Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Avinash Scrapwala’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
——————————————————————
# Bhoole-Bisre Geet # 54 # Qawwalis – 6#
———————————————–—————-

Today I present a ‘qawwali’ which I was not aware until a year ago till I took up presenting the ‘qawwalies’ from the seventies. Neither have I heard this qawwali anywhere before.

This is from an unreleased movie “Shaadi Kar Lo” (from the decade 1971-1980).

“Shaadi Kar Lo” was directed by Sikandar Khanna for ‘Laxmi Art International, Bombay’. As per information available in HFGK, only two names of its star cast is mentioned – Rupesh Kumar and Helen. Music for this film was composed by Jaidev and its lyricist was Jaan Nisar Akhtar.

But so far as per HFGK this is the only song listed under this movie and until we come across any new discovery or addition of any song which might have been recorded for this movie, the today’s song is the only song from this movie, which is a ‘Qawwali’ sung by Mohd Rafi and Parveen Sultana.

As mentioned above lyrics are by Jaan Nisar Akhtar and this is composed by Jaidev.

I would request knowledgeable readers to throw more light on this movie and its songs.

(The EP record for this song was released by EP no. 7EPE 7225)

Thanking Surinder Sidhu ji for this wonderful upload, let us now enjoy this ‘muqabla qawwali’!!

Song – Na Tum Hato Na Hum Haten (Shaadi Kar Lo) (1970s)(UR) Singer – Mohammed Rafi, Parveen Sultana, Lyrics – Jaan Nisar Akhtar, MD – Jaidev
Unidentified Male Voice
Male Chorus
Female Chorus
All Chorus

Lyrics

aa aa aa aa aa
waah ustaad waah

aa aa aa aa aa aa aa aa aa
aa aa aa aa

shabaab o husn ka tay aaj maskila ho jaaye
zaraa to saaf dilon ka maamila ho jaaye
tumhaara husn hamaari nazar ka saaya hai
tumhaara aa aa aa husn
hamaari nazar ka saaya hai
hamaare saamne baitho
baitho na aa
hamaare saamne baithho
ke faislaa ho jaaye
ho jaaye
ustaad
ho jaaye
ustaad

kya kahaa
hamaara husn
tumhaari nazar ka saaya hai
huzoor ne hamein itna haseen banaaya hai
hoon

haan aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

kya baat hain

hamen qubool 
hamen qubool jo hona hai
faislaa ho jaaye
muqaabila hai to aao
muqaabila ho jaaye
ho jaaye
ho jaaye

rahe to kyun kafal rahe
rahe to kyun kafal rahe
mili huyi nazar rahe
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten

muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila aa
na tum hato
na ham haten
na tum hato
na ham haten

laakh taqraar karo
aa haa
ye to ikraar karo
aa haa
tum ko sau naaz diye
aa haa
saare andaaz diye
aa haa
tum ko sau naaz diye
aa haa
saare andaaz diye
aa haa
rang gaalon mein bharaa
aa haa
dekho aayinaa zaraa
aa haa
zulf ik raat bani
hamse har baat bani
zulf ik raat bani
hamse har baat bani
hamne har tarah sajaaya hai
sanwaaraa hai tumhe
ik haseen phool ke maanind
nikhaara hai tumhe
ham na hote to ye andaaz kahaan se milte
husn ko husn ke aijaaz kahaan se milte
tum qayamat hi sahi
ek aafat hi sahi
ham agar chhod gaye
tum se munh mod gaye
kaun pooje ga tumhe
kaun poochhega tumhe
haar jaaogi aji
sab udaayenge hansi

ha ha ha ha haa

agar hai ab bhi hai hausla aa
to phir rahe muqaabla aa
na tum hato
na ham haten
na tum hato
na ham haten

haan aan
aa aa aa aa aa
na tum hato
na ham haten ae
na tum hato
na ham haten
muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila aa
na tum hato
na ham haten
na tum hato
na ham haten

zamaana kul nisaat hai
koi to ham mein baat hai
zamaana kul nisaat hai
koyi to ham mein baat hai
ke aap ham pe
mar mite ae ae
ke aap ham pe
mar mite ae ae
sanam sanam pe mar mite ae
sanam sanam pe mar mite ae
hamen jo chhod jaaoge ae
to dukh pe dukh
uthhaaoge ae
dukh pe dukh
dukh pe dukh
to dukh pe dukh uthhaaoge ae
hai kaun hum sa doosra aa
idhar to dekhiye zaraa aa
rahe to kyun kafal rahe ae ae
mili huyi nazar rahe ae ae ae
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten
muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila
na tum hato
na ham haten
na tum hato
na ham haten

hum se roothha na karo
aa haa
itna gussa na karo
aa haa
khair aaraam na do
aa haa
muft ilzaam na do
aa haa
khair aaraam na do
aa haa
muft ilzaam na do
aa haa
dil ko qurbaan kiya
aa haa
kam ye ehsaan kiya
aa haa
hamne har dard sahaa
tumse kuchh bhi na kahaa
hamne har dard sahaa
tumse kuchh bhi na kahaa
hamne tahzeeb e mohabbat se na rishta toda
ho gaye khaaq pe daaman na tumhaaraa chhoda
kisliye hamse har ik baat pe jhagdaa karna
ishq kya jaane bhalaa husn ko ruswaa karnaa aa
itni bedard na ho
haaye
is kadar sard na ho
hoye hoye
ishq ki shaan judaa aa
hoye ae
ishq ki aan judaa aa
haaye haaye
ishq hai dil ki sazaa
ishq aadaab e wafaa
ishq ke saamne kya
husn thehrega bhalaa
ishq ke saamne kya
husn thehrega bhalaa
husn thehrega bhalaa aa

ustaad zaraa hauslaa rakho
hauslaa
haa
agar hai ab bhi hauslaa aa
to phir rahe muqaabila aa aa
muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila
na tum hato
na ham haten
na tum hato
na ham haten

tumhe jo hum se pyaar hai
wo jism ki pukaar hai ae
tumhe jo ham se pyaar hai
wo jism ki pukaar hai ae
kabhi chunar dhalak gayi ee
kabhi chunar dhalak gayi ee
to aag si bhadak gayi ee ee
to aag si bhadak gayi ee ee
jawaan badan per mar gaye
lab o dahan pe mar gaye
lab o dahan
lab o dahan
lab o dahan pe mar gaye
tumhaara ishq jhooth hai
ye tan badan ki loot hai
ye loot hai
ye loot hai
ye jhooth hai
ye jhooth hai
ye jhooth hai ae ae ae ae

o ho ho ho o
be baat ye jhagdaa mol liya
be baat ye jhagdaa mol liya
be baat ye jhagdaa mol liya
be wajah dilon ke pyaar gaye
be wajah dilon ke pyaar gaye
lo haath bhi hamne jod liye ae
lo haath bhi hamne
jodo bhai haath jodo
lo haath bhi hamne jod liye ae
tum jeet gayin ham haar gaye
ham haar gaye
tum jeet gayin ham haar gaye
ham haar gaye
ham haar gaye
ham haar gaye
dil haar gaye ae ae ae

bahot muqaabila huaa
bahot muqaabila aa huaa
chalo ye faislaa huaa
ke ham bin tum adhoore
ke tum bin ham adhoore
ke ham bin tum adhoore
ke tum bin ham adhoore

Advertisements

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

5th June is celebrated as ‘World Environment Day’ all over the world every year. The theme for this year is “Connecting People to Nature“.

I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature’.

So here I am trying to ‘connect with Nature’ with these beautiful ‘verses’ (taken from some of the memorable songs / poems / lyrics of Hindi films) and pray God that

May the earth be beautiful and
May the nature be bountiful
For the mankind, today
And generations to follow
Forever

The Hindi film song is the ultimate in the variety of just everything under the sun. Just thinking of nature and thinking of environment, there will zip through the mind, countless melodies and snippets of songs. And they moved so fast and so thick, that I am not able to capture them all. As quick as I could jot them down, as they sped past the vantage point in the mind, I make a connect yet once again with these memorable celebrations of the nature and all its elements – the rivers, the oceans, the trees, the mountains, the seasons, the birds, the flowers, the winds, the farmlands. . . you think of it, and there is a song for it in our films. And it makes me wonder, really wonder. . .

ये किस कवि की कल्पना का चमत्कार है
ये कौन चित्रकार है, ये कौन चित्रकार॰ ॰ ॰

I present what I believe is a very short list of nature’s presence in our song and music. I am sure there is a thousand more that you can think of and add. 🙂

हरियाला सावन ढ़ोल बजाता आया॰ ॰ ॰

मतवाला जिया डोले पिया झूमे घाटा छाए रे बादल॰ ॰ ॰

देखो रे आया मौसम सुहाना
कैसे कहूँ सोने का रंग आज लहराया॰ ॰ ॰

नील गगन पे उड़ते बादल आ आ आ
धूप में जलता खेत हमारा कर दे तू छाया॰ ॰ ॰

हे॰॰॰ नीले गगन के तले, धरती का प्यार पले
॰ ॰ ॰
शबनम के मोती, फूलों पे बिखरे
दोनों कि आस फले॰ ॰ ॰

हो नीले पर्वतों की धारा
आई ढूँढने किनारा
बड़ी दूर से॰ ॰ ॰

हरी हरी वसुंधरा पे नीला नीला ये गगन
के जिस पे बादलों की पालकी उड़ा रहा पावन
दिशाएँ देखो रंग भरी
चमक रही उमंग भरी
ये किसने फूल फूल पे किया सिंगार है
॰ ॰ ॰
ध्वजा से ये खड़े हुये हैं वृक्ष देवदार के
गलीचे ये गुलाब के
बगीचे ये बहार के॰ ॰ ॰

परबत ऊपर खिड़की खोले झाँके सुंदर भोर
चले पावन सुहानी
नदियों के ये राग रसीले, झरनों का ये शोर 
बहे झर झर पानी
मदभरा मदभरा समा, बन धुला धुला
हर काली सुख पल यहाँ, रस घुला घुला॰ ॰ ॰

झुकती घटा गाती हवा सपने जगाये
नन्हा से दिल मेरा मचल मचल जाये॰ ॰ ॰

ठंडी हवाएं लहराके आयेँ॰ ॰ ॰

पीपरा के फतवा सरीखे डोले मनवा
के हियरा में उठत हिलोर
पुरवा के झोंकवा में आईओ रे संदेसवा
के चल आज देसवा की ओर॰ ॰ ॰

पुरवा सुहानी आई रे॰ ॰ ॰ पुरवा
ऋतुओं की रानी आई रे॰ ॰ ॰ पुरवा

पर्बतों के पेड़ों पर, शाम का बसेरा है 
सुरमई उजाला है, चम्पई अँधेरा है॰ ॰ ॰

हवाओं पे लिख दो, हवाओं के नाम
हम अंजान परदेसियों का सलाम
॰ ॰ ॰
शाख पर जब धूप आई हाथ छूने के लिए
छांव छम से नीचे उतरी हंस के बोली आइये

पिघला है सोना दूर गगन पर
फैल रहे है शाम के साए॰ ॰ ॰

ये रात ये चांदनी फिर कहाँ॰ ॰ ॰ 
॰ ॰ ॰ पेड़ों की शाखों पर सोयी सोयी चांदनी
॰ ॰ ॰ लहरों के होठों पे मीठा मीठा राग है

चाद मद्धम है आसमान चुप है॰ ॰ ॰

आसमान के नीचे
हम आज अपने पीछे
प्यार का जहां बसा के चले॰ ॰ ॰

चुप है धरती चुप है चाँद सितारे॰ ॰ ॰

चाँद को क्या मालूम चाहता है उसे कोई चकोर॰ ॰ ॰

लहरों में झूलूँ, तारों को छुलूँ
रंगों में तैरूं, फूलों में फूलूँ॰ ॰ ॰

इतनी हसीन इतनी जवान रात क्या करे॰ ॰ ॰

रात मुस्कुराती है धडकनें जगाती है॰ ॰ ॰

आज की रात मुरादों की बारात आई है॰ ॰ ॰

कल और आयेंगे नगमो की खिलती कलियाँ चुनने वाले॰ ॰ ॰

ये बहारों का समा॰ ॰ ॰

ये वादियाँ ये फिजायें बुला रही है तुम्हे॰ ॰ ॰

इन हवाओं में इन फिजाओं में॰ ॰ ॰

कहते हैं तारे
हँसते नज़ारे
खुशियाँ लुटाए चला जा॰ ॰ ॰

छाई कारी बदरिया बैरनिया॰ ॰ ॰

गर्जत बरसत सावन आयो रे॰ ॰ ॰

ओ सजना॰ ॰ ॰
बरखा बहार आई
रस की फुहार लायी

रिम झिम के तराने ले के आई बरसात॰ ॰ ॰

आई झूम के बसंत झूमो संग संग में॰ ॰ ॰

ज़िन्दगी भर नहीं भूलेगी वो बरसात कि रात॰ ॰ ॰

बस्ती बस्ती परबत परबत गाता जाए बंजारा॰ ॰ ॰

हवा चले कैसे,  हवा चले कैसे
न तू जाने, न मैं जानू॰ ॰ ॰

नीली नीली झील में झलके, नील गगन का रूप
बहे रंग के धारे
ऊंचे ऊंचे पेड़ घनेरे, छनती जिनसे धूप
खड़े बांह पसारे
चंपई चंपई फिजा दिन खिला खिला
डाली डाली चिड़ियों की सदा
सुर मिला मिला॰ ॰ ॰

बर्फीली सर्दियों में किसी भी पहाड़ पर
वादी में गूँजती हुई खामोशियाँ सुने॰ ॰ ॰

फूलों के डेरे हैं साए घनेरे हैं
झूम रही है हवाएं॰ ॰ ॰

इस धरती इस खुले गगन का क्या कहना
मदमाती मदभरी पवन का क्या कहना
फूलों भरे ये गुलशन हरे
मगन हुआ तन मन क्या कहना॰ ॰ ॰

भगवन तेरी सुन्दर रचना कितनी न्यारी है
तेरी महिमा के गुण गाता हर नर नारी है॰ ॰ ॰

कश्ती का खामोश सफ़र है, शाम भी है तन्हाई भी
दूर किनारे पर बजती है, लहरों की शहनाई भी
॰ ॰ ॰
आज मुझे कुछ कहना है

Yes, there is something that needs to be said, there is a message of care, of caution that needs to be sent out. And that message is contained in the verses below, from the film ‘Pyaasa’ (1957).

The foot that tramples the innocent bumblebee. . . don’t let that foot be yours. Let this legacy remain for the generations to come.

[Ed Note: Apologies that this post is delayed; should have appeared on 5th June. Avinash ji had sent it in good time. ]


Song – Ye Hanste Huye Phool, Ye Mehka Hua Gulshan (Pyaasa) (1957) Singer – Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – SD Burman

Lyrics

ye hanste huye phool
ye mehka huaa gulshan
ye rang mein aur noor mein
doobi huyi raahen
ye rang mein aur noor mein
doobi huyi raahen

ye phoolon ka ras pee ke
machalte huye bhanware
ye phoolon ka ras pee ke
machalte huye bhanware

main doon bhi to kya doon tumhe
aye shokh nazaaron
le de ke mere paas
kuchh aansoo hain
kuchh aahen

———————————-
Hindi script lyrics (Provided by Ashwini Scrapwaala)
———————————–
ये हँसते हुए फूल
ये महका हुआ गुलशन
ये रंग में और नूर में
डूबी हुयी राहें
ये रंग में और नूर में
डूबी हुयी राहें
ये फूलों का रस पी के
मचलते हुए भंवरे
ये फूलों का रस पी के
मचलते हुए भंवरे

मैं दूं भी तो क्या दूं तुम्हे
अय शोख नजारों
ले दे के मेरे पास
कुछ आंसू है
कुछ आहें



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 11
———————————————————————-

#Claimer 🙂 #
“All the thoughts expressed in this write-up are based on real life experience and day to day happenings, feelings, and emotions triggered by such incidences related with the blog and because of the love, admiration and respect for this blog”
Any ‘resemblance’ of the thoughts mentioned in the write-up is very much expected (and is not a mere ‘coincidence’) with ‘everyman’/ ‘everywoman’s thoughts who is ‘Hindi movie buff’ and lover of HFM for which the author should not be held responsible or criticized or punished in ‘any’ form 🙂
Also, as this is the ‘man ki baat’ of the author the ‘word limit’ does not matter 🙂

 This is another one of my long pending posts which I longed to share since couple of years now. I had kept this song reserved for a ‘special occasion’. However as the write-up could not be completed in time, I missed some ‘special occasions’ and so this still remained to be shared.

But then, what could be a better timing and a ‘greater occasion’ than it is to celebrate our Atul ji’s ‘10,000th post’.  So, here we go with this post today heartily Congratulating Atul ji on his 10,000 or 10K posts on the blog!!!

I had actually drafted this post almost two years ago in June of 2015 and this particular song was marked much earlier than that, i.e. around Sep 2014 when I shared the song ‘Hanste Hanste Aana from ‘Raja Rani’ (1942) with Atul ji. That time I was searching for Zohrabai Ambalewaali’s songs so that I can share and do my part in getting her maximum songs on the blog. During that period few songs sung by her were posted regularly on the blog. But, later on it took a back seat. (We are still exactly one short of the half-way mark of Zohrabai Ambalewaali songs, to have covered 133 out 268 songs on the blog sung by her (as per Stats page).

After getting in contact with this blog and Atul ji, when I got this opportunity (after a first ‘rejection’, which was my ‘mistake’ that I had sent in a format with my ‘strings’ as I was then doing while sending my other ‘socio-political’ write-ups to other publications)  of sending my contributions to Atul ji, I was very much excited and initially I was very eager to send as much contributions as I could. I think the highest was eight in one day and like that, and it subsequently got reduced later when I understood that so many contributors sending contributions will only add to problems and issues.

At that time my focus was mainly on the songs from the seventies and songs which I had short listed as ‘my favorite songs’ and ‘songs that brings back memories’. On the blog I found that many of these songs were yet to be posted and so naturally I thought that ONLY the songs that I know – of the seventies mainly – were the songs that were yet to be posted on the blog and all songs of the earlier years must be available there. Ignorant I was of the ‘vast treasure of HFM’ and could not even imagine then, that the total number of songs till 1980 were over 40000 songs, leave alone the songs after 1980.

Well, slowly, as I get along to became aware of the vast treasure of HFM I got more anxious to share the songs I was aware and to see my contributions coming on the blog. So gradually taking from the ‘songs of the 70s (only) (and which brings back my memories of those years), and songs from Rajesh Khanna films to other songs from the black & white era, songs by Sahir Ludhianvi, and songs from earlier decades, then jumping on to songs which I came across during my daily surfing and that were yet to be posted on the blog, and whichever I find interesting, I was eager to share them so that I can get my maximum contributions there.

No doubt my contributions too were coming but not frequently sometimes or as I want them to see ‘a song every day’. 🙂

As I got involved more on the blog and get to interact with other contributors through comments/replies, I tried to guess about the other contributors’ priorities (or likes/dislikes) so as to adjust myself and focus only on selected ‘Projects’ so that all others can get their ‘due’ and nobody is offended even inadvertently by me or my activities.

Simultaneously I began to realize that the songs that were posted on the blog were not coming randomly but the posts have a great deal of serious, sincere, logical and meticulous efforts of Atul ji so I too reduced my flow of contributions and as I took on to sharing my write ups with the songs that I was sharing and I also set certain ‘goals’ for myself (so that I can at least achieve them before declaring ‘my retirement’ 🙂 from the game (Indian cricket playing in my mind 🙂 and leaving behind somewhat satisfactory statistics too 🙂 )

Thus, I shifted my focus to Sahir songs, Rajesh Khanna songs, and songs of the seventies and topics that were coming across through related incidents or memories triggering posts. Other than this there was ‘Yippeeee’ and related browsing, or browsing through posts and adding the ‘links’ wherever they were not working. However sometimes it was so happening that my contributions were coming in flow and sometimes they would not be coming in flow and giving a ‘long wait’ to me to see my contributions there.

Now during all these years (for me since Aug 2012) the daily routine for me has been so changed that whatever the planning that I was doing was not without the blog and so I was browsing the blog every now and then whenever I get time, whether I was at office, in travel or any other place and when at home everything had been centered around the blog or music so life has been overall musical.

And I was enjoying everything that was coming through me in my ‘personal’ and ‘professional’ life too. Inspired and obsessed by ‘Hindi Movies’ and ‘shayari and music’ what more can a ‘common man’ want in his life. Because a ‘common man’ like me and a ‘Hindi movie and HFM lover’ always try to seek answers to ‘questions of life’ in music and many of the ‘philosophical’ situations and songs our movies have. A common man celebrates, enjoys, grieves, gets motivated, inspired, laughs, weeps, and seeks solace in hard times, and struggles in life, in the movies. In my case I was seeking this for a positive and new development taking into stride – ‘come what may’ – and move forward, keep going and getting inspired and motivated by the music.

We try to relate the situations with our real life situations, in particular with the songs or music, if not the story at some times. It is like this,

ज़िंदगी की जद्दोजहद और कशमकश को लफ्जों और तरानों में घोल कर पी लेते हैं और जी लेते हैं
दिलवालों का यही तो फलसफा है॰॰॰

Zindagi ki jaddojehad aur kashmakash ko lafzon aur taraanon mein gholkar pi lete hain aur jee lete hain,
Dilwaalon ka yahi to falsafaa hain…

 This is my own and it did come spontaneously during last month or to put it exactly on 8th March evening when on the birth anniversary of Sahir, Raja ji’s post was there on the blog and I congratulated him saying ‘finally we were able to do it’. Because, when I return back to Nagpur on 7th March evening, after visiting my mother at Parli-Vaijnath (495 kms), I read Atul ji’s message in the ‘whatsapp’ group that he will be on outstation trip for his official work. So I expressed my apprehensions of having no post on the next day which was Sahir’s birth anniversary. So Atul ji advised us to get in touch with Sudhir ji if he can post it. I called upon Sudhir ji and requested him which he readily agreed and then I spoke to Raja ji to know if has already sent the write-ups for the lyrics lying with him. And then I was also to send my post which was lying half done. Finally all was well coordinated and thanks to Sudhir ji the ‘posts’ were there on the blog.

On the other hand all my household was under packing condition as we had to leave Nagpur on 9th March by afternoon or early evening after the truck departs. So I was able to pack my desktop and accessories only on 8th morning after I send my write-up to Sudhir ji on 7th evening. On 8th it was going to be more hectic as I had to pack all the remaining items so that nothing is left for 9th. And, 8th evening we have to visit relatives (from my wife’s side) and 9th morning the relatives ‘from my side’ while returning back to my place.

So, when I congratulate Raja ji on the post, he enquired me when I was leaving Nagpur and when I told him all the above his reply was ‘… in spite of all of this you were still thinking of the blog and on there’!!!
But, what can a person like me do other than this?
Particularly when you are in love with HFM and this blog?

Coming back to contributing to the blog, now, given the change in my place of work and still time to be equipped with all the comforts required for sending a ‘post’, I think I will not be able to contribute that much. But then there are many of contributions still lying there and even if they keep appearing at regular intervals it will be very highly motivational for me in this time when I am away from my family and from ‘the Atulites’ and taken a ‘new challenge’ for myself in the form of a ‘new project’ away from my native country. Though I have brought with me books on my favorites viz. Rajesh Khanna, Sahir and Khayyam Saab, this time I do not carry the Geet Kosh volumes 3 and 5, fearing excess luggage issues. I think I will be able to bring it next time during my first leave to home.
[Ed Note: The author is referring to his job related posting in Kenya.]

So talking of my contributions and when not appearing of them disappointing to me sometimes, I think was better than a ‘lull’ on the blog. Because I was always eager to see posts every now and then coming on the blog, even if my contributions are not featured regularly. And this is the other altogether different angle to this story that if the blog is ‘slow’ or there is ‘no posts’ on the blog then it too is very painful for me. And it is ‘like missing a life from the life’.

The ‘happenings’ on the blog have to continue. The ‘silence’ there would be ‘killing’ and painful’, so there has to be ACTION always …  So there have to be posts and sometimes my posts too 🙂

But how to convey this to Atul ji, because I know that though I have not met him personally he knows me very well through my ‘write-ups’ where it has happened many times where I fail to get the right word to express my thoughts and Atul ji while editing the text have set it in such a perfect way by using lesser words in place of my longer sentences which also took more space 🙂 that I find it perfectly what I mean to convey it.

Well that was all ok, but how to request Atul ji to consider my contributions and post them regularly at least not every day and without longer gaps 🙂 So I thought I would put my ‘feelings’ in the form of poems and send it to Atul ji or recite it in front of him whenever I get to attend a ‘gang out’ and where he also makes it to the gang out or during any of the meetings in person with him.

At that time I had penned two poems (both inspired from Sahir songs J ), one in philosophical mood like ‘kabhi kabhi mere dil mein khayal aata hai’ and the other one also in ‘philosophical’ mood but said in comic way and inspired from Kishore Kumar mood like the song that I shared that time from the movie ‘Girl Friend -1960’ – ‘o madam main paagal hoon’.  The drafts of these two poems are still lying in my draft folder of yahoo mail; un-posted and waiting for the ‘great meeting’ 🙂

Well, keeping aside the disappointments of losing some contributions or non-featuring of my contributions regularly on the blog this is because of sheer love for the blog and the respect, admiration and love for Atul ji that I am writing this post here. And on this special occasion I would specially like to mention here that above all Atul ji is a ‘writer and editor par excellence’.

And in spite of his not conceding to ‘my various requests’ sometimes, if I were a ‘journalist’ I would have always preferred to work under his leadership since whatever he does is in the ‘bigger interest’ which was this blog and the service to the music lovers. So, whenever he would post my contributions, I always thought that this was the right time they were coming and Atul ji was very rightly holding them and like that.

 

At this moment there are many things, particularly his many posts which talks of ‘ISO’ like terminology e.g. ‘continual improvement’, and ‘earning through working (read his posts on Mehmood songs), then I always like his posts dealing with ‘social issues’ and yet not sounding talking of ‘personal’ or ‘offensive’ on the defaulters who are somehow doing harm to the society and in turn the nation (through their actions or behavior), for which I am unable to keep restrain.

At this point I also remember many of Atul ji’s posts wherein he have mentioned about social issues (though not directly hitting at it many times) I came to think of personalities like V Shantaram, BR Chopra, Sahir Ludhianvi and many others who deliberately choose ‘movies’ to convey their message to reach to the masses. And here I can relate this blog and Atul ji with doing this service and spreading ‘positivity’ and ‘motivating people’ in the right direction through his ‘writings’ on this blog.

I could only imagine Atul ji’s creativity when he just mix together the so many aspects of ‘management’ (which nowadays are common at our ‘workplaces’ ) and which most of us fondly talk (and may sometimes be practicing also in our day to day life or work). And think of the blog, think of the objective of the blog, and just think of the ‘ocean of songs’ (the so many requests, the contributions etc) which Atul ji is ‘sitting on’ (yes there is a post where he mentioned this, I am forgetting this post and given the very limited resources that I have at my hands now, I am unable to browse the blog and search and locate the post, and would request Atul ji to guide me which this post is in his comments)

As a writer I can only imagine this god gifted creative excellence that Atul ji has and practicing them which is evident there in his posts and the ‘editor par excellence’ in him, I wonder if I was in his place would I have been able to do the same – ‘justice with all’.

I can go on writing and writing about Atul ji and his posts which given the limitations I have not able to recollect now. Because it is already over a month now that I could not browse the blog I used to do equipped with all my resources.

Lastly I would thank Atul ji for this wonderful gift and the everlasting joy that he has given to me and all of us in the form of this wonderful blog and all those memorable posts and many many memorable moments and memories that I will cherish till I am here on this ‘earth’.

 

As mentioned above I came across the today’s song when I shared a song from the ‘1942- Raja Rani’. At the same time I noticed this link while searching for Zohrabai Ambaalewali’s song. Now the YT uploader had mentioned the film’s name which is sounds to me something interesting which was ‘mayra geet’. And I didn’t think if this would be a film’s name. I expanded my search on myswar.com by entering the title of song and got this film there. And OMG this film too had 16 numbers of songs. The other movie which I came across during the same time i.e. ‘Raja Rani’ had 14 songs’. So on that day we find thirty songs to make it on the blog.

Though the YT uploader has mentioned the singer’s name as Zohrabai Ambaalewali (and I too think like that) myswar.com is ‘silent’ about the singer’s name of this song. So I was searching for the authentic information and this came when I met Shri Deepak Chowdhari (a great music lover and record collector) at the Nov’16 Mumabi gang out.

After the meeting I had requested him to send me the photo of songs details of this movie ‘Mera Geet’ (1946) from HFGK Vol-II since I do not have the copy of this volume. He had promptly sent it then to me, but the post got delayed and due to change in ‘work place’ and change in my phone number I lost the details sent on ‘whatsapp’. After coming to my new location outside India and thinking of completing this post and introducing this song I again requested him to send these details and he once again sent me that. My sincere thanks to him!!!

This movie has now already been introduced on the blog (and thankfully leaving aside this song, which I had been in between requesting him to hold on) by our Atul ji I am not mentioning the details here now.

I would also like to mention here that the lyrics in Devnagri script are provided by my daughter Ashwini whom I asked to do it as I do not want to break the symmetry in my ‘posts’. And given the limited resources at my disposal here I was not able to do it from here. So I asked my daughter to do it and explained to her how it works (as the settings are already there on my PC at home). I also told her to type the ‘English’ lyrics exactly as I had spelt them. While I was worrying if she could be able to do it correctly, I was surprised to note that she had done it without any mistake.

Well, today’s song is composed by Ghulam Miyaan (there were five music directors who contribute for this movie). Lyrics for the song are by Ramesh Gupta who is the lyricist for all songs of this movie. The singers’ names are not mentioned in HFGK. The same are noted by Shri Chowdhari in his copy of HFGK. The singer for this song is Zohrabai Ambalewaali (which I am also sure), however I think that there are two voices in this song, the other I am unable to identify. I would request knowledgeable readers to throw more light on this.

So from a ‘common man’ and ‘music lover’ here is this ‘lovely song’ which makes a request ‘rooth na jaana’ to Atul ji, this blog ASAD, Atulites (respected members), visitors, well-wishers and readers of this blog.

Awaiting many thousand more songs on this blog, from you, dear Atul ji.


Song – Hum Se Roothe Hi Bhale Saara Zamaana (Mera Geet) (1946) Singer – Zohrabai, Unidentified Female Voice, Lyrics – Ramesh Gupta, MD – Ghulam Miyaan
Zohrabai + Unidentified Female Voice

Lyrics

hum se roothhe hi bhale..ae
saaraa zamaanaa
magar tum
rooth na jaana
hum se roothhe hi bhale..ae
saaraa zamaanaa
magar tum
rooth na jaana

jo hum ko chhodna chaahe
balaa se chhod jaaye
ho balaa se chhod jaaye
jo mukhdaa modna chaahe
balaa se mod jaaye
ho balaa se mod jaaye
balaa se dushman baney
saara zamaana
balaa se dushman baney
saara zamaana
magar tum rooth na jaana
hamse roothhe hi bhale..ae
saara zamaana
magar tum
rooth na jaana

hamaari dekh ke ulfat
mohalle waale jalte hain
kayi ladkon ke dil par
haaye
kayi ladkon ke dil par haaye
gham ke aarey chalte hain
jalnewaalon ko
aji aur jalaana
jalnewaalon ko
aji aur jalaana
magar tum rooth na jaana
hamse roothhe hi bhale..ae
saaraa zamaanaa
magar tum
rooth na jaana

jab se dekha hai tumhe..ae
duniya ka gham bhool gaye
ae ae ae ae ae
waah kya kehne ae
jab se dekha hai tumhe
duniya ka gham bhool gaye ae ae ae
aa aa aa
aa aa aa aa aa aa
kaun the kya huye
hum teri kasam bhool gaye
koi kehta hai majnu
koi deewaana
koi kehta hai majnu
koi deewaana
magar tum rooth na jaana
hamse roothhe hi bhale..ae
saaraa zamaanaa
magar tum
rooth na jaana
hamse roothhe hi bhale..ae          
saaraa zamaanaa
magar tum
rooth na jaana

o jaana
rooth na jaana aa


———————————-
Hindi script lyrics (Provided by Ashwini Scrapwaala)
———————————–

हमसे रूठे ही भले॰॰ए
सारा ज़माना
मगर तुम
रूठ न जाना
हमसे रूठे ही भले॰॰ए
सारा ज़माना आ
मगर तुम
रूठ न जाना  

जो हमको छोड़ना चाहे
बला से छोड़ जाए
हो बला से छोड़ जाए
जो मुखड़ा मोड़ना चाहे
बला से मोड़ जाए
हो बला से मोड़ जाए
बला से दुश्मन बने
सारा ज़माना
बला से दुश्मन बने
सारा ज़माना
मगर तुम रूठ न जाना
हमसे रूठे ही भले॰॰ए
सारा ज़माना आ
मगर तुम  
रूठ न जाना

हमारी देख के उल्फत
मोहल्लेवाले जलते है
कई लड़कों के दिल पर
हाए
कई लड़कों के दिल पर हाए
ग़म के आरे चलते है
जलनेवालों को
अजी और
जलाना
जलनेवालो को
अजी और
जलाना
मगर तुम रूठ न जाना
हमसे रूठे ही भले॰॰ए
सारा ज़माना
मगर तुम  
रूठ न जाना

जब से देखा है तुम्हे
दुनिया का गम भूल गए
ए ए ए ए ए
वाह क्या कहने 
जब से देखा है तुम्हे ए ए
दुनिया का गम भूल गए ए ए ए
आ आ आ
आ आ आ आ आ आ
कौन थे क्या हुए
हम तेरी कसम भूल गए
कोई कहता है मजनू
कोई दीवाना
कोई कहता है मजनू
कोई दीवाना
मगर तुम रूठ न जाना
हमसे रूठे ही भले॰॰ए
सारा ज़माना आ
मगर तुम
रूठ न जाना
हमसे रूठे ही भले॰॰ए
सारा ज़माना आ
मगर तुम  
रूठ न जाना
ओ जाना
रूठ न जाना

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Pyaar Ka Bandhan’ (1963) has a total of seven songs (including one multiple version song). Out of these seven songs five songs have already been posted on the blog.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saavdhaan-1954” was produced by Datta Dharmadhikari for “Alhad Chitra, Poona”. Datta Dharmadhikari was also the director of this movie. It had Shyama, Motilal, Paro, Shyam Kumar, Mishra, Chittaranjan, Raja Gosawi, Ramkumar, V.D. Pandit, Shamim, Palande, Dada Mirasi and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 08th March 2017, is the 96th birth anniversary of Sahir Ludhianvi – the poet – lyricist – whom we fondly remember for his memorable or rather immortal poetry and songs too – and the classic poetic gems – which he contributed to the Indian Cinema.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Rajesh Khanna – The Phenomenon – 4
– – – – – – – – – – – – – – – – – – – –

This post under this series is not in chronological order as far as my ongoing reminiscences about Rajesh Khanna movies are concerned. But this post fits in this series about Rajesh Khanna. This particular movie “Chakravyooh”(1978) was critically acclaimed for the performance of Rajesh Khanna as also for ‘its offbeat story line’ which was at variance with typical Rajesh Khanna-romantic movies that we were used to.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Saavdhaan – 1954 (6)
—————————–

“Saavdhaan-1954” was an “Alhad Chitra, Poona” presentation which was produced and directed by Datta Dharmadhikari. Cast of this movie included Shyama, Motilal, Paro, Shyam Kumar, Mishra, Chittaranjan, Raja Gosawi, Ramkumar, V.D. Pandit, Shamim, Palande, Dada Mirasi and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saavdhaan-1954” was produced by Datta Dharmadhikari for “Alhad Chitra, Poona”. Datta Dharmadhikari was also the director of this movie. It had Shyama, Motilal, Paro, Shyam Kumar, Mishra, Chittaranjan, Raja Gosawi, Ramkumar, V.D. Pandit, Shamim, Palande, Dada Mirasi and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

On our blog while posting the songs, we did take care to combine special landmarks viz. century of the artists, contributors, etc etc. All of this is done with utmost care and tracking by our Team Leader (Captain:)) Atul ji and so we do sometimes have the flow of the songs or posts in order to achieve such special feats on the blog.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13351

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

Total visits so far

  • 9,387,292 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,074 other followers

Bookmark

Bookmark and Share

Category of songs

Archives

Current Visitors

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Stumble

Historical dates

Blog Start date: 19 july 2008 Active for 3000 days.
%d bloggers like this: