Archive for the ‘Party song’ Category
Matargashti
Posted on: January 6, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4555 | Post No. : | 17147 | Movie Count : |
4401 |
Hullo Atuldom
Deepika Padukone, daughter of champion badminton player Prakash Padukone, herself a national level player, entered the glamour world of films through the modelling route. She is one of the highest paid actresses currently and winner of three filmfare awards for acting. 2006 was her debut year in Kannada films and 2007 saw her debut in Hindi films through Farah Khan’s ‘Om Shanti Om.’ Since then she has had a mixed bag of fortune as far as successful movies are concerned, but she hasn’t shied away from experimenting with the characters she plays on-screen. Her roles in ‘Piku’, ‘Bajirao Mastaani’, ‘Padmaavat’, ‘Finding Fanny’ etc are all diametrically different from each other and that doesn’t mean that she hasn’t done roles of young, modern damsels as in ‘Happy New Year’, ‘Chennai Express’, ‘Cocktail’, ‘Aarakshan’, ‘Yeh Jawaani Hai Deewani’ etc.
2015 saw her star opposite Ranbir Kapoor in Imtiaz Ali directed “Tamasha”. She played the role of a businessperson who helps Ranbir Kapoor’s character overcome his complexes. The movie was a drama based on a non-linear screenplay. A type of story telling which I have seen in a few movies in recent times. The story was loosely based on a French novel ‘The Little Prince’. It may have been a moderate success but the work of the lead pair was well received. It had music by A. R. Rehman and lyrics were by Irshad Kamil.
Irshad Kamil has been around writing songs for some successful movies for the last 15-16 years. He was born in Punjab and is a graduate of journalism and a post graduate and PhD in Hindi.
A. R. Rehman, born in Chennai as A.S. Dileep Kumar, in 1967 converted to Islam when he was in his 20s. His journey in the music world began when he scored music for jingles and documetaries for Television in the late 80s when he was still Dileep. His most enduring and easily re-callable jingle being for Titan Watches. His first independent score was for Mani Ratnam’s ‘Roja’ in 1991. Prior to that he was playing in the orchestra of famous South Indian music composers.
With today’s song we are wishing the maestro, that A. R. Rehman has turned out to be, on his 54th birthday. May he keep giving us lovely, loving, hummable songs. Let us also wish Deepika on her birthday which was yesterday (5th January) with health and happiness.
The song with this post is something that I have been hearing and seeing from the time it released in 2015. What struck me was the choreography and the spirited performance of Ranbir and Deepika. There is a portion of the song where he tries to ape Dev Anand in terms of steps, costume, cap etc. This is a song which is a good showcase for Deepika’s beauty and Rehman’s music. The playback is by Mohit Chauhan. As I was writing this I realized that there is one other movie with the same title starring Dev Anand, Meena Kumari, Ashok Kumar etc. and that is already present on the blog waiting to be yyiippeed.
Song-Matargashti (Tamaasha)(2015) Singer-Mohit Chauhan, Lyrics-Irshad Kamil, MD-A R Rahman
Chorus
Lyrics
aaa
nanananana
nanananana
nanananana
matargashti khuli sadak mein
takdi tadak bhadak mein
ole gire sulagte se sulagte se
sadak mein chhatri na thhi bagal mein
aaya hi na akal mein
ke bhaagen ham
ya bheegen ham akad mein
to socha phir geela hua hai jo sukhaana ho ho ho
chaahe janaana ya mardaana
ho ho ho ho ho
attention
phenka naya paasa phir de gayi jhaansa
aenwain mujhe phaansa teri aisi ki ho taisi zindagi
phenka naya paasa phir de gayi jhaansa
aenwe mujhe phaansa
chirkut zindagi you know
nanananaanana
nananaa
tingning ting tenw
tu hi hai wo
hey
jis’se
hey
khela tha mein kho kho
khela tha kho kho
hey
tu hai
hey
laila shirin
hey
sohni juliet
hey
sun lo
hey
mujhko
hey
dhoondha na jungle mele mein
whatsapp
hey
main hoon
hey
ha ha ha ha ha ha
na tera na mera zamaana ho ho ho
na ye janaana na mardaana
ho ho ho ho
pakad paana
phenka naya paasa phir de gayi jhaansa
aenwain mujhe phaansa phir de gayi jhaansa
aenwain mujhe phaansa
chirkut zindagi you ow
ho
tu hi hai wo
hey
jisne
hey
khechi meri dhoti
hey
dhoti khechi
hey
o tu
hey
dhoondhe kahan bande
na main kaba kashi
hey
main twitter pe hoon
dp meri
hey
dekho
hu hu hu hu hu
sun re sun beliya
dil ne dhokha diya
aankhen milin tumse naajneen
mere hosho hawaas kho gaye
ho dil ro roka
ye aankhen hain dil ki jubaan
khwaab roz roz dekhe naye
ho o
dil ka bhanwar bole sun saathiya
chhup na dupatte mein tu o chhaliya
prem pujaari ke
dil ka bayaan hota raha
rota raha priye
to phir deng deng deng deng deng
tang tang dang dang
tand dang dang dang
dang dang dang
chhuk chhuk too too
tenw ting tanw
ting ting ting tenw tain
ding deng deng tenw
mamamamama
dung dung teng
dang dang dang dang
tang tang tang tang
dang dang dang dang
dung dung dung
chhup chhup tu tu
hmm
Love rap
Posted on: January 1, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4550 | Post No. : | 16136 | Movie Count : |
4398 |
Hullo Atuldom
A very Happy New Year to the followers of the blog who go by the name Atulites. Here is wishing everyone a year different from the last.
This post is not an attempt at “This day that year” or for the “blog ten year challenge” category. Out of curiosity I just checked out the closing posts of December 2010 and opening of the year 2011. Was surprised that the last post of 2010 was on 29th December. Avinashji’s post gives details of that date. The next post was on January 1st. Saajna din bahure hamaare and Mere barbaad hone ka nazaara dekhne aale were the two songs posted. Going by the lyrics of the two songs it is obvious that they were not dedicated New Year songs or even feel good or party style songs. (I am not complaining because they are melodious). I would love to know which was the first dedicated New Year song ever, posted on the blog. My guess is it could be Saal mubaarak saahib jee by Sudhirji.
My first post for this year is a dance number. It features Bindu- the brilliant dancer from my growing up years, Atul Agnihotri, Mamta Kulkarni and Nana Patekar. It is sung by Amit Kumar, Sapna Mukherjee, Sudesh Bhonsle and Poornima (who sang as Sushma Shrestha in her childhood). It is from the 1994 released Mehul Kumar directed “Krantiveer”.
The movie was the story of a young boy who runs away from home after his doting but strict mother catches him going wayward. The boy lands up in Mumbai, and ends up saving the life of a young boy (Atul Agnihotri). The boy’s father (Paresh Rawal) takes a liking towards the child and takes him under his care . The two kids grow up, the runaway lad turns out to be Pratap (Nana Patekar). From here the story meanders through the usual masala of basti, landlord, corrupt police- judges, rich girl-middle class lad love story, killers revenge etc. There is an added character of a journalist (Dimple) who is trying to expose all things wrong in the area, through her writings. There is a at times serious and sympathetic at other times relation between Pratap and Megha (Dimple).
There have been songs in Rap style in the past too but the ’90s saw a surge in their numbersand a few regular artists followed the footsteps of singers like Bally Sagoo, Bali Brahmabhatt etc. who introduced it to music lovers with songs like “amma dekh tera munda bigda jaaye”, “aaja meri gaadi mein baith jaa” etc which were patronised by some newly formed music recording companies. Today’s “Love Rap” is written by Sameer and Anand-Milind are the music composers. This type was popular on dance floors then and the turn of the century has seen bhangda style songs ruling the air waves. Let us see what the new decade holds for music lovers.
Incidentally, January 1st happens to be Nana Patekars’ date of birth. He turns 70!!!! He has been around in the entertainment business since the ’70s with “Gaman” being his Hindi debut. Nana, along with Irrfan Khan (whom we lost last year, may his soul rest in peace) is the only actor to have won the Filmfare award in the categories of Best Actor, Best Supporting Actor and Best Villain. He has won 3 National Awards and is a Padma Shri too. He does a lot of charity without tom-toming about it. Here is wishing him health and happiness in future too.
Song-Love Rap (Krantiveer) (1994) Singer-Amit Kumar, Poornima , Sudesh Bhonsle, Sapna Mukherjee, Lyrics-Sameer, MD-Anand Milind
Male chorus
Female chorus
Amit Kumar + Male chorus
Sushma Shreshtha + Female chorus
All chorus
Lyrics
love rap
love rap
love rap
aaaaaaaa
o maine dekha jab teri nazron ke through
kabhi hundred one kabhi hundred two
uss din se hua fever ye shuru
kabhi hundred one kabhi hundred two
jaao jaao jaldi jaao doctor ko bulao
oye
nabz dikhao mera haal bataao
oye
jaao jaao jaldi jaao doctor ko bulao
oye
nabz dikhaao mera haal batao
oye
oooo
aaaa
(wow!)
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyar ka bukhaar
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyar ka bukhaar
dhak dhak
my heart is beating
dhak dhak
my pulse is missing
dhak dhak
i think I am collapsing
dhak dhak
haaye re haaye re haaye main gaya
maine dekha jab teri nazron ke through
kabhi hundred one kabhi hundred two
uss din se hua fever ye shuru
kabhi hundred one kabhi hundred two
jaao jaao jaldi jaao doctor ko bulao
oye
nabz dikhaao mera haal batao
oye
jaao jaao jaldi jao doctor ko bulao
oye
nabz dikhaao mera haal bataao
oye
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyaar ka bukhaar
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyaar ka bukhaar
dhak dhak
dhak dhak
dhak dhak
dhak dhak
we don’t want palace we don’t want name
we don’t want money we don’t want fame
we don’t want bungalow we don’t want car
we want only love
we want only pyaar
balle balle balle balle balle
oye kudiye
mehekti jawaani
gulaabi tere gaal
nigaahon mein nasha hai
sharaabi teri chaal
mujhe toh dil jaani
hai tera hi khayaal
na pooch bekaraari
na pooch mera haal
haal haal haal
haal haal haal
(hullo
hullo
mere saath dance karoge
nahin
ae
zara meri aankhon mein aankhen dalke baat karo
hmm
ab tum wahi karoge jo main chaahoongi)
mi paahilya tujha dolencha through
kadhi shambhar ek kadhi shambhar two
tya diwshi zaala fever suru
kadhi shambhar ek kadhi shambbhar two
you know my age
I am thirty plus nine
oh that means you are old wine
koi jaane na kahaan lad jaaye nazar
dekho dekho dil
dekho na umar
na dekh mujhe jaadugar machhali
teri baat lage mujhko nakli
tujhpe mera jadoo chal jaayega
ek din dil tera bhi machal jaayega
aaja aaja aaja aaja aaja aaja aa
chal hat baazu hat
na kar khatpat
mat lapat jhapat natkhat
na kar khatpat
mat lapat jhapat
chal hat baazu hat natkhat hat ja
o maine dekha jab teri nazron ke through
kabhi hundred one kabhi hundred two
uss din se hua fever ye shuru
kabhi hundred one kabhi hundred two
jaao jaao jaldi jao doctor ko bulaao
oye
nabz dikhao mera haal batao
oye
jao jao jaldi jao doctor ko bulao
oye
nabz dikhaao mera haal batao
oye
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin nyeh hai pyaar ka bukhaar
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin nyeh hai pyaar ka bukhaar
na ishk mein ho generation gap
hum milke karenge aaj
love rap
aaaa
love rap
aaaa
love rap
aaaaaaa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4549 | Post No. : | 16133 |
Welcome 2021♫•*¨*•.¸¸♪
I wanted to embellish the heading of this post “Welcome 2021” with some emoticons, but since the keyboard has no such facility, dropped the idea. Google has the copy past option somewhere, but it seems like too much hassle. Obviously, everyone at google is working from home. Me thinks, all those big, huge, luxurious complexes hosting those multinational and national corporate offices, are soon to be converted into ‘khandar’ facilities, aka Mukesh Mills for shooting of films outdoorsy songs :-), fountains, glass panels, pillars and all. Not to mention funky cafe’s and state of the art gym and sports facilities.
Recently, I have been looking at a lot of outdoorsy, going places kind of songs, shot in different locations. Could not avoid the outdoor songs of “Dil Chahta hai”. But since the party song in the film is not posted, I decided on it. The song is “Koyi kahe kehta rahe kitna bhi ham ko deewaana”, by Shankar Mahadevan, Shaan and KK. In the party, Aamir Khan, Saif Ali Khan and Akshaye Khanna are dancing and singing with Suchitra Pillai and Priety Zinta. It is so fast paced and all three voices are so in tune with each other, that I thought the colour coding is going to be a headache. But once I had figured out that it was Shaan’s voice for Saif Ali Khan, it was smooth sailing from then on. Javed Akhtar’s lyrics are as always inspiring and upbeat, and the music compositions by Shankar-Ehsaan-Loy were outstanding and were so fresh sounding back then. The whole movie, characterization, presentation, direction, cinematography and overall look was a novelty in 2001. Some call it a path breaking film, ahead of its time. But no, the time for such a fun, adventurous, neat, humorous and colorful look, had come. I read in the trivia that the songs of this film were created in 3 days, when Javed Akhtar & Farhan Akhtar headed to Lonavala along with Shankar-Ehsaan-Loy for the duration and all the songs were ready for recording. Now I am able to see that quarter, if not half of Mumbai party goer’s crowd, has already left for Lonavala for the New Year Eve, and roads leading to it are clogged since last two days.
Let us talk about the music score of this film. These two songs are posted:
| Song | Date of posting |
|---|---|
| Dil Chaahta Hai | 8 August 2018 |
| Kaisi hai ye rut | 2 December 2019 |
1. The first song is the title song of the movie, a background song sung by Shankar Mahadevan. The phrase “chamkeele din” describes the mood and theme of the song. It is picturized as a holiday theme song on the road trip to Goa, by the three friends, Aamir Khan, Saif Ali Khan and Akshaye Khanna.
2. Second song is a dreamy concoction, with Akshaye, the artist, painting a portrait of Dimple Kapadia, while he falls in love with her.
3. Jaane kyun log pyar karte hain – This song is reminisce of the “Mehboob ki Mehendi”, jaane kyun log muhobbat kiya karte hain song. It is picturized on Aamir Khan and Priety Zinta. This one has nice, to and fro banter between the two characters.
4. Woh ladki hai kahan – This song started a trend of retro songs in hindi films. Really funky take off of older movie songs, in black and white canvas, with Saif Ali Khan and Sonali Kulkarni.
5. Tanhaayee – This is a sad song, where Aamir Khan is lonely as Priety Zinta is leaving Australia. Coming to terms that he, who never let any girl close has finally fallen in love.
6. Koyikahe – The party song of the current post.
I have heard accounts of how many times people have seen this film in theatre’s when it was released in 2001, and during the first weekend of its release. I must have seen it a little later, having heard it being praised no end, by my then immediate boss who saw it the first weekend it released.
So this is a party song for the New Year party all are advised to give a miss. Not that I go anywhere on New Year’s Eve, we are more of a stay at home kind of people and family.
No matter, we will go places in the New Year, through some fabulous songs. In sha Allah.
I am sharing this beautiful ‘nazm’ which is a prayer too, received from a friend:
Aao december ko rukhsat Karen
Kuchh khushiyon ko sambhalkar
Kuchh aansuon ko taalkar
Jo lamhe guzre chaahton mein
Jo pal beete rafaaqaton mein
Kabhi waqt ke saathh chalte chalte
Jo thak ke ruke raaston mein
Kabhi khushiyon ki umeed mili
Kabhi bichhde huuon ki deed mili
Kabhi be-panah muskuraa diye
Kabhi hanste hanste ro diye
In saare lamhon ko mukhtasar Karen
Aao disamber ko rukhsat KarenKoyi haar gayaa koyi jeet gayaa
Yeh saal bhi aakhir beet gayaaKabhi sapne sajaaye aankhon mein
Kabhi beet gaye pal baton meinKuchh talkh se lamhaat bhi thhe
Kuchh haadse aur sadmaat bhi thheKuchh be-rukhi kuchh be-chaini
Kuchh man mein simti veeraaniPar ab ke baras aye dost mere
Allah se duaa ye maangi hai
Koyi pal na teraa udaas guzre
Koyi rog na tujhe raas guzreKoyi shakhs na tujh se gilaa kare
Tu khush rahe aabaad raheTu jo chahe wo ho jaaye
Tu jo maange woh mil jaayeTeri mu’aaf wo har khataa kare
Tujhe aise hi rab ‘ataa kare
(Aameen)
Video:
Audio:
Song-Koyi kahe kehta rahe kitna bhi hum ko deewaana (Dil Chaahta Hai)(2001) Singer-Shankar Mahavedan, Shaan, KK, Lyrics-Jawed Akhtar, MD-Shankar-Ehsaan-Loy
all three together,
Male+female chorus
Lyrics
Koyi kahe ae
kehta rahe ae
kitna bhi ham ko deewaana
Koyi kahe
kehta rahe ae
kitna bhi ham ko deewaana
ham logon ki
thhokar mein hai ye zamaana
jab saaz hai
aawaaz hai
phir kis liye hichkichaana
jab saaz hai
aawaaz hai
phir kis liye hichkichaana
ho o o
gaayenge ham
apne dilon ka taraanaa aa
bigde duniyaa
bigadne bhi do
jhagde duniyaa
jhagadne bhi do
lade jo duniyaa
ladne bhi do
ham apni dhun mein gaayo
duniya roothhe
roothhne do
bandhan toote
tootne do
koyi chhoote
chhootne do
na ghabraao
ham hain naye
andaaz kyun ho puraanaa
ham hain naye
andaaz kyun ho puraana
aankhon mein hain
bijliyaan aa
saanson mein
toofaan hai
dar kya hai aur haar kya aa
ham iss se anjaan hain
hamaare liye hi to hai
aasmaan aur zameeeen
sitaare bhi ham tod lenge
hamen hai yaqeeeen
ambar se hai
aage hamaara thhikaanaa aa
ham hain naye
andaaz kyun ho puraana
sapnon ka jo des hai ae
haan ham wahin hain paley
thhode se dilphenk hain aen
thhode se hain manchale
jahaan bhi gaye
apnaa jadoo dikhaate rahe ae ae
muhobbat haseenon ko
aksar sikhaate raheye ae
aaye hamen
dil aur neenden churaanaa aa
ham hain naye
andaaz kyun ho puraana
Koyi kahe
kehta rahe
kitna bhi ham ko deewaana
Koyi
kehta
kitna bhi ham ko deewaana
ho
ham logon ki
thokar mein hai ye zamaana
ho jab saaz hai
aawaaz hai
phir kis liye hichkichaana
Huuu
jab saaz hai
aawaaz hai
phir kis liye hichkichaana
ho
gaayenge ham
apne dilon ka taraanaa aa
bigde duniyaa
bigadne bhi do
jhagde duniyaa
jhagadne bhi do
lade jo duniyaa
ladne bhi do
tum apni dhun mein gaao
duniya roothhe
roothhne do
bandhan toote
tootne do
koyi chhoote
chhootne do
na ghabraao
ham hain naye
andaaz kyun ho puraanaa
ho ham hain naye
andaaz kyun ho puraana
ham hain naye
andaaz kyun ho puraanaa
ho ham hain naye
andaaz kyun ho puraana
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4537 | Post No. : | 16105 |
———————————————–————————————
Blog 10-Year Challenge (2010-2020)–Song No.101
———————————————————————————–
This date ten years ago (viz 19 december 2010) saw seven songs getting covered from seven movies. First song of the day was covered at 9:19 AM and the final song at 1:01 PM. So unlike other days, when all songs would get covered before 10 AM, this day I struggled to publish the songs of the day.
Here are the details of the seven songs covered that day:-
| Blog post number | Song | Movie (year) | Remarks |
|---|---|---|---|
| 3374 | Tum kyaa jaano more maathe ki bindiyaa ka mol | Kaneez(1949) | Movie YIPPEED by now |
| 3375 | Muhabbat par bahaar aati jahaan gulzaar ho jaataa | Shair (1949) | Movie YIPPED by now |
| 3376 | Duniyaa waalon badaa hai mushqil apne dil ko todnaa | Chhoti Bhaabhi(1950) | Seven songs covered out of nine |
| 3377 | Dil le gaya ji koi dil le gayaa | Sanam(1951) | Movie YIPPEED by now |
| 3378 | Mere chaand mere laal re | Deewaana(1952) | Movie YIPPEED by now |
| 3379 | Aji o suno to | 12 O’clock(1958) | Movie YIPPEED by now |
| 3380 | Ham jee lenge bin tumhaare…tum meri zindagi ho | Dillagi (1966) | 4 songs covered out of 7 |
One can see that five out of seven movies whose songs were discussed ten years ago have since been YIPPEED.
“Dillagi”(1966) is one of the unYIPPEED movies and so it is one of the two movies eligible for blog ten year challenge today.
“Dillagi”(1966) was produced by Tony Walker and directed by S Bannerjee for Golden Films, Bombay. The movie had Mala Sinha, Sanjay Khan, Bela Bose, Johny Walker, Nazima, Vijay Kumar, Gajanan Jagirdar, Amar, Keshav, Khurshid, Hammad, Tuntun, Moolchand, Pravin Paul, Tony Walker, Bela Bose, Zeb Sultana, Shabana, Roop Kumari, Ravi Kant, Ratan Gaurang, Tulsi, Aziz, Maqsood, Manjeet, Abdul Jabbar, Suresh, N.Misra, Samarlal Damani, Ajay Kumar, Abdul Kader, Baxi, Shrfu, Edwina etc in it.
The movie had eight songs in it and four of these songs have been covered so far.
Here is the fifth song from “Dillagi”(1966) to appear in the blog. The song is sung by Usha Mangeshkar. Majrooh Sultanpuri is the lyricist. Musc is composed by Laxmikant Pyarelal.
The fun teasing song is picturised as a party song on Mala Sinha, Sanjay Khan, Tony Walker or Vijay Kumar, Chinoo Shikari, Edwina etc.
I heard this fun song during my early childhood and I loved the lyrics, especially the words kabootar kabootar thrown in the lyrics for no apparent reasons other than to make it a fun song.
Lyrics of this song were sent to me by Prakashchandra.
Video link:
Song-Ye aajkal ke ladke likhte na padhte hain (Dillagi)(1966) singers-Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
ye aajkal ke ladke
likte na padhte hain
arrey fashion phir bhi dekho
be-par ke udte hain
haayye ae
baal innke dekho
ke gaal innke dekho
ke chaal innke dekho dekho
kabootar kabootar
kabootar kabootar
kabootar kabootar
kabootar kabootar
ye aajkal ke ladke
likte na padhte hain
arrey fashion phir bhi dekho
be-par ke udte hain
haayye ae
baal innke dekho
ke gaal innke dekho
ke chaal innke dekho dekho
kabootar kabootar
kabootar kabootar
kabootar kabootar..rrrr
kabootar kabootar
ye aajkal ke ladke
maathe pe ae
jo zulf hain..aen
latki latki si
patli si
kamar bhi hai..ae
matki matki si
maathe pe..ae
jo zulf hain
latki latki si
patli si
kamar bhi hai
matki matki si
arrey rey rey rey rey rey
baal innke dekho
ke gaal innke dekho
ke chaal innke dekho dekho
kabootar kabootar
kabootar kabootar
kabootar kabooo..ootar..rrr
kabootar kabootar
ye aajkal ke ladke
ladki jo..o mili koyee
lapke badh ke ye
aanchal jo udaa koyee
kyaa kyaa phadke ye
ladki jo mili koyee
lapke badhke ye
aanchal jo udaa koyee
kyaa kyaa phadke ye
arrey rey rey rey rey rey
baal innke dekho
ke gaal innke dekho
ke chaal innke dekho dekho
kabootar kabootar..rr
kabootar kabootar
kabootar kabootar
kabootar kabootar
ye aajkal ke ladke
likte na padhte hain
arrey fashion phir bhi dekho
be-par se udte hain
haayye haayye
baal innke dekho
ke gaal innke dekho
ke chaal innke dekho dekho
kabootar kabootar
kabootar kabootar
kabootar kabootar
kabootar kabootar
ye aajkal ke ladke
- In: Blog ten year challenge (2010-2020) | Dance song | Duet | Krishna Kalle songs | Lyrics by Prakashchandra | Lyrics contributed by readers | Manna Dey songs | Manna Dey-Krishna Kalle duet | Multi part song | Party song | Song mentioning a year | Songs about a place | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4534 | Post No. : | 16101 |
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Blog 10-Year Challenge (2010-2020) – Song No. 100
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This day ten years ago (16 december 2010) was another productive day for the blog. As many as seven songs were covered that day. The first post was published at 7:54 whereas the final post of the day appeared at 9:41 AM.
Here are the details of these songs :-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 3353 | Arri o mohe chhed gayaa | Singaar(1949) | movie YIPPEED by now |
| 3354 | Meri pyaari patang chali baadal ke sang | Dillagi(1949) | movie YIPPEED by now |
| 3355 | Chaman mein rah ke veeraanaa | Deedaar (1951) | movie YIPPEED by now |
| 3356 | Yoon hi ulfat ke maaron par ye duniya zulm karti hai | Alladin and the wonderful lamp (1952) | movie YIPPEED by now |
| 3357 | Kaahe jaadoo kiyaa mujhko itna bataa | Naghmaa (1953) | movie YIPPEED by now |
| 3358 | Gusse mein jo nikhraa hai | Dil Hi To Hai( 1963) | movie YIPPEED by now |
| 3359 | Rafta rafta wo hamaare dil ke armaan ho gaye | Ham Kahaan Jaa Rahe Hain(1966) | 16-Dec-10 |
One can notice that fist six movies whose songs were covered that day have been YIPPEED in the blog by now. That leaves us with just one movie, namely “Ham Kahaan Jaa Rahe Hain”(1966) as the only movie eligible for Blog Ten Year Challenge today (16 December 2020).
“Ham Kahaan Jaa Rahe Hain”(1966) was produced by Shashdhar Mukherjee and Directed by Nitin Bose For Filmistan. The movie had Introducing Neena and Prakash (new introductions) With Abhi Bhattacharya, Badriprasad, Jagirdar, P Kailash, Rajan Haksar, Leela Misra, Murad, Bhardawaj, Jankidas, Rajkishore, Master Raja, Master Prakash, Pasha, Pardhi, Narbada Shankar, Nadira, Asrani, Birbal, Vittaldas Panchotia etc in it.
The movie had nine songs in it. Two songs have been covered in the past.
Here is the third song from “Ham Kahaan Jaa Rahe Hain”(1966) to appear in the blog. The song is sung by Manna Dey, Krishna Kalle and chorus. Qamar Jalalabadi is the lyricist. Music is composed by Basant Prakash.
HFGK mentions this as a two part song, though the picturiasation appears one single song.
The song is picturised on Prakash, Neena, Raj Kishore, Manjula(Dancer) and Shirley(dancer). Prakashchandra, who provided the lyrics if the song feels that Edwina is also there in the picturisation of the song at 2:05,3:30,5:08 of video link.
One can see that the song celebrates the year 1965. That was 55 years ago ! How time flies !
audio link 1 (first part)
audio link 2(second part)
video link
Song-Bombay Nineteensixtyfive chaa chaa chaa ki rangeen life (Ham Kahaan Jaa Rahe Hain)(1966) Singers-Manna Dey, Lyrics-Qamar Jalalabadi, MD-Basant Prakash
Manna Dey + Krishna Kalle
Male chorus
Male Chorus + Female Chorus
Male Chorus + Manna Dey
Lyrics(Provided by Prakashchandra)
oho ho
o ho o o o
oho ho
o o o o o
shabaab aa aaaya
khuley ae ae hain
husn ki aankhon ke ae
mai ae ae khaaaney
chaley ae ae aaaa aaye hain
mastaa aa aaney
liye ae haathon mein paimaaaaney
Bombay Nineteen sixty five
chaa chaa chaa ki rangeen life
Bombay Nineteen sixty five
chaa chaa chaa ki rangeen life
I love you u u
I love you
I love you u u
I love you
Bombay Nineteen sixty five (aehhey ae ae)
chaa chaa chaa ki rangeen life (aehhey ae ae)
Bombay Nineteen sixty five
chaa chaa chaa ki rangeen life
I love you u u
I love you
I love you u u
I love you
hey jaaney waaley kal ka zikr kya
aaney waaley kal ka fiqr kya
jaaney waaley kal ka zikr kyaa
aaney waaley kal ka fiqr kya
aao zara jhoomen
aao zara gaayein
aao zara jhoomen hhey
aao zara gaayein
aish karein maze karein
dhoom machaayein
aish karein maze karein
dhoom machaayein
bhool jaao kal
aaj ke ye pal
bhool jaao kal
aaj ke ye pal
yehi to hai
yehi to hai
yehi to hai life
Bombay nineteen sixty five (aahhhaa aa aa)
chaa chaa chaa ki rangeen life (oho o o ho o )
Bombay nineteen sixty five (oho o o ho o )
chaa chaa chaa ki rangeen life ( ho o hho o ho o o oo)
I love you u u u
I love you
I love you u u u
I love you
come on girls come on
hey boys
come let`s dance
twist twist
twist twist
twist twist
twist twist
twist twist
twist twist
come babes
come along
ek se ek yahaan beautiful
inki adaayein wonderful
ek se ek yahaan beautiful
inki adaayein wonderful
dene waala deta hamein dil jo hazaar
dene waala deta hamein dil jo hazaar
kar dete hum inn pe nissaar
kar dete hum inn pe nissaar
bhool jaao kal
aaj ka ye pal
bhool jaao kal
aaj ka ye pal
yehi to hai
yehi to hai
yehi to hai life
Bombay nineteen sixty five (aahhhaa aaa)
chaa chaa chaa ki rangeen life (oho o o ho o )
Bombay nineteen sixty five (oho o o ho o )
chaa chaa chaa ki rangeen life ( ho o hho o ho o o oo)
I love you u u
I love you
I love you u u
I love you u u u
hey ae tirchhi nazar ka khumhaar (aa hha hayye)
uss pe shabaab ki bahaar (aaa hha haayye)
hey tirchhi nazar ka khumhaar hayye haayye
uss pe shabaab ki bahaar haayye haayye
aao zara naachen
yaaron dil khol
aao zara naachen hey
yaaron dil khol
aao karein aao karen rock `n roll hho
aao karein aao karein rock `n roll
rock rock rock rock rock `n roll (ohho ho)
rock rock rock rock rock `n roll (ohho ho)
twist twist twist twist twist twist
twist twist twist twist twist twist
yehi to hai
yehi to hai
yehi to hai life
Bombay nineteen sixty five (aahhhaa aaa aaa)
chaa chaa chaa ki rangeen life (oho o o ho o )
Bombay nineteen sixty five (sixty five) (aahhhaa aa haaa)
chaa chaa chaa ki rangeen life(aahhhaa aa haaa)
I love you u u
I love you
I love you u u u
I love you
Sach mere yaar hai
Posted on: November 7, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4495 | Post No. : | 16026 |
Hullo Atuldom
“Saagar” (1985) had a cast of Dimple Kapadia, Rishi Kapoor, Kamal Hasaan, Saeed Jaffery, Nadira, Sharat Saxena, Shafi Inaamdar, Satish Kaushik, Lilliput and Madhur Jaffery. It was directed by Ramesh Sippy and was produced by G P Sippy’s ‘Sippy Films’. It was a vehicle for Dimple’s comeback into Bollywood after her sabbatical brought on by marriage and family life. She was making a comeback after a gap of about 11 years. Her heroes were also her age group so they made an eye-pleasing team.
“Saagar” was a simple love story of a rich boy falling in love with a ‘not-so-well off girl’ who helps her father run a tavern in a fishing village . She has a childhood friend (Kamal) who loves her but cannot get himself to profess it. Into this village the rich boy (Rishi) walks in, befriends Raja (Kamal) and falls in love with Mona (Dimple). There is also friendship between the three, almost reminiscent of Raj Kapoor’s “Sangam”. We have Ravi’s (Rishi) grandmother playing the spoke in the cartwheel of the lovers. We also have one friend sacrificing his love for the happiness of the other two.
All-in-all nothing spectacular just that the movie was entertaining and we had the lead actors giving good performances. The songs were written by Javed Akhtar, and RD Burman was the composer. He had Kishore Kumar (who won a Filmfare award for “Saagar kinaare”), Lata Mangeshkar, S P Balasubramaniam, Asha Bhonsle and Shailendra Singh singing the songs in the movie.
I am writing this post to wish the superstar of South Indian cinema on his 66th birthday. He has been in the industry from a young age. He began as a child-actor and I have written a brief about him in this post of mine four years ago. So let us get directly to the song and marvel at this actor’s ability to emote with his eyes.
The song is sung by SPB and is a party song which is a celebration of the characters birthday. It has Nadira and Lilliput who are aware of Raja’s feelings and Saeed Jaffery and others who are oblivious. The song also begins with RD’s trademark of making music with unusual instruments; here he has used a comb.
Wishing Kamalhassan all health and happiness today on his 66th birthday.
Song-Sach mere yaar hai (Saagar)(1985) Singer-S P Balasubrahmaniam, Lyrics-Jawed Akhtar, MD-R D Burman
Chorus
Lyrics
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
jis haathh mein ik haathh hai
us haathh ki ee kya baat hai
kyaa faasle ae kya manzilen
ik humsafar gar saath hai
jiski kismat koi yoon sanwaar de
wohi dildaar hai ae
yaar mere
ho o yaar mere
sunte thhe hum ae zindagi
gham aur khushi ka mel hai
hum ko magar aaya nazar
ye zindagi wo khel hai
koi sab jeete
sab koi haar de
hahaha
apni to haar hai
yaar mere
haan yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
haan yaar mere
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
Tere bina bhi nahin jee sakte
Posted on: October 28, 2020
- In: "Get together" song | Asha Bhonsle songs | Guest posts | Hemlata songs | Kishore Kumar songs | Lyrics by Prakashchandra | Lyrics contributed by readers | Mahendra Kapoor songs | Party song | Post by Avinash Scrapwala | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4485 | Post No. : | 16004 | Movie Count : |
4383 |
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#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 108 # Tribute to Lyricist – Anjaan #
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Today 28th Oct’2020 is the ninetieth birth anniversary (born on 28.10.1930 in Varanasi) of Lalji Pandey better known to us by his pen-name ‘Anjaan’.
As per our blog statistics he has written over 1300 songs during his career in Hindi movies. Most of his works were in collaborations with composers Kalyanji–Anandji, Laxmikant-Pyarelal, R. D. Burman and Bappi Lahiri.
He passed away at the age of sixty-six on 3rd of Septemeber’1997 in Mumbai.
On his ‘birth anniversary’ I was looking for a song from a new movie where he had penned all the songs.
I am taking the readers to the decade of seventies. Today we will listen to an enjoyable song from that decade. This song was frequently heard on radio those days. It was perhahs the only known song from the movie.
I have not watched this movie so I am in no position to discuss much about it.
The movie is “Jwaalaamukhi”(1980). So it is another same name movie getting introduced in the blog.
“Jwaalaamukhi-1980” was directed by Prakash Mehra for Baboo Mehra Productions, Bombay. It had Waheeda Rehman, Shatrughan Sinha, Reena Roy, Vinod Mehra, Shabana Azmi, Bindu, Kader Khan, Shreeram Lagoo, Pran, Ram Sethi, Bhola, Yunus Parvez, Shivraj, Asha Chandra, Mumtaz Begam, Goga, Kirti, Uttam Sodi, Jugnu and others.
Amjad Khan, Aruna Irani and Raj Babbar had ‘special appearance’ in the movie.
The movie was passed by Censor Board on 17.12.1980.
I do not remember how this movie had fared at the box office so I would request knowledgeable readers to throw more light on the movie and its songs.
The movie had five songs including a music track as mentioned in HFGK and listed below (our new practice now onwards while introducing a movie 😊)
All the songs were written by Anjaan and music was composed by Kalyanji-Anandji.
None of the songs from this movie made it to the ‘annual list of Binaca Geetmala’ of 1981 (as the movie was released in December’1980).
When I thought that the today’s song should be more popular as I liked it listening then too and could have made to the list or ‘shadow list’ of the ‘binaca geetmala’ (or songs that could not make it to the finals as compiled by Anil Bhargava), to my surprise it was not. However, one other song from this movie “Paan, beedi, cigarette, tambaaku, na sharaab, ham ko nasha hai muhabbat ka janaab’ sung by Kishore Kumar made it to this ‘shadow’ list.
List of songs in this movie as appearing in HFGK (1971-1980) Vol-V.
| Song | Title | Singer |
|---|---|---|
| 1) | Hum tere bina bhi nahin jee sakte … | Kishore Kumar, Mahendra Kapoor, Asha Bhonsle, Hemlata |
| 2) | Hmm hmm tujhe sab pyaar karte hai…ye chehre pe chehraa | Kishore Kumar |
| 3) | Kabhi tumne kisi ko phaansaa … | Asha Bhonsle, Kishore Kumar |
| 4) | Hmm welcome …. hamko to nashaa muhabbat ka hai janaab | Kishore Kumar, Shatrughan Sinha |
| 5) | Music – | |
let us now enjoy this wonderful and highly hummable song. It is picturized on Shabana Azmi, Shatrughan Sinha, Vinod Mehra and Reena Roy who are performing on the song while many others are seen in the picturization of this song.
Lyrics of this song were sent by Prakashchandra.
Audio
Video
Song-Tere bina bhi nahin jee sakte (Jwaalamukhi)(1980) Singers-Asha Bhosle, Kishore Kumar, Mahendra Kapoor, Hemlata, Lyrics-Anjaan, MD-Kalyanji Anandji
(Kishore Kumar + Mahendra Kapoor)
Lyrics(Provided by Prakashchandra)
(dialogues not included)
hum
tere bina bhi nahin jee sakte ae ae aur
tere bina bhi nahin jee sakte
hum tere bina bhi nahin ji sakte ae ae aur
tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
majboor hain hum
tere bina bhi nahin jee sakte ae ae
aur tere bina bhi nahin jee sakte aur
tere bina bhi nahin jee ee sakte
kyaa ye raaz hai
kaisaa andaaz hai
main tera nishaana hoon
woh tera deewaana
deewaanon ka anjaam kyaa hogaa
kyaa ye pyaar hai
kaisa iqraar hai
waadaa hai kisi se
iraada hai kisi ka
to phir dil ka
kya faislaa aa hogaa aa
arrey jaise nadiya ke do kinaare
waise tum to do yaar
tum donon do aankhein hamko
donon se hain pyaar
ham tere bina bhi nahin jee sakte ae ae ae
aur tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
hunh majboor hain hum
tere bina bhi nahin jee sakte ae ae ae aur
tere bina bhi nahin jee sakte aur
tere bina bhi nahin jee ee sakte
satyug ki reet woh
kalyug mein naa chaley
paanch pandaavon ki thhi
ek patraani
ye tab thha
magar ab nahin hogaa
satyug ki reet kyun
kalyug mein naa chalein
unkaa dil bhi dil thha
hamaara dil bhi dil hai
jo tab thha
woh ab kyun nahin…ee hoga
arrey yug badley to
duniya badley
badley har dastoor
o badley har dastoor
badalna hamein nahin manzoor
hum tere bina bhi nahin jee sakte ae ae
aur tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
majboor hain aen hum
tere bina bhi nahin jee sakte ae ae ae
aur tere bina bhi nahin jee sakte ae aur
tere bina bhi nahin jee ee sakte
kya khayaal hai
wallahha kamaal hai
zameenein bant jaayein
jaageerein bant jaayein
dilon ka batwaara nahin hotaa
ye dil bhi khoob hai
kaise mehboob hain
aisa huaa na hoga
ik dil se pyaar do do kaa
duniyaa ko gawaaraa nahin hotaa
arrey dil ka aanaa dil ka jaanaa
kahaan hain apne haath
kaun kahaan kis ka ho jaaye
ye qismat ki baat
tum mere binaa bhi nahin jee sakte ae ae
aur
mere binaa bhi nahin jee sakte
arrey honaa kisi ek ka hai ye inn ko pataa hai
magar kya karen ae
dil se majboor hain aen hum
tere bina bhi nahin jee sakte ae ae ae aur
tere bina bhi nahin jee ee sakte aur
tere bina bhi nahin jee ee…ee sakte
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4467 | Post No. : | 15958 |
Hullo Atuldom
Today’s date(10 cctober 2020) is rather unique. Fellow ASAD follower Satyajitji, from down-under, pointed it out. 10102020- “never before, never again” was the reaction to that from another regular follower of the blog. Of course it is a “unique arrangement of the numbers that form the date which is appreciated by our brain”. A true statement by our in-house encyclopaedia.
Today’s post is a rather difficult one too. Never before have I faced such a dilemma. It is a case of too many options. I sifted through a whole lot of songs before I made a choice.
The song features a heroine who was not so great-looking when she made her debut in 1970. She was extremely ordinary. Very gawky. She has said in many of her interviews that she was very uncomfortable wearing all those funny, awkward dresses and costumes. She was not happy doing the dance steps she was made to perform. She was cast opposite heroes old enough to be her father- she was hardly 13 or 14 when she made her debut. She didn’t have an elder to guide her in choosing films like her contemporary Hema Malini who had her mother with her at every stage in her career.
Her first film was not in Hindi though; it was in Telugu as a child actress- not one but two- one as a 4-year old in 1958 and next in 1966 when she was 12. Her next film was in Kannada with Dr. Rajkumar as the male lead in 1969.
But she accepted all that came her way. She has survived in an industry where fortunes change every Friday. She learnt the art of perfect make-up first. Then followed it up with some strict regimen and went from gawky to gorgeous. She was already good at emoting and dancing she just polished them up and learnt from her job and gave it all she had. For some of her heroes she was a lucky mascot and sure route to success whenever their career hit a few flops. And Jeetendra has said this in so many words once. And she doesn’t tire of admitting that if given a second chance she will love to walk the same path again.
I need not specify that I am talking of Bhanurekha Ganesan who is popular as Rekha- the sweet heart of a whole generation of moviegoers. There was a time when Hema Malini was my personal favourite as also the favourite of a few of my classmates. Then I saw “Khoobsurat” 1980 (I don’t tire of telling this) following it up with “Agreement” “Jal Mahal” and the best of the times-“Umrao Jaan”. “Umrao Jaan” was the best in terms of acting, direction, songs and small wonder that she was awarded the National Award for the best Actress for that year. I had seen a few of Rekha’s movies prior to “Khoobsurat” too but most of those movies had her playing the typical film heroine where she just had to look an eye-candy flutter her eyelashes, sing a song too and scream her way through. But she was earnest in all of those too.
She was cast in many two-heroine movies like “Nagin” (this had more than two heroines), “Muqaddar Ka Sikandar”, “Ram Balram” etc. She was heroine to actors of the 60s- Raj Kumar, Sunil Dutt, Rajendra Kumar, Dharmendra, Shashi Kapoor, Feroz Khan, Biswajeet, Deb Mukherjee, Sanjeev Kumar (I am sure I am missing a few) and actors who made their debut in the later years of the 60s- Rajesh Khanna, Jeetendra, Sanjay Khan etc. She has also paired with Navin Nischol (hero in her debut film), Anil Dhawan, Randhir Kapoor, Rakesh Roshan, Amitabh Bachchan, Shatrughan Sinha, even Rishi Kapoor and Mithun Chakravarty. Some actors who were her fans as youngsters also got to be her hero- Anil Kapoor (another ageless wonder who has done two with her), Akshay Kumar for example. But Rekha herself did movies with Dilip Kumar and Dev Anand (whose fan she was) rather late in their careers. She was Shashi Kapoor’s Vasantsena in “Utsav” and Rakesh Roshan’s avenging angel in “Khoon Bhari Maang”.
Sorry I can go on and on and people will say a fan is at work here. But I cannot get enough of her and when I chanced upon this video of Hema Malini’s 70th birthday I was supremely pleased as it gave me both my favourites in one video. Such a lot of camaraderie between the two beauties, difficult to choose who is more beautiful
Getting to today’s song, it is from a movie which was directed by Manmohan Desai. As per the tradition of Manmohan Desai movies we have Randhir Kapoor and Shatrughan Sinha as brothers who get separated as children. Both like the same girl but the girl likes the simpleton from the village who has respect for even a night-club dancer. I shall not give the story of the movie will just give the name of the movie- Rampur Ka Laxman.
Wishing our ageless diva a very happy birthday with this song which shows her in one of those costumes that I spoke of earlier. It doesn’t compliment her and that hairdo was the standard which all heroines sported back then. Plus not to miss the kilos of makeup that she had on. If my memory is correct this was a song at the birthday party of the character played by Rekha and we have Sulochana (who was the mother of the heroes playing Rekha’s nanny), Roopesh Kumar, Raj Mehra, and a smart young looking Ranjeet (who is waiting in the wings for spoiling the party).
Audio
Video
Song-Arre pyaar ka samay kam hai jahaan (Rampur Ka Laxman)(1972) Singers-Kishore Kumar, Lata, Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyon mere yaar
maine bhi aaj
kya baat kahi de taali
arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali
jo bhi kare pyaar
main uska yaar
ghalat mujhe na samajhna
main to yahaan
aaya hoon milan ke liye
main subah shaam sabka ghulaam
itna magar yaad rakhna
bura hoon main
bas dushman ke liye
ulfat ke jo pyaase ho tum
chaahat ka hoon mai nbhi sawaali
pyaar ka samay kam hai jahaan
ladte hain log kaise waha
kyon mere yar maine bhi aaj
kya baat kahi de taali
abhi ye sama hai meharbaan
jhoom ke jeele deewaane
kaisi ee haaye mastaani raat hai ae
zindagi ka lele maza
phir kya ho kaun jaane
bhaai mere ae
kuchh na tere haath hai
do char pal lehraake chal
hai zindagi kab rukne waali
pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali
khel hansi aadat meri
chup rehna main na jaanoon
maine yahi ab tak jaana nahin
tum bhi mere
tum bhi mere
sabko apna hi maanoon
par ye dil sabka deewaana nahin
aur jispe hai deewaana dil
uski ada sabse niraali
pyaar ka samya kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4439 | Post No. : | 15881 |
Remembrance day of Jaikishan :
———————————–
Today i.e. 12th September, 2020 is 49th death anniversary of Jaikishan, a half of Shankar-Jaikishan.
I have just now read the detailed Wikipedia Page of Shankar-Jaikishan, so will reproduce some para’s which are worthy of mention in terms of Jaikishan’s death anniversary.
“Shankar Jaikishan enjoyed an unrivalled position in the Hindi film industry. During their heyday and even toward the later part of their career, they were the highest paid music directors in the industry. Barring stray exceptions, they were paid more than the leading actors and the promotional material of their films would give them more prominence than anyone else.”
“What can I say… my musical partner in life has gone, what is left of me to say anything more, I had never thought that at such an early age he would leave us all and go; Anyway his good qualities of maintaining goodwill, giving love and receiving love were innate in him and I too don’t have them in me. He used to regularly remind me of my innate quality of being in a boisterous mood all the time and always abrasive with some one or the other and so on and so forthwith…….”
(Shankar on Jaikishan’s death in an interview with AmeenSayani.)
The page also has this to say about Shankar Jaikishan, vis-à-vis different singers :
“Shankar Jaikishan combo worked above all of with Mohd Rafi and secondly Mukesh, and produced numbers of hits and unmatchable gems. Mohd Rafi was their favourite singer despite having good reputation with other playback singers of its time.”
I read somewhere else, that the mukhda of the song “Ye mera prempatra padh kar” from ‘Sangam’ was actually taken from the letter written by Jaikishan to his than fiancée “Priya”. So this could be the instance where Jaikishan unwittingly revealed that he is the composer of the block-buster song. This caused a rift between the two as Jaikishan broke the unwritten agreement between them, of not revealing which of them is the creator of any particular song. Here, Rafi Sahab is said to have intervened and solved the issue between Shankar and Jaikishan, and also later on between Lata Mangeshkar and Shankar in the mid 70’s.
But there is no doubt of the truth here when it is said that “Shankar-Jaikishan, along with other artists, composed “everlasting” and “immortal melodies” in the 1950s, 1960s, and early 1970s.[2] Their best work was noted for being “raga-based and having both lilt and sonority”.
All hindi film music fans agree that they changed the face of hindi film music with “Barsaat” and the success of the film and its music played a big role in this change.
The music I think was versatile and inspiring to new music directors. Theirs was a first of its kind duo, as far as I know who combined their talents and acumen with two lyrcists and made a fearsome foursome. They can also be called fabulous and formidable. They had to be, to be on top of the game for two decades. Shankar-Jaikishan can also be credited for starting the trend of version songs, one male and one female version. Contemporaries and seniors like Naushad and S.D.Burman rarely did it. Naushad in “Mere Mehboob” and S. D. Burman in “Sharmilee” and “Tere Ghar Ke saamne”. But in the later instance, it was both male solos.
I am actually trying to wrap up the long running series on Mohammad Rafi songs, so trying not to look for a Rafi Sahab song for posting on this occasion. But as luck would have it, I found this popular song from ‘Pyaar hi Pyaar’(1969). Moreover this song has a stamp of Shankar-Jaikishan signature style in the orchestration of the music. This is an Asha-Rafi duet, with the fast pace and beat. This is the manifestation of Asha Bhonsle making inroads in the Shankar Jaikishan cap, which started with “Teesri Kasam”. Shankar-Jaikishan were known for Lata only music scores through 50’s and not just for R.K. films. I think the exceptions to this were very rare and few, where Asha, Geeta Dutt or Shamshad Begum got to sing Shankar Jaikishan compositions. Suman Kalyanpur was one such alternative which Shankar Jaikishan tried, in mid- 60’s for duets with Rafi sahab.
I have also tried to find if Shankar Jaikishan ever re-used their own tune to compose songs, but could not find any such songs. Their music was a huge commercial success, so no one else could try and copy their songs.
The song I am presenting in a party song, where Vijayanthi Mala is trying to make Dharmendra jealous, flaunting a dance partner. There are other popular Rafi solos in the film, but this would be the most popular, with the title song of the film ’dekha hai teri aankhon mein pyar hi pyar beshumaar’.
Song-Tu mera main teri duniya jaley to jaley (Pyaar Hi Pyaar)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaiskishan
Lyrics
Tu mera
main teri
duniya jale to jalay
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
dil teraa
jaan teri
duniya jalay to jalay
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
rut jawaan
pyaar bhari
ha duniyaa jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe hi
apni qasam
arey waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe
apni qasam
tu meri
ha jal pari
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baanhon ke sahaare hain
tere hi liye
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baahon ke sahaare hain
tere hi liye
main tujhi par mari
ha duniya jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ho duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4435 | Post No. : | 15871 |
Hullo Atuldom
We are into the last four months of the year. Just got the first positive message “Sab theek raha toh iss baar 31 December ko nayaa saal aane ki nahi, purana saal jaane ki party karenge”. (Wish I could write this in Devnagari) I am sure I need not translate this.
Just as I was sitting to write this our Peevesie messaged that “Josef-Born in Grace”, a movie that was her first independent assignment as costume designer, has won an award at the Madrid International Film Festival for Best Set Design at the awards function on Sunday evening (6th September). Incidentally that movie also got her, her life-partner and is from her in-law’s production house.
In a celebratory mood I asked her for her farmaish of an Asha Bhonsle song and today’s song is her choice. She has a love for that movie, its songs and the dress/costume (in particular) that Amisha Patel wore in the song. She reminds me that as a tiny-little girl she had also worn a similar Pink Skirt and White Top.
This movie is 20 years old. It made its debut on the blog in 2014 with the song ek-pal-ka-jeena-phir-to-hai-jaana. That was a post to wish the hero of the movie. Today’s song is to wish our evergreen Ashatai (as Asha Bhonsle is addressed by one and all).
Ashatai celebrates her 87th birthday today. She was the third born to Pandit Deenanath Mangeshkar and his wife Shevanti, Lata Mangeshkar being the oldest. I read somewhere recently that her older sister Meena Khadikar shares her birthdate (would love if someone can confirm this). Usha Mangeshkar and Hridaynath Mangeshkar are the other siblings, part of this musical clan. Their children and grandchildren are also into music and carrying the family tradition forward.
Followers of the blog are aware that she began singing in films when she was hardly 10 years old with a Marathi song in 1943. Her first Hindi song came in 1948 when she sang under Hansraj Behl’s music direction. She has had a long innings since then and initially she used to get songs that were filmed on the second lead or vamps etc. I don’t think that there is any need to write about how she sang more songs than many other artists in the ‘50s though for B and C grade movies. She had to work so that her family could be taken care of. She worked her way up the rungs of the industry and became the favourite of the masses and classes. If the masses loved her “piya tu ab toh aaja” the connoisseurs and classes loved her for her “in aankhjon ki masti ke” and ‘dil cheez kya hai aap meri jaan lijiye”. People have loved her “aage bhi jaane na tu” and “mera kuch saaman tumhaare paas pada hai”.
Today’s song is a party song. It is on board a yacht and is part of the Christmas eve celebrations. Amisha Patel has just found that she likes Hrithik Roshan who is as yet unaware of his feelings. She sings and dances to try and make him envious and displays her fondness for her childhood friend Rajesh Tandon. Payal Malhotra or Kamya Punjabi (not sure) is the girl who is trying to get Hrithik’s attentions. This song is written by Saawan Kumar and is the only Asha Bhonsle song in the movie all the other songs are sung by Alka Yagnik. Rajesh Roshan is the music director.
Here is wishing our darling Ashatai a very Happy Birthday
Song-Jaaneman jaaneman palat teri nazar (Kaho Na Pyaar Hai)(2000) Singer-Asha Bhonsle, Lyrics-Sawan Kumar, MD-Rajesh Roshan
Lyrics
Ku ku ku ku
Ku ku ku ku ku
Ku ku ku ku
Ku ku ku
Aaaa aaaaaa aaaaa
Aaaaaa aaaa
Aaaa aaaaaa aaaaa
Aaaaaa aaaa
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
mila le dil se dil,
pyaar se pyaar kar
udhar toh raat hai
saveraa hai idhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaaa….neman
teri jawaani ke sadke
jaane jaaneman
ham bhi haseen kam nahin
jaane jaaneman
arre teri jawaani ke sadke
jaane jaaneman
ham bhi haseen kam nahin
jaane jaaneman
teri judaai ka gham hai
(ooooo)
varna koi gham nahin (oooooo)
bahut chaalaak hai
ban raha bekhabar
pyaar ke jaadu ka
ho raha hai asar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman
jaaneman
jaaneman
jaaneman
heyo heyo heyo heyo he he yo
heyo heyo heyo heyo he he yo
tere liye hi bani hoon
jaane jaaneman
main sab me shaamil nahin
jaane jaaneman
ho o tere liye hi bani hoon
jaane jaaneman
main sab mein shaamil nahin
jaane jaaneman
dil se zara poochh apne
(oooooo)
kya main tera dil nahin een een (ooooo)
naya hain silsila
naya hai ye safar
nayi hai manzilein
magar hai ek dagar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
mila le dil se dil,
pyaar se pyaar kar
udhar toh raat hai
saveraa hai ae ae idhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaaa….neman
jaane jaaneman
jaaneman
jaane jaaneman
jaaneman
jaaaaa neman
jaaaaaa neman
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