Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Remonstrating with the Almighty’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5295 Post No. : 17338

#the Decade of Seventies – 1961 – 1970 #
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Today’s song is from the ‘1964’ movie Mahasati Behula.

It was a devotional movie.

This movie was directed by Shanti Kumar. It had the star cast including Mahipal, Jaimala, Lalita Pawar, Niranjan Sharma, Ulhas, Babu Raje, Mridula and others.

I had come across a song from this movie years back and had shared the same for the blog however it was posted couple of years back. This song was a lovely duet –chamke chaand poonam ka – sung by Mukesh and Suman Kalyanpur. This song was posted on 05.07.2020.

Before that the movie had made its debut on the blog with another sweet duet also sung by Mukesh and Suman Kalyanpur – pardesi tum kaun kahaan se aaye ho – and this was posted years back on 26.04.2012. This was presented by our Respected Sadanand ji.

I guess this movie has become obscure now even though it had had some good music. Neither the movie is available on internet not any video of its’ songs seem to be available as of now.

This movie has as many as nine songs in it. However very few are available even in audio format. Even they have been uploaded only in recent years.

All the songs of this movie were written by Bharat Vyas and music was composed by Shivram.

Let us first have a look at the list of songs of this movie:-

SNo Song Title Singer/s Posted On
01 Dhyaan se sun’na hai chhoti baat Mahendra Kapoor
02 Maa gauri roop tera sukhkaari Not known
03 Pardesi tum kaun kahaan se aaye ho Suman Kalyanpur, Mukesh 26.04.2012
04 Chamke chaand poonam ka Suman Kalyanpur, Mukesh 05.07.2020
05 Nahin chaahiye nagraaj mujhe … Geeta Dutt
06 Dulhan ka sindoor mit gaya… Mahendra Kapoor
07 Sat ki odhe laal chunariya… Mahendra Kapoor
08 Tum kahaan aur main kahaan… Suman Kalyanpur
09 Paapi ka paap mitaa, sooraj ko tu pragtaa Suman Kalyanpur

Today we listen to the third song from this movie which is a solo song sung by Suman Kalyanpur.
Lyrics are by Bharat Vyas and music is composed by Shivram.

This song is an ‘appealing to the almighty’ type song where the devotee is requesting the almighty to remove the evils of the evildoer and rescue her.

Let us listen to today’s song now…

Audio

Song-Paapi ka paap mitaa (Mahasati Behula)(1964) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Shivram

Lyrics

paapi ka paap mitaa aa
sooraj ko tu pragataa aa
dukhdon ne gheraa aa
chhaaya andheraa
kaali ghataayein hataa
o o o o o
paapi ka paap mitaa aa
sooraj ko tu pragataa aa

kisne kapat ka jaal bichhaaya
kisne pralay ka teer chalaaya
kaanpe jagat ki ye kaaya aa
jal thhal doley
tribhuvan doley
saaton samandar khaaye hichkole
hai ye prabhu kiski maaya
kiski maaya
maaya ka door hataa aa
sooraj ko tu pragataa aa
dukhdon ne gheraa aa
chhaaya andheraa
kaali ghataayein hataa
o o o o o
paapi ka paap mitaa aa
sooraj ko tu pragataa aa

zehar bhari kyun
chalti hawaayein
dhu dhu sulagti
jalti dishaayein
bhadki hai ye kaisi jwaala aa
aaj jagat mein
jyoti ke path par
kirnon waale sooraj ke rath par
kisne ye pardaa hai daalaa
pardaa daalaa aa
pardaa ye door hataa aa
sooraj ko tu pragataa aa
dukhdon ne gheraa aa
chhaaya andheraa
kaali ghataayein hataa
o o o o o
paapi ka paap mitaa aa
sooraj ko tu pragataa aa

maiyya parvati tere hi haath
laaj ki naiyya
maiyya parvati tere hi haath
laaj ki naiyya
rakshaa karo tum maiyya
rakshaa karo tum maiyya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5231 Post No. : 17225

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Blog 10-Year Challenge (2012-2022) – Song No. 128
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This date ten years back viz 13 November 2012 was the festival of Deepaawali. Six songs, all deepawali related, were covered on that day, culminating in the 7000th post of the blog that day.

Here are the details:-

Blog post number Song Movie (Year) Remarks
6995 Sajna o sajna jee ankhiyaan churaao na Daaku Bhupat(1960) 2 songs covered out of 7 by now
6996 Aayi deewaali deepon waali Maharana Pratap(1946) One song covered out of 10 by now
6997 Aayi deewaali deep jalaao Juthika Roy NFS(1950)
6998 Aayi hai deewaali suno jee gharwaali Aamdani Athanni Kharcha Rupaiyya(2001) One song covered out of 6 by now
6999 Mere tumhaare sabke liye happy deewaali Home Delivery(2005) One song covered out of 8 by now
7000 Falak se utre zameen pe taare Rafi NFS(1960)

Two non film songs and four film songs were covered on that date ten years ago. All the four movies whose songs were covered on that day are still unYIPPEED and so all of them are eligible for Blog Ten Year Challenge today on 13 november 2022.

“Maharana Pratap”(1946) was one of the movies.

“Maharana Pratap”(1946) was produced and directed by Jayant Desai for Jayant Desai productions, Bombay. The movie had Khursheed Bano, Ishwarlal, Mubarak, D.S.Salvi,Sati Devi, Kesar Bai, Noorjahan, Rewa Shankar,Bhgwandas, Kantilal, Gharpure,Inayat, Raja Joshi, Peer Jaan, S.Afzal, B.Mishra etc in it.

The movie had ten songs in it. One song has been covered and that song was covered ten years ago. After exactly ten years later, here is the second song from
“Maharana Pratap”(1946) to appear in the blog. The song is sung by Khursheed Bano. Swami Ramanand is the lyricist. Music is composed by Ram Ganguly.

Only audio of the song is available. It is clear that the song was picturised on Khursheed Bano herself.

Lyrics and other details were sent to me by Prakashchandra.


Song-Achcha nahin Bhagwaan gareebon ko sataana (Maharana Pratap)(1946) Singer-Khursheed Bano, Lyrics-Swami Ramanand, MD-Ram Ganguly

Lyrics(Provided by Prakashchandra)

achcha nahin bhagwaan gareebon ko sataanaa
achcha nahin bhagwaan gareebon ko sataanaa
gareebon ko sataanaa aaa
ek phoonk se taqdeer ke maaron ko mitaanaa
jalton ko jalaanaa

aayee hoon tere dwaar pe
aayee hoon tere dwaar pe fariyaad liye aaj
aayee hoon tere dwaar pe fariyaad liye aaj
ik taaj mere sar ka hai
ik desh kaa hai taaj
ik taaj mere sar ka hai
ik desh kaa hai taaj
lutati huyee Mewaad ki
izzat ko bechaanaa
izzat ko bechaanaa
achcha nahin bhagwaan gareebon ko sataanaa
gareebon ko sataanaa aaa
ik phoonk se taqdeer ke maaron ko mitaanaa
jalton ko jalaanaa

ik Maa ke ye do laal hain
aankhon ke do taarey
ik Maa ke ye do laal hain
aankhon ke do taarey
ro ro ke meraa dil yehi din raat pukaare aey
ro roke mera dil yehi din raat pukaare aey
ujdee huyee raajaaon ki
duniyaa ko basaanaa
duniyaa ko basaanaa aa
achcha nahin bhagwaan gareebon ko sataanaa
gareebon ko sataanaa aaa
ik phoonk se taqdeer ke maaron ko mitaanaa
jalton ko jalaanaa

bigdi huyee jo baat hai
tum milke banaa lo o o o
ooo ooo ooo
milke banaa lo
aapas mein karo faislaa
gaairon pe na daalo
gaairon pe na daalo
mil jaayegaa gairon ko
hukumat ka bahaanaa
hukumat ka bahaanaa
hukumat ka bahaanaa
hukumat ka bahaaaanaa..aaa
achchaa nahin bhagwaan gareebon ko sataanaa
gareebon ko sataanaa aaa
ik phoonk se taqdeer ke maaron ko mitaanaa
jalton ko jalaanaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5215 Post No. : 17204

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Blog 10-Year Challenge (2012-2022) – Song No. 120
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Ten years back on this date viz on 28th October 2012, Only one song was covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6913 Baazooband khul khul jaaye Baazooband(1954) 4 songs covered out of 7 by now

“Baazooband”(1954) was produced by Asha Biswas and directed by Ramanand Sagar For Variety Productions Bombay. the movie had Sulochana Chatterjee , Balraj Sahny, Roopmala, Anwar, Ramesh Kapoor, Baby Saroj, Om Prakash, Noreen Linford, Shanta Kunwar, Noorjehan, Braham aka Brahma Bhardwaj, Indira, Sindura , (Guest Artiste)Radha Krishan etc in it.

Here is the fifth song from “Baazooband”(1954) at blog Ten Year Challenge. The song is sung by Lata Mangeshkar, Pt Chandrashekhar Pandey is the lyricist. Music is composed by Md Shafi.

The song is picturised on Sulochana Chatterjee, with Radhakrishnan also seen in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio links:

Video link:

Song-O maalik kya tu bhi soyaa (Baazooband)(1954) Singer-Lata, Lyrics-Pt Chandrashekhar Pandey, MD-Md Shafi

Lyrics(Provided by Prakashchandra)

mann mein ae ae ae
laagee aag
jaag rey Bhagwan jaa..aa…aaag

o o o maalik kyaa tu bhee soyaa
jaisey ae ae soya sansaar rey ae ae
oo o o maalik kyaa tu bhee..ee soyaa
jaisey ae soyaa sansaar rey
oo o o maalik kyaa tu bhee..ee soyaa

chhoot chukey hain
sabhee sahaarey ae ae aey
ae ae aey ae
chhoot chukey hain sabhee sahaarey ae ae ae
ae ae ae
ye dukhiyaari kisey pukaarey ae aey ae ae ae
raat andheree
naav bhanwar mein aen aen aen
roothha khewanhaar rey
o o o maalik kyaa tu bhee..ee soyaa
jaisey ae soyaa sansaar rey
o o o o maalik kyaa tu bhee..ee soyaa

o qismat ke likhne waaley aey ae ae
ae ae ae
o qismat ke likhne waaley aey ae ae
ae ae
apne man kee karney waaley ae aey ae ae
bahot rulaayaa
ab to de dey ae ae ae ae
khushee ke pal do chaar rey
oo oo maalik kyaa tu bhee soyaa
jaisey ae soyaa sansaar rey ae
o o o o maalik kyaa tu bhee soya aaa aaaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5214 Post No. : 17203

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Blog 10-Year Challenge (2012-2022) – Song No. 119
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Ten years back on this date viz on 27th October 2012, five songs from five different movies were covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6908 Yahi fiqr hai shaam pichhle sawere Laal Haweli(1944) 10 songs covered out of 11 by now
6909 Dil to kisi ko doge Ek Saal (1957) Movie YIPPEED by now
6910 Sun chaand meri ye daastaan Naag Jyoti (1963) 2 songs covered out of 6 by now
6911 Haay kaisee julmi banaayi taine naari Chitralekha (1964) Movie YIPPEED by now
6912 Kabhi kuchh pal jeewan ke Rang Birangi(1983) 2 songs covered out of 4 by now

We can observe that two movies (out of five) whose songs were covered on this date ten years ago (27 October 2012) have since been YIPPEED. That leaves us with three movies that are still eligible for Blog Ten Year Challenge today (27 october 2022).

“Naag Jyoti”(1963) is one such movie. It was produced by S.S.Dhanuka and directed by Shantilal Soni for Swastik Films, Bombay. The movie had Anita Guha, Mahipal, Indira(billi), Uma Dutt, Rajan Haksar, Ratnamala, Sunder, Jilani, Champaklala, Rajrani, Asha, Khursheed and Cobras in it.

“Naag Jyoti”(1963) had six songs in it. Two songs have been covered so far.

Here is the third song from “Naag Jyoti”(1963) to appear in the blog. The song is sung by Asha Bhonsle. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song and other details were sent by Prakashchandra.

Audio link:

Song-Sun le pukaar (Naag Jyoti)(1963) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Sardar Malik

Lyrics(Provided by Prakashchandra)

sun ley pukaa…aaar
sun ley pukaa..aar
sun ley pukaar
main dukhiyaari
jag se haaree
aayee tere dwaar

raat andheree
door kinaaraa
naav padee manjhdhaar
ho o o
raat andheree
door kinaaraa
naav padee manjhdhaar
duniyaa meree
gham mein doobi
koi na khewanhaar
tere pag kee ee
ik thokar se
bedaa meraa paa.aa..aar
sun ley pukaar
sun ley pukaar
sun ley pukaar
main dukhiyaaree
jag se haaree
aayee tere dwaar

jaan akelee
laakhon dukhdey ae
jeenaa hai dushwaar
ho o o
jaan akelee
laakhon dukhdey ae
jeenaa hai dushwaar
ik kalee aur kaanten kitney ae
dekh teraa sansaar
daataa teree ee
ik nazar se
pathjhad baney bahaa..aa…aa aar
sun ley ae pukaar
sun ley ae pukaar
sun ley ae pukaar
main dukhiyaaree
jag se haaree
aayee tere dwaar
sun ley pukaar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5183 Post No. : 17160

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Blog 10-Year Challenge (2012-2022) – Song No. 100
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Ten years back on this date viz on 26th September 2012, ten songs from ten different movies were covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6720 Muhabbat ki kismat banaane se pehle Malhar (1951) Movie YIPPEED by now
6721 Dhitang dhitang boley Aawaaz (1956) Movie YIPPEED by now
6722 Tujhe doon main kya ye tu hi bata Insaaf Kahaan Hai( 1958) Unreleased movie
6723 Parda hata de mukhda dikha de Madhavi (1969) 3 songs out of 6 covered by now
6724 Nain bina meri duniya andheri Amrit Manthan(1961) 2 songs out of 10 covered by now
6725 Chaandi ke chand tukdon ke liye Satta Baazaar(1959) 5 songs covered out of 8 by now
6726 Bahut door mujhe chale jaana hai Heera Panna (1973) Movie YIPPEED by now
6727 Aao yaaron aao pyaaron dekho khel niraala Ek Ke Baad Ek(1960) Movie YIPPEED by now
6728 Main akela apni dhun mein magan Manpasand(1980) 7 songs out of 8 covered by now
6729 Hans tu hardam khushiyaan ya gham Lootmaar (1980) 3 songs out of 7 covered by now

Four movies (out of ten) whose songs were covered on this date Ten Years ago on 26 september 2012 have since been YIPPEED. That leaves us with six movies that are eligible for Blog Ten Year Challenge today (26 september 2022).

“Satta Baazaar”(1959) is one such movie.

“Satta Baazaar”(1959) was produced and directed by Ravindra Dave for Nagina Films, Bombay. The movie had eight songs in it. Five songs have been covered so far.

Here is the sixth song from “Satta Baazaar”(1959) to appear in the blog. The song is sung by Lata Mangeshkar. Chorus is also audible in the song. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a remonstrating with the Almighty genre of song on Meena Kumari and Balra Sahni.

Lyrics of the song and other details were sent to me by Prakashchandra.

Video link (Longer)

audio link:

Song-Duniya ke maalik bataa tu kahaan hai (Satta Baazaar)(1959) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)(Based on Video link)

kyaa rahaa jaane ko ab
ab kyaa hamaaraa jaayegaa aaa aa
hum rahein aen naa-kaam to o o
ilzaam tujhpe ae aayegaa aaa aa

kaisaa insaaf teraa
sab kuchch lutaa hai meraa
duniyaa ke maalik
bataa tu kahaan hai ae
duniyaa ke maalik
bataa tu kahaan hai
kaisaa insaaf teraa
sab kuchch lutaa hai meraa
duniyaa ke maalik
bataa tu kahaan hai ae
duniyaa ke maalik
bataa tu kahaan hai

(chorus voice making alaap)

aankhein hain teri
ye sooraj ye chandaa
sab kuchch tu dekhey
kya kartaa hai bandaa
aankhein hain teri
ye sooraj ye chandaa
sab kuchch tu dekhey
kya kartaa hai bandaa
tere sahaarey gagan chal rahaa hai
tere hi dum se pawan chal rahaa hai
chalney ko ek kadam
tarsey kyon meraa sanam
duniyaa ke maalik
bataa tu kahaan hai (chorus alaap)
duniyaa ke maalik
bataa tu kahaan hai(chorus alaap)

(chorus alaap)

tooney to laakhon ki bigdee banaayee
mere liye der kaisi lagaayee
tooney to laakhon ki bigdee banaayi
mere liye der kaisi lagaayi
teri duhaayi
o duniyaa ke maali
kya tere dar se bhi jaaoon main khaali
bann jaaye baat meri
reh jaaye shaan teri
duniyaa ke maalik
bataa tu kahaan hai (chorus alaap)
duniyaa ke maalik
bataa tu kahaan hai (chorus alaap)

maszid bhi teree
ye mandir bhi teraa
teri hee galiyon ka karti hoon pheraa
maszid bhi teree
ye mandir bhi teraa
teri hee galiyon ka karti hoon pheraa
girjaa bhi teraa
ye teraa gurdwaaraa
har dar pe maine tujh hee ko pukaaraa
jaaoon main aur kahaan
koyi meraa na yahaan
duniyaa ke maalik
bataa tu kahaan hai (chorus alaap)
duniyaa ke maalik
bataa tu kahaan hai(chorus alaap)
kaisaa insaaf teraa
sab kuchch lutaa hai meraa
duniyaa ke maalik
bataa tu kahaan hai (chorus alaap)
duniyaa ke maalik
bataa tu kahaan hai(chorus alaap)
duniyaa ke maalik
bataa tu kahaan hai(chorus alaap)
duniyaa ke maalik
bataa tu kahaan hai(chorus alaap)


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5176 Post No. : 17149

Today’s song is from the film Bhagwan Parshuram-1970. It was a Mythological film made by Mewad films, Bombay. Directed by Babubhai Mistry – The king of trick scenes and a highly respected cinematographer since the 30’s decade. The 6 songs of the film were written by Madan Bharati and the music was by Jaikumar Parte, for whom this was a Debut film as a Music Director. The cast included Abhi Bhattacharya, Jayashree Gadkar, Niranjan Sharma, Sulochana, Saproo, Jeevan, Trilok Kapoor and many others.

I immensely like Mythological and religious films for many reasons. First of all, I have been seeing such films since my childhood. I was the officially nominated ‘Chaperone’ in my family to accompany the group of elders going to see these Dharmik films. I liked the film’s costumes, big palaces, trick scenes and the final ‘triumph of the good over the evil’ stories.

When the Talkie films’ era came to India, the early filmmakers tended to make films on folk tales and Mythological stories in the first decade, i.e. 1931 to 1940. In the second decade of 1940 to 1950 many religious films were made-some of them like Ram Rajya-1943 being All India blockbuster- and the third decade from 1951 to 1960 achieved the peak for Mythological films made, worth calling it ‘ The Golden period of Religious films’. As many as 124 such films were made in this decade. From 1961 to 1970 1nd 1971 to 1980 were ok, but 1980 onwards there was a decline in such films and Mythological films became scarce except some dubbed films from the South, where such films are made even today regularly. The Television became a competition to this as many Dharmik serials were shown on TV.

The reason is not that such films do not bring profit, but where was the audience to see them ? The interest, respect and knowledge of our heritage, the glorious past and our culture has diminished to a depth. Due to lack of reading habits, children have no knowledge of our religion or interest in Mythological stories. Today if you ask the following simple questions to Boys and Girls of the age group of 15 to 25 years, you will be shocked with their guess work , ignorance or blank faces….
1.Can you name the 4 Yugas ?
2. Which are the 4 Vedas ?
3. Can you name the 10 Avatars of Vishnu ?
4. Who were the wives of Laxman, Bharat and Shatrughna ?
5. For how many years the Pandava went to Vanvas and why ?

The reason for this apathy is not just modern life or modern gadgets. The causes are deep, like lack of reading habit, Text Books not having religious stories, no ” Sanskars” from parents, treating such knowledge as ‘ backward ‘ etc etc.

Anyway, all this apart, the film Bhagwan Parshuram-1970 was based on Vishnu’s avatar of Parshuram. It was a very good Dharmik picture. As we know, there were 10 Avatars Vishnu had taken.Parshuram was also one of them.(Matsya, Kurma, Varah, Narsinh, Waman,Parshuram,Shri Ram, Shri Krishna, Buddha and Kalki- which is yet to take place.)

Parshuram is known in Puranas, as one who made the Prithvi-Nikhshatriya. That is, he killed all the kshatriyas on this Prithvi, 21 times . The reason was, the Kshatriyas had gone out of control. With their weapons and power, they looted and ruled very cruelly. To control their “atyachar”, Vishnu came down as Parshuram.

Parshuram was born to Jamdagni Rishi and his wife Renuka. They had Surabhi-daughter of Kamdhenu-a cow which gave what one wished. Rakhshas Sahasrabahu,who was granted a boon of strength of thousand arms(by God Dattatreya),had become very cruel. He wanted Surabhi, but when he could not get her, he abducted Renuka. Renuka escaped and returned, but Jamdagni gave her a curse of Leprosy. Narada advises her to go on pilgrimage. Meanwhile, Parshuram helps a damsel in distress and she happens to be Princess Gayatri, daughter of Sahastrabahu. When Sahasrabahu comes to know this, he kills own daughter. Parshuram kills him and makes Gayatri alive again.

The entire film is full of major Gods like Bramha ,Vishnu, Mahesh and Indra,in addition to many lesser gods. The credits have shown a loooong list of 18 puranas etc to claim authenticity of this story. It was very interesting to see the trick scenes and revise our knowledge about Puran kathas.

In this film Jeevan had done his pet role of Narad, perhaps for the last time. He did this role many times in his career. The number of his Narad roles varies from 49 to 84 films in different sources.

This was the first film of Music Director Jay Kumar Parte in Hindi. He is yet another case of a talented person without Luck. I my last post I had written about Shridhar Parsekar, today we will have details about Jay Kumar, MD. His name was Jai Kumar Parte. He was also known as Bal Parte. He was born on 14-10-1932 at Kolhapur. His father was a doctor. His mother and father played Sitar which made the family atmosphere musical. He learnt Harmonium from Gopalrao Gokakkar. Once when Prithviraj Kapur came to Kolhapur, he got introduced to his father and they became thick friends.

Prithviraj took his father’s family to Bombay and he became the official medical officer of Prithvi theatres. Jai worked in the dance troupe of dancer Hema Kasargod and travelled all over India. When Shankar- Jaikishen became independent composers, their vacancy in Prithvi Theatres was filled up by Jai Kumar as a Harmonium player. Dattaram was his friend and Jai assisted him in almost all of his films. For many years he worked as assistant to kalyanji-Anand ji. Though Laxmikant-pyarelal were their arrangers, K-A kept Jai kumar as their assistant. He prepared the background music of many films of K-A.

Lata Mangeshkar also stayed in the same building (Shankarshet mansion) where jai Kumar lived in Bombay. Due to her encouragement he learned western instruments from V.Balsaraand became an expert in Chords. Kalyanji called him ” The king of Chords “. jai Kumar worked as assistant to Usha Khanna and as an arranger with Sardar Malik, Avinash Vyas, Iqbal Qureshi, Hridaynath Mangeshkar, Yeshawant Deo, Mahesh-Naresh and Shridhar Phadke. Playing Chords with Chromatic scales and in Whampine systems, he was an acclaimed expert.

He was keen on becoming a Music director. Finally, he gave music to Bhagwan Parshuram-1970 for the first time. Then came Putlibai-1972, Jaan Hajir hai-1975 and finally gawah-1979. He gave music to just 1 Marathi film-Mangalsutra-1968. Jaikumar Parte was more or less like an introvert in his temperament. He never asked anybody for work. He used to feel insulted frequently due to perhaps his complex as he was not a successful music Director.

He started sitting at home without canvassing for work and work never came to him. He went the usual way and finally breathed his last on 9-4-1981 at the age of just 48. His son Tushar works as a lead Guitarist and an arranger in Hindi films. (adapted from Marathi Sangeetkar Kosh and Rahe na Rahe hum, with thanks.)

In this film actor Niranjan Sharma played the role of Sahasrabahu. he was an actor, director, story writer, a dialogue writer and even a lyricist. He started his career with film pandav kaurav-1933 as a story writer and film Sach hai-1939 as a dialogue writer. His first film as an actor was Sawaal-1943-a film which he directed also. in all he acted in 129 films, most of which were mythologicals and B grade films. Before film Bhagwan Parshuram was released he died due to heart attack. He is credited in this film as (Late) Niranjan Sharma. 2 more films were released after his death, in which he played roles.

His daughter Gayatri’s role was played by Jayashree Gadkar- a well known and famous Marathi actress. Jayshree Gadkar (21 February 1942 – 29 August 2008) was a noted Marathi and Hindi movie actress and a star of Marathi cinema from the 1950s up to the 1980s. Jayshree was born into a Konkani-speaking family at Kanasgiri (Sadashivgad) near Karwar in the Uttara Kannada district of Karnataka, India. She married Bal Dhuri, a theatre actor best known for his portrayal of Dashratha in Ramanand Sagar’s TV serial, Ramayana (where Jayashree herself played his wife, Kaushalya). She also published an autobiography, Ashi Mi Jayshri.

She began her career as a child dance artist. She entered films as a tamasha dancer in movies. Her first role was that of a group dancer in V. Shantaram’s Jhanak Jhanak Payal Baaje in 1955, which featured Sandhya as the leading lady. Later, well known Marathi film Director Dinkar D Patil cast her in a small role with dance in his Marathi film Disat Tasa Nasat, opposite Raja Gosavi. This was followed by Sangtye Aika, a tamasha-based movie which was the first in which she played a leading role. This helped her gain fame and recognition and she started doing heroine roles. She eventually became one of the most successful and prolific heroines in the history of the Marathi film industry.

Many remember her for the famous song Bugdi mazi saandli ga jata sataryala. But Jayshree Gadkar was much more than that. She was not only a versatile and accomplished actress but the face of Marathi cinema in its golden era. This paved her way into mainstream Marathi cinema. Later, both Raja Gosavi and Jayshree gave many hits as a pair, like Aaliya Bhogasi [her first film], Utavla Navara, Yala Jeevan Aise Nav, Awaghachi Sansar and Paishacha Paus. Gath Padli Thakathaka was her first major role. Jayashree got a lot of success as a heroine in movies based on tamasha and lavni, the trend at the time.

Her film Saangtye Aika (1959) ran for 132 weeks in a theater. Her terrific dance performance in Bugdi mazi saandli ga became a craze among Marathi viewers. She was paired with the most popular heroes of the time like Suryakant (Pancharati, Rangpanchmi, Vaijayanta) and Arun Sarnike (Sawal Maza Aika, Ek Gav baara Bhangadi, Gangaulan). Manini was a turning point in her career. She was paired with Chandrakant Gokhle. She went on to act with his son Vikram Gokhle too, in films like Utavla Navra and Subhdra Haran.

Gadkar also acted in historical movies like Mohityaanchi Manjula and Shahir Parshuram. She won many accolades and awards at the national and state level. She was also felicitated with the state government’s V Shantaram Purskar, Gadima Purskar, P Savlaram Purskar and many more. She married co-star Bal Dhuri in 1975, and directed two films, Sasar Maher and Ashi Asavi Saasu.

Jayshree acted in about 250 films over a period of four decades. Her filmography was varied and included a rich repertoire of tamasha stories as also mythologicals in addition to socials and love stories.

In later years, Jayshree turned film director. Her directorial efforts include Saasar Maher and Ashi Asavi Saasu. She also acted in Ramanand Sagar’s TV Series Ramayana, as Kaushalya (mother of Rama) along with her husband Bal Dhuri, who was Dasharath (father of Rama). Her home is adorned with the photo of both in Ramayana costume. Her Autobiography Ashi Me Jayshree was published in 1986. Gadkar had received awards for her part in the films Manini, Vaijantha, Sawaal Majha Aika! and Saadhi Mansa.

Surprisingly, Jayashree Gadkar had acted in as many as 73 Hindi films. Her first film was Jhanak Jhanak Payal Baje-55 and the last film was Lav kush-97. However another film which was delayed came in 2009 was Jai jai Santoshi Maa. (Thanks to wiki, rediff.com, muVyz, HFGK and my notes)

Today’s song is sung by Mukesh. This is the second song from this film to feature here. This second song from the movie appears in the blog 11 years (3948 days)after the first song appeared in the blog on 28 november 2011.


Song- Koi roye koi gaaye kaisa tera sansaar maalik (Bhagwan Parshuram)(1970) Singer-Mukesh, Lyrics-Madan Bharti, MD-Jai Kumar Parte

Lyrics

Koi roye koi gaaye ae ae ae
kaisa tera sansaar maalik
kaisa tera sansaar
o o o o o o o
koi samajh nahin paaye ae ae ae ae
tera kaarobaar
maalik
kaisa tera sansaar

ujad jaaye jab rain basera
panchchi sir dhun roye
ujad jaaye jab rain basera
panchchi sir dhun roye
koi na jaane dard kisi ka
sab matlab mein khoyen
ambar neer bahaaye ae ae ae ae
dharti kare pukaar
maalik
kaisa tera sansaar

din ke sang toone raat banaai
phoolon ke sang kaante
din ke sang toone raat banaai
phoolon ke sang kaante
jaane kahaan kis jagah baithh kar
tu ye sukh dukh baante
patjhad jahaan muskaaye ae ae ae ae
roye wahin bahaar
maalik
kaisa tera sansaar
koi roye koi gaaye ae ae ae ae
kaisa tera sansaar
maalik
kaisa tera sansaar
o o o
o o o o
o o o
koi samajh nahin paaye ae ae ae ae
tera kaarobaar
maalik
kaisa tera sansaar

koi dhoondhhe tujhe Badrinath mein
koi dhoondhhe Haridwaar
koi dhoondhhe tujhe Badrinath mein
koi dhoondhhe Haridwaar
koi dhoondhhe Kaashi mein tujhko
koi Rameshwar dwaar
sab teerath se paawan n n n n
teerath ganga dhaar
maalik
kaisa tera sansaar
koi roye koi gaaye ae ae ae ae
kaisa tera sansaar
maalik
kaisa tera sansaar
o o o
o o o o
o o o
koi samajh nahin paaye ae ae ae ae
tera kaarobaar
maalik
kaisa tera sansaar


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5143 Post No. : 17105

Today’s song is from a ‘C’ grade stunt film Al Hilal aka The judgement of Allah- 1958.

Those readers who keep a track of old films may remember that way back in 1935, Sagar Movietone had produced a film of the same name Al Hilal. It was the first film of Mehboob Khan as a Director and the film had Kumar and Sitara Devi as the lead pair. That film was quite successful and even Baburao Patel of Film India magazine had praised not only the film but also hailed Mehboob Khan as a Diamond for Future.

Compared to the banner, the director or even the lead pair of the Sagar film, this Al Hilal of 1958 was absolutely nowhere. In the 40’s and the 50’s C grade action/stunt films were not even seen by educated audiences. The film magazines and newspapers never took notice of such ” Maar dhad ” films. These films were always shown in the dilapidated old theatres situated in labour class bastis. The audience of such stunt films used to be from lower strata of society, the daily bread earners and the low level workers. But then, this film Al Hilal-1958 produced something that amazed the whole film world !

Before I tell you more about this film, I will tell you one small story.When I was studying in school in Hyderabad, I had a classmate by the name Ramanlal Jain. he was very poor in studies and always used to be the centre of criticism of our teachers of all subjects. In every annual examination his rank used to be usually in the last 3 students. But he passed every year. When we were in the 11th standard, we all studied hard for the 12th class Board examination. Our school had a very good record in the ‘Pass’ percentage of students. Based on the history of Ramanlal Jain’s scores and studies, the school denied him entry into the 12 th class and he had to change his school. He coolly left.

In those days, very few students used to get the First Class and their names would be published in local newspapers in Hyderabad. Among the total of about 10000 students of 12th class Board Examination, hardly 20 to 30 students used to pass in First division. That year, when the results were announced, I was one of the First division students and my name was published in the newspapers. I, my family and my school were very happy.

Our school teachers and we all students were shocked to find Ramanlal Jain’s name also in the Rank holders’ list of that year, from another school. We were all astonished as to how this dull student with a poor history of success appeared in the Rank Holders’ list ! But it was true !! He had done it !!!

Same case was with the film Al Hilal-1958. It was just another C grade stunt film, about which not many people even knew, which was being shown in the old city cinema hall in a poor Basti. But it gave an unprecedented and unexpected shock when one of its songs – ‘ Hamen to loot liya milke husnwalon ne’ became an All India craze and very popular in no time. This qawwali became so popular that in almost every Irani hotel the record was played repeatedly, on public demand. Hundreds of the records were sold daily and the film’s name also became famous forever.

The first famous qawwali was from the film Zeenat-” Aahen na bhari…..” in 1945. The second was from the film Khidki-1948, ” Kismat hamare saath hai’. These two popular qawwalis were not sung by any Qawwal, whereas Al Hilal qawwali was sung by a professional qawwal- Ismail Azad. He had earlier sung a qawwali in the film Taj aur Talwar-56 and Jahaji Lootera-57. The fallout of the popularity of this qawwali was the rise of the other qawwals like Yusuf Azad qawwal and Jani babu qawwal as well as Shakila Bano Bhopali.

The qawwali of the film Jahaji Lootera-57 was filmed on actor Shaikh and the Al Hilal qawwali also was filmed on him. One interesting point was that this qawwali was in two parts and the second part was shown after the words THE END appeared on the screen and the audience got up to leave. Shaikh came on the screen and asked them to sit to listen to the second part of the song !.

Sheikh was a Comedy actor in the 40s,50s and the 60s. He has acted in 170 films,as per Muvyz stats. He sang 10 songs in 8 films as per HFGK (Daulat ki duniya-47, Fifty Fifty-UR, Nakli Baap-49, Jiya Raja-49, Dushman-50, Simba-51, Hatimtai-56 and Naagmani-57).

He was essentially a B and C grade film comedian, so his name is not known to most people. Sanjeev Narvekar’s book, “Eena meena deeka” gives very little information about him. In his hey-days, he was popular in a class of people who were regulars of stunt,fantasy and action films. He was a fixture in almost all Wadia films. He was the main on screen singer in the iconic qawali, “Humen to loot liya milke husn walon ne ‘ from the film Al Hilal-58.

He directed 2 films, Shahnaaz-48 and Mr.Toofan-63. He started his career in Hindi films with Pakke badmash-39. Before that he had acted in a Marathi film “Netaji Palkar-39″by Bhalji Pendharkar (info from CITWF). His last film was Aadamkhor-85. No information is available on his life anywhere.

The cast of the film was Shakila, Mahipal,Hiralal, Shaikh, Nasreen, Sulochana, Indira, Maqbool, Gulab and many others. The story of the film was-

This was a story in an Arab country. King Kehran (Heeralal) wants his subjects to worship only him and not Allah. Those who believed in Allah were tortured and killed too. mahipal is one of his slaves and a believer in allah. Shakila is a poor knife seller. In the first of the film shakila moves about as a boy. She stays in the jungle and is a believer too.
The king gets a son, but the astrologer tells him that the son will become a believer. As the son grows he is also tortured. Finally the son is left in the jungle to die. Shakila finds him and brings him up. Mahipal is exposed as a believer and escapes from the palace along with his friend Fazlu (Shaikh) to the jungle. here he meets Shakila, both fall in love and sings some songs. Fazlu also loves Nasreen, another girl in the village.
Finally there is a fierce attack on the king, wherein Shakila kills the king. The prince is crowned as the new king. Shakila and mahipal unite. Shaikh and Nasreen also unite and all ends well.

Nasreen who acted in this film was the youngest sister of Shakeela. The younger sister was Noor-who married Johnny Walker and retired from films. Nasreen also worked in this film and after leaving films, got married and settled down. Only Shakila continued in films. There was another actress Nasreen who had acted in the film Shahjahan-46 and Eik Roz-47. She was the daughter of actress Anwari and Music Director Rafiq Ghaznavi. Her real name was Zarine. She too left films, married Agha Liyaqat and settled in London and Dubai. Her daughter was Salma Agha.

The qawwali “Hamen to Loot liya” became the 5000th song on this Blog, jointly written by three posters and posted on 13-11-2011. Today’s song is a duet sung by Suman Kalyanpur and Manna Dey. It is filmed on Shakila and Mahipal on the screen. This is the 4thsong rom the movie here. It was composed by Bulo C Rani and the lyrics were by Shevan Rizvi.


Song-Bigdi hai baat bana de (al Hilaal)(1958) Singers- Suman Kalyanpur, Manna Dey, Lyricist- Shewan Rizvi, MD- Bulo C Rani
Both
Chorus

Lyrics

dil se jo baat nikalti hai
asar rakhti hai
par nahin taakte parvaaj mager rakhti hai
madad kar
madad kar
madad ki ghadi hai
tere naam par
aaj baat aa padi hai
tere naam par
aaj baat aa padi hai
tere naam par
aaj baat aa padi hai

bigdi hai baat banaa de
bigad ke banaane waale
aankhon ke ashq le le
nazron ka noor de de

bigdi hai baat banaa de
bigad ke banaane waale
aankhon ke ashq le le
nazron ka noor de de

toone agar na meri suni
kya kahenge log
toone agar na meri suni
kya kahenge log
tujhko bhi aur humko bhi
jhoothha kahenge log
tujhko bhi aur humko bhi
jhoothha kahenge log
o o o o
o o o
o o o

bandon ki laaj rakh le
izzat tu aaj rakh le
aankhon ke ashq le le
nazron ka noor de de

bigdi hai baat banaa de
bigad ke banaane waale
aankhon ke ashq le le
nazron ka noor de de

apna to gham nahin
humen is baat ka hai dar
apna to gham nahin
humen is baat ka hai dar
ilzaam aa na jaaye kahin
tere naam par
ilzaam aa na jaaye kahin
tere naam par
o o o o
o o o
o o o

dil ki pukar sun le
parvardigaar sun le
aankhon ke ashq le le
nazron ka noor de de

bigdi hai baat banaa de
bigad ke banaane waale
aankhon ke ashq le le
nazron ka noor de de

aankhon ke ashq le le
aa aa aa aa aa
nazron ka noor de de
aa aa aa aa aa
nazron ka noor de de
aa aa aa aa aa
nazron ka noor de de
aa aa aa aa aa
nazron ka noor de de


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5142 Post No. : 17104

Today 16th August 2022 is the sixty-eighth birthday of yesteryears’ singer Hemlata. She was born on 16th August, 1954.

I had earlier presented a detailed write-up about Hemlata and her songs those I cherished and the songs those have been permanently embedded in my memory since childhood and in the later growing years of my life journey thereafter. Readers can read this post. I am not going to repeat what I had said in my earlier post.

Today on the occasion of birth anniversary of Hemlata I am presenting a song sung by her from a lesser-known or may be rather an obscure movie ‘Jhoom Uthha Aakaash’ (1973).

‘Jhoom Uthaa Aakaash’ was directed by YN Kapoor for Bahaar-Milan Productions.

It had Sujit Kumar, Lakshmi Chhaaya, Anita, Rajdeep, Bharat Bhushan, Tiwari, Abhi Bhattacharya, Randhir, Mohan Choti, Jhankana Desai, Nana Palsikar, Bramhachari, Rajraani, Kalpana Diwan, Uma Khosla, Geeta Kapoor, Soni, Koki, SM Akhtar, Master Deepak, Master Dinkar, Ravi Bhatnagar, Ambar Kumar, Yogesh Kapoor, and others.

Though this movie seems to be an obscure movie of its time, its’ songs have been made available on internet by enthusiastic music lovers, and I am grateful to all of them.

This movie had seven songs written by Siraj Aghazi (five songs) and Atish Jalali (two songs).
Music for this movie was composed by Kanti Kiran.

Mohd Rafi, Manna Dey, Mahendra Kapoor, Mukesh, Hemlata, and Krishna Kalle had given their voices to the songs in this movie.

Hemlata’s voice featured in ‘six’ out of the ‘seven’ songs of this movie. The list of these songs is as given below.

SNo. Song Title Lyricist Singer/s Posted On
01 Tera mera saath jaise din aur raat Atish Jalali Mahendra Kapoor, Hemlata
02 Sainyya anaadi na jaane pyaar ko Siraj Aghazi Manna Dey, Hemlata
03 Ho o nadiyaa kinaare nain hamaare Siraj Aghazi Mukesh, Hemlata 22.07.2020
04 Dekh lo bhagwaan teri meharbaani dekh lo …Hanste huye naina neer bahaaye kyun Siraj Aghazi Hemlata
05 Saawan aayo re bin mausam aayo Siraj Aghazi Mahendra Kapoor, Hemlata 22.07.2022
06 Zulmi najariyaa Atish Jalali Hemlata, Krishna Kalle

Let us now listen to today’s song. It is sung by Hemlata. Siraj Aghazi is the lyricist. Music is composed by Kanti Kiran.

Today’s song is the fourth song from this movie to be presented on the blog.

Wishing Hemlata a very happy birthday today and a healthy and peaceful life ahead …

Over to the song now …


Song-Hanste huye naina neer bahaayen (Jhoom Uthha Aakaash)(1973) Singer-Hemlata, Lyrics-Shiraz Aghaazi, MD-Kanti Kiran

Lyrics

hanste huye naina aa aa aa
hanste huye naina neer bahaayen
hanste huye naina neer bahaayen
toota huaa dil gaaye kyun
iss duniya mein hum aaye kyun
iss duniya mein hum aaye kyun
hanste huye naina

milne na paaye juda ho gaye hum
haaye ye kya ho gaya aa aa
milne na paaye juda ho gaye hum
haaye ye kya ho gaya
kaisa hai tu u u u
kaisa hai tu kaisi duniya hai teri
kaisa hai tu kaisi duniya hai teri
koi kisi ko kyun tadpaaye tu
hanste huye naina

tere bhi seene mein hota agar dil
dil ki jalan ko samajhta aa
tere bhi seene mein hota agar dil
dil ki jalan ko samajhta
bichhde dilon ko milaa de nahin to
bichhde dilon ko milaa de nahin to
maalik jahaan ka kyun kehlaaye tu
hanste huye naina neer bahaayen
hanste huye naina neer bahaayen
toota huaa dil gaaye kyun
iss duniya mein hum aaye kyun
iss duniya mein hum aaye kyun
hanste huye naina

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

हँसते हुये नैना आ आ आ
हँसते हुये नैना नीर बहाएँ
हँसते हुये नैना नीर बहाएँ
टूटा हुआ दिल गाये क्यों
इस दुनिया में हम आए क्यों
इस दुनिया में हम आए क्यों
हँसते हुये नैना

मिलने ना पाये जुदा हो गए हम
हाय ये क्या हो गया
मिलने ना पाये जुदा हो गए हम
हाय ये क्या हो गया
कैसा है तू
कैसा है तू कैसी दुनिया है तेरी
कैसा है तू कैसी दुनिया है तेरी
कोई किसी को क्यों तड़पाए
हँसते हुये नैना

तेरे भी सीने में होता अगर दिल
दिल की जलन को समझता
तेरे भी सीने में होता अगर दिल
दिल की जलन को समझता
बिछड़े दिलों को मिला दे नहीं तो
बिछड़े दिलों को मिला दे नहीं तो
मालिक जहां का क्यों कहलाए तू

हँसते हुये नैना नीर बहाएँ
हँसते हुये नैना नीर बहाएँ
टूटा हुआ दिल गाये क्यों
इस दुनिया में हम आए क्यों
इस दुनिया में हम आए क्यों
हँसते हुये नैना


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

5089 Post No. : 17015

“Amar Keertan”(1954) was directed by K.C. Pandit for Punjab Film Corporation, Bombay. The movie had Asha Mathur, Shahu Modak, Jayant, Naaz, Rajendra, Sita Bose, S. Prakash, Prem Kumar, Sitaram, Maya Das, Heera Sawant, Kumkum, Lalan, Bansari, Chand Burque etc. Kumari Amita Devi, Kamal Mehra, and Madan Puri made guest appearances in this movie.

The movie had eleven songs in i (including a multiple version song).

Four songs (including the multiple version song) have been covered so far in the blog.

Here is the fifth song from “Amar Keertan”(1954). It is sung by S D Batish. Wali Sahab is the lyricist. Music is composed by S D Batish.

Only the audio of the song is available. I reuest our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Nirdhan ki dasha dekh(Amar Keertan)(1954) Singer-S D Batish, Lyrics-Wali Sahab, MD-S D Batish

Lyrics(Provided by Prakashchandra)

maaya ko maaya miley ae ae ae ae
kar kar lambe haath
tulsi das gareeb ki ee ee ee ee
koi na poochhe baat

nirdhan ki dasha dekh
ho nirdhan ki dasha dekh
dhanwaanon ke bhagwan
nirdhan ki dasha dekh
ho nirdhan ki dasha dekh
jeena to raha jeena
jeena to raha jeena
nahin marna bhi aasaan
nirdhan ki dasha dekh
ho nirdhan ki dasha dekh

naiyya hai kinaare pe
kinaara nahin milta
kinaara nahin milta
nirdhan ko to aansoo bhi udhaara nahin milta
udhaara nahi milta
jab tera hi nirbal ko sahaara nahin milta
phir inpe daya kaise karega koi insaan
o dhanwaanon ke bhagwaan
o dhanwaanon ke bhagwaan aan
nirdhan ki dasha dekh
ho nirdhan ki dasha dekh

le dekh ye majboor chita ko hai taraste ae ae ae ae
haaye
nirdhan ke liye band hain marne ke bhi raste
nirdhan ke liye band hain marne ke bhi raste
jalti hai chita aa
jalti hai chita man mein ae ae ae
magar nain barasate ae ae
anjaan nahin phir bhi
banta hai tu anjaan
o dhanwaanon ke bhagwan
o dhanwaanon ke bhagwan
nirdhan ki dasha dekh


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5081 Post No. : 17004

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Blog 10-Year Challenge (2012-2022) – Song No. 53
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This day ten years ago viz 16thJune’2012 saw five songs getting covered in the blog. Here are the details:-

Song Movie title(Year) Remarks
Yoon na reh reh kar hamen tarsaaiye Master Madan (NFS)(1935) N/A
Ye khaamoshiyaan ye samaa Samrat(1954) All songs covered
Kajra na dekhe gajra na dekhe Suhaag Sindoor(1961) All songs covered
Tu hai ya nahin bhagwaan Janam Janam Ke Phere(1957) 7 of 9 songs covered
Le le dard paraaya kar de door gham ka saaya Chhote Baabu(1957) All songs covered

We can see that five songs were posted on this date ten years ago. One song was a non film song (NFS) and remaining four songs were from four different movies.

The movies represented were ‘Samrat-1954’, ‘Suhaag Sindoor-1961’, ‘Janam Janam Ke Phere-1957’ and ‘Chhote Babu-1957’. Out of these four movies three movies have already been ‘Yippeeee’ed’ on the blog. Janam Janam Ke Phere(1957) is the only unYIPPEED movie from that day.

I had watched this movie during my childhood. I do not have not reecollection of the movie. But, the title of the movie and its most popular song, viz ‘zaraa saamne to aao chhaliye’ is permanently ethed in the Read Only Memory (ROM) of my mind.

“Janam Janam Ke Phere-1957’ (alias ‘Sati Annapurna) was directed by Manoo Desai for ‘Mukti Films, Bombay’. It was produced by Subhash Desai.

Manoo Desai also wrote this movie and editing of this movie was done by Kamlakar.

(This movie was passed by Censor Board on 30.05.1957.)

This movie had Nirupa Roy, Manhar Desai, B.M. Vyas, Krishnakumari, S.N. Tripathi, Amar Pande, Amirbai Karnataki, Satish Vyas, Malay Sarkar, Kantakumari, Champaklal, Santosh Kunwar, and others.

Mahipal made a guest appearance in this movie.

This movie had nine songs written by Bharat Vyas and composed by S.N. Tripathi. Lata Mangeshkar, Mohd Rafi, Geeta Dutt and Manna Dey had given their voice to the songs in this movie.

The movie had the following songs in it:-

Sr.No. Song Title Singer/s Posted On
01 Janam janam ke phere …saanjh savere sabko ghere, inse na koyi bache re Rafi, chorus 16.02.2013
02 Tu hai ya nahin bhagwan… kabhi hota bharosa kabhi hota bharam Lata, Rafi, Manna Dey 16.06.2012
03 Bhadak uthhi hai…aaja naag tohe man mein basaa loon Lata Mangeshkar 04.01.2020
04 Chaahe raat barsaat ho… raah se dharam ki hataanewaala kaun Lata Mangeshkar Being presented today
05 Man ka andhiyaaraa… tan ke tamboore mein do saanson ke taar boley Manna Dey 03.06.2012
06 Rang birange phoolon ki jhoomein re daaliyaan… kaali kaali ankhiyon ki chhalke re Pyaaliyaan Geeta Dutt, Manna Dey, chorus 14.03.2022
07 Aatma ki ye … zaraa saamne to aao chhaliye Mohd Rafi, Lata Mangeshkar 25.12.2008
08 Baaj rahi shehnaayi dekho baaj rahi shenaayi Lata Mangeshkar
09 Ghanan ghanan ghan baaje… aayi mohan milan ki bela Shamshad Begum, Mohd Rafi, chorus 05.04.2020

From the above table we can see that this movie had made its debut on the blog on 25.12.2008. The movie has already lasted for over thirteen years on the blog without being YIPPEED. 🙂

Today we present the eighth and penultimate song from this movie.

Today’s song is sung by Lata Mangeshkar. Nirupa Roy lip-syncs on screen. Manhar Desai and B.M. Vyas are also visible in the picturisation.

Lyrics for the song were sent by Prakashchandra.

The video link of this song has three stanzas; however the audio link has only two stanzas.

Let us now enjoy today’s beautiful composition …

Audio

Video

Song-Raah se dharam ki hataane waala kaun (Janam Janam Ke Phere) (1957) Singer-Lata, Lyrics-Bharat Vyas, MD-S N Tripathi

Lyrics (Lyrics provided by Prakashchandra)

chaahe raat barsaat ho..ooo
aandhi ho yaa toofaa..aan..aa..aan
teraa vrat na tal sake
naa tale ae sati ki aan

raah se dharam ki hataane waalaa kaun
raah se dharam ki hataane waalaa kaun
satiyon ko sat se digaane waalaa kaun
satiyon ko sat se digaane waalaa kaun
naam bhagwaan ka mitaane waalaa kaun
naam bhagwaan ka mitaane waalaa kaun
satiyon ko sat se digaane waalaa kaun

raah mein gulaal ude
chaahe ude dhool ho..o o
raah mein gulaal ude
chaahe ude dhool ho
paaon mein chubhe re chaahe
phool chaahe shool ho
dar se dagar ki daraane waalaa kaun
dar se dagar ki daraane waalaa kaun
satiyon ko sat se digaane waalaa kaun
raah se dharam ki hataane waalaa kaun
satiyon ko sat se digaane waalaa kaun

(Below mentioned stanza heard only in video link)

devi se pujaran ki ho chaahe jitni doorie..ee
devi se pujaran ki ho chaahe jitni doorie..ee
sachchi ho lagan to rahe poojaa na adhoori
aarti ka deep bujhaane waalaa kaun
aarti ka deep bujhaane waalaa kaun
satiyon ko sat se digaane waalaa kaun
raah se dharam ki hataane waalaa kaun
satiyon ko sat se digaane waalaa kaun

(.)

Sita ka ye sach hai ae Saavitri ki shakti..ee
Gauri ka ye bal hai ae Gayatri ki bhakti
saadhnaa sati ki aaj jaaye nahin khaali
saadhnaa sati ki aaj jaaye nahin khaali
aaraadhana kisi ki aaj jaaye nahin taalee
bhaavnaa ke phoolon ko thukraane waalaa kaun
satiyon ko sat se digaane waalaa kaun
satiyon ko sat se digaane waalaa kaun
satiyon ko sat se digaane waalaa kaun
satiyon ko sat se digaane waalaa kaun



What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17400 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17401

Number of movies covered in the blog

Movies with all their songs covered =1341
Total Number of movies covered=4685

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