Archive for the ‘Party song’ Category
- In: Blog ten year challenge (2009-2019) | Devnagri script lyrics by Sudhir | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Party song | philosophical song | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4003 | Post No. : | 15106 |
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Blog 10-Year Challenge (2009-19) – Song No. 37
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This day, ten years ago – as such sections are generally titled in newspapers that carry a review of their news content from 50 or 100 or 150 years in the past. Well yes, our antecedents are more modest, and so we hark back 10 years into our collection on the blog. On 4th July, ten years ago, the films that got posted were,
| Jauhri | 1951 |
| Dholak | 1951 |
| Chaand Mere Aaja | 1960 |
| Bank Manager | 1959 |
| Faulaad | 1963 |
| Jawaab | 1970 |
Of these six films, three had made their debut on that date. The debut making films are ‘Jauhri’ (1951), ‘Chaand Mere Aaja’ (1960) and ‘Jawaab’ (1970).
And then, of these six films, three have been yippeee’d so far – ‘Dholak’, ‘Bank Manager’ and ‘Faulaad’. Of the remaining six, one film is on the threshold of being announced as a yippee film. And this film is ‘Chaand Mere Aaja’. So we are posting the final song of this film, to formally announce this film as being yippeee’d today.
Reminds me, it would be an interesting analysis to know, how many of the Ten Year Challenge posts are resulting in the film being yippeee’d. Meaning that the film’s debut date and the yippee date are exactly 10 years apart.
The film ‘Chaand Mere Aaja’ of 1960 has 7 songs listed in the Geet Kosh. Of these, six are already showcased on our blog. We bring on board, the final song of this film today. It is interesting to note that, as per the Geet Kosh, six of the songs of this film are available on gramophone records. And the 7th, which is today’s song, is available only in the film’s soundtrack. Thankfully, the video clip of this song is available online.
The song is written by IC Kapoor. Music composition is by Chitragupt. And the singing voice is of Mohammed Rafi. On screen, this song is performed by Bharat Bhushan. The song is presented in a party, where apparently, the tone of the song does not quite jell with the mood and ambience of a get together of the rich and well to do people.
In any case, we bring on board the last and final song of this film, adding it to the list of films with all songs covered – over a period of ten years – exactly. 🙂
Song – O Duniyawaalo Kaisa Tumhaara Ye Sansaar Hai (Chaand Mere Aaja) (1960) Singer – Mohammed Rafi, Lyrics – IC Kapoor, MD – Chitragupt
Lyrics
o duniya waalo..oo
oo oo oo oo
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
jhoothe ki jeet yahaan
sachche ki haar hai
jhoothe ki jeet yahaan
sachche ki haar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo
bade bade bazaar saja kar
gali gali mein dhol baja kar
sona dikhla peetal bechen
gin kar paise poore letey
dil ka sauda jaan ka sauda
hota hai imaar ka sauda
khoon pasina bik jaata hai
maut aur jeena bik jaata hai
pooch raha hai tumse bolo
kaisa ye vyohaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo
aansoo le lo aanhen le lo
hasrat le lo chaahen le lo
taambe ka ik tukda phenko
toote dil ki duaaen le lo
loot chuke ho duniya saar
is par bhi taqraar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo
sapnon ki duniya ko chhodo
asliyat se munh na modo
kab tak jhoothi shaan rahegi
do din to ye jaan rahegi
saaz samay ka bol raha hai
raaz ke taale khol raha hai
kaath ki handiya jal ke rahegi
khota ye vyopaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo
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Hindi script lyrics (Provided by Sudhir)
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ओ दुनिया वालो॰॰ओ
ओ ओ ओ ओ
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
झूठे की जीत यहाँ
सच्चे की हार है
झूठे की जीत यहाँ
सच्चे की हार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ
बड़े बड़े बाज़ार सजा कर
गली गली में ढ़ोल बजा कर
सोना दिखला पीतल बेचें
गिन कर पैसे पूरे लेते
दिल का सौदा जान का सौदा
होता है ईमान का सौदा
खून पसीना बिक जाता है
मौत और जीना बिक जाता है
पूछ रहा है तुमसे बोलो
कैसा ये व्योहार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ
आँसू ले लो आहें ले लो
हसरत ले लो चाहें ले लो
तांबे का इक टुकड़ा फेंको
टूटे दिल की दुआएं ले लो
लूट चुके हो दुनिया सारी
इस पर भी तक़रार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ
सपनों की दुनिया को छोड़ो
असलियत से मुंह ना मोड़ो
कब तक झूठी शान रहेगी
दो दिन तो ये जान रहेगी
साज़ समय का बोल रहा है
राज़ के ताले खोल रहा है
काठ की हँडिया जल के रहेगी
खोटा ये व्योपार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ
Where’s The Party Tonight
Posted on: June 20, 2019
- In: "Disco" song | Club song | Dance song | DJ song | Free Spirit Song | Group Dance | Guest posts | Loy Mendosa Songs | Party song | playful song | Post by Peevesie's mom | Shaan Songs | Shanker Mahadevan Songs | Song sung by three or more singers | Songs of 2000s (2001 to 2010) | Songs of 2006 | Vasundhara Das Song | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3989 | Post No. : | 15078 | Movie Count : |
4136 |
I hope to bring in a party mood with today’s post. We are celebrating something very important. We are wishing our leader good health, good times, good infrastructure in the form of uninterrupted power supply and good broadband facilities. We are also wishing that he never loses interest in adding new posts and finds for us hitherto unheard songs from rare movies and gives us rare combinations in terms of music directors, singers, actors etc. And I promise on behalf of fellow followers of the blog that we will not stop following the blog, keep sending new farmaishes (requests), and the regulars will also help you keep track of upcoming milestones, birthdays anniversaries etc.
I am sure I have the support of all Atulites in what I have promised our dear Atulji. So, let us all wish him a very Happy Birthday. May you relentlessly keep the blog moving. 🙂
The party song with this post is from Dharma Prorductions’ 2006 release ‘Kabhi Alvida Naa Kehna’ which was directed by Karan Johar and starred his friend and favourite Shahrukh Khan with Rani Mukherjee, Preity Zinta, Kiron Kher, Amitabh Bachchan, Abhishek Bachchan with guest appearances by Arjun Rampal, Kajol and a few others. The movie had Shankar-Ehsaan- Loy for music directors and Javed Akhtar as the lyricist. Today’s song is in the voices of Shankar Mahadevan, Loy Mendonsa, Vasundhara Das and Shaan.
Happy Birthday Atulji!!! Lets party tonight.
Song – Where’s The Party Tonight (Kabhi Alvida Na Kehna) (2006) Singer – Shankar Mahadevan, Loy Mendonsa, Vasundhara Das, Shaan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Shankar Mahadevan + Vasundhara Das
Female Chorus
Male Chorus
All Together
Lyrics
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
pyare pyare lamhe
lamhe lamhe
pyari pyari baatein
baatein baatein
sapno ke din hain
din hain din hain
sapno ki raatein
raatein raatein
ho gunje hai dil ke tarane
bajne hai geet suhane
behke hai sare deewane
toh nach le nach le whole night
where’s the party tonight
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight
dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
oooo sajna aa
oooo sajna aa
tere bina main nahi
ooooooo
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight
jo meri manzil tha,
paagal jispe dil tha
ha wo mujhe mil gaya
phool jo mehka tha,
jispe dil behka tha
baahon mein woh khil gaya
meheki hai pyar ki raahein,
beheki hai saari nigahein
phaili hai khwabon ki baahein
toh nachle nachle whole night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight
nach
nach all nite
get it right
nach
nach all nite
get it right
meri ye kahani
jiski hoon deewani
woh hai deewana mera
jo hai dil ki rani
usko bhi zabani
yaad hai fasana mera
ho puri hui koi kahani
mil gayi dil ki nishani
jhoom uthi ye zindagaani
toh nachle nachle all night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
aaaa aaaaa
aaa aaaaaa
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight
- In: "pardesi" song | Calling the beloved | Devnagri script lyrics by Sudhir | Expecting the beloved | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Party song | Post by Sudhir | Separation song | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 11 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3963 | Post No. : | 15044 |
Songs Repeated in Hindi Films – 1
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Reading the title of the post, you must be wondering – “ये क्या हो रहा है?” (“What is this going on?”). This song – who says this song is not yet posted. Goodness, this film is yippeee’d long back. So why are we re-posting this song? Sudhir seems to have taken up certain vice (or vices) with unlikeable after effects. 😀 😀
Well, no and yes. No – I have not taken up any such vices 🙂 that may impair my abilities to make decisions about posting songs. And yes – this song, from film ‘Madhumati’ of 1958, is already posted here on our blog. The film ‘Madhumati’ made its debut here on 1st May, 2009. The eleven songs of this film made their appearances over the subsequent four plus years, and film was yippeee’d on 4th Jul, 2013. This song originally appeared on 3rd May, 2009. ‘Madhumati’ is a done deal.
Of course your question still remains – “ये क्या हो रहा है?”. The answer to that follows.
I will try to make the long story short. Beginning of this month, Bakshi ji and I were in Bombay, to attend the annual two day seminar titled ‘Cine Music Beyond Entertainment’, which is arranged by our friend Shri Kushal Gopalka, every year. In one of the post session discussions, I came to know about a very interesting anecdote. The session was on the life and work of music director Vasant Desai.
The anecdote is about the 1971 film ‘Guddi’. The Geet Kosh lists three songs for this film,
The first two songs are penned by Gulzar. The third is a traditional bhajan, written by Meerabai, one of the greatest saints of the Bhakti Movement in India, which originated in India in the eighth century AD. Meerabai, who belonged to the royal family of Mewar (in Rajasthan) spent her time here on this sub continent, in the fifteenth century AD. Music for these three songs is composed by Vasant Desai. All three songs are in the voice of Vani Jairam. When the film released in theaters, it had only these three songs in it.
Now, one of the supervisory activities that the producer and distributor staff undertake, especially in the first one or two weeks of the film exhibition, is that they go to select cinema halls where the film is being shown. They will be present in the hall as the film is being shown, and they will also mingle with the crowd during intermission and at the end of the film. The objective is to pick up and gather live feedback about the film from the audience. It helps them to make some choices and educated decisions about the future exhibition plans.
One thing that happened during this exercise was that the team gathered feedback that sounded negative. One part was the use of only one playback voice, and that too a very fresh debut. Plus the overall summary of live audience feedback sounded disheartening and negative. Immediate discussions happened involving Hrishikesh Mukherji, the producers (Rupam Chitra) and the distributors. One recommendation that came out of these discussions was to somehow modify the mix of songs in the film. It was felt that the bhajan song (of Meerabai) should go. What should replace it? How to create a new song for the film at a short notice? Please note that this description of events is for the very first one or two days after the release of the film.
One of the recommendations from the distributors was to include another song, preferably by Lata Mangeshkar. After quick discussions, it was decided to re-use the song of ‘Madhumati’. I really wonder how fast the decision and action taken process worked. Approvals were sought and taken – Bimal Roy’s estate, Salil Chowdhury et al. The team was reassembled, and the song was picturised. Apparently, the Meera bhajan was in the same setting in the film. At the party, Jaya Bhaduri is performing the Bhajan by Meerabai – “Hari Bin Kaise Jiyun Ri” – an expression of her waiting for Samit to come to the party. This song from ‘Madhumati’ fitted the emotional-expression criteria to the T.
The song was picturzed, it was edited into the film, replacing the bhajan, the censor certificate for revision to the film was applied for and taken. Multiple copies of the revised reel of the film was quickly processed and produced on emergency basis, and distributed to the theatres for immediate change to the film being shown. How fast this whole process worked – one may gauge the speed and success of this whole exercise from the fact that the revision appeared in the theatres before the first week of exhibition was complete, i.e. within the first 5 or 6 days only.
Now, interestingly, Vasant Desai was away from Bombay at that time. Important point to note is that this whole decision making and replacement process happened without the involvement of Vasant Desai, the music director.
Possibly many of our learned friends in this musical bandwagon may already be aware of this. I was not, so this was a startling discovery for me. I must add hurriedly that yes, I have seen this films, possibly more than once, but somehow I do not carry any memory of this song being present in this film.
The booklets of the film do not contain this song. And hence, the Geet Kosh also does not list this song. This song does not appear on the EPs/LPs of this film. This song has no other status in relation to this film, except that yes, it is included in the film. The credits at the beginning of the film remain unchanged. Vani Jairam is the only playback voice, and Vasant Desai is the sole music director. And so, the video of this song is the only evidence that this song is present in the film.
A very, very interesting episode. For me, it brought into very sharp focus, an idea that songs from earlier films are at times, re-used in later films. Before this discussion happened in Bombay, I was aware of one or two such instances. They were just interesting trivia in the mind. After this discussion highlighted this activity so sharply, an idea started to form in my mind. I started to search for more such instances. I searched through my own memory, I researched the remarks and footnotes in the Geet Kosh, and I discussed this with friends and collectors in our group and in my circle, trying to gather more information about such re-use of songs. And when I am able to gather a sizeable list, the thought came to the mind – this is a new series to discuss this very interesting facet of the Hindi film music.
As I am gathering information about such instances, I also became aware af the various modes of re-use. Yes, the re-use happens not only just ‘as is’, but there even are further variations on how this re-use may occur. As we proceed with the series, I will be highlighting and discussing these different re-use ‘styles’. It does make for a very interesting discussion.
And so, here is the first offering of this series. The song from ‘Madhumati’ of 1958 is re-used – as is, ditto, no change – 13 years later in ‘Guddi’ of 1971. Ah, I must correct myself. One change does happen. The original song in ‘Madhumati’ has three stanzas. The re-use version in ‘Guddi’ has only two stanzas. The first stanza of the ‘Madhumati’ version is left out.
This is the very first re-use ‘style’ – the song has been directly used and copied as is. No alterations, no additions, no other changes. Just get approvals, and simply insert the earlier song, as it fits into the storyline. This is the simplest form of re-use. I will be presenting more such instances moving forward.
So view this associated video clip, and listen to the original recording of this song, now being lip synced by Jaya Bhaduri. The scenario is so utterly different. The original setting in ‘Madhumati’ is mountains, forests, river and waterfall. The entire natural surroundings seem to be participating in the earlier picturization of the song. In this later ‘Guddi’ incarnation, this is just a song being sung at a party. The performer, very naturally, is just standing still, as the audience simply watches and waits for the song as it progresses. Absolutely minimal activity and movement in this scene.
Besides Jaya, we can also see Sumita Sanyal, Utpal Dutt and Vijay Sharma in the clip, as family members watching the impromptu performance. Samit Bhanj, for whose benefit and in whose wait, this song is being performed, is seen arriving at the party, just as the song gets started, and he thoughtfully waits just outside the entrance to the room, listening to the song being performed. Amongst the guests at the party, there are many familiar faces – of junior artists that are part of such scenes in films. But their names remain obscure.
Before I close this write-up, another very interesting aside. The film ‘Guddi’ has already been yippeee’d on our blog, as of 20th March, 2013. That is, as per the Geet Kosh list of songs. But now, we have one more additional song from this film. A repeat, but nonetheless another song that is part of this film, performed by the actor(s) in this film. Another cateogry called for – ‘yippeee+‘ – finding more songs in a film that are officially listed for the film. 😀 😀 I am sure there are more than one such instances earlier also, when songs for certain films have been posted that do not appear in the official list of songs.
So. . . starting this interesting journey of repeat songs in Hindi films. I hope this thread will interest you.
Song – Aaja Re Pardesi Main To Kab Se Khadi Is Paar (Guddi) (1971) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – Salil Chaudhry
Lyrics
aa jaa re. . . ae ae ae
pardesi
main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi
main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . pardesi
tum sang janam janam ke phere
bhool gaye kyun saajan mere
tum sang janam janam ke phere
bhool gaye kyun saajan mere
tadpat hoon main saanjh sawere oo oo
aa jaa re main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi
main nadiya phir bhi main pyaasi
bhed ye gehra baat zara si
main nadiya phir bhi main pyaasi
bhed ye gehra baat zara si
bin tere har saans udaasi oo oo
aa jaa re main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi
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Hindi script lyrics (Provided by Sudhir)
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आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
तुम संग जनम जनम के फेरे
भूल गए क्यों साजन मेरे
तुम संग जनम जनम के फेरे
भूल गए क्यों साजन मेरे
तड़पत हूँ मैं साँझ सवेरे ओ ओ
आ जा रे मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
मैं नदिया फिर भी मैं प्यासी
भेद ये गहरा बात ज़रा सी
मैं नदिया फिर भी मैं प्यासी
भेद ये गहरा बात ज़रा सी
बिन तेरे हर सांस उदासी
आ जा रे मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
Dil to maane naa
Posted on: April 20, 2019
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3928 | Post No. : | 14998 | Movie Count : |
4105 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 8
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Not all journeys have a pre-determined destination.
Sometimes a traveler sets off on a journey, purely with the intention of travel. For how long, which specific places he will travel to, where he will stop, who and what he will encounter…these are all unknown.
All he knows is that he has the desire to travel – and will travel for as long as he has such desire, and the ability to travel.
And it is just as well that he travels without a set destination or time-frame. That would take away from the enjoyment of the journey itself. It is not that the travel is meaningless – it certainly has a purpose. Just that the purpose is to enjoy the journey, not to keep a destination or time-frame in focus.
I’d like to think this blog is one such journey – and Atul is this traveler.
Atul has himself said many times, when he posted his first song on this blog on the 19th of July 2008, he had no idea what it would go on to become. As a music lover, all he wanted was to have a blog of his own. A place where he could post songs of his choice and share his taste with other music lovers. Pretty simple, isn’t it?
At that time, he would’ve been happy if he could have got to a 1000 songs on the blog. That would have been huge.
2000? Amazing!
5000? Are you CRAZY?
10000? Ab bas bhi karo yaar, kuchh zyaada hi ho gaya…
But this traveler never stopped travelling. One step at a time, he kept walking. The milestones kept passing by. He acknowledged them – but never stopped. Sort of like “nadiya chale chale re dhaara, chanda chale chale re taara, tumko chalna hoga, tumko chalna hoga”.
Along the way, he met fellow-travellers and became friends with them. They joined him on his journey, so he had company. But he never stopped.
Yes, he might have occasionally slowed down, but the most important thing is – he never stopped.
And that is the only reason we can today celebrate this mega-milestone.
The biggest to date.
15000.
Yes, that’s a thousand songs, fifteen times over.
Mind-boggling.
But, to me, that’s not the whole story.
If you take a flight from Moscow to Vladivostok, it takes about 8 ½ hours.
The Trans Siberian Express train takes about a week.
If I had the time, I know how I’d like to travel.
I’d like to breathe in every moment of the travel – not rush it.
This blog has not rushed through these 15000 songs mindlessly, just for the purpose of statistics. If it had done so, it could’ve reached this milestone much earlier.
No, that was not the idea of this blog at all. Ever.
As I said earlier, Atul’s idea was to share songs with other music-lovers. To have these songs introduced on the blog, discussed in detail with appropriate credits to artistes, with a video/audio and full lyrics.
That was – and continues to be – the format for every single song from day one.
And when you have a format of this type, you want every song to have its own space and time. If you post 20 songs on one day, are you doing justice to each individual song? Won’t it just get lost in the crowd?
So the pace of this blog recognizes this important aspect of music appreciation – don’t overload.
So the bigger story (for me at least) is HOW we have got to 15000.
One song at a time, ranging from 1 to about 7 songs a day (7 itself is a high number), we have come this far over TEN years and NINE months. Yes, we are in our 129th month now. And the posting has not been sporadic – it has been EVERY SINGLE DAY (except for very few days when there’s been no posting).
THAT, for me, is truly astounding.
For ONE person to have THIS level of dedication, commitment and discipline, despite all sorts of constraints along the way – THAT to me is mind-boggling.
Yes, we guest posters have joined on the journey, and posted from time to time. (I’m saying this a bit hesitatingly given my own limited contribution in the last year). But, as Sudhirji pointed out in a recent post, Atul’s posts are 3 times more than all our guest posts put together. That shows the sheer weight-lifting he does.
And mind you, this is just the number of posts. There’s so much more on the blog- the various statistics, by movie, by year, by artiste and so on. And anniversary dates. Atul has truly built a repository for the ages.
That brings me to my next point.
The repository.
It is not that songs aren’t available on the net. Of course they are. There are songs all over the place.
But this blog is different. It doesn’t treat a song as just a song. There’s a narrative about it, a background wherever possible. About the film, the artistes involved. And Atul is a stickler for accuracy, so he does his level best to get the facts and lyrics 100% accurate. It’s not easy with some old songs where the audio itself isn’t clear – but he makes a genuine effort. And that is because of the type of person he is – no shortcuts, no compromises.
All of this means that the reader gets as accurate a source as possible.
Then consider the songs themselves.
Some of these songs are rare songs, which were not even available earlier on the net. Some others were available, but with limited detail. When these songs were made available here, the blog tried to give the song, and its artistes, full respect.
This is what makes this blog a treasure house, a repository for generations.
While on this point, I think I must mention fellow travelers (we call them Atulites) who have contributed greatly to enriching this blog.
Atul will be the first person to admit that his own knowledge of songs and artistes would never have been enough to make the blog what it is today. This is nothing to be ashamed of. All of us know more about some songs and eras, and less about others.
But we thankfully have some “maharathis” (they know who they are, so I won’t name them 🙂 ) who, between them are an ocean of knowledge, and like walking encyclopedias. Their contribution, whether through posts or through comments, is truly outstanding. They have enriched this blog so much, taking it to a different level altogether.
So when we talk of team effort, this is a perfect example of it.
This brings me to my next point of awe.
If this blog had been a commercial venture, I can understand a business posting songs every day, to maximize its views, and earn revenue as a result, through advertising or other means.
But Atul has been doing this as a labour of love. It started as that, in 2008 – and continues to this day with the same intent.
So a labour of love, posting songs every single day, for 129 months at a stretch, to the level of detail and accuracy that this blog has – just pause for a moment to let that sink in.
Pause.
So while we celebrate the 15000 milestone, I request everyone to try to appreciate the true significance of it.
It’s not just the number – it’s the weight of the love and effort that has gone into it. It’s like 15000 kg of love and effort.
Along the way, this blog has done something else too. Possibly unintended initially, but as “Blog Ke Side-Effects” 🙂 , it has brought us Atulites together. Many of us have met each other, we now have a whatsapp group, all thanks to the blog, and Atul.
For me, personally, it has been a very enriching journey. I’ve been fortunate to have been involved right from day one – and along the way I’ve got to know some wonderful people with an amazing level of knowledge about HFM. I’ve got to know SO many songs only through this blog.
I really can’t thank Atul enough for all this.
So even if my participation has been very limited of late, this blog, and everyone associated with it, will always have a very special place in my heart.
And on this occasion, I can only wish that the journey goes on and on as we head towards the next target of 15921. 🙂
A line that comes to mind is “apni pyaar ki gaadi chalti rahe, apni pyaar ki gaadi chalti rahe”. 🙂
Now onto the song for today.
I must admit it wasn’t easy for me to decide on a song for this occasion.
For one, not only has the blog already got 15000 songs, but even the songs still to be posted are mostly relatively new songs ( which I barely know), or lesser-known songs of a much earlier era than mine.
This makes my task somewhat difficult.
A song I had in mind got cancelled out because it had already been posted, so I had to renew my efforts.
But one thing. I did have an idea of the type of song I wanted to post.
I wanted a fun, lively song. After all it is a celebratory occasion, so why not a fun song?
The lyrics didn’t really matter too much, as long as it was a jhakkaas song. 🙂
While looking for random songs, I tend to think of the 1970s as my first choice of decade. The main reason for this is, it is the decade I grew up in – and there’s always a chance I’ll come across a song that I heard in my childhood, and that still happens to not be posted. This has happened on a few occasions with me.
I’ll be the first to admit that the 1970s songs signaled the end of what is popularly known as the golden era of music. By the time the 1970s came along, audience tastes had changed. Not just in India, but around the world. The hippie culture had come in, there was a sense of wanting to break away from the established order of things.
It was only natural that India too would be affected by this trend. Films are a good reflection of society – and films of the 1970s are markedly different from those of an earlier era.
Music, as a very important component of Indian films, also reflected this.
And no one exemplified this better than RD Burman.
RD (or Pancham as he was popularly known) was a trend-setter. Hugely gifted, he experimented a lot, with instruments, tunes and sounds. The audience, already ripe for change, embraced RD’s style wholeheartedly and made him a huge success.
It was not that RD could not compose traditional tunes – he could, and he did. But he also made a deliberate effort to invent his own style, to distinguish himself from his legendary father’s style.
I personally think music, like everything else, evolves. We need to recognize that times keep changing – and music needs an audience too. So if the audience is changing, why wouldn’t music change too?
So, as Tennyson said, “the old order changeth, yielding place to new”.
The song I have picked today is from my schoolboy days. I had heard it a few times then – we used to sing it in school. But somehow I never heard it after that, and had even forgotten all about it.
Recently I came across it again – and was surprised to find it hadn’t been posted yet.
Initially I was thinking of keeping it for an RD occasion, seeing as it has such an RD stamp about it – but then I guess this occasion is as good as any.
If we are celebrating 15000 songs on this blog, and Atul is the architect of it AND is also a 1970s schoolboy, why not a song that he might have heard in those days too?
Dil to maane na….meri jaan, meri jaan aa aa aa aa
Vintage RD & Asha Bhosle.
Ever since this song has come back into my life, I’ve enjoyed listening to it.
I hope you enjoy it too. Jhakkaas enough for you? 🙂
Congratulations to all of us, travelers on this journey, for the 15000-milestone.
And a special thanks to Atul for bringing us all together.
Looking forward to milestone 15921. 🙂
Song-Dil to maane na (Shaitaan) (1974) Singers-Asha Bhonsle, RD Burman, Lyrics-Majrooh Sultanpuri, Music-RD Burman
Chorus
Lyrics
turu turu haa
turu turu haa
turu turu haa
turu turu haa
Dil to maane na
Haa
Dil to maane na
Haa
Haa
Dil to maane na
Meri jaan
meri jaan haa haa ha ha
Dil to maane na ha ha ha ha ha
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na ha
Dil ko milna to hai
Phir kisi se miley
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kiske
tu hi bata de na re
dil to maane na
Haa
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na
haa
Dil ko milna to hai
Haa
Phir kisi se miley
Haa
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kiske
tu hi bata de na re
la la la la lalalala
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na
Dweera tara taa taa tara taa
Haa
Dweera tara taa taa tara taa
Jaane dilbar jaane jahaan
Para para para para ha
Tum bin ab chain mujhko kahaan
Kya jaanoon main raaton ki neend
Haa
Hoy
Haa
Hu
Main to mar gayi ho kar jawaan
Rang ras ki bhari
Hai jawaani meri
Behki behki phiroon
Haaye re main baawri
Mujhe to baahon mein
Tu hi uthhaa le na re
dil to maane na
Ha
Meri jaan
Ho Meri jaan haa ha ha ha ha
Dil to maane na
Dil ko milna to hai
Phir kisi se miley
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kis ke
tu hi bata de na re
la la la la lalalala
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na ha
Dugdugdugdugdugdug
Dugdugdugdugdugdug
Haa
Hoy
Haa
ho
Dugdugdugdugdugdug
Dugdugdugdugdugdug
Haa
hu
Hoy
Haa
Naina tujh se jab jab lagey
Tan mein jaise sui chubhey
Pairon se na phir tan rukey
Hui
Haa
Hui
Haa
Hui
Haathon se na dhadkan dabey
Thhandi aahen bharoon
Na kisi se daroon
Main deewaani sahi
Tu bataa kya karoon
Arre lagi dil ki
Tu hi mitaa de na re
dil to maane na
haa
Meri jaan
O Meri jaan haa ha ha ha ha
Dil to maane na
Dil ko milna to hai
Phir kisi se miley
Haa
Hey
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kis ke
tu hi bata de na re
dil to maane na ha ha ha
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na
hahahahaha
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na ha
Haaa
Bhanwre Ki Gunjan Hai Mera Dil
Posted on: April 15, 2019
- In: "Bhanwra" song | 15K Song Milestone Celebration Posts | Aspirations of Love | Dance song | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | joie de vivre | Kishore Kumar solo | Kishore Kumar songs | Love song | Lyrics contributed by readers | Party song | Post by Avinash Scrapwala | Romantic song | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 16 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3923 | Post No. : | 14989 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 2
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Welcome all to this special occasion where we are now celebrating Fifteen thousand song-posts on the blog!!! My heartiest congratulations to Atul ji, Sudhir ji and our respected senior and other team members on the blog and to all of our readers and well-wishers of this blog.
Well, my ‘love story’ (‘Prem Kahaani’, pehle ‘affair’ likhnewaala tha, phir ‘relationship’, phir thhik karke ‘love story’ likha 🙂 ) with this blog started around 2009 and it was because of Sahir Saab’s song ‘Dil Karta O Yaara Dildaara Mera Dil Karta’ (which I was looking because it was in my memory and nostalgic for me). So, thanks are very much due to Sahir Saab and I thank him for that. (I am sure he is accepting it there 🙂 )
My first comment was also on a song penned by Sahir Saab ‘Kashti Ka Khamosh Safar Hai’ – that was in 2009. Still, it took me three years more to become a contributor on this blog which happened in 2012.
How much I loved this blog and how HFM was my hobby earlier and became a passion later, and how HFM and this blog became an important part of my life thereafter, has been mentioned by me in few of my other posts on the blog. So, I will not go into more details on that. Rather I would like to write what I have not said earlier.
I came into writing when I was studying into eighth standard and my first article was published from a district newspaper from Akola then. It was an article about Chetan Chauhan when he was dropped from the playing side of India in test cricket. After that few more articles, all on cricket, were published in the same newspaper that time. Simultaneously after that I was approaching tenth standard and the board examinations, but still cricket was always on top in my mind. I did send few articles to the popular magazines in circulation then, but they were returned with some suggestions to me and that gave me a learning on how to plan and arrange the articles.
However, everything changed after I passed out matriculation and joined vocational subjects in eleventh instead of the subjects I liked most i.e. ‘Arts’. I have mentioned that journey on the blog in this article here. And during these two years I was more on movies and cricket and so as expected I failed in the examination. After that I joined a construction company and start working there and continued to working after that.
Now between all these years i.e. 1985 to 2009 I was working and continuing with my hobby of collecting cassettes, watching movies, listening music. And that was the biggest recreation and motivation for me during all those years. It so happened in 2009 that my close friends working in the same company with me in Kachchh but in different units/departments, push me to take up writing and that is how I started my blog and after that my younger daughter who used to write regularly became a part of that blog.
So finally the circle came to round and life brought me back to my passion of writing after a gap of almost twenty-seven years. And when I came into contact with this blog and started sending my contribution for lyrics earlier in 2012 I thought to give a try for writing articles and my first article appeared on the blog in 2013.
When I became a lyric contributor to the blog, that was my ‘new birth’ and at that point, life started again for me with new purpose, new energy, inspiration and motivation. And all these factors – purpose, energy, inspiration, motivation, celebration, and nostalgia keep growing further as my journey with the blog has been continued and still going …
Many childhood memories of watching movies, of songs from movies of yesteryears, keep surfacing and it was like one memory triggering other memory and bringing close to its related vague memories of those beautiful years. I started getting connected to many incidences which were lying dormant in my memory or which I had forgotten. And, I must say that since coming into the contact with the blog and specially after having HFGK Vol-V (1971-1980) when I started sharing song posts of songs with the seventies, I had been transformed to that era only when my age was growing between eight to fifteen years.
In my circles whenever someone asks my age, I always used to tell them that ‘I am only seventeen years old and do not to grow more than that’. But the blog has reduced my age between eight-fifteen and I keep shuffling in that ‘age-era’ only i.e. if I considered up to 1983. And if I considered up to 1980 then my age is twelve years only.
I think I have also mentioned this earlier that finding this blog and being a part of this was a feeling like ‘this was the destination of my life’ and ‘all these years of life I was alive for this purpose only’. Always feeling fortunate and blessed to be a part of this journey and a member of this team …
Meeting some of the team members and seniors in the group during the ‘gang-outs’ has given many unforgettable memories and those are the most cherished moments of my life. And it is going to continue in future too 🙂 . The joy from discussions during such meetings and sharing of thoughts also cannot be expressed in words. And most importantly during such meetings I also got a chance to meet many respected and dedicated ‘like-minded peoples’ who in their own capacity are not less than a ‘encyclopaedia’ about yesteryears Hindi films and Hindi film music.
Thanking again to Atul ji and all other members and this wonderful blog. . . I am trying to express my feelings in the following ‘poem’;
उन यादों को, उन किस्सों को,
उस कहानी को,
शायद इसी दिन के लिए संभाला था
मन गुंजन करता ये भंवर
शायद इसी पल के लिए बेताब थादिल का ये भंवर
नादान ही तो था
कुंज कुंज करता गुंजन
भीतर भीतर बेचैन था
मिले जो आप तो ये चहकने लगा
सुरीली यादें बिखेरने लगा
बचपन फिर से मुस्काया
जवानी ने जैसे ली अंगडाई
एक कहानी को मंजिल मिली
कुछ यादों को भूली हुयी तारीख मिली
कुछ किस्सों को एक पड़ाव मिला
तन्हाई को एक महफ़िल मिली
साथी नए नए मिले
सुरीले सफ़र का कारवां मिला
And let us now enjoy the song with a vintage Kishore voice from the 1971 movie ‘Kal Aaj Aur Kal’. (Yes, the year of this movie is to be corrected as ‘1971’ on the blog and for the two posts already posted on the blog. Though in the second post one tag ‘songs of’ is correct i.e. ‘songs of 1971’)
‘Kal Aaj Aur Kal’ was directed by Randhir Kapoor for R.K. Films, Bombay. This was Randhir Kapoor’s first movie too and he was introduced or launched in style with also given direction of this movie. It was produced by Raj Kapoor.
It had Prithviraj Kapoor, Raj Kapoor, Babita, Narendranath, Roopesh Kumar, Achala Sachdev, David, Tiwari, Iftekhar, Abhi Bhattacharya, Vishwa Mehra, Sarita, Aarti, Asha Chandra, Shri Ram Shastri, Mansaram, Sumita Khurana, Pardesi, Uma Dutt, Rashid Khan, Mandhir Siyal, Prakash Mishra, Ranveer Raj, Ghanshyam Rohida and others.
Story, Screenplay and Dialogues of this movie were written by Virendra Sinha. Editing of this movie was done by S.R. Kabre. It was passed by Censor Board on 11.11.1971.
This movie has six songs penned by three lyricists – Hasrat Jaipuri (two songs), Neeraj (three songs) and Shaily Shailendra (one song). Music for this movie is composed by Shankar-Jaikishan. Asha Bhonsle, Kishore Kumar, Manna Dey, Mukesh, and Sharda had given their voices to the songs in this movie.
I think I have watched some part of this movie or may be the whole movie on TV or somewhere else, but I do not remember it now except I remember vaguely about its storyline. Knowledgeable readers may kindly throw more light on this movie and its songs please.
Two songs from this movie have already been posted on the blog earlier. And the today’s song is the third song of this movie being presented on the blog on the special occasion of ‘Blog’s 15k Songs Festival’ 😊
Today is also the 97th birth anniversary of songwriter Hasrat Jaipuri.
Song – Bhanwre Ki Gunjan Hai Mera Dil (Kal Aaj Aur Kal) (1971) Singer – Kishore Kumar, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Chorus
Lyrics
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
main aaya hoon duniya mein tere liye
mere dil mein jhoomein teri aarzoo
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
tere liye
hmm hmm hmm
aa ha haa
hmm hmm hmm
tere liye
hmm hmm hmm
hmm hmm hmm
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
tu itna samajh le
mere humsafar
tere pyaar se mera sansaar hai
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
hmm hmm hmm
he he he ae
hmm hmm hmm
ho ho ho ho
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
hmm hmm hmm
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
मुझे कब से थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मुझे कबसे थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मैं आया हूँ दुनिया में
तेरे लिए
मेरे दिल में झूमें
तेरी आरज़ू
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
हम्म हम्म हम्म
आ हा हा
हम्म हम्म हम्म
तेरे लिए
हम्म हम्म हम्म
हम्म हम्म हम्म
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
तू इतना समझ ले
मेरे हमसफ़र
तेरे प्यार से मेरा संसार है
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
हम्म हम्म हम्म
हे हे हे ए
हम्म हम्म हम्म
हो हो हो हो
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ
हम्म हम्म हम्म
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ
- In: "honeymoon" song | 15K Song Milestone Celebration Posts | Dance song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Free Spirit Song | Guest posts | Happy song | joie de vivre | Love song | Lyrics contributed by readers | Party song | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2007 | Yearwise breakup of songs
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3922 | Post No. : | 14988 | Movie Count : |
4100 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 1
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Hullo to Atuldom.
Let me wish all a very Happy New Year.
No, my post is not late by three and half months, it is just that India is a country which follows a calendar called Shak Samvat which the Hindus follow and Hijri which the Muslims follow. The new year by the Hijri calendar starts sometime in September but as far as the Hindu Calendar is concerned every region seems to have a different time of the year when the new year starts. And each region has a name for its New Year’s Day – Gudi Padva (Samsaar Padvo in Konkani), Ugadi, Poila Baishak (in East Indian States), Bighu (Bikhu in Uttarakhand), Bishuva Sankranti, Cheti Chand, Vishu or Chitra Vishu (in Kerala and Tamil Nadu), I am sure I am missing a few names in this list – what do I do, we have a vast country. But the common thread here is most of the above are in March – April of the Gregorian calendar (only in some parts new Year is during Diwali and southern part of Kerala has its new year at Onam). In Punjab it is Baishakhi, celebrated on the Mesha Sankraanti which occurs today for this year (generally it is 13th April). So now that explains why I wished Happy New Year.
14th April also happens to be the birth anniversary of the architect of the constitution of India, first law and justice minister and one of India’s founding fathers – Bharat Ratna Bhimrao Ramji Ambedkar or Babasaheb Ambedkar as he is popularly known the world over.
He was a jurist, economist, politician and social reformer who inspired the Dalit Buddhist movement and campaigned against social discrimination towards the untouchables (Dalits), while also supporting the rights of women and labour. My tributes to him on his 128th birthday without spelling his biography here.
There is another event which takes up my day on 14th April every year. In addition to it being our New Year (what we call Vishu) it is the birthdate of a very special person. There is a departure from the usual this year in that the New Year is on the 15th but birthdates don’t change, do they?
So, 14th April is the birthdate of part-time Atulite, full-time Satulite. He is at that year of life when people hang up their boots (he is not hanging them yet) and try to find time for other pleasures and hobbies that took a back seat when they were working hard to make ends meet. This Satulite calls himself Peevesie’s Dad. He takes pleasure in the achievements of his family – his son, daughter, brothers-sisters, brothers & sisters -in-law; is a big bhakt of his parents and parents-in-law; and is generous in encouraging his wife and kids towards whatever they are good at and forever supportive.
Infact he tried his level best to teach me to ride a two-wheeler and didn’t actually give up on me, but I must say I was a bad student who took a whole decade to master riding a two-wheeler. And was rewarded with a two-wheeler to ease my work load as soon as I mastered it. 🙂
As a teenager and right upto the end of my student days I was a staunch hater of any kind of automation and computers in particular. I had a feeling that each computer would eat up the job opportunity of two or three deserving humans (people called me crazy, maybe I was). But it does seem to have replaced a lot of things in people’s lives. Now, today’s birthday boy tried to change my mindset vis-à-vis computers and persuaded me to enroll myself in one of the many match-box size training institutes that tutored commoners about Word, Excel, PowerPoint etc, in addition to teaching a crash course in Corel or PageMaker. He thought it will be a useful skill, I must admit he was not wrong. Then he initiated me into the World-Wide Web and emails, and I am 100% sure he is ruing the day I agreed to learn all that he tried to get me to learn. He finds me at the desktop most of the time these days, and zooming in and around Bangalore (never unnecessarily) on a two-wheeler. And am also sure (secretly) he must be thanking my nervousness of being behind the wheel of a four-wheeler 😉
Oh, there are so many things that I can thank him for – he has lived half his life trying to understand me and my ways and moods. We have common interests in most aspects of life, possibly a little too much of compatibility, according to our children. The song with this post is ideal to express everything that I need to tell him. And the best part about the song is that it is not a lovey-dovey young couple song but a song choreographed on a motley group of honeymoon tourists which has a middle aged couple (Shabana Azmi – Boman Irani), mismatched couple (Ameesha Patel – Karan Khanna), small- town couple (Kay Kay Menon – Raima Sen), seemingly perfect couple (Minisha Lamba – Abhay Deol); and two other couples (Sandhya Mridul – Vikram Chatwal & Dia Mirza – Ranvir Shorey) who are on honeymoon but not exactly in love. (Dia Mirza and Ranvir are not in this song but they are part of the tourists in the Honeymoon Travels bus.) It is from the 2007 Reema Kagti directed “Honeymoon Travels Pvt. Ltd.” The music for this song is by Vishal- Shekhar and Javed Akhtar is the lyricist. Sunidhi Chauhan and Shekhar Ravjiani are the playback. The movie was produced by Farhan Akhtar and Ritesh Sidhwani. I am in love with the choreographer of this song who has allowed the actors do their own thing which adds to the sweetness of the song.
Today’s song is a party song filmed aboard a cruise ship in Goa. I think the song is ideal for one more occasion – partying for the post number 15000 (FIFTEEN THOUSAND Phew!) of the blog. Let me try to list out all that we are celebrating in this series of celebratory posts – 10 complete years of the blog, 10 year challenge (on-going series); 1,15,40,016 hits (as I write this); 3919 days of existence (at the time of writing this) AND 11032 posts by our fearless leader (as Sudhir calls Atul ji) – we celebrated Atulji’s 10000 individual posts but missed complimenting him for tirelessly giving us 11000 posts. And the biggest point of celebration – post number 15000. In addition to celebrating the New Calendar in various parts of the country.
It has taken five years to get to 15k from 10k with numerous milestones and centuries strewn enroute. The blog has bonded all of its regular followers, some of who are contributors in various avatars, in a bond like none other, a whole bunch of unrelated people who had never dreamt of being friends and don’t mind being called Atulites. For all this and more to come I thank ASAD the blog which is our collective addiction.
Also a very Happy Birthday to our Satulite.
Song – Sajnaa Ji Vaari Vaari Jaaun Ji Main (Honeymoon Travels) (2007) Singer – Sunidhi Chauhan, Shekhar Ravijani, Lyrics – Javed Akhtar, MD – Vishal Shekhar
Chorus
Lyrics
sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
charnon mein jo na jagah paaun ji main
charnon mein jo na jagah paaun ji main
to mera jeena hi bekaar hai
aisa mera pyaar hai
aisa mera pyaar hai
mera maan hai tu
abhimaan hai tu
meri pooja hai tu
mera dhyaan hai tu
tu devta mein pujaaran
sajnaa tujh pe main arpan
tere gungaan hee to gaaun ji main
haan tere gungaan hee to gaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
ae. . . ae. . . ae. . .
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
o meri dhadkan mein tu
mere tan mann mein tu
meri sanson mein tu
mere nainan mein tu
tu hai to chamke kajra
tu hai to mehke gajra
tere bina to na jeene paaun ji main
haan tere bina to na jeene paaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
charnon mein jo na jagah paaun ji main
charnon mein jo na jagah paaun ji main
to mera jeena hi bekaar hai
aisa mera pyaar hai
aisa mera pyaar hai
———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————
सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है’
सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
चरणों में जो ना जगह पाऊँ जी मैं
चरणों में जो ना जगह पाऊँ जी मैं
तो मेरा जीना ही बेकार है
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
मेरा मान है तू
अभिमान है तू
मेरी पूजा है तू
मेरे ध्यान है तू
तू देवता मैं पुजारन
सजणा तुझ पे मैं अर्पण
तेरे गुणगान ही तो गाउँ जी मैं
हाँ तेरे गुणगान ही तो गाउँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
ऐ॰ ॰ ॰ ऐ॰ ॰ ॰ ऐ॰ ॰ ॰
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
ओ मेरी धड़कन में तू
मेरे तन मन में तू
मेरी साँसों में तू
मेरे नैनन में तू
तू है तो चमके कजरा
तू है तो महके गजरा
तेरे बिना तो जी ना पाऊँ जी मैं
हाँ तेरे बिना तो जी ना पाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
चरणों में जो ना जगह पाऊँ जी मैं
चरणों में जो ना जगह पाऊँ जी मैं
तो मेरा जीना ही बेकार है
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3915 | Post No. : | 14977 |
Today’s song is from the 1981 movie ‘Pyaasa Saawan’. And let us start from where I left in my last post with the song of the same movie here.
The movie starts with a phone ringing in a ‘central hall’ 🙂 of a ‘spacious’ bungalow, and as the phone bell is ringing, servants from all corners of the house run to pick it up. However, they are stopped by PA (Deven Verma),
‘thehro telephone ham uthhayenge. Ham bade maalik ke PA hain yane ke Personal Assistant’.
From the other side Bade Maalik (of course Jeetendra) calling at home from a Bussiness tour (I think) informs his PA about Chhote Maalik’s (double Jeetendra) birthday today and instructs him to arrange a ‘shaandaar party’ and call all ‘milnewaale’ to the party in evening. He also tells his PA that he will be reaching by the evening flight. I don’t know why his PA gets surprised and asked ‘Hawaai jahaz se?
‘kya kahaa ham nahin jaa sakte’, what do you mean? that is how Bade Maalik appears on screen, when he is informed by one of his assistants that flight tickets are not available in any of the services, so Bade Maalik tells him that
‘aaj hamaare bete ka janamdin hai, aur aaj ke din ham duniya ke kisi bhi kone mein ho, ghar zaroor pahunchte hain’,
‘I am sorry Sir, aaj ki flight mein ek bhi seat khaali nahin hai’
‘agar seat khaali nahin to ‘Charter a plane’ …
At home the PA is looking for Chhote Maalik as Bade Maalik has left by plane for home, but where is Chhote Maalik? all servants in the house report the PA that Chhote Maalik is nowhere neither in his room nor in the garden ??
And here we have Chhote Maalik Ravikant (Ravi Kapoor or Jeetendra for us 🙂 ) celebrating his birthday with singing and dancing with his girlfriend and others in a club …
While he performs and entertain us on his birthday with this song dance performance in this movie ‘Pyaasa Saawan-1981’, in real life, we also wish him a very happy birthday and peaceful and healthy life ahead.
***
Today 7th April 2019 is the seventy-seventh (born on 07.04.1942) birth anniversary of actor Jeetendra.
When I thought of presenting the song under discussion, I was doubtful whether I would be able to write with the same passion as I display for other actors like say Rajesh Khanna. But then I have written on actors other than Rajesh Khanna who are part of the ‘nostalgia’ for me
of my growing years’, when we watched movies without being fans of any specific actor/actress. There were several movies of Jeetendra that I had watched during my growing up years and I thank him for the entertainment, the beautiful memories and many lovely songs from his movies.
I remember I watched many of Jeetendra movies with my Parents and elder ones in the family like Uncles. Those were family drama movies and they were mostly from the producers of South. Here I would mention movies like ‘Farz-1967’, ‘Jeene Ki Raah-1969’, ‘Waaris-1969’, ‘Humjoli-1970’, ‘Ek Naari Ek Brahmachari-1971’, ‘Banphool-1971’ which I vaguely remember some of them. Then movies like ‘Badaltey Rishtey-1978’, ‘Swarg Narak-1978’, ‘Aap Ke Deewaane-1979’, ‘The Burning Train-1980’, ‘Pyaasa Saawan-1981’.
I watched many of his movies with brothers and cousins in summer vacations and these were mainly the multi-starrer movies of the seventies. And these were movies like ‘Nagin-1976’, ‘Dharam Veer-1977’, ‘Dildaar-1977’, ‘Nalayak-1978’, ‘Aatish-1979’,’Jaani Dushman-1979’ (this I watched alone), ‘Khoon Aur Paani-1981’, ‘Samrat-1982’, ‘Udhar Ka Sindoor-1976’, ‘Kinaara-1977’, ‘Priyatama-1977’, ‘Jal Mahal-1980’, ‘Nishaana-1980’ (which I must have watched during end seventies or early eighties)
This trend continued till ‘Himmatwala’. It was round this time that ‘Souten’ and ‘Avtaar’ were released and then it was mainly Rajesh Khanna for me.
Nebertheless I remember that my grandmother, aunts and others tenants in our building wanting to watch ‘Tohfaa-1984’ had asked me to do the advance booking for this movie and so I watched this movie too.
Around the same time, I watched his ‘Farz-1967’, ‘Khilona-1970’, ‘Ek Bechaara-1972’. I watched ‘Maqsad-1984’ because of Rajesh Khanna.
After that as I grew up and was already working, I watched his ‘Geet Gaya Pathhrone-1964’, ‘Gunaahon Ka Devta-1967’. The other reason watching for ‘Geet Gaya Pathhrone’ was it was V. Shantaram’s movie. Then I watched his ‘Caravan-1971’, and all this was during 1985-1988. I also watched ‘Pataal Bhairavi-1985’ for the fantasy factor in it.
I think I had watched ‘Swarg Se Sunder-1986’, ‘Locket-1986’, ‘Souten Ki Beti-1989’,
I think I watched ‘Parichay-1972’, ‘Aasha-1980’, ‘Karmyogi-1978’ either on TV or VCR much later than above.
I must have watched some of his other movies either in theatre or on TV, like ‘Mere Hamsafar’, ‘Dharti Kahe Pukaar Ke’ etc. but don’t remember them.
Also, I must have watched some of his earlier movies or part of them on TV but I don’t remember.
I don’t remember to have watched any Jeetendra movies after that all these years except when I watched ‘Dil Aur Deewaar-1977’ last year on an online facility and on my mobile phone. This was for post with a song from this movie and since I had nostalgia about this movie’s name but had not watched it in those years.
Watching movies then was always enjoyable and it would be interesting now to watch his movies by conscious selection which I have missed, movies like ‘Mere Huzoor-1968’ (which I don’t remember to have watched) or ‘Boond Jo Ban Gaye Moti-1967’, ‘Jigri Dost-1969’ (of which couple of songs are my favorites) and of course ‘Naya Rastaa-1970’ which has songs penned by Sahir Saab.
‘Deedaar-E-Yaar-1982’ is another movie which I think I should watch. And then ‘Apnapan-1977’, ‘Maang Bharo Sajna-1980’, ‘Arpan-1983’, ‘Nishaan-1983’ (for Kaka), and ‘Mehndi Rang Laayegi-1982’ …
Many more to the wish list … and it is my mistake if I have missed to add any of his ‘must-watch’ movies in the above list, like I remember my seniors liked ‘Meri Aawaaz Suno-1981’ very much then, which I am yet to watch.
Now we come back to today’s song which is sung by Kishore Kumar and lip-synced by Jeetendra. Reena Roy is accompanying him in this performance and we can see many others in the picturization of this song.
Lyrics are by Santosh Anand and music is composed by Laxmikant-Pyarelal.
The movie had six songs in it. Five songs have been covered in the past. Here is the list of these songs already covered in the blog:
| 1 | Tera saath hai to Multiple version song | 915 | 17-Mar-09 |
| 2 | O meri chammak challo | 970 | 25-Mar-09 |
| 3 | Megha re megha re | 6412 | 10-Aug-12 |
| 4 | In haseen waadiyon se | 14933 | 17-Mar-19 |
This is the final song from this movie ‘Pyaasa Saawan-1981’ and with this ‘Pyaasa Saawan-1981’ has all its songs covered on the blog. 🙂
This song is the 800th song of Laxmikant Pyarelal as music directors.
Once again wishing Jeetendra a very happy birthday today, let us now enjoy this song …
Video
Audio
Song-Main wahaan hoon jahaan hain mastiyaan (Pyaasa Saawan)(1981) Singer-Kishore Kumar, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Chorus
Lyrics
Zu oo
ho ho ho o
Raa raa raa
He he he
Hoye ae
Hoye ae
He ae
Main wahaan hoon
Jahaan hain
Main wahaan hoon
Jahaan hain
Mastiyaan
shokhiyaan
Bijliyaan aan
Titliyaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
shokhiyaan
Bijliyaan
Titliyaan aa
Lalalalaa
Laalalalaa
Laalaalalalaa
Tu ru tu ru tu ru tu ru
Lalalalalaa
Laalalalaa
Laalaalalalaa
Tu ru tu ru tu ru tu ru
Hoye
Kar lo pyaar jawaani mein
Kar lo pyaar
Ho ho ho
Kar lo pyaar
Ho ho o
Kar lo pyaar jawaani mein
Ye kaam zaroori hai
Warna zindagaani ki
Tasveer adhoori hai
Hey ae
Kar lo pyaar jawaani mein
Ye kaam zaroori hai
Warna zindagaani ki
Tasveer adhoori hai ae
Ye haseen mehfilein
Milengin phir kahaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan
Hoo hoo hoo
Titliyaan aa
Wai wai
Mazaa jawaani ka yaaron
Na liya jawaani mein
To socho aakhir hamne kya kiya
Jawaani mein
Hey ae
Mazaa jawaani ka yaaron
Na liya jawaani mein
To socho aakhir hamne kya kiya
Jawaani mein
Pyaar bina aa
Kis tarah
Beetenge din jawaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan
Hoo hoo hoo
Titliyaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan aa
Hoo hoo hoo
Titliyaan aa
Hoo
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