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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Avinash Scrapwala’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3462 Post No. : 13894

Today is the eighty fourth birth anniversary (9 Jan 1934 – 27 Sep 2008) of singer Mahendra Kapoor. On this occasion today, I present this lovely and haunting song from the 1966 film ‘Naag Mandir’ here on our blog. This song has two versions one sung by Mahendra Kapoor and another sung by Lata Mangeshkar.

‘Naag Mandir’ was directed by Shantilal Soni for Mayurkala Pictures, Bombay. The star cast was led by Mahipal, Vijaya Choudhry and included Indira and BM Vyas.

This movie has six songs, including one multiple version song. Songs for this movie are written by three songwriters – Shiv Kumar ‘Saroj’, Bharat Vyas and Asad Bhopali. This song is written by Bharat Vyas. Music for this movie is composed by Laxmikant-Pyarelal. Lata Mangeshkar, Mahendra Kapoor and Mohd Rafi have given their voices to the songs in this movie. So far three songs from this movie have been posted on the blog.

Not much other information about this movie is either mentioned in HFGK Vol IV or available on other sources.

I became aware of this song around end-eighties, when I started collecting cassettes and also getting compilations of various singers recorded on blank (TDK/Sony) cassettes. In this endeavor I got recorded the Mahendra Kapoor songs on 14.10.1991 and since then this song is there in my collection. I like this song very much and sometimes it automatically come to my lips and I broke into humming it.

When I checked on the blog, I was surprised to note that this was still to be posted. Also, it was only few weeks back that I discovered that this song also has a female version and that too sung by Lata Mangeshkar. There is some difference in the lyrics. Both versions have one common stanza and one different stanza.

Coming back to the songs of Mahendra Kapoor I would like to mention that I like many of his songs very very much. And as and when I have got the opportunity to share his songs I have tried to get them posted on this blog. I am not going into the biographical details of Mahendra Kapoor and the list of his songs in this post today. I will just stop here and leave you with this song to enjoy today remembering him, and his contribution to Hindi Film Music.

Audio (Male Version – Mahendra Kapoor)

Audio (Female Version – Lata Mangeshkar)

Song – Mere Sanam, Sun Mera Gham (Naag Mandir) (1966) Singer – Mahendra Kapoor/ Lata Mangeshkar, Lyrics – Bharat Vyas, MD – Laxmikant Pyaarelal

Lyrics

Male Version
– – – – – – – – – – –
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

zindagi ke dukh bharey
ye din kahaan bitaaun
jo na koi gham kare
wo dil kahaan se laaun
sab kuchh hai phir bhi jaise
kuchh nahin
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

jal rahaa hai dil mera
main chup rahoon to kaise
ghut rahaa hai dam mera
main kuchh kahoon to kaise
gham se haden khushi ki jaa mili
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

Female Version
– – – – – – – – – – – – –
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

jal rahaa hai dil mera
main chup rahoon to kaise
ghut rahaa hai dam mera
main kuchh kahoon to kaise
gham se haden khushi ki jaa mili
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

kitne din guzar gaye
kismet ko sote sote
kitni umr kat gayi
din raat rote rote
phir bhi to badnaseebi kam nahin
uljhanen
zindagi ban gayi ee
tu kahin, main kahin

mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
mere sanam
mere sanam

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
पुरुष स्वर
– – – – – – – –
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

ज़िन्दगी के दुःख भरे
ये दिन कहाँ बिताऊं
जो न कोई ग़म करे
वो दिल कहाँ से लाऊं
सब कुछ है फिर भी जैसे
कुछ नहीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

जल रहा है दिल मेरा
मैं चुप रहूँ तो कैसे
घुट रहा है दम मेरा
मैं कुछ कहूं तो कैसे
ग़म से हदें ख़ुशी कि जा मिलीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

महिला स्वर
– – – – – – – –
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

जल रहा है दिल मेरा
मैं चुप रहूँ तो कैसे
घुट रहा है दम मेरा
मैं कुछ कहूं तो कैसे
ग़म से हदें ख़ुशी कि जा मिलीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

कितने दिन गुज़र गए
किस्मत को सोते सोते
कितनी उम्र कट गयी
दिन रात रोते रोते
फिर भी तो बदनसीबी कम नहीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं

मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
मेरे सनम
मेरे सनम

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3461 Post No. : 13888

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Special Voices of the 1970s – 1 # Shailendra Singh #
———————————————–———————————-

We have already begun yet another new year full of music and nostalgia on this blog. As we leave the past year behind us, it must have added some memories and moments to cherish for every one of us and in turn adding more memorable moments to our existing ‘nostalgia bank’.

Some may have got opportunities to travel, (I wish one should travel a lot) and meet peoples from different walks of life, enjoy the diversity of our own culture by visiting parts of the country hitherto not visited and enjoy the variety of cuisines across our great country (or may be abroad, if one gets a chance) and leave behind and gather some unforgettable memories and learnings too 🙂

Aadmi musaafir hai aata jaata hai

And that is how days and years pass by and we continue with the journey of our life still missing those beautiful days but enjoying relishing the memories (Beete Huye Lamhon Ki Kasak Saath To Hogi) and the times, which after a gap of some years become more and more nostalgic for us. And ‘nostalgia’ is yet another, or stronger, reason (for me it is) that we enjoy music, movies, and the memories associated and connected with them.

In my childhood days this song “Sabko Mubaarak Naya Saal” used to be played on New Year day and another song “Khush Hai Zamaana Aaj Pehli Taarikh Hai” was a favorite on every first day of a new month. And like this many other songs that we have been listening over the years or that one listens during different stages of life easily become part of our memories. We also keep adding new songs by listening or watching them in new movies around. Or even some old songs which we are listening first time and they were not known to us till this date.

Now if one is associated with a blog called atulsongaday.me and who is aware of that till 1980 only we have around 40,000 songs from Hindi movies, one is surely to get more ‘aware’ of many songs and looking to it as a ‘creation’ and not merely holding one’s list of favorite songs which one has been carrying over the years and had not been aware of the ‘treasure trove’ of ‘movie songs’ one has not listened to.

Some songs continue with their old listeners with new addition of more songs and some older songs/voices tend to find new listeners /fans from new generations too. And as Gulzar Saab has rightly put it in one of his albums ‘Fursat Ke Raat Din’…

geet kabhi boodhhe nahin hote
unke chehron par jhurriyaan nahin girti….

wo palte rehte hain, chalte rehte hain

Beginning of a new year also gives us an opportunity to start new things and make new resolutions too. In one of my previous employment, my boss always said that the first day or ‘pehli taarikh’ is always the best day to start a new thing or take on a new goal if one is wishing to do so. This post was supposed to be there on 1st Jan, but it got delayed due to ‘technical problems’ 🙂 and later on due to ‘unforeseen situations’ – no, no, not ‘acts of God’ 🙂 . Nevertheless, if we listen to the song and what has been said in this song, one can take the words (said in this song) for ones ‘new year resolution’ too 🙂

And as a part of initiating something ‘new’ in this ‘new year’ I am going to share this new series representing my thoughts and songs sung by some ‘special voices’ (I don’t know if I can call them as ‘unique voices’) which were there in the ‘decade of seventies’ and yes in their own way they have left an indelible mark on the minds of music lovers – may be only for those who have grown up during end sixties – to end seventies – or even till early eighties.

I sincerely hope that all of us are going to enjoy these voices who have been part of my growing years and may be of others of my era too.

The voice – Singer Shailendra Singh

Singer and actor Shailendra Singh was born in Mumbai on 4th October 1952. He came from a Punjabi family but since he grow up in Mumbai he could not talk fluently in Punjabi (even till date, I think).

Shailendra Singh’s father was associated with V. Shantaram ji as a Chief Assistant Director and later on with Rajshri Productions (as a ‘Publicity Officer’ from ‘Dosti’), so he comes from a family having ‘film background’ and it was natural for him to get attracted to movies. After his schooling with ‘Hill Green High School’, Feder Road, Bombay, he joined the St Xavier’s College in Mumbai but later he left his studies in third year as he was interested in acting, and given to his looks he wanted to be an actor. So, he joined the ‘Film and Television Institute’ at Pune when he was around eighteen in 1971 in acting course.

He was also learning music or rather singing from his childhood days but not to become as a ‘playback singer’. He was more interested in singing ‘ghazals’ first and was singing the ‘film songs’ as an ‘amateurish’. It so happened that Raj Kapoor was looking for a new voice to launch Rishi Kapoor in ‘Bobby’ (1973). VP Sathe (of ‘Bombay Publicity’) was a close friend of Shailendra Singh’s father. And VP Sathe and KA Abbas had been working jointly as script writer for Raj Kapoor.

Now being close to Shailendra Singh’s family VP Sathe was aware of Shailendra Singh’s singing abilities. So, when Raj Kapoor was looking for a new voice he suggested Shailendra Singh’s name. At that time Shailendra Singh was pursuing his course in acting at the FTII, Poona and was in second year (of two-year course). He was called for the voice test by Raj Kapoor. Raj Kapoor took him to Laxmikant-Pyarelal where Laxmikant take his test with four or five musicians (and one them was Rajesh Roshan).

After few days Shailendra Singh was told about his selection and the first song he recorded was “Main Shaayar To Nahin” for ‘Bobby’ (1973). This was also the ‘muhurat‘ song for the film. Lata Mangeshkar was also present there to bless him on the occasion.

Shailendra Singh has very high regards for all the legendary singers – Mohd Rafi, Kishore Kumar, Mukesh, Manna Dey, and Mahendra Kapoor – and who were senior to him when he joined the industry. And he get a chance to sing with them which till then was his dream. He is a great fan of Rafi Saab and among the singers Rafi Saab is his idol.  The song “Tere Mere Sapne Ab Ek Rang Hain” sung by Rafi Saab is his most favorite Rafi song. So when he got this opportunity to sing with Rafi Saab, it was like a dream coming true for him. The first duet he sang with Rafi Saab is for this movie ‘Chacha Bhatija’ (1977); and the song – “Bure Kaam Ka Bura Natija, Kyun Bhai Chacha, Haan Bhatija”. This song stood at number twenty-one of the annual Binaca Geetmala of that year 1977.

He was spotted by Manmohan Desai to sing for this movie when he was already selected for ‘Bobby’. However, Manmohan Desai assured Raj Kapoor that his movie will be released only after ‘Bobby’ was released. The songs of ‘Bobby’ became very popular then and Shailendra Singh was nominated for the ‘Best Male Playback Singer’ for the song “Main Shaayar To Nahin’. But the he didn’t win for that.

He got his first acting break for the movie ‘Do Jaasoos’ (1975). Later on, he also acted in his father’s home production ‘Agreement’ (1980), and he has had a guest appearance in ‘Naukar’ (1979) and Mehmood’s – ‘Janta Hawaldar’ (1979). He acted in a Bengali film as a hero with Aparna Sen and the movie was ‘Ajosro Dhanyobaad (Many Many Thanks).

I remember watching ‘Do Jaasoos’ with my uncle and its songs are there in my memory since then. And particularly this one song of the movie – “Purvaiyya Le Ke Chali Meri Naiyya’ sung by Shailendra Singh and Lata Mangeshkar is the one which whenever I listen I get transported to that timeline and gives me entirely different nostalgic feeling again.

In my childhood the songs from the movie ‘Bobby’ were also there and they were frequently played on loudspeakers/radio, but may be since I had not watched this movie its songs did not appeal much to my impressionable mind. Whereas songs from the movie ‘Rafoo Chakkar’ and particularly this song “Tumko o Mere Dil Ne” is another one which is my all-time favorite and it brings back memories.

Then there are songs like “Pyaar Mein Kabhi Kabhi Aisa Ho Jaata Hai“, “Gumche Lage Hain Gehne”, “Meri Dilruba Tujhko Aana Padega”, “Mere Bas Mein Agar Kuchh Hota”, “Hum Ne Tum Ko Dekha, Tum Ne Hum Ko Dekha Aise“, “Hoga Tumse Pyaara Kaun’ (from the early eighties). There are many of his songs which I like or which have been popular, however I have mentioned above only those songs which give me ‘nostalgic’ feeling most.

His singing career had been active during the seventies and eighties but later on the new offerings to him got reduced (as told by him in his interview available on YT) as new singers keep coming. So far “Jaipur Se Nikli Gaadi” for ‘Gurudev-1993’, has remained as his last song for the movies.

Coming back to the movie of the song being presented today – ‘Chacha Bhatija’ is a ‘Dreamland’ presentation. It was produced by Baldev Pushkarna and MM Malhotra, and is directed by Manmohan Desai. The star cast includes Dharmendra, Hema Malini, Randhir Kapoor, Yogita Bali, Rehman, Anwar Hussain, Indrani Mukherjee, Jeevan, Roopesh Kumar, Sonia Sahani, Hari Shivdasani, Dev Kumar, Durga Khote, Satyajit, Tuntun, Sunder, Bhagwan, Hercules and Keshto Mukherjee. The lyrics of this movie were written by Anand Bakshi and Laxmikant – Pyarelal composed the music. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mohd Rafi and Shailendra Singh gave their voices to the songs in this movie.

Story of this movie is written by Prayag Raj. Its screenplay and dialogues are written by Salim-Javed. This movie was edited by Kamlakar. It was passed by Censor Board on 08.03.1977.

 I remember watching this movie in my childhood (may be with my parents), and almost all of its songs have remained in my memory since then. The movie has total seven songs in it. And I think that all its songs are nice hummable songs though only one song from this movie make it to the annual list of ‘Binaca Geetmala’ that year in 1977 and the song was – “Bure Kaam Ka Bura Natija, Kyun Bhai Chacha, Haan Bhatija”.

However, today’s song is closer to my heart and very nostalgic for me. Randhir Kapoor is lip syncing for Shailendra Singh’s voice and we can see Yogita Bali, Roopesh Kumar, Rehman and others in the picturisation of this song.

In the video version of this song there are only two stanzas whereas the audio that I had taken from online sources seven-eight years back is having three stanzas. Both versions are provided with the song.

(Sources – Shailendra Singh’s interview on Rajya Sabha TV and Divine Melodies available on YouTube).

Let us now enjoy this wonderful song …

 Maa Ne Kahaa Thaa O Betaa …

 

Audio (Complete – 3 Stanzas)

Video (Partial – 2 Stanzas)

Song – Maa Ne Kaha Tha O Beta (Chacha Bhatija) (1977) Singer – Shailendra Singh, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics (Based on Audio Version)

maa ne kaha tha
o beta
kabhi dil kisi ka na todo
maa ne kaha tha
o beta
kabhi dil kisi ka na todo
deepak baati ban kar saathi
saath kisi ka naa chhodo

maa ne kaha tha
o beta
kabhi dil kisi ka na todo
deepak baati ban kar saathi
saath kisi ka naa chhodo
maa ne kaha tha
o beta
kabhi dil kisi ka na todo

zindagaani mein aa padey
mushkil to
thes lagne se toot jaaye dil to
zindagaani mein aa padey
mushkil to
thes lagne se toot jaaye dil to
maa ne kahaa thaa
o betaa
rasmein kasmein naa todo
lekar dori chori chori
toote rishtey jodo
maa ne kahaa thaa
o betaa
kabhi dil kisika naa todo

jaan lo jag mein
kaun apna hai
kya yahaan sach hai
aur kya sapna hai
jaan lo jag mein
kaun apna hai
kya yahaan sach hai
aur kya sapna hai
maa ne kaha tha o beta
sapnon ke peechhe na daudo
sapne sapne
apne apne
apnon se moonh na modo
maa ne kaha tha o beta
kabhi dil kisi ka na todo

ho sakey gar to
pyaar na tum karna
pyaar ho jaaye to
duniyaa se na darna
ho sake gar to
pyaar na tum karna
pyaar ho jaaye to
duniyaa se na darna
maa ne kaha tha o beta
karke waada kabhi na todo
pyaar ke raste
chalte chalte
waapas kadam na modo
maa ne kaha tha o beta
kabhi dil kisi ka na todo
deepak baati ban kar saathi
saath kisi ka naa chhodo
maa ne kaha tha
o beta
kabhi dil kisi ka na todo
———————————————————
Hindi script lyrics (Based on Audio Version – Provided by Avinash Scrapwala)
———————————————————
माँ ने कहा था ओ बेटा
कभी दिल किसी का ना तोड़ो
माँ ने कहा था ओ बेटा
कभी दिल किसी का ना तोड़ो
दीपक बाती बनकर साथी
साथ किसी का ना छोडो

माँ ने कहा था ओ बेटा
कभी दिल किसी का ना तोड़ो
दीपक बाती बनकर साथी
साथ किसी का ना छोडो
माँ ने कहा था ओ बेटा
कभी दिल किसी का ना तोड़ो

जिंदगानी में
आ पडे मुश्किल तो
ठेस लगने से ए
टूट जाए दिल तो
जिंदगानी में
आ पडे मुश्किल तो
ठेस लगने से ए
टूट जाए दिल तो
माँ ने कहा था ओ बेटा
रस्में कसमें ना तोड़ो
लेकर डोरी चोरी चोरी
टूटे रिश्ते जोड़ो
माँ ने कहा था
ओ बेटा
कभी दिल किसी का ना तोड़ो

जान लो जग में
कौन अपना है
क्या यहाँ सच है
और क्या सपना है
जान लो जग में
कौन अपना है
क्या यहाँ सच है
और क्या सपना है
माँ ने कहा था ओ बेटा
सपनों के पीछे ना दौड़ो
सपने सपने
अपने अपने
अपनों से मुंह ना मोड़ो
माँ ने कहा था ओ बेटा
कभी दिल किसी का ना तोड़ो

हो सके गर तो
प्यार ना तुम करना
प्यार हो जाए तो
दुनिया से ना डरना
हो सके गर तो
प्यार ना तुम करना आ आ
प्यार हो जाए तो
दुनिया से ना डरना आ
माँ ने कहा था ओ बेटा
करके वादा कभी ना तोड़ो
प्यार के रस्ते चलते चलते
वापस कदम ना मोड़ो
माँ ने कहा था ओ बेटा
कभी दिल किसी का ना तोड़ो
दीपक बाती बनकर साथी
साथ किसी का ना छोडो
माँ ने कहा था
ओ बेटा
कभी दिल किसी का ना तोड़ो ओ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3457 Post No. : 13865

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet #60 # Missing RD Burman movies of 1971-1980
—————————————————————————————————-

 Today 4th January is the twenty third ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. On this occasion here is a song from the movie ‘Rani Mera Naam’ from  1972.

The film was directed by KSR Das for ‘Balkrishna Movies, Madras’. It had Vijaylalita, Premnath, Ajit, Madan Puri, Anwar Hussain, Iftikhaar, Natrajan, Jagdeep, Jayshree T, Faryal and Baby Sridevi. Vinod Mehra did a special appearance in this movie. Nazir Hussain, Sulochana, Pandari Bai made guest appearances while Ashok Kumar and Om Prakash made friendly appearances in this movie.

This movie has four songs penned by Majrooh Sultanpuri and composed by RD Burman. There are three solos of Asha Bhonsle, and one duet song sung by Asha Bhonsle and Manna Dey.

This movie was passed by Censor Board on 19.04.1972. By introducing this movie on the blog, we are adding one more of RD Burman’s missing movies from 1971-1980 on the blog.

As it happens with me while introducing a new movie on the blog, this time also, I was in dilemma about the song to be shared first. Finally, I decided to go by the first song in the movie as listed in HFGK. This song is picturized on Faryal – the yesteryears’ actress who has performed many dances including many cabarets in those days.The video link also gives her date of birth which is 3rd November 1945, which matches with her date of birth an mentioned on the anniversary page of the blog.

I am not aware much about her personal life. I remember watching her in many movies of the seventies. I would request knowledgeable readers to throw more light about the actress and her movies and on the songs of this movie ‘Rani Mera Naam’. I am reproducing below the information about her as available and taken from Wikipedia. The page is available here

 

Faryal (born 3 November 1945 in Syria) is an Indian film actress and dancer of mixed Indian and Arabic descent working in Hindi films. She was a popular Bollywood cabaret dancer and actress in the 1960s and 70’s.

Faryal was born in the Damascus area of Syria on 3 November 1945 to an Indian father and a Syrian mother. She completed her education at Loretto Convent, Simla, Cathedral High School and St. Xavier’s College, Bombay. Faryal worked for a while as an air hostess in Air India before joining films. She is a product of the ‘Filma­Iaya School of Acting’.

Faryal entered Bollywood in 1965 in the black-n-white movie ‘Zindagi aur Maut’, as a lead role opposite Pradeep Kumar. This film contained famous song “Dil Laga Kar Hum Ye Samjhe” sung solo by Asha Bhonsle and Mahender Kapoor. Both these songs are available on YouTube. Faryal was liked by people and resulted in her getting lead role in film ‘Biradari’ (1966) opposite Shashi Kapoor. The movie was a total flop. She was noted for her role as a cabaret dancer in the movie ‘Jewel Thief’ released in 1967. After the movie’s release, offers started pouring in. In an interview in 1973, Faryal stated that “Ever since Goldie cast me in that glamorous dancer’s role in Je­wel Thief,  film makers have looked upon me as an “excel­lent cabaret dancer”.” Whereas in reality I have never learnt dancing,” “I don’t even like dancing; I rather hate it”. At first afraid of being typecast, Faryal was reluctant to accept the numerous offers that she received soon after the release of Jewel Thief. But gradually she realized that if she refused the roles there were ten others ready to replace her. And now the bath tub scene in ‘Apradh’ released in 1972 had given me an even worse image”. Faryal retired from movies in 1984 after her performance as the girlfriend of Jeetendra in ‘Gold Medal’.

 Let us now enjoy the song under discussion …

 


Song – Andhera. . . Aur Kuchh Nahin Teri Kahaani Mein (Rani Mera Naam) (1972) Singer – Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

andheraa aa
andheraa
andheraa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to
pyaar ki
aag hi lagaa le
zindgaani mein

aa
andheraa aa
andheraa
andheraa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to pyaar ki aag hi lagaa le
zindgaani mein

tu ru oo ru tu ru ru tu
ru ru tu ru ru tu
ru ru tu ru ru tu
ru ru

ru ru oo
ru tu ru ru tu
ru ru tu ru ru tu
ru ru tu ru ru tu
ru ru oo hoo oo

jab to mazaa hai
tere liye koyi bharti hon aahen
kahin khoyi khoyi
aye jeena nahin
jeena akele ae
marna nahin
marna akele
samjhe jaaneman
jab to mazaa hai
tere liye koyi bharti hon aahen
kahin khoyi khoyi
ye bhi na ho to
kya rahaa jawaani mein
andheraa aa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake ae
to
pyaar ki
arey aag hi lagaa le
zindgaani mein

koyi nahin to aa
o mere baanke
rakh le mujh hi ko dil se lagaa ke
ae ae
chaahe isme tu bhi jal jaa
tere tan se
mil mil jaaye
jwaalaa aa saa badan
koyi nahin to aa
o mere baanke
rakh le mujh hi ko dil se lagaa ke
kar le koi ujaala zindgaani mein
andheraa aa
andheraa
andheraa
andheraa
andheraa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to pyaar ki
arey aag hi lagaa le
zindgaani mein
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अँधेरा आ
अँधेरा
अँधेरा
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
आग ही लगा ले
जिंदगानी में

अँधेरा आ
अँधेरा
अँधेरा
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
आग ही लगा ले
जिंदगानी में
तू रु ऊ रु तू रु रु तू
रु रु तू रु रु तू
रु रु तू रु रु तू
रु रु
रु रु ऊ
रु तू रु रु तू
रु रु तू रु रु तू
रु रु तू रु रु तू
रु रु ऊ हूँ ऊ
जब तो मज़ा है
तेरे लिए कोई भरती हों आहें
कहीं खोयी खोयी
ए जीना नहीं
जीना अकेले ए
मरना नहीं
मरना अकेले
समझे जानेमन
जब तो मज़ा है
तेरे लिए कोई भरती हों आहें
कहीं खोयी खोयी
ये भी ना हो तो
क्या रहा जवानी में
अँधेरा आ
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
अरे आग ही लगा ले
जिंदगानी में

कोई नहीं तो आ
ओ मेरे बांके
रख ले मुझ ही को दिल से लगा के
ए ए
चाहे इसमें तू भी जल जा
तेरे तन से
मिल मिल जाए
ज्वाला आ सा बदन
कोई नहीं तो आ
ओ मेरे बांके
रख ले मुझ ही को दिल से लगा के
कर ले कोई उजाला जिंदगानी में
अँधेरा आ
अँधेरा
अँधेरा
अँधेरा
अँधेरा
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
अरे आग ही लगा ले
जिंदगानी में


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 59 # Rajesh Khanna’s 75th birth anniversary
———————————————–——————————————————-

Today 29th December 2017 is the 75th birth anniversary of Rajesh Khanna (29.12.1942-18.07.2012).

On this occasion here is a song from the ‘1977’ movie ‘Chhaila Babu’.

In the year 1977 there were nine movies (including ‘Tyaag’ which was passed by Censor Board in 1976) of Rajesh Khanna as per following;

SNo Movie Year Date Passed by Censor Board
01 Tyaag 1977 29.07.1976 *
02 Anurodh 1977 31.01.1977
03 Chhaila Babu 1977 20.04.1977
04 Karm 1977 27.04.1977
05 Chalta Purza 1977 16.06.1977
06 Hatyara (Special Appearance) 1977 04.07.1977
07 Aashiq Hoon Bahaaron Ka 1977 18.11.1977
08 Palkon Ki Chhaon Mein 1977 04.11.1977
09 Tinku (Special Appearance) 1977 01.12.1977

From the above list one can conclude that this is a list of flop movies, except ‘Chhaila Babu’ which was a ‘commercially successful movie’, though nowhere in the league as Rajesh Khanna’s earlier hit movies.
Movies like ‘Karm’, ‘Anurodh’, and ‘Palkon Ki Chhaaon Mein’ were ‘critically acclaimed’ though.

‘Chhaila Babu – 1977’ a ‘suspense thriller’ was a Mukherji Brothers Presentation. It was produced by Shomu Mukherjee who also wrote the story and screenplay of this film.

It was directed by Joy Mukherjee.

It had Rajesh Khanna in title role of ‘Chhaila Babu’, and accompanied by Zeenat Amaan, Asrani, Om Shivpuri, Padma Khanna, Achala Sachdev and Ranjeet.

Supported by Jairaj, Ravindra Kapoor, Mac Mohan, Manmohan, Sherry, Gulshan Arora, Ashim Kumar, Shyam, Guru Darshan, Manik Dutt, Qureshi, Uttam, Yeshraj, Vinod Thakkar, Harun, Johny Whisky, Dhanna, Master Salim, Aziz Asser, Raghubir, Prem and others.

Its lyrics were written by Anand Bakshi, and music was composed by Laxmikant Pyarelal.

Dialogues of this film were written by Kader Khan and it was edited by B.S. Glaad.

I have vague memories of watching this movie with my parents and vaguely remember the movie’s storyline and songs.
I have earlier shared two songs of this movie ‘Kal raat sadak pe ek ladki ’ and ‘Hamko nikaaloge ghar se sajan pachhtaaoge ’.

The most popular song of this movie Yaar dildaar tujhe kaisa chhaahiye was the first song to be posted on the blog and it was discussed by Atul ji way back in 2008 (08.12.2008).

The other two songs were posted on 29.12.2014 and 04.02.2015 respectively.

As per HFGK this movie had total Seven songs (including one multiple version song). But, I think it should be six only. This needs to be checked and shall be discussed in future with the remaining song of this movie). Out of these seven songs we have so far three songs already covered on the blog.

I can say that all the songs from this movie are nice hummable song though only this song Yaar dildaar tujhe kaisa chhaahiye could make it to the annual list of ‘Binaca Geetmala’ that year in 1977 and so far it had been the most popular song from this movie. It was ranked 18th in the annual list of ‘Binaca Geetmala’ of 1977.

However, going back to the songs of this movie and listening to them after a gap of so many years is an interesting exercise and it brings back fond memories of those years.

Today’s song ‘main baaboo chhaila’ is sung by Kishore Kumar and lip synced by Rajesh Khanna on screen. The picturisation of this song shows Rajesh Khanna, Zeenat Aman and Asrani is following them.

After watching the video, I thought it must be shot on the locations in Kashmir (? though not sure), (as the film’s titles do not mention names of any outdoor shooting locations). However, the titles did mention the name of ‘Filmalaya Studios’ where the movie or its parts must have been shot).

Let us revive the magic of ‘Kishore Kumar-Rajesh Khanna’ Jodi, with Kaka’s favorite lyrics writer – Anand Bakshi – there, but for a change – composed by Laxmikant-Pyarelal.

Let us now enjoy today’s song!!


Song-Main baabu chhaila (Chhaila Baabu)(1977) Singers-Kishore Kumar, Zeenat Aman, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

Lui she ae ae

O ho ho ho main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa

Ye naam thhaa meraa pehlaa
Aaj se main ban gayaa re Majnoon
Dekh ke tujhko lailaa
Hey
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Ye naam thaa meraa pehlaa aa
Aaj se main ban gayaa re Majnoon
Dekh ke tujhko lailaa
Oye chailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa

Sun le dil ka ye afsaana
Tera mera pyaar puraana
Sun le dil ka ye afsaana
Tera mera pyaar puraana
Maana ek behroopiyaa hoon main
Lekin tera hoon deewaana
Aadat meri buri sahi par
Dil ka main nahin mailaa
Aaj se main ban gayaa re Majnoon
Dekh ke tujhko lailaa
Ha ha haa haa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa

(Conversation –Rajesh Khanna, Zeenat Amaan & Asrani not included)

Ye jo apne peechhe daude
Beemaari peechha na chhode
Ye jo apne peechhe daude
Beemaari peechha na chhode
Aise premi aise paagal
Duniya mein milte hain thhode
Jaane ye hain paan ka chhakkaa
Ya chidiyaa ka nehlaa
Aaj se main ban gayaa re Majnoon
Dekh ke tujhko lailaa
Ha ha haa haa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa

Hmm o ho o
La la la la la la la la la laa

Ham jaise deewaane aksar
Jaan bhi de dete hain hans kar
Ham jaise deewaane aksar
Jaan bhi de dete hain hans kar
Gham na kar bas shauq se dilbar
Teer chalaaye ja seene par
Toot gaya dil mera to kya
Tera dil to behlaa
Aaj se main ban gayaa re Majnoon
Dekh ke tujhko lailaa
Oye chhailaa
Hey
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa

Ye naam thaa meraa pehlaa
Hmm hmm
Aaj se main ban gayaa re Majnoon
Hmm hmm hmm hmm
Dekh ke tujhko lailaa
Hmm hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Main baaboo chhailaa
Chhailaa baaboo
Baaboo chhailaa

La la la la laa
La la la la laa
La la la la laa
La la la la laa

——————————————–
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
———————————————
लूई शे ए ए
ओ हो हो हो मैं बाबू छैला
छैला बाबू
बाबू छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला

ये नाम था मेरा पहला
आज से मैं बन गया रे मजनू
देख के तुझको लैला
हे
मैं बाबू छैला
छैला बाबू
बाबू छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला
ये नाम था मेरा पहला
आज से मैं बन गया रे मजनू
देख के तुझको लैला
ओये छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला

सुन ले दिल का ये अफसाना
तेरा मेरा प्यार पुराना
सुन ले दिल का ये अफसाना
तेरा मेरा प्यार पुराना
माना एक बहरूपिया हूँ मैं
लेकिन तेरा हूँ दीवाना
आदत मेरी बुरी सही पर
दिल का मैं नहीं मैला
आज से मैं बन गया रे मजनू
देख के तुझको लैला
ह हा हां हां
मैं बाबू छैला
छैला बाबू
बाबू छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला

(राजेश खन्ना, जीनत अमान और असरानी के बीच के संवाद जो यहाँ पर शामिल नहीं किये गए हैं)

ये जो अपने पीछे दौड़े
बिमारी पीछा न छोड़े
ये जो अपने पीछे दौड़े
बिमारी पीछा न छोड़े
ऐसे प्रेमी ऐसे पागल
दुनिया में मिलते हैं थोड़े
जाने ये हैं पान का छक्का
या चिड़िया का नहला
आज से मैं बन गया रे मजनू
देख के तुझको लैला
ह हा हां हां
मैं बाबू छैला
छैला बाबू
बाबू छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला

हम्म ओ हो ओ
ल ल ल ल ल ल ल ल ल ला

हम जैसे दीवाने अक्सर
जान भी दे देते हैं हंस कर
हम जैसे दीवाने अक्सर
जान भी दे देते हैं हंस कर
गम न कर बस शौक़ से दिलबर
तीर चलाये जा सीने पर
टूट गया दिल मेरा तो क्या
तेरा दिल तो बहला
आज से मैं बन गया रे मजनू
देख के तुझको लैला
ओये छैला
हे
मैं बाबू छैला
छैला बाबू
बाबू छैला
मैं बाबू छैला
छैला बाबू
बाबू छैला
ये नाम था मेरा पहला
हम्म हम्म
आज से मैं बन गया रे मजनू
हम्म हम्म हम्म हम्म
देख के तुझको लैला
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
मैं बाबू छैला
छैला बाबू
बाबू छैला

ल ल ल ल ला
ल ल ल ल ला
ल ल ल ल ला
ल ल ल ल ला


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 24th December 2017 is the ninety-third (24 December 1924 – 31 July 1980) birth anniversary of the great singer – ‘divine voice’ – Mohammad Rafi.

Much has already been written about Rafi Saab on this blog and many other sources, and from my own experience I can say that he will be there as long as the Hindi Film Music is there. His songs will be cherished even by the coming generations if they get the opportunity to listen them or if they get the surroundings/atmosphere where songs sung by Rafi Saab are played. Such is the magic of his voice that can leave the listeners ‘spell bound’ and ‘mesmerized’.

I have experienced how listening to his songs my daughters will not switch over to the newer songs and asked me to either fast forward or change it with other.

There is nothing new that I can write in this post about Rafi Saab, except that we respect him, we admire him and we love his songs which will be there with us till we are alive.

24th December also happens to be the birth anniversary of one of my favorite actors of the golden era of Hindi movies – Mahipal (24 December 1919 – 15 May 2005) – whom we have been watching in most of the black and white era ‘fantasy’ and ‘mythological’ movies.  I liked him very much in all of those movies of him which I had watched so far. ‘Navrang-1959’ is off-course being the closest to my heart.
(Though some sources mention the date of birth of Mahipal as different, I think the date mentioned on our blog must be correct and same has been in the article on ‘Beete Huye Din’ by Shishir ji).

We cherish the memories and the contribution of these great artists to the Hindi Cinema and Indian Culture and they will always remain in our heart and in the history of Hindi Cinema forever.

On this occasion here is a song from the 1965 movie ‘Maharaja Vikram’ sung by Mohd Rafi. Listening to the song, I guess that this must be a ‘background song’ in the movie. It is written by BD Mishra and composed by SN Tripathi. The film was directed by S.N.Tripathi for ‘Rajroop Productions, Bombay’.

The star cast includes Mahipal, Anita Guha, BM Vyas, Vishwas Kunthe, Bela Bose, Sundar, Tuntun, Mishrilal, Radheshyam, Bhagwan Sinha, Sadhna Khote, Shri Bhagwan, Madhumati, Laxmichaya and others.

This movie had total ten songs as mentioned in HFGK Vol-IV, all written by BD Mishra and composed by SN Tripathi. One song sung by Suman Kalyanpur “Maane Na Mora Bichhua Boley” from this movie has already been posted on the blog earlier in 2016.

Let us now listen to the today’s song …aadmi nirbal samay balwaan hai“.

 


Song – Aadmi Nirbal Samay Balwaan Hai (Maharaja Vikram) (1965) Singer – Mohammed Rafi, Lyrics -BD Misra, MD – SN Tripathi

Lyrics

bal na vidya aur na saahas kaam aata
hoke rehta wo jo likh deta vihdataa

samay se haara swayam bhagwaan hai
aadmi nirbal samay balwaan hai
aadmi tinkaa samay toofaan hai

aadmi nirbal samay balwaan hai
aadmi tinkaa samay toofaan hai

paas jiskey raaj thha
sukh thha
bhawan thhe
naam thha aishwarya thha
dhhan thha ratan thhe
jo prajaa ka thha dulaara praan pyaara
swarg ko dharti pe thha jisne utaara
aaj uska ho rahaa apmaan hai
aadmi nirbal samay balwaan hai
aadmi tinkaa samay toofaan hai

dusro ki naav ka jo thha khivaiyya
besahaara hai usi ki aaj naiyya
jo kabhi deta rahaa sabko sahaara
jaa raha wo thokarein khaata bechaara
maangta sabse dayaa ka daan hai
aadmi nirbal samay balwaan hai
aadmi tinkaa samay toofaan hai

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

बल न विद्या और न साहस काम आता
होके रहता वो
जो लिख देता विधाता
समय से हारा स्वयं भगवान् हैं

आदमी निर्बल समय बलवान हैं
आदमी तिनका समय तूफ़ान हैं

आदमी निर्बल समय बलवान हैं
आदमी तिनका समय तूफ़ान हैं

पास जिसके राज था
सुख था
भवन थे
नाम था ऐश्वर्य था
धन था रतन थे
जो प्रजा का था दुलारा प्राण प्यारा
स्वर्ग को धरती पे था जिसने उतारा
आज उसका हो रहा
अपमान हैं
आदमी निर्बल समय बलवान हैं
आदमी तिनका समय तूफ़ान हैं

दूसरों कि नाव का जो था खिवैया
बेसहारे हैं उसीकी आज नैय्या
जो कभी देता रहा सबको सहारा
जा रहा वो ठोकरें खाता बेचारा
मांगता सबसे दया का दान हैं
आदमी निर्बल समय बलवान हैं
आदमी तिनका समय तूफ़ान हैं


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 58 # Remembering Singer-Poet – Kavi Pradeep #
———————————————–—————————————————-

Today (11th December, 2017 is the nineteenth ‘Remembrance anniversary’ (06.02.1915 – 11.12.1998) of Ramchandra Narayanji Dwivedi whom we fondly remember and whose name has been engraved in the history of Indian Cinema and Poetry as Kavi Pradeep.

On this occasion here is a song from “Jai Santoshi Maa-1975” which is penned by Kavi Pradeep (he has written all the six songs for this movie) and also lent his voice to the background version of this (today’s) song in the movie.

“Jai Santoshi Maa” was produced by Satram Rohra for ‘Bhagyalakshmi Chitra Mandir, Bombay’ and directed by Vijay Sharma.
It had Ashish Kumar, Kanan Kaushal, Rajnibala, Bela Bose, Asha Potdar, Leela Mishra, Manhar Desai, B.M. Vyas, Rajan Haksar, Kundan, Neelam, Padmarani, Lata Arora, Johny Whisky, Surendra Mishra, Dilip Dutt, Uma Dutt, Tiwari, Dubey Trilok Kapoor, Anand Marathe, Shri Bhagwan, Mahipal, and Anita Guha as ‘Santoshi Maa’.

Bharat Bhushan makes an ‘guest appearance’ in this movie.

The seventies was a very special decade for Hindi movies. It saw the emergence of the first superstar of the industry and later on the rise of an angry young man on screen. Action films, formula films, multi starrer movies came to the fore in this decade. Story presentation and action underwent changes from the earlier decades. Towards the end of the decade, we found disco music entering in Hindi film music in a big way.

This decade also saw one of the greatest mythological hit of all times viz. ‘Jai Santoshi Maa’ in 1975.

Released in the same year as Sholay, this was a low budget movie but later on created records for collection. I have blurred memories about tales that many women started ‘santoshi maata vrat’ after watching this movie.

All the songs of this movie were very popular. Today’s song in particular holds a special nostalgic value for me.

I was just above 7 years old at that time. I remember that we watched both Sholay and Jai Santoshi Maa on the same day at Akola. I remember the name of the theatres. ‘Shalini’ talkies, which had that typical theatre like built inside and ‘Manek’ talkies – one of the old in the city and still maintained well and spacious.

Today when I checked the release dates of both these movies, I find that “Jai Santoshi Maa” was passed by Censor Board on 28.05.1975 and “Sholay” was passed by Censor Board on 12.08.1975).

The song being presented today has two versions. One version is sung by Kavi Pradeep and the other by Mahendra Kapoor with chorus in both of them. music is given by C. Arjun and lyrics are by Kavi Pradeep ji.

This song, oozing with devotion and spirituality has a calming effect on me and it puts me at peace. No wonder that this is a song that I like to listen to again and again.

(Note: – In HFGK Vol-V this song is mentioned as appearing at number two and six, which normally should be in the order of appearing of the songs in the movie. However, I would like to mention here that this needs to be corrected in HFGK as in the movie this song appears at number one and two respectively in the voices of Mahendra Kapoor and Kavi Pradeep.

HFGK mentions the song ‘main to aarti utaaroon re’ at number one while in the movie it comes at number number five. And, at number six is the last song of the movie ‘madad karo he… madad karo santoshi maata’).

Let us now listen to this wonderful song …

Version I
Audio

Version II II (Video)

Song-Yahaan wahaan jahaan tahaan mat poochho kahaan kahaan (Jai Santoshi Maa)(1975) Singer-Kavi Pradeep/ Mahendra Kapoor, Lyrics-Kavi Pradeep, MD-C Arjun

Lyrics

Version I
——————–
Jai Santoshi maa aa aa
Jai Santoshi ee maa aa aa
Jai Santoshi maa aa aa

Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Badi man bhaawan
Nirmal paawan
Prem ki ye pratimaa
Apni Santoshi Maa
Apni santoshi maa

Is devi ki dayaa ka hamne ae ae
Adbhut phal dekha aa
Ho o o adbhut phal dekha
Ho o o
Pal mein palat de ye bhakton ki ee
Bigdi bhaagya rekha aa
Bigdi bhaagya rekha
Badi balshaali
Hmm hmm
Mamtaa waali
Hmm hmm
Badi balshaali
Mamtaa waali
Jyoti punj ye maa
Apni Santoshi Maa
Apni santoshi maa

Ye maiyya to bhaav ki bhookhi ee
Bhakti se bhaave
Ho o o bhakti se bhaave
Ho o o prem poorwak jo koyi pooje
Man waanchhit paave ae
Man waanchhit paave
Mangal karni
Hmm hmm
Chintaa harni
Hmm hmm
Mangal karni
Chinta harni
Dukh bhanjan ye maa
Apni Santoshi Maa
Apni santoshi maa

Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

——————————-
Version II (Mahendra Kapoor & Chorus)
———————————

Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa
Jal mein bhi
Thal mein bhi
Chal mein
Achal mein bhi
Atal vital mein bhi maa
Apni Santoshi Maa
Apni Santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Badi anokhi chamatkaarini
Ye apni Maai
Ye apni maai
Ye apni maai

Raayee ko parbat kar sakti
Parbat ko raayee
Parbat ko raayee
Parbat ko raayee

Dwaar khulaa
Darbaar khula hai ae ae
Aao behan bhaai
Iske dar par
Kabhi daya ki kami nahin aayi
Daya ki kami nahin aayi
Pal mein Nihaal kare
Dukh ka nikaal kare
Pal mein nihaal kare
Dukh ka nikaal kare
Turant kamaal kare maa
Apni Santoshi Maa
Apni santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Is Amba mein Jagdamba mein
Ghazab ki hai shakti
Ghazab ki hai shakti
Ghazab ki hai shakti

Chinta mein doobey huye logon
Kar lo iski bhakti
Kar lo iski bhakti
Kar lo iski bhakti

Apna Jeevan saunp do isko o
Paa lo re mukti
Sukh sampati ki daataa
Ye maa kya nahin kar sakti
Maa ye kya nahin kar sakti
Bigdi banaane waali
Dukhde mitaane waali
Bigdi banaane waali
Dukhde mitaane waali
Kasht hataane waali maa
Apni Santoshi Maa
Apni santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Gaurisut Ganpati ki beti
Ye hai badi bholi
Ye hai badi bholi
Ye hai badi bholi

Dekh dekh kar iska mukhda
Har ik dishaa doli
Har ik dishaa doli
Har ik dishaa doli

Aao re bhakton ye maataa hai ae
Sab ki hamjoli
Jo maangoge tumhen milega
Bhar lo re jholi
Suno re bhaai
Bhar lo re jholi

Ujjwal Ujjwal
Ho nirmal nirmal
Ujjwal Ujjwal
Nirmal nirmal
Sundar sundar Maa
Apni Santoshi Maa
Apni santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa
Apni Santoshi Maa
Apni santoshi maa

————————————

———————————————————-
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
———————————————————-
Version I (Kavi Pradeep)
———————————————————-

जय संतोषी माँ आ आ
जय संतोषी ई माँ आ आ
जय संतोषी माँ आ आ

यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

बड़ी मन भावन
निर्मल पावन
प्रेम की ये प्रतिमा
अपनी संतोषी माँ
अपनी संतोषी माँ

इस देवी की दया का हमने ए ए
अद्भूत फल देखा आ
हो ओ ओ अद्भूत फल देखा
हो ओ ओ
पल में पलट दे ये भक्तों की ई
बिगड़ी भाग्य रेखा आ
बिगड़ी भाग्य रेखा
बड़ी बलशाली
हम्म हम्म
ममता वाली
हम्म हम्म
बड़ी बलशाली
ममता वाली
ज्योति पुंज ये माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

ये मैय्या तो भाव की भूखी ई
भक्ति से भावे
हो ओ ओ भक्ति से भावे
हो ओ ओ प्रेम पूर्वक जो कोई पूजे
मन वांछित पावे ए
मन वांछित पावे
मंगल करणी
हम्म हम्म
चिंता हरनी
हम्म हम्म
मंगल करणी
चिंता हरनी
दुःख भंजन ये माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

————————————–
Version II ( Mahendra Kapoor)
—————————————
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
जल में भी
थल में भी
चल में
अचल में भी
अतल वितल में भी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

बड़ी अनोखी चमत्कारिणी
ये अपनी माई
ये अपनी माई
ये अपनी माई

राई को परबत कर सकती
परबत को राई
परबत को राई
परबत को राई

द्वार खुला
दरबार खुला है
आओ बहन भाई
इसके दर पर
कभी दया की कमी नहीं आयी
दया की कमी नहीं आयी
पल में निहाल करे
दुःख का निकाल करे
पल में निहाल करे
दुःख का निकाल करे
तुरंत कमाल करे माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

इस अम्बा में जगदम्बा में
ग़ज़ब की है शक्ति
ग़ज़ब की है शक्ति
ग़ज़ब की है शक्ति

चिंता में डूबे हुए लोगो
कर लो इसकी भक्ति
कर लो इसकी भक्ति
कर लो इसकी भक्ति

अपना जीवन सौंप दो इसको
पा लो रे मुक्ति
सुख सम्पति की दाता
ये माँ क्या नहीं कर सकती
माँ ये क्या नहीं कर सकती
बिगड़ी बनाने वाली
दुखड़े मिटाने वाली
बिगड़ी बनाने वाली
दुखड़े मिटाने वाली
कष्ट हटाने वाली माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

गौरीसूत गणपति की बेटी
ये है बड़ी भोली
ये है बड़ी भोली
ये है बड़ी भोली

देख देख कर इसका मुखड़ा
हर इक दिशा डोली
हर इक दिशा डोली
हर इक दिशा डोली

आओ रे भक्तो हए माता है ए
सब की हमजोली
जो मांगोगे तुम्हे मिलेगा
भर लो रे झोली
सुनो रे भाई
भर लो रे झोली

उज्जवल उज्जवल
निर्मल निर्मल
सुन्दर सुन्दर माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
————————————————
# Bhoole-Bisre Geet # 57 #
———————————————–—————-

In a few of my earlier posts on the blog, I have discussed how some songs become part of our memories and keep haunting us from time to time, either for some reasons or sometimes without any reasons.

Some songs bring back memories and some just bring back feeling of nostalgia. There are some songs that stay with us because they are part of our growing years.

We keep looking for such separated at childhood songs for our listening pleasure and/or nostalgia till we manage to locate them.

Today’s song is one such song which hadstayed in my memory over the years and and one that I was looking for since 1985-86 when I started collecting cassettes of songs.

This song was still there in my memory and had continued to stay undetected even two decades later when I discovered this blog.

It was only when I got my first copy of HFGK of the decade 1971-1980 (i.e. Vol-V) that I found out the name of this movie the song was from. It was more that one year later that I had realised that this song was not yet covered here.

Whenever I find un discussed songs like this, I start imagining in my mind that the song may have been a special song, being held back for some special occasion. Sometimes such songs do get discussed, but not necessarily on a special occasion and often without much fanfare either when I would feel that the song was worthy of better covereage. 😊

I decided to watch this movie ‘Patanga-1971’ which is available on YT which was the name of the movie this “special” song was from.

The reason why this song was stuck up in my mind could be because I may have watched the movie with my Parents or Uncles in my early childhood when I was too young to recall much. I must have been three and half years or little more then as the dates of the release of the movie suggests. I also feel that this song (from this movie) may have been a frequently played song on radio during those years.

I would categorise this song is the same category of my nostalgic songs as ‘Kaisa jaadu daalaa ma banarasi roomaal waala’ and ‘Joode mein gajra mat baandho’ which haunting me for many years before I finally managed to locate them.

Coming back to the song being presented today, if you watch the movie, you will find no reason for this song to be there in the movie where it appears. It just comes as a ‘filler’ and has no connection with the storyline or no connected events also. (That is what I can conclude by watching the movie till this song and a little more after the song is over).

The movie itself, as other song posts of this movie suggests, was not a success I think, and moves forward on a predictable story line, except that Ajit does not plays a villain’s role in this movie.

The song is very nice to listen to and watch too. Jayshree T and the actor (I am unable to identify the actor?) have given a rocking performance on the soulful singing of Asha Bhonsle and Rafi Saab.

Lyrics by Hasrat Jaipuri are also very good and Shankar Jaikishan’s music is as expected and melodious.

Now, it was only the ‘mukhda’ of this song ‘patangaa jal jal jal mar jaaye…’ and there after only its tune that was there playing in my mind over all these years. While preparing this post I have now listened to it and watched it many times.

This is the fifth song (including one multiple version) to be posted on the blog. Four songs have been posted earlier on the blog which also includes the more popular (?) ‘Thodaa ruk jaayegi to tera kyaa jaayegaa’ .

I am not aware how today’s song fared at that time and would request knowledgeable readers to throw more light on it and the movie.

(Note: – In HFGK, Vol -V 1971-1980 under song list of the songs of this movie today’s song is mentioned at number two while in the movie it is on number four and I don’t know if it is just by mistake or there is any reason for that).

‘Patanga-1971’ (or Patangaa-1971) was directed by Kedar Kapoor for K.R. Films, Bombay.

It was produced by Kedar Kapoor and R.S. Sharma.

It had Shashi Kapoor, Vimi, Ajit, Sajjan, Wasti, Ashok Kapoor, Laxmi Chhaya, Zeb Rehman, Jagdish Raj, Ram Mohan, Leela Mishra, Pravin Paul, Geeta, Amina Bai, Ram Avtaar, Shekhar Purohit, Prem, Shiv Chander, Ravinder Kumar, Haroon, Lal, Nasir, Balram, Santosh, Rajkumar, Basant, Jayshree T and Rajinder Nath.

Story of this movie was written by Vinod Kumar. Screenplay and dialogues were written by Pt.Mukhram Sharma.
Editing of this movie was done by B.S.Glaad.

There are eight songs (seven+one) in this movie, with one song having two parts. Lyrics of these songs are written by Neeraj (four songs), Hasrat Jaipuri (three songs) and Indeewar (one song).

Music for this movie was composed by Shankar – Jaikishan (assited by Dattram and Sabastian).
This movie was passed by Censor Board on 20.08.1971.

As mentioned above the today’s song is the fifth song of this movie being posted today after a gap of almost two years.

Let us now enjoy the today’s song.


Song-Patanga jal jal jal mar jaaye (Patanga)(1971) Singers-Rafi, Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

O lehriye waali
O motiyonwaali
O lehraa
O lehraa
O lehraa aa

Bum
Bum
Hmm hmm
Hoye hoye hoye hoye
Hai
Hai
Hoye
Hoye
Hoye
Hai
Hai
Hoye
Hoye
Burrrrr aahaa
Haaye haaye
Hai hai
Haaye
Haaye

Patangaa aa
Patangaa jal jal jal mar jaaye
Ye deepak jhoom jhoom lehraaye
Patangaa jal jal jal mar jaaye
Ye deepak jhoom jhoom lehraaye ae
Ye deepak lau usi se lagaaye
Patangaa bhed jaan naa paaye
Ye deepak lau usi se lagaaye
Patangaa bhed jaan naa paaye

Man ki agan ko haaye nahin jaanaa aa
Aag se khela ye parwaanaa aa
Man ki agan ko haaye nahin jaanaa aa
Aag se khela ye parwaanaa aa
Man ki lagi hai tan ujiyaaraa
Jalte rehna bhaag hamaaraa
O o o
Ye batiyaan kaun tujhe samjhaaye
Ye batiyaan kaun tujhe samjhaaye

Patangaa jal jal jal mar jaaye
Ye deepak jhoom jhoom lehraaye ae
Ye deepak lau usi se lagaaye
Patangaa bhed jaan naa paaye ae

Kaam hai aasaan hunh
bas mar jaana aa
Kaam hai mushkil
khud ko jalaana aa
Kaam hai aasaan
haan bas mar jaana aa
Kaam hai mushkil
khud ko jalaana aa

Tore milan mein jaan to jaaye
Pyaar ki lekin aan na jaaye
O o o
Hamesha preet ki reet nibhaaye
Hamesha preet ki reet nibhaaye
Ye deepak lau usi se lagaaye
Patangaa bhed jaan naa paaye

Patangaa jal jal jal mar jaaye
Ye deepak jhoom jhoom lehraaye ae

Tera ujaala paaun jahaan par
Pankh pasaare aaun wahaan par
Haaye
Tera ujaala paaun jahaan par
Pankh pasaare aaoon wahaan par
Bhor bhaye tak panth nihaaroon
Tere liye main umr guzaaroon
Ho o o
Mujhe to aur koyi naa bhaaye
Mujhe to aur koyi naa bhaaye

Patangaa jal jal jal mar jaaye
Ye deepak jhoom jhoom lehraaye ae
Ye deepak lau usi se lagaaye
Patangaa bhed jaan naa paaye ae

Patangaa jal jal jal mar jaaye
Ye deepak jhoom jhoom lehraaye ae

————————————————-
Lyrics in Devnagri Script (provided by Avinash Scrapwala)
————————————————-

ओ लहरिये वाली
ओ मोतियोंवाली
ओ लहरा
ओ लहरा
ओ लहरा आ

बम
बम
हम्म हम्म
होए होए होए होए
है
है
होए
होए
ब्रुर्र्र्रररर आहा
होए
होए
हाय हाय
है है
हाय हाय

पतंगा आ
पतंगा जल जल जल मर जाए
ये दीपक झूम झूम लहराए
पतंगा जल जल जल मर जाए
ये दीपक झूम झूम लहराए ए
ये दीपक लौ उसी से लगाए
पतंगा भेद जान ना पाए
ये दीपक लौ उसी से लगाए
पतंगा भेद जान ना पाए

मन की अगन को हाय नहीं जाना आ
आग से खेला ये परवाना आ
मन की अगन को हाय नहीं जाना आ
आग से खेला ये परवाना आ
मन की लगे है तन उजियारा
जलते रहना भाग हमारा
ओ ओ ओ
ये बतिया कौन तुझे समझाए
ये बतिया कौन तुझे समझाए

पतंगा जल जल जल मर जाए
ये दीपक झूम झूम लहराए ए
ये दीपक लौ उसी से लगाए
पतंगा भेद जान ना पाए ए

काम है आसान हुंह
बस मर जाना आ
काम है मुश्किल
खुद को जलाना आ
काम है आसान बस मर जाना आ
काम है मुश्किल खुद को जलाना आ

तोरे मिलन में जान तो जाए
प्यार की लेकिन आन न जाए
ओ ओ ओ
हमेशा प्रीत की रीत निभाये
हमेशा प्रीत की रीत निभाये
ये दीपक लौ उसी से लगाए
पतंगा भेद जान ना पाए ए

पतंगा जल जल जल मर जाए
ये दीपक झूम झूम लहराए ए

तेरा उजाला पाऊं जहां पर
पंख पसारे आऊँ वहाँ पर
हाए
तेरा उजाला पाऊं जहां पर
पंख पसारे आऊँ वहाँ पर
भोर भये तक पंथ निहारूं
तेरे लिए मैं उम्र गुजारूं
हो ओ ओ
मुझे तो और कोई ना भाए
मुझे तो और कोई ना भाए

पतंगा जल जल जल मर जाए
ये दीपक झूम झूम लहराए ए
ये दीपक लौ उसी से लगाए
पतंगा भेद जान ना पाए ए

पतंगा जल जल जल मर जाए
ये दीपक झूम झूम लहराए ए


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

# Superstar Child Artist – Junior Mehmood # 3
—————————————————-

Welcome back all to this series where we are discussing songs from movies of Junior Mehmood and particularly those songs where he is seen performing whilelip syncing in the voices of various playback singers.

I started this series with songs sung by Rafi Saab for Junior Mehmood. And so far in this series the following two posts have been posted on the blog;

1) Lagey koi lottery koi jackpot lagey (Rivaaz)(1972)

2) Na Koi Paisa Na Ilm Banaao Bambai Mein Film (Bansi Birju) (1972)

This third post is a delayed one. It is not just delayed but it comes after a long gap (almost two and half years).
And though I thought then(i.e. by Nov-2015) that I would conclude the series within a year then ,now this series stands extended and I intend to include a few more songs in this series that are sung by other singers for Junior Mehmood. (By doing so I also intend to find out the total number of songs lip synced by him).

Jr. Mehmood started his acting career at the age of eight. Unfortunately, the very first film which he got a chance to work in ‘Kitna Nazook Hai Dil’ (as mentioned by Junior Mehmood himself in an interview available on YT and other sources too) never got released and was shelved.

There are intereting stories about how Junior Mehmood got a chance to work in films and how he got this name ‘Junior Mehmood’. He himself narrated this tale in his interviews available on YT.

His real name is Naeem Sayyad and he was born (on 15th November’1956) to a ‘middle class’ family living in Mumbai.
His father was an Engine Driver in railways and the family used to live in the railway quarters at Antop Hill Mumbai (as mentioned in the biography of Jr Mehmood available on YT). There were six siblings – four brothers and two sisters, including himself.

His elder brother used to do photography on film sets and would share the happenings on the films sets among family members which little Naeem would listen with interest. His eagerness to watch film shootings made him visit the sets of a movie with his brother.

During one such occasion when a child artist working in this movie ‘Kitna Nazook Hai Dil’ was not able to remember and deliver a dialogue, little Naeem watching the shoot from the crowd reacted ‘kya itni si line nahin bol sakta’ 😊

The director of the movie took a look at him and asked little Naeem if he could deliver the dialogue and perform. He immediately accepted the challenge and delivered a flawless performance which impressed everybody present on the sets. And soon news about the ‘potential’ this little child spread in the film industry by ‘word of mouth’.

While watching film personalities on sets little Naeem started mimicking various actors /artists and performing dance numbers picturised on them. ‘Gumnaam-1965’ – ‘ham kaale hain to kya huaa dilwaale hain’ …was one of the most popular dance numbers that he used to perform on.

Little Naeem thus started receiving offers to act in movies as a ‘child artist’.

He got an opportunity to work with the great actor Mehmood in the movie ‘Suhaag Raat-1968’. During the shooting of this film he got a chance to work and interact with Mehmood who was also impressed by the potentialof little Naeem.

It so happened that Mehmood Senior was to celebrate the first birthday of his daughter Jinny and he invited almost all present on the sets of ‘Suhaag Raat-1968’ except little Naeem. Little Naeem was hurt a lot and he told Mehmood Saab that since his father was not a big film personality he (Mehmood Saab) had not invited him. Going further he also told Mehmood that given a chance to perform in this party he will definitely ‘rock’ the party – aapki poori party hilaa doonga – by peforming on Mehmood’s own ‘ham kaale hain to …’.

His performance in this party left everyone amazed and Mehmood called his father and advise him to send little Naeem for training and guidance under him. Mehmood also named him as ‘Junior Mehmood’.

Thus started the ‘era’ of ‘Junior Mehmood’ in Hindi movies and he entertained people for almost five-six years if we consider his golden period in Hindi Movies.

His first released film was ‘Naunihaal-1967’.

(The complete list of his movies/filmography needs to checked and authenticated to have accurate number of movies if we need to discuss them year wise.)

In the ‘1968 movie – Brahmachari’ he performed on Mehmood’s famous ‘ham kaale hain to kya huaa dilwaale hain’ from ‘Gumnaam-1965’’.

It was after ‘Brahmachari’ that he shot to fame and his career took off in Hindi movies and he became the most loved child artist of those years if not for the entire decade.

He was among those few personalities who possesed the prized the imported car (Impala) in Bombay during those years. He was only eleven years old at that time (as told by him in this interview here)

For today’s post initially, I had decided to present a song sung by Rafi Saab and even got uploaded one of the songs that was not available there on YT, but while I going through the filmography of Junior Mehmood I discovered some more songs including this song under discussion that I was not aware of till a couple of weeks back.

So, I decided to introduce this song from the late sixties, as the other songs from the later years can always be discussed later (since nowadays we are still in the ‘Fabulous Years 1941-50’ on the blog and even introducing some of the rare gems from this period, so we still have a long way to go and many songs to be discussed …)

Further, when I went through the list of movies of Junior Mehmood mentioned in the ‘filmography’ on various sources I foundnd that many of his movies are not mentioned in this list. So, I have decided to go through HFGK to check and update his list of movies till 1980 at least which will require a lot of time and during this process we can always discuss the remaining songs along with the details of his ‘filmography’.

Today’s song is sung by Shanti Mathur and composed by Dattaram.
Lyrics of this song are written by Bharat Vyas.

One song from this movie ‘Baalak-1969’ was posted on the blog on 02.10.2012.

Today (15 november 2017), on the occasion of the 61st birth anniversary of Junior Mehmood we wish him a very happy birthday and a healthy and entertaining life ahead.

Let us now enjoy this song where Junior Mehmood can be seen playing a ‘bigdaa huaa shaitaan bachchaa’ …

(the video link available on YT seems to have been edited and also have some lines missing, hence an audio link of the full song has been uploaded)

Video

Audio (Full)

Song-Mera naam hai Mehmood(Baalak)(1969) Singer-Shanti Mathur, Lyrics-Bharat Vyas, MD-Dattaram

Lyrics

Mera naam hai Mehmood
Rehta har jagah maujood
Peeta rehta hoon Bidi
Khaata rehta hoon Amrood

Mera naam hai Mehmood
Rehta har jagah maujood
Peeta rehta hoon Bidi
Khaata rehta hoon Amrood
Mera naam hai Mehmood

Langdaa mil jaaye to uski taang tod doon
Andhaa mil jaaye to uski aankh phod doon
Saamne ho koi bhi bandook chhod doon
Aunty ho ya Uncle main gardan marod doon
ho main gardan marod doon
Mera naam hai Mehmood
Rehta har jagah maujood
Peeta rehta hoon Bidi
Khaata rehta hoon Amrood
Mera naam hai Mehmood

Koi mujhe lafangaa kehta
Koi kahe mawaali
Lekin main to gaata rehta
Bhajan aur Qawwaali
Peeth pe laade gadhe ka bojhaa
Kaun school ko jaaye
Ham to Maa ke pet se saari
vidya seekh ke aaye
Ho saari vidya seekh ke aaye
Hey mera naam hai Mehmood
Rehta har jagah maujood
Peeta rehta hoon Bidi
Khaata rehta hoon Amrood
Mera naam hai Mehmood

Jitney jahaan mein Ullu ke patthhe ho gaye
Saare ke saare wo yahaan ikatthhe ho gaye
Kya ho gayi kharaab hai tabeeyat aap ki
Ya shaadi hai yahaan pe koi
Mere baap ki
Arrey mere baap ki
Mera naam hai Mehmood
Rehta har jagah maujood
Peeta rehta hoon Bidi
Khaata rehta hoon Amrood

Mera naam hai Mehmood
Rehta har jagah maujood
Peeta rehta hoon Bidi
Khaata rehta hoon Amrood
Mera naam hai Mehmood

——————————————————-
Devnagri Script lyrics( (Provided by Avinash Scrapwala)
——————————————————-
मेरा नाम है महमूद
रहता हर जगह मौजूद
पीता रहता हूँ बीडी
खाता रहता हूँ अमरुद

मेरा नाम है महमूद
रहता हर जगह मौजूद
पीता रहता हूँ बीडी
खाता रहता हूँ अमरुद

लंगडा मिल जाए तो उसकी टांग तोड़ दूं
अंधा मिल जाए तो उसकी आँख फोड़ दूं
सामने हो कोई भी बन्दूक छोड़ दूं
आंटी हो या अंकल मैं गर्दन मरोड़ दूं
मैं गर्दन मरोड़ दूं
मेरा नाम है महमूद
रहता हर जगह मौजूद
पीता रहता हूँ बीडी
खाता रहता हूँ अमरुद

कोई मुझे लफंगा कहता
कोई कहे मवाली
लेकिन मैं तो गाता रहता
भजन और क़व्वाली
पीठ पे लादे गधे का बोझा
कौन स्कूल को जाए
हम तो माँ के पेट से सारी
विद्या सीख के आये
हो सारी विद्या सीख के आये
है मेरा नाम है महमूद
रहता हर जगह मौजूद
पीता रहता हूँ बीडी
खाता रहता हूँ अमरुद

जितने जहां में उल्लू के पठ्ठे हो गए
सारे के सारे वो यहाँ इकठ्ठे हो गए
क्या हो गयी खराब है तबियत आप कि
या शादी हैं यहाँ पे कोई
मेरे बाप कि
अरे मेरे बाप कि
मेरा नाम है महमूद
रहता हर जगह मौजूद
पीता रहता हूँ बीडी
खाता रहता हूँ अमरुद

मेरा नाम है महमूद
रहता हर जगह मौजूद
पीता रहता हूँ बीडी
खाता रहता हूँ अमरुद
मेरा नाम हैं महमूद


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 25th of October 2017, is the thirty seventh ‘remembrance anniversary’ of the great ‘poet-lyricist’ Sahir Ludhianvi. He passed away this day in 1980 leaving behind the great legacy of his poems and leaving behind his immortal poetry which people are still enjoying, discussing, and even doing research on it and writing about his life and his poetry. And like me there will be many who will agree that Sahir and his poetry will be discussed as long as Hindi Cinema and HFM exists and his poetry will be discussed so long as humanity and human relations, emotions exists.

On this occasion, today we will listen to this beautiful prayer song from the 1974 movie ‘Mehmaan’ penned by Sahir Ludhianvi. The film was directed by KP Atma for Shatrujit Films, Bombay, and was produced by Shatrujit Paul. It had Biswajeet, Rekha, Anwar Hussain, Manmohan Krishna, Abhi Bhattacharya, Tarun Bose, Sulochana, Mukri, Bhalla, Lata Sinha, Azad, Gopal Sehgal, Indira Bansal, Mona, Brahm Bharadwaj, Helen, Pratima Devi, Thakurdas, and new discovery Joginder. Story and Screenplay of this movie was written by Shatrujit Paul. Its dialogues were written by Rahi Masoom Raza. Editing for this movie was done by Shivaji Avdhoot. The movie was passed by Censor Board on 23.02.1974.

The movie had total six songs penned by Sahir Ludhianvi, and composed by Ravi. So far two songs from this movie have been posted on the blog here – Meri Chaahat Rahegi Hamesha Jawaan and Uff Ye Jawaani Ye Adaa. Asha Bhonsle, Deedar Singh Pardesi, Mahendra Kapoor, Meenu Puroshottam and Mohd Rafi gave their voices to the songs in this movie. Today’s song is the third song from this movie to be posted on the blog, and it is sung by Deedar Singh Pardesi, Meenu Puroshottam and Mahendra Kapoor.

In one of my earlier post on the blog here I have discussed in detail about and listed some of the famous and immortal ‘bhajans’ written by Sahir Ludhianvi for Hindi movies. I have also mentioned in the same post that for me Sahir was a ‘truly secular’ individual apart from a humanitarian and motivational philosopher. Why I am insisting this here again can well be understood from the following lines in today’s song and how relevant they fit into in our prevailing socio-political condition,

bhale karam kar duniyaa mein
ye karam hai nek kamaai
in karmon mein chhupi hai
saare dharmon ki sachchaai
jisne achhe karam kiye
har dharm ki laaj nibhaai
dharm ki laaj nibhaai

For that matter the following lines from the song “Hum Ne Suna Tha Ik Hai Bharat” also speaks a lot about ‘karm’ (our deeds) and who else other than Sahir can come up with such straight forward hard-hitting words.

kuchh insaan brahman kyun hain
kuchh insaan harijan kyun hain
ek ki itni izzat kyun hai
ek ki itni zillat kyun hai
dhan aur gyaan ko
taaqat walon ne apni jaageer kahaa
mehnat aur ghulaami ko
kamzoron ki taqdeer kahaa
insaanon ka yeh batwaara
vehshat aur jahaalat hai

jo nafrat ki shiksha de
wo dharma nahin hai la’anat hai
janam se koyi neech nahin hai
janam se koyi mahaan nahin
karam se badh kar kisi manushya ki
koyi bhi pehchaan nahin

This song with its link was in circulation on social media and people who might not have been aware of this song earlier or may be some people who found it worthy shared it with a surprise – “Where was this song all this while…”, with a request that – “The minimum we can do is spread the message of love and harmony amongst our countrymen. Hope the message through this beautiful song enrich our hearts and souls…”

Much more has already been written about Sahir Ludhianvi and a lot more will surely be there in future. As I said above, this good work, this discussion about his poetry and his thoughts for the humanity, will live on and on. . .

Coming to the song being posted today. From the video uploaded recently, we can identify Abhi Bhattacharya, Vishwajit, Sulochana, Rekha, Manmohan Krishna, Mukri and others in the picturization of this song. I have not watched this movie and for those interested to watch it, it is now available on YT and from some of the comments on this link about the movie I can guess that the movie was not liked by many.

Let us now enjoy the today’s song – Ram Rahim Krishn Kareem


Song – Ram Raheem Krishn Kareem, Yeshu Masih Aur Ibrahim (Mehmaan) (1974) Singer – Mahendra Kapoor, Minu Purushottam, Deedar Singh, Lyrics – Sahir Ludhianvi, MD – Ravi
Minu Purushottam + Deedar Singh
Meenu Purushottam + Mahendra Kapoor
Male Chorus
Female Chorus
All Chorus

Lyrics

aa aa aa aaaa
aa aa aa aaaa

aaaa aaaaaa
aaaaa aaaaaaaa

o o o o o o
o o o

ram rahim
krishn kareem
yeshu masih aur ibrahim
sabki hai ik hi taaleem
ram rahim
krishn kareem
yeshu masih aur ibrahim
sabki hai ik hi taaleem
raam rahim
krishn kareem

om
hari om
om
hari om
om
hari om
om
hari om

kaashi kaabe
mathura makke
ek hi noor samaayaa
kisi ne sajdaa kiyaa use
aur kisine sis nawaayaa
koney koney bhatak chukey tab
hum ne bhed ye paaya
hum ne bhed ye paaya
sabki hai ik hi taaleem
ram rahim
krishn kareem
yeshu masih aur ibrahim
sabki hai ik hi taaleem
ram rahim
krishn kareem

aa aa
aa aa
aa aa
aa aa
aa aa
aa aa aa aa
aa aa
aa aa
aa aa
aa aa aa aa

bhale karam kar duniyaa mein
ye karam hai nek kamaai
in karmon mein chhupi hai
saare dharmon ki sachchaai
jisne achhe karam kiye
har dharm ki laaj nibhaai
dharm ki laaj nibhaai
sabki hai ik hi taaleem
ram rahim
krishn kareem
yeshu masih aur ibrahim
sabki hai ik hi taaleem
ram rahim
krishn kareem

aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa
aa aa
aa aa
aa aa
aa aa
aa aa

ishwar se allaah alag
allaah se ishwar judaa nahin
ye mat soch tere karmon ka
us maalik ko pataa nahin
sau pardon mein paap kare tu
phir bhi us se chhupa nahin
phir bhi us se chhupa nahin
sabki hai ik hi taaleem
ram rahim
krishn kareem
yeshu masih aur ibrahim
sabki hai ik hi taaleem
ram rahim
krishn kareem

aa aa aa aa aa aa
aa aa aa aa aa
o o o o o

aa aa aa aa aa aa
aa aa aa aa aa
o o o o o
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
आ आ आ आ आ
आ आ आ आ आ

आ आ आ आ
आ आ आ आ आ आ

ओ ओ ओ ओ ओ ओ
ओ ओ ओ

राम रहीम
कृष्ण करीम
यसु मसीह और इब्राहीम
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम
यसु मसीह और इब्राहीम
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम

ओम
हरी ओम
ओम
हरी ओम
ओम
हरी ओम
ओम
हरी ओम

काशी काबे
मथुरा मक्के
एक ही नूर समाया
किसी ने सजदा किया उसे
और किसीने सीस नवाया
कोने कोने भटक चुके तब
हमने भेद ये पाया
हमने भेद ये पाया
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम
यसु मसीह और इब्राहीम
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम

आ आ
आ आ
आ आ
आ आ
आ आ
आ आ आ आ
आ आ
आ आ
आ आ
आ आ आ आ

भले करम कर दुनिया में
ये करम है नेक कमाई
इन कर्मों में छुपी है
सारे धर्मों कि सच्चाई
जिसने अच्छे करम किये
हर धर्म कि लाज निभाई
धर्म कि लाज निभाई
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम
यसु मसीह और इब्राहीम
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम

आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ
आ आ
आ आ
आ आ
आ आ
आ आ

इश्वर से अल्लाह अलग
अल्लाह से इश्वर जुदा नहीं
ये मत सोच तेरे कर्मों का
उस मालिक को पता नहीं
सौ पर्दों में पाप करे तू
फिर भी उस से छुपा नहीं
फिर भी उस से छुपा नहीं
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम
यसु मसीह और इब्राहीम
सब कि है इक ही तालीम
राम रहीम
कृष्ण करीम

आ आ आ आ आ आ
आ आ आ आ आ
ओ ओ ओ ओ ओ
आ आ आ आ आ आ
आ आ आ आ आ
ओ ओ ओ ओ ओ



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 56 #
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Recently the blog had been going slow as both our bosses were occupied by some work or the other, blog related, as well as occupational and personal. 🙂  Taking a clue from the number of posts on the blog and later on clarified by Atul ji himself (about the housekeeping of the blog), I had also almost stopped sending mails for new contributions, reminder for old ones and others.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13920

Number of movies covered in the blog

Movies with all their songs covered =1047
Total Number of movies covered =3795

Total visits so far

  • 10,004,944 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 3250 days.

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