Archive for the ‘Mahendra Kapoor songs’ Category
Milan ki jaag uthhi bhaavnaa
Posted on: March 31, 2021
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Blog Ten Year Challenge (2011- 2021) | Duet | expression of love | Feelings of heart | Lyrics by Prakashchandra | Lyrics contributed by readers | Mahendra Kapoor songs | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4639 | Post No. : | 16297 |
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Blog 10-Year Challenge (2011-2021) – Song No. 19
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This date ten years ago (viz 31 March 2011) was a thursday and a working day. On looking back at the posts in the blog, I notice that four songs from four different movies were covered on that day. It was slow going by the standards of the blog those days. The first post of the day appeared at 10:58 AM and the fourth and final post at 1:12 PM. So it appears that this day ten years ago was a day when I could not devote much time for blogging. My guess is that I was journeying on this day in the morning and I arrived at Nagpur (my base) in the morning at around 10 AM and that is when I started blogging for the day.
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 3713 | Jo dard banke zamaane pe chhaaye jaate hain | Parbat Pe Apna Deraa(1944) | Posted at 10:58 AM. 5 songs (out of 9) covered by now |
| 3714 | Tirulila Tirulila Tirulila la | Daman(1951) | Posted at 11:28 AM. 8 songs out of 10 covered by now. |
| 3715 | Nashe mein jo daulat ke ham dagmagaaye | Sitaaraa(1955) | Posted at 11:56 AM. 8 songs out of 10 covered by now |
| 3716 | Sune na koi man ki vyathhaa | Subhadra Haran(1964) | Debut song of the movie. Posted at 1:12 PM. Debut of the movie. One song out of 6 covered so far. |
One can see that all four movies whose songs were covered on that day are unYIPPEED to this date and so they all are eligible for Blog Ten Year Challenge today.
Out of the four movies, “Subhadra Haran”(1964) is one movie which made its debut on that day ten years ago and that song remains the only song from the movie to be covered in the blog till noqw !
“Subhadra Haran”(1964) was produced by Homi Wadia and directed by Datta Dharmadhikari for Basant Pictures, Bombay. The movie had Jayshree Gadkar, Suryakant, Arun Sarnaayik, Shahu Modak, Chitra, Raja Nene, Aruna,Balakram,
Vasant Shinde, Ram Tipnis,Jayashankar Danave, Master Dattaram, Vinay Sukale, Neelam, Kumar Deeghe, Angrey, Gaaikwaad, Bare, Shantaaram, Takle, Purushottam, Korega,Yadav, Bismilla, Mittoo miyaan, Bhoobhiyaa, Sulochana, Meera, Lakshmi, Leela, Sudhar Karlekar, Madhu Apte, Vasant Bhagwat etc in it.
As mentioned above, the movie had six songs in it. One song has been covered so far.
Here is the second song from “Subhadra Haran”(1964) to appear in the blog. This song is sung by Asha Bhonsle and Mahendra Kapoor. Saraswati Kumar Deepak is the lyricist. Music is composed by Prabhakar Jog.
The song is picturised on Jaayshree Gadkar and Suryakant, playing Subhadra and Arjun respectively in this movie based on a sub plot of Mahabharat.
Details of the movie as well as the lyrics of this song were sent to me by Prakashchandra.
video link:
Song-Milan ki jaag uthhi bhaavnaa (Subhadra Haran)(1964) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Sarasati Kumar Deepak, MD-Prabhakar Jog
Both
Lyrics(Provided by Prakashchandra)
milan ki
milan ki
milan ki jaag uthhi bhaavnaa
milan ki jaag uthhi bhaavnaa
naye vesh ki sajee hai dulhan
meri samvedanaa
milan ki jaag uthhi bhaavnaa
milan ki jaag uthhi bhaavnaa
kali kali ka hansta yauwan
bisar gayee hoon main apnaapan
kali kali ka hansta yauwan
bisar gayee hoon main apnaapan
resham dhaagey
goonth chukey hain
preet bhari kalpnaa
milan ki jaag uthhi bhaavnaa
milan ki jaag uthhi bhaavnaa
jharne ka jal gaataa chhal chhal
ghataa ghataa leharaati aanchal
jharne ka jal gaataa chhal chhal
ghataa ghataa lehraati aanchal
jagi raagini ras rasvanti
bharti nav chetnaa
milan ki jaag uthhi bhaavnaa
milan ki jaag uthhi bhaavnaa
saath rahen ab jeevan saathi
saath rahen ab jeevan saathi
atal huyee hai apni preeti
mukti na ho par
preet ka saathi
janm janm ho milaa
milan ki jaag utti bhaavnaa
milan ki jaag utti bhaavnaa
naye vesh ki sajee hai dulhan
meri samvednaa
milan ki jaag uthhi bhaavnaa
milan ki jaag uthhi bhaavnaa
Chanda Kaahe Ka Tera Maama
Posted on: March 8, 2021
- In: "appeasement" song | "chaand" song | Children's song | Chorus song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Manhar Udhas songs | Manna Dey songs | Post by Sudhir | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4616 | Post No. : | 16256 |
A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.
A hundred years today. Being celebrated by the 700th post on our blog.
Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.
Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.
Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –
Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .
Repeated in ‘Mehmaan’ (1974)
. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa
In ‘Zameer’ (1975), he would write
Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .
Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’
Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .
And yes, ‘Kabhi Kabhi’ (1976) of course,
Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai
In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.
There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.
This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’
Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .
For ‘Munim Ji’in 1955, he wrote
Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .
In 1958, his words for ‘Light House’ are
Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum
With 1960 came ‘Barsaat Ki Raat’ and the promising words are
Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .
1962, and it is ‘Hum Dono’, with the lines
Main Zindagi Ka Sath Nibhata Chala Gaya. . .
With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.
Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi
‘Chandi Ki Deewaar’ and 1964, another depressing sentiment
Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile
And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,
Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi
On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,
Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai
And in the same film, we have the sobering sentiment as,
Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .
Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in
Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se
But then it is ‘Zameer’ in the same year that bounces back to say,
Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin
Plus a more sobering thought, from the same film,
Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi
With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.
Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin
Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.
Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.
Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.
So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).
The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.
The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.
The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.
A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.
Listen and enjoy.
Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar
Lyrics
arre chanda kaahe ka tera mamma
mamma
chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
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Hindi Script Lyrics (Provided by Sudhir)
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अरे चंदा काहे का तेरा मामा
मामा
चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
Samay ka panchhi udta jaaye
Posted on: March 4, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4612 | Post No. : | 16244 |
“Aag”(1967) was produced and directed by Naresh Kumar for Dimple Dilms, Bombay. This movie had Feroz Khan, Mumtaz, Aruna Irani, Shyama, Srandhir, Madan Puri, Jeevan, Achla Sachdev, Manohar Deepak, Mohan Choti, Ram Mohan, Manmohan, Bipin Gupta, Amar Nath, Tun Tun, Indira Bansal, Ramlal, Sunder etc in it.
The movie had eight songs in it. Two songs have been covered in the past.
Here is the third song from “Aag”(1967) to appear in the blog. The song is picturised on Feroz Khan who plays a villager leading a contented life there as evidenced by this joie de vivre genre of song.
Towards the end of the song, we find Feroz Khan crossing a narrow stream on a narrow bridge. Half way on that makeshift bridge he comes across Mumtaz just as the song is coming to an end.
The song is sung by Mahendra Kapoor. Asad Bhopali is the lyricist. Music is composed by Usha Khanna.
Song-Samay ka panchhi udta jaaye (Aag)(1967) Singer-Mahendra Kapoor, Lyrics- Asad Bhopali, MD-Usha Khanna
Lyrics
o ho
o o o
o o
o o o
aaa haa
aa haa
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
aaha
aa aa aa
o o
o o o
jabse aaye din saawan ke
dharti jhoome dulhan banke
jabse aaye din saawan ke
dharti jhoome dulhan banke
daali daali lachki jaaye
daali daali lachki jaaye re ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
barkha rut ne zulfen jhatkin
moti bikhre kaliyaan chatkin
barkha rut ne zulfen jhatkin
moti bikhre kaliyaan chatkin
kali kali mahki jaaye
kali kali mahki jaaye re
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
o ho
o o
aa aa aa
aa aa aa aa
abke baras bhi rut albeli
saj dhaj ke aayi hai akeli
abke baras bhi rut albeli
saj dhaj ke aayi hai akeli
koi nahin saathi haan
koi nahin saathi haan re re
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
O parichham meri hardam
Posted on: March 3, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4611 | Post No. : | 16243 |
“Main Wohi Hoon”(1966) was produced by Anil H Kotak and S A Mehmood and directed by A Shamsheer. The movie had Feroz Khan, Kumkum, I S Johar, Bela Bose, Lata Sinha, Roopesh Kumar, Murad, Madan Puri, S A Baker, Johny Whisky, Mirza Musharraf, Munshi Munaqqa, Dilip Dutt, Balan, Dhanraj etc in it.
This murder mystery movie, described as “stunt” movie in HFGK had six songs in it. Three songs have been covered in the past.
Though Feroz Khan and Kumkum played the lead roles in the movie, I S Johar and Bela Bose played the comic and detective side plot in this movie.
Here is a song from “Maibn Wohi Hoon”(1966) which is picturised on I S Johar and Bela Bose. The song is sung by Mahendra Kapoor and Krishna Kalle. Asaad Bhopali is the lyricist. Music is composed by Usha Khanna.
Song-O parichham meri hardam (Main Wohi Hoon)(1966) Singers-Mahendra Kapoor, Krishna Kalle, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
o parichham meri humdam
jab se tu hai saath mein
halchal hai jazbaat mein aen
jab se tu hai saath mein
halchal hai jazbaat mein aen
sochne ki baat hai
sochne ki baat hai
o habibam
mere humdam
jab se tu hai saath mein
halchal hai jazbat mein ae
jab se tu hai saath me
halchal hai jazbat mein ae
sochne ki baat hai
sochne ki baat hai
o habibam
o o
pehli nazar ka abhi tak nasha sa hai
o o
tarsa hua dil mohbbat ka pyasa hai
o nahin achcha aur tadpaana
o chali aana chhod sharmaana
suna ki nahin
suna ki nahin
o parichham
meri humdam
jab se tu hai saath mein
halchal hai jazbat mein aen
sochne ki baat hai
o parichham
o o
sun o deewaane tujhe kuchh khabar bhi hai
o o
dil ki jo haalat udhar hai idhar bhi hai
mujhe dar hai
ho na rusvaayi
haath mera chhod saudaai
suna ki nahin
suna ki nahin
o habibam
mere humdam
jab se tu hai saath mein
halchal hai jazbat mein aen
sochne ki baat hai
o habibam
o o
jab dil lagaaya to duniya se kya darna
o o
tark bhi humse hamesha wafa karna
zindagi bhar pyaar karna hai
saath jeena saath marna hai
suna ki nahin
suna ki nahin
o parichham
o habibam
jab se tu hai saath mein
halchal hai jazbat mein aen
jab se tu hai saath mein
halchal hai jazbaat mein aen
sochne ki baat hai
sochne ki bat hai
o parichham
Kaun hai mujrim kaun hai munsif
Posted on: February 18, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4598 | Post No. : | 16225 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 123 # Qawwalis – 8
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Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.
On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.
This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.
I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.
We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.
But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊
Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.
We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…
“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.
Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.
Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.
This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.
So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;
| Song | Posted On |
|---|---|
| Simti huyi ye ghadiyaan | 27.04.2012 |
| Chanda re mere bhaiyya se kehna | 02.08.2012 |
| Parmeshwar rakhwaalaa tera | 25.10.2014 |
| She’r ka husn ho | 09.12.2016 |
| Marta hai koi to mar jaaye | 30.01.2021 |
Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …
Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.
This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …
Remembering Khayyam Saab …
Video
Audio (Partial)
Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus
Lyrics
aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa
aa aa aa aaa
jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
tu kisi bhes mein aaye
tujhe pehchaante hain
tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain
aa ha ha
achchaa aa
to suniye
ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar
arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa
ye nikla mere yaar
matlab ye niklaa mere yaar
aisaa nahin hai wallaah
daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande
ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar
arz ye hai kiblaa
jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe
ham maujood hain
ham rokenge
saare kaale dhandhe
ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen
kya bolen
sarkaar
tumko kya bolen sarkaar
arey bhaai aur kya karen ham
ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar
kiblaa mulahijaa ho
irshaad
irshaad
ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar
ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar
pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani
wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani
arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani
ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani
haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
Wo bade khushnaseeb hote hain
Posted on: November 12, 2020
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4500 | Post No. : | 16036 | Movie Count : |
4385 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 111 # Debutant movie-Saazish-1975
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Today’s song is from the 1975 movie ‘Saazish’.
This movie is making its debut on our blog. It is part of one of my ‘projects’ of bringing ‘movies with same title’ on the blog. We already have a movie with this title released in ‘1959’ represented on the blog. (Incidentally this movie was also launched on the blog with a lyrics contribution sent by me then 😊) (isme meri koi saazish nahin thhi 😊)
There are were two more movies with the same title ‘Saazish’ made in 1988 & 1998, not yet represented in the blog.
‘Saazish-1975’ was directed by Kalidas for ‘Maya Movietone, Bombay’. Kalidas was also the producer of this movie. It had Saira Banu, Dharmendra, Dev Kumar, Rajendra Nath, Madan Puri, Jagdish Raj, Murad, Gayjee, David, Helen etc. Iftekhar and Paintal make special appearance in this movie.
Story of this movie was written by Ranjan Bose. And screenplay and dialogues were written by Ramesh Pant. Editing of this movie was done by Waman Bhonsle and Guru Dutt Shirali.
This movie was passed by Censor Board on 03.02.1975.
‘Saazish-1975’ has five songs written by Hasrat Jaipuri and composed by Shankar-Jaikishan.
Here are the details of the songs of this movie in order of their appearance (which should be according to the appearing of these songs in the movie) HFGK Vol-V 1971-1980.
| Song | Singer/s |
|---|---|
| Na taaj chaahiye na takht chaahiye, tera pyaar chaahiye har waqt chaahiye | Asha Bhonsle |
| Wo bade khushnaseeb hote hain aap jiske kareeb hote hain | Mahendra Kapoor, Suman Kalyanpur |
| Haay phir zaraa zaraa koi teer sa chubha, dil to huaa fidaa | Sharda |
| Tujhe hamne chaaha apna samajh kar | Mahendra Kapoor, Saira Banu |
| How sweet dada ji | Asha Bhonsle, Ranu Mukherjee |
As I mentioned above, this movie was in my ‘wish-list’ for the ‘project’ of introducing ‘movies with same titles’ on the blog. However, somehow, I had forgotten about this movie due to my attention to other posts. Our dear Prakash ji had also recently sent two songs from this movie for different occasions. But I am leaving them for future posts, because I was looking for a Suman Kalyanpur song composed by Shankar-Jaikishan (for obvious reasons -😊- regulars on the blog and those interested in statistics can guess it easily 😊).
So, today I am presenting a song from this movie sung by Mahendra Kapoor and Suman Kalyanpur.
This song is picturized on Dharmendra and Saira Banu (at foreign locations I guess) where Dharmendra is lip syncing in Mahendra Kapoor’s voice and Saira Banu is lip syncing in the voice of Suman Kalyanpur (obviously 😊).
I have not watched this movie and would like to request knowledgeable readers to throw more light on this movie, its details and its song please.
With the today’s song ‘Saazish-1975’ makes its debut on the blog … (😊 ye zaroor meri saazish ka hissaa hai 😊)
let us now enjoy today’s song from “Saazish”(1975)…
Video
Audio
Song-Wo bade khushnaseeb hote hain (Saazish)(1975) Singers-Suman Kalyanpur, Mahendra Kapoor, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both
Lyrics
wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain
aap jiske kareeb hote hain aen
aap jiske kareeb hote hain aen
aap jiske habeeb hote hain
aap jiske habeeb hote hain
hoye
hoye
hoye
log uske rakeeb hote hain ae
log uske rakeeb hote hain aen aen
wo bade khushnaseeb hote hain
hamne dil deke tumko paaya hai ae
hamne dil deke tumko paaya hai
apne apne naseeb hote hain
o o o o
apne apne naseeb hote hain
wo bade khushnaseeb hote hain
haay
haay
haay
aap jiske kareeb hote hain ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain
dil hamaara tumhi se takraayaa aa aa
dil hamaara tumhi se takraayaa aa
haadse kyaa ajeeb hote hain
haaye ae ae
haadse kyaa ajeeb hote hain
wo bade khushnaseeb hote hain
aap jiske kareeb hote hain ae ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain
aise andaaz se mitaate hain aen aen
aise andaaz se mitaate hain aen
husn waale ajeeb hote hain ae
haaye ae ae
husn waale ajeeb hote hain
wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain
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