya hamse zara
dil dil dil mera dil hai tera
mil mil mil piya hamse zara
nakhre na kar bhole bhale dilbar
meri tujhse ladi hai nazar
mausam jawaan hai
sab kuchh yahaan hai
masti mein jhoom jhoom le
nazron se choom choom le
mausam jawaan hai

sun sun sun tere bin main jali
chun chun chun piya pyaar ki kali
sun sun sun tere bin main jali
chun chun chun piya pyaar ki kali
nikle hai dam tum bin o sanam
main hoon phool aur tu shabnam
rut meharbaan hai
tera dil kahaan hai
masti mein jhoom jhoom le
nazron se choom choom le
mausam jawaan hai

ruk ruk ruk piya jaaye hai kidhar
jhuk jhuk jhuk gayi kaahe ko nazar
ruk ruk ruk piya jaaye hai kidhar
jhuk jhuk jhuk gayi kaahe ko nazar
kisi ka na ban
pyaare apna to ban
yahi kehti hai dil ki lagan
mausam jawaan hai
sab kuchh yahaan hain
masti me jhoom jhoom le
nazron se choom choom le
rut meharbaan hai
tera dil kahaan hai
masti mein jhoom jhoom le
nazron se choom choom le
mausam jawaan hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sajni”(1956) was directed by Vasant Painter for Golden Pictures, Bombay. The movie had Sulochana, Anoop Kumar, Sapru, Gope, Krishna Kumari, Maruti, Nimbalkar, Lalita Pawar etc in it.
Read more on on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all readers and friends. A very Happy Diwali to all.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ayodhyapati”(1956) was produced by A A Nadiadwala and directed by S Fattelal for Pushpa Pictures, Bombay. This mythological movie had Usha Kiran, Abhi Bhattacharya, Achla Sachdev, Manorama, Rajkumar, Anant Kumar, Balraj Mehta, Ratnamala, Kanchanmala, Rajan Haksar, Gadadhar Sharma, Dar Kashmiri (Jeevan), Amrit Rana, Heera, Nalini, Bhalerao, Dabboo, Roshan Kumari, Kiran, Baby Asha Parekh etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaara Watan”(1956) was produced by Ramesh Vyas and directed by Jayant Desai for Navkala Niketan, Bombay. The movie had Bina Rai, Premnath, Agha, Ram Singh, S N Tripathi, Kumkum, Jagdish Kamal, Ramesh sinha, S Azeem, Habeeb, Nazeer Kashmiri, Md Rafi, Md Ali, M. Sandow, Hanuman, Md Hussain, Bela Sarkar, Jaya Rao, Maya Das etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14000 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1087
Total Number of movies covered =3846

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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