Archive for the ‘Master Sonik Songs’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Today’s song is from the film Stage-1951.
The film was made by Jeevan Pictures, Bombay. The producer was G D Chandana and the film was directed by one Vijay Mhatre, who was basically a successful Cinematographer. He got an opportunity of directing a film but could not do much to make the film a Hit, despite having a popular lead pair of Dev Anand and Ramola (Khajanchi-41 fame). This was due to a very weakened run of the mill story of the film. He ended his directorial career with only this film and went back to his comfort zone of remaining a successful Cinematographer.
There were two Music Directors who composed 12 songs of the film. However, HFGK credits only 9 songs with MD’s name. The remaining 3 songs are left ‘ Ram Bharose’. Luckily there was only one Lyricist-Sarashar Sailani, so it is understood that all the songs were written by him only.
Sarashar Sailani was born on 12-3-1925 in Lahore. He was not much educated (not a graduate), but was a school teacher, used to participate in Mushairas. The owner of Jeevan Pictures,Lahore, was Motiram Jain and he was a lover of Shayari and poetry. Motiram liked his shayari. When Motiram started his First film Arsi-47, he invited Sailani to write story, song and dialogues for this film. Arsi-1947 was his first film as a Lyricist. Some songs became popular and Sailani jumped into the film line.
Lachhiram called him for his next film Mohini-47 and Shyamsunder called him for Ek Roz-47. Along with director Daud Chaand, Sailani also shifted to Bombay. However, after the Partition, Daud returned to Lahore but Sailani remained in India. He wrote lyrics. generally he got only low budget films, but he worked with some quality composers like Pt. Amarnath, Husnlal-Bhagatram, Roshan, Chitragupta, Jaidev, A R Qureshi, Hansraj Behl etc.
In all, he wrote 150 songs in 32 films. From 1960 onwards, after the film ‘ Bade ghar ki bahu’, he stopped songwriting and took up only story, dialogue writing, in which he did many good films. some of such films were Bewafa,Baaz,Barsat ki raat,Unpadh,Aayi milan ki bela,Aapki parchhaiyan,Ganga ki laharen, Majboor, Aaye din bahaar ke, Aman, Devar, Gunahon ka devta, kanyadaan,Aya saawan jhoom ke, Anjana etc.etc. His last film as a dialogue writer was Maa aur Mamta-70. He died on 10-4-1969 at Bombay.
One of the Music Directors was Sardar Malik for this film. Sardar Malik today is a lesser known composer compared to other giants of the film industry, but he has created some golden melodies. Born on 13-1- 1925, Sardar Malik had learnt classical music from Ustad Alauddin Khan. He also learned a variety of dancing skills from Pt.Uday Shankar. Some other stars like Guru Dutt and Mohan Sehgal too were part of the troop under Pt. Uday Shankar, same time.
Sardar Malik got his break as a Music Director in a movie called ‘Renuka’ which was released in 1947. Sardar Malik also sang 4 songs in this movie – 2 solo songs and also 2 duets with Zohrabai. But the movie was not a big success and he remained unrecognized. In the same year, he also composed music for a movie ‘Rain Basera’, but that movie too was not successful. In 1949, only one movie was released of Sardar Malik and that was ‘Raaz’. The movie had some wonderful numbers from Rafi, Amirbai and Binapani Mukherjee.
In 1951, Sardar Malik shared the credits with Husnlal Bhagatram and composed a few songs for a movie ‘Stage’, which had lovely numbers sung by Asha Bhosle like ‘Dil Machalne Laga’. Asha Bhosle had excellent control in her voice in the early 50s and her association with Sardar Malik was very special in this era when Lata and Geeta Dutt were at the top.
His next movie was ‘Laila Majnu’ which was a huge success. Sardar Malik composed only 3 songs for this movie ‘Baharon Ki Duniya Pukare’, ‘Tere Dar Pe Aaya Hoon’ and ‘Dekh Li Ae Ishq’. All the other songs were composed by Ghulam Mohammed but the songs showed his versatility and he gained recognition in the film industry. Thokar (1953) established Sardar Malik as a successful composer. Songs like ‘Ae Gham-e-Dil Kya Karoon’ by Talat and Asha Bhosle and ‘Hawa Ghungunayee Fiza Muskayee’ are evergreen numbers.
‘Aulad’ (1954) showed Sardar Malik’s overall class through his magical compositions. This movie had some great numbers like ‘Duniya Tasveer Ha’i (Talat Mahmood) and ‘Tum Salamat Raho Hazar Baras’ (Asha). The same year saw the release of ‘Chor Bazar’ (1954), which had some of the best songs rendered by Lata Mangeshkar. She sang 3 beautiful songs in this movie ‘Chalta Rahe Yeh Karvan’, ‘Huyi Yeh Humse Ye Nadani’ and ‘Dar Dar Ki Thokare Hain’. In the mid-50’s Sardar Malik composed music for a few movies like Ab-e-Hayat-55, Taxi-555-58, Chamak Chandni-57 and Maa Ke Aansoo-59. All these movies had some nice songs. If we observe the decade of the 50s, Asha Bhosle, Talat Mahmood and Rafi sang some of the best songs of Sardar Malik.
The decade of 60’s saw the release of ‘Saranga’ (1960), which can be considered as one of the best movies of Indian Cinema. The title song of the movie sung by Mukesh and the sad version of the same sung by Rafi is still as popular as it was 60 yrs ago. Many veteran music composers consider this movie as the best movie composed by Sardar Malik ever. The same year saw the release of ‘Mera Ghar Mere Bachche’ which contained some great songs sung by Mukesh, my favorite song being the duet of Mukesh with Suman Kalyanpur ‘Baharon Se Poochho’.
Sardar Malik remained active in the first half of the 1960s and composed some outstanding music for second rung movies like Madan Manjari, Bachpan, Pick Pocket, Naag Mohini, Jantar Mantar, Maharani Padmini, Roop Sundari and Main Hoon Jadugar. It was destiny that most of the films he composed for were not box-office successes, but he never compromised on the quality of his music. His career appears to come to an abrupt halt in the mid-60s. The last movie of Sardar Malik was Gynaaniji which was released in 1977. This movie had songs sung by Rafi, Asha, Jaspal Singh and Jagat Singh Jagga. After this he gave music to one film in which all his family was working- Nigahain-1983. He even wrote a few songs for this film.
Sardar Malik gave music to 25 films, composing 199 songs. He sang 8 songs in 2 films-Renuka-47 and Raaz-49.
Sardar Malik had huge knowledge on all forms of Indian Music. He always depended on light background orchestration in many of his songs. He made the use of accordion and flute in many of his songs. As he was classically trained, he had excellent knowledge on various ragas too. Married to noted lyricist Hasrat Jaipuri’s sister, Kausar Jahan (Bilqis), Sardar Malik had three sons – Annu, Abbu and Dabbu Malik. Thanks to his father’s blessings, Annu Malik met with a lot of success in the 1990s and 2000s.
Sardar Malik passed away on January 27th 2006, but the legacy he has left behind will always remain with us.
Today’s song is sung by Master Sonik and Lata mangeshkar. Hindi films had so far, to my knowledge,3 artistes who were blind and into film music. The first was K C Dey, a singer and a music director. The second was Manohal Lal Sonik- again a singer and a music director and the third one was Ravindra Jain who was a Lyricist, singer and a Music Director. Their natural deficiency did not come in the way of their music careers and the industry too gave them the recognition for their talents.
Master Sonik aka Manohar lal Sonik was born on 26-11-1926 in Sialkot, Punjab.By his third year, he lost his vision completely. Undaunted, he learnt music-first from the Music school of Lahore and then from Lucknow. For sometime, he was assistant to pt. Amarnath Batish.
After Partition he joined Delhi A.I.R. Later, he sang 8 songs in 7 Hindi films,namely Chaar Din-49, Stage-51,Kashmir-51, Khaibar-54, Mast Qalandar-55, Inquilab-56 and then after 20 years he sang in film Umar qaid-75 also. He gave music to film Ishwar Bhakti-51 along with Giridhar and then film Mamta-52, with Hansraj Behl.
Meanwhile, his nephew Omprakash Sonik, who was a singer in Delhi A.I.R., proposed working as a team of composers, calling themselves as ” SONIK-OMI “. They got their first film ” Dil ne phir yaad kiya”-66. The songs became popular. They continued to give music till Anadi Dada-93, when Master Sonik died on 9-7-1993. As a team, music was given to another 5 films by Omi alone till the film- Yeh hai basti Badmashon ki-1999. As a team, they gave music to 104 films composing 536 songs.
Today’s song is from the film Stage-51. There was a time between say, 1940 to 1970 when many film stories were woven around the Hero or Heroine being either a part of or an aspirant to be a part of a drama company or a musical group ( some examples are Albela, Hum sab chor hain, Teesri Manzil etc). This gave the producers ample scope and opportunities to include song and dance items in the film without any problem. Stage-51 was also one such movie having a murder mystery of a singer dancer. The film story was….
Prof.Rajan(Raj Mehra) is sad because his family life is spoiled due to the sharp and acidic tongue of his wife(Kuldeep Kaur).His daughter Sudha(Ramola) is with him on this issue.One day he discovers that his college love Kamini(Gulab) is in town as Neelam the stage dancer.He goes to meet her.Both share their grief but Rajan can not help her.In due course, Rajan’s wife learns about Neelam,there is a fight and Rajan is injured by accident.He goes to meet Neelam-who is murdered and police arrest Rajan with blood stained clothes.
Sudha, who is enjoying her boy friend Anand’s(Dev Anand) Birthday party, learns about it. She is determined to find out the real culprit. With help from Anand, his friend Chunnu(Sunder) and some clues, they reach Poona. Sudha joins as Dancer in the previous stage company of Neelam. They get the proof that the Owner of the theatre(Mubarak)is the culprit.
After some chase,suspense and a mock fight(it is funny to see Dev Anand fighting 7-8 gundas at a time),the murderer is caught by the police, Rajan released,Sudha-Anand married and Rajan’s wife reformed.
Let us now listen to the funny song which gives advice on how to be careful in Bombay.
Song- Bach ke chalna meri sarkaar ki ye Bombay hai (Stage)(1951) Singers- Master Sonik , Lata Mangeshkar, Lyricist-Sarshar Sailani, MD- Sardar Malik
Both
Lyrics
sach kahaa kisi ne
bache hamesha
bachke mod ko
hamesha bachke mod ko chaliye
ho bachke
bachke chalna
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
taxi waalon se hoshiyaar
ke ye Bombay hai
ke ye Bombay hai
hamne is shahar ke andaaz niraale dekhe
hamne is shahar ke andaaz niraale dekhe
har kadam par yahaan dil lootne waale dekhe ae
har kadam par yahaan dil lootne waale dekhe
lut na jaana sare baazaar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
ghar se hum aaye thhe
business koi karne ke liye ae ae
ghar se hum aaye thhe
business koi karne ke liye
ab hain bechain kisi shokh pe marne ke liye ae ae
ab hain bechain kisi shokh pe marne ke liye
bik na jaaye kahin ghar baar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
hamko rah rah ke hansi aati hai in ladkon par
hamko rah rah ke hansi aati hai in ladkon par
phirte hain ishq ladaane ke liye sadkon par r
phirte hain ishq ladaane ke liye sadkon par
aise ladkon se khabardar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
Bombaayyyy
- In: Devnagri script lyrics by Sudhir | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Master Sonik Songs | Motivational song | National integration song | Patriotic song | Post by Arunkumar Deshmukh | Rafi songs | Songs of 1950s (1951 to 1960) | Songs of 1951 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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3990 | Post No. : | 15082 |
Today’s song is from film ‘Kashmir’ (1951).
More than 3 years ago I had discussed one song from this film. That time I had said this, which is true even today.
In Hindi films, there were quite a few films made on the background of Kashmir. The first such film was ‘Kashmir Ki Kali’ (1940), in which the lead pair was handsome Master Vithal and petite, lovely Kavita Devi. Next was ‘Kashmir Hamara Hai’ (1950) (original name was ‘Bapoo Ne Kaha Tha’) with lead pair of Paresh Bannerjee and Meera Mishra. This was also the first Hindi film of Bombay, in which Jagmohan Sursagar sang a song – Rang De Kesariya’. The third film was ‘Kashmir’ (1951), where the lead pair was beautiful, regal Veena and handsome Al Nasir. This film was actually filmed in Kashmir ghati.
Next film was ‘Kashmir Ki Kali’ (1964), by far the most successful of all Kashmir films so far. The lead pair was debonaire Shammi Kapoor and a debutante Sharmila Tagore. There was also a documentary ‘Kashmir Hamara Hai’ made by Films Division of Indian Government in 1948 which was shown in all theatres in India, in the wake of tribal attacks by Pakistan on Kashmir. Later on some more films on Kashmir were made – (the list is indicative, not exhaustive)
- Johar in Kashmir (1966)
- Shayar-E-Kashmir (1972)
- Love in Kashmir (1976)
- Mission Kashmir (2000)
- Kashmir Hamara Hai (2001) ( Unreleased, though Censored on 17-10-2001)
- Border Kashmir (2002).
‘Kashmir’ (1951) was not a very popular film. The reason was, after the partition and independence, people were looking for a respite from all that patriotic fervor, which they had more than enough for the last few years. They were tired. Now they got what they wanted and some peace of mind was sought, perhaps. Additionally, the Hindi film music was going through its Golden Period and so many films with excellent music were enjoyed by people, may be hence serious films like ‘Kashmir’ issue got side tracked. Though a film buff myself, even I had not seen this film.
The film was produced and directed by Rajendranath Jolly, for Raajdeep Pictures, Bombay. The MD was Hansraj Behl and the lyricists were Sasrshaar Sailaani and Baaba ji, for 9 songs of the film. The song is sung by Mohd. Rafi and Master Sonik.
Master Sonik aka Manohar Lal Sonik was born on 26-11-1926 in Siyalkot, Punjab. By the time he was three years old, he lost his vision completely. Undaunted, he learnt music – first from music school of Lahore and then from Lucknow. For sometime, he was assistant to Pt Amarnath Batish.
After partition he joined All India Radio, Delhi. Later, he sang 8 songs in 7 Hindi films, namely ‘Chaar Din’ (1949), ‘Stage’ (1951), ‘Kashmir’ (1951), ‘Khaibar’ (1954), ‘Mast Qalandar’ (1955), ‘Inquilab’ (1956) and then after 20 years he sang in film ‘Umar Qaid’ (1975) also. He gave music to film ‘Ishwar Bhakti’ (1951) along with Giridhar and then film ‘Mamta’ (1952), with Hansraj Behl.
Meanwhile, his nephew Omprakash Sonik, who was a singer on Delhi AIR, proposed working as a team of composers. They got their first film ‘Dil Ne Phir Yaad Kiya’ (1966). The songs became very popular. They continued to give music till ‘Anaadi Dada’ (1993). Master Sonik died on 9-7-1993.
The cast of the film was an interesting mix of fading and emerging actors, like Veena, Al Nasir, Badriprashad, Tiwari, Kailash, Uma Dutt, Kamal Kapoor, Nirupa Roy, Arun Ahuja etc. There was also an actress who made her debut with this film. Let us take a look at her short bio again.
For the actress Achala Sachdev (3-5-1920 to 30-4-2012), this was her debut Hindi film (though another film ‘Dilruba’ (1950) featuring her was released prior to this film, but she considers this film as her debut film). Achala Sachdev’s original name was Rajinder. Her name is permanently conjoined with a mother’s role. She did a mother’s role when she was very young and since then – more than a heroine – she has been seen either as a sister or mother in films. In her earliest film ‘Dilruba’ (1950) she was Dev Anand’s sister and later in many films she was a fixed mother of Dev Anand.
She worked in All India Radio, Lahore. She came to Delhi after the Partition and continued her job in All India Radio, till her first film. She acted in 181 Hindi films, 3 Punjabi films and 1 Gujarati film, in addition to 1 incomplete Bangla film. She acted in few television serials and FD documentaries too.
In her early years she had got married to Gyan Sachdeva. She begot one son and one daughter from him. Her son settled in US and daughter in Bombay. When she could not pull on, she divorced her husband. After 12 years of loneliness she fell in love and married an American Clifford Douglas Peters, who was an Engineer and ran an electronics factory in Poona. She stopped accepting new films after 1976 and then shifted to Poona.
After her second husband died, she shifted from her bungalow in Bhosari, near Poona to a spacious flat in Hadapsar area of Poona. She had completed all films on hand, but due to insistence of family friend Yash Chopra, she acted in some of his films – notably ‘Dilwale Dulhaniya Le Jaayenge’ (1995). Though her last film was ‘Dahak’ (1998), her last released film was ‘Suno Sasur Ji’ (2003).
During her heydays, she was very friendly with Sunil Dutt and Nargis, Mona Dev Anand (Kalpana Kartik), Meena Kumari, Saira Bano and her mother Naseem Bano. She was very punctual during her shootings. Once while working in a Rajesh Khanna film, she had to wait for him for 4 hours, with all make up done. When this continued to happen for next 10 days, she left the film and went back to Poona. Rajesh Khanna wrote an apology letter to her and then only she came back to complete the film.
After her husband passed away in 2002, she was all alone. Her last film released in 2003. After that no one from film industry ever contacted her till her last days. She was very generous. She had donated 25 lakhs to an NGO, Janseva Foundation to start ‘Achala Sachdev Institute of Education’. She also gave 15 Lakhs to Dr. HV Desai Eye Hospital for a ward construction. In her last days, she even donated her flat also to the NGO Janseva Foundation.
She was seriously unwell for last 6 months of her life, and was looked after by the NGO. Admitted to Poona General Hospital ICU, she got paralysis, lost her vision and then lost her life on 30-4-2012. A highly successful film star with lots of money, but she was neglected by her own son and daughter. Above all, during her last lonely 10 years in Poona, not one soul from the film world met her. What was pathetic was, when she was admitted in ICU, her attending doctor, Dr. Mehta sent messages to Yash Chopra and others in film industry, but none came or even enquired and she died a lonely death.
(Based on Cine Blitz, Madhuri,Times of India, Indian Express, Wikipedia and info kindly given by Shri Harish Raghuwanshi ji ).
Another interesting person in this film was actor Al Nasir. Many people make a confusion in him and actor Nasir Khan. Some sites even wrongly mix up their filmography. Even earlier, I have clarified this difference. Not many readers will be aware of him. Al Nasir was one of the most handsome actors of his times. ABDUL REHMAN AL NASIR GAZNAVI (popularly known as Al Nasir ) was born on 27-11-1922 in Kabul. His father was a big shot – Chancellor of Law. He was related to the Begum of Junagadh and also to the Nawab of Bhopal.
His schooling was done in Dehradun up to Sr. Cambridge and degree was obtained from Kabul college. He was a tall and handsome young man, who was keen on joining Air Force. He went to Bombay in 1941 for this purpose. While in National Studios to meet a friend, Mehboob spotted him and offered him a job. He was taken on the rolls of studio.
For next 6 months there was only pay, but no work. In 1942 National Studios closed down, but Mohan Sinha offered him hero’s role in film ‘Preetam’ (1942). His father did not like this. However Al Nasir worked in 17 films till 1957.
Being handsome and polished he impressed women . He was a womaniser. During the shooting of film ‘Prithvi Vallabh’ (1943), he married Khursheed Jehan commonly known as Meena (later Meena Shorey). Whenever she was away, he would run after other women. He had an affair with Nigar Sultana. After the divorce with Meena, he married actress Manorama, when he had gone to Lahore.
He divorced Manorama in 1946 and married actress Veena. They had 2 children. Daughter Huma became a professor and son was Altamash. Al Nasir was fond of hunting and reading English books.
He acted in ‘Preetam’, ‘Prithvi Vallabh’, ‘Pathron Ke Shehar’, ‘Shehar Se Door’, ‘Dhamkee’, ‘Shalimaar’, ‘Khamosh Nigaahen’, ‘Aarsi’, ‘Ek Roz’, ‘Daastaan’, ‘Bewee’, ‘Kashmir’, ‘Mr and Mrs 55’, ‘Hatimtai Ki Beti’, ‘Sakhi Haatim’, ‘Indrasabha’ and ‘Mera Salaam’.
Al Nasir died at the age of only 35 years, on 17-10-1957.
As mentioned earlier, the film had 9 songs. Today’s song will be the 4th song to be discussed from this film. Coincidence is that both songs, earlier discussed by me – “Uth Ae Watan Ke Naujawan” and today’s song, happen to be patriotic songs, sung by Indian fighters in the film. Surprisingly, both these patriotic songs were not released in Pakistan. My guess is that, the then Government possibly did not want to hurt Pakistan’s feelings, so these songs were released only in India.
One more thing. The first song of this film , discussed earlier by me, was in 2 parts (gramophone record no. N-36728). One more part (part 3) was recorded in the voices of Rafi, Geeta and chorus. This Patriotic song too was not issued on a commercial record (possibly for the same reason). This information is given in the HFGK itself.
Let us now enjoy the second patriotic song from this film, released only in India and not in Pakistan.
Song – Raah e Wafaa Mein Nikle Hain Seenon Ko Taan Ke (Kashmir) (1951) Singer – Mohammed Rafi, Master Sonik, Lyrics – Saarshaar Sailaani, MD – Hansraj Behl
Chorus
Lyrics
raah e wafaa mein nikle hain
seenon ko taan ke
raah e wafaa mein nikle hain
seenon ko taan ke
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
hum hausle ke sher hain
dil ke daler hain
dil ke daler hain
parbat hamaare saamne matti ke dher hain
matti ked her hain
sikke bichha ke chhodenge bharat ki shaan ke
bharat ki shaan ke
farzand hum hain
farzand hum hain
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
ubhre to aasmaan ko neecha dikhaayenge
neecha dikhaayenge
uthe hain apne saath qayaamat uthaayenge
qayaamat uthaayenge
sachche hain apni baat ke
pakke zubaan ke
pakke zubaan ke
farzand hum hain
farzand hum hain
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
mazhab hai aur cheez
qayaamat hai aur shai
qayaamat hai aur shai
mazhab judaa judaa hain magar qaum ek hai
magar qaum ek hai
taare hain shaikh o barhaman ik aasmaan ke
ik aasmaan ke
farzand hum hain
farzand hum hain
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
raah e wafaa mein nikle hain
seenon ko taan ke
raah e wafaa mein nikle hain
seenon ko taan ke
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
farzand hum hain maadr e hindostan ke
———-———————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————————
राह ए वफा में निकले हैं
सीनों को तान के
राह ए वफा में निकले हैं
सीनों को तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
हम हौसले के शेर हैं
दिल के दलेर हैं
दिल के दलेर हैं
परबत हमारे सामने मट्टी के ढेर हैं
मट्टी के ढेर हैं
सिक्के बिछा के छोड़ेंगे भारत की शान के
भारत की शान के
फ़रज़ंद हम हैं
फ़रज़ंद हम हैं
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
उभरे तो आसमान को नीचा दिखाएंगे
नीचा दिखाएंगे
उठे हैं अपने साथ क़यामत उठाएंगे
क़यामत उठाएंगे
सच्चे हैं अपनी बात के
पक्के ज़ुबान के
पक्के ज़ुबान के
फ़रज़ंद हम हैं
फ़रज़ंद हम हैं
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
मज़हब है और चीज़
क़यामत है और शै
क़यामत है और शै
मज़हब जुदा जुदा हैं मगर क़ौम एक है
मगर क़ौम एक है
तारे हैं शैख ओ बरहमन इक आसमान के
इक आसमान के
फ़रज़ंद हम हैं
फ़रज़ंद हम हैं
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
राह ए वफा में निकले हैं
सीनों को तान के
राह ए वफा में निकले हैं
सीनों को तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
फ़रज़ंद हम हैं मादरे हिंदोस्तान के
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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