Archive for the ‘Mubarak Begam solos’ Category
Jali jo shamma zamaane ko ho gaya maaloom
Posted by: Atul on: September 22, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Daaera”(1953) was produced and directed by Kamal Amrohi for Kamal Pictures, Bombay. the movie had Meena Kumari, Nasir Khan, Kumar, Roopmala, Nana Palsikar, Protima Devi, Kammo, Jankidas, H Prakash, Romesh Kapoor, Zarina etc in it.
The movie had eight songs in it. Seven songs from the movie have been covered in the blog. Here is the eighth and final song from “Daaera”(1953) to appear in the blog. This song is sung by Mubarak Begam. Majrooh sultanpuri is the lyricist. Music is composed by Jamal Sen.
I have failed to get the lyrics right at quite a few places. I request our readers with keener eras to help fill in the blanks/ suggest corrections in the lyrics as applicable.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this ghazal.
With this song, “Daaera”(1953) joins the list of movies that have all their songs covered in the blog.
Song-Jali jo shama zamaane ko ho gaya maaloom(Daaera)(1953) Singer-Mubarak Begam, Lyrics-Majrooh Sultanpuri, MD-Jamal Sen
Lyrics
jali jo shamma aa aa
jali jo shamma
zamaane ko ho gaya maaloom
jo ham pe beet rahi hai
kisi ko kya maloom
mili thhi ham ko jo
do din ki zindagi ae dil
mili thhi ham ko jo
do din ki zindagi ae dil
ajab tarah se kategi
hamen na thha maaloom
yahi jo hai gham e hasti
to kya ilaaj iska
yahi jo hai gham e hasti
to kya ilaaj iska
suna hai maut dawa hai
to wo bhi kya maaloom
koi bataaye ke hai
kis taraf safar apna
na manzilon ka pata hai
na raasta maloom
jali jo shamma
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Hindi script lyrics (Provided by Sudhir)
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जली जो शम्मा॰॰आ॰॰आ
जली जो शम्मा
ज़माने को हो गया मालूम
जो हम पे बीत रही है
किसी को क्या मालूम
मिली थी हमको जो
दो दिन की ज़िंदगी ए दिल
मिली थी हमको जो
दो दिन की ज़िंदगी ए दिल
अजब तरह से कटेगी
हमें ना था मालूम
यही जो है ग़म ए हस्ती
तो क्या इलाज इसका
यही जो है ग़म ए हस्ती
तो क्या इलाज इसका
सुना है मौत दवा है
तो वो भी क्या मालूम
कोई बताए के है
किस तरफ सफर अपना
ना मंज़िलों का पता है
ना रास्ता मालूम
जली जो शम्मा॰॰॰
Mashhoor hai riwaayat rahte thhe peer baaham
Posted by: Atul on: September 17, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Perveen”(1957) was produced by Moghabhai Desai and directed by Nanubhai Vakeel for Desai Films, Bombay. This “social” movie had Chitra, Rehman, Mehmood, Akbar Jahaan, Kesari, Tuntun, Wazeer Mohammad Khan, Zebunnissa, Sadiq, Anwari, Bihari, Kanchanmala, Ajeet Kumar, Kishan Billa, Aggan, Devraj, Burhan, Pavan Kuamr etc , with Minu Mumtaz in guest appearance.
This movie has nine songs in it and they are hard to come by.
Here is the first song from “Perveen”(1957) to appear in the blog. This song is sung by Mubarak Begam. Shaukat Jaafry is the lyricist (not Shaukat Rizvi as mentioned incorrectly on the record). Music is composed by A R Qureshi.
Only the audio of this “story” song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
The lyrics are quite heavy duty stuff and I have failed to get the lyrics right at several places. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
With this song, “Perveen”(1957) makes its debut in the blog.
Song-Mashhoor hai riwaayat rahte thhe peer baaham (Perveen)(1957) Singer-Mubarak Begam, Lyrics-Shaukat Jaafri, MD-A R Qureshy
Lyrics
mashoor hai riwaayat rahte thhe peer baaham
ik gaanv mein arab ke
mirzaa o meer baaaham
mirza ameer bhi thha
khaasa faheem bhi thha
meeran ko muflisi thhi
shauk e afeem bhi thha
ik roz bola mirza
meeran se haj ko jaayen
dirham hai jo mere vo sarfe mein mil ke laayen
donon ke dil mein haj ka thha ajme waalihaana
haathon mein haath dekar paidal huye rawaana
donon thhe khush yakaayak meeran pe murdani thhi
dekha to dabiya bilkul khaali afeem ki thhi
bola na ho jo chuski
kaise kadam uthaaun
wo gaaon saamne hai
thahro afeem laaun
pehron ke baad bhi jab waapas na meer aaya
mirza ne tang aakar apna kadam badhaaya
pahuncha jo haj ko mirza
dekha ajeeb manjar
be ikhtiyaar aaye tauba ke lafz lab par
aswad ke gird dekha hal?? mein roshni ke
sab haajiyon ke aage meeran tawaaf mein thhe
khush hoke dauda mirza
lekin mila na meeran
har kaarwaan mein dekha
lekin mila na meeran
lauta jo gaanv mirza
meeran mila wahaan par
bola ye meer se wo
kya raaz hai ayakar
jab tum nahin thhe haj mein
kya rooh haj ko aayi
meeran ne hans ke usko
rudaad yoon sunaayi
main ho ke tum se rukhsat
us gaanv mein jo pahuncha
chhaaya thha ?? us par
veeraan ho raha thha
ik aur gaanv jaa kar
aate kar ki le ke bori
luuta usi makaam par
aur khud pakaayi roti
bachhon ke baad boodhon ko
phir jawaan ko di
khud apne haath se yoon pahuchaayi sab ko rozi
waapas chala to bola
ek peer jaane waale
jaaoge humko kar ke
kya maut ke hawaale
ye sun ke thhehra dauda
phir paanv dagmagaaye
dil aur akl ne yoon mujhko sabak padhaaye
dil ne kaha ki haq ka kaaba hi ghar nahin hai
dekhoon koi bata de
allah kidhar nahin hai
sun ke main dil ki roya
kuchh der ladkhadaaya
?? sab ?? ko phir apna kadam badhaaya
taqreer thhi kuchh aisi
har shakhs saath aaya
jo ujde gaanv aaya
khuraak saath laaya
mil kar sabhon ne chashme se nehar khod daali
yoon donon bastiyon par paani ki goad daali
is kaam se jo nipta
din haj ka aa gaya thha
kaise uboor karta
do din ka rasta thha
ki yoon duaa khudaaya
main ?? e kaza hoon
lekin dikhaao kudrat kaabe ke paas pahunchoon
itne mein aankh jhapki
ik noor ka thha jalwa
irshaad kar rahe thhe
kuchh yoon rasool allah
waada thha haj se akbar ka tujh se hum na bhoole
aaya wo sang e aswad (?)
use aur badh ke chhoo le
sauda e sajda lekar
jo sar jahaan jhuka hai
apni jagah se hat kar
wahaan kaaba aa gaya hai
vo dekh gird tere
khud kaaba ghoomta hai
makke ka zarra zarra
kadmon ko choomta hai
jis khaak par ek aansoo majloom ka gira hai
jalwa wahin khuda ka aakar simat gaya hai
Dil Ki Na Jaane Anaadi Balma
Posted by: skapur01 on: May 18, 2017
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 31
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The year 1964 saw the release of two films with titles starting with ‘Pahaadi’. One is titled ‘Pahaadi Jawaan’ and the second one is ‘Pahaadi Nagin’. Very rare, very obscure. Small mercies that at least one of them – ‘Pahaadi Nagin’ has some of its songs traceable. ‘Pahaadi Jawaan’ – nothing traceable so far.
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- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lover's Complaint | Lyrics contributed by readers | Mubarak Begam solos | Mubarak Begam songs | Post by Sudhir | Song excluded from movie | Songs of 1950s (1951 to 1960) | Songs of 1955 | Yearwise breakup of songs
- 13 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
एक आवाज़॰॰॰
अब सो गई है
तन्हाइओं में
सिर्फ याद बाकी है
याद बाकी है
उस आवाज़ की
जो दीप के संग जली
जल जल के मरी
कुछ कह ना सकी
और कुछ कहा
तो बस यही
कोई सुने या ना सुने
हम हाल ए दिल सुनाएँगे
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Ek hi rishtaa maa kaa
Posted by: Atul on: May 8, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, May 8th 2016 is being celebrated as Mothers’ Day in many countries including India. Whether it is Mothers’ Day or any other day, whenever I remember my mother, I always recall the famous dialogue ‘mere paas maa hai’ written by Salim-Javed and delivered on the screen by Shashi Kapoor in the film ‘Deewar’ (1975). These four simple words say a lot about the importance of the mother. I used to wonder what gave Salim-Javed the idea to create this famous dialogue. I checked their profiles and came to know that both of them had lost their mothers in their respective childhoods. My own take is that somewhere in their sub-conscious minds, they missed their mothers and that was how this dialogue came about. In any case, this dialogue fitted well in the film. Shashi Kapoor had his mother as the only possession which he valued above materialistic possesions.
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Prem kahaani chhede jawaani
Posted by: Atul on: January 29, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Basera”(1950) was directed by Inaayat for Watan Pictures, Bombay. This obscure movie had Ramola, Hiralal, Veena Kumari, Roopmala, Chanda, Bhuda Advani etc in it.
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Daiyya Chori Chori Kare Waar Baalma
Posted by: skapur01 on: October 24, 2015
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 4
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The term ‘cancelled’ is not a difficult word to decipher and understand – something incorrect, or outdated, or not required. It simply gets ‘cancelled’ – like a train or a plane reservation, a defective product coming off from the assembly line, or even an appointment that is not required, or cannot be met. Besides this general usage and its association with sundry and trivial experiences in life, I have come across this term in two other fields, where the meaning and intent of usage turned out to be very specific, and took some time to understand and assimilate it.
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Ya Gafoor ul Rahim ya Allah
Posted by: Atul on: September 25, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Benazir”(1964) was directed by S Khalil for Bimal Roy Productions. The movie had Ashok Kumar, Meena Kumari, Shashi Kapoor, Tanuja, Nirupa Roy, Durga Khote, Tarun Bose, Lata Sinha, Asit sen, Pal Mahendra, Bela Bose etc in it.
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Apni barbaadi mujhe manzoor hai
Posted by: Atul on: March 1, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Gawaiyya” (1954) was an R B Production movie. It was directed by H P Sharma. The movie had Surendra, Sulochana Chatterji, Vijayalaxmi, Sundar, Sapru, Heera Sawant, Kumkum etc in it.
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Suno morey naina suno morey naina
Posted by: Atul on: April 23, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Daaera” (1953) is a forgotten movie by now and few people today have any idea about what this movie was all about. But we in this blog know about the movie and the background behind the making of this movie, thanks to the details provided by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia. Here is what he has to say about this movie:
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