Posts Tagged ‘Qamar Jalalabadi’
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3787 | Post No. : | 14771 |
“Lakhpati”(1948) was directed by Ravindra Jaikar for Fim Chitra Corporation, Bombay. This “social” movie had Sulochana Chatterji, D M Sapru, Rajan Haksar, Om Prakash, Baby Tabassum, LLeela Chitnis, Narmada Shankar, Dharpure, Nagotkar, Satyapal etc in it.
This forgotten movie had eleven obscure songs in it. Two of these songs have been covered in the past
Here is the third song from “Lakhpati”(1948) to appear in the blog. This song is sung by R P Sharma. Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.
Only the audio of the song is available.
The singer R P Sharma appears to be a new name and he makes his debut in the blog with this song. I request our knowledgeable readers to throw light on him.
Song-O bhoolne waale tera iqraar kahaan hai (Lakhpati)(1948) Singer-R P Sharma, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram
Lyrics
Kahaan hai
kahaan hai
kahaan hai ae
o bhoolne waale
tera iqraar kahaan hai
iqraar kahaan hai
o bhoolne waale
tera iqraar kahaan hai
iqraar kahaan hai
khwaabon ne jise paala thha
wo pyaar kahaan hai
wo pyaar kahaan hai
khwaabon ne jise paala thha
wo pyaar kahaan hai
wo pyaar kahaan hai
o jaane waale
tujhko mubaarak nayi duniya
o jaane waale
tujhko mubaarak nayi duniya
mubaarak nayi duniya
hamne jo basaaya thha
wo sansaar kahaan hai
sansaar kahaan hai
hamne jo basaaya thha
wo sansaar kahaan hai
sansaar kahaan hai
kahaan hai ae
kahaan hai
kahaan hai ae
o bhoolne waale
tera iqraar kahaan hai
iqraar kahaan hai
ae aansuon ke haar
mujhe itna bata de
ae aansuon ke haar
mujhe itna bata de
itna bata de
phoolon ka banaaya hua
wo haar kahaan hai
wo haar kahaan hai
phoolon ka banaaya hua
wo haar kahaan hai
wo haar kahaan hai
kahaan hai ae
kahaan hai
kahaan hai ae
o bhoolne waale
tera iqraar kahaan hai
iqraar kahaan hai
Hey aayo aayo navraatri tyohaar
Posted on: October 10, 2018
- In: Devnagri script lyrics by Avinash Scrapwala | Disguise ong | Duet | Feelings of heart | Festival song | Goddess Durga song | Guest posts | Lyrics contributed by readers | Mukesh Rafi duet | Mukesh songs | Post by Avinash Scrapwala | Rafi songs | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3736 | Post No. : | 14682 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 73 # Aaayo aayo Navratri tyohaar #
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Season’s greetings and best wishes to all for the Navratri Festival starting today (10 october 2018)!!!
I have mentioned in a few of my earlier write-ups that festivals too bring back many memories and they in turn bring back memories of songs which we have heard years before… in my case ‘years before’ generally means ‘in my childhood days or in those years when I was growing’ 🙂
Today’s song is one such song which normally comes to my mind during celebration of the ‘Navratri festival’ every year. I was under impression that this song must have been posted on the blog earlier, however much to my surprise, this song is mot yet covered till now. And that gives me this opportunity to share this song today on the blog.
I vaguely remember that in our colony where we were staying then (for me after my birth in 1968 to 1984 when I was in eleventh standard :)) during Navratri Festival or Durga Pooja Festival the Durga Pooja Idol would be worshipped in the Colony Club or special ‘pandals’ arranged near the ‘Club Building’ and the ‘Stage’ (meant for the various programs held during the festival). However, unlike the ‘Ganpati Festival’ during which various ‘cultural programs’ would be held, during ‘Navratri’ it was mostly the staging of ‘Ramleela’ for nine/ten days.
I do not have any more special memories except a few songs that were played on the loud speakers and the “Ramleela” which I vaguely remember. Ttoday’s song is one such song that was frequently played on loud speakers during this festival and had been lying dormant in my memories since then.
The song that I am going to present today is from the ‘1971’ movie ‘Johar Mehmood in Hong Kong’.
Going by the date of passing of this movie by the Censor Board I was almost three years old then, when the movie was released. Johar whenever he combined with Mehmood in movies and Mehmood specially for his movies were always a point of discussion among the elders in the family. I remember watching ‘Johar Mehmood in Goa’ and ‘Johar Mehmood in Hong Kong’ with my Uncles. I do not remember if I also watched ‘Johar Mehmood in Kashmir’. These movies had good songs or good entertaining songs, so the songs were also not easily forgettable given their performances on these songs.
“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar.
It was M.O. Bawazir’s presentation for Mahesh Ashish.
The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appear as Guest Artistes in this movie.
This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.
Music for this movie was composed by Kalyanji Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.
There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).
Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie.
As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).
This movie was passed by Censor Board on 04.01.1971.
So far two songs from this movie have been posted on the blog. Today’s song is the third song from this movie to appear on the blog.
Today’s song happens during the ‘Navratri Celebrations’ which all ‘Hindustanis’ living in Hong Kong celebrate every year and send the ‘Garba matka’ to India. Our heroes Mahesh and Ramesh (readers can easily guess who is Mahesh and who is Ramesh) who successfully flee away from jail with other accomplices after giving ‘Jamal ghota’ to Kamal Kapoor, Pran & Co and reach Murad (who is head of the Indian Embassy in the movie I guess) with the ‘secret formula’. Murad advices them that the formula can be easily sent to India in this ‘matka’.
‘Ambe maiyya’ ab hamaari aur hamaare desh ki raksha tere haath hai, desh ke drohi e pujaariyon ko Bharat bhejne se pehle hi khatm kar dena chahte hai, magar Ambe maiyya agar Ramesh aur Mahesh khatm ho jaayen to tu apni chhah bhujaaon se chhah Ramesh aur Mahesh paida kar ke desh ke drohiyon ko chakkar mein daal dena.
Jai Ho …
That is what Ramesh praises to Ambe Maa before the song …
And that is why we have this patriotic garba and seeking the blessings of the goddess to save the mother land and our country …
The movie ends with this song on a happy note where the enemies die their own death and our heroes board the flight for India dancing and enjoying with the ‘secret formula’ in the ‘Garba Pot’.
From today the auspicious festival starts all over India.In Gujarat especially the excitement and preparations for the festival had already begun much earlier when I was there. The ‘garba and dandia’ bhajans and songs had already started playing on in shops, restaurants and public places where the celebrations were to be held.
I had wiitnessed all that during my brief two weeks stay in Gujarat. I have returned back to my work place as per planning and had to travel on Sunday and reaching my destination on this Monday evening >:)I am missing all that excitement a lot now 🙂
Today’s song is sung by Mohd Rafi and Mukesh. And since it involved Singer Mukesh I thought I should consult our Mahesh ji if I can do write-up with this song and he immediately responded that I can ‘go ahead’, thanks to Mahesh ji.
I also take this opportunity to wishing all a very ‘Happy Navratri Festival’ and may it be peaceful and enjoying for all and may the Goddess blessed us all with her blessings and gives us energy to do good for all and fight the evil within and around us …
Let us now enjoy this song composed by Kalyanji Anandji and sung by Mohd Rafi and Mukesh …
Video
Audio
Song-Hey aayo aayo navraatri tyohaar (Johar Mehmood in Hongkong)(1971) Singers-Rafi, Mukesh, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus
Lyrics
Hey Mai ee ee ee ee ee ee ee ee
Hey jab jab bheer padi bhaktan par
Hey toone suni ee pukaar
Ae Mai ee ee ee ee ee ee ee ee
Jiski rakshaa tu karey
Usey kya maarey sansaar
Usey kya maarey sansaar
hey ae aayo aayo navraatri tyohaar
He re aayo aayo navraatri tyohaar
Ho Ambe maiyyaa
teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Hey ae kar de kar de ae
kar de kar de ae
Bhakton ka bedaa paar
Hey ae kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa
teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Ham to baalak tere maata
Aur tu jeewan daata hai
Aur tu jeewan daata hai
Koyi usko chhoo nahin paata
Teri sharan jo aata hai
Teri sharan jo aata hai
Hey ae ae ae
Aayi sinh pe sawaar teri shakti apaar
Tujhe Ambey Jagdambe jag saara jaane re
Ho jag saara jaane re
Aaj apna
Aaj apna
Dikhaa de chamatkaar
Ho o aaj apnaa dikha de chamatkaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Kar de kar de
Bhakton ka bedaa paar
Ho kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Vipadaa mein hai desh hamaara
Tu hi bachaane waali hai
Tu hi bachaane waali hai
Aanchal mein ye deep chhupaa le
Aandhi aane waali hai
Aandhi aane waali hai
Hey ae ae ae
bairi pichhe pade
Hamen ghere khade
Tujhe Ambey Jagdambe jag saaraa jaane re
Ho jag saara jaane re
Deshdrohi ka
Deshdrohi ka
Kar de bantaa dhaar
Ho o Deshdrohi ka
Kar de bantaa dhaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Kar de kar de
Bhakton ka bedaa paar
Ho kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Chaaron khaane chit hai dushman
Usne hamko maan liyaa aa
Usne hamko maan liyaa
Naacho gaao mauj manaao
Maiyya ne kalyaan kiya
Maiyya ne kalyaan kiya
Hey ae ae ae
Aisi devi ne aaj raakhi bhakton ki laaj
Tujhe Ambey Jagdambe jag saaraa jaane re ae
Ho o jag saara jaane re
Nahin bhulenge
Ho nahin bhoolenge tera upkaar
Ho o nahin bhoolenge tera upkaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Aayo aayo navraatri tyohaar
Ho o aayo aayo navraatri tyohaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
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Devnagri Script lyrics(Provided by Avinash Scrapwala)
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हे मई ई ई ई ई ई ई ई ई
हे जब जब भीर पड़ी भक्तन पर
हे तूने सुनी ई पुकार
ए मई ई ई ई ई ई ई ई ई
जिसकी रक्षा तू करे
उसे क्या मारे संसार
उसे क्या मारे संसार
हे ए आयो आयो नवरात्रि त्यौहार
हे रे आयो आयो नवरात्रि त्यौहार
हो अम्बे मैय्या
तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
हे ए कर दे कर दे ए
कर दे कर दे ए
भक्तों का बेड़ा पार
कर दे कर दे ए
हे ए भक्तों का बेड़ा पार
हो अम्बे मैय्या
तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
हम तो बालक तेरे माता
और तू जीवन दाता है
और तू जीवन दाता है
कोई उसको छू नहीं पाता
तेरी शरण जो आता है
तेरी शरण जो आता है
हे ए ए
आई सिंह पे सवार तेरी शक्ति अपार
तुझे अम्बे जगदम्बे जग सारा जाने रे
हो जग सारा जाने रे
आज अपना
आज अपना
दिखा दे चमत्कार
हो ओ आज अपना दिखा दे चमत्कार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
कर दे कर दे ए
भक्तों का बेड़ा पार
हो कर दे कर दे
भक्तों का बेड़ा पार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
विपदा में है देश हमारा
तू ही बचाने वाली है
तू ही बचाने वाली है
आँचल में ये दीप छुपा ले
आंधी आने वाली है
आंधी आने वाली है
हे ए बैरी पीछे पड़े
हमें घेरे खड़े
तुझे अम्बे जगदम्बे जग सारा जाने रे
हो जग सारा जाने रे
देशद्रोही का
देशद्रोही का
कर दे बंटा धार
हो ओ देशद्रोही का
कर दे बंटा धार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
कर दे कर दे
भक्तों का बेड़ा पार
हो कर दे कर दे
भक्तों का बेड़ा पार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
चारों खाने चित है दुश्मन
उसने हमको मान लिया आ
उसने हमको मान लिया
नाचो गाओ मौज मनाओ
मैय्या ने कल्याण किया
मैय्या ने कल्याण किया
हे ए ए ए
ऐसी देवी ने आज राखी भक्तों कि लाज
तुझे अम्बे जगदम्बे जग सारा जाने रे ए
हो ओ जग सारा जाने रे
हो नहीं भूलेंगे तेरा उपकार
हो ओ नहीं भूलेंगे तेरा उपकार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
आयो आयो नवरात्रि त्यौहार
हो ओ आयो आयो नवरात्रि त्यौहार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
Chale chak chak chak chak rail
Posted on: August 17, 2018
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3682 | Post No. : | 14578 |
Today’s song is from the film Mera Munna-1948. This film was made by Minerva Movietone. However, it was not directed by Sohrab Modi, but by an outsider- Vishram Bedekar.
Nostalgia ! This feeling is very common amongst Senior Citizens. However, middle age or young people too may indulge in Nostalgia of their favourite times in life or even an incident. Nostalgia is defined as ” Sentimental yearning for the past”. Everyone has some sweet memories of the past. When alone,one indulges in Nostalgia. Sometimes it is shared with the near and dear ones. Many times, an event, an old friend, an old movie or a film songn or an old house,town or anything on this Earth can trigger Nostalgia, if happy memories are connected with it. When you visit your first company where you started your career, surely Nostalgic memories will haunt you.
Same thing happened to C.Ramchandra, when he visited Minerva Movietone in 1948 to sign a contract for giving music to its film ‘Mera Munna’. It was Minerva Movietone, where, in 1936, he had begun his training in Music Composition. After his first film as a Hero-” Naganand “-35 bombed badly ( the first show had only 7 people in the audience-who also left in the interval. Naturally, there were no further shows of the film ! ), he shifted from Kolhapur to Bombay, looking for suitable jobs.
One day he learnt that a big actor from a drama company was about to start a film studio and that recruitment was going on, he decided to try his luck there. Selling a Gold medal he had won in some competition, he stitched a coat and went for the interview. It was Sohrab Modi who took his interview and appointed him as an assitant worker on a salary of Rs. 15 pm. In the two and half to three years that he spent in Minerva, in the beginning of his struggle, he learnt many things.
At Minerva, his first teacher was Bundu Khan as MD. Second was Habib Khan. Next was B.S.Hoogan. C Ramchandra learnt notation writing and use of western instruments for indian ragas. After Hoogan, came Meer Saheb. He was truly a very knowledgeable musician and C Ramchandra learnt many things from him. Actually the training of Meer Saheb gave him the confidence that he too could give music and make tunes. During Meer Saheb’s tenure in Minerva, C Ramchandra became friendly with an young actor and director- Master Bhagwan. He was acting and directing a film ‘Bahadur Kissan’-38. Meer Saheb was the Music Director for this film. Most work was done by C Ramchandra, on behalf of Meer saheb. During this period Bhagwan and he became very good friends.
One day Bhagwan offered C Ramchandra an opportunity to give music to a Tamil film, which Bhagwan was to direct. C Ramchandra gladly did it. After doing one more Tamil film in Madras/Kerala, C Ramchandra got his first Hindi film ” Sukhi Jeevan”-42 as a music director-thanks to Master Bhagwan who was its director. This was the beginning of an eventful and illustrious career of C Ramchandra, who gave music in 112 films, composing 947 songs. He also sang 198 songs in 77 films during his career.
When Sohrab Modi sent a call to him to come for composing songs for one of his films, C Remembered remembered all this. While in Minerva, he knew Modi as a strict disciplinarian and a kind soul. In the subsequent period, C Ramchandra was impressed with the extraordinary success of Minerva movies like Pukar-39, Sikander-41 and Prithwi Vallabh-43. Afterall, his and Minerva’s careers had started together only ! Though he had become a famous and successful Music Director now with films like Shehnai, Saajan, Nadiya ke paar and Khidki etc amongst his 30 odd films, he went to meet Modi.
There was a tremendous change in circumstances when he left Minerva in 1938 and today when Minerva requested him to work for them in 1948. He had become so big that he could have easily refused to work for them, but he was not ungrateful. C Ramchandra has described this meeting to one of his friends, Isak Mujawar thus…
” When I entered the office of Minerva, after 10 years, I realised that while I had grown in my stature, Minerva had lost some of its sheen and its place among the top studios. Whatever I had learned while working here had made my foundation so strong that I could never repay Minerva’s debt fully. As I entered, I saw the same tall, well built Sohrab Modi and by his side Mehtab was sitting next to him. As soon as I crossed the door, both of them stood up. I was embarrassed. I went ahead and touched his feet. He murmured something and hugged me. I did Namaste to Mehtab ji. Modi talked briefly about his film and their expectations about the music. Then with a little hesitation, he asked me my fees. I smiled and said, “Give me just One Rupee, sir. That’s my fees for Minerva”. However, they did not agree and a nominal token fees was fixed. I signed the contract “.
Those were the days when artistes gratefully acknowledged the help they received in their early careers !
There is a name in the film’s cast- Wazir Mohammed Khan, who made his name written in Hindi film History for ever, for being the first ever singer on the screen, when he sang ” de de khuda ke naam par “, in film Aalam Ara-1931, India’s first Talkie film. Despite my efforts, I could not get any information about him, from any source at my disposal.
W.M.Khan was a Pathan. His first film was ‘Alam Ara’-31 and his last film was also Aalam Ara-73. he sang a song in the first film and again the same song in the similarly titled film Alam Ara-56. I saw him on the screen first time in film Kabuliwala-61, in which he lip synched the famous song ” Aye mere pyare watan…”. W.M.Khan acted in 73 films. He sang 6 songs in 4 films, namely Alam Ara-31, Sair e paristan-34, Dard e dil-34 and after 22 years he sang his first song again in film Alam Ara-56- though no record was issued for it. When he acted in the third version of Aalam Ara in 73, he became the first male actor to have worked in 3 films with the same title, from the very first Talkie film. The next and the only other actor to achieve this feat was Ashok kumar, who acted in Kangan-39, kangan-59 and kangan-72. The only female actress to achieve this feat was Sulochana ( Ruby Meyers) who had acted in Anarkali-28, Anarkali-35 and Anarkali-53.
Today’s song is the second song in a span of one month, which talks of ‘going to Bombay’, after a song from film ‘Kirti’-42, posted on 19-7-2018. The singer’s name of today’s song is not mentioned in HFGK. I hear 2 separate voices in the song, but people with better hearing than me can know more about the voices.
( credits- Autobio of C Ramchandra, Isak Mujawar’s book, Flash back, HFGK, MuVyz, and my notes )
Song-Chale chak chak chak chak rail (Mera Munna)(1948) Singers-Unknown child voice 1, unknown child voice 2, Lyrics-Qamar Jalalabadi, MD-C Ramchandra
Lyrics
chale chak chak chak chak rail
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen
lage ismein na paani na tel
lage ismein na paani na tel
chalo jee zara Bambai chalen
haan Bambai chalen
hamne baapu ki ghanti churaayi
hamne baapu ki ghanti churaayi
maan ke aanchal ke jhande banaayi
maan ke aanchal ke jhande banaayi
hamne ghar mein banaaye hai rail
hamne ghar mein banaaye hai rail
chalo jee zara Bambai chalen
haan Bambai chalen
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen
baapu laayenge jaa kar langoti
baapu laayenge jaakar langoti
maata laayenge ?? ki ??
maata laayenge ?? ki ??
ham khilaunon se bhar lenge rail
ham khilaunon se bhar lenge rail
chalo jee zara Bambai chalen
haan Bambai chalen
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen
mere chaachaa jee Bambai se aayenge
mere chaachaa jee Bambai se aayenge
ghoda laayenge
tamtam bhi laayenge
ghoda laayenge
tamtam bhi laayenge
laayenge tota maina ka khel
laayenge tota maina ka khel
chalo jee zara Bambai chalen
haan Bambai chalen
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen
lage ismein na paani na tel
chalo jee zara Bambai chalen
haan Bambai chalen
Chaand pe baadal chhaa gayaa
Posted on: June 19, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3623 | Post No. : | 14439 |
“Jalti Nishaani” (1957) was directed by Harish for Emsheth production, Bombay. The movie had Kamal Kapoor, Geeta Bali, Kuldeep Kaur, Sundar, Ulhaas, Chaman Puri etc in it.
Four songs from this movie have been discussed in the past.
Here is the fifth song from this movie. This song is sung by Lata and chorus. Qamar Jalalabadi is the lyricist. Music is composed by Anil Biswas.
I am unable to make out the lyrics of the chorus which is either gibberish or words in some other language. I request our knowledgeable readers to tell us what these worlds could be.
Song-Chaand pe baadal chha gaya (Jalti Nishaani)(1957) Singer-Lata, lyrics-Qamar Jalalabadi, MD-Anil Biswas
Chorus
Lyrics
?????
chaand pe baadal chha gaya
?????
chaand pe baadal chha gaya
?????
halka halka ujlaa ujlaa
chaand pe baadal chha gaya
?????
husn kisi ka thhandi aag
?????
aaine(?) mein jala charaag
?????
husn kisi ka thhandi aag
aaine(?) mein jala charaag
haay re nazren bahki bahki
bahki bahki
bahki bahki
hay re najre bahki bahki
maykhaana sharma gaya
chha gaya re chha gaya
chaand pe baadal chha gaya
?????
haay jawaani haay shabaab
?????
mil na saka nazron ko jawaab
?????
haay jawaani haay shabaab
mil na saka nazron ko jawaab
o o o
o o o
o o o
o o o
o o o
o o o
shamm e-mohabbat chhupke chhupke
chhupke chhupke
chhupke chhupke
shame-mohabbat chhupke chhupke
koi jalaakar chala gaya
chala gaya
chala gaya aa
Mohe laagi re julmi umariya
Posted on: March 23, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3535 | Post No. : | 14197 |
“Suhaagraat”(1968) was directed by R Bhattacharya for A J Pictures, Bombay. The movie had Jeetendra, Rajshree, Johny Walker, Mehmood, Dhumal, Shabnam, Prakash, Sulochana, Jankidas, Moti Chatterji, Bipin Gupta etc in it.
The movie had six songs in it. Four songs from the movie have been covered in the past.
Here is the fifth song from “Suhaagraat”(1968) to appear in the blog. The song is sung by Lata. Qamar Jalalabadi is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised as a village fair dance song on Rajshree who is seen singing and dancing alongwith many other dancers. She singles out Jeetendra for her advances, while talking about becoming grown up (laagi re julmi umariya) which causes her to fall down frequently (main gir gir jaaun).
I have noticed that Lata avoided singing cabarat songs, but she did not realise that such village fair songs are also sort of like native cabarat dances, as far as their dance steps as well as lyrics are concerned. 🙂
Song-Mohe laagi re julmi umariya(Suhaagraat)(1968) Singer-Lata, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Lyrics
mohe laagi re
mohe laagi re
laagi re laagi julmi umariya
sanwariya
haay haay
sanwariya main gir gir jaaun
sanwariya main gir gir jaaun
mohe roko re
mohe roko re
roko re roko
ho gayi baawariya
sanwariya
uyi
sanwariya main gir gir jaaun
sanwariya main gir gir jaaun
o o o
o o o
hoy
hoy
hoy
laage jabse ye nain
gaya jiyra ka chain
haaye
tab se ye naina na laage
laage jabse ye nain
gaya jiyra ka chain
haaye tab se ye naina na laage
behke behke hai chal
hai abhi se ye haal
haay
jaane kya hoga kya hoga aage
jaane kya hoga kya hoga aage
mo pe daaro na
mo pe daaro na daaro na
aisi najariya
sanwariya
haay
sanwariya main gir gir jaaun
sanwariya main gir gir jaaun
dekho aayi bahar uspe tera ye pyaar
kaisa apne jiya ko sambhaloon
dekho aayi bahaar uspe tera ye pyaar
kaisa apne jiya ko sambhaaloon
maana laakhon mein ek
par tu aise na dekh
thahro aanchal mein naina chhupa loon
thahro aanchal mein naina chhupa loon
haaye dekhe re
haaye dekhe re dekhe re dekhe
saari nagariya
sanwariya
daiyya
sanwariya main gir gir jaaun
sanwariya main gir gir jaaun
o o o o
hoy
hoy
hoy
tera mera ye mel
kayi sadiyon ka khel
tu hai kaaya to main teri chhaaya
tera mera ye mel
kayi sadiyon ka khel
tu hai kaaya to main teri chaya
o bahaaron ke phool
mujhko jaana na bhool
chali aaungi jab bhi bulaaya
chali aaungi jab bhi bulaaya
main to pyaasi re
main to pyaasi re
pyaasi re pyaasi
preet ki badariya
sanwariya
sanwariya main gir gir jaaun
sanwariya main gir gir jaaun
mohe laagi re laagi re laagi
julmi umariya
sanwariya
hahaha
sanwariya main gir gir jaaun
sanwariya main gir gir jaaun
Chal mere ghode chal chal chal
Posted on: January 28, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3481 | Post No. : | 13983 |
“Nishchaiy”(1992) was produced by Bhappie Sonie and directed by Esmaayeel Shroff. The movie had Vinod Khanna, Salman Khan, Karisma Kapoor, Moushmi Chatterjee, Sudha Chandran, Avtar Gill, Rajeev Kumar, Reema Lagoo, Roopa Ganguly, Saeed Jaffrey, Kishore Bhanushali, Sarla Yogelkar, Shammi Kapoor, Mahesh, Goga Kapoor, Rajendra Nath etc in it.
This movie had six songs in it.
Today (28 october 2018) is the 11th death anniversary of O P Nayyar (16 january 1926- 28 january 2007). On this occasion, here is the first song from “Nishchaiy”(1992) to appear in the blog.
Only the audio of this song is available. Still, one ca readily tell that this song is an archtypical O P Nayyar style ghoda gaadi song. It is sung by Md Aziz. Qamar Jalalabadi is the lyricist. Music is composed by O P Nayyar.
I request our knowledgeable readers to throw light on the movi as well as on the picturisation of this song.
With this song, “Nishchaiy”(1992) makes its debut in the blog.
Song-Chal mere ghode chal chal chal(Nischaiy)(1992) Singer-Md Aziz, Lyrics-Qamar Jalalabadi, MD-O P Nayyar
Lyrics
chal mere ghode
chal chal chal
chal mere ghode
chal chal chal
duniya mein chain kahaan aan
yaar wahin ruk jaana
yaar wahin ruk jaana
miley tujhe pyaar jahaan aan
chal mere ghode chal chal chal
o o
aa ha ha
aa ha ha
aa ha ha
pyaar hi dard hai pyaar dawa
pyaar nahin hai tujhse juda
pyaar hi dard hai
pyaar dawa
pyaar nahin hai tujhse juda
wo hi to khuda ka banda hai
bandon ko jo samjhe khuda
wo hi to khuda ka banda hai
bandon ko jo samjhe khuda
chal mere ghode chal chal chal
duniya mein chain kahaan aan
yaar wahin ruk jaana
yaar wahin ruk jaana
miley tujhe pyaar jahaan aan
chal mere ghode chal chal chal
o o o
aa ha ha
aa ha ha
aa ha ha
duniya teri shaad rahe
pyaar tera aabaad rahe
duniya teri shaad rahe
pyaar tera aabaad rahe
khwaabon ki is basti mein
aaye thhe hum yaad rahe
khwaabon ki is basti mein
aaye thhe hum yaad rahe
chal mere ghode chal chal chal
duniya mein chain kahaan aan
yaar wahin ruk jaana
yaar wahin ruk jaana
miley tujhe pyaar jahaan aan
chal mere ghode
chal chal chal
Kabhi na mitega mera pyaar
Posted on: January 11, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3464 | Post No. : | 13904 |
“Mangni”(1992) is a movie of recent vintage by the standards of this blog, but this movie has ended up becoming totally obscure. I do not seem to have heard of this movie during the time it was released. The movie must have flopped spectacularly. Search on internet throws up some sketchy details about this movie. The movie was directed by B R Ishara (production house is not known). The movie had Pallavi Joshi, Sahil, Raja Bundela, Satyan Kappu, Tiku Talsania, Shammi Kapoor, Mukesh Khanna, Raman Trikha etc in it.
The movie had eight songs and these songs too ennded up becoming as unsung as the movie itself.
Here is the first song from “Mangni”(1992) to appear in the blog. The song is sung by S P Balasubrahmaniyam. Qamar Jalalabadi is the lyricist. Music is composed by O P Nayyar.
The song is picturised as an “expression of love” genre of song on the hero of the movie who I guess must be Sahil (going by the cast) who sings this song for the benefit of the heroine Pallavi Joshi.
The song sounds similar to most O P Nayyar compositions that used to get sung in the golden era of HFM by Rafi. But this song came much after the golden era and the magic of golden era music is sadly missing in this song.
This movie is one of the missing movies of O P Nayyar in the blog and that was the main motive behind introducing this song (and the movie) in the blog.
I request our knowledgeable readers to throw light on this movie whose detals seem to be conspicuous by their absense online.
With this song, “Mangni”(1992) makes its debut in the blog.
Song-Kabhi na mitega mera pyaar (Mangni)(1992) Singer-S P Balasubrahmanyam, Lyrics-Qamar Jalalabadi, MD-O P Nayyar
Lyrics
kabhi na mitega mera pyaar
duniya saari chaahe mit jaaye ae
kabhi na mitega mera pyaar
duniya saari chaahe mit jaaye ae
kabhi na mitega mera pyaar
ho ho ho
aa haa haa
hey hey hey
aa ha ha
har rang mein main tujhko
chaahta rahoonga sanam m
jaan bhi de doonga
tere liye teri qasam
tu hi pyaar hai
tu hi yaar hai
tere pyaar par aitbaar hai ae
kabhi na mitega mera pyaar
duniya saari chaahe mit jaaye ae
kabhi na mitega mera pyaar
ban jaaye tu meri
karta raha main dua aa
pyaar banaane waale ne
sun li hai meri sada
mera dilruba
mujhko mil gaya aa
na karoonga main
ab kabhi dua aa
kabhi na mitega mera pyaar
duniya saari chaahe mit jaaye ae
kabhi na mitega mera pyaar
duniya saari chaahe mit jaaye ae
kabhi na mitega mera pyaar
- In: "roadside tamaasha" song | Artist century song in blog | Century songs for the blog | Krishna Kalle songs | Mahendra Kapoor songs | Rare song | S Balbir song | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1967 | Usha Timothy song | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3462 | Post No. : | 13892 |
“Johar in Bombay” (1967) was directed by Shantilal Soni for Thakkar Films, Bombay. The movie had I S Johar, Sonia Sahni, K N Singh, Rajendranath, Madan Puri, Polson, Jeevankala etc in it.
This movie was one of several “Johar in…” series on movies, a bit like the “Carry on…” series of movies in Hollywood.
In this particular movie, I S Johar ties up with Rajendranath, both playing good for nothing slackers who somehow manage to save the coutry (if not the world) from evil scientists out to destroy the country (if not the world).
The movie had six songs in it. Five of these songs have been covered in the blog. Here is the sixth and final song from “Johar in Bombay” (1967). This song is a rare song in the sense that it is not available as a standalone song on YT as of now. The song is a roadside tamasha song where I s Johar and Rajendranath and seen performing a streetside dance alongwith their love interests- Sonia Sahni and Jeewankala (?). The dance performance have elements of punjabi folk dance followed by Maharashtrian lavani folk dance.
The song is sung by Mahendra Kapoor, S Balbir, Usha Timothy and Krishna Kalle. Qamar Jalalabadi is the lyricist. Music is composed by Usha Khanna.
Today (9 january 2018) happens to be the birth anniversary of Mahendra Kapoor (9 january 1934-27 september 2008). Quite fortuitously, this happens to the 300th song of Mahendra Kapoor in the blog. So this is a perfect tribute to the singer in the blog.
It also happens to be the 15th death anniversary of Qamar Jalalabadi (9 january 2003). So this song serves as a tribute to Qamar Jalalabadi as well.
With this song, “Johar in Bombay” (1967) joins the list of movies that have all their songs covered in the blog.
Song-Naach sasure naach nakhra ab na chalega (Johar in Bombay)(1967) Singers-Mahendra Kapoor, Balbir, Usha Timothy, Krishna Kalle, Lyrics-Qamar Jalalabadi, MD-Usha Khanna
Male singers together
Female singers together
Lyrics
kaise hote khel tamaashe
arre is duniya ke beech
o bandar se insaan bane
to insaan se ban gaye reechh
naach susure naach
nakhra ab na chalega
hoy naach susure naach
nakhra ab na chalega
naacha to haiwaan se insaan banega
hoy hoy
naacha to haiwaan se insaan banega
naach baaba naach
nakhra ab na chalega
naacha to haiwaan se insaan banega
naacha to haiwaan se insaan banega
naach baaba naach
nakhra ab na chalega
baari barsi khatan gaya
te khatak ke lyaanda taala
baari barsi khatan gaya
hoy
hoy baari barsi khatan gaya
te khatak ke lyaanda taala
ho ladki gulaab jaisi
aur ?? reechh hai saala
he ladki gulaab jaisi
baari barsi khatan gaya
te khatak ke lyaanda aara
baari barsi khatan gaya
te khatak ke lyaanda aara
ho taane mujhe dene waale
jaa dekha ishq tumhaara
ho taane mujhe dene waale
naach susure naach
nakhra ab na chalega
naach baaba naach
nakhra ab na chalega
ho saari nagariya
aa aa aa aa aa aa
saari nagariya ruk ruk dekhe
kaisi nautanki aayi
aga bai
kaisi nautanki aayi re
arre dekho yaaron khel naya
sasure ko nachaaye janwaai
sasure ko nachaaye janwaai
janwaai
janwaai
aga bai
ji ji ji ji ji ji
aga bai
ji ji ji ji ji
dil mein chhupaa hai
ae ae ae ae
dil mein chhupaa hai
pyaar kisi ka
karne chale hain bhalaai
haay raam
karne chale hain bhalaai
sasure ka bahaana hai
tere dil mein basi hai lugaai
lugaai
tere dil mein basi hai lugaai
lugaai
lugaai
ji ji ji ji ji ji ji
aga bai
ji ji ji ji ji ji ji
naach susure naach
nakhra ab na chalega
naach baaba naach
nakhra ab na chalega
oy naach sasure
naach baaba
naach sasure
naach baaba
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3460 | Post No. : | 13885 |
“Chhoti Bhaabhi”(1950) was directed by Shanti Kumar for Filmkar Limited, Bombay. The movie had Nargis, Karan Dewan, Shyam, Kuldeep, Ghulab, Shyama, Suraiyya Chaudhary, Yakoob, Jauhar, Baby Tabassum, Gyaani, Jugnu, G Sarang, Khushdil etc in it.
The movie had nine songs in it. Six of these songs have been covered in the past.
Here is the seventh song from “Chhoti Bhaabhi”(1950) to appear in the blog. This typically dukhiyaari naari genre of song is sung by Lata. Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.
Only the audio of this song is available. Assuming that Nargis was the female lead in the movie, it would seem that this song was picturised ob her. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Dard e judaai hai gham ki ghata chhaayi hai (Chhoti Bhaabhi)(1950) Singer-Lata, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram
Lyrics
dard e judaayi hai
gham ki ghata chhaayi hai
aankh bhar aayi hai
duhaayi hai duhaayi hai
duhaayi hai duhaayi hai
dard e judaayi hai
gham ki ghata chhaayi hai
aankh bhar aayi hai
duhaayi hai duhaayi hai
duhaayi hai duhaayi hai
kal jin aankhon mein baalam thhe
aaj unmein barsaat hai
wo bhi ek raat thhi
haay ye bhi ek raat thhi haay
ye bhi ek raat hai
yaad kisi ki aayi hai
gham ke aansu laayi hai
aankh bhar aayi hai
duhaayi hai duhaayi hai
duhaayi hai duhaayi hai
tu kya jaane
duniya ne kya kya ilzaam lagaaye hain
dil ke armaan aankhon mein
aansu ban ban ke aaye hain
aansu ban ban ke aaye hain
jinse ki bhalaayi hai
unse mili buraayi hai
aankh bhar aayi hai
duhayi hai duhaayi hai
duhaayi hai duhaayi hai
sun ke meri majboori baalam
aasu nahin bahaana
chaahe duniya kuch bhi kahe
mera pyaar bhool na jaana
pyaar bhool na jaana
pyaar bhool na jaana
kismat khench ke layi hai,
mat samjho bewafaayi hai
aankh bhar aayi hai
duhaayi hai duhaayi hai
duhaayi hai duhaayi hai
dard e judaayi hai
gham ki ghata chhaayi hai
aankh bhar aayi hai
duhaayi hai duhaayi hai
duhaayi hai duhaayi hai
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