Archive for the ‘G M Durrani Shamshad Begam duet’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5290 | Post No. : | 17324 |
Today’s song is from an obscure film Doli-1947.
It is on record that the year 1947 produced a record number of Hindi films -181, till that year. This record was beaten only by number of Hindi films made in 1985 -187 films ! It means that the 1947 record remained unbeaten for 54 years, from the advent of talkie films in 1931. The historians, however agree that though the total number of Hindi films was 181 in 1947, films with good story, acting, direction or good music were not too many.
Films like Andhon ki duniya, Bela, Bhakt Dhruv, Bhook, Dard, Dil ki Rani, Do Bhai, Elan, Jail yatra, Jugnu, Leela, Ramjoshi, Meera, Mirza Sahibaan, Natak, Neel kamal, Parwana, Shadi se pehle, Shehnai, Tum aur main and may be few more were the only films which looked like having been made seriously. Rest of the films were mostly compromises.
Why I say so is because, in 1947, everyone in the industry knew that on 15th August, India was to be partitioned and a new Muslim nation, Pakistan, was to be formed. Due to this, those Muslim artistes, technicians, Musicians, cameramen and all others connected with or serving in film industry, who wanted to migrate to Pakistan, had no interest in completing the films here with perfection. They all were in a hurry to somehow finish the films, pack up and leave the country.
Naturally, this kind of attitude affected the quality of films made in 1947 and the the record number of films made had a majority films with low quality. In this case Quantity ruled over Quality of the finished goods ! Not only this, but some cunning and unfair artistes took undue advantage of the shaky atmosphere and cheated their local staff as well as friends before quietly leaving the country.
Nazir Ahmed, actor, director and producer was the owner of Hind Studios, Dadar, Bombay, he had watched his studio being burnt by hooligans in the riots. In next few days he sold his house, property and car, visited some close local friends and borrowed huge amounts on some excuses. Same night he coolly left India with wife Swarnlata in the same car which he had sold that very day. Another case was of W.Z.Ahmed -owner of Shalimar Studios. He had not paid the salaries of his staff for last 3 months promising them to pay on 1st September 1947. One night he coolly left for Pakistan along with wife Neena and the prints of his films, without paying his staff. Many such cases can be recounted.
Major artistes like Dilip Kumar, Mehboob and Kardar wanted to migrate to Pakistan. Mehboob and Kardar did go to Pakistan, but came back within few days, realising that they had no future in that country. there were, of course, many who had decided well in advance not to leave India, though their roots were across the border. The vacancies of those who left India were almost immediately filled up by the waitlisted artistes of second line in India, and hence India’s film industry was not disturbed for long, except for few months.
I do not know about the storyline of film Doli-1947. It was made by All India Pictures. The music was by Ghulam Mohammed. The lyricist was Nazim Panipati, who was the brother of director producer Wali saheb -husband of actress Mumtaz Shanti. After some time Wali Saheb and Mumtaz Shanti migrated to Pakistan. The film was directed by S.K.Oza. For him this was his first film as a director. He got the chance because the original director- Daud Chand- had left for Pakistan. Later he directed 5 more films and had acted in 1 film -Dil hi to hai-1939.
Shubh Karan Oza (S.K.Oza), was born on 16-10-1921, at Hathras-U.P. He was educated in Kanpur. He joined films in 1939 as an assistant to Kidar Sharma,in Film Corporation of India Ltd. Same year he acted in the film Dil hi to hai-1939, for which Kidar Sharma was the director. Oza got his first film as director with film Doli-1947. Next came Nai Raat-48, Aadhi Raat-50, Hulchal-51 and Sitara-55. He started his own production company and made Naaz-54. He was the first director to go to Ceylon to direct a Simhalese film “Daivya Yoga”in 1958. He wrote stories of films like Mastana -54 and Upasana-71. He was the Executive production manager for film Agni Rekha-73. In his career, Oza had the opportunity to work with Big stars like Dilip Kumar, Nargis, Ashok kumar etc.
Shubh Karan Oza died in Bombay on 4-10-1980. (Thanks to Shri Harish Raghuvanshi ji for this information.)
The cast of the film was Wasti, Sulkochana Chatterjee, Susheel kumar, Amar, Madhuri, pratima devi, Amir Ali etc. Wast and Sulochan were the lead pair here. Riyasat Ali Wasti was born in 1912,at Naagao in U.P. His father was City magistrate,a judge and Dewan of the state. The family was well known in Bundelkhand area. After graduating from Ambala,Wasti did service for 7 years in the PWD of Punjab. He wanted to join films and he became a Hero in New oriental Films,Lahore’s ” Premyatra”-37. His Heroine was Umarazia begum,later on the wife of Ghulam haider.
He acted in Bombay’s films like Baghban, Industrial India, Pati patni, Rrikshawala, Thokar, Qaidi, Nartaki, Kudmai(Punjabi), Awaz, Nai Duniya, Sharda, Namaste etc. He was a fixture for Kardar films. As a Hero he did many films. In the 50s he acted in 11 films. In 60s and 70s he did 20 films.
Old timer Wasti ,who regaled the audiences with his natural acting in Sanjog, Rattan, Pugree made in the forties and many Punjabi & Hindi movies later o , was passing through a bad phase. Nasir Hussain honored him by offering the roles of substance in Dil Deke Dekho, Jab Pyar Kisi Se Hota Hai & Phir Wohi Dil Laya Hoon. His roles in jab pyar kisi se hota hai and Phir wohi dil laya hoon may be known to many.His last film was kasam-76.Two films, produced by him in 1952 and 56, flopped.
In his 40 years of career, Wasti acted in 63 films, from Prem Yatra-1937 to Kasam-1976. He also sang 5 songs in 2 films namely, Rikshawala-38 and Pati Patni-39.
Last 20 years of his life were spent in penury and anonymity. In last years, he was often seen begging near Liberty cinema in Bombay. He died on 15th April 1996.
Today’s song is a duet sung by Shamshad begum and G.M.Durrani.
Song-Koi meri duniya pe chhaaya hua hai (Doli)(1947) Singers-Shamshad Begam, G M Durrani, Lyrics-Nazim Panipati, MD-Ghulam Mohammad
Lyrics
Koi ee meri duniya pe chhaaya hua hai
Koi ee meri duniya pe chhaaya hua hai
meri zindagi ee mein samaaya hua hai
meri zindagi mein samaaya hua hai
haan samaaya hua hai
jise dhoondhhtee ee thheen ye betaab nazren
jise dhoondhhtee ee thheen ye betaab nazren
nigaahon mein wo chhupke aaya hua hai
nigaahon mein wo chhupke aaya hua hai
chupke aaya hua hai
meri zindagi mein andhera nahin hai ae ae ae
meri zindagi mein andhera nahin hai ae ae ae
muhabbat se dil jagmagaaya hua hai
muhabbat se dil jagmagaaya hua hai
jagmagaaya hua hai
ye mukhda jo kuchh muskuraaya hua hai
ye mukhda jo kuchh muskuraaya hua hai
kahin jaise deepak jalaaya hua hai
kahin jaise deepak jalaaya hua hai
haan jalaaya hua hai
sitaaron se keh do
ke ab munh chhupaa len
ke ab munh chhupaa len
sitaaron se keh do
ke ab munh chhupaa len
ke ab munh chhupaa len
mere ghar mein ek chaand aaya hua hai
mere ghar mein ek chaand aaya hua hai
chaand aaya hua hai
hai dard e muhabbat kisi ki nishaani
kisi ki nishaani
hai dard e muhabbat kisi ki nishaani
kisi ki nishaani
tabhi isko dil se lagaaya hua hai
tabhi isko dil se lagaaya hua hai
haan lagaaya hua hai
Is duniya se hum nahin darega
Posted November 8, 2019
on:This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 4130 | Post No. : | 15289 |
Today’s song is from film Izzat-1952.
The title “Izzat” obviously carried lot of “Izzat” with producers, because I find this Title in 1937, 1952, 1968 and 1992. Further there was Izzat Aabroo-90 and Izzat Aabroo-2005 (I thought these words were synonyms), Izzat ka Rakhwala-2010, Izzat ke Lutere-90, Izzat ki Roti-93, and Izzatdaar-90. I am waiting for a title Izzat ka Falooda. In these days of strange Titles, this is not impossible.
The cast of the film Izzat-52 was Nirupa Roy, Amarnath, Manorama, Agha, Rajni, Jeevan, Veera, P.Kailash, Pesi Patel, Ramesh Thakur, Baby kalpana etc etc.The film was made by Taimur Art productions. Its owner Taimur Behram Shah was the Producer and also the director of this film. The music was by Bulo C Rani. There were two lyricists,namely Raja Mehedi Ali Khan (7 songs) and Butaram Sharma who wrote just 1 song. Taimur Behram Shah was earlier in Ranjit, working as an assistant director. He got opportunity to direct 2 films of Ranjit – Lakhon mein ek-47 and Bhool Bhulaiya-49. Then he started his own production house and made Izzat-52.
Film industry has a cycle, just like Nature. An actor comes, becomes a Hero, after few years works as a side Hero and then shifts to do character roles. There are some actors, who started as Heros, remained Heros and retired as Heros. Such cases are very few. Same applies to actresses too, There are more actresses who quit films, while they were still Heroines. The reasons are usually, marriage or getting children etc. I remember at least one actress, who was a popular Heroine in the late 30s and 40s-till 1947, but stopped acting in films, because her husband strictly forbade her from doing roles other than Heroine. Her name is Meenakshi Shirodkar.
From the cast, we can see that Nirupa Roy, Amarnath, Manorama, Jeevan, Veera, Agha and P.Kailash began as Lead actors and then became side Heroine/Hero and lastly settled for character roles. Some readers may be surprised about Agha being a Hero anytime. It is interesting to note that in film ” Jwar Bhata “-44, Agha was the Hero and Dilip Kumar had made his Debut in this film as a side Hero. While Agha’s Heroine was Shamim, Dilip’s Heroine was Mrudula – a Debutante herself.
Among the cast, the name of P.Kailash and his mention as a Hero in the past, may be a matter of surprise for some readers. For a long time, I was very curious about this actor. One day I was reading a book “Asli Nakli Chehre” ( असली नकली चेहरे ) by Vithal Pandya. In this book, he has given information about P.Kailash, who did the main role in film ” Jai Hanuman-48″, for which Pandya was an assistant Director. Vithal Pandya had spent over 30 years in film industry from the 30s and 40s. He worked with many directors and in many banners. He wrote 2 books in Gujarati/Hindi, which are highly informative with first hand knowledge. For example, he mentions that S N Tripathi, the Music Director was also an actor and was famous in the role of Hanuman in all Wadia movies. However in this film-Jai Hanuman-48, he had done the role of Ravan. Anyway, based on information in this book coupled with an article by M N Sardana ji, on Fb page ‘Voh din yaad karo’ about P.Kailash, here is some information on P.Kailash for our readers, first time. My thanks to both of them.
Mr P Kailash (Pandit Kailash Chandra Sharma),was born on 03 February 1924 at Multai , a small town in Distt Baitul ( Madhya Pradesh ) .After doing H.S.C., he did a stint of teaching in Akola. Bestowed with sharp features and deep voice, fair coloured P Kailash came to Bombay in 1946 to become an actor . He had not to wait for a long to have entry in the film line .
Seth Chandulal Shah gave him a chance in his mythological movie Jai Hanuman ,as hero opposite Nirupa Roy. The movie made under the banner of Ranjit Movietone was directed by Ram Chandra Thakur. Thereafter , Mr Kailash appeared in many mythological, fantasy and historical movies like Veer Durga Das, Sati Anusuiya, Maha Bharat, Prabhu Ki Mahima, Veer Arjun, Gopal Krishna, Nadir Shah, Thief Of Baghdad, Hercules ,Aab E Hayat, Gul E Bakawali etc. In 1953, he performed as a cop in Ranjit Mvietone’s Papi, along with Raj Kapoor. With Dilip Kumar, he did a role which had comic shades in Leader. Shirin Farhad ,made by veteran film maker Aspi Irani, was another movie in which his performance was much appreciated .
Mr P Kailash appeared in numerous movies made by Film makers like Shree Ram Bohra, B K Adarsh and Filmistan. Maine Jeena Seekh Liya, Hum Kahan Ja Rahe Hain, Picnic, Baba Sari Ladli (Rajasthani) ,Jekra Charnwa Mein Lagle Pranwa (Bhojpuri), Love and Murder, were the movies, Mr P Kailash did for the said film makers. Versatile director Krishan Chopra (May God Bless His Soul) ,who died before completing his second movie ,gave him a life time role of a tyrannical land lord in Heera Moti which was based upon the heart warming story Do Bailon Ki Katha, written by great writer Prem Chand . He brought alive the arrogant and heartless Zamindaar on the screen with his dynamic performance .
Krishan Chopra, impressed with the magnificent personality of Mr P Kailash, gave him an important role in his next movie Gaban ,which was completed by Hrishkesh Mukherjee ,after Mr Chopra passed away untimely. It was a sad coincidence ,that Mr P Kailash ,also did not live long. While on a visit to his birth place Multai, he suffered massive heart attack and left for his heavenly abode on 23 May 1967 . Payal Ki Jhankaar ,made by Filmistan and Thief of Baghdad by Mr Shree Ram Bohra were released later ,after he had gone forever in the young age of 43 years ,leaving his two daughters ,one son and wife .
P.Kailash acted in 43 films. His first film was Jai Hanuman-48 and the last released film was Irada-1971.
The Hero of film Izzat-52 was Amarnath. Amarnath (Bharadwaj) is one of the “same name confusions” victims. There were two Pt. Amarnath Music Directors, 1 actor Amar, 1 actor Amarnath and 1 actor/Director (K.) Amarnath. This Amarnath was born in Hafizabad, in Gujaranwala district of Punjab (Now in Pakistan) in 1922. He started acting in 1939 with Kidar Sharma’s “Dil hi to hai”. Graduating from doing small roles he was made the Leading Man in Dalsukh Pancholi’s film “Patjhad”, started in 1947 opposite Meena (Shorey). Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of Patjhad. Though the film was censored in India in 1948, it seems it was never released.
Amarnath starred as Hero in many other films,like Naghma E Sehra-45, Papiha re-48, Barsat ki ek raat-48, Swayam sidha-49, Nai Bhabhi-50, Kamal ke phool-50, Sheesh Mahal-50, Jalte Deep-50, Johri-51, Nai zindagi-51 , Nirmohi-52, Nirmal-52, Izzat-52, Bahu Beti-53, Nav Durga-53, Toofan-54 etc. Then he switched over to side roles. In all, he worked in 81 films (CITWF data). His last film was Kaun ho tum-70.
The third uncommon name in the cast is that of Veera, about whom very few will be knowing. One time she was a very sensuous actress. Veera was from a Parsi family. Her full name was Veera Ankaleshwaria. Obviously, her family came from Ankaleshwar, a small industrial town(now), in Gujarat.
She started her career in films as a Heroine opposite Nasir khan in film Mazdoor-1945. Then came Shikari-46 and later Eight days-46, both had Ashok kumar as the Hero. Both the films were from Filmistan. Her last film as Heroine was Tohfa, opposite Rehman and Leela opposite Agha , both films from 1947. Then she stopped getting Heroine roles and shifted to side roles. In all she did 22 films.
Her other films were, Veena, Ziddi, Chanda ki Chandani- all 48, Sanwaria-49, Hamara Ghar and hamari beti- 1950, Hamari shaan, Ramjanma and Sagar-1951, Aasmaan, izzat, Moti mahal, Sanskar and Shin shinaki boobla boo-all 1952, Dana Pani-53, Boot polish and Sheeshe ki deewar both 1954.
She married Mohsin Abdulla, who had worked in Bombay Talkies as a writer. He was the younger brother of actress Renuka Devi ( Begum Mirza) and the First husband of actress Neena. After the marriage, both migrated to Pakistan in 1955. No news after that.
Today’s song is a duet sung by G M Durrani and Shamshad Begum. It is a typical song belonging to the 50’s music, influenced by C Ramchandra, O P Nayyar and Shankar Jaikishen. I liked this song. I am sure you too will like it.
Song- Iss duniya se hum nahin darega(Izzat)(1952) Singers- G M Durrani, Shamshad Begum, Lyrics- Raja Mehdi Ali Khan, MD- Bulo C Rani
Both
Lyrics
Iss duniya se hum nahin darega
Iss duniya se hum nahin darega
karega karega karega
kargega
karega karega
tumse muhabbat karega
Iss duniya se hum nahin darega
karega karega karega
karega karega
tumse muhabbat karega
zara sambhal sambhal ke aana
ho zara sambhal sambhal ke aana
meri gali mein kahin na pit jaana
ho meri gali mein kahin na pit jaana
haay marenga marenga marenga
marega
karega karega
tumse muhabbat karega
hamen chhedo na
haaye chhedo na
sab duniya dekhti
aaankhen sekti
uyi
dil phenkti
haaye
tamaasha dekhti
tere nain se nain mera ladega
tere nain se nain mera ladega
ladega ladega ladega
bhai ladega
karega karega tumse mohabbat karega
tere galey mein baahon ka
main haar daaloonga
toone roka
ya toka
to maar daaloonga
aisa karega to
aisa karega to dekh phaansi chadhenga
aisa karega to dekh phaansi chadhenga
haa
chadhega chadhega chadhega
lekin
karega karega
tumse mohabbat karega
hum soch samajh ke baat karega
milo akele mein
tum hampe gadbad karte ho
kis bhare jhamele mein
kabhi chhup chhup mere paas aana
ho kabhi chhup chhup mere paas aana
paas aane se kya hoga samjhaana
paas aane se kya hoga samjhaana
abe
karega karega karega
bhai karega
karega karega
tumse muhabbat karega
Is duniya se hum nahin darega
Is duniya se hum nahin darega
karega karega karega
bhai karega
karega karega
tumse muhabbat karega
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4096 | Post No. : | 15242 |
“Bade Bhaiyya”(1951) was directed by Aspi Irani for Super Pictures, Bombay. This “social” movie had Nirupa Roy, Suresh, Agha, Husnbanu, Naaz, Minu, Guru, Nazir Kashmiri, Neeli, Habib, Ridku, Master Vinay, Yakoob etc in it.
The Movie had eight songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Bade Bhaiyya”(1951) to appear in the blog. This song is sung by G M Durrani and Shamshad Begam. Manoharlal Khanna is the lyricist. Music is composed by Premnath (music director).
Only the audio of this lighthearted song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Audio
Video
Song-Maine jabse tumko dekha hai (Bade Bhaiyya)(1951) Singers-G M Durrani, Shamshad Begam, G M Durrani, Lyrics-Manoharlal Khanna, MD-Premnath
Both
Lyrics
o o o o
maine jabse tumko dekha hai
mere dil mein gudgudi
mere dil mein gudgudi hoti hai
mere dil mein gudgudi
haay gudgudi
hui gudgudi
main taare ginti rahti hoon
jab saari duniya soti hai
mere dil mein gudgudi
mere dil mein gudgugdi hoti hai
mere dil mein gudgudi
haay gudgudi
huyi gudgudi
yeh mere dil ki dhadkan hai
yeh mere dil ki dhadkan hai
ya ik dholak si bajti hai
ya koyi mendhki phudak phudak kar
phudak phudak kar
dil mein mere phudakti hai
ulfat ki bulbul
haay re
ulfat ki bulbul
chahak chahak kar
aur chulbuli chulal chulbuli hoti hai
mere dil mein
ho mere dil mein gudgudi hoti hai
jab saamne mere aate ho
nazron se nazar lad jaati hai
jab saamne mere aate ho
nazron se nazar lad jaati hai
yeh mere dil ki laalaen
kuchh maddham
kuchh maddham si pad jaati hai
yeh mere dil ki laalten
kuchh maddham si pad jaati hai
mere aramanon mein
haay re
mere armnaanon mein nayi kulbuli
kulal kulbuli hoti hai
mere dil mein
ho mere dil mein gudgudi hoti hai
meree dhundhli dhundhli raaton mein
tum aao chaand ban kar aao
meree dhundhli dhundhli raaton mein
tum aao chaand ban kar aao
tum mere dil ke bangle mein
furniture ban ke saj jaao
tum mere dil ke bangle mein
furniture ban ke saj jaao
phir ham tum samjhen haay re
kyun man mein phurphuri
phurar phurphuri hoti hai
mere dil mein jee
ho mere dil mein
gudgudi hoti hai
dheere dheere
haule haule
mere dil mein gudgudi hoti hai
mere dil mein gudgudi
haay gudgudi
huyi gudgudi
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 3524 | Post No. : | 14154 |
“Ajeeb Ladki” (1952) was directed by Mohammad Ehsan for Tajmahal Pictures, Bombay. The movie had Rehman, Naseem Bano, Cuckoo, Shashikala, Agha, Jayant, Shyam Kumar, Shakuntala, Samson, Kathana, Bakshi, A K Sagar, Munshi Munaqqa etc in it.
“Ajeeb Ladki”(1952) had ten songs in it. As many as nine songs from the movie have been covered in the past.
Here are the songs from “Ajeeb Ladki”(1952) that are showcased in the blog till now:-
Song Title |
Post No. |
Post Date |
Chhodo chhodo ji piyaa mera todo na jiyaa | 4210 | 16-Jul-11 |
Main banoongi film star | 4276 | 26-Jul-11 |
Ek bewafa ko dil ka sahaara samajh liyaa | 6595 | 6-Sep-12 |
O cycle waale baabu | 9109 | 7-Dec-13 |
Mera haal e dil kaun pehchaanta hai | 12526 | 5-Nov-16 |
Do dil ki zindagi mein ik baar muskuraa lo | 13862 | 3-Jan-18 |
Dikhla ke jhalak bas ek nazar | 14138 | 8-Mar-18 |
Chupchaap chala jaa door na ho magroor o chanda pyaare | 14143 | 9-Mar-18 |
Suno na logon raag puraana | 14148 | 11-Mar-18 |
Here is the tenth and final song from “Ajeeb Ladki”(1952) to appear in the blog. This song is sung by G M Durrani, Shamshad Begma and chorus. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. The song appears to be picturised on a character playing a kaabuliwaala and a lady from Mumbai, as the lyrics of the song suggests. It could be a stage performance song.
With this interesting song, “Ajeeb Ladki”(1952) joins the list of movies that have all their songs covered in the blog.
Song-Laala rukh laala rukh wai loye sha (Ajeeb Ladki)(1952) Singers-G M Durrani, Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
all chorus
male chorus
Lyrics
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha
jaaneman jaanaaneman
jaaneman jaanaaneman
jaaneman jaanaaneman
jaaneman jaanaaneman
dil amaara tumpe aa gaya
o tum hamko bha gaya
tumko akhrot khilaayega wai
tumko angoor khilaayega o
o o o o o
o o o o o
main bambai ki mausambi
tu kaabul ka anaar
meri paanch ghaz ki saadi
teri sau ghaz ki shalwaar
nibhega kaise phir ye pyaar
jaaneman jaanaaneman
jaaneman jaanaaneman
tum jo nibhaayega to nibh jaayegaa
khonche maza aayegaa aa
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha
jaane dil qurbaan aan
??
jaane dil qurbaan
amko tumse pyaar hai
dil beqaraar hai
tumko kishmish khilaayega wai
tumko sharbat pilaayega oy
o o o o o
o o o o o
sood pe rupaiyya dete
o laala pakhtooni
meri laaj tu rakh le
teri aamdani ho dooni
nigaahen pher na o baatooni
jaaneman jaanaaneman
jaaneman jaanaaneman
chhodo baaba am na tumse dil lagaayega
o apna paisa khaayegaa
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha
oy oy oy
oy oy oy
????
oy
Aankhon se aankhen huyin chaar
Posted October 31, 2017
on:This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Nazaare”(1949) was directed by Prahlad Dutt for Ranji Movietone, Bombay. This “social” movie had Shashikala, Agha, Satish, Shanti Madhok, Khan, Anwari, Ramesh Thakur, Rajendra etc in it.
Read more on this topic…
Ajeeb rang hai ajeeb dhang hai
Posted July 17, 2017
on:This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dhoop Chhaaon” (1954), not to be confused with “Dhoop Chhaaon” (1935) was produced by M O Suhail and directed by S M Raza for Suhail Art Productions, Bombay. The movie had Bharat Bhushan, Shyama, N. A. Ansari, Mumtaz, Krishna Kumari, Shamim Akhtar, Agha, Maqbool, A Roshan, Ahmad etc in it, with S Nazir in guest appearance.
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Tore nain raseele saanwariya
Posted February 7, 2016
on:This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dekho Jee”(1947) was directed by Wali Sahab for Punjab Film Corporation, Bombay. The movie had Mumtaz Shanti, Anjum, A Shah, Khatoon, Haroon, Afzal, Dilshad, Minto Bai, P D lal, Gulnar, Prakash Trehan etc in it.
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Gori ki chatak matak mein mera dil
Posted July 5, 2015
on:This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
What do film stars do when they retire or stop working ?
Actually, the artistes can be divided into two parts. One, those who stop working voluntarily or retire by choice and Two, those who stop getting work and are compelled to retire. Of course the first category has definite plans post retirement, so they do what was planned. However those who stop getting work or are compelled to call it a day have either to fall back on their savings or do something else to survive.
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Ik din tumne kahaa thha ji
Posted June 28, 2015
on:This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I am sure you must have heard the names of Music Directors Fakir Muhammed, Shambhoo, Dattaraj, Brij Bhushan, Raj Ratan, Ronodev Mukherjee, Kamalkant and Vishnu Khanna.
No ? I am surprised. OK. At least you must be knowing Music Directors Ajay, Baboo Singh or Vijay Honavar ? Your blank face says, you have never heard their names.
I am not asking you names of Music Directors from the 1930s or 1940s. All these were composers in the 1960s. If I ask you about Satyam, Jagdish or Ratandeep-Hemraj, what will you say ?
These were Music Directors in the 1970s. They composed music for 5 to 15 films each in the 70s.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
VINTAGE SHAMSHAD BEGUM….Song No- 6
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Today’s song is duet of Shamshad Begum and G M Durani.
There were 51 films having the word Ghar in their Titles that were released from 1931 to 2012. ‘Ghar’ was made 2 times, Ghar ghar ki kahai-3, Ghar Jamai-2, Ghar Grihisthi-2, Ghar ka chirag-2, Ghar ki izzat-2, Ghar ki Laaj-3, Ghar ki Laxmi-2, Ghar sansar-3, Gharana-2, Gharonda-2, Gharbaar-3, Gharwali Baharwali-2 and a funny Title “Ghar mein ho saali to poora saal Diwali ” was made in 2001.
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