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Maakhan Chor Nandkishore Manmohan Ghanshyam Re

Posted by: skapur01 on: January 4, 2019

In: Asha Bhonsle songs | Bhajan | Devnagri script lyrics by Avinash Scrapwala | Devotional song | Duet | Guest posts | Krishn Bhajan | Lord Krishna related songs | Lyrics contributed by readers | Party song | Post by Avinash Scrapwala | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
1 Comment

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822

Post No. :

14823

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 4
– – – – – – – – – – – – – – – – – – – – –

Today 4^th January is the twenty fifth ‘Remembrance Day’ (27^th June’1939- 04^th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. One cannot believe that it is twenty five years now since Pancham Da left us. His songs are a daily routine for me and maybe many like me, and so it never appears that he is not there. He is always there with us – the music lovers.

I wish to send an article with other song composed by Pancham for this occasion, however could not finish that article hence I for today’s occasion I am sharing herewith one of my already pending article under the series ‘Pancham-Rafi Jodi’s variety songs. We already have the following songs earlier in this series posted on the blog;

Jaag devta naag devta

Raqqaasa mare naam

Maine kab chaaha ke doolha banoonga

So coming back after a long gap in this series, today we have song composed by RD Burman from the movie ‘Takkar’ (1980). Today’s song of ‘Pancham – Rafi Jodi Songs’ is a melodious devotional song.

‘Takkar’ is a Padmalaya Films Production. produced by GA Sheshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra, Jayaprada, Vinod Mehra (double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani, Shivaraj, Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A. Abdul Hameed, Mac Mohan, Umesh Sharma, Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc. in it.

As per HFGK this movie was passed by Censor Board on 07.04.1980. It had total seven songs in it wherein Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, and Mohd Rafi gave their voices to the songs in this movie. Lyrics for this movie were written by Anand Bakshi and Music was composed by R.D. Burman.

I do not remember to have heard this song till this post. Also from the list of other songs of this movie they don’t seem familiar to me. Though I am aware that there was this movie in those days, but have not watched it then and even till date. This is the second song from this film to appear on the blog.

Here is the brief about this film that Atul ji mentioned while posting the first song from this film (on 09.09.2013) – Moorty Ganesh Ki Andar Daulat Desh Ki.

In today’s song Sanjeev Kumar and Zeenat Aman are lip syncing in Mohd Rafi and Asha Bhonsle’s voice respectively on the screen. Ashok Kumar, Kamini Kaushal, Jeevan, Bindiya Goswami and others are seen in the song.

From the video of the song one can assume that Zeenat Aman looks for her ‘Shyam’ in Sanjeev Kumar and Ashok Kumar seems to find the spiritual one, few seem to be interested in Kanhaiyya’s moorty itself and Sanjeev Kumar preparing to take on the evils or he too wants to get this ‘moorty’. Only those who have watched this movie can help us.

But the song is a nice hummable one. As mentioned above lyrics of this song are by Anand Bakshi and it is composed by RD Burman.

Let us now enjoy this interesting song.

Song – Maakhan Chor Nandkishore Manmohan Ghanshyam Re (Takkar) (1980) Singer – Mohammed Rafi, Asha Bhonsle, Lyrics – Anand Bakshi, MD – RD Burman
Mohammed Rafi + Asha Bhonsle

Lyrics

maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

arey maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

devki maa ne janam diya aur
maiyya yashoda ne paala aa aa aa
devki maa ne janam diya aur
maiyya yashoda ne paala aa
tu gokul ka gwaala
bindraban ka bansari waala aa

ho aaj teri bansi phir baaji
mere mann ke dhaam re
kitne tere roop re
kitne tere naam re

ho maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa aa
kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa
baal awasthaa mein hi tune
khela khel ye saara

tera bachpan
tera jeewan
jaise ek sangraam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re ae
kitne tere naam re ae

tu ne sabka chain churaaya
o chitchor kanhaiyya aa aa aa
tu ne sabka chain churaaya
o chitchor kanhaiyya
o o o
o jaane kab ghar aaye dekhe
raah yashoda maiyya
arey vyaakul radha dhoondhe shyam
na aaya ho gayi shaam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re ae …

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

अरे माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ आ आ
देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ
तू गोकुल का ग्वाला
बिंद्राबन का बंसरी वाला आ

हो आज तेरी बंसी फिर बाजी
मेरे मन के धाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

हो माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ आ
काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ
बाल अवस्था में ही तुने
खेला खेल ये सारा

तेरा बचपन
तेरा जीवन
जैसे एक संग्राम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए

तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या आ आ आ
तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या
ओ ओ ओ
जाने कब घर आये देखे
राह यशोदा मैय्या
अरे व्याकुल राधा ढूंढें श्याम
न आया हो गयी शाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए …

Pam para rum pam

Posted by: Atul on: January 2, 2019

This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3820

Post No. :

14819

Hullo to all of Atuldom

Let me start by wishing all you readers a very Happy New Year. I hope you and your loved ones have a wonderful 2019, with a lot of happiness, good health and success in whatever you wish to achieve.

Today is the 2nd of January and our Anniversary Page tells me it is the birth anniversary of Sadashiv Amrapurkar, and the death anniversary of David.

But neither of these is the subject of my post today.

Absolutely no disrespect to them, but today’s post is about a couple of other persons who also happen to have their birthday today.

A few days ago, Avinashji contacted me and reminded me that the birthday of two Atulites was coming up. He had a song in mind, and asked me if I could do a post for the occasion.

Now every year around this time (end-Dec/early Jan) I get a bit busier than usual. I have family visiting me from overseas, as it is Christmas vacation in most places around the world. Besides, this year I have some family events also around New Year’s time, requiring me to plan and travel.

So I wasn’t absolutely sure I’d be able to write this post – so I told Avinashji I’d try.

So here I am.

I will not keep you in suspense any longer about the identity of the two Atulites involved.

First, Pradeepji. (I am taking them up one by one so that you don’t stop reading right here. And no, you’re not allowed to skip to the next part of the post. 🙂 )

If some more recent readers of this blog are not particularly familiar with Pradeepji, I can understand. In recent times, he has not been very active on the blog – but he has a long history with it. And when there is a mega occasion, like when the blog completed 10 years a few months ago, we can always expect him to write a post for the occasion.

I’ve known Pradeepji from the early days when he used to comment on the blog. Then we finally got to meet in October 2014, when we had our first Atulites’ gangout in Bangalore. Pradeepji came all the way from Chennai for the event.

It was just wonderful to meet him, as also all the other Atulites who I finally got to meet face-to-face. We had a fantastic time, discussing music (of course!) but also other stuff.

Pradeepji is multi-faceted, in that not only is he a keen lover of music in a passive sense, he also tries to use his tech-oriented mind to look for ways to propagate music. It was Pradeepji who first tried to get our blog onto mobile devices in a manner that could enhance its richness, using features of software like itunes.

Pradeepji was keen to exploit the richness of our blog beyond its existing framework. So, after discussion with Atul and others, he started a project where, when all songs of a film were covered on the blog, he would load that film’s songs onto another platform. This process would involve enriching the data by adding more tags, thus allowing for even more filtering possibilities. To provide an even more nostalgic experience, he would add a poster of the film wherever possible.

I will not discuss this project in more detail because I don’t want to expose my ignorance on it. 🙂 But some of us were happy to join in and help out. I was also involved for a brief period, but there were others who were involved for much longer.

Now, for a film to be eligible to be picked up by Pradeepji for his project, all its songs had to be posted on the blog. There’s no point in doing multiple iterations for the same film. So Pradeepji would wait for a film to be “complete”. And whenever that would happen, he would respond in the comments with a “Yippeeee”. 🙂

And that’s how the project got its name, that’s how the name stuck.

So much so, that when Atul would post the final song of a film here, he’d himself mention that the film is ready to be “Yippeeed”. In other words, ready to be taken over by Pradeepji and his team. 🙂

As a result, for many of us, if we had to represent Pradeepji with one word, it would be “Yippeeee”! 🙂

After that first Bangalore gangout, we had a couple of others too, but Pradeepji couldn’t attend. However I did get to meet him earlier this year on a visit to Chennai. Although it was only for a few minutes, not more than half an hour, it felt really good. We caught up with developments. Pradeepji, multi-faceted person that he is, is busy on multiple projects, developing websites for e-commerce. Mostly out of passion for trying out different things.

From my interactions with Pradeepji, whether face-to-face or otherwise (during the Yippeeee project), I noticed that he is not just a warm person and extremely down-to-earth, he also has a lot of energy and enthusiasm for things. I believe the term for this sort of enthusiastic persion is “zinda dil”?

Anyway, today, on his birthday, I wish him a very happy birthday on behalf of all Atulites.

Now, to our second Atulite birthday today.

If you’ve been sharp enough, you might have picked up a hint already from the way I started this post. It’s not my usual style.

There’s one Atulite who starts posts in this manner – “Hullo to all in Atuldom”.

And that is Peevisie’s Mom.

It’s her birthday also today, and it gives me great pleasure to be able to write this post to wish her on the occasion.

Now Peevisie’s Mom (PM) and I have met a few times more than Pradeepji and I. We live in the same city, so it’s easier to meet up for an occasion. We first met on that first Bangalore Gangout day in October 2014 (the same one that Pradeepji also attended). Thereafter, we met at the next one too, and also on other occasions like when Arunji and Avinashji visited Bangalore, or when Lalitha visited Bangalore (when I first got to meet Peevisie’s Dad too). Besides, we speak on the phone every now and then – usually discussing a post, or she reminds me of an anniversary coming up. 🙂

I talked about Pradeepji’s enthusiasm and his being “zinda dil” – that applies equally to PM too. She too is a very enthusiastic and cheerful person – so much so, that it even tends to rub off on an otherwise gloomy me. Everytime after a conversation with her, usually on the phone for a few minutes, I feel better. And I can’t say that for a lot of people. 🙂

She’s also one of the most active persons on our Atulite whatsapp group, participating in every discussion. But that’s the energy she brings with her – whether on the group, or in conversation or in a post. She’s a wonderfully friendly and warm person – and that warmth is infectious. Which also explains why I feel better after a conversation with her. 🙂

She’s also hugely passionate about HFM and movies – which is what brought us all together to this blog in the first place. But unlike me, her knowledge isn’t limited to any specific eras or genres. For example, I barely know 5 songs of this millennium, she would know almost every film released and its music. No wonder many of the post-2000 songs posted here are from her (and Peevisie herself, of course). And yet she also knows old songs – maybe partly because she also listens to radio or watches song programmes on TV. So her knowledge is definitely wide.

She’s very fond of this blog – we can see that she tries to post on as many anniversary occasions as possible. I remember there was a time when I had more posts here than she did. In fact at that time, I had even a few posts more than Avinashji. But clearly, they were both going to overtake me, because I was hardly posting at that time. She called me up and when this topic came up, she said “bade bhai se aage nikalne ka permission chaahiye”. 🙂 We had a good laugh about it. 🙂

All in all, she’s a wonderful friend to have – and I’m fortunate to have her as a friend.

I wish her too a very happy birthday on behalf of all Atulites.

Now, for the song for today.

It’s a song picked by Avinashji – a fitting birthday song for the occasion. I want to mention here that this post wouldn’t have happened if not for Avinashji’s initiative, so it must be seen as a joint effort by both of us.

The song is “Pam para rum pum” from Trishna (1978), a GP Sippy Productions film. It is sung by Kishore Kumar and the chorus (in which a very young Sadhana Sargam got a chance to sing).

I’ve seen this movie but I don’t recall too much of the story now. It had to do with relationships, a “murder”, suspicion etc, from what I vaguely remember. I need to watch the film again.

In any case, let’s enjoy the song, as we wish both Pradeepji and Peevisie’s Mom a very happy birthday.
Editor’s note-Today is the birthday of Sheela Ji, Avinash ji’s better half’s birthday as well. So happy birthday and many happy returns of the day to her as well.

Song-Pam para rum pum (Trishna)(1978) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus

Lyrics

aa aa
Very good!
aa aa
Shaabaash!

Hey Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Hey
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Shaabaash!
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

Tum pyaare pyaare phoolon ko dekho
Dekho
Dekho
Hai na?
Haan
Tum pyaare pyaare phoolon ko dekho
Todey jaane se bhi hanste hain
Todey jaane se bhi hanste hain
Hanste hain jo bhi aisi adaa se
Sabke dil mein wohi baste hain
Sabke dil mein wohi baste hain
Kaisebhi haan haalaat apne bas mein ye baat
Kaise bhi haan haalaat apne bas mein ye baat
Dhoondhh sakte hain gham mein bhi khushi hum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
shaabaash
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Kal jo aaya nahin uska gham kya
Kal jo aaya nahin uska gham kya
Kal jo beeta hai kya uska rona
Kal jo beeta hai kya uska rona
Aaj mein hi chhupa saara jeevan
Aaj ke din ko yunh hi na khona
Aaj ke din ko yunh hi na khona
Saare jeevan ka mol
Bas pyaar ke do bol
Saare jeevan ka mol
Bas pyaar ke do bol
Muskura do badal jaaye mausam
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum

Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Phir se ek baar bolo
Pam para rum pum
shaabaash
Pum pum pum
Pum para rum pum
Pum pum pum
ye baat hai
Bole bole
Jeevan ki sargam
La la la
La la la la la
La la la
La la la la la
Aaiye aaiye
Aaiye
Gaaiye na
Oho come on please
La la la
La la la la la
La la la
La la la la la

———————————–
Devnagri script Lyrics (Provided by Avinash Scrapwala )
———————————–
व्हेरी गुड
शाबाश

हे तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

तुम प्यारे प्यारे फूलों को देखो
देखो
देखो
हैं ना
हाँ
तुम प्यारे प्यारे फूलों को देखो
तोड़े जाने पे भी हँसते हैं
तोड़े जाने पे भी हँसते हैं
हँसते है जो भी ऐसी अदा से ए
सब के दिल में वही बसते है
सब के दिल में वही बसते है
कैसे भी हों हालात
अपने बस में ये बात
कैसे भी हों हालात
अपने बस में ये बात
ढूंढ सकते है
ग़म में ख़ुशी हम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

कल जो आया नहीं उसका ग़म क्या
कल जो आया नहीं उसका ग़म क्या
कल जो बीता है क्या उसका रोना
कल जो बीता है क्या उसका रोना
आज में ही छुपा सारा जीवन
आज के दिन को यूँही न खोना
आज के दिन को यूँही न खोना
सारे जीवन का मोल
बस प्यारे के दो बोल
सारे जीवन का मोल
बस प्यारे के दो बोल
मुस्कुरा दो
बदल जाए मौसम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
फिर से एक बार बोलो

तम तारा रम पम
पम पम पम
शाबाश
पम पारा पम पम
पम पम पम
ये बात है
बोले बोले जीवन की सरगम
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला
आईये आईये
आईये
गाईये न
ओह ओ
कामे ऑन प्लीज …
हे ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

Tags: 1978, Indeewar, Kalyanji Anandji, Kishore Kumar, Raakhi, Shashi Kapoor, Trishna

Jaata hai tu kahaan

Posted by: Atul on: November 2, 2018

This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3759

Post No. :

14729

Movie Count :

4025

Hullo to Atuldom

November 2nd is the birthday of a dear Atulite. A person who is very very important for Atuldom turns a year younger today. Without him there would be a lot of stress and strain on our dear Atulji when it comes to handling all the farmaishes and contributions that we Atulites keep sending and expect instant posting on the blog.

I have met him only once for a few hours and since then have often taken the liberty to pick up the phone and put all kinds of requests -from trying to speed up posts getting to the blog to asking help when my son and daughter visited Delhi. And he has never said a “NO”. Thank you so much Sudhirji. You are a true Dillwala Dilliwala. Wish you a very very Happy Birthday. Hope you have lots of time to be the co-poster of the blog. Hope you are able to find rare and hitherto unheard songs for all our collective listening pleasure. Hope you are able to find songs that rekindle memory of the radio listening days. Hope all your series find appropriate songs and you never run out of Mohd. Rafi songs. 🙂

Incidentally November 2^nd also happens to be birthday of another Dilliwaala, viz SRK. SRK- Badshah also goes by the names Rahul, King Khan and occasionally Om Kapoor – I mean Shahrukh Khan. So, he has been around since 1988 entertaining his fans first on television in the serials Circus, Fauji and Dil Dariya and then burst on to the Bollywood firmament with the Hema Malini directed “Dil Aashna Hai” and Raj Kanwar directed “Deewana” which got him the best debutant award in 1993.

And since then he hasn’t looked back winning hearts and awards in his journey of 30 years in the entertainment industry. He has worn the hats of producer, IPL team co-owner, actor with ease and also tried his hand at singing. He has tried portraying villainous, romantic and comic characters with success as also played the lead in movies where he is a hockey coach (Chak De! India) or a person with Asperger Syndrome (My Name Is Khan). He is a complete entertainment package and here is wishing him all the best in life.

It is very difficult to choose a song that will showcase SRK’s energy and SK’s love for music. So, I have selected an SRK song which is one I enjoy and hope Sudhirji also likes. It is from a 21-year-old movie directed by Aziz Mirza- Yes Boss. It had Juhi Chawla and Aditya Pancholi as co-stars for SRK with Ashok Saraf, Johnny Lever, Gulshan Grover and Kashmira Shah in supporting roles. The song is an improvisation of a qawwali (my feeling). It is at a party hosted by Aditya Pancholi who runs an Ad agency and has his roving eye on all the models employed there. Juhi is also a model who is on his radar but SRK has taken it upon himself to shield her and has Johnny Lever and Ashok Saraf assisting him in his mission “shield a drunk Juhi from the BOSS”.

The song was written by Javed Akhtar, Jatin- Lalit were the music directors and Abhijeet Bhattacharya (was his birthday on October 30^th, wishing him too although a little late)

Once again a very Happy Birthday to our Sudhirji.

Song-Jaata hai tu kahaan (Yes Boss)(1997) Singer-Abhijeet Bhattacharya, Lyrics-Jawed Akhtar, MD-Jatin Lalit
Chorus

Lyrics

Chak chak
Chaka chakchak
Chak chak
Chaka chakchak

jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan
sun pyaare
sun pyaare
ruk ja re
ruk ja re
duniya ke bade tedhe medhe raaste
khatre hi khatre hain tere vaaste
jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan

duniya mein aajkal
aisi bhi loot hai
kehne ko pyaar hai
samjho toh jhoothh hai
dekh tu lutne laga
tera haath hai kis ke haathon mein
jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan

shaa la lalaa
sha la lalalalaa
turururu lalaa
shaa la lalaa
sha la lalalalaa
turururu lalaa

pyar ka karte hain jo shor
dhyaan hai tera jin ki oar
aa main bataaoon kaun hain woh
raat mein daaku din mein chor
jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan

haath main jodoon tore
padoon main balma tore painyaan
chhod ke tu mohe na ja
karoon main binti more sainyaan
ho sun le mori araj sajanwa
poochhe tohse mora manwa
o jaane waale ye to bata,
jaane waale ye to bata
jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan

jaane tu jo baat kahoon main ishaaron mein
haan ishaaron mein
bikte hain imaan yahaan baazaaron mein
baazaaron mein
anjaane
tu na jaane
koyi jaal phaila teri raahon mein hai
koyi baat hai jo meri baaton mein hai
tu ye jaan le baaton baaton mein
jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan

faisla tujhko aaj karna hai
doob jaana hai ya ubharna hai
uss taraf jhoothh hai dikhaawa hai
iss taraf pyaar ka bulaawa hai
uss taraf laalachi nigaahein hain
iss taraf mere dil ki raahein hain
jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan
sun pyaare
sun pyaare
ruk ja re
hey ruk ja re
duniya ke bade tedhe medhe raaste
khatre hi khatre hain tere vaaste
jaata hai tu kahaan
are re re re jaata hai tu kahaan
re baaba jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan

Tags: 1997, Abhijeet, Ashok Saraf, Jatin Lalit, Jawed Akhtar, Johny Lever, Juhi Chawla, Shahrukh Khan, Yes Boss

Main London Chhod Ke Aa Gaya

Posted by: skapur01 on: October 8, 2018

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3734

Post No. :

14680

6^th October, he would have been 72. Life is such. It always, well almost, seems as if this was not the time to go. But this passage is such – no one has any say about it. One can only express emotions and reflect upon the loss. And then there are souls, people who are more close to heart than others. And the loss, the vacuum, seems to be bigger and deeper.

A person who once had declared that “. . . cricket, not films, is my first love”. At school, college and local club levels, he played a fair amount of good cricket, in the company of would be test players like Eknath Solkar and Budhi Kunderan. But then, he settled for a career in films, when he realized that he could never be a Vishwanath. [Author’s Note: These references are excerpted from an interview with Illustrated Weekly of India, in 1979.]

Born in 1946, he was not even a year old, when the family moved from Peshawar (now in Pakistan) to Bombay, when the partition happened in 1947. There was a temporary back and forth movement of the family between Bombay to Delhi (1957) and then back to Bombay (1960). Throughout his school and college days, he had a very normal progression of life, playing cricket and watching films. He aspired to be a cricketer, and also, he was enamoured by films.

As he stepped into his 20s, and completed his college education, a meeting with Sunil Dutt brought to him his break in films. Sunil Dutt was in preparation for his film ‘Mann Ka Meet’ (1968) which was intended to be a launch vehicle for Som Dutt, his younger brother`. Vinod played the a grey villain type role in this film. Some of his next few assignments followed in the same vein – supporting roles or villain’s roles – ‘Purab Aur Paschim’, ‘Aan Milo Sajna’, ‘Sachcha Jhootha’, ‘Mastana’ in 1970 and ‘Elaan’ and ‘Mera Gaon Mera Desh’ in 1971.

1971 is also the kind of firming-up an take-off year for Vinod. This year came his first film as an action hero in ‘Hum, Tum Aur Woh’. Also, this year was released the much acclaimed ‘Mere Apne’, produced and directed by Gulzar. A sensitive film about coming of age youngsters and the growing angst among the new generation, Vinod was cast in a strong lead role, challenged by another equally strong role of Shatrughan Sinha, the two heading competitor street gangs in a typical city in India.

Come 1973, and Gulzar cast him in the lead role in an off-beat theme on the commercial circuit – and a surprise songless film no less from this poet and film maker. ‘Achanak’ takes on where ‘Ye Raaste Hain Pyaar Ke’ (1963) faded out ten years earlier. Loosely connected with the famous/infamous Nanavati case (1959-61) from real life, the film takes off from the point where, in real life, the jury’s verdict of not guilty (at the Session Court level) was overturned by the Bombay High Court and awarded life imprisonment to the accused. The film was critically acclaimed – and so was the lead role played by Vinod.

Quite well considered as an established actor by this time, we see him in 1974, in the role of a college lecturer in ‘Imtihan’. A string of action films continues, far too many to be listed. I will follow him through the films that I actually viewed in that decade – ‘Aarop’ and ‘Haath Ki Safai’ in 1974, ‘Shaque’ and ‘Hera Pheri’ in 1976, ‘Parvarish’ in 1977, ‘Inkaar’ and ‘Main Tulsi Tere Aangan Ki’ in 1978, ‘Meera’ in 1979 and ‘The Burning Train’ in 1980. I am sure you will say I missed some. Yes, surely did. Just for a special mention – the highest grossers and the most popular films of their years – ‘Amar Akbar Anthony’ in 1977, ‘Muqaddar Ka Sikandar’ in 1978 and ‘Qurbani’ in 1980. With a portfolio as the one sampled above, the career discussion is fully represented, even if we choose not to mention his films that came later.

His film career was punctuated between 1982 and 1986, when he took a self-imposed leave from his career and went to stay with Osho, or Guru Rajnish. But whatever the circumstances may have been, he returned to the industry in 1987, and just continued without a pause with his career.

Vinod Khanna passed away on 27^th April last year (2017).

Remembering him on his birth anniversary, here is a lesser known, but a wonderfully performed song from the film ‘Aadha Din Aadhi Raat’ from 1977. The film is from the banner of Bharati International, Madras and is directed by Dhundi. The star cast includes Asha Parekh, Vinod Khanna, Shabana Azmi, Prem Chopra, Om Shivpuri, Jalal Agha, Jayshree T, Prem Bedi, TP Jain, Surendra Nath, Kirti Kumar, Pratima Devi, Vishu Raje, Makranee, Shobha Harman, Ranjeet, and Keshto Mukherjee etc.

The song is penned by Anand Bakshi and the music is by Laxmikant Pyaarelal. The scene is a party, ostensibly at the residence of Prem Chopra, in honor of a certain person / friend returning from abroad. It is apparent that Vinod Khanna is in disguise and masquerading as that friend of Prem Chopra. Shabana, who plays the role of Prem Chopra’s daughter, is offended at the wooing advances being made by this foreign returned gentleman whom she quite clearly does not fancy. The body language and the silent exchanges indicate that Prem Chopra is trying to make her stay on in the party, so possibly there is some business angle to this interaction also. And the presence of some dangerous looking characters in the party frame, indicates that the ‘business’ that Prem Chopra is pursuing is not really a good happy one.

Menewhile in the CSP (comic side plot), apparently the real ‘foreign returned’ gentleman has been kidnapped by our hero and is being held captive, with the help of his side kick – Jalal Agha.

The actual gentleman who is being forcibly kept away from the prospecting party event, is the character actor by the name TP Jain. In 1960s and 70s, TP Jain was a very active figure in the Delhi theatre circles and a very active presence in the plays on Delhi Doordarshan.

This song reminds one of “Priye Praneshwari” (‘Hum, Tum Aur Woh’, 1971), a similar disguise song, albeit a suited booted version.

Enjoy this farcical performance, and a lesser known lilting melody – “Main London Chhod Ke Aa Gaya”.

Song – Main London Chhod Ke Aa Gaya (Aadha Din Aadhi Raat) (1977) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Unidentified Male Voice
Unidentified Female Voice
Chorus

Lyrics

hmmmmm mmmmmmmm
mmmmmmm mmmmmmmm

hey..ey..ey
mmmmmmm mmmmmmmm

haa..aa..aa..aa..aa

baahar jaa ke maine
fashion dekhe aise aise
kaise kaise
arey baalon ka cut bhi ek jaisa
ha ha ha ha ha
aur kapde bhi
ik jaise
arey ladka hai ya ladki hai
koi pehchaane kaise
aa he pagdi baandh ke main gaya tha
ke pagdi baandh ke main gaya tha
chunri odh ke aa gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya

maine london jaa ke babli
paisa bahut kamaaya
maine london jaa ke babli
paisa bahut kamaaya
motor le li
chauffer rakha
bangla naya banaaya
khaali bangley
mein rehne se lekin mazaa na aaya
khaali bangley
mein rehne se lekin mazaa na aaya
teri yaad jo aai to main
teri yaad jo aai to
teri yaad jo aai to
main waapas daud kea a gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya

gori memen lipstick powder
na kaajal na bindiya
gori memen lipstick powder
na kaajal na bindiya
ye rang roop kahaan jo loote
ek nazar mein nindiya
made in foreign se achha hai
kuchh bhi made in india
made in foreign se achha hai
kuchh bhi made in india
mere paas thi jitni cheezen
mere paas thi jitni cheezen
mere paas thi jitni cheezen
saari tod kea a gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya

babli
tum bhi gaao
la lalla la laa
la lalla la laa
arey aap log bhi gaao na bhai
la lalla la laa
lallaa lallal lal laa
la lalla la laa
lallaa lallal lal laa
la lalla la laa
lallaa lallal lal laa

mushkil se rehta hai saath
wahaan par koi joda
arey mushkil se rehta hai saath
wahaan par koi joda
sabka hai dastoor
ke is ko pakda us ko chhoda
london ki ik madam ne jab
london ki ik madam ne jab
mere dil ko toda
tere pyaar se toote dil ke
tere pyaar se toote dil ke
tukde jod ke aa gaya
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa gaya
aa gaya..aa..aa
main london chhod ke aa

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

हम्ममममम म्मममममम
म्ममममममम म्मममममम

हे ए॰॰ए॰॰ए
म्ममममममम म्मममममम

हा॰॰आ॰॰आ॰॰आ॰॰आ

बाहर जा के मैंने
फ़ैशन देखे ऐसे ऐसे
कैसे कैसे
अरे बालों का कट भी एक जैसा
हा हा हा हा हा
और कपड़े भी
एक जैसे
अरे लड़का है या लड़की है
कोई पहचाने कैसे
आ हे पगड़ी बांध के मैं गया था
के पगड़ी बांध के मैं गया था
चुनरी ओढ़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया

मैंने लंदन जा के बबली
पैसा बहुत कमाया
मैंने लंदन जा के बबली
पैसा बहुत कमाया
मोटर ले ली
शौफ्फर रखा
बंगला नया बनाया
खाली बंगले में रहने से
लेकिन मज़ा ना आया
तेरी याद जो आई तो मैं
तेरी याद जो आई तो
तेरी याद जो आई तो
तेरी याद जो आई तो मैं
वापस दौड़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया

गोरी मेमें लिपस्टिक पौडर
ना काजल ना बिंदिया
गोरी मेमें लिपस्टिक पौडर
ना काजल ना बिंदिया
ये रंग रूप कहाँ जो लूटे
एक नज़र में नींदिया
मेड इन फौरन से अच्छा है
कुछ भी मेड इन इंडिया
मेड इन फौरन से अच्छा है
कुछ भी मेड इन इंडिया
मेरे पास थी जितनी चीज़ें
मेरे पास थी जितनी चीज़ें
सार तोड़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया

बबली
तुम भी गाओ
ला लल्ल ला लाss
ला लल्ल ला लाss
अरे आप लोग भी गाओ ना भई
ला लल्ल ला लाss
लाल्ला लल्ललल ला ला
ला लल्ल ला लाss
लाल्ला लल्ललल ला ला
ला लल्ल ला लाss
लाल्ला लल्ललल ला ला

मुश्किल से रहता है साथ
वहाँ पर कोई जोड़ा
मुश्किल से रहता है साथ
वहाँ पर कोई जोड़ा
सबका है दस्तूर
के इसको पकड़ा उसको छोड़ा
लंदन की इक मैडम ने जब
लंदन की इक मैडम ने जब
मेरे दिल को तोड़ा
तेरे प्यार से टूटे दिल के
तेरे प्यार से टूटे दिल के
टुकड़े जोड़ के आ गया
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ गया
आ गया॰॰आ॰॰आ
मैं लंदन छोड़ के आ

Tags: 1977, Aadha Din Aadhi Raat, Anand Bakshi, Jalal Agha, Kishore Kumar, Laxmikant Pyaarelal, Prem Chopra, Shabana Aazmi, TP Jain, Vinod Khanna

Meri aankhon mein ik sapna hai

Posted by: Atul on: September 20, 2018

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
With this writeup, the blog now has 4000 movies represented in the blog.

Blog Day :

3716

Post No. :

14646

Movie Count :

4000

We in this blog often reach milestones that I describe as “artificial” milestones. These are “artificial” in the sense that we can only be aware of them if we keep track of them. Earlier we were not aware of them.

For instance, the blog has crossed 3700 days of existence. We first became aware of this kind of milestone only on the occasion of the blog reaching 3400 days.

Ever since, we have also had “milestones” like a pair of singers reaching centuries of their duets. For instance, we recently reached 500 duets of Rafi-Asha Bhonsle.

YIPPEE movies and Debutant movies also yield such milestones to us. We reached 1000 YIPPEE movies in the blog and subsequently 1100 YIPPEE movies.

The present milestone pertains to debutant movies. So far we have reached 3999 movies in the blog. This writeup introduces the 4000th movie to the blog. Yes, the blog, with this song, now has songs from exactly 4000 movies.

In the blog, we have songs from every year, beginning from the earliest year (1931) to the latest viz. the current year (2018).

With this song, the blog now has songs from 4000 movies. while most movies are Hindi movies, we also have some songs from other languages, viz regional languages/ dialects movies and even some international movies. Then there are some movies which were either unreleased or whose year of release are not known. The number of such movies being 78.

The decade of 1950s is the most well represented decade in the blog. 1111 movies were released in this decade (from 1951 to 1960) and there were 35 unreleased movies as well in this decade. As many as 1014 movies from this decade are represented in the blog. 1960s is the second most well represented blog. As many as 842 movies (out of 929 movies released this decade, plus 31 unreleased movies and 34 regional movies)are showcased in the blog.

Titles of these movies begin with all letters of Roman Alphabet except X. The letter S is the most common letter in this respect. As many as 489 movies had their titles beginning with S. A comes second with 390 movie titles.

In the earlier years of the blog, we were not keeping track of such matters. It was sometime in july 2016 that our beloved Khyati Bhatt, after receiving her set of HFGK carried out a thorough research on the movies of 1960s. She prepared an excel sheet and shared that with me and Sudhir Jee. That excel sheet had details about the number of movies of 1960s represented in the blog and the number of movies (with their details) that were missing. That was the homework given to Sudhir Jee. That excel sheet mentioned the fact that there were 942 movies in the decade and 695 of them were represented in the blog. So 238 movies of that decade were missing from the blog.

That excel sheet was made and shared with us on 19 july 2016 (8th birthday of the blog). And how well Sudhir Jee coped with this homework. He tracked songs of many of these elusive movies of 1960s and kept introducing these movies to the blog. Now, a little over two years later, we have 843 movies of 1960s represented in the blog. So as many as 139 elusive movies of 1960s have been introduced in the blog after july 2016. Credit goes to Khyati Jee for her research work and then to Sudhir Jee for following up on that research work with his own mission of locating the songs of these elusive movies.

This also gave me an idea that I on my own should carry out similar exercises for the other decades as well. That led to my own excel sheet where I began to keep track of movies of particular years that were covered in the blog and that had not been covered. This list turned out to of great help for me in looking for specific movies, and that made my searches more focused and purposeful.

It was as a result of this exercise that I was aware of the fact that the blog was reaching 3400th song from the decade of 1960s when the blog was on the verge of reaching 3400 days of its existence. That is how I was able to coincide these two rare and special occurences by posting the 3400th song post of 1960s on 3400th day of the blog.

Now, after this focussed exercise of introducing “debutant” movies in the blog on a regular manner, we have reached a stage when introducing more movies from 1950s and 1960s has become tough. 99 movies of 1960s and 134 movies of 1950s are now left to be covered and these movies are not easy to locate. As for earlier decades, availability of movies from these decades is even more limited. 1238 movies were made in 1940s and this blog now has 761 of them. My guess is that we may end up with a figure just above 800 for this decade before we find ourselves unable to locate any more “new” movies from the decade.

As for the decade of 1930s, 177 movies are represented in the blog. Some 931 movies were made in that decade but more than 700 of these movies along with their songs are lost forever, so in effect majority of songs available from the decade of 1930s are already showcased in the blog.

That leaves the decade of 1970s and also beyond as the decades from where most of our remaining unrepresented movies will have to come. !970s was the last decade of the golden era of HFM. It was the decade when I grew up. This decade saw 1327 movies being released. The blog so far has 769 movies of this decade in the blog.

I have decided to go for a “new” movie as the 4000th movie in the blog. This movie is from 1980s though the song itself was recorded in the decade of 1970s. In other words, it is a golden era song which was released after the golden era of HFM was over.

The movie is “Videsh”(1984). It was produced by Sheetal S Johal and Avatar Bhogal and directed by Avtar Bhogal ABC Films International. The movie had Mahendra Sandhu, Shoma Anand, Diljeet Kaur, Iftikhar, Urmila Bhatt, Sudhir, Surendra Nath, Tom Gormley, Sam, Harmeet Singh, Sukhwant Dhadha, Rajendr Kumar Sharma, Surendra Malhotra and above all Prem Kishan. 🙂 and Premnath, with friendly appearances by Satyen Kappu, Chaand Usmani, guest appearance by Paintal. Avatar Bhogal, Seetal S Johal.

The movie had five songs in it. This song is the first song from the movie to appear in the blog ofcourse. The song is a picturised as a get together song cum marriage reception song. The song is sung by Rafi and Pankaj Mitra. Sapan Jagmohan composed the music. This movie had two lyricists (Kulwant Jani and Prem Jallandhari)but the disribution of songs among them is not known.

The song is lip synced by Prem Kishan (in Rafi’s voice) and Mahendra Sandhu (in disguise- I hope I have identified him correctly) in Pankaj Mitra’s voice.

He looks like an ugly version of Rishi Kapoor- that is what a comment in YT says. The commentator may not be aware that this resemblance in not a coincidence. This actor and Rishi Kapoor are sons of siblings. Rishi Kapoor is the son of Krishna Kapoor where as Prem Kishan is the son of Premnath (brother of Krishna Kapoor). So Prem Kishan and Rishi Kapoor are cousins. And that is where this resemlance comes from. Prem Kishan may not have become as successful as his cousin, but let us not forget that he too had his moments in Hindi movies. He was the hero of the blockbuster Rajshree Productions movie “Dulhan Wahi Jo Piya Man Bhaaye”(1977) and the famous song, Khushiyaan hi khushiyaan hon daaman mein jiske was picturised on him.

So, here is this forgotten gem of a song from 1980s. With this song, “Videsh”(1984) makes its debut in the blog and becomes the 4000^thmovie to get introduced in the blog. The song also has a slower, sad version, whose lyrics are not different from the longer happy version. Both versions are included below.

Today is 3716^th day for the blog. 4000 movies in 3716 days means that we on an average introduce one “new” movie to the blog daily. Quite a decent rate, I would think.

~~PS-The Punjabi words sung by Pankaj Mitra and noted by me may not be accurate. So I request our Punjabi knowing regulars to suggest corrections in the lyrics as applicable.~~

Video (Happy Version)

Audio (Sad Version)

Song-Meri aankhon mein ik sapna hai (Videsh)(1984) Singer-Rafi, Pankaj Mitra, MD-Sapan Jagmohan

Lyrics

meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai
khushnaseeb hain wo log
jinka koi apna hai
meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai

pyaar ki aisi mehfil mein
pyaar ki aisi mehfil mein
humko apnon ki yaadein aati hain
poochho pardes waalon se
des ki baatein kya sataati hain
nazron mein aapnon ka
har chehra rehta hai
meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai
khush naseeb hain wo log
jinka koi apna hai
meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai

ho o o
o
o
doli chadh’deyaan maariyaan heer chikhaan
haaye ae ae
mainu lai chale baabla
lai chale ae ae ae. . . ve. . .
mainu rakh le baabla
heer aakhe
haaye ae ae ae
doli kathh kahaar ne
lai chale ve ae

dil ko mere yaqeen hai ye ae
dil ko mere yaqeen hai ye
hum bhi apnon se milne jaayenge ae
unki baatein sunenge hum
milke baithenge khushiyaan manaayenge
aayegi wo ghadi
dil mera kehta hai
meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai
khush naseeb hain wo log
jinka koi apna hai
meri aankhon mein ik sapna hai
meri aankhon mein ik sapna hai
lallalalala
lallalalala
lallalalala
lallalalala
lallalalala
lallalalala

Tags: 1984, Pankaj Mitra, Prem Kishan, Rafi, Sapan Jagmohan, Videsh

Shabaab hi shabaab hai ye raat laajawaab hai

Posted by: Atul on: August 19, 2018

In: Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Party song | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
2 Comments

Blog Day :

3684

Post No. :

14588

“Samrat” (1954) was directed by Najam Naqvi for Filmistan, Bombay. The movie had Ajit, Rehana, D.K.Sapru, Ram Singh, Kamlesh Kumari, Minoo Mumtaz, Randhir, Mumtaz Ali, Rajan Haksar, Srinath, S.L.Puri etc in it.

The movie had nine songs in it. Eight songs have been covered in the past. Here are the details of these songs:-

Song Title	Post No.	Post Date
Ye khaamoshiyaan ye samaa Multiple version song	6086	16-Jun-12
Meri dam bhar na paapan aankh lagi	6491	21-Aug-12
Sabko mubaarak naya saal	7301	1-Jan-13
Duniya se kya karen wafa	8890	26-Oct-13
Jaan dena aashiqon ka kaam hai	12643	2-Dec-16
Dam bhar na sambhalne de karwat na badalne de	14414	11-Jun-18
Gora bhi achcha kaala bhi achcha	14420	13-Jun-18

Here is the ninth and final song from “Samrat” (1954) to appear in the blog. This song is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by Hemant Kumar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song. It sounds like a club dance song.

With this song, “Samrat” (1954) joins the list of movies that have all their songs covered in the blog.

Song-Shabaab hi shabaab hai ye raat laajawaab hai (Samraat)(1954) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Hemant Kumar
Chorus

Lyrics

aa aa
aa aa
aa aa aa aa aa
aa aa aa aa aa
o o o o
o o o o
shabaab hi shabaab hai
ye raat laajawaab hai
husn hai hijaab mein
ishq be-naqaab hai

idhar udhar yahaan wahaan
hain mastiyon ke kaarwaan
hain mastiyon ke kaarwaan
umad rahi hain badliyaan
chamak rahi hain bijliyaan
chamak rahi hain bijliyaan
nazar nazar sawaal hai
nazar nazar jawaab hai
aa aa
aa aa
aa aa aa aa
shabaqb hi shabaqb hai
ye raat laajawaab hai
husn hai hijaab mein
ishq be-naqaab hai

kadam kadam pe hai nasha
kisi ko kuchh nahin pata
kisi ko kuchh nahin pata
wo kaun thha kidhar gaya
abhi abhi jo paas thha
abhi abhi jo paas thha
ajeeb si ye neend hai
ajeeb sa ye khwaab hai
aa aa
aa aa
aa aa aa aa aa aa
shabaab hi shabaab hai
ye raat laajawaab hai
husn hai hijaab mein
ishq be-naqaab hai

koi kisi pe mar mita
koi kisi ka ho gaya
koi kisi ka ho gaya
hai ishq ke muaamle
jo pa gaya so kho gaya
jo pa gaya so kho gaya
hisaab ki na poochhiye
ye baat behisaab hai
aa aa
aa aa
aa aa aa aa aa aa
shabaab hi shabaab hai
ye raat laajawaab hai
husn hai hijaab mein
ishq be-naqaab hai
shabaab hi shabaab hai
ye raat laajawaab hai
husn hai hijaab mein
ishq be-naqaab hai

Tags: 1954, Asha Bhonsle, Hemant Kumar, Rajinder Krishan, Samraat

Hum Cheez Hain Bade Kaam Ki Yaaram

Posted by: skapur01 on: August 18, 2018

This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3683

Post No. :

14584

Hullo to all in Atuldom

Recently I read an interview of one of my favorite lyricist in the Bangalore Times which was conducted on the sidelines of Bangalore Poetry festival 2017. Every time I read or hear him I start admiring him all the more. Last year on the occasion of his birthday I heard him on Gaana.com (an app supporting continuous song playback) and I was floored by his thought process. There he had said “I don’t like to say things like ‘Hamaare zamaane mein ye hua karta tha. . .’. One shouldn’t lament about the fact that the current generation isn’t repeating what they did. At least they aren’t repeating your mistakes in the process.” He further went on to say “what do people mean hamaara zamaana, as long as you are living it is your ZAMAANA”. That is a nice way to look at life.

In his recent interview, he has said “Lyrics is commissioned work, it is my profession. But poetry is my statement to life. Something that I feel, I know, something that I have acquired from life, that is my statement, my poetry.” He further added “Film depends on something. It is like a job or work, something that I’ve been asked to do with perfection. For some particular situation, in a particular story, for some character. Here (for poetry) it depends on your (Gulzar’s) hard work on that character.” That was a nice way to explain difference between lyrics and poetry.

What I am doing is wishing the master of words- a poet, lyricist and film maker a very Happy 83^rd birthday.

This song is dedicated to all fans of Gulzar who follow our blog. It is for the special attention of our Rajaji. I had just heard it before our first ever Gangout and I had mentioned it there. And he claimed ignorance about its existence. I don’t blame him for that or any of our fellow Atulites who are not forced to listen to the songs from this generation. I will never say that I am forced to listen to songs of the present times.

I heard this song over three/four years back (don’t remember where). I rushed home and searched for it on Google. And made my Peevesie listen to it and she said “haan, I have heard it. It’s a Gulzar song.” So much for my excitement that I had discovered something which she may not yet heard. But the song has stayed with me since then. I stop surfing channels if I hear the song anywhere –TV or Radio. Its a very catchy song. Reminds one of “Mera Kuch Saaman Tumhaare Pass Pada Hai” from the Gulzar – RD Burman combo ‘Ijaazat’ of 1988. Only thing this one is from 2013 and has Gulzar collaborating with Vishal Bharadwaj in ‘Ek Thi Daayan’. It is in the voices of Sunidhi Chauhan and Clinton Cerejo.

Gulzar and his poetry never ceases to amaze me. He is always with the times. For an eighty-year-old his lyrics are always young. His ability to play with words is worth noting. . . ”Badli Hata Ke Chanda Chupke Se Jhaanke Chanda” from “Mora Gora Ang Laile” – ‘Bandhini’ (1963); “Aankhon Mein Neend Na Hoti, Aansoon Hi Tairte Rehte” from “Koi Hota Jisko Apna” – ‘Mere Apne’ (1971); to the modern day ”Ankhen Bhi Kamaal Karte Hai, Personal se Sawaal Karte Hain” from “Kajraare Kajraare” from ‘Bunty Aur Babli (2005); or the lines “Ho Itni Sardi Hai Kisika Lihaaf Laile Ja Padosi Ke Chulhe Se Aag Laile” from “Beedi Jalaile” – ‘Omkaara’ (2006); or the Oscar winning “Aaja Zariwale Neele Aasman Ke Tale” from “Jai Ho” – ‘Slumdog Millionaire’ (2008); – what a range. This young man has been in the industry since the sixties and shows no signs of regret (Bollywood was not part of his plans for life back then).

So here is wishing Sampooran Singh Kalra alias Gulzar Deenvi (after his birthplace Dina which is now in Pakistan) or simply put Gulzar Saab a very Happy Birthday.

With this song I also propose to wish Sunidhi Chauhan a belated Happy Birthday. It was on 14^th August. More about her in a later post.

Song – Hum Cheez Hain Bade Kaam Ki Yaaram (Ek Thi Daayan) (2013) Singer – Sunidhi Chauhan, Clinton Cerejo, Lyrics – Gulzar, MD – Vishal Bhardwaj
Chorus
Huma Qureshi

Lyrics

hum cheez hain
bade kaam ki yaaram
hamen kaam pe
rakh lo kabhi yaaram
hum cheez hain
bade kaam ki yaaram

ho oo
suraj se pehle jagaayenge
aur akhbaar ki sab surkhiyan
hum gun gunaayenge
pesh karenge garm chai phir
koi khabar aayi napasand to
end badal denge
ho oo munh khule jamhaai pe
hum bajaayen chutkiyaan
dhoop na tum ko lagey
khol denge chhatariyaan
peechhe peechhe din bhar
ghar daftar mein le ke chalenge hum
tumhari faailen
tumhari diary
gaadi ki chaabiyan
tumhari enaken
tumhara laptop
tumhari cap phone
aur apna dil
kanwaara dil,
pyar me haara bechaara dil
aur apna dil
kanwaara dil,
pyar me haara..aa..aa..aa
bechaara dil..ll..ll

(jawaab do
arey lyrics nahin aate mujhe

Ta..daa!)

pappaa rappaa

ye kehne me kuchh risk hai yaaram
naraaz na ho ishq hai yaaram
ho raat savere shaam ya dopehari
band aankhon me le ke tumhen
ungha karenge hum
takiye chaadar mehake rehte hain
jo tum gaye
tumhari khushboo soongha karenge hum
o zulf me phansi hui
khol denge baaliyan
kaan khinch jaaye agar
kha lenge meethi gaaliyaan
chunte chale pairon ke nishaan
ki un par aur na paanv padey
tumhari dhadkane
tumhara dil suney
tumhari saans mein
lagi kampkapi
na gajre buney
juhi mogra
to kabhi dil

hamaara dil
(hamaara dil hamaara dil)
pyaar mein haara
bechaara dil
(bechaara dil)
hamaara dil
(hamaara dil hamaara dil)
pyaar mein haara
bechaara dil
(bechaara dil)
hamaara dil
(hamaara dil)
kanwaara dil
(kanwaara dil)
pyaar me haara..aa..aa..aa
bechaara dil..ll..ll
hamaara dil
pyaar me haara bechaara dil
kanwaara dil
hamaara dil
pyaar me haara bechaara dil
kanwaara dil
hamaara dil
pyaar me haara bechaara dil
kanwaara dil
hamaara dil
pyaar me haara bechaara dil
kanwaara dil
hamaara dil
pyaar me haara bechaara dil

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हम चीज़ हैं
बड़े काम की यारम
हमें काम पे
रख लो कभी यारम
हम चीज़ हैं
बड़े काम की यारम

हो ओ
सूरज से पहले जगाएँगे
और अखबार की सब सुर्खियां
हम गुनगुनाएँगे
पेश करेंगे गरम चाय फिर
कोई खबर आई नापसंद तो
एंड बदल देंगे
हो ओ
मुंह खुले जम्हाई पे
हम बजाएँ चुटकियाँ
धूप ना तुमको लगे
खोल देंगे छतरियाँ
पीछे पीछे दिन भर
घर दफ्तर में ले के चलें हम
तुम्हारी फाइलें
तुम्हारी डायरी
गाड़ी की चाबियाँ
तुम्हारी एनकें
तुम्हारा लैप टॉप
तुम्हारी कैप फोन
और अपना दिल
कंवारा दिल
प्यार में हारा बेचारा दिल
और अपना दिल
कंवारा दिल
प्यार में हारा॰॰आ॰॰आ॰॰आ
बेचारा दिल॰॰ल॰॰ल

(जवाब दो
अरे लीरिक्स नहीं आते मुझे

टा॰॰॰डा)

पप्पा रप्पा

ये कहने में कुछ रिस्क है यारम
नाराज़ ना हो इश्क़ है यारम
हो रात सवेरे शाम या दोपहरी
बंद आँखों में लेके तुम्हें
ऊँघा करेंगे हम
तकिये चादर महके रहते हैं
जो तुम गए
तुम्हारी खुशबू सूंघा करेंगे हम
ओ जुल्फ में फांसी हुई
खोल देंगे बालियाँ
कान खिंच जाये अगर
खा लेंगे मीठी गालियां
चुनते चले पैरो के निशान
के उन पे और ना पाँव पड़े
तुम्हारी धड़कने
तुम्हारा दिल सुने
तुम्हारी सांस में
लगी कंपकपी
ना गजरे बुने
जुही मोगरा
तो कभी दिल

हमारा दिल
(हमारा दिल हमारा दिल)
प्यार में हारा
बेचारा दिल
(बेचारा दिल)
हमारा दिल
(हमारा दिल)
कंवारा दिल
(कंवारा दिल)
प्यार में हारा॰॰आ॰॰आ॰॰आ
बेचारा दिल॰॰ल॰॰ल॰॰ल॰॰ल
हमारा दिल
प्यार में हारा बेचारा दिल
कंवारा दिल
हमारा दिल
प्यार में हारा बेचारा दिल
कंवारा दिल
हमारा दिल
प्यार में हारा बेचारा दिल
कंवारा दिल
हमारा दिल
प्यार में हारा बेचारा दिल
कंवारा दिल
हमारा दिल
प्यार में हारा बेचारा दिल

Tags: 2013, Clinton Cerejo, Emraan Hashmi, Gulzar, Huma Qureshi, Kalki Koechlin, Sunidhi Chauhan, Vishal Bhardwaj

Roothho na roothho na

Posted by: Atul on: August 7, 2018

Blog Day :

3672

Post No. :

14555

Bappi Lahiri is a music director whose name is to this date associated with “Disco” music. He is also regarded as one who hastened the end of the golden era of HFM.

It may sound ironic that when one has to discusses Bappi Lahiri’s better compositions in HFM, one discusses his non disco songs, many of them from his pre disco phase. Even the great compositions of Bappi Lahiri during his “disco” phase were non disco songs. It was not “Disco Dancer” (1982) songs, but non disco songs from “Namak Halal”(1982), “Sharaabi”(1984) and “Aitbaar”(1985) that are fondly remembered to this day.

Why is it so ? It is easy enough to explain. Look at the singers of the non disco movies. Look at the lyrics of the non disco movie songs vis a vis the Disco movie songs. And also look at the actors who featured in the songs. Chalk in disco, cheese in non disco songs.

In this blog we mostly cover music of HFM era. Bappi Lahiri began his career when HFM era was still on and he created some memotable songs in his earlier movies. “Zakhmee”(1975) caught the imagination of the music lovers. I for a considerable period thought that R D Burman was the composer for this movie !

“Chalte Chalte”(1976) title song has become an iconic farewell song and it is sung in all get togethers in India till today that are held to bid farewell to people.

Songs of “Toote Khilaune”(1978) and “Shiksha”(1979) unfortunately did not become popular but what great songs they were. I feel that the failure of his great songs early in his career may have turned Bappi Lahiri into a cynic and he may have told himself-“to hell with classy music that does not sell.” His “disco” music indeed began selling like hot pakodas.

I intend to cover all available songs of music directors who were active during the golden era of HFM. Bappi Lahiri is a music director who only partially belongs to the golden era, so all his songs will not be covered in the blog. While I will cover all his songs created till 1980s, I will cover only those post 1980 songs of Bappi Lahiri that I feel belong here. There are indeed some such post 1980 songs, viz “Namakhalaal”(1982), “Sharaabi”(1984) etc that I have discussed earlier.

Bappi Lahiri is now on 99 songs in the blog. I had originally intended to cover one of his remaining worthy songs from post 1980 era, but now I feel that I should post one “rare” song on this occasion as we often do in the blog. This “rare” song is from a “rare” movie. This movie is “Ahsaas”(1979) which was a quickie movie made by G P Sippy in between his “mega” projects that he was known for. The movie, which was directed by S K Suri for Sippy Films, Bombay had a cast of largely unknown newcomers. Deena and Parwez were the lead pair. Others in the cast were Rakesh Bedi, Kiran Vairaale, Sahil, Reeta Raani Kaul, Chaand Usmani, Leela Mishra, Sundar, Mohan Sherry, Asha Potdar, Arun Desai, Deepak Raj, Sanjay Kaushik, Ashok Junior, K S Deshpande, Deenanath etc. Realising that the movie would fail to attract audiences unless it had a few big names, the movie makers had roped in names like Shammi Kapoor, Shashi Kapoor, Simmy, Bindu, Simple Kapadia and Amjad Khan. Amitabh Bachchan and Bindiya Goswami were also there in special roles. HFGK does not mention mention their names, but their faces were plastered prominently in the publicity posters of this movie.

Amitabh Bachchan and Bindiya Goswami figure in one party song in “Ahsaas”(1979). This song has been forgotten by most music lovers. I have chosen this song to serve as the 100^th song of Bappi Lahiri in the blog. This song is sung by Lata and chorus. Bindiya Goswami lip syncs in Lata’s voice,Amitabh Bachchan, who towers over every other participant in the picturisation dances in the song with a girl nearly one and a half foot shorter than him.

This forgotten sung is sung nicely by Lata. Indeewar is the lyricist. His lyrics show how a good lyricist could turn a song meant for a routine situation into a nice hummable song. It is sad that he and Anjaan would later be reduced to pen inane lyrics in future.

Here is this superb “party” song from a forgotten movie, which is the 100^th song of Bappi Lahiri in the blog as a music director. With this, Bappi Lahiri becomes the 36^th music director and 85^th artist overall to notch a century of songs in the blog.

Song-Roothho na Roothho na (Ahsaas)(1979) Singer-Lata, Lyrics-Indeewar, MD-Bappi Lahiri
Chorus

Lyrics

Let us give the dancing couple a big hand

Roothho naaa
Roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
roothho naaa
roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na

kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk

laa laa laa
laa laa laa
laa laa laa
laa laa laa

armaan to hain laakhon magar
waqt hai kam
jo pal miley pyaar mein
usey guzaaro sanam
armaan to hain laakhon magar
waqt hai kam
jo pal miley pyaar mein
usey guzaaro sanam
aisa na sitam karo
pyaar ko na kam karo
gussa chhodo na
ho
aisa na sitam karo
pyaar ko na kam karo
gussa chhodo na
hu
roothho naaa
roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
hu

naacho zara
haathhon mein tum haath liye
masti mein tum jhoomo
mujhe saath liye
naacho zara
haathhon mein tum haath liye
masti mein tum jhoomo
mujhe saath liye
rahna hai sang
main to rangoon ek rang mein
mukhda modo na
hu
rahna hai sang
main to rangoon ek rang mein
mukhda modo na
ho
roothho naaa
roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
ho

kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk

laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa

lallalalla
lallalallala
lallalalla
lallalallala
lallalallala
ho
lallalalla
lallalallala
laalaalaalaalaa

Tags: 1979, Ahsaas, Amitabh Bachchan, Bappi Lahiri, Bindiya Goswami, Indeewar, Lata

Pappu Can’t Dance Saala

Posted by: skapur01 on: July 15, 2018

Blog Day :

3649

Post No. :

14491

ASAD 10th Anniversary Celebrations – 6
———————————————————————

Hullo to all in Atuldom

A special occasion calls for a special post – this was a point to be kept in mind when writing a post to mark 10 years of our pet-blog. It should not sound like any of the posts that I had written for the blog’s anniversary in the last few years- another thing to take care of.

Keeping these two main points in mind I have been ruminating about what to write for the last 20- 25 days. Added to this we get a mail from our Sudhir ji requesting the post to reach him well in advance so that posting on the blog can happen in a planned way and build-up the fervour to D-Day. And here I am on day 3653-3646 still writing.

What to write about and which song / movie to select was an issue which our Bharatbhai helped me resolve. I was glad to have been able to visit him on my recent trip to Mumbai. Sorry that it was not a four-cornered meet as Arunkumar ji was not in town and I was unable to contact Sadanand ji. I was dazed by Bharat Bhai’s passion for music irrespective of the genre though he has a soft-corner for classical, bhajans and lyrical stuff in addition to Lata Mangeshkar. And for the fifth or sixth time in my life I was awed by someone. It happened for the first time in 2014 when I visited Sudhir ji and saw his collection of music and books and music players. The feeling is repeated every time I have visited Arunkumar ji, Gajendra ji and Raja ji. Each of them has something in their dens that is eye-popping, one of the contributing factors to why I like visiting them. And I must thank Atul ji for starting the blog and bringing me in the same circle as these people.

So, as I said earlier Bharat Bhai has sowed the seed for this post and it might get to be a rather longish post if compared to all that I have ever written, so fellow-atulites please bear it and indulge me. 😊

I think I will say “once upon a time, not-so-long-ago” Atul ji started a blog by the name Atulsongaday on 19^th July 2008. In that very same month, far, far away in another part of the country, a family shifted into a new city, new phase of life and a somewhat changed daily routine. Having moved into a new home the first 10-15 days just ran by in unpacking and setting up the house. In addition to helping the kids (who are now working adults) adjust to the lifestyle of the new city which is so spread out that in-spite of having more number of buses in its public transport fleet caters to fewer areas or people and make lesser number of trips as compared to our previous city – Mumbai. Then add to it the fact that suddenly the daughter and son were in different educational institutes, so different timings and work schedules fell in place. Oh, there was another thing to adjust to – the man of the house had his workplace within walking distance so after about 15 years I had the pleasure of company during lunchtimes.

When we were Mumbaikars we had developed the hobby of walking to the nearest cinema house whenever we felt like seeing a movie. This too changed in our new city – Bangalore (now the city is calling itself Bengaluru, even that has changed 😉). We found that the nearest cinema house was a good 5 kms away and was a multiplex; something we had not liked when in Mumbai as we felt that these places had hiked-up ticket charges (now multiplexes have become common and part of the movie-experience).

In the same month – July 2008 – Bollywood had about seven big releases meaning movies where a big banner, producer, director, or star – actors and actresses were involved. Namely ‘Jaane Tu. . . Ya Jaane Na’ starring newcomers Genelia D’Souza and Imran Khan; ‘Love Story 2050” with Priyanka Chopra in the lead; ‘Mehbooba’ with Ajay Devgan, Sanjay Dutt and Manisha Koirala (the last released movie with songs penned by Anand Bakshi); ‘Kismat Konnection’ with Shahid Kapoor and Vidya Balan; Ram Gopal Verma’s ‘Contract’ (read about this movie as I was writing this); ‘Mission Istanbul’ starring Vivek Oberoi, Zayed Khan, Suneil Shetty etc. and ‘Money Hai Toh Honey Hai’ starring Govinda, Manoj Bajpai etc.

Of these the only movie that has stayed in my memory is ‘Jaane Tu. . . Ya Jaane Na’. Probably as this was the first movie which my kids went to see all by themselves in Bangalore, all cinema-going before that used to be family-affairs as I have said earlier. Another factor for it to remain in memory is the title which came from the popular song of the 70s. Then the music by AR Rehman was a standout which appealed to the young and the young-at-heart and the lyrics by Abbas Tyrewala were meaningful too. Along with a host of young actors the movie also had some new playback singers who have since gone on to sing many popular numbers and gained popularity themselves.

So, coming back to what I was telling, this movie released in the first week of July, and it was still there in the movie halls when my children decided to see it after we had finished settling in. It might have been 19^th July since it was a Saturday (just checked on google) which used to be a half-working day at their colleges and I used to allow them to go for the evening show. (Is that why the blog began on 19^th, being a Saturday?) So now I hope I have established the reason I chose this movie to debut here on the blog as compared to ‘Kismat Konnection’ or ‘Contract’ (both of which had released on 18^th July 2008.)

“Jaane Tu … ya jaane na” was produced by Aamir Khan and Mansoor Khan and was written and directed by Abbas Tyrewala. The cast included Ratna Pathak Shah and Naseeruddin Shah ( appearing in a photo hanging on the wall, dressed in gallant Rathore-clan outfit), Anuradha Patel, Jayant Kripalani and Prateik Babbar with a horde of young actors who formed the group of friends of Genelia and Imran Khan. Paresh Rawal, Sohail Khan and Arbaaz Khan had guest appearances. The story is about two friends who don’t realise that they love each other but the enitre world around them is aware that they are meant for each other. The movie is about how the realization dawns on the two. Oh, the movie opens with the youngsters singing (rather tunelessly) the famous song “Tera Mujhse Hai Pehle Ka Naata Koi” which just goes to show that youngsters do like the (not-so-old) song. 😊

So, on the occasion of the 10^th anniversary of the blog, our shifting to Bengaluru and the movie itself here is the best party song that I can think of sung by Tanvi, Satish Subramaniam, Mohd Aslam, Darshana, Blaaze, Benny Dayal, Anupama Deshpande (only recognisable name).

Happy Birthday ASAD. Let us have many more such anniversaries.

Song – Pappu Can’t Dance Saala (Jaane Tu. . . Ya Jaane Na) (2008) Singer – Tanvi, Satish Subramaniam, Mohd Aslam, Darshana, Blaaze, Benny Dayal, Anupama Deshpande, Lyrics – Abbas Tyrewala, MD – AR Rahman

Lyrics

(this is the future man)
tirikit daana tirikit daana ti ri daana
lets dance
tirikit daana tirikit daana ti ri daana
lets dance

hai muscular
muscular
hai popular
popular
hai muscular
hai popular
spectacular
he’s a bachelor
he’s a bachelor
he’s a bachelor
pappu ki gaadi tez hai
pappu kudiyon main craze hai
pappu ki aankhen light blue
pappu dikhta angrez hai
angrez hai
rado ki ghadi haathon mein
perfume gucci waala
but pappu can’t dance saala
haay haay haay haay
pappu can’t dance saala
haay haay haay haay
pappu naach nahi sakta

wheneva i see you when you dance at the hall
wheneva i see you when you dance
hey
wheneva i see you when you dance at the hall
wheneva i see you when you dance
hey

tirikit dana tirikit dana ti ri dana
lets dance
tirikit dana tirikit dana ti ri dana
lets dance
pappu can’t dance saala

wheneva i see you when you dance at the hall
wheneva i see you when you dance
hey
wheneva i see you when you dance at the hall
wheneva i see you when you dance
hey
tirikit dana na na na
tirikit dana na na na
tirikit dana na na na
tirikit dana na na na

paida pappu hua toh kismatein chamkin
aur uske munh main thi chaandi ki chamchi
he ye ye
pappu ke paas hai paisa
he ye ye
haathon ke mail ke jaisa
he ye ye he
pappu yaaron ka yaar hai
he ye ye ye
pappu hot hai smart hai
but pappu can’t dance saala
haay haay haay haay
but pappu can’t dance saala
haay haay haay haay
pappu naach nahi sakta

tirikit daana na na na
tirikit daana na na na
tirikit daana na na na na
tirikit daana na na na

papa kehte hain bada naam karega
mera pappu toh aisa kaam karega
he ye ye
pappu ke paas hai mba
he ye ye
karta hai france mein holiday
he ye ye ye
pappu guitar bajaata hai
he ye ye he
jahaan jaata hai chhaa jaata hai
(scream)

but pappu can’t dance saala
tirikit daana tirikit daana ti ri daana
lets dance
haay haay haay haay
tirikit dana tirikit dana ti ri dana
lets dance
haay haay haay haay
tirikit dana na na na
tirikit dana na na na
but pappu can’t dance saala

tirikit daana na na na na
tirikit daana na na na
but pappu naach nahin sakta
hey

tirikit dana tirikit daana ti ri dana (hai)
lets dance (hai)
wheneva i see you when you dance at the hall
wheneva i see you when you dance
hey
hey
wheneva i see you when you dance at the hall
wheneva i see you when you dance
hai
wheneva i see you when you dance at the hall
wheneva i see you when you dance
hai
tirikit dana tirikit dana ti ri dana

but pappu can’t dance saala

Tags: 2008, Abbas Tyrewala, Aliksha Varde, Anupama Deshpande, AR Rahman, Benny Dayal, Blaaze, Darshana, Genelia D'Souza, Imran Khan, Jaane Tu. . . Ya Jaane Na, Karan Makhija, Mohd Aslam, Nirav Mehta, Prateik Babbar, Satish Subramaniam, Sughandha Garg, Tanvi

Agar leta hoon tera naam

Posted by: Atul on: July 11, 2018

Blog Day :

3645

Post No. :

14474

The Hindi movie music has undergone changes with time. It is seen that the music style of the dominant music director of the era is ofter copied by other music directors. For instance, there were occasions when Madan Mohan, Roshan etc copied the music style of O P Nayyar, whereas Kalyanji Anandji’s music sounded like Shankar Jaikishan during late 1950s to mid 1960s. Music directors copied the music style of R D Burman during 1970s.

1980s was the era of disco music and Bappi Lahiri was the most sought after music director of those days. It was a mixed feeling for music lovers to find senior music directors like Laxmikant Pyarelal composing Bappi Lahiri kind of music during 1970s.

Here is a song where as music director like Khayyam has composed a Bappi Lahiri like song. This song is sung by Kishore Kumar and it is picturised on Rajesh Khanna wielding a guitar on stage while many spectators watch his performance. His song seems the have the kind of effect on Jaya Prada (seated among the audience)that this song intended, namely to make her feel like a “bewafa”. Shatrughan Sinha is also seated beside her but he is none the wiser about what is going on in the mind of Jaya Prada.

Naqsh Llayalpuri is the lyricist.

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Audio

Song-Agar leta hoon tera naam (Dil e Naadaan)(1982) Singer-Kishore Kumar, Lyrics-Naqsh Llayalpuri, MD-Khayyam

Lyrics(Provided by Avinash Scrapwala)

Nigaahen pher kar mujhse
mera dil todne waale
mujhe raah e mohabbat mein
akelaa chhodne waale

Come on clap

agar leta hoon tera naam
mohabbat hoti hai badnaam
agar leta hoon tera naam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam
agar leta hoon tera naam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam

wafaa ki justju
karne chalaa thha
bewafaaon mein
main aa baithha thha bhoole se
teri zulfon ki chhaaon mein
banaa kar mujhko tash nakaam
teri chaahat ka toota jaam
teri chhahat ka toota jaam
banaa kar mujhko tash nakaam
teri chaahat ka toota jaam
teri chhahat ka toota jaam
agar leta hoon tera naam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam

tu ae mehboob kya jaane
ke hai rasm e mohabbat kya
nahin hai aaj tu apnaa
to phir tujhse shiqaayat kya
milaa ye ulfat ka inaam
ke jeena hai mujh par ilzaam
ke jeena hai mujh par ilzaam
milaa ye ulfat ka inaam
ke jeena hai mujh par ilzaam
ke jeena hai mujh par ilzaam
agar leta hoon tera naam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam

kabhi ae doston
ae dost
ae doston
kabhi ae doston
dil ki lagi
tumko na tadpaaye
dua deta hai toota dil
mohabbat tumko raas aaye
kabhi na aaye gham ki shaam
miley khushiyon ka hi paighaam
miley khushiyon ka hi paighaam
kabhi na aaye gham ki shaam
miley khushiyon ka hi paigaam
miley khushiyon ka hi paigaam
agar leta hoon tera naam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam
mohabbat hoti hai badnaam

Tags: 1982, Dil e naadaan, Jaya Prada, Khayyam, Kishore Kumar, Naqsh Llayalpuri, Rajesh Khanna

Older Entries

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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Jaata hai tu kahaan

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Meri aankhon mein ik sapna hai

Shabaab hi shabaab hai ye raat laajawaab hai

Hum Cheez Hain Bade Kaam Ki Yaaram

Roothho na roothho na

Pappu Can’t Dance Saala

Agar leta hoon tera naam

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