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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Prakashchandra’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aaye Din Bahaar Ke”(1966) was produced by J Omprakash and directed by Raghunath Jhalani for Filmyug Private Limited. The movie had Dharmendra, Asha Parekh, Naazima, Sulochana Latkar, Raj Mehra, Rajendranath, Balraj Sahni, Sunder, Mubarak, Sabita Chatterjee, Leela Mishra, Dulari, Madhu Apte, Khairati, Sarita Devi, Brahm Bhardwaj, C.S.Dubey, Nazir Kashmiri, Lata Bose etc in it.

The movie had seven songs in it and all of them were quite popular songs. Five of these songs have been covered in the blog. Here is the sixth song from “Aaye Din Bahaar Ke”(1966) to appear in the blog. This song is sung by Lata and Mahendra Kapoor. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a song that was popularly described as the lead pair (Asha Parekh and Dharmendra) running around trees, though it is more like rolling on the grass and trampling them in the process, as far as I can tell. 🙂

Lyrics of this song were sent to me by Prakashchandra quite some time back.


Song-Ye kali jab talak phool ban ke khiley (Aaye Din Bahaar Ke)(1966) Singers-Lata, Mahendra Kapoor, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

ye kali
jab talak
phool ban ke khiley
intzaar intazaar
intzaar karo
intzaar karo
intazaar woh bhala kya kare
tum jise
beqaraar beqaraar
beqaraar karo

intzaar karo

pyaar mein pyaar ki bhi ijaazat nahin
pyaar mein pyaar ki bhi ijaazat nahin
berukhi hai aji ye mohabbat nahin

aa raha hai maza
tum shikaayat yahi
baar baar
baar baar
baar baar karo
intzaar karo
intzaar woh bhala
kya kare
tum jise
beqaraar beqaraar
beqaraar karo
beqaraar karo

husn pe to asar hone waala nahin
aa aa aa
husn pe to asar hone waala nahin
ishq tum ko na kar de deewaana kahin
hai ye deewaangi bhi qubool
tum agar
hamse pyaar
hamse pyaar
hamse pyaar karo
hamse pyaar karo

ye kali jab talak
phool ban ke khile
intzaar intzaar
intzaar karo
intzaar karo

roz hamne bayaan ye fasaana kiya
roz hamne bayaan ye fasaana kiya
roz tumne naya ik bahaana kiya

ye bahaana magar
aakhri hai sanam
aitbaar aitbaar
aitbaar karo
intzaar karo
intzaar woh bhala
kya kare tum jise
beqaraar beqaraar
beqaraar karo
beqaraar karo

intzaar intzaar
intzaar karo
intzaar karo
hamse pyaar
hamse pyaar
hamse pyaar karo

intzaar karo

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 1000th song contribution by Prakashchandra in the blog.

We in this blog have nearly thirty odd people, may be a little more, who could be called blog regulars. They visit the blog regularly, comment on it regularly and they are contributors to the blog as well, in one way or the other.

I have met a few blog regulars over the years and I have interacted with several others on phone, e mail, whatsapp etc. Blog regulars too have met each other either personally or on whatsapp, facebook, email, phone etc. We these days have get togethers of regulars which we call “gangout”, which is a word of our own making. Nearly a dozen gangouts of blog regulars have already taken place so far.

Blog regulars report that when they finally meet another blog regular in person for the first time, it never appears to them that they are meeting for the first time. It appears that they have known each other for years.

Secondly, it is reported that the persons they meet look extremely humble and self effacing, despite possessing extraordinary abilities that we in the blog are privy to for years.

I have never met Prakashchandra. Others too have not met him. That way he is as elusive a regular as our Avinash Scrapwala used to be once upon a time till he broke his hoodoo and became quite a regular gangouter as he suddenly went on a gangout attending spree, meeting other regulars at Chennai, Bangalore and Mumbai.

Prakashchandra may not have met others face to face, but it appears to me (and to others as well) that we know him for years.

Prakashchandra started his association with the blog as a farmaish sender and he was soon hailed as a farmaish king by Peevesie’s mom. A sensitive person that he is, he once felt that his long list of farmaishes were being resented by some regulars. I had to assure him that it was not the case.

Prakashchandra reminded me so much of the Jhumri Tilaiyya farmaish senders of yore. 🙂

His farmaishes sometimes caused me to post songs that I was not aware of and which were rare songs.

Prakash Chandra once (in late 2010) mentioned about a song, which was an ideal song to listen to late at night, but he had not been able to locate the song. So he was only able to listen to this song on radio, once in six months or so. He hoped that I would be able to locate this song and discuss it in the blog.

His description made me very curious about this song, and I spent one whole day to search for this elusive song. Finally I managed to find this rare song.

Prakash Chandra was right. This song was indeed an ultimate Chhaayaageet song. Very few people may have heard this song till then. If one listens to this song twice, then from the second time onward, this song grows up on you.

And that is how I posted this song from “Girls’ Hostel” (1962) in the blog.

And pat came the effusive thanks from Prakashchandra

“Aapne woh kaam kar diya, ke main bayaan nahin kar sakta, ke main aapse kis kadar khush hoon”
thanks thanks thanks, tahank a zillion times
love you love you love you
prakash

Not just him, quite a few other music lovers exclaimed that they re discovered this forgotten gem after decades, thanks to this post. Of course, the thanks were due to Prakashchandra.

Reading prakashchandra’s comments in the blog, where he bares his heart about his feelings on the blog and his association with the blog never fails to warm the hearts of the readers.

From night 11`o clock and to 12`o clock,Now It is a compulsive habit to sit and writing the lyrics .

School ki homework bhi main itni maze lekar aur itne devotion ke saath nahin kartaa thaa 🙂

1 month ago, when I lost Internet connectivity to the blog for 5 days, I felt ,How much I am attached to you guys. I missed you guys and the blog terribly. I love you all guys.

I have silently,learnt many things from all of you guys through your writings, thoughts.I owe many a things to this blog and you people.Really I mean it.

Meri likhaawat yaa kissee aur cheez se unconsciously, koyee bhool, chhook ho toh mujhe sabhi maaf kar do, Please..

Par itnaa pyaar hameshaa aap sab logon se miltaa rahe, yehi bhagwaan se main maangtaa hoon.

Prakashchandra has indepth knowledge of songs. He knows the differences in the lengths of the audio version and movie version of a particular song. Every single second of the song matters to him. His day is made if one could provide a song link that is a few seconds longer than those available online. Just a few days back, he commented that his sunday was made when I posted a longer audio of a song of “Geet” (1970).

Prakashchandra is not just a lyrics sender. His contributions contain lots and lots of additional information about the movie, songs and artists as well. He is also an expert in identifying old forgotten actors that few people have even heard of. We have seen “CID” TV serial, where every eye witness is able to give a very accurate description of suspects, even though they may have seen them only once and that too for just a few seconds. Prakashchandra is like those “CID” TV serial witnesses with photographic memories. 🙂

Prakashchandra is also aware about Hindi movies that are remakes of South Indian movies and vice versa. His contributions contain lots of such difficult to find nuggets of information.

Prakashchandra tends to be a little unsure of himself and is always very particular to make sure that he does not hurt the feelings of others. He feels that refuting the views of others, providing incorrect information, seeking information, or making suggestions to others would somehow hurt the feelings of others, and so he is a bit apologetic while posting his comments. 🙂

He seeks pardon when he corrects others, and also when he asks for information. While giving information, he mentions that he is “only” 99.9 % sure of his identifications. 🙂 Some regulars would exhort him to be more assertive in such matters. 🙂 He is afraid of hurting the feelings of others even when he is giving a suggestion to them/ complimenting them. 🙂

Prakashchandra also regularly goes through old posts. when he finds something amiss (like say dead links, or incorrect information), he points them out in his comments.

Despite enormous knowledge of HFM and despite his considerable contributions in the blog, Prakashchandra remains humble and self effacing.

Prakashchandra has so far not met any regulars. He may be feeling that other regulars are overachievers and he himself is not. He has been very accurately described as akin to a “Kasturi Mrig” by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia. Just as a Kasturi Mrig is not aware of his own fragrance, Prakashchandra is not aware of his own over achievements in the field of HFM research. I am sure that other regulars, including myself, would count ourselves as lucky when we get to meet the person behind such enormous achievements and abilities.

We in this blog have regulars who are valuable “Ratna” (gems) in the field of HFM appreciation. Each of these individuals brings his/ her own special qualities to the blog and enriches it immensely. Prakashchandra is one of the priceless gems that we in this blog have. His immense knowledge, yet his humility is so heart warming to see. He has sent me lots and lots of contributions and many of them have not yet been covered. Some of his contributions have been covered several years after they were first sent. In addition, some of his contributions were credited to others because others had also sent lyrics of the same songs. Even when Prakashchandra feels hurt on not getting credits for some of the songs that he may have sent, he always remains magnanimous and continues to contribute to the blog with a Yogi like stoicism. These are qualities that are worth emulating, and I must say that I find these qualities highly admirable and I too try to adopt such qualities in my life.

It is a matter of privilege for this blog that Prakashchandra completes 1000 song contributions in the blog with this song. It is a tremendous achievement. He becomes the first among our song contributors to breach the four figure mark.

The 1000th song of Prakashchandra in the blog is from “Kaaran”(1981). This song is sung by Yesudas. Indeewar is the lyricist. Music is composed by Usha Khanna. The song is picturised as a romantic background song on Shoma Anand and Raj Kiran.

I, on behalf of the blog take this opportunity to congratulate him and thank him for being with us in this musical journey. I am sure that we will see lots and lots of contributions from him in the future as well. It is a great feather in the cap of Prakashchandra as well as the blog. I am sure that we will continue to have many more such landmarks from our contributors in future as well.


Song-Saawan aag lagaaye re (Kaaran)(1981) Singer-Yesudas, Lyrics-Indeewar, Md-Usha Khanna

Lyrics(Provided by Prakashchandra)

saawan aag lagaaye rey
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey ae ae
tann mann dekho jalaa jaaye rey ae
sang yaar kaa
rang pyaar kaa
daag kahin naa lag jaaye rey ae ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey

dekh ke aanchal
mann huaa chanchal
mann ko kaise manaayenge ae
dekh ke aanchal
dekh ke aanchal
mann huaa chanchal
mann ko kaise manaayenge ae
tujhko agar naa paayenge
deewaane hum ho jaayenge
deewaane hum ho jaayenge ae a ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey
sang yaar kaa
rang pyaar kaa
daag kahin naa lag jaaye rey ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey

cheer ke daaman
jhaanke yauwan
bas mein nahin dil haaye rey ae
cheer ke daaman
cheerke daaman jhaanke yauwan
bas mein nahin dil haaye rey ae ae
aaj deewaanee hoke jawaani
hadd se guzar naa jaaye rey ae
hadd se guzar naa jaaye rey ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye re ae
sang yaar kaa
rang pyaar kaa
daag kahin naa lag jaaye rey ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey

kaisee rasmein
kaisee kasmein
seemaa tootee jaaye rey ae
kaisee rasmein aen
kaisee rasmein kaisee kasmein
seemaa tootee jaaye rey ae
daudke aaye koyee aakar
hamko hamse bachaaye rey
hamko hamse bachaaye rey ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey
sang yaar kaa
rang pyaar kaa
daag kahin naa lag jaaye rey ae
saawan aag lagaaye rey
tann mann dekho jalaa jaaye rey


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Geet” (1970) was produced and directed by Ramanand Sagar for Sagar Art International, Bombay. The movie had Rajinder Kumar, Mala Sinha, Sujit Kumar, KumKum, Nazir Hussain, Daisy Irani, Bhagwan, TunTun, Manmohan Krishan, Ashoo, Paro, Husan Bano,HiraLal,Keshto Mukherjee, Omkar Aima, Radheshyam, Shyam Kapoor, RamAvtaar,Chaman Puri, Mirza Musharraf, Braham Bhardwaj, Dilip Dutt, Narbada Shankar, Ram Murthi, H.P.Sharma etc in it.

The movie had nine songs in it. Eight of these songs have been covered in the blog in the past.

Here is the ninth and final song from “Geet” (1970) to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on Mala Sinha as a stage dance performance. Sujit Kumar, Rajendra Kumar, Kumkum, Daisy Irani etc are also visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Geet” (1970) joins the list of movies that have all their songs covered in the blog.

video(Partial)

Audio (Full)

Song-Jo dil mein basaayi thhi (Geet)(1970) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Kalyanji Anandji

Lyrics (audio)(Provided by Prakashchandra)

jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa
jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa
aankhon mein basaayaa thha
nazron se giraa denaa
nazron se giraa denaa
jo dil mein basaayi thhi

mujhko to wafaa meri
kuchch raas nahin aayee
mujhko to wafaa meri
kuchch raas nahin aayee
jaati hoon tere dar se
jaati hoon tere dar se
mujhko na sadaa denaa
jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa

poochhe jo koyee tumse
baatein meri chaahat ki ee
poochhe jo koyee tumse
baatein meri chaahat ki
tum meri wafaaon pe
tum meri wafaaon pe
ilzaam lagaa denaa
jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa

phir us ki tamannaa kyaa
jo gair ki ho jaaye ae
phir us ki tamannaa kyaa
jo gair ki ho jaaye
bas itni guzaarish hai
bas itni guzaarish hai
tum mujhko bhulaa dena
tum mujhko bhulaa denaa
mujhko bhulaa denaa aa
mujhko bhulaa denaa aa
mujhko bhulaa denaa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

These days Sudhir Ji has taken up the responsibility of posting most of the articles. According to the new year resolution set for the blog in 2017, one of these posts must introduce a debutant movie whereas another post must go to the other extreme, viz cause a movie to achieve its YIPPEEhood.

As can be seen, one debutant movie- “Aangan”(1973) has already been discussed in the blog today. So it is the YIPPEE post of the day that is awaited so far.

I have noticed that Sudhir Ji has made preparations for a YIPPEE song for the day, but he is not yet logged in again. In case, he logs in and posts this YIPPEE post, the YIPPEE resolution for the year will continue to be fulfillled. But just in case Sudhir Ji gets preoccupied and is unable to post this aricle in time, I have kept another YIPPEE song ready for the day.

Seeing that it is already 9 PM and Sudhir ji has not yet logged in, I have decided to step in and post a YIPPEE post of the day. Then Sudhir Ji’s YIPPEE post could be used in future (say tomorrow).

This song under discussion is the final song from “Neel Kamal”.

“Neel Kamal” (1968) was directed by Ram Maheshwari for Kalpanalok. The movie had Waheeda Rehman, Raj Kumar, Shashikala, Balraj Sahni, Jairaj, Chhaya, Sulochana, David Abraham, Mehmood, Manoj Kumar, Lalita Pawar, Tiwari etc in it.

This movie has some songs that have become immortal. So those who had not watched this movie thought that the movie was in the same league as the songs and so they were dying to watch this movie.

Raja was one of those people who was very eager to watch this movie. But when he finally watched this movie, he found it a big let down. So, now he has learnt to keep his expectations low whenever he watches a movie with great songs in it. I think it is a good policy. Another good policy would be to just watch the picturisation of the song and give the rest of the movie a miss. This is my preferred way. 🙂

Six songs from this movie have been discussed in the past. The seventh and final song from the movie is one song that I had never heard before. This song is picturised as a stage dance song on Waheeda Rehman (in female dress) and Waheeda Rehman (in male dress) alongwith chorus. I have not watched the movie so I have no idea how this was done. I request our knowledgeable readers -Raja, for instance, 🙂 to light on this matter.

And the song is sung by Asha Bhonsle and Asha Bhonsle with chorus. Yes, Asha Bhonsle sings for both Waheeda Rehmans and she alters her voice for the two. So it is an interesting song where Asha Bhonsle sings for two characters and sings for them in series, viz one after the other. In the next decade, she would sing for two actresses and she would do that in parallel (viz simultaneously). That song too will come up for discussion too in the blog.

The song is sung and picturised as a cocktail of Western and Punjabi dance. The performance is watched by a house full audience, with Manoj Kumar seated in front row, as one would expect. 🙂

Sahir Ludhianvi is the lyricist. Music is composed by Ravi.

The lyrics of this song were sent to me by Prakashchandra.

With this song, “Neel Kamal” (1968) joins the list of movies that have all their songs covered in the blog.


Song-Aao nee sakhiyon dekho cheez niraali (Neelkamal)(1968) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi
chorus
(Asha Bhonsle +Chorus)

Lyrics(Provided by Prakashchandra)

hoyye ae ae

haayye nee

aao nee sakhiyon
aao nee adiyoon
dekho cheez niraali
naa ye moochhon waali shai hai
aur na choti waali
mujhe toh sakhi roop is kaa
donon ke vich kaa lagtaa..aaa
mujhe toh sakhi roop iss kaa
donon ke vich kaa lagtaa

des des main teri khaatir
Beatle bann kar ghoomaa
gaa gaa kar woh dhoom machhaayi
saaraa Europe jhoomaa
mujhe na dhutkaar goriye
ke main toh tera yaar lagtaa
mujhe na dhutkaar goriye
ke main toh tera yaar lagtaa

arrey jaa jaa jaa jaa jaa
deewaane jaa jaa jaa
I love you
I love you

jaane tu insaan hai koyee
yaa bhootni ka bachchaa
jaane tu insaan hai koyee
yaa bhootni ka bachchaa
khud ko mera yaar kahaa toh
khaa jaaoongi kachcha
dekhoon toh teri jaan nikley ae
jo mera dildaar lagtaa
mujhe na dhutkaar goriye
ke main toh tera yaar lagtaa
arrey jaa jaa jaa jaa jaa
deewaane jaa jaa jaa

I love you
I love you

saat samandar paar se aayaa
le kar kapdaa gehnaa
saat samandar paar se aayaa
le kar kapdaa gehnaa
main hi tera yaar hoon gori
maan le mera kehnaa
wahaan naa aisaa roop bhartaa
toh logon ko ganwaar lagtaa
mujhe toh sakhi roop iss kaa
donon ke vich kaa lagtaa
arrey jaa jaa jaa jaa jaa
deewaane jaa jaa jaa

I love you
I love you

murge jaisi taangen teri
bandar jaisa chehraa
murge jaisi taangen teri
bandar jaisa chehraa
tu aur mere ghar aayegaa
baandh ke sar par sehraa
sheeshe main jaa ke tak mukhdaa
tu koyee chidimaar lagtaa
mujhe na dhutkaar goriye ae
ke main toh tera yaar lagtaa

dekh pehan lee
phir se maine
woh poshaak puraani
ab toh maan le
ab toh keh de
mujhko apnaa jaani
o o o
sajnaa aa
beliyaa..aaa
saathiyaa
dekh pehan lee
phir se maine
woh poshaak puraani
ab toh maan le
ab toh keh de
mujhko apnaa jaani
tujh par sadqe
tujh par waari
meri bhari jawaani
tu kheton ka raajaa ban gayaa
main faslon ki raani
mujhe ye tera roop sajnaa
badaa hi lachchedaar lagtaa
tu meri dildaar lagti
main tera dildaar lagtaa
mujhe ye tera roop sajnaa
badaa hi lachchedaar lagtaa
tu meri dildaar lagti ee
main tera dildaar lagtaa

hurrrrrrrr rrrr rrrrrrrrrrr ahhaa
hoyye hoyye hoyye hoyye
balle balle balle balle balle ae ae ae

hoyye sohniye hoyye ae
looo looo looo loo loo lo


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Madaari”(1959) was produced by Ratan Kumar and directed by Babubhai Mistry for Ratan Pictures, Bombay. This movie had Ranjan, Chitra, Manhar Desai, Sundar, Kavita, Sheila Vaz, Kanchan, Jayshree Gadkar, Dalpat, Pal Sharma, Uma Dutt, Raj Adeeb, Shree Bhagwan, Sinha, R S Dubey, Murari, Vasantrao Pahalwan, Korega, Julian, Yadav, Vitthal, Indira Bansal, Nilu, Geeta, Paro, Rehana etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Zamaana”(1971) was produced and directed by Pramod Chakraborty. The movie had Dharmendra, Hema Malini, Pran,Indrani Mukherjee, Ashok kumar, Manmohan, Shabnam, Mehmood, Dhumal, Jankidas, Lalita Pawar, Aruna Irani, Raj Mehra, V.Gopal, Roopali, Guddi, Keshav Rana, Brahma Bhardwaj, Kanu Roy, Master Alankar, Master Rippal, Randhir, Vidya, Fehmida Qureshi, Sheela, Shabana, Mona, Sabina, Daya Devi, Kusum DeshPande, Lalita Karekar, Madhup Sharma, Prem Sagar, Bishen Khanna, Jagdish Bhalla, Khurshid Khan, P.D.Lal, Nadir, Hafeez, Robert, Kirti Kumar, Sunil Kumar, Taj Azhar, Avtar Singh, Bihari, Moolchand, Nazir Kashmiri, Ratan Gaurang, Narbada Shankar, Darshan, Ramlal, Mohammed Ali, Paresh Nanda, Rajen Kapoor etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Zamaana” (1971) was produced and directed by Pramod Chakraborty. The movie had Dharmendra, HEma Malini, Ashok Kumar, Aruna Irani, Dhumal, Shabnam, Manmohan, Indrani Mukherjee, Guddy, Roopali, Jankidas, Kanu Roy, V Gopal, Lalita Pawar, Mehmood, Pran etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mere Hamsafar” (1970) was directed by Dulal Guha for Labela Films, Bombay. This movie had Sharmila Tagore, Jeetendra, Balraj Sahni, Jeevan, Laxmi Chhaya, Suresh, Shammi, Mohan, Sheri Prakash, Thoppa, Keshto Mukherjee, Sunder etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Din Nayi Raat” (1974) was produced by N P Ali and directed by A Bhimsingh for Jamu Pictures. The movie had Sanjeev Kumar, Jaya Bhaduri, Naazneen, Farida Jalal, Tuntun, Indira Bansal, Lalita Pawar, Shivraj, Sunder, V.Gopal, Johnny Whisky, Dilip Dutt, Polson, Keshav Rana, Hameed, Dada Mirasi, Rirkoo, Bedi, Master Aziz, Swaraj, Baby Pinky, Om Prkash, Mukri, Madhu, Mona Saxena, Lalita Kumari, Devika, Manorama, Shyama, Mohan Sharma, David Abraham, Bharati, Devika, Anand, Bihari, Narbada Shankar, Pakkoda Kader, Umesh Sharma etc in it.
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Shareef Badmaash”(1973) was produced by Dev Anand and directed by Raj Khosla for Navketan, Bombay. The movie had Dev Anand, Hema Malini, Ajit, Jeevan, Helen, Bhagwan, Sapru,Trilok Kapoor, Sudhir, Capt.Man Mohan, Sham Kumar,Mridula, Manmohan(Guest),Late Rashid Khan, Hercules, Uma Dutt, Ved Puri, Shah Agha, Minal Mehta, MackMohan, Sudarshan Sethi, Dhanna, Gurbachan Singh, Janki Dass, Viju Khote, Kirti Kumar, Dilip Dutt, Nawab, Birbal etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13351

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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