Archive for the ‘Background song’ Category
Dil Chaahta Hai
Posted on: August 8, 2018
- In: Background song | Devnagri script lyrics by Sudhir | Dosti Song | feel good song | Feelings of heart | Free Spirit Song | Friendship Song | Guest posts | Happy song | joie de vivre | Journey Song | Lyrics contributed by readers | Post by Sudhir | Shanker Mahadevan Solo Songs | Shanker Mahadevan Songs | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3673 | Post No. : | 14559 |
ASAD 10th Anniversary Celebrations – 19
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मिले ना फूल
तो काँटों से दोस्ती कर ली॰ ॰ ॰
दस बरस पहले, एक सफर शुरू हुआ – एक सफर जिसका कुछ भी नियत नहीं था, कुछ निश्चित प्रयोजन नहीं था, कुछ आशा भी नहीं थी के ये सिलसिला जाने कब तक चले। बस सिर्फ एक धुन, और एक नग़मा – ले चला जिधर ये दिल निकल पड़े।
और साथ ये भी कह दिया कि मंज़िल कहाँ कहाँ रुकना है ऊपर वाला जाने॰ ॰ ॰
कुछ मालूम नहीं था ये सफर क्या शक्ल हासिल करेगा। क्या कोई हमसफर मिलेगा? मालूम नहीं, ये सोचा भी था के नहीं। लेकिन फिर भी क्या॰॰॰ एक ज़िंदगी का तार पकड़ कर चल दिये। और सोचा यूं कि चलते चलो चलता हुआ साहिल है ज़िंदगी। ये तो अच्छा किया कि दूर की सोची नहीं। अब तीन साल में क्या हो या पाँच सात साल में क्या होगा ऐसी हर फिक्र को धुएँ में उड़ाते हुये, बस एक दिन और एक गीत – इस क्रम पे चलना शुरू किया।
कहते हैं, जब कर्म और विचार में खोट नहीं, तो प्रकृति, दिशाएँ, तत्व, देव – सब कुछ ही साथ हो संबल देते है। दस साल पहले जो सफर अकेले ही शुरू हुआ था, आज इन दस साल के बाद अब इसकी गिनती करोड़ों में होती है। क्रम नहीं बदला, नीयत नहीं बदली – जो बदला वो बस यही के लोग साथ आते गये और कारवां बढ़ता गया।
दस साल बाद भी, आज कोई पूछे तो जवाब नहीं बदला – ये हँसता हुआ कारवां ज़िंदगी का न पूछो चला है किधर॰॰॰।
कितने पड़ाव आए और गुज़र गये, कितने ही मील पत्थर रास्ते में मिले और नज़रों से ओझल हुये। इस सफर में हम कहाँ कहाँ से गुज़र गये – देस भी घूमा, दुनिया भी घूमी; सागर, नदियां, पर्वत, वादियाँ, जंगल और सैहरा, रास्ते और गलियाँ, पनघट और खलिहान, बाज़ार भी, मेले भी और अकेले भी – सब कोने छू लिए। कभी रेल में, तो कभी मोटर कार में, कभी घोड़े कि टापों के संग, तो कभी रिक्शे में। कभी बैल कि गाड़ी में घूमे, तो कभी तांगे के हिचकोले खाये। कशतियों में कभी झीलों का झरोखा, और कभी जहाज़ में समुद्र का दीदार किया। साइकल की सैर भी की, और कभी प्लेन से सारी धरती को देखा। और तो और, क्रेन, ट्रक और ट्रैक्टर को भी नहीं छोड़ा।
कभी हरी दर्शन को तड़पते मन देखे, कभी मदीने की दुआएं मांगी। कभी बंजारों के गीत सुने, और तो फिर कभी सूफी के कलाम। बुद्ध कि शरण में गये तो कभी येशु के दर पे सर झुकाया। कभी सृष्टि के चित्रकार को ढूँढा, और कभी कर्म गति की शिक्षा सुनी। कभी शुक्राने फरमाए उस खुदा की बंदगी में, तो कभी ज़िंदगी से ऊब कर उसे खूब खरी खोटी भी सुनाई।
कभी किसी नाज़नीं से लहंगे कि फरमाइश सुनी, और कभी प्रेमी कि ज़ुबान से चाँद कि उपमाएँ। कभी बरसात ने दिल लुभाया, तो कभी बात बात में मैंने दिल तुझको दिया। कभी गर्मी की धूप से बचने की सलाह देखी, तो कभी बर्फ की सर्दी को दिल की आंच से कम होते देखा।
गोद में बच्चों को सुलाते हुये माँ कि लोरियाँ सुनी, तो कभी बच्चों से माँ के आँचल कि पुकार। नग़में सुने दोस्ती के और ग़ज़लें सुनी इश्क़ की। मोहब्बत के जलवों से रोशन जन्नत के नज़ारे किए, तो कभी टूटे दिल के नालों ने हमें भी रुलाया।
कभी दिल मचला और झूम के गा उठा – किसान अपनी फसल देख के, फौजी छुट्टी पर घर जाते हुये, इक जवान दिल इश्क़ का इक़रार पा कर, और तो कभी बस इस कायनात की खूबसूरती पर।
कभी दिल रोया और रो कर गाया – भीख मांगते हुये बच्चे, कोई बिछड़ कर जाने लगा, कभी मोहब्बत के धोखे उठाए, और तो कभी किस्मत के थपेड़ों की शिकायत में।
कभी एक चोर की कहानी सुनी, कभी बिक्री वालों से उनकी उम्दा दलीलें सुनी, कभी मेहनतकशों की प्रेरणा भा गई, और तो कभी सड़क पे तमाशों के नज़ारे किए।
हुस्न की जल्वानुमाई देखि, तो कभी हुस्न के एहसान; कभी हुस्न की संगदिली ज़ाहिर हुई, तो कभी सिर्फ शिकवों का ज़िक्र हुआ। फ़लक पे सूरज चाँद और तारों की कहानी सुनी, तो कभी शराब की मस्ती शराबी की जुबानी सुनी।
फूलों से किसी कमसिन के चेहरे को मुक़ाबिल देखा, तो कभी किसी अल्हड़ की लापरवाह चाल से झरनों की उपमा हुई।
कसमें वादे होते देखे साँसों की हद तक, और कभी टूटे वादों के साथ दिल के टुकड़े बिखरते देखे।
कोई जश्न का मौका छूटा नहीं, कोई नाम अछूता रहा नहीं।
कभी धरती और देश के झंडे से बुलंद हुये, तो कभी इंसानी ज़ुल्म से हताश।
कभी शहीदों की कहानियाँ पलटीं, तो कभी भली आत्माओं का दर्शन किया।
सुख की घड़ियाँ, दुख के बादल; हंसी के लम्हे, आँसू की ढलकन; मिलने की खुशी, ना मिलने का ग़म; प्यार का झगड़ा, बेवफाई के ज़ख्म; बारात का बाजा, दिल का राजा; मंदिर का दीपक, खुदा से दुआएं; रिश्तों की संवेदना, और साथ ही वेदना; प्यार का फलसफा, और ज़िंदगी की तालीम।
कभी वो गीत में, कभी नज़्म में, कभी ग़ज़ल में, तो कभी भजन में, कभी ट्विस्ट में तो कभी डिस्को में; कभी क़व्वाली में, तो कभी सहगान में; कभी कविता जैसी लगी, तो कभी कथा जैसी; कभी तुम्हारी छवि दिखी, कभी उसकी; और तो ज़्यादा कहानी अपनी सी लगी।
दस साल। दस साल और पन्द्रह हज़ार उमंगें। रोज़ की नई नवेली। कभी लगता भी है कि पहले सुना था, लेकिन फिर भी लगता है नया सा। कितने सारे भावों की बरसात हुई है, क्या बेशुमार दौलत मिली है – दस साल में। नायाब खजाना है। और सोचो तो, शुरू कहाँ से किया था – “॰॰॰काँटों से दोस्ती कर ली॰॰॰”। मुनासिब ही तो है, ये दौलत काँटों से गुज़र के ही पाते हैं। और तमन्नाएं॰॰॰ उनका तो कहना ही क्या। कुछ मिल जाये, इसकी तो फिक्र कभी थी ही नहीं। बस एक ही बात, एक ही लगन॰॰॰ दिल चाहता है॰॰॰ साथ चलते रहें हम न बीते कभी ये सफर॰॰॰
जी हाँ, दिल चाहता है। जब एक गाना ढूंढ रहा था इस जश्न के लिए, तो मन बहुत घूमने के बाद इस बात पे ठहरा कि एक सफरनामा होना चाहिए, एक गाना जिस में बस सफर हो, कोई मंज़िल न हो। जिसमें बस हमख्यालों का दख़ल हो। जो सब मेरे हमकदम हों, मेरे हमनशीं, मेरे हमज़ुबाँ हों। अपनी यादों और आदतों से वहीं ढूँढता रहा साठ और सत्तर से पहले। इत्तेफाक़ देखिये, मिला तो बखूबी वही जो दिल चाहता है। हाँ ‘दिल चाहता है’ – फिल्म भी वही और नग़मा भी वही। 2001 में जारी हुई ये फिल्म मेंने उन्हीं दिनों में अपने सफरगुज़ारी के दौरान देखी। न जाने क्यों, इस फिल्म से मोहब्बत हो गई। और खास कर के इस गाने से। हल्की सी मस्ती की लहर में हल्का सा ढुलकता सा गाना, सुस्ताता हुआ, आलसी सा गाना, धीरे धीरे बहता जैसे बहार में सुबह कि मीठी सी सबा॰॰॰ लापरवाही में एक प्रतिबिम्बित चिंतन॰॰॰ गाना तो ऐसे मन को भाया के बस।
दिल चाहता है
कभी ना बीतें॰॰॰ चमकीले दिन
दिल चाहता है
हम ना रहें कभी॰॰॰ यारों के बिन
होता है ना कभी कभी ऐसे ही। कुछ ऐसा कहा जाता है दो लफ्जों में, के और कुछ कहने की कसर बाकी रहती नहीं। जो बात मन की है, वो बस इतनी ही मुकम्मल है, जो ऊपर लिखे मिसरों में ब्याँ हो गई – तमन्ना है ये साथ चलते रहें हम न बीते कभी ये सफर॰॰॰
और कुछ कहना वाजिब नहीं।
इस फिल्म के ज़्यादातर किरदारों को पहली बार देखा था। बहुत सालों बाद एक हिन्दी फिल्म देखी थी शायद। मन को जम गई। 🙂
गीत जावेद अख्तर का लिखा है, संगीत बद्ध किया शंकर-एहसान-लोय कि तिकड़ी ने। गाने वाली आवाज़ शंकर महादेवन की है। स्क्रीन पर ये गाना बैक्ग्राउण्ड में फिल्माया गया। और क्या असरदार फिल्माया गया। गीत ही गीत सुनता है, बाकी सब खामोशी है। एक तुष्टि की, एक पूर्णता की खामोशी है। एक खुशी भरी सुस्ती की खामोशी है॰॰॰ जो दिल चाहता है वो मुझे मिला है॰॰॰ ऐसी खामोशी है
कभी ना बीतें॰॰॰ चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन
दस बरस, फिर एक और दस बरस, फिर एक और दस बरस॰॰॰ सिलसिलेवार
कभी ना बीतें॰॰॰ चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन
[Author’s Note: Apologies due on many counts, including the sudden and surprising change in the presentation language above. The writing started and then I just couldn’t stop the flow. And so I let it flow. In case there are requests, I can add the English translation also. Regarding the gap in celebration sequence, that story is coming up tomorrow. 🙂 ]
Song – Dil Chaahta Hai (Dil Chaahta Hai) (2001) Singer – Shankar Mahadevan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Chorus
Lyrics
dil chaahta hai
dil chaahta hai
dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon
pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
jahaan rukey hum
jahaan bhi jaayen
jo hum chaahen
wo hum paayen
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
dil chaahta hai
dil chaahta hai
dil chaahta hai
dil chaahta hai
dil chaahta hai
kaisa ajab ye safar hai
socho to har-ek hi bekhabar hai
us ko jaana kidhar hai
jo waqt aaye
jaane
kya dikhaaye
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
dil chaahta hai
kabhi na beeten
chamkeele din
haan haan
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
dil chaahta hai
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिल चाहता है
दिल चाहता है
दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
दिल चाहता है
दिल चाहता है
दिल चाहता है
जहाँ रुकें हम
जहाँ भी जाएँ
जो हम चाहें
वो हम पाएँ
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
दिल चाहता है
दिल चाहता है
दिल चाहता है
दिल चाहता है
दिल चाहता है
कैसा अजब ये सफर है
सोचो तो हर एक ही बेखबर है
उस को जाना किधर है
जो वक़्त आए
जाने
क्या दिखाये
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
दिल चाहता है
कभी ना बीतें
चमकीले दिन
हाँ हाँ
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
दिल चाहता है
- In: Background song | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lyrics contributed by readers | Movie ending song | Post by Raja | Rafi solo | Rafi songs | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Sentimental song | Songs of 1970s (1971 to 1980) | Songs of 1979 | Yearwise breakup of songs
- 4 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3665 | Post No. : | 14535 |
Here is that day again.
Yes, it is the 31st of July (2018) today – which for HFM lovers, wherever they are in the world, signifies just one thing.
The death anniversary of Mohammad Rafi – respectfully referred to as Rafisaab, by one and all.
I am sure there will be events around the country to solemnly mark the occasion. Why just in the country, probably even across the world, considering how distributed India’s diaspora around the world is.
Millions of people will be remembering today as Rafisaab’s Remembrance Day – a term we also often use on this blog.
Truth is, at least for me (and I’m sure it’s true for many), every single day of the year is Rafisaab’s Remembrance Day. For there isn’t a single day in the year that I do not remember Rafisaab in some way or the other. It is usually in the form of a song I’m listening to – or sometimes singing (thankfully only to myself). 🙂
Of course, the 31st of July adds a huge extra layer of remembrance because it brings with it a sense of loss. Although it is 38 years now, this sense of loss remains. And for me, it will remain all my life.
As I sit to write this post, I’m not sure what I should write about Rafisaab that I haven’t already written here.
The thing is, I’ve written a lot about Rafisaab here. My posts here might be relatively infrequent now but I make it a point to always write a post on Rafisaab’s birth and death anniversaries. These are two dates I never miss. It is just my very small way of paying tribute to Rafisaab, and thanking him for enriching my life in a way, and to an extent, that I just cannot describe.
And I’d like to think, he is up there, smiling as always, reading these tributes.
There isn’t much I can think of writing now that I haven’t already written before. And although I don’t mind repeating myself, I don’t want to bore the readers. Having said that, I never tire of repeatedly watching the same tributes to Rafisaab on youtube. I’ve listened to Jeetendra’s story of Deedaar-e-Yaar multiple times, SP Balasubramaniam’s story about “deewaana hua baadal” multiple times. 🙂 And each time, it feels good to listen to it.
But that’s different from my repeating stories, that too in text, not video. Besides, they speak about their personal experiences involving interaction with Rafisaab – mine are just my personal thoughts.
So I will refrain from repeating myself.
One thing I will say – I’ve often felt lucky that Rafisaab’s era was before mine. Imagine somebody living in the 1920s/30s and passing away before 1947. He or she would never have had the opportunity of listening to Rafisaab. Of course there were greats even then – like Saigal saab and Pankaj Mallick, but we now have the good fortune of being able to listen to them AND to Rafisaab, Talat Mahmood, Lataji and others.
Future generations will have even more music available to them, in addition to what is available today.
That’s the greatness of a legacy. Every individual has to die sometime – nobody can do anything about that. Yes, one can delay the inevitable – but it is still inevitable. No one has yet invented the elixir of immortality – and that might not be such a bad thing.
Coming to Rafisaab, I’ve spent hours and hours listening to him. I’ve spent all night listening to his songs. It starts with one song, then I think “ok, one more”, then “one more” and so it goes on. On youtube, you keep getting prompted anyway – so it’s just one click after another. You start with “chaudvin ka chand ho”, then, as if on cue, you’re prompted “abhi na jao chhod kar”, which then takes you to “deewana hua baadal”, which takes you to “pukaarta chala hoon main” and so on. You know the drill – you’re hooked. This has happened to me many times.
Not that I’m complaining. It has always been a thoroughly enjoyable experience. I often don’t even watch the video – I just close my eyes and let Rafisaab’s voice take over. And suddenly everything seems to either fall in place, or become inconsequential. For that period at least. When SPB says that at the end of a long day in the recording studios he would come home and listen to Rafisaab to relax, I think I can understand where he’s coming from. Rafisaab’s voice can be extremely relaxing, if you listen to the right songs. I don’t know how often I’ve listened to “ab kya misaal doon” (Aarti-1962) or “maine shaayad tumhe pehle bhi kahin dekha hai” (Barsaat Ki Raat – 1960). And think of songs like “husnwaale tera jawaab nahin” (Gharana–1961) or “ek haseen shaam ko” (Dulhan Ek Raat Ki – 1967) or “mujhe dekh kar aapka muskuraana” (Ek Musafir Ek Haseena – 1962). And if you’re looking for duets, how about “theheriye hosh mein aa loon” with Suman Kalyanpur (Mohabbat Isko Kehte Hain – 1965) or “dil pukaare” with Lata (Jewel Thief – 1967) or “phir miloge kabhi is baat ka vaada kar lo” with Asha (Ye Raat Phir Na Aayegi – 1966). And of course, one of my all-time favourites – which is why I keep coming back to it – “abhi na jao chhod kar” with Asha (Hum Dono – 1961). 🙂
And so many more. I just realized that all the songs I’ve mentioned above, which came randomly to my mind, are all 1960s songs – but this is purely a coincidence. One can find a treasure of songs from the 1950s or even 1970s. Yes, even the 1970s, when Rafisaab was supposed to be going through a lean patch for the first half of the decade. The half in which he still gave us songs like “tum jo mil gaye ho” (Hanste Zakhm – 1973) and “aaj mausam bada beimaan hai” (Loafer – 1973). And my favourite Rafisaab duet song of the 1970s – “teri bindiya re” (Abhimaan – 1973) with Lata, which I have listened to a zillion times, and can never have enough of.
Rafisaab sang practically every genre, from qawwali and devotional songs to rock-n-roll and romantic songs, adjusting his singing style and voice for every actor, depending on the needs of the situation. He was always conscious that he was the playback voice – and that the actor on screen was bringing that song to the audience in “his” (the actor’s) voice. This elevated not just the song, but often even the film, for the viewers, because very often the songs of the film carried the film. 🙂
And, to add to all this, as if his divine voice wasn’t enough, he was also one of the most gentle souls the industry has ever seen. In an industry where ego clashes and tempers were not uncommon, he was ever-smiling, ever accommodating of others, never throwing his weight around – which he could very easily have done. He had a very big heart, ever generous and helpful to those in need. And he did a lot of it without publicity. It was only after he died, that a number of his charitable actions came to light.
So SUCH is the person Rafisaab was. Will we ever see another like him in the industry? Hard enough to imagine another singer like him – add to that his nature, and I think it’s safe to rule out the chance of another Rafisaab. No, Rafisaab was one of a very special kind – like SPB says, we were just very lucky he came in our midst before he was called back.
Indeed, he was 100% right when he sang “mujh ko mere baad zamaana dhoondhega”.
I will now move on to today’s song.
As it is the 31st of July, I have selected a song, sung by Rafisaab of course, about the inevitability of passing away. It is a very short song from the film Amardeep (1979) – but it suits the occasion perfectly. Lyrics have been provided to me, as usual, by Avinashji.
The song’s lyrics, written by Anand Bakshi, talk about how death is inevitable. And yet how sudden and shocking an unexpected death can be. “Tum aise gaye, aise bhi jaata nahin koi”. Everyone knows how sudden Rafisaab’s death was. That was just no way to go. Everyone was in shock – and he was just 55.
The song also refers to having a smile on one’s face even while dead. “Kyon mar ke bhi honthon pe hansi khel rahi hai”- this could also be said of Rafisaab. He was ever-smiling, reportedly even in death.
This song brought a lump to my throat.
Also, listening to his voice only further made me realize how wonderful his voice was even just a year before he passed away. It left me with a loss of what might have been. I felt he had so much more singing in him.
Anyway, one cannot control these things. One can only be thankful for what one has got. And we have got a LOT from Rafisaab. A price can never be put on his legacy – it is just priceless. He will be in our hearts for ever, and remembered for ever.
Rafisaab is truly “amar” in this sense – and lighting amardeep in all our hearts.
Thank you, Rafisaab.
Thank you for everything.
bahut shukriya, badi meherbaani,
hum sab ki zindagi mein huzoor aap aaye
Audio
Video
Song-Duniya mein sada rehne ko aata nahin koi (Amardeep)(1979) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
Duniya mein sadaa rehne ko
Aata nahin koyi
Tum jaise gaye aise bhi
Jaata nahin koyi
Kyun mar ke bhi honthhon pe hansi
Khel rahi hai ae
Sab jaante hain aur
Bataata nahin koyi ee
Dil pehle hi dartaa thaa
Ke jal jaayega daaman
Daaman se amardeep
Bujhaataa nahin koyi
Bujhaataa nahin koyi ee
Bujhaataa nahin koyi
—————————————–
(Devnagri Script lyrics) Provided by Avinash Scrapwala)
—————————————–
दुनिया में सदा रहने को
आता नहीं कोई
तुम जैसे गए ऐसे भी
जाता आ नहीं कोई
क्यूँ मर के भी होंठों पे हंसी
खेल रही है ए
सब जानते हैं और
बताता नहीं कोई ई
दिल पहले ही डरता था
के जल जाएगा दामन
दामन से अमरदीप
बुझाता नहीं कोई
बुझाता नहीं कोई ई
बुझाता नहीं कोई
O is desh ke rahne waalon
Posted on: July 14, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3648 | Post No. : | 14485 |
“Poornima”(1965) was directed by Narendra Suri for Roopkala pictures, Bombay. This “social” movvie had Meena Kumari, Dharmendra, Anita Guha, Mehmood, Siddhu, Nazeer Hussain, Durga Khote, Parveen Chaudhary, Sadhana Khote, Raja Nene, Kanu Roy, Kanchanmala, Kesri, Polson, Honey Irani, Bablu etc in it.
The movie had eight songs in it that were penned by four lyricists. Three of these songs have been covered in the past.
Here is the fourth song from “Poornima”(1965) to appear in the blog. The song is sung by Lata. Bharat Vyas is the lyricist. Music is composed by Kalyanji Anandji.
The song is picyturised as a background song where a dukhiyaari (what else) Meena Kumari is shown roaming around helplessly with her child. Nazeer Hussain, a perrenial dukhi budhha, is also visible in the picturisation.
O is desh ke rehne waalon (Poornima)(1965) Singer-Lata, Lyrics-Bharat Vyas, MD-Kalyanji Anandji
Lyrics
o is desh ke rahne waalon
naari ko devi kahne waalon
maa ke sapooton
bahnon ke bhai
zara sunte jaana ye meri kahaani
o is desh ke rahne waalon
naari ko devi kahne waalon
maa ke sapooton
bahnon ke bhai
zara sunte jaana ye meri kahaani
zara sunte jaana ye meri kahaani
bichhaaye jo kismat ne kaante
unhen bhi gale se lagaaya
magar haaye re badnaseebi
tere man ko ye bhi na bhaaya
chali aisi aandhi
uthha aisa toofaan
bhikhaaran bani aaj mahlon ki raani
zara sunte jaana ye meri kahaani
bhatakti phiroon aaj dar dar
hai roti bina pet khaali
uchhaale zamaane ne sikke
na roti kisi ne uchhaali
har ek dil hai maila
har ek aankh bhookhi
hawas ne sabhi ka kiya khoon paani
zara sunte jaana ye meri kahaani
ye dharti ka nanha sa munna
hai rahbar tumhaare watan ka
ye maangega jab bheekh tumse
to jhuk jaayega sar gagan ka
magar tumpe phir bhi asar kuchh na hoga
tumhaare liye khel hai zindgaani
zara sunte jaana ye meri kahaani
o is desh ke rahne waalon
naari ko devi kahne waalon
maa ke sapooton
bahnon ke bhai
zara sunte jaana ye meri kahaani
zara sunte jaana ye meri kahaani
zara sunte jaana ye meri kahaani
Shubh din aayo
Posted on: June 11, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3615 | Post No. : | 14412 |
Since this is a song blog so it is natural that I visit song sites viz YT etc daily. I had vaguely noticed a video about a movie called “Parmanu” in the past in YT and I had not taken much notice, seeing that I am not interested in new movies.
Three days ago (friday), I saw that video again. I got interested and clicked on that link. I found that it was the trailer of the movie. From the trailer I found that this movie was based on the tale of Indian nuclear tests carried out in 1998. The trailer also mentioned that the movie was releasing on 25 may 2018.
We were already in june 2018, which meant that the movie must have been released already. But I did not have much information about it. But then how could I, as I was not much interested and aware about new movies.
Seeing that the movie was based on a real life happening, and that too a very important happening in the history of India, and also the world, I suddenly became very interested in the movie. The movie was released two weeks ago and I did not read anything about it on newspapers or online, so I guessed that the movie may not have done well at the box office. I wondered whether it was still playing in a movie hall near me, as they say in movie advertisements. When I checked up, I found that the movie was indeed playing in three nearby movie halls. It was friday, and I decided to watch it in the mall where it was being shown in noon show (13:30 PM). I was familiar with this mall because it is a favourite place for my wife whenever she visits me. 🙂
It was friday and the show timings coincided with my lunch break time. So I decided to forego my lunch that day and instead decided to watch the movie.
The nuclear tests of may 1998 are fairly well known to most regulars of this blog who all must have been well into their twenties or more at that time. But since I am very interested in such matters, I may have more in depth information on this topic than most people.
The real tale in brief is:
After the collapse of Soviet Union in early 1990s, India finds itself in a precarious position. Friendship with Soviet Union assured them of security in the past but that security umbrella had vanished. India found themselves increasingly bullied by USA and China, and Pakistan, an ally of USA and China stepped up its efforts to destabilise India through actions that self respecting Indians found highly provocative and humiliating. Forget Pakistan, even other tiny neighbouring countries began to needle India.
Public sentiment of nationalist Indians was that India needed to sent a strong message to the world that India could not be regarded as a pushover. So as soon as the nationalist government of BJP won vote of confidence in Parliament, it authorised nuclear testing. Three years ago, P V Narsimha Rao’s government had also contemplated it, but USA got wind of it and put intense pressure on India and that plan had to be dropped.
This time in 1998, Vajpayee government was determined that tests must be carried out. Learning from 1995, it was decided to carry out the preparation for the tests in secrecy so that USA did not get any clue and became aware of the fact only after the tests were carried out. Indians actually managed to carry out all their preparations in secrecy. USA, despite its spy satellites could not detect any unusual happenings. So this real tale, where preparation work was going on in plain sight (so to say) in a desert still spy satellites could not detect that, provided great plot for a thriller cum suspense movie. American CIA is considered a top notch spy agency, and they failed to detect what was going on- this makes for a great real life spy tale. And that is what this movie “Parmanu”(2018) is all about.
In real life, the push for the test had come from the political leadership and then the plan was carried out with great secrery and precision by real life people viz APJ Abdul Kalam, then scientific advisor to PM (and later President of India), R Chidambaram (Secretary Atomic energy commission) were the chief co ordinators. Nearly 80 scientists from Different departments, viz BARC, AMDER, DRDO etc were involved. 58th Engineers regiment, led by Gopal Kaushik were present at site, so that it looked like it was an army settlement. Work was mostly done during night, and equipment was returned to the original place to give the impression that it was never moved.
Bomb shafts were dug under camouflage netting and the dug-out sand was shaped like shaped dunes. Cables for sensors were covered with sand and concealed using native vegetation.
The movie uses the real life happenings as the base material, and then mixes it with imaginary incidences and stories to come up with an interesting movie that I found a nice watch.
In the movie, the idea that India, instead of being pushed around, needed to assert herself by acquiring nuclear capability, is put forward by a junior IAS officer, Ashwath Raina(John Abraham) in 1995. But his idea is implemented in a bothched up manner and USA gets wind of it. The plan has to be abanadoned and Ashwath is held responsible for the fiasco and he is dismissed from service.
In 1998, new government takes over. It is decided to carry out nuclear test. Himanshu Shukla, The Principal Secretary to PM (played by Boman Irani) locates the dismissed officer John Abraham again. His plan that his bosses during the previous government in 1995 had not gone through is explained by him. He informs Principal secretary that the major part of his plan, viz evading detection during preparation work, was not even understood by his seniors during 1995 and that is why that attempt had failed.
Ashwath assembles the leaders of his five teams from five different departments. They are given code names inspired from the five Pandavas of Mahabharat. Himashu Shukla gives Ashwath Raina the code name of Krishna. 🙂
It turns out that one of the five leaders viz the incharge of security is a female called Captain Ambalika Bandhopadhyay (Diana Penty). She is bemused when she finds the codename of Nakul being assigned to her. 🙂
Scientists are seen working at the time when satellites are not watching them. Every day their password is changed and the vehicle carrying them is allowed to pass only when they give the password for the day. The passwords seem to be set by an old Hindi movie songs lover, because they are mostly lines from old Hindi movie songs, such as “lag ja gale ke phir ye haseen raat ho na ho”. 🙂
Avoiding detection by CIA satellites, as well as keeping the project hidden from the prying eyes of CIA and ISI agents forms the bulk of the movie and is presented in an interesting manner. There are many roadblocks, interruptions, near mishaps etc and quite a bit of suspense. Even though it is just a movie and we know what actually happened, the movie still manages to keep you in suspense about what is going to happen next. 🙂
The movie ends as the nuclear tests are carried out successfully and Indian PM announces it on TV.
These tests were gamechangers in world geopolitics. What followed in the aftermath of these tests were far more interesting and significant. In my opinion, all the aims of India that were sought to be achieved by these tests were achieved spectacularly.
Here are my take on the developments that took place after the tests:-
1. There may be people who may point out that economic sanctions were imposed on India. Indeed that was the case. But Indians were prepared for that. Indians overwhelmingly welcomed the tests. As for the sanctions, Indian government did not react at all, which was as good as cocking a snook at the sanction imposers. As it is, India was already being kicked around and bullied by USA for last several years, and Indians had learnt to manage without USA. USA in the past had denied India supercomputers, cryogenic engines etc and Indians had subsequently developed them on their own. USA had very little leverage with India at that time and Indians were in no mood to listen to them, seeing that US was a blind supporter of Pakistan.
2. Reaction of Pakistan:- While most western countries condemned the tests and some of them imposed economic sanctions on India, Pakistan’s reaction was classic. Pakistanis expressed great ire and vowed to match India. Unlike India, who prepared for their tests in secrecy, Pakistanis openly prepared in full view of USA spy satellites at their Chagai site. USA pressurised Pakistan to desist from carrying out the test, but domestic pressure got the better of Pakistani rulers and Pakistan detonated six bombs on 28 may and 30 may 1998.
Pakistani public rejoiced just like Indian public had done. Comically, the same Pakistani public came out protesting against the same government a few weeks later when it became clear that Pakistani economy, unlike Indian economy, was unable to withstand economic sanctions of USA and it had reached the stage of virtual deathbed.
USA, realised that their sanctions, instead of hurting India, had ended up dealing a death blow to the economy of their “ally” Pakistan. So US president Bill Clinton, in an act of obscene hurry waived off sanctions of both countries on 9 november 1998. It was mainly to save Pakistan economy rather than to save arms race in the region, which was purported to be the reason for the waiver. In addition to waiving off the sanction, US officials were also authorised to support loans to Pakistan from the International Monetary Fund (IMF) and the World Bank. 🙂
So, USA as well as Pakistan were badly rattled in the wake of Indian nuclear tests and they were forced to take extraordinary steps to deal with the situation while for most Indians it was business as usual.
So, knowing all these real life facts and then watching the movie made it quite an enjoyable experience for me. I know that there are more takers for movies like “Veere Di Wedding”, but this movie “Parmanu” deals with a very very important date in Indian history. I personally feel that 11 may 1998 was as red letter a day in Indian history as 15 august 1947 and 26 january 1950. This date is now observed as National Technology day in India. In my opinion, it should be regarded as National Self respect day. It is on this day that many Indians gained self respect by doing what they needed to do in their national interest. And as I have explained above, they were prepared to pay the price for asserting themselves, and as it turned out, they emerged far far stronger after the event. It sent a clear and firm message to the world that was urgently needed to be sent.
My favourite dialogue from the movie has to do with self respect as well:
ab ham dar ke shaant nahin baithhenge
kar ke shaant baithhenge
As I mentioned earlier, I quite loved the movie. This movie is not to be watched as one watches a normal masala movie. It has to be watched with the knowledge that we are watching an event that was a major and glorious turning point in the history of India.
I do not recall too many songs in the movie and whatever songs were these appeared to be just few seconds long each. But when I checked up, I found that the movie had as many as six songs in it. It appears to me that full songs are released in audio form and only small snatches of these songs are used in the movie.
Here is the theme song of “Parmanu”(2018). This song is sung by Keerti Sagathia and Jyotica Tangri, Vayu is the lyricist. Music is composed by Sachin Jigar.
The movie as well as the artists make their debut in the blog with this song. I have no idea who they are. I request our knowledgeable (in this case young) regulars to tell us more about them.
This song is the first song from 2018 to appear in the blog. And quite a befitting song from 2018 it is too.
Full song
Song-Shubh din aayo(Parmanu)(2018) Singers-Keerti Sagathia, Jyotica Tangri, Lyrics-Vayu, MD-Sachin-Jigar
Lyrics
he ae ae
sun hudas
sooraj ugiyo
aur chaaru mer huyi jhilmilaahat
aayo mhaara paavna aa aa aa aa
ke swaagat kara behisaab
hey ae ae
sajti raahen mangal gaawen
man upji phulwaari re
saaje gaaje baaje goonje
sapnori ye kilkaari re
ban upwan abhinandan karta
chhaayi ghata paniyaari re
shakkar phaanko
jhaanki jhaanko
hui jashan ki ye taiyyaari re
man harshaayo
ghan barsaayo
dhan sukhwaalo jee re
ee ae ae ae
aayo re shubh din aayo re ae ae
aayo re shubh din aayo re ae ae
aayo re shubh din aayo re ae ae
shubh din aayo
man’ne bhaayo
nayo nayo so rang le aayo
shubh din aayo
man’ne bhaayo
nayo nayo so rang le aayo
honthon pe muskaan gulaabi
laayo re
honthon pe muskaan gulaabi
laayo re
he ae
aayo re
shubh din aayo re ae ae
aayo re
shubh din aayo re ae ae
o o o
aayo re
shubh din aayo re ae ae
hey
hey
hey
hey
hey
chanda laavo deepak laaj
jagmag taare laijo jee
jagmag taare laijo laijo
jagmag taare laijo jee
jagmag taare laijo laijo
jagmag taare laijo jee
khushiyaan baantoon dil mein sabke
shaakar misri bhar do jee
arre ghoomar rasiya meethha meethha
gaayo re
aayo re
shubh din aayo re ae ae
aayo re
shubh din aayo re ae ae
aayo re
shubh din aayo re ae ae
kesariyo rangeelo aayo
sooraj so chamkeelo aayo
kesariyo rangeelo aayo
sooraj so chamkeelo aayo
o din ye pyaaro
kismat waalo aayo re
din ye pyaaro
kismat waalo aayo re
hey hey
hey hey
hey hey
hey
padhaaro re ae ae
padhaaro jee ae
mangal gaao
shubh din aayo
bali bali jaao
shubh shubh din aayo
misri baanton
shubh din aayo
jhoomo naacho
shubh shubh din aayo
arre lok bulaao
shubh din aayo
rang udaao
shubh shubh din aayo
phool sajaao
shubh din aayo
khushi manaao
aayo ae ee
shubh din aayo
shubh din aayo
shubh din aayo
shubh din
shubh din aayo
shubh din aayo
shubh din aayo
shubh din
shubh din aayo
shubh din (aayo re)
shubh din aayo
shubh din aayo
shubh din
shubh din aayo
shubh din aayo
shubh din aayo
shubh din
shubh din aayo
shubh din aayo
shubh din aayo
shubh din
jee
Bada kabootar ud jaayegaa
Posted on: April 28, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3571 | Post No. : | 14308 |
“Bada Kabootar”(1973) was produced and directed by Deven Verma for Navratna Films, Bombay. It was a light hearted movie (routinely categorirised as “social” movie in HFGK) which had Ashok Kumar, Rehana Sultan, Nikhilesh, Deven Verma, Keshto Mukherji, Subroto, Ashoo, Pinchoo Kapoor, Leela Mishra, Paul Sharma, Jal Parvez, Helen etc with lots of “new discoveries” viz Saajan, Kailash Sharma, Sameena, Master Ashwin and Master Ramesh, who quickly reverted back to remain undiscovered.
The movie had five songs in it. Here is the first song from “Bada Kabootar”(1973) in the blog. this song is the title song of the movie which appears gets played in the background while credits roll on the screen. The credits finish off soon enough and so this song has no chance to get played fully in the movie and only the first stanza of the is there in the movie. So one needs to listen to the record version of the song in order to listen to the full song.
Here is this title song of “Bada Kabootar”(1973). It is sung by Bhupinder Singh and chorus. Yogesh is the lyricist of this song whose lyrics are quite un Yogesh like. 🙂
Music is composed by R D Burman.
With this song, “Bada Kabootar”(1973) makes its debut in the blog.
Song-Bada kabootar ud jaayegaa (Bada Kabootar)(1973) Singer-Bhupinder Singh, Lyrics-Yogesh, MD-R D Burman
Lyrics
bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega
bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega
bada kabootar
kabootar
bada kabootar
kabootar
koi na samjha koi na jaana
haaye ye gorakh dhandha
pehle jag mein aaya kabootar
ya phir aaya anda
koi na samjha koi na jaana
haaye ye gorakh dhandha
pehle jag mein aaya kabootar
ya phir aaya anda
papapa aa
papapa
papapapa
papapapapa
aur ulajh jaayega
arrey jo isko suljhaayega
bada kabootar
kabootar
ho bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega
bada kabootar
kabootar
ho bada kabootar
wa aa wa aa
wa aa wa aa
dekh samay ka shokh(?) kabootar
chalta hai yoon ud ke
jaise tez hawa ka jhonka
dekhe na phir mud ke
oo dekh samay ka shokh(?) kabootar
chalta hai yoon ud ke
jaise tez hawa ka jhonka
dekhe na phir mud ke
papapa aa
papapapa
papapapa
papapapa
sath chala chal iske varna hath nahin kuchh aayega
bada kabootar
kabootar
ho bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega bada kabootar
kabootar
ho bada kabootar
kabootar
ho bada kabootar
kabootar
ho bada kabootar
kabootar
Agar aah karte badnaam hote
Posted on: April 23, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3566 | Post No. : | 14297 |
“Basti aur Baazaar” (1973) was produced and directed by Rajdeep for Rajdeep productions, Bombay. This “social” movie had Sheetal Kumar, Farida Alam, Shraddha, Rajni Sharma, Aftab, Mohammad Shafi, Rajdeep etc in it.
This movie had three songs in it. Two songs from the movie have been covered in the past. Here are the details of these two songs :-
|
Song Title |
Post No. |
Post Date |
| Ham to man mauji mauji mauji (Basti aur Baazaar) | 7166 | 11-Dec-12 |
| Tanhaaiyaan khaamoshiyaan (Basti aur Baazaar) | 14290 | 22-Apr-18 |
Here is the third and final song from “Basti aur Baazaar” (1973) to appear in the blog. The song is sung by Manna Dey and Bela Sawer. Siraz Aghazi is the lyricist. Music is composed by J P Kaushik.
I have seen the video of the movie, mainly to get to the songs of the movie. The movie appears to be an out and out boring movie and one cannot expect an average movie goer and even a discerning movie goer to spend one’s hard earned money and time on a movie like this.
The song is picturised as a background song and small portions of the song are shown in the movie at different occasions. The song sounds nice on the ears and that is all one can say about the song.
I request our knowledgeable readers to help identify the actors visible in the picturisation of this song that playes in the background while the protagonist is seen moving around well known locations of Bombay (now Mumbai).
With this song, “Basti aur Baazaar” (1973) joins the list of movies that have all their songs covered in the blog.
Video (partial)-part I
Video (partial)-part II
Audio (Full)
Song-Agar aah karte badnaam hote (Basti aur Baazaar)(1973) Singer-Manna Dey, Lyrics-Siraz Aghaaz, MD-J P Kaushik
Manna Dey + Bela Sawer
Lyrics
na shiqwa hai khudaai ka
na qismat se shiqaayat hai
hazaaron saal se
is aasmaan ke
zulm sahte hain
agar aah karte
badnaam hote
hum pathhar hain
hum nahin rote ae
hum nahin rote
agar aah karte
badnaam hote
hum patthar hain
hum nahin rote ae
hum nahin rote
mili hai jo maayoos majboor nazren
ye manjar qayaamat se kam to nahin hai
nahin chaaraagar hai na humdam hai koi ee ee
nahin chaaraagar hai na humdam hai koi
hai gham apne saathi
ye kam to nahin hai
kahaan jaate ye gham
agar hum na hote
hum patthar hain
hum nahin rote
hum nahin rote
ye saugat di hai muqaddar ne humko
ghamon ke khazaane hain khushiyaan nahin hain
thaharte nahin waqt ke tez dhaare
thaharte nahi waqt ke tez dhaare
magar marhale zindagi ke wahi hain
nahin hausle phir bhi kamzor hote
hum patthar hain
hum nahin rote
hum nahin rote
Bhagwaan ki dekho bhool
Posted on: April 23, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3566 | Post No. : | 14296 |
“Baalak”(1969) was directed by Adarsh for Kala Mandal, Bombay. This “social” movie had Master Suraj (Sarika), Jaimala, Dev Dutt, Jayshree T, Manmohan Krishna, Shyama, Jeewan, Jagdeep, Junior Mehmood, Abhi Bhttacharya, Chand Usmani, Bipin Gupta, Hiralal, Dhumal etc in it.
The movie had four songs in it. Two songs from the movie have been covered in the past.
Here is the third song from “Baalak”(1969) to appear in the blog. The song is sung by Rafi. Bharat Vyas is the lyricist. Music is composed by Dattaram.
The movie was a tear jerker. If anyone does not believe me, then the picturisation of this song will turn him into a believer 🙂 The picturisation shows the parents of a new born kid dying and the hapless kid is brought up by her elder sister. The elder sister too gets married and goes away while the kid (Baby Suraj aka Sarika) finds herself being treated as a child labourer. This song gets played in the background all this while.
I request our knowledgeable readers to help identify the other actors visible in the picturisation.
Song-Bhagwaan ki dekho bhool (Baalak)(1969) Singer-Rafi, Lyrics-Bharat Vyas, MD-Dattaram
Lyrics
ye kaisi aandhi chali
ye kaisa toofaan
khilte hi murjha gaye
maat pita se praan
bhagwan ki dekho bhool
bichhad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
ye kismat ki baat
hai kaali raat aur kaanton se ghira hai gulaab
vidhi ne na jaane kin ghadiyon mein likhi hai ye kitaab
likhi hai ye kitaab
ab samaaj ke atyaachaaron ka
jab chakr chalega
dar lagta hai toofaanon mein
kaise diya jalega
kaise diya jalega
diya jis maalik ne praan
usi ki hogi ab pehchaan
jo paalak sab ka kahaata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
bichhad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
ye kisne chhedi shahnaayi
kiski chali hai doli
kis bhaai se bichhad chali hai ye behna anboli
ye behna anboli
ik pyaar thha wo bhi roothh chala
ik taar thha wo bhi toot chala
do nanhi nanhi aankhon se aansu ka jharna phoot chala
aansu ka jharna phoot chala
hui door ye sar se chaanv
behen bhi chali hai apne gaanv
kaun ab dheer bandhaata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
bichad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
ghar ghar mein kitne bachchon par
yoon zulm dhaaye jaate hain
hadd hai ghulaab ki patti se
patthar katwaaye jaate hain
patthar katwaaye jaate hain
bhagwaan ka roop ye baalak hain
jis par barse nit chingaari
naari bachche par zulm kare
wo naari sachmuch hatyaari
wo naari sachmuch hatyaari
hai nanhi si ye jaan
ke jis par laakhon hain toofaan
chhupa hai kahaan vidhaata
aasman ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
bichhad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
Tanhaaiyaan khaamoshiyaan
Posted on: April 22, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3565 | Post No. : | 14290 |
“Basti aur Baazaar” (1973) was produced and directed by Rajdeep for Rajdeep productions, Bombay. This “social” movie had Sheetal Kumar, Farida Alam, Shraddha, Rajni Sharma, Aftab, Mohammad Shafi, Rajdeep etc in it.
This movie had three songs in it. One song has been covered in the past.
Here is the second song from “Basti aur Baazaar” (1973) to appear in the blog. The song is sung by Bela Sawer. Siraz Aghazi is the lyricist. Music is composed by J P Kaushik.
The song is picturised as a seduction song. I am unable to identify the actors seen is the picturisation. i request our knowledgeable readers to help identify them.
With this song, Bela Sawar makes her debut as a singer in the blog. I request our knowledgeable to throw light on this unknown singer.
Audio
Video
Song-Tanhaaiyaan khaamoshiyaan (Basti aur Baazaar)(1973) Singer-Bela Sawar, Lyrics-Siraz Aghazi, MD-J P Kaushik
Lyrics
aa haa
lalalalalaralalal
tanhaiyaan aan
khaamoshiyaan
rangeeniyaaan
madhoshiyaan
hic
mausam jawaan phir kahaan
ae jaaneman
naadaan na ban
bheegi faza
thhandi hawa
aag se aag jala
aah
mausam jawaan phir kahaan
ae jaaneman
naadaan na ban
naadaan na ban
o ho
o ho
lararala
hmm hmm hmm hmm
hook si dil mein uthhti
dard ne uthh kar kaha
ha
laralalala
mausam jawaan
phir kahaan
ae jaaneman
naadaan na ban
haan naadaan na ban
ye marmari gora badan
nas nas chubhan jaagi agan
nas nas chubhan jaagi agan
ae jaaneman naadaan na ban
laralalalalalalalalalala
husn o shabaab
saath hain
bahke huye jazbaat hain
bahke huye jazbaat hain
hic
mausam jawaan
phir kahaan
ae jaaneman
ae jaaneman
naadaan na umm
umm
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