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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Please don’t go” song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3808 Post No. : 14804

Today’s song is from film Chand sitare-48. Chand, Chandni, Tare and Sitare are the favourite words of film makers to use in the film titles.As many as 40+ film titles contain these words. The song is sung by Shamshad and chorus, composed by MD-Premnath and written by Lyricist I.C.Kapoor.

My Primary education was in Urdu language. Hyderabad being a Muslim state, learning Urdu had a definite advantage, but there were schools in English, Marathi, Telugu, Kannada and even Hindi mediums as well in Hyderabad and the treatment to all other languages than Urdu, was equal by the Nizam Government. This was because Hyderabad was a Trilingual state, consisting of 8 Telugu speaking Districts, 5 Marathi speaking Districts and 3 Kannada speaking districts, plus the rulers were Urdu speakers. From 5th standard I changed to Marathi Medium and continued till end of schooling. English, Marathi and Hindi were my favourite subjects, but Maths and Geography were my sworn enemies.

Maths particularly, first confused me and then irritated me. I failed to understand a sum like ” If 5 people build a Wall 5 feet X 5 feet in 5 days, how many days 25 people will take to build the same wall. Now, if the wall was already built by 5 people, why should anyone build it again ?

Similarly, A, B and C were hated by me. Sums like ” If A borrows 500 Rupees from B at the rate of 5% interest per month and B borrows 400 rupees from C at the rate of 2% interest per month, what would be A’s loss and B’s profit. I failed to understand, why should A borrow money from B, when C was offering loan at lower rates in the first place ?

Geography was another headache. Size and population of countries, Longitudes and Latitudes, Capitals and Currency of Nations, temperatures in Tundra and Siberia and rainfall in Cherapunjee, were beyond my comprehension. However, in Geography, there used to be some chapters in Astronomy also. I liked them very much. Different Planets ,The Milky Way and Comets fascinated me.

Especially Comets aroused my curiosities no end. I learnt that Comets were Heavenly Bodies, made up of Gases and space debris, which appeared suddenly in the sky, seen for a while and then disappeared. Some Comets created panic by crossing Earth’s passage and such Comets would be featuring in newspapers and on TVs.

Comets are like those friends who walk with us for few years and disappear from this world. Comets are like those personalities who shine for a while and then disappear for ever. In Hindi Music too, there were extraordinarily Talented people, who worked for a short period and then were gone for ever, just like Comets.

Master Madan is a good example in this context. In a short life, he sang immortal Gazals like, ” Yun na rah rah kar hamein tarsaiye” and ” Hairat se tak raha hai “. He was born on 28-12-1927 in Jallunder Dist. and died on 5-6-1942. In a singing career of just 3-4 years he became immortal. He left behind him 3 Bhajans, 3 Gazals and 2 Punjabi song records. He left this world, after shining just like a Comet.

Then there is C. Arjun who composed an eternal song like ” Paas baitho tabiyat bahal jayegi,maut ayee to tal jayegi ” and disappeared like a Comet. There are many such examples in the history of HFM.

In the arena of HFM, there were several such Comets- which came, shone for a while and disappeared. They were small and big Comets. May be good or ordinary too. We do not know. There were few composers who did just 2 or 3 films and some did 15 to 20 films. Still this number was not enough for their hidden talents to showcase. Some names come to mind offhand like Daan singh, Dilip Dholakia, Jamal sen, Chand Pardesi, Sardar Malik, Sailesh Mukherji, Vasant kumar Naidu etc.

One such Comet was Music Director Premnath (Wadhva). Composer Premnath is an ideal case for ” Same Name Confusions’. Since his name coincides with the more well known actor Premnath,operating almost in the same period,people misunderstood that Actor Premnath and composer Premnath were the same persons. Surprisingly,actor Premnath was a good singer himself and had been trained by professional Ustads for classical music,but he could never fulfill his desire of becoming a singer and became an actor instead. However he did a film song,which was posted on this blog by our Sudhir ji,some years back-if I remember right. But the fact remains that both persons were different.

PREMNATH the Music Director was born on 5-7-1918 in Gujranwala,Punjab. He learnt music from experts in Amritsar,Multan and Lahore.He acted in films like Shahr-e-khamoshi and also sang in Sohni Mahiwal-1938.
After marriage,he moved to Bombay. His first film as a Music Director was Rangbhoomi-1946.In this film ,a novice Mohd. Rafi sang many songs for him.His other films were Dehati-47,Chandrahas-47,Sagar’s Pehla pyar-47. He then produced a film ” Chand sitare”-48 under the banner of Ravindra Art productions. Mukesh,Lata and Geeta Roy sang in it. In film ‘Alakh Niranjan’-50,he used Mohd. Faruqi,Sulochana Kadam and Rajkumari.
Premnath gave music to many films of Super pictures of Aspy Irani like bade bhaiya-51 and Maya Machhindra-51,in which surendra, Geeta, Rafi and Shamshad sang. His another film ‘Qatil Kaun’ in late 50s was not released. For this film,Rafi, Asha, Manna Dey, Mubarak Begum and Shamshad had given songs.
His films diminished. Sati vaishalini-59, Main hoon jaadugar-65, Tarzan in Fairyland-68 and Gyani ji-77 were his last films. He composed 99 songs in all.
After he stopped work as MD,he devoted his time for the welfare of Cine Artists as a trade union leader. As a Secretary,he served the music Directors’ Assn. for 30 years.
He died on 27-4-1993 at the age of 75 years.

Film Chand sitare’s star cast was Jeevan, Manorama, Rajan Haksar, Niranjan Sharma, Anita, Satish, Leela etc. In Hindi films two actresses were known as ” Aunty’. One was actress Shammi and the other was ” Manorama aunty “. Both actresses were Heroines in their early career for few films, but soon accepted character roles. Both were seniors and highly respected in the industry.

During the course of last 80 odd years, thousands of actors came to work in films. Most of them wanted to become Hero or Heroine, but all could not make it. What does it take to become a Hero in a film ? ( Talking only for the period 1931 to 1970 please). Is it good looks ? Then how come Shaikh Mukhtar became a Hero ? or Ranjan ? High education ? Then how come Master Bhagwan became a Hero ? A God Father ? Then how come Motilal or Surendra became Heros ? For girls too same logic applies. In the early era, most Heroines were uneducated, like Meena Shorey, for example- who could not even sign her name. All were not Handsome or beautiful. I sincerely feel, it is neither Talent nor the good looks, it is nothing but the Luck Factor, which helps in making a career in films. This explains why good looking, educated 1 or 2 film’s Heros could not sustain themselves for long. Same way, good looking girls like Vijayalaxmi, Bimla kumari, krishnakumari, Tabassum, Yashodhara katju, Shubha Khote, Shashikala etc could not continue beyond 3-4 films as Heroines.

In the 40’s era, Manorama was one such actress. She had good education, beautiful Punjabi looks, fine acting, but she could not go beyond 3 films as Heroine and to contend with side and character roles in all her career. Manorama was born in Lahore on 16-8-1920,as Irene Issac Daniels, from Punjabi father and Irish mother. She took good looks from the father. While a student, she did some child roles in films from 1926 to 1936 and as an adult, she debuted in Pancholi’s Khazanchi-41 ( when Khazanchi was remade in 1958, she was the only actor who featured in this version also. Some other such examples were Kanhaiyalal acting in film Aurat-40 and Mother India-57 and Jayant in film Mala-41 and its remake Amar-54.Naushad was the same MD for both Mala and Amar.) She then acted in Himmat-41, Khandan-42, Zamindar-42, Poonji-43, Panchhi-44, Patwari-45 in Lahore. Here only she did Heroine’s roles in Khamosh Nigahen, Rehana and Shalimar- all in 1946. After partition, she migrated to India, but she got only side and character roles.

Meanwhile, in 1947, she got married to Rajan Haksar. After coming to India, shortly, their marriage broke. She had one daughter-Roopa from this marriage. Roopa tried her luck in films in 1970, without much success. Then she got married and settled.

Manorama grew in weight. Now she got comic or vamp roles. She did films like Ghar ki izzat, Johari, Hanste aansoo, Ek phool do mali, Shor, karvaan etc etc. In all she acted in 161 films. Her last film was Water-2005. She died on 15-2-2008. She perhaps, had the longest career among actresses-from 1926 to 2005, that is a cool 80 years ! Manorama was a highly respected person in the industry. Neetu singh, Madhuri Dixit, Ram Mohan, Ekta kapoor and others were her fans. Her famous films were Jhanak Jhanak….,Half Ticket, Budtameez,and Seeta aur Geeta.

Film Chand sitare-48 had 8 songs. 7 songs have featured already on this Blog and today’s song is the last song of the film. So, with this song, film Chand sitare-48 joins the list of films who have all songs covered. My thanks to Sudhir ji for providing and uploading the full version of this song from his collection.


Song-Phir chaayi hain kaali ghataayen pardes na jaa (Chaand Sitaare)(1948) Singer-Shamshad Begam, Lyrics-Ishwar Chand Kapoor, MD-Premnath
Chorus

Lyrics

phir chhaayin hain kaali ghataayen
pardes na jaa
lo aayin hain mast hawaayen
pardes na jaa

mere sapnon ki duniya basa ke
yoon jaao na ankhiyaan churaa ke
ankhiyaan churaa ke
mere sapnon ki duniya basa ke
yoon jaao na ankhiyaan churaa ke
ankhiyaan churaa ke
hamen aisi adaayen na bhaayen
pardes na jaa
lo aayi hain mast
lo aayi hain mast hawaayen
pardes na jaa

dekho dekho
kisi ne li angdaayi
dekho dekho
kisi ne li angdaayi
haule haule
jawaani kehne aayi
haule haule
jawaani kehne aayi
haaye naa jaa
suhaani raaten bolein
ke jiya mera doley
naina moti ro len
haaye na jaa
suhaani raaten bolein
ke jiya mera doley
naina moti ro len
mere lab pe hai ye hi sadaayen
pardes na jaa
lo aayi hain mast
lo aayin hain mast hawaayen
pardes na jaa

o jee nainon se behta hai paani
raaja do din ki hai zindagaani
zindagaani
o jee nainon se behta hai paani
raaja do din ki hai zindagaani
zindagaani
ab aa jaa
kaleja munh ko aaye
bin tere raha na jaaye
ab aa jaa
kaleja munh ko aaye
bin tere raha na jaaye
ham raah pe akhiyaan bichhaayen
pardes na jaa
lo aaye hai mast
lo aayi hai mast hawaayen
pardes na jaa
phir chhaayin hain kaali ghataayen
pardes na jaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

फिर छाईं हैं काली घटाएँ
परदेस ना जा
लो आईं हैं मस्त हवाएँ
परदेस ना जा
मेरे सपनों की दुनिया बसा के
यूं जाओ ना अखियाँ चुरा के
अखियाँ चुरा के
मेरे सपनों की दुनिया बसा के
यूं जाओ ना अखियाँ चुरा के
अखियाँ चुरा के
हमें ऐसी अदायें ना भायें
परदेस ना जा
लो आईं हैं मस्त
लो आईं हैं मस्त हवाएँ
परदेस ना जा

देखो देखो
किसी ने ली अंगड़ाई
देखो देखो
किसी ने ली अंगड़ाई
हौले हौले
जवानी कहने आई
हौले हौले
जवानी कहने आई
हाए ना जा
सुहानी रातें बोलें
के जिया मेरा डोले
नैना मोती रो लें
हाए ना जा
सुहानी रातें बोलें
के जिया मेरा डोले
नैना मोती रो लें
मेरे लब पे हैं ये ही सदाएं
परदेस ना जा
लो आईं हैं मस्त
लो आईं हैं मस्त हवाएँ
परदेस ना जा

ओ जी नैनों से बहता है पानी
राजा दो दिन की ज़िंदगानी
ज़िंदगानी
ओ जी नैनों से बहता है पानी
राजा दो दिन की ज़िंदगानी
ज़िंदगानी
अब आ जा
कलेजा मुंह को आए
बिन तेरे रहा ना जाये
अब आ जा
कलेजा मुंह को आए
बिन तेरे रहा ना जाये
हम राह पे अखियाँ बिछाएं
परदेस ना जा
लो आईं हैं मस्त
लो आईं हैं मस्त हवाएँ
परदेस ना जा
फिर छाईं हैं काली घटाएँ
परदेस ना जा

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3492 Post No. : 14034

‘Pooja Ke Phool’ from 1964, is a production from AVM, Madras. It is directed by A Bheemsingh. True to the colors of the family dramas emanating from the south, this film is not much different that the regular run-of-the-mill emotionally loaded films coming from there. This film however has a slight sinister twist, in that a murder is part of the storyline. There is a certain amount of drama built around the trial in the court and the effort to nail the true culprit – a task that is made extremely challenging by the fact that the hero Shankar (roled played by Dharmendra) repeatedly asserts in the court that he admits his guilt and should be punished. The heroine Shanti (role played by Mala Sinha) who is the lawyer defending Shankar, has her work cut out for her, to get the hero freed, when he himself doesn’t want to be.

Add to that another twist, that the hero and the heroine are actually not made for each other in this storyline – the hero is already a married person. Yes, there are confusions galore, as circumstances (and the director’s writ) do not allow this fact to be known till some time into the film. Which gives the director a chance to squeeze in a romantically naughty song like this one.

Well, the song itself is a wonderful creation, in the category of ‘please-don’t-go’ songs. The highlight of this song is the superb on screen performance of Mala Sinha. Her mannerisms and the execution of the entire song sequence is definitely a hallmark performance.

The star cast of the film includes Mala Sinha, Dharmendra, Sandhya Roy, Gopikrishan, Madhumati, Nana Palsikar, Mohan Choti, Umesh Sharma, Sulochana Chatterjee, Leela Chitnis, Ashok Kumar, Nimmi, Pran, Shivraj, and Mukri. All songs are penned by Rajendra Krishan and the music for them is created by Madan Mohan.

Enjoy this lovely naughty song, as the heroine is trying to impede the departure of the hero, as he tries to make a get-away in the middle of the night. Asking of questions and checking for logic is not allowed in some such scenarios. 🙂

Song – Banda Parwar. . . Raat Ke Andhere Mein Yun Chori Chori Chale Kidhar  (Pooja Ke Phool) (1964) Singer – Asha Bhosle, Lyrics – Rajendra Krishan, MD – Madan Mohan

Lyrics

banda parwar. . .

banda parwar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
oye hoye hoye
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

taar aaya dekhiye
aap ke sasuraal se

dekhiye na. .
abhi abhi ayaa hai

taar aaya dekhiye
aap ke sasuraal se
saas kunwaari aap ki
baithi hai sattar saal se
miley agar
aha ha
koi achha var
haa haa
miley agar
koi achha var
bechaari ka abaad ho ghar
banda parwar
o ho ho
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

bura na maano to main poochun
jhoothon ke sardar se
ae
ae jhoothe
bura na maano to main poochun
jhoothon ke sardar se
apna sar kyon phod rahe ho
sapnon ki deewaar se
deewaane ho
ae
anjaane ho
ae ae
deewaane ho
anjaane ho
kya dekh rahe ho
aao idhar
banda parwar
o o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

aap chhup kar
agar chale jaate
haal e dil hum
kabhi na keh paate
dil ki har baat
dil mein reh jaati
zindagi aansuon mein beh jaati

aap chhup kar
agar chale jaate. . .
haal e dil hum
kabhi na keh paate. . .
dil ki har baat
dil mein reh jaati
zindagi aansuon mein beh jaati
phir khwaabon ka
armaanon ka
phir khwaabon ka
armaanon ka
abaad kabhi na hota ghar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बंदा परवर॰ ॰ ॰

बंदा परवर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
ओय होय होय
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर

तार आया देखिये
आप के ससुराल से

देखिये ना॰॰
अभी अभी आया है

तार आया देखिये
आप के ससुराल से
सास कुंवारी आपकी
बैठी है सत्तर साल से
मिले अगर
आहा हा
कोई अच्छा वर
हा हा
मिले अगर
कोई अच्छा वर
बेचारी का आबाद हो घर
बंदा परवर
ओ हो हो
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर

बुरा ना मानो तो मैं पूछूं
झूठों के सरदार से

ए झूठे
बुरा ना मानो तो मैं पूछूं
झूठों के सरदार से
अपना सर क्यों फोड़ रहे हो
सपनों की दीवार से
दीवाने हो

अंजाने हो
ए ए
दीवाने हो
अंजाने हो
क्या देख रहे हो
आओ इधर
बंदा परवर
ओ ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर

आप छुप कर
अगर चले जाते
हाल ए दिल हम
कभी ना कह पाते
दिल की हर बात
दिल में रह जाती
ज़िंदगी आंसुओं में बह जाती

आप छुप कर
अगर चले जाते॰॰॰
हाल ए दिल हम
कभी ना कह पाते॰॰॰
दिल की हर बात
दिल में रह जाती
ज़िंदगी आंसुओं में बह जाती
फिर ख्वाबों का
अरमानों का
फिर ख्वाबों का
अरमानों का
आबाद कभी ना होता घर

बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3474 Post No. : 13955

 


चाँदनी रातें प्यार की बातें

खो गई जाने कहाँ

That is the very first introduction to this extremely versatile actress of the Hindi cinema. The song was played in the weekly Chitrahaar program one evening. And the kid me was soaking in the performance with an open mouth and extreme ignorance of the emotions being dealt with. The primeval image carried in was that of a serious actress given over to sad roles and sad songs. Little did I know that I couldn’t have more further from reality.

Remembering Geeta Bali, the actress extraordinaire, on the anniversary of her passing away (21st Jan).

Some months or a year later, the film came on to Doordarshan, and then I got another taste of this very song; but in accompaniment I also got to see “Chori Chori Meri Gali Aana Hai Bura” and “De Bhi Chuke Hum Dil Nazraana Dil Ka”. After this encounter, I would get to see more of her in other films aired on Doordarshan – ‘Anand Matth’ (1952), ‘Baawre Nain’ (1950), ‘Baazi’ (1951) etc. Other films would come later – ‘Baaz’ (1953), ‘Albela’ (1951), ‘Badi Behan’ (1949) etc., not essentially in that order.

Through these films, I began to know her much better, as compared to my initial impressions from the first song of ‘Jaal’ that I had viewed. A persona with a very vivacious and alive presence on the screen – a live wire presence that would light up whatever frame she was in. There was such an immense amount of communication happening through her expressions – the smiles, the twitching of the eyebrows, the tilt of the neck, the movements and more. The amount of expressions and emotions she would cram into and convey in one line of a song, was equivalent to what most other performers would convey in an entire song. And the energy she would impart to whatever scene and whatever role she would be in, was and continues to be a delight to watch.

Many years after she passed away, and her erstwhile husband Shammi Kapoor, had moved into senior character roles, interviews and articles began to appear that attempted to explain the transformation of Shammi Kapoor as an actor, from the sombre roles in films like ‘Rail Ka Dibba’ (1953), ‘Laila Majnu’ (1953) and ‘Shama Parwaana’ (1954) to the flamboyant energetic roles in ‘Del Deke Dekho’ (1959), ‘Tumsa Nahin Dekha’ (1957) and ‘Junglee’ (1961). It has been said that this transformation was an influence of Geeta Bali’s style and expressions of the characters she did on screen. Shammi Kapoor magnified that expression manifold with his own energy, and became the most successful swashbuckling hero of the 1960s.

Today’s song is from the film ‘Jalpari’ from 1952. The storyline is about a human sailor adventurer Ashok Kumar, who catches the fancy of the fairy princess of the undersea world. The role of the Jalpari, the fairy princess, is played by Geeta Bali. She has the human mortal brought to her palace in the undersea world, and tries to convince him to join her as her consort, and she would make him immortal. This song is her effort to woo him and his emotions for herself.

The lyricists name for this song is not specified. The music is by Pt Gobind Ram and the singing voice is that of Shamshad Begam.

Once again, a memory tickler from the yesteryears, to remember this peerless performer – she passed away this day 52 years ago, at an unimaginable age of 34 years. A salute to this darling performer of the screen – alive forever, in memories.

Song – Khushi Ke Phool Liye Aa Gaye Bahaar Ke Din  (Jalpari) (1952) Singer – Shamshad Begum, Lyrics – [Unattributed], MD – Pt Gobind Ram

Lyrics

khushi ke phool liye
aa gaye bahaar ke din
yehi bahaar ke din
ab banenge pyaar ke din

ho oo oo
raja aaj na jaane doon
main bhi jhoomun tu bhi jhoom
kal ki khabar kisko maloom
chham chham chham chham chhoom
chham chhoom

o raja singaar sajaaye
roop ki rani aayi
roop ki rani aayi
hans le gaa le mauj manaa le
roop ki rani aayi
hans le gaa le mauj manaa le
roop ki rani aayi
duniya mein macha de dhoom
tu bhanwra ban kar ghoom
aur ke phool par jhoom
chham chham chham chham chhoom
chham chhoom

o dewaane kisi ka ho ja
zulfon ki chhaaon mein so ja
o dewaane kisi ka ho ja
zulfon ki chhaaon mein so ja
jaam e mohabbat pee kar jhoom
jaam e mohabbat pee kar jhoom
kal ki khabar kisko maloom
chham chham chham chham chhoom
chham chhoom

oo oo oo
raja aaj na jaane doon
main bhi jhoomun tub hi jhoom
kal ki khabar kisko maloom
chham chham chham chham chhoom
chham chhoom

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुशी के फूल लिए
आ गए बहार के दिन
यही बहार के दिन
अब बनेंगे प्यार के दिन

हो ओ ओ
राजा आज ना जाने दूँ
मैं भी झूमूँ तू भी झूम
कल की खबर किसको मालूम
छम छम छम छम छूम
छम छूम

ओ राजा सिंगार सजाये
रूप की रानी आई
रूप की रानी आई
हंस ले गा ले मौज मना ले
रूप की रानी आई
हंस ले गा ले मौज मना ले
रूप की रानी आई
दुनिया में मचा दे धूम
तू भँवरा बन कर घूम
और एक फूल पर झूम
छम छम छम छम छूम
छम छूम

ओ दीवाने किसी का हो जा
ज़ुल्फों की छाँओं में सो जा
ओ दीवाने किसी का हो जा
ज़ुल्फों की छाँओं में सो जा
जाम ए मोहब्बत पी कर झूम
जाम ए मोहब्बत पी कर झूम
कल की खबर किसको मालूम
छम छम छम छम छूम
छम छूम

ओ ओ ओ
राजा आज ना जाने दूँ
मैं भी झूमूँ तू भी झूम
कल की खबर किसको मालूम
छम छम छम छम छूम
छम छूम


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3463 Post No. : 13895

Missing Films of 1960s – 40
– – – – – – – – – – – – – – –

What a find – this song. A lovely tuneful song, sung by Asha Bhosle, and on screen performed by Sheila Ramani. Aah yes, the memorable danseuse of those lovely lilting songs of ‘Taxi Driver’ (1954).

The film is ‘Aawaara Ladki’ from 1967. The Geet Kosh carries very limited information for this film, in the print volume IV. The production company is listed as Skyland Productions, Bombay. The music director is Dhaniram. Two songwriters are listed – Rajnikant and Kaif Irfani. This song is penned by Kaif Irfani.

Apparently at one time, the songs of this film may have been very rare, but now quite a few songs of this film are available online, some in video form. The film has been located and is now available in public domain. Geet Kosh lists four songs for this film, with the indication that there are possibly more songs also. At current time, with a cursory search, I am able to locate six songs for this film, on YouTube.

From the three video clips available on YouTube, at least three actor names can be ascertained, viz. Sudesh Kumar, Sheila Ramani and Shammi. The story of the film is probably a love triangle. In this song we see Sheila Ramani attempting to woo Sudesh Kumar. And in another video clip, another song, Shammi is also doing the same.

The song is rendered by Asha Bhosle. It is such a treat to locate and watch a video clip that has Sheila Ramani performing a song. Brings back the memories of the wonderful dances of ‘Taxi Driver’ and other performances, like “Jhoome Re Kali Bhanwraa Ulajh Gayaa Kaanton Mein” from the 1954 film ‘Naukri’. Sheila Ramani has also played the lead role in one Pakistani film – a delightful comedy titled ‘Anokhi’ from 1956. This latter film has a charming song – “Gaadi Ko Chalaana Babu Halke Halke Halke, Zara Dil Ka Jaam Na Chhalke” (available on YouTube at https://www.youtube.com/watch?v=DUFh9negzQE).

With the identification of this video clip, Shiela Ramani’s filmography needs to be updated. Most online sources list ‘Maa Beta’ of 1962 as her last film. Now we need to add this 1967 film to the list.

Click on play and listen to and watch this enchanting song.


Song – Arre Jaane Waale Nazar To Mila Ja  (Aawaara Ladki) (1967) Singer – Asha Bhosle, Lyrics – Kaif Irfani, MD – Dhaniram

Lyrics

arre jaane waale
ey ey ey ey

arre jaane waale
arre jaane waale

arre jaane waale
nazar to mila ja
tu nazar to mila ja
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

oo oo oo oo oo
mere dard e dil ki hain sun ye sadaaein
ye kehti hain ashqon mein doobi wafaayen
mere aansuon ko
mere aansuon ko zara to hansa ja
tu zara to hansa ja
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

kadam rok le
dekh mausam haseen hai
agar tu ne jaana hai rukna nahin hai
to aane ka apne yakeen to dilaa ja
to aane ka apne yakeen to dilaa ja aa aa
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

oo oo oo oo oo
hain do din jawaani mein ulfat ke mele
mere jaan o dil ki duaaen tu le le
rahe kyon gham e dil
rahe kyon gham e dil
gham e dil mita ja
tu gham e dil mita ja
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
अरे जाने वाले
ए॰॰ ए॰॰ ए॰॰ ए॰॰

अरे जाने वाले
अरे जाने वाले

अरे जाने वाले
नज़र तो मिला जा
तू नज़र तो मिला जा
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले

ओ ओ ओ ओ ओ
मेरे दर्द ए दिल की हैं सुन ये सदाएँ
ये कहती हैं अशकों में डूबी वफाएँ
मेरे आंसुओं को
मेरे आंसुओं को ज़रा तो हंसा जा
तू ज़रा तो हंसा जा
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले

कदम रोक ले
देख मौसम हसीं है
अगर तूने जाना है रुकना नहीं है
तो आने के अपने यकीं तो दिला जा
तो आने के अपने यकीं तो दिला जा॰॰आ॰॰आ
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले

ओ ओ ओ ओ ओ
हैं दो दिन जवानी में उल्फ़त के मेले
मेरे जान ओ दिल की दुआएं तू ले ले
रहे क्यों ग़म ए दिल
रहे क्यों ग़म ए दिल
ग़म ए दिल मिटा जा
तू ग़म ए दिल मिटा जा
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The movie “Pyaar ka mausam” is a nice package of beautiful songs. It has less songs than other Nasir Hussain movies, but then all of them are good quality songs.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1158
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