Archive for March 2022
Tim tim tim tim chamke re taara
Posted on: March 31, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5004 | Post No. : | 16904 |
Today’s song is from the ‘1970’ movie ‘Suhaana Safar’.
Many of my articles are prompted when my memory gets triggered while listeneing to (or thinking about) songs of movies that I watched long ago.
Today’s post is one such post.
I was travelling to pick up my elder daughter from her new working place which is around 150 kms from Vadodara ( a journey of around two hours and forty-five minutes long). I was travelling to bring her back home for ‘holi’ vacation and her marriage vacation 🙂 (her marriage is scheduled this week). 🙂
I was travelling in the afternoon. When I switched on to ‘vividh bharati’ on 93.9FM’ I got to listen to this program ‘kuchh baatein kuchh geet’. It is a ‘theme’ based program where the audience also share their thoughts related to the theme and request for songs of their choice according to the theme.
During this program I got to listen to this song ‘aha aha aa ye suhaana safar’ (as the theme for that day of 17th March 2022 was ‘suhaana’ or ‘suhawnaapan’ etc.
I liked this song very much. It brought back memories of watching this movie when I must be around seven-eight years old. This movie was screened at the weekly screening of movies at the colony club where we then resided.
Though I do not remember this movie now, but this song is permanently embedded on my mind. I had shared this song as a ‘lyrics contributor’ on the blog.
I must be between two-three years old when this movie ‘Suhaana Safar-1970’ had released. Recently I came across many movies of ‘end-sixties’ or from the years – 1968 to 1971 where songs from some of the movies are part of my nostalgia of those years.
I am sure some songs may be getting embedded on my impressionable mind then where the elders must have carried me to movies they watched or some songs were played frequently on the radio, when I was growing, and thus they become part of my vague memories.
I had earlier attempted to list down the songs which makes me feel nostalgic and those songs which bring back old memories, in this post.
I am thinking to revisit movies in chronological order -from the year of my birth i.e. 1968 to 1983-85 when I become a grown up boy and had completed my 10+2 education. I am sure this will be an interesting ‘journey’. But that is a part of another ‘series’ 🙂 of posts.
Coming back to the today’s post now …
When I reached back to my ‘base station’’ I browsed the blog and noted that this movie ‘Suhaana Safar’ is yet to be ‘Yippeeee’ed’ on the blog. On checking the remaining two songs I find the song under discussion more suitable for today’s presentation as the song is happening on a ‘marriage function’ in the movie.
“Suhaana Safar -1970” was directed by Vijay for ‘Century Films, Bombay’.
It had Shashi Kapoor, Sharmila Tagore, Om Prakash, Lalita Pawar, David, Manmohan Krishna, Leela Mishra, Bhagwan, K.N. Singh, Tiwari, Sunder, Randhir, Mukri, Keshto Mukherji, Sherry, and others.
This movie had six songs written by Anand Bakshi and composed to music by Laxmikant-Pyarelal.
Five songs from this movie have already been posted on the blog as given below.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Aha aha ye suhaana safar | Mohd Rafi | 18.03.2018 |
| 02 | Haay re paisa… paise ka hai kya yakeen | Mohd Rafi | 28.03.2022 |
| 03 | Tim tim tim tim chamke re taara… | Lata Mangeshkar, chorus | Being discussed today |
| 04 | Choodiyaan bazaar se mangwaa de re | Asha Bhonsle, Mohd Rafi | 08.03.2012 |
| 05 | Saari khushiyaan hai muhabbat ki … | Mohd Rafi | 21.06.2009 |
| 06 | Aha aha ye suhaana safar | Suman Kalyanpur | 18.03.2018 |
Today’s song is sung by Lata Mangeshkar. This vigorous dance song is lip synced by Jayshree T. She has given an energetic and enthusiastic performance in this song which is highly enjoyable to watch.
Also seen in the picturisation of the song are Shashi Kapoor and many other male-female artists.
Let us now enjoy today’s song and say ‘Yippeeee’ to this movie ‘Suhaana Safar-1970’ on the blog.
(When I had already noted the lyrics of this song and noting the date of the earlier posts, I noted that this movie was eligible for ‘blog ten-year challenge’ on 08.03.2022. And as usual lyrics of the remaining two songs from this movie were also sent by our dear Prakash ji for that day.)
Video
Audio
Song-Tim tim chamke re taara (Suhaana Safar)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics(Provided by Prakashchandra)
aa aa aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa aa aa
tim tim tim tim chamke re taaraa
o re damkey roop tihaaraa aa
tim tim tim tim chamke re taaraa
o re damkey roop tihaaraa
oye dulhaniyaa
jeewan saathi aaya
aaya leke baraati o taubaa
tim tim tim tim chamke re taaraa
o re damkey roop tihaaraa
oye dulhaniyaa
jeewan saathi aaya
aaya leke baraati o taubaa
ghoonghtaa giraa le ae
mukhdaa chhupaa le
ghoonghtaa giraa le ae
mukhdaa chhupaa le
ghoonghtaa giraa le ae
mukhdaa chhupaa le
laagey naa nazar
kaalaa tikaa lagaa le
khan khan khan khan khanke kalaayi
o re taubaa raam duhaayi
oye dulhaniyaa
dulhaniyaa aa aa
jeewan saathi aaya
aaya
leke baraati o taubaa
boley sajan se
teri painjaniyaa
boley sajan se
teri painjaniyaa
boley sajan se ae
teri painjaniyaa
le chal banaa ke mohe apni sajaniyaa
dam dam dam dam damroo baaje
o re ghunghroo pag mein saaje
oye dulhaniyaa
dulhaniyaa aa aa
jeewan saathi aaya
aaya
leke baraati o taubaa
resham ki pagdi ee
phoolon ka sehraa
resham ki pagdi ee
phoolon ka sehraa
resham ki pagdi ee
phoolon ka sehraa
chamke khushi se dekho dulhe ka chehraa
dhak dhak dhak dhak dhadke jiyaraa
o re bhadke kyun angaaraa
oye dulhaniyaa
dulhaniyaa aa aa
jeewan saathi aaya
aaya
leke baraati o taubaa
tim tim tim tim chamke re taaraa
o re damkey roop tihaaraa aa
oye dulhaniyaa
jeewan saathi aaya
aaya leke baraati o taubaa
Aahen jo main na bharoon
Posted on: March 29, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5002 | Post No. : | 16902 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 38
————————————————————————————–
This date ten years ago (viz 29 march 2012) was a lean day for the blog. This date saw only two songs from two different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5702 | Dil mein shama jalaake tere intezaar ki | Sabak(1950) | & songs covered so far out of 10 |
| 5703 | Muhabbat ka naghma zubaan par na aata | Pyaar Kiya To Darna Kya (1963) | Movie YIPPEED by now |
It can be seen that one of the two movies whose songs were covered on 29 march 2012 has since been YIPPEED.
That leaves us with only one movie which is eligible for Blog Ten Year challenge today ten years later on 29 march 2022.
This movie is “Sabak”(1950).
“Sabak”(1950) was produced and directed by M Sadiq for Sadiq Productions, Bombay. The movie had Munawar Sultana,Jagirdar,Karan Dewan,Om Prakash,Kumar, Cuckoo, Jilloo Maa, Shyama etc in it.
“Sabak”(1950) had ten songs in it. Seven songs have been covered in the blog so far.
Here is the eighth song from the movie to appear in the blog. This song is sung by Surinder Kaur. D N Madhok is the lyricist. Music is composed by A R Qureshi.
Only the audio of this rare song is available. My guess is that this song was picturised on the leading lady of th movie viz Munawwar Sultana. I request our knowledgeable readers to help throw light on the picturisation of this song.
Lyrics of the song and other details were sent to me by Prakashchanda.
audio link:
Song-Aahen jo main na bharoon (Sabak)(1950) Singer-Surinder Kaur, Lyrics-D N Madhok, MD-A R Qureshi
Lyrics(Provided by Prakashchandra)
aahein jo main naa bharoon oon oon
tum hi kaho kyaa karoon oon oon
aahein jo main naa bharoon oon oon
tum hi kaho kyaa karoon
bheegee bheegee morey tan mein
bheegee bheegee morey tan mein
chhalkey dono nainon mein aansoo
chhod gayaa tu ulfat ko gaaliyaan doon oon oon
tum hi kaho kyaa karoon oon oon oon
aahein jo main naa bharoon ooon oon
tum hi kaho kyaa karoon
terey merey khel se pehley
tere mere khel se pehley
pyaar ne laakhon khel rachaaye
pyaar ne laakhon khel rachaaye
ek bhi aisaa aa hamne na dekhaa
jis`ke labon par aayee naa haaye
jis`ke labon par aayee naa haaye
abki jo main na daroon..oon
tum hi kaho kyaa karoon oon oon
aahein jo main na bharoon oon oon
tum hi kaho kyaa karoon oon oon
aahein jo main na bharoon ooon
Chaand mama ne amrood churaaya re
Posted on: March 27, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 16900th post in the blog on its 5000th day.
|
Blog Day : |
5000 | Post No. : | 16900 |
Today (27 March 2022) is one of those days that arrives regularly in the blog. It is the century post day. Moreover, it is an even more special day for the blog. Today is the 5000th day of the blog !
The fact that today is the 5000th day of the blog was known for quite some time. The idea that this day should coincide with the century post germinated a few days ago, even though it meant that we needed to go at a slower rate than even the already slow rate for the blog.
Sudhir Jee, who floated this idea was under the impression till the last moment that today we were on to 17000th post. It was only at the last moment that he realised that we were onto just the 16900th post. 🙂
Sudhir Jee had identified a special post for the occasion of 17000th post and so that song had to be held back.
We did not have any backup song for the occasion.
Most of our century posts get posted on week days when the blog gets more visits. Today is perhaps the first time in many years when the century post was getting covered on a Sunday. The previous such occasion that I can think of was 20 July 2014, which was a Sunday too and that was the day when the 10000th post was covered on the blog. That day which saw 8 articles being posted was a memorable day for the blog, as the regulars of the blog remember even to this day.
Today is Sunday. A few years ago, I had discovered a rare and remarkable old song of 1940s that celebrated Sunday. I vaguely remembered that I had noted it down and I had even downloaded that song. That song would have been a perfect century song for today. But I could not locate that song, despite searching hard in my portable hard disks and elsewhere. It could well have been hiding in some laptop that I am no longer using.
I informed Sudhir Jee about this song and he too searched for it. But that song could not be located.
During my searches, I came across some other rare songs and I considered using one of them, in case our “Sunday” song could not be located. So here is that song.
This song, quite an interesting and rare song, is from ‘Phulwaari’ (1946).
‘Phulwaari’ (1946) was directed by Chaturbhuj Doshi. The movie had Motilal, Khursheed, Madhubala, Ramayan Tiwari etc in it. This obscure movie had 9 obscure songs in it. Two songs from the movie have been covered in the blog.
This song, third from the movie and 16900th song in the blog is a children’s song. It is sung by Baby Anu and chorus. Pt Indra is the lyricist. Music is composed by Hansraj Bahl.
The song is a take on Chanda Mama from her point of view. It is quite a fun song, quite an interesting song indeed. The song , like its movie ended up becoming obscure.
I request our knowledgeable readers to help throw light on the movie as well as on the picturisation of the song.
I have no idea who this singer Baby Anu was. She may have been a small child while recording this song, but today she would be in her 70s. I request our knowledgeable readers to throw light on her. She makes her debut as a playback singer in the blog.
16900 songs on the 5000th day for the blog ! It has been quite a marathon run for this musical blog where songs have been covered at a rate of 3.4 songs everyday. These figures demonstrate the fact that if one can be consistent and disciplined that it is possible to achieve such high figures, even if our daily rate of posts may be seemingly low.
The blog now has 16900 songs from nearly 4600 movies, and around 1300 of these movies have already been Yippeee’d. These figures may not appear too daunting to the uninitiated, but these figures are big figures. We realize their size only when we try to list them or try to go through the list, or try to take a print out.
The next century mark is the big mark of 17000th song. Who thought, 14 years ago during 2008, that this blog would still be around in 2022 and people here would talk of 17000 songs in it. We are here and that target is just 100 songs away from us.
I take this opportunity to thank one and all. And as always, let us hope that this musical bandwagon keeps rolling on and on and we keep discovering many musical gems in our journey.
Song-Chaand mama ne amrood churaaya re (Phulwaari)(1946) Singer-Baby Anu, Lyrics-Pt Indra, MD-Hansraj Bahl
Chorus
Lyrics
chaand mama ne
chaand mama ne ho
chaand mama ne amrood churaaya re
chaand mama ne amrood churaaya re
chori chori
ho chori chori
chori chori akele hi khaaya re
chori chori akele hi khaaya re
chaand mama chaand mama
chaand mama rakhiya bandhaane ko aaya
ho o o o
ho o o o
chaand mama rakhiya bandhaane ko aaya
jholi mein kitne khilaune wo laaya
jholi mein
jholi mein kitne khilaune wo laaya
munni munne ke man bhaaya re
munni munne ke man bhaaya re
chaand mama ne amrood churaaya re
chaand mama ne amrood churaaya re
chaand mama chaand mama
chaand mama chaand mama
baaghon mein aana
chaand mama chaand mama
baaghon mein aana
munni ko kirnon ka jhoola jhulaana
munni ko
munni ko kirnon ka jhoola jhulaana
jhoolan ka mausam aaya re
jhoolan ka mausam aaya re
chaand mama ne amrood churaaya re
chaand mama ne amrood churaaya re
chaand mama chaand mama
chaand mama chaand mama
school jaana
chaand mama chaand mama
school jaana
master jee se chhutti dilaana
chhutti dilaana
master jee se chhutti dilaana
mera janm din aaya re
mera janm din aaya re
chaand mama ne amrood churaaya re
chaand mama ne amrood churaaya re
chori chori
ho chori chori
chori chori akele hi khaaya re
chori chori akele hi khaaya re
chaand mama ne
Baalam se munh mod maad ke
Posted on: March 27, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5000 | Post No. : | 16899 |
When one looks at the songs of Hindi movies, there are lots and lots of songs of the genre of feelings of heart” and “expression of love”. Going by the statistics of the blog, 46 % songs are “feelings of heart” and 25 % of all Hindi movie songs are “expression of love”.
An interesting and spicy version of the above mentioned genre of songs is “nok jhonk” songs or. They may be fewer in number, but they are great fun songs to listen to.
Another variation of such songs is “roothhna-manaana” aka “sulking-appeasing” song.
The blog so far has 61 “nok jhonk” songs that often take place between the lovers, who are often spouses. I had done some research in these songs and I had come to the conclusion that all the roothhna (on the past of the lady) lasts for 2 minutes and 30 seconds in a 3 minutes song, and the lady then relents in the slog overs of the match and then all is well. 🙂
Here is another “nok jhonk”cum “sulking appeasing” song. This song is from “Guru Dakshina”(1950).
“Guru Dakshina”(1950) was produced by Rajasthan Studios, Bombay. This is all the detail that is mentioned about this movie in HFGK.
The movie had eight songs in it. Two songs have been covered in the past.
This third song from the movie is sung by Trilok Kapoor (singer) and Prempal. Prempal is a female singer unlike what the name suggests. Sarshar Sailaani is the lyricist according to the uploader (Mr Girdharilal Vishwakarma, a renowned collector of records). Music is composed by Pt Lachchiram.
This is an interesting song. after the roothna-manaana on the part of the lady, it is the gentleman that sulks, and then quicky gets appeased just in the nick of time as the record time is coming to an end. 🙂
Song-Baalam se munh mod maad ke (Guru Dakshina)(1950) Singers-Trilok Kapoor, Prempal, Lyrics-Sarshar Sailaani, MD-Pt Lachchiram
Both
Lyrics
O baalam se mukh mod maad ke
prem ka naata tod taad ke
gehne kapde chhod chhaad ke
kaahe roothh chali ho gori
kaahe roothh chali
main chali shahar ke thhaane
rapat likhaane
mulzim ko saza dilaane
ho kaisa mulzim
ik Rajput ka bachccha
baat ka kachcha
jo kare mera dil chori
dikhlaaye seena jori
ab bhanwra ban ke kali kali ka
ghoome gali gali
o gori kaahe roothh chali
o o
kisne bhar diye tere kaan
kaun hai aisa beimaan
naam uska batlaao gori
yoonhi kaam na khaa
kyun batlaaun
kyun batlaaun ke nandu naai
usko batlaawe harjaai
sach kehta hai ?? baniya
tera baalam bada ??
teri aankh mein dhool daal ke
ghoome gali gali
o gori kaahe roothh chali
o rajput ki bachchi
kaan ki kachchi
?? se mera mair puraana
nandu ko mera karz chukaana
isi liye karte hain donon
baaten bhali buri
o gori kaahe roothh chali
chhod bhi do taqraar ki baaten
aao karen kuchh pyaar ki baaten
sun le chaukidaar ki baaten
aadhi aadhi raat gaye tu
ghoome gali gali
chaukidaar se mera pehra
gaaon ka numberdaar jo thhehra
chaukidaar ki dekh bhaal ko
ghoomoon gali gali
ho gori kaahe roothh chali
sach kehta hai
teri qasam main sach kehta hoon
pooch ?? jaaye
jo aur ko chaahoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
uhoon
roz roz tu kare ladaai
roz kare meri ruswaai
ab main roothh chala
tumse roothhe meri bala
sach kehti hai
teri qasam main sach kehti hoon
tujhse mil ke khush rehti hoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
Nanhi bitiya byaah rachaaye
Posted on: March 27, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5000 | Post No. : | 16898 |
“Durga”(1939) was produced by Devika Rani and Himanshu Rai and directed by Franz Osten for Bombay Talkies, Bombay. The movie had Devika Rani, Rama Shukul, V H Desai, Mumtaz Ali, Peethawala, Saroj Borkar, Balwant singh, Lalita Deulkar etc in it.
“Durga”(1939) had ten songs in it. Two songs have been covered in the blog so far.
Here is the third song from “Durga”(1939) to appear in the blog.
Devika Rani is the singer. Lyrics are penned by Narendranath Tuli. Saraswati Devi is the music director.
Only the audio of this rare song is available. It is clear that the song was picturised on Devika Rani herself.
From the lyrics it is seen that the song is a “wedding” song. Whether it is a gudda gudiya wedding song or a real wedding song is not known, seeing that video of the song is not available.
Nevertheless, the fact that this song came to my notice just now and it is getting discussed today validates the oft made observation that some higher forces are overseeing this blog and it is these higher forces that often decide what songs are covered in this blog on what day. 🙂 The daughter of one of our regulars got married today and fate ordained that the blog celebrates the occasion with this song from the yore.
So we take this occasion to greet the recently wedded daughter of our regular contributor Avinash Scrapwala. We all wish Shivani and Jeegar a very happy, prosperous and long married life.
Song-Nanhi Bitiya Byaah Rachaaye (Durga) (1939) Singer-Devika Rani, Lyrics-Narendranath Tuli, MD-Saraswati Devi
Lyrics
Nanhi bitiya byaah rachaaye
dulha chadh haathi par aaye
Nanhi bitiya byaah rachaaye
dulha chadh haathi par aaye
baaje dhol mridang
?? rah jaaye dang
baaje dhol mridang
?? rah jaaye dang
laal chunariya kesari choli
sheesh chadhe chandal aur roli
laal chunariya kesari choli
sheesh chadhe chandal aur roli
kumkum pushp ka phool
maang bhare sindoor
kumkum pushp ka phool
maang bhare sindoor
baapu aaye doli chadhaaye
naina chham chham neer bahaaye
baapu aaye doli chadhaaye
naina chham chham neer bahaaye
maa ko bhaari ??
ghar ko ??
nanhi bitiya byaah rachaaye
dulha chadh haathi par aaye
baaje dhol mridang
chhalakat ??
Ye dil kisko doon
Posted on: March 26, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4999 | Post No. : | 16897 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 37
————————————————————————————–
This date ten years ago (viz 26 March 2012) saw five songs from five different movies covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5696 | Raam duhaayi hai raam duhaayi hai | Neki Aur Badi (1949) | 8 songs covered by now out of 10 |
| 5697 | Jab tak duniya rahi rahegi | Ye Dil Kisko Doon (1963) | 6 songs covered by now out of 10 |
| 5698 | Lo ek kali muskaayi | Ek Kali Muskaayi(1968) | Movie YIPPEED by now |
| 5699 | Aaye ho to dekh lo duniya zara | Chiraag Kahaan Roshni Kahaan(1959) | Movie YIPPEED by now |
| 5700 | Kehne waale tu bhi keh le | Qawwali Ki Raat(1964) | Movie YIPPEED by now |
We can see that three movies (out of five) whose songs were covered ten years ago have since been YIPPEED by now.
That leaves us with two movies that are eligible for Blog Ten years Challenge.
“Ye Dil Kisko Doon”(1963) is one of the two movies that are still unYIPPEED.
“Ye Dil Kisko Doon”(1963) was directed by Kanak Mishra for Bindu Kala Mandir, Bombay. The movie had Shashi Kapoor, Ragini, Agha,Jayshree Gadkar, Jeevan, Sajjan, Asit Sen etc. in it.
“Ye Dil Kisko Doon”(1963) had 10 songs in it. Six songs have been covered so far.
As Blog Ten Year Challenge, here is another song from “Ye Dil Kisho Doon”(1963). This song is the title song of the movie. It is sung by Rafi. Qamar Jalalabadi is the lyricist. Music is composed by Iqbal Qureshi. The song is picturised on Shashi Kapoor. The person with the trumpet could be dance directed Herman Benjamin, as guessed by Prakashchandra.
Lyrics of the song were sent to me by Prakashchandra.
video link:
audio link:
Song-Ye dil kisko doon (Ye dil Kisko Doon)(1963) Singer-Rafi, Lyrics-Qamar Jalalabadi, MD-Iqbal Qureshi
Lyrics(Provided by Prakashchandra)
ye aey ae dil kisko doooon
ye aey ae dil kisko doooon
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
main hoon deewaana
dil hai mastaana
gham se begaana
main hoon deewaanaa
dil hai mastaanaa
gham se begaana
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
dharti bichchaunaa meraa
taarey khilauna meraa
raahon mein udthey jugnu
chaandi aur sonaa meraa
main aen aen dilwaalaa hoon
arrey main aen aen matwaalaa hoon oon
na main daulat maangoon
na main jannat maangoon
dil ka qaraar maangoon rey
main sachchaa pyaar maangoon rey
dil ka qaraar maangoon rey
main sachchaa pyaar maangoon rey
hmm ye aey ae dil kisko doon oon
huhh ye aey ae dil kisko doon oon
log kehtey hain to sach hi kehthey hongey
log kehtey hain to sach hi kehthey hongey
main hoon deewaana
dil hai mastaana
gham se begaana
main hoon deewaana
dil hai mastaana
gham se begaana
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey ae
mast qalandar hoon main
dil ka sikandar hoon main
koyi na samjhey mujhko
gehraa samandar hoon main
main aen aen shehzaadaa hoon oon
yoon…oon to saadaa hoon oon
naa shaitaan se rishthaa
naa main hoon farishthaa
main to aadam ka beta hoon
main to hawwaa ka beta hoon
main to aadam ka beta hoon
main to hawwaa ka beta hoon
ye aey ae dil kisko doon oon (ummmm…ummm)
ye aey ae dil kisko doon oon (ummmm…ummm)
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
main hoon deewaana
dil hai mastaana
gham se begaana
main hoon deewaana
dil hai mastaana
gham se begaana
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
ye aey ae dil kisko doon oon (ummmm…ummm)
ye aey ae dil kisko doon oon (ummmm…ummm)
(ummmm…ummm..yaaaa)
(ummmm…ummm..yaaa)
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4998 | Post No. : | 16896 | Movie Count : | 4590 |
Hullo Atuldom
In the (almost) 14 years of its existence, there have been many changes in the lives of those associated with atulsongaday.me.
Our Atulji has shifted base a few times in these years. If I am not wrong his daughter has qualified to be a doctor as also Nahmji’s son and Shri Arunkumar Deshmukhji’s (Guruji) grandson/s have also become doctors. Peevesie who entered the world of ASAD and was called the youngest follower turning to contributor and mouthpiece (for the blog) among her friends and family has since become a working adult and even has a life-partner as also Nahmji’s daughter. Avinashji has also shifted base a few times and also had an overseas stint in the years in between. Maheshji (Mukesh Fan is his second name) has returned to Motherland and is no longer an NRA (non-resident atulite). I know that similar changes, in life & on the work front, have happened in the lives of other Atulites too. I have myself graduated from being a full-time mother to a leisurely-paced mother.
There is a lesser-known Atulite who has contributed only one post as a guest-poster (she took over the mantle of youngest contributor). Her forte’ is that she is musically inclined as her father (a hyper-active atulite). I know that she also pens verses which are very meaningful. She had given her father this post on his birthday six years back. She was welcomed wholeheartedly by atulites who wanted more from her but her preoccupation with education and other activities may not have given her time to contribute more to the blog. But the song with that post was so meaningful, it would have been appropriate for today. She has grownup into a young adult and is stepping into a new phase of her life. Here is wishing her all the best for the future.
There is a happy event happening in the life of our Guruji too in the next few days. Wishing him lots of joy and all the best to his grandson.
“Jab Pyar Kisise Hota Hai” is a title that was first used in Hindi films in 1961 which was written and directed by Nasir Husain and had his time-tested formula of hero impersonating, heroine falling in love with the impersonator, misunderstandings creeping in due to the villain and heroine’s father, and finally the hero and heroine getting married with the blessings of all elders. The movie was littered with great songs.
The title was repeated again in 1998. This time the director was Deepak Sareen who had started his career as assistant to Yash Chopra in ‘Deewar’. He had been assistant in ‘Kabhi Kabhi’, ‘Doosra Aadmi’, ‘Silsila’, ‘Mashaal’ and ‘Faasle’ before independently directing ‘Ranbhoomi’, ‘Aaina’, ‘Gaddar’, ‘Jab Pyaar Kisise Hota Hai’, and ‘Albela’. This romantic film had a skirt-chaser for a hero who is disliked by the girl initially. He woos her by promising to give up his errant ways, convinces both families that they are ready to marry. But the twist in the tale comes in the form of the hero’s son from a previous girlfriend who insists that he will tell-all to the fiancee if the hero doesn’t tell himself. The story comes to a happy ending with the girl and the child forgiving the hero and ‘THE END’
“Jab Pyaar Kisi Se Hota Hai” (1998) starred Twinkle Khanna, Farida Jalal, Himani Shivpuri, Namrata Shirodkar (guest appearance), Salman Khan, Anupam Kher, Johnny Lever, Saeed Jaffery, and Master Aditya Narayan. The movie had songs written by Anand Bakshi and composed by Jatin-Lalit. Today we are having the movie debuting with a song sung by Alka Yagnik and Sonu Nigam. It has the whole cast except Aditya Narayan enjoying the engagement of Salman and Twinkle.
Song-Chal pyaar karegi haan jee haan jee (Jab Pyaar Kisi Se Hota Hai)(1998) Singers-Sonu Nigam, Alka Yagnik, Lyrics-Anand Bakshi, MD-Jatin Lalit
Male Chorus
Female chorus
Lyrics
o ladke deewaane
kahaan se aaya tu
dulhan ko le jaane
kahaan se aaya tu
o ladke deewaane
kahaan se aaya tu
dulhan ko le jaane
kahaan se aaya tu
chal pyar karengi
haan jee haan jee
mere saath chalengi
na jee na jee
ho chal pyaar karengi
haan jee haan jee
o mere saath chalengi
na jee na jee
arre tu haan kar
ya na kar teri marzi soniye ae
hum tujhko uthhakar le jaayenge
doli mein bithhakar le jaayenge ae ae
hum ghar mein kahin chhup jaayenge
sang tere nahin hum jaayenge
chal pyar karengi
haan jee haan jee
hoye hoye hoye
ahaa ahaa ahaa
o gore gore mukhde waali
o kaale kaale nainon waali
maan mera ehsaan ke maine haan kar di ee
tu warna kunwaari reh jaati
ye shaadi hamaari reh jaati ee ee
tu warna kunwaari reh jaati
ye shaadi hamaari reh jaati ee
chal pyaar karegi
haan jee haan jee
mere saath chalegi
na jee na jee
ho ho ho
aa aahaa aahaa aa aahaa
ho ho ho
aa aahaa aahaa aa aahaa
ja main nahin karti shaadi vaadi
mujhko pyaari hai yeh aazaadi
main toh apne baabul ke baaghon ki bulbul hoon oon
bas tujhse mujhe yeh kehna hai
pinjre mein mujhe nahin rehna hai ae ae
bas tujhse mujhe yeh kehna hai
pinjre mein mujhe nahin rehna hai
chal pyar karegi
haan jee haan jee
o mere saath chalegi
na jee na jee
oye oye oye
ahaa ahaa ahaa
aankhon se kaajal le jaayenge
zulfon ke baadal le jaayenge
arre hum aaye hain door se
yoon waapas na jayenge ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge
hey chal pyar karegi
haan jee haan jee
mere saath chalegi
na jee na jee
arre tu haan kar ya na kar
teri marzi soniye ae
hum tujhko uthhakar le jaayenge
arre doli mein bithhakar le jaayenge ae ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge ae
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4998 | Post No. : | 16895 |
Today’s song is from the film Sasural-1941.
Most of the “Family Dramas”, especially from the Southern stables, depict the problems of the family after the new Bahu comes to the house. In majority cases “problem” means disputes between the Saas- Bahu or the torture meted out to the meak and humble, sanskari Bahu by the Saas and /or Nanad. We have seen many such films. And then we have also seen films where the Bahu is dominating and gives troubles to saas and sasur- going to the extent of throwing them out of their own house. The third and most enjoyable type of family drama is wherein the Bahu is Tit for Tat to the machinations of the irritating Saas and Nanad.
I have been watching movies for about 65-70 years in different languages like Marathi, Hindi, English, Telugu, Kannada, Tamil and even a few Bangla ones. This was because Hyderabad state, where I grew up, was a multilingual state having a substantial population of Marathi, Telugu and Kannada people and of course Urdu speaking Muslims-the Rulers. In the beginning, when I was about 10 to 12 years old, I used to be a ‘Chaperone’ to a group of old relatives in the family for going to the theatre to see the films. Their invariable choices were essentially Mythologicals or tear jerker family films. I have seen more such ‘crying’ or ‘miracle’ filled films in my childhood.
But besides the types of family films mentioned above, there is or rather was one more category, wherein the film story used to be , in which the ‘would be’ Sasural was described in detail or the film story was about the proposed Sasural. In such films, the marriage is fixed, but the Groom or the Bride is mistaken for a wrong person,causing misunderstanding between the pair, till the mistake is rectified to set the things right. I have seen such films too. One film of the 40’s I remember is ” Panghat”-1943, wherein the groom is mistaken for a wrong person. Another similar story was in the film ” Chitchor”-1976. Such films were quite fun to see, because except the actors in the film, everyone in the theatre knew who was the real groom or the bride ! This enhanced the enjoyment.
Today’s film Sasural-1941 is also of this type only. In this film, however, both the groom and the bride misunderstand each other for some other person, but luckily fall in love with the right companion. This film was made by Ranjit Movietone and was directed by Chaturbhuj Doshi. All 13 songs of the film were written by D N Madhok and the music was by Gyan Dutt. The cast consisted of Motilal, Madhuri, Nurjahan Sr., Kantilal, Urmila, Bhagwan Das etc.etc.
Motilal was one of the earliest actors who brought ” Natural acting” to films. Later on actors like Ashok Kumar, Sanjeev Kumar, Amol Palekar and few others practiced it to enrich their films. Most of the new age readers may not be knowing who the actress ” Madhuri” in this film was. The only Madhuri they know is Madhuri Dikshit (I too liked her). For their benefit I reproduce here, once again, a translation of my article on this actress Madhuri. This was originally written in Marathi for a periodical, which has ceased to exist anymore.
Place- Shanmukhanand Hall,Mumbai
Date 7-2-1999
Time- 7 p.m.
Programme- Felicitation to ‘ Stars from the Silent Era’
Organisers- ” Amrut” and ” Cine Society of Bombay ”
The entire hall was overcrowded. Not only all the seats were occupied, but people were standing wherever possible. Everybody wanted to see the Two STARS on the stage-Jairaj and Madhuri. Both were in their late 80s, but looked radiant and smiling. For Madhuri it was a surprise, that the organisers found her out after living in oblivion for over 50 years. She was simply overwhelmed with the people’s affection and love. For Jairaj,these things were not new. He has been around all the time.
Madhuri and Jairaj were a Popular pair in Silent film era. They worked as a lead pair in 3 films, one each in 1930-Rasili Rani, 1931-Warrior from the wild and 1932-My Hero. They came together after almost 70 years, on this stage.
Like many others, Madhuri too was an Anglo Indian. Her name was Beryl Claessen. She was born on 3-11-1913 at Delhi. Her father was a big officer in the Government. Her initial schooling took place in Nainital. She learnt music too,because she wanted to become a Music Teacher. However, she never became,but on a visit to Bombay she was picked up by producer Indulal Yagnik and she started acting in silent films.
Many Heroines in those days were Anglo-Indians,Europeans or Jew girls. Since silent films did not require speaking Hindi or Urdu ( or any language,for that matter),these girls were preferred,as the Indian audience loved their fair colour (Gori Mem). Additionally,these girls did not hesitate to give intimate scenes like kissing or doing stunts themselves. Most girls knew Horse riding,fencing and fighting.
In 1928,there was a Silent film Madhuri,but actress Sulochana(Ruby Myers) did this role and in 1932 there was a Talkie film Madhuri,in which also Sulochana only did the role. When the Talkie films era began most of the Anglo Indian girls became jobless,since they could not speak Hindi/Urdu nor could they sing a song-the two requirements for actresses in early era Talkie films. However,few intelligent and professional actresses learnt Hindi/Urdu language speaking. Madhuri and Sabita Devi (Irene Gasper) were two such clever girls who achieved proficiency in these matters.
Madhuri was very beautiful. After doing 17 silent films,she made her debut in Talkie films with ‘ Pardesi Preetam’-1933. Jaswantlal Nandlal directed his first film here. Her Hero was Raja Sandow. She did many films for Ranjit under the direction of Jayant Desai. From 1933 to 1942,she acted in 28 films. They were (not in order) Kashmeera, Mitti ka Putla, Noor e watan, Secretary, Lehri lala, Rangeela Raja, Sitamgarh, Prithviputra, Thokar, Raj Ramni, Diwali, Matlabi Duniya, Toofani Toli, Shama parwana, College Girl, Nadira, Veer Babruvahan, Zamin ka chaand, Ban ki chidia, Toofan Mail, Mehman, Sasural, Shadi, Ikrar, Vakil Saheb, Paapi, Mazaq and Dharm-45 …her last film.
In 1941,Madhuri got married and after completing films on hand, retired from Film line. After this, she simply disappeared for next 50 years without a trace,till the organisers of a programme located her. Bombay’s ” Amrut” and ” Cine Society of Bombay ” held a felicitation programme on 7-2-1999, for “Stars from the Silent Era”. For Madhuri it was a surprise that the organisers found her out after living in oblivion for over 50 years. She was simply overwhelmed with the people’s affection and love.
She and Jairaj were felicitated on that day.
Film Sasural-1941 story appeared in the December issue of Film India magazine review, in short. Our Sadanand Kamath ji had given it in 2016, in his comments. Here it is…
“The marriage of Vinod (Motilal) and Usha (Madhuri) is fixed, But Usha has not seen her would-be-husband. A mix-up of suitors happens when a fat servant (Kantilal) impersonates Usha’s would-be-husband. The detailed story is not revealed in the review probably to avoid the ‘suspense in the comedy of errors’. It is only towards the end of the film when the impersonation of suitors gets revealed while on a forest trail when Usha falls in the arms of Vinod and the fat servant (Kantilal) gets the maid (Nur Jahan Sr,) as the original suitors.”
The funny song is sung by Kantilal, Motilal and chorus. Kantilal was a favourite with Sagar Movietone initially and then Ranjit Movietone. he featured in all the 3 successive comedy films made by Ranjit in this war period, namely Musafir-1940, Pardesi-1941 and Sasural-1941. Chandulal Shah believed that his audience needed lauhter during the tensions created by the second world war.
KANTILAL CHHAGANLAL PACHCHIGAR ( Soni) was born on 18-4-1907 in Surat, Gujrat. He was from a Goldsmith family. Due to inherent interest in music,after college education he came to Bombay to try film singing.
His first film was ‘Bulbul e Paristan’-1934 from Vishnu Cinetone. Kikubhai Yagnik was the MD. Kantilal sang 2 songs in it.In 1935, he acted, sang and gave Music to Preet ki reet. He sang in 6 songs. From 1937 to 1941, he was with Ranjit Movietone and acted and sang in 16 films. He sang 40 songs under Khamchand Prakash and Gyan Dutt. Then came Gazi Salahuddin, Kangan, Holiday in Bombay and Kanchan. Kantilal sang 60 songs in 24 films under 5 MDs.
In 1943,he married Ushaben and acted in Gujarati films and Dramas.
He died on 17-6-1971.
Some of his films were, Tufani Toli, Ban ki chidiya, Billi, Gorakh Aya, Prithvi Putra, Adhuri Kahani, Nadi kinare, Aaj ka Hindustan, Achhut, Diwali, Holi, Musafir, Pardesi, Sasural, Shaadi etc.
Enjoy the comedy song….
Song- Bibi bole naahin kunda khole naahin (Sasuraal)(1941) Singers- Kantilal, Motilal, Lyricist- D N Madhok, MD- Gyan Datt
Lyrics
ho o o
khole naahin
bole naahin
ho kunda khole nahin
bibi bole naahin
ho kunda khole nahin
aji baahar pade re barsaat
bole naahin
bibi bole naahin
o kunda khole naahin
aji baahar pade re barsaat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
baaman ke ghar kutiya re bhaunke
bole naahin
kuchh bole naahin
baaman ke ghar kutiya re bhaunke
ghadi ghadi mein ?? chaunke
baali umar dar jaat
bole naahin
bibi bole naahin
o kunda khole naahin
o ji baali umar dar jaat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
kanya ke ghar chaandi sona
par kismat mein phata bichauna
bole naahin
bibi bole naahin
kanya ke ghar chaandi sona
par kismat mein phata bichauna
khaane ko hai bhaat
bole naahin
bibi bole naahin
o kunda khole naahin
aji khaane ko hai bhaat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
aeji baahar pade re barsaat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
miyaan ke ghar mein patli jo daal
miyaaan jee ladke chale sasuraal
o miyaan ke ghar mein patli jo daal
miyaaan jee ladke chale sasuraal
aji shaadi kar pachhtaaye
bole naahin
bibi bole naahin
ho kunda khole naahin
aeji shaadi kar pachtaaye
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
aeji baahar pade re barsaat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
?? nain lade re
aeji bhaado ki kaali kaali raat
bole naahin
bibi bole naahin
o kunda khole naahin
aeji bhaado ki kaali kaali raat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
aeji baahar pade re barsaat
bole naahin
bibi bole naahin
o kunda khole naahin
bibi bole naahin
bole naahin
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments