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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Prakashchandra’ Category


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Blog Day :

4132 Post No. : 15291 Movie Count :

4211

“Insaaf”(1987) was produced by Nitin Manmohan and directed by Mukul S Anand for Aaditya Productions, Bombay. The movie had Vinod Khanna, Dimple Kapadia, Shammi, Suresh Oberoi, Shakti Kapoor, Krutthika Desai, Leena Das, Dalip Tahil, Madan Joshi, Vikram Gokhale, Gullu Balwinder,
Gandhi, Amar Harish, Ghanshyam Rohera, Mahesh Raj, Mahesh Anand, Pradeep Singh Rawat, Manik Irani, Dinesh Hingoo etc in it.

Today (10 november 2019) is the death anniversary of Farooque Kaiser. On this occasion here is a song from “Insaaf”(1987). This song is sung by Alisha Chinoi. Farooque Kaiser is the lyricist. Music is composed by Laxmikant Pyarelal.

The song was lip synced by Leena Das on screen. Vinod Khanna and Suresh Oberoi are also seen in the piurisation.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Insaaf”(1987) makes its debut in the blog.

Video (shorter)

audio(full song)

Song-Main hoon tu hai aur raat hai (Insaaf)(1987) Singer-Alisha Chinoi, Lyrics-Farooque Kaiser, MD-Laxmikant Pyarelal

Lyrics(Based on audio version)(Provided by Prakashchandra)

main hoon oon
tu hai aur raat hai
hh
main hoon ..oon
tu hai aur raat hai
kyaa baat hai
betaabiyaan
bechainiyaan
har baat hai ae
meri jaan
aaj toh
husn bhi ishq ke saath hai ae ae
hmm…hmm
hhhh
main hoon
tu hai aur raat hai
kyaa baat hai
betaabiyaan
bechainiyaan
har baat hai ae
meri jaan
aaj toh
husn bhi ishq ke saath hai ae
hmm…hmm
hhhh
main hoon
tu hai aur raat hai

iss taraf aankhein hain meri
uss taraf woh jaam hai
iss taraf aankhein hain meri
uss taraf woh jaam hai
pyaas logon ki bujhaanaa
phir bhi meraa kaam hai
aankhon kaa nashaa
kehtaa hai sadaa
pyaalon ka nashaa
hotaa hai buraa

maikashon
ab nazar
se piyo
meri saugaat hai
mmm…mmm
hhhhh
main hoon
tu hai aur raat hai
kyaa baat hai
hhhh
betaabiyaan
bechainiyaan
har baat hai ae
meri jaan
aaj toh
husn bhi ishq ke saath hai ae
ho
haa…..o
hhhh
main hoon tu hai aur raat hai

iss taraf aawaaz meri
uss taraf woh saaz hai
iss taraf aawaaz meri
uss taraf woh saaz hai
kaanon se dil mein utarnaa
yeh bhi ek andaaz hai
donon ki adaa
judaa hai judaa
donon ki sadaa
judaa hai judaa
main hoon rimjhim tarang
pyaar ki woh toh barsaat hai ae
o o o
mm..mmm
hhhhh
main hoon tu hai aur raat hai
kyaa baat hai
hhh
betaabiyaan
bechainiyaan
har baat hai ae
o meri jaan
aaj toh
husn bhi ishq ke saath hai ae
ho o o
hmmmhmm
hhhh
main hoon tu hai aur raat hai

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Blog Day :

4129 Post No. : 15288 Movie Count :

4209

“Waardaat”(1981) was produced and directed by Ravikant Nagaich for Gopi Enterprises, Bombay. This movie had Mithun Chakraborty, Kajal Kiran, Shakti Kapoor, Kalpana Iyer, Iftekhar,Birbal, Kesto Mukherjee, Jagdeep, Prem Bedi, Manorama, Praveen Paul, Thyagraj, Randhir, Dinesh Hingoo, Prem Kumar, Sharat etc in it.

The movie had six songs in it. They were sung by five singers.

Today (7 november 2019) is the 71st birthday of Usha Uthup. On this occasion, here is a song from “Waardaat”(1981). This song is sung by Usha Uthup and Bappi Lahiri. Ramesh Pant is the lyricist. Music is composed by Bappi Lahiri.

The song is picturised on Kalypana Iyer and Mithun Chakraborty.

Mithun Chakrborty enjoyed vast popularity among the chawanni chhaap movie goers of those days :). Such audiences were to be found all over India, and more so in eastern part of the country. Front stall movieoers of Bihar (including present day Jharkhand) “ditched” their own Shatrughan Sinha and became fans of Mithun Chakraborty. 🙂

I was among the small minority who did not like Mithun Chakraborty movies. 🙂

If teenagers of Maharashtra celebrated Ganpati festival, then teenagers in Eastern parts celebrated Saraswati Puja in a similarly grand way. Playing hindi movie music in these Saraswati Puja pandals used to be a major activity of these saraswati Puja festivities. Operating the record player and thus deciding which songs to play used to be a much sought after task. I had the proud privilege of being the record player operator in early 1980s at Ranchi. 🙂 I recall playing “disco” songs of those days, including the song under discussion. 🙂

Most Saraswati Puja organisers used to be academically challenged. They would bring their (largely untouched) textbooks in the pandal to be kept at the feet of goddess Saraswati, hoping that pooja thus performed would magically transfer the contents of those text books into their brains. 🙂

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Waardaat”(1981) makes its debut in the blog.

Audio link(longer)

Video link(shorter)

Song-Tu mujhe jaan se bhi pyaara hai (Waardaat)(1981) Singers-Usha Uthup, Bappi Lahiri, Lyrics-Ramesh Pant, MD-Bappi Lahiri

Lyrics(audio version)(Provided by Prakashchandra)

Hu..oo …oooo..ooo
u u u

haa raa raa ree..eee
taa raaa..aaa…aa
shibaa sundar turoo

tu mujhe jaan se bhi pyaaraa hai
tere bina soona jag saaraa hai
dil se dil
mil gaya aaa aaa
main teri ho gayee
tu mera ho jaa aa aaa
main teri ho gayee ee

pyaar karna to zaroori hai
zindagi varnaa adhoori hai
ab meraa aa aaa
kya rahaa aaa
dil bhi hai teraa
jaan bhi teri ee ee
dil bhi hai teraa

tujhe hai kasam
chaahey jo bhi ho
dil mera todega nahin
bhooley se kabhi
ek pal bhi
saath mera chhodega nahin
tujhe hai kasam
chaahey jo bhi ho
dil mera todega nahin
bhooley se kabhi
ek pal bhi
saath mera chhodega nahin
main to hameshaa
teri rahoongi ee
main to hamesha teri rahoongi
pyaar karna to zaroori hai
zindagi varnaa adhoori hai
ab meraa aa
kya rahaa aa aa
dil bhi hai teraa
jaan bhi teri ee ee
dil bhi hai teraa

tu roo roo roo dee reera ree daa
taa raa rooo dee roo raaa dee reee raaa
raa raa roo roo raa roo doo dee daa
laa laaa laaaa laaaa

jeevan ka har ek pal
tujh pe nisaar karoongaa
jitna koyee kar na sakey
itna main pyaar karoongaa aa aa
jeevan ka har ek pal
tujh pe nisaar karoongaa
jitna koyee kar na sakey
itna main pyar karoongaa
phir tu kahegi
ab chhodo bhi
phir tu kahegi ab chhodo bhi

tu mujhe jaan se bhi pyaraa hai
tere bina soona jag saaraa hai
dil se dil
mil gaya aa aa
main teri ho gayee
tu mera ho jaa aa aa
main teri ho gayee
pyaar karna to zaroori hai
zindagi varnaa adhoori hai
ab mera aa aa
kya rahaa aa aa
dil bhi hai teraa
jaan bhi teri ee ee
dil bhi hai teraa aa


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Blog Day : 4125 Post No. : 15281

“Phool Khile Hain Gulshan Gulshan”(1978) was produced by Surinder Kapoor and directed by Sikandar Khanna for Amar Chhaaya, Bombay. The movie had Rishi Kapoor, Moushumi Chatterjee, Mithun Chakraborthy, Amjad Khan, Mala Jaggi, Ashok Kumar, Asrani, Paintal, Ranjeet, Birbal, Chandrashekhar, Dulari, Leela Mishra, Asit Sen, Shivraj, Mukri, Helen, Shree Ram Lagoo, Shobhini Singh etc in it.

The movie had six songs. One song has been covered in the past.

Today (3 November 2019) november 2019) is the 82nd birth nniversary of Laxmikant Kudalkar (3 november 1937- 25 may 1998), one half of Laxmikant Pyarelal duo.

On this occasion, here is a song from “Phool Khile Hain Gulshan Gulshan”(1978). This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is lip synced by Mausami Chatterji on screen.

Lyrics of this song were sent to me by Prakashchandra.

Audio

Video

Song-Sab khil gaye gaalon pe mere (Phool Khile Hain Gulshan Gulshan)(1978) Singer-Lata, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

ho ho
ho ho ho
oho oho ho o
o o o
o o o
o o o

main toh bagiyaa beech khadi thhi
kuchch jaagi kuchch soyee
udte udte keh gayaa mujhse
baat ye panchchi koyee
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaan kahaan aan
sab khil gaye
gaalon pe mere ae ae
ho main naa jaanoon
ye toh duniya kahey
ke teraa jawaab kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaana aan

koyee kahey main titli hoon
koyee kahey main bijlee hoon
koyee kahey main titli hoon
koyee kahey main bijlee hoon
na main titli na main bijlee
main gaaon ki chhoree
haayye rey meri
dushman bann gayee
soorat goree goree
kis kis ki hai buree nazar
main jaanoo ye hisaab
kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaan aan
ho main naa jaanoon
ye toh duniyaa kahey
ke teraa jawaab kahaan aan

log kahein meri
aankhein jaadoo
khushboo meraa badan
ho o o
log kahein meri
aankhein jaadoo
khushboo meraa badan
mujhko pataa kyaa
roop hai meraa
dekhaa kabhi na darpan
main jaanoon yaa meri jawaani
kyon koyee poochhein meri kahaani
ho kuchch jhoothh toh kahaa nahin maine ae
ho kuchch jhoothh toh kahaa nahin maine
ye baat hai kharaab kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaan aan
sab khil gaye gaalon pe mere ae ae
ho main naa jaanoon
ye toh duniyaa kahey ae
ke teraa jawaab kahaan aan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4123 Post No. : 15276

“Tyaag”(1976) was Produced by N S Kabir and directed by Deendayaal Sharma for Films and Films Interbnational Production, Bombay. The movie had Sharmila Tagore,Rajesh Khanna,Bindu,Dheeraj Kumar, Master Tito, Sulochana Latkar, Prem Chopra, Mukri, Asit Sen,Murad,Amrit Patel, Tuntun, Kamal Kapoor, Chandrima Bhaduri, Mohan Jerry ,Mahendra Zaveri,Om prakash, Nayim, Billimoria, Anand, Lalita Kumari etc with uest appearances by Bindu, Master Satyajit, Dheeraj, Gurnam Singh, Sona, Raza Murad in it.

This movie was apparently produced by Sharmila Tagore seeing that the producer was her secretary. The movie had the same lead pair as that of the blockbuster “Aradhana”(1969).

“Tyaag”(1976) had five songs in it. One song has been covered in the blog. This movie was one of the last movies with music by S D Burman.

Today (31 october 2019) is the 44th remembrance day of S D Burman (1 October 1906 – 31 October 1975). On this occasion, here is a song from “Tyaag”(1976). This song is sung by Kishore Kumar and Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by S D Burman.

This song, containing the phrase “Kora kaaghaz”, which was there in a song of “Aradhana”(1969) as well, is picturised on Rajesh Khanna and Sharmila Tagore.

Lyrics of this song were sent to me by Prakashchandra.

Audio (Full)

Video (Partial)

Song-Kore kaaghaz pe likhwaa le (Tyaag)(1976) Singers-Kishore Kumar, Asha Bhosle, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics (Audio link)(Provided by Prakashchandra)

hmmm hmm hmm
hmm hmm
hmm hmmm
aaahaa haaa haaa
aa haa
aaa haaa

ohho ho o
hhaa haaa haa
ae hey hey ae ae he ae ae

kore kaaghaz pe likhwa le
kore kaaghaz pe likhwa le
jiya kiya tere hawaaley
ho ho o o
kore kaaghaz pe likhwa le ae ae
jiya kiyaa tere hawaaley

ho ho o o
kore kaaghaz pe likhwa le

kabhi sochta hoon mere sapnon ki raadhaa
kabhi sochta hoon mere sapnon ki raadhaa
kaanha se nain churaa ke
bhulaa de na waadaa
o Radhaa aa aa
bhula de na waadaa
bade be-imaan hain
bade be-imaan hain tere
naina matwaale
kore kaaghaz pe likhwa le
haan aaan jiya kiyaa tere hawaale
ho ho o
kore kagaz pe likhwa le

aa aa aa aa
aa aa aa aa
tera naam mera jeevan
teri preet pooja
tera naam mera jeevan
teri preet pooja
teri yaad bin iss mann mein
nahin koi doojaa rey mitwaa aaa
nahin koi dooja
mujhe bhool jaaye ae
mujhe bhool jaaye ab
ye duniya waale ae
kore kaaghaz pe likhwa le ae ae

jiya kiyaa tere hawaale
ho o o
kore kaaghaz pe

likhwa le
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
(hho ho oo o o o o ae hey hey ae )

badi hi niraali
dil ne likhi ye kahaani
ho o o badi hi niraali
dil ne likhi ye kahaani
galiyon ka raaja
main tu
mehlon ki raani deewaani
mehlon ki raani
ho o o
tere aagey mehlon waaley
tere aagey mehlon waaley
kyaa hain dilwaaley ae

kore kaaghaz pe likhwaa le
jiya kiya tere hawaale
ho o o
kore kaaghaz pe
likhwaa le


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4101 Post No. : 15248

“Kabeela”(1976) was produced and directed by Bholu Khosla for Khosla Enterprises, Bombay. The movie had Feroz Khan,Rekha,Bindu(special appearance),Kamini Kaushal, Imtiaz, Premnath, V.Gopal, Sudhir, Shyamkumar, Manju Bansal, Trilok Kapoor(special appearance), Dhumal, Surendranath, Hiralal, Habib, Dumasia, Nawab, Baby Sonia, Darshan, Rammi, Madan Verley, Jagadish Joshi, Sharad Saxena etc in it.

The movie had four songs in it. One song has been covered in the past.

Today (10 october 2019) is the 65th birthday (DoB 10 october 1954) of Rekha. Daughter of Gemini Ganeshan and Pushpawalli, both well known movie actors themselves,

Rekha made her debut in Hindi movies with “Saawan Bhaadon”(1970). The movie was a hit. It was like a batsman hitting a century on debut.

Those were the days when Indian cricketers who scored century on debut failed to score another century in their career. A batsman called Gundappa Vishwanath had scored a century on debut at Kanpur in 1969. Like his predecessors, he struggled to score another century and people thought that his test career was doomed. It took him fourteen more tests and four more years before he scored his second test century in Bombay (in february 1973) and broke a big jinx for Indian test cricketers scoring a test century on debut. Subsequently, batsmen like Azharuddin, Saurav Ganguly, Sehwag, Shikhar Dhawan and Rohit Sharma scored centuries on debut and subsequently scored more centuries.

Rekha, after her smashing debut lost her way. Movie critics of those days likened her to Faryal and commented that she was squandering her career like Faryal.

It was during 1978 that Rekha reinvented her in “Ghar”(1978). It was like an ugly duckling has transformed into a swan, with this movie.

And Rekha never looked back since.

On the occasion of her 65th birthday, here is a song from her ugly duckling days, when she was still struggling in Hindi film industry.

This song is sung by Lata. Farooque Kaiser is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a background song. Rekha, Feroz Khan.Prem Nath,Hira Lal, Kamini Kaushal and Sharat Saxena are visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

We take this opportunity to wish Rekha a very happy birthday and many happy returns of the day.

Video

Audio

Song-Do phool zindagi ke hans kar yahaan khile thhe (Kabeela)(1976) Singer-Lata, Lyrics-Farooque Kaiser, MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)

sajnaaa aa
o sajnaa
o o sajnaa

do phool zindagi ke ae
do phool zindagi ke ae
hans kar yahaan khiley thhe
sajnaa aa aa
o sajnaaa
sajnaa
yeh woh jagah hai
hum tum jahaan miley the ae
do phool zindagi ke
hans kar yahaan khiley thhe

tera der se woh aanaa
mera roothh roothh jaanaa
tera der se woh aanaa
mera roothh roothh jaanaa
tera pyaar se manaanaa
mera toot toot jaanaa
shiqwe thhe woh milan ke
shiqwe thhe woh milan ke
woh pyaar ke giley thhe ae
do phool zindagi ke ae
hans kar yahaan khiley thhe
sajnaa
yeh woh jagah hai
hum tum jahaan miley the ae
do phool zindagi ke
hans kar yahaan khiley thhe ae

aawaaz tere dil ki
raahon se aa rahi hai
aawaaz tere dil ki
raahon se aa rahi hai
khushboo tere badan ki
baahon se aa rahi hai
jaanaa thhaa door ham se
jaanaa thhaa door ham se
kyun pyaar se miley thhe ae
do phool zindagi ke ae
hans kar yahaan khiley thhe
sajnaa aa aa aa
sajnaa aa aa aa
sajnaaa aa
sajnaa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4098 Post No. : 15244

There are some very special memories related to this song. Memories of certain flights of fancy, associated with the expressions and emotions contained here in.

Greetings to Usha Khanna ji, on her 78th birthday today (7th October). It is sixty years now that she made her debut as a music director, way back in 1959 – ‘Dil Deke Dekho’, a film by Filmalya’s Sashadher Mukherjee. She recounts with a glee now, but then she was very nervous. Of course, just seventeen, recently out of school, and so miraculously given a break for a big name Shammi Kapoor starrer film. The first song recorded was “Megha Re Boley. . .”.  She walked into the recording studio with Sonik, who was the arranger for that film. She recalls that some musicians actually whistled at her as she made her way toward the group. And then Sonik told them that she is the music director. Quite a silence of disbelief followed.

Her nervousness was heightened by the fact that she would be directing Rafi Sb for her first song. The rehearsals and the recordings happened. Then at the end of the recording Rafi Sb asked her whether the song was recorded to her satisfaction. She recounts that she was too dazed and overcome by just his presence, and that she stammered in agreement. Then Rafi Sb told her – you are the music director. No matter who the singer is, but you are the boss. Even if I make a mistake, then you should correct me. Usha Khanna says that she was forever in Rafi Sb’s debt for giving her that encouragement and that advise.

More than 4 decades of active career and about 200 films in her portfolio, there are many a memorable songs and melodies that she has created – one of those music directors who would make you hear again. Ah, this one! Usha Khanna? Wow.

Listening to her music, one feels a lot of similarity with OP Nayyar. Of course that was the era that Nayyar Sb ruled with his rhythmic melodies, and other music directors would try to create music inspired by him. So Usha Khanna was also influenced by that style, but then she is not limited to style alone. There is definitely a lot of her own creativity that has gone into her work, else she would not have survived in this industry for four decades. And that too, being of a gender that generally is not associated with the work of a music director. The earlier names we can think of – Jaddan Bai, Bibbo, Saraswati Devi – all names from 1930s and 40s, when the classical music was the forte, and these ladies were trained and grounded in the classical mould.

Not Usha Khanna. She in fact, has no formal training in music. Her father, Manohar Lal Khanna, a lyricist active in the industry from late 1940s to 1960s, was her segue into music. He would write the lyrics and she would informally compose tunes for his songs at home. It was a creative spark and something special about her melodies that capture attention of her fathers industry friends like OP Nayyar and Indeewar. One thing led to another, and she was placed before Sashadher Mukherjee for an interview. The conversation started uncomfortably with singing, and ended very comfortably with music direction. S Mukherji, impressed with her tenacity and consistency (he had asked her to create two new tunes and present to him every day, for a year – think about doing that!!) gave her the first break with ‘Dil Deke Dekho’, and followed it up with ‘Hum Hindustani’ (1960). After these two films, Usha was quite much on her way. That she was able to sustain her standing in the industry for four decades, speaks volumes about her talent and her approach. Might we also notice that contemporaneous to her, and subsequently, we do not hear of any other lady music director in the industry whose performance has left a mark on the music history of Indian cinema.

Ah yes, about the flights of fancy that I mentioned about, in the first para. Regulars are aware that this song forms a part of a tandem pair. The accompanying song is the hit sung by Mukesh – “Barkha Rani, Zara Jam Ke Barso”. Yes of course, that is the better known and the more popular song in comparison. However, this rendition by Suman Kalynapur is no less pleasant, alluring and engaging. Rather more so. So when this film was released, the teenager in me was still at school. And as with a boy’s fancies at that age, of course, I do not have to put it in words. Suffice to say that right from the time I heard these two songs for the first time, my liking has always been for the Suman Kalyanpur version. The fancy connected with the Mukesh song is that there would be a charming princess for whom the boy in me would sing this song. However, the fancy associated with the Suman Kalyanpur song is that there would be charming beautiful princess who would be singing this song for me. That appealed so much more to me, that my flight of fancy those days was someone singing this song for me. Aaye haaye – the heart still takes a swing at this thought. 🙂

Quick summary – the film is ‘Sabak’ from 1973, produced and directed by Jugal Kishore, songs written by Sawan Kumar and Hasrat Jaipuri, and music by Usha Khanna. The star cast of this film is listed as Shatrughan Sinha, Poonam, Jaishri T, Jugal Kishore, Ranjan, KN Singh, Nazeer Hussain, Master Satyajeet, Chandrashekhar, Brahmchari, Hercules, Mumtaz Begum, Ramesh Dev, Seema, Rajnibala, Maruti, Rajpal, Kishan Kaul, Ved Sharma, Rajan Kapoor, Moolchand, Bholanath, Manohar, Jerry, Omi Chopra, Uma Dutt, Pritam Kumar, Raj Verma, Kishan Billa, and Sundar Singh.

Once again, wishing Usha ji a very happy birthday and praying for many more healthy and comfortable returns of this day.

Ah yes, the lyrics of this song have been sent in by our dear Prakashchandra ji.

 

Song – Barkha Bairan, Zara Tham Ke Barso  (Sabak) (1973) Singers – Suman Kalyanpur, Lyrics – Saawan Kumar Tak, MD – Usha Khanna

Lyrics (Provided by Prakashchandra)

barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan

pee se hai mera milan
kyon hai ree tujh ko jalan
pee se hai mera milan
kyon hai ree tujh ko jalan
haaye re paapan zaraa ruk jaa
zara tham jaana re
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan

pee ko mere aane de
ang se lag jaane de
pee ko mere aane de
ang se lag jaane de
phir tu dushman
yun barasna
jaane paayen wo na re..e..e
barkha bairan
zaraa tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ

पी से है मेरा मिलन
क्यों है री तुझको जलन
पी से है मेरा मिलन
क्यों है री तुझको जलन
हाए रे पापन ज़रा रुक जा
ज़रा थम जा ना रे
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ

पी को मेरे आने दे
अंग से लग जाने दे
पी को मेरे आने दे
अंग से लग जाने दे
फिर तू दुश्मन
यूं बरसना
जाने पाएँ वो ना रे॰॰ए॰॰ए
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
बरखा बैरन


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4095 Post No. : 15239

“Aapas Ki Baat”(1981) was produced by Salim Akhtar and directed by Harmesh Malhotra for Citizen Pictures, Bombay. The movie had Raj Babbar, Poonam Dhillon, Shakti Kapoor, Bharat Kapoor, Huma Khan, Narendranath, Asrani, Dina Pathak, Purnima, Abhi Bhattacharya, Kalpana Iyer, Madhu Malhotra, Bhushan Tiwari, Janaki Dass, Ajay, Sunder, Azad Irani, Rammurti Chatrurvedi, Sunder Taneja, Dolly, Khushboo, Moolchand, Kirti,Goga Kapoor etc in it.

The movie had five songs in it. One song from the movie has been covered in the past.

Today (4 october 2019) is the 67th birthday of Shailendra Singh (DoB 4 october 1952). It is so unbelievable to realise that he is 67 years old. It appears only yesterday that he had made his debut as a playback singer in “Bobby”(1973) as a 20 year old playback singer !

On this occasion, here is a song from “Aapas Ki Baat”(1981). This song is sung by Shailendra Singh and Lata. Dayanath Pandey is the lyricist. Music is composed by Anu Malik.

The song is picturised as an expression of love song on Raj Babbar and Poonam Dhillon.

Lyrics of this song were sent to me by Prakashchandra.


Song-Kehni hai do baaaten tumse (Aapas Ki Baat)(1981) Singers-Shailendra Singh, Lata, Lyrics-Dayanath Pandey, MD-Anu Malik

Lyrics(Provided by Prakashchandra)

kehnee hai do baatein tumse
magar kahoongaa kaanon mein
jo tum kehnaa nahin kisee se
apne yaa begaanon mein
kaanon mein toh chor hai kehte
aap bhi koyee chor hain kyaa
soorat se ho bhole bhaale
andhar se kuchch aur hain kyaa

kehnee hai
kehte raho

baat hawaayein le udti hain
abhi tujhe maaloom nahin
teri tarhaa se har koyee hai
jaan-e-mann maasoom nahin

kaun see baat pehle kahoon
dil ki yaa haseen khwaab ki
ho
baat seedhee si hamse karo
yeh paheli hai kyaa aapki

paas aao toh phir hum bataayein
dhadhkanon ki zubaan se sunaayein
kehnee hai do baatein tumse
magar kahoongaa kaanon mein
jo tum kehnaa nahin kisee se
apne yaa begaanon mein
kaanon mein toh chor hain kehte
aap bhi koyee chor hain kyaa
soorat se ho bhole bhaale
andar se kuchch aur hain kyaa

kehnee hai
kehte raho

dil ki baat hai kehnaa mushkil
khwab ki hi baat bataayein
itnaa pyaaraa thaa woh sapnaa
bhoole se bhi bhool naa paayen
aaa….haaa…aaaa…aaaa
ik paree dekhi maine utarte
taaron ki raah se dheere dheere
aankhon mein thi chamak neelam ki
thhe angoothhee mein bhi uske heere
haath se usne apne utaaree
hubahoo shakl soorat tumhaari
aaahha..haaa.haa..haa..haa…haaaa
ussne pehnaayee phir tumko hogi
ho gaye hoge pal bhar mein
jogi
ussne chaahaa hogaa jab bhi jaanaa
raah badhke wahin roki hogee

arre toone yeh sab kaise jaanaa
haath apnaa zaraa yeh dikhaanaa
naa.naa.naaa..aaa
ab kahoge yehi hai angoothhi
baat bilkul magar hai yeh jhoothhi
tum toh jhoothhe ho ek numbree
naa thaa sapnaa na koyee paree
tum chale thhe ham hi ko banaane
dekh ke mast mausam suhaane

kehnee hai do baatein tumse
magar kahoongaa kaanon mein
jo tum kehnaa nahin kissee se
apne yaa begaanon mein
kaanon mein toh chor hai kehte
aap bhi koyee chor hain kyaa
soorat se ho bhole bhaale
andar se kuch aur hai kyaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4085 Post No. : 15225

“Parde Ke Peechhe”(1971) was produced by M C Ramamurthy and directed by K Shankar for EM CEE R Films, Madras. The movie had Vinod Mehra, Yogita Bali, Raj Mehra, Padma Khanna, Jagdeep, Pran, Bindu, Tarun Bose, Prem Kumar, Siddhu, Suresh, Upendra Trivedi, Jestin, Varalakshmi, Mamta Rao etc in it.

The movie had six songs in it. One song has been covered in the past.

Here is the second song from “Parde Ke Peechhe”(1971) to appear in the blog. This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Yogita Bali and Vinod Mehra as a bathing in watefall song.

Lyrics of this song were sent to me by Prakashchandra.

Video

Audio

Song-Dil deewaane toone ye socha bhi hai (Parde Ke Peechhe)(1971) Singer-Lata, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan

Lyrics(Provided by Prakashchandra)

aaahaaa aaahaa aahaa aaahaaa
aaahaaa aaahaa aahaa aaahaaa
aaahaaa haaa haaa haaa haaa haaaa haa haaa
aaahaaa haaa haaa haaaaa haaa haaaa ha ha ha
aahaaaa
aaahaa
aahaa
aahaa

dil deewaane
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane

aaj kal kyun bekaraari mein mazaa aane lagaa aa
aaj kal kyun bekaraari mein mazaa aane lagaaa
dhadkanon ke saaz par tu jhoom ke gaane lagaa
iss uljhan ko toone suljhaayaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane ae

ek sholay ki tarah letaa hai kyun angdaayiyaan…aan
ek sholay ki tarah letaa hai kyun angdaayiyaan
dhoondhtaa hai kyaa kisi ke pyaar ki parchhaayiyaan
mann darpan mein
toone kabhi dekhaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane ae

seekh lee toone kahaan se ye tadapne ki adaa aa
seekh lee toone kahaan se ye tadapne ki adaa
bekali din raat ki ye kaun tujhko de gayaa
khud apne se toone ye poochha bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane
toone ye sochaa bhi hai
ke kaun hai teraa
kaun hai teraa
kaun hai teraa
dil deewaane ae


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

My affair with Sadhna started very tiny. The film was ‘Ek Phool Do Mali’ (1969) and the song was “Sainyaan Le Gayi Jeeya Teri Pehli Nazar”. That image of a beautiful Kashmiri village belle, with that charming and becoming smile captured my mind and my heart. She was being blackmailed by Sanjay to sing a song for him, using her recorded voice in a tape recorder, which he threatened to make public. So in a manner of speaking, the song was of the ‘Dance Under Duress’ category. 🙂 She is somewhat letting it on that her song and dance is a make believe effort. But then Hindi films are Hindi films. And a tiny pre-teen mind is quite inexperienced in these matters; and quite easily enamored by that charming smile, and the gestures of endearment, howsoever artificial they may have been.

In the same year (1969), I also got to see ‘Inteqaam’. The storyline therein is a make believe endeavor to deceive a rich man and his son, and so I was not impressed with her presence and her beauty as much. ‘Ek Phool Do Mali’ would be the compass bearing for me for some time, till I got into my next crush. 🙂

Remembering Sadhna on the anniversary of her birth today – 2nd September.

It would be much later that I would realize that I had actually seen her much earlier in ‘Parakh’ (1960), which I had watched on TV. Actually, it would be many years after that TV viewing that I correctly identified the leading lady as Sadhna. For many years at a stretch, I used to believe that Nutan was the heroine in ‘Parakh’. Many years later when this error was set right in my mind, I went back to see this film once again, to make sure that I had finally identified her correctly in that film.

Later on, the mind got to see her other earlier films on the rewind –  ‘Hum Dono’ (1961), ‘Aarzoo’ (1965), ‘Love In Simla’ (1960), ‘Ek Musafir Ek Haseena’ and ‘Asli Naqli’ (1962), ‘Rajkumar’ (1964), and the quintessential ‘Mere Mehboob’ of 1963. This is the listing of films that I got to see earlier; of course the other films like ‘Prem Patra’ (1962), ‘Man Mauji’ (1962), ‘Wo Kaun THi’ (1964), ‘Waqt’ (1965), ‘Mera Saaya’ (1966), ‘Dulha Dulhan’ (1964) also followed, albeit later. The ‘Ek Phool Do Mali’ effect was repeated when I got to see ‘Mere Mehboob’. That scene of the first encounter between Husna (Sadhna) and Anwar (Rajendra Kumar) is one of the most unforgettable cinema moments in my mind. All the un-uttered emotions that were spoken just through the eyes, the only part of the face that is partially visible from within the burqa (veil covering the face), emphatically conveyed much more than any words.

Born this day in 1941, Sadhna would have been 78 today. She was born in Karachi, into a Sindhi family. When the partition happened in 1947, the Shivdasani family moved to Bombay. As she has stated in her interviews, she was interested in dramatics right from childhood, and used to participate in school plays. Her uncle (father’s real brother) Hari Shivdasani, was already an established actor in Bombay. Hari had started his career appearing in films, from 1934 – his first film being ‘Dharam Ki Devi’ (1935). So when Sadhna and her family moved to Bombay, she already had a mentor and a significant link into the film industry.

She was just fourteen, when this filmland connection, got her a bit appearance as one of the chorus dancing girls in the 1955 film ‘Shri 420’. Hari Shivdasani himself had a significant role in the film, as one of the coterie of crooked businessmen. The song is the iconinc “Mud Mud Ke Na Dekh. . .”. Sadhna is one of the chorus dancers, quite easily identifiable, at least in the first half of the song. Hari Shivdasani is himself present in the group of guests at this party. [Note: Another very notable presence in this song is that of Jaikishan, the music director.] There is anecdotal material which says that Raj Kapoor was somewhat offended with Sadhna, on issues relating to hair style and make up etc., and that Sadhna did not complete the shooting of this song.

During her first year at college, producer director TN Bihari approached her for a secondary role in a Sindhi film ‘Abaana’, released in 1958. Sadhna played the role of the younger sister of the heroine, role played by Sheila Ramani. Star struck as she was, the teenaged Sadhna requested Sheila for her autograph when they first met for shooting. Giving her the autograph, Sheila commented that one day will come when she (Sheila) would be taking autograph from Sadhna – a prophecy that realized itself shortly thereafter.

Things moved fast after this. Sadhna photo appeared in ‘Screen’. The photo came to the notice of Shashadhar Mukhrjee, who invited Sadhna to join the School of Acting that he had established in Filmalya, his production studio. Sadhna joined. ‘Dil Deke Dekho’ (1959) was launched, with Nasir Husain as the director. S Mukherjee gave him the option to select a new heroine opposite Shammi Kapoor, and Nasir Husain picked Asha Parekh, also one of the students at the same school. Sadhna had to wait another year for her formal break into films. S Mukherjee announced ‘Love In Simla’ (1960) as the launch vehicle for his son Joy Mukherjee. The director, RK Nayyar, was also making his directorial debut with this film. Given the option by S Mukherjee, RK Nayyar picked Sadhna as the leading lady for the film. Her film career had now formally started.

For about a decade, her career was a rising graph, and her work was very much appreciated. She appeared along with practically all the big names of that era – Dev Aanand, Raj Kapoor, Sunil Dutt, Shashi Kapoor, Shammi Kapoor, Manoj Kumar, Joy Mukherjee, Dharmendra, Biswajit, Sanjay, Kishore Kumar, Feroze Khan, Parikshit Sahni, and yes, Rajesh Khanna – one film they shared credits for – ‘Dil Daulat Duniya’ (1972). About 30 films, in a career span of about 15 years, is the sum total of Sadhna’s body of work.

By the end of the decade of 1960s, Sadhna developed some recurring health problems and her films started getting delayed. 1974 saw the release of ‘Geeta Mera Naam’ and ‘Chhote Sarkar’. In 1975 came ‘Vandana’ and a much delayed ‘Amaanat’. After that, there is radio silence in her career, as she chose to stay away from films. Even earlier than that, HS Rawail opted for Vijayantimala for the leading lady in ‘Sunghursh’ (1968), after first considering Sadhna, and so did Pacchi, when he replaced Sadhna with Rajshri for ‘Around The World’ (1967).

Although Sadhna was the heroine of choice for ‘Love In Simla’, the director RK Nayyar (also her future husband), was quite openly unhappy with her looks. In his opinion, Sadhna’s forehead was wide enough to “. . . land a helicopter”. It was suggested that her hair style be changed. And after some research, the choice came to Audrey Hepburn’s hair style in films like ‘Sabrina’ (1954) and ‘Funny Face’ (1957). Audrey Hepburn sported a few locks of hair that were not brushed back, but were thrown forward so as to partially cover her forehead. The hairstyle was adopted, and yes, it became very popular in India, by the name ‘Sadhna Cut’.

Sadhna passed away in 2015, on 25th December.

Today’s song is solo performance on screen by Sadhna. The film is ‘Ishq Par Zor Nahin’ from 1970. The film is produced under the banner of Twinkle Star, Bombay, and is directed by Ramesh Sehgal. The cast of actors is listed as Sadhana, Dharmendra, Biswajeet, Kamini Kaushal, Abhi Bhattacharya, Jagdeep, Nadira, Leela Mishra, Randhir, Jagdish Raj, Meena, Madhumati, and Uday Chandrika.

There are 8 songs listed for this film, all from the pen of Anand Bakshi. The music is from the mind of SD Burman. Singing voice is that of Lata Mangeshkar.

The story is about two childhood friends, who fall in love with the same lady, who in turns, loves only one of them. The other person is not aware of this reality, and actually tries to get help from his friend to woo the lady. Hmm. . . reminds one of many films – especially ‘Sangam’ (1964). The story progresses on very predictable lines, with sacrifice at the end of the film, by the one who is earlier unaware of his friend’s love, and later regrets after coming to know the truth. However, it is the songs and the music of this film which are something great to write home about. Together, SD Burman and Anand Bakshi have collaborated in about a dozen films and majority of them have wonderful songs that have been hits.

This song is sort of an on stage performance by Sadhna. We can seen Dharmendra, Biswajeet, Abhi Bhattacharya and Nadira in the audience. Biswajeet, the unaware friend, thinks that this song is meant for him, and is quite happy. Dharmendra, who is aware of the triangle, and has been coaxed by Biswajeet to attend this performance, is quite visibly ill at ease during the performance.

I picked this song for the poignant and effective performance by Sadhna, for a song that is somewhat of a somber expression of serious love. The lyrics of this song are adapted from a traditional bhajan originally written by Sant Meerabai.

Lovely song, lovely rendition by a lovely Sadhna. Things can’t get much better than this for the tiny crush in my heart that still sustains.

Song – Main To Tere Rang Raati (Ishq Par Zor Nahin) (1970) Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – SD Burman

Lyrics (Provided by Prakashchandra)

mitwaa. . aaa. . aaaaaa. .
mitwaa. . aa. . aaa. . aaaa. .
mere saathi

main to
tere rang raati
main tere rang raati
mere mitwaa. . aaa. . aaa. .
mitwaa. . aaa. . aaaaaa. .
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati

raana ki
naa banoon main raani
main to hoon kaanha
teri deewani
le ja chupke se meri doli
doli
aa ja chhupke o humjoli
mitwaa. .aaa. . re
le ja chupke se meri doli
aa ja chhupke o humjoli
sang aaye
na aaye
baraati
main tere rang raati
main tere rang raati
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati

main meera
tu mera man meet
haan poorab janam
se hai hamri preet
main meera
tu mera man meet
haan poorab janam
se hai hamri preet
kaise bichhde hamre naina
naina
jab tak hai jeevan raina
mitwaa. .aaa. . re
kaise bichhde hamre naina
jab tak hai jeevan raina
sang jaley
sang bujhey
diya baati
main tere rang raati
main tere rang raati
mere mitwaa. . aa. . aa. .
mitwa. . aaa. .
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

मितवा॰ ॰ आss आsssss
मितवा॰ ॰ आs आss आsss
मेरे साथी

मैं तो
तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा॰ ॰ आss आss
मितवा॰ ॰ आss आsssss
मेरे मितवा
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति

राणा की
ना बनूँ मैं रानी
मैं तो हूँ कान्हा
तेरी दीवानी
ले जा चुपके से मेरी डोली
डोली
आ जा छुपके ओ हमजोली
मितवा॰ ॰ आss रे
ले जा चुपके से मेरी डोली
आ जा छुपके ओ हमजोली
संग आए
ना आए
बाराती
मैं तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति

मैं मीरा
तू मेरा मनमीत
हाँ पूरब जनम
से है हमरी प्रीत
मैं मीरा
तू मेरा मनमीत
हाँ पूरब जनम
से है हमरी प्रीत
कैसे बिछड़े हमरे नैना
नैना
जब तक है जीवन रैना
मितवा॰ ॰ आss रे
कैसे बिछड़े हमरे नैना
जब तक है जीवन रैना
संग जले
संग बुझे
दिया बाती
मैं तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा
मेरे मितवा॰ ॰ आss॰ ॰ आss॰ ॰
मितवा॰ ॰ आsss
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4063 Post No. : 15196 Movie Count :

4175

“Ghar Mein Ram Gali Mein Shyam”(1987) was produced by Jairam Gulabani and directed by Subhash Sonik for Babu Films, Bombay. This movie had
Govinda, Neelam Kothari, Anupam Kher,Khushboo,Beena aka Beena Bannerjee, Rita Bhaduri, Johny Lever, Nivedita Saraf aka Nivedita Joshi, Satish Shah, Kirty Kumar(Govinda`s Elder Brother in real life), Shakeela Bano, Buta Singh, Mahinder, Pramod Phatak, Ravinder Singh Grover, Beeta, Ram Dhani etc in it.

The movie had five songs in it and they were sung by fve singers.

Today (2 september 2019) is Ganesh Chaturthi. On this occasion here is Lord Ganesh related song from “Ghar Mein Ram Gali Mein Shyam”(1987). This song is sung by Suresh Wadkar and chorus. Anjaan is the lyricist. Music is composed by Amar Utpal.

The song is lip synced by Anupam Kher, with Rita Bhaduri, Neelam, Govinda and many other also visible in the picturisation of this devotional song.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Ghar Mein Ram Gali Mein Shyam”(1987) makes its debut in the blog.

I take this opportunity to wish everyone a very Happy Ganesh Chaturthi.

Video links:

Audio link (Longer)

Song-Ganpati Bappa morya khoob tera sansaar hai (Ghar Mein Raam Gali Mein Shyam)(1987) Singer-Suresh Wadkar, Lyrics-Anjaan, MD-Amar Utpal
Chorus

Lyrics(Based on audio link)(Provided by Prakashchandra)

ganpati bappaa
moryaa

ooo ho oo hooo ooo
ooooo ho ho ho ho
hooo ho oo hooo
ooo ho oo hooo ooo
ooooo ho
hooo ho oo hooo ho
ho ganapati bappa moreya
mangalmoorti morya
o mangalmoorti moreyaa
mangaldarshan saarkaa
hho ganapati bappa morya
mangalmoorti morya

ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

paap hai atyaachar hai
dayaa dharam na pyaar hai ae
sachchaai ki haar hai
jhooth ki jai jaikaar hai
sachchaai ki haar hai
jhooth ki jai jaikaar hai

ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

dhokha dein jo auron ko yahaan
haan jee auron ko yahaan…aaan
poojey unnko poojey rey kyun saari duniyaa..aa
saarey jogi dhongee ho gaye
haan haan dhongee ho gaye
saare gyaani dhyaani jaane kahaan kho gaye
pyaar banaa vyaapaar hai
duraachaar vyabhichaar hai
zulmon ki bharmaar hai ae
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansar hai

karm hai eeshwar
karm hi poojaa…aaa
karm hai eeshwar
karm hi poojaa
karm se badh ke
dharm na doojaa
jeenaa kya hai ae
bas wohi jaaney
jo jeevan se ae
haar na maaney
sundar ye sansaar hai
karm ki shakti apaar hai
kyun praani laachar hai..ae
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

agyaani hain jitne devaa
unn ko gyaan de
devaa unn ko gyaan de ae
riddhi siddhi
aur sukh sampati ka
ham ko daan de ae
agyaani hain jitne e devaa…aaaa…aaaa
ho o o o o
agyaani hain jitne devaa unn ko gyaan de
riddhi siddhi aur sukh sampati ka hamko daan de
tera bharaa bhandaar hai
tu sabka aadhaar hai
jag ka paalanhaar hai ae
ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

paap hai athyaachar hai
dayaa dharam na pyaar hai ae
sachchaai ki haar hai
jhooth ki jai jaikaar hai
sachchaai ki haar hai
jhooth ki jai jaikaar hai

ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
hho ganpati bappa moreyaa
mangalmoorthi moryaa
hho mangalmoorthi moreyaa
mangaldarshan saarkaa
(ho o o o o)
ho ganpati bappa moryaa(ho o o o o)
mangalmoorti moryaa (ho o o o o)
ho mangalmoorti moryaa(ho o o o o)
mangaldarshan saarkaa (ho o o o o)
ho ganpati bappa moryaa (ho o o o o)
mangalmoorti moryaa
(ho o o o o)


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15289

Number of movies covered in the blog

Movies with all their songs covered =1180
Total Number of movies covered =4209

Total visits so far

  • 12,559,263 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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