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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kishore Kumar


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3669 Post No. : 14546

Less than a week ago, we remembered our beloved Rafisaab on his death anniversary.
Today happens to the birth anniversary of another of our beloved legends, Kishore Kumar (popularly referred to as Kishoreda). So we very fondly remember him today and pay tribute to him.

Both Rafisaab and Kishoreda died when just in their 50s – both of them could have easily gone for many more years. But life and death matters are not in our hands – we can only thank them for what they have given us, the legacy they have left behind for generations to relish.

As with Rafisaab, I have written a lot about Kishoreda already on this blog. I am extremely fond of him – as I have said many times, it is never a competition for me between artistes. This isn’t an Olympics event where if one has to get gold, the other can at best aspire for silver.

I remember a poll in the late 70s, where people had to vote on who was the better singer, Kishoreda or Rafisaab. I don’t remember who came up with the poll but those were times when Kishoreda was the reigning star. He himself felt so embarrassed by this poll that he conveyed his unhappiness at it and it ended.

Professional rivalry apart, Kishoreda and Rafisaab had great respect for each other and were actually very good friends. Amit Kumar, Kishoreda’s son, has narrated stories about their friendship. So all this petty thinking is in the minds of people and not those who are the topic of discussion.

Personally, I have always stayed away from discussions trying to pull down one artiste to make the other look better. Thankfully, the world of music is like an ocean – it has room for everyone to contribute to, and partake of, its treasures.

Amongst the artistes, sure, there might be competition to be better than the other – and that’s not necessarily a bad thing. It only makes one strive to be better.

I remember Laxmikant-Pyarelal saying that if RD Burman came out with a hit album, L-P wanted to do better with their next. And RD had the same competitive spirit. But it was never malicious, or to run down the other.

As music lovers, we benefit from this – we get the best of all worlds.

Now let me talk a little bit more about Kishoreda since this post is a tribute to him.

Where do I start?

With his singing of course.

I am fond of Kishore Kumar the actor too. I’ve seen many of his comedy films of the 50s and 60s.

I am also much-impressed by Kishore Kumar, the producer/director. Contrary to his image of being more of a prankster and comedian, his films Door Gagan Ki Chhaon Mein (1964) and Door Ka Raahi (1971) are thought-provoking, sensitive, films with depth. I would recommend them to anyone who wants to see a different side of Kishore Kumar.

I am also impressed by Kishore Kumar the composer. He composed almost entirely only for his own films – and did a wonderful job at it.

Considering he was also the writer for his own films, it gives us an idea of what a brilliant all-rounder he was. It is hard enough to do one job, but to do so many so effortlessly requires genius.

And Kishoreda definitely qualifies for this. Much like Sir Gary Sobers, former West Indian cricketer, who, as an all-rounder, could do practically anything on a cricket field.

And yet, despite all this, what Kishoreda will be best-remembered for, and what he absolutely excelled in, was as a singer.

Which is why I would like to discuss more about his singing now.

I’ve said this many times before – I grew up with Kishoreda all around me. Those were the early 70s – and Kishoreda was everywhere. You had to live in that time to realize how much he dominated that period. Or, if you want evidence, just check Binaca Geet Mala lists and you will know.

I don’t need any such evidence – I know that every single day Kishoreda dominated song programmes on radio that were based on the latest Hindi film songs. The female voice might have been largely split between Lata Mangeshkar and Asha Bhosle, but the male voice was Kishore, Kishore and Kishore.

It was often for Rajesh Khanna, but even when it wasn’t, it was Kishore. It could be Kishore for Shashi Kapoor (Sharmilee) or for Dharmendra (Blackmail) or for Jeetendra (Parichay) or Dev Anand (Gambler) but it was Kishore all the way.

Occasionally there’d be a male voice of a “new” song that was not Kishore. That song often stood out as an exception. It could be Rafisaab or Mukesh or Manna Dey. But it was always the exception, not the norm.

So THIS was the environment in which I grew up. My school classmates used to sing a lot of songs – they were invariably Kishore songs. In particular, I remember songs like “o mere dil ke chain” (which was my favourite at one time), “chalte chalte”, “o maajhi re” and “zindagi ke safar mein guzar jaate hain”.

But of course there were many more.

My own favourite would keep changing. I had this concept of a favourite song which I’d sing non-stop (driving others crazy) till another favourite took over.

I remember it was at one time “ye shaam mastaani”, then “sama hai suhaana suhaana”, then “jaane ja dhoondhta phir raha” took over, to be displaced by “o mere dil ke chain” (this was favourite for a very long time) and then “tere bina zindagi se koi” took over. There might have been others too, I can’t remember now. In between, there were umpteen songs that I’d sing while taking a break from my favourite. 🙂 Obviously, all to myself only – which is why I am still alive. 🙂

This post is already getting a bit long but I’ll mention one anecdote from school days. I was in 8th Standard. In those days, we’d often ask our teachers for a “free period” – sometimes a teacher would be nice enough to oblige. Boys would then go up to the front of the class and sing songs.

Once our English teacher gave us a “free period”. The best singer in the class, by name Prasad, went up to sing. Suddenly he announced “I’ll sing this song because it is Raja’s favourite”. Now I was quite a favourite of my teacher, maybe because I was reasonably good in English. She immediately looked at me – I am pretty sure she expected an “English” song. Maybe Carpenters or Rolling Stones, or Beatles, or some such group. She probably had that idea about me.

Prasad started singing “o mere dil ke chain”.

I could see the look on my teacher’s face. It was like she had been hit by a brick. A Hindi song? That too a film song? That too, a romantic song? Bhajan hota to phir bhi chal jaata. I turned red, and immediately averted my eyes, looking down throughout, hoping the earth would just open up and swallow me. I was sitting in the front row, right in front of her, so there was no place to hide. Prasad must have sung very well – he always did – but I couldn’t listen to one word. I was too busy lost in my own “misery” to pay attention to anything else.

Somehow I managed to survive – though I think my teacher never quite saw me the same way again. 🙂 Prasad has a lot to answer for. 🙂

Today, this anecdote suddenly came to mind as I was writing this post. Wonderful memories – of Kishore Kumar songs, enjoyed with my classmates in school.

The point is to emphasise how much of an influence Kishore Kumar had on me at that time. Rafisaab came into my life much later.

By the time the 1980s came along I could not keep track of the latest songs. Partly because I got busy, partly because I didn’t like where music was headed. (“Angrezi mein kehte hain” and “shaayad meri shaadi ka khayaal”, you know I’m looking at you :-)).
Anyway, it wasn’t Kishore’s fault. His voice was always a delight to listen to.

Now onto the song for today.

This is a song I’d never heard before till Avinashji brought it to my attention a few weeks ago. I’d never even heard of the film.

The original idea was to possibly post it as Kishoreda’s 1100th song on this blog, but since another song took that place, we are posting this as his birthday song. The lyrics are, as usual, by Avinashji.

The song is “geeton mein mere” from Geet Ganga (1982). The film itself makes its debut on this blog today.

It is a pleasant song which grows on me the more I listen to it. I have already listened to it quite a few times.

The lyrics, referring to songs flowing like the Ganga, have a nice feel to them. Anjaan, the lyricist, being a native of Varanasi, had his own style of lyrics, often bringing a Bhojpuri feel to them. And this song referring to the Ganga is in the tradition of other songs written by him which also refer to it – “Ganga kinaare waala”, “maano to main Ganga maa hoon”, “Ganga mein dooba” for example.

The song is picturised on Arun Govil, and as he “sings”, the words resonate with me.

jhoom ke aise ae
geet sunaaun
nafrat mein bhi preet jagaaun
dushman ko bhi meet banaaun
jo dil chhu le ae
geet wo gaaun
swarg utaaraa
saat suron mein bahe re jag saara

Lovely lines – and it is wonderful to listen to Kishore Kumar singing them. Indeed “jo dil chhu le, geet wo gaaun” suits him – he sang many songs that touched our heart.

I hope you like the song too.

On this note, I will end this post as it has already become somewhat long.

All I will say is, Kishore Kumar will always remain in our hearts as a very special person – one of a kind.

Thank you for everything, Kishoreda.

Patt I

Part II

Song-Geeton mein mere Ganga ki dhaara(Geet Ganga)(1982) Singer-Kishore Kumar, Lyrics-Anjaan, Md-Sapan Jagmohan
Kishore Kumar + Chorus

Lyrics
——————————–
Part I
——————————-

Geeton mein mere ae
ho o o o o o o
Geeton mein mere
Gangaa ki dhaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara
geeton mein mere
gangaa ki dhaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

bol bol mein ae ae ae
bol bol mein
Gangaa boley
Chhand chhand mein dhun
Kal kal ki
Prem bhare geeton mein mere
Paawantaa hai Gangaa jal ki
Dukh ki lehar mein aen
Ho o o o o o o o
Dukh ki lehar mein
Sukh ka kinaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

jhoom ke aise ae
ho o o o
jhoom ke aise
geet sunaaun
nafrat mein bhi preet jagaaun
dushman ko bhi meet banaaun
jo dil chhoo le
geet wo gaaun
geeton mein maine ae ae
ho o o o
geeton mein maine
swarg utaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

har pal Gangaa aa
ho o o o o o o
har pal Gangaa ke gun gaaun
nagar dagar mein
alakh jagaaun
paap hare lehren Gangaa ki
main dil ke dukh dard bhulaaun
Gangaa tat ka aa
Ho o o o o o
Gangaa tat ka
Main banjaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara
geeton mein mere
gangaa ki dhaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

——————————————-
Part II
——————————————-
Geeton mein mere ae
ho o o o o o o
Geeton mein mere
Gangaa ki dhaaraa aa
saat suron mein bahe re jag saara aa
saat suron mein bahe re jag saara aa

geeton mein mere
gangaa ki dhaaraa aa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

Jab Gangaa ka naam pukaaraa
doob ke tar gayaa ye jag saaraa
saans saans Shankar ki pooja
har swar mein hari om ka naaraa
mujh ko to mere ae
ho o o o o o o o
mujh ko to mere
geeton ne taaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

har pal Gangaa aa
ho o o ho o o o
har pal Gangaa ke gun gaaun
nagar dagar mein
alakh jagaaun
paap hare lehren Gangaa ki
main dil ke dukh dard bhulaaun
Gangaa tat ka aa
Ho o o o o o o o
Gangaa tat ka
Main banjaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara
geeton mein mere
gangaa ki dhaaraa
saat suron mein bahe re jag saara
saat suron mein bahe re jag saara

—————————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
——————————————————

गीतों में मेरे ए
हो ओ ओ ओ ओ ओ ओ
गीतों में मेरे
गंगा कि धारा आ
सात सुरों में बहे रे जग सारा आ
सात सुरों में बहे रे जग सारा आ

गीतों में मेरे
गंगा कि धारा आ
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा

बोल बोल में ए ए ए
बोल बोल में ए
गंगा बोले ए
छंद छंद में धून कल कल कि
प्रेम भरे गीतों में मेरे
पावनता है गंगा जल कि
दुःख कि लहर में
हो ओ ओ ओ ओ ओ ओ ओ
दुःख कि लहर में
सुख का किनारा
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा

झूम के ऐसे ए
हो ओ ओ ओ ओ ओ ओ
झूम के ऐसे ए
गीत सुनाऊं
नफरत में भी प्रीत जगाऊं
दुश्मन को भी मीत बनाऊं
जो दिल छू ले ए
गीत वो गाऊं
गीतों में मैंने ए
हो ओ ओ ओ ओ ओ ओ ओ
गीतों में मैंने ए
स्वर्ग उतारा
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा

हर पल गंगा आ
हो ओ ओ ओ ओ ओ
हर पल गंगा के गुण गाऊं
नगर नगर में
अलख जगाऊं
पाप हरे लहरें गंगा कि
मैं दिल के दुःख दर्द भूलाऊं
गंगा तट का
हो ओ ओ ओ ओ ओ ओ ओ
गंगा तट का
मैं बंजारा
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा
गीतों में मेरे

गीतों में मेरे ए
हो ओ ओ ओ ओ ओ ओ
गीतों में मेरे
गंगा कि धारा आ
सात सुरों में बहे रे जग सारा आ
सात सुरों में बहे रे जग सारा आ
गीतों में मेरे
गंगा कि धारा आ
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा

जब गंगा का नाम पुकारा
डूब के टार गया ये जग सारा
सांस सांस शंकर कि पूजा
हर स्वर में हरी ॐ का नारा आ
मुझको को तो मेरे ए
हो ओ ओ ओ ओ ओ ओ ओ
मुझ को तो मेरे
गीतों ने तारा
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा

हर पल गंगा आ
हो ओ ओ ओ ओ ओ
हर पल गंगा के गुण गाऊं
नगर नगर में
अलख जगाऊं
पाप हरे लहरें गंगा कि
मैं दिल के दुःख दर्द भूलाऊं
गंगा तट का
हो ओ ओ ओ ओ ओ ओ ओ
गंगा तट का
मैं बंजारा
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा
गीतों में मेरे
गंगा कि धारा आ
सात सुरों में बहे रे जग सारा
सात सुरों में बहे रे जग सारा

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3669 Post No. : 14545

Hullo Atuldom

4th august 2018 marks the 89th birth anniversary of our beloved Kishore Kumar. 89- oh my god! How I wish Kishoreda had been around. The programme content of all TV or Radio channels would have gone overboard playing wonderful Kishore Kumar songs. And not only ones till 1988/89 (when the songs of “Mamta Ki Chaon Mein” were released) but we -his fans- would have had a lot more songs in Kishoreda’s voice.

But of course, with the available songs itself I am in a dilemma. We have around 2709 Hindi songs – both released and unreleased and short songs to choose from of which the blog has 1101 songs leaving us with very many songs.

The redoubtable Wikipedia has a few tables and going through them I am astonished. One table gives the number of songs that Kishoreda has sung with other singers and it is no surprise (to me) that Asha Bhonsle tops the list with 673 songs (I don’t think the number is of duets only, it could include multi-singer songs also) and among male co-singers Mohammad Rafi has sung 72 songs with Kishore da. I would love to know how many Kishore Kumar – Mohammad Rafi songs we have on the blog and how many of these are duets. Also, on going through the tables that I mentioned, I found that he has sung 73 songs composed by himself and worked with 110 music directors including himself. All these figures need not be accurate but give us a fair idea of what is left for us to look through to celebrate the birth anniversary.

But coming back to my dilemma- I have put a few pre-conditions regarding the song I choose to go with this post. First condition was it should not feature Dev Anand, Rajesh Khanna or Amitabh Bachchan, I don’t know how many potential songs got left out due to this condition. Next, I felt it should be song that takes the movie one more step towards yyiippeeeeing- a not-so-difficult condition to meet. Then my final condition was to try and find a song which was on a character artist or supporting actor or some actor who is least expected to Lip Sync to Kishore Kumar.

And I found just the song I was looking for !

We all know that Kishore Kumar has sung songs for all moods and emotions. His voice when he sings romantic or sentimental songs is outstanding. I am not going to give a sample-list of his romantic/ sentimental songs, I am just going to the song which I have in my mind.

This is from the 1985 Yash Chopra produced and directed “Faasle”. It had about 10 songs 2 of which have been posted. It had Rohan Kapoor- Mahendra Kapoor’s son- making his debut along with Farha- Shabana Azmi’s niece. It also starred Sunil Dutt, Rekha, Farooq Shaikh, Deepti Naval and Raj Kiran. I have seen the movie at the time of its theatrical run and remember that most of the songs were romantic and shot among mountains, lakes or gardens with smoky or cloudy background the kind of weather that hill-stations are famous for. Sunil Dutt played father to his motherless daughter Farha; having lost his wife when the daughter was born. He doesn’t remarry but is in love with Rekha. Problems erupt when the daughter grows up and Rohan Kapoor walks into her life. Shahryar was the lyricist for the movie and Shiv-Hari the music directors. The movie and its songs were the perfect launch for any youngster of that period. It showed that the lead pair could ride horses, show full range of emotions etc.

Thus, I have a song which has fulfilled the three conditions I laid out and the best part is Mahendra Kapoor’s son lip-syncing to Kishore Kumar.

Wish Kishoreda was there to see how this set of Hindi film music crazy set is celebrating his birth anniversary.


Song-Janam Janam mere sanam (Faasle)(1985) Singers-Lata, Kishore Kumar, Lyrics-Shahariar,MD-Shiv Hari
Both

Lyrics

janam janam mere sanam
badan mera bandha rahe
teri saanson ki dor se
janam janam mere sanam
badan mera bandha rahe
teri saanson ki dor se
janam janam mere sanam

thehere kabhi hum na thehere
manzil se pehle kahin ho o o
aao ki hum khul ke barsen
pyaasi hai dil ki zameen ee ee

in labon se aur aage hamko jaana nahin
janam janam mere sanam
badan mera bandha rahe
teri saanson ki dor se
janam janam mere sanam

bichhden kabhi hum na bichhden
saath rahe har kadam
ho o o
badle jahaan hum na badlen
pyaar kabhi ho na kam m m

iss janam mein iss kasam ko
bhool paayen na hum
janam janam mere sanam
badan mera bandha rahe
teri saanson ki dor se

janam janam
janam janam
mere sanam
mere sanam

aaa ohoho
la la la la
laalaalaa aaa aaa
aaa ohoho
la la la la
laalaalaa aaa aaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3669 Post No. : 14544

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 71 #Remembering Kishore Kumar on his birth anniversary#
——————————————

Today 4th August (2018) (4 August 1929 – 13 October 1987) is the 89th birth anniversary of the ‘Versatile Genius’ Kishore Kumar or Abhas Kumar Ganguly or as he always liked to introduce himself as – Kishore Kumar Khandwewaala. ( 🙂 I cannot forget Khandwa when I am writing about Kishore Kumar.)

I had already marked a song earlier to present on this occasion but could not finish the write-up as during past many days I had been facing a very hectic schedule on work front and also getting very less time in the evening even to browse the blog which otherwise is my daily routine activity in evening every day.

However, a little relaxation at work today gives me this opportunity to write this post. And I am writing it just eight hours before it will be 4th August there in India. And I sincerely hope that our ‘Editors’ get enough time to review it.

There were two posts on the blog recently reminding me of the song which I am going to present here today.

One was when Atul ji posted a ‘disco based song’ from the movie ‘Dil-E-Naadaan’ sung by Kishore Kumar for Rajesh Khanna, and another one was Peevesie’s Mom sharing a song from ‘Suraag-1980’, my memories of listening to today’s song got refreshed.

So, when I was finding myself unable to present a writeup on this occasion, this song comes to my rescue and here I am, presenting this song with a brief write up.

As some of our regulars may be remembering and I also have mentioned this in my earlier write-ups, I was totally taken up by Rajesh Khanna and his movies starting in early eighties and I was trying to look for his other earlier movies and songs more and more. And whenever I came across a Kishore Kumar song I was trying to find out if it was from a Kaka movie and for Kaka.

My Uncles and other relatives would often teasing me on Rajesh Khanna subject and that is why when I wanted to know about this today’s song they told me that it was from the movie Suraag. And since Kaka had a guest appearance in this movie I thought it was possible that this song was picturised on him.

However, it was not a Kaka Song but a nice hummable Kishore Kumar song which was then available in Disco Songs Compilation on cassettes. And it was not from the movie ‘Suraag’ too.

It took me a few years to find out that this song was from the movie ‘Patita-1980’. Finally, when we arrived in the ‘digital age’ of internet and YTthen I came to know that this song was lip synced and performed by Mithun Chakravarty on screen.

So today, on the birth anniversary of Kishore Kumar let us enjoy this song …

The movie ‘Patitaa-1980’ was passed by Censor Board on 11.11.1980. It was directed by I.V. Shashi for ‘Tristar Movies, Bombay’. It had Shoma Anand, Vikram, Raj Kiran, Mithun Chakravarty, Shammi, Ram Sethi, Raj Mehra, Mac Mohan, C.S. Dubey, Birbal, Baby Shalu, Master Rajesh, Viju Khote, Madhup Sharma, Ramesh Deo, Seema Deo, Bramha Bharadwaj, Jagdish Raj.

Sujit Kumar, Sulochana, Madan Puri, Padma Khanna, and Bhawana Bhatt make guest appearance in this movie.

‘Patitaa-1980’ had five songs written by Anand Bakshi and music composed by Bappi Lahiri. Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie.

As mentioned in HFGK Vol-V (1971-1980) the records of this movies included the ‘Instrumental Disco Music’ based on the tune of the today’s song – ‘dil dhak dhak karne lagaa’ thus making the total number of songs of this movie to Six.

I have not watched this movie and would request knowledgeable readers to throw more light on this movie and its songs.

The movie makes a debut on the blog with the today’s song and this also serves the one of my purpose of introducing movies having the same title. We on our blog have the famous oldie ‘Patita-1953’ already ‘Yippeeeed’. The second ‘Patitaa-1980’ makes a debut today. 🙂

Let us now enjoy this foot tapping song and remember our beloved Kishore Da today …
And just listen the freshness in his voice and how he sings this one for Mithun Chakravarty in a ‘mellowed’ tone but in a ‘disco mood’ …


Song-Dil dhhak dhhak karne laga (Patita)(1980) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Bappi Lahiri

Lyrics

Dhak dhak dhak dhak
Dhak dhak dhak dhak
Dhak dhak dhak dhak
Dhak dhak dhak dhak

Dil dhak dhak karne lagaa aa
Main dil se darne lagaa aa
Dil dhak dhak karne lagaa
Main dil se darne lagaa
Aisaa aa lagtaa hai
Main kisi pe marne lagaa aa
Haaye
Dil dhak dhak karne lagaa
Main dil se darne lagaa

Main poochha karta hoon
Is dil deewaane se
Wo khud aaye to kya ho
Jiski yaad aane se
Aayi ee koi khushboo oo
Koi jaadoo oo
chalne lagaa aa
Ho o o o o
Aisaa aa lagtaa hai
Main kisi pe marne lagaa
Aa aa aa aa aa
Dil dhak dhak karne lagaa aa
Main dil se darne lagaa aa

Tasveerein dekhin hain
Kitni baazaaron mein
Hey ae
Tasveerein dekhin hain
Kitni baazaaron mein
Tum jaise hain hazaaron
Wo hai ek hazaaron mein
Dekhi
do nigaahen
Main aahen bharne lagaa
Ho o o o
Aisaa lagtaa hai
Main kisi pe marne lagaa
Aa aa aa aa aa
Dil dhak dhak karne lagaa
Main dil se darne lagaa aa

Sochaa thha kheloonga
Main ek khilaune se ae
Ab kaise rokoon dil ko
uspe aashiq hone se
Main to
dillagi mein ae
Dil ka saudaa
karne lagaa aa
Ho o o o
Aisaa lagtaa hai
main kisi pe marne lagaa
Aa aa aa aa aa
Dil dhak dhak karne lagaa
Main dil se darne lagaa
Aisaa lagtaa hai
main kisipe marne lagaa
Haa

—————————————————
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————————–
धक् धक् धक् धक्
धक् धक् धक् धक्
धक् धक् धक् धक्
धक् धक् धक् धक्

दिल धक् धक् करने लगा आ
मैं दिल से डरने लगा आ

दिल धक् धक् करने लगा
मैं दिल से डरने लगा
ऐसा आ लगता है
मैं किसी पे मरने लगा आ
हाए
दिल धक् धक् करने लगा
मैं दिल से डरने लगा

मैं पूछा करता हूँ
इस दिल दीवाने से
वो खुद आये तो क्या हो
जिसकी याद आने से
आई ई कोई खुशबू ऊ
कोई जादू ऊ चलने लगा आ
हो ओ ओ ओ ओ
ऐसा आ लगता है
मैं किसी पे मरने लगा आ
आ आ आ आ आ
दिल धक् धक् करने लगा आ
मैं दिल से डरने लगा आ

तसवीरें देखीं हैं
कितनी बाजारों में
हे ए
तसवीरें देखीं हैं
कितनी बाजारों में
तुम जैसे है हज़ारों
वो है एक हज़ारों में
देखि दो निगाहें
मैं आहें भरने लगा
हो ओ ओ ओ
ऐसा आ लगता है
मैं किसी पे मरने लगा आ
आ आ आ आ आ
दिल धक् धक् करने लगा आ
मैं दिल से डरने लगा आ

सोचा था खेलूंगा
मैं एक खिलौने से
अब कैसे रोकूँ दिल को उसपे आशिक होने से
मैं तो दिल्लगी में ए
दिल का सौदा करने लगा आ
हो ओ ओ ओ
ऐसा आ लगता है
मैं किसी पे मरने लगा आ
आ आ आ आ आ
दिल धक् धक् करने लगा आ
मैं दिल से डरने लगा आ
ऐसा आ लगता है
मैं किसी पे मरने लगा आ
हा …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3658 Post No. : 14521

ASAD 10th Anniversary Celebrations – 18
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#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 70 #
——————————————

Congratulations to Atul ji and all team members on this tenth anniversary of this wonderful musical blog!!! Our beloved blog – ASAD – has completed ten years now and as expected the celebration has to be bigger and bigger.  And other than this being a great achievement, it’s also the time to gear up for the next bigger celebrations i.e. 15000 posts, 20000 next and more. . .

For this special occasion, and as it was expected of, all members were asked to share their joy and happiness through write ups and songs. So, when the ‘circular’ 😊 to this effect was received in mail and the deadline was given I started to look for those special subjects close to heart, which can be shared here on the blog with songs on this special occasion. I started thinking over the main reason for me to be associated with this blog – which is nostalgia and specifically related to the movies of the ‘seventies’, and the years when I was growing.

When my association with this blog started, and I started sending contribution for lyrics, they were mainly the songs which have over the years been in my memory since childhood and/or those which I have been looking for all the years during which I grown up – songs that used to be there and were listened to during those years – the seventies. . . and continuing to the initial years of the ‘eighties’. . .

There was something special there in those years. I think that the decade of seventies, from the point of view of ‘History of Hindi Cinema’ was a very important decade since it has many things happening in those years. But since it is subject of a different post I will not go into the detail (which I wish to write) in today’s article here.

Next, I started thinking about the movies which made news or hits or were popular in those years, then the stars, and the directors who ruled the roost and enthral the audiences with their charisma and talent. . .  If we look back now on this decade the very first thing that comes to our mind is the rise of Superstardom of Rajesh Khanna. But then in those years I was not the fan of Rajesh Khanna which I became much in the later years of the decade and in the starting years of the eighties.

And the movie watching years those bring back memories for me I think are 1973 (when I was five years old) to 1980 or 1981 to 1982 till I get into tenth standard. These years are very ‘nostalgic’ years for me I think, because many memories of movies and songs for me are from these years. So, what were the specialities of these years – ‘multi starrer movies’, ‘lost and found’ stories, ‘revenge stories’, ‘mythological movies too’, then we have ‘movies with dacoits looting the ‘gaon’ and the poor villagers’, etc. We were not the fan of any actor or actresses, we just loved to watch the movies whatever be the cast.

In my childhood, movies were the biggest entertainment other than outdoor sports, plays, then orchestras, radio and then there were movies. I vaguely remember that I always use to think the stars acting in movies were from a different planet and not like us. Then I used to think how a person who dies in a movie came back again in another movie?😊 And it took me sometime to understand the reality and come to know that the ‘stars’ are actually normal human beings like us.

Movies were the biggest fascination for us then and may be for many like me. From buying tickets for a movie and getting entry into the theatre and then the darkness surrounding gradually and starting the ‘newsreel’ everything was mesmerizing. Sometimes if we got delayed we had to enter in the darkness and then the gate-keeper will come and guide us the way signalling with a torch. And after the ‘newsreel’ (always in black and white 😊) finally the censor certificate of the movie which we eagerly await to the titles of the movie – all fascinating and spellbinding.

Then as I have mentioned earlier we brothers used to collect the cut pieces of films of movies and try to watch them after magnifying from a small mirror (sometimes a piece of mirror) to reflect the sunlight and finally projecting on a piece of cloth (preferably white) in a room which was covered to create darkness even in a daylight outside. I also remember that there was the advertisement for the 16mm projectors in newspapers and magazines which always attracted me and I was always thinking of buying one 😊 (which was not possible and never became possible) 😊.

Reading about movies and stars in print media and discussions about movies and the personal likes and dislikes among friends/groups was almost a routine. And yes, the ‘booklets’ for the songs of the movies, though I don’t remember to have bought many but yes we used to buy them and sing the songs reading from it 😊

Every summer vacation was special and awaited because of movie watching only. It was the main attraction of the vacations as we used to travel to stay with paternal grandparents and cousins would also gather from different places and together we used to watch movies in theatres – ah, how wonderful those were the days!!!

Sometimes on Sundays or a holiday we would even watch back to back movies to utilise the time as we have to travel back to our colony around 25 kms from the district place. The today’s movie we are discussing was passed by the Censor Board on 06.04.1979 and in all possibility, I am sure that I watched it in that ‘summer vacation’ that year. We children were very crazy about watching movies and I think this continued so far till ‘Laawaaris’ (1982) where I remember to get the tickets I joined the long queue which was I think around 500 metres from the ticket window, and it was already on the road where we sat in the queue for a long time 😊.

Recollecting it now all that happened seems to be very crazy and exciting. And I had to share this one incident when I was beaten up by my father as I was disappointed and started shedding tears for not getting ticket to watch a movie as it became house full. The movie was ‘Jaani Dushman’ from 1979. It was directed by Rajkumar Kohli who has given us many multi starrer movies and I have watched many of them viz. ‘Nagin’ (1976), ‘Jaani Dushman’ (1979), ‘Naukar Biwi Ka’ (1983), ‘Raaj Tilak’ (1984), ‘Jeene Nahin Doonga’ (1984), and ‘Insaniyat Ke Dushman’-1987’. After that I think I have not watched any movies from this production house.

At first, for this post I was thinking of a song from a Manmohan Desai movie or a song from a ‘multi starrer movie’, but selected this movie because to watch it I had to first undergo my father’s fury 😊. How is that possible? Was the movie was not for children? Yes, it was not for us – children – then to watch this movie, because it was released with an ‘A’ certificate (released with restricted viewing) 😊. But, I can now guess that may be on my insistence my father may have been somehow agreed to allow us to watch the movie.

However, we could not get the tickets as the show was house full and we – me and my younger brothers were standing watching movie posters – I got disappointed and tears rolled my eyes and the next moment was darkness in front of my eyes because my father had slapped me since I started crying for watching a movie. Later on, my father called me separately and told me to go alone next day to watch the movie and don’t take my younger brothers with me since they will be frightened, as the movie was said to be a ‘HORROR’ movie 😊. Next day I watched the movie and never feel scared while watching the movie, as the movie was making news as a ‘horror’ movie or like that. I was just above eleven years old then 😊.

I don’t remember having watched this movie again after that, either on TV or in theatre. Watching a suspense thriller again doesn’t generate the same interest and thrill. However, I think I should watch it for nostalgia and to enjoy its beautiful songs again. This movie has some very good songs and so far, only two of its songs have been posted on the blog. And when I go through these two posts by Atul ji I find he also had expressed similar feelings about this movie and he had also watched it as a ‘non-adult’, but still he was elder than me then 😊.

The song I present today is a ‘happy song’ to suit our celebration mood and reviving the nostalgia. In the movie too it occurs in celebration after Bindiya Goswami’s marriage and her ‘doli’ not being looted and the ‘dulhan’ not getting killed by the ‘Jaani Dushman’ 😊. The pitcturisation of this song has some typical specialities of that period – the village, the celebration, the grandeur and the music and the multi star cast. . . And over and above all we have Sanjeev Kumar and Shatrughan Sinha in their ‘own style’ 😊 and with so many other artists present in this song. The orchestra music by Laxmikant-Pyarelal makes it very special and nostalgic to revive those memories. . .

So, let us enjoy this song and revive some ‘bhooli bisri yaadein’. . . on this special occasion 😊

And actually, in the flow of the song I was thinking,

blog nahin koi ASAD jaisa
leader nahin koi mere ‘leader’ jaisa
editor nahin koi hamaare ‘editor’ jaisa
aur ‘contributor’. . .
nahin koi hamaari team jaisa 😊

 

Song – Mausam Na Koi Bahaar Jaisa (Jaani Dushman) (1979) Singer – Kishore Kumar, Mahendra Kapoor, Asha Bhosle, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Female Chorus
Male Chorus

Lyrics

arey sun bhai sadho
bol re madho
sun bhai sadho
arey bol re madho

ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o

chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
 
mausam na koi bahaar jaisa
tohfa na phoolon ke haar jaisa
saaz na koi sitaar jaisa
raag na koi malhaar jaisa
haan aa

heera nahin kohinoor jaisa
haan
parbat nahin koh-e-toor jaisa
haan
meethha na koi khajoor jaisa
haan
meva na dekha angoor jaisa

jaanch liya parakh liya
soch liya
gaur kiya
rishte bhi dekhe
naate bhi dekhe
naata naa koi pyaar jaisa
suraj bhi dekha
chanda bhi dekha
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

roop tera kaagaz ki paati
dhoop lage murjhaaye
hey roop tera kaagaz ki paati
dhoop lage murjhaaye
aa tujhko palkon mein rakh loon
daal baahon ke saaye
roop gori tera patang jaisa
arey ang nahin tere ang ang jaisa
he rang nahin hothon ke rang jaisa
haan
sang nahin sajna ke sang jaisa

jaanch liya parakh liya
soch liya
gaur kiya
dil bhi dekhe dilwaale bhi dekhe
dil nahin dekha dildaar jaisa
raje bhi dekhe
mahaaraje bhi dekhe
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

ho
ho ho ho ho
ho
ho ho ho ho o o
ho
ho ho ho ho o o

ban ke main sapna suhaana
teri neendon mein kho jaaun
he ban ke main sapna suhaana
teri neendon mein kho jaaun
main pyaar ki chandni mein ji chaahe so jaaun
kyunki
dukh naa judaai ki maar jaisa
sukh nahin dil ke qaraar jaisa
yaar nahin koi mere yaar jaisa
haan
jantar bhi dekhe mantar bhi dekhe
jaadoo naa koi pyaar jaisa
preet bhi dekhi
preetam bhi dekhe
par dekha na saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अरे सुन भाई साधो
बोल रे माधो
सुन भाई साधो
अरे बोल रे माधो

हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ

मौसम न कोई बहार जैसा
तोहफा न फूलों के हार जैसा
साज़ न कोई सितार जैसा
राग न कोई मल्हार जैसा
हाँ आ
हीरा नहीं कोहिनूर जैसा
हाँ
परबत नहीं कोह ए तूर जैसा
हाँ
मीठा न कोई खजूर जैसा
हाँ
मेवा न देखा अंगूर जैसा
जांच लिया
परख लिया

सोच लिया
गौर किया
रिश्ते भी देखे
नाते भी देखे
नाता ना कोई प्यार जैसा
सूरज भी देखा
चंदा भी देखा
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

रूप तेरा कागज़ कि पाती
धुप लगे मुरझाये
हे धुप लगे मुरझाये
आ तुझको पलकों में रख लूं
डाल बाहों के साए
रूप गोरी तेरा पतंग जैसा
अरे अंग नहीं तेरे अंग अंग जैसा
हे रंग नहीं होठों के रंग जैसा
हाँ
संग नहीं सजना के संग जैसा
जांच लिया परख लिया
सोच लिया
गौर किया
दिल भी देखा दिलवाले भी देखे
दिल नहीं देखा दिलदार जैसा
राजे भी देखे
महाराजे भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

हो
हो हो हो हो
हो
हो हो हो हो हो ओ
हो
हो हो हो हो हो ओ

बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
हे बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
मैं प्यार कि चांदनी में जी चाहे सो जाऊं
क्यूंकि
दुःख ना जुदाई कि मार जैसा
सुख नहीं दिल के करार जैसा
यार नहीं कोई मेरे यार जैसा
हाँ
जंतर भी देखे
मंतर भी देखे

जादू ना कोई प्यार जैसा
प्रीत भी देखि
प्रीतम भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3655 Post No. : 14515

Regulars of this blog know that we in this blog have had a few events that were eagerly anticipated and looked forward to. The event of the blog clocking 10000th is still fresh in everyone’s mind.

10000 is a round figure but we subsequently managed to create anticipation for some unusual numbered posts as well- what we called honky tonk numbers. Post number 11111 in the blog was a very special number. People began to make guesses about the song that was likely to become song post number 11111 in the blog. There were tell tale signals and clues that regulars could work on. By the time the target approached closer, regulars, after some false leads began to close in on the correct song. By the time the event arrived, people had already guessed (correctly) about the song that was going to be song post number 11111 in the blog.

That song was a very special song. It had the voices of four major singers of HFM, namely Rafi, Kishore Kumar, Mukesh and Lata. And that song was the only occasion when these four singers had come together to sing a movie song.

How did our regulars guess that this song was going to be song number 11111 ? They noticed that the number of songs by these singers in the blog were approaching their 90s. By the time the blog reached song number 11104, all the four singers were on their respective nervous 99s. So once people realised this fact so they began to look for songs that contained all the four voices . And soon enough they zeroed in on the song of “Amar Akbar Anthony”(1977) namely Hamko tumse ho gaya hai pyaar kya karen (Amar Akbar Anthony) .

That was in 2015. A similar exercise has been undertaken in 2018 as well, but this time secrecy has been maintained so well that no regulars have apparently got any wind of it. Four major singers are once again approaching their respective 99s but no regulars seem to have noticed it. 🙂

Even if they somehow noticed it, and guess that a song containing all these four voices was to be covered, would they have guessed the song this time ? Difficult to say.

While on my mission of YIPPying movies on the blog, I had posted the seventh song (out of eight) of “Pyaar Kiye Ja”(1966) in december 2017. Then I decided against posting the final song and YIPPYing the movie, even though the song was readily available. Reason ? I discovered that this song was a SPECIAL song. It was sung by four major HFM singers, viz. Lata, Kishore Kumar, Manna Dey and Asha Bhonsle. So, it occured to me that I should try something along the lines of the “Amar Akbar Anthony”(1977) song. But it was easier said than done. All these four artists were far far away from their respective centuries. Moreover, posting of songs in the blog nowadays is not as prolific as it used to be during 2011 to 2014. So I decided to be patient. So it is after patiently posting relevant songs that all the four singers finally reached their 99s.

My plan was to coincide the posting of this song with the date of 19 july 2018 when the blog would have turned TEN years old. But I was unable to stick to this target for various reasons.

Now, two days later, things have fallen in place. All the four singers are in their respective 99s.

So here is this special song from “Pyaar Kiye Jaa”(1966). The movie had eight songs in it. Details of the seven songs that were covered in the past is as follows:-

Song Title Post Date
 Dil hamne de diyaa  30 July 2009
 O meri mainaa tu maan le meraa kahnaa  5 Sept 2009
 Phool ban jaaungaa shart ye hai magar  9 Jan 2012
 Kisne pukaara mujhe main aa gayee  5 may 2012
 Din jawaani ke chaar yaar  1 apr 2015
Kehne ki nahin baat magar ab zor se kehna hai 24 Dec 2016
Gore haathhon par na zulm karo 6 Dec 2017

With this song, the song tally of the singers of this song stands as following:-

Singer Number of songs in the blog
 Lata  3400
 Asha Bhonsle  2500
 Kishore Kumar  1100
 Manna Dey  500

The movie “Pyaar Kiye Jaa”(1966) was produced and directed by C V Sridhar. The movie, a romantic comedy was a remake of his own Tamil comedy movie “Kadhalikka Neramillai”(1964). “Pyaar Kiye Jaa”(1966) had Shashi Kapoor, Rajshree (south), Kishore Kumar, Kalpana, Mehmood, Om Prakash, Mumtaz, Chaman Puri etc in it. Mehmood and Om Prakash, playing son and father, were both nominated for the Filmfare award for the best comedian of the year and it was Mehmood who finally got the award.

“Pyaar Kiye Jaa”(1966) was a moderate hit in its time, unlike the original Tamil version. Nevertheless the maker went on to remake this movie in Telugu and Kannada as well. With time, “Pyaar Kiye Jaa”(1966) has made its mark as among the better comedy movies made in Hindi.

The song, which has four by now legendary singers lending their voices iin it is picturised on Shashi Kapoor (lip syncing in Manna Dey’s voice), Rajshree (south)-singing in Lata’s voice, Kishore Kumar (singing for himself) and Kalpana (singing in Asha Bhonsle’s voice). I find it difficult to differentiate between the two ladies, that is how similar they look to my eyes which are untrained to identify HF actresses of yore. 🙂

The song is penned by Rajinder Krishan, the favourite lyricist of South Indian film makers remaking their movie into Hindi. Music is composed by Laxmikant Pyarelal.

Is this song the only occasion when these four singers came together in a HF song ? I have no idea. I request our knowledgeable readers to throw light on this matter. In any case, this song sees all these four legendary singers complete their individual centuries in the blog in one fell swoop, as they used to say in old American novels. 🙂

It may look that easy, but of course it was not so. Careful and patient planning for nearly seven months was involved. As the singers count inched towards their centuries, I realised that Asha Bhonsle could reach her century upsetting the plas if we were not careful. So I reminded Sudhir Ji not to post any more Asha Bhonsle songs till I was done with this song. 🙂

Finally this song gets covered in the blog. With this the movie gets YIPPEED. I do not think we have seen so much elaborate planning to cover just one song. The last such occasion was ofcourse the song post number 11111 in the blog viz the song Hamko tumse ho gaya hai pyaar kya karen (Amar Akbar Anthony) .


Song-Sun le pyaar ki dushman duniya (Pyaar Kiye Jaa)(1966) Singers-Manna Dey, Lata, Kishore Kumar, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal

sun le
sun le
sun le
sun le

sun le
pyaar ki dushman duniya
dilvalo kay afsaane
chal pade jo dhun mein
to phir kab rukte hain deewaane
sun le ae ae
sun le pyaar ki dushman duniya
dilwaalon ke afsaane
chal pade to dhun mein
to phir kab rukte hain dewaane
sun le ae ae

aa ha ha
aa aa aa
lalalalalalala
lalalaalala

keh rahee hai jhoom ke ye bahaar
kar bhee le pyaar deewaana waar
dil mein kisi ko basaa le
duniya se kya darna
keh rahi hai jhoom ke ye bahaar
kar bhi le pyaar dewaanawaar
dil mein kisi ko basaa le
duniya se kya darna
sun le ae ae
sun le pyaar ki dushman duniya
dilwaalon ke afsaane
chal pade jo dhun mein
to phir kab rukte hain dewaane
sun le ae ae

aa aa haa haa
aa aa aa
aa aa aa haa
aa aa aa
hmm hmm
aa aa aa
aa aa aa
tara rum pum
lalalala
tararum pum
lalalalala
tarararumpum
aa aa aa

main to hoon raahi teri manzil ka
ah ha
aaya hoon pyaar ke sahaare
mud ke na peechhe kabhi dekhoonga aan
kitna bhee duniya pukaare
oh devaane
oh tu kya jaane
dil to tujhe de diya hai
duniya ko thukra ke
sun le ae ae
sun le pyaar ki dushman duniya
dilwaalon kay afsane
chal pade jo dhun mein
to phir kab rukte hain dewaane
sun le ae ae

bheega hua sa ye samaa
har shay haseen
har shay jawaan
duniya pe chha jaayen hum tum
duniya hamaari hai
bheega hua sa ye samaa
har shay haseen
har shay jawaan
duniya pe chha jaayen hum tum
duniya hamaari hai
sun le
sun le
sun le
sun le
sun le
pyaar ki dushman duniya
dilwaalon ke afsaane
chal pade jo dhun mein
to phir kab rukte hain deewaane
sunle
sunle pyaar ki dushman duniya
dilwaalon ke afsaane
chal pade jo dhun mein
to phir kab rukte hain dewaane
sun le


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3655 Post No. : 14514

“Raahi Badal Gaye”(1985) was produced by Ravi Malhotra and directed by Ravi Tandon. The movie had Rishi Kapoor, Shabana Azmi, Suresh Oberoi, Padmini Kolhapure, Prem Kalra, Rajendra Nath, Shakti Kapoor, Asha Lata etc in it.

The movie had six songs in it.

Here is the first song from the movie to appear in the blog. The song is sung by Kishore Kumar and Lata. Gulshan Bawra is the lyricist. Music is composed by R D Burman.

This “expression of love” song is picturised on Rishi Kapoor and Shabana Azmi, with the latter looking out of her comfort zone as she often did in romantic songs.

With this song, “Raahi Badal Gaye”(1985) makes its debut in the blog.


Song-Ek baat dil mein aayi hai kahoon ya na kahoon (Raahi Badal Gaye)(1985) Singers-Kishore Kumar, Lata, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

ek baat dil mein aayi hai
kahoon ya na kahoon
ek baat dil mein aayi hai
kahoon ya na kahoon
kehne ka mausam bhi hai
uspe ye tanhaayi hai
kahoon ya na kahoon
o o o
baat dil mein aayi hai
kahoon ya na kahoon
ek baat dil mein aayi hai
kahoon ya na kahoon

kayi baar chaaha maine
tujhi ko churaa loon tujhse
hey kayi baar chaaha maine
tujhi ko chura loon tujhse
kahin waadiyon mein dil ki
duniya sajaa loon tujhse
shaayad tu kuchh samajh gayi
isi liye sharmaayi hai
kahoon ya na kahoon
bolo bolo bolo
baat dil mein aayi hai
kahoon ya na kahoon
ek baat dil mein aayi hai
kahoon ya na kahoon

o o o
o o o
aa aa aa
jhalak teri dekhi pahli
doosra na bhaaya tabse
o o
jhalak teri dekhi pahli
doosra na bhaaya tabse
mere devta is dil mein
tu hi tu samaaya tab se
yahi haqeeqat hai
jo ke barson talak chupaayi hai
kahoon ya na kahoon
bolo bolo bolo
baat dil mein aayi hai
kahoon ya na kahoon
ek baat dil mein aayi hai
kahoon ya na kahoon

der se miley hain lekin
mil to gaye hain aakhir
hey der se miley hain lekin
mil to gaye hain aakhir
chalo phool aashaaon ke
khil to gaye hain aakhir

mil ke bhi hum door hain kyun
pyaar ki ye ruswaayi hai
kahoon ya na kahoon
ho o o
baat dil mein aayi hai
kahoon ya na kahoon
kehne ka mausam bhi hai
uspe ye tanhaayi hai
kahoon ya na kahoon
o o o
baat dil mein aayi hai
kahoon ya na kahoon

lalalalalalalala
lalalaalala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3655 Post No. : 14513

“Do Premi”(1980) was directed by Raj Khosla for Shalini Films, Bombay. This “social” movie had Rishi Kapoor,Mausami Chatterji, Om Prakash, I S Johar, Deven Verma, Geeta Bahl, Roopesh Kumar, Aruna Irani, K N Singh, Trilok Kapoor, Gautam Sareen, Bhagwan, C S Dubey, Nawab, Raj Kishore, Kundan, Piloo Wadia, Pal Sharma, Manmauji, Dinu Harish, Mansaram, Noor Dewasi, R R Somaiyya, Uma Khosla, Anita Khosla, Reena Khosla, Raj Bharti (new discovery) etc in it.

The movie had six songs in it. One song from the movie has been covered in the past.

Here is the second song from “Do Premi”(1980) to ppear in the blog. This song is sung by Manna Dey, Kishore Kumar and chorus. Anand Bakshi is the lyricist. Music is composition is by Laxmikant Pyarelal.

The usual far fetched over the top variety of song situation can be seen in the pictturisation. Rishi Kapoor and I S Johar barge into the premises of Om Prakash where he is marrying off his daughter (Mausami Chatterji) to Roopesh Kumar while Rishi Kapoor feels that he, being the hero, who had sung a duet with the lady in the past, should be the groom instead. So this song is a faux badhaai song where they pay underhand compliments to the “credentials” of the would be groom.

One can see many actors in the picturisation. Bhagwan, playing a watchman stands out among them.


Song-Ladki waalon ki taraf se ladke waalon ko…mubaarak ho mubaarak ho (Do Premee)(1980) Singers-Manna Dey, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Manna Dey + Kishore Kumar
Chorus

Lyrics

bura ghar ho
bhala ghar ho
hamen kya is’se lena hai
hamaara kaam to beta mubaarakbaad dena hai
ladki waalon ki taraf se ladke waalon ko
ladke waalon ki taraf se ladki waalon ko
mubaarak ho mubaarak ho
mubaarak ho mubaarak ho

mubaarak ho mubaarak ho
mubaarak ho mubaarak ho
ladki waalon ki taraf se ladke waalon ko
ladke waalon ki taraf se ladki waalon ko
mubaarak ho mubaarak ho
mubaarak ho mubaarak ho

ye ladki to hai chaandni se bhi gori
gori
haan gori
ye ladki to hai chaandni se bhi gori
hua kya kisi chaand ki thhi chakori

chaand ki thhi chakori
kiya thha pyaar isne
magar ab
magar ab
magar ab milaati nahin piya se
nazar ab
nazar ab
nazar ab
hua kya kaho kab
hamen kya matlab
daalo khaakh puraani baaton par
kya kahte ho

mubaarak ho mubaarak ho
mubaarak ho mubaarak ho

ye ladka hai achcha
nahin kuchh kharaabi
ye ladka hai achcha
nahin kuchh kharabi

hua kya agar hai zara sa
zara sa
zara sa
zara sa juaari sharaabi
juaari sharaabi
hey girega kabhi to sambhal jaayega ye
ke shaadi hui to
to
to badal jaayega ye
badal jaayega ye
kaha hamne kya kab
khafa ho gaye ye sab

phir ye bhool nahin hogi
bas hamko maaf kar do

mubaarak ho mubaarak ho
mubaarak ho mubaarak ho

ye ladke ka daddy bada paisa waala
ye ladke ka daddy bada paisa waala
hua kya agar iska dhandha hai kaala
ye ladki ka daddy bada hi farishta
magar iski kismat
kahaan joda rishta
kahaan joda rishta
kahaan joda rishta

haseen ye jodi hai
kasar bas thhodi hai
ye rishta nahin manzoor ladke ladki ko
mubaarak ho mubaarak ho
mubaarak ho mubaarak ho

ladki waalon ki taraf se ladke waalon ko
ladke waalon ki taraf se ladki waalon ko

mubaarak ho mubaarak ho
mubaarak ho mubaarak ho


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3654 Post No. : 14512

“Chaalis Baaba Ek Chor”(1954) was produced by Kamini Kaushal and it was directed by P L Santoshi. The movie had Kamini Kaushal, Balraj Sahni, Smriti Biswas, Om Prakash, David, Chandabai, Jagdeep etc in it.

The movie had twelve songs in it. Seven songs from this movie have been discussed in the past. Here is the eighth song from “Chaalis Baaba Ek Chor”(1954) to appear in the blog. This rare song is sung by Lata and Kishore Kumar alongwith chorus. P L Santoshi is the lyricist. Music is composed by S D Burman.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Ae meri guinyaa dulha dulhaniya (Chaalis Baba ek Chor)(1954) Singers-Lata, Kishore Kumar, Lyrics-P L Santoshi, MD-S D Burman
Chorus

ae ae ae ae meri guinyaa
dulha dulhaniya
mil ke kar len jo saath phiraniya
to duniya
basi basi jaaye
he re duniya
duniya
basi basi jaaye

kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

pehli phiraniya mein oye meri guinyyan
baat hai kya jo dekh dulhaniya
dulhwa
phiri phiri jaaye re dulhwa
dulhwa phiri phiri jaaye
ho o o
dulhwa
phiri phiri jaaye re dulhwa
dulhwa phiri phiri jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

dooji phiraniya mein
ae mori guniyya
baat hai kya jo dekh dulhaniya
dulhwa ruki ruki jaaye
re dulhwa
dulhwa ruki ruki jaaye
ho o
dulhwa ruki ruki jaaye re dulhwa
dulhwa ruki ruki jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

teeji phiraniya mein
o meri guinyyaan
baat hai kya jo dekh dulhaniya
dulhwa jhuki jhuki jaaye
re dulhwa
dulhwa jhuki jhuki jaaye
o o o
dulhwa jhuki jhuki jaaye re dulhwa
dulhwa jhuki jhuki jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

haaye
ye dilli ki phuljhadiyaan
hai laayi khushi ki ghadiyaan
ye patne ke pataakhe
phooten to karen dhamaake
yoon badle roop dhuwaan ke
jaise faujen gayin hon lad
ho jaise
fauzen gayin hon lad
ho jaise jaise jaise

chauthi phiraniya mein
oye meri guinyaan
baat hai kya jo dekh dulhaniya
dulhwa hati hati jaaye re dulhwa
dulhwa hati hati jaaye
o o o
dulhwa hati hati jaaye re dulhwa
dulhwa hati hati jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

paanchi phiraniya mein
oye meri guniyaan
baat hai kya jo dekh dulhaniya
dulhwa mudi mudi jaaye
re dulhwa
dulhwa mudi mudi jaaye
o o o
dulhwa mudi mudi jaaye re dulhwa
dulhwa mudi mudi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

chhathhi phiraniya mein
oye meri guinyaan
baat hai kya jo dekh dulhaniya
dulhwa adi adi jaaye re dulhwa
dulhwa adi adi jaaye
o o o
dulhwa adi adi jaaye re dulhwa
dulhwa adi adi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye

haan
ye dilli ki phuljhadiyaan
hai laayi khushi ki ghadiyaan
ye phoolon ki phuljhadiyaan
hai laayi khushi ki ghadiyaan
ye patne ke pataakhe
uthhen to karen dhamaake
ye patne ke pataakhe
aur ye khandwe ke khataake
ye ?? ke chataake
aur phoote to karen dhamaake


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14505

Today is the death anniversary of one of India’s biggest superstars, Rajesh Khanna, affectionately referred to as Kaka. He passed away on the 18th of July 2012. I remember being shocked to hear of his death – and even wrote an emotional post on my blog on the occasion. Although I did know that he had been suffering from cancer, the news hit me hard. Today, it is already 6 years since his death. How time flies!

Maybe it’s a reflection of the person he was, but it seems to me that any conversation about Kaka invariably goes beyond his films, and delves into his personal life and relationships. His, admittedly none too positive, image seems to take over – at the cost of discussion about his films. This is unfortunate – but, to some extent, Kaka probably brought this on himself.

We all know he let success go to his head – and paid a heavy price for it. Like I’ve said before, maybe that was one of his roles here on this earth. To NOT be a role model, to be someone that can be held up as an example by parents to children of how NOT to let success get to your head. Anyway, later in life, Kaka did admit to the mistakes he’d made – and, on this Remembrance Day, I think I’d like to not talk about his mistakes. I’ve discussed them at length in previous posts – I don’t want to repeat myself.

Today, as I remember him, all I want to do is to thank him for the performances he gave me when I was just a young boy, growing up in the late 60s / early 70s. I’m going to pause just a bit here to remember those performances.

There were many – his filmography of that period and his success rate would put any other actor in the shade. Not even the big 3 (Dilip, Raj Kapoor and Dev Anand) who came before him could deliver that many hits in that short a time frame. Or the biggie who followed right after. But personally I couldn’t care less about the box-office success of those films. I was just a young boy – what did I know about the box-office? All I knew was, there was this “hero” on screen who, through his smile, or tilt of the head, or “guru” kurta, or dialogue delivery had me mesmerized in film after film, singing one blissful song after another (at that time I didn’t know about playback).

I didn’t always understand the storyline, or even all the dialogues, but everytime he would be romancing  the heroine, whether it was Sharmila or Mumtaz or Tanuja or Hema or another, it felt like all was just perfect with the world. It wasn’t as if other heroes didn’t have romantic scenes with the heroines, but somehow it seemed different in Kaka films. Later, when I thought about this, I felt it was possibly because romance was usually intrinsic to Kaka films. It formed part of the main plot itself. Whereas for others, it was an important element no doubt, but the storyline often had a crime-related plot – like smuggling.  Note that wherever romance IS the plot, the film seems very Kaka-like. For example, ‘Aa Gale Lag Ja’ (1973) could very well have been a Kaka film, though it had Shashi Kapoor in the main lead.

Of course, it was not always a happy ending. Kaka would often die in the film, breaking my heart.  This only made the film a bigger hit, so storylines were devised accordingly.

I thoroughly enjoyed those films – have fond memories of ‘Aradhana’, ‘Aan Milo Sajna’, ‘Kati Patang’, ‘Dushman’, ‘Apna Desh’, ‘Haathi Mere Saathi’, ‘Mere Jeevan Saathi’, and so many others. Whether it was “Mere Sapnon Ki Rani”, “Yahaan Wahaan Saare”, “Ye Shaam Mastaani”, “Waada Tera Waada”, “Rona Kabhi Nahin Rona”, “Dilbar Jaani”, “O Mere Dil Ke Chain” or any of his numerous hits of the time, I knew them all by heart – all stanzas. We’d often sing these songs amongst friends.

At that time I had no idea about Kaka beyond his screen presence. Ignorance was truly bliss.

Then things began changing.

Suddenly he didn’t seem to have the same magic anymore. I tend to associate this with his “long hair” phase but, to be fair to him, that was just the fashion of the time. Hamming seemed to have set in – even the films seemed to lack that romantic feel about them. The last couple of movies I remember of that era that I saw, and could accept, were ‘Aap Ki Kasam’ (1974) and ‘Prem Kahaani’ (1975).

Mehbooba (1976) was probably the first big shock for me. It was highly hyped at the time – what with the two biggest names, Kaka and Hema, as the lead actors. Not to mention RD Burman’s music. I remember the film being a big flop. Later I read that the decline started even earlier but for me, at that age, Mehbooba was the marker.

That was a terrible period for him. Flop after flop. I clearly remember ‘Bundalbaaz’, ‘Chalta Purza’, ‘Aashiq Hoon Baharon Ka’, even BR Chopra’s ‘Karm’ (another much-awaited film) – all failed. But there were more.

Oh, one thing. I said I didn’t know about box-office but there was one indicator for me. I used to travel by school bus to school, 30 km away. En-route there was a film theatre. From the bus, we could see which film was running. That gave us a pretty good idea of hit or flop. I remember ‘Yaadon Ki Baaraat’ running for many weeks, whereas ‘Bundalbaaz’ and ‘Chalta Purza’ just came and went.

After watching ‘Aashiq Hoon Baharon Ka’, I really couldn’t take it anymore. What had happened to my “Ye Shaam Mastaani” Rajesh Khanna? How had he morphed into this “I am in love, you are in love, he is in love, she is in love” Rajesh Khanna? I stopped seeing his movies. I couldn’t bear to.

Later, in the mid-80s, I did watch a few – but only because they were on Doordarshan. ‘Thodisi Bewafai’ (1980), ‘Avtaar’ (1983) and ‘Aakhir Kyon’ (1985). I quite liked them. But only these.

For the next 25 years, I stayed away from Kaka films that I had not watched. Sure, I watched the old ones to relive their magic. But none of his post-1977 films. Only a few years ago, I mustered the courage to watch this category. I think it had to do with his death. Maybe I felt I was doing him grave injustice by avoiding these films. After all, he must have worked just as hard in them, as in his early films. So why not at least give them a shot? For Kaka’s sake.

I started with the more successful ones – at least those with popular songs. Like ‘Agar Tum Na Hote’ (1983), ‘Kudrat’ (1981), ‘Rajput’ (1982). I kept my expectations very low. I quite liked all these films. And I was quite impressed by Kaka too. I don’t recall seeing much of the hamming  that I had dreaded. Sure they were very different from his early 1970s films – but that’s to be expected.

Recently I got into the mood again – and did a Kaka binge. I watched ‘Amrit’ (1986), ‘Dhanwaan’ (1981), ‘Dard’ (1981), ‘Aanchal’ (1980), ‘Janta Hawaldar’ (1979) and ‘Amar Deep’ (1979), all within the last month. As usual, keeping expectations low. I liked some more than the others, of course. But what I realized is each of their story lines is very different from the rest. That also made me realize that Kaka’s movies often had that – different story lines. This, at a time in the late 70s or in the 80s, when usually you had formulaic dhishum-dhishum films, either as multi-starrers, or hero taking revenge on the villain.

I now plan to watch more Kaka films of the period. Even if they’re not good, that’s ok. I keep my expectations low – and I’m watching them for Kaka. His looks aren’t what they were in the early 1970s – but that only seems to make him all the more real for me. And, worst case, the film will probably have a reasonable story line.

Moving on to today’s song.

Now having watched all these Kaka films recently, and most of them not being much represented on the blog, I was somewhat spoilt for choice today. I could have picked at least half a dozen Kaka songs from these films alone – and I do plan to write up more from these films. But for today, I’ve chosen “Paise Ka Kaajal” from ‘Aanchal’ (1980).

Firstly, this song comes in the category of “ye gaana IS film mein hai?” for me. I’d heard it all those years ago but didn’t know which film it was from. Secondly, ‘Aanchal’ is not represented yet on the blog, so it makes its debut today. Thirdly, it is a song & dance – and I quite like song & dance. 🙂 What I particularly liked about this one, apart from the song itself, is Kaka’s style. Not that he was a great dancer, but his style here reminded me of the Kaka of the early 1970s, when he’d dance similarly opposite heroines of the time. 🙂

The film stars Kaka, Rekha, Raakhee, Amol Palekar and Prem Chopra. It’s a village-based story, where Kaka and Amol Palekar are brothers, with Raakhee married to Amol Palekar. Since Kaka is her husband’s younger brother, Raakhee treats him with great affection. Kaka too has highest regard for his bhabhi. Prem Chopra, who has a score to settle with Amol Palekar, plays mischief, creating misunderstanding in his mind about the relationship between Raakhee and Kaka. Also, doing the same to Rekha, who is in love with Kaka.

To be honest, the film picks up only in the second half – the first half is rather slow. But maybe it is a build-up to show the relationships between the characters. I was rather keen for the film to get on with the plot. 🙂

In any case, do listen to this fairly catchy tune composed by RD Burman.  Lyrics are by Majrooh Sultanpuri. The song is sung by Kishore Kumar and Asha Bhosle. As usual, the lyrics have been provided to me by Avinash ji. He is always very helpful in this respect, sending me lyrics for any post I plan to write.

Not only this, he is a huge Kaka fan – a much bigger fan than I am. Avinash ji did tell me that he might not be able to write a post for Kaka on this occasion. So this is our joint tribute to Kaka, as we remember him fondly today.

Kaka, hope you are at peace, wherever you are. And thanks for all the memories.

Video

Audio

Song – Paise Ka Kaajal Daike Na Lo Hamri Jaan (Aanchal) (1980) Singer – Kishore Kumar, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus

Lyrics (Provided by Avinash Scrapwala)

paise ka kaajal
daike na lo hamri jaan
paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa

o o o o
nainaa hai chanchal
kaise na maarenge baan
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hain jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa

mele mein bhi ham akele hain
tum hamre sang aao naa
sang aao naa
are phir jaate jaate ye chhalla
nishaani mein de jaao naa
are de jaao naa
aa ha
chhalla mera naa mehanga pade
loot jaaoge khade hi khade
ho
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa aa

jeewan se jaaoge sainyyaan
jo hamse nazar mil gayee
nazar mil gayee
ho kitni dafaa hamre kaaran
yahin pe chhuri chal gayee
chhuri chal gayee
are hum dilwaale bhi dikhlayenge
dekh lena tumko le jaayenge
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa
o o o o
paise ka kaajal
daike naa lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa

main jo is aanchal ko chhodun to
jag me rahaa kya mera
rahaa kya mera
are duniya ko maalum kya hai
jo tumse hai naata mera
hai naata mera
sab hai jhootha taraana tera
harjaaee kya hai thikaana tera
sikhaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 
o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa

paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

———————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————————————

पैसे का काजल
दैके ना लो हमरी जान
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ

मेले में भी हम अकेले है
तुम हमरे संग आओ ना
संग आओ ना
अरे फिर जाते जाते ये छल्ला
निशानी में दे जाओ ना
अरे दे जाओ ना
आ हा
छल्ला मेरा ना महंगा पड़े
लूट जाओगे खड़े ही खड़े
हो
बचाए तुम्हे राम

धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ आ

जीवन से जाओगे सैंय्या
जो हमसे नज़र मिल गयी

नज़र मिल गयी
हो कितनी दफा हमरे कारण
यही पे छुरी चल गयी

छुरी चल गयी
अरे हम दिलवाले भी दिखलायेंगे
देख लेना तुम्हे जायेंगे
बचाए तुम्हरे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी

ओ ओ ओ
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ

मैं जो इस आँचल को छोडूं तो
जग में रहा क्या मेरा
रहा क्या मेरा
अरे दुनिया को मालुम क्या है
जो तुमसे है नाता मेरा
है नाता मेरा
सब है झूठा तराना तेरा
हरजाई क्या है ठिकाना तेरा
सिखाये तुम्हे राम

धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण

हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ

पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3651 Post No. : 14498

“Raahgeer”(1969) was directed by Tarun Majumdar for Geetanjali-Chitradeep, Calcutta. The movie had Vishwajeet, Sandya Roy, Shashikala, Padma, Nirupa Roy, basant Chaudhary, Kanhaiyalal, Anwar Hussain, Pahadi Sanyal, Ifthikar, Prasenjit, Asit Sen, Chaman Puri, Savita Chatterji, Ram Avtar, Rasheed Khan, C S Dubey etc in it.

The movie had ten songs in it, and the songs were suprize packages. Four of these songs have been covered in the past.

Here is the fifth song from “Raahgeer”(1969) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Gulzar is the lyricist. Music is composed by Hemant Kumar.

Just listen to this rare song. You will agree with me that this movie contains lots of surprise packages and this song is one of them.


Song-Baabu ghabraate hain (Raahgeer)(1969) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Gulzar, MD-Hemant Kumar

Lyrics

babu ghabraate hain
babu ghabrate hain
chori chori aankhon se
chori chori aankhon se teer chalaate hain
beebi sach kehti ho
beebi sach kehti ho
chonch to hai baahar
aur ande mein rehti ho
beebi sach kahti ho

chhaila mere rangeele
dikhne mein bhole se
chakhne mein zahreele
dikhne mein gudiya ho
bholi bhaali samjhe thhe
mirchi ki pudiya ho

chale thhe gulaab lene dekho phulwaadi se
chale thhe gulaab lene dekho phulwaadi se
kaanton se ulajh baithe babu ye anaadi se
ah
pada nahin paala abhi aapka khilaadi se
tinke nikaalo beebi choron ki daadhi se
choron se rishta hai
choron se uljho jaake
banda farishta hai

umm hmm
fariste aapse hote hain aaj hi jaana
fariste aapse hote hain aaj hi jaana
zameen pe kaise huaa kahiye aapka aana
khuda ne aapko apna salaam bheja hai
mizaaj poochhne
aa haan mijaaj poochhne ko ye ghulaam bheja hai

waah
suna hai aapke rishte se chanda maama hain
khuda ke paas wahaan aapka nishaama hai
he he
kamaal karte hain
har baat boojh lete hain
biraadari ko
biraadari ko badi zaldi soongh lete hain

ye gamchha baandh ke kya haandi saaf karte hain
ham aapson ki tabeeyat ko saaf karte hain
ja tumhaare jaise bade majnu maare phirte hain
ki laila laila gali mein pukaar phirten hain

tumhi ko laila banaaya hai to jawaab nahin
kahin khuda ki tabeeyat bhi to kharaab nahi
bater jaisi do aankhen laga ke bhej diya
ya seedha kabr se waapas uthha ke bhej diya
jahaan mein aap jaisi aur koi cheez nahin
tameez seekho agar baat ki tameez nahin
tameez seekho agar baat ki tameez nahin
tameez seekho agar baat ki tameez nahin
tameez seekho agar baat ki tameez nahin


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14559

Number of movies covered in the blog

Movies with all their songs covered =1142
Total Number of movies covered =3975

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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