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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Sentimental song’ Category


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3665 Post No. : 14535

Here is that day again.

Yes, it is the 31st of July (2018) today – which for HFM lovers, wherever they are in the world, signifies just one thing.

The death anniversary of Mohammad Rafi – respectfully referred to as Rafisaab, by one and all.

I am sure there will be events around the country to solemnly mark the occasion. Why just in the country, probably even across the world, considering how distributed India’s diaspora around the world is.

Millions of people will be remembering today as Rafisaab’s Remembrance Day – a term we also often use on this blog.

Truth is, at least for me (and I’m sure it’s true for many), every single day of the year is Rafisaab’s Remembrance Day. For there isn’t a single day in the year that I do not remember Rafisaab in some way or the other. It is usually in the form of a song I’m listening to – or sometimes singing (thankfully only to myself). 🙂

Of course, the 31st of July adds a huge extra layer of remembrance because it brings with it a sense of loss. Although it is 38 years now, this sense of loss remains. And for me, it will remain all my life.

As I sit to write this post, I’m not sure what I should write about Rafisaab that I haven’t already written here.

The thing is, I’ve written a lot about Rafisaab here. My posts here might be relatively infrequent now but I make it a point to always write a post on Rafisaab’s birth and death anniversaries. These are two dates I never miss. It is just my very small way of paying tribute to Rafisaab, and thanking him for enriching my life in a way, and to an extent, that I just cannot describe.

And I’d like to think, he is up there, smiling as always, reading these tributes.

There isn’t much I can think of writing now that I haven’t already written before. And although I don’t mind repeating myself, I don’t want to bore the readers. Having said that, I never tire of repeatedly watching the same tributes to Rafisaab on youtube. I’ve listened to Jeetendra’s story of Deedaar-e-Yaar multiple times, SP Balasubramaniam’s story about “deewaana hua baadal” multiple times. 🙂 And each time, it feels good to listen to it.

But that’s different from my repeating stories, that too in text, not video. Besides, they speak about their personal experiences involving interaction with Rafisaab – mine are just my personal thoughts.

So I will refrain from repeating myself.

One thing I will say – I’ve often felt lucky that Rafisaab’s era was before mine. Imagine somebody living in the 1920s/30s and passing away before 1947. He or she would never have had the opportunity of listening to Rafisaab. Of course there were greats even then – like Saigal saab and Pankaj Mallick, but we now have the good fortune of being able to listen to them AND to Rafisaab, Talat Mahmood, Lataji and others.

Future generations will have even more music available to them, in addition to what is available today.

That’s the greatness of a legacy. Every individual has to die sometime – nobody can do anything about that. Yes, one can delay the inevitable – but it is still inevitable. No one has yet invented the elixir of immortality – and that might not be such a bad thing.

Coming to Rafisaab, I’ve spent hours and hours listening to him. I’ve spent all night listening to his songs. It starts with one song, then I think “ok, one more”, then “one more” and so it goes on. On youtube, you keep getting prompted anyway – so it’s just one click after another. You start with “chaudvin ka chand ho”, then, as if on cue, you’re prompted “abhi na jao chhod kar”, which then takes you to “deewana hua baadal”, which takes you to “pukaarta chala hoon main” and so on. You know the drill – you’re hooked. This has happened to me many times.

Not that I’m complaining. It has always been a thoroughly enjoyable experience. I often don’t even watch the video – I just close my eyes and let Rafisaab’s voice take over. And suddenly everything seems to either fall in place, or become inconsequential. For that period at least. When SPB says that at the end of a long day in the recording studios he would come home and listen to Rafisaab to relax, I think I can understand where he’s coming from. Rafisaab’s voice can be extremely relaxing, if you listen to the right songs. I don’t know how often I’ve listened to “ab kya misaal doon” (Aarti-1962) or “maine shaayad tumhe pehle bhi kahin dekha hai” (Barsaat Ki Raat – 1960). And think of songs like “husnwaale tera jawaab nahin” (Gharana–1961) or “ek haseen shaam ko” (Dulhan Ek Raat Ki – 1967) or “mujhe dekh kar aapka muskuraana” (Ek Musafir Ek Haseena – 1962). And if you’re looking for duets, how about “theheriye hosh mein aa loon” with Suman Kalyanpur (Mohabbat Isko Kehte Hain – 1965) or “dil pukaare” with Lata (Jewel Thief – 1967) or “phir miloge kabhi is baat ka vaada kar lo” with Asha (Ye Raat Phir Na Aayegi – 1966). And of course, one of my all-time favourites – which is why I keep coming back to it – “abhi na jao chhod kar” with Asha (Hum Dono – 1961). 🙂

And so many more. I just realized that all the songs I’ve mentioned above, which came randomly to my mind, are all 1960s songs – but this is purely a coincidence. One can find a treasure of songs from the 1950s or even 1970s. Yes, even the 1970s, when Rafisaab was supposed to be going through a lean patch for the first half of the decade. The half in which he still gave us songs like “tum jo mil gaye ho” (Hanste Zakhm – 1973) and “aaj mausam bada beimaan hai” (Loafer – 1973). And my favourite Rafisaab duet song of the 1970s – “teri bindiya re” (Abhimaan – 1973) with Lata, which I have listened to a zillion times, and can never have enough of.

Rafisaab sang practically every genre, from qawwali and devotional songs to rock-n-roll and romantic songs, adjusting his singing style and voice for every actor, depending on the needs of the situation. He was always conscious that he was the playback voice – and that the actor on screen was bringing that song to the audience in “his” (the actor’s) voice. This elevated not just the song, but often even the film, for the viewers, because very often the songs of the film carried the film. 🙂

And, to add to all this, as if his divine voice wasn’t enough, he was also one of the most gentle souls the industry has ever seen. In an industry where ego clashes and tempers were not uncommon, he was ever-smiling, ever accommodating of others, never throwing his weight around – which he could very easily have done. He had a very big heart, ever generous and helpful to those in need. And he did a lot of it without publicity. It was only after he died, that a number of his charitable actions came to light.

So SUCH is the person Rafisaab was. Will we ever see another like him in the industry? Hard enough to imagine another singer like him – add to that his nature, and I think it’s safe to rule out the chance of another Rafisaab. No, Rafisaab was one of a very special kind – like SPB says, we were just very lucky he came in our midst before he was called back.

Indeed, he was 100% right when he sang “mujh ko mere baad zamaana dhoondhega”.

I will now move on to today’s song.

As it is the 31st of July, I have selected a song, sung by Rafisaab of course, about the inevitability of passing away. It is a very short song from the film Amardeep (1979) – but it suits the occasion perfectly. Lyrics have been provided to me, as usual, by Avinashji.

The song’s lyrics, written by Anand Bakshi, talk about how death is inevitable. And yet how sudden and shocking an unexpected death can be. “Tum aise gaye, aise bhi jaata nahin koi”. Everyone knows how sudden Rafisaab’s death was. That was just no way to go. Everyone was in shock – and he was just 55.

The song also refers to having a smile on one’s face even while dead. “Kyon mar ke bhi honthon pe hansi khel rahi hai”- this could also be said of Rafisaab. He was ever-smiling, reportedly even in death.

This song brought a lump to my throat.

Also, listening to his voice only further made me realize how wonderful his voice was even just a year before he passed away. It left me with a loss of what might have been. I felt he had so much more singing in him.

Anyway, one cannot control these things. One can only be thankful for what one has got. And we have got a LOT from Rafisaab. A price can never be put on his legacy – it is just priceless. He will be in our hearts for ever, and remembered for ever.

Rafisaab is truly “amar” in this sense – and lighting amardeep in all our hearts.

Thank you, Rafisaab.

Thank you for everything.

bahut shukriya, badi meherbaani,
hum sab ki zindagi mein huzoor aap aaye

Audio

Video


Song-Duniya mein sada rehne ko aata nahin koi (Amardeep)(1979) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Duniya mein sadaa rehne ko
Aata nahin koyi
Tum jaise gaye aise bhi
Jaata nahin koyi

Kyun mar ke bhi honthhon pe hansi
Khel rahi hai ae
Sab jaante hain aur
Bataata nahin koyi ee

Dil pehle hi dartaa thaa
Ke jal jaayega daaman
Daaman se amardeep
Bujhaataa nahin koyi
Bujhaataa nahin koyi ee
Bujhaataa nahin koyi

—————————————–
(Devnagri Script lyrics) Provided by Avinash Scrapwala)
—————————————–
दुनिया में सदा रहने को
आता नहीं कोई
तुम जैसे गए ऐसे भी
जाता आ नहीं कोई

क्यूँ मर के भी होंठों पे हंसी
खेल रही है ए
सब जानते हैं और
बताता नहीं कोई ई

दिल पहले ही डरता था
के जल जाएगा दामन
दामन से अमरदीप
बुझाता नहीं कोई
बुझाता नहीं कोई ई
बुझाता नहीं कोई

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3658 Post No. : 14523

“Nirdosh”(1950) was directed by Najam Naqvi for Filmistan. The movie had Shyam, Rehana, Misra, Om Prakash, K. N. Singh, S. M. Abbas, Kuldip Kaur, S. L. Puri, Mukri etc in it.

The movie had ten songs in it. One song has been covered in the past.

Here is the second song from “Nirdosh”(1950) to appear in the blog. The song is sung by Meena Kapoor. Raja Mehdi Ali Khan is the lyricist. Music is composed by Shyam Sundar.

Only the audio of this sentimental Mother-child song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Dil ke tukde tujhe seene se lagaa loon aaja (Nirdosh)(1950) Singer-Meena Kapoor, Lyrics-Raja Mehdi Ali Khan, MD-Shyam Sundar

Lyrics

dil ke tukde tujhe seene se laga loon
aaja
apni soyi hui taqdeer jaga loon
aaja
dil ke tukde

meri barbaad mohabbat ki nishaani tu hai
meri barbaad mohabbat ki nishaani tu hai
meri beeti hui khushiyon ki kahaani tu hai
dil mein rakh loon
dil mein rakh loon tujhe aankhon mein bitha loon
aaja
dil ke tukde tujhe seene se laga loon
aaja
dil ke tukde

ae meri pyaar ki tasveer meri god mein aa
ae meri pyaar ki tasveer meri god mein aa
meri hansti hui taqdeer meri god mein aa
ae mere chaand
ae mere chaand
diye dil ke jala loon
aaja
dil ke tukde tujhe seene se laga loon
aaja
dil ke tukde

maa bulaati hai
meri jaan tu aata nahin kyun
maaan bulaati hai
meri jaan tu aata nahin kyun
apni bahon ke mujhe haar pahnata nahi kyun
aag jo dil mein lagi hai wo bujha loon
aaja
dil ke tukde tujhe seene se laga loon
aaja
dil ke tukde


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3458 Post No. : 13875

“Dostaana” (1980) was produced by Yash Johar and directed by Raj Khosla for Dharma Productions, Bombay. The movie had Amitabh Bachchan, Shatrughan Sinha, Zeenat Aman, Prem Chopra, Amrish Puri, Helen, Pran, Jaageerdaar, Sajjan, Ifthikhar, K N Singh, Trilok Kapoor, Ruby Meyers, Jagdish Raj, Sudhir, Mc Mohan, Sharat Saena, Sudha Chopda, Paintal (guest appearance), Abhimanyu Sharma, Colonel Kapoor, Mohan Sherry, Birbal, Yunus Parwez, Goga Kapoor, Vikas Anand, Prem Sagar, Keshav Rana, Master Rajesh Valecha, Darshan etc in it.

The movie had Five songs in it. Four songs have been covered in the past. In other words, this movie is lined up for being YIPPEED. I was looking to YIPPEE some other movie today, but I found that I had miscalculated and that movie stil had some other song yet to be covered. Then I looked for another movie and there too I was off by one song. So instead of losing more time, I decided to use this movie which is a low hanging fruit for me, viz I am certain that it is the final song of the movie and secondly its lyrics are readily available with me.

The lyrics of this song has been sent to me by Prakashchandra. The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

Most songs of the movie were get-together/ party songs and this song is no exception. This “sentimental” song is lip synced by Zeenat Aman with other lead characters dutifully in attendance.

The songs of this movie were quite popular at that time and continue to be so. Personally I did not like the songs all that much and it is only recently that I have grudgingly started to like them. 🙂

With this song, “Dostaana” (1980) joins the list of movies that have all their songs covered in the blog.

PS-Did anyone noticed that Laxmikant Pyarelal have composed for movies titled “Dost”, “Dosti” as well as “Dostaana” ? 🙂 And all these movies are YIPPEED in the blog. 🙂


Song-Kitna aasaan hai kehna bhool jaao (Dostaana)(1980) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

kitnaa aasaan hai kehnaa bhool jaao
bhool jaao
kitnaa mushqil hai par bhool jaanaa ho
kitnaa aasaan hai kehnaa bhool jaao
kitnaa mushqil hai par bhool jaanaa
o na jaanaa na jaanaa
kitnaa aasaan hai kehnaa bhool jaao
kitnaa mushqil hai par bhool jaanaa

bin soche bin samjhe log
maajhi to bann jaate hain
unn ko ye maaloom nahin
ke toofaan bhi aate hain aen aen aen
kitnaa aasaan hai maajhi bann jaanaa
kitnaa mushqil hai paar lagaanaa ho
kitnaa aasaan hai kehnaa bhool jaao
kitnaa mushqil hai par bhool jaanaa

haan tumko hai dard badaa
iss duniyaa ki rasmon kaa
ulfat mein jo
khaayeen theen
kyaa hogaa unn kasmon kaa..aaa…aaa
kitnaa aasaan hai waade tod denaa
kitnaa mushqil hai waada nibhaanaa ho
kitnaa aasaan hai kehnaa bhool jaao
kitnaa mushqil hai par bhool jaanaa
o na jaanaa na jaanaa
kitnaa aasaan hai kehnaa bhool jaao
bhool jaao
bhool jaao


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (30 november 2017) is the birth centenary of Pushpa Hans (30 november 1917- 9 december 2011). She was an actor- singer in Hindi and Punjabi movies. Wikipedia page on her contain very little and incomplete details on her. According to wikipedia, she only worked in two Hindi movies. viz Apna Desh (1949) and “Sheesh Mahal”(1950). We in this blog are aware that she worked in “Singaar”(1949) and “Kaale Baadal”(1951) as well. Songs sung by her, from these four movies are represented in this blog.

Pushp Hans was a big name in Punjabi movies and music. But as mentioned earlier, her wikipedia page is silent about most of her achievements. She has sung and acted in “Chaman” (1948), which was the first punjabi hit movie for music director Vinod.

She was honoured with Padmshree in 2007.

After her film career, she served as the chief editor of “The Eves Weekly”, a women’s lifestyle magazine for 17 years.

As a tribute to Pushpa Hans on the occasion of her birth centenary, here is a song from “Apna Desh”(1949).

Very little is known about this movie. Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia, had given a very detailed account of this movie in the past. Here is what he had to say about this movie.

In 1947,India was divided into two countries. The Partition was a sad and torturous experience for the people on Borders and created thousands of Refugees on both sides. Thousands of families were separated and almost a million died during the Riots. No wonder that this provided inspiration to the film industry to make films on this topic-the event and its aftermath. Some Hindi commercial films based on trauma of partition were made, like, Lahore-49, Apna Desh-49, Firdaus-53, Nastik-54, Chhalia-60, Amar rahe ye pyar-61 and Dharmaputra-61. Three of these films revolved around tales of women abducted in the aftermath of partition..

APNA DESH-1949 was a brilliant film made by V.Shantaram, famous for making offbeat, socially relevant films. He made this film which was distributed all over India and in Ceylon as well. Within a few days, the film came under severe criticism and there were cries of banning the film. Baburao Patel,with his acidic style dubbed this film as Anti-National. In several cities, the film shows had to be cancelled due to Mob troubles.

What was there in this film to invoke such reaction ? This was a story of a Punjabi Hindu woman-Mohini. During riots of partition, she is abducted and raped in Pakistan by Muslims. Her family escapes to India. After some time a devastated Mohini returns to India. Her family and the society refuse to accept her. She is insulted and thrown out. in vengeance of this rejection, she decides to become a smuggler. She sends clothes and arms to Pakistan in exchange of Gold and Money. She falls in love with another refugee, Satish. Finally, when the secret is revealed and Satish is arrested and accused of smuggling, Mohini comes out and surrenders. She is arrested. End of the film !

Most Indians felt that Indian women will never react in this way. They would rather commit suicide. The film was even called ” Apna Trash”. Almost every newspaper viz The Times, The Hindu, The patriot etc condemned the film as Anti national. 1949 was also the period when Pakistan had infiltrated the army and Tribesmen in Kashmir. This had already created an Anti-Pakistani feeling in the country. Under the barrage of opposition, the film was forced to be withdrawn from the Theatres, not because of any legal considerations, but due to commercial reasons.

The strangest thing about this film is, while ALL other Prabhat and Rajkamal films are available, ONLY THIS FILM is missing from the archives. Its copy is not available even in the Film Archives at Pune. V.Shantaram never gave any explanation for this while he was alive.

I have not seen this film. The simple reason was that Shantaram’s films were rated very low on entertainment, as they were films with social causes. By the time I realised the film’s importance, the film was withdrawn and I could never see it. As such 1947 onwards and especially in 1949, so many musical films were released that Shantaram’s films were low on priority. The film details, background, contents and the aftermath of this remarkable film can be found in ” Mourning the Nation-Indian Cinema in the wake of Partition”, a book by Bhaskar Sarkar as well as in ” Violent Belongings, Partition, gender and National Culture” another book by Kavita Daiyya.

Though only the audio of the song is available, this song was clearly picturised on her as well. Dewan Sharar is the lyricist. Music is composed by Purushottam.


Song-Meri khushiyon ke sawere ki kabhi shaam na ho (Apna Desh)(1949) Singer-Pushpa Hans, Lyrics-Dewan Sharar, MD-Purushottam

Lyrics

mere khushiyon ke savere ki
kabhi shaam na ho o
shaam na ho
o hoye
kabhi shaam na ho
mere mit jaane ki koshish
kabhi naakaam na ho o o
naakaam na ho
o hoye
kabhi shaam na ho

sun bhi le waqt ki aawaaz
sun bhi le waqt ki aawaaz
badwaqti ae dil
ae badwaqti ae dil
khusnaseebi ki taraf se ae
koi paighaam na ho o
paighaam na ho
o hoye
kabhi shaam na ho
meri khushiyon ke savere ki
kabhi shaam na ho

jaan se pahle bhala kyun tera armaan nikle
tera armaan nikle
kya tera kaam tu ho jaaye
mera kaam na ho
mera kaam na ho
o hoye
kabhi shaam na ho
meri khushiyon ke savere ki
kabhi shaam na ho

aa aa aa aa
uff na kar
aah na bhar
uff na kar
aah na bhar
dard se aansu na baha
dard se aansu na baha
dekh duniya mein
dekh duniya mein
mohabbat kahin badnaam na ho o o
badnaam na ho
o hoye
kabhi shaam na ho
meri khushiyon ke savere ki
kabhi shaam na ho o
shaam na ho
mere mit jaane ki koshish
kabhi naakaam na ho
o o o o o
shaam na ho


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today(13 october 2017) is the 30th death anniversary of one of the greatest legends of the Hindi film industry, Kishore Kumar. On this day, the 13th of October 1987, he left this earthly world. He was just 58 then.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aazmaaish”(1952) was produced and directed by H S Tharani for Vinod Pictures, Bombay. This by now forgotte movies had forgotten names like Baburao, Prakash, Shanta Patel, Neeta Roy, Habeeb, Maqbool, Nazeer Kashmiri, Sheikh Brothers, Manju, Mehbooba, Dhondu, Hussain, Balaram, Deepak, Moosa, Hanuman, H Lal etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Searching for songs from as yet unrepresented movies is an important activity for me. As we keep adding more and more movies to the blog, searching for songs from as yet unrepresented movies becomes increasingly difficult, especially for movies from the earlier decades.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Wafa”(1950) was directed by J P Advani for Good Luck Films. The cast included Karan Diwan, Nimmi, Yakub, Gope, I S Johar, Bipin Gupta, Gulab, Pittoo, Cuckoo, Urvashi, Nandini, Shyama, Bimla, Anwari etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roshni”(1949) was directed by Ramanlal Desai for Standard Pictures, Corporation, Bombay. The movie had Rehana, Nihal, Mumtaz Ali, Sophia, Benjamin, Pran, Harun, Chaand Burque, Sita Bose, V H Desai, Kesri, Shyam lal, Ramlal, Kamal Krishn, Gulnar, Indira, Shyama, zarina, Ishrat etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The movie title “Kitna Badal Gaya Insaan”(1957) was clearly inspired from the iconic song of “Nastik”(1954) with this mukhda.

“Kitna Badal Gaya Insaan”(1957) was directed by I S Johar for Modern Theatre, Bombay. The movie had Ajit, Nalini Jaywant, I S Johar, Kamaljeet, Uday Laxmi, Shanti, Harbans Lal, Saroja, Anil Dutta etc in it. Inbcidentally, I S Johar was the director of “Nastik”(1954) as well. Ajit, Nalini Jaywant and I S Johar were there is “Nastik” (1954) as well. So it appears that this movie was inspired by “Nastik” (1954) in more ways than one.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14600 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14650

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4002

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