Archive for the ‘Background song’ Category
Bhula do zindagi ke gham
Posted February 4, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4584 | Post No. : | 16203 |
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Blog 10-Year Challenge (2011-2021) – Song No. 10
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This day ten years ago (viz 4 February 2011) saw six songs getting covered from six different movies. The sixth song of the day was the 3500th post in the blog. Seeing that the 16200th post of the blog was published yesterday (3 February 2021), we can say that the blog has added 127 centuries (or 12700 posts) in exactly one decade.
Here are the details of the six songs that appeared in the blog on 4 February 2011:-
Blog post number | Song | Movie | Year | Remarks | |
---|---|---|---|---|---|
3495 | Jhim jhim jhim jhim badarwa barse | Taangaawaali | 1955 | 7 songs covered out of 9. Renmaining songs unavailable | |
3496 | Baawli banaa ke chhodaa | Parivaar | 1956 | All songs covered. Movie YIPPEED | |
3497 | Hu tu tu tu tu tu | Memdidi | 1961 | 5 songs covered out of 6 | |
3498 | Ankhiyon ka noor hai tu | Johar Mehmood in Goa | 1965 | All songs covered. Movie YIPPEED | |
3499 | Aankh jhuki si chaal ruki si | Burma Road | 1962 | All songs covered. Movie YIPPEED | |
3500 | Main hoon jhum jhum jhum jhum jhumroo | Jhumroo | 1961 | All songs covered. Movie YIPPEED |
One can see that “Memdidi”(1961) is one movie that is eligible for Blog Ten Year Challenge.
“Mem Didi”(1961) was produced by L B Lachhman and directed by Hrishikesh Mukherjee for L B Films, Bombay. The movie had Lalita Pawar, Jayant, David, Tanuja, Kaysi Mehra, Dhumal,Rashid Khan etc in it.
“Mem Didi”(1961) had six songs in it. Five songs have been covered so far. Here are the details of the songs covered so far :-
Blog post number | Song | Date of post | Remarks |
---|---|---|---|
3497 | Hu tu tu tu tu | 4 February 2011 | |
6279 | Beta waah waah waao mere kaan mat khaao | 21 July 2012 | |
9651 | Main jaanti hoon tum jhoothhe ho | 2 April 2014 | |
11775 | Raaton ko jab neend udd jaaye | 16 January 2016 | |
16198 | Bachpan o bachpan pyaare pyaare bachpan | 3 February 2021 |
Here is the sixth and final song from “Mem Didi”(1961) to appear in the blog. This song is sung by Lata Mangeshkar and chorus. Shailendra is the lyricist. Music is composed by Salil Chaudhary.
The song is movie opening song and it plays in the background as credits appear on the screen.
Lyrics of the audio version and the movie version differ in the last stanza.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of “Memdidi”(1961) are covered and the movie joins the list of movies that have been YIPPEED in the blog. The movie made its debut on 4 February 2011. The movie gets YIPPEED exactly ten years later on 4 February 2021.
Audio link:
Video link:
Song-Bhula do zindagi ke gham (Memdidi)(1961) Singer-Lata, Lyrics-Shailendra, MD-Salil Chaudhary
Unknon male voice
Female chorus
Lyrics(Provided by Prakashchnadra)
————————————
Lyrics(audio Link)
————————————
aaahhaa hhaahha haa haa hhaa
aaahhaa hhaahha haaaaaa haa hhaa
aaahhaa hhaahha haa haa hhaa
aaahhaa hhaahha haaaaaa haa hhaa
bhulaa do zindagi ke gham
taraanaa chhedo pyaar ka
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar ka
bhulaa do zindagi ke gham (aaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
bhulaa do zindagi ke gham
taraanaa chhedo pyaar ka
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar ka
kali kali se keh do
hamse muskuranaa seekh ley
kahaan hai bhanwraa
aake hamse gungunanaa seekh ley
kali kali se keh do
hamse muskuranaa seekh ley
kahaan hai bhanwraa
aake hamse gungunanaa seekh ley
ye din hai saari zindagi mein sirf ek baar ka
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar ka
bhulaa do zindagi ke gham (haaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
na poochho har kadam pe kyun dhadak dhadak rahaa hai dil
aaa…aaa..aaa…aaa..aaa
aaa…aaa..aaa…aaa..aaa
ke laakh rokte hain par behak behak rahaa hai dil
haa…aaa…aaa…aaa…aa
haaa…aaa..aaa…haaa..aaa
na poochho har qadam pe kyun dhadak dhadak rahaa hai dil (aaa…aaa..aaa…aaa..aaa)
ke laakh rokte hain par behak behak rahaa hai dil (haa…aaa…aaa…aaa…aaa)
sitam hai aaj ek ek pal ye intezaar kaa
ke aa rahaa hai
aa rahaa hai karwaan bahaar ka
bhulaa do zindagi ke gham (aaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai aa rahaa hai karwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
o ho ho ho ooo ooo (hmmm..hmmmm.hmmmm.hmmmm)
o ho ho ho ooo ooo (hmmm..hmmmm.hmmmm.hmmmm)
aaaa…aaa….aaaa.a..aaaaaa…aaaa
aaaa…aaa….aaaa.a..aaaaaa…aaaa
————————————
Lyrics(Video Link)
————————————
aaahhaa hhaahha haa haa hhaa
aaahhaa hhaahha haaaaaa haa hhaa
aaahhaa hhaahha haa haa hhaa
aaahhaa hhaahha haaaaaa haa hhaa
bhulaa do zindagi ke gham
taraanaa chhedo pyaar ka
ke aa rahaa hai
aa rahaa hai karwaan bahaar ka
bhulaa do zindagi ke gham (aaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai
aa rahaa hai karwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
bhulaa do zindagi ke gham
taraanaa chhedo pyaar ka
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar ka
kali kali se keh do
hamse muskuranaa seekh ley
kahaan hai bhanwraa
aake hamse gungunanaa seekh ley
kali kali se keh do
hamse muskuranaa seekh ley
kahaan hai bhanwraa
aake hamse ungunanaa seekh ley
ye din hai saari zindagi mein sirf ek baar kaa
ke aa rahaa hai
aa rahaa hai karwaan bahaar ka
bhulaa do zindagi ke gham (haaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai
aa rahaa hai karwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
khula gagan ye keh raha hai
aao udd chaley kahin
jahaan se chaand si dikhhey
hamein ye jhoomti zameen
khula gagan ye keh raha hai
aao udd chaley kahin
jahaan se chaand si dikkhey
hamein ye jhoomti zameen
jahaan yehi jawaab aaye
apni har pukaar ka
ke aa rahaa hai
aa rahaa hai karwaan bahaar ka
bhulaa do zindagi ke gham (haaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai
aa rahaa hai karwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
bhulaa do zindagi ke gham (aaahhaa hhaahha haa haa hhaa)
taraanaa chhedo pyaar ka (aaahhaa hhaahha haaaaaa haa hhaa)
ke aa rahaa hai
aa rahaa hai kaarwaan bahaar kaa (aaahhaa hhaahha haaaaaa haa hhaa)
aaahhaa hhaahha haa haa hhaa
aaahhaa hhaahha haaaaaa haa hhaa
aaahhaa hhaahha haa haa hhaa
aaahhaa hhaahha haaaaaa haa hhaa
Jaage hain ab saare
Posted January 23, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4571 | Post No. : | 16175 |
I was not around when India got freedom from British Raj. When I was growing up, we were told that India won her freedom through non violent movement. Some people like Bhagat Singh, Chandrashekhar Azad, Subhash Chandra Bose etc found passing mention who were not part of non violent movement.
I was around when Bangladesh won her freedom from Pakistan in 1971. I was surprised to know what Bangladeshis are taught about their freedom. They are taught that Mukti bahini defeated Pakistani army and secured freedom for Bangladesh from Pakistan ! There is no mention of the fact that there was a full fledged war between India and Pakistan and that Pakistanis army, with 93000 Pakistani soldiers, surrendered before Indian army in Dhaka, leading to the independence of Bangladesh. There is a famous surrender photograph to prove it.
As for Pakistan, they are taught in their text books that Pakistan had defeated India in 1971 war but the scheming Indians in collusion with the entire world got Bangladesh to separate from Pakistan. There is no mention of the fact in Pakistani history textbooks that Pakistani army massacred 3 million East Pakistanis and raped 5 lakh East Pakistani women in what was a human right abuse second only to what was perperated by Nazis on jews during second world war, which ultimately led to the liberation of Bangladesh.
Who knows, we Indians too may have been been disinformed about our freedom struggle the way Bangladeshis are disinformed about their freedom from Pakistan ! Today, in the era of internet we have access to information over and above what we were taught in India in our history textbooks. And the facts that emerge from these independent sources differ from what we have been told in India.
When the second world war ended, Britain had paid a heavy price for their war efforts. Britain, which was the largest economy in the world a few decades ago, found their economy in a bad shape. So much so that they had to take loan from USA (the new superpower) to shore up their economy. Britain had looted the resources of their colonies and they could no longer afford to hold on to their colonies as holding on to them had become prohibitively expensive for them.
Here is the lowdown about British economy in the aftermath of world war 2:-
Labour rejoiced at its political triumph, the first independent parliamentary majority in the party’s history, but it faced grave problems. The war had stripped Britain of virtually all its foreign financial resources, and the country had built up “sterling credits”—debts owed to other countries that would have to be paid in foreign currencies—amounting to several billion pounds. Moreover, the economy was in disarray. Some industries, such as aircraft manufacture, were far larger than was now needed, while others, such as railways and coal mines, were desperately short of new equipment and in bad repair. With nothing to export, Britain had no way to pay for imports or even for food. To make matters worse, within a few weeks of the surrender of Japan, on September 2, 1945, U.S. President Harry S. Truman, as he was required to do by law, ended lend-lease, upon which Britain had depended for its necessities as well as its arms. John Maynard Keynes, as his last service to Great Britain, had to negotiate a $3.75 billion loan from the United States and a smaller one from Canada. In international terms, Britain was bankrupt.
Also this:
Withdrawal from the empire
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Britain, not entirely by coincidence, was also beginning its withdrawal from the empire. Most insistent in its demand for self-government was India. The Indian independence movement had come of age during World War I and had gained momentum with the Massacre of Amritsar of 1919. The All-India Congress Party, headed by Mohandas K. Gandhi, evoked sympathy throughout the world with its policy of nonviolent resistance, forcing Baldwin’s government in the late 1920s to seek compromise. The eventual solution, embodied in the Government of India Act of 1935, provided responsible government for the Indian provinces, the Indianization of the civil service, and an Indian parliament, but it made clear that the Westminster Parliament would continue to legislate for the subcontinent. The act pleased no one, neither the Indians, the Labour Party, which considered it a weak compromise, nor a substantial section of the Conservative Party headed by Churchill, which thought it went too far. Agitation in India continued.Further British compromise became inevitable when the Japanese in the spring of 1942 swept through Burma to the eastern borders of India while also organizing in Singapore a large Indian National Army and issuing appeals to Asian nationalism. During the war, Churchill reluctantly offered increasing installments of independence amounting to dominion status in return for all-out Indian support for the conflict. These offers were rejected by both the Muslim minority and the Hindu majority.
The election of a Labour government at the end of World War II coincided with the rise of sectarian strife within India. The new administration determined with unduly urgent haste that Britain would have to leave India. This decision was announced on June 3, 1947, and British administration in India ended 10 weeks later, on August 15. Burma (now Myanmar) and Ceylon (now Sri Lanka) received independence by early 1948. Britain, in effect, had no choice but to withdraw from colonial territories it no longer had the military and economic power to control.
The same circumstances that dictated the withdrawal from India required, at almost the same time, the termination of the mandate in Trans-Jordan, the evacuation of all of Egypt except the Suez Canal territory, and in 1948 the withdrawal from Palestine, which coincided with the proclamation of the State of Israel. It has been argued that the orderly and dignified ending of the British Empire, beginning in the 1940s and stretching into the 1960s, was Britain’s greatest international achievement. However, like the notion of national unity during World War II, this interpretation can also be seen largely as a myth produced by politicians and the press at the time and perpetuated since. The ending of empire was calculated upon the basis of Britain’s interests rather than those of its colonies. National interest was framed in terms of the postwar situation—that is, of an economically exhausted, dependent Britain, now increasingly caught up in the international politics of the Cold War. What later became known as “decolonization” was very often shortsighted, self-interested, and not infrequently bloody, as was especially the case in Malaysia (where the politics of anticommunism played a central role) and in Kenya.
So, as can be seen from the accounts of British historians, Britain was in no position to hold on to its colonies and they left these colonies as soon as they could. It is not just India, but also other colonies that got liberated one after other in the wake of world war 2. The circumstances that led to British haste was only partially to do with Mahatma Gandhi led movement. British historians mention Indian National Army also as a reason, something which Indian historians sought to push under the carpet.
The report also mentions rise of sectarian strifes within India. So those indulging in sectarian strifes were certainly not following non violence as preached by Gandhiji, but they too were contributing to British unease. It also shows that British rules found themselved unable to prevent these sectarian violences.
It would appear to me that British rulers did not fear non violent protest as much as they feared violence. It is the violence that began frequent in the second half of 1940s that unnerved the British. British ruled India through a machinery manned by Indians.
The INA trials, the stories of Subhas Chandra Bose (“Netaji”), as well as the stories of INA’s fight during the Siege of Imphal and in Burma were seeping into the glaring public-eye at the time. These, received through the wireless sets and the media, fed discontent and ultimately inspired rebellion in the ranks of navy.
A rebellion of Royal Indian air force, followed by a full fledged mutiny of Royal Indian Navy did take place in 1946. From the initial flashpoint in Bombay on 18 february 1946, the revolt spread and found support throughout British India, from Karachi to Calcutta, and ultimately came to involve over 20,000 sailors in 78 ships and shore establishments.
The mutiny was suppressed by British troops and Royal Navy warships. Total casualties were 8 dead and 33 wounded.
The rebelling Indian Naval personnel began calling themselves the “Indian National Navy” and offered left-handed salutes to British officers. At some places, NCOs in the British Indian Army ignored and defied orders from British superiors. In Madras and Poona (now Pune), the British garrisons had to face some unrest within the ranks of the Indian Army. Widespread rioting took place from Karachi to Calcutta. Notably, the revolting ships hoisted three flags tied together – those of the Congress, Muslim League, and the Red Flag of the Communist Party of India (CPI), signifying the unity and downplaying of communal issues among the mutineers.
The revolt was called off following a meeting between the President of the Naval Central Strike Committee (NCSC), M. S. Khan, and Vallab Bhai Patel of the Congress, who had been sent to Bombay to settle the crisis. Patel issued a statement calling on the strikers to end their action, which was later echoed by a statement issued in Calcutta by Mohammed Ali Jinnah on behalf of the Muslim League. Under these considerable pressures, the strikers gave way. Arrests were then made, followed by courts martial and the dismissal of 476 sailors from the Royal Indian Navy. None of those dismissed were reinstated into either the Indian or Pakistani navies after independence.
As can be guessed, such s revolt by a wing of armed forces is a serious matter and it must have unnerved the British. And just look at the name that these mutineers chose for themselves- India National Navy. Clearly inspired from the name “Indian National Army” that Subhash Chandra Bose had given to his army. So Subhash Chandra Bose was influencing Indian armed forces in a manner that was not to the liking of British government.
The weekly intelligence summary issued on 25 March 1946 admitted that the Indian Army, Navy and Air Force units were no longer trustworthy, and, for the Army, “only day to day estimates of steadiness could be made”. The situation has thus been deemed the “Point of No Return.”
In 1967 during a seminar discussion marking the 20th anniversary of Independence; it was revealed by the British High Commissioner of the time John Freeman (1965-1968), that the mutiny of 1946 had raised the fear of another large scale mutiny along the lines of the Indian Rebellion of 1857, from the 2.5 million Indian soldiers who had participated in the Second World War. The mutiny had accordingly been a large contributing factor to the British deciding to leave India. “The British were petrified of a repeat of the 1857 Mutiny, since this time they feared they would be slaughtered to the last man”.
There it is. The main reason why British left India was not non violent movement of independence, but fear of rebellion like in 1857, and this time fear of rebellion by armed forces, and not just some small time rulers (as in 1857). This fact was admitted by no less than a person than the British High Commissioner to India. And this state of affairs was caused by Subhash Chandra Bose. It was this kind of influence that Subhash Chandra Bose had on collective psyche of British rulers. It is a fact that has been carefully kept hidden by Indian historians. In fact the naval mutiny was not even known to most Indians. It has become known only in later decades when gathering information became easier thanks to internet.
This view that Mahatma Gandhi’s new found weapon of non violence defeated British and that Subhash Chandra Bose was just a misguided partiot who failed to see the merits of non violence was not exactly subscribed to by British rulers. For that matter it was not even subscribed to by large sections of people in India itself, viz those who were demanding separate Pakistan through violent means such as direct action day (16 august 1946) which saw an estimated 4000 people dead in bloody violence in one day. This violence sparked off further religious riots in the surrounding regions of Noakhali, Bihar, United Provinces (modern Uttar Pradesh), Punjab, and the North Western Frontier Province. These events sowed the seeds for the eventual Partition of India.
In summary, Subhash Chandra Bose’s contribution to Indian independence is far greater than what he is given credit for. His contribution has been conveniently pushed under the carpet. Hopefully, in future, his contribution will be realised and appreciated. He was not a misguided patriot, he was a great visionary, who had the drive and energy to implement his vision. He raised Indian National Army. His army got defeated no doubt, but it was defeated by fellow Indians fighting for British army. It was the age old problem of India, where Indians, at the behest of foreign powers, would act against Indian interests. No doubt INA got defeated and a few of their personnel were subjected to trial, but these trials galvanised Indian public, including sections of Indian armed forces. That way, Subhash Chandra Bose (by that time already dead) turned the tables on the British rulers. Even though his army was defeated, his army caught the imagination of Indians and drew widespread public support for themselves during INA trials. British rulers were more afraid of the prospect of armed forces rebellion, which could have happened at any time according to the assessment of British rulers. So that was a major reason why they left India in a hurry.
We have been discussing songs from “Bose-A Forgotten Hero”(2004) on 23 January of various years. So far we have covered three songs from the movie on 23rd January of three different years as shown below:-
Blog post number | Song | Date posted |
---|---|---|
7394 | Mujhe yaad aati hai | 23 January 2013 |
13964 | Jodi tod daak shene keu na aashe…tanha raahi apni raah chalta jaayegaa | 23 January 2018 |
14853 | Ham Dilli Dilli jaayenge | 23 January 2019 |
The routine of these posts is always the same, Avinash Scrapala, our inhouse hardcore patriot who keeps track of the anniversaries of various freedom fighters, sends me the lyrics, with request for my writeup. 🙂 He knows that I cannot help but summon up my increasingly dwindling creative juices to come up with some heartfelt tribute on the occasion.
So here it is, yet another song from “Bose The Forgotten Hero”(2004) on the occasion of the 125th birth anniversary (DoB 23 January 1897) of Subhash Chandra Bose.
The song is sung and composed by A R Rahman. Some chorus is also there but their words are not clear. Lyrics are by Jawed Akhtar.
Only the audio of the song seems to be available. I request our readers with keener ears to help fill in the blanks in the lyrics.
Audio
Video (Partial)
Song-Jaage hain ab saare (Bose- The forgotten hero)(2004) Singer-A R Rahman, Lyrics-Jawed Akhtar, MD-A R Rahman
Chorus
Lyrics(Provided by Avinash Scrapala)
???
dushman ko lalkaara
???
???
tiranga pyaara
jai hind ka naara
jaage hain ab saare ae
log tere
log tere ae
dekh watan
goonje hai naaron se
ab ye zameen
aur ye gagan
kal tak main tanhaa thhaa
soone thhe sab raste
kal tak main tanhaa thhaa
par ab hain saath mere
laakhon dilon ki dhadkan
dekh watan
aazaadi ee paayenge ae
aazaadi ee laayenge
aazaadi ee chhaayegi
aazaadi ee aayegi
aayegi
???
dushman ko lalkaara
???
dushman ko lalkaara
???
tiranga pyaara
????
jaage hain ab saare ae
log tere ae
dekh watan
goonje hain naaron se
ab ye zameen
aur ye gagan
kal tak main tanhaa thhaa
soone thhe sab raste
kal tak main tanhaa thhaa
par ab hain saath mere
laakhon dilon ki ee dhadkan
dekh watan
ham chaahen aazaadi
ham maangen ae aazaadi
aazaadi ee chhaayegi
aazaadi ee aayegi
aayegi
jai ???
???
dushman ko lalkaara
jai ???
???
desh ko pyaara
tiranga pyaara
????
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4553 | Post No. : | 16141 |
Hullo Atuldom
4th January is the 90th birth anniversary of the on-screen mother of Rajesh Khanna, Vinod Khanna, Amitabh Bachchan, Shashi Kapoor, Dharmendra, and a few heroines too. She mostly played mother to heroes, at least that is what my personal experience was, fed as I was on movies of the ’70s and ’80s.
But that is not how she began her career. Our in-house encyclopedia whom I prefer calling Guruji has written a post and also in a few of his comments to other posts on the blog that she has played comic characters and stunt roles too in addition to playing Goddesses in mythologicals after having made her debut as heroine in movies of the late ’40s and continuing to play central characters through the ’50s and early ’60s. In post of his Atulji has commented about a 44 year old Nirupa Roy (who this post is dedicated to) playing mother to a 38 year old Shashi Kapoor and 34 year old Amitabh Bachchan who incidentally played the older son.
“Laadla” (1966) had seven songs of which the blog has four songs. One of the songs posted thus far is a two part song and shows Nirupa Roy sing a lullaby to a baby in a pram who grows up to be Sudhir Kumar (of ‘Dosti’ fame). Today’s song show her on a train journey and making her son comfortable on the berth of the compartment. This must have been the first class coach of yore which used to have a lot of space and private washroom etc.; this I am deducing from all the train scenes of old time movies that I have grown up seeing. Personally I have never experienced that luxury, but that is not the matter of this post.
Today’s song has Lata Mangeshkar giving playback to Nirupa’s atma ki awaaz (voice of conscience) and the charming actress shows her distress so well. Heard this song for the first time as I wrote it out for the post and like what Rajinder Krishan has written and Laxmi-Pyare have composed.
Song-Kaun tujhko maa kahega (Laadla)(1966) Singer-Lata, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal
Lyrics
kaun tujhko maa kahega
tu kisiki maa nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tere dil mein maa–mta ka
ek bhi armaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
phool jiss daali se nikla
haq ussi daali ka hai ae ae
phool jiss daali se nikla
haq ussi daali ka hai
teri hasti tera darza
teri hasti tera darza
toh fakat maali ka hai
jhhooth ko sach kar dikhaana
iss kadar aasaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tu kisi ki maa nahin
soch jiska yeh jigar hai
aaj woh roti hai kyun
soch jiska yeh jigar hai
aaj woh roti hai kyun
tu kisi ke aansuon se
tu kisi ke aansuon se
apna munh dhoti hai kyun
jo khushi chheene kisi ki
woh koi insaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tere dil mein maa–mta ka
ek bhi armaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tu kisi ki maa nahin
maa nahin
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4541 | Post No. : | 16111 |
“Kundan”(1955) was produced and directed by Sohrab Modi for Minerva Movietone, Bombay. The movie had Sohrab Modi, Nimmi, Ulhas, Sunil Dutt, Pran, Om Prakash, Baby Naaz, Manorama, Roopmala, Murad, Jeevan, Sadat Ali, Kumkum etc in it.
The movie was based on Victor Hugo’s novel “Les Miserables” which was adapted for this Hindi movie by Pt Sudarshan.
The movie had ten songs in it. Seven songs have been covered in the past.
Here is the eighth song from “Kundan”(1955) to appear in the blog. The song is sung by Manna Dey. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.
The song is picturised as a background song as Sohrab Modi is shown going far away from the home of Murad (as far as I can tell from the picturisation). I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Na kar paap duniya mein naadaan ban ke (Kundan)(1955) Singer-Manna Dey, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Lyrics
hosh mein aa
o moorkh bande ae ae
upar hai bhagwaan aan
sab karmon ka wo hai bhedi ee ee
le usko pehchaan aan
na kar paap duniya mein naadaan ban ke
na kar paap duniya mein naadaan ban ke
dikha de zamaane ko insaan ban ke
dikha de zamaane ko insaan ban ke
insaan ban ke
na kar paap duniya mein naadaan ban ke
zara uthh ke jeevan ka naksha badal de ae
zara uthh ke jeevan ka naksha badal de
hai manzil ki hasrat to rasta badal de ae
to rasta badal de ae
to rasta badal de ae
chala chal bhalaayi ka toofaan ban ke
chala chal bhlaayi ka toofaan ban ke
toofan banke
na kar paap duniya mein naadaan ban ke
na kar paap duniya mein naadaan ban ke
tu kab tak bhala aa aa aa
tu kab tak bhala haath malta rahega
ye kismat ka chakkar to chalta rahega
ye kismat ka chakkar to chalta rahega
mita de gareebi ko balwaan ban ke
balwaan ban ke
na kar paap duniya mein naadaan ban ke
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4470 | Post No. : | 15967 | Movie Count : |
4375 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 105# In Remembrance – Kishore Kumar #
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Today 13th October’2020 is the thirty-third ‘Remembrance Day’ of the legendary singer Kishore Kumar.
It was on 13th October’1987 that he left this world at the age of fifty-eight only (04.08.1929-13.10.1987) leaving his family, followers and fans shocked, grief-stricken and heart-broken.
On this occasion as a tribute to him here is a song from ‘1976’ movie ‘Aaj Ka Ghar’.
I was not aware of this movie earlier until I came across this song a few years back. I guess this must be a lesser known or may be even an obscure movie (though it is now available on internet and uploaded three months back (the link which I saw).
‘Aaj Ka Ghar-1976’ was directed by Surendra Shailaj for ‘Shi Adarsh Arts, Bombay’. It was produced by Jaymala. Surendra Sinha was the production controller for of this movie.
It had Jaymala, Shreeram Lagoo, Romesh Sharma, Helen, Lalita Pawar, Baby Mona, Jalal Agha, Madan Puri, I.S. Johar, Chandrashekhar, Ramesh Deo, Master Tito and A.K. Hangal. They were supported by K.K. Purohit, Ilaben, Neelam, Jassu Ben, Jagirdar, Nazmu, Lata Sahni, Chhotu, Vinay, Hansa, Jagmohan Juneja, Mohan Thakur, Duggal, A.U. Khatri and others.
Story and screenplay of this movie was written by B.K. Adarsh whereas the basic idea was by Harin Mehta. Editing of this movie was done by Ravi Patankar. Dialogues and lyrics were written by M.G. Hashmat and revised dialogues were written by Surendra Shailaj (who directed the movie).
Music of this movie was composed by music duo Anil-Arun who composed music for many successful Marathi movies from 1971-1991. Both of them worked independently as well as a ‘team’ for Marathi movies. They also worked as assistants (music arranger) for S.D. Burman and also worked as assistants for may Hindi movies jointly as well as independently.
Anil of Anil Arun is the famous music composer and arranger Anil Mohile whereas Arun Paudwal (spouse of Anuradha Paudwal) was music director. However, as Arun Paudwal passed away in 1991 the pair was broken.
Arun Paudwal also composed music for the ‘1992’ movie ‘Meera Ka Mohan’ which was released after his death. And thereafter Anil Mohile continued to give music to Marathi Movies. He also arranged music for more than hundred programs of Lata Mangeshkar and many Hindi movies too. He passed away on 1st February’2012. Lata Mangeshkar penned a heartfelt condolence on his death as he was very close to the Mangeshkar family.
Coming back to the songs of today’s movie the movie had only three songs-one solo each by Kishore Kumar and Anuradha Paudwal and one duet of Anuradha Paudwal and Adolf.
This movie was passed by Censor Board on 31.12.1976.
Today’s song is a back-ground song sung by Kishore Kumar and written by M.G. Hashmat. Music is composed by Anil-Arun (I guess this the only Hindi movie they jointly composed music for).
They make their debut on the blog with the movie also making its debut on the blog.
In the few initial posts in this series I had presented some background songs sung by Kishore Kumar. I think it would be interesting to compile a list of such background songs he sung in Hindi movies and that gives us an interesting topic for another post in the future.
Secondly when I came back from Kenya after finishing the project there, I had planned that I will surely visit Khandwa on at least two important dates i.e. 4th August and 13th October as the Kishore fans there always have special programs on these dates, however due to the current situation I doubt if the programs would be held there.
Also couple of years back we had heard that the ancestral home of Kishore Kumar in Khandwa is either sold or bought by somebody and it is going to be renovated due to its dilapidated condition. I am not aware of its present status now(or if it has been taken over by the state government as some rumors were there?). But I will always cherish the memories my earlier visits to Khandwa to this place and the Kishore Kumar memorial there on the Khandwa-Indore road.
Remembering the ‘versatile genius’ Abhas Kumar Ganguly – Kishore Kumar today and paying our tributes, let us listen to one of his songs …
I have not watched this movie. But, from the video of the song available it seems that the song gets played in parts in the movie at various situations and twists and turns in the story of the movie.
However, the happy ‘antaraa’ is played in the beginning of the movie (with titles, as I have watched the titles) and is repeated in the end of the movie where we have a ‘happy ending’ 🙂
I hope that you like this song …
(video, parts mixed with audio)
Audio
Song-Baar baar aansuon ne bhigoyi nazar (Aaj Ka Ye Ghar)(1976) Singer-Kishore Kumar, Lyrics-M G Hashmat, MD-Anil Arun
Chorus
Lyrics
(played in background with titles)
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aa aaj ka ye ghar
Aaj ka ye ghar
aaj ka aa aa ye ghar
Aansuon ka zehar jo bhi
Muskuraake pee gaya
Aansuon ka zehar jo bhi
Muskuraake pee gaya
Kaaton se bhi uljha magar
Wo phool ban ke jee gaya
Ho gaya phir safal
Zindagi ka Safar
Dekh lo ik nazar
Aaj ka aa ye ghar
Aaj ka aa aa ye ghar
(Lyrics as per video link)
Baar baar aansuon ne bheegoyi nazar
Jaane kyon lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Baar baar aansuon ne bheegoyi nazar
Jaane kyon lut gaya aa aaj ka ye ghar
aaj ka aa aa ye ghar
Aaj khushiyon ke chaman mein
Kaisi ye aandhi chali
Aa aa aa aa aa
Aaj khushiyon ke chaman mein
Kaisi ye aandhi chali
Kyon tod di jhonkon ne
Gham ke shaakh se khilti kali
Chal diya baaghbaan bhi
Kali raund kar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aur koi chhod jaata
To na yoon hota gila
Aur koi chhod jaata
To na yoon hota gila
Ae aasmaan ye to bataa
Ye kis khata ki di sazaa
Kyun gaya apna hi dil mera tod kar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
meri mamtaa ki nishaani ee
bin mitaaye mit gayi
meri mamtaa ki nishaani ee
bin mitaaye mit gayi
ik deep ki thhi raushni
kyon bin bujhaaye bujh gayi ee
naa wo geet (?)
naa wo geet
naa wo dhun
naa wo swar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Gardishon mein waqt ki hain
Zindagi ke kaafile ae ae
Aa aa aa aa aa
Gardishon mein waqt ki hain
Zindagi ke kaafile
Dil se lagaaya kal jinhen
Hain aaj unse faasle
Chha gaya andhkaar
Ab main jaaun kidhar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aaj ka aa ye ghar
zindagi ki kashmakash se
toot kar jaaun kahaan
main chhoot kar is qaid se
jaaun bhi to jaaun kahaan
sholaa ban jal uthhi ee
meri shaam o sahar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aaj ka aa ye ghar
Aansuon ka zehar jo bhi
Muskuraa ke pee gaya
Aansuon ka zehar jo bhi
Muskuraa ke pee gaya
Kaanton se bhi uljha magar
Wo phool ban ke jee gaya
Ho gaya phir safal
Zindagi ka Safar
Dekh lo ik nazar
Aaj ka ye ghar
Aaj ka ye ghar
Husn hai ya koi qayaamat hai
Posted October 9, 2020
on:- In: Aarti Mukherji songs | Amitabh Bachchan present (without lip syncing) | Amitabh Bachchan songs | Background song | Boat song | Duet | expression of love | Feelings of heart | Guest posts | Post by Peevesie's mom | Rafi Aarti Mukherji duet | Rafi songs | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 5 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 4466 | Post No. : | 15956 |
Hullo Atuldom
“Saudaagar” released on 26th october 1973, that means it is 15-days short of 47 years ago. The movie had Nutan paired with Amitabh Bachchan (he was yet to taste success, when he signed up for the movie). He played a ‘Gur’ trader who made a living out of ‘gur’ made from Date-syrup by Mahzubeen -a widow played by Nutan. He meets Phoolbanu (Padma Khanna), likes her, and approaches her father with a marriage proposal. Phoolbanu’s father (Murad) asks for ‘Mehar’ which Moti (AB) does not have. So he proposes marriage to Mahzubeen, so that he doesn’t have to pay her for the ‘gur-making’ and save up for the mehar by the end of the ‘gur-season’. At the end of the season he divorces Mahzubeen and again approaches Phoolbanu’s father who is satisfied with the mehar and Moti marries Phoolbanu. But he faces a problem when the ‘gur’ as the product made by Phoolbanu is not on the same level as the previous season and Moti loses customers and business. He is forced to seek out Mahzubeen who has by the married a widower who is honest to her that he wants a mother for his children. Moti requests her to make a few “vats of gur’ she is at first upset at him for the way he had treated her. She relents on seeing Phoolbanu and Moti’s pitiable condition. The movie ends with the two ladies meeting each other affectionately signifying that Mahzubeen had forgiven Moti’s selfishness for the sake of his family.
“Saudaagar” was directed by Sudhendu Roy who was a art director, production designer who later on became a director with Rajshri Production’s “Uphaar” (1971). He was associated with Bimal Roy from 1958/9 in movies like “Madhumati” “Sujata” etc and was active in Bollywood till 1999. His work could be seen in Subhash Ghai’s “Karz” Karma” etc, Yash Chopra’s “Silsila” “Chandni” etc and right on till “Vijeta” (1996; not to be confused with the movie produced by Shashi Kapoor). His youngest daughter Sharmishta has followed in her father’s footsteps.
Coming back to “Saudaagar”, it was based on the Bengali story “Ras” by Narendranath Mitra and was produced by Tarachand Barjatya’s Rajshri Pictures. Ravindra Jain was the writer and composer of its songs. If I am not wrong this was his first Hindi movie. He was born in Aligarh to a homemaker mother and Sanskrit pandit father. He was sent for training in music by his father who recognized his talent very early and he started singing bhajans at temples when he was young.
We have been entertained by his songs in Chor Machaye Shor, Geet Gata Chal and numerous other movies. In this post from “Saudaagar” Atulji has made an interesting observation:- Ravindra Jain made a mark for himself with songs sung by singers other that the legends who were active then. But of course he had Asha, Lata, Mohd Rafi, Kishore Kumar and Manna Dey singing a song each for him in this movie. Todays’ song is in Mohd Rafi’s vocals, a very soft song typical Rafi Magic.
This movie had seven songs of which 5 are there on the blog as under
Song | Posted on |
---|---|
Har haseen cheez ka main talabgaar hoon | 4 April 2009 |
Sajna hai mujhe sajna ke liye | 15 april 2009 |
Tera mera saath rahe | 17 april 2009 |
Door hai kinaara | 18 april 2009 |
Champa nahin chameli nahin | 4 april 2019 |
Another interesting thing about this movies journey on the blog is it made its debut in April of 2009. We had four songs from that movie in that month. And the next post from the movie happened after a ten year gap in 2019 under the Blog Ten Year Challenge.
Remembering Ravindra Jain today on his anniversary, it is five years since he left this mortal world, but he will be immortal because of his work.
Video (Partial)
Song-Husn hai ya koi qayaamat hai (Saudaagar)(1973) Singers-Rafi, Aarti Mukherjee, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics
husn hai yaa
koi qayaamat hai
khwaab dekha hai
ya haqeeqat hai
bebasi hai ke
pa nahin sakte ae ae
haaye ae
humse thhodi si door jannat hai
humse thhodi si doooor jannat hai
oooooo mmmmm
oooooo
ooooo
aisa koi na thha nigaahon mein
jaisa dekha hai
aaj raahon mein
dil khincha ja raha hai
pehlu se ae ae
haaye ae
ajnabee hamsafar ki baahon mein
ajnabee hamsafar ki baahon mein
kyun na milne ki koshishein kar len
poori tan mann ki khwaahishein kar len
koi taaqat jinhe na tod sake ae ae
haaye ae ae
aao hum aisi bandishen aen aen kar len
aao hum aisi bandishen aen kar len
Chal chal chal re
Posted September 5, 2020
on:- In: Background song | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lyrics contributed by readers | Manna Dey solo | Manna Dey songs | movie opening song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1972 | Theme song | Title song | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4432 | Post No. : | 15866 | Movie Count : |
4365 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 101 # Remembering Salil Chowdhury #
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Today 5th September 2020 is the twenty-fifth (19 November 1922 – 5 September 1995) ‘Remembrance anniversary’ of yesteryears’ great music director and also lyricist, writer and poet Salil Chowdhary.
Salil Chowdhury has given us some of the unforgettable and even immortal songs in movies like ‘Do Bigha Zameen-1953’, ‘Naukri-1954’, ‘Jaagte Raho-1956’, ‘Madhumati-1958’, ‘Parakh-1960’, ‘Chhayaa-1961’, ‘Anand-1971’, ‘Mere Apne-1971’, ‘Rajnigandha-1974’ and many many others. There is a long list of his achievements and recognitions which very well deserved a detailed post. However today we will discuss a lesser known movie where music is composed by him.
Today’s song is from a movie ‘Sabse Badaa Sukh-1972’.
I came across this song almost seven years back and it is lying pending since then. That time the very less information was available with me about his movie. After that I got information from HFGK Vol-V (1971-1980). The movie had also become available online for some time before becoming unavailable again.
Here are the details about his movie.
‘Sabse Badaa Sukh-1972’ was directed by Hrishikesh Mukherjee for ‘Lakshmi Enterprise’ and ‘Hrishikesh Mukherjee Unit’. Saroj Bannerjee, Susheela Kamat, Nitin Mukesh and Shakeel Chandra were assistant directors. The movie was presented by Ashok Hira and Kishore Kanungo
Story and screenplay of this movie was written by Hrishikesh Mukherjee. Nityanand Dutt and D.N. Mukherjee were his associates.
Dialogues for this movie were written by Gulzar. Additional scenes were written by Salil Chowdhary and lyrics were written by Yogesh.
Das Dhaimade was the Editor in chief for this movie whereas Subhash Gupta was the sound editor. Editing was done by Shanker Pradhan, Shreedhar Mishra, Khan Zaman Khan and Anil Pradhan. Biren Tripathy was the Dialogue director of this movie. Anil Ghosh was the associate director and controller of production.
This movie had Vijay Arora, Robi Ghosh, Meeta Faiyyaz, Naarghita, Kumud Damle, Meher Banu, Rajni Bala, Sabeena, Sunita, Tun Tun. Kali Bannerjee, Utpal Dutt, Asrani and Keshto Mukherjee. They were supported by S. N. Banerjee, Raj Verma, Bhola, Noni, Tarun Ghosh, Mukund Babu, Sudha, Sarita Devi, Shreedhar, Jagjit, Meena Rai and others.
Manna Dey, Nitin Mukesh and Naarghita had given their voice to the two songs in this movie. Music for this movie was composed by Salil Chowdhury. Kanu Ghosh and Shashikant assisted him in music.
This movie was passed by Censor Board on 24.11.1972.
Today’s song is a background song played while the titles of the movie are rolling. Earlier video links were available which now seem to have become obsolete and only the audio of this song is available.
This song is sung by Manna Dey. This movie had total two songs and the other song is sung by Nitin Mukesh and Naarghita.
I have not watched this movie so can’t say much about it. However, I would request knowledgeable readers to throw light on this movie and its songs.
Let us now enjoy today’s song. Lyrics are written by Yogesh and music is composed by Salil Chowdhury.
With this song ‘Sabse Badaa Suh-1972’ makes its debut on the blog.
Audio
Song-Chal chal chal re (Sabse Bada Sukh)(1972) Singer-Manna Dey, Lyrics-Yogesh, MD-Salil Chaudhary
All chorus
Male chorus
Female chorus
Lyrics
Chal chal chal re ae ae
Pyaase man mere mujhe
Ab na chhal re ae ae
Khwaabon mein uljhe
tu ye na samjhe
Khwaabon mein uljhe
tu ye na samjhe
Kahaan hai
Kahaan hai
Kahaan hai
Tera sabse bada sukh
Tera sabse bada sukh
Tera sabse bada sukh
Aa aa aa
Aa aa aa
Jag hai bada albela aa
Aa
Lagaa hai yahaan ik mela
Aa
Jag hai bada albela aa
Aa
Lagaa hai yahaan ik mela
Aa
Sambhal sambhal kar yahaan se nikal
Na mailaa ho aanchal al
Chal chal chal re ae
Pyaase man mere mujhe ab na chhal re ae
Khwaabon mein uljhe
tu ye na samjhe
Khwaabon mein uljhe
tu ye na samjhe
Kahaan hai
Kahaan hai
Kahaan hai
Tera sabse bada sukh
Tera sabse bada sukh
Tera sabse bada sukh
Aa
Aa
Aa
Sapnon ke lekar jhule ae
Aa
Kitne yahaan path bhule ae
Aa
Sapnon ke lekar jhule ae
Aa
Kitne yahaan path bhule ae
Aa
Dagar dagar pe hai taashon ka nagar
Thehar na man chanchal al
Chal chal chal re ae ae
Pyaase man mere mujhe
Ab na chhal re ae ae
Khwaabon mein uljhe
tu ye na samjhe
Khwaabon mein uljhe
tu ye na samjhe
Kahaan hai
Kahaan hai
Kahaan hai
Tera sabse bada sukh
Tera sabse bada sukh
Tera sabse bada sukh
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Devnagari Script Lyrics (Provided by Avinash Scrapwala)
———————————————–
चल चल चल रे
प्यासे मन मेरे मुझे
अब न छल रे ए
ख़्वाबों में उलझे तू ये न समझे
ख़्वाबों में उलझे तू ये न समझे
कहाँ है
कहाँ है
कहाँ है
तेरा सबसे बड़ा सुख
तेरा सबसे बड़ा सुख
तेरा सबसे बड़ा सुख
आ
आ
जग है बड़ा अलबेला आ
आ
लगा है यहाँ इक मेला
आ
जग है बड़ा अलबेला आ
आ
लगा है यहाँ इक मेला
आ
संभल संभल कर यहाँ से निकल
न मैला हो आँचल अल
चल चल चल रे
प्यासे मन मेरे मुझे
अब न छल रे ए
ख़्वाबों में उलझे तू ये न समझे
ख़्वाबों में उलझे तू ये न समझे
कहाँ है
कहाँ है
कहाँ है
तेरा सबसे बड़ा सुख
तेरा सबसे बड़ा सुख
तेरा सबसे बड़ा सुख
आ
आ
आ
सपनों के लेकर झूले ए
आ
कितने यहाँ पथ भूले ए
आ
सपनों के लेकर झूले ए
आ
कितने यहाँ पथ भूले ए
आ
डगर डगर पे है ताशों का नगर
ठहर न मन चंचल अल
चल चल चल रे
प्यासे मन मेरे मुझे
अब न छल रे ए
ख़्वाबों में उलझे तू ये न समझे
ख़्वाबों में उलझे तू ये न समझे
कहाँ है
कहाँ है
कहाँ है
तेरा सबसे बड़ा सुख
तेरा सबसे बड़ा सुख
तेरा सबसे बड़ा सुख
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