Archive for the ‘Songs of 1965’ Category
Nazar meri badhi idhar se
Posted on: January 31, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4945 | Post No. : | 17804 |
“Rustam e Hind”(1965) was produced by Kedar Kapoor and R S Sharma and directed by Kedar Kapoor for K R Films, Bombay. The movie had Dara Singh and Mumtaz in lead roles. Others in the movie included Helen, Laxmi chhaya, Sham kumar, K.N.Singh, Parveen Paul, Rajan Haksar, Mridula Rani, Randhir, Maruti Rao, TunTun, Mohan Choti, Bihari, Hansa, Haroon, Khurshid, Madhumati, Roopesh Kumar, Parashuram etc.
The movie had six songs in it. One song has been covered in the blog. That was more than ten years ago.
Here is the second song from “Rustam e Hind”(1965). The song is sung by Asha Bhonsle. Qamar Jalalabadi is the lyricist. Music is composed by Hansraj Bahl.
The song is picturised on Laxmi Chhaaya. Shyam Kumar, K.N.Singh, Maruti etc are also visible in the picturisation.
Lyrics of this song were sent to me by Prakashchandra.
Song-Nazar meri badhi idhar se (Rustam e Hind)(1965) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-Hansraj Bahl
Lyrics(Provided by Prakashchandra)
nazar meri badhi idhar se
nazar teri badhi udhar se
nazar phir mili nazar se
nazar phir gayee ee
lad lad lad
nazar meri badhi idhar se
nazar teri badhi udhar se
nazar phir mili nazar se
nazar phir gayee …ee
lad lad lad
teraa zaalim ishaaraa
churaaye dil hamaaraa
jidhar chaahe tu le jaa…aaaaa
haayye haayye haayye
teraa zaalim ishaaraa
chhuraayee dil hamaaraa
jidhar chaahe tu le jaa…aaa aaa
haayye
tu aankhon se bulaaye
main khinchee khinchee aaoon
tu aissa kare jadoo palatt ke na jaaoon
baat ik chali idhar se
baat ik chali udhar se
baat phir nikli baat se
baat phir gayee…eeee….ee
badh badh badh
haa..aaaa…aaaa..haaye
haa…aaa….aaa..haaaa….haaa
hhaaa….haaaaaa…aahaaa
ye aashiq hain shikaari
ghazab ke hain khilaadi
suno inn kaa fasaanaa…aaaa
hoyye hoyye hoyye
ye aashiq hain shikaari
ghazab ke hain khilaadi
suno inn kaa fasaanaa….aaaa
hoyye
rahey ye khoye khoye
na soye ye na jaagey
haseenaa jahaan dekhen
ye peechhe peechhe bhaagen
teer ek chalaa idhar se
teer ek chalaa udhar se
teer do miley falak ke
dilon mein gaye
adh adh adh
hhaaa hhhaaaa hhhaaa…..aaaa
aahhaaa hhaaa hhaa haa aa
aahhhaaa haaa hhaa haaa
phizaayein hain gulaabi
zamaanaa hai sharaabi
bhulaa de tu bhi taubaa …aaaa
haayye haayye haayye
phizaayein hain gulaabi
zamaanaa hai sharaabi
bhulaa de tu bhi taubaa…aaaa
hoyye
hawaaon ko deewaanaa banaati jaaoon main
yoon peetaa jaaye tu
pilaati jaaoon main
jaam ek chalaa idhar se
jaam ek chalaa udhar se
jaam do miley chhalkte
nashaa phir gayaa …aaa
chadh chadh chadh
nazar meri badhi idhar se
nazar teri badhi udhar se
nazar phir mili nazar se
nazar phir gayee …eeee
lad lad lad
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4897 | Post No. : | 16696 |
Songs from Artiste Name Films….Second Season….No. 9
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Today’s song is from the film Noor Mahal-1965.
from the film title, can you guess who is today’s star of the post in this series ? Difficult to guess correctly. It is not about noorjehan, remember. While I discuss matters about this film and other aspects, you keep guessing about today’s star !
Film Noor Mahal-65 was made by Ratan productions and the film was directed by Nausheer Engineer. This was a Costume film dealing with the age old story of ‘ king, queen, wicked vizier and a lover couple ‘. Possibly this was one of the last such pictures in the late 60’s decade. The trend of films had changed drastically in the 60’s and this type of films had lost its audience now. The director Nausheer Engineer had directed 7 films in his career – all in C grade category. The films were, Inteqam-47, Shamsheerbaaz-53, Carnival queen-55, Diler Daku-57, Circus queen-59, Chini jaadugar-59 and his last film was Noor mahal-1965. There were two earlier films with the same title, one in 1934 and the other in 1954.
An interesting point about today’s film was its Music Director- Jaani Babu Qawwal ( arrangers Sonik-omi). He was born in 1935 at Hinganghat, maharashtra. His real full name was Jaan Mohammed Jani babu. He was known as a good qawwal. He came into films and acted in 9 films, but he sang 40 songs in 30 films. He also tried his hand at being a Music Director. His first attempt was today’s film ” Noor Mahal-1965 ‘. All the 6 songs in this film ( I have heard them all) were very good and 2 qawwalis from this film-including today’s qawwali- became popular. Despite providing good music, he did not get any film as an MD. Maybe because Sonic-Omi had left him. He managed to get two more Muslim religious film somehow – Qoobat E Parwardigaar-78 and Aulia E Islam-79. That was the end of his stint as an MD. His one qawwali ” Mehangai maar gayee” from the film Roti Kapda aur Makan-74 is remembered even today. Jani Babu Qawwal died on 28-1-2008.
The other famous qawwal in films was Shakeela Banu Bhopali. She was multitalented. She acted in 32 films, but sang only 4 songs in 3 films. She too gave music to just 1 film-‘ Maze Le Lo’- 1975. She died on 16-12-2002. These were the only well known qawwals who were active in various film fields.
The cast of the film Noor Mahal-35 was Chitra, Jagdeep, Tiwari, Lalita Desai, W.M.Khan, madhumati and others. One of the cast was Wazir Mohammed Khan aka W.M.khan. He is another interesting person associated with this film. W.M.Khan had the unique honour of being the First ever Male singer in In the Hindi talkie films of india. he had done the role of a Faqir in film ‘ Alam Ara ‘-1931, the first indian Talkie film, in which he had sung a song on screen himself-” de de khuda ke naam pe”. In his 42 years of film career, he acted in 105 films and sang 6 songs in 4 films-namely Alam ara-31, Sair E Paristan-34, Dard E dil-34 and Alam Ara -56. He had also sung, on screen, the famous song ” Aye mere watan ” in the film Kabuliwala-1961.
An Interesting thing about him is that he began his career in Talkie films with ‘Alam Ara’-1931 and ended also with the film Alam Ara-1973. In between, he acted in another version of Alam Ara in 1956, in which he sang the same song from the 1931 film again. But alas, both times, no record was issued on both occasions. Now none of those two films are available to see and enjoy !
Today’s song is sung by Usha Timothy and others. Usha Timothy, born on 8-10-1949, sang only 56 songs in 50 films. Later on she focussed on stage shows and multinational tours with few groups. She had created a stir in the industry by claiming that the famous Patriotic song ” aye mere watan ke logon “, sung famously by Lata Mangeshkar ( and which, reportedly, brought tears to Pandit Nehru’s eyes) was sung by her much earlier than lata, in a stage show conducted by C.Ramchandra himself. This was claimed by her, after the death of C.Ramchandra and could never be corroborated by anyone else. This matter was also discussed fiercely on the RMIM forum some years back.
The story of film Noor mahal-1965 was a concoction of several earlier stunt films. It was woven around a wicked brother, who kills his elder brother-the King. He also tries to kill the queen, the son and a daughter, but some loyal sardar escapes with the children. Cut to 20 years later….The brother now remembers that the king’s children were betrothed to a son and daughter of his friend. He then kills the friends and locks up the son. The daughter , however.
, pretends to love him and marry him. A masked girl rescues the son and they dutifully fall in love, sing songs etc. They are the real betrothed ones. All is well when the brother king is killed and the son becomes the King.
So much for the film. Now we return to our star of the post in this series. This is an actress about whom hardly anybody knows.
In the name of the film Noor Mahal is hidden a name of an actress…NOOR. (short for Noorjahan).
Have you any idea who this actress is ? Yes, she became the wife of comedian Johnny Walker. Born on 21-7-1940, she was the second of the 3 sisters. The eldest was Shakila, then Noor and lastly Nasreen.All 3 sisters joined films, but Shakila was the most famous and had a longer career span than the sisters.
Noor debuted as the child star singing the famous song,” Udan khatole pe ud jaun’ in the film Anmol Ghadi-46. Along with her the other child artist debutant was M.Kabir ( later father of actress Sonam). Then came Dard-47. In both these films, she was credited as Noor Mahal, but after this in all subsequent films, she was billed as Noor only. Noor acted in 16 films. They were Anmol Ghadi-46, Dard-47, khubsurat-52, Baghi-53, Do bigha zameen-53, Laila-54, Noor Mahal-54, khushboo-54, Aarpaar-54 ( singing Main na pyar karungi ), Naukri-54 ( as Kishore kumar’s sister,singing ‘ Chhota sa ghar hoga’ ), Mast Qalandar-55, Shahi chor-55, Sakhi hatim-55, Lutera-55, Heer-56 and Chand ki duniya-59. The last two films got delayed releases.
During the film Aarpaar-54, she acted in a very popular song,’ are na na na Tauba Tauba, main naa pyar karungi”, along with comedian Johnny Walker. Johnny fell in love with her and they got married in 1955. After marriage she stopped taking films anymore. The couple had 3 daughters and 3 sons. All 3 sons studied in the USA, all 3 daughters were married off before Johnny’s retirement from films. She stays in her bungalow, ” Noor Villa ” (as good as Noor Mahal !) in Andheri, Mumbai.
Now let us enjoy this very good qawwali.
Song-Rehte ho kis gali mein kya naam hai tumhaara (Noor Mahal)(1965) Singers- Usha Timothy, Manna Dey, Suresh Rajwanshi, Lyricist- Saba Afghani, MD- Jaani Babu Qawwal
Lyrics(Provided by Avinash Scrapwala)
aa aa aa aa
aa aa aa aa aa aa aa
phirte ho maare maare ae ae ae
koyi nahin sahaaraa
aa aa aa aa aa
rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
aa aa aa aa aa aa aa
aa aa aa aa aa aa
chamka huaa hai apni
taqdeer ka sitaaraa aa
chamka huaa hai apni
taqdeer ka sitaaraa
ham kyun tumhen bataayen
kya naam hai hamaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
husn se door ho tum
kitney magroor ho tum
arey deewaanon zaraa
hamko pehchaano zaraa
chhaaya hai kaisa nasha
kuchh nahin tumko pataa aa
kuchh nahin tumko pataa
tumko pataa
tumko pataa
haan
chhaaya hai kaisa nasha
kuchh nahin tumko pataa
dil kahin tum ho kahin
ishq hai khel nahin
ye kaam hai usika
gham ?
ye kaam hai usika
gham ?
rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
baat jo tumne kahin
chalo aisa hi sahi
ham to deewaane bhi hain
aur parwaane bhi hain
ham tumhe jaan gaye ae ae
khoob pehchaan gaye ae ae
ham tumhe jaan gaye
jaan gaye
jaan gaye ae
haan
ham tumhe jaan gaye ae ae
khoob pehchaane gaye ae ae
ik haseen? ho tum
? ho tum
tum ye bhi jaante ho
kisne tumhe sanwaaraa
tum ye bhi jaante ho
kisne tumhe sanwaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
ham to talwaar bhi hain
phool bhi khaar bhi hain
hosh mein aao zaraa
chhaayegi gham se ghataa
phir ye haalaat kahaan
yeh haseen raat kahaan
ye haseen raat kahaan
raat kahaan
raat kahaan
haan
phir ye haalaat kahaan
ye haseen raat kahaan
ek pal ki hai khushi
gham mein badlegi hansi
duniya mein aadmi ko
kaafi hai ek ishaaraa
duniya mein aadmi ko
kaafi hai ek ishaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
tum ho talwaar agar
ham bhi rakhte hain jeegar
taaron ki chhaaon taley
aao lag jaayen galey
din ho yaa raat rahe ae ae ae
yaad ye baat rahe
yaad ye baat rahe
baat rahe
baat rahe
haan
din ho yaa raat rahe ae ae ae
yaad ye baat rahe
maut se darte nahin
mar ke bhi marte nahin
apni nigaah mein hain
toofaan bhi kinaaraa
apni nigaah mein hain
toofaan bhi kinaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
ham kyun tumhe bataayen
kya naam hai hamaaraa
aji ham kyun tumhe bataayen
kya naam hai hamaaraa
rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
aji rehte ho kis gali mein
kya naam hai tumhaaraa
rehte ho kis gali mein
Morey man mitwaa
Posted on: August 27, 2021
- In: Duet | expression of love | Feelings of heart | Guest posts | Mukesh songs | Mukesh- Suman Kalyanpur duet | Post by Mahesh Mamadapur | Song from regional movies | Songs of 1960s (1961 to 1970) | Songs of 1965 | Suman Kalyanpur songs | Theme song | Title song | Yearwise breakup of songs
- 4 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4788 | Post No. : | 16545 |
Mukesh and his Composers – 22
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We pay tributes to legendary singer Mukesh on his Remembrance Day today (22 July 1923 – 27 August 1976). His voice, songs, and the rich legacy left behind continues to be remembered and cherished by fans across the globe.
February 12, 1982, Music Director’s Association had organized a programme at Mumbai’s Shanmukhananda Auditorium to celebrate 50 years of sound in Indian Cinema. Off course, the mega event is now also fondly remembered for Noor Jahan’s only travel from across the border after partition and her active participation in it.
In the programme, anchor Shabana Azmi, while introducing the life and singing career of Mukesh says that for having such pathos and honestly in the voice, it is necessary that apart from being a good singer, the person himself has to be a noble soul. I liked her description of Mukesh immensely and hence including it in his special post for the day. This nobility of Mukesh and his good deeds for society and his co-workers, has been mentioned in quite a few of my previous posts.
For adherent Mukesh fans, it very easy to pick a sample of their most favorite songs for the simple reason that there exists no sample and his entire body of thousand odd songs can be counted as best loved.
Continuing the series on Mukesh and his composers, I take up his association with composer Dattaram.
We all know that Dattaram was one of the main pillars on which the empire of Shanker Jaikishen stood and flourished. He worked for SJ camp almost all of his career but also had several opportunities to compose on his own name in many of the films. It is now an established fact that he could not come out of the shadows of SJ completely in spite of being immensely talented and hard working.
The curious cases of Dattaram and another favourite of mine Ghulam Mohammed intrigues me to no end. They had everything in them to create name and fame for themselves, but it appears they were too reluctant to venture out on their own to a far extent.
There are many videos, interviews, articles and blogs available on the web for the works of Datttaram and I am skipping referring the same.
Below is the table of collaboration of works of Mukesh with the composer.
An interesting fact on initial glance reveals that two prominent names of SJ camp are missing. Lyricist Shailendra and singer Lata. Off course, both have worked for Dattaram but when we filter Mukesh songs, we find them missing.
Again, what should I write about the songs enlisted below. Its signature Mukesh all the way starting with the immortal “aansoo bhari hain”. This song will forever remain an indisputable proof of the wonders the voice could create in lower tones of pathos songs with or without instruments. It was 1958 and Mukesh had just come out the clutches of his failed experiments and he grasped the year with all his might and went on to become Mighty Mukesh.
A cursory glance through the second column in the table below brings to the mind several memories of humming these songs. And, for obvious reasons, I again skip describing each of the songs.
Needless to say, I have again relied on the highly reliable Mukesh Geetkosh by Shri Harish Raghuvanshi ji and thank him for the same.
| S.No | Name of the song | Movie (Year of release) | Co-singer if any | Lyricist |
|---|---|---|---|---|
| 1 | Aansoo bhari hain | Parwarish (1958) | Hasrat Jaipuri | |
| 2 | Dil ne usey maan liya (Happy and Sad version) | Santaan (1959) | Hasrat Jaipuri | |
| 3 | Dil dhoondhtaa hai | Kaala Aadmi (1960) | Hasrat Jaipuri | |
| 4 | Ae dil dekhe hain humne | Shreemaan Satyawaadi (1960) | Hasrat Jaipuri | |
| 5 | Ik baat kahoon wallaah | Shreemaan Satyawaadi (1960) | Mahendra Kapoor, Suman Kalyanpur | Gulzar |
| 6 | Haal e dil hamaara | Shreemaan Satyawaadi (1960) | Hasrat Jaipuri | |
| 7 | Rut albeli mast samaan | Shreemaan Satyawaadi (1960) | Gulzar | |
| 8 | Maano ya na maano | First Love (1961) | Suman Kalyanpur | Gulshan Baawra |
| 9 | Mere pyaar mein ya wafa | First Love (1961) | Gulshan Baawra | |
| 10 | Mujhe mil gayi hai | First Love (1961) | Gulshan Baawra | |
| 11 | Kabhi kisi ki khushiyaan | Zindagi aur Khwaab (1961) | Kavi Pradeep | |
| 12 | Ae meri jaane wafaa | Neeli Aankhen (1962) | Gulshan Baawra | |
| 13 | More Mann Mitwa Suna | Morey Man Mitwaa (1965) | Suman Kalyanpur | Harishchandra Priyadarshi |
| 14 | Dekhi teri duniyaa arre | Farishta (1968) | Asad Bhopali |
The duo worked together for 14 songs of which 13 are already represented on the blog and is yet another proof regarding their popularity. One duet with Suman Kalyanpur remains to be covered and is the song under consideration for the post. This duet is from a 1965 movie, Morey Man Mitwa, a Magadhi language film. The producer and director of the film are R. D. Bansal and Girish Ranjan respectively.
A chirpy and hummable love song, I am sure readers will like it on first listening.
Song-Morey man mitwa (Morey man mitwa)(Magadhi)(1965) Singers-Suman Kalyanpur, Mukesh, Lyrics-Harishchandra Priyadarshi, MD-Dattaram
Lyrics
morey man mitwa
suna de o geetwa
suna de o geetwa
balam ho
balam ho
geetwa jagaawe more man maa
balam ho
geetwa jagaawe more man maa
sun goriya kaise sunaiha o geetwaa
sun gori kaise sunaiha o geetwaa
sajaniya hey
sajaniya hey
geetwa jagawai tor man maa
sajaniya hey
geetwa jagawai tor man maa
man ma ??
milan ma ke galema
milan ma ke galma
nainwa ke korwa sajaawaa na sapan maa
sajaawaa na sapan maa
man ma ??
milan ma ke galma
milan ma ke galma
lalki ?? kiraniya aitai
hamre anganma
hamre singaar toohi
hamre sajanma
hamre sajanma
balam ho
balam ho
chhun chhun boley kanganwa
balam ho
chhun chhun boley kanganwa
ban ke baawariya
rachaawa na laganma
rachaawa na laganma
torey bin chain naahin
paawe more man maa
na paawe more manwaa
ban ke baawariya
rachaawa na laganma
rachaawa na laganma
dilwa se door karde
man ke bharam ma
na ham singaar tohre
na hi sajanma
ho na hi sajanma
sajaniya hey
sajaniya hey
jud le judaito na paranma
sajaniya hey
jud le judaito na paranma
more man mitwa
suna de o geetwaa
suna de o geetwaa
balam ho
balam ho
geetwa jagaawe more man maa
balam ho
geetwa jagaawe more man maa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4761 | Post No. : | 16507 |
Today 31st July’2021 is the forty-second ‘Remembrance Day’ of Singer Mohd Rafi (born on 24.12.1924 and passed away on 31.07.1980).
On this occasion as a tribute to him I am presenting a song from the 1965 movie ‘Sant Tukaram’.
This was the oldest song, movie-wise, and oldest one that I had noted among the Rafi songs lying ready with me.
“Sant Tukaram-1965” was directed by Rakesh Nanda for ‘Ashok Films, Bombay’. It had Anita Guha, Shahu Modak, B.M. Vyas, Rohit Kumar, Madhu Apte, Badri Prasad, Kesari, Narmada Shankar, Vishwas Kunte, Tun Tun, Sadhna Khote, Helen, Rajpal and others.
Our respected Arun ji has given the story of this movie while discussing this song ‘Is jeewan mein jin jin se… ham to chale apne gaaon, sab ko mera raam raam’ as below.
About there centuries ago, Tukaram was born in Dehu Gaon. He was a sudra and had poor village folk take good from his shop and asked them to pay when they could afford. Mumbaji, the Pujari of the Ganesh Temple held permanent grudge against him. He instigated another grocer of the village to set fire to Tukaram’s shop. As if all these calamities were not enough one more was added to his lot in the form of famine. Tukarams old mother, his first wife and son died of starvation. Thukaram became detached from the world and spent his whole time in worship. He developed extraordinary powers. He even gave life to a dead child. But all this didn’t offer bread to his family. His surviving wife, Jeeja Bai implored him to seek some avocation. The landlord offered him the job as the watchman in his fields. Mumbaji drove cattle in the fields in order to destory the crop. By the grace of Lord Krishna, the yield was double, and the landlord gave Tukaram place for worship of the Lord.
Now Mumbaji asked Rambha a Nautch girl to spoil his reputation by enticing Tukaram with her fake love. Rambha failed. As a last resort he invited Rameshwar Bhatt the religious head to Dehu Gaon. Rameshwar Bhatt ordered Tukaram to stop writing abhang since he was born a shudra and ordered him to throw his `Gatha (Collection of Abhangs) in the Indrayani river. He did so but took a vow that he will fast unto death till his Gatha was restored to him by the Deity of the river. This miracle happened after two weeks ordeal. Shivaji Maharaj come to meet him. He offered money and gold to Tukaram, but he humbly declined to accept it. Shivaji that evening joined his keertan. Mumbaji informed the Moghuls to capture Shivaji. The Moghul Army found a thousand Shivaji’s and they returned flabbergasted. After this incident he peacefully wrote more abhangs. Mumbaji turned a leper and the village children pelted stones on him. Rameshwar Bhatt’s body felt burning sensation and even long submerging of the body in water could not heal him. At last, Tukaram received the message of the Lord to go to Heaven. The village folk thronged the streets for his Darshan. Even Mumbaji and Rameshwar Bhatt came to ask his forgiveness. They were cured of their maladies. The celestial Viman descended from the sky before the entire gathering of the village, and he went to heaven bodily.
This movie had eight songs. They ere written by Bharat Vyas (six songs) and Madhukar Rajasthani (two songs). Music for this movie was composed by Vedpal.
Here are the details of the songs in this movie.
| SNo | Song Title | Singer/s | Lyricist | Posted On |
|---|---|---|---|---|
| 01 | Bhagwaan ne janm diya manav ko | Manna Dey | Bharat Vyas | |
| 02 | Banaa sakte ho jab duniya … ab to bataa de avgun mere | Mohd Rafi | Madhukar Rajasthani | 26.12.2015 |
| 03 | Shri Krishna Govind Gopalam… Jaagaa naya sawera | Mohd Rafi | Madhukar Rajasthani | Being discussed today |
| 04 | Nandlala Gopala, baal Gopala | Manna Dey, chorus | Bharat Vyas | |
| 05 | Pehle beej akela, ankoor phoota garbh se chhoota | Manna Dey | Bharat Vyas | 01.05.2013 |
| 06 | Yah poonam ki chaandni… O bholey jogi sun meri paayliya | Asha Bhonsle,Manna Dey | Bharat Vyas | |
| 07 | Deen dayaalu hain bade… Raam jisey taarey to usey kaun maarey | Manna Dey, chorus | Bharat Vyas | |
| 08 | Is jeewan mein jin jin se… ham to chale apne gaaon, sab ko mera raam raam | Manna Dey | Bharat Vyas | 10.11.2013 |
Today’s song is sung by Mohd Rafi and it is lip-synced on screen by Shahu Modak.
There is this incidence of Rameshwar Bhatt asking Sant Tukaram to immerse all his writings – Abhangs in the river Indrayani. In the movie the today’s song seems to be happening at this incidence where Sant Tukaram immersed his writings into the river and singing this song.
Let us now listen to today’s song sung by Mohd Rafi. Lyrics are by Madhukar Rajasthani, and music is composed by Vedpal.
Video
Audio
Song-Jaaga naya sawera andhiyaara dhal gaya (Sant Tukaram)(1965) Singer-Rafi, Madhukar Rajasthani, MD-Vedpal
Lyrics
Shri Krishna govind gopalam
Shri Krishna govind gopalam
Jaaga naya sawera
Andhiyaara dhal gaya
Jaaga naya sawera
Andhiyaara dhal gaya
Toote jagat ke bandhan
Jeewan badal gaya aa
Jaaga naya sawera
Andhiyaara dhal gaya
Apnon ki moh maaya
Jhoothi baraat hai
Such dukh ka ye kabeelaa
Bande ke saath hai
Isko samajh ke bachna
Apne hi haath hai
Vedon ka saar ismein
Chhoti si baat hai
Aankhon ne jab ye parkha
Sankat hi tal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya
Chhal aur kapat mein uljha
Phirta hai aadmi
Karta hai jag mein jaisa
Bharta hai aadmi
Sab kuchh samajh ke kuchh naa
Samjha hai aadmi
Jaaye naa saath kuchh bhi
Jaata hai aadmi
Socha ye jisne uska
Har pal sambhal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya
Jhoothhe hain saare bandhan
Saanson ke taar ke
Rakh de re jag ka bojha
Jag mein utaar ke
Shamshaan ki chitaayein kehtin pukaar ke
Aana yahaan padega
Maanav ko haar ke
Oonche gagan pe chadh ke
Suraj bhi dhal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya
Toote jagat ke bandhan
Jeewan badal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya
- In: "Naughty" song | "Please don't go" song | "wooing" song | Blog Ten Year Challenge (2011- 2021) | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4681 | Post No. : | 16362 |
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Blog 10-Year Challenge (2011-2021) – Song No. 22
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This Week, That Year – 5
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09May – 15May, 2011
It has been a long gap. The previous post in this series had come on 23rd Sep, 2020. And the post number was 15911. About seven and a half month’s worth of waterflow has passed under all the bridges. That was 231 days ago. And 450 posts ago. The blog has clocked four more century milestones, and is close to a fifth now.
An understatement it is – that life has changed in these past months. A lot of ideas and motivation for writing has been numbed. Even with the time and inclination both pointing in the right directions, the flow of writing is simply not coming together. Every week for the past 5 or 6 weeks, I scrutinize the 10 year challenge lists. Ideas form in the mind, but somehow do not get on to paper. For this week’s analysis and this post, I have been checking on the week status from a decade ago, for past couple of days. And then today, just decided to start off with this inability to articulate. Let’s see where it will lead to.
Maybe start with numbers. The week that was – 9th to 15th May of 2011. We saw two dot days that week – 11th and 13th May. Something was in the air during those days. Between April and May of that year, we see 10 dot days, that do not seem customary. We had 28 songs posted in that week, and given two dot days, the average productivity would be approximately 5.6 posts per day.
The 28 songs belonged to 27 different films, and only one film made a repeat appearance that week – the film ‘Pugree’ of 1948.
Considering the decades – the thirties and seventies had just one song present. In between we had 8 songs for the 1940s, 11 songs for the 1950s and 7 songs for the 1960s.
The week saw 5 debut films come on board. And the film ‘Parasmani’ of 1963 completed its run and made the Yippeee status. Of the 27 films that got featured that week, a whopping 19 films have since been Yippeee’d over the past decade. And 8 films are still awaiting more songs to complete their run on our blog. All the films have between 2 to 5 songs pending, which means none of them is one song away from being Yippeee’d.
Coming to milestones, the week saw the century milestone for music director Anil Biswas. On 10th May, with the song “Paise Ka Mantar Paise Ka Jantar“, from the 1956 film ‘Paisa Hi Paisa’, Anil Biswas clocked his first 100 songs posted on our blog.
The day by day break up and details of posts on daily basis is given in the table below.
| Blog Ten Year Challenge (2010-2020) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UT | Deb/Yip | Milestone | Film Status | Pending |
| 9-May-11 | |||||||||
| 1 | Pardesi | 1957 | 8 | 5 | Pending | 3 | |||
| 2 | Jalti Nishaani | 1957 | 8 | 6 | Pending | 2 | |||
| 3 | Chaar Dil Chaar Raahen | 1959 | 7 | 7 | Yippeee’d | ||||
| 10-May-11 | |||||||||
| 1 | Kismat | 1943 | 9 | 9 | Yippeee’d | ||||
| 2 | Milan | 1946 | 8 | 5 | Pending | 3 | |||
| 3 | Pugree | 1948 | 9 | 9 | Yippeee’d | ||||
| 4 | Meena Baazaar | 1950 | 12 | 12 | Yippeee’d | ||||
| 5 | Paarasmani | 1963 | 6 | 6 | Y | Yippeee’d | |||
| 6 | Paisa Hi Paisa | 1956 | 10 | 6 | AC – 100 (Anil Biswas) |
Pending | 4 | ||
| 11-May-11 | |||||||||
| [No Posts] | |||||||||
| 12-May-11 | |||||||||
| 1 | Pugree | 1948 | 9 | 9 | Yippeee’d | ||||
| 2 | Chaalis Din | 1959 | 8 | 5 | Pending | 3 | |||
| 3 | Faraar | 1965 | 6 | 6 | Yippeee’d | ||||
| 4 | Namaste Jee | 1965 | 8 | 4 | D | Pending | 4 | ||
| 5 | Uski Kahaani | 1966 | 2 | 2 | D | Yippeee’d | |||
| 6 | Hindustan Ki Kasam | 1973 | 4 | 4 | D | Yippeee’d | |||
| 13-May-11 | |||||||||
| [No Posts] | |||||||||
| 14-May-11 | |||||||||
| 1 | Buzdil | 1951 | 6 | 6 | Yippeee’d | ||||
| 2 | Lala Rukh | 1958 | 7 | 7 | Yippeee’d | ||||
| 3 | Apna Haath Jagannaath | 1960 | 8 | 8 | Yippeee’d | ||||
| 4 | Zindagi | 1956 | 8 | 3 | D | Pending | 5 | ||
| 5 | Faisla | 1965 | 7 | 4 | D | Pending | 3 | ||
| 15-May-11 | |||||||||
| 1 | Chandidas | 1934 | 9 | 9 | Yippeee’d | ||||
| 2 | Dil e Naadaan | 1953 | 9 | 9 | Yippeee’d | ||||
| 3 | Mirza Saahiban | 1947 | 10 | 10 | Yippeee’d | ||||
| 4 | Kaneez | 1949 | 12 | 12 | Yippeee’d | ||||
| 5 | Zameendaar | 1942 | 10 | 10 | Yippeee’d | ||||
| 6 | Kaaghaz Ke Phool | 1959 | 7 | 7 | Yippeee’d | ||||
| 7 | Shama | 1961 | 11 | 12 | Yippeee’d | ||||
| 8 | Bahaaren Phir Bhi Aayengi | 1966 | 6 | 6 | Yippeee’d | ||||
Ten years ago, this day six songs were posted from six films. Of the six films, the following four have since been Yippeee’d – ‘Pugree’ (1948), ‘Faraar’ (1965), ‘Uski Kahaani’ (1966) and ‘Hindustan Ki Kasam’ (1973). The two pending films are ‘Chaalis Din’ (1959) and ‘Namaste Ji’ (1965). For today’s post, I have picked this fun wooing song in the voice of Rafi Sb from the film ‘Namaste Ji’.
This film has an interesting background, from a collector’s perspective. For almost two decades, this film has been on the fringe of becoming available in public domain. There are collectors who have been declaring the availability of this film with tantalizing promises of making it available ‘shortly’. But that shortly has never really materialized. To the extent that there are folks who have uploaded doctored videos, i.e. songs of this film overlaid on a video sequence of another film with the same lead actors. Ah yes, we do see many an example of such shady presentations. And to tell you – the world is so full of believers, that the comment sections of such uploads contains profuse thanks for being able to see the video clip of the song. There are rare comments that point out this insidious jugglery, but such statements of accusatory truth are lost in the bevy of praises.
One of my very close and dear friends, has shown me photographs of the library shelves of another collector in Bombay, where the Betamax tape of this film, ‘Namaste Ji’ is very much visible. But no, we have had no success in being able to view or acquire this film. And so we are also not 100% certain that the titles that are sitting in the library of this other collector, whether these just blanks, to impress others. Do not know. This, and actually many other titles, have been doing rounds of collector circles and communications – that they are imminent to be released to public domain shortly.
Another very interesting variation to this scenario is the case where the original film has been dubbed into another language. Case in point is the film ‘Qaidi’ from 1957, very well known for its musical score by OP Nayyar. Now this film, as many others, was later dubbed into Tamil and other south Indian languages. The current scenario with this film is that the Hindi original of this film is not available (yet) in public domain. However the Tamil version is very much available in public domain. Some technically astute and enterprising collector has picked the video sequence from the Tamil version and has overlaid the audio of the song in Hindi. He has posted a couple of such ‘manufactured’ videos with the claim that they are the original and that he has the full film in original Hindi. After much explorations and discussions, it has been determined that the claim is spurious.
A very enticing and also tormenting situation is when actually we have real and true clips of songs and short video sequences posted online, but the entire film is simply not surfacing anywhere. Years have passed in waiting but simply no word of real existence has surfaced. Maybe I shall take this up in another post – it is getting very lengthy.
So back to ‘Namaste Ji’. The film has been produced under the banner of DM Films, Bombay (now Mumbai) and is directed by Daljeet Krishan. Is Daljeet the ‘D’ in the banner name? Not sure. The star cast as per the Geet Kosh is Ameeta, Mehmood, IS Johar, Nalini Chonkar, Ulhas, Manorama, Mridula, Rajan Haksar, Kundan, Baij Sharma, Brahmdutt, Helen, Sumita, Arti, Manjula, Vinod, Ramesh, Ajeet, Meena, Baijnath, and Nazeer.
The film has 8 songs listed. The music boasts of such all time favorites as “Mere Do Naina Matwaale Kis Ke Liye“, “Bahaaron Thaam Lo Ab Dil Mera Mehboob Aata Hai“, and “Hamen Kya Jo Har Su Ujaale Huyen Hain”. Interesting to note that so far 4 songs of this film have made their appearance on the blog. Three of them appeared in 2011, the fourth came on board in 2014. And then, a long radio silence. Yes, the fifth song makes its appearance today, after a gap of seven years.
The music composition is by GS Kohli and the song writing is shared between Anjaan and Anand Bakshi. However sadly, the song being presented today has no lyricist identified for it. Could this be a traditional or a folk song that has been reused? Yes, quite possible, from the sound of it. The language of the song sounds like Awadhi or Bhojpuri, and so it could be folk song that has been brought into this film. I request other knowledgeable friends and readers to please comment on this observation.
From the rendering of this song, it may be not wrong to surmise that this song is picturized on Mehmood. It sounds similar in rural tones, to some other songs that Mehmood had performed on screen, e.g. the song “Pipra Ke Patwa Sareekhe Doley Manwa” from the 1963 film ‘Godaan’.
So, wrapping up today’s write up, with a forlorn hope that this film shall make its appearance in the public domain, sooner than later.
Let us see.
Song – Kahaan Jayi Ho Najariya Churaaye Hum Se (Namaste Ji) (1965) Singer – Mohammed Rafi, Lyrics – [Unattributed], MD – GS Kohli
Lyrics (Provided by Prakashchandra)
kahaan jayi ho o o o
kahaan jayi ho
najariya churaaye
hum mmmm mm mm mm
hum mmm mm mm se..e
o kahaan jayi ho oo oo
kahan jayi ho o o
o kahan jayi ho najariya churaaye hamse
kahan jayi ho o o
gori gussey mein ho
gori gussey mein haayye
gori gussey mein
daaman chhudaaye hamse ae
oye
oye oye oye
kahan jayi ho o
kahan jayi ho
najariya churaaye hamse
kahan jayi ho
naagan si goriyaa chalai chaal aisey ae ae
lotey karejwaa pe haaye saanp jaise
lotey karejwaa pe haaye saanp jaisse
qaabu karee hum jeeyara pe kaise
kauno jatan to batai ho batai ho batai ho re
kahaan jayi ho
o kahan jayi ho
najariya churaaye hamse
kahan jayi ho o
oo ooo ooo
aaaa aaa aaa aaa
ooo ooo oooo ooo ooo
haaye haaye
haaye haaye
haaye
tohre basai deen o duniya bhulai bey ae
tohri duwaaree pe dhooni ramayi bey
tohri duwaaree pe dhooni ramayi bey ae
jab ban ke jogi
o jab ban ke jogi
alakh hum jagayi bey
phir kaisey bas mein
na ayi ho
na ayi ho
na ayi ho rey
kahaan jayi ho o
o kahaan jayi ho
najariya churaaye hamse
kahaan jayi ho o o
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Hindi script lyrics (Provided by Sudhir Kapur)
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कहाँ जई हो ओ ओ ओ
कहाँ जई हो
नजरिया चुराये
हम्म म्ममम म्म म्म म्म
हम्म म्ममम म्म म्म से॰॰ए
ओ कहाँ जई हो ओ ओ
कहाँ जई हो ओ ओ
ओ कहाँ जई हो नजरिया चुराये हमसे
कहाँ जई हो ओ ओ
गोरी गुस्से में हो
गोरी गुस्से में हा॰॰य
गोरी गुस्से में
दामन छुड़ाए हमसे॰॰ए
ओय
ओय ओय ओय
कहाँ जई हो ओ
कहाँ जई हो
नजरिया चुराये हमसे
कहाँ जई हो
नागन सी गोरिया चलै अइसे॰॰ए॰॰ए
लोटे करेजवा पे हाय साँप जइसे
लोटे करेजवा पे हाय साँप जईस्से
क़ाबू करी हम जियरा पे कइसे
कौनौ जतन तो बतई हो
बतई हो
बतई हो रे
कहाँ जई हो
ओ कहाँ जई हो
नजरिया चुराये हमसे
कहाँ जई हो ओ
ओ ओss ओss
आsss आss आss आss
ओs ओss ओsss ओss
हाय हाय
हाय हाय
हाय
तोहरे बसइ दीन ओ दुनिया भुलई बे॰॰ए
तोहरी दुवारी पे धूनी रमइ बे
तोहरी दुवारी पे धूनी रमइ बे॰॰ए
जब बन के जोगी
ओ जब बन के जोगी
अलख हम जगइ बे
फिर कइसे बस में
न अइ हो
न अइ हो
न अइ हो रे
कहाँ जई हो॰॰ओ
ओ कहाँ जई हो
नजरिया चुराये हमसे
कहाँ जई हो ओ ओ ओ
Wo phoole phoole phirte hain
Posted on: February 10, 2021
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4590 | Post No. : | 16214 |
Rafi Sahab’s legendary associations: 01
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Rafi sahab’s association with Vasant Desai started in 1949 with ‘Nai Ta’aleem” and “Narsimha Avtar” and continued till the very last music score by Vasant Desai in Shaque (1976)(Ek dil hai ek jaan hai (Shaque)). Vasant Desai’s active career as a music director is just a bit longer, from 1942 to 1976.
I think this is the first time I am writing a post for a song composed by Vasant Desai. I heard of Vasant Desai in childhood, when my mother used to talk about how he had died in an accident caused by faulty lift, whenever a song from films like Goonj Uthhi Shehnai, Jhanak Jhanak Paayal baaje or Guddi, would play on radio.
This particular song I am presenting is a Rafi solo, only such song in the film ‘Amar Jyoti’ 1965. I was not familiar with it earlier, but it sounded so familiar and sweet on first hearing that I wanted to do the post for it immediately. I had thought of including it in the series of ‘Mohammed Rafi: The incomparable (II)”, but on checking I found that the series is nicely poised at song no. 20 with this song.
So I will conclude that series there, and not have any more songs in that series.
I will start a new series, on various associations of Rafi Sahab with different music directors and singers and lyricist, which left a mark on the hindi film music of the golden era.
Two such collaborations are covered in this song, where music director Vasant Desai, is composing a song with Rafi sahab’s phenomenal singing capabilities, his variations, and Bharat Vyas has written the lyrics. Bharat Vyas is a veteran of mythological films, for which Rafi sahab has sung countless songs under different music directors. I could count 36 songs by Vasant Desai in the excel sheet, many of which are not yet posted in the blog. There are 154 songs written by Bharat Vyas in the excel sheet. Keeping a margin of errors, 150 songs can be taken as written by Bharat Vyas from 1949 to 1982.
The data in our blog and the excel sheet maintained by Atul ji would be a lot accurate in this regard, as we complete the tally of these artist in the blog.
We are a long way away from doing this, judging by the total stats of these three artists in the blog:
| Artist | Songs in the blog | Career tally of songs in HFM |
|---|---|---|
| Vasant Desai | 181 | 390 |
| Bharat Vyas | 408 | 1246 |
| Mohammed Rafi | 3110 | 4846 |
The following 5 songs of Amar Jyoti (1965) are posted in the blog so far:
| Song | Date of posting |
|---|---|
| Kalpana ke ghan baraste | 9 June 2012 |
| Mera pyaar tadapta hai | 3 May 2014 |
| Sambhaal ke qadam rakhna | 25 Decmber 2018 |
| Jeewan bhar ham tum saath rahe | 22 January 2020 |
| Jhan jhan jhan jhan baaje paayaliyaa | 1 February 2021 |
This solo Rafi song is a classic study of how Rafi Sahab is a legend. Saying it for the umpteenth time is just not enough, as his voice and some inner aura of purity comes oozing out of the words being uttered. The song is composition for Rafi Sahab and him alone. I have no qualms in stating that only Rafi sahab could have elevated this simple and sweet composition to the level that he takes, and makes it an example of how singing could be, from the soul.
Song-Wo phoole phoole phirte hain (Amar Jyoti)(1965) Singer-Mohammed Rafi, Lyrics-Bharat Vyas, MD-Vasant Desai
Chorus
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa aa
Wo phoole phoole phirte hain
jin ki qismat ko phool mile
ham kis qismat par naaz karen en
ham kis qismat par naaz Karen
jin ko thokar ki dhool mile
wo phoole phoole phirte hain
aa aa aa
aa aa aa
aa aa aa
aa aa aa
ham ne bhi sitaare ae maange thhe
kaliyon ki tamanna ki ham ne
khushiyon se sahaaraa maangaa jab
khushiyon se sahaaraa maangaa jab
to haathh diyaa ham ko gham ne
unn ke sehre pe moti tange
ham ko sehraa ke babool mile
ham kis qismat par naaz karen
jin ko thokar ki dhool mile
wo phoole phoole phirte hain
aa aa aa
aa aa aa
aa aa aa
aa aa aa
unn se kya shikaayat hai ham ko
jin ki taqdeer mein tu bhi hai
apni to kinaare par aa kar
apni to kinaare par aa kar
har baar ye kashti doobi hai
manzil ki meharbaani unn par
jin ko raahen anukool mile
ham kis qismat par naaz Karen
jin ko thokar ki dhool mile
wo phoole phoole phirte hain
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4576 | Post No. : | 16184 |
“Baaghi Haseena”(1965) was directed by Ram for Award Films, Bombay. This obscure movie had Jairaj, Chitra, Sherry, Sheikh Helen etc in it.
One obscure song from this obscure movie has been covered in the past. Here is the second song from “Baaghi Haseena”(1965) to appear in the blog. The song is sung by Rafi. Lyricist is not knon. Music is composed by P D Sharma.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as ell as on the picturisation of this song.
Song-Ek ek tinke par yoon kab tak insaanon ka khoon bahega(Baaghi Haseena)(1965) Singer-Rafi, MD-P D Sharma
Chorus
Lyrics
kya ye gareeb insaan jahaan mein aen
jeene ke haqdaar nahin
jaise tumhi duniya ke khuda ho
aur koi paalanhaa aar nahin
ek ek tinke par yoon kab tak
insaanon ka khoon bahega (aa aa aa aa)
aakhir is duniya mein hamesha
kaun raha hai kaun rahega (aa aa aa aa)
ek ek tinke par yoon kab tak
insaanon ke haathon aakhir
bikta rahega insaan kab tak
maan behanon ki izzat se yoon(aa aa aa aa)
maan behanon ki izzat se yoon
khelenge ye haiwaan kab tak
khelenge ye haiwaan kab tak
aur kahaan tak kamzoron par
taaqatwar ka zor chalega (aa aa aa aa)
aakhir is duniya mein hamesha
kaun raha hai kaun rahega(aa aa aa aa)
ek ek tinke pe yoon kab tak
jung ke baadal chhant jaayenge
aman ke parcham lehraayenge
ho ke rahegi aisi sahar bhi ee ee(aa aa aa aa)
ho ke rahegi aisi sahar bhi
jis se andhere mit jaayenge
jis se andhere mit jaayenge ae ae(aa aa aa aa)(aa aa aa aa)
- In: "Helen" song | Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Duet | Jeevankala Dance Songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1965 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- 2 Comments
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Blog Day : |
4476 | Post No. : | 15978 |
“Khaandaan” (1965)was produced by Vasu Menon and directed by A Bhim Singh for Vasu Films, Madras. The movir had Sunil Dutt, Nutan, Pran, Sudesh Kumar, Manmohan Krishna, Mohan Choti, Om Prakash, Ravikant, Arundev, Mumtaz, Sulochana Chatterjee, Lalita Pawar, Helen, Jeewankala etc in it.
This archtypical “social” movie had the usual fare typical of movies made in the South.
“Khaandaan”(1965) had eight songs in it. Seven songs have been covered in the past. Here are their details:-
| Blog post no | Song | Posted On |
|---|---|---|
| 2687 | Tumhi mere mandir tumhi meri poojaa tumhi devtaa ho | 28.07.2010 |
| 4298 | Kal chaman thhaa aaj ek sehraa huaa | 30.07.2011 |
| 4298 | Neel gagan par udte baadal aa aa aa | 01.08.2011 |
| 4312 | Tu ho ke badaa ban jaana apni maan ka rakhwaala | 09.03.2012 |
| 10032 | Aa dance karen | 31.07.2014 |
| 15760 | Ho ballo soch ke mele jaana | 28.07.2020 |
| 15795 | Badi der bhayi Nandlala teri raah takey Brijbaala | 11.08.2020 |
Here is the eighth and final song from “Khandaan”(1965) to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Ravi.
The song is picturised as a synchronised stage dance performance song on Helen and Jeewankala. Their energetic dance performance is bound to recharge the spirits of the watchers even today, 55 years after this video was first witnessed by moviegoers in moviehalls. Watching this performance made me realise that performing such dances were the secret behind the figures of these dancers. 🙂
Lyrics of the song were sent to me by Avinash Scrapwala.
With this song, all the eight songs of “Khandaan”(1965) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
Video
Audio
Song-Meri mitti mein mil gayi jawaani haay raam (Khaandaan)(1965) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Rajinder Krishan, MD-Ravi
Both
Chorus
LyricsProvided by Avinash Scrapwala)
do din jhhoothha pyaar jataa ke
chalaa gaya ik baabu
koyi bataa de kaise rakhoon
apne dil par kaabu
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan
khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan
yaad aati hai jab uski
meethhi zabaan
yaad aati hai jab uski
meethhi zabaan
to ro ro ke kehtaa hai
dil naadaan
kyaa
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
main to samjhi thi
saari umr ka hai saath
main to samjhi thi
saari umr ka hai saath
pataa kya tha aisi hai
mardon ki jaat
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
ho padaa kitna mehengaa
mohabbat ka khel
ho padaa kitna mehengaa
mohabbat ka khel
ye kehta hai bah bah ke
zulfon ka tel
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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