Archive for the ‘Mahendra Kapoor songs’ Category
- In: "Get together" song | Devnagri script lyrics by Avinash Scrapwala | joie de vivre | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Mahendra Kapoor songs | One singer singing for two actors | Shailendra Singh songs | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4226 | Post No. : | 15433 |
I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !
It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.
Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.
It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂
In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.
Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !
Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).
On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.
Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.
Quite a lively and appropriate song for the occasion it is.
Video
(video)
Audio
Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh
Lyrics (Provided by Avinash Scrapwala)
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar
Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar
Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-
आ आ आ आ आ
आ आ आ आ आ
शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार
पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार
पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
Tum Ne Dekha Kya Bhala. . .
Posted on: February 2, 2020
- In: "disguise" song | Bela Bose dance song | C Ramchandra Mahendra Kapoor duet | C Ramchandra songs as a singer | Club song | Dance song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | stage dance | Stage song | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4216 | Post No. : | 15417 |
Fabulous Foot Tappers – 10
– – – – – – – – – – – – – – –
Ah, a post waiting for some time now to come on board. This post and this song is specially for dear Avinash ji. 🙂 🙂
As you listen to the song, and the words settle down in the mind, you can almost imagine – Avinash ji, on his flight back from Kenya to India, thinking about this song. And then the landing at Mumbai, then passing thru the immigration and baggage collect. He bumps into an old friend while waiting for the bags. The friend asks him where from he is returning. Avinash ji says, Kenya. The friend says – अरे यार, वो भी कोई जगह है देखने की, see, I am returning from Barcelona, now that is a place to visit. And instantly Avinash ji breaks into this song, telling his friend “Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika”. And there is a loud applause from the crowd waiting for their baggage.
And then, Avinash ji decides that this song must also be screened for the musical bandwagon on our blog. The Atulites must be made aware – they have missed something significant in life – “तुमने क्या देखा भला, जो ना देखा आफ्रिका”. 🙂
The song is performed as a club dance cum stage dance setting. A fiesty rock and roll number, which should have been heard more. But maybe then, the 1960s was overflowing with such rollicking dance numbers. The film itself, of course did not seem to have made any impact, and so this superb song seems to have dived below the radar of listeners.
The first one to make an entrance is Bela Bose, all made up as a native African belle. Next on the scene is Bhagwan Dada, also in an African attire and face wash. The first stanza goes by. And then, in the second stanza, we have Chandrashekhar make his appearance – a white man, suited and booted, riding in an open car. He declares that he was on way to America (jeez) but then the beauty of Africa and the African ‘माहजबीं’ made him change his mind. Quite a stretch of imagination here by Bakshi Sb (I mean Anand Bakshi 🙂 ), calling a dark and dusky damsel as ‘माहजबीं’ (literal meaning – moon faced).
And then we are on to the third stanza, in which Bhagwan Dada, feeling threatened by the invasion of the white male competitor, advises his heart throb that the fair color is not so fair, if the heart is not in the game.
In the interludes, we see the audience as well as a quartet of sinister looking ‘thugs’ who are apparently up to no good, and most likely are looking for somebody. Could be the scenario is that Bhagwan and Chandrashekhar are on the run followed by this quartet, and they both mingle in with this performance, trying to hide behind the disguises. Now isn’t that so original 🙂
The film is ‘Hum Deewaane’ from 1965. Produced under the banner of Young India Entertainer, Bombay, the film is directed by Bhagwan himself. The star cast is listed as Mumtaz, Chandrashekhar, Bhagwan, Helen, Iftikhar, Anwar, Agha, Maruti, Rajan Haksar, Kundan, Prem Sagar, Rajan Kapoor, Kanchanmala and Bela Bose.
The songs are written by Anand Bakshi, and the music is by C Ramchandra under the name of Anna Saheb. This song is an all male duet in the voices of C Ramchandra himself, as Chitalkar, accompanied by Mahendra Kapoor.
Goodness, almost one and a half years since the last post in this series. I need to pull up my socks. 🙂
Song – Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika (Hum Deewaane) (1965) Singer – Chitalkar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Anna Sahab (C Ramchandra)
Chitalkar + Mahendra Kapoor
Lyrics
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
muskura o dilruba
ho ja fida honay de fida
muskura o dilruba
ho ja fida honay de fida
jeene ka yahi hai
jeene ka yahi hai
tareeka
tareeka
tareeka
hoye tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
thi whaan wo mahjabeen
reh gaya main bhi wahin
thi whaan wo mahjabeen
reh gaya main bhi wahin
jaan tha mujhe
arey jaana tha mujhe
amreeka
amreeka
amreeka
haa haa
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
o sanam teri kasam
kaale hain par dilwaale hum
o sanam teri kasam
kaale hain par dilwaale hum
dil bina ye rang gora
dil bina ye rang gora
hai pheeka
hai pheeka
hai pheeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
जीने का यही है
जीने का यही है
तरीका
तरीका
तरीका
होय तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
जाना था मुझे
अरे जाना था मुझे
अमरीका
अमरीका
अमरीका
हा हा
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
दिल बिना ये रंग गोरा
दिल बिना ये रंग गोरा
है फीका
है फीका
है फीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
Jeewan bhar ham tum saath rahe
Posted on: January 22, 2020
This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4205 | Post No. : | 15394 |
“Amat Jyoti”(1965) was directed by Raman B Desai for Bombay Films, Bombay. The movie had L. Vijayalaxmi, Ulhas, Kamal Mehra, Sapru, Mahipal etc in it.
The movie had nine songs in it. Three songs have been covered in the past.
Here is the fourth song from “Amat Jyoti”(1965) to appear in the blog. This song is sung by Asha Bhonsle and Mahendra Kapoor. Bharat Vyas is the lyricist. music is composed by Vasant Desai.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song are provided by Nitin Shah.
Song-Jeewan bhar ham tum saath rahe (Amar Jyoti)(1965) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Bharat Vyas, MD-Vasant Desai
Lyrics (Provided by Nitin Shah)
Aji o o o
o sajan
aa aa aa aa
aa aa aa aa
jeewan bhar ham tum saath rahe
jeewan bhar ham tum mil na sakey
tum ko hum phoolon se poojen
par phoolon se hum khil na sakey
jeewan bhar hum
aji o o o
o sajan
ik mukhde ke do nain thhe hum
aapas meinn phir bhi door rahe
ik nadi ke hum thhe kinaare do
jo milne se mazboor rahe
milne se sapne choor huye
dil ke chaahat bekaar rahe ae ae
donon aapas rote kewal
ik sheeshe ki deewaar rahi ee ee ee
hum soch khade thhe do bande
hum paanch khade thhe do bande
tatke to rahe par mil na sakey
jeewan bhar ham tum saath rahe
jeewan bhar ham tum mil na sakey
jeewan bhar hum
aji o o o
o sajan
aji o o o
o sajan
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4167 | Post No. : | 15341 |
Today’s song is from film Golden Eyes alias Secret Agent 077 – 1968. The film was made by Madan Chitra. Its director was Kamal Sharma and the music was by B N Bali aka Baldev Nath Bali. The songs were written by Shevan Rizvi. The cast included Shailesh kumar, Mumtaz, Asit Sen, Ulhas,Rajan Haksar Shaikh, Jeevan kala, Helen and a host of other actors.
This was a film which was supposed to be a detective story, with a secret agent having an ID number 077 – a la James Bond ! This film came in the wake of the wave created by one of India’s most successful Secret Agent films in Hindi, featuring the Jumping jack-Jeetendra ( with Trade mark White shoes), which was film Farz-1967. But the comparison , rather similarity ends here only, as far as film Golden Eyes is concerned.
Perhaps, our readers may be wondering as to why have I suddenly changed the track and jumped to talk about an obscure film like Golden Eyes-68 ! About a week ago, I received an E mail query from one of my old friends, inquiring if there were 2-3 artistes with the name of Sailesh, who was a singer, actor and MD ? I routinely get many such queries and I try to answer all of them promptly. In this case, I knew what the problem was. “Sailesh” was a case of ‘Same name Confusion’. I was quite amused, because in my immediate last post, I had discussed a case of SNC and now this case has come up.
I sent my detailed reply to the friend, but thought of writing a post here, so that one more SNC name will be cleared. That is the reason, I selected today’s film song, because in this film the Hero was Shailesh kumar. Yes, there were 2 artistes in Hindi films with the similar name Sailesh. One was Sailesh Mukherjee, who was an actor, singer and a MD and the other was Shailesh Kumar who was only an actor.
In case of artistes before 50’s, getting information was sometimes very difficult. At times, we had to wait for months and years till we hit upon some information source. getting in touch with a close relative of that artiste also solved the problem. But not always. I came across few cases, where even the son or the daughter of the artistes did not know much about the Film career of their father. For example, with great difficulty, I located the address of the daughter of comedian Mirza Musharraf in Mumbai. When I actually visited her, with prior appointment, for an interview, i found that she did not know much about Mirza’s film activity and that she was of no use to me. On the contrary, the daughter of actor singer Parshuram, had all the information, photos, paper cuttings etc. about her father.
In this case, I had a contact with Sailesh Mukherjee’s daughter in law, who gave me all information about what he did after leaving films and the family details. So, first here is information on Sailesh Mukherjee, which is updated with new additions on his post- film life.
Born on 3rd June 1926 in Calcutta, Sailesh Mukherjee completed his Matriculation and came to Bombay in 1946 to become a Music Director. He met Anil Biswas-also from Bengal- and got an opportunity to sing in film Milan-1946. That is how his singing started and he sang in films like Andhon ki Duniya-47 and Vanvasi-48,Aaag-48 (2 songs),Anmol Moti-49 with Shamshad,The last Message-49 with Uma Devi,
Deepak-51 with Uma Devi,Suhag Sindoor-53,Samaj-54 with Asha.
In Andolan-51 he sang ‘Vande Matharam’ with Manna Dey,Parul Ghosh and Sudha malhotra.
He last sang in Naya qadam-58.
His dream of becoming a MD was still not coming through,Finally he became a Music Director ,a joint one with Suresh kumar-in film Suhag Sindoor-1953. Even in this film,his partner made him sing 2 songs,under his baton !
Anyway, later Shailesh gave music to Parichay-54 and Savera, in 1958. While recording songs for Parichay,Shailesh played Tabla himself in all songs. In film Savera his songs became very popular. Songs like “Chhuppa chhuppi Aagad Baagad jaayi re” by Lata and Manna Dey, ” Nadiya ka pani” by Lata and “Jane na,Jane na” by Geeta were specially became hits.
Inexplicably,despite good and hit songs,he stopped getting any more films,either as a Music Director or as a singer. So Shailesh changed his gear once again and he became an Actor. First he acted in film Bandish-55 in the name of ‘Sailesh’. Then he became Hero in ” Miya bibi raazi”-1960, ” Pyar ki Pyas”-1961 and ” Monica”-1962 (UR). As a Hero he had taken a new name SHRIKANT GAURAV. The films did not click.
Music was his passion. He was a multi talented man. Later on he became an Interior Designer and prospered. In addition, he used to compere a programme in Calcutta wherein he would interview all the leading top artist of Calcutta e.g Uttam Kumar etc which was sponsored by Horlicks. He had designed Mala sinha’s bungalow too. The first recording studio at Natraj for Shakti Samanta was designed by him. He used to fly to Calcutta to interview Bengali film stars. Since he had a very good voice and a great command and knowledge about Bangla literature he would lend his voice for documentaries too. He was very passionate about nature and gardening hence he had bought 11 acres of land in Karjat. He used to have regular sessions of his songs at his farmhouse. He used to sing Madhushala with lots of passion. Rabindra Sangeet was his favorite.
Sailesh Mukherjee died somewhere in 1998.
Now let us know about the Same name Shailesh Kumar. His real name was Shambhunath Purohit. He was born on 21-3-1939 at Jodhpur, in a rich family with lot of property. He was handsome and six feet tall. Once he came to Bombay and went to see the shooting of a film. The producer director Ratibhai Punatar offered him a role in the film, but he declined. Later on he completed a course of acting in Filmalaya Acting School.
In 1960, he came to Bombay with just Rs. 75 with him. He used to sleep in the office of a Jodhpur businessman and took rounds of studios for work. Same time Dharmendra was also looking for work. They became friends. However it was Shailesh, who got the first break when he worked in film Nai Maa-1960. Then he was selected for a major role by producer director Sadashiv Row kavi, for his film ‘Bhabhi ki Chudiyan’-1961.( This was a remake of the hit Marathi film “Vahininchya bangdya” ( ?????????? ???????? )-53. A Telugu remake also was made as “Vadina Gari gajulu”-55). This film became popular in Hindi. Row kavi had made a 3 film cotract with Shailesh. The second film was Begana in 1963.
Shailesh did many films from good banners, as Hero and side Hero. he worked in 25 films, but somehow, in spite of acting in good films, with good directors and banners, his luck waned and the flow of films weakened. He managed to do some B and C grade films. His friend Dharmendra also got a break same time, but he rose very high in the industry.
After 1977, Shailesh suffered from a serious ailment of Thyroid gland and he had to take treatment in Tata Hospital. A rumour spread that he had Cancer and films stopped completely. In 1978, he returned to Jodhpur, never to return again to Bombay. He died on 21-4-2017, at the age of 78 years. He left behind him wife Pushpa and a son and a daughter. His last film was Ooperwala jaane-1977. He did 25 films+ 5 UR films.
During his career, Shailesh kumar acted along with Top class actors like Manoj kumar, Sanjiv kumar, Ashok kumar, Randhir kapoor, Balraj Sahani, Dharmendra,Sohrab Modi, Raaj kumar etc, big Heroines like Mumtaj, Rekha, Tanuja, Meena kumari etc, big directors and big banners. However all this did not help him and he remained a side actor only. His health also restricted his career. This is Luck !
Today’s song is sung by Usha Balsavar and Mahendra kapoor with chorus. The music for this film was given by composer B.N.Bali. He was one of those small time composers, who got only the B and C grade films. First of all,let us know who this B N Bali is. There was yet another composer Bali,in the early era of Hindi films. H.C.Bali or Harishchandra Bali(20-3-1906 to 24-6-1976),the expert classical singer who changed into a successful composer is credited with discovering K L Saigal in the early 30s.
B N Bali or Baldev Nath Bali too was a good singer and was a composer restricted to mostly religious or low budget films.He gave music from Bedard-1949 up to Do Dilwale-1973, a total of 24 films,including one unreleased film-Bahut Door (40s). He also gave music to a Haryanvi film in 1973.Though he composed music with a variety,somehow he lacked what it takes to make it to the Big league. On the contrary,B N Bali is known for copying the popular tunes of other composers blatantly.
‘Jab un ka khayal aata hai’-sung by Rafi in Pahla pehla pyar was a copy of Rafi’s ‘Jin raaton me neend ud jaati hai’ by Hansraj behl.
‘Sapne me saiyan tu aaya na karo’-Asha/manna Dey song was a true copy of O P Nayyar’s ‘ Ek pardesi mera dil le gaya’
‘Tu us ka kar bhala’ Rafi in Raja Vikram sang the same “Bhagwaan’ tune as in ” O duniya ke rakhwaale’ etc. etc.
With today’s song, singer Usha Balsavar makes her Debut on the Blog.
( some Information used herein is from Dainik Bhaskar dt.9th May 2017 and Times of India of 20-5-2017, with thanks.)
Song-Husn ki zulfen kaali pad gayin aahon se dil waalon ki (Golden Eyes)(1968) Singers-Usha Balsavar, Mahendra Kapoor, Lyrics-Shewan Rizvi, MD-B N Bali
Female chorus
Male chorus
Mahendra Kapoor + Male chorus
Usha Balsawar + Female chorus
Lyrics
husn ki zulfen kaali pad gayin
o o o
aa aa aa aa
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
o o o o
o o o o
aahon ne taqdeer bana di
kaale kaale baalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalo ki
ishq ne tumko o o
aahen di hain
aah mein dil ka saaz diya hai
ishq ne tumko aahen di hain
aah mein dil ka saaz diya hai
ishq ne tumko aahen di hain
aah mein dil ka saaz diya hai
ho hamko banaane waale ne dekho
naaz diya andaaz diya hai
hamko banaane waale ne dekho
naaz diya andaaz diya hai
hamko banaane waale ne dekho
naaz diya andaaz diya hai
ho o o
andaaz diya hai
haan aan aan andaz diya hai
thokar mein hum rakhte hain
thokar mine hum rakhte hain
taqdeer zamaane waalon ki
thokar mein hum rakhte hain
taqdeer zamaane waalon ki
thokar mein hum rakhte hain
taqdeer zamaane waalon ki
thokar mein hum rakhte hain
taqdeer zamaane waalon ki
aahon ne taqdeer bana di
kaale kaale baalon ki
aahon ne taqdeer bana di
kaale kaale baalon ki
tera sa andaaz na dekha
husn na dekha
naaz na dekha
tera sa andaz na dekha
husn na dekha naaz na dekha
tera sa andaz na dekha
husn na dekha naaz na dekha
kaliyaan khilte laakhon dekhin
lekin ye aagaaz na dekha
kaliyaan khilte laakhon dekhin
lekin ye aagaaz na dekha
husn ko tere dua lagi hai
aji husn ko tere dua lagi hai
shaayad hum dilwaalon ki
husn ko tere dua lagi hai
shaayad hum dilwaalon ki
aji husn ko tere dua lagi hai
shaayad hum dilwaalon ki
husn ko tere dua lagi hai
shaayad hum dilwaalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
husn ki zulfe kaali pad gayin
aahon se dil waalon ki
hosh se hum madhosh huye hain
arre marne pe taiyyaar huye hain
hosh se hum madhosh huye hain
marne pe taiyyaar huye hai
hosh se hum madhosh huye hain
are marne pe taiyyar huye hain
aankhon pe kurbaan gaye hain
katl bina talwaar huye hain
aankhon pe kurbaan gaye hain
katl bina talwaar huye hain
aankhon pe kurbaan gaye hain
katl bina talwaar huye hain
ho o o
kurban gaye hain
haan aan
kurban gaye hain
khoon bahaa ke keemat di hai
arre khoon bahaa ke keemat di hai
laal gulaabi gaalon ki
khoon bahaa ke keemat di hai
laal gulaabi gaalon ki
arre khoon bahaa ke keemat di hai
laal gulaabi gaalon ki
khoon bahaa ke keemat di hai
laal gulabi gaalo ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
aahon ne taqdeer bana di
kaale kaale baalon ki
husn ki zulfen kaali pad gayin
aahon se dil waalon ki
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4147 | Post No. : | 15313 |
“Zingaaro” (1963) was directed by Chandrakant for Jai Films, Bombay. The movie had Jairaj, Zabeen, Tiwari, Bela Bose, Lakshmi Chhaaya, Aruna Irani, Maruti, Mridula, Baburao Pehalwan, Babu Raje, Radheyshyam, Moolchand, Gani Pehalwan, Julian etc.
The film has six songs. One song has been covered in the past.
Here is the second song from “Zingaaro” (1963) to appear in the blog. The song is sung by Mahendra Kapoor, Suman Kalyanpur and chorus. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.
Only the audio of the song is available. From the sounds of it, the song is a qawwaali. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Arre adaa se muskura dena…aap se humko mohabbat ho gayi (Zingaaro)(1963) Singers-Mahendra Kapoor, Suman Kalyanpur, Lyrics-Prem Dhawan, MD-S N Tripathi
Male chorus
Female chorus
Lyrics
are adaa se muskura dena
aur haseen sar jhuka lena aa aa
haseenon ko bhi kitna sahal hai
bijli gira dena
ae ji aap se haaye
aap se humko mohabbat ho gayi
ho gayi
ae ji aap se humko mohabbat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi
ishq ka mat naam lo ae meharbaan aan
ishq ka
aji ishq ka mat naam lo ae meharbaan aan
kya karoge
hoye hoye
kya karoge
jo museebat ho gayi
ho gayi
aji aap se humko mohabbat ho gayi
ho gayi
aa aa aa aa aa aa aa
are ishq mein peechhe haten jo
hum vo deewaane nahin
aji kyun nahin ji, kyun nahin
nahin hum vo deewaane nahin
jalne se jo khauf khaaye
hum vo parwaane nahin
aji kyun nahin ji kyun nahin
nahin hum vo parwaane nahin
jo garajte hain baraste hi nahin
aayega na aap par humko yaqeen
jala do haaye
jala do haddiyaan meri
jala do o
uda do
uda do
dhajjiyaan meri uda do
khata-e-ishq ki aisi saza do
meri hasti hi duniya se mita do
mita do
mita do
mita do
o o o
chhodiye hum aazmaaish kar chuke
kar chuke ji kar chuke
hum aazmaaish kar chuke
aapki sachchi wafa pe mar chuke
mar chuke ji mar chuke
sachchi wafa pe mar chuke
aa aa aa aa
humko bhi haaye
humko bhi thhodi si chahat ho gayi
ho gayi
humko bhi thhodi si chahat ho gayi
ho gayi
aapse humko mohabbat ho gayi ee ee
aapse humko mohabbat
haay
mohabbat
hoye
mohabbat ho gayi ee ee
hashr se pehle kayamat ho gayi ee ee
hashar se pehle kayaamat
haay
kayamat
haay
kayamat ho gayi
ee ee
ho gayi ho gayi
ho gayi
ho gayi
ho gayi
ho gayi
ho gayi
Ladki cycle waali
Posted on: November 6, 2019
- In: "bicycle" song | "Dholak" song | "Nok-Jhonk" song | "teasing" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Duet | Guest posts | Harmonium song | Mahendra Kapoor songs | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1978 | Wedding ritual song | Wedding song | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4128 | Post No. : | 15286 |
hullo Atuldom
B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.
All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.
I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).
Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.
Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain
Lyrics
ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee
gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa
ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o
kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee
shaabba shabba kudiye shawa
o mundiye shaabba shabba
kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae
tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee
- In: "paayal" song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Geeta Dutt songs | Geeta Dutt-Mahendra Kapoor duet | Guest posts | Love song | Lover's tête-à-tête | Lyrics by Nitin Shah | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4066 | Post No. : | 15202 |
“Jaane Jaana Yoon Na Dekho Aaj Nafrat Se Mujhe” – this lovely lilting from the 1963 film ‘Faulaad’, is the creation of the songwriter Anjaan. A poet who has given us some of the most wonderful gems of the Hindi screen. Songs like “Pipraa Ke Patwaa Sarikhe Doley Manwaa” (‘Godaan’, 1963), “Bahaaro Thaam Lo Ab Dil, Mera Mehboob Aata Hai”(‘Namaste ji’, 1965), “Aap Ke Haseen Rukh Pe Aaj Nayaa Noor Hai”(‘Bahaaren Phir Bhi Aayengi’, 1966), “Aaj Tumse Door Ho Kar, Aise Royaa Mera Pyaar”(‘Ek Raat’, 1967), and “Bina Badraa Ke Bijuriyaa Kaise Chamke”(‘Bandhan’, 1969) – and on to “Rotey Huye Aate Hain Sab, Hansta Hua Jo Jaayegaa. . .”(‘Muqaddar Ka Sikandar’, 1978), “Maano To Main Ganga Maa Hoon, Naa Maano Te Behtaa Paani”(‘Ganga Ki Saugandh’, 1978), “O Khaike Paan Barnaaras Waala” (‘Don’, 1978), “Pag Ghunghroo Baandh Meera Naachi Thi” (‘Namak Halaal’, 1982), “Gori Hain Kalaayi’aan, Tu La De Mujhe Hari Hari Choodiyaan” (‘Aaj Ka Arjun’, 1990). And many more.
Remembering Anjaan on the 22nd anniversary of his passing away, earlier this week (3rd September).
Today, I present another wonderful song penned by him – a song that has been forgotten and has remained obscure for decades. The film is equally obscure – ‘Lady of the Lake’ from 1960. The film is produced and directed by AM Khan, under his own banner of AM Khan Productions, Bombay. It is a fantasy cum stunt film. The list of actors includes Azad, Krishna Kumari, Shaam Kumar, Sherry, Jai, Neelima, Shahgul, Ram, Fani Tinchar, Jilani, Jameela, Baby Leela, OK, Avtar, Maqbool, Robert, and Burhan etc.
The film has nine songs shared between three songwriters. Five songs are written by Anjaan, one by Saba Afghani and the remaining three by Munshi Naayab. Two songs of this film are already represented on our blog. Today’s song is also from the pen of Anjaan. Music for all the songs is composed by the music director duo of Suresh-Talwar.
The lyrics of this song have been sent in by Nitin Shah.
This song is a duet in the voices of Geeta Dutt and Mahendra Kapoor. Here is duet combination of two well known singers, who came together very rarely during their careers. There may probably be fifteen or maybe less, songs that they have sung together.
A wonderful lilting melody that should have been heard more often. I am sure you would agree.
Song – Sun Re O Chhalia, Boley Kya Paayaliya (Lady Of The Lake) (1960) Singers – Geeta Dutt, Mahendra Kapoor, Lyrics – Anjaan, MD – Suresh-Talwar
Lyrics (Provided by Nitin Shah)
sun re o chhaliya
boley kya paayaliya
chhed ke dil ke taar
sajanawa aaj na ja
balamwa aaj na ja
o tere bina ratiya
o re mann basiya
soona laage sansaar
sajanwa aaj na ja
balamwa aaj na ja
kab se baithi raah mein teri
baalam aas lagaaye
ho oo oo balam aas lagaaye
itne din ke baad miley bhi
to tum rahe paraaye
ho oo oo
do dil milne na paaye
behki adaayen
tujh ko bulaayen
dil hai bada beqraar
sajanwa aaj na ja
balamwa aaj na ja
jaadu ajab chalaaye gori
tera roop suhaana
ho oo oo tera roop suhana
pehli jhalak mili jab teri
dil ho gaya deewana
haaye ab isey kahaan hai jaana
ruk ja re ruk ja
palkon mein chhup ja
kar le ji bhar pyaar
sajanawa aaj na ja
balamwa aaj na ja
o sun re o chhaliya
boley kya paayaliya
chhed ke dil ke taar
sajanawa aaj na ja
balamwa aaj na ja
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
सुन रे ओ छलिया
बोले क्या पायलिया
छेड़ के दिल के तार
सजनवा आज न जा
बलमवा आज न जा
ओ तेरे बिना रसिया
ओ रे मन बसिया
सूना लगे संसार
सजनवा आज न जा
बलमवा आज न जा
कब से बैठी राह में तेरी’
बालम आस लगाए
हो ओ ओ बालम आस लगाए
इतने दिन के बाद मिले भी
तो तुम रहे पराये
हो ओ ओ
दो दिल मिलने ना पाये
बहकी अदाएँ
तुझ को बुलाएँ
दिल है बड़ा बेक़रार
सजनवा आज न जा
बलमवा आज न जा
जादू अजब चलाये गोरी
तेरा रूप सुहाना
हो ओ ओ तेरा रूप सुहाना
पहली झलक मिली जब तेरी
दिल हो गया दीवाना
हाय अबे इसे कहाँ है जाना
रुक जा रे रुक जा
पलकों में छुप जा
कर ले जी भर प्यार
सजनवा आज न जा
बलमवा आज न जा
ओ सुन रे ओ छलिया
बोले क्या पायलिया
छेड़ के दिल के तार
सजनवा आज न जा
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