Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Qamar Jalalabadi


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Blog Day :

4534 Post No. : 16101

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Blog 10-Year Challenge (2010-2020) – Song No. 100
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This day ten years ago (16 december 2010) was another productive day for the blog. As many as seven songs were covered that day. The first post was published at 7:54 whereas the final post of the day appeared at 9:41 AM.

Here are the details of these songs :-

Blog post number Song Movie (Year) Remarks
3353 Arri o mohe chhed gayaa Singaar(1949) movie YIPPEED by now
3354 Meri pyaari patang chali baadal ke sang Dillagi(1949) movie YIPPEED by now
3355 Chaman mein rah ke veeraanaa Deedaar (1951) movie YIPPEED by now
3356 Yoon hi ulfat ke maaron par ye duniya zulm karti hai Alladin and the wonderful lamp (1952) movie YIPPEED by now
3357 Kaahe jaadoo kiyaa mujhko itna bataa Naghmaa (1953) movie YIPPEED by now
3358 Gusse mein jo nikhraa hai Dil Hi To Hai( 1963) movie YIPPEED by now
3359 Rafta rafta wo hamaare dil ke armaan ho gaye Ham Kahaan Jaa Rahe Hain(1966) 16-Dec-10

One can notice that fist six movies whose songs were covered that day have been YIPPEED in the blog by now. That leaves us with just one movie, namely “Ham Kahaan Jaa Rahe Hain”(1966) as the only movie eligible for Blog Ten Year Challenge today (16 December 2020).

“Ham Kahaan Jaa Rahe Hain”(1966) was produced by Shashdhar Mukherjee and Directed by Nitin Bose For Filmistan. The movie had Introducing Neena and Prakash (new introductions) With Abhi Bhattacharya, Badriprasad, Jagirdar, P Kailash, Rajan Haksar, Leela Misra, Murad, Bhardawaj, Jankidas, Rajkishore, Master Raja, Master Prakash, Pasha, Pardhi, Narbada Shankar, Nadira, Asrani, Birbal, Vittaldas Panchotia etc in it.

The movie had nine songs in it. Two songs have been covered in the past.

Here is the third song from “Ham Kahaan Jaa Rahe Hain”(1966) to appear in the blog. The song is sung by Manna Dey, Krishna Kalle and chorus. Qamar Jalalabadi is the lyricist. Music is composed by Basant Prakash.

HFGK mentions this as a two part song, though the picturiasation appears one single song.

The song is picturised on Prakash, Neena, Raj Kishore, Manjula(Dancer) and Shirley(dancer). Prakashchandra, who provided the lyrics if the song feels that Edwina is also there in the picturisation of the song at 2:05,3:30,5:08 of video link.

One can see that the song celebrates the year 1965. That was 55 years ago ! How time flies !

audio link 1 (first part)

audio link 2(second part)

video link

Song-Bombay Nineteensixtyfive chaa chaa chaa ki rangeen life (Ham Kahaan Jaa Rahe Hain)(1966) Singers-Manna Dey, Lyrics-Qamar Jalalabadi, MD-Basant Prakash
Manna Dey + Krishna Kalle
Male chorus
Male Chorus + Female Chorus
Male Chorus + Manna Dey

Lyrics(Provided by Prakashchandra)

oho ho
o ho o o o

oho ho
o o o o o

shabaab aa aaaya
khuley ae ae hain
husn ki aankhon ke ae
mai ae ae khaaaney
chaley ae ae aaaa aaye hain
mastaa aa aaney
liye ae haathon mein paimaaaaney

Bombay Nineteen sixty five
chaa chaa chaa ki rangeen life
Bombay Nineteen sixty five
chaa chaa chaa ki rangeen life
I love you u u
I love you
I love you u u
I love you
Bombay Nineteen sixty five (aehhey ae ae)
chaa chaa chaa ki rangeen life (aehhey ae ae)
Bombay Nineteen sixty five
chaa chaa chaa ki rangeen life
I love you u u
I love you
I love you u u
I love you

hey jaaney waaley kal ka zikr kya
aaney waaley kal ka fiqr kya
jaaney waaley kal ka zikr kyaa
aaney waaley kal ka fiqr kya
aao zara jhoomen
aao zara gaayein
aao zara jhoomen hhey
aao zara gaayein
aish karein maze karein
dhoom machaayein
aish karein maze karein
dhoom machaayein
bhool jaao kal
aaj ke ye pal
bhool jaao kal
aaj ke ye pal
yehi to hai
yehi to hai
yehi to hai life

Bombay nineteen sixty five (aahhhaa aa aa)
chaa chaa chaa ki rangeen life (oho o o ho o )
Bombay nineteen sixty five (oho o o ho o )
chaa chaa chaa ki rangeen life ( ho o hho o ho o o oo)
I love you u u u
I love you
I love you u u u
I love you

come on girls come on
hey boys
come let`s dance

twist twist
twist twist
twist twist
twist twist
twist twist
twist twist
come babes
come along

ek se ek yahaan beautiful
inki adaayein wonderful
ek se ek yahaan beautiful
inki adaayein wonderful
dene waala deta hamein dil jo hazaar
dene waala deta hamein dil jo hazaar
kar dete hum inn pe nissaar
kar dete hum inn pe nissaar
bhool jaao kal
aaj ka ye pal
bhool jaao kal
aaj ka ye pal
yehi to hai
yehi to hai
yehi to hai life
Bombay nineteen sixty five (aahhhaa aaa)
chaa chaa chaa ki rangeen life (oho o o ho o )
Bombay nineteen sixty five (oho o o ho o )
chaa chaa chaa ki rangeen life ( ho o hho o ho o o oo)
I love you u u
I love you
I love you u u
I love you u u u

hey ae tirchhi nazar ka khumhaar (aa hha hayye)
uss pe shabaab ki bahaar (aaa hha haayye)
hey tirchhi nazar ka khumhaar hayye haayye
uss pe shabaab ki bahaar haayye haayye
aao zara naachen
yaaron dil khol
aao zara naachen hey
yaaron dil khol
aao karein aao karen rock `n roll hho
aao karein aao karein rock `n roll
rock rock rock rock rock `n roll (ohho ho)
rock rock rock rock rock `n roll (ohho ho)
twist twist twist twist twist twist
twist twist twist twist twist twist

yehi to hai
yehi to hai
yehi to hai life
Bombay nineteen sixty five (aahhhaa aaa aaa)
chaa chaa chaa ki rangeen life (oho o o ho o )
Bombay nineteen sixty five (sixty five) (aahhhaa aa haaa)
chaa chaa chaa ki rangeen life(aahhhaa aa haaa)
I love you u u
I love you
I love you u u u
I love you


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4497 Post No. : 16029

Yearwise discussion of Lata Mangeshkar songs in HFM: Part VII: Year 1953
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Lata Mangeshkar, who had made her playback debut in 1940s (in Marathi movies) had to struggle for quite a few years to find a foothold in Hindi movies playback singing. By 1947, she had a grand total of 9 songs to show as a playback singer in HFM. Still, by the time the decade of 1940s ended, Lata Mangeshkar had a meteoric rise to the very top.

It is said that climbing to the top is easier, but remaining at the top is more difficult. We see that Lata Mangeshkar, after rising to the top in 1949, and statistically touching her highest peak in 1951 (223 songs) stayed close to her peak in subsequent years, without climbing down too low. The tally of 194 songs for movies of 1953 is only 29 songs lesser than her all time record of 223 songs for movies released in a calender year. So, one sees that Lata Mangeshkar was not a meteor, but a star.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1953 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aabshaar Bhola Shreshtha 2 2 2 0 0 0 Sarshar Sailaani
2 Aagosh Roshan 6 6 3 2 1 0 Shailendra (2) Indeewar (2) Kaif Irfani (1) Uddhav Kumar (1)
3 Aah Shankar Jaikishan 7 7 5 2 0 0 Hasrat Jaipuri (4) Shailendra (3)
4 Aakaash Anil Biswas 2 2 2 0 0 0 Satyendra Athhaiyya (1) Manmohan Sabir (1)
5 Aansoo Husnlal Bhagatram 4 5 3 2 0 0 Qamar Jalalabadi
6 Aas Shankar Jaikishan 7 7 5 2 0 0 Shailendra (5) Hasrat Jaipuri (2)
7 Alif Laila Shyam Sundar 4 4 2 2 0 0 Sahir Ludhianvi
8 Anand Bhawan Vasant Desai 5 5 4 1 0 0 Noor Lucknowi (4) Raja Mehdi Ali Khan (1)
9 Anarkali C Ramchandra 9 9 8 1 0 0 Rajinder Krishan (5) Shailendra (2) Hasrat Jaipuri (2)
10 Aurat Shankar Jaikishan 9 9 9 0 0 0 Hasrat Jaipuri (6) Shailendra (3)
11 Baabla S D Burman 2 2 2 0 0 0 Sahir Ludhianvi
12 Baaghi S D Burman 5 5 5 0 0 0 Majrooh Sultanpuri
13 Daara Md Shafi 3 5 4 1 0 0 Indeewar(1) Anjum Jaipuri (1) Madhup Sharma (1) Saba Afghani (1) Prem Sarang (1)
14 Dard e Dil R C Boral 1 2 2 0 0 0 Hasrat Jaipuri (1) D N Madhok (1)
15 Dhuaan Vasant Desai (4) Dhaniram (1) 5 5 4 1 0 0 Rajinder Krishan
16 Dhun Madan Mohan 5 5 4 1 0 0 Kaif Irfani (4) Bharat Vyas (1)
17 Do Beegha Zameen Salil Chaudhary 3 3 1 2 0 0 Shailendra
18 Fareb Anil Biswas 5 5 4 1 0 0 Majrooh Sultanpuri
19 Farmaaish Husnlal Bhagatram 4 4 3 0 1 0 Qamar Jalalabadi
20 Firdaus * Roshan 1 1 1 0 0 0 Shailendra
21 Ghar baar Vasant Prabhu 1 3 3 0 0 0 Kaif Irfani (2) Indeewar (1)
22 Gunaah Snehal Bhatkar 2 2 2 0 0 0 Kidar Sharma
23 Hamdard Anil Biswas 4 4 2 2 0 0 Prem Dhawan
24 Hamsafar Ali Akbar Khan 1 1 1 0 0 0 Sahir Ludhianvi
25 Jallianwaala Baag Ki Jyoti Anil Biswas 1 2 1 1 0 0 Uddav Kumar (1) Majrooh Sultanpuri (1)
26 Jeewan Jyoti S D Burman 2 2 2 0 0 0 Sahir Ludhianvi
27 Jhaanjhar C Ramchandra 8 8 6 1 1 0 Rajinder Krishan
28 Jhamela C Ramchandra 4 7 2 5 0 0 Rajinder Krishan
29 Ladki C Ramchandra (4) R Sudarshanam-Dhaniram (2) 5 6 5 0 1 0 Rajinder Krishan
30 Laila Majnu Ghulam Mohammad 1 1 0 1 0 0 Shakeel Badayuni
31 Lehren C Ramchandra 1 4 2 1 1 0 Rajinder Krishan
32 Maalkin Roshan 4 4 3 1 0 0 Rajinder Krishan
33 Madmast V Balsara 2 2 2 0 0 0 Madhukar Rajasthani
34 Mayurpankh Shankar Jaikishan 6 6 6 0 0 0 Hasrat Jaipuri (3) Shailendra (3)
35 Mehmaan Anil Biswas 2 4 3 0 0 1 P N Rangeen (2) Uddhav Kumar (1) Raja Mehdi Ali Khan (1)
36 Naina Manna Dey 1 2 2 0 0 0 Uddhav Kumar (1) P L Santoshi (1)
37 Naya Ghar Shankar Jaikishan 5 5 5 0 0 0 Shailendra (3) Hasrat Jaipuri (2)
38 Patita Shankar Jaikishan 3 3 2 1 0 0 Shailendra (2) Hasrat Jaipuri (1)
39 Raahi Anil Biswas 4 6 2 0 0 4 Prem Dhawan
40 Shagoofa C Ramchandra 4 8 7 1 0 0 Rajinder Krishan
41 Shahanshah S D Burman 3 3 3 0 0 0 Sahir Ludhianvi
42 Shikast Shankar Jaikishan 7 7 5 2 0 0 Shailendra (6) Hasrat Jaipuri (1)
43 Shri Chaitanya Mahaprabhu R C Boral 1 4 3 1 0 0 Bharat Vyas
44 Surang Shivramkrishna 3 3 3 0 0 0 Shewan Rizvi
45 Teen Batti Chaar Raasta Shivramkrishna 5 5 4 0 0 1 Shewan Rizvi
Total 45 movies 22 MDs 169 195 149 35 5 6 27 Lyricists

* Note:- The one solo song of “Firdaus”(1953), viz Phool chun le mere baalam was also there in “Naubahaar”(1952).

We see that Lata Mangeshkar sang 194 songs in 44 movies- excluding “Firdaus” song, which was actually a song of “Naubahaar”(1952).

Lata Mangeshkar added some new musical collaborators during this year. Music directors Dhaniram, R Sudarshanam-Dhaniram, R C Boral, Salil Chaudhary, Pt Shivramkrishna and Vasant-Prabhu composed songs for Lata Mangeshkar for the first time in this year 1953. Madhup Sharma, Madhukar Rajasthani, Manmohan Sabir and Saba Afghani penned songs for Lata Mangeshkar for the first time in this year.

Shankar Jaikishan and C Ramchandra were the major music directors for her this year. Shankar Jaikishan composed 44 songs in her voice in 7 movies. C Ramchandra composed 40 songs in her voice in 6 movies. So these two music directors composed 50% of the songs that Lata Mangeshkar sang in movies of 1953 !

Rajinder Krishan penned 47 songs in 8 movies whereas Shailendra penned 32 songs for her in 10 movies. So these two lyricists penned almost 45 % of all songs sung by Lata Mangeshkar this year. It shows that Lata Mangeshkar was being backed by the top music directors and top lyricists of the time.

Out of 44 movies of 1953 where Lata Mangeshkar lent her vice, all her songs in majority of these movies are already covered. Some Lata Mangeshkar songs are yet to be covered in 13 movies.

By the end of 1953, Lata Mangeshkar had sung 953 songs in HFM. As many as 490 of these songs (53%) were under the batons of five music directors , namely C Ramchandra (158 songs), Husnlal Bhagatram (98 songs), Shankar Jaikishan (98 songs),Anil Biswas (88 songs) and Roshan (48 songs). As for lyricists 383 out of 953 songs (40%) were penned by just five lyricists, namely Rajinder Krishan (136 songs), Shailendra (74 songs), Hasrat Jaipuri (62 songs), Shakeel Badayuni (58) and P L Santoshi (53 songs). By 1953, Lata Mangeshkar had worked with 59 Music directors and 94 lyricists.

“Aansoo”(1953) is alphabetically the first movie of 1953 that still has some leftover Lata songs not yet discussed in the blog. “Aansoo”(1953) was directed by Shanti Kumar for Famous Pictures, Bombay. This “social” movie had Kamini Kaushal, Shekhar, Pran, Nawab, Amirbai Karnataki, Indu Pal, Chaman Puri, Rajkumari, Kabil Amritsari, Parvati Devi, C Nazeer, Indira Bansal, Mumtaz mati, Roopmati, Suhel Chaudhary, Satyarani, Aruna Mehta, Shrimati Homi Master, Ghulam Hussain, Madan Singh, Madan Mohan, Sudesh Kumar, Baby Kumkum, Baby Kavita, Baby Suman, Binu Brar etc in it.

The movie had eight songs in it. Six songs have been covered in the past. There were five Lata Mangeshkar songs in it. Three were solos and two were duets (with Rafi). Four of these songs have been covered in the past.

Here is the fifth and final Lata song from “Aansoo”(1953). This song is a solo song. Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of the song is available. Seeing that Kamini Kaushal was the leading lady, one can guess that the song was lipsynced by her on screen. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of the song.

After this song, only one song is left from “”Aansoo”(1953). Details of this song “Chha rahi kaali ghata jiyara mora lahraaye hai” is not gven in HFGK, HFGK makes a guess that this song was probably sung by Shamshad Begam. These is a famous song with this mukhda by Begam Akhtar. I wonder if this sing was sung by Begam Akhtar. I request our knowledgeable readers to throw light on this matter.


Song-Judaai ki khabar hoti agar deedaar se pahle (Aansoo)(1953) Singer-Lata, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

tukde uthha ke dil ke
ham door jaa rahe hain
tumse kiye thhe waade ae
wo yaad aa rahe ae ae hain aen aen

judaai ki khabar hoti agar deedar se pahle
judaai ki khabar hoti agar deedar se pahle
to marne ki duaa karte tumhaare pyaar se pahle
judaai ki

agar ye jaante
tumse juda ik roz hona hai
agar maaloom hota pyaar ka anjaam rona hai
hazaaron baar ham tum sochte ikraar se pahle
hazaaron baar ham tum sochte ikraar se pahle
judaai ki

arre duniya ke maalik
kya aa mila
bekas ko thhukra ke ae
bekas ko o thhukra ke
khushi ki daur ghadiyaan tumse maangi haath phailaa ke
mere aansu to aakar dekhta inkaar se pahle
mere aansu to aakar dekhta inkaar se pahle
judaai ki khabar hoti agar deedar se pahle
judaai ki


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4465 Post No. : 15951

“Aanbaan”(1956) was produced and directed by D D Kashyap for Kashyap Productions, Bombay. This costi=ume drama movie had Nalini Jaiwant, Usha Kiran, Ajit, Mahipal, Pran, Ulhas, Niranjan Sharma, Manmohan Krishna, Baij Sharma, Parvati devi, Maya devi, Fazal, Shree Bhagwan, Nazeer etc in it.

The movie had eight songs in it. One song has been covered in the past.

Here is the second song from “Aanbaan”(1956) to appear in the blog. The song is sung by Asha Bhonsle. Qamar Jalalabadi is the lyicist. Music is composed by Husnlal Bhagatram.

Only the audio of this song is available. This movie had two female singers. Asha Bhonsle had sung four songs whereas Lata Mangeshkar has sung three. So it is difficult to guess who sang for which actress. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Mere dil mein tum chhupe ho (Aan Baan)(1956) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

Lyrics

aa aa aa
aa aa aa
aa aa aa
aa aa
mere dil mein tum chhupe ho
mere dil mein tum chhupe ho
dil mein aa kar dekh lo o
meri nazron mein ho tum
nazren milaa kar dekh lo o
mere dil mein tum

yoon kahin aawaaz detin
hain ye dil ki dhadkanen ae
yoon kahin aawaaz detin
hain ye dil ki dhadkanen aen
gar yaqeen hota nahin to
paas aa kar dekh lo o
gar yaqeen hota nahin to
paas aa kar dekh lo o
mere dil mein tum

ho gaye pehli nazar mein
zindagi ke faisle ae
ho gaye pehli nazar mein
zindagi ke faisle ae
aajmaana ho agar to
aajmaa kar dekh lo o
aajmaana ho agar to
aajmaa kar dekh lo o
mere dil mein tum

kya khabar thhi yoon
muhabbat ka asar ho jaayegaa
kya khabar thhi yoon
muhabbat ka asar ho jaayegaa
apne dil ki aag mere
dil mein aa kar dekh lo o
apne dil ki aag mere
dil mein aa kar dekh lo o
mere dil mein tum chhupe ho
dil mein aa kar dekh lo o
mere dil mein tum


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4460 Post No. : 15940

“Aansoo”(1953) was produced by Qamar Jalalabadi and directed by Shanti Kumar. The movie had Kamini Kaushal, Shekhar, Pran, Nawab, Amirbai Karnataki, Indu Pal, Chamanpuri, Rajkumar, Kabil Amritsari, Parvati Devi, C Nazeer, Indira Bansal, Mumtaz Mati, Suhel Chaudhary, Satyarani, Aruna Mehta, Mrs Homi Master, Ghulam Hussain, Madan Singh, Madan Mogan, Sudesh Kumar, Baby Kumkum, Baby Kavita, Baby Suman, Binu Baraar etc in it.

“Aansoo”(1953) had eight songs in it. Five songs from the movie have been covered in the blog so far.

Here is the sixth song from “Aansoo”(1953) to appear in the blog. This song is sung by Shamshad Begam. Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of the song is available. The song sounds like a background song cum theme song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Koi meri sune aurat na bane (Aansoo)(1953) Singer-Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

Lyrics

koi meri sune aurat na bane
ye to mardon ka hai sansaar re
koi meri sune aurat na bane
ye to mardon ka hai sansaar re
bhaai bahan ki suno kahaani
bhaai ki kismat tez
bhaai bahan ki suno kahaani
bhaai ki kismat tez
bhaai ko dekhe hans ke dulhaniya
bahan se maange dahej
haay main mar gayi raam
haay main mar gayi raam
haay main mar gayi
haay main mar gayi
duniya ke baazar mein bikta ik naari ka pyaar re
koi meri sune aurat na bane
ye to mardon ka hai sansaar re
koi meri sune aurat na bane
ye to mardon ka hai sansaar re

beewi ghar mein bhakti aur sewa ki jyot jalaaye
beewi ghar mein bhakti aur sewa ki jyot jalaaye
baabu sair kare duniya ki
gairon se nain ladaaye
haay main mar gayi raam
haay main mar gayi raam
haay main mar gayi
haay main mar gayi
kabhi dil hai yahaan
kabhi dil hai wahaan
haay mardon ka jhoothha pyaar re
koi meri sune aurat na bane
ye to mardon ka hai sansaar re

maa bechaari sab ke aansu apni aankh mein laaye
maa bechaari sab ke aansu apni aankh mein laaye
ye marzi aulaad ki
chaahe ya thhukraaye
haay main mar gayi raam
haay main mar gayi raam
haay main mar gayi
haay main mar gayi
maati main giri hain wo kaliyaan
duniya ka hai jo singaar re
koi meri sune aurat na bane
ye to mardon ka hai sansaar re


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4448 Post No. : 15903

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Blog 10-Year Challenge (2010-2020) – Song No. 83
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21 september 2010 viz this day ten years ago saw six songs from six movies getting covered in the blog. The first song from 1941 was posted at 6:54 AM while the sixth and final song from a movie of 1971 was posted at 8:49 AM. Here are the details of the songs discussed in the blog on that day ten years ago:-

Blog post number Song Movie Year Remarks
3001 Peene ke din aaye piye jaa Khazaanchi 1941 Movie YIPPEED
3002 Mere mundere na bol jaa kaagaa Parwaanaa 1947 Movie YIPPEED
3003 Preet lagaa ke maine ye phal paayaa Aankhen 1950 Movie YIPPEED
3004 Hoon abhi main jawaan ae dil (Aar Paar) Aar Paar 1954 Movie YIPPEED
3005 Tumhi mere meet ho Pyaase Panchchi 1961 6 songs covered (out of 10)
3006 Daiyya ye main kahaan aa phansi Caravan 1971 Movie YIPPEED

Five out of six movies whose songs appeared in the blog that day have since been YIPPEED. “Pyaase Panchhi”(1961) is a movie which haad ten songs in it and siix of them have been covered so far. So this movie is the only movie which is eligible for the Blog Ten Year Chaallenge today (21 September 2020).

“Pyaase Panchhi” (1961) was produced by Shankar Bhai Bhatt and Prakash Bhatt and directed by Harsukh Bhatt for Shree Prakash pictures, Bombay. The movie had Mehmood, Ameeta, Jeevan, Leelal Misra, Agha, Malika, David, Niranjan Sharma, Uma Khosla, Athavale, Loban, Omprakash Sharma, C L Shah, Narbada Shankar etc in it.

Here is the seventh song from “Pyaase Panchhi” (1961) to appear in the blog. This song is sung by Lata. Qamar Jalalabadi is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on Ameeta.

Lyrics of this song were sent to me by Prakashchandra.

video link:

Song-Mit gaye ham tere pyaar mein (Pyaase Panchhi)(1961) Singer-Lata, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)

kahin pyaar ki raat sothey kati hai
kahin dard ki raat rothey kati hai
meri raat ka maajraa kuchch naa poochho o
na rothey kati..ee hai
na sothey ae kati..ee hai

mit gaye hum tere pyaar mein aen
haayye shiqwa bhi na kar sakey
mit gaye hum tere pyar mein aen
haayye shiqwa bhi na kar sakey
jeena chaaha to jee naa sakey ae
marna chaahaa to mar na sakey

huyi khamosh khwabon ki shehnayiyan
meri qismat mein likhi thi tanhayiyan
huyi khamosh khwabon ki shehnayiyan
meri qismat mein likhi thi tanhayiyan
meri qismat mein likhi thi tanhayiyan
aansouon se to daman bharaa..aaa
haath mehndi se bhar na sakey
mit gaye hum tere pyaar mein aen
haayye shiqwa bhi na kar sakey

hai ithni kahaani mere bhaag ki
naao kaaghaz ki hai aur nadi aag ki..ee
hai ithni kahaani mere bhaag ki
naao kaaghaz ki hai aur nadi aag ki
naao kaaghaz ki hai aur nadi aag ki
hum judaai ki majhdhaar mein aen
aissey doobey ubhar na sakey
mit gaye hum tere pyaar mein aen
haayye shiqwaa bhi na kar sakey
jeenaa chaaha to jee na sakey ae
marna chaaha to mar na sakey ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4425 Post No. : 15844

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 63
———————————————————————————–

Ten years ago, I had devised a plan, and I was able to implement it to the full most of the days. The plan was to cover six songs everyday for three days, and then seven songs on the fourth day. That meant the blog added 25 songs in four days. The same cycle got repeated and the blog addeded 25 songs every four days. At the end of fpur such cycles, the blog would add 100 songs in 16 days. In summary, 4 x 25=100, where 25=(6+6+6+7)

The date ten years ago (29 august 2010) was one of those days when seven songs were discussed. Here are the details of these seven songs :-

Blog song post number Song Movie-Year Remarks
2864 Haay mera dil le gaya koi aake ishaaron se Parbat 1952 Movie YIPPEED
2865 I love you O madam Dulhan 1958 5 songs covered (out of 8)
2866 Chaand ko dekho ji Chaand Mere Aaja 1960 6 songs covered out of 7. The seventh song too is apparently part of an already covered song
2867 Pyaase panchhi neel gagan mein geet milan ke gaayen Pyaase Panchhi 1960 5 songs covered out of 10
2868 Apni bhi kyaa zindagi hai niraali Aas Ka Panchhi 1961 YIPPEED
2869 Beta jamoore kah de duniya ko lalkaar ke Biraadari 1966 YIPPEED
2870 Chup ho aaj kaho kyaa hai baat Chhattees Ghante 1974 YIPPEED

As ca be seen from the above table, four movies have been YIPPEED and even the fifth (Chaand Mere Aaja) is apparaently already YIPPEED (let me get it checked).

So that leaves only one mo9vies , namely “Pyaase Panchhi”(1961) and “Dulhan”(1958) which are eligible for today’s blog ten year challenge.

“Pyaase Panchhi” (1961) had ten songs in it. Five of these sons have been covered in the past. Here are the details :-

Song Posted On
Pyaase panchhi neel gagan mein geet milan ke gaayen 29.08.2010
Tumhi mere meet ho 21.09.2010
Babu bol kaisaa rokaa 18.02.2011
Badaa khushnaseeb hi jise tu naseeb hai 23.03.2011
Teri nigaahon ne hamen maar daalaa 13.04.2015

Here is the sixth song from “Pyaase Panchhi”(1961) to appear in the blog. This song is sung by Lata and chorus. Qamar Jalalabadiu is the lyricist. Music is composed by Kalyanji Anandji.The song is picturised on Ameeta and many other ladies playing her sahelis.

Lyrics of this song were sent to me by Avinash Scrapwala.

(video)
Song-O Chhail chhabeele teri yaad aayi (Pyaase Panchhi)(1961) Singer-Lata, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus

Lyrics(Provided by Avinash Scrapwala)

o chhail chhabeele
teri yaad aayi
o chhail chhabeele
teri yaad aayi
yaad aayi sainyyaan
yaad aayi ee ee ee
yaad aayi sainyyaan
yaad aayi ee ee ee
chhail chhabeele teri yaad aayi
o chhail chhabile teri yaad aayi

bin dekhe jab chain na aaye
chain na aaye haaye chain na aaye
ho dekhoon to kyaa hogaa haaye
hogaa haaye
kyaa hogaa haaye ae

bin dekhe jab chain na aaye
dekhoon to kyaa hogaa haaye
o pardesi bataa aa aa aa
o pardesi bataa
mushkil mein meri jaan aayi ee
ho mushkil mein meri jaan aayi
yaad aayi sainyyaan
yaad aayi ee ee ee
yaad aayi sainyyaan
yaad aayi ee ee ee
o chhail chhabile teri yaad aayi

laakh bachaayaa
laakh sambhaalaa
laakh sambhaalaa raamaa
laakh sambhaalaa

ho o anjaane ko o dil de daalaa
dil de daalaa tune
dil de daalaa aa

laakh bachaayaa
laakh sambhaalaa
anjaane ko o dil de daalaa
man mein hai kyaa kyaa chhupaa
aa aa aa aa
man mein hai kyaa kyaa chhupaa
kaise kahoon ji mohe laaj aayi ee
ho kaise kahoon ji mohe laaj aayi
yaad aayi sainyyaan
yaad aayi ee ee ee
yaad aayi sainyyaan
yaad aayi ee
chhail chhabile teri yaad aayi
o chhail chhabile teri yaad aayi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4423 Post No. : 15836

Today’s song is from the film Sarkar-1951. If this was the title from the times after year 2000, one would find this movie made on some Political subject. But the year was 1951, just 4 years after Independence.

When I was a young boy of about 8-9 years, like most others of my age, I too was very fond of reading stories of Kings and queens. As I grew up, slowly my interest in such stories waned. As I was exposed now to a bigger, wider and different world, my interests rested in many other subjects and after a few years, I totally started avoiding such stories.

Till 1947, there were 562 Princely states. After getting Independence,all these states were merged with India, but the kings retained their status as “Raj pramukh” or the Head of their states, albeit for namesake. Indira Gandhi abolished their Privy purses ( salaries) in 1971 and gradually the remaining status of these heads vanished completely. For thousands of years, Indians lived under some or the other Kings. No wonder their minds liked stories of Kings and Queens. This trait was precisely picked up by the filmmakers and they made films, practically in every Genre, woven around a kingdom or kings, queens and vaziers.

As the newer generation emerged from the Post-Independence period and became adults, they had neither any affinity nor interest in stories of Kings. Their world was wider and hence their film choices were different. By the end of the decade of the 60’s, films woven around kings, kingdoms etc stopped being made regularly.

Now films were made on a variety of topics and themes. The film Genres of Action/Stunt, Costumes and Folk tales became nearly extinct and their place was taken over by crime, horror, music, comedy, action by Spl FX etc etc. The older generation audience compromised with the new changes and started enjoying the new types of films, based on day-to-day topics, called New Wave or Parallel Cinema.

The senior generation of actors who were known for their typical acting in Monarchical films, like Sohrab Modi, Prithviraj Kapoor, Premnath, Ajit etc, either disappeared with time and age or changed their style of acting. In due course of time, the entire set of old actors was replaced by New Generation actors. This is the rule of Times. Almost every 15-20 years, the set of actors and others like singers, composers,directors etc get replaced and suitable people take over.

Today’s film is one of those films, which had a Monarchic story. It was produced by Ramniklal Shah, under his banner of Mohan Pictures, which used to make Action/Stunt, Costume and Mythological films. The film was directed by a veteran K.Amarnath (1-12-1914 to 14-5-1983), who had 34 films to his credit as a successful Director, from Matwali Jogan-36 to Voh din yaad karo-1971. He is known for well known films like Gaon ki gori-45, Mirza Sahibaan-47, Bazaar-49, Beqasoor-50, Bara Dari-55, Naya Andaz-56, Bada Bhai-57 etc etc.

Amarnath is also known for renaming Ajit ( from Hamid Ali Khan), for launching Saleem Khan (Salman khan’s father and one of the famous Saleem-Javed story writers), Sanjay Khan, Minoo Mumtaaz, and Helen. Noorjehan did her last film in India-Mirza Sahibaan, under his direction.. He directed 3 Tamil films also. ( information from his site k.amarnath.com with thanks.)

The 9 songs from the film were written by Qamar Jalalabadi (9) and Mulk Raj Bhakri (3). The music was by Pt. Gobind Ram. The cast included Veena, Ajit, Shashikala, Ulhas, Usha Kiran, Murad, Cuckoo and many others. The story of the film Sarkar-1951 was….

Vikram was head of a Gypsy Group and he had brought up Vijay as his own son. Vijay was so versed in the art of handling swords, that even Vikram was forced to bend down before the swordsmanship of Vijay. . Vijay was son of the king of Ram Nagar who was killed by the usurper, the present king-this secret told by Vikram to Vijay when they actually reached the skirts of Ram Nagar. Vijay was furious to take revenge but Vikram advised him to take every step cautiously.

One night Vijay stealthily entered the palace and reached near the garden where the princess was witnessing a Dance. Cupid did his trick and without Caring to know who is who-Vijay and Princess became one is Love. Vijay returned to his Camp but his heart was with Princess Bella, the daughter of Vikram, who was also in love with Vijay, noticed this change but could not understand it. . Again next night Vijay went to the palace but he could not find the princess in the garden, in search of her, he reached her bed room. Princess was surprised to find him there but more she was pleased to meet him. Now Vijay realised the blindness of his love – he had given his heart to none other than the princess herself but he had to tell l her with a solemn heart that he had come to take off the head of the King-to take revenge of his fathers opposed him, challenged him Vijay was determined, he proceeded.

The prime minister also noticed the steps of Vijay-he drew his sword there was a duel between Vijay and the Prime minister. Hearing the noise, the king got up and saw a stranger in the Palace. Vijay thought best to flee away and he did. The King was surprised and became enraged to see an enemy in the Palace and that too with the Princess. He inquired from her but she could not satisfy him. King gave orders for the execution of the Princess. . When Vijay reached the Camp-Vikram and Bela found him bleeding-they smelt the wound of Love in his heart and Vikram instructed Bela to have a watch over Vijay.

Vijay had no peace-he had to see the Princess-Bela allowed him to go but accompanied him. In the palace the Prime Minister had laid a plot-and the innocent lovers fell Victim. Vijay was arrested and thrashed into the dark cell where Sher Singh, loyal servant of the Late King, was locked up. They both came to know each other but were helpless. . Princess and Bela both tried to save Vijay from the execution- They secretly brought him out of the prison, but this was seen by the Prime Minister and he came to kill Vijay. Meanwhile the King too came there and the prime Minister killed the king and Vijay killed the prime Minister. Finally he and the princess get married and Vijay is crowned the king. All is well that ends well. [Source: Booklet]

The name AJIT evokes an image of a suited,Booted,suave,Corporate style Villain,who has a battery of assistants,typically named Michael,Robert,Peter and the like.He also carries a Black cat in his arms and moves with his moll, ‘Mona Darling’. This villain does not do any bad acts himself. He would mix with the Rich and the Famous,till a poor hero exposes him. One can also recall the flood of ” Ajit Jokes ” in the 80s and the 90s.

Ajit (Hamid Ali Khan) was born on 27-1-1922, in Shahjahanpur-UP. His father was the personal driver of Hyderabad Nizam. Ajit completed education,sold all his books and ran away to Bombay,to become a Hero. After doing some secondary roles in Shah e Misr, Sikandar, Aap Beeti, Hatimtai and Sone ki Chidiya, he became a Hero first time in film JANAMPATRI-1949, opposite Sudha Rao. While doing film Beqasoor-50, Director K.Amarnath gave him his new name AJIT. Till then he was Hamid in the credits,

When he became a hero, Raj, Dilip, Dev and Ashok kumar were in the First grade. Among the second grade were the heros like Karan Dewan, Suresh, Bharat Bhushan,or Shekhar. Ajit looked manly with his height and masculine figure. He worked in 195 films, out of which he was the Hero in about 40 films. He did maximum films -10- with Nalini Jayawant. He was so much accustomed to call her Nalini, that few times he called his own foreigner wife (an Ava Gardener look alike ) as Nalini and enraged by this, she gave him the divorce.
His other heroines were, Madhubala, Geeta Bali, Vanmala, Begum para, Rehana, Kamini Kaushal, Bina Rai, Veena, Jayashree, Nimmi, Meena Kumari etc.

From Mughal e Azam and Naya Daur, he started doing side roles. In Naya Daur, he matched Dilip kumar by all standards. He delivered dialogues like ‘ Rajput jaan se jaate hain, Vachan se Nahin (Mughal-e-Azam) and ‘ Dosti ke naam pe thook diya toone, voh bhi ek loundi ke khatir’ (Naya Daur) and the audience clapped !

From Suraj-1966 he turned a Villain and established his special brand of villainy. He modified and fine tuned the suave Pran’s style further,which became his trademark. Ajit acted in 195 films. Ajit died on 21-10-1998.

Here is what ” Independent” the London daily newspaper wrote in his obituary, on 27-10-1998-

” AJIT was Indian cinema’s most successful villain. Acting in over 200 films in a career which spanned nearly four decades, Ajit delivered his outrageously evil, double entendre one-liners with a deadpan face which inspired a genre of outlandish jokes and eventually made him into a national folk hero.

With his Clark Gable-style pencil moustache and imposing physique, Ajit gave a twist to villainy in Bollywood, India’s film capital city of Bombay. He ably portrayed the ruthlessly suave, archetypal thug constantly surrounded by an army of “heavies”. He was invariably accompanied by a vacuous moll named something like Silly Lilly or Mona Darling and a side-kick called Robert or Mike.

In one of his movies he nonchalantly confines the hero, already beaten to a pulp and chained to a dungeon wall, to a living hell by ordering him to be dipped into a drum full of liquid oxygen. “The liquid will not let him live and the oxygen will not let him die,” he cries. In another film he tells Mona Darling, “The password is `Legs’. Spread the word.”

Ajit’s dialogues were a hilarious mix of Hindi and pidgin English which captured the public’s imagination and led to hundreds of Ajit jokes that are still in circulation today. In one such quip Ajit is asked by his sidekick Peter to suggest a name for his newly born son. “Call him Re Peter,” comes the unblinking response. Ajit himself was vastly entertained by these jokes, which continued long after his retirement from films in the early Nineties. “I used to download them from the Internet and read them to him and he would laugh heartily,” said his son Zahid Ali Khan. ”

Today’s duet is by Mohd. Rafi and Shamshad Begum. It is a good song.


Song-Main maali ka chhokra (Sarkaar) (1951) Singers-Rafi, Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Pt Govindram

Lyrics

Main maali ka chhokra
hoy main maali ka chhokra
mera baag hai jamuna paar paar
mera baag hai jamuna paar
ho mera baag hai jamuna paar paar
mera baag hai jamuna paar
hoy tararararararara hoy
hoy main kisaan ki chhokri
hoy main kisaan ki chhokri
mera khet hai ganga paar paar
mera khet hai ganga paar
mera khet hai ganga paar paar
mera khet hai ganga paar

lelo kela aur naarangi
le lo laal anaar
baabu le lo laal anaar
jo bhi khaaye anaar hamaara
chadhe na usko bukhaar
jo bhi khaaye anaar hamaara
chadhe na usko bukhaar
do do aane
do do aane
do do aane
do do aane
le lo laal anaar yaar
mera baag hai jamuna paar
hoy main maali ka chhokra
mera baag hai jamuna paar paar
mera baag hai jamuna paar
hoy
hoy
teri anaar ??
sasti aur mazedaar
lelo sasti aur mazedaar
aao logon le lo isko
ik paise ki chaar
aao logon le lo isko
ik paise ki chaar
ik paise ki chaar chaar
mera khet hai ganga paar
hoy main kisaan ki chhokri
mera khet hai ganga paar paar
mera khet hai ganga paar

arre suno suno suno suno suno
Amritsar ke lo kharboooje
Kaashi ke amrood
bhaiyya Kaashi ke amrood
Poone ki mausambi le lo
wo bhi hai mauzood
Poone ki mausambi le lo
wo bhi hai mauzood
aur Kaashmeer ke seb khareedo
ek rupaye ke chaar
Kaashmeer ke seb khareedo
ek rupaye ke chaar
ek rupaye ke chaar chaar
mera baag hai jamuna paar
hoy main maali ka chhokra
mera baag hai jamuna paar paar
mera baag hai jamuna paar
hoy dekho dekho dekho dekho dekho
khet hai iska kitna maghanga
saste ka ye khaana
mere saste ka ye khaana
Changu khaaye
Mangu khaaye
khaaye boodhha naana
aur Mangla khaaye
Bindiya khaaye
khaaye sabhi zamaana
ek ek aana
ek ek aana
le lo ek ek aana
ek ek aana
ek ek aana
le lo ek ek aana
ek ek aana
ek ek aana
ek ek aana
ek ek aana
hurr
haa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4404 Post No. : 15793

“Renuka”(1947) was directed by Ramesh Sahgal for Jayant Desai productions, Bombay. This “social” movie had Mubarak, Hemawati, Afzal, Shreemati Vijaydas, Shashi Kapoor (senior), Baby Vimla, Chanda Bai, Kesar Bai, Sati devi, Dharpure, etc in it.

The movie had twelve songs in it. Four songs have been covered in the past.

Here is the next song from the movie. This song is “o bewafa zamaane toone dagha kiya hai.”

The song is sung by Ram Prasad Sharma. Qamar Jalalabadi is the lyricist. Music is composed by Sardar Malik.

I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O Bewafa zamaane toone daga kiya hai(Renuka)(1947) Singer-Ramprasad Sharma, Lyrics-Qamar Jalalabadi, MD-Sardar Malik

Lyrics

o bewafa zamaane ae ae
toone daga kiya hai
o bewafa zamaane ae ae
toone daga kiya hai
do dil mile huye the ae ae
unko juda kiya hai
itna mujhe bata de
rasme wafa yahi hai
itna mujhe bata de
rasme wafa yahi hai
o pyaar karne waale ae kyon dard de diya hai
o pyaar karne wale kyon dard de diya hai
o bewaafa zamane
tune daga kiya hai
do dil mile huye the ae ae
unko juda kiya hai

pahle mile thhe kaise
aur ab mile hain kaise
pahle mile thhe kaise
aur ab mile hain kaise
hum soch kya rahe thhe ae ae
kismat ne kya kiya hai
hum soch kya rahe thhe ae ae
kismat ne kya kiya hai
o bewafa zamaane ae ae
toone daga kiya hai


This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4323 Post No. : 15612

Today’s song is from a C grade Costume film of the 50s, Aan Baan-56. It was made by D D Kashyap, under his own banner, Kashyap Productions, Bombay. Needless to mention that the film was directed by himself. Music was by Husnlal-Bhagatram, with assistance from krishan Chander. The cast of the film was Ajit, Mahipal, Nalini Jaywant, Usha Kiran, Pran, Ulhas, Manmohan Krishna and many others.

On Saturday, 16th May morning, I got a call on my Mobile. I picked it up and saw that it was flashing name of Bharatbhai and his photo. A little surprised to get his call at early morning hours, I took the call and as usual said,” Good Morning Bharat ji. Aaj subah subah yaad kiya ?” There was a pause and an unfamiliar voice said, ” Main Bharat ji ka beta baat kar raha hoon.” I knew he was ill. My mind suddenly became alert. For next 5 minutes his son was giving me details of his illness and finally he ended with those dreaded words, ” last Friday,8th May ko raat mein 1230 baje Bharatbhai ki death ho gayi “.

I was stunned. I gave my condolences to the bereaved family and kept the phone. I sat still for five minutes. Then I saw a missed call from Sadanand ji. I gave him a call. He too had got the news. We shared our thoughts and it was decided that Sadanand ji will announce this news on our WA group.

Old people parting is not unusual, but when the departed one is close to you or a family member, one does feel the pain. Bharatbhai was around 87 year old, recently he had a Hip Replacement operation and thereafter he was not well. I had spoken to him in the Hospital as well as when he came back home also. However, his going was a pinching shock.

I came to know Bharatbhai in or around 2013, through our Blog. Those days we did not have the WA group. We started exchanging songs and related matters on phone and e-mails. Then he and Nitin ji came calling to my house in early 2014, first time an Atulite visited me. I was very thrilled. I introduced my wife to them. We had deeper friendship after that. One of his friends, Mr. Chavda, stays in our building and is my friend too. During the last 7 years we visited each other’s houses many times, for meetings or otherwise also. When some important person used to visit me, I used to call him also. Thus he had met Biren Kothari, Shishir krishna Sharma, Rajnikumar Pandya, AK ji and others first time at my place only.

In 2018, he, myself and Sadanand ji visited Surat to meet Harish Raghuvanshi ji. Even in this age, his enthusiasm and memory was praiseworthy. The last we met was in Sadanand ji’s house. He missed one meeting in my house in this January, due to his health issues.

Bharat ji was Tech Savvy at this age also. He had a good collection of books. He actually xeroxed few books from his collection and gave me, on my request. Jolly and friendly Bharat ji can not be forgotten easily. Losing him is a great loss. I pray for his Eternal Peace and Attainment of Moksha !

Life goes on……

Today’s film was a routine film. The period in which such films attracted audiences had long ceased, but still some such films were made, albeit in much less numbers. Costume films had a fixed theme of story. Good and Old King, bad Vazir or close relative, beautiful daughter, her handsome singing lover, final sword fighting and all is well in the end. Same story with some ship-shaping here and there used to be presented. In this connection I remember one thing.

In 2004, a book called “Why we tell stories’, written by Christopher Booker was published. It is a book having more than 700 pages-728 pages to be exact. The book says “There are only 7 (Seven) basic plots in the whole world. They are recycled again and again in Novels, movies, Plays and Operas. These are
1.Overcoming the Monster
2.Rags to riches
3.The quest
4.Voyage and return
5.Rebirth
6.Comedy and
7.Tragedy “.

After this book was published, there was a chaos and criticism started. ‘New York Times’ also jumped in. The author coolly replied all points and stuck to his statements. If we look at Hindi films, I personally feel that what the author has said is true in our case. Only thing is that our film stories are always a clever mixture of all or some of the above points. A peculiar thing in our film industry is the ” Story Department” in some film production companies. Members of this department have Extra Para Perception and Extraordinary imagination. They can mix all 7 story elements in one ‘Khichdi’ and make a film. There are many cases where over enthusiasm on their part has killed the Box office prospects of even good films.

I quote her an example. Prakash pictures had become famous for their 2 Block buster hit films based on Ramayan stories. So when their third Ramayan film ” Ram Baan”-48 came, anxious audiences crowded the theatres, but within few days, the theatres were almost empty and the film flopped so badly that it could be called a ” super duper Flop ” ! The reason ? The story department of Prakash pictures and their wildest imaginations !

The team of Mohanlal Dave and Pt. Girish twisted the original Ramayan story so crudely (or cruelly?), that the audience could not digest it. The film showed a) Shurpankha’s swayamvar in Ravana’s darbar – which is not in Ramayana b) Sita wants in this film the Suvarn Mrig skin for NOT her Kanchuki, but as a gift to Laxman’s wife Urmila ! Too much wild imagination. c) Ravan gives his Sandals to Seeta to walk out of the Laxman Rekha…utter foolishness and finally d) Shabari goes to Rama to invite him and when he comes, introduces Hanuman and Sugriva to Rama. She describes how Ravana took Seeta to Lanka etc. Total lies !

These story department twists to Ramayana story, put Prakash Pictures to such a loss, that they came out of it only after Baiju Bawra, 4 years later. The story of film Aan Baan -56 is also a twisted form of the set pattern. Nothing really new in it. Naturally the film was not a success. The director D D Kashyap was an all rounder in films.

DHARAM DEV KASHYAP aka D.D.Kashyap was born in 1910 at Jalalpur in UP(now Uttar Pradesh,but earlier called United Province), in a middle class family without any connection to films or music. When DD came to the college in Lucknow, he was awed by the silent movies. By 1931 the Talkie started and he decided films as his career. He knew that it is only Bombay that can extend opportunities to him. Reaching Bombay, he laboriously worked up his way,doing menial jobs on the way, to the V.Shantaram camp. He was a learned man with a flair for writing, hence he got a chance to become an assistant to Munshi Aziz, while writing dialogues for AADMI-1939.(I checked the credits of Aadmi and truly his name features in the list of assistants, in the Dialogues section.) I can only imagine how he must have felt then.
Looking at his enthusiasm, Shantaram promoted him as one of his asst.Directors in PADOSI-1941. He even did a cameo role of OMKAR in Padosi.
Now he had enough experience and his first film as a Director was NAI KAHANI-1943. Then came a series of films, Chand, Nargis, Aaj ki Raat, pyar ki Jeet, Badi Behan, Kamal ke phool, Aaram, Do sitare, badnam, Naya Ghar, Shama Parwana, Aan baan, Halaku, Maya(Dev Anand film), and Dulhan ek raat ki-67.

he has also written the story of 10 o’clock-58.

He was an actor, writer, s/play writer, dialogue writer, producer as well.
Actually he produced Badi behan-a hit film, Aaram-another hit and Shama Parwana.

He died on 5-9-1988,at Bombay.

Today’s song is a duet of Asha and Mubarak Begum, which, I guess, is the only such duet. The song has a suspicious resemblance to another song from a later film – which I am unable to recollect the name now. If any reader knows, please write in comment section.


Song-Aji iss faani duniya mein muhabbat ke siwa kya hai (Aan Baan)(1956) Singers- Asha Bhonsle, Mubarak Begum, Lyrics- Qamar Jalalabadi, MD- Husnlal Bhagatram
Both

Lyrics

Aji iss faani duniya mein
muhabbat ke siwa kya hai
aji iss faani duniya mein
muhabbat ke siwa kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa
aa aa aa aa
muhabbat gar na hoti
kyun chamak hoti sitaaron mein
aa aa aa aa
ghataayen jhoomti kyun
phool kyun khilte bahaaron mein
jo sach poochho muhabbat hi khuda hai
aur khuda kya hai
jo sach poochho muhabbat hi khuda hai
aur khuda kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa
aa aa aa aa
qadam kaise uthhe
kaanton bhari hain pyaar ki raahen
kahin bikhre huye aansoo
kahin bikhri huyin aahen
chale jo pyaar ki raah par
unhen aakhir milaa kya hai
chale jo pyaar ki raah par
unhen aakhir milaa kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa
aa aa
aji manzil pe jab mehboob ka aa aa
deedaar hota hai ae
khabar hoti hai phir
kitaana suhaana pyaar hota hai ae ae ae
jo kaaanton se dare
phoolon ki keemat jaantaa kya hai
jo kaaanton se dare
phoolon ki keemat jaantaa kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa aa
yahi darr lag raha hai
pyaar karke dil na pachhtaaye
meri naazuk ye jawaani
dard ki duniya na ban jaaye ae
tumhi mujhko bataao
dil lagaane mein maza kya hai
tumhi mujhko bataao
dil lagaane mein maza kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa aa
idhar aao zara
ik baar dekho
meri aankhon mein
dhadak uthha hai dil
jaadoo hai kaisa teri aankhon mein

nigaahen mil gayi ab ye bata do
faisla kya hai
nigaahen mil gayi ab ye bata do
faisla kya hai
aji tum thheek kehte ho
muhabbat ke siwa kya hai
aji tum thheek kehte ho
muhabbat ke siwa kya hai

aji is faani duniya mein muhabbat ke siwa kya hai
aji is faani duniya mein muhabbat ke siwa kya hai
aji is faani duniya mein muhabbat ke siwa kya hai


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Blog Day?:

4306 Post No. : 15577

“Saazish” (1959) was directed by Surya Kumar for Filmistan. The movie had Ranjan, Nalini Chonkar, B M Vyas, P Kailash, Balraj, Husn Banu, Randheer, Kanu Roy, Badri Prasad, Ram Avtar, Sabita Chatterji, Indira Bansal, Bhalerao, Vitthaldas Panchotiya, Sulochana etc in it.

The movie had eight songs in it. One song has been covered in the past.

Here is the second song from “Saazish” (1959). The song is sung by Asha Bhonsle. Qamar Jalalabadi is the lyricist. Music is composed by S D Batish.

Only the audio of the song is available. It sounds like a club dance song to me. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Bachke zara hatke (Saazish)(1959) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-S D Batish

Lyrics

ho ho ho
o o
bachke zara hat ke
zara hat ke
hat ke hat ke
ho
bachke zara hat ke zara hat ke hat ke hat ke
ban jaayega tamaasha
dekho na yoon palat ke
aji hat ke hat ke hat ke
o o o
bachke zara hat ke
zara hat ke hat ke hat ke

laralaralalala
laralaralalala
laralaralalarra
tedhi jahaan ki raahen chal khol ke nigaahen
bhoologe hosh saaheb jab do lagenge jhatke
ajo hatk hatke hatke
o o o o bachke
zara hat ke
ban jaayega tamaasha
dekho na yoon palat ke
aji hat ke hat ke hat ke
ho o o o
bach ke
zara hat ke
zara hat ke hat ke hat ke

laralaralala
laralaralala
laralaralala
main hoon jawaan kayaamat
dekho meri karaamat
aayi hai jiski shaamat
wo mere paas phatke
aji hatke hatke hatke
o o o o
bachke
zara hat ke
ban jaayega tamaasha
dekho na yoon palat ke
aji hat ke hat ke hat ke
o o o bach ke zara hat ke
zara hat ke hat ke hat ke

laralaralalala
laralaralalala
laralaralalala
mudna huzoor mudna
ooncha bahut na udna
mudna huzoor mudna
ooncha bahut na udna
varna patang hazrat
neeche giregi kat ke
aji hat ke hat ke hat ke
o o o o
bachke zara hat ke
ban jaayega tamasha
dekho na yoon palat ke
aji hat ke hat ke hat ke
o o o
bachke zara hat ke
zara hat ke hat ke hat ke


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16168

Number of movies covered in the blog

Movies with all their songs covered =1244
Total Number of movies covered =4401

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Active for more than 4000 days.

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