Posts Tagged ‘Kishore Kumar’
- In: Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Kishore Kumar lip syncing in another voice | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Mahendra Kapoor songs | Mahendra Kapoor Usha Mangeshkar duet | Songs of 1960s (1961 to 1970) | Songs of 1967 | Usha Mangeshkar songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3739 | Post No. : | 14693 |
A real life funtoosh, if ever there was one. So many anecdotes from his real life are told – and they read like a story writer creating script for comic scenes.
Like the fact that he had a sign that said ‘Beware of Kishore’ on the door of his Warden Road flat – once HS Rawail came to visit him, and offered his hand for a handshake, and Kishore took his hand and bit it; when Rawail asked him why he did that, Kishore pointed to the sign on the door saying – “Didn’t you read this. . .”.
Or the time he appeared on the sets with make up on half of his face – he had not yet been paid in full by the producer.
Or the time when filming a scene in which he was driving a car, he continued driving and reached Khandala, because the director did not say ‘cut’ to end the scene.
His frolic and cheekiness is so well evident in his roles and antics onscreen, and his actions off screen. But there is a also a serious side to his personality, that gets expressed so well in his renderings of “Dukhi Mann Mere. . .” (‘Funtoosh’, 1956), “Beqaraar Dil Tu Gaaye Ja. . .” (‘Door Ka Raahi’, 1971), “Zindagi Ke Safar Mein Guzar Jaate Hain Jo Maqaam. . .” (‘Aap Ki Kasam’, 1974), “Jin Raaton Ki Bhor Nahin Hai. . .” (‘Door Gagan Ki Chhaon Mein’, 1964), and so many more such poignant songs that only could be done by him. Listen to “Koi Hamdam Na Rahaa. . .” (‘Jeevan Naiya’, 1936) rendered by Ashok Kumar, and then its reprisal sung by Kishore in 1961 “Jhumroo”. The two renditions are dimensions apart – the depth and emotion in the 1961 rendering has no measure, in comparison to the 1936 version.
His reverence for KL Saigal is legendary. It is recounted by Ashok Kumar himself in an interview. In his teen years, Kishore would sit outside the recording studio when Saigal Sb’s recordings were in progress. Sometimes Saigal Sb would ask him to sing. And when the young Kishore finished, he was given 4 annas (25 paise) as reward. It would make the young man immeasurably happy.
Continuing, Ashok Kumar narrates that in his home, Kishore had a temple room set aside with a photo portrait of Saigal Sb, where he lighted a diya every day, and paid respects to his idol. The floor of this temple room was a platform made of wood that was raised 6 inches above the actual flooring. No one, including Kishore Kumar himself, was allowed to enter this room with any kind of footwear. Once, Ashok Kumar was passing by and he had something important about which he wanted to talk urgently with Kishore. He came in. Kishore was in the temple room, lighting the diya for his daily prayers to Saigal Sb. In the hurry of his urgency, and that the matter was just a two minutes conversation, Ashok Kumar forgot to remove his shoes and stepped into the room. As he started to speak, Kishore turned around, and saw Ashok Kumar standing there with his shoes on. He immediately threw the lighted diya itself, that was in his hands, at the legs of Ashok Kumar, and asked him to immediately exit the temple room.
Coming to today’s song. The peculiarity of Kishore Da’s career runs into multiple dimensions. His prolific engagements with films – playback singer, actor, producer, director, lyricist, music director; I would dare say that no other film persona has touched upon such a gamut of the various ways he connected with and contributed to cinema. His film ‘Badhti Ka Naam Daadhi’ (1974) is about Kishore Kumar, playing himself on screen, producing a film titled ‘Badhti Ka Naam Daadhi’ – what more to say. 🙂 🙂
His comic roles vs his serious roles – quite a handle on the entire spectrum of emotions. Going from haywire films like ‘Half Ticket’ (1962) to poignantly moving essays like ‘Door Gagan Ki Chhaon Mein’ (1964) and ‘Door Ka Raahi’ (1971).
There is one more peculiarity, which of course has been discussed and mentioned often on this blog. I bring forth the topic of Kishore Kumar lip syncing the playback voice of other singers, for himself on screen. Now, this is a very interesting phenomena. An accomplished singer, who is also an actor, and who almost always sings playback for himself when performing on screen, has surprisingly enough, also performed on the playback voice of other mainline singers. I present below the complete list of 18 such songs from Hindi films, in which another prominent singer is providing the playback to Kishore Da on screen. I am sure this is a record that may never be equalled by any other singer-actor. These are,
|
S.No. |
Song Title | Film | Year | MD |
Playback Voice |
|
1 |
Chori Chori Aana Na Khidki Taley Tum | Miss Mala | 1954 | Chitragupt | Mohammed Rafi |
|
2 |
Jaane Bhi De Chhod Ye Bahaanaa | Baap Re Baap | 1955 | OP Nayyar | Asha Bhosle |
|
3 |
Hamen Koi Gham Hai | Bhaagam Bhaag | 1956 | OP Nayyar | Mohammed Rafi |
|
4 |
Aankhon Ko Milaa Yaar Se Peene Ka Mazaa Le | Bhaagam Bhaag | 1956 | OP Nayyar | Mohammed Rafi, SD Batish |
|
5 |
Chale Ho Kahaan Karke Jee Beqaraar | Bhaagam Bhaag | 1956 | OP Nayyar | Mohammed Rafi |
|
6 |
Din Albele Pyaar Ka Mausam | Begunaah | 1957 | Shankar Jaikishan | Manna Dey |
|
7 |
Man Mora Baawra | Raagini | 1958 | OP Nayyar | Mohammed Rafi |
| 8 | Ajab Hai Dastaan Teri Ae Zindagi | Sharaarat | 1959 | Shankar Jaikishan | Mohammed Rafi |
|
9 |
Tu Mera Copyright Main Teri Copyright | Sharaarat | 1959 | Shankar Jaikishan | Mohammed Rafi |
|
10 |
Pahle Murgi Huyi Thi Ke Andaa | Krorepati | 1961 | Shankar Jaikishan | Manna Dey |
|
11 |
Ho Gayee Shaam Dil Badnaam | Naughty Boy | 1962 | SD Burman | Manna Dey |
|
12 |
Mohabbat Karna Hai Asaaan | Daal Mein Kaala | 1964 | C Ramchandra | Manna Dey |
|
13 |
Baalma Saajna, Duniya Bhula Tere Pyaar Ne | Akalmand | 1966 | OP Nayyar | Asha Bhosle |
|
14 |
Ki Jo Main Hota Hawaa Ka Jhonka | Duniya Naachegi | 1967 | Lakshmikant Pyaarelal | Manna Dey |
|
15 |
Hum Ne To Dil Bichha Diya | Albela Mastaana | 1967 | N Datta | Mahendra Kapoor |
|
16 |
O Mere Dilbar Jaaneman Jaaneman | Haaye Mera Dil | 1968 | Usha Khanna | Manna Dey |
|
17 |
Alakh Niranjan, Bam Bam Bholenath | Haaye Mera Dil | 1968 | Usha Khanna | Manna Dey |
|
18 |
Apni Aadat Hai Sabko Salaam Karnaa | Pyaar Deewaana | 1972 | Lala-Asar-Sattaar | Mohammed Rafi |
As you can see, most of the honours are done by Mohammed Rafi and Manna Dey, one song in the voice of SD Batish, and then one song in the voice of Asha Bhosle (yes. . . 🙂 ). This list of 18 songs is taken from the book ‘Gaata Rahe Mera Dil. . ‘, a definitive compilation of Kishore Kumar songs by Kamal Dhiman. As you can see, of these 18, thirteen songs are already covered on our blog. Today, I bring on one more of this special category songs. And this one is a special song in itself – we have Mahendra Kapoor giving playback to Kishore Kumar. I am sure this will come as a surprise. 🙂
Of this list of 18 songs, thirteen are already showcased on our blog. The fourteenth comes on board today, leaving four more from this category to be posted.
Today’s song is from the film ‘Albela Mastaana’ from 1967. The song is a duet sung by Mahendra Kapoor and Usha Mangeshkar. On screen, the song is performed by Kishore Kumar and Asha Nadkarni. Songs of this film are written by Prem Dhawan and the music is by N Datta. And without further ado, I would suggest you listen to this song, and get this rare flavor of the one and only instance of Mahendra Kapoor giving playback to Kishore Kumar.
Song – Hum Ne To Dil Bichha Diya Tumhaari Raah Mein (Albela Mastaana) (1967) Singer – Mahendra Kapoor, Usha Mangeshkar, Lyrics – Anand Bakshi, MD – N Datta
Mahendra Kapoor + Usha Mangeshkar
Lyrics
hum ne to dil bichhaa diya
tumhaari raah mein
oo oo oo
hum ne to dil bichhaa diya
tumhaari raah mein
hum ne utha ke rakh liya
hum ne utha ke rakh liya
is ko nigaah mein
hum ne to dil bichhaa diya
tumhaari raah mein
baahon pe meri jhoom ke
gesu bikher do
baahon pe meri jhoom ke
gesu bikher do
dheere se koi pyaar ka
naghma chhed do
dil ko hamaare baandh lo
dil ko hamaare baandh lo
zulf e siaah mein
hum ne to dil bichhaa diya
tumhaari raah mein
meri har ik nazar mein
teri hi justju
meri har ik nazar mein
teri hi justju
har ek saans mein basi
teri hi aarzoo
tera hi dard hai chhupa
tera hi dard hai chhupa
har ek aah mein
hum ne to dil bichhaa diya
tumhaari raah mein
jo tum miley
to zindagi haseen ban gayi
jo tum miley
to zindagi haseen ban gayi
duniya hamaari pyaar ki
rangeen ban gayi
donon jahaan bhula diye
donon jahaan bhula diye
tumhaari chaah mein
hum ne to dil bichhaa diya
tumhaari raah mein
hum ne to dil bichhaa diya
tumhaari raah mein
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————
हमने तो दिल बिछा दिया
तुम्हारी राह में
ओ ओ ओ
हमने तो दिल बिछा दिया
तुम्हारी राह में
हमने उठा के रख लिया
हमने उठा के रख लिया
इसको निगाह में
हमने तो दिल बिछा दिया
तुम्हारी राह में
बाहों पे मेरी झूम के
गेसू बिखेर दो
बाहों पे मेरी झूम के
गेसू बिखेर दो
धीरे से कोई प्यार का
नग़मा छेड़ दो
दिल को हमारे बांध लो
दिल को हमारे बांध लो
जुल्फ ए सियाह में
हमने तो दिल बिछा दिया
तुम्हारी राह में
मेरी हर इक नज़र में
तेरी ही जुस्तजू
मेरी हर इक नज़र में
तेरी ही जुस्तजू
हर एक सांस में बसी
तेरी ही आरज़ू
तेरा ही दर्द है छुपा
तेरा ही दर्द है छुपा
हर एक आह में
हमने तो दिल बिछा दिया
तुम्हारी राह में
जो तुम मिले
तो ज़िंदगी हसीन बन गई
जो तुम मिले
तो ज़िंदगी हसीन बन गई
दुनिया हमारे प्यार की
रंगीन बन गई
दोनों जहान् भुला दिये
दोनों जहान् भुला दिये
तुम्हारी चाह में
हमने तो दिल बिछा दिया
तुम्हारी राह में
हमने तो दिल बिछा दिया
तुम्हारी राह में
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3739 | Post No. : | 14692 | Movie Count : |
4016 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 74# Remembering Kishore Kumar on his Remembrance Day #
———————————————————————-
Today (13th October’2018) is the 31th Remembrance Day of – singer, actor, director, producer, lyricist, music director, writer – and our ‘most beloved and versatile genius’ Kishore Kumar.
I had planned a write-up for this occassion several months back and had even started work on it but it kept getting delayed for various reasons. My recent travel to India and the work load after getting back to work also prevented me from finalizing that write up.
Yesterday I browsed through the list of Kishore Kumar songs earlier shared by me to Atul ji and still to be posted. I found that many of these songs are yet to be posted on the blog. Despite this list, I was not able to pick the song to cover on this occasion.
Whole day yesterday(12 october 2018),I was just thinking and it was looking like I may not be able to send a song at all for this occasion. But how can I miss this occasion without a song …
Finally, I turned to my list of ‘songs that bring back memories’ which I had compiled in 2014 for one of my write up on the blog, to find if any Kishore Kumar songs in that list were yet to be covered in the blog.
I found many such songs in this list that are still to make it on the blog. From these many songs I selected today’s song as my presentation on this occasion here…
This song is from the movie ‘Ram Bharose-1977’ …
I had not watched this movie in those years and even till now so I cannot write much about this movie.
However, this song somehow has been stuck up in my mind and I like it very much, may be because of its tune and singing of it by Kishore Kumar. Or May be because of its frequently heard on the loud speakers and radio I guess.
I think it’s a nice hummable song 😊
I watched the video of this song only now during the preparation of this post and I think this song is better heard than to watch 😊
‘Ram Bharose-1977’ (alias ‘God’s Own Man’) was directed by Anand Sagar for ‘Sagar Art (International) Films, Bombay’ and Ramanand Sagar.
It was produced by Subhash Sagar.
Star cast of this movie includes Randhir Kapoor, Rekha, Amjad Khan, Dara Singh, Keshto Mukherjee, Kanan Kaushal, Madan Puri, Nazir Hussain and Sujit Kumar. It also had Raza Murad, Tom Alter, Shailesh Kumar, Jagirdar, Jagdish Raj, Chaman Puri, Master Baboo, Javed Khan, Shiv Raj, Sole, Shahid Bijnori, Ram Murthy, Deepak Raj and Shetty.
Editing for this movie was done by Lachmandass. Dialogues of this movie were written by (Late) Krishan Chander. This movie was written by Moti Sagar.
This movie was passed by Censor Board on 21.04.1977.
There were Six songs in this movie composed by Ravindra Jain. Hasrat Jaipuri, Ravindra Jain, Tajdar Taj and Dev Kohli were the lyricist for this movie. Asha Bhonsle, Narinder Chanchal, Kishore Kumar and Mohd Rafi gave their voices to the songs of this movie.
Going by the list of the songs of this movie in HFGK the other song I am familiar with is ‘Chal Chal Re Kathmandu’. 🙂
Today’s song is the first song from this movie to appear on the blog… and ‘Raam Bharose-1977’ is thus making a debut on the blog.
I have noted the lyrics as per the longer audio version having three stanzas, whereas the video link I find is having two stanzas only.
Let us now enjoy today’s song sung by Kishore Kumar which is composed by and written by Ravindra Jain …
Raam se badaa Raam ka naam …Banaaye sabke bigde kaam …
(PS :- Incidentally after few days we are going to celebrate ‘Vijay Dashmi’ and remembering Lord Shri Raam, my best wishes to all in advance )
Audio (Full)
Video
Song-Chalo bhai Rambharose Rambharose Rambharose (Rambharose)(1977) Singer-Kishore Kumar, Lyrics-Ravindra Jain, MD-Ravindra Jain
Chorus
Lyrics
Raam se badaa Raam ka naam
Banaaye sab ke bigde kaam
Raam se badaa Raam ka naam
Banaaye sab ke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Chalo bhai Raam bharose
Raam bharose
Raam bharose
He ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Raam se badaa Raam ka naam
Banaaye sabke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Chalo bhai Raam bharose
Raam bharose
Raam bharose
o Ho ho ho o o o o o o
Parmeshwar swayam raksha
Jiski karey ae
Jag bairi ho to kya
Wo to maare na marey ae
Hayee ho
Hayee ho
Hayee ho ho ho ho o
Parmeshwar swayam raksha
Jiski karey ae
Jag bairi ho to kya
Wo to maare na marey ae
Koyi raah mein kaante laakh bichhaaye ae ae
Ho laakh bichhaaye ae
Arey Raam ka bandaa aage badhtaa jaaye ae ae
Ho badhtaa jaaye ae
Ho badho bhai Raam bharose
Raam bharose
Raam bharose
Badho bhai Raam bharose
Raam bharose
Raam bharose
Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Daane daane pe naam
Khaanewaale ka likhaa
Likhnewaala magar
Nahin kisiko dikha
Daane daane pe naam
Khaanewaale ka likhaa
Likhnewaala magar
Nahin kisiko dikha
Arey naam yugon se uska suntey aaye ae ae
O suntey aaye ae
Arey sabka bedaa wo hi paar lagaaye ae ae
Ho paar lagaaye ae
Ho raho bhai Raam bharose
Raam bharose
Raam bharose
Raho bhai Raam bharose
Raam bharose
Raam bharose
Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Ho o o ho o aa aa aa aa aa
Ho ho o aa aa aa aa aa
Sooraj naa ugey
Chandaa na khiley ae
Uski marzi bina
Ek pattaa naa hiley
Shri Raam Raam Raam
Siya Raam Raam Raam
Sooraj naa ugey
Chandaa na khiley ae
Uski marzi bina
Ek pattaa naa hiley
Arey jisne banaayi hai
Ye duniya saari ee
Ye duniya saari
Arey sabse badi hai uski jimmedaari ee ee
Ho jimmedaari ee
Ho raho bhai Raam Bharose
Raam bharose
Raam bharose
Raho bhai Raam bharose
Raam bharose
Raam bharose
Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Raam se badaa Raam ka naam
Raam se badaa Raam ka naam
Banaaye sabke bigde kaam
Banaaye sabke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose ae
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Shri Raam Raam Raam
Jai Shri Raam
Shri Raam Raam Raam
Jai Jai Shri Raam
Shri Raam Raam Raam
Jai Shri Raam
Siya Raam Raam Raam
Shri Raam Raam Raam
——————————————–
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
——————————————-
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
हो हो हो ओ ओ ओ ओ ओ ओ
परमेश्वर स्वयं रक्षा
जिसकी करे ए
जग बैरी हो तो क्या
वो तो मारे न मरे ए
हई हो
हई हो
हई हो हो हो हो ओ
परमेश्वर स्वयं रक्षा
जिसकी करे ए
जग बैरी हो तो क्या
वो तो मारे न मरे ए
कोई राह में कांटे लाख बिछाए ए ए
हो लाख बिछाए ए
अरे राम का बन्दा आगे बढ़ता जाए ए ए
हो बढ़ता जाए ए
हो बढ़ो भाई राम भरोसे
राम भरोसे
राम भरोसे
बढ़ो भाई राम भरोसे
राम भरोसे
राम भरोसे
हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
दाने दाने पे नाम
खानेवाले का लिखा
लिखनेवाला मगर
नहीं किसीको दिखा
दाने दाने पे नाम
खानेवाले का लिखा
लिखनेवाला मगर
नहीं किसीको दिखा
अरे नाम युगों से उसका सुनते आये ए ए
ओ सुनते आये ए
अरे सबका बेड़ा वो ही पार लगाए ए ए
हो पार लगाए ए
हो रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
हो हो ओ आ आ आ आ आ
हो हो ओ आ आ आ आ आ
सूरज ना उगे
चन्दा ना खिले
उसकी मर्ज़ी बिना
एक पत्ता ना हिले
श्री राम राम राम
श्री राम राम राम
सूरज ना उगे
चन्दा ना खिले
उसकी मर्ज़ी बिना
एक पत्ता ना हिले
अरे जिसने बनायी है
ये दुनिया सारी ई
ये दुनिया सारी
अरे सबसे बड़ी है उसकी जिम्मेदारी ई ई
हो जिम्मेदारी ई
हो रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
राम से बड़ा राम का नाम
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
श्री राम राम राम
जय श्री राम
श्री राम राम राम
जय जय श्री राम
श्री राम राम राम
जय श्री राम
सिया राम राम राम
श्री राम राम राम
Kaisi lag rahi hoon main
Posted on: October 10, 2018
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3736 | Post No. : | 14683 | Movie Count : |
4013 |
Hullo to all in Atuldom
Last year on this date, post our Avadh Lalji had asked in the comments “I wonder whether it is a deliberate omission on your part to exclude many of her successful films she has done with the Millennium Star as also his name from the list of her leading co-stars?”
My answer to this was “You are right about not mentioning Amitabh. Because that is my normal habit. Posting a common song also. And I forgot to put in the disclaimer… Errors and omission to be excused.”
This year too I am attempting a similar post today (10 october 2018). A Rekha song with another superstar/ actor of those times. Two movies of Rekha with this smart, handsome, he-man (so many adjectives) released in 1973. They have co-starred in about twelve movies in the 70s to the late 80s out of which they made a pair in six. Their pairing was as good, eye- soothing and well received as say Amitabh- Rekha or Jeetendra- Rekha or Vinod Mehra- Rekha. They came together after a gap of 29 years this year when Rekha made an appearance in a song that plays with the end credits of the movie. The song paid a salute to all things that this He-Man actor is known for and I went to see the movie for old times’ sake. Review about that on a later date.
Today’s song is from the 1984 released “Jhootha Sach” which was produced by A.G. Nadiadwala and directed by Esmayeel Shroff. The songs were written by Majrooh Sultanpuri and R D Burman was the music director.
It told the story of Vijay (Dharmendra) who is bringing up his son and daughter with the help of a nanny (Lalitha Pawar) after the death of his wife. But the children miss a mother’s presence and so with the help of their nanny find a mother for themselves and wife for their father. They pack the two off to a honeymoon. On their way back, the father is killed now the new mother is unable to break the news to the kids. But she is lucky to find a person who looks exactly like Vijay only he is a tough goon. The rest of the movie is full of the twists and turns that are regular fare in Bollywood movies.
This movie came 10 years after the Dharam- Rekha blockbuster “Kahaani Kismat Ki”. The ordinary looking Rekha of KKK had undergone a transformation and learnt the art of looking gorgeous. Possibly she had taken a few tips from various quarters on how to present herself. The transformation was slow as can be seen in her movies that released post 1976 when she stopped being a gawky teenager and entered her 20s. Today’s song seems to be a question that she is putting to the audience in the guise of asking her hero. “Kaisi lag rahi hoon main?” If you ask me her eternal fan she was gorgeous then and gorgeous now even when she is 60+.
Wishing her on her birthday today (10 october 2018).
Audio
Video
Song-Kaisi lag rahi hoon main (Jhoothha Sach)(1984) Singers-Lata, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
kaisi lag rahi hoon main
kaisi lag rahi hoon main
kahiye kya khayaal hai
bijliyaan na gir paden
abb toh yeh sawaal hai ae
kaisi lag rahi hoon main
kahiye kya khayaal hai
ho bijliyaan na gir paden
abb toh yeh sawaal hai ae
kaisi lag rahi hoon main
meri nazar na lag jaaye
aaja laga doon dilbar
teraa hi kaajal tere rukhsaar pe
ho oo
abb kya nazar ka lagna
dil lag chuke hain dekho
khoye hain ik dooje mein
kiss pyaar se
yeh mera tera milan kitna bemisaal hai ae
kaisi lag rahi hoon main
kahiye kya khayal hai
ho bijliyaan na gir paden
abb toh yeh sawaal hai
la la laa la la laaa
ghunghata gira ke thhoda
mukhda dikha ke thhoda
jab main chaloon toh tumko kaisa lage
hai aayegi aafat koyi
hogi kayaamat koyi
jeene nahin dogi tum aisa lage
ek hi jalwe mein tum
lut gaye kamaal hai ae
kaisi lag rahi hoon main
kahiye kya khayaal hai
ho bijliyaan na gir paden
abb toh yeh sawal hai
kaisi lag rahi hoon main
la la laa la la laa laa
arre bijliyaan na gir paden
abb toh yeh sawaal hai
kaisi lag rahi hoon main
Main London Chhod Ke Aa Gaya
Posted on: October 8, 2018
- In: "disguise" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Light hearted song | Lyrics contributed by readers | Party song | Post by Sudhir | Songs about a place | Songs of 1970s (1971 to 1980) | Songs of 1977 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3734 | Post No. : | 14680 |
6th October, he would have been 72. Life is such. It always, well almost, seems as if this was not the time to go. But this passage is such – no one has any say about it. One can only express emotions and reflect upon the loss. And then there are souls, people who are more close to heart than others. And the loss, the vacuum, seems to be bigger and deeper.
A person who once had declared that “. . . cricket, not films, is my first love”. At school, college and local club levels, he played a fair amount of good cricket, in the company of would be test players like Eknath Solkar and Budhi Kunderan. But then, he settled for a career in films, when he realized that he could never be a Vishwanath. [Author’s Note: These references are excerpted from an interview with Illustrated Weekly of India, in 1979.]
Born in 1946, he was not even a year old, when the family moved from Peshawar (now in Pakistan) to Bombay, when the partition happened in 1947. There was a temporary back and forth movement of the family between Bombay to Delhi (1957) and then back to Bombay (1960). Throughout his school and college days, he had a very normal progression of life, playing cricket and watching films. He aspired to be a cricketer, and also, he was enamoured by films.
As he stepped into his 20s, and completed his college education, a meeting with Sunil Dutt brought to him his break in films. Sunil Dutt was in preparation for his film ‘Mann Ka Meet’ (1968) which was intended to be a launch vehicle for Som Dutt, his younger brother`. Vinod played the a grey villain type role in this film. Some of his next few assignments followed in the same vein – supporting roles or villain’s roles – ‘Purab Aur Paschim’, ‘Aan Milo Sajna’, ‘Sachcha Jhootha’, ‘Mastana’ in 1970 and ‘Elaan’ and ‘Mera Gaon Mera Desh’ in 1971.
1971 is also the kind of firming-up an take-off year for Vinod. This year came his first film as an action hero in ‘Hum, Tum Aur Woh’. Also, this year was released the much acclaimed ‘Mere Apne’, produced and directed by Gulzar. A sensitive film about coming of age youngsters and the growing angst among the new generation, Vinod was cast in a strong lead role, challenged by another equally strong role of Shatrughan Sinha, the two heading competitor street gangs in a typical city in India.
Come 1973, and Gulzar cast him in the lead role in an off-beat theme on the commercial circuit – and a surprise songless film no less from this poet and film maker. ‘Achanak’ takes on where ‘Ye Raaste Hain Pyaar Ke’ (1963) faded out ten years earlier. Loosely connected with the famous/infamous Nanavati case (1959-61) from real life, the film takes off from the point where, in real life, the jury’s verdict of not guilty (at the Session Court level) was overturned by the Bombay High Court and awarded life imprisonment to the accused. The film was critically acclaimed – and so was the lead role played by Vinod.
Quite well considered as an established actor by this time, we see him in 1974, in the role of a college lecturer in ‘Imtihan’. A string of action films continues, far too many to be listed. I will follow him through the films that I actually viewed in that decade – ‘Aarop’ and ‘Haath Ki Safai’ in 1974, ‘Shaque’ and ‘Hera Pheri’ in 1976, ‘Parvarish’ in 1977, ‘Inkaar’ and ‘Main Tulsi Tere Aangan Ki’ in 1978, ‘Meera’ in 1979 and ‘The Burning Train’ in 1980. I am sure you will say I missed some. Yes, surely did. Just for a special mention – the highest grossers and the most popular films of their years – ‘Amar Akbar Anthony’ in 1977, ‘Muqaddar Ka Sikandar’ in 1978 and ‘Qurbani’ in 1980. With a portfolio as the one sampled above, the career discussion is fully represented, even if we choose not to mention his films that came later.
His film career was punctuated between 1982 and 1986, when he took a self-imposed leave from his career and went to stay with Osho, or Guru Rajnish. But whatever the circumstances may have been, he returned to the industry in 1987, and just continued without a pause with his career.
Vinod Khanna passed away on 27th April last year (2017).
Remembering him on his birth anniversary, here is a lesser known, but a wonderfully performed song from the film ‘Aadha Din Aadhi Raat’ from 1977. The film is from the banner of Bharati International, Madras and is directed by Dhundi. The star cast includes Asha Parekh, Vinod Khanna, Shabana Azmi, Prem Chopra, Om Shivpuri, Jalal Agha, Jayshree T, Prem Bedi, TP Jain, Surendra Nath, Kirti Kumar, Pratima Devi, Vishu Raje, Makranee, Shobha Harman, Ranjeet, and Keshto Mukherjee etc.
The song is penned by Anand Bakshi and the music is by Laxmikant Pyaarelal. The scene is a party, ostensibly at the residence of Prem Chopra, in honor of a certain person / friend returning from abroad. It is apparent that Vinod Khanna is in disguise and masquerading as that friend of Prem Chopra. Shabana, who plays the role of Prem Chopra’s daughter, is offended at the wooing advances being made by this foreign returned gentleman whom she quite clearly does not fancy. The body language and the silent exchanges indicate that Prem Chopra is trying to make her stay on in the party, so possibly there is some business angle to this interaction also. And the presence of some dangerous looking characters in the party frame, indicates that the ‘business’ that Prem Chopra is pursuing is not really a good happy one.
Menewhile in the CSP (comic side plot), apparently the real ‘foreign returned’ gentleman has been kidnapped by our hero and is being held captive, with the help of his side kick – Jalal Agha.
The actual gentleman who is being forcibly kept away from the prospecting party event, is the character actor by the name TP Jain. In 1960s and 70s, TP Jain was a very active figure in the Delhi theatre circles and a very active presence in the plays on Delhi Doordarshan.
This song reminds one of “Priye Praneshwari” (‘Hum, Tum Aur Woh’, 1971), a similar disguise song, albeit a suited booted version.
Enjoy this farcical performance, and a lesser known lilting melody – “Main London Chhod Ke Aa Gaya”.
Song – Main London Chhod Ke Aa Gaya (Aadha Din Aadhi Raat) (1977) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Unidentified Male Voice
Unidentified Female Voice
Chorus
Lyrics
hmmmmm mmmmmmmm
mmmmmmm mmmmmmmm
hey..ey..ey
mmmmmmm mmmmmmmm
haa..aa..aa..aa..aa
baahar jaa ke maine
fashion dekhe aise aise
kaise kaise
arey baalon ka cut bhi ek jaisa
ha ha ha ha ha
aur kapde bhi
ik jaise
arey ladka hai ya ladki hai
koi pehchaane kaise
aa he pagdi baandh ke main gaya tha
ke pagdi baandh ke main gaya tha
chunri odh ke aa gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
maine london jaa ke babli
paisa bahut kamaaya
maine london jaa ke babli
paisa bahut kamaaya
motor le li
chauffer rakha
bangla naya banaaya
khaali bangley
mein rehne se lekin mazaa na aaya
khaali bangley
mein rehne se lekin mazaa na aaya
teri yaad jo aai to main
teri yaad jo aai to
teri yaad jo aai to
main waapas daud kea a gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
gori memen lipstick powder
na kaajal na bindiya
gori memen lipstick powder
na kaajal na bindiya
ye rang roop kahaan jo loote
ek nazar mein nindiya
made in foreign se achha hai
kuchh bhi made in india
made in foreign se achha hai
kuchh bhi made in india
mere paas thi jitni cheezen
mere paas thi jitni cheezen
mere paas thi jitni cheezen
saari tod kea a gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
babli
tum bhi gaao
la lalla la laa
la lalla la laa
arey aap log bhi gaao na bhai
la lalla la laa
lallaa lallal lal laa
la lalla la laa
lallaa lallal lal laa
la lalla la laa
lallaa lallal lal laa
mushkil se rehta hai saath
wahaan par koi joda
arey mushkil se rehta hai saath
wahaan par koi joda
sabka hai dastoor
ke is ko pakda us ko chhoda
london ki ik madam ne jab
london ki ik madam ne jab
mere dil ko toda
tere pyaar se toote dil ke
tere pyaar se toote dil ke
tukde jod ke aa gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————
हम्ममममम म्मममममम
म्ममममममम म्मममममम
हे ए॰॰ए॰॰ए
म्ममममममम म्मममममम
हा॰॰आ॰॰आ॰॰आ॰॰आ
बाहर जा के मैंने
फ़ैशन देखे ऐसे ऐसे
कैसे कैसे
अरे बालों का कट भी एक जैसा
हा हा हा हा हा
और कपड़े भी
एक जैसे
अरे लड़का है या लड़की है
कोई पहचाने कैसे
आ हे पगड़ी बांध के मैं गया था
के पगड़ी बांध के मैं गया था
चुनरी ओढ़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
मैंने लंदन जा के बबली
पैसा बहुत कमाया
मैंने लंदन जा के बबली
पैसा बहुत कमाया
मोटर ले ली
शौफ्फर रखा
बंगला नया बनाया
खाली बंगले में रहने से
लेकिन मज़ा ना आया
तेरी याद जो आई तो मैं
तेरी याद जो आई तो
तेरी याद जो आई तो
तेरी याद जो आई तो मैं
वापस दौड़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
गोरी मेमें लिपस्टिक पौडर
ना काजल ना बिंदिया
गोरी मेमें लिपस्टिक पौडर
ना काजल ना बिंदिया
ये रंग रूप कहाँ जो लूटे
एक नज़र में नींदिया
मेड इन फौरन से अच्छा है
कुछ भी मेड इन इंडिया
मेड इन फौरन से अच्छा है
कुछ भी मेड इन इंडिया
मेरे पास थी जितनी चीज़ें
मेरे पास थी जितनी चीज़ें
सार तोड़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
बबली
तुम भी गाओ
ला लल्ल ला लाss
ला लल्ल ला लाss
अरे आप लोग भी गाओ ना भई
ला लल्ल ला लाss
लाल्ला लल्ललल ला ला
ला लल्ल ला लाss
लाल्ला लल्ललल ला ला
ला लल्ल ला लाss
लाल्ला लल्ललल ला ला
मुश्किल से रहता है साथ
वहाँ पर कोई जोड़ा
मुश्किल से रहता है साथ
वहाँ पर कोई जोड़ा
सबका है दस्तूर
के इसको पकड़ा उसको छोड़ा
लंदन की इक मैडम ने जब
लंदन की इक मैडम ने जब
मेरे दिल को तोड़ा
तेरे प्यार से टूटे दिल के
तेरे प्यार से टूटे दिल के
टुकड़े जोड़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ
Manmaani Se Hargiz Na Daro
Posted on: September 26, 2018
- In: "Advice" song | Dev Anand songs | Dev Anand songs by Kishore Kumar | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | philosophical song | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1980 | Vagaries Of Love | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3722 | Post No. : | 14658 |
Hullo to all in Atuldom
Disclaimer: Thoughts presented in this song are not the thoughts of the author of this post. It is just a tool in the hands of the filmmaker to take the story of the film forward and explain why the central character professes ‘bachelorhood’. Readers are requested to enjoy the song
“Man Pasand” (1980 – censored on 26-6-1980 and released on 11-7-1980) was among the first few movies whose music cassette was purchased by my father along with “Yaarana” when they hit the market. And since then I am a huge fan of their songs. Know almost all of them by heart.
This was a movie produced by Amit Khanna and directed by Basu Chatterji. Rajesh Roshan was the music director and Amit Khanna himself wrote the lyrics. The movie itself was inspired by the famous stage play by George Bernad Shaw – ‘Pygmalion’ (first published in 1913), and also on the hugely popular iconic film ‘My Fair Lady’ (1964 – Rex Harrison and Audrey Hepburn). The movie stars Dev Anand, Tina Munim, Girish Karnad, Simple Kapadia, Leela Mishra and Mehmood.
The movie has Dev Anand and Girish Karnad playing best friends, bachelors and musicologists. They encounter a loud- and foul-mouthed vendor of ‘datun’ (neem branches} in the late-night local trains of Mumbai. Then and there Dev (Pratap) throws a challenge that he can transform the unpolished girl into a graceful and talented singer and Karnad (Kashinath) picks up the bet and agrees to marry the girl if Pratap is successful.
Today’s song happens when Kamli (Tina Munim) walks into the flat of Pratap, to be trained as a singer. That is her only aim and she doesn’t know that the two friends have other plans. Prior to the song Pratap tries to explain to Kashi that no one knows what their “marzi” is, whether it is a man or a woman. But once people get married they start trying to make the spouses dance to their “marzi”. That is the gist of the song.
Let us enjoy this lively Kishore Kumar number today on Dev Anand’s birth anniversary. He would have been 95. Dev Anand who was an entertainer from 1946 to 2011 almost 65 years. Dev Anand who was an actor, producer director. A heart throb of the audiences who loved his smile (crooked teeth notwithstanding) sparkling eyes, scarfs, caps and mufflers and all the things that made up DEV ANAND.
Audio
Video
Song – Manmaani Se Hargiz Na Daro (Man Pasand) (1980) Singer – Kishore Kumar, Lyrics – Amit Khanna, MD – Rajesh Roshan
Lyrics
hmmm
man maani se hargiz na daro,
kabhi shaadi na karo
man maani se hargiz na daro,
kabhi shaadi na karo
marzi hai
arre aaj kahin
baahar khaana khaayen
wo kahengi
nahin sahab theek aath baje
ghar wapas aa jaayen
kitaab liye haath me in
aap chain se baithe hain
memsaab poochengi
kyunji hamse roothe hai
kabhi kisi bhi naari se kar lo
do baatein
wo kahen inhi se hoti hai kya
chhup ke mulaqaaten
aji tauba bewakoofi ki hai shaadi inteha
har aurat apna soche
auron ki nahi parvaah
kyon theek nahin kaha maine
jo ji mein aaye wo karo
kabhi shaadi na karo
man maani se hargiz na daro
kabhi shaadi na karo
zara sochiye
aaram se aap ye
jeewan jee rahe hain
pasand ka kha rahe
pasand ka pi rahe hain
achcha bhala ghar hai aapka
lekin kya karen
aap se juda hai shauk
begum sahab ka
aate hi kahen suniye ji
har cheez ko badlo
pehle parde phir sofa
phir apna huliya badlo
aji maana tanhaai se
kabhi dil ghabraayega
jeewan saathi ki zaroorat
mehsoos karaayega
ha ha
lekin is ghabaraahat me jo shadi kar baithe
wo umr bhar pachhataayega
jeete ji arey bhai na maro
kabhi shadi na karo
man maani se hargiz na daro
kabhi shaadi
ho kabhi shaadi,
haan kabhi shaadi
na baaba na
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हम्ममम
मन मानी से हरगिज़ न डरो
कभी शादी ना करो
मन मानी से हरगिज़ न डरो
कभी शादी ना करो
मर्ज़ी है
अरे आज कहीं
बाहर खाना खाएं
वो कहेंगी
नहीं साहब ठीक आठ बजे
घर वापस आ जाएँ
किताब लिए हाथ में
आप चैन से बैठे हैं
मेम साहिब पूछेंगी
क्यों जो हमसे रूठे हैं
कभी किसी भी नारी से कर लो
दो बातें
वो कहें इन्हीं से होती हैं क्या
छुप के मुलाक़ातें
अजी तौबा बेवक़ूफ़ी की हैं शादी इंतेहा
हर औरत अपना सोचे
औरों की नहीं परवाह
क्यों ठीक नहीं कहा मैंने
जो जी में आए वो करो
मन मानी से हरगिज़ न डरो
कभी शादी ना करो
ज़रा सोचिए
आराम से आप ये
जीवन जी रहे हैं
पसंद का खा रहे हैं
पसंद का पी रहे
अच्छा भला घर है आपका
लेकिन क्या करें
आप से जुदा है शौक
बेगम साहब का
आते ही कहें सुनिए जी
हर चीज़ को बदलो
पहले पर्दे फिर सोफा
फिर अपना हुलिया बदलो
अजी माना तन्हाइ से
कभी दिल घबराएगा
जीवन साथी की ज़रूरत
महसूस कराएगा
हा हा
लेकिन इस घबराहट में जो शादी कर बैठे
वो उमर भर पछताएगा
जीते जी अरे भाई न मरो
कभी शादी
हो कभी शादी
हाँ कभी शादी
ना बाबा ना
- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | How come this song was not posted earlier | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Raja | Question-Answer song | Song picturised abroad | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 5 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3721 | Post No. : | 14656 |
By now it seems to have become a routine for me to make only cameos on this blog, triggered either by a memorable event (such as the blog’s tenth anniversary) or a “nudge” from another Atulite. 🙂
I will not seek to correct this impression – for the facts speak for themselves. I will also not make any excuse of “being busy” – that would only be an insult to people like Atul and Sudhir ji who manage to give so much time to the blog, despite so many demands on their time.
So no excuse – mea culpa. Today’s post is also a result of a nudge – this time from Peevisie’s Mom.
It happens to be the birthday of Feroz Khan today – and she called me up to remind me of it. A while ago, she and I had discussed that the popular song “Hamaare Siwa. . .” (‘Apradh’ – 1972) had not yet been posted on the blog – so she called up to remind me that there was an occasion coming up to remedy the situation. 🙂 So here is the post for this song – and to remember Feroz Khan.
I remember writing about Feroz Khan earlier – I think it was a couple of years ago. I haven’t checked that post – and am writing purely from my thoughts of the moment – so kindly excuse me if much of what I say is repetitive.
Feroz Khan, for me, has his own place in Hindi cinema. There are many who had a more successful career than Feroz. Certainly as an actor, he wasn’t rated all too highly, if I’m to be brutally honest. He had his moments, but one would have to be disingenuous about his acting achievements, to put him in the same league as at least a dozen other actors/stars.
And though he was very successful as a producer/director, there have been more successful producers / directors. And yet, for me, Feroz holds his own in Hindi cinema. As a personality, he seemed to me to have something about him that made him different from others. I think it was the way he carried himself.
Much of my exposure to Feroz was, of course, in the 1970s. By that time he had turned producer – so I got to see him both as actor and producer – in films like ‘Apradh’ (1972), ‘Dharmatma’ (1975) and ‘Qurbani’ (1980). All these films have one thing in common – they are all made on a grand scale, with no expenses spared, no corners cut in producing an extravagant spectacle for the audience. Naturally this became the image of Feroz Khan in my mind – and I think, for most people. His films are glamorous, with foreign locales, expensive cars and the like. Feroz seemed to revel in this flamboyant image – and continued it through the 1980s and 90s in films like ‘Janbaaz’ (1986), ‘Dayavan’ (1988) and ‘Yalgaar’ (1992).
If the films made by him are to be taken as representative of his life, one would not be mistaken in saying that Feroz lived life king-size. I enjoyed each one of these films – they were thoroughly entertaining, with a decent story line (which is very important for me!) and good songs too. Most of the songs of films made by Feroz became super-hits, suggesting he had a good ear for music.
And yet, for me, the story doesn’t end here. It is the first half of his career, so very different from the second half, that makes his story fascinating for me. Like I’ve said before, my clearest memories of Feroz are from his films of the 1970s. But he acted in many films in the 1960s too – and any reference to his work that does not mention this would be incomplete.
One of my friends once jokingly said “Feroz Khan probably got into producing his own films because he got fed up of never getting the heroine.” 🙂
Yes, said in jest, but it is true that in many of his films till he began making his own, Feroz missed out. In some early films, he was the villain – so then it’s understandable. But in many other films too, even as the good / semi-good guy, he would end up not getting the heroine. In ‘Oonche Log’ (1964), the heroine dies – in ‘Mela’ (1970), his character dies as he “sacrifices” for his brother. And in films like ‘Aarzoo’ (1965), ‘Aadmi Aur Insaan’ (1969), ‘Pyaasi Shaam’ (1969), ‘Safar’ (1970), ‘Upaasna’ (1971), the heroine loves the other guy. Small consolation maybe that in ‘Darinda’ (1977) he manages to turn the tables on Sunil Dutt for ‘Pyaasi Shaam’ (1969). 🙂
Of course, that was how the script was written – but it always made me feel bad to see Feroz lose out. 🙂 , even though he’d occasionally get to sing lovely songs like “Darpan Ko Dekha. . .” and “Jo Tumko Ho Pasand. . .” in the process. 🙂
Then there were those black-and-white films of the 60s. Many not well-known, probably then categorized as “B’’ films. Many with Mumtaz, herself then not in the A league. Having both gone through similar careers in the 60s, Feroz and Mumtaz were very good friends – and it’s hardly surprising that Mumtaz was his lead when he produced Apradh (1972).
One song from a Feroz “B” film I fondly remember is “Anjaan hai koi” (‘Anjaan Hai Koi’ – 1969). I think this song was quite popular in its time – at least I remember it from my childhood. Other less-known Feroz films I remember are ‘Ek Paheli’ (1971) with Tanuja (“Main Ek Paheli Hoon”) and ‘Anjaan Raahen’ (1974) with Asha Parekh (“Mujhe Nahin Poochhni Tumse Beeti Baatein”).
And of course, ‘Kashmakash’ (1973) and films like ‘Khote Sikke’ (1974) and ‘Kaala Sona’ (1975). The last-two were typical films that could have been made for Feroz – I remember enjoying both of them. 🙂
In general, I liked watching his films, especially of the 70s and later – they were never boring. Feroz himself, while never having pretensions to being a great actor, was fun to watch. And one of my favourite Rafisaab songs is picturised on him – “Jaag Dil-e-Deewaana”. 🙂 (‘Oonche Log’ – 1965).
So today, on his birthday, I have fond memories of Feroz Khan – and want to thank him for making entertaining films, with lovely songs. Today’s song is from ‘Apradh’ (1972) – the once very popular “Hamaare Siwa”. I remember listening to it a lot on radio at the time.
I saw the movie ages ago – sometime in the 70s. Have not seen it since, so I don’t remember anything of the story. I think it was something to do with smuggling, and had a lot of foreign locales, but sorry, I can’t remember any more than this. It’s surprising that in more than 10 years on this blog, the song hasn’t been posted yet. But better late than never, I guess.
So today, on Feroz Khan’s birthday, let’s all enjoy this song from his own film – the first film he produced/directed.
Song – Hamaare Siwa Tumhaare Aur Kitne Deewaane Hain (Apradh) (1972) Singer – Kishore Kumar, Lata Mangeshkar, Lyrics – Indeevar, MD – Kalyanji Anandji
Lyrics
hamaare siwa
tumhaare aur kitne deewaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
hamaare?
haan tumhaare aur kitne thikaane hain
kasam se kisi ko nahin main jaanti
achha?
aur kisi ko nahin pehchaanti
arrey chhodo chhodo ye to bahaane hain
hamaare siwa
haan tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain
khoobsoorati aur wafaa
dekhi na donon ek jagah
haan haan dekhi na donon ek jagah
hote hain mard bade shakki
baat hai ye bilkul pakki
bholi si
aati ho nazar
haan haan bholi si
aati ho nazar
ho chanchal chaalaak magar
aurat ka dil jaane nahin
aap hamen pehchaane nahin
chhodo chhodo hum bhi sayaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain
tum ho pareshaan kis gham se
raaz-e-dil keh do hum se
haan haan raaz-e-dil keh do hum se
apni kaho chhodo meri
karte ho kyon hera pheri
yaaron pe tohmat lagaate nahin
yaaron pe tohmat lagaate nahin
sab ko nishaana banaate nahin
khud harjaayee bhanwre ho tum
ek jagah kab thehre ho tum
chhodo chhodo hum to parwaane hain
hamaare siwa
haan tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain
kasam se kisi ko nahin main jaanti
hmm
aur kisi ko nahin pehchaanti
arrey chhodo chhodo ye to bahaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
हमारे?
हाँ तुम्हारे और कितने ठिकाने हैं
कसम से किसी को नहीं मैं जानती
अच्छा?
और किसी को नहीं पहचानती
अरे छोड़ो छोड़ो ये तो बहाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं
खूबसूरती और वफा
देखी न दोनों एक जगह
हाँ हाँ देखी न दोनों एक जगह
होते हैं मर्द बड़े शक्की
बात है ये बिलकुल पक्की
भोली सी आती हो नज़र
हो चंचल चालाक मगर
औरत का दिल जाने नहीं
आप हमें पहचाने नहीं
छोड़ो छोड़ो हम भी सयाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं
तुम हो परेशान किस ग़म से
राज़ ए दिल कह दो हमसे
हाँ हाँ राज़ ए दिल कह दो हमसे
अपनी कहो छोड़ो मेरी
करते हो क्यों हेरा फेरी
यारों पे तोहमत लगाते नहीं
यारों पे तोहमत लगाते नहीं
सबको निशाना बनाते नहीं
खुद हरजाई भँवरे हो तुम
एक जगह कब ठहरे हो तुम
छोड़ो छोड़ो हम तो परवाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं
कसम से किसी को नहीं मैं जानती
हम्म॰॰॰
और किसी को नहीं पहचानती
अरे छोड़ो छोड़ो ये तो बहाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
Kasam khaao tum ek baar
Posted on: September 19, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3715 | Post No. : | 14644 |
In 1989, a new actor made his debut as a hero and that movie had a song of fond hope- papa kehte hain bada naam karega. That movie became a hit and the debutant actor, Aamir Khan really made his father proud. With passage of time, Aamir Khan has grown from strength to strength and he has in fact made his papa proud beyond his wildesh imagination.
That proud father was Tahir Hussain (19 September 1938 – 2 February 2010) whose 80th birth anniversary falls today. Tahir Hussain was a leading movie maker of his time and he was the younger brother of legendary Nasir Hussain.
Both brothers made movies that provided wholesale entertainment to the moviegoers. Extremely popular music used to be the hallmark of these movies. Just recall some of the movies that Tahir Hussain produced- “Caravan”(1971), “Anamika”(1973), “Madhosh”(1974), “Zakhmee”(1975), “Hum Hain Raahi Pyaar Ke”(1993) etc.
He was also a director, writer, actor etc in some of his, or his brother’s movies.
On tis occasion, here is a song from “Madhosh”(1974), this movie, a relatively lesser known movie, had Mahendra Sandhu, Reena Roy, Jay Shree T, Rakesh Roshan, Johny Walker, Helen, Ravindra Kapoor, Aamir Khan (then a child actor), Dilip Dhawan, Faisal Khan, Kiran Kumar etc in it.
The movie had five songs in it. Two of these songs have been covered.
This song, the third from the movie to appear in the blog is a duet. It is sung by Asha Bhonsle and Kishore Kumar. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
The song is picturised on Reena Roy and Mahendra Sandhu. The audio quality in the picturised value is poor and fails to do justice to the song. So I have provided the audio link which preserves the outstanding quality of this song, which is an archtypical R D Burman composition of those days. It is songs like this that used to rule the airwaves in India those days !
Audio
Song-Kasam khaao tum ek baar(Madhosh)(1974) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
kasam khaao tum ek baar
mere yaar
mere dildaar
chale to na jaaoge tum baabu
kahin le ke mera pyaar
he ae
he he he he he he
kasam khata hai mera pyar mere yaar mere dildaar
aayega deewaana le ke doli sanam kal hi tere dwaar
aa haa aa ha
aa ha aa ha aaha
kasam khao tum ek baar
paagal kaho mujhe ke deewaani kaho
lalala
ab to teri huyi balam jo ho so ho
lalala
meri bala se koi rahe ya na rahe
lalalala
aa aa
magar meri nazar mein tu basi rahe
lalalalaaa
he ae
he he he he he he
basa kar mera sansaar
mere yaar
mere dildaar
chale to na jaaoge tum baabu
kahin le ke mera pyaar
he ae
he he he he he he
kasam khaata hai mera pyaar
rang se tere chhunri meri rangi rahe
lalala
maathe meri bindiya teri lagi rahe
lalala
chanda sooraj ko to mudke na dekhoon main
lalala
agar meri baahon mein tu saji rahe
lalalaaa
he ae
he he he he he he
saja kar mera sansaar
mere yaar mere dildaar
chale to na jaoge tum baabu
kahin tum le ke mera pyaar
he ae
he he he he he he
kasam khaata hai mera pyaar
lala
mere yaar
lalala
mere dildaar
lalalala
aayega deewaana le ke doli sanam kal hi tere dwaar
aa haa
aa aa
aa haa
aa aa
he he
Na Rona Munni Na Tu Ro
Posted on: September 6, 2018
- In: "appeasement" song | Devnagri script lyrics by Sudhir | Father child song | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1979 | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3702 | Post No. : | 14624 |
Hullo Atuldom
‘Aangan Ki Kali’ was a movie directed by Harsh Kohli. One song from this movie has been posted earlier – “Sainyya Bina Ghar Soona” . Prakashchandra ji has given the story of the movie in the comments to that post. After reading it I feel nice that I missed seeing the movie when it released but I have a feeling that I might have seen it on Doordarshan at some point of time. But as Atulji has said in that post, the songs of that movie are still there in my memory.
So when I was thinking what song to send across to post on the occasion of Rakesh Roshan turning a year older (he turns 69) I remembered this lovely father’s love for daughter song. It is just that I was surprised that Bappi Lahiri was the music director and it was penned by Shaily Shailendra.
Rakesh Roshan the actor, producer, director made his acting debut in 1970 with ‘Ghar Ghar Ki Kahani’ opposite to Bharathi. Most of his single hero roles were in movies where the heroine was of central importance. But then he was more successful as a film maker beginning with ‘Aap Ke Deewane’ (1980).
Almost all his movies were successful as a director too – his first directorial being ‘Khudgarz’ (1987). He has an industry full of well-wishers and friends and most of them did walk-in appearances in the movies he made- Jeetendra in ‘Aap Ke Deewane’ and Rishi Kapoor in ‘Khudgarz’. He is one of the directors whose movies begin with the alphabet ‘K’- ‘Khudgarz’, ‘Khel (1992), ‘Karan Arjun’ (1995), ‘Kaho Na Pyar Hai’ (2000), ‘Koi Mil Gaya’ (2003), ‘Krissh’ (2006) etc.
So here is wishing Rakesh Roshan a very Happy Birthday.
Song – Na Rona Munni Na Tu Ro (Aangan Ki Kali) (1979) Singer – Kishore Kumar, Lyrics – Shaily Shailendra, MD – Bappi Lahiri
Lyrics
na rona
munni na tu ro oo
nanhe nanhe moti yun na kho
na rona
munni na tu ro
nanhe nanhe moti yun na kho
papa tujhpe jaan dete hain
mummy ki tu pyari hai na ro..oo
na rona
munni na tu ro
nanhe nanhe moti yun na kho
kali muskaaye to dekho
khil ke wo phool bane aee
chanda jo hanse raaton mein
door hon andhere ghane
aise hi
hamesha
tum bhi hanso
hanso hanso
na rona
munni na tu ro
nanhe nanhe moti yun na kho
badon ki baaton ka munni meri
kabhi bura maano nahin
bholi bhali soorat pyaari
lambi lambi taano nahin
rootho na
dekho na
ab to hanso
hans bhi do
na rona
munni na tu ro
nanhe nanhe moti yun na kho
papa tujhpe jaan dete hai
mummy ki tu pyari hai na ro
na rona
munni na tu ro
nanhe nanhe moti yu na kho
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
पापा तुझपे जान देते हैं
मम्मी की तू प्यारी है ना रो॰॰ओ
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
कली मुस्काए तो
खिल के फूल बने॰॰ए
चंदा जो हँसे रातों में
दूर हों अंधेरे घने
ऐसे ही
हमेशा
तुम भी हंसो
हंसो हंसो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
बड़ों की बातों का मुन्नी मेरी
कभी बुरा मानो नहीं
भोली भाली सूरत प्यारी
लंबी लंबी तानो नहीं
रूठो ना
देखो ना
अब तो हंसो
हंस भी दो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
पापा तुझपे जान देते हैं
मम्मी की तू प्यारी है ना रो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
- In: "How did I forget to post this song earlier | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | How come this song was not posted earlier | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics contributed by readers | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
- 11 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3701 | Post No. : | 14623 |
Hullo to all in Atuldom
The song with this post is the perfect candidate for the “how did I forget to post this song earlier?” category.
As of today (at the time of writing this) the blog is 3699 days young and 14618 posts strong. And we still keep finding songs popular during their time and afterwards too and say with surprise – Yeh gaana baaki hai? But then in the ocean of Bollywood songs & movies there are close to 1000 movies released each year with an average of about 4-5 songs in each of them. And in the 105-year history of Indian movies (all languages put together) Bollywood might account for just about 105000 and at the average of 4-5 songs per film we are seeing an ocean of 52500 songs only. All figures are approximate, not accurate at all. Given the kind of selection we have at our disposal there are bound to be songs which we would have previously thought that it is already present on the blog. So as has been said in many posts before this we are still at the bottom of the barrel that we need to fill or our bucket is still in the top rung of an ever-overflowing bottomless- well. So that should explain why this song is making its appearance only now! 🙂
Now, this movie (‘Khel Khel Mein’) had five songs, all fairly popular at that time and two or three of them still rule the air waves across TV and Radio but surprise (seems to be no end to surprises as far as songs of this movie are concerned) I couldn’t find even one out of the five on that years’ Binaca Geetmala list. This was the era when whatever RD Burman composed went straight into the heart and mind of the listener. Whatever Kishore Kumar sang was lapped up by the audience. And young and upcoming actors and strugglers and established stars yearned for this combo to create songs for their movies.
One such actor was Rishi Kapoor. He had made a debut into movies in the year 1970 as an adolescent in love with his teacher in ‘Mera Naam Joker’; not to forget the brief walk in the rain, that he undertook in the company of his older siblings in his father’s ‘Shri 420’ in 1955, when he must have been about 2 years old. His first role as an adult was in the 1973 hit – ‘Bobby’. In that movie where Laxmikant Pyarelal scored music, Shailendra Singh was his playback voice. But subsequent films saw Laxmi-Pyare mostly use Mohd. Rafi for Rishi Kapoor and RD Burman favouring Kishore Kumar. And this association of Kishore Kumar or Mohd Rafi for Rishi went on till the two singers passed away but by then Chintu, as Rishi is addressed fondly, had made a place for himself on the Bollywood firmament.
Now coming to todays’ song, its from a movie which has a story attached to it in my personal life which I have related in a post to another song from this movie – “Hamne Tumko Dekha, Tumne Hum Ko Dekha“. The movie had a thriller or mystery or whodunit kind of story. It featured a set of college students who love to play pranks on unsuspecting people. They play such a prank on a stingy, wealthy jeweller (Jankidas) by sending him a typewritten ransom note. They find from the newspapers the next day that the wealthy Seth has been murdered and they could be the prime suspects as the police find the ransom note on the dead man. Then the all-fun-n-frolic movie turns into a thriller where one of their fellow students and prankster – Rakesh Roshan – is also murdered followed by his girl friend and bar dancer Aruna Irani. As a child I found the movie gripping and find it cute even now. The movie was directed by Ravi Tandon, Gulshan Bawra was the lyricist and RD Burman the composer. The playback singers for this song are Kishore Kumar and Asha Bhonsle pictured on a drunk couple – Neetu Singh and Rishi Kapoor.
So, with this song I would like to wish the cutely handsome Rishi Kapoor a very Happy Birthday (4th September). He is only 66 this year and still has looks that make any girl miss a heartbeat. Saw him recently in the company of another of my favourite actor – Amitabh Bachchan- in ‘102 Not Out’ (2018) and fell in love with this actor all over again. Must admit here that I have a weakness for any movie featuring these two together and ‘102 Not Out’ is no exception.
Happy Birthday Chintu ji 😊
Song – Khullam Khulla Pyaar Karenge Hum Dono (Khel Khel Mein) (1975) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Gulshan Baawra, MD – RD Burman
Asha Bhosle + Kishore Kumar
RD Burman
Lyrics
arre dekh rahe hain
to dekhne do
jal bhi rahe hain
arre to jal ne do
khuli sadak hai baba
to ya hua bhai
haa to ho jaaye
ho jaaye
khullam khulla pyar karenge hum dono
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono
aaa pyar hum karte hai chori nahi
mil gaye dil jora jori nahi
ham wo karenge jo dil kahe
hamko zamaane se kya
koo koo
khullam khulla pyar karenge hum dono
is duniya se nahi darenge hum dono
aaa pyar hum karte hai chori nahi
mil gaye dil jora jori nahi
ham wo karenge jo dil kahe
hamko zamaane se kya
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono
ae
dekh wo
ishq chhup chhup ke farma rahe hai
hai
kya mazaa
dil hi dil me to ghabra rahe hai
ae
dekh wo
ishq chup chup ke farma rahe hai
hai
kya mazaa
dil hi dil me to ghabra rahe hai
lagta hai dono padosi hai wo
rishta hi aisa hai jaane bhi do
hum wo karenge dil jo kahe
hamko zamaane se kya
khullam khulla pyar karenge hum dono
is duniya se nahi darenge hum dono
he
sun zara
yeh bhi jodi hai kaisi niraali
hai
saath kya
peeche lala chale aage laali
ae
sun zara
ye bhi jodi hai kaisi niraali
hai saath kya
peeche lala chale aage laali
dono me shaayad banti na ho
apni tarah in mein chhanti na ho
hum wo karenge dil jo kahe
hamko zamaane se kya
arre dhat
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono
ae
bolo na
pyar ka hai ye dushman zamaana
arrey sun
haan bata
sabko milta nahi ye khazaana
ae
bolo na
pyar ka hai ye dushman zamaana
arrey sun
haan bata
sabko milta nahi ye khazaana
jinko aji ye khazaana mile
dekh dekh unko ye duniya jale
hum wo karenge dil jo kahe
hamko zamaane se kya
huu. . .
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono
pyar hum karte hai chori nahi
mil gaye dil jora jori nahi
ham wo karenge jo dil kahe
hamko zamaane se kya
khullam khulla pyar karenge hum dono
is duniya se nahi darenge hum dono
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
अरे देख रहे हैं
तो देखने दो
जल भी रहे हैं
तो जलने दो
खुली सड़क है बाबा
तो क्या हुआ पह्ई
हाँ तो हो जाये
हो जाये
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
आ॰॰ प्यार हम करते हैं चोरी नहीं
मिल गए दिल जोरा जोरी नहीं
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
कू कू
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
आ॰॰ प्यार हम करते हैं चोरी नहीं
मिल गए दिल जोरा जोरी नहीं
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
ए
देख वो
इश्क़ छुप छुप के फर्मा रहे हैं
है
क्या मज़ा
दिल ही दिल में तो घबरा रहे हैं
ए
देख वो
इश्क़ छुप छुप के फर्मा रहे हैं
है
क्या मज़ा
दिल ही दिल में तो घबरा रहे हैं
लगता है दोनों पड़ोसी हैं वो
रिश्ता ही ऐसा है जाने भी दो
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
हे
सुन ज़रा
यह भी जोड़ी है कैसी निराली
है
साथ क्या
पीछे लाला चले आगे लाली
हे
सुन ज़रा
यह भी जोड़ी है कैसी निराली
है
साथ क्या
पीछे लाला चले आगे लाली
दोनों में शायद बनती ना हो
अपनी तरह इन में छनती ना हो
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
अर्रे धत्त
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
ए
बोलो ना
प्यार का है दुश्मन ज़माना
अरे सुन
हाँ बता
सबको मिलता नहीं ये खज़ाना
ए
बोलो ना
प्यार का है दुश्मन ज़माना
अरे सुन
हाँ बता
सबको मिलता नहीं ये खज़ाना
जिनको अजी ये खज़ाना मिले
देख देख उनको ये दुनिया जले
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
हू
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
प्यार हम करते हैं चोरी नहीं
मिल गए दिल जोरा जोरी नहीं
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
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