Archive for the ‘Background song’ Category
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6632 | Post No. : | 20566 |
Mukesh and his Composers – 50
Did Mukesh recommend the composer duo Laxmikant-Pyarelal to Raj Kapoor for Bobby (1973)?
Well, we may never know the credible answer to this question, but then I found this interesting video clip in which Shri Pyarelal ji is narrating about the circumstances under which they first came to know about the offer from Raj Kapoor, which was conveyed by Mukesh. Apparently, Mukesh was just a messenger, and the video reveals that if not Laxmikant Pyarelal then the offer would have gone to Kalyanji Anandji or RD Burman. On hearing this LP did grab the offer and the fame created by Bobby’s songs is now well known.
Here is the video.
Thus, what factually transpired between RK and Mukesh before he met LP is not known. However, a great musical connoisseur that he was, I suppose the thought of replacing Shanker by someone else must have originated from the showman’s instincts and then seconded by Mukesh. At many places on the net it is firmly asserted that Mukesh was responsible for the composer change but I have not come across any substantiation for the same.
Strangely, Mukesh has no sound bites in Bobby (1973).
Coming to today’s post, it’s again a celebrated and much famous collaboration of Mukesh with LP. I was under the impression that the tally is around a hundred but was rather disappointed to learn that it stands at only 68. SJ easily crosses 100 and is coming to the blog sooner rather than later. KA is “work in progress” and I feel their tally could be nearer to a hundred.
But for today’s post let us stay with LP. It’s common knowledge that ‘Parasmani’ (1963) was their first released film. What is relatively less known is that they had 3-4 films which remained incomplete and never saw the light of the day. One was titled ‘Hum Tum Aur Woh’.
Editor’s Note:
LP worked on four films prior to ‘Parasmani’.
They signed their first contract as independent MD duo for the film ‘Hum Tum Aur Woh’, which remained unreleased.
Second film was ‘Piya Log Kya Kahenge’, also unreleased. They used one of the tunes of this unreleased film for the song “Chaahunga Main Tujhe Saanjh Savere” in film ‘Dosti’ (1964).
Their third film was ‘Chhaila Babu’. Music for this film was composed prior to ‘Parasmani’, but this film was delayed and released only in 1967.
Their fourth film was an untitled project, part of a multi film contract. It ran into financial difficulties and was shelved, never completed.
Also, interesting to note that LP got their first pay packet, working as assistants to C Ramchandra for the film ‘Devta’ which was released in Tamil (1955) and Hindi (1956).
I faintly recollect that Mukesh had a song or two in these incomplete films also. But strangely not much is known about these films despite a few biographies and dedicated blogs on the composer duo. The traces of any songs that may have been recorded are also largely unavailable.
Anyway, he did have a very popular duet, “Chori Chori Jo Tumse Miley To Log Kya Kahenge” with Lata Mangeshkar in their debut film ‘Parasmani’ (1963) and was regularly featured in many of their films. After 1963, only 1965 and 68 do not feature any song of Mukesh for the duo. But a few songs sung by Mukesh featured in films released after his passing away in 1976 also.
Of course, the very last song that Mukesh recorded in his career before he left for that fateful tour of US-Canada was also for LP. More on it later. 😊
Cutting a long story short, here is the regular feature of such posts. A detailed table.
| S.No | Name of the song | Movie (Year of release) | Co-singer if any | Lyricist |
| 1 | Chori-Chori Jo Tumse Mili To Log Kyaa Kahenge | Parasmani (1963) | Lata Mangeshkar | Farooque Kaisar |
| 2 | Zara Sambhaalna Meri Jaan Apni Nigaahen | Aaya Toofaan (1964) | Lata Mangeshkar and Kamal Barot | Asad Bhopali |
| 3 | Bhakti Shakti Hai Karm Dharm Hai | Sant Gyaneshwar (1964) | Shyama Hemmady and Chorus | Bharat Vyas |
| 4 | Jyot Se Jyot Jagaate Chalo | Sant Gyaneshwar (1964) | Bharat Vyas | |
| 5 | Ham Jee Lenge Bin Tumhaare | Dillagi (1966) | Lata Mangeshkar | Majrooh Sultanpuri |
| 6 | Jab Tak Ye Sansaar Nachaaye | Mere Lal (1966) | Usha Mangeshkar | Majrooh Sultanpuri |
| 7 | Gore Gore Chand Se Mukh Par | Anita (1967) | Aarzoo Lucknowi | |
| 8 | Tum Bin Jeewan Kaise Beetaa | Anita (1967) | Raja Mehdi Ali Khan | |
| 9 | Kyun Jhuki-Jhuki Hain Palkein | Chhailaa Babu (1967) | Lata Mangeshkar | Hasrat Jaipuri |
| 10 | Raahi Hoon Albela Main Dil Ka | Chhailaa Babu (1967) | Hasrat Jaipuri | |
| 11 | Ham To Tere Aashiq Hain Sadiyon Puraane | Farz (1967) | Lata Mangeshkar | Anand Bakshi |
| 12 | Bol Gori Bol Teraa Kaun Piyaa | Milan (1967) | Lata Mangeshkar and Chorus | Anand Bakshi |
| 13 | Ham Tum Yug Yug Se Ye (Multiple Version) | Milan (1967) | Lata Mangeshkar | Anand Bakshi |
| 14 | Mubaarak Ho Sab Ko Samaa Ye Suhaanaa | Milan (1967) | Anand Bakshi | |
| 15 | Raam Kare Aisa Ho Jaaye | Milan (1967) | Anand Bakshi | |
| 16 | Saawan Kaa Maheenaa, Pawan Kare Sor | Milan (1967) | Lata Mangeshkar | Anand Bakshi |
| 17 | Gham Ki Badli Chhaai Judaai Leke Aayi | Milan Ki Raat (1967) | Anand Bakshi | |
| 18 | Bichhda Ek Maa Se Dulara | Milan Ki Raat (1967) | Anand Bakshi | |
| 19 | Mehboob Mere Mehboob Mere | Patthar Ke Sanam (1967) | Lata Mangeshkar | Majrooh Sultanpuri |
| 20 | Taubaa Ye Matwaali Chaal | Patthar ke sanam (1967) | Majrooh Sultanpuri | |
| 21 | Woh Kaun Hai Wo Kaun Hai | Anjaana (1969) | Lata Mangeshkar | Anand Bakshi |
| 22 | Je Ham-Tum Chori Se Bandhe Ek Dori Se | Dharti kahe pukaar ke (1969) | Lata Mangeshkar | Majrooh Sultanpuri |
| 23 | Khushi Ki Wo Raat Aa Gayi Koyi Geet | Dharti kahe pukaar ke (1969) | Majrooh Sultanpuri | |
| 24 | Do Rang Duniyaa Ke Aur Do Raaste | Do Raaste (1969) | Anand Bakshi | |
| 25 | Daalenge Rang Daalenge | Mera Dost (1969) | Lata Mangeshkar | Anand Bakshi |
| 26 | Dil Mein Ai Ji Dil Mein | Meri Bhabhi (1969) | Lata Mangeshkar | Majrooh Sultanpuri |
| 27 | Zindagi Hai Kyaa Bolo Zindagi Hai Kyaa | Satyakaam (1969) | Mahendra Kapoor, Kishore Kumar | Kaifi Azmi |
| 28 | Ye Kaisa Aaya Zamaana | Humjoli (1970) | Kishore Kumar, Mehmood | Anand Bakshi |
| 29 | Nandlaala Holi Khelen Biraj Mein Dhoom Machi Hai | Mastaana (1970) | Mohammed Rafi, Asha Bhosle, Chorus | Anand Bakshi |
| 30 | Jaane Chale Jaate Hain Kahaan | Pushpaanjali (1970) | Anand Bakshi | |
| 31 | Ruby O Ruby Jaan-E-Mehboobi | Chaahat (1971) | Lata Mangeshkar | Anand Bakshi |
| 32 | Baat Hai Ik Boond Si | Jal Bin Machhli Nritya Bin Bijli (1971) | Lata Mangeshkar | Majrooh Sultanpuri |
| 33 | Jhoom Ke Gaaye Dil | Jal Bin Machhli Nritya Bin Bijli (1971) | Lata Mangeshkar | Majrooh Sultanpuri |
| 34 | Taaron Mein Saj Ke, Apne Sooraj Se | Jal Bin Machhli Nritya Bin Bijli (1971) | Chorus | Majrooh Sultanpuri |
| 35 | Ae Meri Aankhon Ke Pahle Sapne (Multiple Version) | Man Mandir (1971) | Lata Mangeshkar | Rajinder Krishan |
| 36 | Chal Chal Behti Jeevan Dhaaraa | Uphaar (1971) | Anand Bakshi | |
| 37 | Ho Naina Tere Naina | Ek Bechaara (1972) | Lata Mangeshkar | Anand Bakshi |
| 38 | Naach Haseena Naach Ke Duniya Dekhe | Ek Bechaara (1972) | Ranu Mukherjee | Anand Bakshi |
| 39 | Raamaa Ho Raamaa Hamne Gaanv Ke | Ek Bechaara (1972) | Rekha | Anand Bakshi |
| 40 | Heere-Dheere Bol Koi Sun Na Le | Gora aur Kala (1972) | Lata Mangeshkar | Anand Bakshi |
| 41 | Ib Tum Paas Na Aanaa | Raaste Ka Patthar (1972) | Asha Bhonsle | Anand Bakshi |
| 42 | Main Har Dum Kisi Ko Dhoondhta Hoon | Raaste Ka Patthar (1972) | Asha Bhonsle | Anand Bakshi |
| 43 | Raaste Kaa Patthar Kismat Ne Mujhe Ban | Raaste Ka Patthar (1972) | Anand Bakshi | |
| 44 | Ik Pyaar Kaa Naghma Hai (Multiple Version) | Shor (1972) | Lata Mangeshkar, Chorus | Santosh Anand |
| 45 | Paani Re Paani Teraa Rang Kaisaa | Shor (1972) | Lata Mangeshkar | Santosh Anand |
| 46 | Tan Man Dhan Sab Hai Tera | Manchali (1973) | Anand Bakshi | |
| 47 | Jaako Raakhe Saaniyaan Mar Sakey Na Koy | Suraj aur Chanda (1973) | Lata Mangeshkar, Chorus | Anand Bakshi |
| 48 | Kab Tak Chhupega Ae Jaane Jaana | Nirmaan (1974) | Majrooh Sultanpuri | |
| 49 | Baaki Kuchh Bacha To Menhgaayi Maar Gayi | Roti Kapda aur makaan (1974) | Jani Babu Qawaal, Chanchal,Lata Mangeshkar | Verma Malik |
| 50 | Main Na Bhooloonga | Roti Kapda aur makaan (1974) | Lata Mangeshkar, Chorus | Santosh Anand |
| 51 | Duniya Bhookhee Paise Kee | Sauda (1974) | Asha Bhonsle, Chorus | Inderjeet Singh Tulsi |
| 52 | Haath Mein Haath Lo Gair Ko Saath Lo | Sauda (1974) | Inderjeet Singh Tulsi | |
| 53 | Phool Aahistaa Phenko | Prem Kahaani (1975) | Lata Mangeshkar | Anand Bakshi |
| 54 | Ek Hasrat Thi Ke Aanchal Kaa Mujhe | Zindagi aur Toofaan (1975) | Chorus | Ramavtar Tyagi |
| 55 | Dilruba Dilli Waali | Dus Numbri (1976) | Asha Bhonsle, Manna Dey | Majrooh Sultanpuri |
| 56 | Mujhe Dard Rehtaa Hai | Dus Numberi (1976) | Lata Mangeshkar | Majrooh Sultanpuri |
| 57 | Na Tum Ho Yaar Aaloo | Dus Numberi (1976) | Manna Dey | Majrooh Sultanpuri |
| 58 | Ye Duniya Ek Numbri To Main Dus Numbri (Multiple Version) | Dus Numberi (1976) | Majrooh Sultanpuri | |
| 59 | Is Mulaaqaat Ka Bas Mazaa Leejiye | Jaaneman (1976) | Rafi, Hemlata | Anand Bakshi |
| 60 | Tu Miley To Poochhoon Tujhse | Santaan (1976) | Verma Malik | |
| 61 | Humko Tumse Ho Gaya Hai Pyaar Kya Karen | Amar Akbar Anthony (1977) | Kishore Kumar, Lata Mangeshkar, Mohammed Rafi | Anand Bakshi |
| 62 | Saat Ajoobe Iss Duniya Mein (Multiple Version) | Dharam Veer (1977) | Mohammed Rafi | Anand Bakshi |
| 63 | Kuncham Kuncham Thodaa Thodaa | Imaan Dharam (1977) | Mahendra Kapoor, Asha Bhonsle, Chorus | Anand Bakshi |
| 64 | O Jattaa Aayee Vasaakhi | Imaan Dharam (1977) | Mohammed Rafi | Anand Bakshi |
| 65 | Saathi Mere Saathi Rut Aati Jaati | Aahuti (1978) | Lata Mangeshkar, Mohammed Rafi | Anand Bakshi |
| 66 | Aaye Re Khushee Ke Din Aaye Re | Daaku Aur Jawaan (1978) | Mohammed Rafi, Anuradha Paudwal | Anand Bakshi |
| 67 | Chanchal Sheetal Nirmal Komal | Satyam Shivam Sundram (1978) | Anand Bakshi | |
| 68 | Phir Jaao Kaashi Phir Jaao Kaabaa | Patthar Se Takkar (1980) | Indeewar |
Glancing through the table, it is difficult to trace songs that are not very familiar. Such was the magic of the combo. Songs from films such as ‘Sant Gyaneshwar’, ‘Anita’, ‘Milan’, ‘Patthar Ke Sanam’, ‘Dharti Kahe Pukaar Ke’, ‘Do Raaste’…Well, let me stop listing the films here as I am literally copying every film from the table.
Suffice to say, the songs from almost all the films that Mukesh sang for LP remain evergreen and in active memory of music lovers.
Compared to SJ and KA, LP were relatively new, but the popularity or the hit ratio that we often speak of Mukesh’s songs remained undiminished with LP too.
Speaking of few of the films, Anita has a romantic as well as a sad number.
Milan, a musical blockbuster had songs aplenty with only Mukesh and LM rendering all of them. I have already written on how LP stood by Mukesh for ‘Milan’ in my post for the song “Jaane Na Jaane Tu Hi Na Jaane“. I reproduce the relevant portion of the post on the film ‘Milan’ for ready reference of the readers.
It was 1967, nearly 3 decades since Mukesh started singing in HFM. Yet, his mettle was again put to test. The film was ‘Milan’ (1967) for which the production house of L. V. Prasad, decided to rope in emerging composer duo Laxmikant Pyarelal (LP). This was in spite of their successful association with Shankar Jaikishan for ‘Chhoti Bahen’ (1959), ‘Sasural’ (1961), ‘Hamrahi’ (1963), ‘Beti Bete’ (1964) etc.
LP were already in huge demand with independent composing of more than 20 films in just 4 years since they made their debut in 1963 with ‘Parasmani’ (1963). Quite a few of these 20 odd films were blockbusters.When LP decided to engage Mukesh as the only playback singer for Sunil Dutt in the new film, Prasad productions were not all impressed and even demanded a replacement.
LP were uncompromising with their choice of Mukesh and threatened to quit the film if they were not allowed to have their say.
Mukesh was retained as the sole male playback singer in ‘Milan’ (1967) for Sunil Dutt and the rest as they say is history. The midas touch of Mukesh was undented. In fact, he rose to new heights with the musical blockbuster. After nearly 6 decades, what remains of the film in active memory is the glorious songs rendered by Mukesh and Lata Mangeshkar. Mukesh had 3 duets with Lata and two solos.
One duet was of course the title song rendered several times in happy and sad moods. The second duet featured Mukesh rendering singing lessons to Lata in the film. The third duet being a happy and chirpy village fair song featured Sunil Dutt and famed actress Jamuna.
Of the two solos, one was Mukesh’s forte, a poignant number and another a lullaby which could put even the Gods to sleep.
Further, many films such as ‘Farz’ and ‘Gora Aur Kaala’ have only one duet with Lata Mangeshkar in the film and the respective song stands out in the film.
‘Chaahat’ has a catchy and breezy foot tapping number, which was not exactly Mukesh’s forte, but he pulls it off effortlessly.
‘Pushpaanjali’ has a song on the uncertainties of man into the unknown after death.
Many songs of Manoj Kumar literally had the baton of Mukesh singing for RK sort of passed onto him. For reasons of unavailability of songs yet to be posted on the blog, I am yet to cover RK as well as Manoj Kumar the two actors with whom Mukesh was associated the most. Sometime later, let me see what I can do about it.
I have intentionally avoided describing every song from the above table as most of them are popular. Readers are requested and encouraged to go to the blogposts for each song for the complete details.
And then, we have a song that Mukesh sang for RK film’s ‘Satyam Shivam Sundram’ (1978), the very last of his career and life itself for the Godly voice fell silent forever thereafter. In fact, the film released in 1978 was dedicated by Raj Kapoor to his beloved friend Mukesh Chand.
For some very strange reason, the song remains unposted on the blog so far. I have already stated this fact when I covered Mukesh’s songs for Shashi Kapoor in my post for the song “Main Tumse Pyaar Karta Hoon, Tumhaara Kya Bigaadunga“. I reproduce the pertinent para from the post on this surprise.
19! Well, do I need to write anything about it. It is well known as the last song sung by Mukesh for HFM before he left for America along his son and Lata Mangeshkar for a concert and never returned. That it remains uncovered so far was very surprising for me. I request the editors to reserve this song for me as it can be posted as one of the last songs of Mukesh to be covered on the blog.
My request to the editors in the last line remains as we are yet to cover all the songs of Mukesh on the blog. I remain hinged on hope that the figure of 4 digits does not elude for Mukesh.
And then, I had the Dharm Sankat.
Dharm of following the rules, ethics and regulations of the blog.
Sankat of learning that all but one song of Mukesh for LP remains to be posted.
With great difficulty and constant pestering, I urged the editors to allow me for a one-time exception.
I am very grateful that my request is accepted, although it took me a few weeks to follow up.
And, I had my rather sophomoric reasons for the request as enlisted below.
- The verses in today’s post are not yet posted despite both film version and 78 rpm version being posted and written in detail.
- The context of today’s short song in the film is different.
- The verses are different.
- The picturization is on Sharmila Tagore and not Sanjay Khan.
Thus, the first excuse is the strongest followed by some pretentious ones. In fact, in the comments section, I had written that “something” still remains. Here is my comment.
Sudhir ji,
Many Thanks for this rare upload.
Interestingly, film soundtrack and the 78 rpm record version have two each entirely different stanzas. However, the mukhda remains the same.
Further, in the film version, there is a short song wherein the first stanza is again heard.
And then, one more Mukesh’s background song picturized and depicting the woes of an actress on screen.
In view of all the above, a very unique song indeed.
I am happy that ‘something’ has come to use for today’s post. I am sure readers will easily conclude that the verses ultimately conclude with the main mukhda of the multi-part song something which we consider as one on the blog.
I stand guilty as assumed and have put up the reasons above.
Thus, one last song of Mukesh for LP remains to be posted, and we will see when to finally introduce it on the blog.
Quoting Robert Frost, there are “miles to go” to reach the 4-digit figure of Mukesh on the blog and the endeavor shall continue. Unabated.
Song – Gham Ki Badli Chhaai Judaai Leke Aayi Milan Ki Raat (Milan Ki Raat)(1967) Singer – Mukesh, Lyricist – Anand Bakshi, MD – Lakshmikant Pyaarelal
Chorus
Lyrics:
bichhda ek maa se dulaara
bichhda ek maa se dulaara
dooba in aankhon ka taara
toota is mann ka sahaara
mann ka sahaara
hamre aangan mein bhes judaai
badal kar aai
milan ki raat
gham ki badli chhaai
judaai le ke aai
milan ki raat
Hindi script lyrics (Provided by Sudhir)
बिछड़ा एक माँ से दुलारा
बिछड़ा एक माँ से दुलारा
डूबा इन आँखों का तारा
टूटा इस मन का सहारा
मन का सहारा
हमरे आंगन में भेस जुदाई
बदल कर आई
मिलन की रात
ग़म की बदली छाई
जुदाई ले के आई
मिलन की रात
Yahee hota pyaar hai kya
Posted on: September 9, 2026
- In: Background song | Duet | expression of love | Feelings of heart | Guest posts | Himesh Reshammiya songs | Himesh Reshammiya-Sunidhi Chauhan duet | Post by Peevesie's mom | Song picturised abroad | Songs of 2000s (2001 to 2010) | Songs of 2007 | Sunidhi Chauhan Songs | Yearwise breakup of songs
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6627 | Post No. : | 20557 |
Hullo Atuldom
“Namastey London” (2007) is a 19 year old film produced and directed by Vipul Amrutlal Shah. It starred Rishi Kapoor, Nina Wadia, Akshay Kumar, Katrina Kaif, Upen Patel, Javed Sheikh and Clive Standen. Riteish Deshmukh had a cameo appearance. It had music by Himesh Reshammiya and lyrics were by Javed Akhtar. The songs were in the voices of Rahat Fateh Ali Khan, Krishna Beuraa, Sunidhi Chauhan, Zubeen Garg, Akriti Kakkar, Alisha Chinai, Jayesh Gandhi & Himesh Reshmmiya.
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6615 | Post No. : | 20527 | Movie Count : | 5260 |
Happy Raksha Bandhan to all
There is a minor confusion about the exact date of the sacred behen-bhai festival in my head. Hence, I questioned ‘the all-knowing Google’. This is the reply, hope it is according to the Hindu Panchang as well
Raksha Bandhan 2026 will be celebrated on Friday, August 28, 2026.
Jo Tu Na Thhaa…Phir Se
Posted on: July 23, 2026
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6579 | Post No. : | 20470 | Movie Count : | 5243 |
“Jo Tu Na Tha” is sung by Arijit Singh, the lyrics are by Irshad Kamil and is composed by Shaswat Sachdev. The song is from the 2026 blockbuster film “Dhurandar – The Revenge”.
The song “Phir Se” is not staged as a conventional romantic number. Instead, it serves as the emotional epilogue of Dhurandhar: The Revenge, accompanying the film’s closing sequence as the protagonist Jaskirat finally returns home after the violence and sacrifices that define the story. The song was specifically conceived as the film’s ending theme and includes an evocative veena passage by Ramana Balachandhran.
Kaise din jeewan mein aaye
Posted on: June 28, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 20400th song post in the blog.
| Blog Day : | 6554 | Post No. : | 20400 |
Previous blog century (20300th song post) appeared on 30 May 2026. 29 days later, we reach the next blog century viz blog post number 20400.
It appeared like we reached the coveted summit of song post 20000 just recently. And now we havealready added another 400 songs to our tally.
In case of the previous century, the century song was identifed in advance. Here in this case, I decided on the song last evening, but when I looked at the songs that preceded the century song, I decided that the century song needed to sound as good as the songs that preceded it early in the day. So I have picked a song that I had earlier earmarked for some other special occasion. I decided that a century post is as special an occasion as any for that song.
This song is from “Apne Paraaye”(1980). This movie in a way is a throwback to those days of yore when story of the movie was taken from a novel written by an eminent littérateur and the movie made on the story would be faithful to the story line contained in the literary masterpiece.
“Apne Paraaye”(1980) was based on a Bengali novel, ‘Nishkriti’ (1917) by Sarat Chandra Chattopadhyay. Sarat Chandra Chattopadhyay needs no introduction, of course. His stories have been made into a large number of well known movies in several languages. His story of “Devdas” itself has been made into over 20 movies in various languages, four of them being in Hindi alone.
Ye maayaa aanee jaanee hai
Posted on: June 20, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6546 | Post No. : | 20370 |
Today’s song is from an early era film – Jailor-1938.
1938 was an interesting year in the early life of the Talkie films. The film making studios had firm footing with a studio system and they tried a variety of subjects in their films. In the 88 Hindi films produced in 1938, one finds almost every Genre of film subjects, except perhaps the usual Folk stories and Historical themes. Comedy, Tragedy, Fiction, Jungle stories, Costume, Socials, Musicals, Mythologicals, you name it and you had it. Content and technical expertise had improved as films on famous novels were made.
Badnaam farishte kya karen
Posted on: May 20, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6515 | Post No. : | 20261 |
“Badnaam Farishte”(1971) was produced by N S Kabir and directed by Qamar Naqvi for Films and Films International, Bombay.
This movie had Sona (debutant lead acress ) and 12 debutant male actors namely Amrit Patel, Arvind Rathod, Atam Prakash, Bharat Kapoor, Chetan, Gurnam, Jayesh, Kunal, Mahendra, Rajoo, Yash Tandon and Rajnish ( the name of Rajnish is mentioned in larger font size in one screen unlike other lead actors who share screen with others).
They were supported by actors (whose name is shown in smaller font ) such as Ram Mohan, Shivraj, B N Sharma, Rajan Chawla,Nazir Kashmiri, Nisha, Malik, Akram, Robinson, Kishore, Chawan, Shyam, N N Shukla, Nandini Desai, Kabir Kumar and (in larger font) Pinchoo Kapoor.
Anwar Hussain had made guest appearance whereas Dharmendra had given opening commentary. Above all, there were the hit pair of superstar Rajesh Khanna and Sharmila Tagore who were roped in to play special roles of lawyers who defend the debutant actors in court.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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