Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1955’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4722 Post No. : 16433

Today’s song is from a Mythological film- Shri Krishna Bhakti-1955. Made under the banner of Combined films Traders, Bombay, it was directed by the Wizard of Trick scenes- Babubhai Mistry. MD was my favourite- Chitragupta. All the 8 songs of this film were written by G S Nepali.

Hindu religion describes how the 10 Avatars of Lord Vishnu (Dashavataar) actually represent the Evolution of the Human race. The 10 Avatars were…

1. Matsya….Life started from water.
2. Kachha(Tortoise)…. First Amphibian who learned to live both in Sea and on Land.
3. Varaah (The Boar)….Life solely on Land.
4. Narsimha….Half qualities of Animal and half of Human.
5. Waman….Developing Humans.
6. Parshuram….Human ruled by Emotions
7. Shri Ram….Perfect Human being.
8. Shri Krishna….Survival amongst the opposition.
9. The Buddha….Extreme stage of Sacrifice
10. Kalki….End of Anarchy and present set up, to start a New Age all over again….Yet to come.

The most popular among these are, of course, Ram and Krishna. But what was the necessity of these Avatars at all ? Answer to this is in Bhagwad Geeta. BHAGAVAD GITA is one of our cultural heritage books. It is a part of Mahabharat and is also a part of Bramhopnishad-which is a scripture on Yogas.

This is a dialogue between Lord Shri Krishna and Arjun. The legend says that when Kauravas and Pandavas stood opposite each others for a war on Kurukshetra, Dhritrashtra,the blind father of Kauravas asked Sanjay- who had the divine power of seeing the war at Kurukshetra- to describe him the war happenings. Sanjay starts and in the course of his reporting, the entire Geeta too is narrated.

Without going into the details further, enough to stress that Lord Shrikrishna explains to Arjuna that, whenever there is a decline of Dharma and righteousness, He takes birth from age to age (sambhavami yuge yuge), to protect the virtuous, destroy evil-doers and to reestablish Dharma and righteousness.

This is described in the IV chapter, stanzas 7 and 8 in Bhagavad Gita thus-

“Yada Yada Hi Dharmasya
Glanirva Bhavathi Bharatha,
Abhyuthanam Adharmaysya
Tadatmanam Srijami Aham’.

Bhagavad Gita (Chapter IV-7)

“Whenever there is decay
of righteousness O! Bharatha
And a rise of unrighteousness
then I manifest Myself!”

Praritranaya Sadhunam
Vinashaya Cha Dushkritam
Dharamasansthapnaya
Sambhavami Yuge-Yuge.”

Bhagavat Gita (Chapter IV-8)

“For the protection of the good,
for the destruc­tion of the wicked and
for the establishment of righteousness,
I am born in every age.”

Indian filmmakers have made several films on the stories associated with these two Avatars- Ram and Krishn. Lord Ram has always been hailed as the “Purushottam” or the complete man. Personally, I feel that Characters like Shri Ram are not suitable for this age. For today’s times, the best suited is Krishna. While Ram taught us how to rule righteously, Krishna taught us how to win over the Villains and be successful. In today’s context, Krishn-Niti is more suitable,I aver. When your righteous living is in danger due to evil forces, you can not remain like a Purshottam. You will need to adopt Krishn Niti for survival. The best difference between these two can be explained by this Shlok.

Shri Ram – Ahinsa Parmo Dharmah….There is nothing greater than Non violence.

Shri Krishna – Dharma Hinsa tathaiva cha….You are justified to pick up arms for a just cause.

For the last 100 odd years, we were taught only the first part, but now we realise the second part is more suitable for our survival, in these times. Krishna Niti says, there is nothing wrong to adopt unconventional methods if your Right Cause is facing strong opposition. Lord Krtishna’s life was full of interesting episodes and therefore I like Krishna more than Ram, for his relevance to modern times.

Today’s song is from a film which depicts the story of a Krishn Bhakt. It is about how the devotee is saved from imminent death. The story of the film is….

In a village lives a boastful Bramhin Balbhadra Shastri and Cheta-the Krishn Bhakta Harijan. One day Cheta invites several Sadhus for food, whom Balbhadra had insulted. At the time of meals, the Sadhus get more than enough food. At the same time, food from Balbhadra’s house disappears. This enrages Balbhadra Shastri. On Janmashtami day, Shanti- Balbhadra’s daughter serves Prasad to Seva, son of Cheta. Balbhadra is very angry and hits Seva. He becomes unconscious. Same time the Idol in the temple disappears miraculously. People are afraid and request Cheta to invoke God to come back. Cheta sings a Bhajan and Seva comes alive and at the same time the Temple idol returns. All the people start hailing Cheta.

Balbhadra is very angry and decides to kill Cheta, but in the melee, instead of Cheta, Balbhadra kills his own daughter Shanta. Balbhadra accuses Cheta of her murder and takes him to court. Cheta is sentenced to death. On the day of execution, when Cheta is singing a bhajan while on way to the Gallows, suddenly, Shanta comes running and explains that the killed girl was someone else and she was kidnapped. Cheta is freed. Balbhadra repents and Cheta is honoured as a Great Krishn Bhakt.

The great Editor and special effect-Trick scene expert Babubhai Mistri ( 5-9-1918 to 20-12-2010), in the beginning, was an assistant with Prakash pictures.Prakash was making a film “Khwabon ki Duniya”- 37, based on the famous novel “The Invisible Man” by H.G.Wells,1897.The shooting started but the basic problem was how to show the ‘invisible‘ man. There was no special effect technique available in India till then, like in Hollywood.

Vijay Bhatt had an assistant called Babubhai Mistri, who accepted the challenge and using a dim light, a black curtain and a black thread to move articles, he achieved the desired results. This made the film not only a hit and popular one, but also a unique one. Babubhai Mistri, thus, became the father of the trick scenes and special effects in India. In the process, Babubhai also earned a nickname of ‘kaala dhaaga‘ (black thread) for the rest of his life, in the film industry.

Babubhai directed 49 Hindi films-mostly B and C grade Mythologicals, Costume, and Historical films. He also directed 1 Telugu and 9 Gujarati films. His first film as a director was Muqabala-42. Surprisingly he started off with a social film, but there was a valid reason. The initial Poster Painter had developed into a skilled Editor and trick scene expert, by his own hard work, encouraged by the Wadia brothers. The film was an unusual film of a story of twin sisters. Wadias wanted Babubhai to do something which will make the film stand out from all other such films.

Directed by Babubhai Mistry, it was the last movie of Fearless Nadia for Wadia Movietone. She had a double role of twin sisters: good Madhuri and bad Rita.
This film was First in India to use Split-screen method for double roles, where both sisters could cross each others, shake hands and talk together. The other attraction was the Night club set, which, in case of police Raid, could be converted into a respected residence in few minutes. It was a great fun to watch these two things.
A happy ending picture, but to see and hear the laboured Hindi dialogues of Madhuri (good Nadia) was another treat.

Today’s song is a bhajan by Mohd. Rafi and chorus.


Song- Ganga mein nahin Jamuna mein nahin (Shri Krishn Bhakti)(1955) Singer- Mohd. Rafi, Lyricist- G S Nepali, MD- Chitragupta
Chorus

Lyrics

Ganga mein nahin
Jamuna mein nahin
mehlon mein nahin
kutiyon mein nahin een een een
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
mehlon mein nahin
kutiyon mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin

kyun naam na lekar dhan jode
kaudi ke liye naataa tode
kyun naam na lekar dhan jode
kaudi ke liye naataa tode

sone mein nahin chaandi mein nahin
sone mein nahin chaandi mein nahin
heere mein nahin moti mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin

chupke se ro(?) man ki maala
chupke dekhe murli waala
chupke se ro(?) man ki maala
chupke dekhe murli waala

jantar mein nahin mantar mein nahin
jantar mein nahin mantar mein nahin
dharti mein nahin saagar mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin

paataal gagan jal mein thhal mein
muskaata hua ?? pal mein
paataal gagan jal mein thhal mein
muskaata hua ?? pal mein

mandir mein nahin teerthon mein nahin
mandir mein nahin teerthon mein nahin
Geeta mein nahin Vedon mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
mehlon mein nahin
kutiyon mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4720 Post No. : 16428

Today’s song is from the film Ekadashi-1955, a Mythological film.

Culture and Religion have a close relationship. The commonest points of Religion, followed by a majority for time immemorial, becomes the culture of the nation. Raas Garba, Ganesh Utsav, Diwali celebrations and Indian Calendar New Year days in respective regions are no more a matter of Religion by now. They have become the cultural heritage of the country. A good example is Holi or lighting done on Deepavali or touching the feet of the elders…all these constitute Culture, though its roots are traceable to religion.

Today, Religion, for most people in the world, I feel,is limited to one’s personal space and I believe, in today’s setup it is also very appropriate to limit the religion to one’s home. One should not get confused between Religion and Bhakti. Mythological films are based essentially on stories from the Holy books, like Ramayana, Mahabharat or the Puranas. Bhakti pradhan films are based on personalities engaged in devotion to their Deity. Thus, films like Narsi Bhagat or Sant Tukaram are Bhakti pradhan films, whereas films like Pawanputra Hanuman or Veer Arjun are Mythological or Pauranik films. Films on saints like Kabir, Soordas, Tulsidas or Tyagaraja are not religious but Mythological films are surely religious films.

The film Ekadashi-55 was made by All India pictures. produced by R.L. and M.L.Arora, it was directed by V.M.Gunjal. The music director of Ekadashi-55 was Avinash Vyas, ably assisted by Jayanti lal. There were 8 songs in the film. The cast of the film was Trilok Kapoor, Mala Sinha ( her only Mythological film), Sulochana, Gope, Badri Prasad etc etc. The Heroine of this film was Mala Sinha. It is mentioned in HFGK and also features in the credits of the film. However,strangely, she always avoided accepting that she ever worked in this film.

Mala Sinha came from Calcutta to make a career in Bombay films. In Calcutta she worked in a Bilingual film ‘Chitrangada-54’ in Bangla and Hindi. In 54 again, she did her first film in Bombay, Badshah-54 (released on 15-10-54), then came Hamlet-54 (released on 7-1-55), Riyasat-55 and Ekadashi-55.

In all her interviews, Mala Sinha always quoted “Rangeen Raten”-56 with Shammi Kapoor as her first film in Bombay. She was ashamed of revealing that in film Riyasat-55, her Hero was Mahipal and in film Ekadashi-55 it was Trilok Kapoor. She always hid this fact. There are many Heroines who want to hide their struggling days. For example,in the film “Professor”-62 Shammi Kapoor’s Heroine was Kalpana. Though touted as her first film, her first film was Pyar ki Jeet-62, opposite Mahipal- a fact which Kalpana always hid from everyone.

Similarly, A grade Heroine Meena Kumari also had done several Mythological and costume films before Baiju Bawra took her high up and above other Heroines. Films like Veer Ghatotkach-49, Shri Ganesh Mahima-50, Laxmi Narayan-51, Hanuman Paataal vijay-51 and Alladin aur Jadui Chirag-52 had Mahipal as her Hero. In her later years, she always hid her earlier film Heroes.

Even comedian Johnny Walker, who is supposed to have made a beginning with Baazi-51, had earlier worked in “The last message or Aakhri paigham”-49. However this fact is not told by anyone.

Not only actors, but even singers do this. They hesitate to say that they first sang for C grade films. Take the case of Sudha Malhotra, who used to declare Arzoo-50 as her first film, under Anil Biswas, but she never told that earlier she had sung 3 songs in film Aakhri paigham-49, under the baton of Abid Hussein Khan, composer.

Lyricists are not far behind. Gulzar’s first song was not from Bandini – 63, as is claimed. He has written lyrics in films Choron ki Baraat-60, Diler Haseena-60 and Shriman Satyawadi-60. He wrote these songs as Gulzar Deenvi. Then he wrote lyrics in the film Kabuliwala-61 and Prempatra-62 in the name of Gulzar. Even then he claims Bandini-63 as his first film- which is wrong.

It is very unfortunate that once the artiste becomes famous, he tends to forget his humble beginning with a less known film or a composer. This is because they are ashamed of it. I feel the blame also goes to people who take their interview, because the interview takers do not do proper homework. Many times they do not know anything and simply note down whatever is told by the artiste.

Coming back to today’s film Ekadashi-1955, many of the younger generation may not know what Ekadashi means. Not their fault. Children learn from what goes around , first in the family and then in the world around them.

What is Ekadashi ?

Ekadasi, is the eleventh lunar day (Tithi) of the shukla (bright) or krishna (dark) paksha (fortnight) of every lunar month in the Hindu calendar (Panchang). In Hinduism and Jainism it is considered a spiritually beneficial day. Scriptures recommend observing an (ideally waterless) fast from sunrise on the day of Ekadashi to sunrise on the day following Ekadashi. Hindu scriptures teach that it is especially important to avoid all beans and all grains on this day because on the day of Ekadashi these two foods are contaminated by sin, one should eat only fruits and vegetables and milk products on this day. Ekadashi day is recognized as the best of all days to fast because it is on this day of the moon phase in which the rays of the moon actually nourish the subtle nerves and feelings of the heart.

Two Ekadashis occur in one month according to positions of the moon. The progression of the moon from full moon to new moon is divided into fifteen equal arcs. Each arc measures one lunar day, called “tithi”: The time it takes the moon to traverse that distance is the length of that lunar day. Ekadashi refers to the 11the tithi, or lunar day. The eleventh tithi therefore corresponds to a precise phase of the waxing and waning moon: In the bright half of the lunar month, the moon will appear roughly 3/4 full on Ekadashi, and in the dark half of the lunar month, the moon will be about 3/4 dark on Ekadashi.

Bhagavata Purana (sk. IX, adhy. 4) notes the observation of Ekadashi by Ambarisha, a devotee of Vishnu.

Ekadashi Vrat is supposed to be very important. In Maharashtra, the Ekadashi falling in the month of ASHADH is celebrated at Vitthal Mandir in the Holy city of Pandharpur. Lakhs of devotees walk for 21 days,barefoot, to reach the temple. It is called VAARI. Here is more information-

Ashadhi Ekadashi , Pandharpur

The Pandharpur yatra is held on Aashadi Ekadashi (June- July). One of the most famous pilgrimages in Maharashtra, Pandharpur Ashadhi Ekadashi Wari has been taking place for more than 700 years. This is a religious padyatra,which comprises over 1 million pilgrims traveling for 21 days to Vithoba temple by foot. Numerous palkhis (processions) from various towns and villages join the main palkhi that starts from Sant Tukaram Temple at Dehu in Pune district. The yatra culminates at the Vithoba temple on Ashadi Ekadasi at Pandharpur. The annual Pandharpur Yatra to the famous Vithoba Temple at Pandharpur in Maharashtra is an unparalleled pilgrimage that breaks the barriers of caste, creed, rich and poor. The main rituals are performed in the early morning (0300hrs).

This is not unique to Maharashtra. Almost in every state of India, such pilgrimages are undertaken. Speaking of the South, the pilgrimage to Lord Ayyappa on Sabarimala Hills in Kerala is famous. After 40 days of Penance and Abstinence, devotees walk-in Black Clothes- to Sabari Malai. In the North the pilgrimage to Mata Vaishno Devi is well known. In the East people visit Kamakhya Devi on a Pilgrimage. Not millions, but Billions of Indians do these pilgrimages.

The film was directed by a veteran – Dada Gunjal. Director Vishnupant Mathaji Gunjal or simply Dada Gunjal, was born in Kolhapur in 1904. He was not interested in education,so after passing his matriculation,he joined the film industry. Initially he worked in various capacities,but concentrated on Directing the films. He established his own Gunjal Production company at Bombay and directed his first silent film Collegian in 1929. Soon ,realising that producing films was not his cake,he shifted to Directing films for Vishwesh film company,Bombay making silent films like Bharati, The Bandit, Vijeta,Bewafa Qatil, Khabardar, Bhedi Khanjar etc.

When Talkie films started ,he directed Bhakta ke bhagwan and Ambarish in 1934. Dada Gunjal directed in all 37 films. Some of his films were,Bhakta Dhruv, Panihari, Aparadhi, Ekadashi, Mata, Mamta, Tulsi, Bhakta ke Bhagwan, Noorjehan, Baaraat, Kirti, Pati patni, Alakh Niranjan, Mother india -1938 etc.

Dada Gunjal died in 1968.

The story of film Ekadashi-1955 was-

In the days of the King Rukmangad of Ayodhya, the King and all his subjects, Proud or Humble, adhered to this Fast and as a result, while they lived on this planet they had Peace of Mind and therefore Temporal Bliss and after death ascended to Heaven. Now that all Ayodhya people went to Heaven-and Ayodhya was a vast and populous kingdom-the population of Hell fell colossally. This caused great anxiety to the King of Hell-YAMRAJ, as his Prowess as King narrowed down with the diminished numbers. He took upon himself to create a breach in the strict observance of the fast by the King Rukmangad: as like King, like subjects, all would follow suit and prosperity would reign supreme in Hell. But all the manoeuvres of Yamraj fell flat against the religious fervour with which the King followed the observance. As a last resort, Yamraj got Mohini by supplicating to Brahma. Mohini-beauty incarnate in female form-was a power that subdued all it saw; sages or saints, high or low. The ordeal of putting up resistance to this force was too much for Rukmangad and he staggered. Diamond cuts diamond and woman does likewise. The Maharani Sandhyavalli knew this and her efforts and sacrifices to save her lord proved all in vain. The King’s heroic struggles against beauty aroused were wasted and when all seemed black for this holy pair their son, Dharmangad, rose to the sally of beauty. Child against beauty-both the highest creations of the Almighty were arrayed face to face. Finally,it was the victory of Good over Evil. Mohini accepted her defeat and withdrew. Thus the importance of Ekadashi Vrat remained intact.

Here is a song from this film sung by Lata Mangeshkar and chorus.


Song- Man ka mail tu dho le re dhobaniya (Ekaadashi)(1955) Singer- Lata, Lyricist- Pt. B C Madhur, MD- Avinash Vyas
Chorus

Lyrics

Man ka mail tu dho le re dhobaniya aa aa
Man ka mail tu dho le
Man ka mail tu dho le re dhobaniya aa aa
Man ka mail tu dho le
jag ke praani roz badalte
apne apne chole re dhobaniya aa aa
Man ka mail tu dho le
Man ka mail tu dho le re dhobaniya aa aa
Man ka mail tu dho le

Moh maaya ka bojh uthhaa kar
nainon ke panghat par jaa kar
kaam krodh mad lobh ko dho le
ghaat ghaat kyun doley re dhobaniya aa aa
Man ka mail tu dho le
jai Gange
jai Gange
har har Gange jai Gange
jai Gange
jai Gange
har har Gange jai Gange

kapde dhote umar khoyegi
karmon ka kab mail dhoyegi
ek aasraa us dhobi ka
teri wo gathhri khole re dhobaniya aa aa
Man ka mail tu dho le
jai Gange
jai Gange
har har Gange jai Gange
jai Gange
jai Gange
har har Gange jai Gange

Bramha Vishnu Shiv is jal mein
uske paap katenge pal mein
ek baar jo patit paavan
Ganga ki jai boley re dgobaniya aa aa
Man ka mail tu dho le
jai Gange
jai Gange
har har Gange jai Gange
jai Gange
jai Gange
har har Gange jai Gange
jai Gange
jai Gange
har har Gange jai Gange
jai Gange
jai Gange
har har Gange jai Gange


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4712 Post No. : 16418

———————————————–————————————
Blog 10-Year Challenge (2011-2021) – Song No. 25
———————————————————————————–

“Teen Bhai”(1955) was directed by Hem Chandra for D P Productions, Bombay. This “social” movie had Nirupa roy, Shyama, Bharat Bhushan, Pahadi sanyal, Hiralal, Nazir Hussain, Gulab, Leela Mishra, Madan Puri,Chandrakala, Bhupendra Kapoor, Menka, Samar Chatterjee, Sarita devi, Colin Pal, Shivji Bhai, Nimbalkar, Shah, Sailen Bose, Shailaj, Kammo etc in it ith
Guest appearance by Pal Mahendra.

The movie had eight songs in it. One song has been covered in the past. That song was covered on this day ten years ago, and that song- Jaan gayi hoon pehchaan gayi hoon , remains the only song from the movie in the blog so far.

As blog ten year challenge, here is the second song from “Teen Bhai”(1955) to appear in the blog. This song is sung by Sudha Malhotra. Bharat Vyas is the lyricist. Music is composed by Arun Kumar Mukherjee.

Only the audio of the song is available. It appears that only two stanzas of the song are available and those two stanzas have been repeated by the uploader to make it look like a long enough song.

I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Prakashchandra.


Song-Ban mein boley bulbul aur man mein boley maina(Teen Bhai) (1955) Singer-Sudha Malhotra, Lyrics-Bharat Vyas, MD-Arun Kumar Mukherjee

Lyrics(Provided by Prakashchandra)

bann mein boley bulbul
aur mann mein boley mainaa
ho bann mein boley
bann mein boley bulbul
aur mann mein boley mainaa
rey ud ud jaaye
o udd udd jaaye
gagan mein morey naainaa aa
bann mein boley
bann mein boley bulbul
aur mann mein boley mainaa
ho bann mein boley

ye kaarey kaarey baadal
baajaaye meethi maadal
hooo oo ooo hoo oo hoo oo
aahhhaaa hhaaa hhaaa hhhaaa
ye kaarey kaarey baadal
baajaaye meethi maadal
ye sunn sunn ankhiyon mein
phailaa jaaye kaajal
ho phailaa jaaye kaajal
laagey rey laagey aey ae ae
sunehrey laagey
sunehrey laagey din ye
rupahaley laagey rainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey nainaa aa
bann mein boley

ye kaarey kaarey baadal
baajaaye meethi maadal
hooo oo ooo hoo oo hoo oo
aahhhaaa hhaaa hhaaa hhhaaa
ye kaarey kaarey baadal
baajaaye meethi maadal
ye sunn sunn ankhiyon mein
phailaa jaaye kaajal
ho phailaa jaaye kaajal
laagey rey laagey aey ae ae
sunehrey laagey
sunehrey laagey din ye
rupahaley laagey rainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey nainaa aa
bann mein boley
bann mein boley bulbul
aur mann mein boley mainaa
ho bann mein boley

ye meethhi meethhi ghadiyaan
jo moti si thin ladiyaan
oo oooo ooo oo oo ooo
haahhhaa aaahhaaa hhhaaa hhhaaaa
ye meethi meethi ghadiyaan
o jo moti si thin ladiyaan
o lagee lagee phaagun mein
phoolon ki phuljadiyaan
ho phoolon ki phuljhadiyaan
main kis sey kahoon oon oon
kis sey kahoon
main kis sey kahoon
baat meri kaun suney bainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey naainaa aan aa
bann mein boley

ye meethhi meethhi ghadiyaan
jo moti si thhin ladiyaan
ho o ho o ho o
haahhhaa aaahhaaa hhhaaa hhhaaaa
ye meethi meethi ghadiyaan
o jo moti si thin ladiyaan
ho lagee lagee phaagun mein
phoolon ki phuljadiyaan
ho phoolon ki phuljhadiyaan
main kis sey kahoon oon oon
kis sey kahoon
main kis sey kahoon
baat meri kaun suney bainaa
rey udd udd jaaye
ho udd udd jaaye
gagan mein morey naainaa aan aa
bann mein boley


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4650 Post No. : 16314

“Mastaani”(1955) was produced and directed by Dhirubhai Desai for Sharad Productions, Bombay. This “veshbhoosha pradhan” movie had Nigar, Manhar, Shahu Modak, Ratnmala, Niranjan Sharma, Agha, Suryakant, Seeta Bose, Santosh Kumar, N Bhushan, Dilip, Roop Kumar, Mishrilal, B N Bali etc in it. This movie also had guest appearances by Kamal, Indira Bansal, Jankidas, Yashoshara and Bhagan.

The movie had 12 songs in it. 3 of these songs have been covered in the past.

Here is the fourth song from “Mastaani”(1955) to appear in the blog. The song is sung by Rafi and chorus. B D Mishra is the lyricist. Music is composed by B N Bali.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Koi aisi ho mastaani…Usi ka main hoon deewaana(Mastani)(1955) Singer-Rafi, Lyrics-B D Mishra, MD-B N Bali
Chorus

Lyrics

aa aa aa
koi aisi ho mastaani ee ee
ki jispe dil ko pyaar aaye ae ae ae
jo roye to gire shabnam m m m
hanse to chaandni chhaaye

ada se bijli giraaye
machal ke jhoomti aaye
nazar se masti lutaaye
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
meri jaan khoob pehchaana
meri jaan
meri jaan
meri jaan khoob pehchaana
khoob pehchaana
khoob pehchaana

(ho ho ho ho
ho ho ho ho)
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana

dikhaaye zulfon ki shokhi to ik nasha chhaaye
dikhaaye zulfon ki shokhi to ik nasha chhaaye
vo muskuraaye to seene se dil nikal jaaye
haay dil nikal jaaye
vo meri shamma ho
main hoon jiska parwaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
meri jaan khoob pehchaana
meri jaan
meri jaan
meri jaan khoob pehchaana
khoob pehchaana
khoob pehchaana

(ho ho ho ho
ho ho ho ho)
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana

lade jo aankh
kaleje pe chhuri chal jaaye
lade jo aankh
kaleje pe chhuri chal jaaye
haseen ho to wo aisi ho jo sitam dhaaye
haay jo sitam dhaaye
dikhaaye nakhre to aa jaaye us pe mar jaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
meri jaan khoob pehchaana
meri jaan
meri jaan
meri jaan khoob pehchaana
khoob pehchaana
khoob pehchaana

(ho ho ho ho
ho ho ho ho)
ada se bijali giraaye
machal ke jhoomati aaye
nazar se masti lutaaye
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4621 Post No. : 16265

—————————————————————————
Blog 10-Year Challenge (2011-2021) – Song No. 17
—————————————————————————

This date ten years ago (13 March 2011) saw six songs from six different movies getting discussed in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
3645 Nukta cheen hai gham e dil Yahudi Ki Ladki(1933) 5 songs covered by now out of 19
3646 Abhi shaam aayegi niklenge taare Samadhi(1950) Movie YIPPEED by now
3647 Ye haseen shaam gardish mein jaam (Teerandaaz) Teerandaaz(1955) 3 songs covered out of 6 by now
3648 Aankh mein shokhi lab pe tabassum Reshmi Roomaal(1961) Movie YIPPEED by now
3649 Jabse ham tum bahaaron mein Multiple version song Main Shaadi Karne Chalaa(1962) 5 songs posted out of 9 by now
3650 Chaandi ki deewaar na todi Vishwaas(1969) Movie YIPPEED by now

Four out of six movies have since been YIPPEED. So we are left with just two movies which are eligible for Blog Ten Year Challenge today(13 March 2021).

“Teerandaaz”(1955) is one of them. This movie was produced and directed by H S Rawail for Roshni Films, Bombay. The movie had Madhubala, Ajit, Jairaj, Kuldip Kaur, Gope,Sunder, Yashodhara Khatju, Chandrashekhar, Rirkoo, Bhagwan Sinha, Ravi, Paul Sharma, Krishna Varma, Kumud Tripathi, Ramlal, Madan Bhandari, Helen, Kammo, Mohana etc ith Chanchal as guest artiste.

The movie had six songs in it. Three songs have been covered in the past.

Here is the fourth song from “Teerandaaz”(1955) to appear in the blog. The song is sung by Lata and chorus. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

Only the audio of the song is available. I request our knoledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Maine rakh dee nishaane pe jaan re (Teerandaaz)(1955) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra
Female chorus

Lyrics(Provided by Prakashchandra)

maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko
maine rakh dee
maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko

dekho na aisi tirchhi nazar se
bhadkega sholaa dil se jigar se
dekho na
ajee dekho na aissi tirchhi nazar se
bhadkega sholaa dil se jigar se
achcha nahin hai rah rah ke taknaa
achcha nahin hai reh reh ke taknaa
aissey kissi dilgeer ko
zaraa seedhaa to kar lo teer ko
maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko

marne se hargiz darte naheen hum
aissi muhabbat karte naheen hum
hoke tumhaare haathon nishaana
hoke tumhare haathon nishaana
denge duaa taqdeer ko
zaraa seedhaa to kar lo teer ko
maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko

dil ki ye duniyaa kis ke liye hai
samjhey na haayye jis ke liye hai
dil ye hamaara ghar hai tumhaaraa
dil ye hamaara ghar hai tumhaaraa
looto na iss jaageer ko
zaraa seedhaa to kar lo teer ko
maine rakh dee
maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko
maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko
maine rakh dee nishaane pe jaan rey
zaraa seedhaa to kar lo teer ko


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4580 Post No. : 16192

Today’s song is from the film Shri Nagad Narayan-1955.

There is a little story on why I have chosen this song today for my post here. Only the other day, I was going through my mails, searching for some reference. while searching for it, i went back well upto 2014 mails. Suddenly my attention fell on a mail written on 25-8-2014, by our friend in ASAD group-Mr. Mahesh Mamadapur. The mail was addressed to me, Atul ji and Sudhirji. It pointed out that a song by Khan Mastana in the film Shri Nagad Narayan-55 was still uncovered and he had suggested that one of us should make a post on it, as it was a good song.

Out of curiosity, I immediately checked whether this song was covered on the Blog. I was also curious to know, finally who wrote the post on that song. To my utter surprise, I found that even after 7 years the song had still remained uncovered. Perhaps, in those days, all of us must have thought that the other would write on the song. Then I checked on YouTube if this song was available. After a little effort, I found the song also. I felt relieved and decided to correct the slip at least now. Perhaps it was my destiny to write a post on this song, afterall ! Thanks Mahesh ji for the song and here it is, dedicated to Mahesh ji !

The film Shri Nagad Narayan-55 was produced by S.N.Kanva-of Kanva Brothers Corporation, under the banner of their own Kamdhenu Films, Bombay. It was directed by I.S.Johar and the music was by Vinod. The cast consisted of Meena (Shorey), Motilal, Majnu, Omprakash, Badri pershad,Leela Mishra, Shirin etc. The director, composer and the lead pair reminded me of their earlier Hit film ” Ek Thi Ladki”-1949, where, for the first time I.S.Johar and Majnu had made a comedy pair on the lines of Bud Abott and Louise Castello. Later they acted together as a pair in almost every film of Roop K. Shorey, who considered them ” Lucky Mascot”. However, I liked this pair in the film ” Hum sab chor hain”-1956, which was a adapted copy of the film Ek this Ladki-49.

There was another film ‘Nagad Narayan” made in 1943. This was a remake of a Marathi film ” पैसा बोलतो आहे ” made by Bhal G. Pendharkar. I do not know the story of today’s film, but I guess it was a comedy film ( with ‘ Vinod’ as the appropriate MD !). The film had 11 songs written by Qamar Jalalabadi, P L Santoshi, Verma Malik and Madhup Sharma.

In the year 1981, when I was the Zonal Manager in Glaxo Laboratories in Bombay, I had come in contact with this Madhup Sharma. Our company was making an Audio-Visual presentation for our London Principles, for our Veterinary products. One Mr. Mahesh Sharma was making it for us. He knew Madhup Sharma, who was friendly with actor Ashok Kumar. In those days Ashok Kumar used to have a very large Poultry Farm at Lonavala (between Bombay and Poona). We needed to shoot there and also interview Ashok Kumar. Madhup Sharma took us to Ashok kumar in his Chembur bungalow. There I met Ashok kumar personally for discussions. I took many photographs with him at that time.

This Madhup Sharma was a character actor, who acted in 48 films, from 1970 to 1989. He also wrote Lyrics for 2 films, Dara-53 and Shri Nagad narayan-55.

From 1950 to 1960 period, the maximum number of films – 124 were made in 1955, but most films this year were Mythological, Religious, Costume, Comedy and Stunt films. Incidentally, for the same period, 1950 to 1960, there were maximum Mythological/Religious films made – 124. Here are some milestones of 1955.

Film Pather Panchali had a world premier in New York. Festivals of Indian Films were held in London and Peking. Children’s Film Society was established in 1955 and Journal of Film Chamber was started by the South Indian Film Chamber of Commerce.

Taking a look at the 124 films of 1955, we find that…

A coloured Costume film ‘Azaad’, with A grade actors like Dilip Kumar, Meena kumari, Pran etc came from Madras stable.

Leela Chitnis tried to launch her son AJIT as a Hero in the flop film ‘ Aaj ki Baat’. 19 Popular Saigal songs were repeated in film Amar Saigal.

Comedy musical Baap re Baap and Naashad’s Baradari made ripples.

Ashok Kumar’s film Bandish…..on the night of 6-12-1955, when Ashok kumar and MD Arunkumar Mukherjee-his cousin, were returning from the Trial show of Bandish, Arunkumar Mukherjee, died in the car after a massive Heart attack, on Ashok Kumar’s lap.

Film Bhagwat Mahima had very good Bhajans by Hemant kumar.

Film Chingari had lovely songs by MD Manohar. Nalini Jaywant sang her last film song. This was the last film of actress Sunalini Devi also.

Om Praksh directed his first flop film Duniya Gol hai. The film had a record number of 13 Guest Artistes !

The only film of Pt. Amarnath Chawla,” Garm Coat” was renamed ‘ The clerk and the coat’.

Burman’s musical House No.44 became popular.

Another Costume film with A grade actors like Dilip kumar, Dev Anand, Beena Rai etc. from Madras again – Insaniyat. The Hollywood import monkey Zippy featured in Radio Ceylon advertisements for the film.

The evergreen dance and Music film from V.Shantaram – Zanak Zanak Paayal Baaje drew large crowds.

MD Jaidev debuted with a flop film Joru ka Bhai.

N.Datta debuted with film Milap.

MD Ravi debuted with the film Vachan.

Some other films were Mr. and Mrs. 55,Munim ji, Railway Platform (Sunbil Dutt made a Debut), a serious musical, Seema, the great film Shri 420 and Naushad’s Udan khatola.

In the cast of today’s film, you find the name Shirin Bano. Yes, she too is one of the artistes who joined films to get a suitable husband and lead a respectable and comfortable life. Shirin, Shirin Bai or Shirin Bano was from a tawaayaf mother from Lucknow. Her father was a Tamil Brahmin – Ram Seshadri Aiyar, who worked as an accountant with Kikubhai Desai (father of Manmohan Desai) in his distribution department. They were 5 sisters and 1 brother. Shirin joined films at an early age.

Her first film was ‘Maharani’ (1934). The same year she worked in ‘Vehmi Duniya’, ‘Sewa Sadan’ and ‘Bala Joban’. In 1935 her films were ‘Shamsher e Arab’, ‘Pardesi Sainya’ and ‘Bambai Ki Sethani’. In 1936, she worked in ‘Tope Ka Gola’, ‘Snehlata’, ‘Passing Show’ and ‘Azaad Veer’. ‘Khwab Ki Duniya’, ‘His Highness’ and ‘Challenge’ are her films from 1937, ‘State Express’ and ‘Purnima’ in 1938, and ‘Leather Face’ and ‘Hero No. 1’ from 1939. Total 18 films only.

Shirin alson sang 9 songs in 6 films – Maharani-34, Pardesi Saiyan-35, Khwab ki duniya-37, His Highness-37, Purnima-38 and Hero No.1-39

Her youngest sister Meher Bano also joined films with the name Purnima (she also married a producer / director Bhagwandas Varma). Shirin married producer / director Nanabhai Bhatt, who already had a wife and 3 children. They had 6 children – Mahesh Bhatt and Mukesh Bhatt are their sons.

Today’s song is sung by khan Mastana. In the last part of this song, there are lines “” Laila, Laila pukarun mein ban mein, meri Laila basi mere man mein”. These are famous lines from an original song by Master Nissar in film ” Laila Majnu”-1931, made by Madon Theatres. These lines are used in many other Hindi film songs too.


Song- Aata hai yaad mujh ko guzra hua zamaana (Shri Nagad Narayan)(1955) Singer-Khan Mastana, Lyricist-Qamar Jalalabadi, MD-Vinod

Lyrics

aata hai yaad mujhko guzra huaa zamaana
aata hai yaad mujhko guzra huaa zamaana
tu thhi meri deewaani
main tha tera deewaana
tu thi meri deewaani
main tha tera deewaana
aata hai yaad mujhko guzra huaa zamaana

chanda ki chaandni mein tu so rahi thi gori
aakar teri gali mein seeti mera bazaana
aata hai yaad mujhko guzra huaa zamaana

khidki mein tera aake chhupchhup ke muskuraana
ab tere ho chuke ham
ye kah ke bhaag jaana
aata hai yaad mujhko guzra huaa zamaana

ik din khabar ye aana
tu ban gayi hai dulhan
doli mein tera jaana ro ro ke mera gaana
laila laila pukaaroon main ban mein aen
meri laila basi mere man mein
laila laila pukaaroon main ban mein aen
meri laila basi mere man mein
laila laila pukaaroon main ban mein


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4549 Post No. : 16134

The year that was … “2020” … we have finally come to the end of ‘Year 2020’ which has shaken the whole world and while people are trying to come to normal, the pandemics’ ‘aftershocks’ and its ‘new improved stains’ are still threatening to harm the humanity further.

Our heart goes to those who have lost their lives, those who have struggled and those who have faced difficulties in the ‘pandemic period’.
From that point of view all of us, those who will see the morning of ‘2021,’ are fortunate and should express our gratitude to the almighty, well-wishers, family members and friends, and to all them who have been caring for each other and maintaining social discipline to help the country fight back to this calamity.

Life moves on … and for people like me and like-minded music lovers this blog has been the main sources of motivation where we visited and enjoyed music to give us that much needed ‘therapeutic’ relief to forget for some time the harsh realities of life and sometime making us philosophical to think over and give a fight back or even to do an introspection.

Here I would like to highlight one comment on the blog by our regular inspiration Shri Manohar Lal Dave ji.

Suddenly it seems ONE DAY match for SHANKAR JAIKISHAN because there was no such T20 in their time. Thanks to Avinash ji, Atul ji…With SJ nearing 1K mark, the trio of lyricist-singer-composer in a song will be achieved and the BLOG will be complete in a sense in this gloomy year 2020. It will be an achievement for SJ to touch 1k mark first which they justifiably deserve like Sunil Gavaskar touching 10K mark in test.

I do not know how many of us have read this above comment and how everybody of us had interpreted it. But, for me it is a very big comment and while it also shares ‘feelings’ of many like me, it’s also the love for this blog and its magic that we are looking for our daily motivation here.

Regulars on the blog are aware of my (our) love for the railways 😊 When I came back from Kenya last year I had so many plans to visit my Mother (in Maharashtra) and other relatives and gang-outs with our team members, and thus travelling by train and relive the experience of train journey (after a long gap). However, fortunately or unfortunately it could not happen. The one ‘mini gang-out’ chance was missed on account of my health issues and after that the ‘lockdown’ happened and train services were cancelled. Secondly, then I got a job and it turned out to be the ‘shortest tenure job’ of my career. Meanwhile health issues continued and after some time they became ‘mind issues’😊

During this time where everything was looking going wrong the only thing I was doing ‘right’ (or I was able to do it correctly) was contributing to the blog with write-ups and sharing songs. It was like a retired person life or semi-retired life for me. (sabbatical is the other word – ‘Doctor’s terminology 😊)
Well, I was daily praying to the almighty to bring my life on ‘track’. (मेरी गाड़ी को पटरी पर ला दो भगवान्). And as it so happened the almighty got me engaged indirectly in the ‘maintenance’ of ‘tracks’ for all. (or मैंने उपरवाले से प्रार्थना की थी के मेरी गाड़ी को पटरी पर ला दो भगवान्, पर भगवान् मुझे काम ही ऐसा दिया के मैं सब के लिए पटरियों के मरम्मत के काम में हाथ बटाऊँ).
While the first job was around 35-40 kms from my residence the second one is 50-55 kms away from the city. Travelling for the first job I have to cross a over bridge on a railway line near the satellite station of the city and I used to see trains coming and going from a longer distance.
But now I am getting to watch the ‘tracks’ daily with those beautiful ‘track maintenance machines’ (innovation of the technology). Secondly a railway line passes around this place so I can watch trains coming and going. That reminds me of all the ‘train songs’ from our movies and specially ‘gaadi bulaa rahi hai’, which is a source of inspiration and motivation and how accurate are the words in this song …

dekho wo rail,
bachchon ka khel,
seekho sabak jawaanon
sar pe hai bojh,
seene mein aag,
lab pe duaa hai jaano
phir bhi ye ja rahi hai,
naghmein suna rahi hai
gaadi bula rahi hai,
seetee bajaa rahi hai

This has become my daily inspiration and motivation now.

Another good thing happening at the end of the year was the pre-engagement function of elder daughter 😊 (Sahir’s song always playing in the back ground in my mind).

So, the year ‘2020’ is ending on a very happy note for me on both home and work fronts. At work I have taken a new challenge but the daily inspiration and motivation – the train – with me. I get to read this tagline ‘the journey continues … with many miles to go’ daily now and it reminds me that the journey is still on … my journey continues…

And, that is why the today’s song is a ‘train song’ sung by Lata Mangeshkar and Talat Mehmood. It is from the 1955 movie ‘Do Dulhe’. Lyrics are by Pandit Indra and music is composed by B.S. Kalla.

On screen it is performed by a male and a female actress whom I am unable to identify, however Shyama and Sajjan are also seen in the picturisation of this song.

I had come across this song more than two years back now, when there was a discussion about train songs on the ‘Whatsapp group’ of Atulites.

Lastly, I wish to add about the other love of our group that is ‘cricket’. The year ended on a happy note for India as our team scored a win over Australia. The ‘year-ending’ also reminds me of statistics like most ‘runs’ or ‘wickets’ and ‘run and wickets double’ in a single ‘calendar’ year. If the scores in single calendar year is to be considered with reference to ‘write-ups’ and/ or ‘lyrics’ shared will be interesting to know (tnih) for the artists (as well as the contributors) 😊

Let us now enjoy this philosophical train song …

Video

Audio

Song-Jeewan ki gaadi chalti hai (Do Dulhe)(1955) Singers-Talat Mehmood, Lata, Lyrics-Pt Indra Chandra, MD- B S Kalla
Both

Lyrics

Jeewan ki ee gaadi chalti hai …

Jeewan ki gaadi chalti hai
Kuchh rukti phir chalti
Jeewan ki gaadi chalti gaadi chalti
Oonchi neechi raahon pe
Yoon nadiya chali machalti
Gaadi chalti
Jeewan ki ee gaadi chalti

Koyi sukhi hai
Koyi dukhi hai
Koyi gaata
Koyi rota aa
Koyi gaata
Koyi rota aa
kamar jhukaaye khadaa hai koyi
Paaon pasaare sota aa aa
Paaon pasaare sota aa

Kabhi sawera hota sukh ka aa
Aa aa aa aa
Kabhi sawera hota sukh ka
Dukh ki sandhya dhalti ee
Aansoo aur geeton ki duniya
Rehti sadaa badalti
Aansoo aur geeton ki duniya
Rehti sadaa badalti

Gaadi chalti
Jeewan ki ee gaadi chalti

Jeewan ki gaadi chalti hai
Kuchh rukti phir chalti
Jeewan ki gaadi chalti gaadi chalti
Jeewan ki gaadi chalti gaadi chalti

————————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————
जीवन की ई गाड़ी चलती है …

जीवन की गाड़ी चलती है
कुछ रूकती फिर चलती
जीवन की गाड़ी चलती गाड़ी चलती
ऊंची नीची राहों पे
यूं नदिया चली मचलती
गाड़ी चलती
जीवन की ई गाड़ी चलती

कोई सुखी है
कोई दुखी है
कोई गाता
कोई रोता आ
कोई गाता
कोई रोता आ आ

कमर झुकाए खडा है कोई
पांव पसारे सोता आ आ
पांव पसारे सोता आ

कभी सवेरा होता सुख का आ
आ आ आ आ
कभी सवेरा होता सुख का
दुःख की संध्या ढलती ई

आंसू और गीतों की दुनिया
रहती सदा बदलती
आंसू और गीतों की दुनिया
रहती सदा बदलती

गाड़ी चलती
जीवन की ई गाड़ी चलती

जीवन की गाड़ी चलती है
कुछ रूकती फिर चलती
जीवन की गाड़ी चलती गाड़ी चलती
जीवन की गाड़ी चलती गाड़ी चलती


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4549 Post No. : 16132

“Ratn Manjari”(1955) as directed by G P Pawar for Chitra Bharati, Bombay. The movie had Shakila, Mahipal, Rehana, Sapru, Maruti, Moni Chatterjee, Roopmala etc in it.

The movie had five songs in it. One song has been covered in the past.

Here is the second song from “Ratn Manjari”(1955) to appear in the blog. The song is sung by Asha Bhonsle. B D Mishra is the lyricist. Music is composed by S N Tripathi.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Hamen kyun bhulaaya raaja hamen kyun rulaaya jee(Ratn Manjari)(1955) Singer-Asha Bhonsle, Lyrics-B D Mishra, MD-S N Tripathi

Lyrics

Hamen kyun bhulaaya raaja
hamen kyun rulaaya jee
dil ko churaa ke chale jaane waale

aaye thhe sukh leke
jaate ho dukh de ke
aaye thhe sukh leke
jaate ho dukh de ke
ro ro katenge din raat
ho o
ro ro katenge din raat

koi sahaara nahin
koi hamaara nahin
koi sahaara nahin
koi hamaara nahin
kaase kahoon main jee ki baat
ho o o
kaase kahoon main jee ki baat
kaahe bisraaya raaja aa
kaahe tadpaayaa jee
bainyya chhudaa ke chale jaane waale
bainyya chhudaa ke chale jaane waale
Hamen kyun bhulaaya raaja
hamen kyun rulaaya jee
dil ko churaa ke chale jaane waale

meri ho naiyya tumhi
mere khiwaiyya tumhi
meri ho naiyya tumhi
mere khiwaiyya tumhi
tumhi ho mere patwaar
ho o o
tumhi ho mere patwaar

beech bhanwar mein piya
kaahe kinaara kiya
beech bhanwar mein piya
kaahe kinaara kiya
doob rahi hoon manjhdhaar
ho o o oa
doob rahi hoon manjhdhaar

paar lagaaya nahin
hamen thhukraaya jee
naiyya dubaa ke chale jaane waalay
naiyya dubaa ke chale jaane waalay
Hamen kyun bhulaaya raaja
hamen kyun rulaaya jee
dil ko churaa ke chale jaane waale


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4545 Post No. : 16119

Today’s song is from a B grade Costume drama film- Teerandaz-1955.

The music was from an A grade composer who was going downhill via B and C grade films and within 2 years’ time, would walk into a path leading to the end of a spectacular musical career – C. Ramchandra. With the strong competition from New blood composers lika Shankar Jaikishan, Madanmohan, O P Naiyyar and others, C Ramchandra was finding it difficult to maintain his leading position.

In 1955, C Ramchandra had actually 8 films on hand, out of which film Baap re Baap slipped out of his hands and went to O P Naiyyar, leaving him with only 7 films. They were Yasmin, Teerandaz, Pehli Jhalak, Lutera, Insaniyat, Duniya Gol hai and Azaad. As far as the film Baap re Baap is concerned, C Ramchandra had composed 3 songs ( 2 Asha solos and 1 Kishore solo) before quitting the film. The songs remained in the film ( since its shooting was already done), but commercial records were not issued. Effectively, all the 8 songs out of the total 11 songs were by Asha Bhosle ( because of O P Naiyyar, obviously).

Film Insaniyat had Dev Anand and Dilip Kumar (for the first and the last time) together in the lead. The film was made in Madras, where C Ramchandra was quite popular amongst the Madrasi producers. There was a trained monkey ‘ Zippy ‘ in the film ( Baburao Patel had said that Zippy’s acting was the best in the film ! ). The monkey was brought from Hollywood. Out of the 7 films in 1955, film Yasmin was C Ramchandra’s favourite film. He is on record saying that he had taken extra efforts for that film. However Yasmin songs did not become very popular as he had expected and even the film was not very successful. C Ramchandra was upset, more also because it was made by Musical Pictures, a joint venture by Lata and C Ramchandra !

Film Teerandaz had only 6 songs and as expected all were Lata songs ( like all Asha songs in O P Naiyyar films). In 1956 C Ramchandra had only 3 films, in 1957 5 films. This was also the year when there was a rift and separation of C Ramchandra and Lata. Consequently, succeeding 3 years, C Ramchandra had only 4, 2 and 3 films. His downfall gained momentum.

The film was directed by H.S.Rawail. Harnam Singh Rawail aka H.S.Rawail was born in Lyallpur,Punjab, British India on 21-8-1921 and moved to Mumbai to aspire to be a filmmaker. Here he wrote lyrics for films, Veer kesari-38, Na hone wali baat-38 and Yaad rahe-40. Later, he moved to Calcutta where he wrote several film scripts and debuted as a director with Dorangia Daaku -1940. His three consecutive films; Shukriya-1944, Zid-1945 and Jhoothi Kasmen -1948; were commercial failures. His next film Patanga-49 was successful and was the seventh highest grossing Bollywood film of 1949. The film is still remembered for the song “Mere Piya Gaye Rangoon” sung by Shamshad Begum.

Later, Rawail’s nine consecutive films from 1949 till 1956 did not perform well at the box office. In March 1956, Rawail started with two new projects, Chaalbaaz with Meena Kumari and Baazigar with Vyjayantimala. Both the films were dropped eventually. However, in 1958 director Nanabhai Bhatt revived both the projects starring Nirupa Roy, Jairaj and a Dog- Tiger. Chitragupta was the MD for both films. Chaalbaaz-58 was a Stunt film and Baazigar a Costume Drama. Rawail took three years sabbatical and returned in 1959 with a comedy film Shararat, starring Raaj Kumar, Kishore Kumar and Meena Kumari. The film was not a commercial success along with his next two films, Roop ki Rani Choron ka Raja-61, starring Dev Anand and Waheeda Rehman and Kanch ki Gudia -63 starring Manoj Kumar. But the film brought recognition to Manoj Kumar after having starred in various unsuccessful films before.

Rawail’s major success came with 1963 musical film Mere Mehboob starring Rajendra Kumar and Sadhana Shivdasani. Kumar had earlier worked as an assistant director to Rawail. The film was praised for Rawail’s direction and is remembered for the title song composed by music director Naushad and performed by singers Mohammad Rafi and Lata Mangeshkar. His next film Sunghursh -68 was based on a novel written by the Bengali author Mahashweta Devi. The film was set in the 19th century and showcased the lives of bandits. It was praised for the “exceptional performances” by its actors like Dilip Kumar, Vyjayanthimala, Balraj Sahni, Sanjeev Kumar and Jayant. The actor-director Rajesh Roshan had worked as an assistant director on the film.

His next film Mehboob ki Mehndi -71, featuring Rajesh Khanna and Leena Chandavarkar performed average at the box office but was recognised for its music composed by Laxmikant-Pyarelal. However, his 1976 film Laila Majnu, starring Rishi Kapoor and Ranjeeta Kaur in lead roles, became a huge blockbuster. Rawail’s last film as director Deedar-E-Yaar -82 was a commercial failure with which he took sabbatical from the film industry. He directed,in all, 22 films.

His son Rahul Rawail is also a film director and is best known for films like Love story -81, Betaab-83, and Anjaam-94. He paid a tribute to his father’s “best work”Sunghursh -68 by titling one of his film as Jeevan Ek Sanghursh -90.Rawail’s grandson Bharat Rawail is an upcoming director, who recently assisted Yash Chopra for his last film, Jab Tak Hai Jaan (2012). Rawail died on 17 September 2004 at the age of 83 in Mumbai.(adapted from Wiki, with thanks).

What makes a film successful ? So far, no one has got the answer. We have seen Big star films flopped and ordinary films like Jai Santoshi Maa-75 doing record business. That is why, maybe, producers try various tricks like taking 2-3 heroes, 2-3 heroines, a battery of Comedians etc. Film Teerandaz had 2 Heroes-Jairaj and Ajit, 2 heroines- Madhubala, and Kuldeep kaur and 3 Comedians, Gope, Sundwer and kumud Tripathi. It also had 3 dancers-Helen , Kammo and Mohana. Even Madhubala’s sister Chanchal had a song in it. Despite all this, the film did not do well.

As far as Kumaud Tripathi is concerned, he joined the films as a Lyricist and wrote songs for films Rimjhim-49, Bijli-50, Sandesh-52, Jeevan Sathi-57 and Nai zindagi-51. Then he became a comedian. His role in the film Apradhi-57 kaun was the best among his 73 films. After films, he joined TV serials. His role as Guptaji, General store owner in serial Nukkad was much appreciated. In his initial days, he shared a cottage in Bandra slum along with Sunil Dutt and Rajendra Kumar.

Comedian Sunder Singh aka Sunder was born in Sialkot, Punjab in August 1916. His father was working in Madon Theatres, Calcutta. Sunder also started working there. Initially, for a long period,he did Girl’s roles. Once his work was seen by H.S.Rawail (Director in later life). He was quite impressed. Later Rawail started working with R.N.Vaidya as his assistant in direction.Meanwhile Sunder started working in Talkie films. His first film,where he was credited, was ” Na honewali baat”-38. Before that, Rawail and Vaidya were preparing to make the film Banke Sipahi-37.Rawail recommended Sunder and Vaidya gave him an uncredited small role in that film.

Sunder and Rawail became good friends and started staying in one flat in Calcutta. After a few films here, they both went to Lahore and Sunder got the Hero’s role in the film ” Shukriya”-44. There were 4 Heroines in the film- Ramola, Rooplekha, Manorama and Raksha. Sunder’s role in this film was that of a young man from a village and Ramola was from a City. Sunder’s one song from this film-‘ Nayanon ke teer chala gayee ek shehar ki laundiya’ became very popular all over India, However the song was banned in Punjab due to its lyrics. After this they both came back to Calcutta.

His next film was Albeli-45, in which too there were 4 Heroines- Ramola, Rooplekha, Manoram and Usha. In the 40’s , Sunder acted in many films like Arabian Nights, Baap, Shabri, Chandrashekhar, Ek aurat, Grihalaxmi, Lottery, Samapti, Jhoothi kasme, Savyasachi, Do baaten, Shadi ke baad, Bawra, Khiladi, Nai Bhabhi etc. In Calcutta, Sunder got married to a girl from his community. Rawail left for Bombay. After a few months, Sunder also returned to Bombay.

Rawail was very happy to get him back and gave him roles in almost all of his films. Not only Rawail, but also J.Om Prakash, Mohan Kumar, Lekhraj Bhakri, Manoj kumar etc gave him roles in their all films and he became a busy actor. He was at one time, in great demand. He was quite popular due to his nature.In the decade of 50’s he did 88 films, which increased in the 60s and 70s. In the 80s however films came haltingly.

From singing Hero, he became a Junior artiste( extra), in presence of the new crop of actors. The role of comedians was on decline, as Heroes like Amitabh and others did comedy scenes themselves. His health started troubling him. His last film was probably Bahurani-89. He became ill for a long time and finally died on 5-3-1992. Sunder acted in 436 films. He was a good singer and sang his own songs in early cinemas. In all, Sunder sang 40 songs in 25 films. ( Thanks to Harish Raghuwanshi ji for material for adaptation.)

The story of film Teerandaz-55 was about a masked Teerandaz who supports the oppressed janta against a Tyrant Senapati. The Teerandas is a girl- Madhubala. there were only 6 songs, out of which 2 are already posted. let us now enjoy the third song by Lata and chorus.


Song-Rehti nahin hamesha ye chaand ki jawaani (Teerandaaz)(1955) Singer- Lata, Lyricist- Rajendra Krishna, MD- C Ramchandra
Chorus

Lyrics

rehti nahin hamesha ye chaand ki jawaani
jee bhar ke aish kar le
jee bhar ke aish kar le
jab tak hai zindgaani
jab tak hai zindgaani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

guzre jo mastiyon mein
achchi wohi ghadi hai
warna ajal to kabse
peechhe tere khadi hai
aa aa aa aa aa
aa aa aa aa aa
aa aa aa

jab tak chale calaa le
ye saans ki kahaani
jee bhar ke aish kar le
ji bhar ke aish kar le
jab tak hai zindgaani
jab tak hai zindgaani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

ye khwaab hai sunehra
rangeen hai ye dhokha
mat chhod zindagi ka koi haseen mauka
aayega haath phir na
behta hua ye paani
jee bhar ke aish kar le
jee bhar ke aish kar le
jab tak hai zindgani
jab tak hai zindgani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

rehti nahin hamesha ye chaand ki jawaani
jee bhar ke aish kar le
jee bhar ke aish kar le
jab tak hai zindgaani
jab tak hai zindgaani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa


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Blog Day :

4541 Post No. : 16111

“Kundan”(1955) was produced and directed by Sohrab Modi for Minerva Movietone, Bombay. The movie had Sohrab Modi, Nimmi, Ulhas, Sunil Dutt, Pran, Om Prakash, Baby Naaz, Manorama, Roopmala, Murad, Jeevan, Sadat Ali, Kumkum etc in it.

The movie was based on Victor Hugo’s novel “Les Miserables” which was adapted for this Hindi movie by Pt Sudarshan.

The movie had ten songs in it. Seven songs have been covered in the past.

Here is the eighth song from “Kundan”(1955) to appear in the blog. The song is sung by Manna Dey. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

The song is picturised as a background song as Sohrab Modi is shown going far away from the home of Murad (as far as I can tell from the picturisation). I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Na kar paap duniya mein naadaan ban ke (Kundan)(1955) Singer-Manna Dey, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad

Lyrics

hosh mein aa
o moorkh bande ae ae
upar hai bhagwaan aan
sab karmon ka wo hai bhedi ee ee
le usko pehchaan aan

na kar paap duniya mein naadaan ban ke
na kar paap duniya mein naadaan ban ke
dikha de zamaane ko insaan ban ke
dikha de zamaane ko insaan ban ke
insaan ban ke
na kar paap duniya mein naadaan ban ke

zara uthh ke jeevan ka naksha badal de ae
zara uthh ke jeevan ka naksha badal de
hai manzil ki hasrat to rasta badal de ae
to rasta badal de ae
to rasta badal de ae
chala chal bhalaayi ka toofaan ban ke
chala chal bhlaayi ka toofaan ban ke
toofan banke
na kar paap duniya mein naadaan ban ke
na kar paap duniya mein naadaan ban ke

tu kab tak bhala aa aa aa
tu kab tak bhala haath malta rahega
ye kismat ka chakkar to chalta rahega
ye kismat ka chakkar to chalta rahega
mita de gareebi ko balwaan ban ke
balwaan ban ke
na kar paap duniya mein naadaan ban ke


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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