Archive for the ‘Suspense song’ Category
Jiyaa laage naa tum bin mora
Posted on: January 11, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5655 | Post No. : | 18154 | Movie Count : |
4874 |
In the last 2 decades, I have preferred watching films that interest me on video sharing platforms or on OTT. ‘Talaash’ (2012) was one of few films I have watched in a multiplex upon its release after reading the ‘very good’ reviews of the film. And I was not disappointed. The film was a slow gainer on the box office front. Eventually, the film became a ‘semi hit’. Recently, I watched the film on OTT platform to recapitulate its story which I now feel is a complex one.
‘Talaash’ (2012) was jointly produced by Excel Entertainment and Amir Khan Productions and was directed by Reema Kagti. The cast included Amir Khan, Rani Mukherjee, Kareena Kapoor, Rajkumar Rao, Nawazuddin Siddique, Sheeba Chaddha, Suhaas Ahuja, Subrat Dutta, Shernaz Patel, Vivan Batena etc. For Amir Khan, probably, this was his first film in the genre of suspense/mystery drama and also the first time he has been seen in the police inspector’s uniform.
Film’s director, Reema Kagti has been associated with Zoya Akhtar and Farhan Akhtar since the inception of Excel Entertainment, the film’s banner owned by Farhan Akhtar and Ritesh Sidhwani. Reema has also worked on the script of ‘Zindagi Na Milegi Dobaara’ (2011) with Zoya Akhtar and they have worked together on the script of ‘Talaash’ (2012) also. Incidentally, Reema Katgi worked as chief assistant director to Ashutosh Gowariker in Amir Khan’s film, ‘Lagaan’ (2001). Excel Entertainment’s maiden film was ‘Dil Chaahata Hai’ (2001) in which Amir Khan as an actor, Farhan Khan as director and Ritesh Sidhwani as a producer came together for the first time. After a decade or so, the trios have joined together once again in ‘Talaash’ (2012).
‘Talaash’ (2012) is a suspense drama blended with psychological and supernatural themes. The film is aptly titled as apart from searching for his inner peace, the film’s protagonist has also to search for the cause of the accidental death of a film star. The story of the film is a long one because of its complexity.
The film’s protagonist, Inspector Surjan Singh (Amir Khan) and his wife, Roshni (Rani Mukherjee) having traumatised by the accidental loss of their only son, are trying to come out of their grief and are searching (talaash) for solution which is evading them. Their married life is in doldrum and the communication between the husband and wife is minimal. Being police inspector, Surjan is out of the house most of the nights.
In this milieu, Inspector Surjan is entrusted with a high-profile case of the accidental death of a Hindi film star, Armaan Kapoor (Vivan Bhatena) when his self-driven car veers from the road, breaks the parapet wall of Chaupaati beach and gets drowned in the Arabian Sea in the wee hours. From the CCTV footage, it was observed that there was no traffic and no pedestrians. Armaan Kapoor was not found drunk. It is, therefore, surprising as to why the car suddenly veered from road to fall into the sea. And this is the suspense of the film.
After the accidental death of his son, Inspector Surjan Singh has been suffering from insomnia. So, most of the time, he is on the night stroll with his assistant Inspector (Rajkumar Rao). With Armaan Kapoor’s case, he is searching for the clue for his accidental death. A vital information which he has got is that a bag containing a huge amount of cash in Armaan Kapoor’s car is missing. Why was Armaan Kapoor carrying such a high amount of cash?
While waiting in the car near the accident site in the night, Rosie (Kareena Kapoor) who is a prostitute, comes to Surjan’s car soliciting customer. With some conversations, Inspector Surjan feels that she can be of help to get some leads and she is ready to help him. Rosie virtually becomes a police informer. With further enquiries and with the help of Rosie, the case is moving towards the blackmailing of Armaan Kapoor’s friend, Sanjay (Suhas Ahuja) by a pimp, Shashi (Subrat Dutta) who is missing with a bag containing the cash. His friend, Taimur Langda (Nawazuddin Siddiqui) has seen him stuffing his bag with cash before leaving.
On the home front, Roshni gets a neighbourhood friend, Frenny (Shernaz Patel) who through some supernatural medium, convinces Roshni that her son can communicate with her mother through Frenny, and she writes what has been communicated. Roshni starts believing because her son talks in communications what is known only to her. However, Surjan Singh discourages her not to get into supernatural trap as their son is dead and he cannot communicate. In fact, he puts Roshni for some psychiatric counselling for her state of mind. But Roshni thinks that it is her husband who needs counselling more than her.
In the meanwhile, Shashi is shot dead by a criminal who has been hired by Sanjay. Taimur finds in Shashi’s house, apart from some cash, a DVD of CCTV footage showing Armaan Kapoor, Sanjay and the escort, Simran (Kareena Kapoor) traveling in a car which met with an accident about 3 years back during which Simran dies and left at the accident spot unattended. It is the same spot where Armaan Kapoor’s car met with an accident few days back. Now, it is clear that Shashi was blackmailing Armaan Kapoor and after his death, he was now blackmailing Sanjay for the death of Simran.
After the murder of Shashi, Taimur sees an opportunity to continue blackmailing Sanjay. After few days, Taimur is also killed by criminals hired by Sanjay. With the help of Rosie, Surjan gets a hint that the both the murders are the handiwork of Sanjay who was fed up with constant blackmailing. Surjan visits Sanjay’s house with a warrant and takes him to the police station. While driving, Surjan is using the same road to the police station where Armaan’s car had met with an accident. Surjan and Sanjay see Rosie standing ahead. In order to avoid colliding with Rosie, Surjan’s police van veers towards the beach and falls into the sea. Sanjay dies but Rosie saves Surjan.
It becomes clear from the CCTV footage that Simran was Rosie who came as a ghost of Simran. Surjan’s boss convinces him that with the death of Sanjay, the case of murder of Shashi and Taimur gets automatically closed. As to the accidental death of Armaan Kapoor, no one is going to believe Surjan’s version that he died due to some supernatural event by the presence of Rosie at the accident spot, who was the ghost of Simran. Finally, Sujan gives his official report that Armaan’s death was an accident.
Surjan returns home and finds a communication from his son written by Frenny in which the son says to his father that he should not feel guilty of his death, and he wants his father and mother happy. Surjan returns to the riverside place where he used to meet Rosie and uncovers Simaran’s remains where Shashi had hidden her body. He gives her a proper funeral so that her spirit does not return as Rosie. Roshni comes to the river side and consoles her husband.
‘Talaash’ (2012) had 5 songs written by Javed Akhtar and set to music by Ram Sampat. Born in Chembur, Mumbai, to a Tamilian father and a Kannadiga mother, Ram Sampat spent his childhood in the musical environment. His father had a keen interest in Carnatic music while his mother preferred Hindi film music, His grandfather, Professor T V Ramanujam was one of the three founders of Shanmukhananda Hall & Fine Arts, Mumbai and a patron of Carnatic music. Some of the great Carnatic vocalists and musicians like MS Subbulakshmi, Balamuralikrishna, Palghat Mani Iyer etc used to stay with his family while in Mumbai.
Ram Sampat learnt Carnatic music for 8 years followed by learning Hindustani classical music for 3 years as a vocalist. By the time he turned a teenager, he was clear that he wanted to become a composer. In Poddar College where he completed his B. Com, he was a part of rock band where he played keyboard.
Ram Sampat started his musical journey in advertising industry with composing jingles. His next progression was to compose non-film song albums, some of which became very popular like ‘Tanha Dil’ (2000). With this, he was noticed by Hindi film makers. ‘Khaaki’ (2004) was his first Hindi film as a music director which got him recognition. Another film which got him recognition as a music director was ‘Delhi Belly’ (2011). It was his association with Amir Khan’s TV serial. ‘Satyamev Jayate’ (2012) as a music director that worked in his favor to get the film ‘Talaash’ (2012). (Source: Ram Sampat’s interview published in The Times of India, June 12, 2013).
Ram Sampat has a music production house, ‘OmGrown Music’, in partnership with his wife, Sona Mohapatra, who is a well-known singer-composer. She has a degree in mechanical engineering and a MBA in marketing from Symbiosis, Pune. She started her career as a Brand Manager in a consumer goods company from where she got associated with the advertising industry. She left her job to fully concentrate on singing and music compositions. She is popular for her stage shows as an anchor and a singer.
Of the 5 songs of ‘Talaash’ (2012), I am presenting the first song from the film which is my favourite song, “Jiya Laage Na Tum Bin Mora’ rendered by Sona Mohapatra and Ravindra Upadhyay. The song is a good example of a fusion music in which the vocalists sing a thumri based semi-classical song accompanied by western orchestra, mainly drum and bass.
Javed Akhtar poetic lyrics brings out the state of minds Surjan (Amir Khan) and Roshni (Rani Mukherjee) are going through after the accidental death of their son. Both are trying to get out of the trauma, but unable to do so. While Sujan is fighting with his inner guilt feelings, blaming himself for the loss of his son, Roshni wants Surjan’s support to relieve her pain from the loss of her son. The first four lines of the song points that the solution lies within and so near but the protagonist is seeking solution elsewhere and far off.
Video
Audio
Song-Jiya laage naa tum bin moraa (Talaash)(2012) Singers-Sona Mohapatra, Ravindra Upadhyay, Lyrics-Javed Akhtar, MD-Ram Sampat
Lyrics (based on audio clip):
mann tera jo rog hai. . .
mohe samajh na aa..aaye
paas hai jo sab chhod ke. . .
door ko paas bulaaye
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora. . .
kyaa jaane kyun hai
kyaa jaane kaisi
andekhi si dor. . .
jo khenchti hai jo le chali hai
jo khenchti hai jo le chali hai
ab youn mujhe teri oar
ho o o main anjaani
hoon wo kahaani
hogi na jo poori. . .
ho o o main anjaani
hoon wo kahaani
hogi na jo poori
ho o o paas aaoge to paaoge
paas aaoge to paaoge
phir bhi hai ik doori
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
mann ab tak jo boojh na paaya
tum wo paheli ho. . .
koi na jaane kya wo rahas hai
koi na jaane kya wo rahas hai
jiski saheli ho
ho o o main muskaaun
sabse chhupaaun
vyaakul hoon din rain
ho o o main muskaaun
sabse chhupaaun
vyaakul hoon din rain
ho o o kab se na aayi
nainon mein nindiya
kab se na aayi
nainon mein nindiya
mann mein na aaya chain
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
jiyaa laage na tum bin mora
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Hindi script lyrics (Provided by Sudhir)
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मन तेरा जो रोग है
मोहे समझ ना आए॰ ॰ ॰
पास है जो सब छोड़ के
दूर को पास बुलाये॰ ॰ ॰
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा॰ ॰ ॰
क्या जाने क्यों है
क्या जाने कैसी
अनदेखी सी डोर
जो खैंचती है
जो ले चली है
जो खैंचती है
जो ले चली है
अब यूं मुझे तेरी ओर
हो ओ ओ ओ
मैं अनजानी
हूँ वो कहानी
होगी ना जो पूरी
हो ओ ओ
पास आओगे तो पाओगे
पास आओगे तो पाओगे
फिर भी है एक दूरी
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
मन अब तक जो बूझ ना पाया
तुम वो पहेली हो॰ ॰ ॰
कोई ना जाने क्या वो रहस है
कोई ना जाने क्या वो रहस है
जिसकी सहेली हो
हो ओ ओ
मैं मुसकाऊँ
सब से छुपाऊँ
व्याकुल हूँ दिन रैन
हो ओ ओ
मैं मुसकाऊँ
सब से छुपाऊँ
व्याकुल हूँ दिन रैन
हो ओ ओ
कब से ना आई
नैनों में निंदिया
हो ओ ओ
कब से ना आई
नैनों में निंदिया
मन में ना आया चैन
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
जिया लागे ना तुम बिन मोरा
Aur kaun aayegaa
Posted on: February 6, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5315 | Post No. : | 17428 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Aur Kaun-1979’)
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(A tribute to Lata Mangeshkar on her first ‘Remembrance Anniversary’)
Today we pay our tributes to the greatest singer of our country Late Lata Mangeshkar on her ‘first Remembrance Anniversary’ on 6 February 2023.
She passed away last year in 2022 on this day.
As a tribute to her today I am presenting a ‘lesser-heard’ song from the ‘1979’ movie ‘Aur Kaun’. I was not aware of this song anytime in the past. I was aware of the name of the movie, though which was released in my childhood and was ‘certified’ as an ‘adult movie’, thus ruling out any chances that I would be able to watch it during its first run. . As luck would have it, I never got an opportunity to watch this movie. (Watching it on Internet is the most uncomfortable thing for me so I have not tried it. May be in future if it is required I will try 🙂 ).
Recently when I was browsing the blog and I came across this movie, I noticed that only one song from this movie was posted on the blog and that too long back on 01.05.2009. This song is ‘haan pehli baar ek ladki mera haathh pakad kar….’, which no doubt is the most well-known song from this movie I guess.
At least I can say that I am familiar with this song. But when I looked for the other songs from this movie they didn’t look familiar to me. However, when I listened to the song under discussion in this post,it reminds me of couple ‘pre-Himmatwaala’ period Bappi Lahiri compositions that I had shared in the blog in the past.of songs composed by Bappi Lahiri from the ‘pre-Himmatwaala’ period and those I have shared on the blog so far, namely songs from ‘Paapi-1977’ and ‘Saboot-1980’. One common thing about these songs is that they are sung by none other than Lata Mangeshkar.
So I think this rare song (the ‘YouTube’ link say so) suits the occasion perfectly when we are paying our tributes to Lata Mangeshkar.
This is the only song that Lata Mangeshkar had sung in this movie ‘Aur Kaun-1979’.
Padmini Kapila lip syncs this “bhootiya” “gumnaam hai koi” genre of song on screen and actor Sachin, like archtypical hero of such horror films, tend to get drawn towards the source of the song and thusfalling into the trap trap.(That is my guess from watching the video of this song).
“Aur Kaun-1979” was directed by Tulsi Ramsay and Shyam Ramsay for ‘Ramsay Pictures’ or their home production.
It had Sachin, Rajni Sharma, Padmini Kapila, Roopesh Kumar, Sudhir, Vimal Sahu, Kanchan Mattu, Birbal, Om Shivpuri and others.
Madan Puri and Nazir Hussain had a friendly appearance in this movie.
This movie was passed by Censor Board on 05.01.1979.
This movie had four songs (as per detail given below), which were written by Amit Khanna and composed by Bappi Lahiri.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Haan pehli baar | Kishore Kumar | 01.05.2009 |
| 02 | Hoon … raat aayi re, ho saath laayi re | Bappi Lahiri, Sulakshana Pandit, chorus | |
| 03 | Aur kaun aayegaa aa | Lata Mangeshkar | |
| 04 | Dilwaali kidhar se aayi hai | Vijayeta Pandit, chorus |
Today’s song is the second song from this movie to be posted on the blog.
Let us now listen to the song, which is the title song of the movie and pay our tributes to Lata Mangeshkar.
(Lyrics noted are as per audio link which is a longer one…)
Video
Audio
Song-Aur Kaun aayega (Aur Kaun)(1979) Singer-Lata Mangeshkar, Lyrics-Amit Khanna, MD-Bappi Lahiri
Lyrics
Ho ho ho ho
O o
o o o o o o
O o
o o o o
Aa haa aa aa
aur kaun
aayegaa aa aa
aur kaun
aayegaa aa aa
pukaar lo o o
bahaar ko o o o o
yaar ko o o o
pyaar ko o o
aur kaun
aur kaun
aayegaa aa
aayegaa aa
pukaar lo o o
pukaar lo o o
bahaar ko o o
bahaar ko o o
yaar ko o o
yaar ko o o
pyaar ko o o
aur kaun
aur kaun
aayegaa aa aa
aayegaa aa aa
aayegaa aa aa
aayegaa aa aa
aayegaa aa aa
ha ha ha ha
haa ha ha ha
barson ki hai chubhan
bheega saa
hai badan mera aa aa
aahon mein
hai agan
mera sab
hai sajan tera aa
ho o o o
barson ki
hai chubhan
bheega saa
hai badan mera aa
aahon mein
hai agan
mera sab
hai sajan tera aa
pukaar lo o o
pukaar lo o o
bahaar ko o o
bahaar ko o o
yaar ko o o
yaar ko o o
pyaar ko o
aur kaun
aur kaun
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
aise main
akeli
waise hoon
paheli
raaja aa
sachchi main
saheli
saathi hoon
albeli
aaja aa
ho o o o
aise main
akeli
waise hoon
paheli
raaja aa
sachchi main
saheli
saathi hoon
albeli
aaja aa
pukaar lo o o
pukaar lo o o
bahaar ko o o
bahaar ko o o
yaar ko o
yaar ko o
pyaar ko o o
aur kaun
aur kaun
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
apnon ka
saaya hoon
sapnon ki
chhaaya hoon
dilbar rrr
yaadon mein
aana hai
vaadaa nibhaana hai
milkar rrr
ho o o
apnon ka
saaya hoon
sapnon ki
chhaaya hoon
dilbar rrr
yaadon mein
aana hai
vaadaa nibhaana hai
milkar rrr
pukaar lo o
pukaar lo o
bahaar ko o o
bahaar ko o o
yaar ko o o
yaar ko o o
pyaar ko o
aur kaun
aur kaun
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aa
Aaja aaja aaja ab to aajaa
Posted on: June 16, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4716 | Post No. : | 16423 |
“Ek Paheli”(1971) was directed by Naresh Kumar for Asha Movies, Bombay. This suspense movie had Feroz Khan, Tanuja, Rajendranath, Madan Puri, Aruna Irani, Bipin Gupta, Madhavi, Manohar Deepak, Tuntun, Daljeet, Laxmi Arya, B M Vyas, Sndar, Uma Khosla etc in it.
“Ek Paheli”(1971) had six songs in it. Five songs have been covered so far. Here are the details of these five songs :-
| Song | Date of posting |
|---|---|
| Mera tumhaara saath to sadiyon ka saath hai | 15 June 2009 |
| Kaahe kartaa hai tu itna shor…tera mera ek rastaa | 9 September 2009 |
| Aansoo ki ik boond hoon main | 20 December 2013 |
| Main ek paheli hoon barson se akeli hoon | 25 September 2020 |
| Ye raat ye jawaani ye botal sharaab ki | 9 June 2021 |
Here is the sixth and final song from “Ek Paheli”(1971) to appear in the blog. This song is sung by Asha Bhonsle. This song plays in the background with suspense all over the place. We see Feroz Khan, Madan Puri etc hiding behind various places in a Cementry while a mysterious female figure is seem walking around ruins. Unlike most Hindi suspense movies, where the mysterious female figure dons a white sari, here the female figure is in western dress ! That is a bit of a letdown as far as I am concerned. 🙂
The song itself is suitably spooky, hich could be described as a “gumnaam hai koi” genre of song. Suman Kalyanpur has done a very nice job singing it. Asad Bhopali is the lyricist. Music is composed by Usha Khanna.
With this song, all the six songs of “Ek Paheli”(1971) are covered in the blog and the movie gets YIPPEED in the blog.
Audio
Video
Aaja aaja aaja ab to aa jaa (Ek Paheli)(1971) Singer-Suman Kalyanpur, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
koi aahat koi sadaa
jab aayi
dil chaunk uthha
bheegi bheegi palken jhhapkin
mujhse mere dil ne kaha
dil ne kaha
aaja
aaja
aaja
Ab to aa jaa
dhhalne lage hain ujli raat ke dhundhhle saaye
aaja
aaja
aaja
ae mere mehboob e nazar
aa bhi jaa
ab der na kar
khul jaaye na raaz kahin
aa jaaye na koi idhar
koi idhar
aaja
aaja
aaja
Ab to aa jaa
dhhalne lage hain ujli raat ke dhundhhle saaye
aaja
aaja
aaja
dil ki baat adhoori kyun hai
pyaar mein ye majboori kyun hai
janam janam se hum donon mein
aakhir itni doori kyun hai
doori kyun hai
aaja
aaja
aaja
Bindiya tarsey kajraa barsey
Posted on: April 22, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4661 | Post No. : | 16330 |
‘Phir Wohi Raat-1980’ was directed by Danny Dengzongpa for ‘Prithvi Pictures, Bombay’. It was produced by N.N. Sippy. It had Rajesh Khanna, Kim (new discovery), Shashikala, A.K. Hangal, Suresh Oberoi, Lalita Pawar, Tamanna, Aruna Irani, Danny Dengzongpa, Om Shivpuri, Shobha Khote, Jagdeep, Mukri, Bhagwan, Mohan Choti, Birbal, Madhu Malhotra, Shashi Kiran, Manmauji, Prakash, Lalita Kumari, Brahm Bharadwaj, Ranjeet Sood, Jugnu, Chand Usmani, Moolchand, Gopal Saigal, Miss Sapna, Master Ashish, Master Vikas, Master Chirag and others.
Story and screenplay of this movie were written by Dhruv Chhaterji. Dialogues of this movie were written by Dr. Balkrishna Mauj.
Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali.
This movie was passed by Censor Board on 06.08.1980 with restricted viewing (only for Adults) certificate.
This movie had six songs, all written by Majrooh Sultanpuri and composed to music by R.D. Burman.
So far, five songs from this movie have been posted on the blog.
Let us have a look on the plot of the story (taken from ‘Wikipedia’ but edited for this article) and appearance of the songs in this movie;
Asha (Kim) lives in a hostel and is troubled by the nightmares of her deceased aunt. The hostel warden (Lalita Pawar) and her friend Shobha (Aruna Irani) take her to a psychiatrist Dr Vijay (Rajesh Khanna). Doctor finds nothing wrong with her and advises her to get away from old memories. Parents of other girls from the hostel complains the administration about Asha’s behaviour and she was told to vacate the place. Asha decides to go to her ancestral home. Dr Vijay and Shobha accompanies her.
“Asha ye duniya bhi ek university ki tarah hai, Asha insaan ko waqt ki tarah hona chaahiye, waqt jo pichhe mud kar kabhi nahin dekhta. Asha sachcha insaan wahi hai jo jeena jantaa hai.”
That is how Dr Vijay (Rajesh Khanna) tries to motivate Asha (Kim). Shobha, Asha’s friend also tries to motivate her.
Here we have the first song of this movie which is ‘dekho idhar dekho, aye mere hamsafar, jeewan ke safar mein peechhe mud ke kya dekhna’ (posted on the blog on 12.02.2021) …Asha’s ancestral home is a huge manor and is taken care of by Vishwanath (A.K. Hangal) and his daughter Gauri (Tamanna). As the three of them relax after the travel and go to sleep the second song of the movie takes place here in the background and all of them wake up to see who is singing on the Piano in the same room of Asha’s deceased Aunt who is no more …
After this another incident the next morning we have Asha and Vijay going for horse riding in the picturesque location of hills and river around. Asha hides herself and as Vijay looks for … Aasha … Asha aa … Aasha aa … we have this lovely song ‘sang mere nikley thhe saajan, haar baithhe thodi hi door chal ke’ (posted on the blog on 26.02.2013).
Dr Vijay and Asha develop a bond and after a few days’ Dr Vijay goes back to city for some work. Same night Asha sees a scary looking woman walking in the corridors. The woman keeps haunting her every night and Asha’s condition worsens.
Aasha asks Vishwanath to immediately call back Dr Vijay.
Dr. Vijay is on his journey to Aasha’s place … his car has some problem and stops on the road. One gentleman is passing by in his car who knows everything about Vijay but do not tells Vijay about him. He helps to get re-start Vijay’s car and left. When Dr. Vijay reach Aasha’s place he meets the same person here who Shobha introduces as Ashok (Danny Dengzongpa) as her cousin.
As Aasha’s condition worsens Dr Vijay and Ashok takes her to a senior specialist Doctor Desai (O Shivpuri) … Aasha’s birthday is coming and
Dr Vijay and Ashok plan a big party on the occasion of Asha’s birthday. Ashok calls his wife who lives abroad to join them. On this occasion happens this fourth song in the movie which Dr Vijay sings … ‘chhalkaao jhoom ke paimaanaa khushi ka’ (posted on the blog on 11.03.2013)Ashok’s wife arrives, when Asha is cutting her birthday cake. Asha gets shocked to see her as she is the same woman who is haunting her from last many days in the house. She gets panicked and stabs Ashok’s wife, who succumbs to her injuries and dies on the spot. Police inspector Sharma (Suresh Oberoi), who is a guest of the party arrests Asha on the charge of murder. The court suspends the hearing as Asha’s condition is not stable and she is not suitable to go through the legal process.
Dr Vijay treats Asha and tries to get the answer why Asha killed Ashok’s wife. He tells Asha that Ashok’s wife arrives in India on the same day and there is no possibility that Asha saw her before her birthday in that house. But Asha is adamant that it was Ashok’s wife who was haunting her.On the other side Ashok wants to get rid of Shobha who helped him in this plan, by paying her huge sum, but Shobha declines all and tells Ashok that she has done everything because she loves him too much. Understanding the situation Ashok tries to pretend that he was just joking and he too loves Shobha.
Here we have Shobha celebrating and singing ‘phir wohi raat aayi jaan e jaan’ (posted on the blog on 20.05.2013) …Gauri also gets killed after a few days. Shobha starts watching another woman walking around the house.
In between we have a comic relief by Jagdeep, his wife Shobha Khote and his many children.
Here the sixth and final song of this movie ‘aa gaye yaaron jeene ke din’ (posted on the blog on 29.03.2021) happens where Jagdeep and his friends Mohan Choti, Bhagwan, Mukri, Birbal, Gopal Saigal, Manmauji, Machchhar are enjoying and celebrating party.
Dr Vijay investigates further with the help of Inspector Sharma (Suresh Oberoi) and solve the mystery at the end exposing a web of lies and greed.
Today’s song (the second song in this movie) is the theme song of this movie and gets played in the background many times.
Today’s song is sung by Lata Mangeshkar and composed by R.D. Burman.
Let us now enjoy today’s song and say ‘Yippeeee’ for this movie as all the songs of this movie get covered on the blog …
Video (shorter)
Audio (Longer)
Song-Bindiya tarsey kajra barsey(Phir Wahi Raat)(1980) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
O o o
O o o
Aa aa aa aa
Aa aa aa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajnaa
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajnaa
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Main pyaasi piyaa aawan ki
Koyal si bin saawan ki
Ho main pyaasi piyaa aawan ki
Koyal si bin saawan ki
Bhatkoon re ae saathi bina
naa naa naa
Bindiyaa tarsey
Kajaraa barse
Aaye naa saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Yaad karoon jab sooratiya
Aur jale bheegi ankhiyaan
Ho yaad karoon jab sooratiya
Aur jale bheegi ankhiyaan
Kuchh mohe soojhe naa naa
Aa aa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Aa aa
Dhoond thhaki sab dwaar gali
Raat yoon hi phir beet chali
Ho dhoond thhaki sab dwaar gali
Raat yoon hi phir beet chali
Aaye piyaa aajhoon na
Naa naa
Bindiyaa tarsey
Kajraa barase
Aaye na saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Main khadi aangnaa
Main khadi aangnaa
Main khadi aangnaa
Mera pyaar hai bhool bhulaiyya
Posted on: September 28, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Ye Raat Phir Na Aayegi” (1966) was directed by Brij for Shri Krisha Films. The movie had Biswajeet, Sharmila Tagore, Madhumati, Prithviraj Kapoor, Mumtaz, Asit Sen, B. M. Vyas, Helen, Sailesh Kumar etc in it.
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Pyaase dil ki pyaas bujhaane
Posted on: October 10, 2013
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Neeyat” (1980) was produced by Pradeep Sharma and directed by Anil Ganguly for Screen Idol Productions. The movie had Rekha,Jeetedra,Shashi Kapoor,Rakesh Roshan,Ranjeet,Dr.Sri Ram Lagoo, Pinchoo Kapoor, A.K.Hangal, Anoop Kumar,Bindu, Birbal, Deven Varma,Geeta Siddharth, Manmohan, Kumar Aditya, Master Sandeep, Padmini Kapila, Rajan Kapoor, Mushtaque Merchant, Rinku Jaiswal etc in it.
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Sunaayi de na de tum ko
Posted on: April 20, 2013
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Geet tere saaz ka
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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