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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Prakashchandra’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3699 Post No. : 14618

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 72 #
#Shor Mach Gayaa Shor… Dekho Aaya Maakhanchor#
———————————————————————-

Here is wishing all a very Happy Janmashtami Festival and May god shower his love and blessings for all …

As I had said in one of my earlier articles that Seasons and Festivals also trigger some musical memories, and we already have many songs for such occasions.

Songs that bring back memories…

I have very fond memories of celebrations of Janmashtami in our colony we were staying then when I was growing.

I remember that bhajans/songs would be played on loud speakers since morning and among the many topical (Hindi/Marathi)songs played, the following songs associated with this festival got permanently engraved in my mind:-

Kanhaiyya kanhaiyaa tujhe aana padega (Maalik- 1972)
Shor march gayaa shor dekho aaya maakhan chor (Badlaa-1974)
Krishna Krishna bolo Krishna (Naya Din Nayi Raat-1974)
Govind bolo hari Gopal bolo (chhup chhup Meera roye…- Johny Mera Naam-1970)

Songs/bhajans would start since morning. That would be regularly interrupted by announcements about timings of ‘Pooja’ and ‘Prasad’ so that nobody missed them. 🙂

Then people would also be informed about the ‘Dahi Handi’ programme to be held near the Temple Complex which was an important part of this festival.

We children would eagerly wait to watch the ‘matki-phod’ and enjoy the excitement and also arranging similar ‘dahi handis’ on a ‘smaller’ or ‘very smaller’ 🙂 (if we compared it now) scale around our quarters.

And, of course, for us children the other main attraction was the ‘gopal kaala’ (Prasad specially prepared on the occasion of Janmashtami.

It was very exciting and thrilling experience to watch the seniors participating in the ‘Dahi Handi’ then. The excitement and thrill is still there even today when the programmes are held around every Janmashtami or watching the happenings in news or live on TV nowadays.

(And so when I get connected with this blog I had shared all these songs in 2012 itself, except the one from ‘Johny Mera Naam-1970’ which was already there posted on 30.06.2012.

The song from ‘Naya Din Nayi Raat-1974’ was posted on 05.09.2015, and I hope to present the remaining one from ‘Maalik-1972’ too on the blog, in future…

As I said may be there were other filmy/non-filmy songs and bhajans. But the above songs continue to grow with me and are pure nostalgia for me.
Today’s song that I am presenting herewith is full of this excitement and captures the joy and thrill in right spirit of the ‘Dahi handi’ or ‘matki fod’ during the celebration of ‘Janmashtami’ …

This song is from the 1974 movie ‘Badlaa’.

‘Badlaa-1974’ was produced by R.C. Kumar for ‘Century Films, Bombay’. It was directed by Vijay, who also wrote the Story of this movie. It had Shatrughan Sinha, Moushumi Chatterjee, Ajit, Johny Walker, supported by Padma Khanna, Alka, Shetty, Mohan Choti, Maruti, Bhagwan, Keshav Rana, Ram Mohan, Sabina, Mohan Sherry, Kamal Deep, Mac Mohan, V. Gopal, Johny Bakshi, Desh, C.S. Dubey and Mehmood.

Nirupa Roy, Arun Irani, Anwar Hussain, Paintal, Sujit Kumar, Shyama, Madan Puri, Harindranath Chattopadhyay, Iftikhar, Sudhir, Raj Mehra, Randhir, Jayshree T, Meena T, Shefali and Kajal make a guest appearance in this movie.

Screenplay for this movie was written by Jagdish Kanwal and Vijay. Jagdish Kanwal also wrote the dialogues of this movie. Editing for this movie was done by S. Chakravarty who was assisted by Herman Topno.

This movie had five songs penned by Anand Bakshi and composed by Laxmikant-Pyarelal. Asha Bhonsle, Kishore Kumar and Minoo Puroshottam gave their voices to the songs in this movie.

This movie was released with restricted viewing (A certificate) and passed by Censor Board on 07.03.1974.

I had not watched this movie so cannot say much about this movie and its performance at the box office then. I would request knowledgeable readers to throw more light on the movie and its songs.

The picturization of this today’s song seems to be inspired by the picturization of the ‘iconic govinda song’ ‘Govinda aala re aala …zara matki sambhaal brijbaalaa’.

This song was shot by Director Manmohan Desai on the streets of Bombay. This very popular song was at rank 31 in the annual ‘Binaca Geetmala’ of that year in 1963.

The next Janmashtmi song that was created after the song under discussion was from ‘Khuddaar’ in 1982 – ‘mach gayaa shor saari nagri re’ sung by Kishore Kumar and Lata Mangeshkar. Though it was popular that time it didn’t make to the annual list of ‘Binaca Geetmala’. However two other songs from the same movie were there in the annual list of ‘Binaca Geetmala’ and one of them ‘angrezi mein kehte hain ke’ was at number one.
I was under the impression that this song ‘mach gayaa shor saari nagri re’ has already been posted on the blog, however this is yet to be posted.

That brings us to the today’s song which stood at 22 in the annual list of ‘Binaca Geetmala’ of that year in 1974.

The instrumental musical interludes played in between this song will remind listeners the other song composed by Laxmikant-Pyarelal – ‘shaadi banaane ko Keshto chalaa’ from ‘Chaacha Bhatija -1977’

Let us now enjoy this wonderful song (may be forgotten now) and celebrate ‘Janmashtami’ reminding ourselves of the many aspects of Lord Krishna …

[Editor’s note-Lyrics of this song was sent by Prakashchandra as well long long ago]


Song-Shor mach gaya shor (Badlaa)(1974) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics(Provided by Prakashchandra)

Ho ek do teen chaar
Raju dada ke chele hoshiyaar
Ho ek do teen chaar
Raju dada ke chele hoshiyaar

Ho ek do teen chaar
Raju dada ke chele hoshiyaar

Shor mach gayaa shor
Dekho aayaa maakhanchor
Ho ho hoye
Shor mach gayaa shor
Dekho aayaa maakhanchor

Gokul ki galiyon ki oar
Chalaa niklaa maakhanchor
Nand kishore
Shor mach gayaa shor
Dekho aayaa maakhanchor

Ho ho hoye
Shor mach gayaa shor
Dekho aayaa maakhanchor

Dekhi jo gwaalon ki tolee
Tolee
Koi gujariyaa boli
Boli
Hey Dekhi jo gwaalon ki tolee
Koi gujariyaa boli
Kiski baaraat hai ye
Kiski hai doli
Doli doli
Jamunaa ke tat ki oar
Chalaa niklaa
Ho chalaa
Ho chalaa
Ho chalaa
Chalaa
Chalaa
Chalaa
Chalaa
Niklaa maakhanchor
Nand kishore
Shor mach gayaa shor
Dekho
Ho dekho
Aayaa maakhanchor
Shor mach gayaa shor
Dekho aayaa maakhanchor

Gwaalan ke peechhe daude
Daude
Kankar se matki phhode
Phhode
Hey Gwaalan ke peechhe daude
Kankar se matki phhode
Maare yashoda maa
Chori na chhode
Chhode Na chhode
Teekhe nazar ki dor
Chalaa niklaa maakhanchor
Nand Kishore
Shor mach gayaa shor
Dekho

Ho Dekho
Ho Dekho Dekho Dekho
Oye
Aaya makhanchor
Bloor Bloor
Shor mach gayaa shor
Dekho aayaa maakhanchor

Ek ke upar ek
He
Dekh tamaashaa dekh
He
Ek ke upar ek
He
Dekh tamaashaa dekh
He
Are tod matki tod
Tod
Aur oonchaa aur
Aur
Aur
Ha ha ha ha

Ek do teen chaar
Raju badaa hoshiyaar
Ek do teen chaar
Raju badaa hoshiyaar
Hoshiyaar
Hoshiyaar
Gir naa jaanaa mere yaar
Hoshiyaar
Hoshiyaar

Khabardaar

Ek ke upar ek
He
Dekh tamaashaa dekh
He
Ek ke upar ek
He
Dekh tamaashaa dekh
He
Tod matki tod
Tod
Aur oonchaa aur
Aur
Aur
aur
aur
aur
Hurr Hurr Hurr
Aur Aur aur aur
Hurr Hurr Hurr
He

——————————————–
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
——————————————

हो एक दो तीन चार
राजू दादा के चेले होशियार
हो एक दो तीन चार
राजू दादा के चेले होशियार

हो एक दो तीन चार
राजू दादा के चेले होशियार

शोर मच गया शोर
देखो आया माखनचोर
हो हो होए
शोर मच गया शोर
देखो आया माखनचोर

गोकुल की गलियों की ओर
चला निकला माखनचोर
नन्द किशोर
शोर मच गया शोर
देखो आया माखनचोर

हो हो होए
शोर मच गया शोर
देखो आया माखनचोर

देखी जो ग्वालों की टोली
टोली
कोई गुजरिया बोली
बोली
हे ए देखी जो ग्वालों की टोली ई
कोई गुजरिया बोली ई
किसकी बारात है ये ए
किसकी है डोली
डोली
डोली

जमुना के तट की ओर
चला निकला
हो चला हो चला
हो चला
चला
चला
चला
चला
निकला माखनचोर
नन्द किशोर
शोर मच गया शोर
देखो ओ
आया माखनचोर
शोर मच गया शोर
देखो आया माखनचोर

ग्वालन के पीछे दौड़े
दौड़े
कंकर से मटकी फोड़े
फोड़े
हे ग्वालन के पीछे दौड़े ए
कंकर से मटकी फोड़े
मारे यशोदा माँ आ
चोरी न छोड़े
छोड़े न छोड़े
तीखे नज़र की डोर
चला निकला माखनचोर
नन्द किशोर
शोर मच गया शोर
देखो

हो देखो
हो देखो देखो देखो
ओये
आया माखनचोर
ब्रुर्र र र र अ
शोर मच गया शोर
देखो आया माखनचोर

एक के ऊपर एक
हे
देख तमाशा देख
हे
एक के ऊपर एक
हे
देख तमाशा देख
हे
अरे तोड़ मटकी तोड़
तोड़
और ऊँचा और
और
और
ओ हा हा हा हा

एक दो तीन चार
राजू बड़ा होशियार
एक दो तीन चार
राजू बड़ा होशियार
होशियार
होशियार
गिर ना जाना मेरे यार
होशियार
होशियार …
ख़बरदार !

एक के ऊपर एक
एक
देख तमाशा देख
देख
एक के ऊपर एक
एक
देख तमाशा देख
देख
तोड़ मटकी तोड़
तोड़
और ऊंचा और
और
और और और और
हुर्र हुर्र हुर्र हुर्र
हे ए


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3694 Post No. : 14610

“Preetam” (1971) was produced and directed by Bhappie Sonie. The movie had Shammi Kapoor, Vinod Khanna, Leena Chandavarkar, Helen, Raj Mehra, Tiwari, Anwar Hussain, Manmohan, Siddhu, Malika, Urmila Bhatt, Raj Kishore, Ravikant, Daya Devi, Shyam, Dhanraj, Robert Slater, Birbal, Naaz, Dhumal, Mehmood etc in it.

The movie had six songs in it. Four songs have been covered in the past.

Here is the fifth song from the movie. It is sung by Asha Bhonsle. The song is picturised as a cabarat dance song on Helen.Rajinder Krishan is the lyricist. Music is composed by Shankar Jaikishan. The lyrics for this song have been sent in by Prakash ji.


Song-Ham bhi shikaari tum bhi shikaari(Preetam)(1971) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan

Lyrics (Provided by Prakashchandra)

hum bhi shikaari
tum bhi shikaari
hum bhi shikaari
tum bhi shikaari
teer tumhaare
aanhken hamaari
aankhen hamaari
hum bhi shikaari
tum bhi shikaari
teer tumhaare
aanhken hamaari
aankhen hamaari
aa haa
aa aaa
aa haa

aaja aaja zara aaja dilwaale
meri aaankh ka nishana aazmaa le
ya tu karle shikar mujhe teer se
ya tu chot meri nazron ki khaa le
aaja aaja zara aaja dilwaale
meri aaankh ka nishaana aazmaa le
ya tu kar le shikaar mujhe teer se
ya tu chot meri nazron ki khaa le
hey
luabara kaalu
hum bhi shikari tum bhi shikari
hey
hum bhi shikari
hey tum bhi shikaari
teer tumhaari aanhken hamaari
aankhe hamaari
aa haa
aa aaa
aahaa

jo huzur ko garoor hai shikaar ka
to gumaan mujhe roop ke bahaar ka
zara haath se kamaan to uthhaayiye
main bhi hausla to dekhoon sarkaar ka
jo huzur ko garoor hai shikaar ka
to gumaan mujhe roop ki bahaar ka
zara haath se kamaan to uthhaayiye
mai bhi hausla to dekhoon sarkaar ka
hey
balaru bai sa
hum bhi shikaari
tum bhi shikari
hum bhi shikari
haa tum bhi shikari
teer tumhaare
aanhken hamaari
aankhen hamaari
aa haa
aa aa
aa haa

dil waalon ko jalaana mera kaam hai
achche achchon ko jhukaana mera kaam hai
kaho karna hai mujhse muqaabla
zara soch lo
jawaani mera naam hai
dil waalon ko jalaana mera kaam hai
achche achchon ko jhukaana mera kaam hai
kaho karna hai mujhse muqaabla
zara soch lo
jawaani mera naam hai
hey
juwaala
judeta
hum bhi shikaari
tum bhi shikari
he
hum bhi shikari
he tum bhi shikari
teer tumhaare
aanhken hamaari
aankhen hamaari
aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3691 Post No. : 14602

Today is the 10th occasion that we are celebrating the festival of Rakshabandhan on our blog. It is customary that on this day, we post a few songs from Hindi films celebrating this wonderful festival of the pious relation of brother and sister in our tradition.

This song is from an unfamiliar film from 1987. The film title is ‘Parakh’. The film is produced by DS Obhan for Nath Pictures, Bombay, and is directed by Vijay Kapoor. The list of star cast is fairly long – Vijayendra Ghatge, Sarika, Madan Puri, Gajanan Jagirdar, Simple Kapadia, Narendranath, Leela Mishra, Baby Pallavi, Urmila Bhatt, Jagdeep, Asit Sen, OP Bharti, Dhumal,  Ali Masood, Sunder, Shivraj, Padma Khanna (in special appearance), Laxmi Chhaya (in friendly appearance), Jayant Patel, Nikki, Gurchet Siddhu, Balbir, Monica, Makkhan Singh, Surekha, Zarine Khan, Vijay, Ramachandra, Yaseen, Gabu Agarwal, and Anand Joshi etc.

The songs of this film have been created by Ravindra Jain, who wrote the lyrics and also composed the music. This particular song is sung by Hemlata. The video of this film is available online, but it highly defective. The sound track is displaced, and does not match the visual that is seen. So we are presenting only the audio of this song.

Lyrics for this song have been sent by dear Prakashchandra ji. He as also added that this song is performed by Baby Pallavi on screen, while Sarika, Vijayendra Ghatge, Madan Puri, Shivraj, Asit Sen, Narendranath and Leela Misra are also in the frame.

Once again, greetings to all friends and readers for this celebration of Raakhi today.

 

Song – Kehte Hain Raakhi Ke Ye Dhaage  (Parakh) (1987) Singer – Hemlata, Lyrics – Ravindra Jain, MD – Ravindra Jain

Lyrics (Provided by Prakash Chandra)

saat samandar paar ho chaahe
behnaa se bhai
kitni hi door
chaahe baras bhar
bhoola rahe par
aaj ke din kare
yaad zaroor

kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahegaa yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

aaj ke din to bhaiyya ki
behna aarti utaare
mangal deep ki jyoti mein
chanda sa mukhda nihaare
le ke balaayein
de ke duaayein
karti hai shagun mitthai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

ik vat vriksh ki chhaaya mein
hum donon ka jeevan pala hai
kitni ghani us ki chhaaya hai
wo babul kitna bhala hai
mere bhaiyya
pragati mein teri
nit judey ank dahaai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

aaj main jo kuchh maangoon gi
bhaiyya tujhe dena padega
haath kisi albeli ka
ab haath mein lena padega
aayegi bhabhi
ghar mein bajega
baaja madhur badhaayee ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahega yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सात समंदर पार हो चाहे
बहना से भाई
कितनी ही दूर
चाहे बरस भर
भूला रहे पर
आज के दिन
करे याद ज़रूर

कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

आज के दिन तो भैया की
बहना आरती उतारे
मंगल दीप की ज्योति में
चंदा सा मुखड़ा निहारे
ले के बलाएँ
दे के दुआएं
करती है शगुन मिठाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

इक वट वृक्ष की छाया में
हम दोनों का जीवन पला है
कितनी घनी उसकी छाया है
वो बाबुल कितना भला है
मेरे भैया
प्रगति में तेरी
एनआईटी जुड़े अंक दहाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

आज मैं कुछ माँगूँगी
भैया तुझको देना पड़ेगा
हाथ किसी अलबेली का
अब हाथ में लेना पड़ेगा
आएगी भाभी
घर में बजेगा
बाजा मधुर बधाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3595 Post No. : 14351

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 9
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ख’ – खुश कर दिया तूने मेरे रामा

गीत गाता हूँ मैं ॰ ॰ ॰

Yes, surely the Almighty God sent you here amongst us, only for singing and to add to the music on this earth. And what a wonderful treasure you have bequeathed to the lesser mortals of this earth. We shall always be indebted for this tremendous legacy you gave us.

Continuing with Rafi Sb’s duet series after a gap of – goodness, seventy two days. Wow. Anyway, back again with another rollicking duet, this time accompanied by Lata Mangeshkar.

And rollicking is just the word. The setting is Punjabi, the performance is a Punjabi Bhangra dance, and the occasion – one of the most awaited and the most celebrated in Indian families – birth of a male child.

The film is ‘Jeet’ from 1972. The main performers in this group dance song are Randhir Kapoor and Babita. The film being released in 1972, would have been in the making in 1971, the year that this lead pair tied the knot and became a real life couple. Ah but that story for another occasion, another post. Today, we are moving ahead with the duet series of Rafi Sb, getting to the 10th episode in this series, which promises to be long – going thru the entire Devnagri alphabet.

The film is produced under the banner of Babu Movies Combine, and is directed by A Subbarao. Besides the lead pair mentioned above, the other players in the star cast include Rajendra Nath, Rupesh Kumar, Jatin, Nana Palsikar, Anwar Hussain, Jeevan, Sundar, Hari Shivdasani, Dada Mirasi, Keshav Rana, Master Shahid, Heena Kausar, Sanjana, Sulochana Latakar, Manorama, Dulari, and Baby Sudha etc.

The film has six songs, three of which are already showcased on our blog. Goodness, that was 2009, all three songs posted so far. After a gap of nine years, we once again get an opportunity to revisit this film – today’s being the fourth song posted. All songs are written by Anand Bakshi. Music direction is by the duo of Laxmikant Pyaarelal.

On screen, we see a homely set of a village lane with houses lined up close to each other. Randhir and Babita are leading the bhangra dance event, with Sunder also part of the male dance group. In between, we see Dulari holding a baby (well, not looking too much new born, but oh well 🙂 ). There is another lady sitting next to her. I am guessing that she is Sanjana. I request other more knowledgeable readers and friends to please confirm or correct this guess. As per Prakash ji, the other lady is Heena Kausar. Plus, one of the dancers accompanying Babita is Sheela Ramchandran.

The event and the celebration is about the new born child, but quite apparently, the lead pair is spending more lines trying to woo each other and play the romantic love birds. Well in fact, it is just the mukhda lines that talk about the child birth celebrations. The entire verse set for both antaraas is just the romancing between the hero and the heroine. Quite a ‘filmi’ thing, right?

Enjoy this lively bhangra dance song; and I hope to speed up things on this series, let us see. 😉

Video (Partial)

Audio (Full)

Song – Khush Kar Diya Tu Ne Mere Rama (Jeet) (1971) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics (Provided by Prakashchandra)
[Based on Audio version]

khush kar diya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

oo oo oo
main is paar
te us paar
tu piyaa. . .
main is paar
te us paar
tu piyaa. . .
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
tere  mere beech mein
lambi lambi galiyaan te
uchchi uchchi jag ki deewarein
o kaise beeten
o kaise beeten
judaai diaan shaamaan
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

oo oo oo oo
jindri na rol
aaja kol soniye. . .
jindri na rol
aaja kol moniye. . .
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
darr mat baandh ke sehra
main bana doonga
tujhko main munde di maami
mach gaya
mach gaya pind wich hangaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

haaye. . .
ye dil ye jaan
do jahaan
maang le. . .
ye dil ye jaan
do jahaan
maang le. . .
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
taange mein bitha ke
boley sair kara doon
main hoon muflis taange waala
tera reshmi
tera reshmi kurta pajama
ke munde da tu mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुश कर दिया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

ओ ओ ओ
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
तेरे मेरे बीच में
लंबी लंबी गलियाँ ते
उच्ची उच्ची जग की दीवारें
ओ कैसे बीतें
ओ कैसे बीतें
जुदाई दियाँ शामाँ
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

ओ ओ ओ ओ
जींदड़ी ना रोल
आजा कोल सोनिए॰ ॰ ॰
जींदड़ी ना रोल
आजा कोल मोनिए॰ ॰ ॰
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
डर मत बांध के सेहरा
मैं बना दूँगा
तुझको मैं मुंडे दी मामी
मच गया
मच गया पिंड विच हंगामा
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

हाय॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
टाँगे में बैठा के
बोले सैर करा दूँ
मैं हूँ मुफलिस टाँगे वाला
तेरा रेशमी
तेरा रेशमी कुर्ता पाजामा
के मुंडे दा तू मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 200th writeup of Raja in the blog.

Blog Day : 3569 Post No. : 14303

It’s been exactly five weeks since my last post here – but somehow it feels much longer. I’m reminded of that famous dialogue from Aandhi (1975) – “waise to ammavas pandrah din ki hoti hai, lekin is baar bahut lambi thi.” 🙂 These five weeks felt like five months.

One possible reason for this is that this happens to be my 200th post on this blog. So I’ve been on 199 for 5 weeks. Even Mudassar Nazar would be proud of my achievement. 🙂 Since this is IPL season, it’s also safe to say that franchisees wouldn’t exactly be falling over each other, outbidding each other to try to buy me at an IPL auction. 🙂

Not that I haven’t been nudged or reminded about this.

When I sent in my previous post, Atul told me it was my 199th and nudged me to get the 200th soon.

Peevisie’s Mom called me a while ago and reminded me of this.

One of Atul’s recent posts also nudged me (hint, hint!) to run that quick single.

And our Atulite whatsapp group also decided that it was high time.

And so I too decided today – yes, it is high time. This is unacceptable, even by Mudassar standards.

So here is the post – with due apology to everyone for this 5-week delay. And thanks to all who nudged me along the way. I needed it.

Actually, I had planned this 200th much earlier. Since I usually pick anniversaries for my posts, my first idea was Farooque Sheikh’s anniversary. That didn’t happen. Then, I’d planned for Jeetendra’s birthday. On both occasions I’d finalized the song – but, for a variety of reasons that I will not get into right now, I never got around to writing the post. No excuses though – if Atul can write up and post songs every single day, I just cannot have an excuse for taking five weeks for one post. 🙂

I see that these songs aren’t posted yet, so I can still write them up – no need for a specific occasion. In fact, the Jeetu song would be quite suitable for this post too – but I’m going with this particular one because it happens to have Moushumi Chatterjee in it too – and it is Moushumi’s birthday today. The Jeetu song can wait.

The song I’ve picked for today is an iconic song for a particular occasion – the baaraat in a wedding.

When I was very young, the song “meri pyari beheniya banegi dulhaniya” became very popular. Thanks to my name, I used to be constantly teased “bhaiya raja bajaayega baaja”.

This was in addition to another “baaraat” song for which I used to be teased – the famous “raja ki aayegi baaraat” from Aah (1953).

These were both regulars at any baaraat.

And then there was “ghodi pe hoke savaar”, today’s song.

It also became a very popular song for baaraat occasions – especially if the bridegroom was on a horse. The words suit the occasion perfectly, so it was only natural this song would play on the occasion.

“Ghodi pe hoke savaar” was not only popular then – I suspect, it’s still popular. Which is why I was very surprised to discover that it had not yet been posted on this blog. I know Atul has a category along the lines of “how come this song is not yet posted yet”. This song is the mother of all songs in that category, considering it’s almost ten years for this blog now. 🙂

In fact, this film “Ghulam Begum Baadshah” (1973) has not made an entry yet on the blog. So this is a debut for this film here. There’s a 1956 film by the same name which has songs here but, for this film, this is the first.

For me, another category that this song slips into – but is not a recognized category here – is “this song is in THIS film?”.

I’d heard this song umpteen times in my life – but never really got to know the name of the film it was from.

And then, a few years ago, I saw a film “Ghulam Begum Baadshah” (1973) prompted to me on youtube. It piqued my interest – I’d never heard of this film before, it was a 1970s film, it had Moushumi in it (I quite like Moushumi) – so I decided to give it a go.

When the prelude to the song started, I thought it sounded very familiar. And then when the song started, I was totally in this “ye gaana IS film ka hai?” mode. It was a very pleasant surprise.

It wasn’t the only one.

I remember that even the film turned out to be a pleasant surprise. Ok, I had zero expectations from it (that’s usually how I avoid disappointment :-)), but even so, it held my interest to the very end.

I remember there were scenes of patriarchy that annoyed me but what I liked most about the film was Moushumi and her role. From what I remember of her role, it had a lot of spunk.

As we know, in many movies, especially in earlier eras, the women are shown as weaker than the men. They need to be protected, they are subservient, they often don’t even have a mind of their own. They’re subdued, they’re shy. They’re not often shown as smart, thinking women.

In this film, from what I remember of it (I don’t remember the details well), Moushumi is shown as anything but weak. She gives as good as she gets, refusing to cower down to bullying. And when she is in a difficult situation, she finds her own way to get out of it, instead of depending on the male characters to solve her problems for her.

This is what I liked most about the film. And there’s a nice twist at the end too.

The film has Kumud Chugani too – always nice to see her in a film as well.

So if you haven’t watched this film – and want to watch a 1970s film – you could give it a shot. But don’t shoot me if you don’t like it – apni apni pasand. And I don’t claim to have high standards. 🙂

The song itself is by Rafisaab – and considering it’s an early 70s song, it was during his “lean” period. But even during this period, he had popular songs like this one – and “teri galiyon mein na rakhenge kadam” and “aaj mausam bada be-imaan hai”.

I think he does full justice to the song – singing it with gusto, as you’d expect on the occasion of a baaraat. The way midway in the song he pronounces “ghodi” is deliberately upbeat.

The lyrics are by Rajinder Krishan, music by Kalyanji-Anandji.

I hope you enjoy listening to this song as much as I do.

Once again, a very happy birthday to Moushumi Chatterjee. I think I’ve written a full post on her earlier – she was one of my favourite heroines in the 70s.

Whew! Got that 200th out of the way. Relief! 🙂 And thanks for tolerating me for these 200 posts.


Song-Ghodi pe hoke sawaar (Ghulaam Begam Baadshah)(1973) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Chorus

Lyrics (Provided by Prakashchandra)

ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa

kal tak bechaara humsaa kunwaara
phirta thha gali gali maara maara
kal tak bechaara humsaa kunwaara
phirta thha gali gali maara maara
dekhi ik chhokri
phoolon ki tokri
bolaa dil thhaam ke main haara haara
bolaa dil thaam ke main haara haara
yaar ko mubaarak ho
mohabbat ki baazi
o yaar ko mubaarak ho
mohabbat ki baazi
miya biwi raazi
to kya karegaa kaazi
sadaa phoole phale donon ka pyaar
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa

dulhan ki dhun hai
kaisa magan hai
hoga milan dekho abhi abhi
haan
dulhan ki dhun hai
kaisa magan hai
hoga milan dekho abhi abhi
shaadi ki masti
lagti hai sasti
padti hai mehengi bhi kabhi kabhi
haan haan padti hai mehengi bhi kabhi kabhi
ye baat mat bhoolna pyaar ki bahaarein
ye baat mat bhoolna pyaar ki bahaarein
nanhe munne bachchon ki lagaa dengi kataarein
tab utarega jaake khumaar
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3548 Post No. : 14238

“Dillagi”(1978) was Produced by Kanwar Ajit Singh andBikram Singh Dehal and directed by Basu Chatterjee for BikramJeet Films International, Bombay. This movie had Dharmendra, Hema Malini, Mithu Mukherjee, Devan Verma, Asrani, Urmeela Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali Paigankar, Manjita,Poornima Jairam, Dulari, Lalita Kumari, Rajan Kapoor,Shobhana Shah,Geetanjali,Manik Chowdhury,Guffi Paintal, Qamar Khan, Bina Bawa etc in it with Friendly appearance by Keshto Mukherjee and Brahmachari and unfriendly Special appearance by Shatrughan Sinha. 🙂

It was described as a “social” movie but it was a romantic comedy bordering on soft erotica. That is what I felt about this movie when I watched it in 1978 (duly bunking my college 🙂 ).

I was perhaps a bit too young and immature for a movie with this story line at that time. With the benefit of hindsight, now I feel that it is a nice movie to be watched with one’s lover/ spouse, rather than a movie to be watched with one’s siblings/ parents etc.

The movie had four songs in it. Three of these songs have been covered in the past. Here are the details of these songs :-

Song Title

Post No.

Post Date

Main kaun sa geet sunaaun 8137 27-may-13
Kar gayee mast mujhe phaagun ki hawaa 9584 17-Mar-14
Baadal to aaye lahra ke chhaaye 14234 4-Apr-18

With time, the movie, and moreso its songs have ended up becoming obscure.

The fourth and final song, the song under discussion is perhaps the most obscure out of the four songs of the movie. This song is sung by Lata and Nitin Mukesh. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a romantic stage performance song on Hema Malini and Dharmendra dressed like Shakuntala and Dushyanta, immortalised by Kalidas in his Sanskrit epic “Abhigyan Shakuntala”. Lyrics by Yogesh are in pure Sanskritised Hindi, as befitting the genre, and they sound quite appropriate for the picturisation.

Mithu Mukherjee, Preeti Ganguly, Poornima Jairam etc are also visible in the picturisation as backstage support persons. 🙂

Lyrics of this song as well as other details were provided by Prakashchandra, who informed me that the audio version of the song is longer than the video version.

With this song, “Dillagi”(1978) joins the list of movies that have all their songs covered in the blog.

Video

Audio (Longer)

Song-Prem hai prem hai (Dillagi)(1978) Singer-Lata, Nitin Mukesh, Lyrics-Yogesh, MD-Rajesh Roshan
Both

Lyrics (of audio link)(Provided by Prakashchandra)

prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piya mann ki madhur ik bhaawnaa
anbujhi pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
be-sudh apni
inn saanson mein
ghul jaaye
jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi ee
aisey hi
har ghadi ee
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa

aaj pranay ki
is belaa mein
mera har adhikaar mujhe do
main naa bhooloon
tum na bhoolo
aisa kuchch uphaar mujhe do
tum yeh angoothhi meri sajni
lo sweekaar karo o o

kam kabhi ee
ho nahin
kam kabhi ee
ho o nahin
preet ki apni aaraadhnaa

piyaa mann ki madhur ik bhaawna
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi
pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
besudh apni inn saanson mein
ghul jaaye jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi
aisey hi
har ghadi
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa

prem hai ae ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3547 Post No. : 14234

“Dillagi” (1978) was directed by Basu Chatterji for Vikramjeet Films, Bombay. It was a romantic comedy which had Dharmendra, Hema Malini, Mithu Mukherji, Deven Verma, Asrani, Urmila Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali, Manjeeta, Poornima Jairam, Dulaari, Lalita Kumari, Rajan Kapoor, Shobhana Shah, Geetanjali, Manik Chaudhary, Goofy Patel, Qamar Khan, Bina Bawa etc, with special appearnce by Shatrughan Sinha and friendly appearances by Keshto Mukherji and Brahmchaari in it.

The movie had four songs in it. Two songs have been covered in the past.

Here is the third song from “Dillagi” (1978) to appear in the blog. The song is sung by Lata. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised on Hema Malini as a “missing the beloved” genre of song that plays in the background.

Lyrics of this song were sent to me by Prakashchandra.


Song-Baadal to aaye lahra ke chhaaye (Dillagi)(1978) Singer-Lata, Lyrics-Yogesh, MD-Rajesh Roshan

Lyrics(Provided by Prakashchandra)

baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye

tum zindagi mein kyun meri aakar
gum ho gaye ho aise mujh ko bhulaa kar
main pyaar tera dil mein sajaa kar
baithhi hoon kab se aas laga kar
dukh mere dil se honthon pe aaye
o aane waale par tum to na aaye

aawaaz meri aa jaao sun ke
todo na sapne haaye mere nayan ke
is baar tumse kisi bhi jatan se
main raaz apne saare kah doongi man ke

khaamosh rah ke ye dard paaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
tum to na aaye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3545 Post No. : 14229

“Ten O’clock” (1958) was a Niagara Pictures production movie. It was directed by Jugal Kishore. The movie had Suresh, Geeta Bali, Sheikh Mukhtaar, Yakoob, Mirza Musharraf, Maruti, Daisy Irani etc in it.

Seven songs from this movie have been discussed in the past. Here are the details of these seven songs:-

Song Title

Post No.

Post Date

Sambhal sambhal ke chalna 6272 20-Jul-12
Honthhon pe laali hai 7048 23-Nov-12
Aaghaaz e muhabbat dekha hai 7912 16-Apr-13
Chaand nikla sitaare dheeme pade 7918 17-Apr-13
O soniye o soniye jab jeet huyee hai hamaari 9328 21-Jan-14
Dheere dheere dil mein samaa ke dekh 10534 23-Nov-14
Ham dil ki tasalli ka saamaan luta baithhe 14226 1-Apr-18

HFGK mentions nine songs in the blog for the movie. But on listening to the two balance songs, they turn out to be one and the same. So in effect, “Ten O’clock” (1958) had eight songs in it.

Here is the eighth and final song from “Ten O’clock” (1958) to appear in the blog. This song is sung by Geeta Dutt and chorus. Khawar Zamaan is the lyricist. Music is composed by Ram Ganguly.

The song is picturised as a dance song on an undentified lady and others. I request our knowledgeable readers to help identify the dancer. Yakoob is also visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Ten O’clock” (1958) joins the list of movies that have all their songs covered in the blog.

Audio

Video

Song-Meri ankhiyon ke dore gulaabi (Ten O Clock)(1958) Singer-Geeta Dutt, Lyrics-Khawar Zamaan, MD-Ram Ganguly
Male chorus
Female chorus

Lyrics(Provided by Prakashchandra)

chiki chiki
chiki chiki
chiki chiki
chiki chiki

meri ankhiyon ke dore gulaabi…
jise chaahoon banaaoon sharaabi
aa kar le mujhse pyaar re
aa kar le mujhse pyaar
aa kar le humse pyaar re
aa kar le humse pyaar

dhum chikkki ki chikki
dhum chikkki ki chikki
dhum chikkki ki chikki
dhum chikkki ki chikki
sab chikki sab chikki
sab chikki

heeeeeeee
laaa lalla…aaa
lalalalaaaaa
laaallaallaaa…
lalalalaaaaa
laaalllaaaaaaa

hheeeeeeee

hhheeeeeeee

mere nainaa hai matwaare ae
mere nainaa hai matwaare
mat yoon hi samay ganwaare
ooorrrdeeheeheeeee
ooorrrdeeheeheeeee
ooorrrdeeheeheeeee…eeeeeee…eeee

mere nainaa hai matwaare……..
mat yun hi samay ganwaare
pyaar leke dil mein
main aayee hoon mastaane
aa karle mujhse pyaar re
aa karle mujhse pyaar
aa kar le humse pyaar re
aa kar le humse pyaar

dhum chikkki ki chikki
dhum chikkki ki chikki
dhum chikkki ki chikki
dhum chikkki ki chikki
sab chikki sab chikki
sab chikki

heeeeeeee
laaa lalla…aaa
lalalalaaaaa
laaallaallaaa…
lalalalaaaaa
laaalllaaaaaaa

hheeeeeeee

hhheeeeeeee

ye din hain naye navele ae
ye din hain naye navele…
aa dekh pyaar ke mele
o ooo rdeeheeehheeee
oooorrdeeheeeheeee..eeee
oooorrdeeheeeheeee..eeee…eeeeeeeee…eeee

ye din hain naye navele…
aa dekh pyaar ke mele
tere liye laayee hoon
do aankhon ke paimaane
aa kar le mujhse pyaar re
aa kar le mujhse pyaar
aa kar le humse pyaar re
aa kar le humse pyaar

meri ankhiyon ke dore gulaabi
jise chaahoon banaaoon sharaabi
aa kar le mujhse pyaar re
aa kar le mujhse pyaar
aa kar le humse pyaar re
aa kar le humse pyaar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3544 Post No. : 14226

“Ten O’clock” (1958) was a Niagara Pictures production movie. It was directed by Jugal Kishore. The movie had Suresh, Geeta Bali, Sheikh Mukhtaar, Yakoob, Mirza Musharraf, Maruti, Daisy Irani etc in it.

The movie had eight songs in it. Six songs from this movie have been discussed in the past.

Here is the seventh song from “Ten O’clock” (1958) to appear in the blog. This song is sung by Asha Bhonsle. Shyam Hindi is the lyricist. Music is composed by Ram Ganguly.

The song is picturised as a mujra dance song on an undentified lady, with some katthak bol by an unidenfied male voice.. I request our knowledgeable readers to help identify the dancer as well as the male voice. Thought the dancer is unidentified as yet, two of her clients visible in the picturisation are easily identifiable as Yakoob and Sheikh Mukhtaar.

Lyrics of this song were sent to me by Prakashchandra.


Song-Ham dil ki tasalli ka saamaan luta baithhe (Ten O Clock)(1958) Singer-Asha Bhonsle, Lyrics-Shyam Hindi, MD-Ram Ganguly
Unidentified Male voice

Lyrics(Provided by Prakashchandra)

ye kis andaaz se ae ae ae ae
aayaa hai koi
meri mehfil mein
aa aa aa aa
hazaaron khwaahishein
angadaayiyaan
lene lagin dil mein
aa aa aa aa aa
hum dil ki tasalli ka
saamaan lutaa baithhe
hum dil ki tasalli ka
samaan lutaa baithhe
zaalim teri soorat par
zaalim teri soorat par
imaan lutaa baithhe
hum dil ki tasalli ka
saamaan lutaa baithhe
hum dil ki tasalli ka

nazar milaao to
dil ko qaraar aa jaaye ae
nazar milaao to
dil ko qaraar aa jaaye
kissi ke ujde chaman mein
bahaar aa jaaye ae
kissi ke ujade chaman mein
bahaar aa jaaye
bahaar aa jaaye
hum dil ki tasalli ka
saamaan lutaa baithhe
hum dil ki tasalli kaaa
zaalim teri soorat par
zaalim teri soorat par
imaan lutaa baithhe
hum dil ki tasalli ka

meri nigaahon ne
choomaa teri nigaahon ko
meri nigaahon ne
choomaa teri nigaahon ko
koi na dekh sakaa
inn haseen adaaon ko o
koi na dekh sakaa
inn haseen adaaon ko
haseen adaaoon ko
hum dil ki tasalli ka
saamaan lutaa baithhe
hum dil ki tasalli ka
zaalim teri soorat par
zaalim teri soorat par
imaan lutaa baithhe
hum dil ki tasalli ka

???
taa thaiyya thaiyya
thaku dhinaanan dhinaanan
thirak thirak
aur dhinak dhinak
naa dhid dhid thom dhid dhid
thaiyya thaiyya
ta ta thai
thaiyya thaiyya
ta ta thai
thaiyya thaiyya
ta ta thai


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14752

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4034

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