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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shamshad Begam


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3493 Post No. : 14040

“Qaidi”(1957) was produced by F C Mehra and directed by Mohammad Hussain for Eagle Films, Bombay. The movie had Padmini, Suresh, Agha, Anwar, Kumar, Kamal Mehra, Helen, Leela, Raagini, Rajan Kapoor, Amrit Rana, Tuntun, Munshi Munaqqa, Agha Miraz, Nazeera, Rafiq, Sattar etc with Johny Walker, Shyam Sundar and Randhir as guest artists in it.

The movie had eight songs in it. Five songs from the movie have been covered in the blog.

Here is the sixth song from “Qaidi”(1957) to appear in the blog. This song, which seems to have become rare with time, is sung by Shamshad Begam. Jaan Nisaar Akhtar is the lyricist. Music is composed by O P Nayyar.

Only the audio of the song is available. I request our knowldgeable readers to throw light on the picturisation of this song.


Song-Dekh li teri ada aji bas shukriya (Qaidi)(1957) Singer-Shamshad Begam, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

yoon hi baaten na bana tu
mere dil ko na jala tu
dekh li teri ada
aji bas shukriya
dekh li teri ada
aji bas shukriya

ye tera naaj hai kya
tera andaaz hai kya
ye tera naaj hai kya
tera andaaz hai kya
ae mere jaan e jahaan
bol ye raaz hai kya
ae mere jaan e jahaan
bol ye raaz hai kya
dil kahin aankh kahin hai
bas tujhe hosh nahin hai
kya mujhe bhool gaya
aji bas shukriya
kya mujhe bhool gaya aa
aji bas shukriya
yoon hi baaten na bana tu
mere dil ko na jala tu
dekh li teri ada
aji bas shukriya
dekh li teri ada aa
aji bas shukriya

na raha tujhpe agar
meri ulfat ka asar
na raha tujhpe agar
meri ulfat ka asar
kya zaroori hai bata
ye inaayat ki nazar
kya zaroori hai bata
ye inaayat ki nazar
kar ke rangeen ishaare
dil ko mat chhed hamaare
hans ke aankhen na mila
aji bas shukriya
hans ke aankhen na mila aa
aji bas shukriya
yoon hi baaten na bana tu
mere dil ko na jala tu
dekh li teri ada
aji bas shukriya
dekh li teri ada aa
aji bas shukriya

tu mujhe pyaar na kar
aankh bhi chaar na kar
tu mujhe pyaar na kar
aankh bhi chaar na kar
maine chaaha hai tujhe
is’se inkaar na kar
maine chaaha hai tujhe
is’se inkaar na kar
tu hi dildaar hai mera
tujh se to pyaar hai mera
kya kahoon iske siwa
aji bas shukriya
kya kahu iske siwa
aji bas shukriya
yoon hi bate na bana tu
mere dil ko na jala tu
dekh li teri ada
aji bas shukriya
dekh li teri ada
aji bas shukriya

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3492 Post No. : 14031

“Sartaj” (1950) was an Omar Khayyam Productions movie. this movie was directed by S Khalil. The movie had Motilal, Munawwar Sultana, Cuckoo, Manorama, Ansari, Mirza Musharaf, Shyama, Rattan Bai etc in it.

The movie had nine songs in it. Three of these songs have been covered in the past.

Here is the fourth song from “Sartaj” (1950). This song is sung by Shamshad Begam and Lata. Shewan Rizvii is the lyricist. music is composed by Husnlal Bhagatram.

Only the audio of this song is available so it is difficult to guess how this song was picturised.

I request our knowledgeable readers to throw more light on this movie and on the picturisation of this song.

I have not been able to get a word (may be more) right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Jab teri gali mein ham aaye (Sartaj)(1950) Singers-Shamshad Begam, Lata, Lyrics-Shewan Rizvi, MD-Husnlal Bhagatram
Both

Lyrics

jab teri gali mein hum aaye
kuchh toote huye se dil paaye
haan aa aa
aage jo badhe
dekha na gaya
ik dard ka maara kehta thha

zakhmon se kaleje ae ae
ko bhar de ae ae ae ae
barbaad sukoon e dil kar de ji
barbaad sukoon e dil kar de
barbaad sukoon e dil kar de
o naaz bhari ee ee
chitvan waale ae ae

aa aur mujhe ghaayal kar de ji
aa aur mujhe ghaayal kar de
aa aur mujhe ghaayal kar de

aa aa aa
aa aa aa
aa aa aa
tu jaan ka lena jaan gaya
hum ishq mein marna seekh gaye ji

hum ishq mein marna seekh gaye ji
ham ishq mein marna seekh gaye
ae ae ae ae ae ae
har roz ka marna
ulfat mein aen aen aen aen
jeena na kahin mushqil kar de ji
jeena na kahin mushqil kar de
jeena na kahin mushqil kar de

aa aa aa
aa aa aa
aata hai chaman mein jaane nazar
ae ae ae
ae ishq zara ik kaam to kar
haan aan kaam to kar
har phool mein rakh de ae ae
aankh meri
ee ee ee ee ee ee
har phool ko mera dil kar de ji
har phool ko mera dil kar de
har phool ko mera dil kar de

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जब तेरी गली में हम आए
कुछ टूटे हुये से दिल पाये
हाँ॰॰आ॰॰आ
आगे जो बढ़े
देखा ना गया
इक दर्द का मारा कहता था

ज़ख़्मों से कलेजे॰॰ए॰॰ए
को भर दे॰॰ए॰॰ए॰॰ए
बर्बाद सुकून ए दिल कर दे जी
बर्बाद सुकून ए दिल कर दे
बर्बाद सुकून ए दिल कर दे
ओ नाज़ भरी॰॰ई॰॰ई
चितवन वाले॰॰ए॰॰ए
और मुझे घायल कर दे जी
आ और मुझे घायल कर दे
आ और मुझे घायल कर दे

आ आ आ
आ आ आ
आ आ आ
तू जान का लेना जान गया
हम इश्क़ में मरना सीख गए जी
हम इश्क़ में मरना सीख गए जी
हम इश्क़ में मरना सीख गए
॰॰ए॰॰ए॰॰ए॰॰ए॰॰ए॰॰ए
हर रोज़ का मरना
उल्फ़त में॰॰एं॰॰एं॰॰एं
जीना ना कहीं मुश्किल कर दे जी
जीना ना कहीं मुश्किल कर दे
जीना ना कहीं मुश्किल कर दे

आ आ आ
आ आ आ
आता है चमन में जान ए नज़र
॰॰ए॰॰ए॰॰ए
ए इश्क़ ज़रा इक काम तो कर
हाँ॰॰आं काम तो कर
हर फूल में रख दे॰॰ए॰॰ए
आँख मेरी
॰॰ई॰॰ई॰॰ई॰॰ई॰॰ई॰॰ई
हर फूल को मेरा दिल कर दे जी
हर फूल को मेरा दिल कर दे
हर फूल को मेरा दिल कर दे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3484 Post No. : 13995

Today (31 january 2018) is the last day of the first month on the year 2018. The new year began just 31 days ago. It already appears to most people that first january 2018 was long long ago. 🙂 Most people have already given up on their new year resolutions by now, assuming that they actually made such resolutions in the first place.

I am far more disciplined and determined as far as sticking to my resolutions are concerned. My two new year resolutions for the blog were –
(a) to post one “debutant”” movie song every day.
(b) to post one YIPPEE movie song every day.

We have so far managed to stick to our resolutions.

Our regulars have been a great help in the cause of introducing “debutant” movies to the blog as some of the articles contributed by them are the first song of movies. There are still a couple of thousand movies that are not yet covered in the blog so introducing “debutant” songs on a regular basis is a resolution that one can stick to without much problem.

The “YIPPEE” resolution is rather more challenging. It basically means covering ALL the songs of a movie. While it is possible to get a few songs for many movies, getting ALL the songs of a movie is a tough challenge. There may be some movies where all songs are easily available, but most movies turn out to be such where one or two songs are quite rare and are unavailable online. Locating these elusive songs becomes a challenge – and a time consuming challenge at that. The fact that we now a days post only about three or four songs a day, and not six or seven as was the case in the past, can be partially explained by the fact that we give considerable thought to YIPPIABLE movies these days, which was not the case in the past.

I have a list of movies that have just one or two songs left in them. So at any given day, I have several movies to pick from for YIPPYing. This choice sometimes comes to our rescue. For instance, it turns out that not one but two movies with suitable final song that we thought were YIPPiable on 26 January turned out to contain another song in them. Still, I was able to post another appropriate song from another movie that turned out to be the YIPPEE movie of that day. I in fact had one more movie as YIPPEE backup for republic day. 🙂

While posting YIPPEE movies daily, we cannot neglect those movies that have three or four songs left in them. We need to regularly cover these songs so that we have more number of movies with just one song left so that we can have a steady supply of YIPPiable movies.

The final song of some of these YIPPIable movies are so great that I am tempted to hold them back. The song under question is one such song. This song is from “Gauhar” (1953).

“Gauhar” (1953) was directed by F H Hasan for All Indian Pictures production, Bombay. The movie had Bina Rai, Rehman, Agha, Vijaylaxmi, Chaman Puri, Charlie, Cuckoo etc in it.

This movie had six songs in it. Five of these songs have been covered in the blog in the past. This sixth and final song is a rare song, and one that sounds like an archtypical puraani film ka song. I have liked this song so much that I toyed with the idea of this song being utilised as a century song, and even as a thousandth song for the blog. But finally I have decided that we cannot hold on to our YIPPIable songs just like that. Sooner or later we have to cover these songs.

So finally, I am letting go of this superb song from “Gauhar” (1953). This song is sung by Shamshad Begum and Sudha Malhotra. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song,”Gauhar” (1953) joins the list of movies that have all their songs covered in the blog.


song-Sainyya tore painyya padoon aa jaa re (Gauhar)(1953) Singers-Shamshad Begam, Sudha Malhotra , Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus

Lyrics

sainyya tore painyya padoon
aa jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
ho o o o
o o o

o o o
o o o
o o o
aayi rut albeli
naache bela aur chameli
ee ee ee
aayi rut albeli
naache bela aur chameli
ee ee
tujh bin kaise rahoon main akeli
tujh bin kaise rahoon main akeli
dekh dekh mori pyaasi ankhiyaan
o dekh dekh mori pyaasi ankhiyaan
taane maaren sakhiyaan

mohe ab to daras dikhla jaa re
mohe ab to daras dikhla jaa re
sainyya tore paiyya padoon
aa jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
o o o
o o o

o o o o
o o o
chanchal geet sunaayen sakhiyaan
mehfil mein sharmaaun
oon oon oon
chanchal geet sunaayen sakhiyaan
mehfil mein sharmaaun
oon
gaa kar apna main bhed chhupaaoon
gaa kar apna main bhed chhupaaoon
prem raag sun sun ke tora
o prem raag sun sun ke tora
naache hai man mora

tu bhi sajna milan dhun gaa jaa re
tu bhi sajna milan dhun gaa jaa re
sainyya tore painyya padoon
aa jaa re ae
sainyya tore painyya padoon
aa jaa re
more man ki agan ko bujha jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
o o o
o o o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3466 Post No. : 13910

“Laaj”(1946) was directed by Shahzada Ayyaz, Saiyyad Munawwar H Qasim for Ayyaz Productions, Bombay. This social movie had Shamim, Radharani, Ramesh, H Prakash, Rajan, Rehana, Gadagkar, Master Nisar, Madhurika, Mumtaz, Moti etc in it.

The movie had ten extremely rare songs in it.

Here is the first song from “Laaj”(1946) to appear in the blog. HFGK mentions this song as sung by Radharani, but the voice is clearly that of Shamshad Begam. So the HFGK entry for this song needs correction.

Saghar Nizami is the lyricist. Music is composed by Ramchandra Pal.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song. Perhaps Radharani was the actress who lip synced the song, but we cannot be sure.

With this song, “Laaj” (1946) makes its debut in the blog.


Song-Kya saath hamaara aur unka (Laaj)(1946) Singer-Shamshad Begam, Lyrics-Saghar Nizaami, MD-Ramchandra Pal

Lyrics

kya saath hamaara aur unka
kya saath hamaara aur unka
masroor hain wo
ranjoor hain hum
go raas nahin aata jeena
jeene ke liye majboor hain hum

khud apni kahaani keh na sake
ae ae
aur unka fasaana sun na sake
dekho to hamaari majboori
dil se kitne majboor hain hum

dil par jo qayaamat beet gayi
dil par jo qayaamat beet gayi
bedard zamaana kya jaane
jo bojh uthhaaya thha hamne
us bojh se ab tak choor hain hum

wo bhed jo duniya paa na saki
wo bhed jo duniya paa na saki
wo raaz jise ham keh na sake
duniya se nahin lekin tumse
keh dene par majboor hain hum

in khaana-badoshon par jaane aen
aankhon se dhalak kar kya beete
gurbat mein museebat ke aansoo
peene ke liye majboor hain hum
kya saath hamaara aur unka
masroor hain wo
ranjoor hain hum


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3456 Post No. : 13862

Today is 3 january 2018 and we are into the early days of 2018. This is that time of the year when most people feel extremely resolutionary (not to be confused with revolutionary). One regular of our blog commented in our whatsapp group that it is not safe to go on morning walk in these early days of the year as the streets would be full of this highly resolutionary early morning walkers. It is however expected that things would be back to normal after the first week. 🙂

Unlike many who keep away till midnight on new year eve, I went to bed early and when I woke up on first january 2018, it was 5:45. It was late by my standards, but I realised that there was no electricity. The state Electricity Board was letting people in my locality down for the second morning in a week. Previous morning was a sunday, but this first day of the year was a working day.

As is my wont, I took Chhote, an extremely enthusiastic early morning walker with me. When I came out, I noticed that it was extremely dark and foggy weather outside. It was nearly 6 AM, but I was unable to see much ahead in the pitch dark. Undeterred, we began our walk groping my way out in dark from memory. It was a cold ang gloomy new year morning and it was unlikely that the early morning sun would be visible. No soul, whether any humans or even street dogs or tree monkeys could be seen. Resolute new year morning walkers are conspicuous by their absence. In any case, I have realised by now that most people staying in this locality (supposedly the top people in the organisation) are not noted for any great determination as far as early morning walking is concerned. They all wait for fair weather before deciding to come out and such fair weather is rarely available in these days. In other words, I failed to come across any new year resolutionaries on my morning walk on the first day of the year.

By the time I brought Chhote back, the visibility had improved and then I took Bhole with me on his morning walk. For us, it was just another day of morning walk, where I felt a bit let down because I started my morning walk some half an hour later than planned.

After I came back with Bhole, the next phase of my morning activity takes place in the kitchen. As soon as I go towards the kitchen, I am greeted by the persistent meowing of Pixie, a black cat, who was a tiny kitten a few months ago but now she has grown into a huge fat cat, weighing some 5 KG. This is the time when I prepare the meal of the dogs. I have become a good dog chef by now. Even the cat expects me to feed her every time she sees me. I have kept two tiny pots in the courtyard where Pixie roams around after coming out from a small abandoned room opening to the courtyard that she has occupied. I pour milk on one of her pots but she is more interested in the other stuff in my other hand that is her version of kurkure. I would throw a piece away at a distance. She would grab that piece and would come near me. It has become a ritual with her that she would bring that piece back and then eat the first piece standing near me. When I throw the next piece, she goes near the peace and eats it there. That gives me the opportunity to go back to the kitchen. After every piece, she demands for the next piece. This continues as long as I am in the kitchen.

After putting Bhhole-Chhote’s cooker on the oven, I went towards my room and switch the computer on. It is then that I had my first look at the blog, some two hours after I am done with my pets. Unlike in the previous days, when I would start preparing for the first post, I had already ensured posting of two songs after midnight, even when I was asleep.

As mentioned earlier, there was no electricity. I was managing my light and computer requirements through inverter. But geiser cannot work on inverter. In other words, there was no hot water for taking bath. It is the first day of the year, and even if it was not, one had to take bath. I reminded myself that I used to take cold water bath in winters in my younger days including during my stay at Jabalpur. So I had done it in the past and I could do it again. So I willed myself and took cold water bath. 🙂 One always feels nice after taking bath. The fact that you did something that very few people would even dare to do also made me feel good about my mental strength. It is all in the mind, I keep reminding myself as well as others. 🙂

Then I went to office. Today was the first day of the week as well, so it was a day of meeting for us. It was a new year day and people were in a mood to greet each other rather than work. Still we managed to get our work done reasonably well. Most people did not seem too much into new years resolutions though. So I was alone in feeling quite enthusiastic about the new year.

In other news, I was following the Ranji Trophy final between Delhi and Vidarbha quite keenly. I was supporting Vidarbha, the underdogs, as I had lived in Nagpur for two years in the past. I was quite pleased when I found Vidarbha rout Delhi by nine wickets to become Ranji trophy champions on the first day of year 2018.

As for the blog, we covered four songs on the first day of the year and also on the second day. The regulars have got active and they are contributing a good number of writeups. This has ensured that we are meeting our resolutions of posting “debutant” movie songs and YIPPEE movie songs everyday. Let us see how long this resolution holds for us.

Starting from second day of the year, we have started to provide blog day number as well as post number with every writeup. This was a new year resolution by Sudhir Ji. 🙂

Incidentally, Sudhir Jee reminds me that today (3 january 2018) is the 3456th day for the blog and that is a “honky tonk” number for the blog. 🙂

What did we do on the other four digit honky tonk days for the blog ? 1234th day fell on 4 december 2011. Dev Anand had passed away the previous day so that day was the day of tribute to Dev Anand in the blog. Three out of six songs posted that day were about Dev Anand. 2345th day fell on 19 december 2014. Three songs were covered on that day including a new song of 1991 discussed by the seniormost contributor of the blog in his raagmala series. 🙂

So we see that these honky tonk numbers have fallen around december-january. And I notice that I was based in three different places in three different states when the blog achieved these “honky tonk” number days.

The song under discussion is neither a debutant movie song nor a YIPPEE song. It is an in between song, so to say. Unless we cover songs from movies that have several songs left, we cannot take them towards their YIPPEEhood. This song from “Ajeeb Ladki” (1952) is the sixth (out of ten songs) from the movie to appear in the blog. This song is sung by Rafi, Shamshad Begam and G M Durrani. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Do din ki zindagi mein ik baar muskura lo(Ajeeb Ladki)(1952) Singers-Rafi, Shamshad Begam, GM Durrani, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus

Lyrics

do din ki zindagi mein
do din ki zindagi mein
ik baar muskura lo
ik baar muskura lo
parde mein tum hansi ke ae ae ae
parde mein tum hansi ke
dil ki lagi chhupaa lo o
ik baar muskura lo
ik baar muskura lo

dil ki nazar se dekho
duniya mein kya nahin hai ae
ulfat ki zindagi bhi
sab kuchh yahin kahin hai
nikla khushi ka sooraj
andaaz aap daalo
ik baar muskura lo
ik baar muskura lo

o o o
o o o
o o o
aankhon se hum na dekhin ee ee ee
dushwaar dil ki raahen
manzil bhi dekh lete
hoti agar nigaahen
dil maanta nahin hai
dil ko zara sambhaalo o
ik baar muskura lo
ik baar muskura lo

haishe
do din ka zindagi mein
o do din ka zindagi mein
qurbaan
yak baar muskuraa lo
ko che yak baar muskuraa lo
wai am bhi aaj gaaoon
yak daa
wai am bhi aaj gaaoon
wai tum bhi aaj gaa lo
loshe
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo
ek baar muskuraao amaare waaste baaba

fasl e bahaar aayi
wai
dil se dil miley hain
wai
(hoye)
wai
(hoye)
wai
wai..ee..ee
fasl e bahaar aayi
wai
dil se dil miley hain 
wai
wai
wai
wai
loche
jeene mein ab mazaa hai
kaane ka ab mazaa hai
ye shasta daam pista
akhruza aaj kha lo
wai chilgoza aaj kha lo
qurbaan
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A few of our regulars these days are finding themselves out of their comfort zone. Raja, for instance, is being forced to write “hurrriedly” typed articles while ho would like to get his articles typed in a more leisurely manner. The readers though are unable to detect much differences between his test match like batting and T20 like batting.

Even I find myself out of my comfort zone since yesterday. This happens with me when I am travelling and I find that my internet connecting device aka dongle is unable to catch signals even in “major” places in the state. Clearly providing good internet connectivity to itinerant bloggers is not there in the manifasto of any party in the state. 🙂

I managed to post the only post of yesterday at just past 11 PM and thus avoided the ignominy of that day ending up as a dot day.

Today one post has already apperared, an article by our in house encyclopeadia, posted by Sudhir Jee. So today is no longer a dot day. Let me also add at least one more post.

Since I am on travel, I do not have access to all the resources that I otherwise have at my base. For instance, noting down lyrics of songs becomes a tall order and a time consuming process while on tour. So I rely on lyrics where the hard work has already been done in the past and they are on the portable netbook that I carry with me during my journeys. A few such lyrics vare fortunately available. That is how I was able to post yesterday’s article at the eleventh hour.

The song under discussion is no different. This song is from “Mud Mud Ke Dekh”(1960). This movie has eight songs in it. Four of them have been covered. I had noted down the lyrics of the remaining songs some time back and i had left them in my hard drive to be used later.

When I do such “advance” planning then I find so many great songs that I am tempted to hold them back for some specia occasions. But if I hold all of them back then I find myseld=f running short of songs for immediate discussion.

When I heard this Rafi-Shamshad Begam duet again just now, I realised that I had liked this song so much that I had held it back. But now that I am badly in need of already noted down lyrics, any song will have to be utlised, and so I present this superb “chhed chhaad” genre of song from “Mud Mud Ke Na Dekh”. Prem Dhawan is the lyricist. Music is composed by Hansraj Bahl. This is a Punjabi style energetic song where the singers, including male and female chorus participate with gusto. The song is clearly picturised as a dance song where lots and lots of dancers participate including the lead pair ( I hope). When I check up, I find that this movie had another duet song sung by Mukesh and an unidentified female voice. So I am unable to guess which song was picturised on whom. I cannot be sure about the picturisation and so I request our knowledgeable readers to throw light on the picturisation of this song.

Once again, I am feeling like I was forced to cover this song earlier that I would have liked. That is how good this song is. 🙂


Song-Peepal ki thhandi chhaaon(Mud Mud Ke na Dekh)(1960) Singers-Rafi, Shamshad Begam, Lyrics-Prem Dhawan, MD-Hansraj Bahl
Female chorus
Male chorus

Lyrics

peepal ki thhandi chhaaon
peepal ki thhandi chhaaon
ye to choron ka hai gaanv
ke le gaye dil loot ke
ke le gaye dil loot ke ae
ye to choron ka hai gaanv
makki ke phhoote daane
makki ke phhoote daane
o jaao rapat likhaa do thhaane
na rowo phoot phoot ke
na rowo phoot phoot ke ae ae
jaao rapat likhaa do thhaane

teri chunri ka rang dhhaani
teri chunri ka rang dhhaani
kahaan chali o surmedaani
ye surma daal waal ke
ye surma daal waal ke ae ae
kahaan chali o surmedaani
main hoon sundari
tu hai bhenga
main hoon sundari
tu hai bhenga
o mere badle milega thhenga
tu sun le kaan khol ke
tu sun le kaan khol ke ae ae
mere badle milega thhenga

mera naam hai bhengakhairaati
o mera naam hai bhengakhairaati
le aaunga mem bilaayti
main git mit bol bol ke
main git mit bol bol ke ae ae
le aaunga mem bilaayti

mud mud ke na dekh mawaali
mud mud ke na dekh mawaali
o doongi aisi palat ke gaali
ke rasta bhool jaayegaa
ke rasta bhool jaayegaa aa aa
doongi aisi palat ke gaali

kyun dekhoon na mud ke chhori
kyun dekhoon na mud ke chhori
jab gaali padegi tori
maza kuchh aur aayegaa
maza kuchh aur aayegaa aa aa
jab gaali padegi tori

ho
daal bhangda
daal bhangda bhangda
daal bhangda ho
ho daal bhangda bhangda
daal bhangda ho

ho dil rangda rangda
dil rangda
ho dil rangda rangda
dil rangda ho

ho daal bhangda bhangda
daal bhangda
ho daal bhangda bhangda
daal bhangda

ho rut changla changla rut changla
ho rut changla changla rut changla

aa ho
aa ho
aa ho

babababababababa
bababababababa

tim tika o tika tim tika
ho o
tim tika o tika tim tika
ho o
tim tika o tika tim tika
ho o
tim tika o tika tim tika
ho o

saathiyaan
mubarakaan


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dev Kanya” (1946) was directed by Dhirubhai Desai for Vishnu Cinetone, Bombay. This “mythological” movie had Leela Desai, Leela Chitnis, Ulhas, Wasti, Jillo, Indira, Pal Mahendra, Kashinath, Samson, Himmatlal etc in it.

This obscure mythological movie had ten songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Dev Kanya” (1946) to appear in the blog. The song is sung by Shamshad Begam. Though there were three lyricists in the movie, the distribution of songs among them is not known.

Music is composed by Shyam Sundar.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Ek nazar mein mere man ko churaaya (Dev Kanya)(1946) Singer-Shamshad Begam, MD-Shyam Sundar

Lyrics

Ek nazar mein
ek nazar mein
mere man ko churaaya
man ko churaaya
ek nazar mein
dekho jee
kaho jee
ek nazar mein
mere man ko churaaya
man ko churaaya
kuchh mand mand hans ke
kuchh mand mand hans ke
nainon mein mere bas ke
aashaaon bhari man ki kali phool banaaya
aashaaon bhari man ki kali phool banaaya
dekho jee
kaho jee
ek nazar mein
mere man ko churaaya
man ko churaaya

tum ram gaye
tum ram gaye nas nas mein
man mera nahin bas mein
nahin bas mein
tum ram gaye
tum ram gaye nas nas mein
man mera nahin bas mein
nahin bas mein
deewaani bani
preet bhara geet sunaaya
deewaani bani
preet bhara geet sunaaya
dekho ji
kaho ji
ek nazar mein
mere man ko churaaya
man ko churaaya

nainon ke taare pyaare
jeewan ke tum sahaare
nainon ke taare pyaare
jeewan ke tum sahaare
ab bhool na jaana
jo hamen apna banaaya
ab bhool na jaana
jo hamen apna banaaya
dekho ji
kaho ji
ek nazar mein
mere man ko churaaya
man ko churaaya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaale Baadal”(1950) was directed by Anand Thakur for National Film of India production. The movie had Meena, Pushpa Hans, Shyam, Gope, Jeevan, Raj Mehra, Ramesh Sinha, Tabassum, Hansa, M. Rajan, Pratima Devi etc in it.

The movie had nine songs in it. Eight of these songs have been covered in the past.

The ninth song from the movie is, not surprisingly, a rare song.

Here is this ninth and final song from “Kaale Baadal”(1950) to appear in the blog. This song is sung by Shamshad Begam and chorus. Rajinder Krishan is the lyricist. Music is composed by Shyam Sundar.

Only the audio of this rare song is available. The song sounds like a qawwaali, though only three minutes long. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Kaale Baadal”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Pahle unke saamne jaate hi khanjar rakh diya (Kaale Baadal)(1951) Singer-Shamshad Begam, Lyrics-Rajinder Krishan, MD-Shyam Sundar
Chorus

Lyrics

pahle unke saamne
jaate hi khanjar rakh diya
aa aa aa
aa aa aa aa
pahle unke saamne
pahle unke saamne
jaate hi khanjar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne
ho pahle unke saamne
jaate hi khanjar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne

unke kadmon par jhuke ae
aur jhuk ke ye fariyaad ki ee
dekh le haalat arre
zaalim dil e barbaad ki
wo to chup baithhe rahe
aur ham tadapte hi rahe
wo to chup baithhe rahe
aur ham tadapte hi rahe
ham tadapte hi rahe
ham tadapte hi rahe

wo to chup baithhe rahe ae
aur ham tadapte hi rahe ae
hadd bhi hoti hai
mohabbat mein koi bedaad ki
kitne zaalim husn ke
seene mein patthar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne
ho pahle unke saamne

husn meethhi neend mein
chupke se sota hi raha
ishq ki kismat mein rona thha
wo rota hi raha
husn ko taqdeer ne
khushiyaan bhi di
aaraam bhi
husn ko taqdeer ne
khushiyaan bhi di
aaraam bhi
ishq ko barbaad hona thha
wo hota hi raha
ishq ke paaon mein
?? hi chakkar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne
ho pahle unske saamne


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saanwariya”(1949) was directed by Nusrat A Mansuri for Filmistan, Bombay. This movie had Hafeez Jahaan, Rehman, Veera, Nusrat, S L puri, Leela Mishra etc in it.

This “social” movie had ten songs in it. Five of these songs have been covered in the past.

Here is the sixth song from “Saanwariya”(1949) to appear in the blog. This song is sung by Shamshad Begam. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Bedard zamaane mein dekho..duniya waalon dil khol hanso (Saanwariya)(1949) Singer-Shamshad Begam, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

bedard zamaane mein dekho
hum dard ki duniya liye chale
duniya waalon dil khol hanso
hum sar ko neecha kiye chale
hum sar ko neecha kiye chale
duniya waalon dil khol hanso
hum sar ko neecha kiye chale
hum sar ko neecha kiye chale

itni si bhool hui hum se
jo pyaar kiya humne un se
itni si bhool hui hum se
jo pyaar kiya humne un se
us bhool mein hanste hanste
hum do ghoont zahar ke piye chale
do ghoont zahar ke piye chale

in aankhon mein barsaat chhipi
haaye gham ki kaali raat chhipi
in aankhon mein barsaat chhipi
haaye gham ki kaali raat chhipi
eik yaad laga kar seene se
hum mar mar ke bhi jiye chale
hum mar mar ke bhi jiye chale
duniya waalon dil khol hanso
hum sar ko neecha kiye chale
hum sar ko neecha kiye chale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Daada”(1949) was produced by Sheikh Mukhtaar and directed by Harish for Omar Khayyaam Films Ltd.The movie had Sheikh Mukhtar, Shyam, Munawwar Sultana, Begum Para, Mukri, Murad, Ansari, Pratima Devi, Maya Bannerji, Cuckoo, Shamshad Khan, Neela Devi, Suraiya Sultana etc. in it.

The movie had ten songs in it. Eight of those songs have been covered in the past.

Here is the ninth song from “Daada”(1949) to appear in the blog. This song is sung by Shamshad Begam. The song is penned by Hussain Hyderabadi. Music is composed by Shaukat Dehalvi later known as Naashaad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Saath mere hain saanwariya (Daada)(1949) Singer-Shamshad Begam, Lyrics-Hussain Hyderabadi, MD-Nashaad

Lyrics

saath mere hain
saath mere hain saanwariya
phoolon ki baaje baansuriya
gaaye re jiyarwa gaaye re
dekho chanda muskuraaye re
saath mere hain saanwariya
phoolon ki baaje bansuriya
gaaye re jiyarawa gaaye re
dekho chanda muskuraaye re

mera nanha naazuk jiya doley
mera nanha naazuk jiya doley
jaise naiyya lehron pe hauley hauley
khaaye khaaye jawaani bal khaaye re
dekho chanda muskuraaye re
saath mere hain saanwariya
phoolon ki baje baansuriya
gaaye re jiyarwa gaaye re
dekho chanda muskuraaye re

kya muhabbat bhara ye sama hai
haaye sama hai
kya muhabbat bhara ye sama hai
haaye sama hai
dil piya ji hamaara jawaan hai
haaye jawaan hai
paas reh reh ke
paas reh reh ke hamko tarsaaye re
dekho chanda muskuraaye re
saath mere hain saanwariya
phoolon ki baaje baansuriya
gaaye re jiyarwa gaaye re
dekho chanda muskuraaye re

machle padte hain
ab dil ke armaan aan aan
aao kar len mohabbat ke paimaan aan aan
aisi raaten
aisi raaten
aisi raaten
aisi raaten
yoon hi na beet jaayen re
dekho chanda muskuraaye re
saath mere hain saanwariya
phoolon ki baaje baansuriya
gaaye re jiyarwa gaaye re
dekho chanda muskuraaye re


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14000 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14065

Number of movies covered in the blog

Movies with all their songs covered =1081
Total Number of movies covered =3836

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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