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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Song not figuring in HFGK’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4010 Post No. : 15117 Movie Count :

4152

Songs Repeated in Hindi Films – 6
– – – – – – – – – – – – – – – – – –

The heart must have missed a beat – on reading the title of this post. Goodness. . . this wonderful iconic song, 65 years ago – it captured the imagination and the hearts of a generation, nay, many a generation of young hearts in love. This unforgettable song is imprinted on the sands of memory, never to be erased by any winds that may blow, till the end of life.

The golden age of melody was at its peak. The manner in which Shailendra knit together the words and lines of this love song – cannot be and has not been bettered since. The melody and the orchestration conceived by Shanker Jaikishan – the arrangement of the instruments, the preludes, the interludes, the rhythm – everything just perfect in this song. The renditions – Manna Da and Lata – the voices working together seamlessly – rising and falling in unison, and in apposition, complementing, merging – the “aa haa haa” lines going up all the way to the clouds. The lines

pyaar jo toota
saath jo chhoota

receding into the depths of somber apprehensions, and then suddenly a rising declaration of a resolution,

chaand na chamkega kabhi

the rendition volume going up all the way to the moon. The resolve expressed with such a dignified confidence in the nature’s machinations. The moon – no it will never stop shining, and thus, by implication, this love will never be broken, this companionship will never part. And suddenly, instinctively, unknowingly there is a lump in the throat and a warm moisture on the corners of the eyelids. Yes, yes – that is what love is – the poet, the music-waala, the singers – yes, they have got it just right, on the dot. Yes that is what love is, what it ought to be. Such noble souls lived in that golden era – who could feel it right, and conjure up an imagination, combining the words, the music and the sound – and then tell it to us so simply – that no further discourse would be necessary.

I am reminded of another quintessential song from the same film –

ramaiya vasta vaiya
maine dil tujhko diya

And once again, the simplest of words, the simplest verse one can conjure up – and there is no better way, no better words invented, before or since, to say – I love you.

And the scene, the depiction – the conceptualization – a master presenter is at work here. Here is an emotional entanglement coming to fruition in the hearts of two young people, almost at the very bottom of the ladder of social significance. A part time employee at a laundry, who has “borrowed” a suit that has come for cleaning, and his shoes are in tatters. A self employed teacher, who gives basic education to the underprivileged children in the backyard of her own home. But then love does not check on social status, or verify your bank balances, before making a burrow into the hearts. That love is simple. That love is without embellishments. That love is honest and innocent. That simply is love, and it happens, just happens.

The overcast skies, the lashing rains, the amused witness – the chaiwaala (tea seller), the incidental umbrella, the handy tootle that the young man plays, the happenstance of three cheruby toddlers in raincoats – all put together in a scenario that simply cannot now be erased from the memory’s palette.

The emotional expressions of the leading pair are just as consummate and accomplished as the scenario itself. The sharing of the umbrella becomes such a pivotal exchange. The young man offers it to the lady. And she hands it back, seeing him getting drenched. He takes it, but then sees that she is in the same plight, so immediately offers it back to her. She once again takes it, and with a helplessness writ large on her face, sees him getting drenched once again. And then the inevitable happens. With her eyes clenched, and her lips trembling with apprehension, she inches closer to him – dawning of the realization that one must share when there is a need. And the two come close now, holding the same umbrella – realizing that in love, one has to share, one has to hold together, and one has to steady each other against the squall of the winds and outpourings of this ruthless world.

And then the song begins – question by the young man, not specifically directed at her, but at himself too. And the lady answers, for both of them together – “. . . Maaloom Nahin Hai Kahaan Manzil . . .”. One of the supreme examples of cinema at its very best, in telling about emotions that shake a heart when the love is just starting to take baby steps in there. Marvellous . . . simply marvelous – much more than the best of the words can express.

Um. . . kind of got carried away with the original. 🙂

25 years after the release of the original, this song was used once again in the 1979 film ‘Salaam Memsaab’. And the manner of use is so very innovative. A little earlier, back in 1970, when ‘Mera Naam Joke’ was released, at the beginning of part II we see Raj Kapoor at the Bombay Carnival, hosting a bioscope stand, singing “Kehta Ha Joker, Saara Zamaana. . .”. And as he sings, he is operating the bioscope in which we are treated to clips of his earlier films, especially ‘Awaara’ and ‘Shri 420’. It is fun to watch those clips in fast forward mode.

In ‘Salaam Memsaab’, a similar presentation is used. A little background. Radha (role played by Zarina Wahab) and Sunder (role played by Asrani) are two young people, friends and in love. They are the street tamaasha people who sing and dance on the roadside to earn their living. Sunder has high aspirations, and wants to become rich quickly. Radha also has aspirations, but she is averse to making compromises with her principles of honesty and truthfulness. They work together, but this difference in their view of life generates arguments.

Near the beginning of the film, just about half hour into it, Radha chances to see a bioscope man, playing his machine near the Gateway of India. She gets in line and starts watching – she gets in when the song “Pyaar Hua Iqraar Hua Hai. . .” is starting to play. We can see her enjoying the show, and then as the lead pair comes on at the beginning of the song, she gets into a different dreamy dimension of fantasy, and instead of seeing Raj Kapoor and Nargis on the screen, she sees herself and Sunder there, performing the same song, singing and expressing their newly discovered love for each other. She is fascinated, and the entire song is replayed on the screen in front of her, performed now by the two new lovers.

This is a very innovative presentation. In the singing parts of the clip, we can see Radha and Sunder performing, and in the other parts of the clip, the director uses the original footage and scenes. The entire song moves back and forth between the now Radha and Sunder, and the earlier scenes. Very interestingly edited and put together. E.g. when the line “Phir Bhi Rahengi Nishaaniyan” is playing, the scene clips back to the original version and we see the three toddlers with raincoats, toddling through the rain. Readers may recall that in the original version, the three kids are the children of Raj Kapoor – Ritu, Randhir and Rishi. The clip cuts back and forth between the current version, shown in subdued colors and shades, and the original version shown in black and white. Very intelligently designed.

In her dream of wide open eyes, Radha sees herself and Sunder, in an exact image of the hero and heroine on screen. As one watches their movements and expressions, the effort has been made to create an exact replica not just of the scenario, but also of the performance and expressions. You can open up two windows in the video playing software, and play the two songs, this one and the original, side by side. One is amazed by the effort made by Zarina and Asrani to replicate the performance as nearly as possible. Ah, we know it is not Raj Kapoor and it is not Nargis. But still it is a very impressive performance to see.

The film ‘Salaam Memsaab’ is produced under the banner of Roshan Films, Bombay and is directed by Asrani himself. The cast of actors includes Asrani, Zarina Wahab, Ranjeet, Manju Bansal, Rahman, Keshto Mukherjee, Asit Sen, Jugnu, Leela Mishra, Sulochana (Senior), Tom Alter, CS Dubey, Arvind Rathore, Anand Girdhar, Amol Sen, Dilip Tahil, Nilu Arora, Master Jeetu, Yusuf, and Raju, with friendly appearances by Ashok Kumar, Sunil Dutt, Yogita Bali, and Rishi Kapoor. The songs of this film are written by Majrooh Sultanpuri and the music is by RD Burman. Seven songs are listed for this film which have been rendered by Mohamed Rafi, Kishore Kumar, Lata Mangeshkar and Asha Bhosle.

This song, being a reuse, is not listed in Geet Kosh. And as I mentioned in an earlier episode of this series, it is not easy to track down such re-use songs, unless one has actually seen the film(s). I had also written that since I started this series, I have been getting inputs from many friends, from our bandwagon and also from others in our music lovers group, about such reuse songs. Since these songs are generally not listed, such inputs from friends has really added many interesting reuse scenarios that I was not aware of.

Today’s song was sent in as a suggestion from Anekant ji. He is a regular contributor in our comments section, and I am sure all are familiar with him. Not being aware of this reuse song, I am delighted to get this input from him. A real wonderful song, and a real wonderful reuse after twenty five years – from 1954 to 1979 to 2019 – and forty more, when we are now reading about it once again. 🙂

A reuse that takes you into a fantasy land of a dream of wide awake eyes. I am sure all of us have had some similar experience some time or another in our lives. Apologies for the digression, but I just remembered another such on screen ‘dream of wide awake eyes’ which I just cannot resist mentioning. 🙂 For all those who have seen and remember ‘Chhoti Si Baat’ (1972). Yes, I am referring to the song “Jaaneman Jaaneman Tere Do Nayan”. Amol Palekar is watching the film in a theatre. Onscreen the song is being performed by Dharmendra and Hema Malini. And within a few seconds, Amol Palekar goes into this ‘dream of wide awake eyes’, and through his eyes, we see the song being performed on screen by himself and Vidya Sinha. The reverie is quiet painfully broken as the villain appears at the end of the song and hits the hero with a belt. (Just from that split second profile, my feeling has been that it was actor Manmohan, the villain I mean.)

Ah so, we have a new category of songs to mull over – ‘dream of wide awake eyes’. And I am sure the readers will recall many such songs in Hindi films – yes, we do that a lot. 🙂

Enjoy today’s wonderful reuse treat and let’s wait for the next – what more such entertaining surprises are coming up.

Song – Pyaar Hua Iqraar Hua Hai  (Salaam Memsaab) (1979) Singer – Manna Dey, Lata Mangeshkar, Lyrics – Shailendra, MD – Shanker Jaikishan
Manna Dey + Lata Mangeshkar

Lyrics

pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)

kaho ke apni preet ka
geet na badlega kabhi
tum bhi kaho is raah ka
meet na badlega kabhi
pyaar jo toota
saath jo chhoota
chaand na chamke ga kabhi
aaa haaa haaa
aaa haaa haaa
aaaaa haaa haaa
aaa aaa aaa

aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil

rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)

raaten dason dishaaon se

kahengi apni kahaaniyan
geet hamaare pyaar ke
dohraayengi jawaaniyan
main na rahoongi
tum na rahoge
phir bhi rahengi nishaaniyaan
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)

कहो के अपनी प्रीत का
गीत ना बदलेगा कभी
तुम भी कहो इस राह का
मीत ना बदलेगा कभी
प्यार जो टूटा
साथ जो छूटा
चाँद ना चमकेगा कभी
आ हा हा
आ हा हा
आss हा हा
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)

रातें दसों दिशाओं से
कहेंगी अपनी कहानियाँ
गीत हमारे प्यार के
दोहराएंगी जवानियाँ
मैं ना रहूँगी
तुम ना रहोगे
फिर भी रहेंगी निशानियाँ
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
कहता है दिल
रास्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)

 

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4004 Post No. : 15107

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 38
——————————————————————————————

Today’s song is from the movie ‘Nai Umar Ki Nai Fasal-1965’. This movie was introduced on the blog on this day ten years back viz on 5th July 2009.

The movie ‘Nai Umar Ki Nai Fasal-1965’ is known mainly for its ‘epic song’ ‘Caravan guzar gaya’ written by Neeraj. The movie made its debut in the blog with this song.

Whenever I come across ‘milestone movies’, ‘epic movies’, or ‘the movies which have left a mark in the annals of Hindi film history’, I feel the urge to find out more about such movies and to share its songs on the blog if the opportunity for that still exists. I get an opportunity to share a song from this mvie today. I think that it is the first opportunity for me to cover a song composed by Roshan, one of my favourite music directors.

Though only one song from the movie is supposed to be left over, I found out that the number of leftover songs is not one but two.

As per HFGK this movie had seven songs (including one multiple version song) only. Movie information on wiki listed eight songs for this movie.

The one song not mentioned in HFGK is a song which plays in the background when the titles of the movie keeps rolling, and this is the song we are going to present here today.

The other remaining song from the movie is penned by Manmohan Tiwari according to HFGK. However, the movie titles only mention the name of Neeraj ji as lyricist for this movie.
So I guess that the today’s song is also written by Neeraj ji.

(I would request our editors and knowledgeable readers to throw more light on this movie and its songs.)

Now, for all such movies and their songs where we wish to cover the relevant details, trivia or biographical information about the ‘cast and crew’ of that movie we always have few posts which comes with such information.
Details of this movie and its songs, including trivia etc are covered in posts on the songs , viz.

Mero sainyya gulabiyo ko phool
Isko bhi apnaata chal usko bhi apnaata chal
and
Caravan guzar gaya gubaar dekhte rahe

After today’s post, just one more song from the movie is left to be covered. I can say that the remaining song will waiting for an appropriate occasion before that song gets covered. 🙂

Looking back at this date ten years back, songs from following movies were covered on the blog on 05th July 2009;

‘Umang-1970’ All Songs covered
‘Nai Umar Ki Nai Fasal-1965’
‘Chaar Dil Chaar Raahein-1959’ All Songs covered
‘Jhoola-1962’ All Songs covered
‘Aaraam-1951’ All Songs covered
‘Aarzoo-1950’ All Songs covered

‘Nai Umar Ki Nai Fasal’ was directed by R. Chandra for Shri. Vishwabharati Films. It had Tanuja, Rajeev, Leela Chitin, Shobhna Samarth, M.A. Latif, Renuka Rai, S.K. Prem, Ulhas, Bhalla, Raj Kishore, Khurshid Bawra and others.

Music for this movie was composed by Roshan and lyrics were written by Neeraj and Manmohan Tiwari (one song).

Today’s song is sung by Bhupinder Singh. It is a background song that plays with titles rolling on the screen. This song also has a second part which appears at the end of the movie.

Today’s song is a motivational song that seeks to inspire the new generation to bring about a positive change in the society for the upliftment of all. Thisis is in complete contrast to the debut song of this this movie ten years back on the blog, which was a ‘melancholic song’ (as Atul ji mentioned in his post ten years ago).

Let us now listen to today’s song …

Video (Part I)

Video (Part II)

Song-Nayi umar ke naye sitaaro (Nai Umar Ki Nai Fasal)(1965) Singer-Bhupinder Singh, Lyrics-Neeraj, MD-Roshan

Lyrics

——————————
Part I
——————————
Nayi umar ke naye sitaaro
Nayi fasal ki nayi bahaaro
Khilo phalo is tarah ke
Poore chaman ka poora libaas badley
Nayi umar ke naye sitaaro
Nayi fasal ki nayi bahaaro

Likho jawaani ke naam khat wo
Ke phool ban jaayen khaar saare
Be-roshni ki lagaao kalmen
Zameen pe ugne lagen ae sitaare
Badaldo pichchhle hisaab aise
Ulat do gham ke naqaab aise
Ke sab ki sab ye zameen badley
Ke sab ka sab ye aakaash badley
Nayi umar ke naye sitaaro
Nayi fasal ki nayi bahaaro
Nayi umar ke naye sitaaro
Nayi fasal ki nayi bahaaro]

———————————
(Part 2)
———————————
Nayi umar ke naye sitaaro
Nayi fasal ki nayi bahaaro
Khilo phalo is tarah ke
Poore chaman ka poora libaas badley
Nayi umar ke naye sitaaron
Nayi fasal ki nayi bahaaron

———————————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————————
(भाग -1)
—————
नयी उम्र के नए सितारो
नयी फसल की नयी बहारो
खिलो फलो इस तरह के
पूरे चमन का पूरा लिबास बदले
नयी उम्र के नए सितारो
नयी फसल की नयी बहारो

लिखो जवानी के नाम ख़त वो
के फूल बन जाएँ खार सारे
बे-रौशनी की लगाओ कलमें
ज़मीन पे उगने लगे ए सितारे
बदलदो पिछले हिसाब ऐसे
उलट दो ग़म के नकाब ऐसे
के सब की सब ये ज़मीन बदले
के सब का सब ये आकाश बदले
नयी उम्र के नए सितारो
नयी फसल की नयी बहारो
नयी उम्र के नए सितारो
नयी फसल की नयी बहारो
——————-
(भाग -2)
——————-
नयी उम्र के नए सितारो
नयी फसल की नयी बहारो
खिलो फलो इस तरह के
पूरे चमन का पूरा लिबास बदले
नयी उम्र के नए सितारो
नयी फसल की नयी बहारो


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3884 Post No. : 14911

“Isi Ka Naam Duniya Hai”(1962) was directed by Shakti Samanta for J B Productions, Bombay. The movie had Ashok Kumar, Shyama, Mehmood, Sahira, K N Singh, Nazeer Hussain, Lalita Kumari, Susheel Kumar, Farida, Kundan, Lata Sinha, Rajan Kapoor, Kathana, Anwari, Ramlal, Masood, Ramesh Chauhan, Helen, R L Ranjan, OmPrakash, Meera Parel etc in it.

The movie had seven songs according to HFGK. Two songs have been covered in the past.

Today (7 march 2019) is the seventh remembrance day of music director Ravi (3 March 1926 – 7 March 2012). As a tribute to him. Here is a song from “Isi Ka Naam Duniya Hai”(1962).

Curiously, this song does not figure in the list of songs mentioned in HFGK. It is the movie opening song cum title song cum theme song cum background song, and the song seems to get played in the movie at several places.

I have not been able to get one word right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections.

This song was apparently there only in the movie and its records were not made. So the poor quality of the song is because of the poor quality of the print of the movie.


Song-Isi ka naam duniya hai (Isi Ka Naam Duniya Hai)(1962) Singer-Ravi, Lyrics-S H Bihari, MD-Ravi

Lyrics

kahin khushiyon ke mele hain
kahin gham ke fasaane hain
isi ka naam duniya hai
isi ka naam duniya hai
paraaye hain kabhi apne
kabhi apne paraaye hai
isi ka naam duniya hai
isi ka naam duniya hai

bilakhte hain kahin par
bhookh se bachche gareebon ke
bilakhte hain kahin par
bhookh se bachche gareebon ke
kahin par hotelon mein daawten hain
naach gaane hain
isi ka naam duniya hai
isi ka naam duniya hai

kahin par aadmi ki laash
be gor-o-kafan dekhi
kahin par aadmi ki laash
be gor-o-kafan dekhi
kahin par reshmi jode hain
daulat hai khazaane hain
isi ka naam duniya hai
isi ka naam duniya hai

koi laakhon ke bangle mein
sukhon ki neend sota hai
koi laakhon ke bangle mein
sukhon ki neend sota hai
kahin par aandhiyon mein
zindagi ke aashiyaane hai
isi ka naam duniya hai
isi ka naam duniya hai


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3727 Post No. : 14668

ये किसने गीत छेड़ा॰ ॰ ॰

There is always a freshness – a freshness as fresh as the cool early morning breeze. Pick up any film, and you will find this freshness wash all over you, as the music and the songs of that film play. Be it “Nadiya Kinaare Heraaye Aayi Kangna”, or “Naina Diwaane, Ik Nahin Maanen”, or “Thandi Hawaayen, Lehra Ke Aayen”, or “Ye Raat Ye Chandani Phir Kahaan”, or “Phaili Huyin Hain Sapnon Ki Baahen”, or “O Nigaahen Mastaana”, or “Mehfil Mein Aaye Wo Aaj Dheere Se”, or “Khoya Khoya Chaand”, or “Dil Ka Bhanwar Kare Pukaar”, or “Haule-Haule Jiya Dole”, or “O Mere Bairaagi Bhanwra”, or “Megha Chhaaye Aadhi Raat”, or “Sun Ree Pawan, Pawan Purvaiya”, or “Sandhyaa Jo Aaye Mann Ud Jaaye”. . . the list seems to be endless.

Other authors have written about this; this and the daily routine of his morning walk – creating the rhythm with snapping of his fingers, and humming the melody softly in his breaths. That is where most of his masterpieces have come from – plucked out of the cool and fresh morning breeze during his morning walks. One can almost feel as if he saw the peacock when he contemplated on “Mann Mor Hua Matwaala. . .”. And one can feel the whiff of cold breeze in “Thandi Hawa Ka Shor Hai. . .” as the stanza lines of “Chupke Se Miley Pyaase Pyaase. . .”. Maybe it was an encounter with a dreamy eyed young lady that brought to life “Yaad Aa Gayin Wo Nasheeli Nigaahen. . .”. Or that the “Khoya Khoya Chaand. . .” melody came about on a day when the moon was still visible in the early morning gray skies. Conjectures all, but surely, the music came with the early morning breeze.

One also wonders where the eternity of melancholy came to him – “Pyaar Ne Kitne Sapne Dekhe. . .”, “Dukhi Mann Mere. . .”, “Bharam Teri Wafaaon Ka. . .”, “Badi Sooni Sooni Hai. . .”, “Jaane Wo Kaise Log The. . .”, “Jaayen To Jaayen Kahaan. . .”, “Saathi Na Koi Manzil. . .”, “1 . .”, “Tum Mujhse Door Chale Jaana Na. . .” – and many more. Maybe so, that these compositions simply cannot be believed to exist outside of Sachin Da’s regime.

Celebrating the anniversary of his birth today (1st October), I present this completely forgotten and unknown piece of music that is a very short song that plays when the credits of the film ‘Tere Mere Sapne’ (1971) are rolling on the screen. Practically all the songs that Sachin Da has sung for the screen, have all been accounted for on our blog. But not this one.

The unmistakable folk flavor, that is Sachin Da’s favourite genre, is present predominantly in this music piece. As the prelude of this music plays on, one is struck by how the maestro has melded the music with the sounds of machinery and the hammering sound of the miner’s picks and axes. Really remarkable.

ये किसने गीत छेड़ा
दिल मेरा नाचे थिरक थिरक॰ ॰ ॰

ये किसने गीत छेड़ा

 

Song – Phulwa Mangaao Zara Angna Sajaao Gori (Tere Mere Sapne) (1971) Singer – SD Burman, Lyrics – Neeraj, MD – SD  Burman

Lyrics

hey ey..ey..ey
phulwa mangaao zara angna sajaao gori
bichhde balam ghar aayenge

ye ey..ey..ey
jiyaha ye doley jaise neem ki hi pori
bichhde balam ghar aayenge
bichhde balam ghar aayenge

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

हे ए॰॰ए॰॰ए
फुलवा मंगाओ ज़रा अंगना सजाओ गोरी
बिछड़े बलम घर आएंगे

ये ए॰॰ए॰॰ए
जियाहा ये डोले जैसे नीम की ही पोरी
बिछड़े बलम घर आएंगे
बिछड़े बलम घर आएंगे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Beti Bete”(1964) was directed by L V Prasad for Prasad Productions, Madras. the movie had Sunil Dutt, B Saroja devi, Jamuna, Mehmood, Shubha Khote, Agha, Rajendranath, Sudesh, Jayant, Niranjan Sharma, Randir, Baby Farida, Master Shahid etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Beti Bete”(1964) was directed by L V Prasad for Prasad Productions, Madras. the movie had Sunil Dutt, B Saroja devi, Jamuna, Mehmood, Shubha Khote, Agha, Rajendranath, Sudesh, Jayant, Niranjan Sharma, Randir, Baby Farida, Master Shahid etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, we are on track to reach the 10K target. And yes, of course, we must also proclaim the 6th anniversary of this blog. Way back in 2008, this day is the day that Atul made a small start with a song from the film ‘Anokhi Raat’. As Sadanand ji has written in his post yesterday,

gair saath aate gaye aur kaarwaan bantaa gaya
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp- 1)
——————————————

I grew up in a joint family of about 20 people including children. My childhood memories are vivid and I remember playing with cousins and enjoying Festivals with the elders. By coincidence ,by 1947-48 our joint family was fragmented, not because of the Partition, but because One Uncle joined Army, the other joined Navy and the third one joined Police. My own father had to go underground to evade arrest, after Gandhi ji’s assassination..He was an RSS worker. We shifted coolly to Banaras and stayed there for an year. Ultimately father was traced and arrested and we were escorted by the police to mother’s town in Maharashtra.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Teesri Kasam” (1966) was produced by Shailendra and directed by Basu Bhattacharya for Image Makers. The movie had Raj Kapoor, Waheeda Rehman, Ifthekar,Dulari,Vishwa Mehra, Asit Sen, C.S.Dubey, Krishan Dhwaan, A.K.Hangal, Pachhi, Ratan Gaurang, Mansaram, Shivji Bhai, Pardesi, Samar Chatterjee, Harbanslal,Sabita,Sabina, Moolchand, Keshav Rana, Rekha Mallik, Nabendu Ghosh, Keshto Mukherjee, Rehana,Amol Sen, Shailendra, Fazlu, Parmanand etc in it.
Read more on this topic…


“Ek ke baad ek” (1960) is a movie which was produced by Raj Kala and directed by Raj Rishi. The star cast of the movie included names like Dev Anand, Tarla, S. K. Prem, Radhakrishan, Hiralal, Ravikant, Sharda, Prabhu Dayal, Madhu Apte etc.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

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