Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Baag/Bagiya song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4438 Post No. : 15879

Some years back, I recall having seen for the first time on the internet the photo features of Hindi film stars such as Madhubala, Nalini Jaywant and Begum Para in ‘Life’ magazine. These photographs were taken by the magazine’s well known photographer, James Burke in 1951 who was posted in India.  From the standard of 1951, these photographs would have ranked as bold. But one more actress also featured in that magazine – the featured photos were bolder than those of the stars I mentioned earlier. Subsequently, I had also seen her images appearing in ‘Filmindia’ magazines of 1948 and 1949. The actress in the photoshoot of 1951 was Mohana Cabral.

Today, September 11th is the 30th Remembrance Day of Mohana Cabral who died of heart attack this day of the year 1990 in France where she had been staying with her husband and daughter since 1986.

Mohana Cabral (03/02/1929 – 11/09/1990) whose real name was Mona Cabral, was born in Socorro in Bardez taluqa of North Goa in Konkani speaking Christian family. In early 1930s, the family shifted to Bombay (Mumbai) when her father changed his job to Bombay-based Hindustan Construction Company. Mohana did her initial schooling at Victoria High School in Mahim. Later. she was put in a boarding school in Pune where she completed her high school.  In Pune, she joined as a telephone operator in a telephone company. It is through connecting the long distance telephone calls that Mohana got acquainted with some of the film stars of that time including Nargis, Begum Para and Pratima Dasgupta.

Mohana got introduced to Kishore Sahu who offered her a role in his film ‘Saawan Aaya Re’ (1949) which was her debut film though ‘Aag’ (1948) was released first without her name being accredited in the film.  Kishore Sahu changed her name from Mona to screen name, Mohana which got attached with her during the rest of her life not only in films but also in the Konkani plays and singing career.

Sometime in 1948, Mohana got involved with Konkani ‘Tiatr’ in Mumbai. (‘Tiatr’ is a Portuguese word used in Goa for ‘theatre’ for the Konkani dramas encompassing music, dance, and singing. In a way, it is akin to Marathi ‘Sangeet Natak or musical dramas). Her debut Konkani drama was ‘Cortub Avoichem’ (1948) which was directed by the pioneer of Goan Konkani Tiatr, C Alvares, the producer, director, actor, song writer and the singer. In fact, Alvares was instrumental in encouraging girls to play the female roles in his dramas and introduced Mohana and her younger sister, Ophelia. In 1952, Mohana got actively involved with Konkani tiatr in Mumbai, mostly collaborating with C Alvares as an actor-singer and worked in about a dozen plays. Both the sisters were actor-singers in Konkani Tiatr in Mumbai and later in Goa. In fact, in Goa, Mohana is known more as a tiatrist than the Hindi film actress.

In 1951, Mohana met Edward Downing, a Royal Indian Air Force pilot in a hotel where the shooting of her film ‘Sansaar’ (1951) was in progress. They got married in 1951 and had a son, Mark. Unfortunately, her husband died in a plane accident in less than two years of their marriage. In 1955, Mohana got married for the second time with John D’frates who was working for the United Nations and got posted at Beirut.  With this posting, Mohana bid adieu to Hindi film industry. Her last shoot was for the film, ‘Insaaniyat’ (1955).

In Beirut, Mohana learnt Arabic and began producing dance programmes for Television. She also acted in a couple of dramas on Television. After spending many years in Beirut, her husband got posting in Vienna from where he retired in 1986. Post retirement, Mohana and her family settled in France. Mohana was very much interested in Goan Konkani Tiatr. She would regularly visit India on holidays and act in Konkani dramas in Goa. During the period of her visits, she had also cut a few discs of her non-filmy Konkani songs, some with her mentor, C Alvares.

Mohana died of a heart-attack in France on September 11, 1990 when she was 61. [Thanks for the inputs from Shishir Sharma’s Blog, ‘Beete Hue Din’ on Mohana posted on May 13, 2015 and an article in ‘The Navhind Times, Panaji, Goa dated April 6, 2020].

It is interesting to note from her filmography that how quickly Mohana established herself in Hindi film industry. In ‘Aag’ (1948), she had one song role though her first debut film was ‘Saawan Aaya Re’ (1949). In 1949, she had acted in as many as 6 films. 1950 was a blank year for her as probably she got associated with Konkani plays in Mumbai. In 1951 and 1952 she did 5 films each. 1953 and 1954 was again lean years for her. In 1955, she did 4 films before quitting the film industry. In all, she acted in 26 films in her short span of 6 years in the film industry. The full filmography of Mohana is given below:

1948: Aag.
1949: Chaar Din, Jagriti, Kamal, Patanga, Rimjhim, Saawan Aaya Re.
1951: Adaa, Naadaan, Nageena, Sagaai, Sansaar.
1952: Aashiana, Chham Chhama Chham, Najaria, Saloni, Saaqi.
1953: Shole.
1954: Danka, Dost, Shart.
1955: Insaaniyat, Marine Drive, Sau Ka Note, Teerandaz.
1956: Taksaal.

I had noticed in the advertisements of films for which she worked in 1949-50 that  her name was written either in bold or capital letters. That shows that Mohana was popular among the audience of that time and her name mattered for the success of the films. In most of her films, she got roles of a ‘side kick’ to the comedians like Gope, Agha and as a singer-dancer.  Her popularity can be gauged from the fact that in most of her films, Mohana will have at least one song picturised on her. Some of the songs picturised on her for which video clips are available for watching are listed below:

Raat ko ji haay raat ko ji chamke taare – ‘Aag’ (1948)

Pyaar ke jahaan ki niraali sarkaar hai – ‘Patanga’ (1949)

My my my my my dear – ‘Nageena’ (1951)

O baabu kaise dil karoon qaaboo – ‘Sagaai’ (1951)

Lucknow chalo ab raani – ‘Sansaar’ (1951)

Haseena sambhal sambhal ke chal – ‘Saaqi’ (1952)

O madam do se ho gaye ek ham – ‘Aashiana’ (1952)

Dil mera hai deewaana – ‘Shart’ (1954)

Mohana has also rendered two songs on herself in the film ‘Rimjhim’ (1949).

On the occasion of Mohana’s 30th Remembrance Day, I present a song “Aisi Nainwa Ki Laagi Kataar” from ‘Insaaniyat’ (1955) rendered by Mohammed Rafi and Asha Bhosle. The song is written by Rajinder Krishan which is set to music by C Ramchandra. The song is picturised on Mohana as a part of a ploy to wood wink a soldier to stripe out his uniform to be used for disguising Mangal (Dilip Kumar) as soldier to gain access to the prison to facilitate the release of Bhanupratap (Dev Anand).

In the video clip, there are only two stanzas where as the audio clip contains the full song of four stanzas. This is the 10th song to appear on the Blog out of 17 songs in ‘Insaaniyat’ (1955).

Video (Partial)

Audio (Complete)

Song – Aisi Nainwaa Ki Laagi Kataar (Insaaniyat) (1955) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Rajendra Krishan, MD – C Ramchandra
Mohammed Rafi + Asha Bhosle

Lyrics (Based on Audio Clip)

aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
na marodo kalaiya hamaar
kangan mora churar murar
haan haan kare churar murar
na marodo kalaiya hamaar
kangan mora churar murar
haan haan kare churar murar
 
nainon mein lagaaun tohe kajara banaay ke
manwa ki dibiya mein rakh loon chhupaay ke
nainon mein lagaaun tohe
nainon mein lagaaun tohe kajara banaay ke
manwa ki dibiya mein rakh loon chaupaay ke
jataao na itna pyaar
ke mann mora surar surar
haan haan kare surar surar
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
 
dekho na dekho mohe tirchi nazar se
darr mohe laage tori patli kamar se
dekho na dekho mohe
dekho na dekho mohe tirchi nazar se
darr mohe laage tori patli kamar se
dekhi jab ke suratiya tohaar
kamar mori ghumar ghumar
haan haan kare ghumar ghumar
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
 
main tori bulbul tu mora kaaga
kaage se bulbul ka taanka hai laaga
main tori bulbul
main tori bulbul tu mora kaaga
kaage se bulbul ka taanka hai laaga
aa ja chalen ghataaon ke paar
udd jaayen furar furar
haan haan jaayen purur purur
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar
aisi nainwa ki laagi kataar
jiya kare khusar fusar
haan haan kare khusar fusar

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर
ना मरोड़ो कलइयाँ हमार
कंगन मोरा चुरर मुरर
हाँ हाँ करे चुरर मुरर
ना मरोड़ो कलइयाँ हमार
कंगन मोरा चुरर मुरर
हाँ हाँ करे चुरर मुरर

नैनों में लगाऊँ तोहे कजरा बनाय के
मनवा की डिबिया में रख लूँ छुपाय के
नैनों में लगाऊँ तोहे
नैनों में लगाऊँ तोहे कजरा बनाय के
मनवा की डिबिया में रख लूँ छुपाय के
जताओ ना इतना प्यार
के मन मोरा सुरर सुरर
हाँ हाँ करे सुरर सुरर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर

देखो ना देखो मोहे तिरछी नज़र से
डर मोहे लागे तोरी पतली कमर से
देखो ना देखो मोहे
देखो ना देखो मोहे तिरछी नज़र से
डर मोहे लागे तोरी पतली कमर से
देखी जबसे सुरतिया तोहार
कमर मोरी घुमर घुमर
हाँ हाँ करे घुमर घुमर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर

मैं तोरी बुलबुल तू मोरा कागा
कागे से बुलबुल का टांका है लागा
मैं तोरी बुलबुल
मैं तोरी बुलबुल तू मोरा कागा
कागे से बुलबुल का टांका है लागा
आ जा चलें घटाओं के पार
उड़ जाएँ फुरर फुरर
हाँ हाँ जाएँ फुरर फुरर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर
ऐसी नैनवा की लागी कटार
जिया करे खुसर फुसर
हाँ हाँ करे खुसर फुसर



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4387 Post No. : 15748

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Blog 10-Year Challenge (2010-2020) – Song No. 43
———————————————————————————–

Ten years back on this day 22nd July 2010 five songs were posted on the blog as per following.

Song

 Movie title-Year

 Remarks

 Chaahaa thaa banoon pyaar ki raahon ka devata  Gunhaahon Kaa Devtaa-1967  3 of 7 songs posted
 Dil milaa ke milo paas aake milo  Thakur Jarnail Singh-1966  3 of 6 songs posted
 Ye khaamoshiyaan ye tanhaayiyaan  Ye Raaste Hai Pyaar Ke-1963  All songs covered
 Bheegi chaandni chhaayi bekhudi  Suhaagan-1964  All songs covered
 Ik baat bataa de jogi  Taj-1956  All songs covered

So, today, we have two movies eligible for posting a song under ‘Blog Ten-Year Challenge’ viz. ‘Gunaahon Ka Devta’ (1967) and ‘Thakur Jarnail Singh’ (1966). In this post, I am presenting a song from ‘Gunaahon Ka Devta’ wherein Prakash ji had sent the lyrics of this multiple versions song.

When I saw the mail and the song title, I was surprised to note that this song has not been posted yet on the blog. But when I checked the other remaining song from this movie, I was more surprised to note that there is one more song which I like very much because of the actor performing on it 😊 but this song too is yet to be posted on the blog. Well, I had watched this movie during my stay at Parli-Vaijnath from 1985-1988. And this movie did bring back memories of my stay there and the ‘peak movie watching period’ for me there, when I used to watch maximum movies of yesteryear coming to theatres. I remember I liked this movie and its songs too.

The film is produced and directed by Devi Sharma for ‘Janta Chitra’. It has Rajshri, Jeetendra, Mehmood, Leela Chitnis, Aruna Irani, Randhir, Tun Tun, Farida, Shahid, Rekha, SK Prem, Sujata, Jankidas and Jeevan. The story of this movie is also written by Devi Sharma, and its screenplay was written by Ravi Kapoor. Dialogues of this movie were written by Sarshar Sailani. Editing of this movie was done by Dharamvir. The movie was passed by Censor Board on 19.05.1967.

This movie has seven songs including one multiple version song. Lyrics were written by Hasrat Jaipuri and Shailendra (one song – the title song only). Music of this movie was composed by Shankar-Jaikishan. Mohd Rafi, Lata Mangeshkar, Mukesh, Manna Dey and Sharda had given their voices to for the songs in this movie.

So far, the following songs from ‘Gunaahon Ka Devta’ have been posted on the blog; 

Song

 Posted On

Chaahaa thaa banoon pyaar ki raahon ka devata  22.07.2010
 Raam kare kahin nainaa naa uljhen  30.07.2010
 Teer aankhon ke jigar ke paar kar do yaar tum  13.07.2012

Today’s song is the multiple version song where the male version is sung by Mohd Rafi and the female version has the voice of Sharda. Jeetendra is lip syncing in the voice of Rafi Saab in the male version whereas in the female version Rajshri is lip syncing in the voice of Sharda. Both of them are seen in the picturization of this song where we could see the lovers ‘complaining’ about each other for ‘trapping in love’ and simultaneously also reminding that one will not be able to forgot them easily.

As mentioned above lyrics of this song were sent by Prakashchandra.

Let us now enjoy this lovely song in both versions …

Male Version (Video)

Male Version (Audio)

Female Version (Video)

Female Version (Audio)

Song – Hum Ko To Barbaad Kiya Hai, Aur Kisey Barbaad Karoge (Gunaahon Ka Devta) (1967) Singer – Mohammed Rafi, Sharda, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan

Lyrics (Provided by Prakashchandra)

haaye
kis ki jaan logi
kyaa iraada hai

hum ko to barbaad kiya hai
aur kise barbaad karoge
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hum ko yaad karoge
hum ko to barbaad kiya hai

tirchhi nazar ke teer chalaao
naaz-o-adaa ki bijlee giraao
tirchhi nazar ke teer chalaao
naaz-o-adaa ki bijlee giraao
uff na karenge
hum bhi to dekhein
kitne sitam iijaad karoge
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai

tum chaaho to jaan bhi le lo
kaafir ho imaan bhi le lo
tum chaaho to jaan bhi le lo
kaafir ho imaan bhi le lo
dil waalon se paala pada hai ae
tum bhi bhala kya yaad karoge
ha haa
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai

hum bhi tumhein bechain karenge
pyaar mein aisa rang bharenge ae
hum bhi tumhein bechain karenge
pyaar mein aisa rang bharenge
neend na hogi in aankhon mein
tadpoge fariyaad karoge ae
ha ha
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-

हाए
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

तिरछी नज़र के तीर चलाओ
नाज़ ओ अदा कि बिजली गिराओ
तिरछी नज़र के तीर चलाओ
नाज़ ओ अदा कि बिजली गिराओ
उफ़ ना करेंगे
हम भी तो देखें
कितने सितम इजाद करोगे
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

तुम चाहो तो जान भी ले लो
काफिर हो ईमान भी ले लो
तुम चाहो तो जान भी ले लो
काफिर हो ईमान भी ले लो
दिल वालों से पाला पड़ा है
तुम भी भला क्या याद करोगे
ह हा
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

हम भी तुम्हें बेचैन करेंगे
प्यार में ऐसा रंग भरेंगे
हम भी तुम्हें बेचैन करेंगे
प्यार में ऐसा रंग भरेंगे
नींद न होगी इन् आँखों में
तड़पोगे  फ़रियाद करोगे
ह ह
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

 


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4384 Post No. : 15741

Blog 10-Year Challenge (2010-2020) – Song No. 42
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From the three movies eligible for the ‘blog ten-year’ challenge today, we have already represented one today in the morning and taking this another one to add to the celebrations for today. This song is from the 1964 movie ‘Phoolon Ki Sej’ and it is sung by Mohd Rafi and Asha Bhonsle. This song is picturised on Mehmood and Shubha Khote, where the two lovers are singing and enjoying in their ‘famous’ style 😊

As mentioned in the earlier post total four songs were represented on the blog on 19.07.2010 including a song from this movie ‘Phoolon Ki Sej’ (1964).

Song  Movie title-Year  Remarks
 Aaj Hamen Ban Behad Bhaata  Amar Jyoti (1936)  06 songs posted
 Sataayega Kise Tu Aasmaan Jab Hum Nahin Honge  Sheesham (1952)  07 songs posted
 Main Rickshaw Waala  Chhoti Behen (1959)  All songs covered
 Aayegaa Koi Hamraaz Mere Pyaar Ka  Phoolon Ki Sej (1964)  05 songs posted

Two of the above listed films, i.e. ‘Amar Jyoti’ (1936) and ‘Phoolon Ki Sejh’ had made their debut on the blog that day.

‘Phoolon Ki Sej’ has total nine songs (including one three-part song) which are all written by Hasrat Jaipuri. Music for this movie is composed by Aadi Narayan Rao. Lata Mangeshkar, Asha Bhonsle, Mohd Rafi, Mukesh and Manna Dey had given their voices to the songs in this movie. So far, the following songs from ‘Phoolon Ki Sej’ have been posted on the blog;

Song  Posted On
 Aayegaa Koi Hamraaz Mere Pyaar Ka  19.07.2010
 Aa Tu Aa Zara Dil Mein Aa  06.07.2012
 Taaron Ki Aankhon Ka Taraa Tu  07.04.2013
 Aa Bhi Ja Rasiya  09.06.2014
 Jaane Mujhe Kya Ho Gaya  14.08.2017

Seven songs of this film have already been covered on the blog, including the multiple version song ‘Taaron Ki Aankhon Ka Taara Tu’. So now, song are now left to be covered. One song being posted today will leave this movie only one short of ‘Yippeeee Land’ 😊

When I checked the earlier song posts of this movie, I noted that one song from this movie Aa Bhi Ja Rasiya was covered by our respected late Bharatbhai under his ‘Raag Maalikaa’ series (this was song number 12 in that series).

On this day today when our blog is celebrating 12th birth anniversary I take this opportunity to remember and pay our tributes to Bharatbhai who is not with us this year to celebrate this occasion. We all miss him today.

But I am sure wherever he is, he is enjoying this ‘musical journey’ and showering his blessings to this blog and on all ‘Atulites’ today.

Lyrics for the today’s song were sent by Prakashchandra.

Let us now enjoy the today’s song …

Song – Pyaar Ko, Madhur Madhur Iqraar Ko, Arre Ye Duniya Kya Jaane (Phoolon Ki Sej) (1964) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Hasrat Jaipuri, MD – Adi Narayan Rao

Lyrics (Provided by Prakashchandra)

pyaar ko
madhur madhur iqraar ko

arre ye duniya kya jaane ae
ke hum to parwaane
bade hi mastaane ae
tumhaare deewaane

jhoomke
hansi khushi se jhoomke
miley nazar ke paimaane ae
wafaa ke afsaane
ke hum bhi deewaane ae
tumhaare parwaane

tum jo miley to
miley hain do jahaan
ke reh gayi duniya
jahaan thi wahaan
achchaa
arrey tum jo miley to
miley hain do jahaan
ke reh gayi duniya
jahaan thi wahaan
hamaari tumhaari amar dastaan
hamaari tumhaari amar dastaan
ho jhoomke
hansi khushi se jhoomke
miley nazar ke paimaane ae
wafaa ke afsaane
ke hum bhi deewaane ae
tumhaare parwaane

chaand nahin dekhoon
naa dekhoon aasmaan
baat hai jo tujh mein
woh un mein kahaan
waah waah
chaand nahin dekhoon
naa dekhoon aasmaan
baat hai jo tujh mein
woh unn mein kahaan
tumhaare hi dam se nazaare jawaan
tumhaare hi dam se nazaare jawaan
ho pyaar ko
madhur madhur iqraar ko
arre ye duniyaa kyaa jaane
ke hum to parwaane
bade hi mastaane ae
tumhaare deewaane ae

lo ab to giraa do
ada ki bijliyaan
ke main to sharmaaun
kahegaa kya samaa
haaye
ab to giraa do
adaa ki bijliyaan
ke main to sharmaaun
kahegaa kya samaa aa
jalegi ye duniya
mere meharbaan
jalegi ye duniya
mere meharbaan
ho o jhoomke
hansi khushi se jhoomke
miley  nazar ke paimaane ae
wafaa ke afsaane
ke hum bhi deewaane ae
tumhaare parwaane

pyaar ko
madhur madhur iqraar ko
arre ye duniyaa kya jaane
ke hum to parwaane
bade hi mastaane ae
tumhaare deewaane ae

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प्यार को
मधुर मधुर इक़रार को
अरे ये दुनिया क्या जाने
के हम तो परवाने
बड़े ही मस्ताने
तुम्हारे दीवाने

झूम के
हंसी खुशी से झूम के
मिले नज़र के पैमाने
वफा के अफसाने
के हम भी दीवाने
तुम्हारे परवाने

तुम जो मिले तो
मिले हैं दो जहाँ
के रह गई दुनिया
जहाँ थी वहाँ
अच्छा
अरे तुम जो मिले तो
मिले हैं दो जहाँ
के रह गई दुनिया
जहाँ थी वहाँ
हमारी तुम्हारी अमर दास्तां
हमारी तुम्हारी अमर दास्तां
हो झूम के
हंसी खुशी से झूम के
मिले नज़र के पैमाने
वफा के अफसाने
के हम भी दीवाने
तुम्हारे परवाने

चाँद नहीं देखूँ
ना देखूँ आसमान
बात है जो तुझ में
वो उन में कहाँ
वाह वाह
चाँद नहीं देखूँ
ना देखूँ आसमान
बात है जो तुझ में
वो उन में कहाँ
तुम्हारे ही दम से नज़ारे जवां
तुम्हारे ही दम से नज़ारे जवां
हो प्यार को
मधुर मधुर इक़रार को
अरे ये दुनिया क्या जाने
के हम तो परवाने
बड़े ही मस्ताने
तुम्हारे दीवाने

लो अब तो गिरा दो
अदा की बिजलीयाँ
के मैं तो शरमाऊँ
कहेगा क्या समा
हाय अब तो गिरा दो
अदा की बिजलीयाँ
के मैं तो शरमाऊँ
कहेगा क्या समा
जलेगी ये दुनिया
मेरे मेहरबान
जलेगी ये दुनिया
मेरे मेहरबान

हो झूम के
हंसी खुशी से झूम के
मिले नज़र के पैमाने
वफा के अफसाने
के हम भी दीवाने
तुम्हारे परवाने

प्यार को
मधुर मधुर इक़रार को
अरे ये दुनिया क्या जाने
के हम तो परवाने
बड़े ही मस्ताने
तुम्हारे दीवाने


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4206 Post No. : 15399 Movie Count :

4244

Songs Repeated in Hindi Films – 16

– – – – – – – – – – – – – – – – – –

Aah yes, this one too. This iconic and popular song from the 1969 film ‘Jeene Ki Raah’, reappeared in a shorter version in the 1972 film ‘Baazigar’. Albeit the use of this song is somewhat casual, and does not seem to fulfill any purpose, symbolic or otherwise. Seems like a time filler, as one goes through the initial part of the film.

The original from the film ‘Jeene Ki Raah’ is a quite a well picturized song, with the reality of the situation moving into a surreal dream where the real village people performing the song are replaced by the hero and heroine, in heroine’s mind. All the songs of this film became very popular, and did contribute significantly to the rising graph of Jeetendra as a hero.

Fast forward three years later. The film ‘Baazigar’ in 1972, was a potential launch vehicle for Roopesh Kumar (cousin brother of actress Mumtaz), as a hero. He had made his debut in 1965, in supporting roles, both as a comic villain and in character riles. This was the first, and likely the only film in which he appears in the role of a hero.

Roopesh’s real name was Abbas Farashahi. He was born in Bombay on 16th Jan, 1946 (okay, just a week back was his birth anniversary, would have been 74). His father, Ali Asgar Farashahi had a very good restaurant and bakery business.  However, being involved in dramatics in school and college, he was more interested to make a career in films. With some support from his cousin sister Mumtaz, he started working in small supporting roles. His first appearance is in the film ‘Tarzan and King Kong’ in 1965.

He appeared in over 120 films from 1965 through 1995. The list of his films do make an impressive reading. Here is a partial list of his films from the period till 1980 – ‘Sapno Ka Saudagar’ (1968), ‘Aadmi aur Insaan’ (1969), ‘Jeene Ki Raah’ (1969), ‘Sharafat’ (1970), ‘Jeevan Mrityu’ (1970), ‘Kal Aaj Aur Kal’ (1971), ‘Andaaz’ (1971), ‘Raampur Ka Lakshman’ (1972), ‘Seeta Aur Geeta’ (1972), ‘Prabhat’ (1973), ‘Loafer’ (1973), ‘Insaaniyat’ (1974), ‘Zinda Dil’ (1975), ‘Nagin’ (1976), ‘Karm’ (1977), ‘Dildaar’ (1977), ‘Chacha Bhatija’ (1977), ‘Amar Deep’ (1979), ‘Jaani Dushman’ (1979), ‘The Great Gambler’ (1979), ‘Lok Parlok’ (1979), ‘Hum Paanch’ (1980) etc.

Hmm. . . interesting to note that he also appeared in ‘Jeene Ki Raah’, the original film for the song being presented today.

He also produced and directed two films – ‘Hai Meri Jaan’ (1991) and ‘Meri Aan’ (1993).

Roopesh Kumar passed away quite unexpectedly, at a young age of 49. He was attending the Filmfare awards program of 1995. He suffered a severe heart attack while at the program, and passed away on way to the hospital.

The song presented today is picturized as a game being played at a picnic. This is a picnic with a difference. The only participants are the leading lady, Vijaylalitha and her pet animals – a horse named Chetak and a dog named Tommy. These are the screen names of these pets. Their real names, as per the credits are Joker and Johny respectively. The song is being played on a gramophone, and the game – well you can view it in the accompanying video. The song seems to have been edited, as it appears to end abruptly after playing one full stanza and getting into the start of the second stanza.

Ah yes, this 1972 film makes its debut on our blog today.

Overall, a very casual re-use in my opinion.

Song – Aa Mere Humjoli Aa, Khelen Aankh Micholi Aa  (Baazigar) (1972) Singers – Lata Mangeshkar, Mohammed Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus

Lyrics

ho o o ho o
ho o o ho o

[dialogue]

ho o o ho o
ho o o ho o

aa mere hamjoli aa
khele aankh micholi aa
galiyon me chaubaaron me
baaghon me bahaaron me
ho
main dhoondhoo tu chup ja

main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa ja

peepal ke oopar jaa baitha
chup se mera saathi
dhak se lekin dhadak gaya dil
gir gayi haath se laathi
o pakdaa gaya

main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa jaa

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हो ओ ओ हो ओ
हो ओ ओ हो ओ

[संवाद]

हो ओ ओ हो ओ
हो ओ ओ हो ओ

आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा
आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा

मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा

पीपल के ऊपर जा बैठा
चुप से मेरा साथी
धक से लेकिन धड़क गया दिल
गिर गई हाथ से लाठी
ओ पकड़ा गया

मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4008 Post No. : 15114

If someone pops up the name Jethalal, and asks for an identification, I am sure you will be puzzled to start with. Yes, surely a strange name, that many of the folks interested in Hindi films, will not be familiar with. This name belongs to the dear and popular actor of Hindi films – Sanjeev Kumar. His full real name was Harihar Jethalal Jariwala. Ah yes, now very familiar, right? 🙂

Remembering Sanjeev Kumar on the anniversary of his birth today. Had he been alive, he would have been 81 years old, having been born in the year 1938.

Sanjeev Kumar – an out and out product of stage and theatre, started his acting career at a very young age with IPTA (Indian People’s Theatre Association) and later continued with Indian National Theatre. He was born in Surat. The family moved to Bombay when he was young. After attending a training program at a local acting school, he joined the theatre while still in his late teens.

From the theatre, the progression to films was but natural for a performer as talented as he was. His first appearance was in the film ‘Hum Hindustani’ of 1960, in which he played a very small role. His first film as a hero was ‘Nishaan’ in 1965. For a few years his assignments were confined to C grade stunt and fantasy films. Then he 1968, he graduated into A grade cinema, with a sizeable role the 1968 film ‘Sunghursh’, alongside the likes of Dilip Kumar, Balraj Sahni, Iftekhar, Ulhas and Jayant. This year became a turning point in his career – ‘Raja Aur Runk’ became a runaway success, and ‘Anokhi Raat’ became the debut film of our blog. 🙂

The most powerful thing about Sanjeev Kumar’s performances has been that he never allowed himself to be typecast into any straitjacket. Whatever may have been the stage of his career, he willy nilly took such diverse variety of roles, regardless of the age and the temper of the character. When he was just 22, he played the role of a 60 year old in a stage play, father of 6 children. Positive or negative, he was simply concerned with a sincere portrayal. In ‘Anokhi Raat’ he plays the role of a dacoit. His comic roles are unforgettable – ‘Seeta Aur Geeta’, ‘Pati Patni Aur Who’, ‘Manchali’, ‘Angoor’, ‘Namkeen’, ‘Manoranjan’ . . . you name it. The diversity and the versatility of his performances is what brought the audiences into the cinema halls, just to see his roles. And for a surprising change, the viewing public never rejected him for his variety,

Today’s song is from the 1967 film ‘Gunehgaar’. From the era when he was still in the C grade stunt and crime thrillers, ‘Gunehgaar’ is the film in which he plays the role of an upright police inspector. His love interest is Kumkum, who later turns out to be the daughter of Sheikh Mukhtar, a wanted gangster. The film takes certain interesting and predictable turns, given the specifics of the relationships, and it ends with note of ‘All Is Well, That Ends Well’.

The film is produced under the banner of Simla Productions, and is directed by R Thakar. The cast of actors includes Sheikh Mukhtar, Sanjeev Kumar, Kumkum, Bhagwan, Madan Puri, Uma Dutt, Neelam, Nandini, Tuntun, Sulochana Chatterjee, Lakshmi Chhaya, Kundan, Dilip Dutt, and Tiwari.

The film has six songs, one of which – “Aankhen Pyaasi Lab Hain Pyaase” is already showcased here on our blog. The songwriting credits are shared equally between Akhtar Romani and Naqsh Lyallpuri. This song is from the pen of Naqsh Lyallpuri. Music direction is by Vedpal.

The song comes in at the start of the romantic relationship between Sanjeev Kumar and Kumkum – it is that initial getting to know each other type of song, performed partly on a beach and partly in a garden. Singing voices are Mahendra Kapoor and Usha Mangeshkar. A liltling and a very hummable song. Listen and enjoy.


Song – Nai Nai Hain Manzilen Naye Naye Hain Raaste (Gunehgaar) (1967) Singer – Mahendra Kapoor, Usha Mangeshkar, Lyrics – Naqsh Lyallpuri, MD – Vedpal
Mahendra Kapoor + Usha Mangeshkar

Lyrics

nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste

nai nai hain manzilen
naye naye hain raaste
ho chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen

aaaa aaaaa aaaaaaa
aaaa aaaaa aaaaaaa

ik chaand humsafar mila
kitni haseen baat hai
wo haath khushnaseeb hai
jis mein tumhaara haath hai
hum aaj is tarah miley
dil ki haseen raah mein
laakhon hi chaand ho gaye
roshan meri nigaah mein
tamaam kaayenaat aa gai
meri panaah mein
nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen

aaaaa aaaa aaaaaa aaaa
aaaaa aaaa aaaaaa aaaa

jhukti hui nigaah mein
meri wafaa ka raaz hai
naghma bani hain dhadkanen
dil mera ek saaz hai
dekha jo tum ne pyaar se
har phool muskura diya
mehki hui bahaar ne
sajde mein sar jhuka diya
nisar mein us husn ke
jis ne khuda bhula diya

nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen

aaaaa aaaa aaaaaa aaaa
aaaaa aaaa aaaaaa aaaa

ooooo oooo oooooo oooo
ooooo oooo oooooo oooo

hmmmm hmmm hmmmmmm hmmm
hmmmm hmmm hmmmmmm hmmm

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते

नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें

आsss आssss आssssss
आsss आssss आssssss

इक चाँद हमसफर मिला
कितनी हसीन बात है
वो हाथ खुशनसीब है
जिस में तुम्हारा हाथ है
हम आज इस तरह मिले
दिल की हसीन राह में
लाखों ही चाँद हो गए
रोशन मेरी निगाह में
तमाम कायनात आ गई
मेरी पनाह मेँ
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें

आssss आsss आsssss आsss
आssss आsss आsssss आsss

झुकती हुई निगाह मेँ
मेरी वफा का राज़ है
नग़मा बनी हैं धड़कनें
दिल मेरा एक साज है
देखा जो तुमने प्यार से
हर फूल मुस्कुरा दिया
महकी हुई बहार ने
सजदे मेँ सर झुका दिया
निसार मैं उस हुस्न के
जिसने खुदा भुला दिया

नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें

आssss आsss आsssss आsss
आssss आsss आsssss आsss

ओssss ओsss ओsssss ओsss
ओssss ओsss ओsssss ओsss

हम्ममम हम्म हम्मममम हम्म
हम्ममम हम्म हम्मममम हम्म


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4007 Post No. : 15111

tum samay ki ret par chhodte chalo nishaan
dekhti tumhen zameen
dekhta hai aasmaan

These uplifiting lines are from the pen of Saraswati Kumar Deepak. The poetry composed sometimes in the early 1950s, was presented as a song in the 1953 film ‘Naya Raasta’. Saraswati Kumar Deepak is a song writer who has been confined to mythological and religious fare for most of his career. Active in the Hindi cinema since 1943, his songs can be heard in films all the way to the end of 1970s.

Remembering Saraswati Kumar Deepak today (8th July) on the anniversary of his passing away. And incidentally, yesterday (7th July) was his birth anniversary also.

He was born on 7th July 1918, at Navsthala Hasanpur in district Bulanshehar in Uttar Pradesh. His original name was Ram Gopal Sharma. Not much information is available about his early years. His education was in Hindi and Sanskrit. He did his BA from Meerut College. As a young man, he had begun writing poetry and prose.

In early forties he came to Bombay, and in 1942 he joined the production house of Fazli Brothers. His first assignment was as the writer of advertisements and promotional material in Hindi, for the films produced by Fazli Brothers. His first song appeared in the film ‘Zabaan’ of 1943 – “Dheere Se Kadam Badhaata Chal, Bigdi Taqdeer Banaata Chal”, which was composed by C Ramchandra and sung by Ishwarlal and Kaushalya. His next song – “Soti Hun Ab Chanda Mujhe Jagaa Dena”, appeared 1944, in the film ‘Badi Baat’. The song was rendered by Amirbai under the direction of Feroze Nizami. This song became very popular in its time, and the name of its writer started getting known somewhat in the industry.

In 1945, his songs appeared in ‘Piya Milan’ and ’Swarn Bhoomi’. However, 1946 became a defining year for him. Four films were released that carried songs written by him – ‘Bhakt Prahlad’, ‘Dev Kanya’, ‘Maansarovar’ and ‘Uttra Abhimanyu’. As the names of these films suggest, yes, they had an effect to have Saraswati Kumar typecast as a writer for religious and mythological films. This categorization he was never able to shake off for the rest of his career.

That is not to say that he did not write other type of songs for other genres of films. The songs “Kahin Ka Deepak Kahin Ki Baati” (‘Aag’, 1948), “Raat Gayi Phir Din Aata Hai” (‘Boot Polish’, 1953, and “Nigaahon Se Dil Mein Chale Aayiega” (‘Hameer Hath’, 1964) are a sampler that represents that wide portfolio of genres he could handle. He has written close to 350 songs for about 100 Hindi films. Besides that, he translated and dubbed the songs and the dialogues for about 25 regional language films.

Saraswati Kumar was not just a song writer. He was also a screenplay writer, a dubbing specialist and a renowned author of literature for children. Books like ‘Haathi Ghoda Paalki’ and ‘Jai Janani, Jai Bharati’ became quite popular and famous. He used to write a lot for All India Radio – plays, songs, sponsored programs etc. for two years, he anchored the program ‘Apni Kahaani, Apni Zubaani’ – sponsored by Bank of Baroda. And above all, as a journalist, he continuously contributed stories and articles for newspapers and magazines.

He passed away in 1986, just after completing his 68 year.

The film ‘Bansari Bala’ is produced by Moghabhai Deasi under the banner of Desai Productions, Bombay, and is directed by Nanubhai Vakil. The cast of actors listed for this film is Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, and Al Nasir.

Geet Kosh lists 9 songs for this film. Six songs are written by Pandit Faani and the remaining three are by Saraswati Kumar Deepak. Music direction is by Kamal Mitra. All the three songs which are written by Saraswati Kumar Deepak have been sung by Sudha Malhotra. One of these three is already showcased here on our blog – “Main To Chanda Ki Nagri Se Aayi Re”.

 Today’s lilting song is in the sweet singing voice is of Sudha Malhotra. Words are from the pen of Saraswati Kumar Deepak, and the signature melody is by Chitragupt. On screen, the song is performed by Chitra, who tells about her heart after someone came to her dreams and cast a captivating spell on her. The song is filmed in a garden. And we can see the subject of her aspirations (Daljeet) also present there, although she is not aware as she continues with the song.

The lyrics of this song have been sent in by Nitin Shah.

Listen and enjoy.

 


Song – Mere Nainon Mein, O Mere Sapnon Mein Chupke Se Aa (Bansari Bala) (1957) Singers – Sudha Malhotra, Lyrics – Saraswati Kumari Deepak, MD – Kamal Mitra

Lyrics (Provided by Nitin Shah)

aaaa aaaa
aaaa aaaaa

mere nainon mein
o mere sapnon mein chupke se aaaaaa
aaj kis ne ye jaadu kiya
meri duniya mein
o dil ki bagiya mein chhup chhup ke aa aaaa
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon mein chupke se aaaa
aaj kis ne ye jaadu kiya…..

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

teer jaane ye kaise laga
mera doley re doley jiya
teer jane ye kaise laga
mera doley re doley jiya
boley man ka papiha piya
boley man ka papiha piya
dard kaisa mujhe de diya aa aa
aaj kis ne ye jaadu kiya
mere nainon me in
o mere sapnon mein chupke se aa aaa
aaj kis ne ye jaadu kiya….

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

apne mann ki main kaise kahoon
sakhi chup bhi main kaise rahoon
apne mann ki main kaise kahoon
sakhi chup bhi main kaise rahoon
dil ki maujon pe kaise bahoon
dil ki maujon pe kaise bahoon
sakhi dhadke hai mora jiya aa aa
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon me chupke se aa
aaj kis ne ye jaadu kiya

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

raah mujh ko dikha di nayi
main to hirni si ghayal hui
raah mujh ko dikha di nayi
main to hirni si ghayal hui
aaj kis ki main paagal hui
aaj kis ki main paagal hui ee ee
diya kis ne ye damka diya
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon mein  chup ke se aa
aaj kis ne ye jaadu kiya. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आss आsss
आss आssss

मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया
मेरी दुनिया में
ओ दिल की बगिया में छुप छुप के आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

तीर जाने ये कैसे लगा
मेरा डोले रे डोले जिया
तीर जाने ये कैसे लगा
मेरा डोले रे डोले जिया
बोले मन का पपीहा पिया
बोले मन का पपीहा पिया
दर्द कैसा मुझे दे दिया॰॰आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

अपने मन की मैं कैसे कहूँ
सखी चुप भी मैं कैसे रहूँ
अपने मन की मैं कैसे कहूँ
सखी चुप भी मैं कैसे रहूँ
दिल की मौजों पे कैसे बहूँ
दिल की मौजों पे कैसे बहूँ
सखी धड़के है मोरा जिया॰॰आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

राह मुझको दिखा दी नई
मैं तो हिरणी सी घायल हुई
राह मुझको दिखा दी नई
मैं तो हिरणी सी घायल हुई
आज किसकी मैं पागल हुई
आज किसकी मैं पागल हुई॰॰ई॰॰ई
दिया किसने ये दमका दिया
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 1300th Post by Sudhir ji.

Blog Day :

3913 Post No. : 14972 Movie Count :

4092

Missing Films of 1960s – 103
– – – – – – – – – – – – – – –

The film that we bring on board today is ‘Sati Sulochana’ from 1969. One more film that is rarely heard about, although the video of this film is available. And once again, lovely songs that have not been explored. The sound of this song seems like it was heard on the radio, but that was a long time back.

The music is by SN Tripathi, who incidentally has also directed this film. The film is produced under the banner of SA Films, Bombay. The star cast includes Prithviraj, Anita Dutt, Prem Nath, Raj Kumar, Bipin Gupta, Kanan Kaushal, Sundar, Ram Singh, and Ram Mohan etc.

The story of Sati Sulochana is part of the history of Ramayan.  Sulochana is the daughter of Sheshnaag, the king of serpents. She is married to Meghnaad, the son of Raavan. Meghnaad is also known as Indrajit, for he had once vanquished Lord Indra and captured many sophisticated weapons from him. In the narrative of Ramayan, Sulochana is described as a brave lady who is very supportive of her husband. Eventually, when her husband is killed in the battle with Lakshman, she makes a decision to immolate herself on his pyre.

This story has been made into films on many occasions. The first one on record is the silent film ‘Sati Sulochana’ in 1921. Then this film was produced in Kannada, in 1934, as the first talkie film in Kannada language. In 1935, a Hindi film was also released by this name, under the production banner of Godavari Cinetone. In 1961, this tale was also told in a Telegu film starring NT Ramarao. And then in 1969, we have this Hindi production again.

Geet Kosh lists 9 songs of this film. Music is from the mind of SN Tripathi. The songs have been written by Bharat Vyas and BD Mishra. This song is from the pen of Bharat Vyas.  The singing voice is that of Suman Kalyanpur. On screen, it appears as if the leading lady and one of two of her friends are lip syncing the same playback singing.

The song is picturized as a group dance song, in which the leading lady is being teased by her friends, asking her who is the one who comes into your dreams. The song is a lively exchange between the lady and her sahelis. On screen, I am not able to identify with certainty, the lady who leads the song. Is she Kanan Kaushal? I request our more knowledgeable readers and friends to please help identify her.

Enjoy this lovely lilting melody, one of those songs that should have been more popular.

 

Song – Kaun Tere Sapnon Mein Aata  (Sati Sulochana) (1969) Singer – Suman Kalyanpur, Lyrics – Bharat Vyas, MD – SN Tripathi
Chorus

Lyrics

aaa aaaaaaa
aaaa aaaa aaaaa
aaa aaaaaaa
aaaa aaaa aaaaa

kaun tere sapnon mein aata
kaun tere sapnon mein aata
aa ke nainon mein muskaata
bataao na bataao
hum ko ye bataao
jud gaya kis se ye naata
kaun tere sapnon mein aata

hato ri sapne ki na boloon
bhed yeh mann ka na kholoon
jaao ri sakhi jaao
mujhe na yun sataao
khel ye mann ko na bhaata
kaun tere sapnon mein aata

main to soi thi
neend mein khoi thi
chup ke se koi aa gaya
main to soi thi
neend mein khoi thi
chup ke se koi aa gaya
megh varan tha
kanak rang tha
mere jeevan mein samaa gaya
chhup ke kaanon mein kuchh bola
haule se ghunghat pat khola
akhiaan ghabraai
main to sharmaai
aage ab kuchh na kaha jaata
koi tere sapnon mein aata

veer purush tha
kandhe dhanush tha
mukh pe tej samaaya
veer purush tha
kandhe dhanush tha
mukh pe tej samaaya
jaan nahin
pehchaan nahin koi
phir bhi wo mann ko bhaaya
preet meri muskaai hai
pooja meri rang laai hai
chhudaaye se na chhoote
tode to nahin toote
janm janmaantar ka naata
kaun tere sapnon mein aata

kaun tere sapnon mein aata
aa ke nainon mein muskaata
bataao na bataao
hum ko ye bataao
jud gaya kis se ye naata
kaun tere sapnon mein aata

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आss आssssss
आsss आsss आssss
आss आssssss
आsss आsss आssss

कौन तेरे सपनों में आता
कौन तेरे सपनों में आता
आ के नैनों में मुस्काता
बताओ ना बताओ
हम को ये बताओ
जुड़ गया किस से ये नाता
कौन तेरे सपनों में आता

हटो री सपने की ना बोलूँ
भेद ये मन का ना खोलूँ
जाओ री सखी जाओ
मुझे ना यूं सताओ
खेल ये मन को ना भाता’
कौन तेरे सपनों में आता

मैं तो सोई थी
नींद में खोई थी
चुपके से कोई आ गया
मैं तो सोई थी
नींद में खोई थी
चुपके से कोई आ गया
मेघ वरण था
कनक रंग था
मेरे जीवन में समा गया
छुप के कानों में कुछ बोला
हौले से घूँघट पट खोला
अखियाँ घबराईं
मैं तो शरमाई
आगे अब कुछ ना कहा जाता
कोई तेरे सपनों में आता

वीर पुरुष था
कांधे धनुष था
मुख पे तेज समाया
वीर पुरुष था
कांधे धनुष था
मुख पे तेज समाया
जान नहीं
पहचान नहीं कोई
फिर भी वो मन को भाया
प्रीत मेरी मुसकाई है
पूजा मेरी रंग लाई है
छुड़ाए से ना छूटे
तोड़े तो नहीं टूटे
जन्म जन्मांतर का नाता
कौन तेरे सपनों में आता

कौन तेरे सपनों में आता
आ के नैनों में मुस्काता
बताओ ना बताओ
हम को ये बताओ
जुड़ गया किस से ये नाता
कौन तेरे सपनों में आता


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3905 Post No. : 14959 Movie Count :

4088

Missing Films of 1960s – 100
– – – – – – – – – – – – – – –

Ah, finally, we get to a new type of century today. This series of bringing on board the missing films of 1960s becomes the series that has clocked 100 posts – a first one for our blog. This series got initiated three and half years ago on 30th September, 2015, and we arrive at the century station for it, at the rate of about 2 to 3 songs per month on average. The pace could have been faster, yes, but well, we have what we have. 🙂

As you must be aware, this series got kicked off by the efforts of Khyati Ben. She got into the exercise to check how many films of the 1960s (period from 1961 to 1970) have been brought on board our blog, and which ones are still waiting to be included. She came up with a list of some 190+ films, still waiting in the wings. The analysis resulted in this exercise, to bring on board as many of these 190+ films are traceable / available. And it got assigned to yours truly. 🙂

I will wait to present the final analysis of numbers, as there is still about seven of eight more films that are traceable and will be represented here. So bear with me for a little more time for that.

The film that we bring on board today is an obscure and lesser known film by the name ‘Ek Masoom’ from 1969. The interesting thing about this film is that although the gramophone records of this film have been available, the film itself was not available for a very long time. Finally, the film surfaced about a year ago, and I acquired a copy of it through a collector friend. Video clips of some of the songs are now available on the YouTube.

The film is produced under the banner of GNS Films Bombay, and is directed by Akhtar Khalid. The cast of actors listed for this film is Tanuja, Saleem Durrani, Prem Chopra, Surendra, Abhi Bhattacharya, Uma, Azra, Sulochana, Helen, Jagdeep, Murad, Mohan Choti, and Baby Masoom. I have a concern about this list. The name of Saleem Durrani is included. However, I have seen the film, and the Saleem Durrani (the cricketer) that we are familiar with, is not visible in this film. The lead actor opposite to Tanuja is a different person. One possibility is that this actor also has the name Saleem Durrani, or has used this name in this film. I request our more knowledgeable readers to please help to identify the male actor in this song. The face is completely new and unfamiliar.

The film itself is a cops and robbers tale and Mohan Choti plays the role of a gangster boss. The lead person, whom we are trying to identify, plays a triple role in this film. He appears in different situations with different names, causing a lot of confusion to the people around him. And then finally, there is court room drama where all the three appear one by one, and the mystery of the correct identity is solved.

The film does not have much to write home about. The direction and editing is below par and leaves a lot to be desired. The storyline moves with fits and starts. But the songs – now that is a different story, as usual. Seven songs are listed for this film. The music is by N Dutta. The lyricist’s name is just very, very unfamiliar – Fareed Tonki. As I checked some more, I find his name in just one more film – ‘Zaalim Tera Jawab Nahin’ (1960), and one unreleased film ‘Aqidat Ke Phool’. Checking on our blog, I find that one creation by him is posted here. This is a famous non-film qawwaali – “Raste Alag Alag Hain Thikaana To Ek Hai”. So the gentleman is represented already on our blog, although no other information is traceable so far about him. His name, Fareed Tonki, suggest that he may be from the town named Tonk, in Rajasthan.

The song that I present today is an exquisite duet of Rafi Sb and Asha Bhosle – such a lovely lost gem this one is. The composition is easy paced and and light, and the rendition is very soft and soothing. A very pleasing song to hear to. (Of course, the song is much better heard than viewed.) On screen, it is Tanuja, and this gentleman that I am not able to identify.

Song – Poochh Le Dil Se Mere Ho Na Agar Mera Yakeen  (Ek Masoom) (1969) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Fareed Tonki, MD – N Dutta
Mohammed Rafi + Asha Bhosle

Lyrics

hmmmmm mmmmmm mmmm
hmmmmm mmmmmm mmmm
hmmmm hmmmm hmmmm hmmm

pooch le
dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen
par zamaane ka ye kehna
hai ke tu mera nahin
pooch le dil se mere
ho na agar mera yakeen

har taraf phaili hain ye
rangeeniaan rukhsaar ki
har taraf phaili hain ye
rangeeniaan rukhsaar ki
tere hi dum se to hai
shadaabiaan gulzar ki
tu jahaan rakhe kadam
phool khilen laakhon wahin
pooch le dil se mere
ho na agar mera yakeen

saamne tu hai mere
aur main tujhe dekha karoon
saamne tu hai mere
aur main tujhe dekha karoon
tere jalwon mein ab
shaam o sehar khoi rahoon
chhod ke daaman tera
jaaun na main aur kahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen

dil mera hai aaina
gar hai nazar pehchaan le
pehle hi pehchaan ke
dil hai diya ye jaan le
hum se kyon duniya jaley
ulfat koi jurm nahin
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
pooch le dil se mere
ho na agar mera yakeen

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हम्मममम म्मममम म्मम
हम्मममम म्मममम म्मम
हम्ममम हम्ममम हम्ममम हम्म

पूछ ले
दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं
पर ज़माने का ये कहना
है के तू मेरा नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
तेरे ही दम से तो है
शादाबियाँ गुलज़ार की
तू जहां रखे कदम
फूल खिलें लाखों वहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

सामने तू है मेरे
और मैं तुझे देखा करूँ
सामने तू है मेरे
और मैं तुझे देखा करूँ
तेरे जलवों में अब
शाम ओ सहर खोई राहून
छोड़ के दामन तेरा
जाऊँ ना मैं और कहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं

दिल मेरा है आईना
गर है नज़र पहचान ले
पहले ही पहचान के
दिल है दिया ये जान ले
हम से क्यों दुनिया जले
उलफत कोई जुर्म नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3903 Post No. : 14956 Movie Count :

4087

Missing Films of 1960s – 99
– – – – – – – – – – – – – – –

OK wow, we are at 99 for this series today. 🙂

The surprising thing is that this film is not yet on the blog. It is not obscure, it is not unfamiliar, it is not starring unfamiliar faces, it does not contain unfamiliar or unheard songs, and the songs are good to be heard. So then, how come?

Well, we come to it today. The film we are bringing on today is ‘Shart’ from 1969. Of course, its namesake from 1954 has legendary music and songs. The 1969 ‘Shart’ does not compare to the quality of music of the earlier one. But still, given the era we were in during late 1960s, we are still talking of primary rated artists who came together for this song. In their own right, these artists had already established themselves in the industry.

Music is by Laxmikant Pyaarelal. The lyrics are written by Anand Bakshi. And the singer of this song is Asha Bhosle. The lead pair in this film is Mumtaz and Sanjay (later known by the name Sanjay Khan). By 1969, both had made their presence felt on the box office. Mumtaz, having struggled thru from being a junior artist and then playing many a C grade films, had by this time graduated to A and B class cinema. Sanjay, being the younger brother of Feroze Khan already had a head start – appearing in big banner films opposite to top line leading ladies already.

The film was produced under the banner of Shankar Movies, Bombay, and was directed by Kewal Mishra. The star cast of this film, in addition to the lead pair mentioned above, is listed as Kumud Chhugani, Rajendra Nath, KN Singh, Ramesh Dev, Rajan Haksar, Heeralal, Shammi, Meena Rai, Murad, Ravikant, Tuntun, Ravi Khanna, and Hercules.

I do not readily recall the storyline. The song is group dance song, with Mumtaz as the lead dancer and a group of sahelis supporting her. We catch a glimpse of Ramesh Deo in the beginning of the clip. And Sanjay is seen watching this dance performance. The peculiar thing about this song is that in between we see that the lead dancer is switched, and we see another lady leading the dance, wearing exactly the same attire as Mumtaz. I request our circle of knowledgeable readers to please help identify this other lady.

It seems that the leading man, Sanjay, is equally perplexed. There is a look of baffled curiosity on his face, as he tries to figure out how the lady is being switched, as the song progresses. From a distance, it cannot be clearly made out, but in closer shots, there definitely is a switching of lead performer happening. Again, request is for those who may have seen this film, to please add information to explain this situation.

The song itself is a lovely Asha rendition, and the performance by Mumtaz is simply too good. Very energetic and very involved with the scene, she is of course the star attraction in this clip.

And after this post – we have the century post of this series coming up. Watch this space for more. 🙂 🙂

Song – Chori Se Sainyyaan Ne Mohe Pukaara  (Shart) (1969) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

oo oo oo ooo
oo oo oo ooo
oo oo
oo oooo

oo oo oo ooo
oo oo oo ooo
oo oo
oo oooo

chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya shor
kali kali jaan gayi
gali gali mach gaya shor
chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya shor
kali kali jaan gayi
oy gali gali mach gaya shor

pehle thi champa
phir bani gori
pad gaya ab mera naam chakori
ae suno
ae dekho
o logo
ud gayi bairan nindiya mori
pakdi gayi mere mann ki chori
bhed naa ye kaam aaya
dosh mere naam aaya
kali kali jaan gayi
gali gali mach gaya shor
chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya sho..or
kali kali jaan gayi
oy gali gali mach gaya shor

main kya jaanoon
chhup ke sakhiyaan
sunti hain mere prem ki batiyaan
ae suno
ae dekho
o logo
main kya jaanoon
karte hain batiyaan
padh ke log mere naam ki patiyaan
dheere dheere baaten huin
chori mulaqaaten huin
kali kali jaan gayi
gali gali mach gaya shor
chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya shor
kali kali jaan gayi
gali gali mach gaya sho..or
kali kali jaan gayi
gali gali mach gaya sho..or

lallaa lallaa lallaa lallaa
lallaa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ओ ओ ओ ओss
ओ ओ ओ ओss
ओ ओ
ओ ओsss

ओ ओ ओ ओss
ओ ओ ओ ओss
ओ ओ
ओ ओsss

चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
गली गली मच गया शोर
चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
ओय गली गली मच गया शोर

पहले थी चम्पा
फिर बनी गोरी
पड़ गया अब मेरा नाम चकोरी
ए सुनो
ए देखो
ओ लोगो
उड़ गई बैरन नींदिया मोरी
पकड़ी गई मेरे मन की चोरी
भेद ना ये काम आया
दोष मेरे नाम आया
कली कली जान गई
गली गली मच गया शोर
चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
ओय गली गली मच गया शोर

मैं क्या जानूँ
छुपके सखियाँ
सुनीत हैं मेरे प्रेम की बतियाँ
ए सुनो
ए देखो
ओ लोगो
मैं क्या जानूँ
करते हैं बतियाँ
पढ़ के लोग मेरे नाम की पतियाँ
धीरे धीरे बातें हुईं
चोरी मुलाकातें हुईं
कली कली जान गई
गली गली मच गया शोर
चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
गली गली मच गया शो॰॰ओर
कली कली जान गई
गली गली मच गया शो॰॰ओर

लल्ला लल्ला लल्ला लल्ला
लल्ला


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3895 Post No. : 14935 Movie Count :

4077

Hullo to all in Atuldom

So, there is this thing called the 10-year challenge going-on on Facebook, at least I saw a few of my friend’s post “Then and Now” pictures. Atulji also has started something similar on the blog with this post “Inteha Ho Gai Intezaar Ki“. I found this more inspiring to participate in and I was thinking of how my association with this blog began exactly 10 years ago when my daughter stumbled on to this blog (I know I have mentioned this a number of times, sorry for repeating). Then she saw that Atulji is kind enough to post songs requested by readers (followers) – there is a dedicated ‘farmaishes’ page on the blog.

As I sat to write on my 10-year journey with the blog I thought of the first date I landed on this treasure house of lyrics and videos. I don’t remember the exact date, it must be either the 13th or 14th March as it was on 15-3-2009 Peevesie’s first farmaish got posted; a song from the Dev Anand-Nutan starrer ‘Manzil’ (1960).

From then on whenever my daughter browsed the site, I would be sitting next to her. That was the period when we had only one computer in the family and each one was allotted a fixed time slot on the internet and if there was some incoming call, we used to lose net-connectivity as ours was still the dial-up connection. It was a few years later that we switched to broadband. And the switch to broadband also was needed when the kids (who were students then) needed their own lap-tops. Times have changed and I am the only broadband user and everyone has data connect on their mobiles to which they hook their laptops most often.

Oh, I am deviating from my 10-year story.

Then on 19th March I was with Peevesie when she posted a comment to this song “Jaaneman Tum Kamaal Karti Ho” . This was followed by a comment for “Dil Aaj Shaayar Hai. . .“. Oh, we have been ustaads at commenting because the next day I visited the blog and commented on “Logon Ka Dil Agar Jeetna Tumko Hai To“. And Peevesie’s Mom was born.

From then on, I learnt how to navigate the blog, comment on it and post farmaishes. And took on Atulji’s encouragement “Nice to have your say on this song. Please offer your comments regularly as they help me to come up with songs that I may not otherwise be aware of.” And have stayed on since then.

First time I commented from my own id was for the song “Phir Tumhaari Yaad Aai Hai Sanam“. For this song Atulji’s write-up was short and crisp, his only objective being sharing his priceless discovery, that song is indeed a gem. This post also has our Rajaji in a different avatar, don’t know why he didn’t continue. (Rajaji please answer)

My first song as a contributor – first with lyrics and then with posts- came much later. I don’t remember when I started using this “Hullo to all Atulites” but I somehow liked the idea of addressing the followers of the blog. I also don’t remember which was the first song I sent to celebrate a celebrity’s birthday. But continuing that habit here is one more.
[Editor’s Note: It was “Mere Yaar Ko Mere Allah, De Ek Chaand Sa Pyaara Lalla“, on 25th September, 2012.]

But as is the norm set by Atulji in his first post of this series on ’10-year challenge’ here is a list of songs that were posted on 18th March 2009.

Na Jaane Kahaan Tum The
Rehte The Kabhi Jinke Dil Me
Phul Gendwa Na Maaro
Jaa Jaa Jaa Mere Bachpan
Aati Rahengi Bahaarein
Jalta Hai Jiya Mera
Jee Chaahe Jee Chaahe

As I revisited these posts, I see that all the posts were short and crisp with a punchline that brought a smile to the lips. These punchlines were termed ATULISM by Rajaji.

Sample this from the simple post that accompanied the song “Aati Rahengi Bahaarein” from ‘Kasme Vaade’-

Here Amitabh Bachchan, a college professor lives in a palatial residence in such opulence that would give the Nizam of Hyderabad a complex. And only three people live in this palace and one cannot see a single domestic help anywhere. 🙂

Coming back to the purpose of this post – to remember Shashi Kapoor on his 81st birthday. Its already more than a full calendar year since he passed away; time has really flown. I had written down the story synopsis for the accompanying song a long time ago. I had wanted to send this post in 2013 when Shashi would have turned 76.

‘Atithee’ is a 1978 Shashi Kapoor- Shabana Azmi- Shatrughan Sinha- Vidya Sinha movie which I suppose didn’t do very well at the box office. Not much is there on the net other than the synopsis which IMDB.com gives. And I quote

Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena. He works for Avinash Gupta, however, when differences occur, he is framed by Gupta for breaking and entering, arrested by the police, tried in court, and exiled from the town for a period of 12 months. After he leaves, the family is almost destitute and is exploited by Gupta. Then some months later, a young man, Anand, comes to visit them, informing them that Navendhu has sent him. He gives them some money for day to day expenses, gets some clothes for everyone, and a wheelchair for Mohan. He arranges the marriage of Rajni with her boyfriend, Ajay, despite strong opposition from Gupta, and falls in love with Leela. What the Kumar family does not know is that Anand is a fugitive on the run from the police in Bombay, and he harbors a dark secret that will change their lives forever.

To this, I had added,

Actually, what put me on this movie is the song which was posted on ASAD on 15th May 2013. In comments to that song from ‘Manoranjan’ (1974) I had mentioned about a Shashi Kapoor song that uses ‘Goya’ ‘Chunke’ ‘Kintu’ ‘Parantu’ etc and Harveypam(ji) said he only faintly remembered it. Then I sat and searched for the song and decided that it is going to be posted on March 18th that is Shashi Kapoor’s birthday. Today is his 76th birthday.

The song is written by Verma Malik, music is by Kalyanji Anandji and the singing voice is Kishore Kumar. In the song we see Shashi Kapoor playing a kind of love guru to Gayatri and her boyfriend (cannot identify him) a nice fun song so lets enjoy.

And be reminded of the cute charming smile of Shashi Kapoor. 🙂

Video


Audio

Song – Kya Karoon Mujhko Time Nahin (Atithee) (1978) Singer – Kishore Kumar, Lyrics – Verma Malik, MD – Kalyanji Anandji

Lyrics

arre bhai ek baat yaad aayi hai
aate aate
haalan ke
lekin
magar
goya
choon ke
chunanche
kintu
parantu
socha hai ke
keh doon jaate jaate
kya
ek baat aayi hai aate aate
ek baat aayi hai aate aate
ke socha kehdoon..oo..oo..oo
jaate jaate
ke socha kehdoon..oo..oo॰॰oo
jaate jaate
aur chaahta bhi hoon keh doon yahin
keh doon
bolo
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahi
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahin
kya karoon mujhko time nahin

dekho pyar karo tum aisa
aa aa aa aaa aaa
dekho pyar karo tum aisa
duniya karti hai jaisa
mera matlab hai ki aisa
tum samajh gaye na kaisa
ek duje ko lo tum jaanch
pyar pe dekho dekho aaye na aanch

arey
arey char bajne me paanch
mar gaye

arey aur bhi main samjhata yahin
arey aur bhi main samjhata yahin
kuch aur bhi main batlata yahin
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahin
kya karoon mujhko time nahin

arey bhai ek aur kahani yaad aa gayi
ha ha ha ha haa
ek aur kahani yaad aayi
da da daan
da da daan da
da dada daan da daada
ek choti si kahani thi
hmm mmm
ek raja ek rani thi
hmm mmm
ek choti si kahani thi
ek raja ek rani thi
rani ki jo naani thi 
aankh se woh kaani thi
aankh se jo kaani thi
rani ki wo naani thi
kaani thi naani thi
rani ki wo naani thi
naani naani naani
kaani kaani kaani
naani kaani naani kaani thi
arrey kuch bhi thi to kya hua
magar din raat yahi kehti thi
kehti thi wo ek hi baat
pyar me rahkna
haathon me haath
haan haan haathon me haath

arey mari paanch bajne me saat
mar gaya mera baap

arey aur bhi main samjhaata yahin
arey aur bhi main samjhaata yahin
kuch aur bhi main batlaata yahin
haalan ke lekin magar goya choon ke chunache kintu parantu
parantu
parantu
kya karoon time nahin
kya karoon mujhko time nahin

arey
arey ye dono premi kahaan chale gaye

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

अरे भई एक बात याद आई है
आते आते
हालांकि
लेकिन
मगर
गोया
चूंकि
चुनाञ्चे
किन्तु
परंतु
सोचा है के
कह दूँ जाते जाते
क्या
एक बात आई है आते आते
एक बात आई है आते आते
के सोचा कह दूँ॰॰ऊं॰॰ऊं॰॰ऊं
जाते जाते
के सोचा कह दूँ॰॰ऊं॰॰ऊं॰॰ऊं
जाते जाते
और चाहता भी हूँ कह दूँ यहीं
कह दूँ
बोलो
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं

देखो प्यार करो तुम ऐसा
अ अ आ
अ अ आ
अ अ आ आ
देखो प्यार करो तुम ऐसा
दुनिया करती है जैसा
मेरा मतलब है कि ऐसा
तुम समझ गए ना कैसा’
एक दूजे को लो तुम जांच
प्यार पे देखो देखो आए ना आंच

अरे
अरे चार बजने में पाँच
मर गए

अरे और भी मैं समझाता यहीं
अरे और भी मैं समझाता यहीं
कुछ और भी मैं बतलाता यहीं
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं

अरे भई एक और कहानी याद आ गई
ह ह ह ह हा
एक और कहानी याद आई
ड ड डां
ड ड डां डा
ड डाडा डां डा डाडा
एक छोटी सी कहानी थी
हम्म हम्म
एक राजा एक रानी थी
हम्म हम्म
एक छोटी सी कहानी थी
एक राजा एक रानी थी
रानी कि जो नानी थी
आँख से वो कानी थी
आँख से जो कानी थी
रानी कि वो नानी थी
कानी थी नानी थी
रानी कि वो नानी थी
नानी नानी नानी
कानी कानी कानी
नानी कानी नानी कानी थी
अरे कुछ भी थी तो क्या हुआ
मगर दिन रात यही कहती थी
कहती थी वो एक ही बात
प्यार में रखना
हाथों में हाथ
हाँ हाँ हाथों में हाथ

अरे मरी पाँच बजने में सात
मर गया मेरा बाप

अरे और भी मैं समझाता यहीं
अरे और भी मैं समझाता यहीं
कुछ और भी मैं बतलाता यहीं
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं

अरे
अरे ये दोनों प्रेमी कहाँ चले गए


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15902

Number of movies covered in the blog

Movies with all their songs covered =1218
Total Number of movies covered =4362

Total visits so far

  • 13,823,235 hits

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Active for more than 4000 days.

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