Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shamshad Begam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4269 Post No.: 15496

“Black Shadow”(1961) was a stunt movie which was directed by Madan Mohan Mehra for Paul Productions, Bombay. This move had Nishi, Manhar Desai, Amrit Rana, Indira Bansal, Baburao, Sudha, Ramlal, Roshan, Menaka, Naseem, Narmada Shankar, BHaag Singh, Balraj Kapoor, Raju, Jaani Babu Qawwaal, Sheikh etc in it.

The movie had five songs in it. One song from the movie has been covered in the past.

The songs of this movie are as obscure as the movie itself. Posting songs from missing movies of 1960s was a project which was originally the brainchild of our beloved Khyati Bhatt who prepared an excel sheet of missing movies of 1960s. Sudhir Jee took upon this project with right earnesh and posted elusive songs from many of these missing movies.

929 movies were released during 1960s (1961 to 1970). At present, 873 of these movies are represented in the blog.

During the early days of this project (which started in 2013), I also used to cover a few missing movies, before Sudhir Jee took over full responsibility of this project. During the earlier days of this project, I covered the first song from “Black Shadow”(1961) which was this song. It was the only song from this movie that I could locate at that time.

Now, nearly seven years later, when I searched for the songs of this movie, I was able to locate another song. And what a song it turns out to be. It is an all female duet sung by Shamshad Begam and Sudha Malhotra. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.

Going by the lyrics, I guess that it is a Punjabi style stage performance dance song where one female is dressed as a male and singing in Shamshad Begam’s voice whiile other female, playing a female sings in Sudha Malhotra’s voice.

Only the audio of this “expression of love” genre of song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Nazar hai kaanton se teekhi (Black Shadow)(1961) Singers-Shamshad Begam, Sudha Malhotra, Lyrics-Naqsh Llayalpuri, MD-Harbans

Lyrics

nazar hai kaanton se teekhi
badan hai phoolon se halka
nazar hai kaanton se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya

saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya

balle baale
ho sun mere haaniya haaye
ho sun mere haaniya

ho o o
kashmiri sebo ki laali
chhalke tere gaalon se
saawan bhi sharmaaye tere
ghoonghar waale baalon se

dil ko le dooba hai
dora tere kaajal ka
nazar hai kanto se teekhi
ho tan hai phulo se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya

saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya

ho balle balle
ho sun mere haaniya haaye
ho sun mere haaniya

o o o
rasmon ki zanjeer tod kar
aa gayi teri baahon mein

dekh goriye dol na jaana
pyaar ki lambi raahon mein
jeewan bhar ka saath hai apna
khel nahin pal ka

nazar hai kanto se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
ho balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?: 4265 Post No.: 15491

“Farmaaish”(1953) was produced by J Omprakash and directed by B K Sagar for Majestic Films, Bombay. This “social” fim had Bharat Bhushan, Vijylaxmi, Pran, Kuldeep, Maruti, Chandrashekhar, Ameer Bano, R K Sama, Kammo, Khairaati, Gope etc in it.

The movie had ten songs in it. Nine of these songs have been covered in the past.

Here is the tenth song from “Farmaaish”(1953) to appear in the blog. The song is sung by Shamshad Begam. Khawar Zamaan is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this rare light hearted romantic song.


Song-Meri ankhiyaan ho gayin chaar o dilbar chaar baje(Farmaaish)(1953) Singer-Shamshad Begam, Lyrics-Khawar Zamaan, MD-Husnlal Bhagatram

Lyrics

Meri ankhiyaan ho gayin chaar
o dilbar chaar baje
o dilbar chaar baje
dil ho gaya
o dil ho gaya motor car
o dilbar chaar baje
o dilbar chaar baje

mujhe mila karo tum paune do
mujhe mila karo tum paune do
jo hota hai so hone do
jo hota hai so hone do
phir pyaar ka
o phir pyaar ka ho vyopaar
o dilbar chaar baje
o dilbar chaar baje
dil ho gaya
o dil ho gaya motor car
o dilbar chaar baje
o dilbar chaar baje

o o o o o o
mera peela pad gaya rang piya
haay rang piya
ho o o o o o
mera peela pad gaya rang piya
mere dil ko lag gaya jang piya
jee mere dil ko lag gaya jang piya
mujhe loota
ho mujhe loota beech baazaar
o dilbar chaar baje
o dilbar chaar baje
dil ho gaya
o dil ho gaya motor car
o dilbar chaar baje
o dilbar chaar baje

mujhe mila karo tum paune do
jo hota hai so hone do
jo hota hai so hone do
phir pyaar ka
o phir pyaar ka ho vyopaar
o dilbar chaar baje
o dilbar chaar baje
dil ho gaya
o dil ho gaya motor car
o dilbar chaar baje
o dilbar chaar baje

main jab se tera daas hua
main jab se tera daas hua
mere dil ka satyaanaas hua
jee mere dil ka satyaanaas hua
lagi pyaar ki
o lagi pyaar ki dil pe maar
o dilbar chaar baje
o dilbar chaar baje
meri ankhiyaan ho gayin chaar
o dilbar chaar baje
o dilbar chaar baje


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4222 Post No. : 15426

“Zindagi Ya Toofaan”(1958) was directed by by Nakshab for Serafim Pictures Bombay. This movie had Nutan, Pradeep Kumar, Johny Walker, Minu Mumtaz, Yakoob, Om Prakash etc in it.

The movie had ten songs in it. Seven of these songs have been covered in the blog.

Here is the eighth song from the movie to appear in the blog. This song is sung by Asha Bhonsle , Shamshad Begam and chorus. Nakshab is the lyricist. music is composed by Naashaad.

The song is picturised as an all female qawaali (or is it mujra ?) picturised on Nutan, Minu Mumtaz and others.


Song-Badi mushqil se hum samjhe (Zindagi Ya Toofaan)(1958) Singers-Asha Bhonsle, Shamshad Begam, Lyrics-Nakshab, MD-Naashaad

Lyrics

badi mushqil se hum samjhe
humen wo kya samajhte hain
jo achche hain wo har insaan ko
achcha samajhte hain
aa aa aa
zahe qismat mujhe wo apna deewaana samajhte hain
aa aa aa
zahe qismat mujhe wo apna deewaana samajhte hain ae
inayat hai nawaazish hai agar aisa samajhte hain
inaayat hai nawaazish hai, agar aisa samajhte hain
zaah e kismat mujhe wo apna deewana samajhte hai

aa aa aa aa aa
jo kahna tha nazar milte hi dil se kah chuki nazren
aa aa aa
bahut chaaha bahut roka na roke se ruki nazren aen
yaka yak kisliye wo muskuraaye kyun jhuki nazren
aa aa aa
yaka yak kis liye wo muskuraaye kyun jhukin nazren aen
bhari mehfil hai lekin ye humen tanha samajhte hain
bhari mehfil hai lekin ye humen tanha samajhte hain
inaayat hai nawaazis hai agar aisa samajhte hain

aa aa aa
tamanna har tamanna jo na ho poori arre tauba
tumhaare dil se kurbat aankh se doori arre tauba
mohabbat bandi ye majboori are tauba
aa aa aa
mohabbat ki ye had bandi ye majboori are tauba aa
ki ye bhi kah nahin sakte tumhen hum kya samajhte hain
ki ye bhi kah nahin sakte tumhen hum kya samajhte hain
inaayat hai nawaazis hai agar aisa samajhte hai

aa aa aa
aa aa aa
aa aa
naseebon ki kharaabi hai ki tumse pad gaya paala
aa aa aa
mila hoga tumhen kaahen ko aisa chaahne waala aa
udhar tumne samajh kar humko begaana mita daala
aa aa aa
udhar tumne samajh kar humko begaana mita daala aa
idhar hum hain ki hum phir bhi tumhen apna samajhte hain
idhar hum hain ki hum phir bhi tumhen apna samajhte hain
zah e kismat mujhe wo apna deewana samajhte hain
inaayat hai nawaazis hai agar aisa samajhte hain


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4220 Post No. : 15422

Today 6th Feb 2020 is one hundred and fifth birth anniversary of Ramchandra Narayan Dwivedi (06.02.1915-11.12.1998), popularly known to all of as ‘Kavi Pradeep’.

Kavi Pradeep was a great poet and lyricist admired by the whole film industry in India. And as a singer too. Though he has sung very few songs, he has left an indelible mark in the history of Indian movies.

He has penned over five hundred songs as a lyricist and as per statistics on the blog so far 181 out of 531 of his lyrics have been posted on the blog. So, one can understand we still have a long way to go to bring all his lyrics here on the blog. (I think finding all the songs (audio/video) may be difficult now).

As a tribute to him today we have a song penned by him for the 1952 movie ‘Kaafilaa’.

This movie had two songs written by Kavi Pradeep and the today’s song in fact was noted five years back but it was lying pending. (The audio links that were available then have also become obsolete now. However, luckily, I was able to find other links to this song).

‘Kaafila-1952’ was directed by Arvind Sen for Munshi Productions, Bombay. It was produced by S.H. Munshi.

It had Ashok Kumar, Nalini Jaywant, Motilal, Ranjan, Sunalini Devi, Nazeer Hussain, Amita, Bhagwan Ji, Mona, Krishnakant, Shakti, Mumtaz, D.S. Panchotiya, Samar Chatterjee, Parvatibai, Sachin Ghosh, A. Sharma, Munshi Khanzar, Anand Prabhu and others.

This movie was passed by Censor Board on 05.05.1952.

This movie had total eight songs written by Vrajendra Gaur (five songs), Kavi Pradeep (two songs) and Moti. B.A. (one song).
Music for this film was composed by two music directors viz. Husnlal-Bhagatram (six songs) and Bhola Shreshtha (two songs, (both songs penned by Kavi Pradeep).

The voices of Geeta Dutt, Kishore Kumar, Lata Mangeshkar, Mohd Rafi, Shamshad Begum, Talat Mahmood and Zohrabai Ambalewali were used in the songs of this movie.

So far five songs from this movie have been posted on the blog as per following;

SNo Song Title Posted on
01 Chori chori dil mein samaya… 14.11.2010
02 Lehron se poochh lo 19.06.2011
03 Wo meri taraf yoon chale aa rahe hain 13.10.2011
04 Aansoo ab tum kabhi na behna 12.12.2013
05 Khushiyon ki bahaaren laut gayin … 02.05.2018

Today’s song is the sixth song from this movie to be posted on the blog. And the first song of Kavi Pradeep for this movie.
This song is sung by Mohd Rafi and Shamshad Begum and this is the only song sung by them in this movie.

As mentioned above the song is written by Kavi Pradeep and music is composed by Bhola Shreshtha.

Let us now enjoy this ‘nok-jhonk’ song where the ‘nar’ and the ‘naari’ are fighting for ‘kiska paldaa bhaari’ …


Song-Is duniya mein kaun bada hai (Kaafila)(1952) Singers-Rafi, Shamshad Begam, Lyrics-Kavi Pradeep, MD-Bhola Shreshtha
Female chorus
Male chorus
Unidentified voice

Lyrics

Is duniya mein ae kaun badaa hai ae
Kaho Purush ya Naari ee

Ae ji soch samajh kar r r bolo re chaturjan n n
Kiska aa pallaa bhaari ee

Is duniya mein kaun badaa hai
Kaho Purush ya Naari ee ee
Soch samajh kar bolo chaturjan
Kiska pallaa bhaari
Ho kiska pallaa bhaari ee ho

Ho o o o
Is sansaar mein hain do praani

Jiyo raani
Ho jiyo jiyo raani

Is sansaar mein hain do praani
Ik purush ik naari ee
Tumhi faislaa kardo re panchon
Kiska paldaa bhaari ho
Kiska paldaa bhaari ee ho o

Ho o o o o
Kaliyug mein hi nahin
Kaliyug mein hi nahin
Suno ji satyug dwaapr aur tretaa aa aa
Sabhi yugon mein maanaa gaya hai
Purush vishwa ka netaa
Ae ji kal parson ki baat nahin
Is baat ko barson beete ae ae
Bade bade sangraam jagat ke
Mardon ne hi jeete
Ae ji kahaan Purush balwaan
Kahaan komal naari sukumaari ee
Soch samajh kar bolo chaturjan
Kiska pallaa bhaari ee
Ho kiska pallaa bhaari ee

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Ho o o o
Is dharti par chham chham karti
Jo na naari aati
Kaun marad ke dil ke bheetar
Dil ka dard utthaati
Ho meethhaa dard utthaati
Naa ham rakhti ee
Naa ham rakhti fauj na paltan
Naa banduk
Naa dandaa
Phir bhi karodon gharon par dekho
Gadaa hamaara jhandaa
Ae ji ham wo hain jinki ungli par
Naache duniya saari ee ee
Tumhi faislaa kardo re panchon
Kiska paldaa bhaari ho
Kiska paldaa bhaari ee ho o

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Ae ji ho o o
Naari ko dabbu logon ne
Suno re bhaayiyon
Suno
Naari ko dabbu logon ne
Izzat de di sasti
Warna ham mardon ke saamne
Aurat ki kya hasti
He ji aurat to hai ek bandariyaa
Fakat qasar hai doom ki ee ee
Zaraa pyaar se karo ishaara
Phauran leti thumki
Ae ji iska hamaara kya muqaabla
Ye ablaa bechaari ee
Soch samajh kar bolo chaturjan
Kiska pallaa bhaari ee
Ho kiska pallaa bhaari ee

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Khabardaar jo hamko kahaa hai
Aaj kisi ne ablaa aa
Are ham bigde to
Tum mardon ke sar pe bajaa de
Tablaa aa
Ae ji tum kya bade bade
Rishiyon ne ae ae
Tum kya bade bade
Rishiyon ne ae ae
Naak yahaan par ragdi
Are shahanshaahon tak ne
hamaare paaon pe rakh di pagdi
Ae ji jhuke hamaare aage kitne
Pandit aur pujaari ee
Tumhi faislaa kardo re panchon
Kiska paldaa bhaari ho
Kiska paldaa bhaari ee ho o

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Band karo o o
Band karo ho o
Ho o o o

Waah
Waah

Band karo ye nokjhonk
Ab chhodo ye maara maari
Are nahin badappan
Kisi ek ke baap ki thhekedaari
Ee ee

Are waah re buddhe
Waah waah

Ae ji nar naari ka mel jol
Jeewan mein bahot zaroori ee
Ek doosre ki donon
Karte hain zaroorat puri
Donon mein ho pyaar
Raamji
Donon mein ho pyaar
Tabhi chal sakti duniyaadaari ee ee
Yahi hamaara panch faislaa
Sun lo sab nar naari ho
Sun lo sab nar naari ee ho o o

Balihaari
Balihaari

Balihaari
Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Balihaari

Balihaari
Jaun main balihaari
Ho tere pe balihaari
Balihaari

Balihaari

Balihaari

Balihaari

Balihaari

Jaun main balihaari
Ho tere pe balihaari

Balihaari
Balihaari
Jaun main balihaari
Ho tere pe balihaari

Balihaari
Balihaari
Balihaari

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
इस दुनिया में ए कौन बड़ा है ए
कहो पुरुष या नारी ई
ए जी सोच समझ कर `र `र बोलो रे चतुरजन `न`न
किसका पलड़ा भारी ई
इस दुनिया में ए कौन बड़ा है
कहो पुरुष या नारी ई ई
सोच समझ कर
बोलो चतुरजन
किसका पलड़ा भारी
हो किसका पलड़ा भारी ई हो
हो ओ ओ ओ
इस संसार में हैं दो प्राणी
जियो रानी
हो जियो जियो रानी
इस संसार में हैं दो प्राणी
इक पुरुष इक नारी ई
तुम्ही फैसला करदो रे पंचों
किसका पलड़ा भारी हो
हो किसका पलड़ा भारी ई हो
हो ओ ओ ओ ओ
कलियुग में ही नहीं
कलियुग में ही नहीं
सुनो जी सत्युंग द्वापर और त्रेता आ आ
सभी युगों में माना गया है
पुरुष विश्व का नेता
ए जी कल परसों कि बात नहीं
इस बात को बरसों बीते ए ए
बड़े बड़े संग्राम जगत के
मर्दों ने ही जीते
ए जी कहाँ पुरुष बलवान
कहाँ कोमल नारी सुकुमारी ई
सोच समझ कर बोलो चतुरजन
किसका पलड़ा भारी ई
हो किसका पलड़ा भारी ई
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
हो ओ ओ ओ
इस धरती पर छम छम करती
जो ना नारी आती
कौन मर्द के दिल के भीतर
दिल का दर्द उठाती
हो मीठा दर्द उठाती
ना हम रखती ई
ना हम रखती फ़ौज न पलटन
ना बन्दूक
ना डंडा
फिर भी करोड़ों घरों पर देखो
गाडा हमारा झंडा
ए जी हम वो हैं जिनकी ऊँगली पर
नाचे दुनिया सारी ई ई
तुम्ही फैसला करदो रे पंचों
किसका पलड़ा भारी हो
किसका पलड़ा भारी ई हो ओ
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
ए जी हो ओ ओ
नारी को दब्बू लोगों ने
सुनो रे भाईयों
सुनो
नारी को दब्बू लोगों ने
इज्ज़त दे दी सस्ती
वरना हम मर्दों के सामने
औरत कि क्या हस्ती
हे जी औरत तो है एक बंदरिया
फकत कसर है दूम कि ई ई
ज़रा प्यार से करो इशारा
फौरन लेती ठुमकी
ए जी इसका हमारा क्या मुकाबला
ये अबला बेचारी ई
सोच समझ कर बोलो चतुरजन
किसका पलड़ा भारी ई
हो किसका पलड़ा भारी ई
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
ख़बरदार जो हमको कहा है
आज किसी ने अबला आ
अरे हम बिगड़े तो
तुम मर्दों के सर पे बजा दे
तबला आ
ए जी तुम क्या बड़े बड़े
ऋषियों ने ए ए
तुम क्या बड़े बड़े
ऋषियों ने ए ए
नाक हयान पर रगड़ी
अरे शाहंशाहों तक ने
हमारे पाओं पे रख दी पगड़ी
ए जी झुके हमारे आगे कितने
पंडित और पुजारी ई
तुम्ही फैसला करदो रे पंचों
किसका पलड़ा भारी हो
किसका पलड़ा भारी ई हो ओ
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
बंद करो ओ ओ
बंद करो हो ओ
हो ओ ओ ओ
वाह
वाह
बंद करो ये नोकझोंक
अब छोडो ये मारा मारी
अरे नहीं बड़प्पन
किसी एक के बाप कि ठेकेदारी
ई ई
अरे वाह रे बुड्ढे
वाह वाह
ए जी नर नारी का मेल जोल
जीवन में बहोत ज़रूरी ई
एक दुसरे कि दोनों
करते हैं ज़रुरत पूरी
दोनों में हो प्यार
रामजी
दोनों में हो प्यार
तभी चल सकती दुनियादारी ई ई
यही हमारा पंच फैसला
सुन लो सब नर नारी हो
सुन लो सब नर नारी ई हो ओ ओ
बलिहारी
बलिहारी

बलिहारी
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो

बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी
बलिहारी

बलिहारी

बलिहारी

बलिहारी

बलिहारी

जाऊं मैं बलिहारी
हो तेरे पे बलिहारी
बलिहारी
बलिहारी

जाऊं मैं बलिहारी
हो तेरे पे बलिहारी

बलिहारी
बलिहारी
बलिहारी


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4212 Post No. : 15413

“Anmol Moti”(1949) was directed by Shanti Kumar for Jaishakti Pictures, Bombay. This highly obscure movie had Shenprabha Pradhan, Indu, Umakant, Vimal Bai, Ramesh Sinha, Kesar Bai, C S Dubey, Om Prakash Gaud, Tribhuwan Sinha, Sharad Shukla, Tikaram, Shyama etc in it.

The movie had ten obscure songs in it. In case of nine out of ten songs, even the details of singers are not available. The one song whose singers are mentioned in HFGK is the one song that has been covered in the past in the blog.

Here is the second song from “Anmol Moti”(1949) to appear in the blog. Though its details are not mentioned in HFGK, listening to the song reveals that it is a duet song sung by Shamshad Begam and Shailesh Mukherji. Ramesh Gupta is the lyricist. Music is composed by Ram Ganguly.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Armaanon ka pyaala mera thhes lagi aur phhoot gaya (Anmol Moti)(1949) Singers- Shamshad Begam, Shailesh Mukherjee, Lyrics-Ramesh Gupta, MD-Ram Ganguly
Both

Lyrics

armaanon ka pyaala mera
thhes lagi aur phoot gaya
mera dil toot gaya
mere dil toot gaya
toote taar milen phir kaise ae ae
toote taar milen phir kaise
man ke phool khilen phir kaise ae
aur naseeba phoot gaya
phoot gaya aa aa
mera dil
mera dil toot gaya aa aa
mera dil toot gaya

ab kaise tumko samjhaaun
ab kaise tumko samjhaaun
kya munh le kar saamne jaaun
har ik sahaara chhoot gaya
chhoot gaya aa
mera dil

aa aa aa
aa aa aa
mera dil toot gaya aa aa
mera dil toot gaya

jisko man ka meet samajh kar
jisko man ka meet samajh kar
prem ka geet sunaaya thha aa
jisko man ka meet samajh kar
aa aa aa
aa aa aa
duniya ko begaana samajh kar
jisko apna banaaya thha aa
jisko apna banaaya thha

wo de ke bharosa loot gaya aa
loot gaya aa aa
mera dil toot gaya aa aa
mera dil toot gaya


This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4203 Post No. : 15389

“Khidki”(1948) was produced by P L Santoshi under the banner of Arvind And Anand Films, Bombay. This movie had Rehana, Jawahar Kaul, Mumtaz Ali, Radha Kishan, Tiwari, Ram Singh, Srinath, Baba Raja, Abbas Rizvi, Harun, Deshraj, Shanta Kunwar, Indira, Neelam, Mona, Kamal Rani, Usha, Chanchal Kumari, Kalpana, V H Desai, Leela Mishra etc in it.

The movie had ten songs in it. Seven songs from this movie have been discussed in the past. Here is the eighth song from the movie to be covered in the blog. HFGK mentions this song as sung by Shamshad Begam and chorus. I notice that three lines (one line each in each stanza) are in another voice, namely that of Lalita Deulkar.

This song has another version which starts with the words “khoyi khoyi aankhen”. It is sung by Amirbai Karnataki and chorus.

P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Shamshad Begam-Lalita Deulkar version

Amirbai Karnataki version


Song-Hamen bhi koi yaad karta (Khidki)(1948) Singers-Shamshad Begam, Lalita Deulkar, Lyrics-P L Santoshi, MD-C Ramchandra
Chorus

Lyrics
———————————-
Part I
———————————-
Hamen bhi koi yaad karta aa aa aa
Hamen bhi koi yaad karta
to kitna achcha hota
haan kitna achcha hota
to kitna achcha hota
haan haan kitna achcha hota
Hamen bhi koi yaad karta

unke liye hamne
kya na saha
taane sune aur
huye ruswa
mere liye bhi
sabhi naam le ke
hon kabhi naam le ke
aahen do bharta
ho aahen do bharta
to kitna achcha hota
haan kitna achcha hota
to kitna achcha hota
haan haan kitna achcha hota
hamen bhi koi yaad karta

kehte hain sachchi hai wohi muhabbat
ke jismein na poori ho paaye hasrat
keh to deta
ke marte hain tum pe
ho o ke marte hain tum pe
phir marta na marta
phir marta na marta
to kitna achcha hota
haan kitna achcha hota
to kitna achcha hota
haan haan kitna achcha hota
hamen bhi koi yaad karta

naazuk bade hain
ye resham ke taage
resham ke taage
muhabbat ke dhaage
darte hain ham
kahin toot na jaayen
haan toot na jaayen
kaash wo bhi darta
kaash wo bhi darta
to kitna achcha hota
haan kitna achcha hota
to kitna achcha hota
haan haan kitna achcha hota
hamen bhi koi yaad karta

————————————————–
Part II- Amirbai Karnataki version
————————————————–
Khoyi khoyi ankhen hain
dil phirta hai rota rota
dard ki duniya dekar r r
baalam hoga kaise sota

hamen bhi koi yaad karta
to kitna achcha hota
haan kitna achcha hota
to kitna achcha hota
haan kitna achcha hota
hamen bhi koi yaad karta

mohabbat ke jitne fasaane hain
hamne padhe
hamne sune
sabhi mein yahi hai
mile dil hain bichhde
bichhad ke miley
mera sanam bhi ee ee
kahin bhoole bhatke
mujhse aa milta
to kitna achcha hota
haan kitna achcha hota
to kitna achcha hota
haan kitna achcha hota
hamen bhi koi yaad karta
to kitna achcha hota
haan kitna achcha hota


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4183 Post No. : 15362

Hullo to all in Atuldom

Round up of 2019

An eventful year comes to a close. I have had great experiences that will bring a smile on my face when I think of them or look at the related pictures.

First- my daughter gave me a promotion and I enjoyed every minute of the event. Only feeling at the end of it was— having waited for it from last July, when she announced her intention, I felt January came too soon and the week, with happenings related to the event, was over with the blessings of the elders of the family and good wishes of friends and relatives. And I must thank the Atulites too who came for it.

The next two months of the year were rather quiet. The major point of March being the R.M.I.M meet. I was lucky to have been able to attend the R.M.I.M in Bangalore this year -30th &31st March to be precise. And am I glad I attended it on both dates, unlike the last time when I went for one day and left almost immediately after lunch.

This time R.M.I.M was celebrating two birth centenaries – that of Chitragupta and Shamshad Begum. There was also a mention about the fact that Manna Dey would also have been 100 this year. Plus, there was a mention that many music luminaries of the past, who would have been 100 this year, need to be remembered.

On the occasion our Gajendraji reminisced about his encounter or meeting with the Shamshad Begum in 2012, when she was 92. He spoke about how sharp her memory was and about her sense of humour. He mentioned that when he asked her about her feelings towards her songs being remixed by the current generation her reply surprised him. She is said to have told him that by remixing, the songs were kept alive and more people were able to relish them.

Later during the post lunch session there was a debate or discussion on how social media impacted music and films. The discussion also touched whether it was right to colourise old black & white classics, remix or morph old videos etc. This was followed by Kushal Gopalka’s session where he spoke about his association with Shamshad Begumji. He mentioned another incident that showed Shamshad Begum’s view about life. He talked of an event for which he had escorted Shamshad Begumji; where the master of ceremonies asked her about her colleagues who were no more and had died rather young; for this -he says- her reply was “humari umr par nazar mat daaliye.”
My personal take-home from this was I got to meet the gracious, simple and humble Sudha Malhotra. She sounds very melodious in person even when she speaks.

For more on the meet I suggest visiting here.

April end saw me in Mumbai for a few days on some personal agenda. Which I clubbed with a met-up of friends from ASAD. That was a good gangout with guruji also landing back in Mumbai that morning and meeting Bakshishji and Nitinji for the first time (didn’t feel it was the first time though) and of course Sudhirji was also there. So, in all a good gangout even if I was present only for a short time I enjoyed.

June end was a trip to Bhopal to meet my gang of girls from college and chilling out in the heat of Madhya Bharat. But that was also fun, we parted with a promise of making it an annual affair.

July saw me in Kerala, the island resort of Ashtamudi, with newly acquired relatives and getting to know them. September end was Navaratri which saw me in my ‘sasural ka village’ as well as in Kolkata for Durga Pooja. A long-cherished dream of visiting the pooja pandals was fulfilled by my personal Santa.

Actually, for all of the above, I must thank my personal Santa as he never questions me or my intentions. He also turned a year older, an age when people normally hang-up their boots and think of taking life easy having worked for 40 years now. But my Santa has not yet thought about his boots or rest. He has a lot of enthusiasm for outings and excursions and is already planning his next joyful weekend. These breaks are what keep him going in stressful work conditions I suppose. God bless him forever.

I must thank our Sadanandji and Sudhirji for the song with this post. I am thanking Sudhirji as he suggested the song, since I have little knowledge of any song featuring the Shamshad Begum – Chitragupta combination. On a busy Saturday morning I pestered Sudhirji to find out if any Shamshad Begum song in Chitragupta’s music direction was left to be posted and he gave me this song before the day was out. Sadanandji has to be thanked as he is the one who has uploaded the song to YouTube. The movie is the 1953 release “Manchala” which had music by Chitragupta, the additional reason for my choosing this is, it is a duet by Shamshad Begum and Chitragupta.

Raja Mehdi Ali Khan was the lyricist for a movie which was produced and directed by Jayant Desai and had Nirupa Roy, Manhar Desai, Agha Jeevan etc in the cast. Going by the lyrics and the sound of the song the male in the song could have been Agha.
Happy Partying & tik tok tik tok to 2020.


Song-Dekho jee tum kuchh bolna na (Manchala)(1953) Singers-Shamshad Begam, Chitragupta, Lyrics-Raja Mehdi Ali Khan, MD-Chitragupta

Lyrics

panghat pe peepal
peepal taley hum
chhailaa sajan koi aaye re
panghat pe peepal
peepal taley hum
chhailaa sajan koi aaye re
maare kankariya phode gagariya
nainon se naina milaaye re
haay
dekho ji tum kuchh bolna na
dekhoji tum kuchh bolna na

oooo ohoho ooo
sadak pe cycle
cycle pe madam
madam ke naina bade bade
doorbin laga ke
focus milaa ke
dekhoonga usko khade khade

hain
dekhoji tum kuchh bolna na
dekhoji tum kuchh bolna na

aankhon mein gussa
haathon mein chappal
madam teri pit jaaye re
main toh na chhodoon
madam ki chutiya
haathon mein agar aa jaaye re
haay
dekho ji tum kuchh bolna na
haan dekhoji tum kuchh bolna na

oooo ohoho ooo
gaadoonga main toh
dil mein tumhaare
apni mohabbat ka jhanda re
chhailla jo mere raste mein aaya
kar doonga usko thhanda re

hain
dekhoji tum kuchh bolna na
dekhoji tum kuchh bolna na

naari sadak pe
uss pe baraati baaje bajaate aayenge
ab toh jee bas do chaar hi din mein
doli meri lee jaayenge
haay
dekho ji tum kuchh bolna na
dekhoji tum kuchh bolna na

oooo ohoho ooo
jab meri lathiya
unpe chalengi
bhaagenge sab baarati re
dekhegi duniya
doli tumhaari
mere hi ghar ko aati re

haan
dekhoji tum kuchh bolna na
dekhoji tum kuchh bolna na

bhaad mein jaaye
woh sab baraati
choolhey main jaaye wo
chhaila re
palloo tumhaara
ab main na chhodhoon
main hoon tumhaari laila re
haan
dekho ji tum kuchh bolna na
haan dekhoji tum kuchh bolna na


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4134 Post No. : 15293

“Tarang”(1952) was produced by Basudev Sinha and directed by I C Kapoor for Solar Films, Bombay. The movie had Munawar Sultana, Ajeet, Jeevan, Manorama, Baby Rehana, Master Raja, Manju, Lalita, Bhagwan Ji, Niranjan Sharma etc in it.

The movie had ten songs in it. Six songs have been covered in the past.

Here is the seventh song from “Tarang”(1952) to appear in the blog. This joyous expression of love song is sung by Shamshad Begam, Chitragupta and chorus. I C Kapoor, the director doubles as the lyricist while Chitragupta doubles up as the music director.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Aayi jhoom ke jawaani kahe dil ki kahaani (Tarang)(1952) Singers-Shamshad Begam, Chitragupta, Lyrics-I C Kapoor, MD-Chitraagupta
Chorus

Lyrics

aayi jhoom ke jawaani ee
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke

aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke

dekho aayi hai bahaar r
naya naya hai nikhaar r
dekho aayi hai bahaar
naya naya hai nikhaar
meri aankhon mein
ho meri aankhon mein hai pyaar
ab na karna tu inkaar
hogi
hogi
hogi teri meharbaani
aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho aayi jhoom ke

sun lo yaaron
yaaron ulfat hai janjaal
jo na jeb mein tere maal
ek rupaiyya wo bhi khota
yaaron ulfat hai janjal
jo na jeb mein tere maal
aankhon mein aankhen na daal
sar ke ud jaayenge baal
sar ke
sar ke
sar ke ud jaayenge baal
yaad aayegi tujhko naani
aayi jhoom ke

ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke

ho o o
gore gaal pe
gore gaal pe kaala til il il
kaaboo mein na mera dil
ho o
gore gaal pe kaala til
kaaboo mein na mera dil
seene pe rakhi hai sil
raaja jaldi aake mil
ho raaja
ho raaja
ho raaja jaldi aake mil
hai ye duniya aani jaani
aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke

kahna jo kuchh ham bhi chaahen
to kah do na
ama yaar darte hain
kyon
darte hain wo sun na paayen
achcha jee
hum to unse ishq nibhaayen
jo mere ghar pe chal ke aayen
chaahe
chaahe
chaahe langdi ho ya kaani
aayi jhoom ke

ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4130 Post No. : 15289

Today’s song is from film Izzat-1952.

The title “Izzat” obviously carried lot of “Izzat” with producers, because I find this Title in 1937, 1952, 1968 and 1992. Further there was Izzat Aabroo-90 and Izzat Aabroo-2005 (I thought these words were synonyms), Izzat ka Rakhwala-2010, Izzat ke Lutere-90, Izzat ki Roti-93, and Izzatdaar-90. I am waiting for a title Izzat ka Falooda. In these days of strange Titles, this is not impossible.

The cast of the film Izzat-52 was Nirupa Roy, Amarnath, Manorama, Agha, Rajni, Jeevan, Veera, P.Kailash, Pesi Patel, Ramesh Thakur, Baby kalpana etc etc.The film was made by Taimur Art productions. Its owner Taimur Behram Shah was the Producer and also the director of this film. The music was by Bulo C Rani. There were two lyricists,namely Raja Mehedi Ali Khan (7 songs) and Butaram Sharma who wrote just 1 song. Taimur Behram Shah was earlier in Ranjit, working as an assistant director. He got opportunity to direct 2 films of Ranjit – Lakhon mein ek-47 and Bhool Bhulaiya-49. Then he started his own production house and made Izzat-52.

Film industry has a cycle, just like Nature. An actor comes, becomes a Hero, after few years works as a side Hero and then shifts to do character roles. There are some actors, who started as Heros, remained Heros and retired as Heros. Such cases are very few. Same applies to actresses too, There are more actresses who quit films, while they were still Heroines. The reasons are usually, marriage or getting children etc. I remember at least one actress, who was a popular Heroine in the late 30s and 40s-till 1947, but stopped acting in films, because her husband strictly forbade her from doing roles other than Heroine. Her name is Meenakshi Shirodkar.

From the cast, we can see that Nirupa Roy, Amarnath, Manorama, Jeevan, Veera, Agha and P.Kailash began as Lead actors and then became side Heroine/Hero and lastly settled for character roles. Some readers may be surprised about Agha being a Hero anytime. It is interesting to note that in film ” Jwar Bhata “-44, Agha was the Hero and Dilip Kumar had made his Debut in this film as a side Hero. While Agha’s Heroine was Shamim, Dilip’s Heroine was Mrudula – a Debutante herself.

Among the cast, the name of P.Kailash and his mention as a Hero in the past, may be a matter of surprise for some readers. For a long time, I was very curious about this actor. One day I was reading a book “Asli Nakli Chehre” ( असली नकली चेहरे ) by Vithal Pandya. In this book, he has given information about P.Kailash, who did the main role in film ” Jai Hanuman-48″, for which Pandya was an assistant Director. Vithal Pandya had spent over 30 years in film industry from the 30s and 40s. He worked with many directors and in many banners. He wrote 2 books in Gujarati/Hindi, which are highly informative with first hand knowledge. For example, he mentions that S N Tripathi, the Music Director was also an actor and was famous in the role of Hanuman in all Wadia movies. However in this film-Jai Hanuman-48, he had done the role of Ravan. Anyway, based on information in this book coupled with an article by M N Sardana ji, on Fb page ‘Voh din yaad karo’ about P.Kailash, here is some information on P.Kailash for our readers, first time. My thanks to both of them.

Mr P Kailash (Pandit Kailash Chandra Sharma),was born on 03 February 1924 at Multai , a small town in Distt Baitul ( Madhya Pradesh ) .After doing H.S.C., he did a stint of teaching in Akola. Bestowed with sharp features and deep voice, fair coloured P Kailash came to Bombay in 1946 to become an actor . He had not to wait for a long to have entry in the film line .

Seth Chandulal Shah gave him a chance in his mythological movie Jai Hanuman ,as hero opposite Nirupa Roy. The movie made under the banner of Ranjit Movietone was directed by Ram Chandra Thakur. Thereafter , Mr Kailash appeared in many mythological, fantasy and historical movies like Veer Durga Das, Sati Anusuiya, Maha Bharat, Prabhu Ki Mahima, Veer Arjun, Gopal Krishna, Nadir Shah, Thief Of Baghdad, Hercules ,Aab E Hayat, Gul E Bakawali etc. In 1953, he performed as a cop in Ranjit Mvietone’s Papi, along with Raj Kapoor. With Dilip Kumar, he did a role which had comic shades in Leader. Shirin Farhad ,made by veteran film maker Aspi Irani, was another movie in which his performance was much appreciated .

Mr P Kailash appeared in numerous movies made by Film makers like Shree Ram Bohra, B K Adarsh and Filmistan. Maine Jeena Seekh Liya, Hum Kahan Ja Rahe Hain, Picnic, Baba Sari Ladli (Rajasthani) ,Jekra Charnwa Mein Lagle Pranwa (Bhojpuri), Love and Murder, were the movies, Mr P Kailash did for the said film makers. Versatile director Krishan Chopra (May God Bless His Soul) ,who died before completing his second movie ,gave him a life time role of a tyrannical land lord in Heera Moti which was based upon the heart warming story Do Bailon Ki Katha, written by great writer Prem Chand . He brought alive the arrogant and heartless Zamindaar on the screen with his dynamic performance .

Krishan Chopra, impressed with the magnificent personality of Mr P Kailash, gave him an important role in his next movie Gaban ,which was completed by Hrishkesh Mukherjee ,after Mr Chopra passed away untimely. It was a sad coincidence ,that Mr P Kailash ,also did not live long. While on a visit to his birth place Multai, he suffered massive heart attack and left for his heavenly abode on 23 May 1967 . Payal Ki Jhankaar ,made by Filmistan and Thief of Baghdad by Mr Shree Ram Bohra were released later ,after he had gone forever in the young age of 43 years ,leaving his two daughters ,one son and wife .

P.Kailash acted in 43 films. His first film was Jai Hanuman-48 and the last released film was Irada-1971.

The Hero of film Izzat-52 was Amarnath. Amarnath (Bharadwaj) is one of the “same name confusions” victims. There were two Pt. Amarnath Music Directors, 1 actor Amar, 1 actor Amarnath and 1 actor/Director (K.) Amarnath. This Amarnath was born in Hafizabad, in Gujaranwala district of Punjab (Now in Pakistan) in 1922. He started acting in 1939 with Kidar Sharma’s “Dil hi to hai”. Graduating from doing small roles he was made the Leading Man in Dalsukh Pancholi’s film “Patjhad”, started in 1947 opposite Meena (Shorey). Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of Patjhad. Though the film was censored in India in 1948, it seems it was never released.

Amarnath starred as Hero in many other films,like Naghma E Sehra-45, Papiha re-48, Barsat ki ek raat-48, Swayam sidha-49, Nai Bhabhi-50, Kamal ke phool-50, Sheesh Mahal-50, Jalte Deep-50, Johri-51, Nai zindagi-51 , Nirmohi-52, Nirmal-52, Izzat-52, Bahu Beti-53, Nav Durga-53, Toofan-54 etc. Then he switched over to side roles. In all, he worked in 81 films (CITWF data). His last film was Kaun ho tum-70.

The third uncommon name in the cast is that of Veera, about whom very few will be knowing. One time she was a very sensuous actress. Veera was from a Parsi family. Her full name was Veera Ankaleshwaria. Obviously, her family came from Ankaleshwar, a small industrial town(now), in Gujarat.

She started her career in films as a Heroine opposite Nasir khan in film Mazdoor-1945. Then came Shikari-46 and later Eight days-46, both had Ashok kumar as the Hero. Both the films were from Filmistan. Her last film as Heroine was Tohfa, opposite Rehman and Leela opposite Agha , both films from 1947. Then she stopped getting Heroine roles and shifted to side roles. In all she did 22 films.

Her other films were, Veena, Ziddi, Chanda ki Chandani- all 48, Sanwaria-49, Hamara Ghar and hamari beti- 1950, Hamari shaan, Ramjanma and Sagar-1951, Aasmaan, izzat, Moti mahal, Sanskar and Shin shinaki boobla boo-all 1952, Dana Pani-53, Boot polish and Sheeshe ki deewar both 1954.

She married Mohsin Abdulla, who had worked in Bombay Talkies as a writer. He was the younger brother of actress Renuka Devi ( Begum Mirza) and the First husband of actress Neena. After the marriage, both migrated to Pakistan in 1955. No news after that.

Today’s song is a duet sung by G M Durrani and Shamshad Begum. It is a typical song belonging to the 50’s music, influenced by C Ramchandra, O P Nayyar and Shankar Jaikishen. I liked this song. I am sure you too will like it.


Song- Iss duniya se hum nahin darega(Izzat)(1952) Singers- G M Durrani, Shamshad Begum, Lyrics- Raja Mehdi Ali Khan, MD- Bulo C Rani
Both

Lyrics

Iss duniya se hum nahin darega
Iss duniya se hum nahin darega
karega karega karega
kargega
karega karega
tumse muhabbat karega
Iss duniya se hum nahin darega
karega karega karega
karega karega
tumse muhabbat karega

zara sambhal sambhal ke aana
ho zara sambhal sambhal ke aana
meri gali mein kahin na pit jaana
ho meri gali mein kahin na pit jaana
haay marenga marenga marenga

marega
karega karega
tumse muhabbat karega

hamen chhedo na
haaye chhedo na
sab duniya dekhti
aaankhen sekti
uyi
dil phenkti
haaye
tamaasha dekhti

tere nain se nain mera ladega
tere nain se nain mera ladega
ladega ladega ladega
bhai ladega
karega karega tumse mohabbat karega

tere galey mein baahon ka
main haar daaloonga
toone roka
ya toka
to maar daaloonga
aisa karega to
aisa karega to dekh phaansi chadhenga
aisa karega to dekh phaansi chadhenga

haa
chadhega chadhega chadhega
lekin
karega karega
tumse mohabbat karega

hum soch samajh ke baat karega
milo akele mein
tum hampe gadbad karte ho
kis bhare jhamele mein
kabhi chhup chhup mere paas aana
ho kabhi chhup chhup mere paas aana

paas aane se kya hoga samjhaana
paas aane se kya hoga samjhaana
abe
karega karega karega
bhai karega
karega karega
tumse muhabbat karega

Is duniya se hum nahin darega
Is duniya se hum nahin darega
karega karega karega
bhai karega
karega karega
tumse muhabbat karega


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Blog Day : 4100 Post No. : 15247

“Raaj Mukut”(1950) was directed by Nanubhai Vakil for Mohan Pictures, Bombay. This Costume drama movie had Nimmi, Veena, Jairaj, Ram Singh, Sapru, Mishra, Gulab, Ramesh sinha, Ramesh Thakur, Jankidas, Baby Tabassum etc in it.

This movie had eleven songs in it. Five songs have been covered in the past.

The story of the movie, as goven by our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh is as follows:

Film Raaj Mukut-50 story was about a Prince who is more interested in doing social service for the poor and down trodden ( and a love affair with the Village Mukhiya’s daughter) than getting crowned legitimately. So he disappears and goes to a village, to do what he always wanted to do, but could not do so far.

He learns that his younger brother, crowned after the deliberate false rumour of the prince- was perpetrating tyranny on kingdom’s people and also arrested his own parents and jailed them. His blood boils and he enters the capital incognito, along with his girlfriend and others. There is a fighting and the younger brother is killed. The King and Queen are released. The prince becomes the King and his girlfriend becomes his Queen. Clap, Clap !

On this occasion, here is a rare song from “Raaj Mukut”(1950). HFGK mentions this song as sung by Shamshad Begam. On listning to the song, we can detect an uncredited male voice as well. I request our knowledgeable readers to help identify this voice.

Bharat Vyas is the lyricist of this light hearted song. Pt Govindram is the music director.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this fun song. The song appears to be a dance song or a roadside tamasha kind of a song to me.

Today 9 october 2019 happens to be the 4100th day for the blog. A century of a different kind for the blog.

This rare song was uploaded by our own Gajendra Khanna. What a delightful song it is ! Fit to be covered on the special occasion viz 4100th day of the blog.


Song-O paltan waale jamaadaar jee (Raaj Mukut)(1950) Singers-Shamshad Begam, Unknown male voice, Lyrics-Bharat Vyas, MD-Pt Govindram

Lyrics

o o
o paltan waale jamaadaar jee ee
oy hamen bhi bharti kar le apne topekhaane mein
oy hamen bhi bharti kar le apne topekhaane mein

o o
o vardiwaale jamaadaar jee ee
oy jamaadaar jee
jamaadaar jee
hoye
oy hamen bhi bharti kar le apne topekhaane mein
oy hamen bhi bharti kar le apne topekhaane mein

chham chham chham chham chham chham baaje
paayal ki jhankaar
aaha paayal ki jhankaar
chham chham chham chham chham chham baaje
paayal ki jhankaar
mere roop ke aage uthhe na
dushman ki talwaar
mere roop ke aage uthhe na
dushman ki talwaar
badon badon ko bech aaun main
jaake beech baazaar sipahiya
jaake beech baazaar
ham sa milega kaun sipaahi tujhe zamaane mein
oy ham sa milega kaun sipaahi tujhe zamaane mein
hoy jamaadaar jee
hoy hamen bhi bharti kar le apne topekhaane mein
hoy hamen bhi bharti kar le apne topekhaane mein

mohe sipahiya de de naukri
o tohe joru mil jaaye gori gori
oy gori gori
mohe sipahiya de de naukri
o tohe joru mil jaaye gori gori
tu jaana us’se milne
raaton ko chori chori
tu jaana us’se milne
raaton ko chori chori
main doongi tera pahra
main doongi tera pahra
kamariya mein baandh ke talwaar
kamariya mein baandh ke talwaar
le baandh le talwaar
le baandh le talwaar
o gori baandh le talwaar

baandh ke talwaar main jaaun shahar ke thaane mein
baandh ke talwaar main jaaun shahar ke thaane mein
oy shahar ke thaane mein
hamen bhi bharti kar le apne topekhaane mein
hamen bhi bharti kar le apne topekhaane mein

o o
o paltan waale jamaadaar jee ee
oy hamen bhi bharti kar le apne topekhaane mein
oy hamen bhi bharti kar le apne topekhaane mein


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Movies with all their songs covered =1193
Total Number of movies covered =4270

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