Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Susheela Rani Solo Songs’ Category

Bhaiyya bhaiyya bhaiyya aao aao Mohan bhaiyya

Posted by: on: February 20, 2021


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from a totally obscure and unknown film – Draupadi-1944. It was a Mythological story set in Mahabharat times, underlining the ills of Gambling. This film was made by Baburao Pendharkar, under his own banner- New Huns Pictures Ltd. Bombay (Huns Pictures was owned by Master Vinayak. After it closed down, this was floated.) The first film of this banner was Nagad Narayan-1943 and after this second film, the company was closed.The director was Baburao Patel and the film’s story, dialogues and screenplay was written by its Heroine Susheela Rani herself. 9 songs- all sung by Susheela Rani, were composed by Pt. Hanuman Prasad. Pt. Indra wrote the lyrics. The cast of the film was Susheela Rani, Badri Prasad, Mazhar Khan, Chandra Mohan, Anant marathe, Surekha, Kanhaiyalal,Leela Mishra and a host of small artistes.Cut to 11-2-2014 Evening, Bandra-MumbaiOn this day, there was a function in a Hall, to release the book ” Sagar Movietone”, written by shri Biren kothari ji. The chief guest was Amir khan. I was invited to this function. Since I knew Biren ji earlier, I went to this function. Many stars like Amir khan, Anil kapoor, Vidhu Vinod Chopra and others from the film world had come. Among the honourable guests was a 95 year old singer/dancer/actress of yesteryears- Susheela rani was also present.I had an opportunity to meet her and spend about 15 minutes talking to her about our Blog and the ” History Recording Work” that we do here. She looked appropriately impressed. During that function, I also met Urvish kothari, Chandrashekhar Vaidya, Shishir krishna Sharma and also Nalin Shah for the first time.(He was of course with his trade mark white Fur Cap – a la V.Shantaram style). It was a memorable function, in which I added one more celebrity of films in my list having met so far. Sadly, within 6 months of this function, Susheela Rani left this world.Susheela Rani was one of the very few highly educated film personalities in that era. More than a singer actress, she was first into film journalism and later into teaching music and dance for the rest of her life.Sushila Rani Patel (1918–2014) was a classical singer, actress, vocalist, Lawyer, and journalist. She established Shiv Sangeetanjali, a school for classical music. She was born on 20-10-1918 at Madras. Her father- Madhav Rao Tombat, a Chitrapur Saraswat Brahmin from Karwar – was an advocate in Madras High Court. She did her M.A. and came to Bombay to become a journalist. Here she met Baburao Patel through a friend. He offered her a Sub Editor’s post in his Film India magazine.In those days, Baburao Patel was involved with actress Padma Devi. When Susheela Rani became close to Baburao, she slowly ensured that Padma Devi made an exit from Baburao’s life.Sushila Rani Patel began her singing career in 1942 when she signed a recording contract with HMV music company. In the early years of her career, she was helped by Baburao Patel. In 1944 she acted in film Draupadi and in 1946 in film Gwalan, playing the lead actor and singer. Both films fared poorly at the box-office. They were directed by Baburao Patel whom she later married.Continuing with her singing career, Rani trained with renowned classical singers like Mogubai Kurdikar and later with Sundarabai Jadhav. In 1961 Rani and her husband Baburao Patel set up Shiv Sangeetanjali, a school for classical music. It was established to encourage classical music and also discover new talent. Some of her students were Pradeep Barot, Ronu Majumdar, Sadanand Nayampilli, Dhanashree Pandit Rai and Nityanand Haldipur. Shiv Sangeetanjali was later amalgamated into the Sushilarani Baburao Patel Trust.Rani and her husband also ran a film business-related magazine called Filmindia, later to evolve into the more political Mother India. Rani and Baburao Patel wrote under the pseudonyms “Judas” and “Hyacinth”. Their column was called Bombay Calling. Almost the entire content of the magazine was produced by them. Rani would personally conduct interviews with film personalities. She was close to actress Madhubala, who had started acting at a young age, and taught her to speak, read, and write English. At the age of 45 years, Susheela Rani did her LL.B. and LL.M. from Bombay University and registered her name as a Lawyer in the High Court.After Baburao’s death in 1982, she managed the magazine till 1985 and then it was closed.In her later years, Rani was involved in a property dispute with the children and grandchildren of her late husband’s second wife over the ownership of their House. Rani continued to run her classical music school until her death on 24-7- 2014 at the age of 96.Rani received the Maharashtra Rajya Sanskrutik Puraskar, and in 2002 the Sangeet Natak Akademi award. (Partly based on information from wiki, with thanks and my own notes.)When you talk of Susheela Rani, you can’t ignore Baburao Patel. She was his third wife. Contrary to his wife, Baburao had not even passed his matriculation, but he was a highly learned man in various subjects on his own efforts. The name of Baburao Patel is known to every old film lover, but as a political commentator and a Member of Parliament, he is known to others. From the mid 30s to the 80s he was a name synonymous with daredevil journalism, superb quality English writing and an active Lifestyle. Add to it several marriages and countless children by legitimate and otherwise relationships.Baburao Pandurang Patil ( he mas a ‘ Marathi Manoos’ and not a Gujarati) was born on 4-4-1904 ( a strange confluence of numbers, the total of all these digits also add up to prime number 4 only), in Masvan village, about 100 kms from Bombay, in Palghar district, in a Vanzara ( Banjara) community. When he was 4 year old, mother died, father remarried and family shifted to Bombay. He was put in an English school. However he did not complete his Matriculation. Lack of formal education always pinched him in life and he always respected highly educated people. He compensated by avidly reading books on Philosophy, Religion, Politics and Medicine. This gave him excellent command over spoken and written English language.After doing many petty jobs. He joined ” Cinema Samachar ‘ a film magazine in Hindi, English and Urdu languages, in 1926. He never knew when he entered the Film world becoming a script writer and a director. He established his own banner ‘ Gandharva Cinetone ‘ and made 5 films as a Director- Kismat-31 (silent film), Sati Mahananda-33, Maharani-34, Baala Joban-34 and Pardesi Sainya-35. Later in life, he directed 2 more films- with (future wife) Susheela Rani Patel as Heroine- Draupadi-44 and Gwalan-46.He joined D.N.Parkar, who owned New Jack printing press and who was publishing a house magazine ” Prabhat” for Prabhat films. He started his magazine ‘ FILM INDIA’ in April 1935, at a price of 4 annas(annual 3 rupees). From the first issue, it was printed on high quality art paper. The first issue featured a hand painting of actress and Novelist Nalini Tarkhud, from film Chandrasena, on the cover. There were many ads in the magazine, which promised “honest journalism and constructive criticism”, though in later issues his criticism was incisive, insulting and quite daring. The cine industry feared his reviews, but readers adored him.In all this, Baburao’s surname became Patel instead of Patil. He continued with it. He hurt many of his fellow filmmakers and actors. In one case, Shanta Apte is on record having gone to his office and beaten him with a whip, for his defamatory and derogatory remarks in the magazine. Khwaja Ahmed Abbas joined him and looked after the magazine when Baburao went abroad.Baburao married 3 times.First marriage was when he was studying. The second was with Shirin and the third was with his ex-secretary Sushila Rani Tombat- a konkani good looking singer and dancer.Sidharth Bhatia has written a book on ” The Patels of Filmindia”. Noted author Manto also wrote extensively on Baburao. Bhatia says, ‘ Baburao had an eloquence and power of writing. He had a sharp humour,often barbed. There was a tough guy assertiveness with his venomous pen.” Baburao called Kalpana Kartik ” Pigeon busted”, Suraiya- ” Ugly’, and Dev Anand ” effeminate”. Meena kumari was ” like an inverted shuttlecock”.His magazine celebrated 50 years in 1985. Baburao became an MP from M.P. in 1967 for Jansangh. One good quality of Baburao was that he was very kind to the poor and helpless people. Baburao Patel died on 4-9-1982.Film Draupadi was a failure, but undeterred, Baburao Patel tried one more time to make Susheela Rani a successful actress, by featuring her in a social film Gvalan-1946. This time he chose well known artistes. She sang 8 out of 10 songs in the film. Alas ! This film also flopped. Good sense prevailed and no more attempts were made again towards this goal !Susheela Rani was a good singer and I find her songs of Draupadi and Gwalan very good. However that alone was not enough for her films. Let us enjoy this song today.
Song-Bhaiya bhaiyya bhaiyya aao aao Mohan Bhaiyya (Draupadi)(1944) Singer- Susheela Rani, Lyricist-Pt.Indra, MD- Hanuman PrasadLyricsBhaiyya aa
bhaiyya aa
bhaiyya
aao aao mohan bhaiyya aa aa
aao krishn kanhaiyya aa aa
aao aao mohan bhaiyyabhari sabha girdhaari
jaaye laaj hamaari
kit gaye ho krishhn kanhaiyya aa aa
bhaiyya
bhaiyyatum ne kahaan thha aaungaa
poojan ??unga
tum ne kahaan thha aaungaa
poojan ??unga
prabhu kahaan chhupe ho khevaiyyaa aa
bhaiyya aa
bhaiyyaaao aao mohan bhaiyya
bas hai itni vinti karni
aa dekh meri bikhri veni
aa dekh meri bikhri veni
sharmaa re
sharmaa re bansi bajaiyya aa
bhaiyya aa
bhaiyyaab ant ghadi hai aayi re
ab ant ghadi hai aayi re
ansuvan ki ?? laayi re
ansuvan ki ?? laayi re
tohe bahan pukaare hai bhaiyya aa
bhaiyya aa
bhaiyya aa
tohe bahan pukaare hai bhaiyya aa
bhaiyya
bhaiyya

Blog Day :

 4600 Post No. : 16227
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Baandh ke rakhoongi tohe nainon mein Kaanha

Posted by: on: August 13, 2018


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3678 Post No. : 14569

“Draupadi”(1944) was directed by Baburao Patel for New Hans Pictures Limited, Bombay. The movie had Susheela Rani in the role of Draupadi who had also written the screen play. Other actors in the film were Chandramohan, Mazhar Khan, Surekha, Rani Bala, K N Singh, David, Badri Prasad, Kanhaiyalal, Leela Mishra, Nandu Khote, V G Pusalkar, D M Vaideshi, Madukar Gupte, Radhapyari, Premlata Dongre, Anant Marathe,Dixit, Raj Biswas, P R Joshi, Vasant Kanse, Ram Gopal, Janki etc.

The move had 9 songs in it. One song has been covered in the past.

Here is the second song from “Draupadi”(1944) to appear in the blog. This song is sung by Susheela Rani. Pt Indra Chandra is the lyricist. Music is composed by Hanuman Prasad.

Only the audio of the song is available. It is clear that the song was picturised on Susheela Rani herself.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.

Audio

Song-Baandh ke rakhoongi tohe nainon mein Kaanha(Draupadi)(1944) Singer-Susheela Rani, Lyrics-Pt Indra, MD-Hanuman Prasad

Lyrics

baandh ke rakhoongi tohe nainon mein kaanha
baandh ke rakhoongi tohe nainon mein kaanha
main jaanewaale ko jaane na doongi
main jaanewaale ko jaane na doongi
baandh ke rakhoongi tohe nainon mein kaanha

chhup na sakoge ab gwaalan ke ghar mein
chhup na sakoge ab gwaalan ke ghar mein
?? gokul banaaungi kaanha
?? gokul banaaungi kaanha
baandh ke rakhoongi tohe nainon mein kaanha

neg chukaao ?? bahan ka
neg chukaao ?? bahan ka
na maanoongi tumko sunaaungi kaanha
na maanoongi tumko sunaaungi kaanha
baandh ke rakhoongi tohe nainon mein kaanha

mat jaa re kaanha
?? hathheele
mat jaa re kaanha
?? hathheele
angna ko madhuban banaaungi kaanha
angna ko madhuban banaaungi kaanha
baandh ke rakhoongi tohe nainon mein kaanha

laakh jatan chaahe kariyo kanhaiyya
laakh jatan chaahe kariyo kanhaiyya
gaye to phir se bulaaungi kaanha
gaye to phir se bulaaungi kaanha
baandh ke rakhoongi tohe nainon mein kaanha
baandh ke rakhoongi tohe nainon mein kaanha

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Gulnaar Joban Raar Machaaye Galiyan Maa

Posted by: on: May 22, 2018


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3595 Post No. : 14347

20th May was the 34th remembrance day for Hansraj Behl, the composer emeritus of Hindi films.

In the history of Hindi cinema, only two music directors have had the distinction of being addressed as Master ji. The first one was Ghulam Haider Sb. Hansraj Behl was only the second music director to be so addressed. Maybe one of the reasons is that he always encouraged, mentored and promoted new artists. Many a singers and some music directors were given their debut breaks by him. Asha Bhosle and Madhubala Jhaveri started their singing careers under the baton of Hansraj Behl, and Bulo C Rani worked as assistant with him before getting independent assignments.

As I searched the web for information, I came across this wonderfully detailed piece at apnaarchives.com which lists a number of golden hits that he has composed in the 1940s and 1950s, including some of the seminal hits of singers like Mukesh, Rafi, Lata and others that really helped to build their careers.

For today’s remembrance, I present this lovely song of coming of age and a young heart pining for her lover. The singer of this delightful song from the 1946 film ‘Gwaalan’ is Susheela Rani – a name that may not be entirely unknown to the readers, but also not too familiar though. Regulars will recognize this name as the lady who started off as the secretary to Baburao Patel, the vitriolic editor of the famous film magazine ‘Film India’, and very quickly graduated to be his third wife. A lady of substance and caliber, she was actively involved in managing the publishing process for the magazine, and eventually the entire publishing and business empire of her husband.

As a part of their business run, Baburao Patel produced and directed two films also. The first was ‘Draupadi’ in 1943 and the second was ‘Gwaalan’ in 1946. Susheela Rani played the female lead in both these films, garnering some critical acclaim for her portrayal of the complex role  of ‘Draupadi’.

The other members of the star cast of the film ‘Gwaalan’ include Trilok Kapoor, Bipin Gupta, Madhuri, Sheikh Hasan, Bikram Kapoor, David, Noorjahan, Master Ratan, Shanta Kumari, Nagendra, Pandit Iqbal, Yusuf, Altaf Hussain, and Karan Singh etc. The film has 10 songs, all written by Pt Indra., and the music is by Hansraj Behl. The singing voice is that of Susheela Rani herself, singing her own songs in the film.

A beautiful rendition of a song of love indeed. Listen and enjoy.

[Ed Note: The song is uploaded on YT by our very own Sadanand ji.]

Song – Gulnaar Joban Raar Machaaye Galiyan Maa  (Gwaalan) (1946) Singer – Susheela Rani, Lyrics – Pandit Indra, MD – Hansraj Behl

Lyrics

gulnaar joban raar machaaye galiyan ma
oo galiyan ma
gulnaar joban raar machaaye galiyan ma
oo galiyan ma

main matwaali
bholi bhaali
main matwaali bholi bhaali
pardesi ki naar
naar
pardesi ki naar
main to akeli
haaye saheli
main to akeli haaye saheli
joban de lalkaar
ji haan
joban de lalkaar
gulnaar joban raar machaaye galiyan ma
oo galiyan ma
gulnaar joban raar machaaye galiyan ma
oo galiyan ma

saanjh savere
here phere
piya rahe us paar
ji haan
piya rahe us paar
chhalke dhalke
bhari gagriya
chhalke dhalke bhari gagriya
jaise nain hamaar
haan haan
jaise nain hamaar
gulnaar joban raar machaaye galiyan ma
oo galiyan ma
gulnaar joban raar machaaye galiyan ma
oo galiyan ma

saawan aaya
aa jaa saajan
saawan aaya aa jaa saajan
kehlan ki din chaar
ji haan
kehlan ki din chaar
sakhiyan se bach bach ke kar lo
chori chori pyaar
haaye chori chori pyaar
gulnaar joban raar machaaye galiyan ma
oo galiyan ma
gulnaar joban raar machaaye galiyan ma
oo galiyan ma

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा

मैं मतवाली
भोली भाली
मैं मतवाली भोली भाली
परदेसी की नार
नार
परदेसी की नार
मैं तो अकेली
हाय सहेली
मैं तो अकेली हाय सहेली
जोबन दे ललकार
जी हाँ
जोबन दे ललकार
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा

साँझ सवेरे
हेरे फेरे
पिया रहे उस पार
जी हाँ
पिया रहे उस पार
छलके ढलके
भरी गगरिया
छलके ढलके भरी गगरिया
जैसे नैन हमार
हाँ हाँ
जैसे नैन हमार
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा

सावन आया
आ जा साजन
सावन आया आ जा साजन
खेलन के दिन चार
जी हाँ
खेलन के दिन चार
सखियों से बच बच के कर लो
चोरी चोरी प्यार
हाय चोरी चोरी प्यार
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा
गुलनार जोबन राड़ मचाये गलियन मा
ओ ओ गलियन मा

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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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