Archive for the ‘Songs of 1965’ Category
Main hoon sherdil
Posted on: September 17, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3713 | Post No. : | 14641 |
Today (17 september 2018) is the 19th rememberance day of Hasrat Jaipuri (15 April 1922 – 17 September 1999). Hasrat Jaipuri (and also Shailendra and Shankar Jaikishan) made his debut with “Barsaat”(1949). What a sensational debut it was for this musical team. This team of lyricists and music director lasted for nearly two decades and the team was broken, first by the death of Shailendra and then by the death of Jaikishan. Also, Raj Kapoor, after the box office failure of “Mera Naam Joker”(1970) dropped his entire music team and signed up an entirely new team, beginning with “Bobby”(1973).
Hasrat Jaipuri’s best work was indeed with Shankar Jaikishan. Two of his songs, both composed by Shankar Jaikishan, won him filmfare best lyricist award for “Bahaaron phool barsaao”(Suraj)(1966) and “Zindagi ek safar hai suhaana”(Andaaz)(1971).
Most of Hasrat Jaipuri’s major songs have already been covered in the blog. He penned a little over 1000 songs in HFM. This blog has 645 of his songs so far.
As a tribute to Hasrat Jaipuri, here is a song from “Sher Dil”(1965). This movie was directed by Chaand for Pinky Films, Bombay. This “Costume” movie had Dara Singh, Parveen Chaudhary, Jayant, Padma Chauhan, Uma Dutt, Shakeela Bano Bhopali, Bhagwan, Hari Malik, Sunanda, Majnu, Ridku, Nazeer Kashmiri, Amir Ali etc in it.
This song, the title song of the movie, is the second song from the movie to appear in the blog. The song is sung by Manna Dey and chorus. Hasrat Jaipuri is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Main hoon sherdil (Sher Dil)(1965) Singer-Manna Dey, Lyrics-Hasrat Jaipuri, MD-C Ramchandra
Chorus
Lyrics
main hoon sher dil
main hoon sher dil
main hoon sher dil
main hoon sher dil
chaand se bhi door
mere pyaar ki manzil
main hoon sher dil
main hoon sher dil
aa hahahaahahaha
aa ha ha
lalalalala
lalalala
main hoon sher dil
main hoon sher dil
main watan ka pyaar hoon
pyaar ki bahaar hoon
dushmanon ke waaste
teer hoon talwaar hoon
gham ki nadiyon mein hoon
aas ka saahil
main hoon sher dil
main hoon sher dil
aa hahahaahaha
aa ha ha
lalalalalala
lalalala
main hoon sher dil
main hoon sher dil
aasra gareeb ka
hoon dhani naseeb ka
aasra gareeb ka
hoon dhani naseeb ka
khaaq mein milaaun main
hausla raqeeb ka
aaye mere saamne
koi bhi qaatil
main hoon sher dil
main hoon sher dil
aa hahahaahaha
aa ha ha
lalalalala
lalalala
main hoon sher dil
main hoon sher dil
aman ka sipaahi hoon
pyaar ka main raahi hoon
zaalimon ke waaste
zulm hoon tabaahi hoon
dharam hai insaaniyat
pyaar ka bismil
main hoon sher dil
main hoon sher dil
aa hahahaha
aahahaha
lalalalalaala
main hoon sher dil
main hoon sher dil
main hoon sher dil
main hoon sher dil
Champakali Chhup Chhup Jaaye Re
Posted on: August 28, 2018
- In: "Bhanwra" song | Asha Bhonsle solo | Asha Bhonsle songs | Aspirations of Love | Devnagri script lyrics by Sudhir | Feelings of heart | Flower song | Free Spirit Song | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3693 | Post No. : | 14607 |
Songs to Tickle Your Memory – 36
– – – – – – – – – – – – – – – – – –
Seriously, for some reason, I have always carried this impression that this song is already posted on our blog. And not just that, also that it has been posted long back. The song itself has not been seen online for a long time. And dear friend, Shri Arvinder ji, has been requesting me for months now to upload it. And I have been postponing it, for reasons of other preoccupations. His requests have recently been turning more sinister. So I was just by the way checking status of films of 1960s. And found that this song is not on the blog.
So now that I could also do post on the blog, then it became imperative that the song be uploaded. And seriously, I had to revive this series, which I had kind of set aside since September of 2016, after having posted 35 episodes. But this song, realizing that it is still to be posted, definitely merits consideration for this series. It certainly is a song that will tickle your memory. A song that was quite popular and often heard on the radio in those days, is now being reprised after a long gap. I am sure you are going to love it.
The words by Bharat Vyas are simple and yet exquisite. They capture the emotions of a heart that seems to be falling in love for the first time. A tussle is one between the a newly blossomed flower of champa, and the marauding bhanwara. The fresh champakali is trying to hide herself from the prying eyes of the bhanwra. She is afraid that he may not steal her heart away, and come to reside in it. And the bhanwra is floating around her, humming away, and telling her that this wonderful weather of fresh rains will pass soon. Yes, it is time to fall in love.
Surely it is. The melody is vintage Chitragupt, twining the verses of Bharat Vyas in such an enchanting manner that the heart simply gets carried away with this expression and description of budding love between the champakali and the bhanwra, a phenomena that is so intrinsic to the nature. Beautiful words, enchanting music and very playful and joyous rendering by Asha Bhosle. A very special song, indeed.
The film is ‘Mahabharat’ from 1965. The film is produced under the banner of AG Films, Bombay and is directed by Babubhai Mistry. The star cast is impressive and includes Pradeep Kumar, Padmini, Dara Singh, Abhi Bhattacharya, Jeevan, Ambika, Manhar Desai, Tiwari, Anoop Kumar, Maruti, and Achla Sachdev amongst others. Song list in Geet Kosh contains 9 songs, all created by Bharat Vyas and Chitragupt.
This is the second song of this film to come on board here. Listen, and get that ticklish feeling of meeting a very dear friend after a very long gap. Enjoy.
Song – Champakali Chhup Chhup Jaaye Re (Mahabharat) (1965) Singer – Asha Bhosle, Lyrics – Bharat Vyas, MD – Chitragupt
Chorus
Lyrics
aha haa haa haa haa haa haa ha..aa..aa..aa
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re
aaaa aaaaaaa aa
aaaa aaaa aaaa aaaaaaaa aa
aaaa aaa aa
aaaa aaa aa aaaaaa
chhui mui nanhi kali badi ghabraaye
koi anjaana mora jiya na le jaaye
chhui mui nanhi kali badi ghabraaye
koi anjaana mora jiya na le jaaye
boley nahin
palken khole nahin
koi kajraare nainan mein bas na jaaye re
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re
dheemi dheemi hawa chale ghata lehraaye
gun gun bhonwra bole mausam beeta jaaye
dheemi dheemi hawa chale ghata lehraaye
gun gun bhonwra bole mausam beeta jaaye
dhadhke jiya
bairi ye chhalia
mere kaanon mein preet bhara geet gaaye re
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
आहा हा हा हा हा हा हा हा॰॰आ॰॰आ॰॰आ
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे
आsss आsssssss आs
आsss आsss आsss आsssssss आs
आsss आss आs
आsss आss आs आssssss
छुई मुई नन्ही काली बड़ी घबराए
कोई अंजाना मोरा जिया ना ले जाये
छुई मुई नन्ही काली बड़ी घबराए
कोई अंजाना मोरा जिया ना ले जाये
बोले नहीं
पलकें खोले नहीं
कोई कजरारे नैनन में बस ना जाये रे
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे
धीमी धीमी हवा चले घटा लहराए
गुन गुन भौंरा बोले मौसम बीता जाये
धीमी धीमी हवा चले घटा लहराए
गुन गुन भौंरा बोले मौसम बीता जाये
धड़के जिया
बैरी ये छलिया
मेरे कानों में प्रीत भरा गीत गाये रे
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3654 | Post No. : | 14511 |
ruke nahin koi yahaan naami ho ki anaam
koi jaaye subah ko koi jaaye shaam
— Gopal Das Saxena ‘Neeraj’
With the passing away of Gopal Das Saxena ‘Neeraj’ in the evening of July 19, 2018, the country has lost the last doyen of the progressive school of Hindi poetry. And with this, we have lost another ‘Sahir Ludhianvi’ of Hindi film songs. His association with Hindi film industry especially during 1970-75 had taken the Hindi film music to a new height. I would say that Neeraj has elongated the golden period of Hindi film music.
At a time when Hindi poetry were majorly influenced by ‘Chhaayawadi’ (Romanticism) poets like Jaishankar Prasad, Sumitranandan Pant, Suryakant Tripathi ‘Niraala’ and Mahadevi Verma, it was first Harivansh Rai Bachchan followed by Neeraj who departed from the genre of Chhaayawad poetry and started writing in a language understandable to the common man encompassing all the facades of human life. Neeraj was always a people’s poet.
I first became aware of Neeraj as a poet when I was in 9th standard. Our Hindi teacher spoke about him in the context of one of his poems in our syllabus. I do not remember now as to which was the poem. But I distinctly remember to have heard our teacher saying that he was one of the emerging Hindi poets of post-chhaayawad period. After having moulded with the poems of chaayawadi poets during our early high school days, I personally found Neeraj’s poems at that time a bit ordinary as compared with poems of chhaayawadi poets.
In my early college days (first year and intermediate), I came to know more about Neeraj thanks to our Hindi lecturer who was an admirer of his poems. Although I had heard on radio the popular songs from ‘Nai Umar Ki Nai Fasal’ (1965), it was from our Hindi lecturer I came to know that these popular songs were written by none other than Neeraj. At that time, I was not deep into the lyrics of the Hindi film songs. My reaction to this news was one of the surprises – how a Hindi poet could downgrade himself as a lyricist!
It took me another 5 years to appreciate the work of Neeraj as a lyricist by which time I was majorly engrossed in Hindi film music. His popular songs like kaarwaan guzar gaya gubaar dekhte rahe, dekhti hi raho aaj darpan na tum, wo ham na thhe wo tum na thhe made me to go through the lyrics afresh. All these songs looked more poetic than the lyrics which we were used to listen. Yet they were simple to understand.
By now, I had become an ardent admirer of Neeraj. There was a time in the early 70s, when I used to watch films which had Neeraj as lyricist.I recall a few films like ‘Prem Pujari’ (1970), ‘Pehchaan’ (1970), ‘Sharmilee’ (1971), ‘Gambler’ (1971), ‘Tere Mere Sapne’ (1971) etc which I saw in the theatres. I realised that here was a poet who used imageries and metaphors in a novel way to add freshness to the songs. Examples: Shokhiyon mein gholaa jaye phoolon ka shabaab, phoolon ke rang se dil ki kalam se, bas yahi apraadh main har baar karta hoon, khilte hain gul yahaan khil ke bikharne ko, megha chhaaye aadhi raat, jeewan ki bagiya mahkegi, dil aaj shaayar hai gham aaj naghma hai.
After my retirement in 2006, I started reading Neeraj’s non-filmy poetic works and appreciating his poetry. He was really a people’s poet. I can now say that just as popularity of ‘Madhushala’ written by Harivash Rai Bachchan had put his other higher literary works in the background, the popularity of ‘kharwaan guzar gaya gubaar dekhte rahen’ and other hindi film songs of Neeraj have relegated into background. With his more than 5 decades of poetic work, the article would become too long. So I will confine myself mostly to Neeraj’s filmy career in this article.
Gopaldas Neeraj was born on January 4, 1925 in the Purwali village of Etawah district of Uttar Pradesh. At the age of 6, his father passed away. He was sent to his aunt’s house in Etawah for schooling. However, due to the precarious financial condition, Neeraj had to discontinue his studies after 10th standard did some odd jobs at Etawah and later in Delhi in the 1940s to earn for the family. While working, he completed his graduation and in 1953, he passed MA in Hindi literature with first class. He was associated with Dharma Samaj College, Aligarh as Lecturer and retired as a Professor of Hindi literature from the same college.
Neeraj’s inspiration for writing Hindi poems came from a collection of poems titled ‘Nisha Nimantran’ (Invitation to Night) written by Harivansh Rai Bachchan which he had read when he was in 9th class. Thereafter, he started writing poems and attended Kavi Sammelan in which among others, Harivansh Rai Bachchan was the main attractions. By 1960, Neeraj had become one of the most sought after poets for Kavi Sammelan held all over India.
Sometime in 1960, Neeraj visited Bombay (Mumbai) to recite his poems in a Kavi Sammelan. Music director Roshan was one of those from the film industry who was impressed by his poems. Roshan offered him to write lyrics for the film ‘Nai Umar Ki Nai Fasal’ (1965) which Neeraj politely declined stating that he could not leave his job. He however suggested to Roshan that if found suitable, he could select a few of his published poems for the films. So, most of the songs from the film was based on Neeraj’s published poems.
Chandrashekhar, who was producing and directing his maiden film ‘Cha Cha Cha’ (1964) wanted Neeraj to write lyrics for the film. Neeraj obliged him by writing two songs for the film – ‘wo hum na thhe wo tum na thhe’ and ‘subha na aayi shaam na aayi’ which became very popular. He also wrote songs for films like ‘Sati Naari’ (1965), ‘Tu Hi Meri Zindagi’ (1965), Majli Didi’ (1967), Kanyadaan’ (1968) etc. But uptil now, Neeraj had done the song writing as a part time work without leaving his full time job as Lecturer in Dharma Samaj College, Aligarh.
Sometime in early 1960s, Dev Anand had met Neeraj at a mushiara in Mumbai. At that time, Dev Anand had told him that he liked the language in his poems and hope to work with him some day.
One day, Neeraj saw an advertisement of the announcement of the film ‘Prem Pujari’ (1971) in which he saw the name of Dev Anand as director and S D Burman as music director. However, there was no name of song writer. So Neeraj wrote to Dev Anand recalling his conversation at the mushiara in Mumbai and offered to write songs for the film. Within a week, Neeraj got a hand written reply from Dev Anand requesting him to come to Mumbai and meet S D Burman, the music director. In an interview which appeared in May 21, 2015 issue of ‘The Hindu’, Neeraj revealed:
He put me in luxurious hotel in Santa Cruz and paid me Rs.1000 even before signing me. Next day, he took me to S.D. Burman, who showed apprehensions about a poet’s ability to write to tunes and a given situation. Dev Anand said that he should not worry. He should give the tune and if Neeraj failed, he would remain his guest for six days and enjoy Bombay. Burman Da gave me a tune and said the song should start with ‘Rangeela Re’ and it is about a girl who sees her beloved coming to a party with another girl. It should have elements of frustration in love, jealousy and satire. I worked the whole night and came up with ‘rangeela re tere rang mein youn ranga hai mera mann’.
Next day, he went to Dev Anand’s office and showed what he had written. After reading it, he embraced Neeraj and exclaimed how he could do it in one night. He immediately took me to Burman Da’s home and proudly presented me to him and said: See, I told you, Neeraj has done it. When Burman Da listened to it, he said ‘Dev you go now. We will sit together. After Dev Anand left, Burman Da admitted that he gave me this complex situation to make me give up. After that, we three began to bond. …… I wrote my best songs for him and the biggest royalty I get is from the songs that I wrote for Dev Anand, adding that he never signed a contract with him.
After the success of his songs in ‘Prem Pujaari’ (1970), Neeraj left his job at Dharma Samaj College, Aligarh and shifted his base to Mumbai to become a full time lyricist in Mumbai film industry. The success of his songs in films like ‘Pehchan’ (1970), ‘Sharmilee’ (1971), ‘Tere Mere Sapne’ (1971), ‘Gambler’ (1971) etc gave further boost to his career.
During his active career (1970-75) in Hindi film industry, Neeraj mainly worked with S D Burman and Shankar-Jaikishan with whom he had developed good rapport. With the death of Jai Kishan in 1971 and S D Burman in 1975 Neeraj, on record, considered himself as an unlucky poet in Hindi film industry. Sometime after the death of S D Burman, Neeraj bid adieu to Hindi film industry and rejoined as Professor of Hindi literature in Dharma Samaj College, Aligarh. My own gut feeling says that being a sensitive poet, Neeraj may have felt uncomfortable to work with new music directors with whom he might have creative differences.
Neeraj did occasionally write lyrics for some films by sitting at Aligarh in post-1975 period. The last film for which he wrote songs was ‘Chargesheet’ (2011) which happened to be the last film produced and directed by Dev Anand.
As our homage to Neeraj, I have selected a lesser known song from the film ‘Nai Umar Ki Nai Fasal’ (1965) which seems to have become a ‘back-bencher’by his other popular songs from the film. The song is ‘isko bhi apnaata chal’ sung by Mohmmed Rafi and composed by Roshan. The scene in the film is that of Kavi Sammelan where poets are reciting their poems. But the hero Rajeev recites his poem by singing.
The song is of nearly 6 minutes’ duration in the audio clip. However, in the film, it is reduced to about 3 minutes duration by skipping two antaras of the song.
Video Clip:
Audio Clip:
Song-Isko bhi apnaata chal usko bhi apnaata chal(Nai Umar Ki Nai Fasal)(1965) Singer-Rafi, Lyrics-Neeraj, MD-Roshan
Lyrics(Based on audio)
hmm hmm hmm
hmm hmm
isko bhi apnaata chal
usko bhi apnaata chal
raahi hain sab ek dagar ke
sab par pyaar lutaata chal
isko bhi apnaata chal
idhar kafan tak nahin laash par
udhar numaayish resham ki
yahaan swayamvar kare chaandni
wahaan na raat kate gham ki
dharti kankad patthar maare
ambar ugle angaare
koi poochhe baat na is bagiya mein dukhiyaa shabnam ki
sukh ki umr badhaata chal
dukh ko kafan odhaata chal
miley jahaan bhi mahal usey
kutiya ke paas bulaata chal
isko bhi apnaata chal
bikaa biki sab oar machi hai
aane au do aanon par
asmat bikey doraahon par to
pyaar bikey dukaanon par
dagar dagar par mandir masjid
qadam qadam par gurudwaare
bhagwaanon ki basti mein hai
zulm bahut insaanon par
khidki har khulwaata chal
saankal har katwaata chal
is par bhi raushni na ho to
dil kaa diyaa jalaata chal
isko bhi apnaata chal
usko bhi apnaata chal
raahi hain sab ek dagar ke
sab par pyaar lutaata chal
isko bhi apnaata chal
hriday hriday ke beech khaaiyaan
lahu bichhaa maidaanon mein
ghoom rahe hain yuddh sadak par
shaanti chhipi shamshaanon mein
zanjeeren kat gayin magar
aazaad nahin insaan abhi
duniya bhar ki khushi qaid hai
chaandi jade makaanon mein
tat tat raas rachaataa chal
panghat panghat gaataa chal
pyaasaa hai har praan nayan kaa
gangaa-jal chhalkaata chal
isko bhi apnaata chal
nayan nayan tarsen sapnon ko
aanchal tarsen phoolon ko
aangan tarsen tyohaaron ko
galiyaan tarsen jhoolon ko
kisi honth par baje na bansi
kisi haath mein been nahin
umar samadar ki de daali
kis ne chand baboolon ko
soyi kiran jagaata chal
roothi subahen manaata chal
pyaar naqaabon mein na band ho
har ghoonghat khulwaata chal
isko bhi apnaata chal
usko bhi apnaata chal
O is desh ke rahne waalon
Posted on: July 14, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3648 | Post No. : | 14485 |
“Poornima”(1965) was directed by Narendra Suri for Roopkala pictures, Bombay. This “social” movvie had Meena Kumari, Dharmendra, Anita Guha, Mehmood, Siddhu, Nazeer Hussain, Durga Khote, Parveen Chaudhary, Sadhana Khote, Raja Nene, Kanu Roy, Kanchanmala, Kesri, Polson, Honey Irani, Bablu etc in it.
The movie had eight songs in it that were penned by four lyricists. Three of these songs have been covered in the past.
Here is the fourth song from “Poornima”(1965) to appear in the blog. The song is sung by Lata. Bharat Vyas is the lyricist. Music is composed by Kalyanji Anandji.
The song is picyturised as a background song where a dukhiyaari (what else) Meena Kumari is shown roaming around helplessly with her child. Nazeer Hussain, a perrenial dukhi budhha, is also visible in the picturisation.
O is desh ke rehne waalon (Poornima)(1965) Singer-Lata, Lyrics-Bharat Vyas, MD-Kalyanji Anandji
Lyrics
o is desh ke rahne waalon
naari ko devi kahne waalon
maa ke sapooton
bahnon ke bhai
zara sunte jaana ye meri kahaani
o is desh ke rahne waalon
naari ko devi kahne waalon
maa ke sapooton
bahnon ke bhai
zara sunte jaana ye meri kahaani
zara sunte jaana ye meri kahaani
bichhaaye jo kismat ne kaante
unhen bhi gale se lagaaya
magar haaye re badnaseebi
tere man ko ye bhi na bhaaya
chali aisi aandhi
uthha aisa toofaan
bhikhaaran bani aaj mahlon ki raani
zara sunte jaana ye meri kahaani
bhatakti phiroon aaj dar dar
hai roti bina pet khaali
uchhaale zamaane ne sikke
na roti kisi ne uchhaali
har ek dil hai maila
har ek aankh bhookhi
hawas ne sabhi ka kiya khoon paani
zara sunte jaana ye meri kahaani
ye dharti ka nanha sa munna
hai rahbar tumhaare watan ka
ye maangega jab bheekh tumse
to jhuk jaayega sar gagan ka
magar tumpe phir bhi asar kuchh na hoga
tumhaare liye khel hai zindgaani
zara sunte jaana ye meri kahaani
o is desh ke rahne waalon
naari ko devi kahne waalon
maa ke sapooton
bahnon ke bhai
zara sunte jaana ye meri kahaani
zara sunte jaana ye meri kahaani
zara sunte jaana ye meri kahaani
Kaise Kahoon Ri, Keh To Sakhi Ri
Posted on: May 11, 2018
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3584 | Post No. : | 14336 |
Missing Films of 1960s – 68
– – – – – – – – – – – – – – –
Fifteen days and thirty one posts later – that is the amount of days and posts that I missed keeping up with on the blog, with dear Atul ji keeping up with the pace all alone. I have a lot of excuses to give, but no reasons that may be convincing. Just flowing along with certain compulsions and different priorities. But I had to get back in action today. After getting a word from Atul ji about his traveling plans, just to hold on and not allow any more dot days to go by might just be a good accomplishment. So, I am back again, and hopefully should be holding fort for now.
Back to visiting the 1960s decade once again. Today’s debut film is ‘Daanveer Karn’ from 1965. A very obscure and rare film, that I came to hear about only when the list of missing films from 1960s was prepared by Khyati Ben. I could not locate practically any information other than what is given in the Geet Kosh. However, on browsing through the YouTube, I come across an interesting thing. One can see some links for a film by this name, and a couple of songs also. But this film, although carrying the same name, is a dubbed film from Tamil, starring Shivaji Ganeshan and Savitri. However, when I played the songs, they are not what is listed in the Geet Kosh for this film. So apparently this could be a coincidence that two films by the same name appeared in 1965, one of them being a dubbed version of a Tamil original by the same name.
But then there is more surprise in store – as I checked the details of the film in Geet Kosh, I find some details matching. In that, the production company is from Madras (Padmini Pictures) and the lead artists are Shivaji Ganeshan and Savitri. Could then this be the same film, which gets listed in Geet Kosh? Possibly. Just that the two songs available on YouTube from this film, are not listed in the Geet Kosh. So a mystery that needs to be researched. I request other knowledgeable readers and friends to please add more information about this film and its music.
The film is directed by K Panthalu. The songs are credited to Prem Dhawan and the music is by K Balkrishan. As for the music director, I do not find any other film that has been done by him, in Hindi cinema at least. His work is confined to the South Indian cinema. The cast of actors as per Geet Kosh is given as Shivaji Ganeshan, NT Ramarao, Savitri, Devika, MV Rajamma, Sandhya, Rukmani, G Shakuntala, SA Ashokan, Mutthuraman, Jawar Sitaraman, Mutthaiya, K Natrajan, and BS Raghvan etc.
Today’s debut song from this film is sung by Suman Kalyanpur. This is a song of love, in which the lady is complaining about the indifferent attitude of her beau, who does not seem to pay any attention to her. A somewhat breezy composition, this is an unheard gem of Suman Kalyanpur, that I am liking very much now. I am sure you will too. Listen and enjoy.
Song – Kaise Kahoon Ri, Keh To Sakhi Ri (Daanveer Karn) (1965) Singer – Suman Kalyanpur, Lyrics – Prem Dhawan, MD – K Balkrishan
Lyrics
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki. . .
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki
kaise kahoon ri
keh to sakhi ri
tan kyon doley
mann kyon kaanpe
jaane na aaj kahaan koi
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki. . .
dil mein hai armaan
kitne hi toofaan. . .
aaa aaa aaa aaaa
aaaa aaaaa aaaaa aaaaa
aaa aaa aaa aaa aaa
aaaaaa aaaaaa aaaaa
aaaaaa aaaaaa aaaaa
dil mein hai armaan
kitne hi toofaan
nahin mo pe daale nazar
haaye piya nadaan
pal chhin birha ke laage mohey baan
bada julmi hai baalam anjaan
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki
jaane nirmohi na peeda mann ki
kaise ab samjhaaun mann ko
bhool gaye wo mujh birhan ko
jaa ke koi ye keh do un ko
ik ghadi un bin chain na aaye
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki
kaise kahoon ri
keh to sakhi ri
jaane nirmohi na peeda mann ki. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की॰ ॰ ॰
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की
कैसे कहूँ री
कह तो सखी री
तन क्यों डोले
मन क्यों काँपे
जाने ना आज कहाँ कोई
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की॰ ॰ ॰
दिल में है अरमान
कितने ही तूफान॰ ॰ ॰
आss आss आss आssss
आsss आssss आsssss आsssss
आss आss आss आss
आsssss आssssss आssss
आsssss आssssss आsssss
दिल में है अरमान
कितने ही तूफान
नहीं मो पे डाले नज़र
हाए पिया नादान
पल छिन बिरह के लागे मोहे बाण
बड़ा जुल्मी है बलमा अंजान
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की
जाने निर्मोही ना पीड़ा मन की
कैसे अब समझाऊँ मन को
भूल गए वो मुझ बिरहन को
जा के कोई ये कह दे उनको
इक घड़ी उन बिन चैन ना आए
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की
कैसे कहूँ री
कह तो सखी री
जाने निर्मोही ना पीड़ा मन की॰ ॰ ॰
Dhali Re Dhali Re Saanjh Dhali
Posted on: April 11, 2018
- In: Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Evening song | expression of love | Feelings of heart | Group Dance | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3554 | Post No. : | 14261 |
So, minus 1 and plus 1, we still got to the 100th Yippeee film yesterday.
Minus 1 because on 3rd April, Atul ji had announced the Yippeee-ing of the film ‘Razia Sultan’ (1983), after posting its ‘sixth + seventh’ songs together – an announcement that turned out to be incorrect. Avinash ji pointed out that there is still one more song to be posted from this film. With some more leg work and info-search we now have more detailed info about the song list of this film. Below is the details of the songs of ‘Razia Sultan’ that I had shared with Atul ji the same day, in email.
I just checked the 1981-90 volume compiled by Jagdish Purohit and Ghulam Qureshi, with the involvement of Suman Chaurasia of Indore. This volume was published as the HFM lovers were/are waiting for Hamraaz ji to bring out his next volume.
In this volume, the compilers have listed 12 songs for this film. Since ‘Razia Sultan’ is a well known film, and a landmark in itself, I am sure lots of information sources are available and there is less chance that the compilers would be in error. In a musical film like this, number of songs certainly would not be limited to 6/7.
The list of all songs, as per this volume, is
- Ae Dil e Nadaan
- Aayi Zanjeer Ki Jhankar
- Naghma e Mohabbat
- Jalta Hai Badan
- Hariyala Banna
- Ae Khuda Shukr Tera
- Khwaab Ban Kar Koi Aayega
- Tera Hijr Mera Naseeb Hai
- Taraana e Jashn e Taajpsohi
- Shubh Ghadi Aayi Re
- Ae Dil e Nadaan (this may be part 2, or a reprisal)
- Falak Se Awaaz Hai
As per our blog listing, we have as yet covered 1, 2, 4, 5, 6, 7, 8 and possibly 11. As per the singer list, the songs 9 and 10 seem to important loaded songs; 9 has 4 singers and 10 has 6 singers. Both these songs have Ustad Faiyaaz Ahmed Khan, and Ustad Niaz Ahmed Khan in the list of singers.
Just like maybe Pakeezaah, the remaining songs are probably less heard, less popular ones, which may drop from the collective memory. You may recall that the non-Ghalib items in Mirza Ghalib (3 in number) remained obscure for quite a long time, since the radio and the radio listening public focused on the Ghalib creations in this film.
So that was minus 1 for 3rd April.
However, Atul ji is quick to also point out that back on 16th Jan, we had actually Yippeee’d two films together on the same day. That had happened, because both Atul ji and I were separately working on two different Yippeee posts, and our communications to each other regarding the posts seemed to have crossed but not read by each other. So in quick succession, both he and I posted two Yippeee songs that day – “Gaadi Dilli Waali Chali” (‘Delhi Junction’, 1960) and “Soyi Soyi Chaandni Hai. . .” (‘Khazaana’, 1951). In his write up, Atul ji has noted that,
Coming to my observations that we need to reiterate our new year resolutions (Gregorian calender version) on new year (Hindu calender version) as well. On the first day of this year (viz Yesterday 15 january 2018), only the first half of the half the resolution (viz posting a debutant song for the day) was fulfilled till late in the night. Sudhir Ji had posted a “debutant” post for the day. I had noticed that he had planned for a “YIPPEE” post as well. But seeing that the “debutant” post had appeared so late, I was afraid that it might become a race against time to fully fulfil the new year resolution. So I decided to lend a helping hand to Sudhir Ji. I prepared this “YIPPEE” writeup and I decided to post it in case Sudhir Ji was strapped for time (which he certainly is these days).
Fortunately, I found that Sudhir Ji succeeded in posting the YIPPEE writeup just in the nick of time yesterday night, and it was that rollicking title song of “China Town”(1962), viz. Rangeen bahaaron se hai gulzaar China Town.
So the song that I had kept as the backup YIPPEE song was not required.
Today (16 january 2018), we find ourself in the same situation as yesterday. The “debutant” movie of the day was done and dusted with first thing in the morning by Sudhir Ji. Sudhir Ji then asked me for the list of YIPPiable movies, aiming to post the YIPPEE movie of today as well, while I concentrated on the O P Nayyar tribute post.
After the O P Nayyar tribute post was published late, I found that Sudhir Ji has prepared for the YIPPEE song of the day, and it was a song that was not available online as far as I can tell. But like last night, we are against racing against time and I do not find Sudhir Ji at the keyboard right now. So I feel that I need to step in and publish the backup YIPPEE song that I had prepared yesterday. That way, Sudhir Ji can publish his YIPPEE article on the next day.
In fact, as Atul ji was hastening to complete the above Yippeee post for that day, I was equally busy on my keyboard, and almost simultaneously – a difference of about 45 minutes, I too posted the Yippeee post for the day, only to realize immediately that the work is now duplicated. So I immediately went back into my post and added this footnote,
[Ed Note: It was only after this song got posted that I took a breather, only to notice that Atul ji has also already welcomed another film (the previous post) to Yippeee-land today. It most certainly seems like the ‘yippeee-ing hour’, what with two films racing to Yippeee-land, just within minutes of each other. 😀 😀 ]
So, the two miscues cancelled each other out, and we are firmly able to announce that 100 Yippeee films have happened in the first 100 days of this calendar year (Gregorian). 🙂
Now, moving beyond the century yesterday, we come to ‘IOI’ of the Yippeee train today. Atul ji had posted the penultimate song of this film yesterday. Yes, I refer to the 1965 film ‘Sangraam’ – a film that has a full list of very memorable songs. This film made its debut on our blog way back on 12th Nov, 2010. Just see the list below of the songs posted so far. Each one of these songs is a veritable gem – in a mood that is so representative of the music of the 1960s.
| Main To Tere Haseen Khayaalon Mein Kho Gayaa | Sangraam | 1965 | 3195 | 12-Nov-10 |
| Masti Mein Doley Jiyaa Ho | Sangraam | 1965 | 4270 | 25-Jul-11 |
| Dam Dam Dam Dam Damroo Baaje | Sangraam | 1965 | 10405 | 25-Oct-14 |
| O Tera Chhup Chhup Ke Chale Aana | Sangraam | 1965 | 14093 | 23-Feb-18 |
| Nikla sainyya chaalbaaz re | Sangraam | 1965 | 14255 | 10-Apr-18 |
These songs represent a music that was full of verve, full of energy, full of a joyous expression of love, taking in a lot of influence of the western rock and pop genres. Rhythm was more or less the dominant temper of this music, which was made for a popular taste that was already initiated by an increasing influence of western rhythms on the young minds of this nation. The decade of the 1960s was the time when the joys of freedom and the pain of partition were both tending to fade into paler shades, getting better of the passing generations.
The film is produced under the banner of Film India, Bombay, and is directed by Babubhai Mistry. The cast of actors includes Dara Singh, Geetanjali, Randhawa, Swarn Kumari, Maruti, Aruna Irani, Uma Dutt, Ratnamala, Mridula, Vishwas Kunte, Amrit Rana, Yunus Parvez, Baijnath, Helen, and King Kong.
After his earlier cameo appearances in films of 1950s, the first lead role that Dara Singh landed was in the film ‘King Kong’ of 1962. This was followed by ‘Aawaara Abdullah’ in 1963, then ‘Ek Tha Alibaba’, ‘King of Carnival’, ‘Rustom e Baghdad’, also 1963. In 1964, we see him in ‘Aandhi Aur Toofaan’, ‘Aaya Toofaan’, ‘Hercules’, ‘Dara Singh’ (yes, a film titled after his own name), ‘Rustom e Rome’, ‘Baadshah’, ‘Veer Bhimsen’. So when we come to 1965, Dara Singh has already appeared in a lead role in 12 films in just three years. The reason I am making this observation is that when I viewed this film in preparation for this post, I found a very interesting aspect. In this film, he is accompanied in the star cast by his younger brother Randhawa. The two brothers have already appeared together in ‘Aawaara Abdullah’, ‘Hercules’ and ‘Veer Bhimsen’. This is their fourth film together. As I viewed this film, I realized that the dialogues of both are dubbed in voices other than their own. I have not had time to sample once again his earlier films (some of which I know I have seen earlier) to ascertain whether this dubbing aspect is present in any of his earlier films. I do remember reading, well a long time back, that in the initial years of his career, his diction of Hindi/Urdu dialogues was less than desirable, as his voice had a very strong Punjabi accent to it. But I did not realize that he would be going through more than a dozen films and still be required to have his dialogues dubbed. The voice of the dubbing artist is very familiar, but I am not able to place a name to it right now.
The film is a costume drama with a strong element of palace intrigues and lost and found siblings stories. The corrupt Wazir (prime minister) has the king assassinated, and usurps the throne for himself. The king has two sons. The nanny for the two children is able to escape the bloodshed in the palace, along with one of the princes. The Wazir kind of adopts the second son, and raises him on a diet of lies and misinformation, hiding the truth about the death of the king, his father. The Wazir has a daughter, whom he wants to get married to the prince-in-custody. The prince-in-custody also fancies the lady. But the lady had lost her heart to a commoner in one of the villages in the kingdom, during some interludes that are very conveniently created by the story writers. The person she fancies, is actually the other prince, who had been taken away by the nanny and was raised by her in anonymity. So the tale of this film is about how the two brothers at first are enemies on account of fancying the same lady; then some way through the film, the truth about siblings is revealed and they become a team to vanquish the scheming Wazir and reclaim their father’s kingdom. And yes, the younger sibling gracefully steps aside for his elder brother to take over. 🙂
The one more interesting thing that I note about this film is the long drawn fighting sequences. Regular fans of Dara Singh films will recall the name King Kong. Yes, we had a wrestler by this name in that era when freestyle wrestling was a hugely popular spectator sport with the likes of Dara Singh, Randhawa, Goldstein, Imam Bux, Sheikh Ali, Hamida Pehalwan and of course the Great Gama Pehalwan etc. being the big names billed for such events. Believe it or not, but that was an era when for a freestyle wrestling match between some great names, one could expect anywhere from 1 Lakh to 2 Lakh spectators to be present (a Lakh is 100,000).
King Kong was a hugely bulky wrestler. His real name was Emile Czaja, and he was of mixed Indian – Australian descent, born in Hungary. He became a professional wrestler in the sub-continent and also appeared for bouts in all of south east Asia and Japan etc. Like Dara Singh he also migrated into Hindi films during the late 1950s and 60s, and appeared in many films generally as part of the villain’s team that would give a thrashing the heores to start with, and then at the end, get a beating of their lives at the hands of the lead wrestler. On YouTube, there are a few video footage clips of actual wrestling matches between Dara Singh and King Kong. Both of them appeared in many Hindi films together.
King Kong makes an appearance in this film also, as one of the henchmen of the devious Wazir. He has an additional significant presence in this film, as he also plays the father to the the young lady (Aruna Irani) who is the love interest of Maruti, the sidekick of Dara Singh in the film, making up a very detailed CSP (comic side plot). He fights on the side of the baddies, but eventually gives in to the goodies, since his daughter is in love with one of the goodies team member.
Ah yes, so I was talking about the long drawn out fight sequences in the film. They begin to appear almost from the start of the film, continue regularly throughout. Given these segments, the CSP and the songs, the actual story and dialogues have very little room to maneuver themselves. Everything other than the fight sequences seem to be in a hurry to get themselves done with. 🙂
Today’s song is the sixth song in the film. And what a rollicking dance song this one is. The trio of music directors – Lala Asar and Sattaar seem to be outdoing themselves in getting through the songs of this film. The song is filmed as a group dance song. The occasion is that the Wazir’s daughter has fled her father’s palace, choosing to come to the village where Dara Singh resides with his mother (actually his nanny from the royal babyhood days). The Wazir’s soldiers are chasing her, and they have been given a good beating by Dara Singh, Maruti and their team. This song is a celebration of their victory. We see Dara Singh and Geetanjali (Wazir’s daughter) and Dara Singh’s ‘mother’ seated prominently amongst the audience watching this performance. Maruti is part of this group dance. The video clip that is available is somewhat out of focus, on account of colors being splayed a little, as the photochemicals on the celluloid have aged. The face of the lead dancer is not very clear, and before I hazard a guess as to her identity, I request other friends and readers to please help identify this actress.
Enjoy this final song from this film to make it on to the billboard of our blog. And with that, we announce the Yippeee-dom status to this film. All aboard.
Song – Dhali Re Dhali Re Saanjh Dhali (Sangraam) (1965) Singer – Asha Bhosle, Lyrics – Madhukar Rajasthani, MD – Lala Asr Sattaar
Unidentified Male Voice
Chorus
Lyrics
teek teek jhungha ka jhoonga
teek teek jhungi ki jhungi
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi
dhali re dhali re saanjh dhali
chali re chali re main to chali
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
bol sakhi
mere daaman mein kya hai
machla hua
aa ke mausam chhupa hai
meetha meetha
chhaaya mujh pe nasha hai
meetha meetha
chhaaya mujh pe nasha hai
ye to abhi
pehli pehli ada hai
chain luta
jaane kya ho gaya hai
mann ki lagan
ho ke magan
dol rahi jaise pawan
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi
naam mera
dil pe likhte deewaane
bhanwre sadaa
aayen ras to churaane
aai badi
rang mujh pe jamaane
aai badi
rang mujh pe jamaane
uljhe agar
bolo saawan suhaane
uljhe bina
suljhe naa dil ke taraane
jawaan jawaan chhaaya samaa
husn bhara gora badan
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi
raat nai
aai hai un se milaane
husn chala
ishq pe tan mann lutaane
chaand aaya
aaj mujhko bulaane
chaand aaya
aaj mujhko bulaane
kaun hai wo
hum se lagi tu chhupaane
preet bhare
nain batiyaan na maane
behki nazar
jaaun jidhar
aata mujhe
wo hi nazar
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
dhali re dhali re saanjh dhali
chali re chali re main to chali
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)
aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)
aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
टीक टीक झुंघा का झूंघा
टीक टीक झुंघी का झुंघी
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी
ढली रे ढली रे साँझ ढली
चली रे चली रे मैं तो चली
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
बोल सखी
मेरे दामन में क्या है
मचला हुआ
आ के मौसम छुपा है
मीठा मीठा
मुझपे छाया नशा है
मीठा मीठा
मुझपे छाया नशा है
ये तो अभी
पहली पहली अदा है
चैन लुटा
जाने क्या हो गया है
मन की लगन
हो के मगन
डोल रही जैसे पवन
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी
नाम मेरा
दिल पे लिखते दीवाने
भँवरे सदा
आयें रस को चुराने
आई बड़ी
रंग मुझपे जमाने
आई बड़ी
रंग मुझपे जमाने
उलझे अगर
बोलो सावन सुहाने
उलझे बिना
सुलझे ना दिल के तराने
जवां जवां छाया समां
हुस्न भरा गोरा बदन
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी
रात नई
आई है उनसे मिलाने
हुस्न चला
इश्क़ पे तन मन लुटाने
चाँद आया
आज मुझको बुलाने
चाँद आया
आज मुझको बुलाने
कौन है वो
हमसे लगी तू छुपाने
प्रीत भरे
नैन बतियाँ ना माने
बहकी नज़र
जाऊन जिधर
आता मुझे
वो ही नज़र
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
ढली रे ढली रे साँझ ढली
चली रे चली रे मैं तो चली
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)
आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)
आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)
Nikla sainyya chaalbaaz re
Posted on: April 10, 2018
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| Blog Day : | 3553 | Post No. : | 14255 |
“Sangraam”(1965) was directed by Babubhai Mistry for Film India, Bombay. The movie had Dara Singh, Geetanjali, Randhawa, Swarn Kumari, Maruti, Aruna Irani, Uma Dutt, Ratnamala, Mridula, Vishwas Kunte, Amrit Rana, Yunus Parvez, Baijnath, Helen, King Kong etc in it.
The movie had six songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Sangraam”(1965) to appear in the blog. The song is sung by Lata. Aish Kanwal is the lyricist. Music is composed by Lala Asar Sattar.
The song is picturised on Geetanjali, as far as I can tell from the grainy picturisation of the song, who is sing singing and dancing alongwith her sahelis as Dara Singh is seen riding away in his horse.
Song-Nikla sainyya chaalbaaz re (Sangraam)(1965) Singer-Lata, Lyrics-Aish Kanwal, MD-Lala Asar Sattar
Lyrics
nikla sainyya chaalbaaz re ae
de ke daga wo to chala gaya
chala gaya
de ke daga wo to chala gaya
nikla sainyya chalbaaz re ae
de ke daga wo to chala gaya chala gaya
de ke daga wo to chala gaya
teri raahon mein ham bhi khade hain
teri raahon mein ham bhi khade hain
ek nazar dekh le jaane waale
koi bhala kaise dil ko sambhaale
dil ko sambhaale kaise
o jaane waale
ho o o
qaatil hain ye andaaz re haay raam
nikla sainyya chaalbaaz re ae
deke daga wo to chala gaya chala gaya
deke daga wo to chala gaya
toone churaai meri aankhon se nindiya
toone churaai meri aankhon se nindiya
chain kahaan
ho gayi main deewaani
hoke magan naache meri jawaani
ae ree jawaani hui hui dekho deewaani
ho dil tujh par hai naaj re haay raam
nikla sainyya chaalbaaz re ae
deke daga wo to chala gaya chala gaya
deke daga wo to chala gaya
kaise bedardi se ankhiyaan ladi hain
kaise bedardi se ankhiyaan ladi hain
o ji balam tujhko kaise manaayen
aaja baalam le loon teri balaayen
teri balaayen leke tujhko manaayen
ho o o
sun le chaahat ka raaj re haay raam
nikla sainyya chaalbaaz re
deke daga wo to chala gaya chala gaya
deke daga wo to chala gaya
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