Archive for September 2019
Haay dil haay dil
Posted on: September 30, 2019
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4091 | Post No. : | 15233 | Movie Count : |
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Today’s song is from the film Vijay-42 – a very obscure film. The film was made by National studios. It was directed by Mohan Sinha. Lyrics of all the 10 songs of the film were by Dr. Safdar Aah Sitapuri, which were composed by Anil Biswas.
Due to heavy losses and the general effects of the second world war, Sagar Movietone was in the red and it joined hands with Yusuf Fazal Bhoy (of RCA)’s company General Films to start a new venture ” National Studios “, in which even Tatas invested some money. National studios made a total of 16 films, before it was wound up. Chimanlal Desai of Sagar left after the first 3 films,namely Aurat, Pooja and Sanskar – all in 1940, and started his own Amar pictures.
The cast of film Vijay was Durga Khote, Harish, Husn Bano, Sankatha Prasad, Vaskar, Maya Devi, Ansari, Agha etc etc.
In our life, there are times when we think of ” Lucky and Unlucky”. Human nature, in general is such that it tends to consider certain things as Lucky for him. It can be people, place or even inanimate things. I have noticed that mostly those people whose livelihood revolves round their physical performance, say like Sports, Acting or other artists believe in Lucky-Unlucky most. There was that famous Cricketer who always entered the playing field with his right foot first. Another one put on his left shoe first. Everybody’s method of wooing the Luck factor is different.
A performance industry like Film Industry is not immune from this Lucky-Unlucky factor. Individual actors or MDs, Lead Pairs, Film Titles, Film stories etc have been labelled Unlucky unabashedly, by the industry. Let us see some examples…
Composer Daan Singh had 6 films in hand, but 4 remained incomplete and only 2 got released. Even his 2 Rajasthani films remained unfinished. He was promptly labelled Unlucky and had to go back to his native place. Kamal Rajasthani had the same story. Out of 9 films on hand, 7 were unfinished and only 2 C grade films were released. He too was called Unlucky.
Rajendra Kumar- Waheeda Rahman was an unlucky pair. Dalsukh Pancholi gave them lead roles in his film ‘Nirmala’. He died and the film was shelved half way. Film ‘Palki’-67 was under making, when its director S U Sunny died. The film was somehow competed but it flopped miserably. Then S S Vasan brought them together in film Shatranj-69. He died during the shootings and it was left incomplete. In film Dharti-70, this pair was in lead, but the director’s mother died on the sets and the film was left stranded. Is it a wonder, if the pair was called ‘Unlucky’ ?
Another Unlucky pair was Dev Anand- Meena Kumari. In film Sanam-51, Meena Kumatri was a side Heroine. From this film Dev-Suraiya pair separated for ever. Its director Nandlal Jaswantlal started his downfall and subsequently died later. The pair came again in films Tamasha and Baadbaan , made by the employees of Bombay Talkies. Both films flopped and Bombay Talkies closed down for ever. Another of their film “Kinare Kinare” was delayed for almost 10 years, finally releasing in 1963, but flopped to such an extent that its producer Nyay Sharma got heart attack due to high debts. No one dared to bring this pair again in any film !
Finally, the curious case of unlucky actor Gajanan Jagirdar. In 1941, Jagirdar worked in Prabhat’s film ” Padosi”. After this film , V. Shantaram and Jayashree left Prabhat. In 1944, Jagirdar directed and acted in and as “Ramshastri” for Prabhat. During the film shooting, Prabhat’s partner Vishnupant Damle expired and Prabhat became rudderless. Third time when Jagirdar went to Prabhat to act as and in ” Lokmanya Tilak”, Prabhat not only closed down but was also auctioned ! Jagirdar acted in film “Mahatma” in English, Hindi and Marathi in 1953 for Alhad Chitra’s Datta Dharmadhikari. Due to high debts, the company not only closed down, but the wife of Dharmadhikari had to cook and make Tiffins to survive ! Finally, when he acted in film ” Shahir Parshuram”-61, made by Mangal pictures, the company closed down and was sold out ! No wonder, in film circles, Jagirdar was typedcast as ” Unlucky ” !!
Why I remembered this Lucky-Unlucky matter was the title of today’s film – Vijay. The name Vijay has a special significance in film industry. When Amitabh Bachhan was going through a real bad patch in his career, he got the film “Zanjeer”-73, by chance and this film changed his life for ever and he never looked back. This hit film had Amitabh as Vijay in it as his name. Amitabh was so much enamoured with the name Vijay, that he started insisting that in every film his name should be Vijay – for luck. And sure enough, in films like Deewar, Hera Pheri, Trishul, Shahenshah, Agneepath (My name is Vijay Deenanath Chavan), Shaan, Shakti, Don, Dostana etc he was named Vijay and the films succeeded. Even in film Sholey, his name was Jay – a short form of Vijay, to pair with name Veeru !
According to one film site, Amitabh was named Vijay in as many as 20+ films from 1973 to 2000. Since finding name Vijay successful, many other actors too wanted this name and consequently, Jeetendra was Vijay in 18 films, Mithun Chakrawarty was Vijay in 16 films. Additionally Shashi Kapoor in 7, Shatrughna Sinha in 6, Raj Babbar in 6, Jacky Shroff in 5, Sunil Dutt in 4 films. Further Govinda, Rajesh khanna, Vinod Khanna etc also had Vijay name by choice in their films.
So much for the concept of Lucky – Unlucky !
Film Vijay-42 was directed by Mohan Sinha. Mohan Sinha was born on 2-12-1903 at Indore. He studied upto Matriculation in Indore. His uncle was General Bhavnani Singh, who was in the Indore state army. With his help, Mohan got in state army as a Lieutenant. However, he did not continue for long and left the army. In 1933, he started a film company at Indore-Navyug films. But due to lack of opportunities in Indore, it was closed soon.
Mohan came to Bombay, floated Krishna Films and made and directed a film ” Fashionable India”-35. It was a hit film and he got offers from Rajputana films,General Pictures, Circo and National. He worked with all of them. Sinha went to Calcutta and started Murli pictures. He made ” Swaraj ke sipahi”-37, which was a flop. He came back to Bombay and directed Industrial India-38, for General films. Then came Swastik-39, Laxmi-40,Anuradha-40 and Vanmala-41. He floated Murari Pictures in 1942 and made Badlati Duniya-43 and Krishnarjuna yudha-45 ( This film was appreciated by Dr. Rajendra prasad, Dr. Shamaprasad Mukherji, Veer Savarkar and Acharya kriplani also)
In 1946, Mohan Sinha directed K L Saigal in Omar Khayyam, Surendra in 1857, Raj Kapoor in Dil ki Rani-47 and Dev Anand in Jeet-49. Mohan Sinha directed in all 32 films. He wrote lyrics for 62 songs in 7 films. His last film was Shaan E Hind-60. He died in 1984. Mohan Sinha’s granddaughter Vidya Sinha was an actress. Vidya’s mother was Mohan’s daughter and she died while giving birth to Vidya. From what I had read somewhere, Vidya’s father PRATAP RANA was so grief stricken that he refused to see his new born daughter and it was Mohan who brought her up and even named the little one after her Late mother VIDYA and gave her his own surname.
All the songs of film Vijay-42 were written by Dr.Safdar Aah Sitapuri. It was director Mehboob, who brought Safdar as a Lyricist for his film Aurat-40, made by National Studios. The composer was Anil Biswas. The pair of Anil Biswas and Safdar lasted for many films. In fact, Dr. Safdar wrote his last song for film Maan-54 for which Anil Biswas composed the music.
Dr. Safdar gave songs to many films of National Studios like, Asra, behan,Roshni, Roti, Vijay etc. His best known song was was the famous Mukesh song ‘ Dil jalta hai to jalne de” from Pehli Nazar-45. He wrote 197 songs for 28 films. He also tried his hand at directing 2 films, namely Bhookh-47 and Maan-54.
Today’s song is a very rare song. According to the uploader, our own Sadanand Kamath ji, it is probably the only song which used the word ” Dilchasp’ in the lyrics.
The song is very melodious and is a duet of Anil Biswas and Amar- an occasional singer. The real name of Amar was Nasir. He was from Punjab. He was born in 1920. After doing bit roles in some films,he got a major break in film Sanyasi-45,in which he sang 5 duets and 1 solo. His solo song,’ Tooti hui kashti’ became very popular.
In 1946,he was the Hero of film Bindiya, where Ragini ( who later migrated to Pakistan) was his Heroine. MD was Kamal Dasgupta, who gave him 3 songs.
Then he was Hero of Suraiya in Natak-47. He sang 1 duet with her and 2 solos. Later he did films like Maang, Lalaji, Vijay, Shukriya, Keemat etc. After 1950 he was doing character roles till 1970. He acted in total 89 films and sang 18 songs in 8 films. He died in 1980.
With this song, “Vijay”(1942) makes its debut in the blog.
Song- Haay dil haay dil (Vijay)(1942) Singers- Anil Biswas, Amar, Lyrics- Dr. Safdar Aah Sitapuri, MD- Anil Biswas
chorus
Lyrics
haay dil
haay dil
haay dil
haay dil
kaash khoya hua mera mil jaaye dil
kaash khoya hua mera mil jaaye dil
haay dil
haay dil
haay dil
haay dil
ye haseenon ka dilchasp baazaar hai
jisko dekho wo dil ka khareedaar hai
ye haseenon ka dilchasp baazaar hai
jisko dekho wo dil ka khareedaar hai
kaise bach kar yahaan se bhalaa jaaye dil
kaise bach kar yahaan se bhalaa jaaye dil
haay dil
haay dil
haay dil
haay dil
koi kahta hai dilwaale aana idhar
koi kahta hai dilwaale aana idhar
koi zaalim chalaata hai teer e nazar
koi zaalim chalaata hai teer e nazar
sa yahi chaahte hain ki mit jaaye dil
sab yahi chaahte hain ki mit jaaye dil
haay dil
haay dil
haay dil
haay dil
kaash khoya hua mera mil jaaye dil
kaash khoya hua mera mil jaaye dil
haay dil
haay dil
haay dil
haay dil
- In: Background song | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lyrics contributed by readers | Movie ending song | movie opening song | Multi part song | Multiple version song | Patriotic song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4090 | Post No. : | 15232 | Movie Count : |
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#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 87 # Jeewan Sangraam-1974 #
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Every year we celebrate our Republic Day on 26th January and Independence Day on 15th August.
This year we celebrated our our 70th Republic Day on 26th January (26.01.2019)and 73rd Independence Day on 15th august 2019.
Hearts of Indians are naturally filled with pride and enthusiasm on such occasions. It is also natural that we are reminded of the many ‘patriotic songs’ on these occasions- they could be from Hindi movies or non-film songs.
This year our Atul ji posted a very nice song and an appropriate article on the occasion. I enjoyed this song and, in the process, also browsed the blog for the other songs which I do remember whenever we celebrate our Independence Day and Republic Day. These songs always bring back those memories when I was a school going boy.
We used to get ready very early in the morning and after the flag hoisting at school and ‘prabhat-pheri’ up to the ‘gram panchayat’ school we again used to attend the flag hoisting ceremony at our colony club ground where the general function would take place for all employees (of the state electricity board) and their families. The distribution of sweets after the program was also a big attraction for us children then.
This time on both the occasions i.e. on Independence Day and Republic Day I could not send a song or a post from my side for the blog. But then I was thinking that is it necessary that we post patriotic songs on these two occasions only?
There are many other special occasions too where we have birth anniversaries and Remembrance Day of the leaders who lead the ‘freedom struggle’ and laid their lives for the freedom, even though they followed different thought process and different line of action to reach their goals.
Yesterday 28th September 2019 was the birth anniversary of one of the most loved martyrs of our country Bhagat Singh. And we remember him on his anniversary and paid our tributes as possible in our own ways.
We do always remember our ‘freedom struggle’ and the ‘hard earned freedom very much and ‘WE’ value it every day.
And may be in the history of our ‘freedom struggle’ it is possible that not a single day was without the fight and sacrifice by our countrymen.
Similarly, our armed forces guarding our borders have to fight every day to secure our borders and foil any attempt against our country by those who want to disturb peace in our country.
And even though we are busy with our daily routine our heart is always with our armed forces who are securing our borders and delivering their duties in the most difficult conditions and delivering their best in the many adverse conditions be it weather or other created circumstantial difficulties time to time, and many times sacrificing their lives whenever it is required so.
I remember one song from Marathi movies ‘sainik ho tumchaysaathi’ which is very close to my feelings that I have mentioned above and also those which I am unable to express in words. This song is just perfect to express those feelings.
(This is from the Marathi movie ‘Paahu Kiti Re Vaat-1963’, of which the lyrics are written by G.D. Madgulkar and it was composed by Datta Davjekar. This song is sung by Asha Bhonsle)
The lyrics are in Marathi and are given with the YT link above, so I am not reproducing them here. I am also not trying to translate it because I feel I will not be able to do that perfectly, except the last three lines;
“रक्षिता तुम्ही स्वातंत्र्या प्राणांस घेउनी हाती
तुम्च्यास्तव आमुची लक्ष्मी तुम्च्यास्तव शेतीभाती
एकट्या शिपायासाठी झुरतात अंतरे कोटि”
You protect our freedom exposing your lives to danger
Our prosperity is because of you
Our livelihood (farms and crops) are because of you
Billions of hearts yearns/flounders for every soldier
And, why I am mentioning this above is that many times, I and may be all of us have to go through these feelings and even helplessly we cannot we do anything except reading in the news and expressing our solidarity with our forces whenever there are attacks or commotion on our borders, or other domestic problems where to control the situations our forces are deployed, and while doing so they have to sacrifice their lives…
But our soldiers who are there protecting us are braver then we think, just see this ‘tweet’(which was on tweeter recently) by an army Officer after one of our Officer was captivated by our neighboring country after the attacks on our CRPF Jawans in February this year , and we all were praying for his safe return …
“Dear Friends, things happen. It’s a War… don’t feel disheartened. Indian Armed Forces are capable to take on any mission! Cheer Up… Chin Up… Keep the josh HIGH Just stand UNITED and behind your soldiers, their families and veteran. They will NEVER EVER disappoint YOU Jai Hind”
***
So the spirit of our armed forces and people is always there to protect our country and fight for the country even if it requires of sacrificing of our lives.
Our love and concern for our motherland is always there. We are proud of our history, culture, heritage, and the stories of bravery and valor that will continue to inspire the coming generations.
And, if we have a movie on such historical incidence it has to be here on the blog and that is the reason for this post today.
Many of us (I consider people of my age here) may be remembering to have read about ‘Koma Gata Maru’ in the textbooks of history while in schools. (I am not aware if all those incidences of history which I read in my school days are still included in the today’s school curriculum).
Well, here is a brief about ‘Koma Gata Maru’…
Koma Gata Maru or S.S. Koma Gata Maru a Japanese steamship was hired by Gurudit Singh or Baba Gurdit Singh who was a businessman in Hong Kong.
It sailed on 04.04.1914 from Hong Kong to Coal Harbor, Vancouver and anchored there on 23.05.1914.
What inspired Gurudit Singh can be mentioned in this idea that “The visions of men are widened by travel and contacts with citizens of a free country will infuse a spirit of independence and foster yearnings for freedom in the minds of the emasculated subjects of alien rule”
The ship was to carrying around 346 passengers to Canada who want to immigrate there. However, the strict Canadian immigration laws doesn’t allow them to embark there and the ship was sailed back to Calcutta.
Gurdit Singh was aware of the discriminatory Canadian laws for the south Asians, however India under British rule then and Indians being a British subject he challenged the Canadian laws. The ship was hulled in the sea for almost two months and later on forcefully sailed back to India (on 23.07.1914) except twenty peoples were allowed to enter Canada. This incident has gone down as a shameful incident in the history of Canada.
When the ship sailed back to India and docked at the Budge Budge dockyard at Calcutta the Britishers who by now were known of the revolutionary intent of the people in the ship mostly Sikhs attacked them with Bullets and many people were killed in this incident while the leaders were successful to escape and enter India.
In India, the ‘Koma Gata Maru’ memorial was set up near Budge Budge, Calcutta in 1952 which was inaugurated by our first Prime Minister Jawaharlal Nehru.
In 2014 government of India issued two special coins, INR 5 and INR 100, to mark the centenary of the Komagata Maru incident.
In Canada a monument in remembrance of the Komagata Maru incident was unveiled in July 23, 2012 near the steps of the seawall that lead up to the Vancouver Convention Centre West Building in Coal Harbour.
A stamp commemorating the 100th anniversary of the arrival of Komagata Maru was released by Canada Post on May 1, 2014.
(source of information – Wikipedia and many articles available in Canadian media, official website of Canadian Museum for Human Rights, Canadian Encyclopedia, Ottawa Citizen etc.)
Today’s movie ‘Jeewan Sangram-1974’ was made on this subject.
And how I became aware of this movie and its song also has story behind it.
I always vaguely remembered to have watched a movie with my Uncle in my childhood days titled ‘Sangram’ having actor Shashi Kapoor.
The other thing I vaguely remember which always keep me haunting with this movie name was Shashi Kapoor tied in ropes and many people surrounding him and he is trying to pull the ropes and fighting with them.
Over the years this image could not erase from my memory. And from the movie name which I had in my mind I imagine that the hero is struggling for something or may be his life has become a ‘Sangram’.
As I grow, I keep searching for this movie for many years. After coming into contact with this blog and getting more familiar to internet and continued searching, I finally came to know that the movie is not ‘Sangram’ but it is ‘Jeewan Sangram’.
Then I started looking for this movie or its songs. There was not a single song from this movie which was popular or which I remember to have listened to anywhere. Even I think this movie may not have been a successful movie of its time.
Well, as few years passed, I found one song available on YouTube which was picturised on Manmohan (and I was planning for an article on him …). Then one day I find this today’s song and listened to its one part (that time I think only one part was available) and then forgotten again.
Finally, months back when I checked this song again and realized that this song is a song praising our ‘mother land’ and love for the country, or this was a ‘patriotic song’ to put it straight.
Now coming to the image that I had in my mind since my childhood. Well I watched this movie online and there is no such scene in this movie, where Shashi Kapoor is tied with ropes.
However, there is one scene in the end of the movie where Arjun Singh (Shashi Kapoor) himself come out and face bullets from all corners where the Police has already been waiting for him to surrender, but he embraces death to make people awake and thinking that his sacrifice will inspire people to fight the Britishers. (So, one can understand how deep impact this scene has on my impressionable mind then, and it kept haunting me all these years 🙂 )
**
As I watched this movie in parts and not at one go, I keep noting many things which I would like to share for information only.
The movie starts with the following offerings;
“The makers of this movie offer their homage to Baba Gurdit Singh whose courage and vision steered S.S. Koma Gata Maru back to Indian Shores.
Baba Sohan Singh Bhakna – Founder-President of the Ghadar Party (in California USA) – an undisputed leader of the early revolutionaries.
Kartar Singh Sarabha – Stormy petrel of the Indian Revolution. Fearless Fire-brand who was sentenced to death at the tender age of nineteen only.
And those thousands of others, who like the hero of our film, gave of their utmost to their motherland, but whom history has cruelly ignored…”
And that gives us an idea of the storyline of this movie.
The movie starts with 29th September 1914, Budge Budge dockyard Calcutta where the ship ‘S.S.Koma Gata Maru’ carrying Indians abroad reached from Canada, where entry to these peoples was denied.
After the titles we are introduced by the commentator …
“Door deshon se aaye huye ye wo kaumi parwaane hain, jo desh ke liye apna sab kuchh lutaakar Bharat ko aazaad karaane ke liye aaye
Duniya ki sabse badi sultanat ke khilaaf baghaawat ka jhanda lehraate huye, inn muthhi bhar janbaazon ne, jaise hi apne desh ki dharti par qadam rakhaa to inka swaagat … (goliyon se huaa)” …
The leader of these Baba Gurdit Singh Sandhu from Sarhali and other patriots were also involved in ‘Ghadar Party’ activities to fight with the British and make India free from Britishers.
Baba Gurdit Singh’s initial idea that “The visions of men are widened by travel and contacts with citizens of a free country will infuse a spirit of independence and foster yearnings for freedom in the minds of the emasculated subjects of alien rule” lead him to gather patriotic Indians from abroad whom he want to take to Canada, however entry to all of them was denied and they were sent back to Calcutta. Reaching Calcutta all these leaders and their associates were attacked by British resulting brutal killings of many and arrests of many, except Baba Gurdit Singh, Baba Nidhan Singh and Arjun Singh who fled away.
After this the main protagonist in the movie Arjun Singh (Shashi Kapoor) with Baba Nidhan Singh and Sachin Sanyal continue the cause of Ghadar Party and preparations for the mutiny in ‘British Indian Army’ which is planned for 21st Feb’1915.
However British Police lured one of the activists who becomes informer for them and the mutiny is advanced for 19th Feb.
Here I would stop myself from detailing of what happens next 😊 the movie is available online and those who are interested to watch it may watch it at least once. (I watched it full once and then repeat for many parts during the preparation of this article.)
The tagline in the posters of this movie mentioned it as ‘The flaming story of a people’s revolt against tyranny’
I also like the dialogues in this movie and why not after all they are written by Gulzar and Qamar Jalalabadi.
“Marna bhala hai uska, jo apne liye jiye,
Jeeta hai wo, jo mar chuka hai desh ke liye”
Arjun Singh (Shashi Kapoor) says this to Baba Nidhan Singh insisting him to allow to go to Calcutta to meet Sachin Sanyal instead of Baba Nidhan Singh going there and endangering his life.
The most interesting and introspecting dialogues are between Om Shivpuri and Shashi Kapoor.
As police gets the information and they start following Arjun Singh (Shashi Kapoor) from Calcutta in train and Arjun Singh after a scuffle and fight with them gets injured and jumped into a river and finally landing in the ‘khema’ where Om Shivpuri is the leader who has seen the 1857 revolution and how the infighting, treachery and back-stabbing among ourselves helped the British. He has lost all the hopes of people rising again to fight the British.
Ye ajeeb naashukaron ka desh hai beta
Ajeeb bujhdil hai yahaan ke log
Arjun Singh’s reply is;
Is desh ki haalat
In logon ki khudgarzi
Mujhse chhuppi nahin hai
Lekin ye khudgarzi, ye loot-khasot jab aakhri had ko pahunch jaati hai tabhi inquilaab ka waqt aata hai, aur aaj …aaj wo waqt aa gaya hai.
Seeing hope in Arjun Singh, Om Shivpuri extends support to Arjun Singh in the cause of ‘freedom’ …
Further story is how all these patriots fights the British till their end …
***
‘’Jeewan Sangraam-1974’ was produced and directed by Rajbans Khanna for his home production ‘Rajbans Pictures, Bombay’.
Rajbhans Khanna also wrote the story of this movie.
It had Shashi Kapoor, Radha Saluja, Om Shivpuri, Iftekhar, Jalal Agha, Asit Sen, Manmohan, Murad, Tarun Bose, Padma Khanna, Ram Mohan, Tun Tun, Laj Bedi, Kishan Mehta, Gopal Bhatnagar, Abhimanyu Sharma, Yash Kumar, Dhanna, Kamal Deep, Meena Chitnis, Paresh Nanda, Om Sahani, Sujata, Sudhir Thakkar, Sunil Chakravarty, Bhag Singh, Fatima, and Monika Gupta.
Editing of this movie was done by Das Dhaimade.
Screenplay and Dialogues of this movie were written by Gulzar and Qamar Jalalabadi.
This movie had total four songs (including one ‘three-part’ song i.e. the today’s song).
Lyrics of these songs were written by Indeewar (two songs), and Gulzar and M.G. Hashmat had written one song each.
Lata Mangeshkar, Asha Bhonsle, Usha Mangeshkar, Mahendra Kapoor, Chanchal gave their voices to the songs in this movie.
Music for this movie was composed by Kalyanji-Anandji.
This movie was passed by Censor Board on 30.12.1974.
Let us now enjoy the today’s song sung by Narendra Chanchal and composed by Kalyanji-Anandji. Lyrics are by M.G. Hashmat.
As I have mentioned above earlier, I thought this song was only one part, but then I find second part and when checked through HFGK Vol-V (1971-80) it mentioned this song as a ‘three part’ song. I found audio for the first part with an extra stanza which, I think, was not included in the movie. I already had located videos of other two parts except the first part. Later on, I also found the video for the first part of this song. I am thankful to all the uploaders who have uploaded this movie and its songs on YouTube.
(This song appears in the movie at the following timings as given below)
00:00:39 to 00:03:16 (part-I)
00:05:44 to 00:06:17 (chorus, mukhda)
00:07:50 to 00:08:10 (mukhda, chorus)
01:06:01 to 01:07:02 (chorus, mukhda)
01:24:11 to 01:26:08 (part-II)
02:04:51 to 02:07:07 (part-III)
The ‘Koma Gata Maru’ incident in history took place on 29th September 1914 and today is 29th September 2019. One hundred and five years have passed to this incident.
But grateful nation always remembers its martyrs and all those known and unknown who have fought for the freedom of India.
Every small incident in our history of freedom struggle is a source of great inspiration for the coming generations, and all those stories of courage, valor and sacrifice needs to be passed on to them by every Indian in his lifetime.
Let us now listen to the today’s song in the special and unforgettable voice of Narendra Chanchal who has rendered it very soulfully …
With this today’s song “Jeewan Sangraam-1974” makes a debut on the blog!!
(Note- Thanks to our Sudhir ji who hold this post shared by me in March this year and advised me that we should present it on the anniversary of the ‘Koma Gata Maru’ incident i.e. on 29th September today).
Audio (Part I) With additional stanza in the audio version
Video (Part II)
Video (part III)
Song-Meri zindagi tumhaare pyaar pe qurbaan ho (Jeewan Sangraam)(1974) Singer-Narendra Chanchal, Lyrics-M G Hashmat, MD-Kalyanji Anandji
Chorus
Lyrics (Provided by Avinash Scrapwala)
——————-
Part I
——————-
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Main sar utthha ke jee sakoon
Main sar utthha ke ae jee sakoon
Meri maut mein bhi shaan ho
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Aa aa aa
Aa aa aa
Aa aa aa
aa aa aa aa
Aa aa aa aa aa
O o o o
Tere ehsaanon ke aage
Har qurbaani kam hai
Maa
Har qurbaani kam hai ae ae ae
Har qurbaani kam hai
O o zanjeeron mein jakdi hai tu
Iskaa mujhko gham hai maa
Iskaa mujhko gham hai ae ae ae
Iskaa mujhko gham hai
Ho o o o o
todoonga main ae ae ye zanjeerein
Aa aa aa aa aa
todoonga main ye zanjeerein
Badloonga bigdi taqdeerein
Sah naa sakoon apmaan ko
Meri zindagi tumhaare ae ae
Aa aa aa aa aa
Pyaar pe qurbaan ho
Aa aa aa aa aa
Meri zindagi tumhaare ae ae
Aa aa aa aa aa
Pyaar pe qurbaan ho
Aa aa aa aa
—————————————-
Part II
—————————————-
Chhod mujhe ae kyon chal di aye maa aa
Tujh bin kaun hai mera aa
Tere binaa ye saara aa jeewan
Ab to lagega aa andhera
Tujh se bichhad ke
Tadap rahaa hoon
Bin manzil ke ae bhatak rahaa hoon
Andhiyaare mein ae ae ae
Jyot jagaa de ae
Jyot ki dil mein ae
aag lagaa de ae
Poora karoon armaan ko
Meri zindagi tumhaare ae ae
Hmm hmm hmm
Pyaar pe qurbaan ho
Hmm hmm hmm
Meri zindagi tumhaare ae ae
Hmm hmm hmm
Pyaar pe qurbaan ho
Hmm hmm hmm
—————————————————
Part III
—————————————————
Meri zindagi tumhaare ae ae ae
Pyaar pe qurbaan ho
Main sar uthha ke ji sakoon
Meri maut mein bhi shaan ho
Ho o o o o o
Ho o o o o o
Ho o o o o o
O o o o o o o
O o o o o o o
Ho o o o
Ek marey Bharat ka beta
Laakh ubhar ke aayen ae ae ae
Laakh ubhar ke aayen
O o o
Aag ke sholey bankar lapken
Zulmon se takraayen
Zulmon se takraayen
Ho o o o
Qurbaani ko o o o
chali toliyaan
Qurbaani ko chali toliyaan
Qurbaani ko chali toliyaan
Khoon se khelen veer holiyaan
Jawaan iraade jhuk naa paaye
Baaghi dariya ruk naa paaye
Baaghi dariya ruk naa paaye
Jo bhi huaa aa aa Shaheed watan par
Roop badal kar phir aayega
Todega Bharat ke bandhan
Yahi taraana dohraayega
Yahi taraana dohraayega
Aa aa aa aa
Poojoon quami nishaan ko
Meri zindagi tumhaare ae ae ae
Pyaar pe qurbaan ho
——————————————
Audio Version
——————————————
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Main sar utthha ke jee sakoon
Main sar utthha ke ae jee sakoon
Meri maut mein bhi shaan ho
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Aa aa aa
Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Ho o o
pyaar ko toone janam diya hai
Pyaar amar ho tera aa Maa
Pyaar amar ho tera aa aa aa
Pyaar amar ho tera aa
O o o isi pyaar ki laaj bachaana
Deen dharam hai mera Maa
Deen dharam hai mera aa aa aa
Deen dharam hai mera
O o o o
Jo bhi tujhpe ae aankh uthhaaye
Aa aa aa aa aa
Jo bhi tujhpe ae aankh uthhaaye
Wo mera dushman kehlaaye
Le loon uski jaan ko
Meri zindagi tumhaare ae ae
Pyaar pe qurbaan ho
Aa aa aa
Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
O o o o
Tere ehsaanon ke aage
Har qurbaani kam hai ae
Maa
Har qurbaani kam hai ae ae ae
Har qurbaani kam hai
O o zanjeeron mein jakdi hai tu
Iskaa mujhko gham hai maa
Iskaa mujhko gham hai ae ae ae
Iskaa mujhko gham hai
Ho o o o o todoonga main ae ae
ye zanjeerein
Aa aa aa aa aa
todoonga main ye zanjeerein
Badloonga bigdi taqdeerein
Sah naa sakun apmaan ko
Meri zindagi tumhaare ae ae
Aa aa aa aa aa
Pyaar pe qurbaan ho
Aa aa aa aa aa
Meri zindagi tumhaare ae ae
Aa aa aa aa aa
Pyaar pe qurbaan ho
Aa aa aa aa aa
————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————–
(भाग – १) (द्रुक-श्राव्य कड़ी के आधार पर)
——————————
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
मैं सर उठा के जी सकूँ
मैं सर उठा के ए जी सकूँ
मेरी मौत में भी शान हो
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ
ओ ओ ओ ओ
तेरे एहसानों के आगे
हर कुर्बानी कम है ए
माँ
हर कुर्बानी कम है ए ए ए
हर कुर्बानी कम है
ओ ओ जंजीरों में जकड़ी है तू
इसका मुझको ग़म है माँ
इसका मुझको ग़म है ए ए ए
इसका मुझको ग़म है
हो ओ ओ ओ ओ तोडूंगा मैं ये जंजीरें
आ आ आ आ आ
तोडूंगा मैं ये जंजीरें
बदलूँगा बिगड़ी तकदीरें
सह ना सकूँ अपमान को
मेरी ज़िन्दगी तुम्हारे ए ए
आ आ आ आ आ
प्यार पे कुर्बान हो
आ आ आ आ आ
मेरी ज़िन्दगी तुम्हारे ए ए
आ आ आ आ आ
प्यार पे कुर्बान हो
आ आ आ आ आ
——————————
(भाग – २ )
——————————
छोड़ मुझे ए क्यों चल दी अय माँ आ
तुझ बिन कौन है मेरा आ
तेरे बिना ये सारा आ जीवन
अब तो लगेगा आ अँधेरा
तुझ से बिछड़ के
तड़प रहा हूँ
बिन मंजिल के ए भटक रहा हूँ
अंधियारे में ए ए ए
ज्योत जगा दे ए
ज्योत की दिल में ए आग लगा दे ए
पूरा करूँ अरमान को
मेरी ज़िन्दगी तुम्हारे ए ए
ह्म ह्म ह्म
प्यार पे कुर्बान हो
ह्म ह्म ह्म
मेरी ज़िन्दगी तुम्हारे ए ए
ह्म ह्म ह्म
प्यार पे कुर्बान हो
ह्म ह्म ह्म
————————————-
(भाग – ३ )
————————————-
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
मैं सर उठा के जी सकूँ
मेरी मौत में भी शान हो
हो ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ
हो ओ ओ ओ
एक मरे भारत का बेटा
लाख उभर के आये ए ए ए
लाख उभर के आये
ओ ओ ओ
आग के शोले बनकर लपके
ज़ुल्मों से टकरायें
ज़ुल्मों से टकरायें
हो ओ ओ ओ
कुर्बानी को ओ ओ ओ चली टोलियाँ
कुर्बानी को चली टोलियाँ
कुर्बानी को चली टोलियाँ
खून से खेलें वीर होलियाँ
जवान इरादे झुक ना पाए
बाग़ी दरिया रुक ना पाए
बाग़ी दरिया रुक ना पाए
जो भी हुआ आ आ शहीद वतन पर
रूप बदल कर फिर आएगा
तोड़ेगा भारत के बंधन
यही तराना दोहराएगा
यही तराना दोहराएगा
आ आ आ आ
पूजूं क़ौमी निशान को
मेरी ज़िन्दगी तुम्हारे ए ए ए
प्यार पे कुर्बान हो
———————————————
(पहले भाग का श्रवण कड़ी के अनुसार दिया गया पहला अतिरिक्त अंतरा जो फिल्म में शामिल नहीं किया गया ऐसा प्रतीत होता है)
———————————————–
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
मैं सर उठा के जी सकूँ
मैं सर उठा के ए जी सकूँ
मेरी मौत में भी शान हो
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ
हो ओ ओ
प्यार को तूने जनम दिया है
प्यार अमर हो तेरा आ माँ
प्यार अमर हो तेरा आ आ आ
प्यार अमर हो तेरा आ
ओ ओ ओ
इसी प्यार की लाज बचाना
दीन धरम है मेरा माँ
दीन धरम है मेरा आ आ आ
दीन धरम है मेरा
ओ ओ ओ
जो भी तुझपे ए आँख उठाए
आ आ आ आ आ
जो भी तुझपे आँख उठाए
वो मेरा दुश्मन कहलाये
ले लूं उसकी जान को
मेरी ज़िन्दगी तुम्हारे ए ए
प्यार पे कुर्बान हो
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ
ओ ओ ओ ओ
तेरे एहसानों के आगे
हर कुर्बानी कम है ए
माँ
हर कुर्बानी कम है ए ए ए
हर कुर्बानी कम है
ओ ओ जंजीरों में जकड़ी है तू
इसका मुझको ग़म है माँ
इसका मुझको ग़म है ए ए ए
इसका मुझको ग़म है
हो ओ ओ ओ ओ
तोडूंगा मैं ये जंजीरें
आ आ आ आ आ
तोडूंगा मैं ये जंजीरें
बदलूँगा बिगड़ी तकदीरें
सह ना सकूँ अपमान को
मेरी ज़िन्दगी तुम्हारे ए ए
आ आ आ आ आ
प्यार पे कुर्बान हो
आ आ आ आ आ
मेरी ज़िन्दगी तुम्हारे ए ए
आ आ आ आ आ
प्यार पे कुर्बान हो
आ आ आ आ आ
Main ek disco tu ek disco
Posted on: September 28, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4089 | Post No. : | 15231 |
Today (28 september 2019) is the 90th birthday of Lata Mangeshkar (DoB 28 september 1929).
When one discusses songs sung by Lata, we mostly discuss all time classics, songs that have stood the test of time, songs that have become iconic etc. And there are hundreds of such songs.
Also, she was very particular about the kind of songs that she would sing. She would look down upon songs with lyrics that she found objectionable. Instead of facing her ire, music directors would often take the easy way out and get these songs sung by some other singer. And the major beneficiary was her own sister Asha Bhonsle. Most cabaret songs sung by shady female characters (often Helen, Bindu etc: ) in the movie went to Asha Bhonsle. On some occasions, some music directors who had the necessary connections with Lata ji (viz Laxmikant Pyarelal) managed to convince her to sing such songs. That is how we found her agreeing to sing a few cabaret songs for Laxmikant Pyarelal.
The “Inteqam”(1969) cabaret song Aa jaane jaan tere liye main aas lagaaye is a song that is normally the preserve of Asha Bhonsle, Lata has done an Asha Bhonsle in this song !
Likewise, when the “disco” craze began, which killed off the golden era of HFM for ever, it is rare to see her singing “disco” songs.
So it comes as a great surprise to everyone how she agreed to sing this “disco” song from “Khuddaar”(1982). This movie was produced by F K Rattonse and Anwar Ali and directed by Ravi Tandon for Yokohoma Productions, Bombay. The movie had Sanjeev Kumar, amitabh Bachchan, , Vinod Mehra, Tanuja, Parveen Babi, Bindiya Goswami, Prem Chopra, Mehmood, A K Hangal, Ramesh Dev, Pinchoo Kapoor, Raveendra Kapoor, Madhu Malini etc in it.
The movie had seven songs in it and the songs were mostly of “Chaalu” kind as was the trend in those days. Our own Raja, even to this day, can be successfully trolled by reminding him that the song Angrezi mein kahte hain ki I love you wfrom this movie was the top hit song of Binaca Geetmala that year. 🙂
On the occasion of Lata Mangeshkar’s birthday, here is a “Disco” song from “Khuddaar”(1982).To this day, I have not been able to understand how Lata Mangeshkar agreed to sing this song ! But she sang this song alright. And this song is a party song too, fit to be covered on the occasion of her birthday.
The song is sung by Lata and Kishore Kumar. If Lata agreed to sing such a song, then Majrooh Sultanpuri agreed to pen a song like this ! Music is composed by Rajesh Roshan. He certainly must have been quite a persuasive person, who convinced Majrooh Sultanpuri and Lata to be associated with this song. 🙂
The song is picturised as a party song on Vinod Mehra, Kalpana Aiyyer and many others.
Audio
Video
Main ek disco tu ek disco (Khuddaar)(1982) Singers-Lata, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan
Chorus
Lyrics
main ek disco
tu ek disco
main ek disco tu ek disco
duniya hai ek disco
disco eighty two
disco eighty two
disco eighty two
lalalalalala
pani sa
ni dha re sa ni sa pa
pa ni re
ramaramarama
meri khushiyaan
mere sapne
hain zinda yahin
mujhe pinjra na dikhaao
main parinda nahin
meri khushiyaan mere sapne
hain zinda yahin
mujhe pinjra na dikhaao
main parinda nahin
mujhe kehne de kehne de
tujhko meri kasam
disco eighty two
disco eighty two
disco eighty two
lalalalala
pa ni sa
ni sa ni sa ni sa pa
pa ni re
ramaramarama
ye jaam to phir jaam hai koi eher to nahin
ise peeke gungunaaun
tu khafa to nahin
ye jaam to ye jaam hai koi zeher to nahin
ise peeke gungunaaun
tu khafa to nahin
mujhe jeene de jeene de
tujhko meri kasam
disco eighty two
disco eighty two
disco eighty two
disco eighty two
disco eighty two
lalalalalala
tu mujhse main tujhse kuchh kehte rahen
raat aadhi baat baaki
hum bahakte rahen
mujhe udne de udne de
tujhko meri kasam
disco eighty two
disco eighty two
disco eighty two
lalalalala
main ek disco
tu ek disco
main ek disco tu ek disco
duniya hai ek disco
disco eighty two
disco eighty two
disco eighty two
lalalalala
ru ru ru
ru ru ru ru ru ru ru
- In: Background song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Lata solo | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4089 | Post No. : | 15230 |
Today (28 september 2019) is the 90th birthday of Lata Mangeshkar (DoB 28 september 1929).
She started her playback career in 1940s and she went on to sing till early 2000s, viz for seven decades ! Mindboggling indeed.
She sang just under 5700 songs in Hindi movies according to our estimate. The blog has 3475 of her songs and so we are one of the rare places on internet where so many of her songs can be accessed at one place.
Another 2000 odd of her songs remain uncovered. it is a matter of time before her remaining songs (that are available) will also find representation in the blog.
On this occasion, here is a song from “Dard”(1981). “Dard”(1981) was produced by Shyam Sundar Shivdasani and directed by Ambreesh Sangal fo Murghan Enterprises, Bombay. This “social” movie had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishn Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaldeep, Harjeet, Poornima Jairam, Mazhar Khan (2), Master Raju etc wih special appearance by Ranjeeta.
The movie had seven songs in it. Four songs have already been covered in the past.
Here is the fifth song from “Dard”(1981) to appear in the song. This song is sung by Lata. Naqsh Llayalpuri is the lyricist. Music is composed by Khayyam.
The song is picturised as an expression of love song on Hema Malini and Rajesh Khanna. The song is not lip synced by Hema Malini rather it gets plays in the background.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Video
Song-Na jaane kya hua jo toone chhoo liya(Dard)(1981) Singer-Lata, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Lyrics(Provided by Avinash Scrapwala)
Na jaane kyaa huaa
Jo toone chhoo liyaa
Naa jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Nikhar nikhar gayee
Sanwar sanwar gayee
Nikhar nikhar gayee
Sanwar sanwar gayee
Banaa ke aainaa tujhe ae jaaneman
Na jaane kyaa huaa
Jo toone chhoo liyaa aa
Bikhraa hai kaajal fizaa mein
Bheegi bheegi hai shaamein
Boondon ki rimjhim se jaagi
Aag thhandi hawaa mein
Aajaa sanam
ye haseen aag ham
Len dil mein basaa
Naa jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Na jaane kyaa huaa
Jo toone chhoo liyaa aa
Aanchal kahaan
main kahaan hoon
Ye mujhe hosh kyaa hai
Ye bekhudi toone di hai
Pyaar kaa ye nashaa hai
Sun le zaraa
saaz e dil gaa rahaa
Hai naghmaa teraa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Na jaane kyaa huaa
Jo toone chhoo liyaa aa
Kaliyon ki ye sej mehke
Raat jaage milan ki
Kho jaayein dhadkan mein teri
Dhadkanen mere mann ki
Aa paas aa
teri har saans mein
Main jaaun samaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Nikhar nikhar gayee
Sanwar sanwar gayee
Banaa ke aainaa tujhe ae jaaneman
Na jaane kyaa huaa
Jo toone chhoo liyaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
——————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
——————————
न जाने क्या हुआ
जो तूने छू लिया
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
निखर निखर गयी
संवर संवर गयी
निखर निखर गयी
संवर संवर गयी
बनाके आइना तुझे अय जानेमन
न जाने क्या हुआ
जो तूने छू लिया आ
बिखरा है काजल फिजा में
भीगी भीगी है शामें
बूंदों की रिमझिम से जागी
आग ठंडी हवा में
आजा सनम
ये हसीं आग हम
ले दिल में बसा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
न जाने क्या हुआ
जो तूने छू लिया आ
आँचल कहाँ
मैं कहाँ हूँ
ये मुझे होश क्या है
ये बेखुदी तूने दी है
प्यार का ये नशा है
सुन ले ज़रा
साज़ ए दिल गा रहा
है नगमा तेरा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
न जाने क्या हुआ
जो तूने छू लिया आ
कलियों की ये सेज महके
रात जागे मिलन की
खो जाएँ धड़कन में तेरी
धडकने मेरे मन की
आ पास आ
तेरी हर सांस में
मैं जाऊं समा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
निखर निखर गयी
संवर संवर गयी
बना के आइना तुझे अय जानेमन
न जाने क्या हुआ
जो तूने छू लिया आ
न जाने क्या हुआ
जो तूने छू लिया आ
न जाने क्या हुआ
जो तूने छू लिया आ
Ek baat bataao hamen gori
Posted on: September 26, 2019
- In: Actor-Singer song | Ashok Kumar Leela Chitnis duet | Ashok Kumar songs | Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Leela Chitnis Song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Romantic song | Songs of 1940s (1941 to 1950) | Songs of 1941 | Tonga song | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4087 | Post No. : | 15228 |
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Blog 10-Year Challenge (2009-19) – Song No. 47
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When one discussed a movie of 1940s, one often assums by default that it must be a “boring” movie, one which may not hold the interest of later generation movie goers. And when one finds that this movie has Ashok Kumar and Leela Chitnis in lead roles, people who have seen them in character roles may consider dropping the idea of watching the movie.
But what if I tell you that this movie from 1941 is a laugh riot ? And that this movie was the original inspiration of “Padosan”(1968) ? I am sure that people will suddenly get interested in knowing more about this movie.
“Jhoola”(1941) was directed by Gyan Mukherji for Bombay Talkies, Bombay. This movie, a “social” movie had Leela Chitnis, Ahok Kumar, Shah Nawaz, V H Desai, Mumtaz Ali, Karuna Devi, Shahzadi, Rajkumari Shukla, Meenu Cooper, M A Aziz, Kaazi, Master Laxman, Leeladhar Sharma, Iqbal Bai, B M Dixit, Jyoti, Dulaari, Nana Palsikar etc in it.
The movie had eleven songs in it. Five of these songs have been covered in the past. This movie has a song that goes Ek chatur naar karkar singaar . Yes, I mentioned that this movie is the original source for “Padosan”(1968) and this song is the inspiration of that famous “Padosan”(1968) Kishore Kumar Manna dey laugh riot.
If “Padosan”(1968) had Mehmood then “Jhoola”(1941) had his father Mumtaz Ali lip syncing the wonderful stage dance song Main to Dilli se dulhan laayaa re.
“Jhoola”(1941) had made its debut in the blog on 26 september 2009, viz exactly ten years ago, with the evergreen song Chali re chali re meri naao chali re .
This day that year ten years ago, the blog was at its usual prolific best. Six songs from six different movies were covered in the blog on that day. Five out of six of those movies have already been covered in the blog. “Jhoola”(1941) remains the only un YIPPEED movie from that day.
Here are the details of the songs that were discussed on 26 september 2009:
| Song | Movie title-Year | Remarks |
|---|---|---|
| Tera mujhse hai pahle ka naata koi | Aa Gale Lag Jaa-1973 | All Songs covered in the blog |
| Har aas ashqbaar hai | Kinaare Kinaare-1963 | All Songs covered in the blog |
| Dekha naa jaaye socha naa jaaye | Mr India-1961 | All Songs covered in the blog |
| Kahaan chhod ke chalaa hai tu | Anjaan-1956 | All Songs covered in the blog |
| De bhi chuke ham dil nazraana dil kaa | Jaal-1952 | All Songs covered in the blog |
| Chali re chali meri naao chali re | Jhoola-1941 | 05 of 11 songs covered |
According to HFGK, the movie had 12 songs. I find that the song Ek chatur naar karkar singaar does not find mention if HFGK. To compensate for that, the song under discussion today gets mentionc twice (as song number 6 and 11). So the count of songs in the movie remains accurate, viz 12.
Today, as part of Blog ten year challenge, here is another song from “Jhoola”(1941). Like the song that was covered ten years ago, this song too is a duet sung by Ashok Kumar and Leela Chitnis. In the song ten years ago, the leading duo were riding a boat, here they ride a ghodagaadi, and while doing so, Ashok Kumar makes gentle 1940s style passes on Leela Chitnis, asking the love letter back. Leela Chitnis teases him back 1940s style responds 1940s style viz.
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan
and subsequently
Hamri gali mein dekho
Tum kal se aana chhodo
Varna hansengi hamaari sakhiyaan
The lyrics by Kavi Pradeep are quite cute and romantic. The romantic song, in which both make paasses at each other must have been quite a rage in those pre independence days.
Music is composed by Saraswati Devi.
Lyrics of this song were sent to me by Avinash Scrapwala.
Video
Audio
Song-Ek baat bataao hamen gori (Jhoola)(1941) Singers-Ashok Kumar, Leela Chitnis, Lyrics – Kavi Pradeep, Music – Saraswati Devi
Both
Lyrics (Based on video link) (Provided by Avinash Scrapwala)
chaliye …
Ek baat bataao hamen gori
Kaho kisne sikhaayi tumhen chori
o gori
kisne sikhaayi tumhen chori
Ek chor se mera naata
wo meri gali mein aata aa
Haan usne sikhaayi hamen chori ee
Haan haan usne sikhaayi hamen chori
Hhahahahaha
Dekhiye meri chhitthhiyaan
De dijiye
Laayiye
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan
Tumne chori chori bheji
Hamen patiyaan
Tumne chori chori bheji
Hamen patiyaan
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan
Chori pe seenazori
Ham se karo naa gori ee
Chori pe seenazori
Ham se karo naa gori
De do hamaari ham ko patiyaan
Dekho kah doongi
De do hamaari ham ko patiyaan
Dekho kah doongi
Tumhaare man ki batiyaan
Baatein banaana chhodo
Chori chhipaana chhodo
Hamri gali mein dekho
Tum kal se aana chhodo
Hamri gali mein dekho
Tum kal se aana chhodo
Varna hansengi hamaari sakhiyaan
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan
Meetthi meetthi baaton mein
Hamko bhulaaya tumne
Bholaa sa man hamaara
Chanchal banaaya tumne
Meetthi meetthi baaton mein
Hamko bhulaaya tumne
Bholaa sa man hamaara
Chanchal banaaya tumne
Badi raseeli hain tumhaari
Ankhiyaan
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan
Chhodo ye baatein gori
Aao aao kishori
Tumne ki hamse chori
Hamne ki tumse chori
Tumne ki hamse chori
Hamne ki tumse chori
Aao basaa len dil ki duniya
Dekho kah doongi
Aao basaa le dil ki duniya
Dekho kah doongi
Tumhaare man ki batiyaan
Dekho kah doongi
Tumhaare man ki batiyaan
————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
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चलिए…
एक बात बताओ हमें गोरी
कहो किसने सिखाई तुम्हे चोरी
ओ गोरी
किसने सिखाई तुम्हे चोरी
एक चोर से मेरा नाता
ओ मेरी गली में आता आ
हाँ उसने सिखाई हमें चोरी ई
हाँ हाँ उसने सिखाई हमें चोरी
हा हा हा हा हा
देखिये मेरी चिट्ठियाँ
दे दिजिये
लाईये
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ
तुमने चोरी चोरी भेजी
हमें पतियाँ
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ
चोरी पे सीनाजोरी
हम से करो ना गोरी ई
चोरी पे सीनाजोरी
हम से करो ना गोरी
दे दो हमारी हम को पतियाँ
देखो कह दूँगी
दे दो हमारी हम को पतियाँ
देखो कह दूँगी
तुम्हारे मन की बतियाँ
बातें बनाना छोडो
चोरी छिपाना छोडो
हमरी गली में देखो
तुम कल से आना छोडो
हमरी गली में देखो
तुम कल से आना छोडो
वरना हँसेगी हमारी सखियाँ
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ
मीठी मीठी बातों में
हम को भुलाया तुमने
भोला सा मन हमारा
चंचल बनाया तुमने
मीठी मीठी बातों में
हम को भुलाया तुमने
भोला सा मन हमारा
चंचल बनाया तुमने
बड़ी रसीली है तुम्हारी
अँखियाँ
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ
छोडो ये बातें गोरी
आओ आओ कीशोरी
तुमने की हमसे चोरी
हमने की तुमसे चोरी
तुमने की हमसे चोरी
हमने की तुमसे चोरी
आओ बसा ले दिल की दुनिया
देखो कह दूँगी
आओ बसा ले दिल की दुनिया
देखो कह दूँगी
तुम्हारे मन की बतियाँ
देखो कह दूँगी
तुम्हारे मन की बतियाँ
Pooranmaasi aayi hansaati
Posted on: September 26, 2019
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is his 800th article in the blog.
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Blog Day : |
4087 | Post No. : | 15227 | Movie Count : |
4184 |
This is my 800th post on this Blog ! Simply unbelievable !! Seems like, I had just started writing about old films yesterday only !!!
When I look back on my journey of last few years, I see me, learning operating computers at the age of 71 years and then start writing posts from the 72nd year. In last 7 years, almost precisely, I wrote more than 800 articles on various Blogs and sites and even published one book ! Can all this be true ? God has been very kind to me, I would say.
The credit for my 800 posts here, goes to Atul ji, who was the one who motivated me to start writing. He is not very expressive in these matters, but his constant encouragement, help and facilitation in various ways, kept up my enthusiasm in writing. Our own Sudhir ji has also been very helpful consistently. Initially, my speed of posting articles was very noteworthy. Later on it slowed down. The reasons were many.
One reason was, as the time went by, besides increase in the contributors, many available songs were getting posted and so to get a song of choice for writing was becoming difficult. Initially the field was open, but as the songs’ availability decreased, the speed of posting also slowed down. It is certainly not because the ‘ contents have dried up ‘ . There is still so much to write about and the scope is still very wide enough to last for a long time.
Here are the details of my centuries:
Here are the details of my centuries:
| article Number | Song | Blog post number | Date (blog day) | Period taken |
|---|---|---|---|---|
| First article | Surya wahi chandra wahi (Saavitri)(1937) | 6760 | 1-10-2012 (1536) | |
| 100th article | Aa ri sakhi main tohe preet sikha doon (Mahageet)(1937) | 7870 | 11-4-2013 (1728 ) | 192 days |
| 200th article | Jaago hey jaago jaago hey mahaakaal (Jagadguru Shankaracharya)(1955) | 9003 | 14-11-2013 (1945) | 217 days |
| 300th article | Hey Satyanaraya swaami (Maha Pooja)(1954) | 9895 | 10-6-2014 (2153) | 208 days |
| 400th article | Tu mi piaci caara(Bewaqoof)(1960) | 11082 | 21-4-2015 (2468) | 315 days |
| 500th article | Bedard tujhko pyaar kiya (Tajmahal)(1941) | 11976 | 6-4-2016 (2819) | 351 days |
| 600th article | Main patton mein chhupi kali hoon (Aandhi)(1940) | 13564 | 4-9-2017 (3335) | 516 days |
| 700th article | Shehron mein se sheher suna thha(Heer Ranjha)(1948) | 14773 | 2-12-2018 (3789) | 454 days |
| 800th article | Pooranmaasi aayi hansaati (Paraaya Dhan)(1943) | 15227 | 26-09-2019 (4087) | 298 days |
I thank all my well wishers and those who commented on the posts to convey their appreciations. That actually motivated me further to continue writing.
Today’s song is from film Paraya Dhan-43. this was a bilingual film in Hindi and Bangla (Bichar-43), directed by Nitin Bose.
After a spat with B N Sircar, Nitin Bose came to Bombay with his group of artistes. He had a contract with Chunnibhai Desai’s ” Shree Films” for 3 films. This Chunnibhai was the elder brother of Chimanlal Desai of Sagar Movietone (later of National studios and then Amar Pictures). His first film was a Bilingual in Bangle/Hindi- Paraya Dhan-1943. This was a flop. Then came ‘Mujrim’-44. This too was a flop. the third film was ‘Mazdoor’-45. For this film, Nitin Bose had advertised for a Hero. One day, 4 candidates were interviewed. First was Dev Anand, second was Rehman, third was Chetan Anand and the fourth was Nasir Khan. Nitin Bose rejected the first 3 and selected Dilip kumar’s brother Nasir Khan. Most unfortunately,this film also became a flop. Luckily,he was invited by Bombay Talkies to make a film in Bangla/Hindi,based on Tagore’s story ‘Nauka Doobi’. Hindi version was ‘Milan’,with Dilip Kumar and Meera Mishra and Ranjana etc. This film was a Hit and Nitin Bose firmed up his position in Bombay.
Film Paraya Dhan had music by Pt. Gyan Prakash Ghosh. While shifting from Calcutta to Bombay, Nitin Bose had brought few people with him. Pt. Ghosh was also one of them. He was a very big and highly respected name in Bengal. While in Bombay he gave music to 2 Hindi films, namely Paraya Dhan-43 and Mujrim-44, both directed by Nitin Bose. Unfortunately, both the films proved flops and Gyan Prakash Ghosh returned to Calcutta. He had done a small role in film Mujrim-44 also. Not much is known about Pt. Ghosh, outside of Bengal, so here is some information about him.
Jnan Prakash Ghosh (8 May 1909 – 18 February 1997) often known as ‘Guru’ Jnan Prakash Ghosh was an Indian harmonium and tabla player from Farukhabad gharana of Hindustani classical music and musicologist.
Born in a Hindu family with musical background in Kolkata. He was the grandson of Dwarkanath Ghosh (1847–1928), who founded Dwarkin in 1875 and invented the “Dwarkin harmonium”, popular in West Bengal, India. He graduated from the Scottish Church College of the University of Calcutta. He was keen in sports (he played soccer, hockey, polo and billiards). He also practised painting, but had to discontinue these due to an eye injury in a soccer match.
Then he turned to music. He was trained in vocals by Girija Shankar, Mohammed Sagir Khan and Mohammed Dabir Khan. He took tabla lessons from Ustad Masit Khan of the Farukhabad gharana and became his senior disciple and later from Ustad Feroze Khan of the Punjab gharana.
He worked for 15 years in All India Radio as a producer of music. He wrote pieces in classical music, light music, modern, orchestral, choral, and percussion styles.
He was the founder of Sourav Academy of Music and closely associated with the ‘Sangeet Research Academy’. He scored music for many Bengali films, Jadubhatta, Andhare Alo and Rajlakshmi o Srikanta (1958) are worth mentioning. One of his compositions was called Chaturang – involving tabla, pakhawaj, kathak and tarana. He would instruct disciples staying with him to practice late into the evenings and it is said that he would correct any errors that reached his ears.
He also gave music to 2 Hindi films,namely Paraya Dhan-43 and Mujrim-44. Both were directed by Nitin Bose, who had shifted to Bombay after his spat with New Theatres.
Amongst his notable students are tabla players Kanai Dutta, Shyamal Bose, Shankar Ghosh, Abhijit Banerjee, Anindo Chatterjee, and Nikhil Ghosh, Rajkumar Misra, singers Prasun Banerjee, Ajoy Chakrabarty, Suman Ghosh and Arun Bhaduri and instrumentalist Paul Grant. His birth centenary was celebrated on 7 May 2012, in Kolkata, with screening of documentary of him and performances by noted singers.
In 1974, he was awarded the Sangeet Natak Akademi Fellowship the highest honour conferred by the Sangeet Natak Akademi, India’s National Academy of Music, Dance & Drama. This was followed by the Padma Bhushan in 1984, given by the Government of India.(adapted from wiki, with thanks.)
The cast of the film was Leela Desai, Balwant Singh, Radha Rani, Maya Banerji, Sunalini Devi, Jagdish Sethi, Rajkumari Shukla, Baby Madhuri (Madhubala), Krishnakant – for whom this was his Debut film, and many others.
Today’s song is rather unique, in the sense that the singer is the most unexpected – Deena Sanghvi….she is none other than the famous and popular character artiste of Hindi films, Deena Pathak. Deena did not act in this film, but sang 1 solo and 1 duet. This is the only time she ever sang in Hindi films. That way, this is a rare song. Harish Raghuwanshi ji has confirmed that Deena Sanghvi and Deena Pathak are same. Before marriage she was Deena Gandhi. Her 2 sisters are Shanta Gandhi and Tarla Mehta. Deena’s first husband was Ramesh Sanghvi, but they separated soon. Later she married Baldev Pathak. They have 2 daughters.
Dina Pathak (née Gandhi; 4 March 1922 – 11 October 2002) was an Indian actor and director of Gujarati theatre and also a film actor. She also was an activist and remained the President of the “National Federation of Indian Women” (NIFW).
A doyenne of Hindi and Gujarati films as well as theatre, Dina Pathak acted in over 120 films in a career spanning over six decades. Her production Mena Gurjari in Bhavai folk theatre style, ran successfully for many years, and is now a part of its repertoire.
She is best known for her memorable roles in the Hindi films Gol Maal and Khubsoorat. She was a favourite of the Art Cinema in India where she played powerful roles in films like Koshish, Umrao Jaan, Mirch Masala and Mohan Joshi Hazir Ho!.
Her notable Gujarati films were Moti Ba, Malela Jeev and Bhavni Bhavai, while her well-known plays include Dinglegar, Doll’s House, Vijan Sheni and Girish Karnad’s Hayavadana, directed by Satyadev Dubey.
Dina Pathak was born in Amreli, Gujarat on 4 March 1922. She was enamoured of fashion and films, and while a teenager, started acting in plays and won acclaim from critics. She attended and graduated from a college affiliated to the University of Bombay (Mumbai). Rasiklal Parikh trained her in acting while Shanti Bardhan taught her dancing.
At a young age, she joined the Indian National Theatre as an actress. She became known for her student activism, where Bhavai theatre, a folk theatre form from Gujarat, was used extensively to create awareness about the British rule, in the pre-independence era; this led to her close association with Indian People’s Theatre Association (IPTA), along with her elder sister Shanta Gandhi and younger sister Tarla Mehta; while in Mumbai, she had an important hand in reviving the Gujarati theatre there, along with fellow Gujarati actors like Kailash Pandya and Damini Mehta.
At age 44, she made a comeback into films, with Basu Bhattacharya’s Uski Kahani (1966), for which she won the Bengal Journalists Association Award. She made four films in the 1960s, including Hrishikesh Mukherjee’s classic Satyakam (1969), Saat Hindustani (1969), starring Amitabh Bachchan in his debut role and the Merchant Ivory Productions, The Guru (1969). By the 1970s, she had become a favourite of art and commercial films alike, playing powerful motherly and grandmotherly roles. It was in these films that she became recognised as the Grand-Old-Mother of Hindi films.
Films that stand out in this era are Gulzar’s Mausam (1975), Kinara (1977) and Kitaab (1977), and sweet comedies like Basu Chatterjee’s Chitchor (1976), Gharaonda (1977) and also in an art cinema classic, Shyam Benegal’s Bhumika (1977), which saw her standing tall alongside another acting legend, Smita Patil, in her career’s best performance.
Just as the 1970s ended, she was seen in the comedy classic, Hrishikesh Mukherjee’s Gol Maal (1979), where she essayed the role of Kamala Shrivastava, a middle-aged woman who sportingly plays mother to Amol Palekar, who went on to direct her in his 1985 film, Ankahee. The next decade began with another career best, as a stern disciplinarian matriarch in Hrishikesh Mukherjee’s Khoobsurat in (1980), closely followed by Bhavni Bhavai (1980). In 1980, she was also awarded the Sangeet Natak Akademi Award. In all, she acted in 150 Hindi films.
Her first marriage was with Ramesh Sanghvi, but they separated soon. It was at this stage , she sang two songs in her first Hindi film Paraya Dhan-43, as Dina Sanghvi. Later she married Baldev Pathak and had two daughters, actresses Supriya Pathak (b. 1961) and Ratna Pathak (b. 1957 ). She completed her last film, Pinjar (2003), but died before its release, of heart attack, following a prolonged illness, on 11 October 2002 in Bandra, Bombay. (adapted from wiki, with thanks.)
Today’s song is very melodious. It is less than 3 minutes long. The duet is sung by Deena Sanghvi and Balwant Singh, with chorus. With this song, Music Director Gyan prakash Ghosh, singer Deena Sanghvi and film Paraya Dhan-43 make their Debut on the Blog.
(I thank shri Harish Raghuwanshi ji for providing me a Gujarati article on Deena Pathak and for confirming that Deena Sanghvi and Deena Pathak are same ).
Song- Pooranmaasi aayee hansaati (Paraaya Dhan)(1943) Singer- Deena Sanghavi, Balwant Singh, Lyricist- Aarzoo Lucknowi, MD- Gyan Prakash Ghosh
chorus
Lyrics
aayi
lalalalalalala
aayi
aayi
lalala
laallala
lalaala
lalala
pooranmaasi aayi hansaati
pooranmaasi aayi hansaati
raakhi haathon haath bandhaati
raakhi haathon haath bandhaati
mel milaati
prem badhaati
mel milaati
prem badhaati
lalalalaalla
lalala
pooranmaasi aayi hansaati
?? chanchal bela
laga hua phoolon ka mela
dilon ka sauda kya albela
dilon ka sauda kya albela
lalalalalalala
pooranmaasi aayi hansaati
kho baitha man aas ki maala
gum ho jaise chaand ka haala
kho baitha man aas ki maala
baag mein to hai phool kahaan se
goonth li maala jaise chaahe
kisne mere dil ko churaaya
ab tak koi bhed na paaya
soone ban mein pyaasa hokar
phirte phirte thhak jaaoge
ek hi maala goonth ke laao
dono baand ke ek banaao
ek hi maala goonth ke laao
dono baandh ke ek banaao
?? phir donon ko lagaao
?? phir donon ko lagaao
lalaala
laalalalala
laalalalal
lalala
pooranmaasi aayi hansaati
pooranmaasi aayi
aayeee
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4086 | Post No. : | 15226 |
Today’s song is from film Pyas-41.
The film was made by Murli Movietone. It was directed by Ram Daryani. The lyricist was D N Madhok and the music was by Khemchand Prakash. The cast of the film was Snehprabha Pradhan, Ishwarlal, Nazir, Shamim, Gope, E Bilimoria, Sharifa, Gulab, Khatoon, Majid, Tarabai etc etc. There were 9 songs in the film. One song is already discussed, so today, it will be the second song of the film here. It is a duet sung by the lead pair Snehprabha and Ishwarlal.
Various communities of India contributed to the development of Indian Film Industry. No wonder, we never saw communal feelings in the film world. It is probably the only industry in India, which is truly a Secular one.All communities and religions live here happily together. Every community is, however, identified with a particular state, i.g. Sikhs and Punjabis from Punjab, Bengalis from Bengal, Marathis from Maharashtra etc etc. But there is one community which has no state of its own, still it has been contributing to almost every industry in India whole heartedly. That is SINDHI community.
In film industry too, their contribution is almost in every department – be it production, direction, acting, music or any other form of film making, for that matter. Generally, they are a business community and are highly adaptable to available circumstances. Right from Vithal Panchotia in the early 30s to Ranvir singh Bhavnani in the 2019, their presence as actors, Producers (Sippys), Directors (Mohan Bhavnani), Music composers (Bulo C Rani) to Comedian (Bhudo Advani) is felt in all decades. Brij Rani, Sheila Ramani, Sadhana, Babita and Kitu Gidwani or Gope, Bhudo Advani, Sushil Kumar, Asrani etc are some of the names that come to the mind off hand.
Film Pyas-41 was also directed by one Sindhi – Ram Daryani ( Ram Kamlani was different, he was brother of Gope). Ram Daryani was born on 6-12-1915, at Hyderabad, Sindh Province (now in Pakistan). His early education was done in Sindh and for college education he came to Karachi. Due to intense desire of being in film world, he left studies and joined Eastern Art Production and assisted Moti Gidwani in direction of film Insan ya Shaitan-33. But due to family pressure he had to rejoin college. After some time he again left college for good and started working as assistant director for films Prem Pariksha-34 with G R Sethi, Bharat ki Beti-35 with Premankur Attorthy and Yasmin-35 with H K Shivdasani.
He got his first chance to independently direct the film Baal Hatya aka Khoon E Nahak-35. In the year 1936, he floated his own company Daryani productions and directed films like Sangdil Samaj-36, Prem Murty-36 and Gentleman Daaku-37, for which his brother K S Daryani wrote the stories. In 1938, brother K S Daryani started Krishna Movietone. Ram Daryani closed his company Daryani productions and directed film Zamana-38 for krishna Movietone. The film became a Hit and his name became famous.
He worked for Murli Movietone to direct films like Pyas-41, which celebrated Silver jubilee. His other films were Qurbani-43, Preet-45, Panna Dai-45 and Shravan kumar-46. In all, Ram Daryani directed 23 films. His last film was Chand mere aaja-60. After this he entered Film Distribution business. Ram Daryani died on 7-9-1993. ( adapted from Filmdom-1946).
The Heroine for film Pyas-41 was Snehprabha Pradhan, who was an excellent actress and a good singer. However, she acted in only 17 films in 10 years i.e. 1940 to 1950. After films, she started acting in Marathi dramas and became famous and popular there.
SNEHPRABHA PRADHAN was born on 20-10-1915 in Nagpur,Maharashtra. Her father was Vithalrao and mother was Tarabai.Tarabai was a child widow who grew up in an orphanage and SP’s father married her as a social cause,when he was already 50 yr old.
Like her contemporaries, Shanta Apte and Hansa Wadkar(Ratan Salgaonkar in real life), she too travelled a lot in her first 10 years,to places like Nagpur,Bombay,Poona,Delhi,Calcutta,Lahore etc.
When her father left them and mother was unable to support the family,SP had to seek work.She did small roles in films.One Chimanbahi Desai of Bombay Talkies was a family friend.Through him, she worked and sang in Civil marriage,saubhagya and Sajni.
Her first break as a Heroine came with Punarmilan-1940,opposite Kishore Sahu.They fell in love and married,but within an year she divorced him on grounds of his impotency !
SP was studying,while working too and she became the First woman Graduate from Ferguson college,Poona,in those days !
Even though system was there,still SP was NOT attached to any Studio nor was she on rolls of any Production company.She virtually started the ‘Free Lance working system’ in those days.
She worked in Bombay Talkies,New theatres,with K.A.Abbas,Roop k.Sorey etc.She sang songs with Pahadi Sanyal also.
In the late 40s,she reduced her work in Hindi,as she was more inclined to work on Marathi stage dramas.In 1942 she worked in Marathi film “PAHLI MANGALAGAUR”,in which 10 year old Lata Mangeshkar acted and sang First time in her career. In 1946 SP she acted in Salgirah and sang 6 songs.After this she did “Anmol Moti” in 1949.Then she stopped working in Hindi films. She wrote Screenplay of film “Ladai ke baad”-1943,acted in it and also sang 9 songs in it.
Her name was kept Snehprabha,as a compromise,since her mother could not decide in 2 names-Snehlata or Prabhavati.So the names were combined as Snehprabha. She married Dr.Shirodkar and settled in Bombay,occasionally doing some stage dramas in Marathi. She died on 7-12-1993.
Birha ki Raat-1950. She acted in this film as Dev Anand had expressed his desire to act in a film in which SP was there. Dev Anand was her great fan.He agreed to work with Nargis only on the condition that SP would work with him. Snehprabha Pradhan could not refuse Dev Anand.
There is another name ‘ Khatun ‘ in the cast. Miss Khatun Bano was born and brought up in a poor Muslim family of Lahore. As per the family tradition, she learnt dancing and singing. once, when she was performing on stage in Lahore, the Talent hunter of Sagar movietone spotted her and she was offered a role in a Talkie film- which was a novelty in 1931. Her first film was Abul Hasan-31. Then came Subhadra haran-32, Meerabai-32, Maya Bazar-32 etc etc. In all, she acted in 59 films, till her last film Ibrat-60. She also sang 25 songs in 12 films.
One more interesting actress in the cast was Tarabai. She is none other than the elder sister of famous dancer actress Sitara Devi. Born in 1905, she was a good dancer. She started film career from Silent films like Malti Madhav, Bambai ki sethani etc. She started Talkie films with Vasantsena-31. She played the role of Princess Octavia in film Yahudi ki Ladki-33, along with K L Saigal.
She acted in many films like Shehar ka jadu-34, Savitri 37, Narsi Bhagat-40, Sasural -41. She acted in film Haiwaan-40, along with her two other actress sisters,namely Alaknanda and Sitara Devi. This may be the only Hindi film, in which 3 sisters played roles in one film.
She married co star Marutirao Pehelwan, left films and they settled in Dhule,in Maharashtra. They started a Dairy business. Their son was the famous dancer Gopi Krishna. After husband’s death and winding up of the Dairy business, Tarabai returned to Bombay and started working in films. But now she was reduced to as Junior Artiste (Extra) and got only negligible roles. She lived in Bandra slum. There is no information about her after this.
Film Pyas-41 was a very successful film. It was written by K S Daryani- brother of director Ram Daryani. The film was shot in Ranjit studio. This was the first film of Murli Movietone. The March 1942 issue of Film India magazine reviewed the film and Baburao Patel, for once , was all praise for the film, direction and the acting. The film was released in Imperial Cinema, Bombay on 14-2-1942. While praising the acting of Snehprabha Pradhan, Baburao Patel could not resist the temptation of subtly commenting on her looks, saying, ” she was photographed so nicely that she sometimes looked ‘almost’ beautiful” ! That’s Baburao for you !!.
The story of the film as given in the review is…….
Sethji’s (Nazir) wife is dying due to TB…according to the evil family doctor (E. Billimoria), who wants to marry his niece( Gulab) to Seth ji. He also tries to kill wife and her child. Sensing this, the wife, Menaka (Sharifa) runs away with the child. She hands over the child to a village mukhiya and dies. Seth ji marries the niece of doctor, who starts extracting money from her.
The child grows into a big man-Chiman (Ishwarlal) who loves village belle Radha.
Once Chiman goes to the city and gets to know Seth ji, who employs him. Seth ji’s niece Rupa starts loving him. Once by accident , Chiman comes to know that he is Seth ji’s son. Seth ji is happy and throws a party in which the engagement of Rupa (Shamim) is announced. Chiman is craving for Radha. Radha comes to know these matters and comes to city. Rupa realises their true love and sacrifices. Chiman and Radha unite.
Today’s song’s mukhada is ” Nadi kinara ho “. This “Nadi kinara” was very popular amongst the lyricists of the 30s and 40s, because I found so many songs having this beginning of songs, till even the 50s. Somehow this went on diminishing later. I guess the lovers stopped going to the Rivers or may be they preferred a Mall or a Multiplex than going to the ‘Nadi kinara’, battling the traffic jams !
Song- Nadi kinaara ho taaron bhari raaten (Pyaas)(1941) Singers-Snehprabha Pradhan, Ishwarlal , Lyrics- D N Madhok, MD- Khemchand Prakash
Both
Lyrics
Nadi kinaara ho o o
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
Nadi kinaara ho o o
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
moh hamse karen aur chori se munh na taaken
moh hamse karen aur chori se munh na taaken
yaad dilaayen
beeti huyi baaten
yaad dilaayen
beeti huyi baaten
Nadi kinaara ho o o
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
kabhi wo kabhi main roothh jaaun
kabhi Radha kabhi main manaaun
kabhi wo kabhi main roothh jaaun
kabhi Radha kabhi main manaaun
main na maanoon
na maanoon
na maanoon
tere jee ki main jaanoon
main na maanoon
na maanoon
na maanoon
jee dil ki main jaanoon
na jaanoon
Nadi kinaara ho o o
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
taaron bhari raaten
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Blog Day : |
4085 | Post No. : | 15225 |
“Parde Ke Peechhe”(1971) was produced by M C Ramamurthy and directed by K Shankar for EM CEE R Films, Madras. The movie had Vinod Mehra, Yogita Bali, Raj Mehra, Padma Khanna, Jagdeep, Pran, Bindu, Tarun Bose, Prem Kumar, Siddhu, Suresh, Upendra Trivedi, Jestin, Varalakshmi, Mamta Rao etc in it.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from “Parde Ke Peechhe”(1971) to appear in the blog. This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised on Yogita Bali and Vinod Mehra as a bathing in watefall song.
Lyrics of this song were sent to me by Prakashchandra.
Video
Audio
Song-Dil deewaane toone ye socha bhi hai (Parde Ke Peechhe)(1971) Singer-Lata, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan
Lyrics(Provided by Prakashchandra)
aaahaaa aaahaa aahaa aaahaaa
aaahaaa aaahaa aahaa aaahaaa
aaahaaa haaa haaa haaa haaa haaaa haa haaa
aaahaaa haaa haaa haaaaa haaa haaaa ha ha ha
aahaaaa
aaahaa
aahaa
aahaa
dil deewaane
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
aaj kal kyun bekaraari mein mazaa aane lagaa aa
aaj kal kyun bekaraari mein mazaa aane lagaaa
dhadkanon ke saaz par tu jhoom ke gaane lagaa
iss uljhan ko toone suljhaayaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane ae
ek sholay ki tarah letaa hai kyun angdaayiyaan…aan
ek sholay ki tarah letaa hai kyun angdaayiyaan
dhoondhtaa hai kyaa kisi ke pyaar ki parchhaayiyaan
mann darpan mein
toone kabhi dekhaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane ae
seekh lee toone kahaan se ye tadapne ki adaa aa
seekh lee toone kahaan se ye tadapne ki adaa
bekali din raat ki ye kaun tujhko de gayaa
khud apne se toone ye poochha bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane ae
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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