Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shamshad Begam


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4767 Post No. : 16516 Movie Count :

4492

Today’s song is from film Pehla Pyar-1947. Pehla pyar means First Love. Pehla is Pehla. I could never understand why it has to be called Pehla Pehla Pyar (1958 & 1994). Does it not make it Doosra Pyar ?

Everything First time in life is memorable. This is reflected in the film titles of Hindi cinema too. Pehla Pyar, Pehli Nazar, Pehli Jhalak, Pehli Pehchan, Pehli Shaadi, Pehli Mulaqat and even Pehli Raat. Pehli Tareekh, Pehla Aadmi, Pehla Aashiq, Pehla Qadam, Pehla Aadhyaya and Pehla Paisa is acceptable, but Pehla Nashaa and Pehla Qatil ? Then there was Pehli Bhool, Pehli Shaadi, Pehli Aurat and even Pehla Aadmi !

Funniest thing is there were also Doosra Aadmi, Doosri Aurat, Doosri Shaadi, Doosra Pati, Doosri Bibi etc.etc. I did not check if there was Teesra….something something ! Hamraz ji’s book of Film Index can be a good Time Pass, really ! But I know there was a film Teesra Kaun ?

Coming back to today’s film Pehla Pyar-47, HFGK mentions it as a film made under the banner of ” Sagar Movietone co. Bombay “. Actually, Sagar was closed in 1940, then came National Studio and finally it was Amar Pictures from 1942 onwards. This also closed in 1946 with their last film ” Gwalan”-46 (of Baburao Patel and Susheela Rani). Then, from where did this filmcame and how it claims to be from an extinct ‘ Sagar movietone Co.’ ?

I rummaged through the entire book “Sagar Movietone” written by Biren Kothari ji, but nowhere could I find any reference or information on this film. Finally, I spoke directly to Biren kothariji today to ask about this film. Here too the door was closed. According to Biren ji, it is difficult to say anything about this film. He was , however, sure to say that it had no connection whatsoever with the original ‘Sagar Movietone’.

At the moment it is an unsolved mystery. Maybe in future, some explanation or information on this film will appear to clarify this issue. This is not impossible. In last few years, several such ‘ riddles ‘ have been successfully solved with new evidence, when it cropped up. Some of the riddles which were solved with such new evidence were-
1. Who sang” Bharat ki ek sannari ki katha” from film ‘Ram Rajya’-1943
2. Who sang ‘ Dilli se aaya bhai Tingu’ from film ‘Ek thi Ladki’-1949
3. If Shashi Kapoor acted as a child artiste in 20 films and
4. Is Arjun-Hero fof film ‘Malhar ‘-50 the same as MD C.Arjun

The list is too big to be given here fully, but the point is proved with these examples.

Film Pehla Pyar-47 was directed by A.P. aka Anand prasad Kapoor. he was a well known director of early cinema. He had directed 14 silent before trying his hand at a Talkie film. He was born in 1892 at benares. After matriculation, he came to Bombay and joined film industry doing all odd jobs. His first silent film as a director was Fairy of the Flute-1927 made by Sharda Film Co. His first talkie film as a director was Radhesham-1932, jointly directed by R.L.Shorey. This was a film made in Lahore.

He directed 18 talkie films. He acted also in 2 films. He wrote 32 songs in 3 films as a Lyricist. He also sang 6 songs in 5 films. His last film as a director was Chor-1950. At this stage he realised that his old style was no more acceptable with the new set up. So he retired. A.P.Kapoor died on 16-9-1966 at Bombay.

The cast of the film was Vanmala, Aghajan, Sulochana Chaterjee, K.N.Singh, Sunalini Devi etc etc. Agha or Aghajaan (21-3-1914 to 30-4-1992) was a popular hero in his early career period In film Jwar Bhata-1944, he was the Hero and the Debutante Dilip Kumar was the side Hero ! His career spanned over 50 years-1935 to 1989. He worked in 328 films Pehla pyar was his last film as a hero.

The music was composed by Premnath. This is a case of Same name Confusion. many people think that the actor Premnath had also given music as a MD. Both were different.

PREMNATH the Music Director was born on 5-7-1918 in Gujranwala, Punjab. He learnt music from experts in Amritsar,Multan and Lahore.He acted in films like Shahr-e-khamoshi and also sang in Sohni Mahiwal-1938.

After marriage, he moved to Bombay. His first film as a Music Director was Rangbhoomi-1946. In this film, a novice Mohd. Rafi sang many songs for him. His other films were Dharti-47, Chandrahas-47, Sagar’s Pehla pyar-47. He then produced a film “Chand sitare”-48 under the banner of Ravindra Art productions. Mukesh, Lata and Geeta Roy sang in it. In film ‘Alakh Niranjan’-50,he used Mohd. Faruqi, Sulochana Kadam and Rajkumari.

Premnath gave music to many films of Super pictures of Aspy Irani like Bade Bhaiya-51 and Maya Machhindra-51, in which Surendra, Geeta,Rafi and Shamshad sang. His another film ‘Qatil kaun’ in late 50s was not released. For this film, Rafi, Asha, Manna Dey, Mubarak Begum and Shamshad had given songs.

His films diminished. Sati Vaishalini-59,Main hoon jaadugar-65 and Tarzan in Fairyland-68 were his last films.
After he stopped work as MD,he devoted his time for the welfare of Cine Artists as a trade union leader. As a Secretary,he served the music Directors Assn. for 30 years.
He died on 27-4-1993 at the age of 75 years.

I find that many people mistakenly credit actor Premnath as a MD for his films. Some sites include these films to the filmography of actor Premnath.

It is now clear that actor Premnath and MD Premnath were 2 different persons.

Today’s song is sung by Shamshad Begum. With this song, film Pehla Pyar-47 makes its Debut on this Blog.


Song- Haay re ghir ke baadal aaye jiya ghabraaye (Pehla Pyaar)(1947) Singer- Shamshad begum, Lyricist- I.C.Kapoor, MD- Premnath

Lyrics

haay re ghir ke baadal aaye ae
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye

naina maane na kehnaa aa
kaaboo mein nahin hai mera haay dil
naina maane na kehnaa aa
kaaboo mein nahin hai mera haay dil
jhoom ke lehraaye jiya
doley re boley re
aa mil
aa mil
jhoom ke lehraaye jiya
doley re boley re
aa mil
aa mil
birha mein yaad jalaaye
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye

ghanghor ghataayen chhaayin
laut aayin phir jawaaniyaan
ghanghor ghataayen chhaayin
laut aayin phir jawaaniyaan
aao jee sunaayen tumhen
meethi meethi dil ki kahaaniyaan
kahaaniyaan
aao jee sunaayen tumhen
meethi meethi dil ki kahaaniyaan
kahaaniyaan
haay teri yaad sataaye
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye

sapnon mein aane waale
dekh dekh haari teri raahen
sapnon mein aane waale
dekh dekh haari teri raahen
aao galey aan milo
poochh rahin dil mera aane
haay aane
aao galey aan milo
poochh rahin dil mera aane
haay aane
tere bin jiya nahin jaaye
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4739 Post No. : 16463

Blog 10-Year Challenge (2011-2021) – Song No.30
——————————————————————

In Hindi film industry, the experiences of lyricists turning producer/director have not been generally good barring very few exceptions like P L Santoshi and Gulzar. Dr. Safdar Aah Sitapuri, after successfully writing lyrics for 25 films during 1939-1945, turned director with ‘Bhook’ (1946). The film flopped at the box office. With this, he reverted to song writing until 1954 when he directed ‘Maan’ (1954). This film also flopped. After this, he went back to his teaching profession.

Nakshab Jarchvi, who started his filmy career as lyricist in 1945, turned producer-director with ‘Nagma’ (1953) which was a successful film at the box office, He produced and directed his next, ‘Raftaar’ (1955) which flopped. Next, he directed ‘Zindagi Ya Toofaan’ (1958) which did not do well on the box office front. After this film, he migrated to Pakistan.

Ishwar Chand Kapoor directed two films – ‘Chaand Sitaare’ (1948) and ‘Tarang’ (1952) after which he was absent from Hindi film industry between 1952-57 to resurface as lyricist in 1957. J S Kashyap, the writer and lyricist, directed the only film ‘Anyaya’ (1949). Bharat Vyas, after directing his first film, ‘Rangeela Rajasthan’ (1949), refrained from directing any film thereafter. Aziz Kashmiri directed his first film, ‘Sabz Baag’ (1951). After about a decade, he directed his second and the last film, ‘Pathan’/’Rang Raliyaan’ (1962). Both the films were failures at the box office.

The hardship experienced by Shailendra when he produced ‘Teesri Kasam’ (1966) is well known. Jaan Nisar Akhtar produced ‘Bahu Begum’ (1967). Despite having top actors and excellent music, the film failed at the box office. Probably, he may have realised that producing a film was not his cup of tea. He, therefore, concentrated only on song writing thereafter. There may be some more examples of lyricists turning producer/director and failed. Kavi Pradeep was one among them.

Kavi Pradeep started his career as lyricist with Bombay Talkies and wrote lyrics for six films between 1939-43. The tremendous success of ‘Kismet’ (1943) with its songs, all written by Kavi Pradeep becoming very popular, took his career as a lyricist took a great height. In 1943, because of the internal rift, Ashok Kumar, Shashdhar Mukherjee, Gyan Mukherjee, Rai Bahadur Chunnilal and a few more left Bombay Talkies to form Filmistan. Kavi Pradeep also joined them with a 5-year contract.

‘Chal Chal Re Naujawaan’ (1944) was the first film produced under Filmistan banner whose all songs were written by Kavi Pradeep. The film failed at the box office. It appears that after this, Kavi Pradeep was sidelined in Filmistan. Except for ‘Shikari’ (1946), Kavi Pradeep did not get to write songs for Filmistan’s other films like ‘Mazdoor’ (1945), ‘Eight Days’ (1946), ‘Do Bhai’ (1947), ‘Nadiya Ke Paar’ (1948) and ‘Shaheed’ (1948). Since he was under contract with Filmistan and was almost inactive, Kavi Pradeep wrote for films made outside Filmistan such as ‘Kadambari’ (1944), ‘Amrapali’ (1945), ‘Sati Toral’ (1947) and ‘Veerangana’ (1947) under an assumed name of ‘Miss Kamal B.A.’

After the end of his contract period with Filmistan in 1948, Kavi Pradeep became a freelancer. During this period, he decided to turn producer with a newly set up film production company, Lokmanya Productions along with Amiya Chakrabarty and produced the first (and the last) film, ‘Girls’ School’ (1949) which was directed by Amiya Chakrabarty. The film’s star cast included Geeta Bali and Sohan in lead role with Sajjan, Shashikala, Ram Singh, Mangala, Vimala Vashisht, Haroon, in subsidiary roles.

The film’s synopsis is as under:

Meena (Geeta Bali) leaves home when she is forced to accept an arranged marriage. She comes to a village and set up a girls’ school which is opposed by local landlord. Bipin (Sajjan), the landlord’s brother-in-law has an eye on Meena. The school is in need of a teacher. In response to an advertisement, Shanti Kumar Majumdar appears for an interview and gets selected as teacher in the girls’ school. The landlord’s widowed sister Sumitra Devi (Vimla Vashisht), a supporter of the school, objects because he is not married. Meena and Shanti Kumar fall in love but he realises the damage he may cause to her school and leaves. Bipin then spreads rumours about Shanti Kumar’s morals, which cause a further difficulty that has to be resolved before both the future of the school and of the loving couple may be assured. (Source: https://indiancine.ma/FLM).

The film failed miserably at the box office and Kavi Pradeep lost his good amount of money which probably made him realised to settle for only the song writing for the rest of his life. Amiya Chakravarty started his own banner ‘Mars & Movies’ and successfully produced and directed films like ‘Daag’ (1952), ‘Patita’ (1953) and ‘Seema’ (1955).

‘Girls’ School’ (1949) had 9 songs of which 7 songs have been covered in the Blog, details of which are given below:

Sr. No. Details of Songs Date of Posting
1. Tumhi kaho mera man kyun rahe udaas nahin 25/04/2011
2. Baar baar tum soch rahi ho…chaar din ki chaandni hai 09/07/2011
3. O shahar ke baanke baaboo…zara dil pe rakhiyo qaaboo 19/05/2015
4. Kuchh sharmaate huye aur kuchh saham saham 06/02/2016
5. Raam bharose meri gaadi 25/10/2016
6. Danke ki chot par kehta hoon main 11/12/2017
7. Phoolon ka sapna dekhne waalon 01/05/2021

Generally, Kavi Pradeep was known for his patriotic, inspirational and religious songs. In ‘Girls’ School’ (1949), he had written some light-hearted songs such as songs at Sr. Nos. 4 and 6 in the above table. I am presenting one more light-hearted song, ‘gori ek baat sun badi mazedaar hai’ from the film sung by Chitalkar (C Ramchandra) and Shamshad Begum. The song is set to music by C Ramchandra. I had uploaded the video of the song more than 4 years back with a view to posting the song on the Blog. It is only today, the song got a muharat to be presented under ‘Blogs 10-Year Challenge (2011-2021)’.

Enjoy this ‘nok jhok’ song.

Lyrics of the song were provided by Prakashchnadra.

Audio Clip:

Song-Gori ek baat sun badi mazedaar hai (Girls’ School)(1949) Singers-C Ramchandra, Shamshad Begam, Lyrics-Kavi Pradeep, MD-C Ramchandra
Both

Lyrics(provided by Prakashchandra)

gori ek baat sun
badi mazedaar hai
kyaa
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai

piya tum kitne samajhdaar ho
ha ha
kaun kehta hai ki tum ganwaar ho
kyon gori kaisi kahi
badi mauke ki rahi
magar ye baat tumhaari nahin
magar ye baat tumhaari nahin
udhaar hai

haain
teri takraar mein bhi
uun hoon

teri akal se das guni hai gori
mujh mein akal
zara sheeshe mein dekho apni shakal
jyaada bak bak mat kar
jyaada bak bak mat kar
bas ho jaa chupchaap
baap re baap
ghadi ghadi mujhko sata mat
lagega paap
baap re baap
mere bhagwaan bata…aa
mere bhagwaan bata
ye kya chamtkaar hai
mera baalam hai
ya police ka zamadaar hai

teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai

aaj se sun papeeha
aaj se sun papeeha
teri meri kutti
apne naihar ko chali ja
hai tujhe chhutti
aisa mat bolo piya
dhak dhak hoye jiya
aisa mat bolo piya
dhak dhak hoye jiya

phir kaahe ko akadti
meri sarkaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai

teri meri preet gori
kabhi nahin chhoote
kabhi nahin chhoote
hato ji hato balam
hato ji hato balam
tum ho bade jhoothe

meri dugdugi baje dug dug
o mere saiyyaan jio jug jug
meri dugdugi baje dug dug
o mere saiyyaan jio jug jug
tera mera jhagda mita
ab to beda paar hai
tera mera jhagda mita
ab to beda paar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4725 Post No. : 16437

Today’s song is from the film Do Raaha-1952, about which not much is known- except whatever is given in the HFGK.The film was made under the banner of ‘Progressive Pictures,Bombay’. It was directed by Bal Chhabra and was produced by his elder brother Sujit Chhabra under their own banner. The cast of the film was Nalini Jayawant, Shekhar, K N Singh, Agha, Dewan Sharara, Jagdish Sethi and many more. The 8 songs of this film were written by Prem Dhawan-6 songs and one each by Sahir Ludhianvi and Josh Malihabadi. It seems, there was one more song ” Sab paise ki hai maya” sung by Shankar Dasgupta, S D Batish and Prem Dhawan. The song was also recorded but not included in the film. The music was by Anil Biswas.

Like the film title ‘Do Raaha’, Anil Biswas was also almost at a Do Raaha point in his life. He was a disturbed person. His relations with wife Ashalata were worsening by the day. At the same time his closeness to Meena Kapoor was increasing. Out of his total 90 films in his career, 60 films were over and he was looking at the last 1/3 part of his career with a pessimistic view. After this film, he gave music to 29 more films, but his old magic seemed to be deserted him on the way somewhere. Only the films Fareb-53, Pardesi-57, Char dil char rahen-59 and Sautela Bhai-62 had songs having his faint old stamp.

Anil Biswas, the Bhishma Pitamaha of HFM, was a respected person in the industry. He started from the mid 30s and for the next 25 years or so, he created many everlasting gems in film songs. In Bombay,the Playback system was first started by him in the film Mahageet-1937. By the mid 50s his magic started waning and by 1960, he was almost gone from the industry.

Initially he did 10-11 films with Sagar, then with Mehboob for National studios and then in Bombay talkies- where his name became immortal with the film Kismet-1943.

He married Ashalata in 1936. Along with her he started variety pictures and they produced films like Laadli-49,Laajawab-50;Badi bahu-51,Hamdard-53 and Bajuband-54. ( a less known fact is-Anil da had made a Guest appearance in film Hamdard-53 as a barber. He also acted in the film Mehman-53 (produced by Ashalata),as a Pujari and a song was shot on him.In both cases he did not get any payments. As a Producer he lost heavily, because Ashalata usurped all the money. Frustrated, he gave up everything and separated from her in 1954.

To sustain life, he bought a Truck and did a business of transportation. In addition he also took the contract for a canteen in Mehboob Studios. He failed in both ventures. By now, his relations with Ashalata were soured and sweet links were established with singer Meena Kapoor-25 years younger to him, since 1948 itself. They got married with each other on 19-3-1957. The death of Brother in law and close friend Pannalal Ghosh in 1960 and younger brother Sunil in 1961 as well as his eldest son, broke his heart. He left Bombay and joined A.I.R. at Delhi on 1-3-1963, where he worked upto 27-6-1975. Later he was a consultant for Nehru University for a few years.

Like many filmi couples, Anil da’s married life was also a failure. In Bombay,he used to stay in a huge bungalow,called ” Asha-Pradeep “, on Vincent Road. From Ashalata,he got 3 sons-Pradeep, Amit and Utpal and 1 daughter-Shikha. His son Utpal formed a pair as Amar-Utpal and gave music to few films. The other son Amit established the First Digital Recording Studio in Bombay. Daughter Shikha too got married and settled.

However, hardly anything is known about his eldest son Pradeep, anywhere. Here is some information, hitherto not known much, brought specially for our readers.

Pradeep was a very bright student and always topped in school and college. He passed his entrance exam and the interview, with flying colours for entry to NDA college at Poona, to join armed forces. He excelled even in NDA training. Not only was he very popular there but sang well too. He participated in the music Festival of Khadakwasla NDA and sang 3 songs, winning all prizes. He was also an NDA Topper.

Shri Gopinath Talwalkar, an A.I.R. Programmer at Delhi, used to interview the Toppers of NDA every year. That year Pradeep was the Topper, so he was interviewed. Though the interview was in Hindi, after the recording, Pradeep asked Talwalkar, in pure Marathi, whether his interview had been good. Talwalkar was shocked. Pradeep then explained that he was Anil Biswas’s son and he had learnt Marathi from his actress mother Ashalata. Pradeep knew Hindi, Marathi, English and Gujarati languages.

After completing his NDA training, he was posted as Flight cadet at Jodhpur. He was further promoted and became Pilot Officer in 1957. During one Training flight some altitude problems occurred and his plane crashed at Begumpet Airport, Hyderabad, killing Pradeep instantly. This happened in 1961.

This was also the time of crisis for Anil da. He was struggling to survive. Films were not coming to him. Since he married Meena Kapoor, Lata Mangeshkar-a fast close friend of Ashalata , had gone against him and Meena’s singing career was suppressed. He had already lost Pannalal Ghosh and Sunil-his brother, and now Pradeep’s death devastated him and he was literally forced to seek employment with Delhi A.I.R., when the opportunity came. After retirement, till his death on 31-5-2003, he spent his life in total anonymity as a recluse. So sad for a composer, who was once a fountain of enthusiasm and who was considered Mentor by leading contemporary composers like C.Ramchandra.

Here is an interesting incident about the film Girls School-1949, between C Ramchandra, Anil Biswas and Lata Mangeshkar. This film was produced by Kavi Pradeep under the banner of Lokmanya Productions, Bombay. This was a company floated by him and Amiya Chakrawarty-director of this film. To understand the complexities of Girls school, we must go back a little. In 1942, Anil Biswas was invited by Ranjit @ 1500 pm and by Bombay Talkies @ 2500 pm. As National studio was winding up, Anil Biswas wanted to make a change anyway, but due to the contract of national he could not join Bombay Talkies openly. He ,however , gave music to film Basant-42 and the name of his brother in Law, Pannalal Ghosh was used as its MD.

Finally when Anil Biswas joined Bombay Talkies, there were already 2 groups there. One was led by Devika Rani and Amiya Chakraborty and the other was led by S. Mukherjee along with Ashok kumar, Gyan Mukherjee, Pradeep etc- a total of 15 artistes. Anil Biswas was invited by Devika Rani and that too at 2500 pm, when Pradeep was getting 1500 pm. This irritated Pradeep no end and he started troubling and finding faults with Anil Biswas. However Anil Biswas gave excellent music to film Kismet and then everyone was happy as the film celebrated jubilees everywhere.

With this background, Anil Biswas joined Girls school as a MD, mainly due to Amiya who knew his calibre. Kavi Pradeep being a producer and a Lyricist started interfering with Anil Bswas’s work and criticising him at every opportunity. Anil Biswas was fed up. He had already recorded 3 songs and a solo by Lata , “tum hi kaho, mera man udas kyun na rahe” was to be recorded. Anil Biswas had taken C Ramchandra as his assistant for this film. Though C Ramchandra was already a popular and well known composer himself, still due to sheer respect for Anil Biswas, he had accepted to be his assistant here. When the tune for Lata’s solo was made, Pradeep passed caustic remarks about it being not so good. There was an altercation between Anil Biswas and Pradeep and Biswas quit then and there and went away.

Automatically, C Ramchandra had to take over as MD for the balance songs. Pradeep was very happy. Next day recording of Lata’s solo song took place under the supervision of C Ramchandra, as planned. Later when Lata came to know that Anil Biswas had left and C Ramchandra had replaced him,she was very angry and said that she would not have recorded the song had she known about AB’s exit. She objected to CR’s taking over and complained to the Artistes association too. (Remember, at that time Lata and CR’s relations had not formed yet, Lata was still with Husnlal.)

Later on in 1954, when O P Nayyar replaced Roshan for Mehbooba-54, Lata took up the issue with the MDs’ association. Anil Biswas was the chairman that time and OPN was boycotted. That time Lata quoted the film Girls school incident to prove that she is “highly Principled” !

Anyway, this was how C Ramchandra became the next MD of Girls school-49, with 4 duets of Shamshad and 1 solo for Lalita Deulkar. All the 4 duets of this pair are very interesting. However, with all this jhamelas, film Girls school-49 was a total Flop. Pradeep lost heavily and closed the production company forthwith, after just one film.

Today’s song is a very good song and I was surprised to see that it was not yet posted here. Actually, there may still be some more such Gems, waiting to be discovered. This song is sung by Anil Biswas, Meena Kapoor, Shankar Dasgupta and Shamshad. I liked this song. You too will like it.

(Information used in this article is from books Sagar Movietone, Journey down melody lane, Ritu aaye Ritu jaaye, my notes and Marathi book Anil Biswas, with thanks).


Song-Arre na jaane kya samjhen ye moonchhon waale moonchhon waale (Doraha)(1952) Singers- Shankar Das Gupta,Shamshad Begam, Meena Kapoor, Anil Biswas, Lyricist- Prem Dhavan, MD- Anil Biswas
Female chorus
Male chorus

Lyrics

ae jee bach ke chalna aa
paaon mein moch aa na jaaye
ae kamar naazuk kahin bal kha na jaaye

are na jaane kya samjhe ye
moonchho waale
moonchhon waale

khud ko shaane khuda samjhen ye
moonchhon waale
moonchhon waale

ye baanki tagdi moonchho waale
ye ulti seedhhi moonchho waale
ye bin moonchho ke moonchho waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale

degree lene aaye thhe
mister magar
pad gayi jaane kahaan
unki nazar

ishq ke college mein aise
kho gaye
ho o o
ho o o
B A hote hote Majnoo ho gaye
aur humko bhi Laila samjhe
ye moonchho waale
moonchho waale
aur humko bhi Laila samjhe
ye moonchho waale
moonchho waale

ye chhoti chhoti moonchhon waale
ye moti moti moonchhon waale
ye bin moonchhon ke moonchhon waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale

saara din to jootiyaan chatkaayen hum
aur tab kahin ye chaar paise paayen hum

aeji laaye saadi
laayen powder surkhiyaan aan
o o o o
o o o o
tum udaao aur kamaate jaayen hum
arre phir bhi naaz dikhaayen haay
zulfon waale
zulfon waale

o phir bhi naaz dikhaayen haay
zulfon waale
zulfon waale

hoy naagan ban das jaayen haay
zulfon waale
zulfon waale

ho naagan ban das jaayen
ho das jaayen
ho das jaayen
haay
naagan ban das jaayen haay
zulfon waale
zulfon waale

ek din mister zara
ghar bhi raho
aur aane jaane waalon se parda karo

maanjo bartan
jhaadoo do
paani bharo
o o o o
o o o
jis tarah marte hain hum
tum bhi maro
phir dekhen khud ko kya samjhen
ye moonchhon waale
moonchhon waale
phir dekhen khud ko kya samjhen
ye moonchhon waale
moonchhon waale

ye Hitler jaisi moonchhon waale
ye machchar jaisi moonchhon waale
ye bin moonchhon ke moonchhon waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
humko na jaane kya samjhen
ye moonchhon waale
moonchhon waale


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4724 Post No. : 16436

———————————–————–
Geeta Dutt – Solos and Duets (06)
———————————–————–

Question:
Kitaaben bahot si
padhi hongi tum ne
magar koyi chehra bhi
tum na padha hai

Answer:
Padha hai meri jaan
Nazar se padha hai

Next Question:
Bata mere chehre pe
Kya kya likha hai

The above is a film song from the film ‘Baazigar” written by Zafar Gorakhpuri. There have been some songs in hindi films which refer to ‘Kitaab’, like
Dil ki kitaab kori hai kori hi rehne do and Haathhon mein kitaab baalon mein gulaab.

The second song above is my own post from 2015. As I read it again today, I found that I referred to the ‘Baazigar’ song in that post as written by Sameer, but that’s incorrect. Another reason why I am talking about books today is, in a recent post I talked about film magazines. That evoked a few comments from regulars, which in turn made me remember a lot of mishaps or near misses, which have happened in my life.

My love for reading has always been an important factor in my life. Not necessarily, useful things or text book learnings, but anything on any topic that catches my fancy and is readable and reasonably understandable to my unscientific mind. Scientific theories are beyond me, and maths was my weakest subject in school. But I was not at all lacking in analytical abilities and general knowledge, which seems to have gotten me through at least one all india level competitive exam, where lakhs of people aspiring for government jobs tried. It could have been sheer luck that I got most of ‘analytical ability’ part objective type answers correct. It certainly cannot have been the mathematical portion of the exams. One portion was of English language, that must have helped. I kept the ‘Maths’ part for the last, and some of the answers I just marked randomly :-). The exam was for undergraduates, but my father still could not believe it, when he saw the merit list.

Reading, reading and more reading, has made me a more balanced person, where I don’t get easily rattled. Never bored under any circumstances. Magazine is ‘risaala’ in urdu language. I have grown up with all kinds of publications, periodicals, weekly, fortnightly, monthly, and of course the daily newspapers. Digests also, in Urdu and ‘Reader’s digest’ in English. I have read many novels in Urdu too, which are difficult to come by now. I know, digital version is available, if I really want to read them now. All my maternal uncles and paternal uncle, would carry some newspaper or magazine with them whenever they came to our place. Now I go to their places, there is no sign of magazine or newspapers in their household. We can blame this on digital media, which has put paid to the printed material’s role, in our daily lives. It comes DTH, appears cheaper, requires no hard-work or maintenance even. Don’t have to save it from small children. That the children should be kept away from things digital, is another matter.

Thus, I was exposed to different type of publications in English, Urdu, Hindi and Marathi, while growing up. I consider myself fortunate to have seen “Blitz” in English and in Urdu, for e.g. All periodicals published in the south also I have read while growing up, be they political, sports or financial. Maybe in 1993 people still referred to books as ‘kitaab’, but now the word is rarely heard, unless I am watching an urdu drama series. There also only the older generation is heard talking of ‘kitaab’. In school textbooks were ‘kitaab’ and notebooks were ‘copy’ or kaapi.

Living and growing up in a metropolitan city has its own advantages. Major ones in my opinion are, the cosmopolitan outlook that one develops in personal and social aspects, plus the opportunities for growth and success in life professionally, are better. A thriving city is like a big machinery, it cannot afford to let any part of it be disrupted. Be it the lowest of slums or the poshest of locality. And overall people are not bothered what others are doing, which augers well in some ways. In terms of personal freedom and mental well-being.

So here I was, growing up in Mumbai, in which good fortune I had no contribution to make. It was destiny. A couple of things, like missed opportunities that have surfaced in the memory, is a job opportunity in a financial magazine. I got a call for some sort of test they were taking, I must have applied for the ‘trainee’ job, right after graduation. I attempted that test, without knowing what to expect there. I may not have fared well there, as I never got a call or any communication.

Another instance of a missed opportunity is one where I attended a walk-in interview somewhere in the Fort area for some trainee post at TCS in 1990-91. Computers were the new in-thing in the late 80’s and in college we had ‘computer science’ as optional subject. TCS was on its way up to the greater things it achieved in later years. There was group discussion also among the candidates who had turned up that day. I remember there were around 15-20 of us. At the end of it all some were shortlisted, then were told to take up the course, which was costing may be 10000/- or so, I don’t exactly remember. They said that the candidates will be absorbed in the company after that course, but the fees had to be paid. I came home and discussed all this with my parents. I was not so keen on computer programming, as it is, so didn’t press the issue. Theory subject were my forte, and I used to do well in subjects like economics. Late 80’s and early 90’s was also a period of great boom in share markets investments. It turned out that my father has shares of TCS, which he obviously got at the time of issue years ago. Lo and behold, if he knew or had an inkling of the company’s prospects and potential, then he could have guided me in that direction. But that was not to be, as it was not destined to be. After all God Almighty is the best of planners, and it is his will and his alone, that can take us in a particular direction.

Nida Fazli has said accurately:
“waqt se pehle qismat se zyada, kisi ko mila hai na kisi ko milegaa”

************************

Lakdi jal koyla bhayee
koyla bhayee raakh
Main baawri aisi jali
koyla bhayee na raakh

This is the actual doha, from which the initial lines of the song are inspired. Lyricist is Anjum and the composer of this truet song is Chitragupt. The singers are Geeta Dutt, Shamshad Begum, and Shanti Sharma. Shanti Sharma is a new name for me, but I see in the stats page that she has 2 songs in the blog.

This is a nice qawwali style song, I had saved the link for featuring in this series of Geeta Dutt. One more variation, in the singer’s repertoire for sure. She has been part of many qawwali’s in the career, as she was capable of singing all types and moods of film songs. She was comfortable in the mischievous songs also, with her strong vocals, with a hint of khanak, like Shamshad Begum. Asha Bhosle has in later years, tried to adopt the strength in voice which was a signature of Shamshad Begum and which Geeta Dutt has demonstrated in many songs.


Song-Dekho to dil hi dil mein jalte hain jalne waale (Hamaara Ghar)(1950) Singers- Geeta Roy, Shamshad Begum , Shanti Sharma, Lyrics-Anjum, MD-Chitragupta
All

Lyrics

Lakdi jal koylaa bhayee
Aur koyla jal bhayaa raakh
baaki dushman yoon jale ae ae
ki koyla bhaye na raakh

dekho to dil hi dil mein ean
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale

aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa

aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa

ho oo oooo
kaam nahin duniya mein kisi ko
dekh ke jalne waalon ka
haan dekh ke jalne waalon ka
aaa aa aa aa
khoob samjhte hain matlab
in ulti seedhi chaalon kaa

hai dhokhe ki ye duniyaa aa
hai dhokhe ki ye duniyaa
kehte hain kehne waale
haay kehte hain kehne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale

dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki

dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki

ho oo o o o
aankhen ho to haalat dekho
deepak ki parwaane ki
haay deepak ki parwaane ki

ooo oooooo
ye baat magar kapti dil ke
nahin samajh mein aane ki

qismat mein jab likkha hai
qismat mein jab likkha hai
rote hain rone waale
haay rote hain rone waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4715 Post No. : 16421

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Blog 10-Year Challenge (2011-2021) – Song No. 26
———————————————————————————–

This date ten years ago (15 June 2011) was a normal day for the blog when six songs from six different movies were were covered in the blog. Here are the details of the six songs that were covered on this day ten years ago:-

Blog post number Song Movie (Year) Remarks
4001 Dil neeke beete jaate hain Pooran Bhagat(1933) 6 songs so far covered out of 20
4002 Waah ri duniyaa waah re zamaane Grihasthhi(1948) 6 songs covered out of 8 by now
4003 Ae ishq hamen barbaad na kar Naach(1949) 9 songs covered out of 11 by now
4004 Thandi thandi hawaa jo aaye Sunehre Din(1949) 7 songs covered out of 10 by now
4005 Tum dekh rahe ho ke mite saare sahaare Sheesh Mahal(1950) All 9 songs covered. Movie YIPPEED
4006 Yahaan raat kisi ki rotey katey Jai Bhawaani(1961) 4 songs covered out of 8 by now

As many as five movies (out of six) are eligible for blog ten year challenge today on 15 June 2021.

“Naach”(1949) is one of the five eligible movies.

“Naach”(1949) was produced by Kuldeep Sehgal and directed by Ravibndra Dave for Kuldeep pictures, Bombay. The movie had Suraiyya, Shyam, Wasti, Om Prakash, Kuldip Kaur, Raj Mehra, Gulab, Yashodhara Katju, Sofia, Shyama, Urvashi, Sewak etc in it.

The movie had 11 songs in it. Nine songs have been covered in the past.

Today, as blog ten year chaallenge, here is the tenth song from “Naach”(1949) to appear in the blog. This song is sung by Zohrabai Ambalewaali, Shamshad Begam and Rafi. Nazim Panipati is the lyricist. Music is composed by Husnlal Bhagatram.

The two female singers sing together throughout the song and they never sing alone.

Only the audio of the song is available. I request iur knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.
With this song, Husnlal Bhagatram complete 300 songs in the blog as music directors.


Song-Namaste jee namaste jee (Naach)(1949) Singers-Rafi, Zohrabai Ambalewaali, Shamshad Begam, Lyrics-Nazim Panipati, MD-Husnlal Bhagatram
Rafi + Zohrabai Ambalewaali + Shamshad Begam

Lyrics(Provided by Prakashchandra)

namastejee namastejee
namastejee namastejee
hamraa tumhraa jeevan beetey
hamraa tumhraa jeevan beetey
hanstey hanstey jee
namastejee namastejee
namastejee namastejee..eee

subah se shaam tak
kyun gair ki galiyon mein rehte ho o o
khafa hotey hain jab hum phir
namastey hamko kehte ho
tumhaarey raaj mein kya hum
rahengey bas yoon rastey mein

namastejee namastejee
namastejee namastejee
hamraa tumhraa jeevan beetey
hamraa tumhraa jeevan beetey
hanstey hanstey jee
namastejee namastejee
namastejee namastejee…eeee

hamaarey dil ke kamarey mein
phataaphat aake bas jaao o
naheen is dil ki kuchch pagdi
chaley aao chaley aao
khulee hai dil ki building
saikadon hain isske raste jee
namastejee namastejee
namastejee namastejee
hamraa tumhra jeevan beetey
hamraa tumhra jeevan beetey
hanstey hanstey jee
namastejee namastejee
namastejee namastejee ..eee

mangaa do aaj hi maathey ka jhoomar hamko dehli se
mangaa do haar soney ka hamein phauran bareilly se

hai dekho kitni mehangaayee
hai dekho kitni mehangaayee
magar zevar hain sastey jee
namastejee namastejee
namastejee namastejee
hamraa tumhra jeevan beetey
hamraa tumhra jeevan beetey
hanstey hanstey jee
namastejee namastejee
namastejee namastejee eeee


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4710 Post No. : 16416

———————————–————––—
Rafi Sahab’s Legendary Associations – 5
———————————–————––—
The fifth post in this series is taking care of 4 artists, who are majorly important and fruitful associations of first decade of Rafi Sahab’s career. First and foremost is the composer duo of Husnlal-Bhagatram who composed many melodious scores in late 40’s and early fifties. I counted 100 plus songs in the excel sheet of Rafi sahab’s songs, which are composed by Husnlal-Bhagatram. 45 of these are written by Qamar Jalalabadi. I found these 6 songs of this team’s duets sung by Mohammad Rafi and Shamshad Begum.

Song Movie (Year) Singer(s) MD Lyricist
Ladka Aur Ladki Mile Pyar Ka Gaana Chhoti Bhabhi(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Mere Dil Ko Jalaaya Na Karo Gauna(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Chod Diya Ghar Baar Rani Tere Liye Meena Bazaar(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Gori Bahon Mein Chudiyan Kaali Saja Lo Meena Bazaar(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Le Lo Ji Maharaja Dupatta Mera Saat Rang Ka Meena Bazaar(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Tera Mera Ho Gaya Prem Main Hun Saheb Tu Hai Mem Farmaaish(1953) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi

As for pure duets of Rafi-Shamshad are concerned, I counted 150 in the list, out of which 94 are posted in the blog. There are many Punjabi films songs also in the 150 duets of Rafi-Shamshad. Apart from these there are many group songs of three or more singers, with these two stalwarts, who started the journey of duets right in 1946 and continued till late 60’s. There is no way I am not listing my favourite Rafi-Shamshad duets here.

Song Movie (Year) Singer(s) MD Lyricist
Solah Baras Ki Bhai Umariya Aag(1948) Mohd Rafi, Shamshad Begum Ram Ganguly Bahzad Lakhnavi
Mohabbat Mein Kise Maloom Tha Ye Din Bhi Aayega Paaras(1949) Mohd Rafi, Shamshad Begum Ghulam Mohammad Shakeel Badayuni
Bolo Ji Dil Loge-2 To Kya Kya Doge Patanga(1949) Mohd Rafi, Shamshad Begum C Ramachandra Rajendra Krishna
Leke Pehla Pehla Pyar Bharke Aankhon Men Khumaar C I D(1956) Mohd Rafi, Shamshad Begum O P Nayyar Majrooh Sultanpuri
Khat Khut Karti Chham Chhum Karti Gaadi Hamaari Mother India(1957) Mohd Rafi, Shamshad Begum Naushad Ali Shakeel Badayuni
Bheega Bheega Pyar Ka Sama Bata De Tujhe Jaana Sawan(1959) Mohd Rafi, Shamshad Begum Hans Raj Bahal Prem Dhawan

I found this song in the list credited to Pakeezah, but it is not available:

Song Movie (Year) Singer(s) MD Lyricist
Jayen To Kahan Jaaye Ab Tera Ye Deewana Hatkar (Unreleased) Pakeezah(1971) Mohd Rafi, Shamshad Begum Ghulam Mohammad Kaif Irfani

Guess what, there are exactly 151 songs in the list of Rafi sahab’s song where the lyricist is Qamar Jalalabadi. There seems to be perfect symmetry, here as I counted 151 for Rafi-Shamshad and 101 for rafi-Husnlal Bhagatram.

Here is the total tally of these artists in the blog so far:

Artist Songs posted in the blog Total songs
Husnlal-Bhagatram 296 451
Qamar Jalalabadi 393 721
Shamshad Begam 713 1273

** Shamshad Begam’s posted songs are not yet updated, after the recent 4-5 posts of her songs.

Coming to the song under discussion, it is from the film’Gauna’ 1950. A very sweet chhed-chhad genre song, very early 50ish. I had not head this song too like many of Husnlal-bhagatram’s songs, until a few days ago. I had to post a Rafi-Shamshad duet, and it is was a melodious one composed by HB, it was a double ‘sone pe suhaaga’.

Following songs of Gauna (1950) have been covered in the blog:-

Song Date of posting
Ban ban ke mit gayin hain taqdeer ki lakeeren 26 February 2012
Aaj kisi se ho gayin aankhen chaar chaar chaar 22 October 2016

The song reminded me of this famous song.

While seeing to the Rafi-Shamshad duets in the excel sheet, I could see a few, that I have written the post myself, but I have listed only the songs that are readily recognisable and are part of my old film songs listening memory. With only 94 songs posted so far in the blog, there are at least 40 such sweet/meloncholy/mischievious/romantic duets that remain to be posted. Enough for another series, if any one is of the mind. Arunkumar Deshmukh Sir, is fond of the older duets of these two singers as has posted a lion’s share of the last few such duets.

Lastly, I cannot stop listening to the duets of these two, whenever I reach one. Even unknown songs are like fresh fruit juice. The khanak in Shamshad Begum’s singing, and the soft smooth tones of Rafi Sahab, make for a delightful duet, always.

Mere dil ko jalaaya na karo – Gauna (1950)

Song-Mere dil ko jalaaya na karo (Gauna)(1950) Singers-Shamshad Begum, Mohammed Rafi, Lyrics-Qamar Jalalabadi, MD-Husnlal-Bhagatram

Lyrics

Mere dil ko jalaaya na karo o o
mere dil ko jalaaya na karo
mere sang bolte nahin een
na bolo
mere sang bolte nahin een
na bolo
meri gali mein bhi ee
meri gali mein bhi aaya na karo o
mere dil ko jalaaya na karo

haha
badi aayi gali wali
dekh liya ra’ub teraa
kar chuki sawaal gori
sun lo jawaab meraa
gali tere baap ki nahin een
baap ki nahin
ho mujhe ankhiyaan dikhaaya na karo o
o o
mujhe ankhiyaan dikhaaya na karo

mere dil ko jalaaya na karo o
mere dil ko jalaaya na karo

achha meri baat suno
tab tumhen jaanen
ek baat tum maano
ek ham maanen
gali mein to aao baabuji ee
aao baabuji
mere sapnon mein aaya na karo o o
mere sapnon mein aaya na karo
mere dil ko jalaaya na karo

waah waah khoob soojhi
main na qaaboo aaungaa
gali mein bhi aaungaa aa
sapnon mein bhi aaungaa
jise nahin saathh rakhnaa aa
saathh rakhnaa
usse apnaa banaaya na karo o
usse apnaa banaaya na karo

mere dil ko jalaaya na karo o o
mere dil ko jalaaya na karo


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4708 Post No. : 16413

In the initial years of sound films, some of the story, screen-play, dialogue and song writers came with literary background who had been well-known in the literary circle due to their published works. Gaurishankar Lal ‘Akhtar’, ‘Narayan Prasad ‘Betab’, Munshi Premchand, Amritlal Nagar, Dr. Safdar Aah Sitapuri, Krishan Chander, Dewan Sharar, Pandit Mukhram Sharma, Pandit Anand Kumar were some of such writers who started their association with Hindi films in the 1930s and 40s. Vrajendra Gaur, writer, poet and journalist was one among them.

Vrajendra Gaur had a long inning of 35 years in Hindi film industry as a screen-play/dialogue writer and the lyricist, aggregating around 70 films. A good number of photos I have browsed through on the google images, gives me an impression that Vrajnedra Gaur had friendly relationship with almost all the stalwarts of Hindi film industry during 1950-1980. In Bollywood, to have a successful career, one requires building up friendly relationship with those who matters in the film industry apart from the talent. It appears that this combination was a success formula for Vrajendra Gaur in his filmy career.

Etawah-born and Lucknow-settled Vrajendra Gaur (01/04/1924 – 07/08/1980) had already published his novels like ‘Sindoor Ki Laaj’, ‘Aadhi Raat Ka Sooraj’ ‘Jaagte Raho’ and ‘Manzil’. His other novels, ‘Kalkatte Ka Qatl-E-Aam’ and ‘Parole Par’ were banned by the British government for creating anti-British sentiment. He joined Hindi film industry in 1945 not on his own volition but on an invitation from Motilal after he heard his radio play, ‘Dhai Lakh’ on All India Radio. Motilal was so impressed with his presentation on AIR that he entrusted Vrajendra Gaur to write screen-play and dialogue for Motilal-Shanta Apte film, ‘Saawan’ (1945).

After writing lyrics for the films like ‘Ratnavali’ (1945), ‘Panihaari’ (1946), ‘Mangalsutra’ (1947), ‘Gunjan’ (1948), Vrajendra Gaur was disillusioned by the way the Hindi film industry works. He went back to Lucknow and worked in different capacity including editing some Hindi periodicals.

It was in 1950 when Bombay Talkies invited him to write dialogues for their film ‘Sangram’ (1950) with Ashok Kumar and Nalini Jaywant in the lead role. The box office success of this film not only helped Bombay Talkies financially, it also gave a lease of life for the filmy career of Vrajendra Gaur who also wrote songs for the film. ‘Parineeta’ (1953) was his next major box office success film as a dialogue writer in which Ashok Kumar was the producer-actor.

Vrajendra Gaur‘ first and the only film which he directed was ‘Kasturi’ (1954) for which he also wrote dialogues and songs. In an article published in silhouette magazine, it was mentioned that during the making of ‘Kasturi’ (1954), Vrajendra Gaur was to direct ‘Bahu’ (1955). However, his contractual obligations as a director for ‘Kasturi’ (1954) under which he could not take up direction in any other film until ‘Kasturi’ 1954) was released, came in his way. So, Shakti Samanta got the opportunity to direct his debut film ‘Bahu’ (1955) as director. Vrajendra Gaur did get to write the dialogues for the film. This opened up Vrajendra Gaur’s long association with Shakti Samanta in many films as dialogue writers such as ‘Howrah Bridge (1958), Insaan Jaag Utha’ (1959) ‘Singapore’ (1960), ‘Jalli Note’ (1960), ‘China Town (1962), ‘Saawan Ki Ghata’ (1966), ‘Kati Patang’ (1970), Jaane Anjaane’ (1971), ‘Anuraag’ (1972), ‘Charitreheen’(1974), ‘The Great Gambler’ (1979) etc.

It would also appear that Vrajendra Gaur had a close rapport with Dev Anand if one goes by the number of films, he wrote story/screenplay/dialogues in which Dev Anand was the lead actor. ), ‘Baarish’ (1957), ‘Jalli Notes’ (1960), ‘Manzil’ (1960), ‘Sarhad’ (1960), ‘ Baat Ek Raat Ki’ (1962 ‘Teen Devian’ (1965), ‘Pyaar Mohabbat’ (1966), ‘Duniya’ (1968), ‘Mahal’ (1970), ‘Warrant’ (1975) were some of the films he was associated with Dev Anand. From a photograph I saw on the net of the Udaipur location shooting, it appears that Vrajendra Gaur was initially associated with ‘Guide’ (1965). Chetan Anand, who was to direct the film, had to leave the assignment when he got approval for his film ‘Haqeeqat’ (1964). Probably, when Vijay Anand took over as a director, he started with a clean slate by writing afresh, the screen-play and dialogues for ‘Guide’ (1965).

Other successful films for which Vrajendra Gaur wrote dialogues were ‘Saraswatichandra’ (1968), ‘Sharmeelee’ (1971), Geet Gaata Chal’ (1975), ‘Dulhan Wahi Jo Piya Man Bhaaye’ (1977), ‘Akhiyon Ke Jharokhon Se’ (1978) etc.

[Note: Some of the information about early life of Vrajendra Gaur mentioned in the article are gathered from the Facebook page, ‘Vrajendra Gaur’.]

Vrajendra Gaur’s stature as a dialogue writer has been so impressive that his contribution as a lyricist seems to have remained in the sideline. He had to write songs during the early phase of his career as at that time his assignments as a dialogue writer were few. After going through some of the songs among 60 odd songs he wrote for a dozen films, mainly during 1945-55, I feel that his literary bend of mind is reflected in some of the songs. A few examples:

Song Movie (Year)
nain baan se karke ghaayal ‘Ratnavali’ (1945)
kiska saath nibhaaun ‘Gunjan’ (1948)
wo unka muskuraanaa sharmaanaa chaley jaana ‘Sangram’ (1950)
kabhi inko chaahen kabhi unko ‘Zalzala’ (1952)
wo meri taraf yoon chale aa rahe hain ‘Kaafila’ (1952)
main to haar gayi mann ‘Kasturi’ (1954)

Incidentally, lyricist Yogesh is the first cousin of Vrajendra Gaur.

To highlight Vrajendra Gaur also as a lyricist, I am presenting the only song he wrote for the film ‘Muqaddar’ (1950) out of 9 songs. The song is ‘tum mere paas raho mujhse kuchh baat kaho’ which is rendered by Shamshad Begum. During the making of the film, Khemchand Prakash, the music director for the film died. The songs were completed by his music assistant, Bhola Shreshta. The song is, therefore, accredited to Khemchand Prakash/Bhola Shreshta as the music directors.

A highlight of this song is that each antara of the song has been set in slightly different tune and pitch.

Audio Clip:

Song-Tum mere paas raho mujhse kuchh baat kaho (Muqaddar)(1950) Singer-Shamshad Begam, Lyrics-Vrajendra Gaur, MD-Khemchand Prakash

Lyrics

meri duniya mein bahaaren hain
chaman aabaad hai
roothh jaaoge jo tum
to zindagi barbaad hai

tum mere paas raho
mujhse kuchh baat kaho
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o

maine tumko jo kabhi pyaar kiya dil se kiya
maine tumko jo kabhi pyaar kiya dil se kiya
tumne badle mein mujhe dard diya dil na diya
meri ulfat mein sitam dhha ke mujhe loot liya
loot liya aa
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o

bewafa bhool na jaana meri aahon ko kabhi
bewafa bhool na jaana meri aahon ko kabhi
mere liye tum jo nahin haay to phir to kuchh bhi nahi
mere liye tum jo nahin haay to phir to kuchh bhi nahi
mere sapnon ko sawera dikha ke loot liya
loot liya aa
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o

tumne samjha hi nahin meri mohabbat ko kabhi
tumne samjha hi nahin meri mohabbat ko kabhi
agar jo hukm ho to jaan bhi de doon abhi
agar jo hukm ho to jaan bhi de doon abhi
mujhe ulfat ka tamaasha bana ke loot liya
loot liya aa
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o o
ho ho ho…o
o o o o o
o o o


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4703 Post No. : 16407

“Ghar Ki Izzat”(1948) was produced and directed by Ram Daryani for Murli Movietone Bombay. The movie had Mumtaz Shanti, Dilip Kumar, Manorama, Jeevan, Dixit, Suleman, Gulab, Gope etc in it. The movie had 12 songs in it. Eight songs have been covered in the past.

Here is the ninth song from “Ghar Ki Izzat”(1948) to appear in the blog. The song is sung by Shamshad Begam. I C Kapur is the lyricist. Music is composed by Pt Govindram.

The song is picturised on Mumtaz Shanti. Lyrics of the song were sent to me by Prakashchandra.


Song-Dar dar ki thokaren hain (Ghar Ki Izzat)(1948) Singer-Shamshad Begam, Lyrics-I C Kapur, MD-Pt Govindram

Lyrics(Provided by Prakashchandra)

dar dar ki ee thokarein hain
dar dar ki ee thokarein hain
dushman meraa jahaan hai ae
dar dar ki ee thokarein hain
dushman meraa jahaan hai ae
phootaa naseeb lekar
jaanaa mujhe kahaan hai ae
phootaa naseeb lekar
jaanaa mujhe kahaan hai ae ae
dar dar ki thokrein hain

bhatkaa huaa hai raahee
hain paaon dagmagaatey ae ae
bhatkaa huaa hai raahee
hain paaon dagmagaatey ae ae
manzil kaa kya thhikaanaa aan aa
rastaa hai na nishaan hai ae ae
manzil kaa kya thhikaanaa aan aa aa
rastaa hai na nishaan hai ae
dar dar ki ee thokarein hain
dushman mera jahaan hai ae
dar dar ki ee thokrein hain

shikwaa kisi se kyaa ho
jab apne huye paraaye
shikwaa kisi se kyaa ho o
jab apne huye ae paraaye aey
na zindagi hai saathi
naa maut meharbaan hai
na zindagi hai saathi ee
na maut meharbaan hai ae
dar dar ki thokarein hain
dushman meraa jahaan hai ae
dar dar ki thokarein hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16397

“Hatim Tai”(1956) was produced and directed by Homi Wadia for Basant Pictures, Bombay. This movie had Shakila, Jairaj, Meenaxi, Naina, Krishna Kumari, Kamal, Menaka,
S.N.Tripathi, B.M.Vyas, Sheikh, Vasantrao Pahlwan, Qamar,Dalpat, W.M.Khan, Shree Bhagwan, Habib Sandow, Nagpal, Sardar Mansoor, Master Pakoo, Abdullah, Kusum, Poonam, Vitha, Pushpa, Manda, Chanda, Shukla, Chand, Geeta, Priscilla, Ranibala, Triza, Natalie, Sunila,Sumitra, Bismillah, M.K.Hasan, Mithoo Miya, Aga Shapoor, Korega, Julian, Yadav, Kalla, Rajkumar, Rattan, Aflatoon, Sukumar etc in it.

The movie had nine songs in it. Six songs have been covered in the past.

Here is the seventh song from “Hatim Tai”(1956) to appear in the blog. This song is sung by Shamshad Begam and chorus. B D Mishra is the lyricist. Music is composed by S N Tripathi.

The song is picturised on a very young and exotic looking Helen, with other female dancers.

Lyrics of this song were sent to me by Prakashchandra.

Video link:

Song-Ham aazaad hon jahaan dil mein pyaar ho jawaan (Hatim Tai)(1956) Singer-Shamshad Begam, Lyrics-B D Mishra, MD-S N Tripathi
Female chorus

Lyrics(Provided by Prakashchandra)

hhaahhaa haaa
hhaahhaa haaa
hhaahhaa haaa

haaa aaaaa aaaa aaaa
haaa aaaaa aaaa aaa
haaa aaaaa aaaa haa aaaa aaaa
hhaa aaa haaa haaa

hum aazaad hon jahaan
dil mein pyaar ho jawaan
ho bahaar ka samaa
zindagi hai waheen
hum aazaad hon jahaan
dil mein pyaar ho jawaan
ho bahaar ka samaa
zindagi hai waheen

rahen milke wahaan hum jahaan gham na ho
rahen milke wahaan hum jahaan gham na ho
mil gayee jo khushi woh kabhi kam na ho
mil gayee jo khushi woh kabhi kam na ho
ek nayaa aashiyaan hum banaayein wahaan
mastiyaan ho jahaan zindagi hai waheen
hum aazaad hon jahaan dil mein pyaar ho jawaan
ho bahaar ka samaa zindagi hai waheen

o khudaa kar reham
teri duniyaa mein hum
sah rahey hain sitam
mushqilon mein hai jaan
zor chaltaa naheen
gham ye taltaa naheen
dum nikaltaa nahin
haaye jaayein kahaan
o khudaa aa aaa aa aaa
ho khudaa aaa aaa
o khudaa aa aa aaa
o khudaaa aaaaaaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4690 Post No. : 16374

“Maalik”(1958) was produced by Naushad and directed by S M Yusuf for Sunny Art Productions, Bombay. This movie had Suraiyya,Talat Mahmood, Lalita Pawar,Jeevan, Kumar, Paro, Roopmala, Malika, Shalini, Akbar, Kaisar Bai, Radha Kishen, Mukri, Badriprasad, Jagdeep, Prakash, Shahji, Baby Shashi, Master Azaad,Ismayil,Tuntun, Jaago,Maqbool, Siddique, Wasi, Nawab, M Y Shaikh etc in it.

The movie had eight songs in it. Six songs have been covered in the past.

Here is the seventh song from “Maalik”(1958) to appear in the blog. The song is sung by Shamshad Begam and Bande Hasan. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of the song is available. I request our knowleadgeable readers to throw light on the picturisation of the song.

Lyrics of this sing ere sent to me by Prakashchandra.


Song-Main naaheen boloon sajnaa jaa (Maalik)(1958) Singers-Shamshad Begam, Bande Hasan, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus

Lyrics(Provided by Prakashchandra)

teer nazron ke chalaaye
dard dil mein bhar diyaa
mere chhotey se jiyaa ko o
tooney ghaayal
kar r r diyaa
aaa aaa aaa aaa

sajnaa jaa
main naaheen boloon
sajnaa jaa
main naaheen boloon
sajnaa jaa
jeevan bhar na maaf karoongi
teri ye khataa
kyon
jeevan bhar na maaf karoongi ee
teri ye khataa
naaheen boloon sajnaa jaa
main naaheen boloon sajnaa jaa

aaa aaa aaa aaa aaa
meri jaan tum kaho to o o o o o o
chheer kar dil apna dikhlaa aa dein
haan aaan aaan aan
haan aaan aaan aan
agar tum hamse maango
chaand taarey
tod kar laa dein
hhaan aaa aaan aaaan aan aaaan

apni badaayee
apney munh se ae
dilwaaley kab karte hain aen
aeijee dilwaaley kab karte hain
pyaar hai jin kaa sachcha woh to
pyaar hai jin kaa sachcha woh to
chupke hi chupkey ae
marte hain aen aen
aeijee chupke hi chupkey marte hain
aeijee marte hain
koyi na jaaney main pehchaanoon
tere dil mein kyaa
kyaaa
koyi na jaaney main pehchaanoon
tere ae dil mein kyaa
naaheen bolooon sajnaa jaaa

aankh se jaadoo karne waaley
dil mein samaanaa mushqil hai
aeijee dil mein samaanaa mushqil hai
preet lagaanaa aasaan hai
preet lagaanaa aasaan hai
aur preet nibhaanaa mushqil hai ae
aeijee preet nibhaanaa mushqil hai
aeijee mushqil hai
main sab jaanoon dhang tihaarey
baatein na banaa
haayye
main sab jaanoon dhang tihaarey aey ae
baatein naa banaa
naaheen boloon sajnaa jaa
main naaheen boloon sajnaa jaaa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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