Archive for the ‘Lata solo’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4272 | Post No.: | 15504 |
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Blog 10-Year Challenge (2010-2020) – Song No. 15
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“Insaaf” is a title that is like Halley’s comet. It arrives in Hindi movie scene at ten year intervals or so, We have seen movies titles “Insaaf” being released in 1946, 1956, 1966, after break of one decade, it appeared again in 1987.
“Insaaf”(1956) was produced by Ravjibhai U Patel and Natwar Shyam and directed by Kedar Kapoor for Bhagyoday Pictures, Bombay. This movie had Nalini Jaiwant, Ajeet, Kamal Kapoor, Tiwari, Kamal, Sagar, Ramesh Tiwari, Helen, Durga Khote, Johny Walker etc in it.
The movie had eight songs in it. Four of these songs have been covered in the past.
The first song from this movie had appeared in the blog on this day ten years ago. This song was Do dil dhadak rahe hain aur aawaaz ek hai .
So, this song is one out of five movies that are eligible for blog ten year challenge this week.
Here is the fifth song from “Insaaf”(1956) to appear in the blog. This song is sung by Lata and chorus. Asad Bhopali is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Zindagi mein husn hai husn mein guroor hai (Insaaf)(1956) Singer-Lata, Lyrics-Asad Bhopali, MD-Chitragupta
Chorus
Lyrics
zindagi mein husn hai
husn mein guroor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai
zindagi mein husn hai
husn mein guroor hai
ek nayi bahar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
o o o
itni sanwarne lagi ae meri sarkaar kyun
itni sanwarne lagi ae meri sarkaar kyun
dekhti hun aaina din mein kai baar kyun
din mein kai baar kyun
dekhti hu aaina din mein kai baar kyun
din mein kai baar kyun
kya kahoon dil aa gaya
baat kya huzoor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
o o o o
o o o o
aisi na baaten karo
rooth ke chal denge ham
aisi na baaten karo
rooth ke chal denge ham
dil jo kahin aayega
dil ko masal denge ham
dil ko masal denge ham
hamko apne aap par
naaz hai guroor hai
ek nayi bahar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
zindagi mein husn hai
husn mein guroor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
Aao karen baaten
Posted on: March 25, 2020
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4268 | Post No.: | 15494 |
Hello Atuldom
She was a child star to start with, facing the camera for the first time, probably at the age of 8 or 9 in 1948. Her father was a successful actor-producer-director of his time, but his death at a young age had this Baby becoming a child actress so that she could support her family. I am referring to Master Vinayak Damodar Karnataki’s daughter Nanda Karnataki a.k.a Nanda.
She debuted as Baby Nanda in the 1948 release “Mandir”. Her first adult role was in “Toofan Aur Diya” in 1956 at the age of maybe 17. She had a long career where she acted with as a supporting roles of kid sister, second heroine etc before graduating to heroine roles in the 60s. She paired with Shashi Kapoor in 8 films when he was not yet a successful star. “Jab Jab Phool Khile” helped her have a image change and this was seen in later movies like “Joru Ka Ghulam” and “The Train” (both with Rajesh Khanna), “Abhilasha”, “Beti” opposite Sanjay Khan. She had a successful pairing with Jeetendra too in movies like “Dharti kahe pukaar ke”
This Video that I saw sometime ago on youtube has Tabassum, with whom Nanda had near parallel career and was friends till she passed away in 2014, giving us some insight into Nanda’s life.
I spent some time trying to get the right song to remember this beautiful leading lady of the 60s and 70s. And here is a song from a movie that released in 1973, one of her last as a leading lady, where she is opposite the Bengali actor Ranjit Mallick. One song from this movie has been posted on the blog in 2012.
“Naya Nasha” directed by Hari Dutt and produced by C.V.K. Shastry had Nanda, Ranjit Mallick, Madan Puri, etc. etc in its cast. Our personal encyclopedia has given us an idea of what the movie was about in the comments of the only song from this movie to have appeared on the blog. the movie had four songs here is the second on the sixth anniversary of Baby Nanda i.e. Nanda.
Song-Aao karen baaten (Naya Nasha)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Sapan Chakravorty
Lyrics
ae
aao karen baatein
aur baatein mulaaqaatein
o o pyaar ke din aaye
prem ki raatein
ae
aao karein baatein
aur baatein mulaaqaatein
pyaar ke din aaye
prem ki raatein
aise kyun khoye ho o
rut suhaani mein ae ae
aise kyun khoye ho o
rut suhaani mein ae
phir kahaan ye mausam
iss jawaani mein
iss hawaa se
lag rahi hai
aag paani mein
ae
aao karein baatein
aur baatein mulaaqaatein
oo pyaar ke din aaye
prem ki raatein
hai milan ki ye bela aa
kab milan hoga aa aa
hai milan ki ye bela aa
kab milan hoga aa aa aa
dil tadap jaayenge ae
tab milan hoga
ab toh hamse
hans ke keh do
ab milan hoga
ae
aao kare baatein
aur baatein mulaaqatein
oooo pyaar ke din aaye
prem ki raatein
ae
aao karein baatein
aur baatein mulaaqaatein
pyaar ke din aaye
prem ki raatein aen
Dil de bhi diya dil le bhi liya
Posted on: March 19, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4262 | Post No.: | 15486 |
“Annadaata”(1952) was produced by Sheikh Mukhtaar and directed by Ismail Memon for Umar Khayya Films, Bombay. This “social” movie had Veena, Ajeet, Kanhaiyyalal, N A Ansari, Sankatha Prasad, Shareifa, Nazeer Kashmiri, Kamal Mohan, Sheikh, Akhtar, Itar Singh, Neena Maker, Mukri, Sheikh Mukhtaar, etc with Murad in guest appearance.
The movie had eleven songs in it. One song has been covered in the past.
Here is the second song from “Annadaata”(1952) to appear in the blog. This was song is sung by Lata. Anjum Jaipuri is the lyricist. Music is composed by Mohammad Shafi.
Only the audio of the song is available. My guess is that the song was picturised on Veena. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Dil de bhi diya dil le bhi liya (Annadaata)(1952) Singer-Lata, Lyrics-Anjum Jaipuri, MD-Md Shafi
Lyrics
miley thhe dil magar ulfat ke geet gaa na sake
hansi labon pe rahi ee
aur muskura na sakey
dil de bhi diya
dil le bhi liya
dil de bhi diya
dil le bhi liya
ulfat ka sila hum paa bhi gaye
dil de bhi diya
dil le bhi liya
kaliyon ki tarah kuchh der khiley
kaliyon ki tarah kuchh der khiley
phoolon ki tarah murjha bhi gaye
murjha bhi gaye
dil de bhi diya
dil le bhi liya
ro ro ke sahi par jee lenge
ro ro ke sahi par jee lenge
ashqon ka zahar bhi pee lenge
ashqon ka zahar bhi pee lenge
chupke se tassli le lenge
tum yaad jo dil ko aa bhi gaye
haye aa bhi gaye
dil de bhi diya dil le bhi liya
chaandi si chamakti raaton mein
chsandi si chamakti rsaton mein
kya khoob tamasha tumne kiya
kya khoob tamasha tumne kiya
ek aas ka deep bujha bhi diya
ik gham ka deep jala bhi gaye
ho jala bhi gaye
dil de bhi diya
dil le bhi liya
dil de bhi diya
dil le bhi liya
ulfat ka sila hum paa hi gaye
dil de bhi diya
dil le bhi liya
Paayal baaj gayi aaj
Posted on: March 6, 2020
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4249 | Post No. : | 15469 | Movie Count : |
4263 |
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Hindi Songs in Bangla Films – 21
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Ashapurna Devi (1909-1995) was a Bengali novelist who wrote more than 200 novels, over 2000 short stories and over 50 children’s books during her life time. It is to her credit that she could contribute so much to the Bengali literature despite being born in a very conservative Bengali joint family in which female members of the household were not allowed to attend school. For male members, private teachers were appointed who will teach them in their home. It is during this time, Ashapurna Devi learnt Bengali alphabets albeit clandestinely when her brothers were being taught in the house. She won many coveted literary awards including Jnanpith Award for her novel Prothom Protishruti (The First Promise) in 1976.
Many films have been made based on the novels and stories written by Ashapurna Devi. Some of them are ‘Agni Pariksha’ (Bangla, 1954), ‘Padikkathai Methai’ ( Tamil, 1960), ‘Chhaaya Surya’ (Bangla, 1963), ‘Mavana Magalu’ (Kannada, 1965), ‘Chhoti Si Mulaaqat’ (Hindi, 1967), ‘Baluchari’ (Bangla, 1968), ‘Prothom Protishruti’ (Bangla, 1971) ‘Anindita’ (Bangla, 1972), ‘Chaitali’ (Bangla, 1971 and Hindi, 1975), ‘Tapasya’ (Hindi, 1976), and ‘Ek Vivaah Aisa Bhi’ (2008). The list is not exhaustive.
‘Chaitali’ (1971, Bangla film) was one of the films based on a story of the same name by Ashapurna Devi. The film was directed by Sudhir Mukherjee. The main cast included Biswajeet, Tanjua, Basanta Chowdhury, Jahar Ray, Tarun Kumar, Biren Chatterjee, Manmohan etc.
Although a few of Ashapurna Devi’s novels and short stories have been translated in English and published, I could not locate the story of Chaitali on-line. Probably, this story may be a part of the collections of her stories in Bangla only which I cannot read. The film is available on a video sharing platform in three parts without English sub-titles. So, my understanding of the story of the film is based the visuals and some Hindi dialogues given to the characters of Lajjo (Tanuja), Nawab Sahab (Basanta Chowdhury) and Kumar Sahab (Manmohan) in it.
The film starts with Amitabh, (Biswajit), an engineer travelling from his home town on transfer to his new place of work to oversee the construction of new road (The outdoor shooting of the place with hills and the snow-capped mountains appears to be somewhere between Siliguri and Darjeeling). He is taken to the site office and thereafter to his quarters with a caretaker attached to it. On the very first day, Kumar Sahab (Manmohan) who is not only one of the contractors for the road work but also a notorious local bully, visits the quarter to meet Amitabh. He refuses to meet him by saying that he would prefer official meetings in the site office only. This create the first friction between Kumar Sahab and Amitabh.
Lajjo (Tanuja), an orphaned girl from Hindi heartland stays with her tyrannical aunt in the neighborhoods of Amitabh’s quarters. Because, she has no one else to share her feelings, she finds solace in spending time in the house of an old man, Nawab Sahab (Basanta Chowdhury) who is her neighbour. Nawab Sahab is an admirer of Gurudev Rabindra Tagore’s works. He has taken the task of translating some of Tagore’s works in Urdu and Persians. He is also into music.
Lajjo is a milkmaid who supplies milk to Amitabh’s quarters in the morning. There is always some friction between Lajjo and the caretaker over the late supplies of milk or the quality of milk. But Amitabh always take a sympathetic disposition towards Lajjo whenever his caretaker complains against her. Sometime, Lajjo also does household works in the quarters. Over a period of time, Amitabh develops soft corner for her. He starts teaching her Bangla alphabets and conversation in Bangla which she picks up fast. This is not liked by Nawab Sahab and he gives subtle hint to Amitabh. So, now on, he keeps a distance with Lajjo.
Simultaneously, Amitabh has problems with the quality of road work done by Kumar. So, he postpones the payments of his bills for work done until he personally inspects the road. He also orders his staff to bring out old files pertaining to Kumar’s work. This creates panic for Kumar. He engages his henchmen to intercept Amitabh while on an inspection trip in the forest. However, due to heavy rains and landslides, he is not able to visit the place. In the quarters, the caretaker is worried as he thinks that Amitabh is caught in the landslides. After hearing this news, Laajo who has also kept a distance from Amitabh due to Nawab Sahab insistence, runs to search for him. She finds Amitabh safe in a tent. The meeting ignites their love for each other. They return home after the rains have subsided.
Having failed in an attempt to immobilise Amitabh and also to make his old files missing, Kumar plans a conspiracy in which he pays money to Lajjo’s aunt to facilitate her kidnapping. While going to fetch waters from the river, Lajjo gets kidnapped by his henchmen and blames Amitabh for it since both have been last seen together while returning from his inspection duty and both are missing since then. The fact is that Amitabh has gone to his hometown to meet his brother.
When Amitabh returns from home town, police arrests him on charge of kidnapping Lajjo. He is taken to the police station. However, before he is being questioned, Lajjo’s aunt under pressure from Nawab Sahab confesses her role in Lajjo’s kidnapping. She is arrested. Lajjo runs away from the kidnappers and reaches the police station to tell her side of the story. Amitabh is released and Lajjo comes back and visit Nawab Sahab’s house only to find that Kumar and his henchmen have cornered Nawab Sahab. In the scuffle between him and Kumar, Nawab Sahab gets seriously injured from the bullet fired by Kumar. Before, he could recapture Lajjo, police forces get hold of him and he is arrested. Nawab Sahab dies and Lajjo becomes once again an orphan with her aunt in the jail and Nawab Sahab dead. The film ends with Amitabh and Lajjo meeting at the burial ground who would now take care of her.
Many internet sites refer the Hindi version, ‘Chaitali’ (1975) produced under the banner of Bimal Roy Productions, as a remake of the Bangla version of the film. But it is not so. There are subtle differences between the two versions of the film. In Bangla version, the character of the hero is that of an Engineer who is posted on the site office to oversee the road construction work. In the Hindi version, the hero is a professor in the college and stays in a joint family. Secondly, the character of Lajjo (Chaitali) in Bangla version is different than in Hindi version in which she has been shown as a kleptomaniac and she get reformed after working with a loving joint family.
Rinki Bhattacharya, the daughter of Bimal Roy in a very recent interview (February 2020) has revealed that her father had planned the film with a title ‘Sahara’ based on Ashapurna Devi’s short story ‘Chaitali’ and some shots were filmed in early 1966 with Dharmendra and Sharmila Tagore. But he fell ill on the set from which he never recovered. After a gap of 8 years, the film was started afresh under the direction of Hrishikesh Mukherjee with the ‘Chaitali’ as the title of the film replacing Sharmila Tagore with Saira Banu. The film did not fare well on the box office.
In keeping with the Hindi speaking role of Chaitali, the Bangla version of the film had 3 Hindi songs out of 8 songs. I am presenting one of the two Lata solos, ‘paayal baaj gayi aaj meri laaj gayi’ which is written by Anand Bakshi. All the songs (Hindi and Bangla) in the film were set to music by S D Burman. The tune of the song appears to be based on a Nepali folk song to me.
It is interesting to note that after ‘Samar’ (1950, Bangla film), S D Burman had not composed songs in any Bangla films until ‘Chaitali’ (1971) and this film became his last Bangla film as well.
Video Clip:
Audio Clip:
Song-Paayal baaj gayi aaj (Chaitaali)(Bangla)(1971) Singer-Lata, Lyrics-Anand Bakshi, MD-S D Burman
Lyrics (Based on Video Clip)
paayal
aa aa aa aa aa
aa aa aa aa aa
aa aa aaah
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal
ankhiyon ne to mera bhed chhupaaya aa
ankhiyon ne to mera bhed chhupaaya
honthon pe bhi tera naam na aaya
lekin ye anjaam beimaan
paayal
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aaa
laakh kaha ke tu ye kaam na karna aa
laakh kaha ke tu ye kaam na karna
dekh nigodi badnaam na karna
phir bhi ye anjaan beimaan
paayal
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal
pehle se bhi mere haal pe shaque thha
pehle se bhi mere haal pe shaque thha
badli huyi mere chaal pe shaque thha
uspe ye anjaan beimaan
paayal
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal
This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4233 | Post No. : | 15443 |
It was the 94th Birth Anniversary of Late Khaiyyam yesterday (18 february 2020).
Born as Mohammed Zahur Khayyam Hashmi(18 February 1927 – 19 August 2019), he started his career as music director, as Sharmaji of duo of Sharmaji-Vermaji with Rehman Verma.
He passed away last year on 19th August 2019, after an illustrious career of more than 4 decades. As per the stats page, he has composed 377 songs in 42 movies, out of which 179 songs are already posted. My personal favourite songs list has to start with the songs of Rafi songs in ‘”Shola aur Shabnam” , include “Bazaar”, “Umrao Jaan”, “Shaam e gham ki Qasam”(Footpath), Rafi solo “hai kali kali ke lab par”, some songs of “Razia Sultan” especially the sehra “Aye khuda Shukr tera”, songs of ‘Kabhi Kabhi”, “bahaaron mera jeewan bhi sanwaaro” (Aakhri Khat) etc.
I cannot forget to mention two songs of “Shankar Husaain” both the unforgettable solos by Rafi and Lata Mangeshar. The list will go all the way to the songs of ‘Phir Subah hogi” . And “Simti hui ye ghadiyaan” of “Chambal Ki Qasam”. The song of “Khandaan” (ye Mulaquat ek bahana hai) and Rafi-Lata duet from “Chambal kiQasam” were special favourites at the All India Radio’s Urdu service afternoon show (Aap ki farmaish ).
From a layman point of view also the songs composed by Khaiyyam are always melodious and have a distinctive style of their own. I can call it almost a ‘Genre”, very similar to the style of “Jaidev”. Jaidev was an assistant to S. D. Burman, but I was able to find any references it Khaiyyam was an assistant to anyone. He may have been as the training is required here also as any other field.
He composed non film songs and ghazals also, almost 34 of which were sung by Mohammed Rafi.
As per Wikipedia :
“On his 89th birthday, Khayyam announced the formation of a charitable trust, Khayyam Jagjeet Kaur KPG Charitable Trust, and decided to donate his entire wealth to the trust to support budding artists and technicians in India. His wealth at the time of announcement was valued at around ₹10 crore (US$1.4 million)”
The song I have selected to present on this occasion is from the film ‘Bambai ki Billi”, alternatively named “Wild Cat”. How does “Bambai” translate of Wild in this instance, I can’t begin to decipher. The singer of this song is Lata Mangeshkar, with chorus. Lyricist is Hasrat Jaipuri, composer is the the one and only Khaiyyam.
The tune of the song is reminiscent of this song from “Kabhi Kabhi”.
Song-Main baaghon ki morni jab naachhon taa taa thaiyya (Bombay Ki Billi )(1960) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Khaiyyam
Chorus
Lyrics
Jab jab mori paayal baaje
Logan ka aa dil dhhadke
Dekh ke mori chhalbalwa ??
man mein bijuriyaa kadkey ae
ho o
Main baaghon ki morni
Jab naachun taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya aa
Main baaghon ki morni
Jab naachoon taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Nain kateele aur sooratiyaa saanwri
hoye hoye hoye hoye hoye
Nain kateele aur sooratiyaa saanwri
Ho gayee main ko dekh ye duniyaa baawri
Hoye
Ho gayee main ko dekhye duniyaa baawri
Haay re ra rararara ra ra
Jinki batiyaan zeher bhari hain
Jaise koi kasaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Chaand bhi sharmaaye hai
Mere roop se
hoye hoye hoye hoye hoye
Chaand bhi sharmaaye hai
Mere roop se
Raat bhi din ban jaaye
Badan ki dhoop se
Hoy Raat bhi din ban jaaye
Badan ki dhoop se
Haay re la lalalara la la
Jin raston se chham chham jaaun
Taake mohe sipahiyaa
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
tu baaghon ki morni
Jab naache taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
baal ye kaale
Pyaar se paale naag hain
hoye hoye hoye hoye hoye
baal ye kaale
Pyaar se paale naag hain
Haathh badha ke chhoo na lenaa
aag hain
hoye
Haathh badha ke Chhoo na lenaa
aag hain
Haay re ra rararara ra ra
Man ki been bajaaun jab jab
Jhoome prem kanhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Kabhi to aa
Posted on: February 15, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4229 | Post No. : | 15438 |
“Patraani”(1956) was produced by Shankarbhai Bhatt and directed by his younger brother Vijay Bhatt for Prakash Pictures. The movie had Vyjayantimala, Pradeep Kumar, Omprakash, Shashikala, Durga Khote, David, Jeevan etc. in it. The movie was based on a novel by Kanhaiyalal Munshi.
Seven songs from this movie have been discussed in the past. Here is the eighth song from “Patraani”(1956) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised as a rajdarbaar dance song on Shashikala as Pradeep Kumar, the king looks on.
audio
Video
Song-Kabhi to aa (Patraani)(1956) Singer-Lata, Lyrics-Shailendra, MD-Shankar Jaikishan
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon
mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon mein aake chale jaane waale
bhali buri
hoon jaisi bhi
main teri hoon
taras kar mohe tarsaane waale
kabhi to aa
kabhi to aa
kabhi to aa
aa aa aa aa
aa aa aa aa
rangeeli rut aa gayi ee ee
rangeeli rut aa gayi ee ee
dekh kar chaand ka dhhalna ho
dekh chaand ka dhhalna ho
piya main ghabra gayi ee ee ee
piya main ghabra gayi ee ee ee ee
dhhalegi kya ye umar bhi isi tarah
bataa de mohe
ratiya jagaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa
aa aa aa aa
aa aa aa aa
wo din kab aayenge ae ae ae ae
wo din kab aayenge ae ae ae
jaane kab pyaasi nadiya mein
jaane kab pyaasi nadiya mein
kamal muskaayenge ae ae
kamal muskaayenge ae ae ae ae
hata bhi de
ye bojh sar se laaj ka
ghoonghat kaliyon ke sarkaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapno mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa aaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4225 | Post No. : | 15430 |
11th february is the remembrance day of Pt Narendra Sharma (28 February 1913 – 11 February 1989) .
Present day HFM lovers have no idea about the contributions of Pt Narendra Sharma if they just go by the wikipedia entry on him. The person writing his wikipedia entry has no clue about Pt Narendra Sharma.
Pt Narendra Sharma was a renowned poet who wrote poetry in Hindi and Urdu. Lata Mangeshkar used to read his poerty and sing them on Radio before she became a playback singer. Here is how she described her association with Pt Narendra Sharma:
“I used to call him ‘Papa’. The first time, I met Papa (Pandit Narendra Sharma) it was at Master Vinayak’s residence. He was accompanied by the eminent litterateur Amritlal Nagar. He asked me to sing for him. During those days, I didn’t need a second invitation to sing. I’d burst into a song whenever I was asked. He was a learned man. I’d spend hours listening to him. In 1968, when I recorded the Bhagavat Gita, Papa came home to congratulate me. I was anxious about my Sanskrit pronunciation. Papa assured me I had done a good job. Papa stayed in Khar. I’d visit his home. My ties with him and his family were very strong. His 3 daughters were my age. I’d carry extra clothes to his home and stay overnight. His daughters and I would do dhamaal all night. His wife though Gujarati, adopted the Uttar Pradesh culture after marriage, because Papa was from UP. I never heard him saying a bad word about anyone. I met Harivanshrai Bachchan Saab at Papa’s place. They called each other ‘Bandhu’. I don’t think I was so close to anyone outside the family. I discussed all my problems with Papa. He called me daughter but always addressed me as ‘Lataji’. I objected to that. But he persisted. When he died of a heart attack, I was heartbroken. No one could take his place.”
He was a lyricist in Hindi movies. HFM is repletre with lyrics containing Urdu words. Pt Narendra Sharma would mostly write songs conttaining Sarskritised Hindi. And he proved that one can write immortal songs in pure Hindi. Take the example of the immortal bhajan from “Bhaabhi Ki Choodiyaan”(1962).
This song, Jyoti kalash chhalke was covered in the blog within a few weeks after this blog was started. There were visitors of this blog who logged on to this blog daily just to listen to this song. There was one grandmom who one day complained that the song has been taken off and that she is no longer able to make her young grand daughter listen to this bhajan- a practice that she was following without fail every morning !
I put on this song every day for my baby grand-daughter…and today it says the video has been removed by the user….could you reinstate it please? It’e been so lovely to hear it…along with the lyrics…I learnt the song from your blogpost!
This song has so many heartwarming comments in the blog. One of these comments is from Mrs Lavanya Shah, the daughter of Pt Narendra Sharma !
How many of us know that Vividh Bharati, the musical channel of Akashwani, was started by Pt Narendra Sharma ! When Government of India decided to have a music channel, Pt Narendra Sharma was hired as Chief Producer to start this project. He conceptualised and executed this project. “Vividh Bharati” , a name that he thought of, started its broadcast on 2 october 1957 from Bombay. The very first song that was played on this brand new Radio station was “Naach Mayura Naach”. It was sung by Manna Dey, penned by Pt Narendra Sharma and composed by Anil Biswas.
Many of the programmes that we still listen to today on Vividh Bharati were stated during those early days and they were the brainchild of Pt Narendra Sharma himself ! For instance “Hawa Mahal” is being broadcast on Vividh Bharati right from its beginning.
A programme for fauzi bhais, called Jaimala was started in Vividh Bharati on evenings in 1962, in the wake of China war. On saturday evening, this programme would be presented by a celebrity. This vishesh jaimala is one of the most popular programmes on Radio.
When Asian games were held in New Delhi in 1982, it was Pt Narendra Sharma who wrote the theme song-“swaagatam suswaagatam”. This song has now become a standard song to be played during official functions, such as Republic day etc.
On the occasion of the remembrance day of this remarkable artist, we pay our tributes to him by covering a song from “Satyam Shivam Sundaram”(1978). This song is sung by Lata and chorus. Pt Narendra Sharma is the lyricist. Music is composed by Laxmikant Pyarelal.
The song, a welcome song, is lipsynced by Zeenat Aman and others.
Lyrics of this song were sent to me by Avinash Scrapwala. For a change for Pt Narendra Sharma, the lyrics of this song contains mostly Urdu words. The song sounds just as sweet as most songs penned by him.
Song-Suni jo unke aane ki aahat gareebkhaana sajaaya hamne (Satyam Shivam Sundaram)(1978) Singer-Lata, Lyrics-Pt Narendra Sharma, MD-Laxmikant Pyarelal
Chorus
Lyrics (Provided by Avinash Scrapwala)
O o o o o o
Ho o o o o o
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Aa aa aa aa
Aa aa aa aa aa aa
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Qadam mubaarak hamaare dar pe
Naseeb apnaa jagaayaa hamne
Qadam mubaarak hamaare dar pe
Naseeb apanaa jagaayaa hamne
Huyee hai aamad khushaamadeedam
Huyee hai aamad khushaamadeedam
Ye kehnaa dil ko sikhaayaa hamne
Khile hain aashaa ke phool man mein
Ye raaz unse chhupaayaa hamne
Khile hain aashaa ke phool man mein
Ye raaz unse chhupaayaa hamne
Wo apne netaa ham unki janataa
Wo apne netaa ham unki janataa
Hameshaa naataa nibhaayaa hamne
Ye teri rehmat aye mere maalik
Gumaan nahin thhaa wo paayaa hamne
Ye teri rahamat aye mere maalik
Gumaan nahi thaa wo paayaa hamne
Unhe jo dekhaa jhukaa lin aankhen
Adab se ehsaan uthaayaa hamne
Unhe jo dekhaa jhukaa lin aankhen
Adab se ehsaan uthaayaa hamane
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
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Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————————
ओ ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
आ आ आ आ
आ आ आ आ आ आ
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
क़दम मुबारक हमारे दर पे
नसीब अपना जगाया हमने
क़दम मुबारक हमारे दर पे
नसीब अपना जगाया हमने
हुयी है आमद खुशामदिदम
हुयी है आमद खुशामदिदम
ये कहना दिल को सिखाया हमने
खिले है आशा के फूल मन में
ये राज़ उनसे छुपाया हमने
खिले है आशा के फूल मन में
ये राज़ उनसे छुपाया हमने
वो अपने नेता हम उनकी जनता
वो अपने नेता हम उनकी जनता
हमेशा नाता निभाया हमने
ये तेरी रहमत अये मेरे मालिक
गुमान नहीं था वो पाया हमने
ये तेरी रहमत अये मेरे मालिक
गुमान नहीं था वो पाया हमने
उन्हें जो देखा झुका ली आँखें
अदब से एहसान उठाया हमने
उन्हें जो देखा झुका ली आँखें
अदब से एहसान उठाया हमने
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4211 | Post No. : | 15412 |
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Blog 10-Year Challenge (2010-2020) – Song No. 6
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“Arpan”(1983) was produced and directed by J Om Prakash for Filmyug Private Limited, Bombay. The movie had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar, Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya etc in it.
The movie had five songs in it. Three songs have been covered in the past.
The movie made its debut in the blog on 21 january 2010 with the song Pardes jaake pardesiyaa bhool na jaana piyaa . The second song was discussed one week later on 28 january 2010 and it was Likhne waale ne likh daale .
For the next ten years, no other songs from this movie were covered. Then there was sudden activity exactyly ten years later and the third song from the movie was discussed on 21 january 2020, exactly one decade after this movie had debuted in the blog. This song was Mohabbat ab tijaarat ban gayi hai Avinash Scrapwala, who is very enthusiastic about the “blog ten year challenge”.
Seeing that the second song from the movie was covered on 28 january 2010, today presents us with another “blog ten year challenge” opportunity as far as this movie is concerened. So here is another song from the movie. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
This song is picturised as a stage dance song on Parveen Babi and others. Jeetendra is seen among the audience.
I find this song so reminiscent of “Asha”(1980) songs where too Jeetendra would be seen witnessing the stage dance performances. That movie had Reena Roy instead of Parveen Babi. This resemblence is not coincidence. Both these movies were by J OmPrakash. His stories used to be similar. Jeetendra used to be a fixture in his movies. and the titles of his movies would start from the letter A. He produced 23 movies in his career, styaring from “Aas Ka Panchhi”(1961) till “Afsaana Dilwaalon Ka” (2001). 22 of his titles started with A. Only exception being “Bhagwan Dada” (1986), after which he reverted back to his lucky letter A.
Music of his movies during that succeesful spell (Apnapan, Asha, Arpan) used to be by Laxmikant Pyarelal. That is the reason why the songs of these movies sound similar to me.
Here is this nice song from “Arpan”(1983). Incidentally, all the four songs that have been covered so far were quite popular and they have remained so till now.
Song-Tauba kaise hain naadaan ghunghroo paayal ke (Arpan)(1983) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lata + Chorus
Lyrics
taubaa taubaa aa aa
taubaa taubaa aa aa
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
sharm ke maare laal pad gayaa rang meraa baadaami
chhanak chhanak ke gali gali mein karen meri badnaami
ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
kaise koi bhed chhupaaye ae ae
ghar kaa bhedi lankaa dhaaye
kaise koi bhed chhupaaye ae
ghar kaa bhedi lankaa dhaaye
dede ke main haari saari raam raheem ki kasmen
aisaa lagataa hai ye nigode nahin kisi ke bas mein
hindu hai na musalmaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
chhup ke gali se kaise guzroon
chhat se main neeche kaise utroon
chhup ke galii se kaise guzroon
chhat se main neeche kaise utroon
kabhi kabhi main sochoon inko phenkoon abhi utaaroon
tokne waali usi padosan ke munh par de maaroon
bharte hain logon ke kaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
jab chham se ye baj uthhte hain
pag men kaanten chubhte hain haaye
jab chham se ye baj uthte hain
pag mein kaanten chubhte hain
meethhaa meethhaa dard nigodaa mere man se nikle
inhen nikaaloon pairon se to jaan badan se nikle
mere dil ke hain armaan ghunghruu paayal ke
ho mere dil ke hain armaan ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
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