Archive for the ‘Question-Answer song’ Category
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5291 | Post No. : | 17327 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet #(Birthday of Actor – Arun Govil )
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Today 12th January’2023 is the sixty-fifth birthday of actor Arun Govil. (He was born on 12th January’1958).
Arun Govil made his debut in Hindi Films in 1977 in the movie ‘Paheli’. However the main hero in this movie was Satyajeet. After ‘Paheli-1977’, he quickly graduated to lead roles in Rajshree Production movies such as ‘Saanch Ko Aanch Nahin’, ‘Saawan Ko Aane Do’ and ‘Radha Aur Seeta’. All these three movies were released in the year ‘1979’. While ‘Raadha Aur Seeta’ didn’t fare well commercially, ‘Saawan Ko Aane Do’ was a highly successful movie of its time and ‘Saanch Ko Aanch Nahin’ was also a decently successful movie though not on the scale of ‘Saawan Ko Aane Do’.
Arun Govil shot to fame with the movie ‘Saawan Ko Aane Do’. While he continued to act in movies further he didn’t get that kind of success as ‘Saawan Ko Aane Do’. It was much later in 1987-1988 with the TV serial ‘Ramayan’ wherein he played ‘Lord Ram’ that he got the same success and fame. Earlier he had appeared in the TV serial ‘Vikram Aur Betaal’ as well.
In between he acted in many movies, mostly as second lead or in supporting roles.
Today on the occasion of the birthday of Arun Govil we will enjoy a song from the movie ‘Saanch Ko Aanch Nahin-1979’.
One well known song from this movie has been posted on the blog for the same occasion in 2018. I had been listening to this song since my growing up days. And I remember this song sung by Shailendra Singh was frequently played on radio then. Though it was a ‘negative song’ in the sense as it speaks of the ‘bebasi’ of the hero 🙂 (as Atul ji had mentioned while presenting this song on the blog in his post here).
While I was aware of this above song I had never attentively listened to the other songs from this movie till today. For this post I checked other songs of this movie and selected a song which has a special ‘touch of music of Raam-Laxman’. (It reminds me of his songs composed for Dada Kondke movies in Marathi.).
None of the songs of ‘Saanch Ko Aanch Nahin-1979’ made it to the annual list of ‘Binaca Geetmala of 1979’. And for that matter none of the songs of ‘Saawan Ko Aane Do’ also made it to the ‘top 35 songs of 1979’ (I wonder why?). Though, one song of this movie appeared in the ‘annual Binaca Geetmala list of 1980’ – ‘chaand jaise mukhde pe’ – which stood at no.20 among the top forty songs.
I like the songs of this movie very much and so when I came into contact with this blog I had shared some songs of this movie, while the most known song of this moviewwas already posted on the blog earlier.
“Saanch Ko Aanch Nahin-1979’ was directed by Satyen Bose for ‘Ruchi Films, Bombay’. It was produced by Tarachand Barjatya.
It had Arun Govil, Madhu Kapoor, Urmila Bhatt, Arvind Deshpande, Baby Komal, Om Shivpuri, Gajanan Jagirdar, Amar Shan, Ram Mohan, Mushtaq Merchant, Javed Khan, Birbal, Surendra Kumar, Master Sandeep, C.S. Dubey, Datta Bhatt, Rajan Kapoor, Arjun Bakshi, Brajendra Mohan, Narbada Shankar, Pardesi, Mansaram, Mukund Bannerjee, Radheshyam Dixit, Taneja, Uma Khosla, Madhumita, Hansani Dutt, Veena Kapoor, Raj Verma, Albela and others.
The story idea of this movie was by Sharad Joshi. Screenplay and dialogues of this movie were written by Govind Moonis. Editing was done by Mukhtar Ahmed.
This movie was passed by Censor Board on 08.03.1979. (Alphabetically the next movie of this year ‘1979’ was ‘Saawan Ko Aane Do’ which was passed by Censor Board on 31.08.1979. Whereas, the third movie of Arun Govil of this year which was ‘Raadha Aur Seeta-1979’, was passed by Censor Board on 27.06.1979
Music for all the three movies was composed by different music directors i.e. Rajkamal for ‘Saawan Ko Aane Do’, Raam-Laxman for ‘Saanch Ko Aanch Nahin’ and Ravindra Jain for ‘Raadha Aur Seeta’.).
“Saanch Ko Aanch Nahin” has five songs. four were written by Kulwant Jani and one by Ravinder Rawal.
Music for this movie was composed by Raam-Laxman.
Shailendra Sing and Usha Mangeshkar were the two singers whose voices featured in the songs of this movie.
Today’s song is routine ‘question-answer’ or ‘paheli’ (not very difficult one ) song between two lovers which is sung by Shailendra Singh and Usha Mangeshkar. Arun Govil and Madhu Kapoor lip-sync the song on screen.
Let us now enjoy today’s song and wish Arun Govil a ‘very happy birthday and a healthy and peaceful life ahead’ …
Lyrics for today’s song are by Kulwant Jani.
Video
Song-Hari hari menhdi ki patiyaan laal hathheli hai (Saanch Ko Aanch Nahin)(1979) Singers-Shailendra Singh, Usha Mangeshkar, Lyrics-Kulwant Jani, MD-Ram Laxman
Lyrics
hari hari mehndi ki patiyaan
laal hathheli hai
bol ri sajni bol zaraa
ye kya paheli hai
haan …
kya farmaaya aapne
hari hari mehndi ki patiyaan
laal hathheli hai
bol ri sajni bol zaraa
ye kya paheli hai
arey ae ye ae rang hai dil ka
zaraa chhalkaa chhalkaa
kuchh gehraa gehraa
halkaa halkaa
haath mera laal hai
jo apni misaal hai
pyaar ka kamaal hai
ye pyaar ka kamaal hai
ham tum donon do hain lekin
ek baat batlaao naa
do dil mil kar ek bane
ye raaz hai kya samjhaao naa
ham tum donon do hai lekin
ek baat batlaao naa
do dil mil kar ek bane
ye raaz hai kya samjhaao naa
tumko paakar samajh gayaa main
raaz ye thhoda thhoda
do hote hans magar
kehlaata hai ek jodaa
arey ae ye ae rang hai dil ka
zaraa chhalkaa chhalkaa
kuchh gehraa gehraa
halkaa halkaa
gaalon pe gulaal hai jo
honthon pe sawaar hai
pyaar ka kamaal hai
ye pyaar ka kamaal hai
tum baaghon ka phool gulaabi
main matwaala bhanwraa re ae
kaun si hai wo cheez ki jisne
ham donon ko baandha re ae
tum baaghon ka phool gulaabi
main matwaala bhanwaraa re ae
kaunsi hai wo cheez ki jisne
ham donon ko baandha re ae
tumne meri khushboo paayi
maine tera sangeet
isi tarah bas hote hote
ho gayi apni preet
arey ae ye ae rang hai dil ka
ho zaraa chhalkaa chhalkaa
kuchh gehraa gehraa
halkaa halkaa
bolo kya khayaal hai
jo dhadkanon mein taal hai
pyaar ka kamaal hai
ye pyaar ka kamaal hai
pyaar ka kamaal hai
ye pyaar ka kamaal hai
pyaar ka kamaal hai
ye pyaar ka kamaal hai
pyaar ka kamaal hai
ye pyaar ka kamaal hai
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5289 | Post No. : | 17322 | Movie Count : |
4664 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Missing movies of 1973-5)
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Today we introduce the movie “Pyaasi Nadi” from the year ‘1973’ on the blog.
It was directed by Shankar Kinagi for ‘Ishwar Art International’.
This movie was produced by M.N. Bakia.
This movie introduced actor Vikram and actress Vani Ganpati (as mentioned in the titles of this movie).
It also had Gulshan Arora, Prashant (in special appearance), Shahina and Helen. They were supported by Bipin Gupta, Asit Sen, Murad, V. Gopal, Chandrakant Gokhale, Tribak Joshi, Narsi Patel, Albert, Barot, Daksh Dave, Puroshottam Shah, Himanshu Patel, Ashok Khanna, Vasu Naik, Chimanlal, Shantilal, Jagdish, Shrimati Bhasin, Kewal, Jadhav, Ramesh Jani, Seema Kapoor, Shefali, Hansa Chokshi, Urmila Bhatt, Bhola, Das, Raj, Ravi, Kallu Khan and others.
Story of this movie was written by Ranu and Screenplay was written by Ram Kelkar. Dialogues of this movie were written by Gulshan Jalalabadi and Ram Kelkar.
A.Javeed was the Dialogue Instructor of this movie. Editing of this movie was done by Ramrao Ghatke.
This movie was passed by Censor Board on 03.08.1973.
This movie has five songs. They were written by Gulshan Bawra (two songs), Mahendra Dehalvi (one song) and Tajdar Taj (two songs).
Music for this movie was composed by Ratandeep-Hemraaj.
Here is the list of songs from this movie.
| SNo | Song Title | Lyricist | Singer/s |
|---|---|---|---|
| 01 | Laakh yugon ka ek baras ho | Tajdar Taj | Asha Bhonsle |
| 02 | O re sajanwa, saagar mein kyun aate toofaan | Tajdar Taj | Mukesh, Chandrani Mukherjee |
| 03 | Zaalim ne pilaa de hai | Mahendra Dehalvi | Asha Bhonsle |
| 04 | Three six, two four, .. phone karo aur | Gulshan Bawra | Asha Bhonsle, chorus |
| 05 | Meri jaan kah ke log | Gulshan Bawra | Chandrani Mukherjee |
Today’s song is sung by Chandrani Mukherjee and Mukesh. It is lip-synced on screen by Vani Ganpati and Vikram. It is a sweet song happening on a boat sailing in a river.
I am not aware of the context in which this song takes place happens, but in the video of the song Vani Ganpati utters some dialogues for Vikram and that can give us some clue, I think.
Lyrics for today’s song are written by Tajdar Taj and music is composed by Ratandeep-Hemraaj.
Let us listen to today’s duet in the voices of Mukesh and Chandrani Mukherjee now…
With today’s song this movie ‘Pyaasi Nadi-1973’ makes its debut on the blog.
Audio
Video
Song-O re sajanwa saagar mein kyun aate hain toofaan (Pyaasi Nadi)(1973) Singers-Chandrani Mukherjee, Mukesh, Lyrics-Tajdar Taj, MD-Ratandeep Hemraj
Lyrics
hmm hmm
hmm hmmm
o re sajanwa aa
o re sajanwa
saagar mein kyun
aate hain toofaan
pyaasi dhaara
chaand ko chaahe
tere mere samaan
o raama ho o ho
o ri sajaniya
o ri sajaniya
kya hoti hai
saawan ki pehchaan
badraa sang chaley
purwaiyya
tere mere samaan
ho raama ho ho o
tu mera maanjhi hai ae
main teri naiyya hoon
o de de tu sahaara
o maanjhi
kinaara bana ke baahon ko
dilon ke milne se ae
zamaana jaltaa hai ae
ho mohe dar laage
ye bairi naa roke
hamaari raahon ko
o o o o o o
duniya se dar ke
main naa rahoongi
saare bandhan tod doongi
teri chaah mein ae
o ri sajaniya
o ri sajaniya
kya hoti hai
saawan ki pehchaan
badraa sang chaley purwaiyya
tere mere samaan
ho raama ho ho o
maanjhi re ae ae
O maanjhi ee ee
mere man aangan pe
tu aise barsi hai
o jaise dharti pe ye kaali
niraali ghataa rimjhim barse
mera dil kehtaa hai
main teri hoon sainyyaan
o aise lag jaaun
jaise
nadi ka milan ho saagar se
ho o o o o
waada kiya to
karke nibhaana
phool ban ke muskuraana
meri raah mein ae ae
o re sajanwa aa
o re sajanwa
saagar mein kyun
aate hain toofaan
pyaasi dhaara
chaand ko chaahe
tere mere samaan
o raama ho o o
o ri sajaniya
o ri sajaniya
kya hoti hai
saawan ki pehchaan
badraa sang chaley purwaiyya
tere mere samaan
ho raama ho ho o
ho raama ho ho o
ho raama ho ho o
ho raama ho ho o
Hai kaun des tumhaara musaafir
Posted on: August 3, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5129 | Post No. : | 17081 |
Today’s song is from the film ‘Tamanna’ (1942).
This was a film made by Laxmi Productions, Bombay. It was directed by Phani Mujumdar and for songs written by SK Kalla, the music was provided by India’s first blind music director KC Dey. In later years there were two more blind MDs. One was Manoharlal Sonik – of the Sonik-Omi duo of MDs and the other was Ravindra Jain. This film was released on 20-6-1942 at the Royal Opera House theater in Bombay.
Film ‘Tamanna’ was an ordinary film, but it became famous afterwards, when it became known that the famous singer Manna Dey had made his debut as a Playback singer in Hindi through this film. However, besides this point, there were few more matters which made this film a special film. In addition to being the debut film for Manna Dey, it was also the debut film for the Banner-Laxmi Productions. Further, it was the first film of its heroine Leela Desai, in the Bombay film world.
People who write on old songs and old films generally write about actors, actresses, directors, lyricists, MDs, singers and also occasionally on the arrangers and the cinematographers. But very rarely, something is written about a producer. Actually it is the producer who conceives the idea of the film, who arranges the finances for the film, who selects a team of director, MD and the cast of the film, still he is not paid much attention. It is because of the producer, an artiste can make debut or an MD gets praise for his music etc, but the producer remains unsung.
Today, we will talk about an enterprising producer of film ‘Tamanna’ who had made several well known films, gave opportunities to many actors, directors and MDs. His name is Chimanlal Trivedi.
Chimanlal Trivedi, was one of the major filmmakers of the 30s and the 40s decades. He was more a producer businessman than a director. While he directed hardly 7 films, he produced close to 50 films – all having A grade actors, directors and composers !
Born on 19-3-1909 at a village near Anand in Gujarat he was from a Brahmin family. He did his schooling in Ahmedabad and technical graduation from Baroda. Being an expert in weaving, he took up a job as a weaving master in Calcutta. Fond of writing, he started writing dramas, which were staged in Bengal and Gujarat. He was attracted towards cinema and tried some work in New Theaters. Knowing that the real playing field is Bombay he reached there. He wrote stories for the film ‘Chevrolet’ (1936) and ‘Danger Signal’ (1937) for Mohan Pictures.
He established his own production company CIRCO (Cine Industries Recording Company) in 1937. By 1943, he had made 12 films. He preferred not to direct his films, but appointed directors like Mohan Sinha for ‘Laxmi’ (1940), ‘Anuradha’ (1940) and ‘Vanmala’ (1941), Balwant Bhatt for ‘Suhag’ (1940) and ‘Madhusudan’ (1941), AR Kardar for ‘Swami’ (1941) and ‘Nai Duniya’ (1942) and Debaki Bose for ‘Apna Ghar’ (1942).
He had the art of getting the most popular stars for his films like, Prithviraj Kapoor, Chandramohan, Durga Khote, Mazhar khan, Bibbo, Surendra, Jairaj, Sitara, Jeevan, Yaqub, Shobhana Samarth, Prem Adeeb, Vishnupant Pagnis, Leela Desai, Pahadi Sanyal, Shanta Apte and many others. Even big directors like Debki Bose, Nitin Bose, Kardar, Mohan Sinha, Sarvottam Badami, Nandlal Jaswantlal, Profull Roy, Sudhir Sen, RS Chaudhary, Phani Majumdar, Balwant Bhatt etc. worked for him. From Prabhat he brought Shanta Apte for Rs. 1,000 pm, and also Chandramohan, Pagnis and Mazhar Khan. His friend Chandulal Shah followed his way and brought KL Saigal from New Theaters !
CL Trivedi was an expert in gathering funds for his films. After CIRCO at Parel, he started Laxmi Productions at Andheri, in 1942. He made ‘Mera Gaon’, ‘Sharafat’, ‘Bhagya Laxmi’, ‘Kadambari’, ‘Tamanna’, ‘Inkaar’, ‘Mohabbat’, ‘Miss Devi’ etc. In 1951, it was Supreme Pictures, then Trivedi Productions in 1952, Kala Kendra in 1953 and with Chitra Bharati in 1954, he made 13 films upto 1961. Top composers like Timir Baran, Ashok Ghosh, Rafiq Gaznavi, KC Dey, Saraswati Devi, Husnlal-Bhagatram and Naushad gave music to his films.
In the end, he turned to stage and started Abhinay Bharati. He staged many dramas in Bombay and Gujarat. Chimanlal always went for big names. He had close relations with Nehru, Menon, Morarji Desai, and other national leaders. His wife Kantaben was a leader herself. Chimanlal Trivedi died on 25-11-1973. His wife, 3 sons and a daughter settled in the USA.
It may be a coincidence, but Gujarati businessmen like Chimanlal Trivedi, Chimanlal Desai, Chimanlal Luhar, Chaturbhuj Doshi, Chimankant Desai, Chunibhai Desai and Chandulal Shah made sizable contribution to Hindi cinema in the first 20 years of the Talkie era. All names started with ‘CH’ ( ? ) !
[Author’s Note: Thanks to Harish Raghuwanshi ji for his book “बॉलिवूडमा गुजरातीयो” in Gujarati, Encyclopedia of Indian Cinema, muVyz and my notes.]
This was also the first film in Bombay for the film’s heroine Leela Desai, a famous and well known name in Bengal made films, till then. She was especially invited by Chimanlal Trivedi for this film. Later she did many of his and others’ films in Bombay. Trivedi had also called 7 different technicians from Calcutta for this film, according to Baburao Patel – editor of Film India in its June 1942 issue. This was to make the film technically superior quality. These technicians did it, but the film had a very weak story. Actually, in those days it was the first film on ‘Village Uplift and Cottage Industry’ – a favorite topic for speeches of Gandhi ji. The story was built around ‘a typically Bengali idea of Platonic Love’, seen in many earlier New Theaters films from Calcutta.
Leela Desai was cast opposite Jairaj. They fall in love. She is very rich, but will get her wealth only after marriage. Jairaj works in a company on a high post. He spends half his salary on research and half on village development. Due to a misunderstanding, on her offering money for Jairaj’s work, they separate. Leela marries Karan Dewan to get the money. She anonymously gives that money to Jairaj for his project. Karan Dewan comes to know the entire story and magnanimously divorces Leela. Jairaj and Leela get married.
Leela Desai was the daughter of Dr. Umedbhai Lalbhai Desai-a Gujarati and his wife Satyabala Devi – a Bengali from Bihar, who was a famous and prominent singer of the 1930s. Leela Desai was born on 1-1-1909 in Newark, New Jersey, America, where her parents had gone for a 3 year work trip. She grew up in India. She learnt dancing from Amla Devi (who married Uday shanker), as well as from Lachhu Maharaj and Sohan lal. She also learnt music at Morris College, Lucknow.
Leela Desai was the 4th of the 5 children born to Dr Umedram Desai from Gujarat and Satybala Devi, daughter of a Bengali landlord settled in Bihar. It was a second marriage for both of them as Satyabala Devi lost her husband during childhood while Dr Umedram Desai got married to his first wife in his childhood through whom he had two sons. Later, Dr Umedram Desai married Gunobati Mitter, a Bengali Christian, for the third time with whom he had 6 children. Before her marriage, Gunobati Mitter worked as a tutor for the children of Dr Umedram Desai and Satyabala Devi in Rampur. So apart from her own 4 siblings, Leela Desai had 8 step brothers/sisters.
Leela Desai was trained in the Bhatkhande Music Institute established in Lucknow in 1926. It has played a vital role in training generations of performing artistes, dedicated gurus and gifted composers. Lucknow has contributed music directors, (like Naushad, Madan Mohan, Roshan), actors and actresses (like Kumar, Iftekhar, Akhtari Bai, Bina Rai, Yashodhara Katju, Swaranlata), singers (Talat Mahmud, Anup Jalota, Dilraj Kaur, Krishna Kalle), writers (like Amritlal Nagar, Bhagawati Sharan Verma, Achala Nagar), lyricists and dancers. Lachhu Maharaj was a very successful choreographer for many films. Pahadi Sanyal, Leela Desai and Kamlesh Kumari of New Theaters at Calcutta were all trained here.
In one of her stage performances in Lucknow, NT’s Director Hem Chander saw her and invited her to Calcutta for work in films. She worked in the film ‘President’ (1937) as the sister of Kamlesh Kumari, opposite Saigal. It was followed by ‘Vidyapati’ (1937), ‘Dushman’ (1938), ‘Kapaal Kundala’ (1939) and ‘Nartaki’ (1940). She also did ‘Adarsh Mahila’ (1937) with Ideal Film company.
Leela Desai had been invited by the students of the Intermediate College in 1941. Bangalore had the distinction of holding festivals of films made by New Theaters and Prabhat Film Co.
BN Sircar’s empire introduced personalities of the stature of PC Barua, Bimal Roy, Debaki Bose, Leela Desai, Phani Majumdar, Timir Baran, Uma Shashi, Nitin Bose, KL Saigal, Pankaj Mullick, Nemo, Sisir Kumar Bhaduri and Jamuna, all of whom later earned all India fame, under the banner of New Theaters. Among his technical achievements were the bringing of sound to Calcutta for Bengali films, and the introduction of the playback system. The elephant logo of New Theaters acted as a magnet to draw crowds throughout the country.
Chimanlal Trivedi brought her to Bombay to act opposite Jairaj in the film ‘Tamanna’. She acted in 5 films of Chimanlal Trivedi. After ‘Tamanna’, Leela Desai acted in films like ‘Sharafat’, ‘Paraya Dhan’, ‘Nagad Narayan’, ‘Inkaar’, ‘Mujrim’, ‘Miss Devi’, ‘Kaliyan’, ‘Meghdoot’, ‘Maharani Minal Devi’, ‘Magadhraj’, ‘Kamla’, ‘Dev Kanya’, ‘Soorat’ and last film ‘Geet Govind’ (1947).
She acted opposite leading actors like KL Saigal, Najmul Hasan, Jairaj, Pahadi Sanyal, Surendra, Chandra Mohan, Khalil, Baburao Pendharkar etc. She worked under top directors like Debaki Bose, Nitin Bose, Kedar Sharma, Phani Majumdar and others. Her sister Monica Desai (who married Phani Majumdar) was also in films. In 1944, Leela also acted in the movie ‘Kaliyan’ with Ramola. Ramola also acted in the film ‘Lalkar’ in the same year. In a span of just 10 years, Leela Desai acted in 21 films and then left films.
She settled in Darjeeling with her mother. Leela Desai owned a house in Darjeeling called ‘Lily Cottage’. Her mother Satyabala Devi lived there until her death. It is possible that Leela knew Manjula or Sumitra Sanyal in Darjeeling. Leela Desai is mentioned in Bollywood actress Sumitra Sanyal’s site.
Today’s song is sung by an unknown male, female and a chorus. I feel it must have been sung by some street singers or in the background in the film. Anyway, enjoy the song….
Song – Hai Kaun des tumhaara musaafir (Tamanna)(1942) Singers- Unknown Female voice, Lyricist – SK Kalla, MD – KC Dey
Male voice + Female voice
Chorus
Lyrics
hai kaun des tumhaara musaafir
kaun des tumhaara musaafir
kahaan ke
haan haan haan
kahaan ke
rahnewaale ae
tum kahaan ke rahnewaale
tere bolon ne praan jagaaye
teri baani se hum yahaan aaye
tere bolon ne praan jagaaye
teri baani se hum yahaan aaye
aa ha ha ha
hum bane kisaan dulaare
maata dharti ke pyaare
hum bane kisaan dulaare
maata dharti ke pyaare
haath bane hathhiyaar hamaare
hum mazdoor hain saare
haath bane hathhiyaar hamaare
hum mazdoor hain saare
hum hain lohaar
hum hain kumhaar
hum hain kapda bun’ne waale
hum hain lohaar
hum hain kumhaar
hum hain kapda bun’ne waale
haath bane hathhiyaar hamaare
hum mazdoor hain saare
haath bane hathhiyaar hamaare
hum mazdoor hain saare
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
है कौन देस तुम्हारा मुसाफिर
कौन देस तुम्हारा मुसाफिर
कहाँ के
हाँ हाँ हाँ
कहाँ के
रहनेवाले
तुम कहाँ के रहनेवाले
तेरे बोलों ने प्राण जगाए
तेरी बातों से हम यहाँ आए
तेरे बोलों ने प्राण जगाए
तेरी बातों से हम यहाँ आए
आ हा हा हा
हम बने किसान दुलारे
माता धरती के प्यारे
हम बने किसान दुलारे
माता धरती के प्यारे
हाथ बने हथियार हमारे
हम मज़दूर हैं सारे
हाथ बने हथियार हमारे
हम मज़दूर हैं सारे
हम हैं लुहार
हम हैं कुम्हार
हम हैं कपड़ा बुनने वाले
हम हैं लुहार
हम हैं कुम्हार
हम हैं कपड़ा बुनने वाले
हाथ बने हथियार हमारे
हम मज़दूर हैं सारे
हाथ बने हथियार हमारे
हम मज़दूर हैं सारे
Atkan batkan dahi chataakan
Posted on: January 20, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4934 | Post No. : | 16778 |
Hullo Atuldom
This is something which I have always felt. I read the title or heading of a song posted on the blog and immediately I recall another song that has similar thoughts, actions or beginning words in the lyrics. I had the same experience a few days back.
Let me explain. Last time the writing bug bit me, and I was writing this post, I had mentioned Farah Khan’s aunts – Honey and Daisy Irani in the post. As a next step I just looked up if any of their birth dates were in the next few days. I went a little further and just checked out which were the debut movies of the two super-cute sisters and found various sites giving names of different movies.
This Post by our in-house encyclopedia gives a brief biography of the two sisters. I also read Shri. Nayan Yagnik’s comments to the post, where he has mentioned that Honey Irani was youngest among the siblings and that ‘Didi’ or ‘Zameen ke Taare’ could be the debut of Honey. One thing definitely came out of all this research- I recollected a song from the ’80s which I used to hum and was full of ‘Anokhe Bol’.
The 1980s song that I am talking featured the Oh So Gorgeous!! Parveen Babi, Shatrughan Sinha, and Master Vishal. The song was shot in Byculla Zoo of Bombay which was called Victoria Gardens in those days. (This Zoo was renamed as Veermata Jijabai Bhonsale Udyan sometime after 1985 and Bombay became Mumbai. I am sure the older followers of this blog will tell if I am right.)
I am able to locate only a audio link of the song, but having seen it a number of times in Chitrahaar and other such television programmes, I can say that this song is meant to amuse a child who is upset that his family is no more.
Shatrughan Sinha, who plays a cop, is out to solve a triple murder, the child is the only one who escapes. Parveen Babi is the cop’s friend and she helps the cop become friendly with the glum child. Vinod Mehra, Bindiya Goswami (in guest appearances) and Ashok Kumar are the parents and grandfather of the boy who have been killed, Nirupa Roy played the grandma. Kadar Khan, Shakti Kapoor, Amjad Khan, Narendranath, Zarina Wahab, Kalpana Iyer, Imtiaz Khan, Satyen Kappu and Amjad Khan were the rest of the cast. The song I am bringing on-board here is from “Chor Police” (1983) which was the directorial debut of Amjad Khan and produced by his wife Shehla Khan and Vinay Kumar Sinha (who was Amjad Khan’s secretary too). It had RD Burman’s music and songs were written by Nida Fazli. Suresh Wadkar, Asha Bhonsle, Manna Dey, Lata Mangeshkar, Vinod Sehgal and Vanita Mishra were the playback singers used.
With this post we remember the heroine of this film, Parveen Babi who died on 20th January in 2005. She died a loner and her body was discovered by the police two days later when her neighbours saw uncollected groceries, milk and newspapers outside her door. She was only 50.
Song-Atkan batkan dahi chataakan(Chor Police)(1983) Singers-Asha Bhonsle, Vinod Sehgal, Lyrics-Nida Fazli, MD-R D Burman
Lyrics
atkan batkan dahi chataakan
choon choon bhaun bhaun myaaun
atkan batkan dahi chataakan
choon choon bhaun bhaun myaaun
ek paheli bade maze ki
poochhoon tum batlaao
bolo vicky
bataloge
to suno
jo dekhe wo nakal utaare
sabka ji bahlaaye
waqt pade to sena ban kar dushman se takraaye
jo dekhe wo nakal utaare
sabka ji bahlaaye
waqt pade to sena ban kar dushman se takraaye
Ramayan me katha ho jiski
ghar pandit dohraaye
bolo kya
ho bolo kya
bolo bolo
maaloom nahin
haah
arre bandar
atkan batkan dahi chataakan
choon choon bhaun bhaun myaaun
ek paheli bade maze ki
poochhoon tum batlaao
hilta dulta parwat jaisa pankhon jaise kan
jungle ho ya basti iski sabse oonchi shaan
hilta dulta parwat jaisa pankhon jaise kan
jungle ho ya basti iski sabse oonchi shaan
deel daul se ek jaanwar chehre se bhagwaan
bolo kya
ho bolo kya
are baba ab to bolo
haathi
haan
atkan batkan dahi chataakan
choon choon bhaun bhaun myaaun
ek paheli bade maze ki
poochhoon tum batlaao
sar pe koi taaj na pagdi
odhe sada doshaala
raat andheri jab bhi nikle aankhen kare ujaala
sar pe koi taaj na pagdi
odhe sada doshaala
raat andheri jab bhi nikle aankhen kare ujaala
jungle ka ek raaja aisa
billi jiski khaala
bolo kya
ho bolo kya
bolo bolo
nahin pehchaana
arre sher
koyal mein kuku ban jaaye
bansi mein malhaar
mamta ki honthon par lori
chidiyon mein chahkaar
koyal mein kuku ban jaaye
bansi mein malhaar
mamta ki honthon par lori
chidiyon mein chahkaar
de chehra ek cheez galey mein jiske rang hazar
bolo kya
ho bolo kya
bolo
bolo beta
koshish karo
Tori Nathni Kaahe Haale Doley Ri
Posted on: January 18, 2022
- In: "Naughty" song | "Nok-Jhonk" song | Chitra Singh Songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lyrics contributed by readers | MD-Singer Song | playful song | Post by Avinash Scrapwala | Question-Answer song | Songs of 1970s (1971 to 1980) | Songs of 1972 | Synchronised dance | Twin Dance Song | Usha Khanna - Chitra Singh Duet | Usha Khanna songs | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4932 | Post No. : | 16775 | Movie Count : |
4566 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 06#
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Today’s song is from the movie ‘Kaamnaa’ (1972). I had never heard of this movie earlier. I became aware of this movie only through HFGK Vol-V (1971-1980).
The film is directed by K Chatterjee for I.M.K. Films, Bombay. The star cast as listed in Geet Kosh includes Suma, Dinesh Rai, Sajan, Sonal, Darpan, Shambhu Mukherjee, Kailash Sharma, Gopal Bhatnagar, Ranjana, Usha, Sarita Devi, Preetam, Prem Roop, Samajeet, Prakash, Sudhanshu, Anil, Shyam, Manik, Sadanand, Udayveer, Prem, Mirchandani, BK Mukherjee, Sudhir, Satish, Namdev, Awasthi, Krishna, Satyadeep, and others. Anupama had a guest appearance in this movie. This movie was passed by Censor Board on 17.07.1972
This movie has three songs written by Naqsh Lyallpuri and composed to music by Usha Khanna. The list of songs in this movie is as given below (as provided in HFGK).
| SNo | Song Title | Singer/s |
| 01 | Tum Kabhi Saamne Aa Jaao To Poochhoon Tumse | Pankaj Udhas |
| 02 | Tori Nathani Kaahe Haale Doley Ri | Usha Khanna, Chitra Singh |
| 03 | Main Aankhen Moond Ke So Jaaun | Chandrani Mukherjee |
I have not watched this movie so can’t say much about it. Today’s song is sung by Usha Khanna and Chitra Singh and picturised on two actresses whom I am unable to identify, and many other artistes are seen in the picturisation of this song.
[Ed Note: The two dancers are Anupama (in orange dress) and Habiba Rehman (in blue dress). Thanks to Prakash ji for the identification.]
Here is the alphabetical list of movies of 1972 up to today’s movie, which is the 61st film in this list.
[Ed Note: In the interest of brevity, the list is collapsed to show the films onward from the previous episode in the series , namely ‘Gaaon Hamaara Shehar Tumhaara’ plus the ones that are without any available information or songs. Readers may refer to previous episodes of this series for earlier details – “Nai Hawa Mein Udne Dekho Ban Ka Mor Chala“.]
|
Sl. No. |
Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog |
No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
| 17 | Bachche Mere Saathi | TN Babu | MS Vishwanathan | 17.11.1972 | 0 | 6 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
| 46 | Gaaon Hamaaraa Shehar Tumhaaraa | Naresh Kumar | Laxmikant-Pyarelal | 16.10.1972 | 1 | 4 |
| 47 | Garam Masaalaa | Aspi | R.D. Burman | 06.06.1972 | 2 | 5 |
| 48 | Gomti Ke Kinaare | Sawan Kumar | R.D. Burman | 22.11.1972 | 5 | 5 |
| 49 | Goraa Aur Kaalaa | Naresh Kumar | Laxmikant-Pyarelal | 12.12.1972 | 4 | 6 |
| 50 | Gunfighter Johnny | KSR Das | Aadi Narayan Rao | 25.03.1972 | 0 | 5 |
| 51 | Haar Jeet | CP Dixit | Laxmikant Pyaarelal | 10.04.1972 | 0 | 5 |
| 52 | Hari Darshan | Chandrakant | Kalyanji Anandji | 24.08.1972 | 1 | 4 |
| 53 | Hunterwaali | KS Reddi | Satyam | 02.09.1972 | 1 | 10 |
| 54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05.06.1972 | 0 | No Information |
| 55 | Jaanwar Aur Insaan | Chanakya | Kalyanji-Anandji | 30.05.1972 | 2 | 5 |
| 56 | Jai Jwaalaa | Manoha44r Deepak | Kamalkant | 28.08.1972 | 1 | 6 |
| 57 | Jawaani Deewaani | Narendra Bedi | R.D. Burman | 24.06.1972 | 6 | 6 |
| 58 | Jeet | A. Subbarao | Laxmikant-Pyarelal | 19.05.1972 | 6 | 6 |
| 59 | Joroo Ka Ghulaam | A. Bhim Singh | Kalyanji-Anandji | 07.09.1972 | 5 | 5 |
| 60 | Jungle Mein Mangal | Rajendra Bhatia | Shankar-Jaikishan | 27.12.1972 |
|
7 |
| 61 | Kaamnaa | K. Chatterjee | Usha Khanna | 17.07.1972 | Making its debut on the blog today | 3 |
Note: – Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johny’ and ‘Hunterwaali’ seems to be unavailable as of now. And there is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’ and ‘Jaadoo Nagari’ as mentioned above.
Today’s song from the movie ‘Kaamnaa’ is sung by Usha Khanna and Chitra Singh. Music is composed by Usha Khanna. The video and audio versions have common ‘first stanza’ of the song but the second stanza in both the version is different.
As mentioned above I am unable to identify the artistes. I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy the today’s lovely song…
Video
Audio
Song – Tori Nathni Kaahe Haale Doley Ri (Kaamna) (1972) Singers – Usha Khanna, Chitra Singh, Lyrics – Naqsh Layallpuri, MD – Usha Khanna
Usha Khanna + Chitra Singh
Lyrics
(Based on Video Clip)
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
baat jiyaa ki gori
poochh ke chori chori
baat jiyaa ki gori
poochh ke chori chori
laaj ka ghoonghtaa kyun kholey ri
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
boley ye khili khili
gaalon ki kaliyaan
piya ke sang tu manaaye
rang raliyaan
mohe sataa ke tohe
milta hai kyaa ri ee
chhed karogi to main
de doongi gaari
maano maano guiyaa..aa..an
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
daala hai daaka tu ne
mere hi ghar mein ae
phir bhi buri hoon main ri
tori nazar mein
mohe sakhi ri
kaahe deti ho taana
more liye hai tora
bhaiyya deewaana
maano maano guiyaa..aa..an
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
(Different 2nd Stanza in Audio Clip)
kisko bulaaya thha ri
tu ne anganwa
kaisa hai dikhne mein
tora sajanwa
pehle sakhi ri tohe
nanadi banaaungi
paachhe mein sagre
ye batiyaan bataaungi
maano maano guiyaa..aa..an
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
baat jiyaa ki gori
poochh ke chori chori
baat jiyaa ki gori
poochh ke chori chori
laaj ka ghoonghta kyun kholey ri..ee..ee..ee
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
————————————————
Hindi script lyrics (Provided by Sudhir)
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(विडियो पर आधारित)
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
बात जिया की गोरी
पूछ के चोरी चोरी
बात जिया की गोरी
पूछ के चोरी चोरी
लाज का घुंघटा क्यों खोले री
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
बोले ये खिली खिली गालों की कलियाँ
पिया के संग तू मनाए रंगरलियाँ
मोहे सता के तोहे मिलता है क्या री
छेड़ करोगी तो मैं दे दूँगी गारी
मानो मानो गुइंया॰॰आं॰॰आं
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
डाला है डाका तू ने मेरे ही घर में
फिर भी बुरी हूँ मैं री तोरी नज़र में
मोहे सखी री काहे देती हो ताना
मोरे लिए है तोरा भैया दीवाना
मानो मानो गुइंया॰॰आं॰॰आं
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
(आडियो में भिन्न दूसरा अंतरा)
किसको बुलाया था री तूने अंगनवा
कैसा है दिखने में तोरा सजनवा
पहले सखी री तोहे ननदी बनाऊँगी
पाछे में सगरे ये बतियाँ बताऊँगी
मानो मानो गुइंया॰॰आं॰॰आं
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
बात जिया की गोरी
पूछ के चोरी चोरी
बात जिया की गोरी
पूछ के चोरी चोरी
लाज का घुंघटा क्यों खोले री
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4918 | Post No. : | 16745 |
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Blog 10-Year Challenge (2012-2022) – Song No. 04
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This day ten years ago (4 January 2012) saw as many as eight songs discussed in the blog.
Here is the list of the songs that were covered in the blog on 4 january 2012:-
| Blog post number | Song | Movie (Year) | MD | Lyricist | Singer(s) | Remarks |
|---|---|---|---|---|---|---|
| 5241 | Jeewan ki beena ka taar boley | Raani Roopmati (1959) | S N Tripathi | Bharat Vyas | Lata | Movie YIPPEED by now |
| 5242 | Phool sa chehra chaand si rangat | Raat Aur Din(1967) | Shankar Jaikishan | Hasrat Jaipuri | Rafi | Movie YIPPEED by now |
| 5243 | Teri haseen nigaah ka ehsaanmand hoon | Devi(1970) | Laxmikant Pyarelal | Anand Bakshi | Rafi-Lata | 2 songs covered out of 5 |
| 5244 | Tan mann tere rang rangoongee | Archana (1973) | Shankar Jaikishan | Neeraj | Lata | 3 songs covered out of 6 |
| 5245 | Diye jalte hain phool khilte hain | Namak Haraam(1973) | R D Burman | Anand Bakshi | Kishore Kumar | Movie YIPPEED by now |
| 5246 | Kisi baat par main kisi se khafaa hoon | Bemisaal(1982) | R D Burman | Anand Bakshi | Kishore Kumar | Movie YIPPEED by now |
| 5247 | Apne hothhon ki bansi banaa le mujhe | Gambler(1970) | S D Burman | Neeraj | Lata-Kishore Kumar | Movie YIPPEED by now |
| 5248 | Zindagi ke safar mein guzar jaate hain jo makaam | AapKi Kasam (1974) | R D Burman | Anand Bakshi | Kishore Kumar | Movie YIPPEED by now |
One can notice that six out of eight movies whose songs were covered ten years ago have since been YIPPEED. Only two movies, whose songs were covered that day are eligible for Blog Ten Year Challenge today on 4 January 2022.
“Devi”(1970) is one of the movies that is eligible for Blog Ten Year Challenge today (4 January 2022).
“Devi”(1970) was T M Kittu and A V Subrahmaniam and directed by V Madhusudan Rao for Olympic Pictures. The movie had Nutan, Sanjeev Kumar, Rehman, Madan Puri, Mehmood, Aruna Irani, Farida Jalal, Lalita Pawar, Sulochana Latkar, Manmohan Krishna, Gajanan Jagirdar, Mukri, Lalita Kumari, Dina Pathak, Manorama , baby Sarika etc in it.
“Devi”(1970) had five songs in it. Two songs have been covered in the blog. Here are their details:-
| Song | Date of post | Singer(s) |
|---|---|---|
| Maine ek ladki pasand kar li | 30 August 2008 | Rafi |
| Teri haseen nigaah ka ehsaanmand hoon | 4 January 2012 | Rafi-Lata |
As “blog Ten Year Challenge” today (4 January 2022), here is a song from “Devi”(1970). The song is sung by Rafi and a kid voice, credited as a kid who would later be known as Baba Sahgal.
Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
Only the audio of the song is available. My guess is that the song is picturised on Sanjeev Kumar and Baby Sarika. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Kya jhoothha lagta hai kya sachcha lagta hai (Devi)(1970) Singers-Rafi, Baba Sahgal, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics
kya jhoothha lagta hai
kya sachha lagta hai
bol munne tujhko kya achha lagta hai
lollipop lollipop lollipop lollipop
lollipop lollipop lollipop
lollipop lollipop lollipop lollipop
lollipop lollipop lollipop
kya phheeka lagta hai
kya meethha lagta hai
arrey bol munne tujhko kya achha lagta hai
lollipop lollipop lollipop lollipop
lollipop lollipop lollipop
o mere pyaare
ye bata de
kya hai bhalaayi aur
kya hai buraayi raaja
o mere pyare
hmm
ye bata de
kya
kya hai bhalayi aur kya hai buraayi raja ho o
kya bhala lagta hai
mor
kya bura lagta hai
chor
bol munne tujhko kya achha lagta hai
lollipop
lollipop lollipop lollipop lollipop
lollipop lollipop lollipop
laa laa laa laa
laa laa laa laa laa
laa
hey
laa laa laa laa
laa laa laa laa laa
laa
baaten nirali karta hai tu
ek sawal ka jawaab to zara de tu
baaten nirali karta hai tu
ek sawal ka jawaab to zara de tu
ho o
kya mushqil lagta hai
kuchh nahin
kya aasaan lagta hai
sab kuchh
arey bol munne tujhko
kya achha lagta hai
lollipop lollipop lollipop lollipop
lollipop lollipop lollipop
lollipop lollipop lollipop lollipop
lollipop lollipop lollipop
hey hey heyhey hey heyhey hey hey
hey hey hey hey hey
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4823 | Post No. : | 16601 |
On this 1st October 2021, I am completing 9 years of my blogging here. My first post was published on this Blog on 1-10-2012. It was on the film Savitri-1937. Since then in the last 9 years I have been continuously writing here and elsewhere. Though my writings are also published on several other Blogs and sites, my main favourite place is this one only.
Most of my original works were first published first here, except the interviews of relatives of old time artistes, which were published on memsaabstory.com. Some articles were published on anmol fankaar, Sangeet ke Sitare,Harveypam Blog, Kalyan Music Group, Songs of yore etc etc. In the last 9 years I have written, till today, 1020 posts here. It works out to an average of 1 article every 3.2 days-every 4th day- continuously for 9 years. In addition I have written film synopses of more than 600 films and more than 500 comments on this Blog alone. When I look back, I get surprised. How did I do it ?
There are reasons how and why I could do it. First, I like the atmosphere of this Blog. Secondly, Atul ji is a silent motivator, a good leader and he encourages contributors by giving a free hand and without disturbing styles of narrations. Thirdly, it is a very congenial and friendly team of Atulites. There are many more points but we all know them.
The Blog has created a special place for itself in the Blogosphere for its Credibility, Variety, Quantum of songs with lyrics and pots of information not available easily elsewhere. The Blog has actually become ” A Point Of Reference” for most other music and old film lovers. Information from the Blog is invariably quoted as proof and authenticity. Credit for all this goes to Atul ji. Thanks Atul ji. We feel proud to be associated with atusongaday !
Today’s song is from a Mythological film – Jai Bhim-1949. The film was made by Nav Jhankar productions, Bombay. It was directed by Anant mane -who became one of the all time successful Directors of marathi Cinema, later on. Music was by Sudhir Phadke, for songs written by lyricist Amar Verma- who married the famous Classical Singer Manik Dadarkar, better known as Manik Verma. The cast of the film was Vishwas, Vasant Thengdi, Ganapatrao Bakre, uma Devi, kusum deshpande, kanta kumari and many others.
Film Jai Bhim-49 was a MYthological film, but its information is not available anywhere. It is one of those films which have existance only in HFGK pages. The film was directed by Anant Mane. He was a struggling Director in 1949, but due to hard work and of course with good luck, he became a very big and renowned director in Marathi cinema. His contribution in the Hindi cinema was of a minimal nature but his Marathi films were mostly Hit films.
Anant mane was born in a lower middle class family of kolhapur, on 22-9-1915. His uncle Gyanba Mane was working in Prabhat films as an actor (in his last days Gyanba was seen selling vegetables on the roads of Kolhapur, for survival). Anant used to go with him to Prabhat studio. The studio life attracted him. At the age of 15 years, he left school and joined Prabhat. he was given work in the Laboratory. First 2 years he worked without pay and then he got a salary of Rs.10 pm.
While in Prabhat he worked and learned a lot in editing, Artwork, Sound recording in addition to working as an extra in a Mob scene. He was impressed with Shantaram’s knowledge in the studio. When the film ” Sairandhri” was made, he was given Vishnu’s role in it.
His diligence impressed Shantaram and he was taken in Editing laboratory. When Prabhat shifted to Poona, he too came with it and continued working in editing. He did editing of all Prabhat films till 1941. When Shantaram left Prabhat in 1942, he too left but joined as an assistant to director Raja nene till 1946. In 1949, he directed his first Hindi film ” Jai Bhim”-1949.
In 1950, Anant mane and Dada Dharmadhikari started ” Alhad Chitra”. Its very first Marathi film ” Bala jo jo re” became a hit and celebrated Silver jubilee. Their next two films ” Stree janma hi tuzi kahani” and ” Chimni Pakhare” also became Jubilee films. Chimni Pakhare was remade in Hindi as Nanhe Munne-1952. Anant mane directed 2 Hindi films in 1954-Kalakar and Suhagan, which were remakes of their Marathi films.
After this he concentrated only on marathi cinema and became a well known and successful director of 58 Marathi films. He also wrote stories and screenplays of 14 films. He won many State and Central Government awards. He considered Shantaram as his Guru. Even after being so successful, he worked as an assistant director to Shantaram for his famous film ‘ Pinjara”-1972.
Anant Mane died on 5-10-1995.
In the cast of this film you will find 2 names- Vasant Thengdi and Kusum Deshpande. They were husband and wife in real life. Thengdi was a very handsome person. Vasant Thengadi was born on 11-1-1910 at Nagpur. He was son of Congress leader Dhaniram Thengadi. Vasant had his education in Poona. He could not join the Army, because of his father’s political connections. He had to leave his Engineering college after father’s death. Being very handsome,tall and with good physique, he started working in Marathi dramas and films. He started his Hindi work with the film Dhuwandhar-35. ( This was also the Debut film for Leela Chitnis and Meera Alexander). He started doing Villain roles and became popular and famous. Besides Marathi films, his Hindi films were Taramati-45, Phir bhi apna hai-46, Mera Ladka-38, Din Raat-45, Ten o clock-42 etc. Later he also worked as assistant director to Raja Nene.
Kusum Deshpande was born on 20-11-1914 at Nagpur. She came to Bombay in 1930 and worked in Minerva as an apprentice, without pay. She worked in A.I.R. and some Marathi dramas and films. Her first Hindi film was Ghar ki Rani-40. She also did Charnon ki Daasi-41, Village Girl-45, Wamaq Azra-46 and Zamin Asmaan-46. In all she did 20 Hindi films. She married actor Vasant Thengadi on 30-11-1944.
After she stopped getting roles in Hindi films, she turned to Marathi films and had a long and fruitful career in it. She was the sister of actress Ranjana, who was Dilip Kumar’s Heroine in film Milan-1946( a bilingual in Hindi and Bangla, made by Bombay talkies).
Today’s song is a duet by Sudhir Phadke and Lalit Deulkar ( after this film they got married on 29-5-1949).
Song-O roop nagar ki raani dekho roothh ke na jaao (Jai Bhim)(1949) Singers- Sudhir Phadke, Lalita Deulkar, Lyricist- Amar Verma, MD-Sudhir Phadke
Lyrics
O roop nagar ki raani
dekho roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao o
roothh ke na jaao
mera jiya na dukhaao
o o
roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao
o o o
prem nagar ke raaja
prem nagar ke raaja
haath na lagaao o
haath na lagaao
jahaan rahe wahi jaao
haath na lagaao
main to jaan gaya
tere man ki batiyaan
o main to jaan gaya
tere man ki batiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
haan
to isliye roothhhi thi meri raani
suno
main to thha Panchal desh mein
jahaan hua Draupadi swayamwar
jahaan hua Draupadi swayamwar
nagar nagar ke raaja aaye
bade dhanurdhar veer dhurandhar
bade dhanurdhar veer dhurandhar
sabne apne dhanush baan ki
vidhya ke kaushal dikhlaaye
vidhya ke kaushal dikhlaaye
par koi bhi chakr beech
machhli ki aankhen bhed na paaye
haay raam
phir kya hua
phir brahman ke vesh mein
aaya Arjun veer
chhaaya dekhi tel mein
diya lakshya ko cheer
tab muskaayi jyun sadi
tab muskaayi jyun sadi
prem ras tabhi laga ??
phir mangal baaje baje
Parth ko varmaala pahnaai
o roopnagar ki raani
aao naacho dhoom machaao
dhoom machaao
o prem nagar ke raaja
aao naacho dhoom machaao
dhoom machaao
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4675 | Post No. : | 16351 |
“Jalti Nishaani”(1957) was produced by A G Dhanik and directed by Harish. This “Costume drama”(Veshbhoosha pradhan) movie had Geeta Bali, Kamal Kapoor, Ulhas, Kuldeep Kaur, Sundar, Chaman Puri, Indu Pal, Sheikh, Nazeer Kashmiri, Kamal, Mohan, Fazle Kareem, Patanjali, Nathan Raj, Ajeet, K Dukhiya, Asha, Meena, Najma etc in it.
The movie had eight songs in it. Five songs have been covered in the past.
Here is the sixth song from “Jalti Nishaani”(1957) to appear in the blog. This song is sung by Shamshad Behgam and Meena Kapoor. Qamar Jalalabadi is the lyricist. Music is composed by Anil Biswas.
Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of this song.
Lyrics of this song were sent to me by Prakashchandra.
Audio link:
Song-Saaf bata de o hajaayee tu dilbar hai kiska (Jalti Nishaani)(1957) Singers-Shamshad Begum, Meena Kapoor, Lyrics-Qamar Jalalabadi, MD-Anil Biswas
Lyrics(Provided by Prakashchandra)
arrey o o o o Teesmaar khaan
saaf bataa dey ae
o harjaayee ee
tu dilbar hai kis ka
saaf bataa dey ae ae
o harjaayee ee
tu dilbar hai kis ka
jaa rey jaa
tujhe dekh liyaa
kahin aankh ladin
aur khiskaa
khiskaa
khiskaa
saaf bataa dey
o harjaayee ee
tu dilbar hai kis ka
saaf bataa dey ae
mast nigaahein
qaafir qaafir
sau raahen aur ek musaafir
qaafir qaafir ek musafir
ek ka ho jaa o deewaaney
ek ka ho jaa o deewaaney
yaa us ka
yaa is ka
ho jaa aa
yaa us ka
yaa is ka
kis kaa
saaf bataa dey ae
o harjaayee ee
tu dilbar hai kis ka
saaf bataa dey ae
duniyaa mein kuchch kaam to kar jaa aa
jeene waaley mujhpe mar ja
hho mar jaa mar jaa..aa
jeene waaley mujhpe mar jaaa
o balle balle balle balle balle ae ae
maar ke na woh
chadh jaa soolee
rastaa dekhey kis ka
chadh jaa soolee
rasta dekhey kis ka
kis kaa
saaf bataa dey ae
o harjaayee eee
tu dilbhar hai kis ka
saaf bataa dey ae
ek nazar qurbaan hai us par
ek nazar kab se hai is par
ek nazar qurbaan hai us par
dil kehta hai is ka us ka
is ka us ka
is ka us ka
khiska
khiskaa
o khiska
khiskaa
khiskaa
saaf bataa dey ae
o harjaayee eee
tu dilbar hai kis ka
jaa rey ja tujhe dekh liya
kahin aankh lade aur
khiskaa
khiskaa
khiskaa aa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4669 | Post No. : | 16345 |
Hullo Atuldom
At the outset let me admit that I was reminded of today’s song a few days back when I was writing the post for Moushumi Chatterjee’s birthday.
Today’s song is from the 1980 released Raj Khosla directed Moushumi Chatterjee- Rishi Kapoor starrer “Do Premee”. It had a cast of Om Prakash, I S Johar, Deven Verma, Col. Kapoor (also went by the name Raj Bharati), Geeta Bahl, Aruna Irani, Roopesh Kumar etc.
The movie was a standard love story where the young couple are children of fathers who are not friends. Retd. Col. Bhagwant Singh (Om Prakash) goes to the extent of getting Payal (Moushumi) engaged to Roopesh Kumar but of course the couple elope and reach Mumbai. They take up jobs as driver and maid in a rich girl’s household (of course both are not aware that they are employed by the same person). This rich girl (Geeta Bahl) looks after her family business and also visits a guru (played by Raj Bharati). He has a huge ashram and is shown to perform miracles like walking on water etc. The guru also has a secret attached to his ashram and Deven Verma (a cop in plain-clothes) is out to crack the mystery. Meanwhile the fathers reconcile their differences and come looking for their children and save them from the captivity of the guru in the climax for a All-is-well ending.
The movie had six songs of which the blog has two both of which were posted in 2018.
Mausam pe jaaani hai (a very popular song of the movie)
and
Ladki waalon ki taraf se ladke aalon ko mubaarak ho
The songs were written by Anand Bakshi, composed by Laxmikant Pyarelal, sung by Anuradha Paudwal, Lata Mangeshkar, Asha Bhonsle, Kishore Kumar, Manna Dey and Mohd. Rafi.
Today we are having a duet by Mohd Rafi and Anuradha Paudwal. It shows the young couple being playful with each other. The song was decently popular in its time.
Today we are thinking of Chintu on his first anniversary. Unbelievable that it is an year. He was a person who was on his way to recovery from cancer and had gone to Delhi for a shoot when the Pandemic hit the country. He returned to Mumbai when the lock-down was announced. We saw him on news channels when the country did the candle lighting and clapping (thali bajaoing) for the Pandemic warriors. Must say that he looked a pale shadow of his former self but the child-like enthusiasm and his charming smile was there for all to see.
Chintu (Rishi Kapoor) was rather active on social media and didn’t dither from stating his mind. In the last decade or so he was seen in a variety of roles:- an underworld don in “D-Day”, a grand old 90-year man in “Kapoor & Sons”; even a 75-year-old son to a 100 year-old Amitabh Bachchan in “102 not out”. A lot more would have come for us -his fans- but for the exit which came a year ago on this date. It was a sad day for many of his colleagues, fans and most of all his near and dear ones.
I am waiting to see what happened to that last movie that he was shooting in New Delhi before the Pandemic.
Missing this actor who acted from the age of two and half years to 63.
Audio
Video
Song-Paayaliyaa chhanki ke na chhanki chhanki (Do Premi)(1980) Singers-Rafi, Anuradha Paudwal, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
paayaliya chhanki ke na
chhanki chhanki
bijuriya chamki ke na
chamki chamki
payaliya chhanki ke na
chhanki chhanki
bijuriya chamki ke na
chamki chamki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chanki ke na
chhanki chhanki
bijuriya chamki ke na
chamki chamki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chhanki ke na
kaanch ki choodi si tu toot jaati hai
kaanch ki choodi si tu toot jaati hai
shaam ki raadha banke roothh jaati hai
gagariya chhalki ke na
chhalki chhalki
chunariya dhalki ke na
dhhalki dhhalki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chhanki ke na
chhanki chhanki
achha
aaj toh maani
aaj toh maani
phir na maanoongi batiyaan ho o
aaj toh maani
phir na maanoongi batiyaan
jaagoge tadpoge saari saari ratiyaan
najariya atki ke na
atki atki
dagariya bhatki ke na
bhatki bhatki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chanki ke na
udti patang hai tu
maana o gori
udti patang hai tu
maana o gori
par mere haathon mein hai teri dori
baawariya samjhi ke na
samjhi samjhi
badariya barsi ke na
barsi barsi
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4430 | Post No. : | 15859 | Movie Count : |
4364 |
Pyarelal Ramprasad Sharma, one halfof the music director Laxmikant-Pyarelal was born on 03/09/1940. So that makes this 80th Birthday of the one of the most proficient, successful and talented musicians of the golden era of hindi film music. It is a well-known fact that both Laxmikant and Pyarelaljistarted their career as players of music instruments in the song recordings. If I am not mistaken, Pyarelalji, was a violinist.
‘Most proficient’ in the film industry’s history is the correct tag for Laxmikant-Pyarelal as they are the composers with the highest no. of songs composed which stands at 2901, in the blog’s stats page.
Laxmikant Pyarelal started as music directors in 1963, they hit the jackpot with Dost (1964). What followed is history, with awards, accolades and they never looked back. They are on record as loyalists of Rafi Sahab till his lifetime, who also sang maximum no of songs for them.
The achievements and success are too many, for me to start listing them. But their association with Anand Bakshi is the longest one, and must be the biggest such combo. I would guess the total songs composed by Laxmikant Pyarelal may have around 2000 written by Anand Bakshi.
On this birthday occasion , I am presenting the song from the film Krodhi (1981), by this very same team/combo of Lakshmikant-Pyarelal with AnandBakshi. The singers are Lata Mangeshkar and Suresh Wadkar. The was a multi-starrer film by Subhash Ghai. The starcast was Dharmendra, Hema Malini, Maushmi Chatterjee, Zeenat Aman, Shashi Kapoor etc and of course the love birds in the song, Sachin and Ranjeeta. The four songs of the film, which I remember are all nice one’s. But the movie is making a debut here on the blog with this song.
I have seen the movie, so can give a little outline of the story. Dharmendra is a gangster or smuggler, Zeenat Aman works for him and has a lot of regard and respect for him, as he has helped her a lot with the responsibilities. Zeenat Aman meets Shashi Kapoor (Police Inpector ?) at her sister’s wedding. Zeenat Aman and Shashi Kapoor get married, but Shashi Kapoor is not aware of the connection between Zeenat Aman and Dharmendra. The police is looking to arrest Dharmendra but he escapes and takes shelter in a village, where people mistake him for a godman or sadhu. Dharmendra adopts the disguise to escape the police. Sachin and Ranjita are the two characters who don’t make much difference to the story.
In the song, which Sachin and Ranjita are singing in the garden ‘Chameli baagh”, Dharmendra is looking on, and I think later on he helps them in some way or they are both murdered, by the villains. Dharmendra is also reminded of his late wife Maushmi Chatterjee while watching the song. Lata Mangeshkar is play backing for both Ranjita and Maushmi in the song.
The sort of word play which was a signature of Laxmikant Pyarelal and Anand Bakshi songs, is visible in this song.
Audio
Video
Song-Chal chameli baagh mein mewa khilaaungaa (Krodhi)(1981) Singers-Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal chameli
chameli baagh mein
mewaa khilaaungaa
chal chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
mewe ki tehni toot gayi to o
chaadar bichhaaunga
chaadar ka pallu phat gayaa to
darzi bulwaaungaa
darzi ki suyee toot gayi to o
ghodaa daudaangaaaa
ghode ki taang toot gayi to to
to to to to
to tum ko uthhaaungaaaa
dil mein bithhaaungaa
chal chameli
chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
pehle se hi dil mein bithhaa lo
tum thhak jaaogey ae
tum thhak jaaogey ae
tum thhak jaaogey ae
chal chameli
chameli baagh mein
jhoolaa jhulaaungi ee ee
chal chameli baagh mein
jhoolaa jhulaaungi ee
jhoole ki rassi toot gayi to
aanchal bichhaaungi
aanchal ka pallu phhat gaya to
see kar dikhaaungi
suyee jo mujh ko chubh gayi
hans kar manaaungi
hans kar jo tum na maane to
ro kar dikhaaungi
tum ko manaaungi
tum maan jaaoge
main roothh jaaungi
tum maan jaaoge
main roothh jaaungi ee
chal chameli
chameli baagh mein
panchhi dikhaaungaa aa
chal chameli baagh mein
panchhi dikhaaungaa aa
panchhi daali se udd gaye to
seeti bajaaungaa
seeti se bhi na wo udey to
bansi bajaaungaa
bansi jo gir ke toot gayi to o
main geet gaaungaa
geeton mein tum ko pyaar ki
baaten sunaaungaa
baaten sunaaungaa
din raat phir tum ko main
yaad aaungaaaa
din raat phir tum ko main
hmmm mmm
yaad aaungaaaa
hmmm mmm
yaad na aana
warna mujh ko
neend na aayegi ee
aakhon hi aankhon mein saari
raat jaayegi ee
chal chameli baagh mein
chori se jaayenge
chal chameli baagh mein
chori se jaayenge
chori se maali ki sabhi
kaliyaan churaayenge
kaiyaan churaa ke teraa
gajra banaayenge
ye to socho o o
kya hogaa jo
pakde jaayenge
pakde jaayenge
pakde jaayenge
pakde jaane se pehle to ham
bhaag jaayenge
pakde jaane se pehle to ham
bhaag jaayenge ae
chal chameli baagh mein
ham mewaa khaayenge
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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