Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1965’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4454 Post No. : 15921

In my last three articles, I have discussed Hindi film dancers, Mohana Cabral, Sheila Vaz and Minu Mumtaz. One common factor in all the three dancers was that they had active Hindi film careers of around 5-6 years after which they got married and quit Hindi films when they had not even attained 25 years of age. They took the responsibilities as house-wives and lived happily with more or less the same level of comfort and life style as they would have got had they continued their filmy careers. To this list of three Hindi film dancers, I am adding one more dancer who also quit Hindi films after her active years of Hindi film career during 1960-66. The name of the dancer is Jeevankala. She got married in 1969 when she was 25.

I got background information on Jeevankala from her two interviews – one in 1964 which was published in ‘Picture Post’ magazine and republished in ‘Cineplot’ on January 1, 2012. The other interview was of recent origin which was taken by Shishir Krishna Sharma in December 2018 and published in his Blog, ‘Beete Hue Din’ on March 31, 2020. Based on these two interviews, the main highlights of the profile of Jeevankala and her journey with Hindi film industry are given below:

Jeevankala (also written as Jeevan Kala) was born on June 29, 1944 at Pune to Dattatreya and Gangubai who were actors in silent films and later in Marathi films when sound films started in 1931. However, after Jeevankala was born, the parents gave up their film career. Incidentally, the name, ‘Jeevankala’ was suggested by her neighbour, Lata Mangeshkar. Jeevankala did her primary schooling in Pune. Simultaneously, knowing his daughter’s interest in dances, the father put her under the tutelage of Babsaheb Gokhale for Kathak dance and Professor Gaekwad for Bharatnatayam dance for a period of 7 years. Later, she learnt all other formats of dances by herself.

In 1957, Jeevankala’s family shifted to Mumbai as she got a job of assiatant dance teacher in Bharatiya Vidhya Bhawan and taught Kathak dance to students. She was also participating in Lata Mangeshkar’s musical shows in Mumbai in which she used to give her dance recitals. She also attended the night school and completed her Matric in 1960.

In one of Jeevankala’s dance recitals, producer-director K Amarnath saw her skill in dancing and offered her a role of a dancer in his film, ’Kal Hamaara Hai’ (1959) in which she had two dance songs. However, she also said that ‘Goonj Uthi Shehnai’ (1959) was her debut film in which a song “Akhiyaan Bhool Gayi Hain Sona” was picturised on her. [As per her filmography, she had already acted in 8 films during 1956-58. I will come to it later].

After she was noticed in her dance skills in ‘Kal Hamaara Hai’ (1959) and ‘Goonj Uthi Shehnai’ (1959), Jeevankala started getting many films offers. Starting as a dancer, over a period of time, she started getting character actor’s roles and also romantic roles pairing with comedians. She also got the role of a vamp in ‘Mr. X in Bombay’ (1964) and ‘Saraswatichandra’ (1968).

In 1969, Jeevankala got married to Ram Kelkar, the story, screen-play and dialogue writer in Marathi films. It was a marriage arranged by Sulochana Latkar who was like ‘God Mother’ to her after the death of her mother in 1965. After marriage, Jeevankala quit the film industry. Her husband, Ram Kelkar became a successful story, screen-play and dialogue writers for Hindi films like ‘Beimaan’ (1972), ‘Aap Ki Kasam’ (1974), ‘Sanyaasi’ (1975), Kaalicharan’ (1976), ‘Asha’ (1980), ‘Hero’ (1983), ‘Ram Lakhan’ (1989), ‘Khalnaayak’ (1993) etc.

On the basis of Jeevankala’s filmography checked from the various sources, I have been able to list 110 Hindi films in which she worked during 1956 to 1968. A few films of her were released late up to 1974. Her active years of film career was during 1960-1966, appearing in 70 films. In the 1964 interview, Jeevankala gave the impression of ‘Kal Hamara Hai’ (1959) as her first Hindi film and in the 2018 interview, she mentioned ‘Goonj Uthi Shehnai’ (1959) as her debut film. It is interesting to note that in ‘Goonj Uthi Shehnai’ (1959), Jeevankala has not been accredited in the credit titles of the film. But she appears in one song of the film.

A further interesting observation about Jeevankala’s filmography is that before 1959, she had worked in as many as 8 films which include ‘Alam Ara’ (1956), ‘Paristaan’ (1957), ‘Khota Paisa’ (1958) and ‘Detective’ (1958). In ‘Khota Paisa’ (1958), a dance song “O Jaan e Jaan Muddat Ke Baad” has been picturised on her.

Jeevankala, who started with big banners film producing companies like Prakash Pictures’ ‘Goonj Uthi Shahnai’ (1959) and K Amarnath Productions’ ‘Kal Hamaara Hai’ (1959), drifted into ‘B’ grade movies in the genres of fantasy, action, costume drama, thriller etc. In such films, heroes would be like Sheikh Mukhtar, Ranjan, Daljeet, Dara Singh and heroines would be like Chitra, Vijaya Chowdhary, Parveen Chowdhary, Nishi etc. Of course, she also continued to be associated with big banner films like ‘China Town’ (1962), ‘Taj Mahal’ (1963), ‘Mere Sanam’ (1965), ‘Khandaan’ (1965), ‘Himalaya Ki God Mein’ (1965), ‘Saawan Ki Ghata’ (1966), ‘Saraswatichandra’ (1968) etc.

Jeevankala has also worked in some Marathi films. In ‘Putra Whava Aisa’ (1961), she was in lead role opposite Vivek in which an immortal song,  जिथे सागरा धरणी मिळते beautifully rendered by Suman Kalyanpur was picturised on Jeevankala. A laavani  song, रेशमाच्या रेघांनी, लाल काळया धाग्यांनी from ‘Marathi Tituka Melwava’ (1964) was also picturised on Jeevankala as a laavani dancer.

In the interview of December 2018, Jeevankala has claimed that about 70 songs have been picturised on her. Our Blog has covered 38 songs picturised on her and 17 songs, the video clips of which are available on video sharing platforms are yet to be covered on the Blog. Thus, the total songs picturised on Jeevankala works out to 55. In addition, there could be a few more of her songs for which video clips are not available as some of her films are not traceable as of now.

During the listing of songs picturised on Jeevankala, I came across an obscure  film ‘Panch Ratan’ (1965) (In the credit titles it is written as ‘पंच-रतन’ in Hindi) which was directed by Kamran. The star cast consisted of Randhawa, Parveen Chowdhary, Kamran, Kamal Mehra, Amarnath, Shyam Kumar, Randhir, Sadhana Khote, Jeevankala, Laxmi Chhaya, Meenaxi, Aruna etc. The full film is available for viewing in HD quality and it belongs to the ‘Action-Costume Drama’ genre. Probably, this film was meant for those audience who used to enjoy wrestling bouts between Dara Singh, King Kong and others in the 60s at Sardar Vallabhbhai Patel Stadium, Worli in Mumbai. In addition, there are sword fights in the film for such audience.

The film has 5 songs written by 2 lyricists – Anjaan (4) and Upendra (1). I am presenting the song, “Kya Ho. . . Kahin Miley Do Nigaahen” from ‘Panch Ratan’ (1965). The song is rendered by Suman Kalyanpur and Kamal Barot and is picturised on Laxmi Chhaya and Jeevankala, respectively. In the audience, Parveen Chowdhary,  Randhawa, Kamal Mehra, Meenaxi and Shyam Kumar can be seen among others.

The song is written by Anjaan which is set to music by Sardar Malik.

Song – Kya Ho. . Haaye Kya Ho (Panch Ratan) (1965) Singer – Suman Kalyanpur, Kamal Barot, Lyrics – Anjaan, MD – Sardar Malik
Suman Kalyanpur + Kamal Barot

Lyrics

kya ho
haaye kya ho
kahin miley do nigaahen
phir kya ho
arre kya ho
haaye kya ho
tumhen kaise samjhaaye phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho
 
jab jawaan hasraton ka
jaam ho chhalka chhalka
dagmagaate ho armaan
ho nasha halka halka
aise mein
jab koi
dekh le
pyaar se

phir kya ho
kahin miley do nigaahen phir kya ho
arre kya ho
tumhen kaise samjhaayen phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho
 
ho sama aashiqaana
dil mein bhi bachpana ho
aisi naazuk ghadi mein
unse jo saamna ho
dil dagaa
de hamen

dhadkane
jaayen tham

phir kya ho
kahin miley do nigaahen
phir kya ho
haay kya ho
tumhen kaise samjhaayen phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

क्या हो
हाय क्या हो
कहीं मिलें दो निगाहें
फिर क्या हो
अरे क्या हो
हाय क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो

जब जवां हसरतों का
जाम हो छलका छलका
डमगाते हों अरमां
हो नशा हल्का हल्का
ऐसे में
जब कोई
देख ले
प्यार से
फिर क्या हो
कहीं मिलें दो निगाहें फिर क्या हो
अरे क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो

हो समा आशिक़ाना
दिल में भी बचपना हो
ऐसी नाज़ुक घड़ी में
उनसे जो सामना हो
दिल दगा
दे हमें
धड़कनें
जाएँ थम
फिर क्या हो
कहीं मिलें दो निगाहें फिर क्या हो
अरे क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4451 Post No. : 15913 Movie Count :

4366

Missing Films of 1960s – 116
– – – – – – – – – – – – – – –

Ah, wonderful. Revisiting an old friend after a very long gap. Feels good.

This series was initiated on 30th Sep, 2015, almost 5 years ago to the day. The series continued with a certain regularity almost for four years, till 1st July, 2019. That day, I had posted a rarest of the rare finds – “Taaron Bhari Raat Hai” – a song from the film ‘Hawa Mahal’ (1962), a film which is very much available in video, but sadly all its songs have been axed from the VCD release. I had written in that post, that I had even gone beyond the VCD version and searched out the VHS cassette of the film, and even that had no songs. But fortunately, searching thru film, I accidentally chanced to catch half a song that appeared at the end of the film. Probably, when the editors were making the cuts, for whatever reasons (which we do not know at this point), they had missed out the closing shots of the film, whereat one song is repeated partially as is the tradition followed in many Hindi films we know.

That was the 112th episode of this series. And I believed at that time that I had exhausted all the available films of 1960s that I could gather from all the sources I could take help from. But I was so wrong in my belief at that time. And man, am I glad that I was so wrong. Actually, as soon as that post appeared, I got a few messages from friends on the blog and off it, that hey, this here is another film available, so please check it out. I did, and found a few more films and songs available, that have helped to keep this series alive and continuing.

The frequency has reduced significantly, but surely, we have now added three more films to the series. We keep chugging along, and hopefully will continue to reduce the number of films which sit on the list of pending films from 1960s. I bring on board one more film from 1960s, that had been unavailable for quite sometime. And to let you know, there still are two more films that have been identified and I will be posting them appropriately.

The intent of the series continues today with a song from the 1965 film ‘Panch Ratan’. This obscure film had remained so for quite many years. Even the Geet Kosh did not carry the complete information about this film. The list of songs is there, but the songs themselves remained elusive for long. It appears that the songs of this film were not released on gramophone records, and so the audio version of the songs of this film remains out of reach even today. However, the video of this film has been available online for almost 10 years now, indicating that it was a major miss on my part as I started searching five years or so ago, for missing films of 1960s.

Anyway. The film is available, as are its songs. Here is the first song of this film, as it makes it debut on our blog here today. The film is produced under the banner of Broadway Pictures, Bombay, and is directed by Kamran. The film is a costume drama, with a theme that has been oft repeated in Hindi cinema and also the world cinema. The theme is the variation of the storyline in which a group of well meaning friends come together in a pact of solidarity, to overthrow a local regime of a tyrannical bad-man. Films on this theme are plenty across the world – ‘Seven Samurai’, and ‘The Magnificent Seven’ immediately come to mind, as do films like ‘Khotey Sikkey’ etc. I am sure readers will be able to add more films as examples.

The cast of the film is listed as Randhawa, Parveen Chaudhary, Kamran, Shaam Kumar, Kamal Mehra, Habeeb, Amarnath, Randhir, Meenakshi, Sadhana Khote, Fazal, Moolchand, Sabir, Anjum, Madhumati, Jeevankala, Aruna, Lakshmichaya, Saudagar Singh, Joginder Singh, Vasant Singh, and Sony Alexander etc.

The film has five songs, all in video. None of these songs have appeared any gramophone records. Four of the songs are written by Anjaan and one song is credited to Upendra. Today’s song is by Anjaan. Music for this film is composed by Sardar Malik. Today, I present the first song of this film here. This is a raj-darbaar dance song – a dance performed in a royal court setting. The singing voice is that of Suman Kalyanpur. On screen, the song has been performed by actress Aruna. The identification of the dancer has been made by our dear Prakash ji. Also, in this video clip, we can see Parveen Chaudhry, Randhir, and Kamran, seated on the raised dias watching this performance. In between, the scene cuts to a dungeon where we see Randhawa and Shaam Kumar as prisoners being tortured by the king’s soldiers. We also see three other soldiers enter the dungeon, one of whom is actually a lady dressed as a male soldier. Apparently, these three are friends of Randhawa who have come to rescue him. Their identity gets revealed as the helmet of lady gets disturbed and her long hair fall down. A melee ensues in which Randhawa and Shaam Kumar are freed and the chief of the torture chamber is put in chains. All this while the dance and the song continues in the royal court. There is help required to identify all the players in this clip, and I request Prakash ji and other knowledgeable readers and friends to please help to identify more actors.

With this song, ‘Panch Ratan’ makes its debut here on the blog. And it also bring up the 116th episode of this series. I must admit that the gap in the episodes has been quite a bit, and even this post has been prompted by the fact that another post, by Sadanand ji, is now waiting to be posted, and it uses another song of this film. When Atul ji and I received the post from Sadanand ji, I was prompted into quick action to ensure that the debut song of this film is first brought on board as part of this series and then the post by Sadanand ji gets published. I must thank him for being patient to wait for me to post this debut song. His post should be coming on within a day.

Another very interesting observation here. In the flurry of Ten Year Challenge posts, we seem to have backed away from posting debut songs. The last debut song posted here was on 5th Sept, nineteen days ago. And 46 posts ago. Meaning that in the past nineteen days, 46 songs have been posted and not a single one is from a debut film. We need to research whether this is a record. I am not sure, but seems quite like it.

I will sign off now and let you take a view and listen to this wonderful fast paced melody which is quite attractive in the first hear itself. The dance movements and expressions presented by Aruna are very impressive. A song that surely is worth watching as well as hearing.

 

Song – Saaqiya. . Uff Teri. . Ye Ada  (Panch Ratan) (1965) Singer – Suman Kalyanpur, Lyrics – Anjaan, MD – Sardar Malik

Lyrics 

saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

duniiya ko deta hai paimaane bhar ke
hum to hain pyaase teri nazar ke
duniiya ko deta hai paimaane bhar ke
hum to hain pyaase teri nazar ke
hum ko teri
mehfil bhala
kya vaasta
kya vaasta
saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

wo mai buri hai jo hosh uda de
aisi pila de jo hosh mein laa de
wo mai buri hai jo hosh uda de
aisi pila de jo hosh mein laa de
behke huye
sambhlen zara
aisi pila
aisi pila
saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा

दुनिया को देता है पैमाने भर के
हम तो हैं प्यासे तेरी नज़र के
दुनिया को देता है पैमाने भर के
हम तो हैं प्यासे तेरी नज़र के
हमको तेरी
महफिल भला
क्या वास्ता
क्या वास्ता
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा

वो मय बुरी है होश उड़ा दे
ऐसी पीला दे जो होश में ला दे
वो मय बुरी है होश उड़ा दे
ऐसी पीला दे जो होश में ला दे
बहके हुये
संभलें ज़रा
ऐसी पिला
ऐसी पिला
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4432 Post No. : 15867

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 71
———————————————————————————–

This date ten years ago (viz 5 september 2010) saw business as usual in the blog. Six songs from six movies were discussed chronologically in the order in which these movies were released.
Here are the details:-

Song Movie title-Year Remarks
Mat bolo bahaar ki batiyaan re Prem Nagar-1940 11 songs covered out of 13
Udan khatole pe ud jaaun Anmol Ghadi-1946 All songs covered
Aadmi gareeb ho ya ameer ho … sambhaalo dil zaraa Dil Bhi Tera Ham Bhi Tere-1960 All songs covered
Begaani shaadi mein Abdullah deewaanaa Jis Desh Mein Ganga Behti Hai-1960 All songs covered
Ho more gore badan pe gulaabi nazariyaa na daal Sikandar E Azam-1965 03 songs posted
Sansaar ki har shai ka itna hi fasaanaa hai Dhundh-1973 All songs covered

One can see that “Prem Nagar”(1940) and “Sikandar e Azam”(1965) are the only two movies from that day which still have a few songs left to be covered. “Prem Nagar”(1940) balance songs are not available, so that leaves us with “Sikandar e Azam”(1965) as the only movie eligible for the “Blg Ten Year Challenge” today ten years later on 5 september 2020.

Three songs from “Sikandar e Azam”(1965) have been covered so far. Here are the details:-

Song Posted On
Jahaan daal daal par sone ki chidiyaan karti hai basera 15.08.2008
Ho more gore badan pe gulaabi nazariyaa na daal 05.09.2010
O mere yaar o dildaar mere saath saath tera pyaar 17.11.2011

Here is the fourth song from “Sikandar e Azam”(1965) to appear in the blog. This song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Hansraj Bahl. The picturisation shows Mumtaz trying to seduce Dara Singh.

Lyrics of the song were sent to me by Avinash Scrapwala.

Video

Song-Pilaayi toone o saaqiyaa (Sikandar e Azam)(1965) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Hansraj Bahl

Lyrics(Provided by Avinash Scrapwala)

pilaayi toone o saaqiyaa
to main sharaab pee gayi
meri khataa aa maaf kar
main behisaab pee gayi ee
pilaayi toone o saaqiyaa
to main sharaab pee gayi
meri khataa maaf kar
main behisaab pee gayi ee
pilaayi tune o saaqiyaa
to main sharaab pee gayi

kisi nazar ye kah diyaa hai
ke aaj tu aaftaab ho ja
chaman chaman ki bahaar ban jaa
kali kali ka shabaab ho ja
kali kali ka shabaab ho ja<
main ek zarraa thi khaaq ka
lo aaftaab pee gayi
meri khataa maaf kar
main behisaab pee gayi ee
pilaayi toone o saaqiyaa
to main sharaab pee gayi

kahaan chalaa ke naseeb ne bhi
kahaan pe mujhko bithhaa diya hai
wo honth jin par udaasiyaan thin
unhe bhi hansnaa sikhaa diyaa hai
unhe bhi hansnaa sikhaa diyaa hai
pyaar ka jaam jab milaa
to main janaab pee gayi ee
meri khataa aa maaf kar
main behisaab pee gayi ee
pilaayi toone o saaqiyaa
to main sharaab pee gayi

kisi ne dekhaa hai aaj mukhko
kuchh is tarah pyaar ki nazar se
khizaan ke mausam mein jaise aa kar
kahin se abr e bahaar barse
kahin se abr e bahaar barse
achchhi nazar …?
yaa kharaab ?? gayi
meri khataa maaf kar
main behisaab pee gayi ee
pilaayi toone o saaqiyaa
to main sharaab pee gayi
meri khataa aa maaf kar
main behisaab pee gayi ee
pilaayi toone o saaqiyaa
to main sharaab pee gayi
pee gayi ee
pee gayi
main sharaab pee gayi ee


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4407 Post No. : 15795

Today (11 August 2020) happens to be Janmashtmi, the day Lord Krishna, the avatar of Lord Vishnu was born in the Dwapar Yug. His earlier avatar was in the Treata Yug and that was as Lord Ram, and the birthday of Lord Ram is called Ramnavami.

Lord Ram was a serious, sombre, idealism personifieed avatar of Lord Vishnu whereas Lord Krishna was a playful, more human like avatar. Playful and non serious he may be, but he meant business when the situation so demanded. And do not fiorget, it is Lord Vishnu, who gave us Bhagwatgeeta ka gyaan.

It should come as no surprise to note that Lord Krishna has been a favourite God of Hindi movies and there have been a good number of Lord Krishn related songs in Hindi movies.

On every Janmashtmi, we feature at least one Lord Krishn related song. The first janmashtmi of the blog saw the occasion getting celebrated with the popular song Shyaam teri bansi pukaare Radha naam (Geet Gaata Chal). Next janmashtmi in 2009 saw an out and out iconic janmashtmi song viz Govinda aal re aalaa zara matki sambhaal brijbaala (Bluffmaster) getting discussed.

If one thinks that we have run out of Lord Krishn related songs for this janmashtmi, now that it is the 13th janmashtmi occasiobn for the blog, one cannot be more wrong.

Here is a fantastic Lord Krishn related song from “Khaandan”(1965). This song is sung by Rafi and chorus. The song begins with a stuti, which sounds like the voice of Ravi to me. Lyrics are by Rajinder Krishan. Music is composed by Ravi, a ceator of iconic songs (my description for him).

The song is picturised on Sunil Dutt, with lots of other devotees engaged in the song and dance celebration, including Nutan, and Omprakash. It is Omprakash, who starts the bhajan singing the Sanskrit stuti.

Incidentally, some places in India celebrate Janmashtmi tomorrrow (12 August 2020), but UP people should know better, because Lord Krishn was born in these parts. :). According to UP calendars, it falls today. May be it falls in night, seeing that Lord Krishna was born at night.

Lyrics of the song were sent to me by Avinash Scrapwala.


Song-Badi der bhayi Nandlala teri raah takey Brijbaala (Khaandaan)(1965) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Ravi
Chorus
Ravi

—————————–
Lyrics(Provided by Avinash Scrapwala)
—————————-
paritraanaay sadhunaam
vinaashaaych dushkritaam
dharmsansthaapnaarthaay
sambhavaami yugey yugey

o o o o o °°° °°°
o o o o o o o o o

badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
badi der bhayi Nandlaalaa
teri raah takey brijbaalaa

gwaal baal ek ek se poochhe
kahaan hai murliwaalaa re ae
badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa

koyi na jaaye kunj galin mein
tujh bin kaliyaan chun’ne ko
tujh bin kaliyaan chun’ne ko o
taras rahe hain ae ae ae ae ae °°° °°°
taras rahe hain jamunaa ke tat
dhun murli ki sun’ne ko o
dhun murli ki sun’ne ko o
ab to daras dikhaa de natkhat
kyun duvidhaa mein daalaa re ae
badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa

sankat mein hai aaj wo dharti
jis par toone janam liyaa
jis par toone janam liyaa aa
pooraa kar de ae ae ae ae °°° °°°
o o o o o o o o o o o °°°
pooraa kar de aaj vachan wo
geetaa mein jo toone diyaa
geetaa mein jo toone diyaa
koyi nahin hai tujh bin mohan
bharat ka rakhwaalaa re ae
badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa

gwaal baal ek ek se poochhe
kahaan hai murliwaalaa re ae
badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa
ho badi der bhayi Nandlaalaa
teri raah takey brijbaalaa aa aa

——————————————–
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————–
परित्राणाय साधूनां विनाशाय च दुष्कृताम्
धर्मसंस्थापनार्थाय सम्भवामि युगे युगे

ओ ओ ओ ओ ओ°°° °°°
ओ ओ ओ ओ ओ ओ ओ ओ ओ

बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला

ग्वाल बाल एक एक से पूछे
कहाँ है मुरलीवाला रे ए
बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला

कोई न जाए कुंज गलिन में
तुझ बिन कलियाँ चुनने को
तुझ बिन कलियाँ चुनने को
तरस रहे है ए ए ए ए ए°°° °°°
तरस रहे है जमुना के तट
धुन मुरली की सुनने को ओ
धुन मुरली की सुनने को ओ
अब तो दरस दिखा दे नटखट
क्यूँ दुविधा में डाला रे ए
बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला

संकट में है आज वो धरती
जिस पर तूने जनम लिया
जिस पर तूने जनम लिया आ
पूरा कर दे ए ए ए ए°°° °°°
ओ ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ°°°
पूरा कर दे आज वचन वो
गीता में जो तूने दिया
गीता में जो तूने दिया
कोई नहीं है तुझ बिन मोहन
भारत का रखवाला रे ए
बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला

ग्वाल बाल एक एक से पूछे
कहाँ है मुरलीवाला रे ए
बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला
हो बड़ी देर भई नंदलाला
तेरी राह तके बृजबाला आ आ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4393 Post No. : 15760

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 44
———————————————————————————–

Ten years back on this day , viz on 28th July 2010, the blog saw as many as six songs being represented as given below;

Song Movie title-Year Remarks
Meri zindagi mein aate to kuchh aur baat hoti Kanyaadaan-1968 All songs covered
Tumhi mere mandir tumhi meri pooja tumhi devtaa ho Khaandaan-1965 Five songs posted
Taqdeer kaa fasaanaa jaakar kise sunaayen Sehra-1963 All songs covered
Ham hain raahi pyaar ke hamse kuchh naa boliye Nau Do Gyaarah-1957 All songs covered
Meri duniyaa lut rahi thi aur main khaamosh thaa Mr and Mrs 55- 1955 All songs covered
Jaayen to jaayen kahaan Taxi Driver -1954 All songs covered

Out of the six movies represented on the blog on that day five movies viz. ‘Kanyaadaan-1968’, ‘Sehra-1963’, ‘Nau Do Gyaarah-1957’, ‘Mr and Mrs 55-1955’, and ‘Taxi Driver-1954’ all their songs have already been covered and they have already landed in ‘Yipeeeee’ land. 😊

That leaves us only one movie i.e. ‘Khaandaan-1965’ which is still eligible to be considered for the ‘blog ten-year challenge’.

Though I am regularly browsing the blog, I failed to notice that three songs of this movie ‘Khaandaan-1965’ were yet to be covered. This discovery came as a big surprise for me. I had a ‘bigger’ ‘surprise’ waiting for me, But they will be discussed some other time. For the time being, we will come directly to the today’s song and post.

‘Khaandaan-1965’ or ‘Khandan-1965’ was directed by A. Bhim Singh for ‘Vasu Films, Madras’. S. Ramanathan was the associate director of this movie and A. Hussain was his assistant. This movie was produced by Vasu Menon. It had Sunil Dutt, Nutan, Pran, Soodesh Kumar, Manmohan Krishna, Mohan Choti and Om Prakash, supported by Ravikant, Arundev, Mumtaz, Sulochana Chatterjee and Lalita Pawar.

Story of this movie was written by M.S. Solaimalai and dialogues were written by Rajinder Krishan who also wrote the lyrics for the songs in this movie.

A. Bhim Singh who was the director of the movie wrote the screenplay of this movie and he was also the editing supervisor of this movie. A. Pauldoraisingam was the editor of this movie.
N.S. Bedi was the Dialogue Instructor for this movie.

This movie had eight songs written by Rajinder Krishan and music was composed by Ravi. Lata Mangeshkar, Asha Bhonsle, Usha Mangeshkar, Manna Dey and Mohd Rafi had given their voices to the songs in this movie.

So far, the following five songs from “Khaandaan-1965” have been posted on the blog;

Song Posted On
Tumhi mere mandir tumhi meri pooja tumhi devtaa ho 28.07.2010
Kal chaman thaa aaj ek sehraa huaa 30.07.2011
Neel gagan par udte baadal aa aa aa 01.08.2011
Tu hoke badaa ban jaanaa apni maataa ka rakhwaalaa 09.03.2012
Aa dance karein 31.07.2014

Today’s song is the sixth song from this movie being presented on the blog. This enjoyable ‘teasing’ song is sung by Mohd Rafi and Asha Bhonsle and picturised on Sunil Dutt and Nutan in a ‘village fair’ or ‘mela’ set up where many other artists can also be seen participating in the picturization of this song.

Let us now enjoy today’s song …

Video

Audio

Song-Ho balle soch ke mele jaana (Khaandaan)(1965) Singers-Rafi, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi
Male chorus
Female chorus

Lyrics

kahaan chali
kahaan chali
kahaan chali ee

mele
mele
mele
mele
mele ae

ho ballo
soch ke mele jaanaa
saaraa shahar teraa deewaana
tere roop ko de ke taanaa
badnaam naa karey ae

ho balle ae
samajh naa mujhko bholi
mera roop zehar ki goli
sun le
deewaanon ki toli
koi naam naa dhare

ho ballo
soch ke mele jaanaa
saaraa shahar teraa deewaana
tere roop ko de ke taanaa
badnaam naa karey ae

ho balle ae
samajh naa mujhko bholi
mera roop zehar ki goli
sun le
deewaanon ki toli
koi naam naa dharey ae

dhalke dupatwaa to
lat teri bikhrey ae
jhuk jaaye nainwaa
to roop tera nikhrey ae
dhalke dupatwaa to
lat teri bikhrey ae
jhuk jaaye nainwaa
to roop tera nikhrey ae

ho peechhe padi hai duniyaa saari
bairan laakh jatan kar haari
main to
ab tak rahi kunwaari
koi naam to dharey

ho ballo
soch ke mele jaanaa
saaraa shahar teraa deewaana
tere roop ko de ke taanaa
badnaam naa karey ae

o o o o o o
o o o o o o

aa aa aa aa aa
aa aa aa aa aa

o o o o o o
o o o o o o

aa aa aa aa aa
aa aa aa aa aa

duniyaa ke aankh mein
jawaani meri khatke
kitnon ke dil hai
nathaniyaa mein atke ae ae

duniyaa ke aankh mein
jawaani meri khatke
kitnon ke dil hai
nathaniyaa mein atke

haay
jab se saal solwaa laagaa
tera ang ang hai jaagaa
peechhe har dilawaala bhaagaa
koyi kaam naa kare ae

ho balle ae
samajh naa mujhko bholi
mera roop zehar ki goli
sun le
deewaanon ki toli
koi naam naa dharey ae

ho ballo
soch ke mele jaanaa
saaraa shahar teraa deewaana
tere roop ko de ke taanaa
badnaam naa karey ae

bruuuu brruu aa
aa a a ayeah

chakchak jhikchak

hadippaa
hadippaa

bruuu he he
hahahahaha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4347 Post No. : 15658

“Kaajal”(1965) was a movie that I knew little about when I was growing up. I watched this movie in 1978 when my went to college and my movie watching spree began with a vengeance. Those days, I only liked “new” movies and songs and scoffed at “old” movies and songs. But I had heard about old movies, so I would go and watch them when no “new” movie was there for me to watch. The old movies tended to run to empty house and so buying tickets for these movies was not a problem. I wondered if a day will come in future when one would be able to watch “new” movies with the same ease, without needing to queue up and black marketeers having a field day. Believe it or not, today we are actually in that situation where one can buy tickets of even brand new movies without needing to form a queue in the movie hall.

I watched “Kaajal”(1965) in a movie hall called Ratan Talkies. I knew that it was an old movie but still I mustered up enough tolerance within me and went to watch the movie. I was a few minutes late and the movie had already started. When I found that the movie had Raj Kumar (tragedy Kumar) and Meena Kumari (tragedy queen), I wondered if I had made a mistake and I would have to spend a misery filled three hours in the hall. But as soon as the songs of the movie began, I as well as others exclaimed-“arre ye gaana is film ka hai !”. Songs kept coming one after another, with the same collective response from the movie watchers.

Seeing that I had become a regular movie watcher only in that year, I had a lot of catching up to do. I was not aware about many of the actors that were there in the movie. Today, when I look back at the starcast of “Kaajal”(1965), I realise that it was full of big name actors. But when I was watching the movie at that time, I could identify only Raj Kumar, Meena Kumari and Dharmendra, aand that was all !

The movie had eleven songs in it. As many as ten songs have been covered in the past.

Here are the details of the songs already covered in the blog:-

S N Song Song number in blog Date of posting
1 Tora man darpan kahlaaye 818 27-Feb-2009
2 Choo lene do naazuk hothon ko 828 2-Mar-2009
3 Ye zulf agar khulkar bikhar jaaye to achchaa 1479 21-Jun-2009
4 Mere bhaiyya mere chandaa mere anmol ratan 2837 24-Aug-2010
5 Aapke paas jo aayegaa pighal jaayegaa 3588 2-Mar-2011
6 Samjhi thhi ye ghar mera hai 7685 15-Mar-2013
7 Agar mujhe na milin tum (Kaajal) 8717 17-Sep-2013
8 Mehfil mein teri yoon hi rahe 9367 28-Jan-2014
9 Muddat ki tamannaaon ka sila 15429 27-Feb-2019
10 Zara si aur pila do bhang 15617 22-May-2020

I came to know thanks to some whatsapp messages that today (12 june) is the birthday of Padmini (12 june 1932-24 September 2006). When I watched “Kaajal”(1965) in the movie hall. I had no clue about her. I did not even know that the actress seen in a few songs in the movie was Padmini.

On the occasion of Padmini’s birth anniversary, here is the eleventh and final song from “Kaajal”(1965) to appear in the blog. This song is sung by Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Ravi.

The song is picturised as an archtypical get together song in a palatial home where people gather and politely watch a lady singing (while holding a sitar) and another lady dancing. In this song, Meena Kumari lip syncs while Padmini dances. Look at the people watching the performance. During those days, I did not even recognise Durga Khote !

“Kaajal”(1965) was a movie that was worth watching for its songs. Today, I would go to the extent of saying that only the songs of the movie must be watched. The story is too melodramatic for me. 🙂

Many decades later (after I began this blog), I came to know that Padmini had two more sisters and they too were dancing stars like her, and that together they were known as Travancore sisters.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, songs of “Kaajal”(1965) are now fully represented in the blog and this movie joins the list of movies that are YIPPEED in the blog.


Song-Chham chham ghunghroo boley re (Kaajal)(1965) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi

Lyrics

chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

baat chaley to aanchal dhalke
pag pag roop gagariya chhalke
baat chaley to aanchal dhalke
pag pag roop gagariya chhalke
Kanchan kaaya jhilmil jhalke
Kanchan kaaya jhilmil jhalke
khaaye kamaria hichkole
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

Ma ga ma ga sa aa
Sa ni dha ma
Ni sa ni dha
Ni sa ni dha sa
Ga ma ga sa
Ma pa ga ma sa ni dha sa
?
Ga ma ga sa ga ma dha ni sa
Ga ma ga sa ga ma dha ni sa
Ga ma ga sa ga ma dha ni sa

Pal pal badhti jaaye uljhan
Paar karey kaise ghar aangan
Pal pal badhti jaaye uljhan
Paar karey kaise ghar aangan
Jaan ki dushman ban gayi jhaanjhan
Jaan ki dushman ban gayi jhaanjhan
Bhed jiyarwa ke khole ae
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa°°°°°°

Pi bin aise tadpe gori
Bin chanda jis tarah chakori
Pi bin aise tadpe gori
Bin chanda jis tarah chakori
Jaayegi milne chori chori
Jaayegi milne chori chori
Saas nanadiya jab so le
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

———————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————–

छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए
बाट चले तो आँचल ढलके
पग पग रूप गगरिया छलके
बाट चले तो आँचल ढलके
पग पग रूप गगरिया छलके
कंचन काया झिलमिल झलके
कंचन काया झिलमिल झलके
खाए कमरिया हिचकोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए

म ग म ग सा आ
सा नि ध म
नि सा नि ध सा
ग म ग सा
म प ग म सा नि ध सा
?
?
ग म ग सा ग म ध नि सा
ग म ग सा ग म ध नि सा
ग म ग सा ग म ध नि सा

पल पल बढती जाए उलझन
पार करे कैसे घर आँगन
पल पल बढती जाए उलझन
पार करे कैसे घर आँगन
जान की दुश्मन बन गयी झाँझन
जान की दुश्मन बन गयी झाँझन
भेद जियरवा के खोले ए
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए

आ आ आ आ आ आ
आ आ आ आ आ आ
आ आ आ
आ आ आ
आ आ आ आ आ आ°°°°°°

पि बिन ऐसे तडपे गोरी
बिन चंदा जिस तरह चकोरी
पि बिन ऐसे तडपे गोरी
बिन चंदा जिस तरह चकोरी
जायेगी मिलने चोरी चोरी
जायेगी मिलने चोरी चोरी
सास ननदिया जब सो ले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 1100th lyrics contribution by Prakashchandra in the blog.

Blog Day :

4341 Post No. : 15644

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 34
—————————————————————————

The rate of posting of songs in the blog ten years ago was quite similar to the present day rate of posting, even though things were obviously much different in 2010 than what they are now. This day ten years ago (6 june 2010) was a Sunday, when the final of French open tennis tournament was played and Rafael Nadal won his fifth French open title defeating Robin Söderling of Sweden in straight sets. Now a days, no sporting events are taking place.

I find it interesting to note that the world was suffering from the pandemic of Swine Flu between January 2009 till August 2010. But India was not affected as badly as we are today affected with Corona Virus. There was no lockdown of any kind those days, though night running of trains was suspended in Naxalite affected Orissa-Jharkhand-West Bengal region (SE Rly) those days after Maoist insurgents caused derailment of Jnaneshwari express on 28 may 2010. 148 passengers had died in this ghastly accident near Jhargram.

Three songs were posted in the blog on 06.06.2010:-

Song Movie title-Year Remarks
Deewaane aa zaraa nazrein milaa Badaa Aadmi-1961 All songs covered on the blog
Jawaab nahin gore mukhde par til kaale kaa Kangan-1959 All songs covered on the blog
Aaja mere meet re sun ke mere geet re Jahaan Sati Wahaan Bhagwaan- 1965 02 of 05 songs covered

As can be seen, only one movie out of the above three movie still has a few songs left to be covered. In other words, it is the only candidate for “Blog Ten Year Challenge” today.

This movie, “Jahaan Sati Wahaan Bhagwaan”(1965) was directed by Satish Kumar for K S Pictures, Bombay. This bhakti pradhaan movie had Prithviraj, Anita Guha, Mahipal, Krishna Kumari(North), B.M.Vyas, Sulochana Chatterji, Mohan Choti, Niranjan Sharma, Minaxi, Madhumati, Babloo, Praveen Paul, Habib, Mishri Lal, S.K.Sham, Shri Bhagwan, R.S.Dube, Santosh Kumar, Polson, Dinesh, Dalda, Shyam,and child stars Rippy, Rikky, Pinky etc in it.

The movie had five songs in it Two songs from the movie have been covered in the past.
Here are their details:-

Song Posted On
Din Beete ladakpan ke 12.03.2010
Aaja mere meet re sun ke mere geet re 06.06.2010

Today’s song is the third song from this movie to be posted on the blog. This song is sung by Asha Bhonsle. This movie had two lyricists, viz B D Mishra and Madhukar Rajasthani but the lyricist of this song is not known. Music is composed by music director trio Lala Asar Sattar.

The song is picturised as a Lord Shiv Stuti dance song on Anita Guha and others. Among others, Meenaxi and Shirley can also be seen.

Catalyst behind this “Blog Ten Year Challenge” song was Avinash Scrapwala. He got Prakashchandra’s lyrics and also provided the Devnagri script lyrics of the song, while Lyrics of this song were sent by Prakashchandra. This happens to be his 1100th lyrics contribution in the blog. Quite an achievement by Prakashchandra. Our congratulations to this silent and prolific “Kasturi Mrig” contributor to the blog.

Audio

Video

Song-Meri paayal jhanke baar baar (Jahaan Sati Wahaan Bhagwaan)(1965) Singer-Asha Bhonsle, Lyrics-Unknown, MD-Lala Asar Sattar

Lyrics (Provided by Prakashchandra)

aaaa
aaaa aaa aaa
aaaa aaaa
aaaa

meri paayal jhanke baar baar
meri paayal jhanke baar baar
natraaj tumhaare aangan mein
natraaj tumhaare aangan mein
meri paayal jhanke baar baar
meri paayal jhanke baar baar

heera moti sonaa chaandi
kachhu naahin maangoon main
darshan dete raho
bas yahi maangoon main
bhakti ke jal se ye
charan pakhaaroon main
ankhiyon ke do diyon se
aarti utaaroon main
aarti utaaroon main
meri paayal jhanke baar baar
meri paayal jhanke baar baar
natraaj tumhaare aangan mein
natraaj tumhaare aangan mein
meri paayal jhanke baar baar
meri paayal jhanke baar baar

bholibhaali baalaa hoon main
chaturaayee jaanoon na
bhalaa kya hai buraa kya hai ae
abhi pehchaanoon naa
dekho prabhu ji koi
mohey bharmaaye naa
sat ka ujaala mere
jeevan se jaaye naa aa
jeevan se jaaye naa aa
meri paayal jhanke baar baar
meri paayal jhanke baar baar
natraaj tumhaare aangan mein
natraaj tumhaare aangan mein
meri paayal jhanke baar baar
meri paayal jhanke baar baar

—————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————

आ आ आ
आ आ आ
आ आ s s s s

मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
नटराज तुम्हारे आँगन में
नटराज तुम्हारे आँगन में
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार

हीरा मोती सोना चांदी
कछु नाहीं मांगू मैं
दर्शन देते रहो
बस यही मांगू मैं
भक्ति के जल से ये
चरण पखारूँ मैं
अंखियों के दो दियों से
आरती उतारूं मैं
आरती उतारूं मैं
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
नटराज तुम्हारे आँगन में
नटराज तुम्हारे आँगन में
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार

भोलीभाली बाला हूँ मैं
चतुराई जानूं ना
भला क्या है बुरा क्या है ए
अभी पहचानूं ना
देखो प्रभुजी कोई
मोहे भरमाये ना
सत का उजाला मेरे
जीवन से जाए ना
जीवन से जाए ना
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
नटराज तुम्हारे आँगन में
नटराज तुम्हारे आँगन में
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4326 Post No. : 15617

As a school going student, I was kept in strict discipline which meant going from home to school and back. No watching of movies. Even talking about movies and reading movie magazines were taboo. That did not prevent me from clandestinely reading movie magazines and books lying around the home that was apparently alright for elders to read.

It was in 1978, when I went to college and was allowed freedom as befitting a college goer. And I misused this freedom with abandon. I started watching movies left and right bunking college, as if making up for the lost time.

It was during this movie watching spree that I watched many old movies during their re runs. It included not only movies like “Sholay”(1975),”Deewaar”(1975), “Mera Gaaon Merra Desh”(1971) etc etc but also movies from earlier decades.

The movie halls where I watched most of these movies had names like Sujata, Sandhya, Vasundhara etc. But not all movie halls had feminine names. There was an old movie hall called Ratan Talkies. Closeby there was another movie hall called Rupashree which reputedly was the first movie hall of Bihar (which was opened way back in 1930s). Then there was Welfare cinema hall. These three cinema halls were closer to my residence than others. The farthest cinema hall was a “properly” named movie hall called Plaza. It was the kind of name that one found in big places like New Delhi. 🙂

It was in one matinee show in 1978 in Ratan Talkies that I watched “Kaajal”(1965). I did not have much clue about the movie. I found the movie boring in the beginning when I saw tragedy queen Meena Kumari and tragedy Kumar Raj Kumar in the movie. But then the songs began to appear one after the other. With every song, the reaction (mine as well as that of others) was, arre, this song is from this movie ! All iconic songs !

Since I had started my movie watching spree just recently, many actors were “new” for me. I watched Raj Kumar for the first time in this movie. Then there were many others whom I did not recognise at that time and regarded them as lesser actors. When I look back at the cast now, I realise that this movie had a galaxy of big names. The fact that it had Padmini, Mumtaz, Mehmood etc in it apart from the tragedy persons was lost on me. Then yesteryear legend Durga Khote was there too. Dharmendra was there whom I thankfully recognised, having seen him in a few movies earlier.

The movie had eleven songs in it. Nine of these songs have been covered in the past. When I look at the writeups of these songs, I realise that the writeups do not do justice to the songs. So I think we need to add some more contents and spice to these writeups. So I request our regulars to contribute their observations on these iconic songs.

Following songs from “Kaajal”(1965) have been covered in the blog so far.

S N Song Song number in blog Date of posting
1 Tora man darpan kahlaaye(Kaajal)(1965) 818 27-Feb-2009
2 Choo lene do naazuk hothon ko(Kaajal)(1965) 828 2-Mar-2009
3 Ye zulf agar khulkar bikhar jaaye to achchaa (Kaajal) 1479 21-Jun-2009
4 Mere bhaiyya mere chandaa mere anmol ratan (Kaajal) 2837 24-Aug-2010
5 Aapke paas jo aayegaa pighal jaayegaa (Kaajal) 3588 2-Mar-2011
6 Samjhi thhi ye ghar mera hai (Kaajal) 7685 15-Mar-2013
7 Agar mujhe na milin tum (Kaajal) 8717 17-Sep-2013
8 Mehfil mein teri yoon hi rahe (Kaajal) 9367 28-Jan-2014
9 Muddat ki tamannaaon ka sila (Kaajal) 15429 27-Feb-2019

Here is the tenth song from “Kaajal”(1965) to appear in the blog. This song is sung by Rafi and Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Ravi.

This song is picturised as a “bhang” song on Mehmood and Mumtaz. Before I watched this song, I was not even aware that these two were in this movie.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Zara si aur pila do bhang (Kaajal)(1965) Singer-Rafi, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi

Lyrics(Provided by Avinash Scrapwala)

zaraa si aur pila do bhang
main aaya dekh ke aisa rang
ke dil mera dola aa
O hai ham bhola
zaraa si aur pila do bhang
main aaya dekh ke aisa rang
ke dil mera dola aa
O hai ham bhola aa
meri to akal huyi hai dang
ye kaisa badlaa tera dhang
ke tu tha bhola

o hai ham bhola aa
b b b b b drurrrrrr ha

mujhe samajh na tu bairaagi
maine aaj tapasya tyaagi ee
hmm hmm hmm hmm
aehe aehe
mujhe samajh na tu bairaagi
maine aaj tapasya tyaagi
tere roop ka jhatka khaa ke
meri soyi jawaani jaagi ee
meri soyi jawaani jaagi
ja hat jaa arey malang
kare kyun beech sabhi ke tang
ke tu tha bhola

o hai ham bhola aa
zaraa si aur pila do bhang
main aaya dekh ke aisa rang
ke dil mera dola
O hai ham bhola

(undeciphered words)
Tak dhum tak tak tak tum

Kyun thhaam ke dil ko tehle
Jo chot lagi hai sah le ae
Haay haay
Kyun thhaam ke dil ko tehle
Jo chot lagi hai sah le ae
Us baat pe ab zid kaisi
Jo baat na maani pehle
Jo baat na maani pehle

Kyun jhagde mere sang
Main tujhse haar chukaa hoon jung
Ke dil mera dola
o hai ham bhola aa
meri to akal huyi hai dang
ye kaisa badlaa tera dhang
ke tu tha bhola

o hai ham bhola aa

(undeciphered words)

mere dil se nikle haaye
gori kyun nakhre dikhlaaye

(undeciphered words)

mere dil se nikle haaye
gori kyun nakhre dikhlaaye
zaraa hans ke gale se lag jaa
tujhe kunwaara pyaar bulaaye
tujhe kunwaara pyaar bulaaye
tere man pe chadh gaya jang
yoonhi ab kyun chamkaaye rang
ke tu tha bhola

o hai ham bhola aa
zaraa si aur pila do bhang
main aaya dekh ke aisa rang
ke dil mera dola aa
O hai ham bhola

———————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————–

ज़रा सी और पिला दो भंग
मैं आया देख के ऐसा रंग
के दिल मेरा डोला आ
ओ है हम भोला
ज़रा सी और पिला दो भंग
मैं आया देख के ऐसा रंग
के दिल मेरा डोला आ
ओ है हम भोला आ
मेरी तो अक्ल हुयी है दंग
ये कैसा बदला तेरा ढंग
के तू था भोला

ओ है हम भोला आ
ब ब ब ब ब दृर्र्र्रर्र्र्रर हा

मुझे समझ न तू बैरागी
मैंने आज तपस्या त्यागी ई
हूँ हूँ हूँ हूँ
एहे एहे
मुझे समझ न तू बैरागी
मैंने आज तपस्या त्यागी
तेरे रूप का झटका खाके
मेरी सोयी जवानी जागी ई
मेरी सोयी जवानी जागी
जा हट जा अरे मलंग
करे क्यूँ बीच सभी के तंग
के तू था भोला

ओ है हम भोला
ज़रा सी और पिला दो भंग
मैं आया देख के ऐसा रंग
के दिल मेरा डोला आ
ओ है हम भोला आ

( अटपटे बोल )
तक धूम तक तक तक तुम

क्यूँ थाम के दिल को टहले
जो चोट लगी है सह ले ए
हाय हाय
क्यूँ थाम के दिल को टहले
जो चोट लगी है सह ले ए
उस बात पे अब जिद कैसी
जो बात न मानी पहले
जो बात न मानी पहले

क्यूँ झगडे मेरे संग
मैं तुझसे हार चुका हूँ जंग
के दिल मेरा डोला आ
ओ है हम भोला आ
मेरी तो अक्ल हुयी है दंग
ये कैसा बदला तेरा ढंग
के तू था भोला

ओ है हम भोला आ
( अटपटे बोल )

मेरे दिल से निकले हाए
गोरी क्यूँ नखरे दिखलाए

( अटपटे बोल )

मेरे दिल से निकले हाए
गोरी क्यूँ नखरे दिखलाए
ज़रा हंस के गले से लग जा
तुझे कुंवारा प्यार बुलाये
तुझे कुंवारा प्यार बुलाये
तेरे मन पे चढ़ गया जंग
यूंही अब क्यूँ चमकाए रंग
के तू था भोला

ओ है हम भोला
ज़रा सी और पिला दो भंग
मैं आया देख के ऐसा रंग
के दिल मेरा डोला आ
ओ है हम भोला आ


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4216 Post No. : 15417

Fabulous Foot Tappers – 10
– – – – – – – – – – – – – – –

Ah, a post waiting for some time now to come on board. This post and this song is specially for dear Avinash ji. 🙂 🙂

As you listen to the song, and the words settle down in the mind, you can almost imagine – Avinash ji, on his flight back from Kenya to India, thinking about this song. And then the landing at Mumbai, then passing thru the immigration and baggage collect. He bumps into an old friend while waiting for the bags. The friend asks him where from he is returning. Avinash ji says, Kenya. The friend says – अरे यार, वो भी कोई जगह है देखने की, see, I am returning from Barcelona, now that is a place to visit. And instantly Avinash ji breaks into this song, telling his friend “Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika”. And there is a loud applause from the crowd waiting for their baggage.

And then, Avinash ji decides that this song must also be screened for the musical bandwagon on our blog. The Atulites must be made aware – they have missed something significant in life – “तुमने क्या देखा भला, जो ना देखा आफ्रिका”.  🙂

The song is performed as a club dance cum stage dance setting. A fiesty rock and roll number, which should have been heard more. But maybe then, the 1960s was overflowing with such rollicking dance numbers. The film itself, of course did not seem to have made any impact, and so this superb song seems to have dived below the radar of listeners.

The first one to make an entrance is Bela Bose, all made up as a native African belle. Next on the scene is Bhagwan Dada, also in an African attire and face wash. The first stanza goes by. And then, in the second stanza, we have Chandrashekhar make his appearance – a white man, suited and booted, riding in an open car. He declares that he was on way to America (jeez) but then the beauty of Africa and the African ‘माहजबीं’ made him change his mind. Quite a stretch of imagination here by Bakshi Sb (I mean Anand Bakshi 🙂 ), calling a dark and dusky damsel as ‘माहजबीं’ (literal meaning – moon faced).

And then we are on to the third stanza, in which Bhagwan Dada, feeling threatened by the invasion of the white male competitor, advises his heart throb that the fair color is not so fair, if the heart is not in the game.

In the interludes, we see the audience as well as a quartet of sinister looking ‘thugs’ who are apparently up to no good, and most likely are looking for somebody. Could be the scenario is that Bhagwan and Chandrashekhar are on the run followed by this quartet, and they both mingle in with this performance, trying to hide behind the disguises. Now isn’t that so original 🙂

The film is ‘Hum Deewaane’ from 1965. Produced under the banner of Young India Entertainer, Bombay, the film is directed by Bhagwan himself. The star cast is listed as Mumtaz, Chandrashekhar, Bhagwan, Helen, Iftikhar, Anwar, Agha, Maruti, Rajan Haksar, Kundan, Prem Sagar, Rajan Kapoor, Kanchanmala and Bela Bose.

The songs are written by Anand Bakshi, and the music is by C Ramchandra under the name of Anna Saheb. This song is an all male duet in the voices of C Ramchandra himself, as Chitalkar, accompanied by Mahendra Kapoor.

Goodness, almost one and a half years since the last post in this series. I need to pull up my socks. 🙂

 

Song – Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika (Hum Deewaane) (1965) Singer – Chitalkar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Anna Sahab (C Ramchandra)
Chitalkar + Mahendra Kapoor

Lyrics

tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka

muskura o dilruba
ho ja fida honay de fida
muskura o dilruba
ho ja fida honay de fida
jeene ka yahi hai
jeene ka yahi hai
tareeka
tareeka
tareeka
hoye tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka

thi whaan wo mahjabeen
reh gaya main bhi wahin
thi whaan wo mahjabeen
reh gaya main bhi wahin
jaan tha mujhe
arey jaana tha mujhe
amreeka
amreeka
amreeka
haa haa
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka

o sanam teri kasam
kaale hain par dilwaale hum
o sanam teri kasam
kaale hain par dilwaale hum
dil bina ye rang gora
dil bina ye rang gora
hai pheeka
hai pheeka
hai pheeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka

tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका

मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
जीने का यही है
जीने का यही है
तरीका
तरीका
तरीका
होय तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका

थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
जाना था मुझे
अरे जाना था मुझे
अमरीका
अमरीका
अमरीका
हा हा
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका

ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
दिल बिना ये रंग गोरा
दिल बिना ये रंग गोरा
है फीका
है फीका
है फीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका

तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4209 Post No. : 15404

Greetings all for the celebration today – the anniversary of declaration of our nation as a Sovereign Socialist Secular Democratic Republic.

The Constituent Assembly, consisting of 389 eminent people from across all walks of life and all population segments in the country, was established on 6th December, 1946. After a string of debates, which included public debates in different parts of the country, the Assembly agreed to adopt our constitution on 6th November, 1949. And then on 26th January of 1950, the nation of India, that is Bharat, was declared as being governed according to this document which is the supreme law of our land.

The Preamble to the constitution states the following,

WE, THE PEOPLE OF INDIA, having solemnly resolved to constitute India into a SOVEREIGN SOCIALIST SECULAR DEMOCRATIC REPUBLIC and to secure to all its citizens:

JUSTICE, social, economic and political;

LIBERTY of thought, expression, belief, faith and worship;

EQUALITY of status and of opportunity;

and to promote among them all FRATERNITY assuring the dignity of the individual and the unity and integrity of the Nation;

IN OUR CONSTITUENT ASSEMBLY this twenty sixth day of November, 1949, do HEREBY ADOPT, ENACT AND GIVE TO OURSELVES THIS CONSTITUTION.

 

The constitution become the bedrock foundation for enunciating all the defining principles of governance and jurisprudence, which in turn form the source of all the laws that apply to our country and its citizens.

In terms of an identity, a nation is characterized and represented by a set of symbols which identify and define it. Wherever we may be in this world, whatever may be the query about what India is, the answers will always be in terms of certain symbols that are constant and do not change – our flag, our national emblem, our national anthem, our currency, and more.

As a matter of fact, symbols and symbolism form a very imperative part of our lives. All around us, in our everyday environment, we encounter a multitude of symbols that relate to every aspect of our lives. They could be fashion brands, corporate houses, currency, governments, services, road traffic – well, just any class and category of ‘things’ in and around our lives. These symbols are significant artifacts that represent, convey, and inspire a plethora of meanings and emotions relating to our everyday lives and experiences. These symbols may be local or universal. Everywhere in the world, the sign of dollar is a symbol for money. Traffic lights and signs are universal symbols, recognized across national boundaries. Emoticons we use every day now in our communications, are symbols that represents emotions, things, communication snippets. I could go on describing, and there would be no end to how symbols have become such an integral and pervasive part of our lives.

In a world we live in – a fragmented world of divisions that are represented and controlled on the basis of multiple criteria. We are a world of nation states. And the world over, the national identities are represented and underscored by a set of symbols. The flags, the emblem, colors, badges, plants/birds/animals – in fact each nation has a collection of symbols to characterize and epitomize its national identity. In our native Hindi, the word for flag is ‘निशान’ (nishan), which is a synonym for ‘symbol’.

National anniversaries are also in the nature of symbols of a nation. The celebrations of these anniversaries represent a dynamic continuity of the national identity across the pages of history. There is an evolution and transformation that happens with time, but the basic elements and definitions remain a constant. That constancy is an edifice of identity and a hallmark of stability and continuity in the matters of everyday interactions in the lives of the people of the nation. The presence of these symbols in our lives, and their everyday transactions, generates in our hearts a comfortable feeling of being – being an Indian.

For example, encountering the flag – our Tricolour, evokes in the heart, overwhelming emotions of pride, honor, affinity, affection and belonging. These symbols have become so much a part of our existence, that inside ourselves very strong emotions are now linked with these symbols. These symbols are now a cornerstone of our and our country’s existence.

The matter of honor and pride, linked with symbols and the emotions that these symbols evoke, has been a matter of very personal and a very human experience all across the history. The song being presented in this post today is a very forceful and compelling testimony on the inherent relationship between symbols and matter of national honor. Here is a brief slice of history representing a true episode from the annals of the Rajput history. As the reader will go through this song, one will find many symbols – that of patriotism, personal relations and personal sacrifices – being invoked.

The episode tells a piece of history, about Haadi Rani, who is now a folk heroine in Rajasthan. Haadi Rani was the daughter of King Haada Chauhan of the Kingdom of Boondi. She was married to Rawat Ratan Singh Chundaawat of Salumber (in Udaipur). Ratan Singh was the commander of the army of Maharana Raj Singh of Mewar, India was ruled at that time by the sixth Mughal Emperor – Aurangzeb Alamgir.

In a turn of events, the royal Mughal forces invaded Mewar. Maharana Raj Singh sent an urgent emissary to Rawat Ratan Singh, to raise the army and join the battle against Aurangzeb’s forces. As circumstances would have it, Ratan Singh had just been married one week prior. Initially, he was hesitant to leave his newlywed bride, and go to the battlefield. However, Haadi Rani reminded him of his duty towards the king and the kingdom, and prevailed upon him to join the battle. Ratan Singh left Salumber and his bride, and proceeded to join Maharana Raj Singh with his contingent. However, his mind was still engrossed with the amorous affections for Haadi Rani.

Midway from his march towards Udaipur, he sent back a messenger to his palace, with a message for his bride – that she should send him some token symbol of love – ‘प्रेम चिन्ह’, to sustain him through the times he is away from her. On reading the message, Rani sensed the state of mind of her husband, and at first, was quite bewildered as to what she should do. She apprehended that his mind being engrossed with her, he would not be an effective soldier and commander on the battlefield. But quickly she made up her mind, and decided the commit the ultimate sacrifice. She instructed the messenger quite sternly. Then she proceeded to behead herself with a sword. The messenger, very shocked and shaken, followed her instructions, and carried her bleeding head on golden tray, covered with her bridal finery, to Ratan Singh.

Ratan Singh, waiting eagerly for the ‘प्रेम चिन्ह’, received what he never expected in his wildest dreams. Uncovering the tray, he saw the head of his newlywed bride. His grief and his repentance had no bounds, for in a flash he realized what Haadi Rani had done, and why had she done it. As the folklore goes, he picked up the head and slung it around his neck with the tresses that he had once caressed with love. With this demeanor, he launched himself into the battle. It is said that fought valiantly like a man possessed, and led his army to victory against the forces of the Mughal Emperor. Once the victory was attained and the opposition army was in retreat, Ratan Singh alighted from his horse, knelt down on the ground and proceeded to behead himself.

In the intense and turbulent martial history of Rajasthan, this episode stands amongst the most powerful and most emotional, where the honor of the kingdom, and its security is perceived as a paramount commitment, even above personal engagements and requirements. Haadi Rani made the supreme sacrifice for the sake that her commander husband would not be swayed by the thoughts of his recent matrimony, and that the sight that she eventually presented to her husband would have served as a vicious impetus for him to give his utmost in the battle against the enemy.

The symbolism of honor – the trumpets announcing the onset of warfare. The symbolism of love – the ‘प्रेम चिन्ह’ that  Ratan Singh request for. And the symbolism of sacrifice – the ultimate step taken by Haadi Rani. This song converges these symbolisms into itself. A wonderfully emotional and a soul stirring presentation of one of the most chilling episodes of Rajput history.

The song is from the 1965 film ‘Nai Umar Ki Nai Fasal’. In the film, the setting of this song is as follows. A group of students, including Tanuja, Rajeev and Raj Kishore, are visiting another college in another city, for the annual festival of the latter college. As part of the program, all participant colleges are to present a stage item at the festival. This performance is presented by the protagonist group. In the film, Rajeev is the creative spirit of the team, and he completes the writing of this poem just in time for preparing the performance. On stage, the role of Haadi Rani is played by Tanuja, and that of Rawat Ratan Singh by Raj Kishore. We can see Rajeev doing the rendition of the poem on the mike placed in the wings of the stage.

The words of this poem are written by Manmohan Tiwari, the only song of this film that is not written by Neeraj. Music composition is by Roshan. The singing voice is of Manna Dey – the song has been rendered with such flourish and emotional dexterity.

A stirring reminder again today, the price of breathing in free air is defined through examples like this episode from our history. The finale of the song brings us back into convergence of the historical and the present tense – “O Bharat Maa Teri Jai Ho”.

Whatever else may be our compulsions, our personal motivations, our limitations, our interests, I am sure none of us differs about this sentiment – “O Bharat Maa Teri Jai Ho”.

[Ed Note: With this post, all songs of this film are now represented on our blog. The film ‘Nai Umar Ki Nai Fasal’ is now yippeee’d.]

Song – Thi Shubh Suhaag Ki Raat Madhur  (Nai Umar Ki Nai Fasal) (1965) Singer – Manna Dey, Lyrics – Manmohan Tiwari, MD – Roshan

Lyrics (Provided by Avinash Scrapwala)

thi shubh suhaag ki raat madhur
madhu chalak rahaa tha kan kan mein
sapne jagtey the nainon mein
armaan machaltey the mann mein
sardaar magan mann jhoom raha
pal pal har ang phadakta tha
honthon par pyaas mahakti thi
praanon mein pyaar dhadakta tha
tab hi ghunghat mein muskaati

tab hi ghunghat mein muskaati
pag paayal cham cham chamkaati
raani antahpur mein aayi
kuch sakuchaati kuch sharmaati

mehndi se haath rache donon
maathe par kumkum ka teeka
gora mukhda muskaa de to
poonam ka chaand lagey pheeka
dheere se badh choodavat ne

dheere se badh choodavat ne
raani ka ghunghat pat khola
nas nas mein kaundh gayi bijli
peepal patte sa tan dola

adharon se adhar miley jab tak
lajja ke toote chhand band
rann-bigul dwaar par goonj uthaa aa
rann-bigul dwaar par goonj uthaa
shehnaayi ka swar huaa mand
bhuj bandhan bhoola aalingan
aalingan bhool gaya chumban
chumban ko bhool gayi saansen
saanson ko bhool gayi dhadkan
taj kar suhaag ki sej saji

taj kar suhaag ki sej saji
bola aa na yuddh ko jaaunga
teri kajraari alkon mein
mann moti aaj guthaaunga

pehle to raani rahi maun
phir kaal jwaal si bhabhak utthi
bin baadal bin barkhaa maano
kya bijli koyi kadak utthi
ghayal naagan si bhaunh taan
ghunghat ukhaadkar yoon boli
talwaar mujhe de do apni
tum pehan raho choodi choli
pinjde mein koyi band sher

pinjde mein koyi band sher
sehsa sote se jaag utthe
yaa aandhi andhad saath liye
jaise pahaad se aag utthe

ho gaya khadaa tan kar ranaa
haathon mein bhaala utthaa liya
har har bam bam bam mahadev
har har bam bam bam mahadev
kah kar rann ko prasthaan kiya

dekha pati ka jab veer vesh
pehle to raani harshaayi
phir sehmi tthitthki akulaayi
aankhon mein badli ghir aayi
paagal si gayi jharokhe par

paagal si gayi jharokhe par
par-kite hansini thi adheer
ghodey par chadhaa dikhaa ranaa
jaise kamaan par chadhaa teer

donon ki aankhen huyi chaar
choodavat phir sudhbudh khoyi
sandesh pathaa kar raani ko
mangwaaya prem chinh koi

sewak ja pahunchaa mehlon mein
raani se maangi sainaani
raani jhijhki phir cheekh utthi
boli kah de mar gayi raani

le khadag haath
phir kahaa thahar
le sainaani
le sainaani
ambar bola
le sainaani
dharti boli
le sainaani

rakh kar chaandi ki thaali mein
sewak bhaaga le sainaani
ranaa adheer bola badhkar
laa
laa
laa
laa
laa sainaani

kapda jab magar hataaya to
rah gaya khada moorat ban kar
lahuluhaan raani ka sir
hansta tha rakha thaali par
sardaar dekh kar chitkaar uttha
haa raani
haa meri raani
adbhut hai teri qurbaani
tu sach much hi hai kshatraani

phir ed lagaayi ghode par
dharti boli jai ho jai ho
haadi raani teri jai ho
o bharat maa teri jai ho
o bharat maa teri jai ho o
teri jai ho
o bharat maa teri jai ho o

————————————————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————————————-

थी शुभ सुहाग कि रात मधुर
मधु छलक रहा था कण कण में
सपने जगते थे नैनों में
अरमान मचलते थे मन में
सरदार मगन मन झूम रहा
पल पल हर अंग फड़कता था
होंठों पर प्यास महकती थी
प्राणों में प्यार धड़कता था
तब ही घूँघट में मुस्काती

तब ही घूँघट में मुस्काती
पग पायल छम छम छमकाती
रानी अन्तःपुर में आयी
कुछ सकुचाती कुछ शरमाती

मेहँदी से हाथ रचे दोनों
माथे पर कुमकुम का टिका
गोरा मुखड़ा मुस्का दे तो
पूनम का चाँद लगे फीका
धीरे से बढ़ चूंडावत ने

धीरे से बढ़ चूंडावत ने
रानी का घूँघट पट खोला
नस नस में कौंध गयी बिजली
पीपल पत्ते सा तन डोला

अधरों से अधर मिले जब तक
लज्जा के टूटे छंद बन्द
रण बिगुल द्वार पर गूँज उठा आ

रण बिगुल द्वार पर गूँज उठा
शहनाई का स्वर हुआ मन्द
भुज बंधन भूला आलिंगन
आलिंगन भूल गया चुम्बन
चुम्बन को भूल गयी साँसें
साँसों को भूल गयी धड़कन
तज कर सुहाग कि सेज सजी

तज कर सुहाग कि सेज सजी
बोला॰॰आ न युद्ध को जाऊँगा
तेरी कजरारी अलकों में
मन मोती आज गुंथाऊंगा

पहले तो रानी रही मौन
फिर काल ज्वाल सी भभक उठी
बिन बादल बिन बरखा मानो
क्या बिजली कोई कड़क उठी
घायल नागन सी भौंह तान
घूँघट उखाड़कर यूं बोली
तलवार मुझे दे दो अपनी
तुम पहन रहो चूड़ी चोली
पिंजड़े में कोई बंद शेर

पिंजड़े में कोई बंद शेर
सहसा सोते से जाग उठे
या आंधी अंधड़ साथ लिए
जैसे पहाड़ से आग उठे

हो गया खडा तन कर राणा
हाथों में भाला उठा लिया
हर हर बम बम बम महादेव
हर हर बम बम बम महादेव
कह कर रण को प्रस्थान किया

देखा पति का जब वीर वेश
पहले तो रानी हर्षाई
फिर सहमी ठिठकी अकुलाई
आँखों में बदली घिर आई
पागल सी गयी झरोखे पर

पागल सी गयी झरोखे पर
पर-कटी हंसनी थी अधीर
घोडे पर चढ़ा दिखा राणा
जैसे कमान पर चढ़ा तीर

दोनों कि आँखें हुयी चार
चूंडावत फिर सुधबुध खोयी
सन्देश पठा कर रानी को
मंगवाया प्रेमचिन्ह कोई

सेवक जा पहुंचा महलों में
रानी से मांगी सैनाणी
रानी झिझकी फिर चीख उठी
बोली कह दे मर गयी रानी

ले खड्ग हाथ
फिर कहा ठहर
ले सैनाणी
ले सैनाणी
अम्बर बोला
ले सैनाणी
धरती बोली
ले सैनाणी

रख कर चांदी कि थाली में
सेवक भागा ले सैनाणी
राणा अधीर बोला बढ़कर
ला
ला
ला
ला
ला सैनाणी

कपडा जब मगर हटाया तो
रह गया खडा मूरत बन कर
लहुलुहान रानी का सर
हंसता था रक्खा थाली पर

सरदार देख कर चीत्कार उठा
हा रानी
हा मेरी रानी
अद्भुत है तेरी कुर्बानी
तू सचमुच ही है क्षत्राणी

फिर एड़ लगाई घोड़े पर
धरती बोली जय हो जय हो
हाड़ी रानी तेरी जय हो
ओ भारत माँ तेरी जय हो ओ
ओ भारत माँ तेरी जय हो
तेरी जय हो
ओ भारत माँ तेरी जय हो

 


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15916

Number of movies covered in the blog

Movies with all their songs covered =1221
Total Number of movies covered =4362

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