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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lata solo’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3912 Post No. : 14971

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Blog 10-Year Challenge (2009-19) – Song No. 26
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Ten years ago, this day – the score card was six films, and six songs. The songs posted on that day are listed below.

 

Naino Me Pyaar Dole Sheroo 1957
Kaare Kaare Baadraa Bhaabhi 1957
Jab Baadal Lahraaya Chhoo Mantar 1956
Dil Pukaare Aare Aare Jewel Thief 1967
Tumhaari Nazar Kyun Khafa Ho Gayi Do Kaliyaan 1968
Har Haseen Cheez Ka Main Talabgaar Hoon Saudaagar 1973

 

Out of the six films, five films have since been Yippeee’d on the blog. I notice this interesting push for completing songs of a film. It seems that the preference is always to complete songs of films from 1950s and 1960s. Most of the time, when we are searching for a suitable selection for this Ten Years Challenge series, the films with songs pending are most likely to be not from 1950s and 1960s. I think it is a combination of preference for the melody and music of those two decades, plus the availability. On these two counts, the films from 1950s and 1960s would score the highest, and hence their quicker movement towards Yippeee status.

The film from this list, which still has songs remaining to be posted, belongs to 1973 – ‘Saudaagar’. When this film appeared in the theatres, the one surprising element was the lead pair – Amitabh Bachchan and Nutan, plus Padma Khanna of course. Once one got to know the storyline though, the choice would be rationalized. But at first sight, Nutan – a fairly senior lead actress by that time, paired opposite to an almost rank new comer, Amitabh Bachchan, at first raised some eyebrows. Nutan, having made her transition from child role (‘Hamaari Beti’, 1950) to lead actress roles with ‘Hum Log’ and ‘Nagina’ in 1951, had over two decades of career behind her. Amitabh, on the other hand, was just into the fifth year of his career. Having made a debut with the 1969 film ‘Saat Hindustani’, he was still seen as the Babu Moshai (‘Anand’, 1970), an actor in second lead type roles. No doubt, ‘Zanjeer’ also happened in 1973, and that put him on a fast track as an action hero. But when ‘Saudaagar’, and of course ‘Zanjeer’ were planned and were under production, the phenomenal succcess of the latter film was still into the future. At such a time, the casting of ‘Saudaagar’ surely surprised critics and audiences alike.

The film’s story is a sensitive portrayal of a love triangle, in which one side of the triangle is actually a pretense, nay a fraud, mounted by the male protagonist, for a vested interest, which is to finance his betrothal to his real love interest. It is a plain case of a dishonorable deception, which goes way beyond cheating and defrauding for money – it is a devious fraud on the heart and emotions of gullible and vulnerable widow. Moti (Amitabh) is a young trader in gur (jaggery made from the juice of date palms). Majubee (Nutan) is a relatively older widow, expert in making the jaggery from the date juice. The two have business relations, in that Moti collects the juices from the date palms, brings to Majubee, who makes jaggery from it, and Moti sells it in the market.

Phool Banu appears on the scene, and Moti falls head over heels for her. His efforts to gain a bride are thwarted by Phool Banu’s father, who demands a handsome meher amount for the marriage. Unable to procure the hefty amount demanded, Moti hatches a plan in his mind – he decides to get married to Majubee, and save money on the production process of gur, because he would not have to pay Majubee, once he becomes her husband. Majubee is shocked and surprised by the proposal, refuses at first, but then slowly gives in to the cajoling and pursuance by Moti. They get married. At the end of one season of gur making, Moti saves enough to pay the meher for his desired bride. He divorces Majubee, and immediately marries Phool Banu. Majubee is devastated, and completely broken, at being used such by this devious man, who has used her and defrauded her of her vulnerable honor in life.

But the story does not end here. As it turns out, Phool Banu has no inkling of the gur making proces. Her main interests in life are “Sajna Hai Mujhe Sajna Ke Liye“. Moti, unable to now supply good quality gur in the market, loses his reputation, and his business. The affluence is gone, the reputation is gone, and so is the dream of a happily-ever-after life with his beloved. And the story moves further. . . to be dealt with in another post later. 🙂

The film is produced by the house of Rajshree – Rajshree Pictures Pvt Ltd, Bombay. It is directed by Sudhendu Roy. Besides the three important stars already named, the impressive cast of actors includes Trilok Kapoor, Murad, Dev Kishan, V Gopal, CS Dubey, Pardesi, Narbada Shankar, Santosh Ghosh, Nadira, Ras Raj, Paritosh Choudhary, Ashok Mitra, Samar Rai, Jugnu, Chandu Allahabadi, Ramesh Verma, Shriram Shastri, Chaturvedi, Bihari, Leela Mishra, Paro, Habeeba, Salma, Sitara, Suraiya, Master Saka, Master Firdaus, and Baby Shamina.

Geet Kosh lists seven songs for the film. All the songs are created by the lyricist – MD Ravindra Jain. This song is sung by Lata Mangeshkar. On screen, it is performed by Padma Khanna, as she is walking back home from the river banks, after having crossed it on a boat. Amitabh has seen her, and is following her from the boat itself. Of course Padma Khanna, i.e. Phool Banu, is very much aware that she is being followed by this lanky and handsome young man. So she is playing the siren’s role to the hilt. Introduces herself in the song, she tells her pursuer about herself and her youth, and clearly communicates that she is verily enjoying the attention she is getting from him. In a couple of close shots, Amitabh looks very much like a provoked predator, as he eyes this willing beauty dancing for his benefit.

A catchy song, and enticing words. . . both characters are hunters, laying veritable traps for each other. 🙂

 

Song – Champa Nahin, Chameli Nahin, Main Genda Nahin Gulaab Nahin  (Saudaagar) (1973) Singer – Lata Mangeshkar, Lyrics – Ravindra Jain, MD – Ravindra Jain

Lyrics

champa nahin chameli nahin
main genda nahin gulaab nahin
phir bhi jo dekhe wo boley
tera koi jawaab nahin
main kaa karoon ke main hoon phool baano
ji main hoon phool baano
ho main kaa karoon ke main hoon phool baano
ji main hoon phool baano

champa nahin chameli nahin
main genda nahin gulaab nahin
phir bhi jo dekhe wo boley
tera koi jawaab nahin
main kaa karoon ke main hoon phool baano
ji main hoon phool baano
ho main kaa karoon ke main hoon phool baano
ji main hoon phool baano

saara gaaon
mera naam le ke aahen bhare
jo bhi dekhe meri surat
haaye haaye karey
saara gaaon mera naam le ke aahen bhare
jo bhi dekhe meri surat
haaye haaye karey
jo bhi dekhe meri surat
haaye haaye karey
koel nahin papiha nahin
main geeton bhari kitaab nahin
phir bhi jo dekhe wo boley
tera koi jawaab nahin
main kaa karoon ke main hoon phool baano
ji main hoon phool baano
haaye main kaa karoon ke main hoon phool baano
ji main hoon phool baano

kyun jamaana
hai deewaana mera
mujhe kya pata
main haseen hoon
main jawaan hoon
is mein meri kya khata
kyun jamaana hai deewaana mera
mujhe kya pata
main haseen hoon main jawaan hoon
is mein meri kya khata
main haseen hoon main jawaan hoon
is mein meri kya khata
saari umar lagey na nazar
mera aisa to shabaab nahin
phir bhi jo dekhe wo boley
tera koi jawaab nahin
main kaa karoon ke main hoon phool baano
ji main hoon phool baano
haaye main kaa karoon ke main hoon phool baano
ji main hoon phool baano

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Hindi script lyrics (Provided by Sudhir)
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चम्पा नहीं चमेली नहीं
मैं गेंदा नहीं गुलाब नहीं
फिर भी जो देखे वो बोले
तेरा कोई जवाब नहीं
मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो
हो मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो

चम्पा नहीं चमेली नहीं
मैं गेंदा नहीं गुलाब नहीं
फिर भी जो देखे वो बोले
तेरा कोई जवाब नहीं
मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो
हो मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो

सारा गाँव
मेरा नाम ले के आहें भरे
जो भी देखे मेरी सूरत
हाए हाय करे
सारा गाँव मेरा नाम ले के आहें भरे
जो भी देखे मेरी सूरत
हाए हाय करे
कोयल नहीं पपीहा नहीं
मैं गीतों भरी किताब नहीं
फिर भी जो देखे वो बोले
तेरा कोई जवाब नहीं
मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो
हाए मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो

क्यों ज़माना
है दीवाना मेरा
मुझे क्या पता
मैं हसीं हूँ
मैं जवाँ हूँ
इस में मेरी क्या खता
क्यों ज़माना है दीवाना मेरा
मुझे क्या पता
मैं हसीं हूँ मैं जवाँ हूँ
इस में मेरी क्या खता
मैं हसीं हूँ मैं जवाँ हूँ
इस में मेरी क्या खता
सारी उमर लगे ना नज़र
ऐसा मेरा शबाब नहीं
फिर भी जो देखे वो बोले
तेरा कोई जवाब नहीं
मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो
हाए मैं का करूँ के मैं हूँ फूल बानो
जी मैं हूँ फूल बानो

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3904 Post No. : 14958

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Blog 10-Year Challenge (2009-19) – Song No. 22
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This day, ten years ago, the songs that we were listening to are listed below,

 

Dukh Ke Ab Din Beetat Naahin Devdas 1935
Antam Fantam Chhod De Babu Hum Sab Chor Hain 1956
Hai Kali Kali Ke Lab Par Lala Rukh 1958
Jaa Re Beimaan Tujhe Jaan Liyaa Private Secretary 1962
Dil Ki Girah Khol Do Raat Aur Din 1967
Apni Aadat Hai Sabko Salaam Karnaa Pyaar Deewaana 1972

 

Six songs were posted, six films represented. Over the past 10 years, four of these films have completed their run of songs – ‘Devdas’ (1935), ‘Hum Sab Chor Hain’ (1956), ‘Lala Rukh’ (1958) and ‘Raat Aur Din’ (1967).

For the remaining two films, the score card says –

‘Private Secretary’ (1962) – 4 songs posted out of total 7 listed, and
‘Pyaar Deewaana’ (1972) – 2 songs posted out of total 8 listed.

So in preparation for the Ten Year Challenge post for today, as I started to scan the remaining songs of these two films, I had to stop right at the first song that I checked, for I knew it has to be this one today. The song is a stage dance song from the film ‘Private Secretary’. The listing in the Geet Kosh is not fully informative, because the song title listed is actually the lead in verse to the song. The burden of the song comes later, and it was not apparent when I read the song title. But when I played this song – my goodness, I am amazed that a song of this caliber has been lying unnoticed for all these years. That is the reason for the urgency in my mind to post this.

This song was frequently heard on the air waves during the radio listening days, and so it is a very familiar and a favorite song from that time. After the leading verse, as soon as Lata ji starts to croon “O O O Saanwre. . .”, I just sat up straight with surprise – my God, this song, this lovely melody. Not yet posted. Hiding where all these years. And I knew it has to get posted right away.

The film ‘Private Secretary’ is produced under the banner of Radiant Movies, Bombay and is directed by Chander. The cast of actors is listed as Ashok Kumar, Jaishri Gadkar, NA Ansari, Mohan Choti, Poornima, Raja Gosavi, Neelam, Jerry, TN Sinha, Manohar Geer, Raj Kumar, Ravi Khanna, Kashi, CN Kapoor, Athawale, and Umakant. The seven songs listed are all from the pen of Prem Dhawan, and the music is composed by Dilip Dholakia. The singing voice is of Lata Mangeshkar.

The song is performed by Jaishree Gadkar on screen, as a stage performance. In the beginning of the song, we can see Ashok Kumar and Mohan Choti as part of the audience. A wonderful song and an equally wonderful performance – the song merits to be on the list of best dance songs.

Listen to this charming melody. And tell me. Did you have the same reaction as I did?

Song – O Saanwre, Aa Ja Pyaar Liyei  (Private Secretary) (1962) Singer – Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Dilip Dholakia

Lyrics

pee ke daras ko tarse akhiyaan
bin saawan ke barse akhiyaan

kit gaye rasiya
o mann basiya
kaa se mann ki
boloon re batiyaan

aaaaa aaaaaa aaaaa aaaaaa
aaaaaaaa aaaaaa aaaaaa aaaaa
aaaa aaa aaa aaa aa
aaaa aaa aaa aaa aa
aaaa aaa aaa aaa aa
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
o saanware

jab se suratiya aankhon mein samaai
hum ko to laage saari duniya paraai
jab se suratiya aankhon mein samaai
jab se suratiya aankhon mein samaai
hum ko to laage saari duniya paraai
milne ki pyaas liye
ek yahi aas liye
baithi rahoon main subah shaam re
ooo ooo ooo
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
o saanware

dil ko bichhaaya hai
raahon mein tumhaari
jaane kab kismet jaagegi hamaari
dil ko bichhaaya hai
dil ko bichhaaya hai
raahon mein tumhaari
jaane kab kismet jaagegi hamaari
din jaaye raat aaye
dil se na aag jaaye
saanson mein goonje tera naam re
oo oo
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
oo oo saanware

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Hindi script lyrics (Provided by Sudhir)
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पी के दरस को तरस गई अखियाँ
बिन सावन के बरसे अखियाँ

कित गए रसिया
ओ मन बसिया
का से मन की
बोलूँ रे बतियाँ

आssss आsssss आssss आsssss
आsssssss आsssss आsssss आssssssss
आsss आss आss आs
आsss आss आss आs
आsss आss आss आs
ओ ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ सांवरे

जबसे सुरतिया आँखों में समाई
हमको तो लागे सारी दुनिया पराई
जबसे सुरतिया आँखों में समाई
जबसे सुरतिया आँखों में समाई
हमको तो लागे सारी दुनिया पराई
मिलने की प्यास लिए
एक यही आस लिए
बैठी रहूँ मैं सुबह शाम रे
ओ ओ ओ
ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ सांवरे

दिल को बिछाया है
राहों में तुम्हारी
जाने कब किस्मत जागेगी हमारी
दिल को बिछाया है
दिल को बिछाया है
राहों में तुम्हारी
जाने कब किस्मत जागेगी हमारी
दिन जाये रात आए
दिल से ना आग जाये
साँसों में गूँजे तेरा नाम रे
ओ ओ
ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ ओ ओ सांवरे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3902 Post No. : 14954

 

‘Bobby’ – a once in a life time sojourn. Smitten by this film, youngsters in any age will not be awed by any other drama of romance.

‘Bobby’ – the heart beat of a generation. Murmurs of that heartbeat continue to be alive decades after. Memories of that first love still makes the blood race through the veins, just as if that primal experience is still happening – for the first time.

‘Bobby’ – never before, and never after – was a story of adolescent love, ever presented with such an alluring composure, and such a charismatic style.

‘Bobby’ – open that page even today, and the freshness of fragrance of that first touch, that first embrace, that first kiss – under a row of Gulmohar trees in full bloom, still has the thump to pummel you off your feet. The ‘flame of the forest’ is ablaze with a riot of red. And so are the raging emotions within – not just the star crossed lovers on screen – it is me too, still floundering and floating in those seminal sensations of love – the moment frozen in time and age, forever. Check out the lover’s tryst at the swimming pool. Every other experience of passionate emotions pales into insignificance in the face of this compelling, electric attraction.

‘Bobby’ – the enduring Perfect Storm – nothing else comes close to capturing that first pubescent surge of hormones – the heart’s first introduction to the fascinating enthrallment of passion and love.

‘Bobby’ – the first steps into the adventures of delight, when the self desires to make space for another for the first time, savoring the first unfamiliar ecstasies of love.

‘Bobby’ – a film, a name, and a girl in a white frock with grey dots and a red piping – standing next to the entrance, near the golden statue of a maiden carrying a pot of water, quenching the thirst of many kinds; and the strains of music that play on that first sighting – “Jeena Yahaan Marna Yahaan, Is Ke Siwa Jaana Kahaan”. As always, the master of melodramatic presentation, RK chose this oh so appropriate music to play when this simple young girl made her first presence on the screen, and into the hearts of million young men – yes – Is Ke Siwa Jaana Kahaan. . .

I have written before about my many crushes on many a beauty of the silver screen. But this was / is the first time I really fell in love. Never heard of this girl before. Dimple Kapadia – no background in films, no links in the industry – and one day, she is just there, standing near the entrance, next to that golden statue. It was just a moment – and she took my heart away. That was just yesterday, but it seems as if an age has passed, and an entire life story of love has been played out. And yet, frozen in time, it still is 1973, and Bobby and me – forever.

As far as I can remember, no other film, no other director had, till that time, tried to tackle the subject of adolescent romance. Yes, there have been many films about childhood friendships that blossom out into love and romance when the protagonists are adults. College going students – yes, many films that have dealt with college romance. The one drawback of these tales was – the lead pair never did look like college students. Senior actors in their thirties, forties and even fifties, attempting to play romantic leads on a college campus. All is well till the movie plays, but once done, the memories remain of the oversize actors trying to fit into very young shoes.

Bobby was different. Bobby was homegrown fresh, young, as young can be. Dimple – all of sixteen years when she stepped into this role. Rishi, albeit not so young, was 21. But with his cupcake Johnson baby looks, he charmed his way into the hearts of a million girls. Take away all the aesthetics, and the story is as old as the ruins of Ranjeet Studios – boy from rich family meets girl from family not of the same social status, they fall in love, and the entire world around them crumbles down upon them. Coming all the way from days of Parsi theatre and silent cinema, this tale has been played over and over again, umpteen times.

And then, after seven decades or so, this tale once again exploded on to the screens, and ignited a whole generation of teenagers – a fire that has not been doused since then. It was not the melodrama that worked; it was, somewhat maybe, the music that worked; it was not the apparently artificial ambience of the Nath affluence – the rich side of the tussle; it was not the exaggerated and affected brash and boisterous Braganza who wears the same undersized suit to every formal scene in the film, (gosh, even the not so affluent have a proper dress sense), and the supporting roles – mother, nanny, friends, society girls, mild brained proposal for making a business alliance – in short, there was nothing in the film that was not done before, even by RK himself, nothing that was new for the cinema screen and for the audiences. What turned out to the winner was the lead pair – two unknown faces whose on screen chemistry tugged at the strings of the heart of the audience, and turned the rest of the oft repeated paraphernalia around them into a very convincing, charming, fascinating tale.

And between the two of them, Bobby comes up trumps to the histrionics of Raja. The film is Bobby, and Bobby all the way. Making innocence and glamour look oh so easy, the images in the mind are forever now – the coy and shy little girl in a frock, who is afraid to step into the lavish party, keeps standing at the entrance; the naïve and innocent little girl, telling about the ‘dhuk-dhuki’ in her heart when she see him; the troubled and broken lady, her heart asunder albeit from a misunderstood conversation, as she too looking on with pleading eyes, but unable to take a step towards him; the screaming pleading young woman, beseeching her grandmother not to lock her up, as Josef physically pulls her away and carries her upstairs at the behest of an agonized but very firm Mrs. Braganza. . . and many more. The images keep playing in the mind. And the film is all about this teen aged girl who is so intensely convinced about her love – you can see it in her face as she pleads with her grandmother – that she will die if separated from Raja; and sitting in the audience seats, one is so starkly convinced that she will, that there are tears streaming and the body muscles want to jump on to the screen and beat the hell out of Josef.

Oh Bobby, Bobby, Bobby – she pulled up a storm, and then – she just walked away. In a manner of speaking, it is good that she did. The legend and the aura of Bobby remained constant, unremitting . . . verily to become perpetual. The Dimple that we see from a decade later is a very different avatar. The memories, the marvel, the legend of Bobby, has remained intact. Nobody could quite portray the coy innocence and purity of heart, as we see Bobby on the screen and in the dreams. And that is very well for me – it is 1973, and Bobby, forever.

I am both sad and glad to get the opportunity for announcing the Yippeee-dom status for this film. After a 10 years travel, finally all the songs of this film are now present on the blog. 🙂  And sad, because we won’t be discussing this Bobby again in any future post. 😦

Eight songs, eight wonderful songs keeping alive the RK tradition for the best in music. The songs created quite a ripple when released, and over the decades, have remained popular with every new generation of teenagers, who simply love the ideas of simple thoughts as in “Mujhe Kuchh Kehna Hai” and “Hum Tum Ek Kamre Mein Band Hon”. 🙂 The seven songs posted earlier happened in the following sequence.

 

1 Main Shaayar To Nahin 869 10-Mar-09
2 Ankhiyon Ko Rahne De 998 30-Mar-09
3 Mujhe Kuchh Kehna Hai 5708 30-Mar-12
4 Jhoothh Bole Kauwwaa Kaate Kaale Kawwe Se Dariyo 13319 8-Jun-17
5 Ham Tum Ek Kamre Mein Band Hon Aur Chaabhi Kho Jaaye 14732 3-Nov-18
6 Beshaq Mandir Masjid Todo, Bulle Shaa Ye Kehta 14918 10-Mar-19
7 Na Chaahoon Sona Chaandi 14940 20-Mar-19

 

A journey that started 10 years ago, culminates today, with the posting of this fabulous and scintillating party song that carries many layers of silent conversations within itself. We are more than two third of the way into the movie. Nath and Braganza have fallen out big time, with the belligerent Braganza promising all sorts of consequences if Nath’s son is seen anywhere close to his daughter. Bobby is sent off to Goa – a la “Akhiyon Ko Rahne De Akhiyon Ke Aas Paas“. Raja is confined and under watch. New Year eve is nigh. The business driven Nath makes a business driven decision to announce the engagement of his son with the daughter of Mr. Sharma, one of his business associates. No matter that the lady chosen is somewhat retarded, and much below her actual age in mental capacity. Not being able to rebel and speak his mind, unable to confront his father, Raja is in a deadly dilemma about his life.

The party happens. The song happens. And Raja gets the answer for his life. As I said, the song has multiple layers of silent conversations happening. The party and the celebration is one. The parents are agog with delight of having struck two birds with one stone – made a major business gain, and tied down a wayward son into household chains. The joy of Nikki (Farida Jalal) is on a different high – she is getting married into another rich family. Then the song and the performance itself – that speaks of the travesty of love and lovers. Woe becomes he who is wretched enough to be entangled in a snare of love.

And there is the mind of Raja – bewildered, afraid, not believing what is going on around him. His insides are in a shamble, his heart is in agony, and all his parents can think of is an alliance for him, and a grand new year party. A look at him, his lost expressions in the midst of so much dance and revelry. And one is reminded of another RK song –

dhakke pe dhakka, reley pe relaa
hai bheed itni, par dil akela
par dil akela

And the scenario takes you back across two decades of musical and cinematic articulation – the troubled expressions of the face of Raja feeling hopelessly lost amidst the ongoing celebration, threading back to the joker singing at the Bombay carnival (‘Mera Naam Joker’, 1970), leading you back one more layer, to the bumbling hobo, new to the big town, and completely lost in its hustle bustle (‘Shri 420’, 1955). When I see that image, that look on Rishi Kapoor’s face during this party song, my mind goes back these two steps to more of RK’s wonder illustrations.

And then, we have this covert conversation happening between the dancer and the teenager with a troubled mind. The dancer is singing for him, without him realizing it so, at the beginning. In the first stanza, the dancer explains to Raja, the vagaries of love one has to endure. Falling in love does not mean just losing your heart to someone – actually one loses everything in life, one’s entire world and even one’s happiness. Then the dancer goes on to explain the time of adolescence – and this one line in this song is so intensely killing –

ye ek saal
bachpan aur jawaani ke beech ka
bada bura hota hai

And in this one liner, the lyricist has said everything that one needs to be said for the agonies of coming of age. This time of transition and hormonal changes bring in awarenesses that didn’t exist in the mind before. And these awarenesses are confusing, troubling and at times frightening. The call of the dancer’s voice now catches Raja’s attention – who realizes that this song is being sung for him. And in the second stanza, the dancer now reveals an answer. The seed is planted, the way is shown, and the contemplation of an elopement is initiated –

bacha ke aa..aankh
panchhi pinjra le ke ud jaaye to. . .

Lovely choreography here. For a moment, Raja is encircled by other dancers with frightening masks, as if he is caged inside a prison of fear, and the next instant, the dancer is floating away like a bird flying. And the words for the second stanza commence. Just pause and watch again this small magical interlude segment.

The third stanza of this song appears separately and a little later in the film (and is inserted as Part II in the lyrics below). Raja has run away from home, reached the place in Goa where Bobby is confined with her grandmother. He pleads to be allowed to meet, and to be permitted to be married. Grandma locks him up also, and sends message to Bombay. In the night, Raja manages to escape, gets in to Bobby’s room, and now they both flee on the mobike. The third stanza plays now. The burden of this stanza says that this incurable malady of love is under no one’s control, no matter how formidable a learned person (jogi – one who can control the senses and the mind) or how skilled a snake charmer might one be. A snake charmer is supposed to have power to control any snake. The lyrics say that the serpents of love are not even in their control.

The words in the song, the choreography, the covert exchanges happening between the dancer and the teenager – oh so well designed and executed. There is another layer of conversation that gets revealed. Just watch the expressions and try to visualize the mind of the young man as the song progresses. He is troubled, he is lost, he is incensed by the apparent sarcasm that the dancer is singing. And then he catches on. The message of being trapped “Ae. . .  Phansaa” transforms from his original thoughts that he played the game of hearts and lost and got trapped in this pining pain of love. But when Nikki joins the party, and the dancer points out yet once again “Ae. . .  Phansaa” he realizes – not earlier as he was thinking, but the entrapment is happening now, with the new proposed alliance for him. One begins to see a glimmer of understanding dawn in his eyes and his expressions. He is now listening more carefully. And when the second stanza is in progress, one can clearly make out that now he is fully in sync with the dancer, and her words, and the covert messages that she is communicating. And when the words for flying away with the pinjra are aired, the young man is all attention, slowly one feels the mind moving towards a new resolve, a new plan. At the end of this stanza, there is a very brief, but very meaningful pause, a wink, and a twist smile – almost as if saying – ‘Go’. In the film, the next thing we see is the mother, with letter in her hand, announcing with a scream that her son has run away – and the party has not yet ended. And the next thing we see is the young man and the vroooom of the Rajdoot GTS bike.

And I would like to talk about the dancer now, saving that for the last. In my mind, probably the best dance performance by Aruna Irani, across her career. The music is very fast paced, the movements are very energetic, and true to the RK traditions, the woman in her is so vividly and so sensitively, and sensuously presented. It is such a treat to watch this performance. I have lost the count of times that I have replayed this video in the past couple of days as I work to complete this write up. A superlative performance indeed, by her. Her expressions exhibit how much she is enjoying this herself. And very clearly, she is giving everything to this song. The sequences of steps, the movements – wonderfully choreographed and so expressively delivered by her.

The film credits do not include the name of the dance director, but after some digging, I am able to locate the name. The dance director in this film is Sohanlal, of Madras (now Chennai). It is tons of years ago, but I remember having met him in Madras. There was a brief period of time when I was in Madras on a job assignment. And one of my aunts, who stayed in Madras – her family was a tenant in the bungalow of Sohanlal, somewhere in Adyar area. I used to visit my aunt’s family almost on a weekly basis. And on a couple of occasions I even sat in the studio where Sohanlal ji was instructing students for practice.

Back to Aruna Irani. She has a brief but a significant role in the film. The misunderstanding that is caused between the young lovers, inadvertently, she is in the middle of it. In all her scenes, she looks so extremely charming and ravishing. And always on the dot with her presence and dialogue delivery.  A short and a very sweet performance. Of course with this dance as her best one that I can remember.

And so, the last of Bobby songs is now posted. We announce the addition of this film to the list of Yippeee’d films on our blog. Maybe, I won’t be writing any more about this film. But that is not to say that I do not have more to say about the film, and about Bobby – my first love. That is going to remain with me forever. Yes, it is 1973. . . forever.

The film is a benchmark for stories of young romance, that have been told, and as well for the stories that still have to be told. But the legend of ‘Bobby’ will endure.

The songs that have given idioms that have crept into the language of this subcontinent, be it “. . . pyaar mein sauda nahin”, or “. . . par pyaar bhara dil kabhi na todo, is dil mein dilbar rehta”, or even the simple expression that says “. . . mujhe kuchh kehna hai”. And yes, the ice breaker as one attempts to attract the attention of a lady – “main shaayar to nahin. . .”.

And thus I close this post with the reiteration – an expression for all who are always young in the heart. . .

“If you ever have been in love, this film is for you. . .”

(Part I – Party Scene)

(Part II – On The Road)

Song – Us Ka Chhoota Ghar Baar Sansaar (Bobby) (1973) Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

(Part I)

ae..ae..ae..ae..ae. . . phasaa. . .

mmmmmmm mmmmmmm
arey arey arey

uska chhoota ghar baar sansaar
jo kar ke pyaar yaar kisi ke dil mein basaa
basaa
basaa. . .
ae..ae..ae..ae..ae. . . phasaa. . .

uska chhoota ghar baar sansaar
jo kar ke pyaar yaar kisi ke dil mein basaa
basaa
basaa. . .
ae..
ae..
ae..
phasaa. . .

laa laalaaa laa raa laa
laalala laalala laalala laalala

ye ek saal
bachpan aur jawaani ke beech ka
bada bura hota hai
ye ek saal
naujawaanon ka
nadaanon ka
deewaanon ka
ye ek saal
bachpan aur jawaani ke beech ka
bada bura hota hai
aashiq ka ho gaya naam badnaam
hua anjaam
subah sham zamaana hansa
hansa
hansa
ha ha ha ha ha ha
ae..ae..ae..ae..ae. . . phasaa. . .
uska chhoota ghar baar sansaar
jo kar ke pyaar yaar kisi ke dil mein basaa
basaa
basaa. . .
ae..
ae..
ae..
ae. . . phasaa. . .

bacha ke aa..aankh
panchhi pinjra le ke ud jaaye to
shaayad jaan bach jaaye
bacha ke aa..aankh
kisi jharokhe se
kisi mauke se
kabhi dhokhe se
bacha ke aa..aankh
panchhi pinjra le ke ud jaaye to
shaayad jaan bach jaaye
jeena hua dushwaar dildaar
ke laga aar paar teer kisi ne kasaa
kasaa
kasaa. . .
ae..
ae..
ae..
ae. . . phasaa. . .

uska chhoota ghar baar sansaar
jo kar ke pyaar yaar kisi ke dil mein basaa
basaa
basaa. . .
ae. . . phasaa. . .

(Part II)
ye prem rog
bade bade jogi saperon se bas mein nahin
hota hai
ye prem rog. . .
pyaar karte hain
log marte hain
kahaan darte hain
ye prem rog
bade bade jogi saperon se bas mein nahin
hota hai
us ne liya bairaag
jag se bhaag
ke lagi aag

naaginon ne jise dasaa
dasaa
dasaa
ha ha ha ha ha

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

(भाग १)

ए॰॰ए॰॰ए॰॰ए॰॰ए॰ ॰ ॰
फंसा॰ ॰ ॰

म्ममममम म्ममममम
अरे अरे अरे

उसका छूटा घर बार संसार
जो करके प्यार यार किसी के दिल में बसा
बसा
बसा॰ ॰ ॰
ए॰॰ए॰॰ए॰॰ए॰॰ए॰ ॰ ॰ फंसा॰ ॰ ॰

उसका छूटा घर बार संसार
जो करके प्यार यार किसी के दिल में बसा
बसा
बसा॰ ॰ ॰
ए॰॰
ए॰॰
ए॰॰
फसा॰ ॰ ॰

ला लाला ला रा ला
लालाला लालाला लालाला लालाला

ये एक साल
बचपन और जवानी के बीच का
बड़ा बुरा होता है
ये एक साल
नौजवानों का
नादानों का
दीवानों का
ये एक साल
बचपन और जवानी के बीच का
बड़ा बुरा होता है
आशिक का हो गया नाम बदनाम
हुआ अंजाम
सुबह शाम ज़माना हंसा
हंसा
हंसा
हा हा हा हा हा हा
ए॰॰ए॰॰ए॰॰ए॰॰ए॰ ॰ ॰ फंसा॰ ॰ ॰
उसका छूटा घर बार संसार
जो करके प्यार यार किसी के दिल में बसा
बसा
बसा॰ ॰ ॰
ए॰॰
ए॰॰
ए॰॰
ए॰॰
ए॰ ॰ ॰ फंसा॰ ॰ ॰

बचा के आ॰॰आँख
पंछी पिंजरा ले के उड़ जाये तो
शायद जान बच जाये
बचा के आ॰॰आँख
किसी झरोखे से
किसी मौके से
कभी धोखे से
बचा के आ॰॰आँख
पंछी पिंजरा ले के उड़ जाये तो
शायद जान बच जाये
जीना हुआ दुश्वार दिलदार
के लगा आर पार तीर किसी ने कसा
कसा
कसा॰ ॰ ॰
ए॰॰
ए॰॰
ए॰॰
ए॰॰
ए॰ ॰ ॰ फंसा॰ ॰ ॰
उसका छूटा घर बार संसार
जो करके प्यार यार किसी के दिल में बसा
बसा
बसा॰ ॰ ॰
ए॰ ॰ ॰ फंसा॰ ॰ ॰

(भाग २)

ये प्रेम रोग
बड़े बड़े जोगी सपेरों से बस में नहीं
होता है
ये प्रेम रोग॰ ॰ ॰
प्रेम करते हैं
लोग मरते हैं
कहाँ डरते हैं
ये प्रेम रोग
बड़े बड़े जोगी सपेरों से बस में नहीं
होता है
उसने लिया बैराग
जग से भाग
के लगी आग
नागिनों ने जिसे डसा
डसा
डसा
हा हा हा हा हा हा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3893 Post No. : 14929

This article touches upon “blog ten year challenge (2009-2019)” but this article is not part of that series. It is not possible to post an article in this series Today (16 march 2019), because movies of all the songs (all six of them) that were covered ten years ago (on 16 march 2009) have already been YIPPEED by now. 🙂

This blog ten year challenge (2009-2019) was started to serve some purpose, though we were not fully clear about them.

Let me try and enumerate them one by one.

Revisit movies that have not been revisited for years
————————————————————————-
Songs and movies that we covered ten years ago and then forgot about those movies once again get our attention. Take “Sharaabi”(1984) for instance. It was as a result of this series that we realised that this movie, despite being introduced in the blog as far back as in 2009 had only three songs in the blog and that no songs from this movie were covered in the blog since 2012 !

The case of “Do Dishaayen”(1982) was specially remarkable. The movie had three songs in it. Two of these songs were covered on consecutive days on 2 and 3 february 2009 and then we forgot all about this movie. Thanks to this series, the third and final song from the movie got covered ten years after its debut in the blog and the movie got YIPPEED on 3 february 2019.

Likewise, movies like “Gomti Ke Kinaare”(1972) etc got fresh lease of life in the blog as a result of this series.

A fillip to YIPPEE project
——————————————
As a result of this series, we found that a few movies whose songs got covered became YIPPEED as well. For instance, when we covered this song from “Sitaaron Se Aage”(1958), this had the added advantage of this movie getting YIPPEED as well.In other case, after we covered a song from a movie, we realised that the movie had one or two songs left and so that movie came under our radar for YIPPYdom.

Bringing back memories
———————————————-
For some regulars (especially those born in 1960s), this series brought back memories of the past.

A better appreciation of the past
————————————————–
The blog has evolved over a period of more than ten years. It has changed a lot. The way songs and movies were chosen in the past has undergone a change with time, though all these changes are mostly inadvertent and largely unplanned. Only some other observers can notice any patterns in the song posts of the blog one decade ago.

Mr Sadanand Kamath, our inhouse HFM researcher, who posted an article in the series carried out some indepth research on the way songs were covered ten years ago. He observed that

during July 19, 2008 to December 31, 2008, an overwhelming number of songs covered were of the films released in the 1960s and 70s with few songs from the 1950s and 1980s. However, the representation of songs from the films released in the 1930s and 40s were negligible. For instance, out of 475 songs covered during the period under reference, only 5 songs pertained to the films released in the 1940s – that too the late 1940s. Not a single songs of films released in the 1930s were covered during the period under reference.

These trends were, however, on the expected lines for two reasons. First, Atul ji, considering his age profile at the time of starting of the Blog, has virtually grown up in the midst of popular songs of the films of 1960s and 70s. Obviously, as a ‘start-up venture’ of his Blog, he would have been influenced by such songs. Secondly, and most importantly, even if he intended to cover the songs of the 1930s and 40s, I doubt whether these songs were available in good numbers on the video sharing platforms in 2008. Youtube was set up in 2005 as a video sharing platform. A random browsing of videos on YT gives me an impression that videos of Hindi film songs were uploaded in good numbers only from 2007 onward and the videos of old film songs (1930s and 40s) were getting uploaded mainly from 2009 onward.

The song under discussion is not a “ten year challenge” song, but this song appears here today as a result of this exercise. Another song from this movie “Raja Jani”(1972) was part of the “ten year challenge” post on 5 march 2019. That post triggered all kinds of nostalgic feelings among regulars. This movie “Raja Jani”(1972) had made its debut on the 22nd day of the blog on 9 august 2008 and it was the 22nd post in the blog. By the time the second post from this movie appeared on 5 april 2009, the blog was more than one thousand songs old. The third song from the movie came after a gap of 5800 songs in 4 november 2012. After that there was a big gap of over six years during which this movie was all but forgotten.

It was on 5 march 2019 that the fourth song from “Raja Jani”(1972) was covered as a part of “blog ten year challenge”. It was then that we realised that the movie was another two songs short of being YIPPEED.

One of these two missing songs has subsequently been covered in the blog.

Here are the details of the songs from the movie that have been covered so far:-

Song Title

Post No.

Post Date

Kitna mazaa aa raha hai 22 9-Aug-2008
ABCD chhodo naino se naina jodo 1038 5-Mar-2009
Jaani O Jaani 6948 4-Nov-2012
Aa aa jaa aa jaa kuchh keh jaa kuchh sun jaa 14908 5-Mar-2019
Mubaarak ho tujhe ae dil 14925 14-Mar-2019

Mr Pratap, senior to most of us had watched this movie when it was released. Here is what he has to say about this movie:

I saw the movie when it was released and remember that I enjoyed it mainly due to the songs.

As far as I recall, the story was a standard formula one, Hema Malini is a lost princess, raised by Nadira and earns her living through dances and acrobatics. Dharmendra is the lovable rogue who notices the similarity of Hema with the description of the lost princess in the posters/newspaper ads and thinks up a scheme of passing her off as the princess and get the promised reward. Durga Khote is the grandmother Rajmata who is literally dying for the lost girl. She gladly accepts Hema and soon announces her engagement to the evil Prime Minister Premnath’s still more evil son Prem Chopra. Hema is heartbroken when she learns that Darmendra was using her as a pawn to get the reward and she accepts. Not very original, so you know the rest of the story.

Here is the sixth and final song from “Raja Jani”(1972) to appear in the blog. The song is chronologically the first song of the movie. It is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

One can watch the picturisation and guess what is going on, in the light of the movie synopsis provided earlier.

In this blog, we first cover a song and then regulars post comment about that song. The song is “special” because this song has received comments about it even before it has been posted. These comments were posted in the penultimate song post of course. For instance, Peevesie’s mom commented that

A song that I love, specially “shanno naam uska” line.
I used to substitute shanno with my name. 😉

With this song, all the songs of “Raja Jani” (1972) have been covered and the movie joins the list of movies that have been YIPPIED in the blog.


Song-Duniya ka mela mele mein ladki (Raja Jaani)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

duniya ka mela
mele mein ladki
ladki akeli shanno naam uska
duniya ka mela
mele mein ladki
ladki akeli shanno naam uska
gaal uske gulaabi
chaal uski sharaabi
o baabu o laala sabko salaam uska
duniya ka mela
mele mein ladki
ladki akeli shanno naam uska

tauba o meri tauba
karte hain sab ishaare
tauba o meri tauba
kiski taraf vo dekhe
aashiq hai uske saare
kiski taraf vo dekhe
o o o
sabki aankho me baske
sabko dekhe vo has ke
sabka dil bahlaana jo thahra kaam uska
duniya ka mela
mele mein ladki
ladki akeli shanno naam uska

kahte hain log uski
jaadu bhari hai baaten
kahte hain log uski
aankhon mein har kisi ki
katne lagi hai raaten
aankhon mein har kisi ki
o o o
neend uski udaaye
chain uska churaye
aaj kal shahar mein hai charcha aam uska
duniya ka mela
mele mein ladki
ladki akeli shanno naam uska

dekho to ek tamaasha
ye khoob ban gaya hai
dekho to ek tamaasha
har ek us haseen ka
mahboob ban gaya hai
har ek us haseen ka
o o o
koi aankhen bichaaye
naaz koi uthaaye
jaise har ik deewaana hai
ghulaam uska
duniya ka mela
mele mein ladki
ladki akeli shanno naam uska
gaal uske gulaabi
chaal uski sharaabi
o baabu o laala sabko salaam uska
duniya ka mela
mele mein ladki
ladki akeli shanno naam uska


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3892 Post No. : 14928

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 17
————————————————

‘Joshila-1973’ is another movie which I remember to have watched around end of seventies. It was screened during the weekly screening of movies at our ‘colony club’ where we stayed at that time. I never got a chance to watch it again. However, its heart touching song ‘Kiska rasta dekhe ai dil ai saudaayi’ became a permanent memory associated with this movie. This also became to be the most popular and famous song from this movie. Very aptly this movie was launched on this blog with this Kishore Kumar song on 15.03.2009.

Couple of other songs from this movie like ‘Dil mein jo baaten hai aao chalo ham keh den ’ and ‘Kuchh bhi kar lo ik din tumko ’ were also good and they were frequently heard on radio. Having the typical RD touch, they were also heard frequently on radio and loudspeakers.

However, none of the songs from this movie could make it to the annual list of ‘Binaca Geetmala -1973’.

All the songs of this movie were written by Sahir Ludhianvi. But at that time, I was not a fan of Sahir Saab and had not read or known much about him. And it is natural for anybody given the age at that time not to bother about other things except listening the songs.

Coming back to our ‘blog ten-year challenge’ let us go through the list of movies of which the songs were represented ten years back on 15.03.2009;

‘Shareef Badmaash-1973’
‘Saawan Ko Aane Do-1979’
‘Joshila-1973’
‘Kashmir Ki Kali-1964’
‘Manzil-1960’
‘Dil Tera Deewaana-1962’

All the above movies except ‘Joshila-1973’ have attained ‘Yippeee’ed status (all songs covered status) on the blog.

That brings us to the today’s movie, a song from which we are going to listen …

‘Joshilaa-1973’ or ‘Joshila’ was directed by Yash Chopra for ‘Trimurti Films Pvt Ltd’. It was produced by Gulshan Rai.

It had Dev Anand, Hema Malini, Pran, Bindu, Madan Puri, Manmohan Krishna, Padma Khanna, Sulochana, Iftekhar, Sudhir, Hercules, Master Satyajit, I.S. Johar, Vikas Anand, Jagdish Raj, S.N. Bannerjee, Chandu Allahabadi, Praveen Kumar, Uma Khosla, Ramlal, Shamlal, Uma Dutt and Nazeer. Rakhi and Mahendra Sandhu had a special appearance in this movie.
And Roopesh Kumar, A.K. Hangal, Sheetal, Ashu and Laxmichhaya in guest appearance.

Story of this movie was written by Gulshan Nanda and screenplay was written by C.J. Pavri and Akhtar Mirza. Diagloues of this movie were written by Akhtar-Ul-Iman. Editing of this movie was done by Pran Mehra.

This movie was passed by censor board on 26.09.1973.

This movie had total eight songs. So far five songs from this movie have been posted on the blog. The other two songs posted (from the three I mentioned above) are ‘Kaanp rahi main ’ and ‘Sona Rupa laayo re ’. The song being posted today is the sixth song from this movie to be posted on the blog.

Also, I was under the impression that the song ‘sharma nan yoon ghabra na yoon’ was already covered, but that remains to be covered.

However, for today’s post I have selected a ‘lesser heard’ song from this movie. (Even I don’t remember to have heard it before preparing of this post).

As mentioned above all songs of this movie were penned by Sahir Ludhianvi and music was composed by R.D. Burman. Lata Mangeshkar, Asha Bhonsle and Kishore Kumar gave their voices to the songs in this movie. As per HFGK track listing of this movie Dev Anand’s voice is credited in one song.

Lata had two solos and one duet, Asha Bhonsle three solos (including one with Dev Anand’s dialogues) and one duet, and Kishore Kumar having one solo and two duet songs.

I guess that the today’s song and one more Lata solo were excluded* from the movie and hence their video seem to be unavailable. (I request knowledgeable readers to throw more light on this.)
*(though HFGK doesn’t have any note about this)

Let us now listen to today’s song. After repeat listening, we may find ourselves humming the other RD gem ‘khaali haath shaam aayi hai’ 🙂 as well. (that is the magic of music or ragas (if I am not wrong 🙂 )

Audio

Song-Jo baat ishaaron mein kahi (Josheela)(1973) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-R D Burman

Lyrics

Ho o o
Jo baat ishaaron mein kahi
Tum nahin samjhe
Hamne to hazaaron mein kahi
Tum nahin samjhe
Tum nahin samjhe ae
Tum nahin samjhe ae
Jo baat ishaaron mein kahi
Tum nahin samjhe
Hamne to hazaaron mein kahi
Tum nahin samjhe

Hamne ye chaaha thhaa
Kadmon mein bas rehte
O lekin ham ye hasrat
Apne munh se kaise kehte ae ae
Hamne ye chaaha thhaa
Kadmon mein bas rehte
Ho o lekin ham ye hasrat
Apne munh se kaise kehte
Saanson ki pukaaron mein kahi
Tum nahin samjhe ae
Jo baat ishaaron mein kahi
Tum nahin samjhe
Ho hamne to hazaaron mein kahi
Tum nahin ee samjhe

O o hamne neendein haari
Tumne chaahat jeeti
Ho o bheegi rut mein
Tapte dil par
Tum bin jo jo beeti ee ee
hamne ae neendein haari
Tumne chaahat jeeti
Ho o bheegi rut mein
Tapte dil par
Tum bin jo jo beeti
Ashqon ki phuhaaron mein kahi
Tum nahin samjhe ae
Jo baat ishaaron mein kahi
Tum nahin samjhe
Hamne to hazaaron mein kahi
Tum nahin samjhe
Laa laa laa laa
Hmm hmm hmm hmm
Hmm hmm hmm hmm
Hmm hmm hmm hmm
Hmm hmm hmm hmm

——————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————–

हो ओ हो ओ
जो बात इशारों में कही
तुम नहीं समझे
हमने तो हज़ारों में कही
तुम नहीं समझे
तुम नहीं समझे ऐ
तुम नहीं समझे
जो बात इशारों में कही
तुम नहीं समझे
हमने तो हज़ारों में कही
तुम नहीं समझे

हमने ये चाहा था
क़दमों में बस रहते
ओ लेकिन हम ये हसरत
अपने मुंह से कैसे कहते
हमने ये चाहा था
क़दमों में बस रहते
हो ओ लेकिन हम ये हसरत
अपने मुंह से कैसे कहते
साँसों कि पुकारों में कही
तुम नहीं समझे ए
जो बात इशारों में कही
तुम नहीं समझे
हमने तो हज़ारों में कही
तुम नहीं ई समझे

ओ ओ हमने नींदें हारी
तुमने चाहत जीती
हो ओ भीगी रुत में
तपते दिल पर
तुम बिन जो जो बीती ई ई
हमने ए नींदें हारी
तुमने चाहत जीती
हो ओ भीगी रुत में
तपते दिल पर
तुम बिन जो जो बीती ई ई

अश्कों कि फुहारों में कही
तुम नहीं समझे
जो बात इशारों में कही
तुम नहीं समझे
हमने तो हज़ारों में कही ई
तुम नहीं ई समझे
ला ला ला ला
हं हं हं हं
हं हं हं हं
हं हं हं हं


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3891 Post No. : 14925

“Raaja Jaani”(1972) was produced by Madan Mohla and directed by Mohan Sehgal for Seven Arts Pictures, Bombay. This “social” (1972)movie had Dharmendra, Hema malini, Nadira, Sajjan, Premnath, Prem Chopra, Johnny Walkar, Durga Khote, Rajan Haksar, HeeraLal, Lata Sinha, Madhup Sharma, Jankidass, Bhushan Tiwari, Kamaldeep, C.S.Dubey, Pal Sharma, Bindu, Manmohan, Helen etc in it.

The movie had six songs in it. Four songs have been covered in the past.

Here is the fifth song from “Raaja Jaani”(1972) to appear in the blog. The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The picturisation shows Hema Malini and Durga Khite seated on Royal thrones and then we find Helen dancing. Next we see Hema Malini standing near Helen and lip syncing this song while lots of people, including Premnath, Dharmendra and Prem Chopra looking on while seated on their chairs.

I have not seen the movie but going by the picturisation, it seems that Hema Malini plays double role in he movie and the movie. The movie, despite its chaalu story and chaalu music managed to do well at the box office. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of this song were sent to me by Prakashchandra who felt that this was the last remaining song of the movie. No, another chaalu song from this song, which was quite popular during its time is still left to be covered. 🙂


Song-Mubarak ho tujhe ae dil (Raja Jaani)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil

zaraa thehro
tamaashaa kya
hamaara tum na dekhoge
zaraa thehro
tamaashaa kya
hamaara tum na dekhoge
nazar kyun pher lee
kyaa ye
nazaaraa tum na dekhoge
kahin par toot’te hain dil
kahin bajti hai shehnaayee
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil

tumhein hum ye
nahin kehte
ke waadaa tumne todaa hai
tumhein hum ye
nahin kehte
ke waadaa tumne todaa hai
magar ae hamsafar tumne
jahaan par saath chhodaa hai
ye rastaa hai ke hai manzil
samajh mein baat naa aayee
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3882 Post No. : 14908

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 11
————————————————

5th March, 2009. As many as nine song posted on that day. Of course, from 9 different films. And guess what, over the years, eight of these films have been yippeee’d already. The films are

  • ‘Shahjehaan’ from 1946,
  • ‘Munim ji’ from 1955,
  • ‘Kaala Pani’ from 1958,
  • ‘Goonj Uthi Shehna’ from 1959,
  • ‘Umar Qaid’ from 1961,
  • ‘Bin Baadal Barsaat’ and ‘Tere Ghar Ke Saamne’ from 1963,
  • and then ‘Anubhav’ from 1971,
  • and lastly ‘Raja Jaani’ from 1972.

Except for the last listed film above, all the other eight films that appeared on that day have all their songs posted here. And so the only option left to present a 10 year challenge post is a song from ‘Raja Jaani’ from 1972.

The song I present today is performed on screen by Hema Malini, as she is making efforts to woo and evoke the interest in the mind of a reluctant hero – Dharmendra. It was a time when the real life romance of Hema Malini and Dharmendra was just taking off and was coming in the notice of the media and the public. It is speculative to say whether such a real life situation adds to the reel performances. 🙂

The songs of this film are written by Anand Bakshi, and the music is by Laxmikant Pyaarelal. The singing voice is that of Lata Mangeshkar. The performance gets quite close to the category of a ‘seduction’ song.

‘Reel-life’ or ‘Real-life’ – I leave it up to the readers to judge. 😉

 

Song – Aa Aa Ja, Aa Jaa, Kuchh Keh Jaa, Kuchh Sun Jaa  (Raja Jaani) (1972) Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

aa aa
aa aa

aa aa ja aa ja
kuchh keh ja kuchh sun ja
aa aa ja aa ja
kuchh keh ja kuchh sun ja
door door kyon rehta hai
apni rani se raja
door door kyon rehta hai
apni rani se raja
aa aa ja aa ja
kuchh keh ja kuchh sun ja

angdaai..ee..ee
yun li hai armaanon ne
dil loota is dil ke mehmaanon ne
angdaai yun li hai armaanon ne
dil loota is dil ke mehmaanon ne
dil se dil tu na mila
aa aankhen to mila ja
aa aa aa ja aa ja
kuchh keh ja kuchh sun ja
aa aa ja aa ja
kuchh keh ja kuchh sun ja

sapnon ki..ee..ee
duniya mein kho jaaungi
aa sajna varna main so jaaungi
sapnon ki duniya mein kho jaaungi
aa sajna varna main so jaaungi
neend se pehle tu aa ke
in nainon mein sama ja
aa aa aa ja aa ja
kuchh keh ja kuchh sun ja
aa aa ja aa ja
kuchh keh ja kuchh sun ja
door door kyon rehta hai
apni rani se raja
aa aa aa ja aa ja
kuchh keh ja kuchh sun ja
aa aa ja aa ja
kuchh keh ja kuchh sun ja
mmmm hmmmm aa ja
kuchh keh ja kuchh sun ja

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ आ
आ आ

आ आ जा आ जा
कुछ कह जा कुछ सुन जा
आ आ जा आ जा
कुछ कह जा कुछ सुन जा
दूर दूर क्यों रहता है
अपनी रानी से राजा
आ आ जा आ जा
कुछ कह जा कुछ सुन जा

अंगड़ाई॰॰ई॰॰ई
यूं ली है अरमानों ने
दिल लूटा इस दिल के मेहमानों ने
अंगड़ाई यूं ली है अरमानों ने
दिल लूटा इस दिल के मेहमानों ने
दिल से दिल तू ना मिला
आ आँखें तो मिला जा
आ आ आ जा आ जा
कुछ कह जा कुछ सुन जा

सपनों की॰॰ई॰॰ई
दुनिया में खो जाऊँगी
आ सजना वरना मैं सो जाऊँगी
सपनों की दुनिया में खो जाऊँगी
आ सजना वरना मैं सो जाऊँगी
नींद से पहले तू आ के
इन आँखों में समा जा

आ आ जा आ जा
कुछ कह जा कुछ सुन जा
आ आ जा आ जा
कुछ कह जा कुछ सुन जा
दूर दूर क्यों रहता है
अपनी रानी से राजा
आ आ जा आ जा
कुछ कह जा कुछ सुन जा
आ आ जा आ जा
कुछ कह जा कुछ सुन जा
म्मममम हम्मममम आ जा
कुछ कह जा कुछ सुन जा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3882 Post No. : 14907 Movie Count :

4072

Missing Films of 1960s – 93
– – – – – – – – – – – – – – –

With this song, we introduce the film ‘Nai Zindagi’ from 1969. As I check the Geet Kosh listings, I find two more films with the same name – one from 1943 and the second from 1951. The 1943 film has Sheikh Mukhtar and Anees Khaatoon as the lead pair. In the 1951 movie, the lead pair is Nirupa Roy and Amarnath. The one in 1969 has Dev Kumar and Kumkum as the lead stars.

This film is produced under the banner of Naaz Productions and is directed by Dada Pathaare. The star cast of this film is listed as Prithviraj, Kumkum, Dev Kumar, Jeevan, Kan Mohan, Meenakshi, Niranjan Sharma, Jagirdar, Ratnamala, Gopikrishan, and Madhumati.

The film has 6 songs, all written by Prem Dhawan. Music is composed by Chitragupt. The song presented today is rendered by Lata Mangeshkar. In this song, the lady is expressing her desire to meet her beloved again, calling out to him – that her tresses are flowing like a snake, and he should come as a snake charmer. Given that Kumkum is the leading lady, my thought is that this song could have been performed by her on the screen. But that is just a guess. I request other knowledgeable friends who may have seen this film, to please add more information about the film and this song.

With this post, the 1969 film ‘Nai Zindagi’ makes a debut on our blog.

 

Song – Bikhri Hain Laten Naagan Ki Tarah  (Nai Zindagi) (1969) Singer – Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa

bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

bhooli
kabhi raahen
milte hi tumse nigaahen
oo oo oo
bhooli kabhi raahen
milte hi tumse nigaahen
behki nazar to hum behke
behki nazar to hum behke
bheki dagar kadam behke
kahaan jaaun
ye to bata jaa
bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

chal di
tere sang mein
mohey rang le apne hi rang mein
oo oo oo
chal di
tere sang mein
mohey rang le apne hi rang mein
mann ka diya jala baithi
mann ka diya jala baithi
sapne tere saja baithi
piya mujhko galey laga ja
bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा

बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰

भूली
कभी राहें
मिलते ही तुमसे निगाहें
ओ ओ ओ
भूली कभी राहें
मिलते ही तुमसे निगाहें
बहकी नज़र तो हम बहके
बहकी नज़र तो हम बहके
बहकी डगर कदम बहके
कहाँ जाऊँ
ये तो बता जा
बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰

चल दी
तेरे संग में
मोहे रंग ले अपने ही रंग में
ओ ओ ओ
चल दी
तेरे संग में
मोहे रंग ले अपने ही रंग में
मन का दिया जला बैठी
मन का दिया जला बैठी
सपने तेरे सजा बैठी
पिया मुझको गले लगा जा
बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3869 Post No. : 14887

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 7
————————————————

On this day ten years ago (viz on 20 february 2009), six songs from six different movies were presented. Four of these movies have since been YIPPEED in the blog. Of the remaining two movies, one is from 1938 and another is from 1983. The 1938 movie (Shreet Singer) has two songs left to be covered and these songs are not available as far as I am aware.

So that leaves us with the 1983 movie viz “Sweekaar Kiya Maine” as the only eligible movie for our blog 10 year challenge.

“Sweekar Kiya Maine” (1983) was produced by S M Kothari and directed by Zaheer D Lari. The movie had Shabana Azmi, Vinod Mehra, Prema Narayan, Madan Puri etc in it. This movie was a remake of 1954 movie “Adhikaar” with Kishore Kumar and Usha Kiran in title roles. In “Sweekar Kiya Maine” (1983), Vinod Mehra and Shabana Azmi play the same roles.

“Adhikaar”(1954) is already YIPPEED in the blog. Curiously, Kishore Kumar sang a duet song Kamaata hoon bahut kuchh with Geeta Dutt, and in “Sweekaar Kiya Maine”(1983), he sang the same song again- this time with Asha Bhonsle. This duet is not yet covered in the blog.

So far, three songs from “Sweekaar Kiya Maine”(1983) have been covered in the blog. Ten years ago on this day, the blog presented a song, Chaand ke paas jo sitaara hai. Today, ten years later, here is another song from the movie. This song is sung by Lata. Nida Fazli is the lyricist. Music is composed by Usha Khanna.

This song is picturised on Shabana Azmi as a stage performance song.

Audio (Full)

Video

Song-Pyaar to sapna hai dard hi apna hai(Sweekaar Kiya Maine)(1983) Singer-Lata, Lyrics-Nida Fazli, MD-Usha Khanna

Lyrics

pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

muskraana to gham chhupaana hai
har khushi door ka taraana hai
aa aa aa aa
aa aa aa
muskraana to gham chhupaana hai
har khushi door ka taraana hai
hosh ki raahon mein
dil hi deewaana hai
hosh ki raahon mein
dil hi deewaana hai ae ae
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

koi rishta na koi bandhan hai
har hansi aansuon ki chilman hai
koi rishta na koi bandhan hai
har hansi aansuon ki chilman hai
phool hain daaman mein
aankhon mein saawan hai
phool hain daaman mein
aankhon mein saawan hai
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

jo bhi dil ke kareeb aata hai ae
zakhm ban ke sada sataata hai
aa aa aa
aa aa aa
jo bhi dil ke kareeb aata hai ae
zakhm ban ke sada sataata hai
geet jo gaata hai
gham ko behlaata hai
geet jo gaata hai
gham ko behlaata hai ae ae ae ae
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyar to sapna hai
dard hi apna hai


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3867 Post No. : 14885

Today 18th February 2019 is the Ninety-second birth anniversary of Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab.

He was born on 18th February 1927 in a village Rahon in the District of Jalandhar- Punjab.

From Jalandhar he came to Delhi and from Delhi to Lahore to Mumbai again back to Lahore and finally to Mumbai to start his career in Hindi Films in 1948.
He started his musical career as a Singer first in, singing a duet in the movie ‘Romeo And Juliet-1947’ with Zohrabai Amablewali. And later got his first assignment to compose music for the movie ‘Heer Ranjha-1948’.
After that he keep scaling new heights and achieving new milestones by simultaneously creating many everlasting unforgettable melodious gems and timeless classics.

Since 1948 to 2007 in a career spanning six decades, he has composed music for 54 movies (released) for 327 songs.
As many as 17 movies where he composed music for 60 songs were not released for various reasons and even some of them were shelved and were not completed.

He has also given music to 194 non-filmy songs composed for various albums including patriotic songs and others.

He also composed music for 08 TV serials composing 45 songs.

(*source for the above statistics is from the book ‘Khayyam’ – The Man -His Music, researched, compiled and edited by Vishwas Nerurkar and Bishwanath Chatterjee)

He is the recipient of many awards and honors.

Following is the detailed filmography of Khayyam Saab’s music for Hindi films;

S.no Film Year Song composed by Khayyam in the movie Songs posted on the blog
1 Heer Ranjha 1948 6 2
2 Parda 1949 4 4
3 Biwi 1950 6 2
4 Putli 1950 1 1
5 Pyar Ki Baaten 1951 5 4
6 Footpath 1953 6 6
7 Gul Sanobar 1953 3 2
8 Dhobi Doctor 1954 7 1
9 Gul Bahar 1954 2 2
10 Tatar Ka Chor 1955 6 5
11 Lala Rukh 1958 7 7
12 Phir Subah Hogi 1958 8 8
13 Bambai Ki Billi 1960 7 1
14 Baarood 1960 7 7
15 Shola Aur Shabnam 1961 11 5
16 Shagoon 1964 8 8
17 Mohabbat Isko Kehte Hain 1965 7 7
18 Aakhri Khat 1966 6 6
19 Mera Bhai Mera Dushman 1967 6 1
20 Pyaase Dil 1974 4 4
21 Sankalp 1974 4 4
22 Mutthi Bhar Chawal 1975 4 1
23 Sandhya 1975 3 1
24 Kabhie Kabhie 1976 10 10
25 Shankar Hussain 1977 5 5
26 Trishul 1978 8 8
27 Chambal Ki Kasam 1979 9 5
28 Khaandaan 1979 6 2
29 Meena Kumari Ki Amar Kahaani 1979 2 1
30 Noorie 1979 6 2
31 Thodisi Bewafai 1980 6 3
32 Ahista Ahista 1981 8 2
33 Dard 1981 7 2
34 Dil E Naadaan 1981 6 3
35 Nakhuda 1981 5 1
36 Umrao Jaan 1981 9 6
37 Baawri 1982 6 1
38 Baazaar 1982 5 5
39 Dil Aakhir Dil Hai 1982 5 2
40 Sawaal 1982 8 1
41 Mehndi 1983 6 1
42 Razia Sultan 1983 10 8
43 Lorie 1984 5 1
44 Bepanaah 1985 5 0
45 Anjuman 1986 5 1
46 Devar Bhabhi 1986 4 0
47 Tere Shahar Mein 1986 4 0
48 Ek Nayaa Rishta 1988 5 0
49 Parbat Ke Us Paar 1988 8 1
50 Jaan E Wafaa 1989 6 0
51 Mohabbaton Ka Safar 1995 11 0
52 Ek Hi Manzil 2000 6 0
53 Baazar E Husn(Benaras 1918 A Love Story) 2014 3 0
54 Yatra 2007 3 0
55 Begam Jaan 2017 1 1
(55 movies) 321 161
S.no unreleased Film Year Song composed by Khayyam in the movie Songs posted on the blog
1 Agala Mausam UR 5 0
2 Begam Sahibaan UR 2 0
3 Daaman UR 6 0
4 Ham Ek Hain UR 2 0
5 Ham Hain Raahi Pyaar Ke UR 6 4
6 Kaafir UR 4 0
7 Kharidaar UR 2 0
8 Majnoon UR 2 0
9 Naghma E Sahra UR 2 0
10 Pyaasi Dharti UR 4 0
11 Raahat UR 2 0
12 Sooraj Pe Dastak UR 2 0
13 Zeenat UR 2 0
14 Zooni UR 10 0
15 Vag De Paani (Punjabi) UR 5 0
16 Unutilized Movies (02)(2+2 songs) UR 4 0
Total unreleased movies 60 4

• Note – there are many movies where other composers also give music to the same film with Khayyam Saab. For some of the songs posted on the blog we need to correct the details and tagging.
• This will be done and compiled in in days to come.
• Also there are many songs composed by him which were neither included in movie or for which the records were not released, I have excluded them while counting the total number of the songs for a movie.

Today on the occasion of Khayyam Saab’s ninety-second birth anniversary here is song from the movie ‘Dard-1981’.
‘Dard-1981’ (conflict of emotions) was directed by Ambrish Sangal for ‘Murghan Enterprises, Bombay’.
It was produced by Shyam Sundar Shivdasani.

It had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishan Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaljeet, Harjeet, Poornima Jairam, Mazhar Khan, and Master Raju Shreshtha.
Actress Ranjeeta makes a ‘freindly appearance’ in this movie.

Story of this movie was written by Aruna Sangal. Its screenplay and dialogues were written by V.K. Sharma. Narendra Goel was the Chief Assistant Director of this movie.

Kamlakar was the editor of this movie and he was assisted by Babubhai Shah.

Music of this film was composed by Khayyam Saab.

Lyrics for all the seven songs (including one multiple version song) in this movie were written by Naqsh Layallpuri and Music was composed by Khayyam Saab.

Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Bhupinder had given their voices to the songs in this movie.
Lata Mangeshkar had two solo songs, Kishore Kumar, Asha Bhonsle and Bhupinder have one solo song each and there were two duets sung by Asha Bhonsle and Kishore Kumar in this movie.
Today’s song is the multiple version song sung by Bhupinder Singh and Lata Mangeshkar.

This film was passed by censor board on 24.07.1981.

On our blog so far, we have 179 songs composed by Khayyam Saab already posted (165 songs from movies (released +unreleased), 14 non-movie songs, and one still a long way to go in bringing the remaining songs here.

Thanking Khayyam Saab for all the musical treasure-trove he has given to us and wishing him a ‘Very Happy Birthday’ today and a ‘healthy and peaceful’ life ahead, let us now enjoy the today’s song!!!

Video

Audio-Female version

Audio-Male version

Song-Ahl e dil yoon bhi nibha lete hain (Dard)(1981) Lata/ Bhupinder Singh, Lyrics-Naqsh Llayalpuri, MD-Khayyam

Lyrics

Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Dil ki mehfil mein ujaalon ke liye
Dil ki mehfil mein ujaalon ke liye
Yaad ki shammaa jalaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Jalte mausam mein bhi yeh deewaane ae
Jalte mausam mein bhi yeh deewaane ae ae
Kuchh haseen phool khilaa lete hain
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Apni aankhon ko banaa kar ye zubaan
Apni aankhon ko banaa kar ye zubaan
Kitne afsaane suna lete hain ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Jinko jeena hai mohabbat ke liye ae
Jinko jeena hai mohabbat ke liye ae ae
Apni hasti ko mitaa lete hain
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

SINGER – BHUPINDER SINGH

Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Zakhm jaise bhi mile zakhmonse
Zakhm jaise bhi mile zakhmonse
Dil ke daaman ko sajaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Apne kadmon pe mohabbat waale ae ae
Apne kadmon pe mohabbat waale ae ae
Aasmaanon ko jhukaa lete hain
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

—————————————–

Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————

स्वर – लता मंगेशकर

अहले दिल यूँ भी निभा लेतें हैं ए ए
अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

दिल कि महफ़िल में यादों के लिए
दिल कि महफ़िल में यादों के लिए
याद कि शम्मा जला लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

जलते मौसम में भी ये दीवाने ए
जलते मौसम में भी ये दीवाने ए ए
कुछ हसीं पल खिला लेतें है
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अपनी आँखों को बना कर ये जुबां
अपनी आँखों को बना कर ये जुबां
कितने अफ़साने सुना लेतें हैं ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

जिनको जीना है मोहब्बत के लिए ए
जिनको जीना है मोहब्बत के लिए ए ए
अपनी हस्ती को मिटा लेतें हैं
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

———————
स्वर – भूपिंदर सिंह
———————-
अहले दिल यूँ भी निभा लेतें हैं ए ए
अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

ज़ख्म जैसे भी मिले ज़ख्मोंसे
ज़ख्म जैसे भी मिले ज़ख्मोंसे
दिल के दामन को सजा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अपने क़दमों पे मोहब्बत वाले ए ए
अपने क़दमों पे मोहब्बत वाले ए ए
आसमानों को झुका लेते हैं
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

Ahl -e-dil
अहल-ए-दिल
اہل_دل
People of generous/loving heart


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14995

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4104

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Active for more than 4000 days.

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