Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Lata


This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4233 Post No. : 15443

It was the 94th Birth Anniversary of Late Khaiyyam yesterday (18 february 2020).

Born as Mohammed Zahur Khayyam Hashmi(18 February 1927 – 19 August 2019), he started his career as music director, as Sharmaji of duo of Sharmaji-Vermaji with Rehman Verma.

He passed away last year on 19th August 2019, after an illustrious career of more than 4 decades. As per the stats page, he has composed 377 songs in 42 movies, out of which 179 songs are already posted. My personal favourite songs list has to start with the songs of Rafi songs in ‘”Shola aur Shabnam” , include “Bazaar”, “Umrao Jaan”, “Shaam e gham ki Qasam”(Footpath), Rafi solo “hai kali kali ke lab par”, some songs of “Razia Sultan” especially the sehra “Aye khuda Shukr tera”, songs of ‘Kabhi Kabhi”, “bahaaron mera jeewan bhi sanwaaro” (Aakhri Khat) etc.

I cannot forget to mention two songs of “Shankar Husaain” both the unforgettable solos by Rafi and Lata Mangeshar. The list will go all the way to the songs of ‘Phir Subah hogi” . And “Simti hui ye ghadiyaan” of “Chambal Ki Qasam”. The song of “Khandaan” (ye Mulaquat ek bahana hai) and Rafi-Lata duet from “Chambal kiQasam” were special favourites at the All India Radio’s Urdu service afternoon show (Aap ki farmaish ).

From a layman point of view also the songs composed by Khaiyyam are always melodious and have a distinctive style of their own. I can call it almost a ‘Genre”, very similar to the style of “Jaidev”. Jaidev was an assistant to S. D. Burman, but I was able to find any references it Khaiyyam was an assistant to anyone. He may have been as the training is required here also as any other field.

He composed non film songs and ghazals also, almost 34 of which were sung by Mohammed Rafi.

As per Wikipedia :

“On his 89th birthday, Khayyam announced the formation of a charitable trust, Khayyam Jagjeet Kaur KPG Charitable Trust, and decided to donate his entire wealth to the trust to support budding artists and technicians in India. His wealth at the time of announcement was valued at around ₹10 crore (US$1.4 million)”

The song I have selected to present on this occasion is from the film ‘Bambai ki Billi”, alternatively named “Wild Cat”. How does “Bambai” translate of Wild in this instance, I can’t begin to decipher. The singer of this song is Lata Mangeshkar, with chorus. Lyricist is Hasrat Jaipuri, composer is the the one and only Khaiyyam.

The tune of the song is reminiscent of this song from “Kabhi Kabhi”.


Song-Main baaghon ki morni jab naachhon taa taa thaiyya (Bombay Ki Billi )(1960) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Khaiyyam
Chorus

Lyrics

Jab jab mori paayal baaje
Logan ka aa dil dhhadke
Dekh ke mori chhalbalwa ??
man mein bijuriyaa kadkey ae
ho o

Main baaghon ki morni
Jab naachun taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya aa
Main baaghon ki morni
Jab naachoon taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye

Nain kateele aur sooratiyaa saanwri
hoye hoye hoye hoye hoye
Nain kateele aur sooratiyaa saanwri
Ho gayee main ko dekh ye duniyaa baawri
Hoye
Ho gayee main ko dekhye duniyaa baawri
Haay re ra rararara ra ra
Jinki batiyaan zeher bhari hain
Jaise koi kasaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye

Chaand bhi sharmaaye hai
Mere roop se
hoye hoye hoye hoye hoye
Chaand bhi sharmaaye hai
Mere roop se
Raat bhi din ban jaaye
Badan ki dhoop se
Hoy Raat bhi din ban jaaye
Badan ki dhoop se
Haay re la lalalara la la
Jin raston se chham chham jaaun
Taake mohe sipahiyaa
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
tu baaghon ki morni
Jab naache taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya

baal ye kaale
Pyaar se paale naag hain
hoye hoye hoye hoye hoye
baal ye kaale
Pyaar se paale naag hain
Haathh badha ke chhoo na lenaa
aag hain
hoye
Haathh badha ke Chhoo na lenaa
aag hain
Haay re ra rararara ra ra
Man ki been bajaaun jab jab
Jhoome prem kanhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4229 Post No. : 15438

“Patraani”(1956) was produced by Shankarbhai Bhatt and directed by his younger brother Vijay Bhatt for Prakash Pictures. The movie had Vyjayantimala, Pradeep Kumar, Omprakash, Shashikala, Durga Khote, David, Jeevan etc. in it. The movie was based on a novel by Kanhaiyalal Munshi.

Seven songs from this movie have been discussed in the past. Here is the eighth song from “Patraani”(1956) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised as a rajdarbaar dance song on Shashikala as Pradeep Kumar, the king looks on.

audio

Video

Song-Kabhi to aa (Patraani)(1956) Singer-Lata, Lyrics-Shailendra, MD-Shankar Jaikishan

Lyrics

aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa

kabhi to aa
kabhi to aa
kabhi to aa
o sapnon
mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon mein aake chale jaane waale
bhali buri
hoon jaisi bhi
main teri hoon
taras kar mohe tarsaane waale
kabhi to aa
kabhi to aa
kabhi to aa
aa aa aa aa
aa aa aa aa

rangeeli rut aa gayi ee ee
rangeeli rut aa gayi ee ee
dekh kar chaand ka dhhalna ho
dekh chaand ka dhhalna ho
piya main ghabra gayi ee ee ee
piya main ghabra gayi ee ee ee ee
dhhalegi kya ye umar bhi isi tarah
bataa de mohe
ratiya jagaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa
aa aa aa aa
aa aa aa aa

wo din kab aayenge ae ae ae ae
wo din kab aayenge ae ae ae
jaane kab pyaasi nadiya mein
jaane kab pyaasi nadiya mein
kamal muskaayenge ae ae
kamal muskaayenge ae ae ae ae
hata bhi de
ye bojh sar se laaj ka
ghoonghat kaliyon ke sarkaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapno mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa aaa


This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4228 Post No. : 15437 Movie Count :

4253

As valentine day party songs go, this one is not really so big on the event. Except for the heart shaped balloons, there is no other indication of this being a valentine day song. Point to be noted is that, the blog seems to have ignored this occasion also, along with a host of other days that are specifically designated throughout the year. Whatsapp university does a quite adequate job of reminding us of all these days, be it mother’s day, father’s day, couple day, hug day, chocolate day to name a few. These are just the days which came readily to mind, because a few of them were during this past week.

I remembered this song today just out of the blue from the film “Dil to paagal hai”. I remember seeing this film in theatre, must be in 1997. My elder sister was very fond of Yash Chopra films and the star cast was, as it is very much ascending stars of the era. Nevertheless I remember at one point in the film, where I told my sister that I don’t want to see this film and we are leaving. Which point I don’t care to share here.

This song talking of ‘Chaand’ & ‘Raat’ is actually compliant with my posts series titled ‘Chaandni Raatien”. Composer is Uttam Singh and the lyrics are by Anand Bakshi. It is picturized on Shah Rukh Khan, Karishma Kapoor and Madhuri Dixit. Shah Rukh and Karishma are at a Valentine Day party, whereas Madhuri Dixit is at her home, dreaming and singing along. At this point I think Shah Rukh and Madhuri haven’t met each other, but are scheduled to meet and fall in love. This song is in anticipation of the things to come in the story, because you see they have read the script and the song was ready, so the situation had to be created for it. Udit Narayan sings for Shah Rukh and Lata Mangeshkar is singing for Madhuri and Karishma both. The song is very catchy too despite being a mood song.

The film is full of melodious hit songs which were a rage then. Film and the songs won quite a few awards too. This song is having the tunes of other songs from the same film, as interlude. Again as I said the characters are anticipating the songs to feature in the film later on. Good imagination all around.


Song-Chaand ne kuchh kaha raat ne kuchh suna(Dil To Paagal Hai)(1997) Singers-Udit Narayan, Lata, Lyrics-Anand Bakshi, MD-Uttam Singh
Chorus

Lyrics

Hey hey
oo ho ho ho ho
Hmmm mmmmm
La la la laa laaaa

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyar kar

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Kya kahoon kya pataa
Baat kya ho gayee ee
Dillagi ye mere
Saathh kya ho gayee
Ik ishaara hai yeh
Dil pukaara hai ye
Ik ishaara hai yeh
Dil pukaara hai ye
Iss se churaa na nazar
Pyaar kar
Oh ho ho pyar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
Ah ha ha
aa haa

Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa

Ho oo ooo
Ooo ooooo
Hmmm mmmm
Mmmmmmm
La la la la la la
La la la laa la laa
Hai kaun kya khabar
Koyi to hai magar
Sapnon mein hai kahin
Aata nahin nazar
Main yehaan
wo wahaan
Aa rahi phir yehaan
Main yehaan wo wahaan
Aa rahi phir yehaan
Aawaaz kis ki magar

Pyaar kar
Oh ho ho pyaar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Aaa aaaa aaaaaa
Aaa aaaa aaaaaa

Jis pe ham mar mitey
Uss ko pataa bhi nahin

aa aa aa aa aa
O Jis pe ham mar mitey
Uss ko pataa bhi nahin
Kya gila ham Karen
Wo bewafaa bhi nahin
Ham ne jo sun liyaa
Uss ne kahaa bhi nahin
Ae dil zara soch kar
Pyaar kar
Oh ho ho pyar kar

Hey hey
Ah ha ha aa haaaa
La la laa laa laaa laaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
La la la la laa la laa
Oh ho ho
Hmm mmmm mmm hmm hmm
Pyaar kar
Oh ho ho pyaar kar
Pyaar kar
Oh ho ho pyaar kar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4226 Post No. : 15433

I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !

It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.

Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.

It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂

In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.

Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !

Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).

On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.

Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.

Quite a lively and appropriate song for the occasion it is.

Video
(video)
Audio

Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar

Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar

Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar

Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-

आ आ आ आ आ
आ आ आ आ आ

शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार

पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार

पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार

पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार

देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार


This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4226 Post No. : 15432

Today’s song is from a comedy musical film – Laadli-49.

During the period 1947 to 1950, there was a spate of comedy and musical films.It was also in this period that Naushad and C Ramchandra played havoc with their music. Films like Bela,Daak Bungla, Do Bhai, Jungle mein mangal, Natak, Shadi se pehle,Shehnai, Gunsundari, Hip Hip Hurray, Khidki, Mera Munna, Suhag raat, Andaz, Badi Behan, barsaat, Ek this ladki, Mahal, Namoona and Patanga stirred the HFM from upside down and then up again !

For all other MDs, this period played a challenge to come up to their highest and best level to compete. MDs like Anil Biswas handled the situation with ease, with his musicals like Laadli and Lajawab. Film Laadli-49 was made by Variety pictures – owned by Anil Biswas and his wife Ashalata (Mehrunnisa Bhagat). It was directed by an old friend of Anil Biswas – J P Advani. However, he directed only 3 films of Anil Biswas – Veena-48, Laadli-49 and Lajawab-50.

Jagatrai Pesumal Advani was born on 17-5-1903 in Hyderabad ( Sindh ). After graduating, he studied film making in Germany in the 1920s. After coming back to India, he joined Mohan Bhavnani – a big gun in those days- as his assistant. His first film as a Director was Heer Ranjha-1931. He shifted to Saroj Movietone in 1934 and then to Karachi to work for Golden Eagle Company. He was considered an expert who could handle the Heroines at his will.

He directed about 30 films, including a Hindi/Punjabi bilingual film Sassi-Punnu-46. His Filmography is- 1931: Heer Ranjha; 1933: Zehar-e-Ishq; 1934: Afghan Abla; Dilara; Gafil Musafir; Johar-e-Shamsheer; Tilasmi Talwar; Vasantsena; Flashing Sword; 1935: Bahar-e- Sulemani; Farebi Duniya; Shah Behram; 1936: Elaan-e-Jung; Shokh Dilruba; Sipahsalaar; 1937: Saqi; Insaaf; 1939: Dekha Jayega; 1940: Dharma Bandhan; Sneh Bandhan; 1941: Shehzadi; 1942: Suhagan; 1943: Sahara; 1946: Sassi Punnu; 1948: Veena; 1949: Laadli; 1950: Wafaa; Lajawaab; 1952: Saloni; 1954: Danka; 1955: Hasina.

The cast of the film was Sulochana Chaterjee, Jairaj, Kuldip Kaur, Ramesh Sinha, Randhir, Narbada Shankar and others. There was a coincidence that 2 Sulochanas acted in this film. Along with Heroine Sulochana Chaterjee, the old timer Sulochana Sr. (Ruby Myers) also acted in a side role. Born in Chandranagar, Sulochana Chatterjee was the daughter of a military man and the family, five girls, including the late Kamla Chatterjee ( she looked like Geeta Bali, and was Kidar Sharma’s wife), and one boy, used to travel along with their parents to wherever their father was transferred.
From Calcutta they moved to Jabalpore and it was here that Sulochana did her school­ing. She also took an active part in school dramatics. After some time the family was transferred to Bombay and here her younger sister, Kamla, was spotted by Sohrab Modi, a friend of their father’s, and given a role as a child star in Modi’s picture Jailor (1938).

Once Sulochana happened to visit the sets one day and after watching her sister at work, She was offered a part in Harishchandra Pictures’ “Aina”-44, which she accepted. She was co-starred with Trilok Kapoor. She starred in scores of films after that, among them the comedy “Ladli”-50, in which she appeared with Jairaj, and “Grahasti”-48 which was a memor­able hit and in which she play­ed with Yakub and Masood.

Sulochana acted in two Bengali pictures “Apanaela”, produced by Saroj Mukerjee and directed by Benoy Banerjee with Pradeep Kumar as her leading man, and Benoy Banerjee’s “Minoti” in which she shared stellar honors with Smriti Biswas and Paresh Banerjee. Her well known films are Chaitanya Mahaprabhu-53, Rami Dhoban-53, Shahjehan-46, Veena-48, Nav Durga-53, Jagte Raho-56, Jis desh mein Gaqnga behti hai-60, Sarswatichandra-68 etc.

In all she acted in 119 films. Her first film was Shobha-42 and last film was Shabas Daddy-79. After retirement, she settled in Bombay. Sulochana Chatterjee died on 30-8-1999.

Her favorite pastime, was playing with her sister’s children. She cooked, too, and knitted off and on. She was fond of English pictures , liked Ingrid Bergman and Gregory Peck and comedies. Sulochana could play Bad­minton and drove a car. A gifted linguist, she knew Bengali, her mother tongue, Hindi, English, Marathi, Punjabi, Kutchi and Guajarati. She spoke them all fluently.

Film Laadli was a comedy musical. There were 5 Lyricists and the MD was Anil Biswas. In Hindi film industry,right from 1931 onwards,many composers from Bengal came to Bombay to try their luck,but only a few could make their name here. There was a host of small time Bangla composers (some of them were Big names in Bengal) came to Bombay for a while,did 2-3 films and went back. Few of them were Shoolpani mukherjee, S P Mukherjee, V V Ganguly, Niren Lahiri, Shivram Ghosh, A C Biswas, Bhishmadev Chatterjee, Sushant Banerjee, Robin Chaterjee, Naresh Bhattacharya etc.

Besides these composers,there were some less successful composers from Bengal, in Bombay, like Ashok Ghosh, Pannalal Ghosh, Robin Banerjee, Hiren Bose, Shyamal Mitra, Arunkumar Mukherjee and Manas Mukherjee. Their major problem was Language and cultural difference.

There were 4 major composers from Bengal,who succeeded here and etched their names in the HFM history. I call them A grade. They all operated at the same time during the Golden Age period. Two composers came from East Bengal-Anil Biswas and S D Burman. Two composers came from West Bengal-Hemant Kumar and Salil Chaudhari.

Anil Biswas was the first major composer from Bengal to start his career in Bombay in 1935, at the age of just 21 years, whereas S D Burman was the oldest having started his career in Bombay in 1946, at the age of 40 years ! The longest tenure was that of Salil Chaudhari,but his song total is the lowest, with an average of about 5 songs per film.This is much lower than the average of 8+ and 9 of the others. This may be, because in later part of his career Salil da gave music to many parallel films which had minimum songs.

The two senior composers were from the East Bengal and the two junior composers were from the West Bengal. The styles of these two groups were different because of the different pattern of Eastern and Western Bangla music. All four depended and used heavily from the folk tunes and Bangla songs,from their respective regions. Anil Biswas and Burman da drew heavily from the Eastern Bangla folk tunes and that is why sometimes their music had similarities.

A case in point is song – “Sundari O sundari” from Lajawab-50. It was based on a folk tune of East Bengal. By coincidence S D Burman too used the same tune and same Mukhda for his Bangla film, “Samar’-50. Not only this,S D Burman again used the same tune for a song in film ‘Munimji”-55 ( Anadi re Anadi).
Anil Biswas was hailed as one of the most original,revolutionary and experimental composer,even dubbed as “The Bhishma Pitamaha”of HFM.

He was original. When Anil Biswas came on the scene in the mid 30s, the Parsee Theatre music,Marathi Natya sangeet and Gujarati drama and Lok kala Sangeet was being followed in film music. He decided to change this pattern and used Robindra Sangeet and Folk tunes for his songs. He was Revolutionary because he introduced western instruments in his music as a routine,which no one had thought of,so far. He was experimental,because he tried a variety of singers.

Those days,when playback was not yet common,non singers sang songs and it was a terrible task to make them sing properly. Anil Biswas tried the First ever playback,in Bombay,in his film “Mahageet”-37,singing the playback song himself to be shot on Hiren Bose in the film.

In a span of 30 years and in his 86 films having 777 songs,he used 76 singers. Among his singers Lata stands at First rank with 120 songs. The second place is shared by Surendra and Meena Kapoor( naturally), with 44 songs. Next name is that of Anil Biswas himself,with 43 songs.

Going through the list of singers,one finds very unknown names like Omkar, Kamlakar, Kokila, Gajadhar, D.Manek, Tarachand, Devaskar, Madhav kale, Yusuf Effendi, Solanki and Swapna Sen. Except Madhav Kale and Yusuf Effendi,I have never heard the other names myself,nor have I read about them anywhere. It is likely that these singers were from the early era and his earliest films. He himself first sang in ‘Dharam ki Devi’-35 and his last song was in ‘Sautela Bhai’-62.

Today’s song is the 6th song of this film to be discussed here. The film had an all time immortal song by the Anil Biswas – Lata duo…”Tumhare bulane ko jee chahata hai….” Such fine songs are now only in memory. Today’s song is also a good song. This is a Chorus song. Anil Biswas was particularly fond of Chorus songs and his no film was complete without at least one chorus song. Now, enjoy this chorus song….

( My thanks to Cineplot, Encyclopedia of Indian Cinema and History of Indian Film Music, for information used herein)


Song-Gareebon ka hissa gareebon ko de do (Laadli)(1949) Singer-Lata, Lyrics- S H Bihari, MD-Anil Biswas
Chorus

Lyrics

gareebon ka hissa gareebon ko de do
gareebon ko de do
gareebon ko de do

gareebon ka hissa gareebon ko de do
gareebon ko de do
gareebon ko de do

ameeron o o
ameeron hamen sookhi roti hi de do o o
ameeron hamen sookhi roti hi de do o o
gareebon ka hissa gareebon ko de do
gareebon ko de do
gareebon ko de do
o o o o
o o o o

jo pahle thhi haalat wahi hai hamaari ee ee
ye pahle bhi bhookhe hain ab bhi bhikhaari
ye pahle bhi bhookhe hain ab bhi bhikhaari
hamesha se hain haath phaile huye do o o
hamesha se hain haath phaile huye do o o
gareebon ka hissa gareebon ko de do
gareebon ko de do
gareebon ko de do
o o o o
o o o o

ye oonchi imaarat ye resham ke kapde ae ae
na kutiya hi hamko na khaadi ke tukde
na kutiya hi hamko na khaadi ke tukde
hamen bhi to apna badan dhaanpne do o o
hamen bhi to apna badan dhaanpne do o o
gareebon ka hissa gareebon ko de do
gareebon ko de do
gareebon ko de do
o o o o
o o o o

agar rookhi sookhi ye khaa kar bachenge
to kal ko ye Gandhi Jawahir banenge
agar rookhi sookhi ye khaa kar bachenge
to kal ko ye Gandhi Jawahir banenge
inhen sirf jeene ka mauka hi de do o o
inhen sirf jeene ka mauka hi de do o o
gareebon ka hissa gareebon ko de do
gareebon ko de do
gareebon ko de do

ameeron o (gareebon ko de do
gareebon ko de do
)
ameeron o (gareebon ko de do
gareebon ko de do
)
ameeron o (gareebon ko de do
gareebon ko de do
)


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4225 Post No. : 15430

11th february is the remembrance day of Pt Narendra Sharma (28 February 1913 – 11 February 1989) .

Present day HFM lovers have no idea about the contributions of Pt Narendra Sharma if they just go by the wikipedia entry on him. The person writing his wikipedia entry has no clue about Pt Narendra Sharma.

Pt Narendra Sharma was a renowned poet who wrote poetry in Hindi and Urdu. Lata Mangeshkar used to read his poerty and sing them on Radio before she became a playback singer. Here is how she described her association with Pt Narendra Sharma:

“I used to call him ‘Papa’. The first time, I met Papa (Pandit Narendra Sharma) it was at Master Vinayak’s residence. He was accompanied by the eminent litterateur Amritlal Nagar. He asked me to sing for him. During those days, I didn’t need a second invitation to sing. I’d burst into a song whenever I was asked. He was a learned man. I’d spend hours listening to him. In 1968, when I recorded the Bhagavat Gita, Papa came home to congratulate me. I was anxious about my Sanskrit pronunciation. Papa assured me I had done a good job. Papa stayed in Khar. I’d visit his home. My ties with him and his family were very strong. His 3 daughters were my age. I’d carry extra clothes to his home and stay overnight. His daughters and I would do dhamaal all night. His wife though Gujarati, adopted the Uttar Pradesh culture after marriage, because Papa was from UP. I never heard him saying a bad word about anyone. I met Harivanshrai Bachchan Saab at Papa’s place. They called each other ‘Bandhu’. I don’t think I was so close to anyone outside the family. I discussed all my problems with Papa. He called me daughter but always addressed me as ‘Lataji’. I objected to that. But he persisted. When he died of a heart attack, I was heartbroken. No one could take his place.”

He was a lyricist in Hindi movies. HFM is repletre with lyrics containing Urdu words. Pt Narendra Sharma would mostly write songs conttaining Sarskritised Hindi. And he proved that one can write immortal songs in pure Hindi. Take the example of the immortal bhajan from “Bhaabhi Ki Choodiyaan”(1962).

This song, Jyoti kalash chhalke was covered in the blog within a few weeks after this blog was started. There were visitors of this blog who logged on to this blog daily just to listen to this song. There was one grandmom who one day complained that the song has been taken off and that she is no longer able to make her young grand daughter listen to this bhajan- a practice that she was following without fail every morning !

I put on this song every day for my baby grand-daughter…and today it says the video has been removed by the user….could you reinstate it please? It’e been so lovely to hear it…along with the lyrics…I learnt the song from your blogpost!

This song has so many heartwarming comments in the blog. One of these comments is from Mrs Lavanya Shah, the daughter of Pt Narendra Sharma !

How many of us know that Vividh Bharati, the musical channel of Akashwani, was started by Pt Narendra Sharma ! When Government of India decided to have a music channel, Pt Narendra Sharma was hired as Chief Producer to start this project. He conceptualised and executed this project. “Vividh Bharati” , a name that he thought of, started its broadcast on 2 october 1957 from Bombay. The very first song that was played on this brand new Radio station was “Naach Mayura Naach”. It was sung by Manna Dey, penned by Pt Narendra Sharma and composed by Anil Biswas.

Many of the programmes that we still listen to today on Vividh Bharati were stated during those early days and they were the brainchild of Pt Narendra Sharma himself ! For instance “Hawa Mahal” is being broadcast on Vividh Bharati right from its beginning.

A programme for fauzi bhais, called Jaimala was started in Vividh Bharati on evenings in 1962, in the wake of China war. On saturday evening, this programme would be presented by a celebrity. This vishesh jaimala is one of the most popular programmes on Radio.

When Asian games were held in New Delhi in 1982, it was Pt Narendra Sharma who wrote the theme song-“swaagatam suswaagatam”. This song has now become a standard song to be played during official functions, such as Republic day etc.

On the occasion of the remembrance day of this remarkable artist, we pay our tributes to him by covering a song from “Satyam Shivam Sundaram”(1978). This song is sung by Lata and chorus. Pt Narendra Sharma is the lyricist. Music is composed by Laxmikant Pyarelal.

The song, a welcome song, is lipsynced by Zeenat Aman and others.

Lyrics of this song were sent to me by Avinash Scrapwala. For a change for Pt Narendra Sharma, the lyrics of this song contains mostly Urdu words. The song sounds just as sweet as most songs penned by him.


Song-Suni jo unke aane ki aahat gareebkhaana sajaaya hamne (Satyam Shivam Sundaram)(1978) Singer-Lata, Lyrics-Pt Narendra Sharma, MD-Laxmikant Pyarelal
Chorus

Lyrics (Provided by Avinash Scrapwala)

O o o o o o
Ho o o o o o
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne

Aa aa aa aa
Aa aa aa aa aa aa
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Qadam mubaarak hamaare dar pe
Naseeb apnaa jagaayaa hamne
Qadam mubaarak hamaare dar pe
Naseeb apanaa jagaayaa hamne

Huyee hai aamad khushaamadeedam
Huyee hai aamad khushaamadeedam
Ye kehnaa dil ko sikhaayaa hamne
Khile hain aashaa ke phool man mein
Ye raaz unse chhupaayaa hamne
Khile hain aashaa ke phool man mein
Ye raaz unse chhupaayaa hamne

Wo apne netaa ham unki janataa
Wo apne netaa ham unki janataa
Hameshaa naataa nibhaayaa hamne
Ye teri rehmat aye mere maalik
Gumaan nahin thhaa wo paayaa hamne
Ye teri rahamat aye mere maalik
Gumaan nahi thaa wo paayaa hamne

Unhe jo dekhaa jhukaa lin aankhen
Adab se ehsaan uthaayaa hamne
Unhe jo dekhaa jhukaa lin aankhen
Adab se ehsaan uthaayaa hamane

Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne

———————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————————

ओ ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने

आ आ आ आ
आ आ आ आ आ आ
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
क़दम मुबारक हमारे दर पे
नसीब अपना जगाया हमने
क़दम मुबारक हमारे दर पे
नसीब अपना जगाया हमने

हुयी है आमद खुशामदिदम
हुयी है आमद खुशामदिदम
ये कहना दिल को सिखाया हमने
खिले है आशा के फूल मन में
ये राज़ उनसे छुपाया हमने
खिले है आशा के फूल मन में
ये राज़ उनसे छुपाया हमने

वो अपने नेता हम उनकी जनता
वो अपने नेता हम उनकी जनता
हमेशा नाता निभाया हमने
ये तेरी रहमत अये मेरे मालिक
गुमान नहीं था वो पाया हमने
ये तेरी रहमत अये मेरे मालिक
गुमान नहीं था वो पाया हमने

उन्हें जो देखा झुका ली आँखें
अदब से एहसान उठाया हमने
उन्हें जो देखा झुका ली आँखें
अदब से एहसान उठाया हमने

सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4211 Post No. : 15412

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 6
——————————————————————————

“Arpan”(1983) was produced and directed by J Om Prakash for Filmyug Private Limited, Bombay. The movie had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar, Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya etc in it.

The movie had five songs in it. Three songs have been covered in the past.

The movie made its debut in the blog on 21 january 2010 with the song Pardes jaake pardesiyaa bhool na jaana piyaa . The second song was discussed one week later on 28 january 2010 and it was Likhne waale ne likh daale .

For the next ten years, no other songs from this movie were covered. Then there was sudden activity exactyly ten years later and the third song from the movie was discussed on 21 january 2020, exactly one decade after this movie had debuted in the blog. This song was Mohabbat ab tijaarat ban gayi hai Avinash Scrapwala, who is very enthusiastic about the “blog ten year challenge”.

Seeing that the second song from the movie was covered on 28 january 2010, today presents us with another “blog ten year challenge” opportunity as far as this movie is concerened. So here is another song from the movie. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

This song is picturised as a stage dance song on Parveen Babi and others. Jeetendra is seen among the audience.

I find this song so reminiscent of “Asha”(1980) songs where too Jeetendra would be seen witnessing the stage dance performances. That movie had Reena Roy instead of Parveen Babi. This resemblence is not coincidence. Both these movies were by J OmPrakash. His stories used to be similar. Jeetendra used to be a fixture in his movies. and the titles of his movies would start from the letter A. He produced 23 movies in his career, styaring from “Aas Ka Panchhi”(1961) till “Afsaana Dilwaalon Ka” (2001). 22 of his titles started with A. Only exception being “Bhagwan Dada” (1986), after which he reverted back to his lucky letter A.

Music of his movies during that succeesful spell (Apnapan, Asha, Arpan) used to be by Laxmikant Pyarelal. That is the reason why the songs of these movies sound similar to me.

Here is this nice song from “Arpan”(1983). Incidentally, all the four songs that have been covered so far were quite popular and they have remained so till now.


Song-Tauba kaise hain naadaan ghunghroo paayal ke (Arpan)(1983) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lata + Chorus

Lyrics

taubaa taubaa aa aa
taubaa taubaa aa aa
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
sharm ke maare laal pad gayaa rang meraa baadaami
chhanak chhanak ke gali gali mein karen meri badnaami
ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

kaise koi bhed chhupaaye ae ae
ghar kaa bhedi lankaa dhaaye
kaise koi bhed chhupaaye ae
ghar kaa bhedi lankaa dhaaye
dede ke main haari saari raam raheem ki kasmen
aisaa lagataa hai ye nigode nahin kisi ke bas mein
hindu hai na musalmaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

chhup ke gali se kaise guzroon
chhat se main neeche kaise utroon
chhup ke galii se kaise guzroon
chhat se main neeche kaise utroon
kabhi kabhi main sochoon inko phenkoon abhi utaaroon
tokne waali usi padosan ke munh par de maaroon
bharte hain logon ke kaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

jab chham se ye baj uthhte hain
pag men kaanten chubhte hain haaye
jab chham se ye baj uthte hain
pag mein kaanten chubhte hain
meethhaa meethhaa dard nigodaa mere man se nikle
inhen nikaaloon pairon se to jaan badan se nikle
mere dil ke hain armaan ghunghruu paayal ke
ho mere dil ke hain armaan ghunghruu paayal ke

taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4211 Post No. : 15411

“Do Roti”(1957) was produced and directed by Ismail Memon for Ismail Films, Bombay. This movie had Nirupa Roy and Balraj Sahni in lead roles, along with Johny Walker, Nazeer Hussain, Mishra, Manju, Minu Mumtaz, Nana Palsikar, Kanhaiya Lal, Mehmood, Shakuntala devi, Arvind Kumar, Kamal Mohan, Sagar, Nalini Chonkar, Kusum, Chetan Kumar, Mumtaz, G Kallan, Mohan Sandow, Aziz Siddiqui, Omkar, Baby Sultana, Master Raju etc in it.

The movie had eight songs in it. Seven songs from this movie have been discussed in the past. Here is the breakup of the songs from the movie that have been covered so far:
 

Song Movie Year Sono Post number Post date
Kaali badariya maare najariya Do Roti 1957 2359 20-Mar-2010
Badi pyaari kahaani hai muhabbat ki kahaani bhi Do Roti 1957 2363 27-Mar-2010
Ghir ke barsen ye ghataayen to mazaa aa jaaye Do Roti 1957 6690 21-Sep-2012
Aise bhi hain peene waale jo Do Roti 1957 7612 6-Mar-2013
Ashqon ki kahaani kya kahiye Do Roti 1957 7703 18-Mar-2013
Sun lo patey ki baat Do Roti 1957 12228 18-Jul-2016
Gham ki hui haar lo jeet gaya pyaar Do Roti 1957 15389 26-May-2019

Here is the eighth and final song from “Do Roti”(1957) to appear in the blog. This song is sung by Lata. Khumar Barabankwi is the lyricist. Music is composed by Roshan.

Only the audio of the song is available. Based on the picturisation of other Lata songs from the movie, it can be safely assumed that this song is opicturised on Nirupa Roy.

With this sweet and hummable song, all the songs of “Do Roti”(1957) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Tumhen jo pyaar kiya..tumhre kaaran hamaar jiya jaaye re (Do Roti)(1957) Singer-Lata, Lyrics-Khumar Barabankwi, MD-Roshan

Lyrics

aaa aa aa aa
aa aa aa
tumhen jo pyaar kiya
aa aa aa
tumhen jo pyaar kiya
hamne kya aa aa gunaah kiya aa
ye kis kusoor se tumne hamen tabaah kiya haan aan
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
ho tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re

tumhaare ishq mein jeena hamen mohaal hua
aa aa aa
tumhare ishq me jeena hamen mohaal hua
aa aa
hamara aur papeehe ka ek haal hua
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
ho tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re

jaan de ham tumko bedarda
aa aa aa
tum ho bade beimaan aa aa aa aa
de do hamaara dil hamen vaapas
aeji hoga aa bada ehsaan haan haan
ki tumhre karan
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
jiya jaaye re
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re
jiya jaaye re

tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re


This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4204 Post No. : 15391

“Teen Bahuraaniyaan”(1968) was directed by S S Wasan and S S Balan for Gemini Combines, Madras. The movie had Dhumal, Prithviraj Kapoor, Rajendranath, Shashikala, Jankidas, Kanchana, Agha, Kanhaiyalal, Vaishali, Niranjan Sharma, Farida, Jayanthi, Lalita Pawar, Ramesh Deo, Jagdeep etc in it.

As can be expected, this was a Madrasi Chandamama kind of story where a combined family consisting of three songs, their daughters and children live together happily and peacefully alongwith the parents. 🙂 It was called a “social” movie. One may as well call it a fantasy fairytaled movie. 🙂

The movie had five songs in it. Two songs have been covered in the past.

Here is the third song from “Teen Bahuraaniyaan”(1968) to appear in the blog. The song is picturised on the three ladies playing the three daughter’s in law. The song is sung by three Mangeskhar sisdters, viz Lata, Asha Bhonsle and Usha Mangeshkar. This is one of those special cases when three sisters have figures in a song.

Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji. Lyrics for this song are provided by Nitin ji.

I request our knowledgeable readers to help identify the actors seen in the picturisation.

PS-Our knowledgeable reader Dr Subramanian S informs us that the three actresses seen in the picturisation are Sowkar Janaki, Kanchana and Jayanti.


Song-Hamre aangan bagiya (Teen Bahuraaniyaan)(1968) Singers-Lata, Asha Bhonsle, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-Kalyanji Anandji

Lyrics (Provided by Nitin Shah)

hamre aangan bagiya
bagiya mein do panchchi
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaaye dekhna
panchchi ud na jaaye
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaaye dekhna
panchchi ud na jaaye
hamre aangan bagiya

o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
pehla panchchi pyaar hai
is pyaar se kariyo pyaar
is pyaar se kariyo pyaar
pehla panchchi pyaar hai
is pyaar se kariyo pyaar
is pyaar se kariyo pyaar
pyaar na ho to soona soona
pyaar na ho to soona soona
laage ye sansaar sakhi ri
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaye dekhns
panchchi ud na jsaye
hamre aangan bagiya

hamre man ki shaanti
dooje panchchi ka naam
dooje panchchi ka naam
hamre man ki shaanti
dooje panchchi ka naam
dooje panchchi ka naam
is bin ye ghar aise jaise
is bin ye ghar aise jaise
mandir bin ghanshyaam sakhi ri
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaaye dekhna
panchchi ud na jaaye
hamre aangan bagiya


This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4201 Post No. : 15386

I wonder if regulars of this blog notice the contents of the box that appears at the beginning of each writeup. It shows the day number of the blog as well as the post number. In case the movie makes its debut with the song then the movie number of this movie in the blog is also mentioned.

Yesterday (17 january 2020) was the 4200th day for the blog. It would seem that this occasion (described by me as artificial landmark 🙂 ) passed off unnoticed.

I began to take notice of this kind of century sometime in 2017. From then onwards I have been noticing it regularly. Noticing this event has been made easier because the day number accompanies each post now a days. this practice was started from 1 january 2018 at the initiative of Sudhir Jee and it has become a regular practice since then.

At the end of 4200th day, the blog had 15385 writeups ! It means that the blog has been going on at an average of 3.66 posts a day for last 4200 days, beginning from 19 july 2008 (day ONE).

At some time in the past, the blog was going on at 4.66 posts in a day !

Out of these 4200 days, there were 223 days when there were no posts. We describe such days as DOT days for the blog, like how there are DOT balls in cricket. Apart from these DOT days, all other days have seen at least ONE post, and often many more. During the more productive days of the blog (2010 to 2013) The highest number of posts in a day has been THIRTEEN !

Here is the breakup of these 4200 days.

Songs in a day Number of occurrences Remarks
NIL Songs posted in a day 223 61 Dot days in 2010
One Song posted in a day 704 221 such occurrences in 2019
Two Songs posted in a day 647 109 such occurrences in 2019
Three Songs posted in a day 558 100 such occurrences in 2017
Four Songs posted in a day 544 89 such occurrences in 2017
Five Songs posted in a day 377 60 such occurrences in 2012
Six Songs posted in a day 681 166 such occurrences in 2009
Seven Songs posted in a day 278 56 such occurrences in 2013
Eight Songs posted in a day 119 39 such occurrences in 2012
Nine Songs posted in a day 42 18 such occurrences in 2012
Ten Songs posted in a day 18 8 such occurrences in 2012
Eleven Songs posted in a day 1 1 such occurrence in 16 august 2012
Twelve Songs posted in a day 6 4 such occurrences in 2011
Thirteen Songs posted in a day 2 on 25 october 2011 and 6 september 2012

On this occasion, when the blog has just completed a special landmark, here is a landmark song. Like the landmark of 4200 days for the blog, this song too marks a special landmark in the history of HFM.

Before I reveal what is that special landmark, let us see the details of this song. This song is from “Paayal Ki Jhankaar”(1968). This movie was directed by M V Raman for Filmistan. The movie had Kishore Kumar, Jyoti Laxmi, Rajshree (South), Dhumal, Moppet Raja, Baby Farida, Master Shahid, P Kailash, Rajendra, Sulochana Chatterjee, Rehman etc in it.

The movie had six songs in it. One song has been covered in the blog.

One song from the movie was penned by Qamar Jalalabadi and the remaining five songs were penned by Rajinder Krishan. Rajinder Krishan had also written the story, screenplay and dialogue of this movie.

This movie had music by C Ramchandra. It was the 33rd and last movie when Rajinder Krishan and C Ramchandra came together to create songs in HFM. They came together for the first time in 1949 when they created some magical numbers in “Patanga”. Later, they worked together in such musical blockbusters as “Samadhi”(1950), “Albela”(1951), “Anarkali”(1953), “Jhaanjhar”(1953), “Jhamela”(1953), “Pahli Jhalak”(1954), “Azaad”(1955), “Shatranj”(1956), “Asha”(1957), “Baarish”(1957), “Amardeep”(1958) etc.

All the 33 movies where C Ramchandra and Rajinder Krishan worked together, there were a few songs that were sung by Lata Mangeshkar.

This movie “Paayal Ki Jhankaar” (1968) had ONE song by Lata Mangeshkar. It was the last occasion when Lata Mangeshkar sang for C Ramchandra.

So one can say that “Paayal Ki Jhankaar”(1968) was the last time when Lata, Rajinder Krishan and C Ramchandra came together.

Here is this “special” song from “Paayal Ki Jhankaar”(1968). Lyrics for this song are provided by Nitin ji.

Only the audio of the song is available. I request our knowledgheable readers to throw light on the movie as well as on the picturisation of this song.


Song-Tu aaye na aaye magar jaanewaale (Paayal Ki Jhankaar)(1968) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics (Provided by Nitin Shah)

tu aaye na aaye
magar jaane waale
aaye na aaye
magar jaane waale
teri yaad aake rulaaya karegi
rulaaya karegi
jo dekhegi rota hai koi akela
dekhegi rota hai koi akela
to khud bhi wo aansu bahaaya karegi
bahaya karegi
aaye na aaye

jidhar se gaya tu wo raahen hamesha
jidhar se gaya tu wo raahen hamesha
tarasti rahengi teri vaapsi ko
tarasti rahengi teri vaapsi ko
udhar se hava bhi jo aaya karegi
udhar se hava bhi jo aaya karegi
tera naam leke sataaya karegi
sataaya karegi
tu aaye na aaye
magar jaane waale
aaye na aaye
magar jaane waale
teri yaad aake rulaaya karegi
rulaaya karegi
aaye na aaye

jo raaton ko taare poochhenge mujhse
raato ko taare poochhenge mujhse
bata tu bhi kyo raat bhar jaagti hai
bata tu bhi kyo raat bhar jaagti hai
kahoongi meri neend bas mein nahin hai
ye birhan bahaane banaya karegi
banaya karegi
aaye na aaye
magar jaane waale
aaye na aaye
magar jaane waale
teri yaad aake rulaaya karegi
rulaaya karegi
aaye na aaye

jahaan meri aankhon ka paani girega
jaha meri aankhon ka paani girega
teri yaad ke phool khilte rahenge
teri yaad ke phool khilte rahenge
savere savere jo aayegi shabnam
savere savere jo aayegi shabnam
to dil thhaam kar laut jaaya karegi
jaaya karegi
tu aaye na aaye
magar jaane waale
aaye na aaye
magar jaane waale
teri yaad aake rulaaya karegi
rulaaya karegi
aaye na aaye


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15443

Number of movies covered in the blog

Movies with all their songs covered =1188
Total Number of movies covered =4253

Total visits so far

  • 13,055,232 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,825 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: