Archive for the ‘Asha Bhonsle – Usha Mangeshkar duet’ Category
Pyaari pyaari soorat waale
Posted on: September 25, 2022
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Dance song | Duet | Guest posts | Mujra song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1974 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5182 | Post No. : | 17159 |
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Blog 10-Year Challenge (2012-2022) – Song No. 99
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Ten years back on this day i.e., on 25th September ’2012 the following songs were posted on the blog.
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6712 | Aayi gori Raadhika Brij mein bal khaati | Gopinath(1948) | 4 songs out of 9 posted |
| 6713 | Lagan morey man ki balam nahin jaane | Baabul (1950) | Movie YIPPEED by now |
| 6714 | Har phool mein masti hai rangeen hai mausam | Maaya Baazaar(1958) | Movie YIPPEED by now |
| 6715 | Gusse mein tum aur bhi achchi lagti ho | Chaar Darvesh(1964) | 4 songs out of 7 posted |
| 6716 | Dulhan se tumhaara milan hoga | Anokhi Raat (1968) | Movie YIPPEED by now |
| 6717 | Jeevan mein tu darna nahin | Khote Sikkey (1974) | One song out of 3 posted |
| 6718 | Tere chehre mein wo jaadoo hai | Dharmatma(1975) | Movie YIPPEED by now |
| 6719 | Mere yaar ko mere Allah de ek chaand sa pyaara lalla | Dacait(1987) | One song out of 5 posted |
We can from the above table that eight songs eight movies were represented on the blog on that day on 25.09.2012.
Out of these eight movies, so far, only four movies have been Yippeeee’ed on the blog. So, we have four movies available for today where we can present a song on the blog.
I am presenting a song from the movie ‘Khote Sikkey-1974’. One song from this movie was posted on the blog on this day ten years back. I think this song was my third lyrics contribution appearing on the blog. My first lyrics contribution was posted on the blog on 13.09.2012.
I was aware of this movie and its song jeewan mein tu darna nahin since my childhood days and when I become associated with this blog I shared this song then.
Few months back, I listened to the other songs from this movie. This movie ‘Khote Sikkey’ has only three songs. When I listened to the remaining two songs, I liked one of them very much and noted it down for my write-up. I was supposed to present it on a special occasion, but I got stuck up with my write-up, and so much so that it took me more than a month to come back to writing and send a post to Atul ji.
Well, I am not presenting that song today, and will present it later the blog with the same ‘thoughts’ I wish to present earlier. 😊
“Khote Sikkey-1974” was directed by Narendra Bedi for ‘Mewar Films, Bombay’.
It had Feroz Khan, Narendra Nath, Danny Dengzongpa, Ranjeet, Sudhir, Paintal, Kunwar Ajit, Ajit, Rehana Sultan, Madhuchhanda, Alka, Rajpal, V. Gopal, Johny Whisky, Bhushan Tiwari, Leela Mishra, Mamaji, Jimmy Sikandar, Rekha Chauhan, Raj Katyal, I. A. Pasha, Mansharam, S. Baghel, Trilok Sharma, Hamid, Harish, Kripa Shankar, Satyanarayan, Tilakraj, Khairati, Chandu, Uma Khosla, Manohar, Bhanumati, Kishan Mehta, Master Shaka, and others.
Satyen Kappu, Kamal Kapoor and Master Alankar made friendly appearances in this movie.
This movie had three songs penned by Majrooh Sultanpuri. Music for this movie was composed by R.D. Burman.
As mentioned above only one song from this movie have been posted on the blog earlier.
| SNo | Song-Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Jeevan mein tu darna nahin | Kishore Kumar, chorus | 25.09.2012 |
Today’s song – the second song from this movie – is sung by Asha Bhonsle and Usha Mangeshkar. Lyrics are by Majrooh Sultanpuri, and music is composed by R.D. Burman.
On screen the today’s song is lip-synced by Rehana and one other actress (whom I am unable to identify) and we can see Sudhir, Ranjeet, Danny, Paintal, Narendra Nath, and others enjoying this ‘mujra’ song, and we can see Feroz Khan (the Client Eastwood in this movie 😊 ) watching them or rather ‘keeping an eye on them all’ from behind the ‘curtains’…
Today 25th September 2022 is also the eighty-third birth anniversary of Feroz Khan (25 September 1939 – 27 April 2009) an actor, producer, and director and one among our many favourites of the seventies …
We pay our tributes to Feroz Khan and thank him for all the lovely memories of his movies he has left for us. Though he has no words or lyrics to perform in the today’s song he is still present there in this song and readers can still watch him in this song and remember this ‘one of his kind of actor’ of Hindi Cinema today.
Let us now enjoy today’s song ..
Song-Pyaari pyaari soorat waale (Khote Sikkey)(1974) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – R D Burman
Both
Lyrics
ho o o o o
pyaari pyaari ee
oye soorat waale
ho pyaari pyaari
ho ho soorat waale
arey haay mere allah
ho o itne saare
haay koyi to hans ke bulaaye
koyi palak maare re ae
haa aa aa aa pyaari pyaari
ho ho sooratwaale
main ye dil kisko doon
kuchh kahaa naa jaaye
haan aa ek anaar sau beemaar
haay re haay re haay
ho o o pyaari pyaari
o o soorat waale
arey haay mere allah
haan aa itne saare
idhar nain jodoon
yaa aa udhar jod doon oon
kise dekhoon jee bhar ke ae
kisey chhod doon
ho o o o
idhar nain jodoon
yaa aa udhar jod doon oon
haan aa aa kise dekhoon jee bhar ke ae
kisey chhod doon
o o jisko dekhoon
usi pe jiyaa lalchaaye
haan aa ek anaar sau beemaar
haay re haay re haay
ho o o
pyaari pyaari
ho ho soorat waale
arey haay mere allah
ho o itne saare
haay koyi to hanske bulaaye
koyi palak maare re ae
ho o o
pyaari pyaari
ho ho soorat waale ae
sabhi pyaar se maangen
nishaani meri ee ee ee
deewaani si thhokar khaaye
jawaani meri
ho o obscurity
sabhi pyaar se maange ae
nishaani meri ee
ho o o deewaani si thhokar khaaye
jawaani meri
ho o
kya karoon kya karoon
ab kahaa na jaaye
ho o o
ek anaar sau beemaar
haay re haay re haay
ho o o pyaari pyaari
ho ho o soorat waale
arey haay mere allah
ho o o itne saare
haay koyi to hanske bulaaye
haa haa haa
a haa haa haa
koyi to hanske bulaaye
koyi palak maare re ae
hoye ae ae
pyaari pyaari
ho ho soorat waale ae
arey haay mere allah
haan aa itne saare ae
Kaisi lagi kaisi lagi
Posted on: November 5, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4858 | Post No. : | 16648 |
Today, November 5, 2021 is the 13th Remembrance Day of producer-director, B R Chopra. I admire him for his courage to make films on sensitive and socially relevant issues at a time when most of other producers would have avoided such issues. As far as I know, B R Chopra became the director without working under any one of the well-known directors of his time or even working in any other departments of the film making which is laudable.
Baldev Raj Chopra (22/04/1914 – 05/11/2008) was born in Rahon village in Ludhiana district of Punjab. His father was working in the Public Works Department in Lahore. So, most of his childhood, school and college education were done in Lahore. As a teenager, he was fascinated by films. After the completion of M A in English literature from Punjab University, he took a job as a film journalist for a film magazine, ‘Cine Herald’ which was published from Lahore so that he connects with the film personalities. Over a period of time, he took over the management of the magazine which he managed until 1947.
Just a couple of months before the partition, some friends of B R Chopra’s father suggested him to make a film which they would finance. So, he started his first film, ‘Chandni Chowk’ based on a story by I S Johar. G A Chishti was to be the music director and Khayyam, his assistant. Unfortunately, the film had to be abandoned in the wake of communal riots following the partition. B R Chopra along with his family migrated to Delhi and resumed working as a film journalist for some time. However, his heart was in the film making.
B R Chopra shifted to Mumbai with most of his joint family members sometime in 1948. With the pooling of all the resources from the family, he co-produced and directed ‘Karwat’ (1949) which bombed at the box office. After this, he became apprehensive about making one more attempt in film making. It was one of his friends who bumped in B R Chopra at a café and assured him that he would arrange the finance provided B R Chopra directed the film. That was how the film ‘Afsaana’ (1951) happened which he co-produced and directed based on a story written by I S Johar. The film was a box office success.
B R Chopra co-produced and directed his next two films, ‘Shole’ (1953) and his stalled film of 1947 – ‘Chaandni Chowk’ (1954) with his friend and partner financing these films. While ‘Shole’ (1953) did the average business, ‘Chaandni Chowk’ (1954) was a box office success.
In 1955, with the death of his partner, their joint venture in film production was dissolved. B R Chopra set up his own film production banner, B R Films. The banner’s logo had an interesting text in Latin, ‘Ars longa vita brevis’, meaning ‘Art is long, life is short’. The banner produced its first film, ‘Ek Hi Raasta’ (1956) with a theme of widow remarriage. It was a bold decision on the part of B R Chopra to produce and direct a film with such a sensitive subject in his maiden venture. But the risk paid off. The film scored a box office success.
B R Chopra produced and directed his next film, ‘Naya Daur’ (1957) with a theme of ‘man versus machine’. This was the film, with which Sahir Ludhianvi’s association with B R Films started as a full-pledged lyricist which continued until his death in 1980 with some break during 1976-79. In ‘Sadhna’ (1958), he took the subject of rehabilitation of a prostitute. In ‘Dhool Ka Phool’ (1959), B R Chopra portrayed the issues concerning the children born out of wedlock. In this film, B R Chopra entrusted the direction to his younger brother, Yash Chopra which was his maiden film as a director. Another brother, Dharam Chopra debuted as a full-time cinematographer with this film. Both these films were highly successful on the box office front.
B R Chopra experimented with his first songless film, ‘Kaanoon’ (1960) which focused on the capital punishment based on the eye witness and questioned whether one man’s words should cost another man’s life. It was a daring effort on the part of B R Chopra to produce the songless film especially at a time when the film songs had become one of the main ingredients for the box office success of the films. Later, he also produced another songless film, ‘Ittefaaq’ (1969) which happened to be last film B R Chopra and Yash Chopra worked together.
‘Gumraah’ (1963) was a personal triumph for B R Chopra as a director for his matured handling of a theme of extra-marital affair. He was successful in garnering sympathy for all the three protagonists of the film – Ashok Kumar as husband, Mala Sinha as his cheating wife and Sunil Dutt as the lover of Mala Sinha. By the way, in the same year (1963), ‘Ye Raaste Hain Pyaar Ke’ (1963) was released with a same theme.
‘Waqt’ (1965) was B R Chopra’s first colour. multi-starer and a high budget film. The film was directed by Yash Chopra. The usual ‘lost and found’ formula got reinvented with this film with sleek screen-play and dialogues. For the first time, a B R Film had elaborate sets and high glamour quotients. This film set the trend for Yash Chopra when he produced and directed films under his own banner.
During his 5 decades of association with Hindi films, B R Chopra produced 35 films and directed 20 films. Some of the major films he produced were ‘Hamraaz’ (1967), ‘Aadmi Aur Insaan’ (1969), ‘Daastaan’ (1973), a remake of ‘Afsaana’ (1951), ‘Dhund’ (1973), ‘Zameer’ (1974), ‘Chhoti Si Baat’ (1975), ‘Karm’ (1977), ‘Pati, Patni Aur Woh’ (1978), ‘The Burning Train’ (1979), ‘Insaaf Ka Taraazu’ (1980), ‘Nikkah; (1982), ‘Mazdoor’ (1983), ‘Tawaif’ (1984) ‘Aawaam’ (1987), ‘Kal Ki Aawaaz’ (1992), ‘Baaghbaan’ (2003), ‘Baabul’ (2006), ‘Bhootnath’ (2008) etc.
In 1972, Yash Chopra separated from B R Films and established his own banner, Yash Raj Films. This separation seems to have affected B R Films as most of his film made after Yash Chopra’s exit from B R Films, did not reach the level of successes as his earlier films got. However, B R Chopra undertook a mammoth work of TV serial ‘Mahabharat’ for Doordarshan with 94 episodes which were telecast during 1988-90. ‘Mahabharat’ became one of the most successful TV serials which was high TRP ratings even on the repeat telecasts.
‘Baaghbaan’ 2003) was a sort of a ‘come back’ film for B R Films followed by ‘Baabul’ (2006). However, B R Films could not sustain the new success as both B R Chopra and his son, Ravi Chopra passed away in 2008 and 2014 respectively. After ‘Bhootnath’ (2008), B R Films have not produced any film.
B R Chopra was conferred with Dadasaheb Phalke Award in 1998 in recognition of his contribution to the growth and development of Indian cinemas. He was awared Padma Bhushan in 2001.
‘Ek Hi Raasta’ (1956) was the first film produced and directed by B R Chopra under his own banner, B R Films. The star cast included Ashok Kumar, Meena Kumari, Sunil Dutt, Yashodhara Katju, Ravikant, Manik Kapoor, Uma Dutt, Nazir Kashmiri, Radhakishen etc. Kumkum and Radhika were the guest actors in the film.
The film had 8 songs (including one multiple version) of which 7 songs have already been covered on the Blog, the details of which are as under:
| Songs | Date of Posting | Singers |
|---|---|---|
| Chali gori pee ke milan ko chali | 31/01/2009 | Hemant Kumar |
| Saanwle salone aaye din bahaar ke | 21/04/2009 | Hemant Kumar -Lata |
| Bade bhaiyya laaye hain London se chhori | 11/04/2012 | Asha Bhosle |
| Chamka ban kar aman ka taara | 15/08/2012 | Lata-Hemant Kumar |
| Bekas ki aabroo ko neelaam kar ke chhoda | 27/11/2012 | Lata Mangeshkar |
| So ja nanhe mere tu to so jaa Multiple version song | 31/03/2021 | Hemant Kumar-Lata Mangeshkar |
On the occasion of 13th Remembrance Day of B R Chopra, I present a song ‘kaisi lagi jaaye to jaaye jiya’ from ‘Ek Hi Raasta’ (1956) rendered by Asha Bhosle and Usha Mangeshkar. The song is written by Majrooh Sultanpuri which is set to music by Hemant Kumar. It is a dance song in which Asha Bhosle and Usha Mangeshkar sing for Kumkum and Radhika respectively.
With this song, all the songs from ‘Ek Hi Raasta’ (1956) have been covered on the Blog.
Note: The early life sketch of B R Chopra is based on his interview recorded in 1995 after he was conferred ‘Filmfare Life Time Achievement Award’. The interview was published on April 4, 1997 in rediff.com.
Audio
Video
Song-Kaisi lagi kaisi lagi (Ek Hi Raasta)(1956) Singers-Asha Bhosle, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Hemant Kumar
Both
Lyrics
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhote aisi lagi
kothhe pe main to khadi thhi bholepan mein
chori chori koi samaaya mere man mein
kothhe pe main to khadi thhi bholepan mein
chori chori koi samaaya mere man mein
dheere se bolo jiya
kaisi lagi
dheere se bolo jiya
kaisi lagi
aisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
jiya na maane ke ruk ruk machle
koi ye pukaare bache to zara bach le
jiya na maane ke ruk ruk machle
koi ye pukaare bache to zara bach le
haaye re haaye daiyya
kaisi lagi
haaye re haaye daiyya
kaisi lagi
aisi lagi
jaaye to jaaye jiya
laagi na chhote aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
dar ke maare kaleja mora dhadke
kahin more saiyyan ye chunri pakad ke
dar ke maare kaleja mora dhadke
kahin more saiyyan ye chunri pakad ke
laagoon main tohra piya
kaisi lagi
laagoon main tohra piya
kaisi lagi
aisi lagi
aisi lagi
aisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
Bedardi preet nahin jaani
Posted on: October 29, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is his 700th post in the blog.
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4851 | Post No. : | 16641 |
O P Nayyar was an odd man out in Hindi film industry as a music director. He did not have the formal or informal training in the music. He did not undergo ‘apprenticeship’ under any music directors. He did not work with Lata Mangeshkar during his entire career as a music director. The top three star-actors of 1950s and 60s – Dilip Kumar, Dev Anand and Raj Kapoor avoided him as a music director after working with him for one or two films. He did not work with Raj Khosla after his spate with him in ‘Ek Musaafir Ek Haseena’ (1962). His egoistic, stubborn, ‘calling spade a spade’ type of nature and some shades of eccentricities should have made him persona non grata in the Hindi film industry. Despite all these odds, he attained the status of one of the top music directors of Hindi films during 1950s and 1960s.
I always felt that O P Nayyar was the ‘Eklavya’ of Hindi film music – a self-trained music director who got inspirations from more than one Dronachaya of music directors – R C Boral, Pankaj Mullick, Ghulam Haider and Anil Biswas. As a teenager, O P Nayyar was fascinated by the films of New Theatres which he watched in Lahore. He was mesmerised by the songs of K L Saigal and Pankaj Mullick which guided him to pursue the singing career. He was a regular singer of bhajans and ghazals on AIR, Lahore in the 1940s until the partition. Two of his Kabir dohas which he used to recite on AIR. Lahore were recorded and released on HMV disc in 1943. He composed his first recorded song – a non-film, ‘preetam aan milo’ in the voice of C H Atma in 1945 which became very popular.
After shifting to Mumbai following the partition, O P Nayyar’s first three films – ‘Aasmaan’ (1952), ‘Cham Chama Cham’ (1952) and ‘Baaz’ (1953) turned out to be the flop films. It was only after a huge box office success of ‘Aar Paar’ (1954) that O P Nayyar established himself as music director and remained one of the top music directors of Hindi films until about end-1960s.
O P Nayyar achieved his musical career progression despite the handicap of his stubbornness and other traits. The same handicap also resulted in his downfall. In 1966, he had a spate with Mohammed Rafi during one of the songs recording of ‘Saawan Ki Ghata’ (1966) after which he did not work with Rafi for a long time. In 1974, Asha Bhosle, his muse of over 15 years, decided to part with him in what appears to be the clash of egos. By this time, Asha Bhosle had also become a force to reckon with in Hindi film music.
O P Nayyar’s musical journey virtually ended by mid-1970 though he did a few sporadic films until 1995. He spent rest of his life in isolation away from film industry and his family until his death in January 2007.
The question that may come to the minds of many Hindi film music enthusiasts as to how O P Nayyar could churn out many beautifully crafted songs based on Hindustani classical raags. In this context, it is worth mentioning the observations of Ustad Ameer Khan when he heard all the 11 songs of ‘Phaagun’ (1958). When O P Nayyar met Ustad Ameer Khan in some context, the latter asked him as to why he had composed all the 11 songs in Raag Pilu. O P Nayyar had no answers except to tell him it was just a coincidence that his compositions matched with Raag Pilu. Incidentally, Ustad Ameer Khan rendered for O P Nayyar, a bandish, jogiya mere ghar aaye in raag Lalit in ‘Raagini’ (1958). In the later years, Ustad Ameer Khan pointed out to him that in akeli hoon main piya aaa from ‘Sambandh’ (1969), he has used about 16 different raagas. Probably, music composition was God’s gift to O P Nayyar.
O P Nayyar has composed many raag-based songs, some of which are semi-classical compositions in the films like ‘Aasmaan’ (1952), ‘Naya Daur’ (1957), ‘Raagini’ (1958), ‘Phaagun’ (1959), ‘Kalpana’ (1960), ‘Phir Wohi Dil Laaya Hoon’ (1963) etc. Almost all of his semi-classical songs have been covered on the Blog. But there is one semi-classical song which did not get as much attention from the Hindi film music lovers as it deserved. The song is from an obscure film ‘Qaidi’ (1957) which is yet to be covered on the Blog.
‘Qaidi (1957) was produced by F C Mehra under his banner, Eagle Films and was directed by Mohammed Hussain. The star cast included Padmini, Suresh, Anwar Hussain, Helen, Agha, Ragini, Leela, Johny Walker, M Kumar, Kamal Mehra, Rajan Kapoor etc. It was a ‘B’ grade action-oriented film. The film was released in January 1957.
The film had 8 songs of which 6 songs have been covered on the Blog. All the songs were written by Jaan Nisaar Akhtar which were set to music by O P Nayyar. I am presenting the 7th song, ‘bedardi preet nahi jaani’ which is a semi-classical song rendered by Asha Bhosle and Usha Mangeshkar. The video clip of the song is not available on any of the video sharing platforms. There is one audio clip which is available with an average sound quality. I have, therefore, made a new video clip from a mp3 clip of the song with me in a better sound quality and have uploaded the same.
From the lyrics as well as taraanas, the song appears to be picturised on two dancers. From the star cast, there are 4 dancers in the film – Padmini, Ragini, Helen and Leela. From the available video clips of the songs, it is observed that Asha Bhosle has sung both for Padmini and Helen in the film. In addition, Shamshad Begum has also sung for Padmini. If the song is used for the dance competition, it is quite likely that the dancers could be Padmini and Ragini as both are trained Bharatnatyam dancers and in the film, Ragini plays the role of Padmini’s friend.
I am not able to tell on which Raag the song has been composed. However, the tune closely resembles that of ae ri jaane na doongi from ‘Chitralekha’ (1964) which, according to Swarganga, is based on Raag Kamod.
Note: In this article, I have taken some inputs from an interview of O P Nayyar which appeared on http://www.cinemasangeet.com. and also from an article on O P Nayyar which was published in millenniumpost.
Audio Clip:
Song-Bedardi preet nahin jaani (Qaidi)(1957) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar
Both
Lyrics
tana naadir dirta ni ta nata taani ee
tana naadir dirta ni ta nata taani ee
bedardi preet nahin jaani ee
bedardi preet nahin jaani ee
main to roothhi sajanwaa
jaa tum sang nahin bo….loon
naahi boloo..n
bedardi preet nahin jaani ee
bedardi preet nahin jaani ee
jaa jaa jaa jaa re sainyyaan more
kaahe hamri bainyyaan marore
aaaaaaaaaa
aaaaaaaaaa
aaaaaaaaaa
jaa jaa jaa jaa re sainyyaan more
kaahe hamri bainyyaan marore
aaaaaaaaaa
aaaaaaaaaa
aaaaaaaaaa
jaa jaa jaa jaa re sainyyaan more
kaahe hamri bainyyaan marore
ghoonghat ke pat main nahin kholoon
ghoonghat ke pat main nahin kholoon
bedardi preet nahin jaani ee
tana naadir dirta ni ta nata taani ee
bedardi preet nahin jaani ee
main to roothhi sajanwaa
jaa tum sang nahin bo…loon
naahi boloo…n
bedardi preet nahin jaani ee
bedardi preet nahin jaani ee
main na tere bas mein aaun
jaa re jaa nahin ankhiyaan milaaun
aaaaaaaaaaa
aaaaaaaaaa
aaaaaaaaaaaaa
main na tere bas mein aaun
jaa re jaa nahin ankhiyaan milaaun/font>
aaaaaaaaaa
aaaaaaaaaa
aaaaaa
main na tere bas mein aaun
jaa re jaa nahin ankhiyaan milaaun
kaahe sainyyaan main teri ho loon
kaahe sainyyaan main teri ho loon
bedardi preet nahin jaani ee
bedardi preet nahin jaani ee
tana naadir dirta ni ta nata taani ee
main to roothhi sajanwaa
jaa tum sang nahin bo….loon
naahin boloo…n
bedardi preet nahin jaani ee
tana naadir dirta ni ta nata taani ee
- In: "sahelis teasing a lady" song | "ungli" / finger song | Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Body part song | Duet | Guest posts | Post by Peevesie's mom | Songs of 1960s (1961 to 1970) | Songs of 1966 | Teeth/Daant song | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4779 | Post No. : | 16532 |
Hullo Atuldom
“Biwi Aur Makaan” (1966) had songs written by Gulzar, which were tuned by Hemant Kumar. It had 10 or 11 songs that were in the voices of Asha Bhonsle, Lata Mangeshkar, Usha Mangeshkar, Talat Mehmood, Manna Dey, Mukesh, Hemant Kumar, Mohd. Rafi etc. The movie was directed by Hrishikesh Mukherjee and produced by Hemant Kumar. Dialogues (the crux of any comedy movie) were by Rajinder Singh Bedi. Mehmood and Biswajeet headed a cast which also had Kalpana, Shabnam, Padma Khanna, Keshto Mukherjee, Bipin Gupta, Ashish Kumar etc.
The movie was the remake of a Bengali film “Joy Maa Kali Boarding” and an inspiration for the Marathi hit of the ’80s ‘Ashi Hi Banwa Banwi”. In Telugu it was made as “Chitram Bhalare Vichitram”. It has been made in Kannada, Tamil and the story was so inspiring that it had remakes in Bengali in 2017, Punjabi 2014 and Hindi 2009.
The story was of four bachelors who migrate from their villages to the big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accommodation with the Mishra family. Complications arise when the two “women” fall in love with Mishra’s two lovely daughters – with results that can only be described as hilarious. Keshto Mukherjee’s act ad facial expression as ‘Badi Bahu’ and Biswajeet as the beautiful ‘Choti Bahu’ should be seen at least once. Of course, it was Mehmood’s timing that was the highlight of the film.
The following three songs from the movie are already on the blog:
| Song | Date of post | Post by |
|---|---|---|
| Dabe labon se kabhi jo koyi | 23 June 2009 | (by Atulji) |
| Jaane kahaan dekha hai | 2 June 2014 | (by Sudhirji) |
| Mujhe mohabbat ho gayi hai | 22 December 2016 | (by Maheshji) |
I had commented to the song “dabe labon se kabhi jo koyi” in 2017 after seeing the Marathi version of this movie about how Ashok Saraf matched Mehmood (imho) and Sachin looked as pretty as Biswajeet in the guise of a lady.
We are having this song today to wish the poet-lyricist-author-director- producer- screenwriter Sampooran Singh Kalra a.k.a Gulzar on turning a year older. He was born in 1934 in Dina of Jhelum district which is in present day Pakistan. He is married to actress Rakhee and has a daughter Meghana who is also a director of movies like ‘Filhaal’, ‘Raazi’, Chhapaak’ and such other non-run-of-the-mill movies.
Gulzar (who initially worked under the name Gulzar Deenvi) started his music career with SD Burman in the 1963 classic ‘Bandini’ and worked with many music directors like Salil Chowdhury, Vishal Bhardwaj, A.R. Rehman etc. Can one forget the songs that his pairing with RD Burman gave lovers of Bollywood music. He is a winner of the Padma Bhushan, Sahitya Academy award and Dadasaheb Phalke award. He is a 5 time National award, one Academy award (Oscars) and Grammy too in addition to innumerable Filmfare awards.
It would be a ‘chota munh aur badi baat’ (holding a candle to the sun) kind of situation if I attempt writing anything on such an accomplished personality. So, let us get to today’s song and Just wish our favourite writer/ lyricist/ producer/ director/ screenwriter/ poet a healthy and peaceful time ahead.
Audio
Video
Song-Aise daanton mein ungli dabaao nahin (Biwi Aur Makaan)(1966) Singers-Usha Mangeshkar, Asha Bhonsle, Lyrics-Gulzar, MD-Hemant Kumar
Lyrics(Based on Audio link)
aise daanton mein ungli dabaao nahin
raat jaagi ho hamse chhupaao nahin
aise daanton mein ungli dabaao nahin
raat jaagi ho hamse chhupaao nahin
koi sapnon mein aata raha raat bhar
koi sapnon mein aata raha raat bhar
na main soyi na jaagi sataao nahin
aise daanton mein ungli dabaao nahin
raat jaagi ho hamse chhupaao nahin
kaun thha
kaisa thha
bataao naa
koi anjaan si ek pehchaan thhi
meri aankhon pe jhuk kar bulaati rahi
koi anjaan si ek pehchhan thi
meri aankhon pe jhuk kar bulaati rahi
na main boli
na main jaagi
sirf saanson ki awaaz aati rahi
ek aaghosh mein kaid thhi raat bhar
lo bata toh diya sataao nahin
tumko sapnon ki saugandh banaao nahin
raat jaagi ho hamse chhupaao nahin
tumko sapnon ki saugandh banaao nahin
raat jaagi ho hamse chhupaao nahin
jism jalta raha jaise khushboo jale
saans honthon pe aakar sulagte rahe
jism jalta raha jaise khushboo jale
saans honthon pe aakar sulagte rahe
na jali main
na bujhi main
mere honthon pe saawan baraste rahe
shokh malta raha sediyaan raat bhar
lo bata toh diya ab sataao nahin
jaao jaao hamein yoon banaao nahin
dil diya hai kisi ko chhupao nahin
aise daanton mein ungli dabaao nahin
dil diya hai kisi ko chhupaao nahin
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4484 | Post No. : | 15999 |
“Captain Sheroo”(1963) was directed by Dharam Singh for Bina Chitra, Bombay. This costume drama has Jairaj, Helen, Tiwari, Niranjan Sharma, Padma Rani, Amirbai, Ajit Soni, Jillani, Tuntun, Ramlal, Maqbool etc in it.
The movie had seven songs in it. Two songs have been covered in the past.
Here is the third song from “Captain Sheroo”(1963) to appear in the blog. The song is sung by Asha Bhonsle and Usha Mangeshkar. Naqsh Llayalpuri is the lyricist. Music is composed by S Mohinder.
Only the audio of this rare song is available. The song sounds like “hansta hua nooraani chehra” from “Parasmani”(1963). My guess is that this song too is a synchronised dance song, just like the “Parasmani” (1963) song. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Nazar ko milaana milaa kar jhukaana (Captain Sheroo)(1963) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Naqsh Llayalpuri, MD-S Mohinder
Both
Lyrics
Nazar ko milaana
Nazar ko milaana
milaa kar jhukaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
main chaahoon chhupaana
na soojhe bahaana
main chaahoon chhupaana
na soojhe bahaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
Nazar ko milaana milaa kar jhukaana
jhuki jhuki aankh mein khumaar aa gaya
beqaraar zindagi mein pyaar aa gaya
jhuki jhuki aankh mein khumaar aa gaya
beqaraar zindagi mein pyaar aa gaya
pyaar saathh leke intzaar aa gaya
intzaar aa gaya
ke dil ka fasaana
ke dil ka fasaana
nazar ka churaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
Nazar ko milaana milaa kar jhukaana
wo miley nigaah se nigaah mil gayi
mere dil ko ek nayi raah mil gayi
wo miley nigaah se nigaah mil gayi
mere dil ko ek nayi raah mil gayi
jaaneman tujhe kisi ki chaah mil gayi
kisi ki chaah mil gayi
kabhi muskuraana
kabhi muskuraana
kabhi jhenp jaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
Nazar ko milaana milaa kar jhukaana
- In: "Helen" song | Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Duet | Jeevankala Dance Songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1965 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- 2 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4476 | Post No. : | 15978 |
“Khaandaan” (1965)was produced by Vasu Menon and directed by A Bhim Singh for Vasu Films, Madras. The movir had Sunil Dutt, Nutan, Pran, Sudesh Kumar, Manmohan Krishna, Mohan Choti, Om Prakash, Ravikant, Arundev, Mumtaz, Sulochana Chatterjee, Lalita Pawar, Helen, Jeewankala etc in it.
This archtypical “social” movie had the usual fare typical of movies made in the South.
“Khaandaan”(1965) had eight songs in it. Seven songs have been covered in the past. Here are their details:-
| Blog post no | Song | Posted On |
|---|---|---|
| 2687 | Tumhi mere mandir tumhi meri poojaa tumhi devtaa ho | 28.07.2010 |
| 4298 | Kal chaman thhaa aaj ek sehraa huaa | 30.07.2011 |
| 4298 | Neel gagan par udte baadal aa aa aa | 01.08.2011 |
| 4312 | Tu ho ke badaa ban jaana apni maan ka rakhwaala | 09.03.2012 |
| 10032 | Aa dance karen | 31.07.2014 |
| 15760 | Ho ballo soch ke mele jaana | 28.07.2020 |
| 15795 | Badi der bhayi Nandlala teri raah takey Brijbaala | 11.08.2020 |
Here is the eighth and final song from “Khandaan”(1965) to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Ravi.
The song is picturised as a synchronised stage dance performance song on Helen and Jeewankala. Their energetic dance performance is bound to recharge the spirits of the watchers even today, 55 years after this video was first witnessed by moviegoers in moviehalls. Watching this performance made me realise that performing such dances were the secret behind the figures of these dancers. 🙂
Lyrics of the song were sent to me by Avinash Scrapwala.
With this song, all the eight songs of “Khandaan”(1965) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
Video
Audio
Song-Meri mitti mein mil gayi jawaani haay raam (Khaandaan)(1965) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Rajinder Krishan, MD-Ravi
Both
Chorus
LyricsProvided by Avinash Scrapwala)
do din jhhoothha pyaar jataa ke
chalaa gaya ik baabu
koyi bataa de kaise rakhoon
apne dil par kaabu
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan
khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan
yaad aati hai jab uski
meethhi zabaan
yaad aati hai jab uski
meethhi zabaan
to ro ro ke kehtaa hai
dil naadaan
kyaa
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
main to samjhi thi
saari umr ka hai saath
main to samjhi thi
saari umr ka hai saath
pataa kya tha aisi hai
mardon ki jaat
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
ho padaa kitna mehengaa
mohabbat ka khel
ho padaa kitna mehengaa
mohabbat ka khel
ye kehta hai bah bah ke
zulfon ka tel
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Duet | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1960s (1961 to 1970) | Songs of 1967 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4397 | Post No. : | 15774 |
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Blog 10-Year Challenge (2010-2020) – Song No. 47
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Today’s song is from the ‘1967’ movie ‘Naunihaal’ which is eligible for ‘Blog ten-years challenge’ of today, as its song was posted on this day on the blog ten years back.
There were six posts on that day on the blog and that was well going with the average posts per day on the blog then.
The songs represented on 01.08.2010 on the blog were as follows;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Raat suhaani jaag rahi hai | Jigri Dost-1969 | All songs covered |
| Zulf bikhraati chali aayi ho | Ek Kali Muskaayi-1968 | All songs covered |
| Aasmaan se aaya farishtaa pyaar ka sabak sikhlaane | An Evening In Paris-1967 | All songs covered |
| Meri aawaaz suno | Naunihaal-1967 | 04 songs posted |
| Tere mere sapne ab ek rang hain | Guide-1965 | All songs covered |
| Dekhi zamaane ki yaari bichhde sabhi baari baari | Kaaghaz Ke Phool-1959 | All songs covered |
Out of the six movies represented then five movies viz. ‘Jigri Dost-1969’, ‘Ek Kali Muskaayi-1968’, ‘An Evening In Paris-1967’, ‘Guide-1965’ and ‘Kaaghaz Ke Phool-1959’ have already covered with all their songs posted on the blog and have attained ‘Yippeeeeee’ status on the blog.
‘Naunihaal-1967’ was directed by Raj Marbros for ‘Mercury Productions, Bombay’.
It had Balraj Sahni, Indrani Mukherji, Sanjeev Kumar, Master Babloo, Harendranath Chattopadhyay, Abhi Bhattacharya, Madhvi, Jagdeep, Asit Sen, Brahm Bharadwaj, Manmohan and others.
This movie had seven songs written by Kaifi Azmi and composed to music by Madan Mohan.
So far, the following four songs from this movie have been posted on the blog;
| Song | Posted On |
|---|---|
| Tumhaari zulf ke saaye mein | 06.05.2009 |
| Meri aawaaz suno | 01.08.2010 |
| Patthar ke bhagwaan pighal jaa | 10.05.2013 |
| Na re na re baabu | 14.07.2016 |
Today we are going to listen a song sung by Asha Bhonsle and Usha Mangeshkar. Lyrics are by Kaifi Azmi and music is composed by Madan Mohan.
This song is picturised on Laxmi Chhaya, Madhumati. Manmohan and many others are also seen in the picturization of this song.
Lyrics for the today’s song were sent by Prakashchandra.
Let us now enjoy today’s song …
Full audio
Video (Partial)
Song-Roop ke pujaariyo husn ke bhikaariyo (Naunihaal) (1967) Singers – Asha Bhonsle, Usha Mangeshkar, Lyrics – Kaifi Azmi, MD – Madan Mohan
Both
Lyrics (Provided by Prakashchandra)
roop ke pujaariyo
husn ke bhikhaariyo
(loud laughing sound)
roop ke pujaariyo
husn ke bhikhaariyo
aao aao aao gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
mujh se tumko pyaar hai
tumse mujhko pyaar
chhoti si ek baat par kaahe ki taqraar
kaahe ki taqraar
o jee kaahe ki taqraar
raat milan ki jo sajan beet jaayegi
phir ye jawaani naa kisi kaam aayegi
tumne tadpaa diya
haath phailaa diya
ye naa kehna kabhi ee
hamne thukraa diya
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ke bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
masti meri aankh mein laali honthon par
dekho maine roop kyaa paayaa hai dilbar
paayaa hai dilbar
o maine paayaa hai dilbar
dar se sawaali jo koyi laut jaayega
dard bhare dil ko kahaan chain aayega
jaam chhalkaa diyaa aa
rang barsaa diyaa
dekho pyaar mein
daan kya kya diyaa
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
pariyon jaise baal hai hirni jaisi chaal
jaane kaisa aaj hai mere jee ka haal
mere jee ka haal
haaye mere jee ka haal
dil ki tadap dil ki sadaa jaan jaaungi
aaj kaho aaj kahaa maan jaaungi
roz taqraar kyaa
jeet kya haar kyaa
jo bujha de na pyaas
wo mera pyaar kyaa
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ke bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
roop ke pujariyo
husn ke bhikhaariyo
aao aao aao
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
Mera naam sholaa na ban itna bholaa
Posted on: June 18, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4353 | Post No. : | 15668 |
“Toofaan”(1969) was produced by S J Rajdeo and directed by Radhakant for Sargam Chitra, Bombay. This movie had Dara Singh, Anita, N.A.Ansari, Helen, adhumati, Bipin Gupta, Azad, Shabana, Sabeena, Johny Whisky, Rajan Kapoor, Jeevankala, Ratnamala, Aravind Pandya, Uma Datt, Dilip Dutt, Shri Bhagwan, Uma Khosla, Raja Bhai, Chandrakant, Master Dillu, Baby Shamshad, Ram Rasila, Dalpat Bhai, Yaseen, Badshah, Maulana, Maqbool etc in it.
“Toofaan”(1969) had five songs in it. Three of these songs have been covered in the past.
Today (18 june 2020) is the remembrance day of music director Daan Singh. (1927- 18 june 2011). He did not get too many opportiunities in HFM, but he created immortal songs in the few movies that he got. For instance, “My Love”(1970) had sucj=h timeless classics as Wo tere pyaar ka gham and Zikr hota hai jab qayamat ka .
His unreleased movie “Bhool Na Jaana” had such timeless classics as Gham e dil kisase kahoon , Mere humnasheen mere humnawaan and Pukaaro mujhe naam lekar pukaaro .
What a pity that “Toofaan”(1969) and “My Love” (1970) were the only released movie of Daan Singh during his heydays. Much later, he got to compose music in “Bawander”(2000), but true to his wretched luck, here also the songs were not picturised and they are available only in audio form.
As a tribute to Daan Singh, here is an all female duet from “Toofaan”(1969). This song is sung by Asha Bhonsle and Usha Mangeshkar. Akhtar Romani is the lyricist. Music is composed by Daan Singh.
Only the audio of the song is available. The video of the movie and the song do not appear to be available online as of now. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Mera naam sholaa na ban itna bholaa (Toofaan)(1969) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Akhtar Romani, MD-Daan Singh
Lyrics(Provided by Prakashchandra)
mera naam sholaa
na bann itna bholaa
ke mujhse jo khelaa
woh jal jaayega
mujhse jo khelaa
woh jal jaayegaa
jal jaayega
mera naam shabnam
main phoolon ki humdum
ke mujhse jo khelaa
woh khil jaayegaa
ke mujhse jo khelaa
woh khil jaayegaa
khil jaayegaa
mera naam sholaa
muskuraake jidhar
dekh loon ik nazar
bijliyaan gir paden
aag bhadkey udhar
muskuraake jidhar
dekh loon ek nazar
bijliyaan gir paden
aag bhadkey udhar
muskuraake jidhar
dekh loon ek nazar
zindagi jhoom uthhey
phool hans den udhar
zindagi jhoom uthhey
phool hans den udhar
hho mera naam sholaa
na bann itna bholaa
ke mujhse jo khelaa
woh jal jaayega
mera naam sholaa
meri zulfein sadaa
choomkar ye ghata
aissey behke sanam
jaissey gehra nashaa..aaa
meri zulfein sadaa
choomkar ye ghata
aissey behke sanam
jaissey gehra nashaa
mere zulfein sadaa
choomkar ye hawaa
aissey mehke sanam
jaissey baad-e-sabaa
aissey mehke sanam
jaissey baadh-e-sabaah
mera naam shabnam
main phoolon ki humdum
ke mujhse jo khelaa
woh khil jaayega
mera naam shabnam
mere aanchal taley
shaam jab jab dhaley
husn ke naam se
saari mehfil sajey ae
mere aanchal taley
shaam jab jab dhaley
husn ke naam se
saari mehfil sajey
mere aanchal taley
shaam jab jab dhaley
ishq ke naam se
ek shamma jaley
ishq ke naam se
ek shamma jaley
o mera naam sholaa
na bann itna bholaa
ke mujhse jo khelaa
woh jal jaayega
mujhse jo khelaa
woh jal jaayegaa
jal jaayega
mera naam shabnam
main phoolon ki humdum
ke mujhse jo khelaa
woh khil jaayegaa
mujhse jo khelaa
woh khil jaayegaa
khil jaayegaa
mera naam shabnam
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Aspirations of Love | Blog ten year challenge (2009-2019) | Dance song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1967 | Twin Dance Song | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4078 | Post No. : | 15217 |
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Blog 10-Year Challenge (2009-19) – Song No. 44
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Seven songs were posted ten years ago. The blog was in its childhood – “Bachpan Ke Din Bhi Kya Din The” 🙂 🙂 .
Only one of these seven was a debut song. The list given below has an interesting observation. All films that made an appearance that day, have since been yippeee’d. Except just the one that made its debut.
| Ye Duniya Hai Yahaan Dil Ka Lagaana Kisko Aata Hai | Shair | 1949 | 2nd | Yippeee’d |
| Aaj Gaawat Man Mero | Baiju Baawra | 1952 | 6th | Yippeee’d |
| Ae Kaash Chalte Mil Ke | Manzil | 1960 | 3rd | Yippeee’d |
| Ek Baat Kahoon Wallah Ye Husn Subhan Allah | Shrimaan Satyawaadi | 1960 | 2nd | Yippeee’d |
| Dukh Aur Sukh Ke Raaste Bane Hain Sabke Waaste | Hum Dono | 1961 | 5th | Yippeee’d |
| Aap Jabse Kareeb Aaye Hain | Noorjehaan | 1967 | Deb | 3 of 8 |
| Zindagi Khwaab Hai | Jaagte Raho | 1956 | 2nd | Yippeee’d |
The film is ‘Noorjehaan’ from 1967. Containing eight very wonderful melodies, it is surprising that only three of them have as yet appeared here. With compositions created by the mind of Roshan, there still are very wonderful numbers waiting in the wings for their turn.
I bring on the 4th song of this film today. An all female duet which is decidedly a twin dance song on the screen, is such a wonderful presentation in the voices of Asha Bhosle and Usha Mangeshkar. The words are from the pen of Shakeel Sb.
Although the film is available, the video of this song is not yet available online. The interesting thing is that this audio only version which is available from Sa Re Ga Ma, is most likely the long version of the song from the sound track. It has three antaraas. As I checked the 78 rpm version of this song, sure enough, it has only two antaraas. The middle antaraa, as listed in the lyrics below, is not available in the 78 rpm recording.
The act of rebellion is the famous motif of the saga of Salim / Jehangir. That the crown and the throne was less important, in the face of the matters of heart, with this heir to the throne of Delhi. A school of historians who have studied the Mughal dynasty, have an opinion – that the persona of Anarkali and that of Noorjehan, that we have been introduced through the pages of history, were probably the same person. The thought here is that eventually Akbar had to give in to the wishes of his only son and Anarkali, the court dancer, became the queen of the Mughal empire. Although, Akbar had his consolation by ensuring that the chronicles of that period, being documented by the then current historians and writers, would write the story as he demanded. Is it speculation? Or is it the truth? Maybe one will never know for certain.
Song – Aa Gaya Lab Pe Afsaana-e-Aashiqi (Noorjehaan) (1967) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Shakeel Badayuni, MD – Roshan
Asha Bhosle + Usha Mangeshkar
Lyrics
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
hum to un se. . .
hum to un se mohabbat kiye jaayenge
ab hamen is zamaane ki parwaah nahin
ab hamen is zamaane ki parwaah nahin
ab hamen is zamaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
aaj ae ishq saaya tera sar pe hai
taj kadmon mein hai takht thokar pe hai
taj kadmon mein hai takht thokar pe hai
aaj ae ishq saaya tera sar pe hai
taj kadmon mein hai takht thokar pe hai
mil gayin hain. . .
mil gayin hain hamen pyaar ki daulaten
ab kisi bhi khazaane ki parwaah nahin
ab kisi bhi khazaane ki parwaah nahin
ab kisi bhi khazaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
zindagi mein bahaaren rahengi sada
hum ne ulfat ke gulshan mein pa li jagah
hum ne ulfat ke gulshan mein pa li jagah
zindagi mein bahaaren rahengi sada
hum ne ulfat ke gulshan mein pa li jagah
chaahe bijli. . .
chaahe bijli gire ya jaley aashiaan
ab hamen aashiaane ki parwaah nahin
ab hamen aashiaane ki parwaah nahin
ab hamen aashiaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
bandagi kar rahe hain mohabbat ki hum
ye nahin jaante kya hai dair o haram
ye nahin jaante kya hai dair o haram
bandagi kar rahe hain mohabbat ki hum
ye nahin jaante kya hai dair o haram
jhuk gayi hai. . .
jhuk gayi hai zabin husn ke saamne
ab kahin sar jhukaane ki parwaah nahin
ab kahin sar jhukaane ki parwaah nahin
ab kahin sar jhukaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
हम तो उनसे॰ ॰ ॰
हम तो उनसे मोहब्बत किए जाएँगे
अब हमें इस जमाने की परवाह नहीं
अब हमें इस जमाने की परवाह नहीं
अब हमें इस जमाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
आज ए इश्क़ साया तेरा सर पे है
ताज कदमों में है तख्त ठोकर पे है
ताज कदमों में है तख्त ठोकर पे है
आज ए इश्क़ साया तेरा सर पे है
ताज कदमों में है तख्त ठोकर पे है
मिल गईं हैं॰ ॰ ॰
मिल गईं हैं हमें प्यार की दौलतें
अब किसी भी खजाने की परवाह नहीं
अब किसी भी खजाने की परवाह नहीं
अब किसी भी खजाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
ज़िंदगी में बहारें रहेंगी सदा
हमने उल्फ़त के गुलशन में पा ली जगह
हमने उल्फ़त के गुलशन में पा ली जगह
ज़िंदगी में बहारें रहेंगी सदा
हमने उल्फ़त के गुलशन में पा ली जगह
चाहे बिजली॰ ॰ ॰
चाहे बिजली गिरे या जले आशियाना
अब हमें आशियाने की परवाह नहीं
अब हमें आशियाने की परवाह नहीं
अब हमें आशियाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
बन्दगी कर रहे हैं मोहब्बत की हम
ये नहीं जानते क्या है दैयर ओ हरम
ये नहीं जानते क्या है दैयर ओ हरम
बन्दगी कर रहे हैं मोहब्बत की हम
ये नहीं जानते क्या है दैयर ओ हरम
झुक गई है॰ ॰ ॰
झुक गयी हैं ज़बीं हुस्न के सामने
अब कहीं सर झुकाने की परवाह नहीं
अब कहीं सर झुकाने की परवाह नहीं
अब कहीं सर झुकाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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