Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Mubarak Begam songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5021 Post No. : 16929

“Fariyaad”(1964) was produced and directed by Kidar Sharma for Show People, Bombay. The movie had Ashok, Zeb Rehman aka Preeti Bala, Dilip Dutt, Mohan Choti, Achala Sachdev, Gyani, Gopal Sehgal, Bela Bose, Apsara, Malik, Maria, Tuntun, Sayeeda, Najma, Shabani, Raj Maria etc in it.

“Fariyaad”(1964) had six songs in it. Five songs have been covered in the blog so far.

Here are the details of the songs covered so far:-

Blog post number Song Singer (s)
1510 Haal e dil unko sunaanaa thaa Suman Kalyanpur
3634 Wo dekho dekh rahaa thhaa papeehaa Mahendra Kapoor, Suman Kalyanpur
5705 Aapne huzoor mujhe kya se kya bana diya Suman Kalyanpur, Rafi
5921 Tu ne teri nazar ne mujhe kaafir bana diyaa Rafi, Mubarak Begam
16260 Dilli se do behnen aayin Mahendra Kapoor, Mubarak Begam

The sixth and final song from the movie is sung by Mubarak Begam and Suman Kalyapur. Kidar Sharma is the lyricist. Music is composed by Snehal Bhatkar.

As can be noticed from the lyrics, this song is about Chinese aggression on a totally unprepared India in 1962. It exhorts the youth of India to come forward to protect the nation.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

With this song, all the songs of “Fariyaad”(1964) have been covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.

Audio link:

Song-Bharat ke naujawaanon Bharat ke kaam aao (Fariyaad)(1964) Singers-Mubarak Begam, Suman Kalyanpur, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Both

Lyrics(Provided by Prakashchandra)

Bharat ke naujawanon
Bharat ke naujawanon
Bharat ke kaam aaaao
Bharat ke kaam aaaao
Bharat ke kaam aao
jo aa ghusey hain ghar mein
jo aa ghusey hain ghar mein
maaro inhein bhagaao
maaro inhein bhagaao
Bharat ke kaam aao

Chinaa huaa kameenaa
Chinaa huaa kameenaa
bhoolaa hai sab bhalaayee

Bharat pe kee chadhaayee
Bharat pe kee chadhaayee
iss ko sabak sikhaao
iss ko o sabak sikhaao
maaro issey bhagaao
maaro issey bhagaao
Bharat ke kaam aao

jo khoon hai ragon mein
jo khoon hai ragon mein
sheron ka khoon hai woh o
sheron ka khoon hai woh
ye khoon bahaa ke veeron
ye khoon bahaa ke veeron
maataa ka rin chukaao
maataa ka rin chukaa..aao
Bharat ke kaam aao

Bhaai..ee jinhein thhe samjhey
Bhaai..ee jinhein thhe samjhey
nikley ae wohi lutere
nikley wohi lutere
apnaa paraaya kal ko
apnaa paraaya kal ko
dhokhe mein ab na aa..aao
dhokhe mein ab na aa..aao
Bharat ke kaam aao

izzat pe mar mitey tum
izzat pe mar mitey tum

jo aaj tak jiye ho
jo aaj tak jiye ho
jo aaj tak jiye ho
phir mit ke aabroo par
phir mit ke aabroo par
tum aabroo bachaao
tum aabroo bachaao
Bharat ke kaam aao
Bharat ke naujawanon
Bharat ke naujawanon
Bharat ke kaam aao
Bharat ke kaam aao
Bharat ke kaam aao


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4908 Post No. : 16719

Today’s song is from the film Harihar Bhakti-1956. This was a story from Vishnu Puran. It is also mentioned in Shiv Puran as a story on Banasur. of course the story was adapted to suit the film requirements. When such stories are used for films, naturally there is plenty of room for adaptation and imagination, because every detail is not mentioned in the original story.

The 50’s decade for Hindi films was a Golden period for religious and Mythological films. Ever since the Talkie films started, the maximum and consistently religious films were made in this decade. In the 10 year period 124 religious films were made, which works out to an average of one such film per month for 10 continuous years. I have been watching films since the late 40s, but I too have seen maximum films in this decade only.

I loved seeing religious films. As such ours was a religious minded family. We had constructed a big Shiv temple within the compound of our house. It was open to all people, with a separate entry point. This was possible as it was about 30 feet away from our bungalow on an adjacent plot. Every festival was celebrated and Mahashivratri was a big event. Due to all this ,I became interested in reading Vedas, Purans and other religious books. I am not a religious person in actions. I hardly visit temples or do regular daily pooja at home. But I am a strong believer in my religion and I am convinced that the Hindu religion is the greatest in the world.However, I dont go out and show off my religious opinions. I believe that Religion is a Personal matter and one should limit it to his doorstep only.

Nevertheless, I am pained to see the apathy and ignorance of our religion in the younger generation. The other day, I saw one video in which questions on religion, Ramayan and Mahabharat were asked to college students and to my dismay 99 % of students gave wrong answers or no answers. It is not their fault. Today the lifestyles have become suchthat the parents themselves do not set any example for their children in this matter. Anyway, this is a different issue…..

Initially, I used to like religious films for their trick scenes and miracles. Later on I started observing how the original stories have been twisted, adapted or even changed to suit the cinematic needs. The efforts are to exaggerate in order to impress the audience, no matter if the story gets distorted.

I am sure that very few people today know there are two major sects in religion. They are ” SHAIV”s – those who worship Lord Shiv and the other is “VAISHNAV”s – those who worship Lord Vishnu. Few generations ago, there were no marriages between these two sects. Today, of course people do not even know which sect they belong to.

Film Harihar Bhakti-56 is about this division of sects and how in one case, Shiv ji and Vishnu ji came face to face in case of a Shiv devotee whom Shiv ji had given a Boon and Vishnu ji wanted to kill him for Mankind. HARIHAR BHAKTI-1956 is a story of the age-old feud between the Vaishnaites (Vishnu Bhakt) and the Shaivites (Shiv Bhakts).it tells us that the GOD is one,in different forms.

A Raghuvir chitra niketan film,it was produced and directed by C.Raghuvir.The music was by K.Datta(Datta Korgaonkar) and lyricists were S.P.Kalla,Odak and Agrawal.

BANASUR the king of Rakshasas was a great Shiv bhakta and after a hard tapasya,he gets a boon from Lord Shiva that he will NOT die at the hands of any mortal.Powered with this boon,he starts torturing Vaishnavites and converting them forcibly to Shaivites.
Banasur(Ulhas) has a daughter Usha(Asha Mathur).he wants her to marry only a Shiv Bhakta.Usha,one day sees a young man Anirudha(Vivek) in her dreams and falls in his love.he is grandson of Krishna.Chitralekha(Nayantara),her saheli brings Anirudha-in his sleep-to Usha and they get married.Banasur learns this and fights with Anirudha,throwing Sarp-Astra over him.His grandfather krishna comes to know this thru Naradmuni and he is ready to fight Banasur.Banasur calls for Shiva’s help.

Now Krishna and Shiva are against each other but knowing Krishna as an avatar of Lord Vishnu,Shiva allows him to kill Banasur.
It was a very interesting film with a lot of trick scenes and very melodious music by K.Datta.

The Bombay film industry has seen many talented artistes end their careers and lives sadly. S P Kalla is yet another such example.
TIME is not only a great healer but also a great crusher. Once upon a time, S P Kalla was moving in the Top bracket of the industry, but his TIME changed so much that he had to live all alone and one day end it all by himself !

Sooraj Prakash Kalla or S P Kalla was a resident of Jodhpur, Rajasthan. In the early 50s he was having a nice job in the state Secretariat in Jaipur. He was a good writer of songs. During his service tenure, once he visited Bombay casually and then stayed back here only, leaving the lucrative steady job, to enter the film industry as a lyricist. His first film was ‘Lanka Dahan’-52, in which he wrote all 8 songs. Due to his easy and meaningful Lyrics he started getting film after film. After about 20-25 films, he turned to Film direction and succeeded in this too. Some of the films he directed were, Aastik, Naya kadam, Shyam ki Jogan etc.

He acted in the film kailashpati-62. He directed films-Aastik-56, Shyam ki Jogan-57 and Naya Kadam-58. He wrote 49 songs in 8 films

Having won laurels here he became a Producer and that proved to be his nemesis. He lost everything he had earned. Family life became miserable and all friends deserted him. Finally he separated from his family and went back to Jaipur. There he got two Rajasthani films for direction. Then he got some serials and video films. Some of his serials on TV were ‘ Samay ki Dhara’ and ‘Teesmar khan’,which were popular.

He became an alcohol addict and closeted himself in a small room, where he ended his own life on 20-5-2007.

Today’s song is sung by Mubarak begum, Sulochana kadam and Chonkar. Enjoy the song….


Song- Chori chori aayi Gori milne piya dhadke jiya (Harihar Bhakti)(1956) Singers- Mubarak Begum, Sulochana Kadam , Chonkar, Lyricist- S.P.Kalla, MD- K.Datta

Lyrics

Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
hum to aayenge teri galiyaan
kare kyon jiya
dil jo diya pyaar kiya
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa

laaj maren ye donon ankhiyaan
donon ankhiyaan aan aan
laaj maren ye donon ankhiyaan
kahin na dekh len bairi sakhiyaan
kahin na dekh len bairi sakhiyaan
mil na paayenge
suno jee piyaa
chhodo bainyya
padoon painyyaan
jaao sainyyaan
haule haule man bole suno batiyaan
beete ratiyaan
beete ratiyaan
haule haule man bole suno batiyaan
beete ratiyaan
beete ratiyaan
hum to aayenge teri galiyaan

?? kyon jiya
dil jo diya pyaaar kiya
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa

ab na chhodenge haathh tera
ab na chhodenge haathh tera
janam janam ka saath mera
saath mera
saath mera
janam janam ka saath mera
saath mera
saath mera
tumhaari yaad mein laage na jiyaa
bolo chhaliyaa
jaadoo kyon kiyaa
?? kyon liya
haule haule man bole suno batiyaan
beete ratiyaan
beete ratiyaan
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
hum to aayenge teri galiyaan
?? kyon jiya
dil jo diya
pyaar kiyaa

da dir dir dir
di dir dir dir daani dum
dum dum
daani dum
din tananananana
de re na de re na
na dir dir dir dir
ditum ditum
dim tum
dim tum
dim tum
tananananana
dere de
dere na

Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4838 Post No. : 16623

“Mamta”(1952) was produced by R B Haldia and J L Sharma and directed by Gunjal for Sishaat Films, Bombay. The movie had Sumitra Devi, Ulhas, Mirza Musharraf, Rajan Haksar, Kamal Mehra, Chitralekha, Bhagwandas, Ramesh, Rajni, Shantabai, Sadiq, Kaabil amritsari, Baby Salma, Master Raja, G P Srivastava, Sheila, paro etc in it.

The movie had eight songs in it that were penned for four lyricists.

Six songs have been covered in the past.

Here is the seventh song from “Mamta”(1952) to appear in the blog. This song is a duet which is sung by Premlata and Mubarak Begam. Verma Malik is the lyricist. Music is composed by Sonik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song. It appears to me that the song is picturised as a stage performance song on two ladies, one of them playing the role of a male and lip syncing in Premlata’s voice, while the other lip syns in Mubarak Begam’s voice.

I have not been able to get a few words right. I request our readers with keener ears to help fill in the blanks/ sugest corrections wherever applicable.

This song is the 500th in the blog from movies released in the year 1952. Now movies of all the years of the decade of 1950s (except 1951) have 500 or more songs in the blog.


Song-Main samajh gayi kehte ho mujhse aankh mila le (Mamta)(1952) Singers-Premlata, Mubarak Begam, Lyrics-Verma Malik, MD-Sonik
Both

Lyrics

o o
sun sun sun(?) tamtam waale
o o
sun sun sun(?) tamtam waale
main samajh gayi
main samajh gayi
kehte ho mujhse aankh milaa le
main samajh gayi
kehte ho mujhse aankh milaa le
o ho ho
baadal hain kaale kaale
o o
baadal hain kaale kaale

main samajh gaya
main samajh gaya
kehti ho mujhko paas bulaa le
main samajh gaya
kehti ho mujhko paas bulaa le
o ho ho

dil mein kya hai
kaise bataaun
hoy dil mein kya hai
kaise bataaun

kar ke ishaare tujhe samjhaaun
tujhe samjhaaun
kehte kehte main sharmaaun
kya
o o o
dil le le o dil waale
o o o
dil le le o dil waale

main samajh gaya
main samajh gaya
kehti ho mujhko paas bulaa le
main samajh gaya
kehti ho mujhko paas bulaa le
o ho ho
?? tamtam waale

jabse dekha aisa nazaara
ho jabse dekha aisa nazaara
naach uthha hai jeewan saara
jeewan saara
jabse mera pyaar pukaara
kya
o o
?? tamtam waale
ho o
?? tamtam waale
main samajh gayi
main samajh gayi
kehto ho mujhse aankh milaa le
main samajh gayi
kehto ho mujhse aankh milaa le

o ho ho
sun sun sun tamtam waale
o ho ho
sun sun sun tamtam waale

main samajh gayi
main samajh gaya
main samajh gayi
kehto ho mujhse aankh milaa le

main samajh gaya
kehti ho mujhko paas bulaa le
ho ho ho
ho ho ho
ho ho ho


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4618 Post No. : 16260

—————————————————————————
Blog 10-Year Challenge (2011-2021) – Song No. 15
—————————————————————————

This date ten years ago (viz 10 march 2011) was a normal day for the blog. As many as six songs from six movies were covered on that day.

Here are the details of the six songs that were covered on that day :-

Blog post number Song Movie (Year) Remarks
3633 Tumne kahaa chhoo maine chhoo liyaa Saawan(1959) Movie YIPPEED by now
3634 Wo dekho dekh rahaa thhaa papeehaa Fariyaad(1964) Four songs covered by now out of 6
3635 Aise to na dekho Bheegi Raat(1965) Movie YIPPEED by now
3636 Sun ae bahaar e husn mujhe tum se pyaar hai Night in London(1967) Movie YIPPEED by now
3637 Ho munna jaayegaa baazaar Man Mandir(1971) Three songs covered by now out of 6
3638 Do bechaare bina sahaare Victoria number 203 (1972) Movie YIPPEED by now

One can notice that four movies (out of six) whose songs were discussed ten years ago on that date have since been YIPPEED in the blog. So only two movies are eligible for blog ten year challenge today.

“Fariyaad”(1964) is one such movie. This movie was directed by Kidar Sharma for Show People, Bombay. The movie had Ashok, Zeb Rehman aka Preeti Bala, Dilip Dutt, Mohan Choti, Achala Sachdev, Gyani, Gopal Sehgal, Bela Bose, Apsara, Malik, Maria, Tuntun, Sayeeda, Najma,Shabani, Raj Maria etc in it.

The movie had six songs in it. Four songs have been covered in the past.

As blog ten year challenge today (10 march 2021), here is a song from “Fariyaad”(1964). Thia sonmg is sung by Mahendra Kapoor, Mubarak Begam and chorus. Kidar Sharma is the lyricist. Music is composed by Snehal Bhatkar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the puicturisation of the song.

Lyrics of this song were sent to me by Prakashchandra.

audio link:

Song-Dilli se do behnen aayin (Fariyaad)(1964) Singers-Mahendra Kapoor, Mubarak Begam, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Chorus

Lyrics(Provided by Prakashchandra)

Dilli se do behnein aayeen een
Dilli se ae ae ae ae
Dilli se do behnein aayeen
roop duhaayee rey ae
aei jee roop duhaayee rey ae

o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae

Rozie aur Daisy
oyye hoyye hoyye
har shayye angerzi
haayye haayye haayye
har baat mein tezi
oyye hoyye hoyye

baali umariya tirchhi najariyaa
jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
baali umariya tirchhi najariyaa
jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
main mar gayi jaadu naye jagaaye ae

ho o o ho o ho o o o
o dil pehloo o o o se ae
utth utth bhaagey ae ae ae ae
mukh se
nikse haayye
haaaaye

kaa hamri
o kaa hamri sudh budh bisraayi
daddy raam duhaayi rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae

ankhiyaan matwaari
oyye hoyye hoyye
honthon par laali
haayye haayye hayye
latt kaali rey kaali
oho o o ho ho o hho o ho o o

haath milaayein haath hilaayein aen
baar baar kahen
haayye
haath milaayein haath hilaayein aen
baar baar kahey
haayye

inn ke charan chhuye bin bandhu
hamse rahaa naa jaaye
o raama
hamse rahaa na jaaye
kaissi ..eee
o kaissi mann mein
aggann lagaayi
daddy raam duhaayi rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae

kya naach dikhaaye
oyye hoyye hoyye
sau sau bal khaaye
haayye haayye haayye
gardan mattkaayye
oyye hoyye hoyye


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?:

4449 Post No. : 15906

————————————————-
Blog ten year challenge (2010-2020)- Song Number 84
————————————————–

This day ten years ago (viz 22 september 2020) was another normal day for the blog, when six songs from six different movies were discussed. First post of the day appeared at 7:29 AM and the final post at 9:12 AM.

Here are the details:-

Song Movie title-Year Remarks
Raaton ki neend chheen lee aankhon ke intezaar ne Shokhiyaan-1951 All Songs covered
Teri kaafir nigaah kar gayi dil ko tabaah Miss Coca Cola-1955 All Songs covered
Yaad karoon tori batiyaan Mr Lambu-1956 All Songs covered
Tum aur ham bhool ke gham Fashion-1957 06 songs posted
Mujhe gale se lagaa lo bahut udaas hoon main Aaj Aur Kal-1963 All Songs covered
Jidhar dekhoon teri tasweer nazar aati hai Mahaan-1983 01 song posted

One can see from the above that four out of six movies whose songs were covered ten years ago have been YIPPEED by now,

“Fashion”(1957) was one of the two as yet unYIPPEED movies.

“Fashion”(1957) was directed by Lekhraj Bhakri for Kuldip Pictures production, Bombay. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.

The movie had eight songs in it. six songs have been covered in the past. Here are the details :-

Song Posted On
Bahaaron se poochho ・laakh sambhaala magar kho gaya 23.09.2009
Tum aur ham bhool ke gham 22.09.2010
Madbhari hain pyaar ki palkein 05.08.2012
Dharti ki goad mein aasmaan ke chhaaon mein 19.07.2016
Honthon pe tera naam 17.10.2016
Maati ko lajaanaa naa 16.07.2019

It turns out that the last two songs of the movie were multiple version songs. The first part was a multilingual song sung by Sulochana Kadam and Mubarak Begam. The second part in Hindi was sung by Asha Bhonsle. Bharat Vyas was the lyricist. Music was composed by Hemant Kumar.

Part I is listed in HFGK as “Bindu baashi daao more haath, aaj nishi bazaari” which are in Bangla. This song is available as Bharat Ke Lok Geet. This fact is also mentioned in HFGK Part III footnote at page no.349 movie no.697.

On listening to the song, the Bangla portion is not to be found. Marathi, Gujarati, Marwadi and Punjabi portions can be heard. So it appears that the Bangla portion has got omitted for some reason.

Lyrics of this song and other BTYC details were sent to me by Avinash Scrapwala.

Lyrics of the first part (the multilingual one) as noted leaves a lot to be desired mainly because of lack of familiarity with the languages. I request our knowledgeable readers familiar with these languages to help fill in and suggest additions/ corrections in the lyrics.

With these songs, all the eight songs of “Fashion”(1957) get covered and the movie joins the list of movies that have been YIPPEED in the blog.

Moreover, Hemant Kumar now has 300 songs in the blog as a music director.

(Part-I)

Song-(Part I)Regional language folk song (Fashion)(1957) Singers-Sulochana Kadam, Mubarak Begam, Lyrics-Bharat Vyas, MD-Hemant Kumar
Song-(Part II)
Song-Naya naya fashion naya hai zamaana (Fashion)(1957) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Hemant Kumar
Chorus

Lyrics (Provided by Avinash Scrapwala)

—————————————————–
Part I (Regional language song- Marathi/ Gujarati/ Marwadi/ Punjabi)
—————————————————-

sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji
sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji

ke garbo ghoome re gabbar ne gokh
ke garbo jaage re chaachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh
ke garbo jaage re chachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh

aaj mhane
aaj mhane jewar
?
aaj mhane jewar ??
mhaane bikaaneri
mhaane jodhaaneri
mhaane udiyaapur ni
chundadiyaa silaa di he maa
?
aaj mhane jewar ??

main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??
main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??

—————————
(Part-II)
—————————
nayaa nayaa fashion
nayaa hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa

badal do rang
badal do dhang
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee
aaj pad gayi halki ee
ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee

baal kataa lo o
husn badhaa lo o
baal kataa lo
husn badhaa lo

badal do chaal
badal do dhaal
badal do
uttar dakshin
purab paschim
sab kuchh chhod ke taana
kahe zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

kapdon ka kharch bachaa lo
mat husn pe pardaa daalo
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o
chaar chaand chamkaa lo
kapdon ka kharch bachaa lo
mat husn pe pardaa daalo o
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o

duniyaa bhaage ae
badh gayi aage
duniyaa bhaage
badh gayi aage

badal do ?
badal do ?
badal do motor gaadi
tram ki sawaari
ud kar jaanaa
raah takta(?) hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa ・


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4383 Post No. : 15735 Movie Count :

4339

Today, 18th July, is the fourth remembrance day of the renowned singer, Mubarak Begum. In 2016, she had passed away in Bombay, at the age of 80, after a protracted illness.

A very unique voice that stands apart from all her contemporary singers, her repertoire of songs rendered reads like a list of favorites all the way through. Our dear friend Girdharilal ji of Jodhpur has painstakingly compiled a near exhaustive list of her songs in films. This includes songs in Hindi films, unreleased films, regional language films and also three films from Pakistan. The total number of films across all categories for which she has sung, is close to 135, and the total number of songs is close to 215. There is also a very small number of known non-film songs also that she has rendered.

She started her singing career in Hindi films in 1949, with the film ‘Aaiye’, in which she sang “Mujhe Aane Lagi Angdaai Re” under the music direction of Shaukat Haidri, also known as Nashaad later in his career. The list of films indicates that she was actively singing in films till as late As early to mid 1980s, a career that well stretched across three decades. The number of 215 may not sound very impressive given the duration of active years in the industry, but as mentioned earlier, the list is near stocked with favorite songs one after the other. An impressive portfolio, given that she – by her own admission, and as written by other observers about her – was not at all skilled at networking and self promotion in the industry.

Mubarak Begum had come to Delhi for a live program in October 2012. Our dear friend AK ji (of Songs of Yore) and myself got the opportunity for a personal meeting with her. One thing that she mentioned with stress was that it happened many times with her, that a recording was done, and then it was never used, or the song got re-recorded in another voice, without any information to her. She said that she lost many an opportunity this way, for her songs being published on gramophone records. Not many may know this, but she had recorded a song for ‘Mughal e Azam’ (1960) under the baton of Naushad Sb – a trio song in which she accompanied Lata Mangeshkar and Shamshad Begum. That song was later scrapped from the film.

Today, I present this very lesser known song from an obscure film from 1972 – ‘Naarad Leela’. As the name may indicate, this a mythological film produced under the banner of Neena Films, Bombay and is directed by Dhirubahi Desai. The cast of actors listed for this film are Shahu Modak, Sushma, BM Vyas, Indira Billi, SN Tripathi, Madhumati, Jeevan, Himmat Singh Chauhan, Lata Arora, Madhuri, AK Tiwari, Shri Bhagwan, Anjali Devi, Pal Sharma, Uma Khosla, Moolraj Rajda, Lakkiram, Om Prakash, Digvijay Narayan, Asit Sen, Tuntun, Yashodhara Katju, Parbha Desai, and Satyajeet. The songs of this film are penned by Madan and he music is given by Narayan Dutt.

On screen, this song is performed by Tuntun (originally Uma Devi), as she tries to woo and entice a bearded ascetic. Given the beard, I am not able to put name to this face in the video clip. I request other knowledgeable readers to please help identify this actor. And also add more information about the film.

The lyrics of this song have been sent in by our dear Prakash ji.

Song – Pehan Ke Nau Gaj Ki Main Saaree  (Naarad Leela) (1972) Singer – Mubarak Begum, Lyrics – Madan, MD – Narayan Dutt
Unknown Male Voice 1
Unknown Male Voice 2
Chorus

Lyrics (Provided by Prakashchandra)

pehan ke nau gaj ke main saari
aayee hoon ban ke sundar naari
jaag tu jaag arrey brahmachari
qasam meri  jee jee jee
rey jee jee jee jee jee
rey jee jee jee jee jee
jee jeee jee jee
jee jee

kaun, maayaasur ?

nahin main maaya rani
prem ki teri diwani
haaye meri chadhthi jawani
banaa ley mujhko rani

aaa aaa aaa
daadhi moonchhein ab saaf karaa ke
arrey ban ja baankey jawaan
tod ke tan ki maala kar ley
in adharon ka paan
o oo o o o o o oo
daal ke sawaa laakh ki nathani
rijhaane aayi teri sajni
o chhaila abhi to kar ley mangni
baad mein

baad mein kyaa ehh

baad mien
jee jee jee jee
jee jee jeee jeee
jee jee jeee jeee jee
jee jee

chala ja yahaan se

yahaan se kaise jaaun
jahaan jaaun tum ko paaun
mann ko kaise samjhaaun
lagi ab kaise bujhaaun

aaa aaa aaa aaa
khoob jamegi teri meri
jodi o albele
chhod jog bairaag chal kahin
khel pyaar ka khelein
aan…aaan…aaan…aaan
sharam kyon karta mujhe apna le
arrey khol ke apne dil ke taaley
o chhaila
us mein mujhe bittha le
baad mein

baad mein kyaa

baad mein
jee jee jee
jee jee jee jee jee
hey jee jee jee jee jee
jee jee jee jee jee
jee jee jee jee jee
jee jee jee jee jee
jee jee jee jee jee

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

पहन के नौ गज की मैं साड़ी
आई हूँ बन के सुंदर नारी
जाग तू जाग अरे ब्रह्मचारी
कसम मेरी जी जी जी
रे जी जी जी जी जी
रे जी जी जी जी जी
जी जी जी जी
जी जी

कौन, मायासुर?

नहीं मैं माया रानी
प्रेम की तेरी दीवानी
हाय मेरी चढ़ती जवानी
बना ले मुझको रानी

आ आ आ
दाढ़ी मूछें अब साफ करा के
अरे बन जा बाँके जवान
तोड़ के तन की माला कर ले
इन अधरों का पान
ओ ओ ओ ओ
डाल के सवा लाख की नथनी
रिझाने आई तेरी सजनी’
ओ छैला अभी तो कर ले मंगनी
बाद में

बाद में क्या एहह

बाद में
जी जी जी जी
जी जी जी जी
जी जी जी जी जी
जी जी

चला जा यहाँ से

यहाँ से कैसे जाऊँ
जहाँ जाऊँ तुमको पाऊँ
मन को कैसे समझाऊँ
लगी अब कैसे बुझाऊँ

आ आ आ आ
खूब जमेगी तेरी मेरी
जोड़ी ओ अलबेले
छोड़ जोग बैराग चल कहीं
खेल प्यार का खेलें
आ आ आ आ
शरम क्यों करता मुझे अपना ले
अरे खोल के अपने दिल के ताले
ओ छैला उसमें मुझे बिठा ले
बाद में

बाद में क्या

बाद में
जी जी जी
जी जी जी जी जी
जी जी जी जी जी जी
जी जी जी जी जी
जी जी जी जी जी
जी जी जी जी जी
जी जी जी जी जी


This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4323 Post No. : 15612

Today’s song is from a C grade Costume film of the 50s, Aan Baan-56. It was made by D D Kashyap, under his own banner, Kashyap Productions, Bombay. Needless to mention that the film was directed by himself. Music was by Husnlal-Bhagatram, with assistance from krishan Chander. The cast of the film was Ajit, Mahipal, Nalini Jaywant, Usha Kiran, Pran, Ulhas, Manmohan Krishna and many others.

On Saturday, 16th May morning, I got a call on my Mobile. I picked it up and saw that it was flashing name of Bharatbhai and his photo. A little surprised to get his call at early morning hours, I took the call and as usual said,” Good Morning Bharat ji. Aaj subah subah yaad kiya ?” There was a pause and an unfamiliar voice said, ” Main Bharat ji ka beta baat kar raha hoon.” I knew he was ill. My mind suddenly became alert. For next 5 minutes his son was giving me details of his illness and finally he ended with those dreaded words, ” last Friday,8th May ko raat mein 1230 baje Bharatbhai ki death ho gayi “.

I was stunned. I gave my condolences to the bereaved family and kept the phone. I sat still for five minutes. Then I saw a missed call from Sadanand ji. I gave him a call. He too had got the news. We shared our thoughts and it was decided that Sadanand ji will announce this news on our WA group.

Old people parting is not unusual, but when the departed one is close to you or a family member, one does feel the pain. Bharatbhai was around 87 year old, recently he had a Hip Replacement operation and thereafter he was not well. I had spoken to him in the Hospital as well as when he came back home also. However, his going was a pinching shock.

I came to know Bharatbhai in or around 2013, through our Blog. Those days we did not have the WA group. We started exchanging songs and related matters on phone and e-mails. Then he and Nitin ji came calling to my house in early 2014, first time an Atulite visited me. I was very thrilled. I introduced my wife to them. We had deeper friendship after that. One of his friends, Mr. Chavda, stays in our building and is my friend too. During the last 7 years we visited each other’s houses many times, for meetings or otherwise also. When some important person used to visit me, I used to call him also. Thus he had met Biren Kothari, Shishir krishna Sharma, Rajnikumar Pandya, AK ji and others first time at my place only.

In 2018, he, myself and Sadanand ji visited Surat to meet Harish Raghuvanshi ji. Even in this age, his enthusiasm and memory was praiseworthy. The last we met was in Sadanand ji’s house. He missed one meeting in my house in this January, due to his health issues.

Bharat ji was Tech Savvy at this age also. He had a good collection of books. He actually xeroxed few books from his collection and gave me, on my request. Jolly and friendly Bharat ji can not be forgotten easily. Losing him is a great loss. I pray for his Eternal Peace and Attainment of Moksha !

Life goes on……

Today’s film was a routine film. The period in which such films attracted audiences had long ceased, but still some such films were made, albeit in much less numbers. Costume films had a fixed theme of story. Good and Old King, bad Vazir or close relative, beautiful daughter, her handsome singing lover, final sword fighting and all is well in the end. Same story with some ship-shaping here and there used to be presented. In this connection I remember one thing.

In 2004, a book called “Why we tell stories’, written by Christopher Booker was published. It is a book having more than 700 pages-728 pages to be exact. The book says “There are only 7 (Seven) basic plots in the whole world. They are recycled again and again in Novels, movies, Plays and Operas. These are
1.Overcoming the Monster
2.Rags to riches
3.The quest
4.Voyage and return
5.Rebirth
6.Comedy and
7.Tragedy “.

After this book was published, there was a chaos and criticism started. ‘New York Times’ also jumped in. The author coolly replied all points and stuck to his statements. If we look at Hindi films, I personally feel that what the author has said is true in our case. Only thing is that our film stories are always a clever mixture of all or some of the above points. A peculiar thing in our film industry is the ” Story Department” in some film production companies. Members of this department have Extra Para Perception and Extraordinary imagination. They can mix all 7 story elements in one ‘Khichdi’ and make a film. There are many cases where over enthusiasm on their part has killed the Box office prospects of even good films.

I quote her an example. Prakash pictures had become famous for their 2 Block buster hit films based on Ramayan stories. So when their third Ramayan film ” Ram Baan”-48 came, anxious audiences crowded the theatres, but within few days, the theatres were almost empty and the film flopped so badly that it could be called a ” super duper Flop ” ! The reason ? The story department of Prakash pictures and their wildest imaginations !

The team of Mohanlal Dave and Pt. Girish twisted the original Ramayan story so crudely (or cruelly?), that the audience could not digest it. The film showed a) Shurpankha’s swayamvar in Ravana’s darbar – which is not in Ramayana b) Sita wants in this film the Suvarn Mrig skin for NOT her Kanchuki, but as a gift to Laxman’s wife Urmila ! Too much wild imagination. c) Ravan gives his Sandals to Seeta to walk out of the Laxman Rekha…utter foolishness and finally d) Shabari goes to Rama to invite him and when he comes, introduces Hanuman and Sugriva to Rama. She describes how Ravana took Seeta to Lanka etc. Total lies !

These story department twists to Ramayana story, put Prakash Pictures to such a loss, that they came out of it only after Baiju Bawra, 4 years later. The story of film Aan Baan -56 is also a twisted form of the set pattern. Nothing really new in it. Naturally the film was not a success. The director D D Kashyap was an all rounder in films.

DHARAM DEV KASHYAP aka D.D.Kashyap was born in 1910 at Jalalpur in UP(now Uttar Pradesh,but earlier called United Province), in a middle class family without any connection to films or music. When DD came to the college in Lucknow, he was awed by the silent movies. By 1931 the Talkie started and he decided films as his career. He knew that it is only Bombay that can extend opportunities to him. Reaching Bombay, he laboriously worked up his way,doing menial jobs on the way, to the V.Shantaram camp. He was a learned man with a flair for writing, hence he got a chance to become an assistant to Munshi Aziz, while writing dialogues for AADMI-1939.(I checked the credits of Aadmi and truly his name features in the list of assistants, in the Dialogues section.) I can only imagine how he must have felt then.
Looking at his enthusiasm, Shantaram promoted him as one of his asst.Directors in PADOSI-1941. He even did a cameo role of OMKAR in Padosi.
Now he had enough experience and his first film as a Director was NAI KAHANI-1943. Then came a series of films, Chand, Nargis, Aaj ki Raat, pyar ki Jeet, Badi Behan, Kamal ke phool, Aaram, Do sitare, badnam, Naya Ghar, Shama Parwana, Aan baan, Halaku, Maya(Dev Anand film), and Dulhan ek raat ki-67.

he has also written the story of 10 o’clock-58.

He was an actor, writer, s/play writer, dialogue writer, producer as well.
Actually he produced Badi behan-a hit film, Aaram-another hit and Shama Parwana.

He died on 5-9-1988,at Bombay.

Today’s song is a duet of Asha and Mubarak Begum, which, I guess, is the only such duet. The song has a suspicious resemblance to another song from a later film – which I am unable to recollect the name now. If any reader knows, please write in comment section.


Song-Aji iss faani duniya mein muhabbat ke siwa kya hai (Aan Baan)(1956) Singers- Asha Bhonsle, Mubarak Begum, Lyrics- Qamar Jalalabadi, MD- Husnlal Bhagatram
Both

Lyrics

Aji iss faani duniya mein
muhabbat ke siwa kya hai
aji iss faani duniya mein
muhabbat ke siwa kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa
aa aa aa aa
muhabbat gar na hoti
kyun chamak hoti sitaaron mein
aa aa aa aa
ghataayen jhoomti kyun
phool kyun khilte bahaaron mein
jo sach poochho muhabbat hi khuda hai
aur khuda kya hai
jo sach poochho muhabbat hi khuda hai
aur khuda kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa
aa aa aa aa
qadam kaise uthhe
kaanton bhari hain pyaar ki raahen
kahin bikhre huye aansoo
kahin bikhri huyin aahen
chale jo pyaar ki raah par
unhen aakhir milaa kya hai
chale jo pyaar ki raah par
unhen aakhir milaa kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa
aa aa
aji manzil pe jab mehboob ka aa aa
deedaar hota hai ae
khabar hoti hai phir
kitaana suhaana pyaar hota hai ae ae ae
jo kaaanton se dare
phoolon ki keemat jaantaa kya hai
jo kaaanton se dare
phoolon ki keemat jaantaa kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa aa
yahi darr lag raha hai
pyaar karke dil na pachhtaaye
meri naazuk ye jawaani
dard ki duniya na ban jaaye ae
tumhi mujhko bataao
dil lagaane mein maza kya hai
tumhi mujhko bataao
dil lagaane mein maza kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai
aji chhodo jee chhodo
is muhabbat mein dhara kya hai

aa aa aa aa aa
idhar aao zara
ik baar dekho
meri aankhon mein
dhadak uthha hai dil
jaadoo hai kaisa teri aankhon mein

nigaahen mil gayi ab ye bata do
faisla kya hai
nigaahen mil gayi ab ye bata do
faisla kya hai
aji tum thheek kehte ho
muhabbat ke siwa kya hai
aji tum thheek kehte ho
muhabbat ke siwa kya hai

aji is faani duniya mein muhabbat ke siwa kya hai
aji is faani duniya mein muhabbat ke siwa kya hai
aji is faani duniya mein muhabbat ke siwa kya hai


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4131 Post No. : 15290 Movie Count :

4210

Hindi Songs in Bangla Films – 6
– – – – – – – – – – – – – – – – –

A couple of months’ back, I had come across a Hindi song ‘ruke ruke se kadam’ from a Bangla film, ‘Laal Pathore’ (1964) sung by Mubarak Begum under the music direction of Salil Chowdhury. I could not locate the picturised version of the song. The tune of the song gives me an impression that it is picturised as a mujra song. While it was a new song for me, the ‘mukhda’ of the song sounded familiar to me. Oh! Yes. It was the more famous song, ruke ruke se kadam from ‘Mausam’ (1975) sung by Lata Mangeshkar under the music direction of Madan Mohan. Both the songs have almost the same lyrics which are accredited to Gulzar. So, it is one song, composed in two tunes by two different music directors, depicting two different emotions.

There is a section of the Hindi film music lovers who feels that credit for both the songs should go to Mirza Ghalib as he had originally written this ghazal which Gulzar has merely changed a few words to give an easy understanding of the original words. So, I decided to make a reality check by comparing the original ghazal written by Mirza Gahlib and the versions written by Gulzar for both the films mentioned above.

The original ghazal written by Mirza Ghalib has five she’rs. The ghazal written by Gulzar for the Bangla film ‘Laal Pathore’ (1964) has four she’rs and that for ‘Mausam’ (1975) has three she’rs. Let us compare the she’rs of all the three versions of the ghazal in a tabular form for easy verification as to whether the ‘allegation’ on Gulzar has substance or not.

Original ghazal by Mirza Ghalib Gulzar’s version of the ghazal – ‘Laal Pathore’ (1964) Gulzar’s version of the ghazal – ‘Mausam’ (1975)
Ruke ruke se kadam
ruk ke baar baar chale.Qaraar de ke tere dar se beqaraar chale.
Ruke ruke se kadam
mud ke baar baar chale.Qaraar le ke tere dar se beqaraar chale.
Ruke ruke se kadam
ruk ke baar baar chale.Qaraar le ke tere dar se beqaraar chale
Uthaaye phirte thhe ehsaan jism kaa jaan par.

Chale jahaan se to
ye pairahan uttaar chale.

Uthaaye phirte thhe ehsaan dil kaa seene par.

Tumhaare kadmon mein
ye karz bhi
utaar chale

Uthaaye phirte thhe ehsaan dil kaa seene par.

Le tere kadmon mein
ye karz bhi
utaar chale

Na jaane kaun si mitti watan ki mitti thhi.

Nazar mein dhool jigar mein liye ghubaar chale.

[Not used] [Not used]
Sahar naa aayi kayi baar neend se jaage.

Thhi raat raat ki ye zindagi guzaar chale.

Sahar naa aayi kayi baar aaftaab aaya.

Ham intezaar mein ye raat bhi guzaar chale.

Subah naa aayi kayi baar neend se jaage.

ki ek raat ki ye zindagi guzaar chale

Mili hai shama se ye rasm-e-aashiqui hamko.

Gunaah haath pe le kar gunaahgaar chale.

Shama se seekhi hai ye rasm-e-aashiqui hamne.

Gunaah haath pe le kar gunaahgaar chale.

[Not used]

Note: Bold words indicate changes from the original she’rs.

It will be observed from the above table that Gulzar has made only some cosmetic changes in the original ghazal written by Mirza Ghalib which has been used in the two films mentioned above. Hence, the credit for the two ghazals used in the films should have rightly gone to Mirza Ghalib. I am aware that Gulzar is a great fan of Mirza Ghalib and he had used Mirza Ghalib’s she’rs in a couple of his other songs including dil dhoondhta hai phir wahi fursat ke raat din. So, I thought that he may have given due credit to Mirza Ghalib in his film ‘Mausam’ (1975) for his inspirations. But in the credit title of the film in DVD version, there is no acknowledgement to Mirza Ghalib.

Coming back to the song ‘ruke ruke se kadam mud ke baar baar chale’ from the Bangla film, ‘Laal Pathore’ (1964), as mentioned earlier, this song is not available in the DVD version of the film. I feel that this mujra song may have been partially used in the film. But the full song is available on the record version which was issued by Saregama (then HMV). There is another Hindi song in the film, ‘saans ke zakhm bhar raha hai koi’ written by Gulzar and sung by Manna Dey which is partially used in the film.

‘Laal Pathore’ (1964, Bangla) in which Uttam Kumar, Supriya Devi (Chaudhury) and Srabani Basu acted in main roles was later made in Hindi as ‘Laal Pathar’ (1971) with corresponding roles for Rajkumar, Hema Malini and Rakhi. Both the versions were directed by Sushil Majumdar. While Salil Chowdhury composed the music for Bangla version, Shankar-Jaikishan composed the music for Hindi version.

I was enthralled with the Ghazal King Madan Mohan’s version of the ghazal, ‘ruke ruke se kadam’ from ‘Mausam’ (1975)’ Let us now enjoy Salil Chowdhury’s version of the same ghazal in a different setting.

Lastly, let us also give credit to Mirza Ghalib for the lyrics of both the version of the ghazal along with Gulzar.

Audio link:

Song-Ruke ruke se kadam mud ke baar baar chale (Laal Pathore)(Bangla)(1964) Singer-Mubarak Begam, Lyrics-Gulzar, MD-Salil Chaudhary

Lyrics

ruke ruke se kadam mud ke baar baar chale
ruke ruke se kadam mud ke baar baar chale
qaraar le ke tere dar se beqaraar chale
qaraar le ke tere dar se beqaraar chale

sahar naa aayi kayi baar aaftaab aaya
sahar naa aayi kayi baar aaftaab aaya
sahar naa aayi kayi baar aaftaab aaya
ham intezaar mein ye raat bhi guzaar chale
ham intezaar mein ye raat bhi guzaar chale
qaraar le ke tere dar se beqaraar chale

shama se seekhi hai ye rasm-e-aashiqui hamne
shama se seekhi hai ye rasm-e-aashiqui hamne
shama se seekhi hai ye rasm-e-aashiqui hamne
gunaah haath pe le kar gunaahgaar chale
gunaah haath pe le kar gunaahgaar chale
qaraar le ke tere dar se beqaraar chale

uthaaye phirte thhe ehsaan dil kaa seene par
uthaaye phirte thhe ehsaan dil kaa seene par
uthaaye phirte thhe ehsaan dil kaa seene par
tumhaare kadmon mein ye karz bhi utaar chale
tumhaare kadmon mein ye karz bhi utaar chale
qaraar le ke tere dar se beqaraar chale
ruke ruke se kadam mud ke baar baar chale


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4004 Post No. : 15108 Movie Count :

4149

Missing Films of 1960s – 113
– – – – – – – – – – – – – – –

Famous last words, and all the associated idiomatic paraphernalia that goes along – well, it has happened with me too. 🙂 On Monday last (1st July), while posting the 112th episode of this series, I had, with much fanfare announced that no more films of 1960s are traceable at present. And the very same day, our dear Sadanand ji pointed me towards a link on YT – a song uploaded by Shri Girdhari Lal ji (of Jodhpur), from the film ‘Rang Raliyaan’ of 1962. This film is on the list of 79 films that I posted in that article – list of films that are still to be traced.

And so in my defense I want to state that Girdhari Lal ji is one of the earliest sources that I consulted, while searching for the missing films and songs. That must have been about 3 to 4 years ago, when I had started working on this series. At that point in time, he had told me that, he had not yet started working on the films from 1960s, so he could not say with certainty. Later, as I was getting to close this series, I should have checked with him again, but missed doing that. And this upload has been online for about 11 months now. 🙂

In my article I have written at one place,

The last column gives the no. of films which are not yet available, and I mean, not available from any source, period. As far as my search of the past almost four years reveals, songs of these films are not available anywhere in public domain. I could be wrong, and oh boy, I will be the happiest person to be told that I am wrong 🙂 .

Yes, I am happy to get hold of songs from a very rare and obscure film, and also to bring this film on board. And I heartfully thank Sadanand ji for bringing this song and upload to my notice. Further, I am so glad that providence made me close that article with the lines,

I suspend further publications in this series. I say suspend, because I want to leave the door open for the possibility that any of the remaining 79 films of this decade, may turn up, only God knows where and when.

Well, one of the films did turn up right away. 🙂

Not only has Girdhari Lal ji uploaded these songs online, he also sent me many more details about the film itself, which I am presenting here.

The film is produced by Achchhe Saheb (name given in Geet Kosh). It is directed by Aziz Kashmiri, who has also written the songs in this film. The cast of actors of this film includes Meena, Manhar Desai, Manju, Randheer, Dalpat and Om Prakash.

The film has seven songs, one of which is a long two part song. All songs are written by Aziz Kashmiri. Three music directors have contributed to the film – Vinod, Lachhiram and S Bannerji.  This particular song is composed by Lachhiram. The singing voice is that of Mubarak Begum.

This song is vintage Mubarak Begum. As I listened to this song multiple times, the rendition and the nuances kept taking my mind back to her other hit songs like “Tumhaara Dil Mere Dil Ke Muqaabil Ho Nahin Sakta. . . Bemuravvat Bewafaa. . .”, “Aankhon Aankhon Mein Har Ek Raat Guzar Jaati Hai”, and “Mere Aansuon Pe Na Muskura”. A sad song of a broken heart, I simply do not seem to be able to get enough of listening to it. A very rare and a very obscure addition to our blog – a song whose existence we have not been aware of all these years.

And yes, this find also gives hope and encouragement that more of the missing films and songs may be recovered in time.
Aameen.

 

Song – Kyon Hum Ne Mohabbat Ki Un Se  (Rang Raliyaan) (1962) Singer – Mubarak Begum, Lyrics – Aziz Kashmiri, MD – Lachhiram

Lyrics 

kya bhale din the
tabiyat jab kahin aai na thi
chot wo khaai hai dil par
jo kabhi khaai na thi

kyon hum ne mohabbat ki un se
oo oo oo
kyon hum ne mohabbat ki un se
kyon dil ka sukoon barbaad kiya
kyon un ke liye badnaam huye
oo oo oo
kyon un ke liye badnaam huye
kyon khaana e gham abaad kiya
kyon hum ne mohabbat. . .

daaman mein hai gham tum kya jaano
daaman mein hai gham tum kya jaano
majboor hain hum tum kya jaano
tum kya jaano
wo dil ki khushi paayenge kahaan
oo oo oo
wo dil ki khushi paayenge kahaan
kismet ne jinhen nashaad kiya
kyon hum ne mohabbat. . .

ae baad e saba tu jaa ke zara
ae baad e saba tu jaa ke zara
keh dena ye paighaam mera
paighaam mera
hum aur to sab kuchh bhool gaye
oo oo oo
hum aur to sab kuchh bhool gaye
ik teri wafaa ko yaad kiya..aa..aa. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

क्या भले दिन थे
तबीयत जब कहीं आई ना थी
चोट वो खाई है दिल पर
जो कभी खाई ना थी

क्यों हमने मोहब्बत की तुमसे
ओ ओ ओ
क्यों हमने मोहब्बत की तुमसे
क्यों दिल का सुकूँ बर्बाद किया
क्यों उनके लिए बदनाम हुये
ओ ओ ओ
क्यों उनके लिए बदनाम हुये
क्यों खाना ए ग़म आबाद किया
क्यों हमने मोहब्बत॰ ॰ ॰

दामन में है ग़म तुम क्या जानो
दामन में है ग़म तुम क्या जानो
मजबूर हैं हम तुम क्या जानो
तुम क्या जानो
वो दिल की खुशी पाएंगे कहाँ
ओ ओ ओ
वो दिल की खुशी पाएंगे कहाँ
किस्मत ने जिन्हें नाशाद किया
क्यों हमने मोहब्बत॰ ॰ ॰

ए बाद ए सबा तू जा के ज़रा
ए बाद ए सबा तू जा के ज़रा
कह देना ये पैग़ाम मेरा
पैग़ाम मेरा
हम और तो सब कुछ भूल गए
ओ ओ ओ
हम और तो सब कुछ भूल गए
इक तेरी वफ़ा को याद किया॰॰आ॰॰आ॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3959 Post No. : 15037 Movie Count :

4123

Missing Films of 1960s – 110
– – – – – – – – – – – – – – –

Coming into the home stretch now. 110 films from 1960s added during this series. Some of them have been so rare that no information even is available about them. Like today’s film – ‘Black Arrow’ from 1965.

Geet Kosh, the major source of all information on Hindi films of those decades, provides us with the following details. The film is produced under the banner of Ameer Productions, Bombay, and is directed by Mehmood. It is not clear whether this is the same person as the comedian Mehmood that we are all so familiar with. The film is listed as a costume drama. The film poster that is available online indicates this film to be of the ‘zorro’ genre – a masked rider wearing a black cape and a black hat and riding a black horse – gives an impression of a zorro clone type film.

The star cast is listed as Hercules, Chandrakala, SK Shyam, Anjum, Funny Walker, Jilani, Hameeda Bano, Sadhana Khote, Khurshid Khan, Nazeer Kashmiri, Shakeela Bano Bhopali, and Jaani Babu qawwaal.

Geet Kosh lists four songs for this film. All the songs are written by Aziz Ghaazi. Now this name, although not new on the blog, does not have any information associated with it. We have four songs by this songwriter on the blog. In the Geet Kosh listings, I could locate 29 songs written him, for 9 films, from 1958 to 1969. Then, in our blog, his name appears again for a film in 1987 – ‘Tarzan And Cobra’. That makes 10 films that are known to have his name connected with. Almost all films that he has written for are stunt and costume drama films, as their names would suggest – ‘Jungle Princess’ (1958), ‘Choron Ki Baraat’ (1960), ‘Diler Haseena’ (1960), ‘Night Bird’ (1961), ‘Black Arrow’ (1965), ‘Noor Mahal’ (1965), ‘Tarzan And Hercules’ (1966), ‘Tarzarn Aur Jaadui Chiraagh’ (1966), ‘Sakhi Lutera’ (1969), and ‘Tarzan And Cobra’ (1987). So far this is all the information that I have been able to locate about this obscure songwriter.

The previous song written by Aziz Ghazi and posted on our blog, is a qawwaali in the voices of Mubarak Begum and Jaani Babu Qawwaal – “Adaayen Teer Hain Andaaz Barchhi Bhaale Hain” from the film ‘Jungle Princess’ (1958). And again today, we have another qawwaali sung by the same singers. As I have been surveying the landscape of 1960s films and songs, I realize that the qawwaali has been a very popular song type used in the films, all the way from mid 1950s to around end 1970s. So much that every third or fourth film, especially if it is a stunt type B/C grade film, contains a qawaali. Many of them are quite obscure, unavailable. And those which are available, are not much heard. Maybe because they belong to obscure films. But the qawwaalis, in themselves, are superb creations that have gone unnoticed and are lost to the listeners. It may be an idea to do another series of such unfamiliar qawwaalis from that era. (Aah. . . plans. . .) 😉

Let’s listen to this ‘nok jhonk’ qawaali, a very obscure and a rare song. This is the only song that is available for this film, in public domain. It appears that other songs were probably not released on gramophone records. Small mercies – that this one long qawwaali is now available.

Given the list of actors, my intuition says that this qawwaali is performed on screen by Shakeela Bano Bhopali, lip syncing for the back ground voice of Mubarak Begum, and Jaani Babu Qawwaal, singing for himself.

Another interesting point that comes to mind, as I listened to an prepare the lyrics. Per our earlier discussions, and Atul ji’s observations, a nok-jhonk type of song always ends in an agreement between the parties. In other words, it takes about three minutes for the jhagda to end and friendship to begin. This being a qawaali, the protagonists are taking longer to make their points. However the agreement is reached, albeit it arrives after six minutes. Oh well, it is a qawwaali after all. 🙂

Song – Jhoothe Ho Jhoothe Tum Ishq Waale  (Black Arrow) (1965) Singer – Mubarak Begum, Jaani Babu Qawwaal, Lyrics – Aziz Ghazi, MD – Iqbal
Mubarak Begum + Jaani Babu Qawwaal
Female Chorus
Male Chorus

Lyrics

nazar aate ho tum
bezaa..aar hum se. . .

na hoga ye kabhi
sarkaa..aar hum se. . .

jhoothe ho jhhoothe tum ishq waale
dil tod daala hamaara
maar daala arey maar daala
jhoothe ho jhhoothe tum ishq waale
dil tod daala hamaara
maar daala arey maar daala

ho dil ke kale tum husn waale
dil tum ne chheena hamaara
maar daala arey maar daala
ho dil ke kale tum husn waale
dil tum ne chheena hamaara
maar daala arey maar daala

tum ne achhi ye mohabbat ki adaa ha paayi
aaj is ke ho to kal us ke baney shaidaai
jaante hi nahin tum waada nibhaana kya hai
jaaiye jaaiye in baaton mein rakha kya hai
haa aaa aaa aaa aaaa
tum se harjaai ki. . .
ulfat ka bharosa kya hai. . .
jhoothe ho jhhoothe tum ishq waale
dil tod daala hamaara
maar daala arey maar daala

tum ne har baat ko afsaana bana kar chhoda
jis ko chaaha us ko deewaana banaa kar chhoda
bijliyaan hosh pe hans hans ke giraane waale
dil ki duniya mein ho tum aag lagaane waale
aaaa aaaa aaaaa aaaaaaa
ek hum hi nahin. . .
kehte hain zamaane waale. . .
ho dil ke kale tum husn waale
dil tum ne chheena hamaara
maar daala arey maar daala
ho dil ke kale tum husn waale
dil tum ne chheena hamaara
maar daala arey maar daala

hum na hotey to zamaane mein andhera hota
dard ka ranj ka nafrat ka basera hota
husn se apne nazaaron ki sajaaya hum ne
pyaar kya hota hai ye tum ko bataaya hum ne
haa aaa aaa aaa aaaa
ishq mein mit gaye par lab na hilaaya hum ne. . .
jhoothe ho jhhoothe tum ishq waale
dil tod daala hamaara
maar daala arey maar daala
jhoothe ho jhhoothe tum ishq waale
dil tod daala hamaara
maar daala arey maar daala

hum na hotey to ye shokhi na masti hoti
husn ki duniya pe hasrat hi barasti hoti
pyaar kar ke tumhen magroor banaaya hum ne
dilbari ka har ek andaz sikhaaya hum ne
haaaa aaaa aaaaa aaaaaaa
ishq ki raah mein
dil apna jalaaya hum ne. . .
ho dil ke kale tum husn waale
dil tum ne chheena hamaara
maar daala arey maar daala
ho dil ke kale tum husn waale
dil tum ne chheena hamaara
maar daala arey maar daala

pyaar ke naam pe tum mil ke daghaa detey ho
tum wafaadaari ki inaam sazaa detey ho
tum ne chhoda hai mohabbat mein sahaara de kar
tukde dil kar diya hai tum ne hamaara le kar
aaj to gusse mein sarkaar nazar aate ho
khich ke tum aur bhi talwaar nazar aate ho
maan letey hain chalo pyaar tumhaara sachchaa
aao mil jaao ye jhagda nahin hota achhaa
baat taqraar ki dekho na zabaan par laao
saaz e dil chhed ke ulfat ke taraane gaao

hum hain tumhaare
tum ho hamaare
dil ko mila hai sahaara
pyaar ka har taraf hai ujaala

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

नज़र आते हो तुम
बेज़ा॰॰आर हम से॰ ॰ ॰

ना होगा ये कभी
सरका॰॰आर हम से॰ ॰ ॰

झूठे हो झूठे तुम इश्क़ वाले
दिल तोड़ डाला हमारा
मार डाला अरे मार डाला
झूठे हो झूठे तुम इश्क़ वाले
दिल तोड़ डाला हमारा
मार डाला अरे मार डाला

हो दिल के काले तुम हुस्न वाले
दिल तुमने छीना हमारा
मार डाला अरे मार डाला
हो दिल के काले तुम हुस्न वाले
दिल तुमने छीना हमारा
मार डाला अरे मार डाला

तुमने अच्छी ये मोहब्बत की अदा है पाई
आज इसके हो तो कल उसके बने शैदाई
जानते ही नहीं तुम वादा निभाना क्या है
जाइए जाइए इन बातों में रखा क्या है
हा॰॰ आss आss आss आsss
तुमसे हरजाई की॰ ॰ ॰
उलफत का भरोसा क्या है॰ ॰ ॰
झूठे हो झूठे तुम इश्क़ वाले
दिल तोड़ डाला हमारा
मार डाला अरे मार डाला

तुमने हर बात को अफसाना बना कर छोड़ा
जिसको चाहा उसको दीवाना बना कर छोड़ा
बीजलियाँ होश पे हंस हँस के गिराने वाले
दिल की दुनिया में हो तुम आग लगाने वाले
आsss आsss आssss आssssss
एक हम ही नहीं॰ ॰ ॰
कहते हैं जमाने वाले॰ ॰ ॰
हो दिल के काले तुम हुस्न वाले
दिल तुमने छीना हमारा
मार डाला अरे मार डाला
हो दिल के काले तुम हुस्न वाले
दिल तुमने छीना हमारा
मार डाला अरे मार डाला

हम ना होते तो जमाने में अंधेरा होता
दर्द का रंज का नफरत का बसेरा होता
हुस्न से अपने नज़ारों को सजाया हमने
प्यार क्या होता है ये तुमको बताया हमने
हा॰॰ आss आss आss आsss
इश्क़ में मिट गए॰ ॰ ॰
पर लब ना हिलाया हमने॰ ॰ ॰
झूठे हो झूठे तुम इश्क़ वाले
दिल तोड़ डाला हमारा
मार डाला अरे मार डाला
झूठे हो झूठे तुम इश्क़ वाले
दिल तोड़ डाला हमारा
मार डाला अरे मार डाला

हम ना होते तो ये शोख़ी ना मस्ती होती
हुस्न की दुनिया पे हसरत ही बरसती होती
प्यार कर के तुम्हें मगरूर बनाया हमने
दिलबरी का हर एक अंदाज़ सिखाया हमने
हा॰॰ आsss आssss आssssss
इश्क़ की राह में॰ ॰ ॰
दिल अपना जलाया हमने॰ ॰ ॰
हो दिल के काले तुम हुस्न वाले
दिल तुमने छीना हमारा
मार डाला अरे मार डाला
हो दिल के काले तुम हुस्न वाले
दिल तुमने छीना हमारा
मार डाला अरे मार डाला

प्यार के नामे पे तुम मिलके दग़ा देते हो
तुम वफादारी की इनाम सज़ा देते हो
तुमने छोड़ा है मोहब्बत में सहारा दे कर
टुकड़े दिल कर दिया है तुमने हमारा लेकर
आज तो गुस्से में सरकार नज़र आते हो
खिच के तुम और भी तलवार नज़र आते हो
मान लेते हैं चलो प्यार तुम्हारा सच्चा
आओ मिल जाओ ये झगड़ा नहीं होता अच्छा
बात तक़रार की देखो न ज़बां पर लाओ
साज ए दिल छेड़ के उलफत के तराने गाओ

हम हैं तुम्हारे
तुम हो हमारे
दिल को मिला है सहारा
प्यार का हर तरफ है उजाला


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

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