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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Majrooh Sultanpuri


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Blog Day : 3865 Post No. : 14882

“Mere Laal”(1966) was directed by Satyen Bose for S S Chitramandir, Bombay. This “social” movie had Dev Kumar, Indrani Mukherji, Jagdev, Shekhar Purohit, Lalit Kapoor, Prakash Mishra, Abhi Bhattacharya, Jamaal, Samson, Rajkumar, Siddiqui, Ghulam Sabir, Master Anwar, Master Satyajeet, Madhuraj, Juthika devi, Darshan, Moolchand, Meenakshi, Mahesh, Ratan etc in it.

The movie had eight songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Mere Laal”(1966) to appear in the blog. The song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Indrani Mukherji.


Song-Baadal roya naina roye (Mere Laal)(1966) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics

hmm mm mm
hmm mm mm
hmm hm m hmm
hahaha

baadal roya naina roye
kaajal roya wo na mila haaye
baadal roya naina roye
kaajal roya wo na mila
tan ka ujaala rain laton ki
tan ka ujaala rain laton ki
sab kuchh khoya
wo na mila ha
baadal roya naina roye
kaajal roya wo na mila
haaye
baadal roya naina roye

dhoondhte usko o o
maine ganwaayi
kya jaane kitni hi nigaahen
uske nagar mein maine bichha di
raste raste pyaar ki baahen
saagar saagar roz kisi armaan ko duboya wo na mila aa
baadal roya naina roye
kaajal roya wo na mila
baadal roya naina roye

hmm hmm
honthon pe lekar r r
khoon ki laali
gaati rahi main dard ki maari
phool ke jaise ghaav badan par
leke phiri main ban phulwaari
des vides ka kaanta pag mein
maine chubhoyaa wo na mila
baadal roya naina roye
kaajal roye wo na mila
tan ka ujaala rain laton ki
sab kuchh khoya wo na mila
baadal roya naina roye
kaajal roya wo na mila aa
baadal roya naina roye

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Blog Day : 3860 Post No. : 14875

“Gomti Ke Kinaare”(1972) was directed by Sawan Kumar for Mercury Productions, Bombay. This “social” movie had Meena Kumari, Mumtaz, Sameer, Rehman, Agha, Helen, Paintal, Asit Sen, Shyama, Chandrima Bhaduri, Tuntun, Daisy Irani, Master Alankar, Randheer, Sultan Mazhar, Manorama, Rajan Haksar, Nasreen, Lalita Kumari, Madhu, Aarti, Kamal, I S Johar etc in it, with special appearances by Jalal Agha and Mukri.

The movie had five songs in it. Four of these songs have been covered in the past. First and fourth song from the movie were covered on 8 february 2009 and 8 february 2019 respectively, viz at an interval of exactly ten years, which thus became a part of the ongoing blog ten year challenge series.

Here are the details of the songs from the movie that have been covered so far:-

Song Title

Post No.

Post Date

Aao aao jaane jahaan 701 8-Feb-2009
Aaj to meri hansi udaayi 13377 20-November-2011
Jeene ka din mar jaane ka mausam 6764 27-June-2017
Arre lag gaya re lag gaya…pyaar ki race mein jackpot lag gaya 14870 8-Feb-2019

Here is the fifth and final song from “Gomti Ke Kinaare”(1972). This song is sung by Manhar Udhas. Majroo Sultanpuri is the lyricist. Music is composed by R D Burman.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, the movie gets YIPPEED and so “Gomti Ke Kinaare”(1972) joined the list of movies that have all their songs covered in the blog.


Song-Khwaab ki tasweer aankhen lab khanakte jaam se(Gomti Ke Kinaare)(1972) Singer-Manhar, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se
o o
khwaab ki tasweeir aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se

lab kahoon chehra kahoon sab pyaar ke kaabil
sar se tum ho paanv tak jaise ke mera dil
o ho
lab kahoon chehra kahoon sab pyaar ke kaabil
sar se tum ho paanv tak jaise ke mera dil
ye kiska tum naseeb ho
baithhi aanchal thhaam ke
khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se

aapke ik pyaar ki daulat jise mil jaaye
reshmi rangeen badan
jis baanh mein dhal jaaye
o oh o
aapke pyaar ke ek daulat jise mil jaaye
reshmi rangeen badan
jis baanh mein dhal jaaye
sanam
usi ki zindagi
ho basar aaraam se
khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
paukaaroon aapko kis naam se
ho o
khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se


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Blog Day : 3857 Post No. : 14870

———————————————
Blog ten year challenge (2009-2019)- Song number 5
———————————————
Today is 8 february 2019. When I looked back at the movies whose songs were covered in the blog ten years ago on 8 february 2009, I found that seven songs from seven different movies were covered on that day. Six of these movies have been YIPPEED by now. The only movie, which still has a few songs left to be covered in the blog is “Gomti Ke Kinaatre”(1972).

“Gomti Ke Kinaare”(1972) was directed by Sawan Kumar for Mercury Productions, Bombay. This “social” movie had Meena Kumari, Mumtaz, Sameer, Rehman, Agha, Helen, Paintal, Asit Sen, Shyama, Chandrima Bhaduri, Tuntun, Daisy Irani, Master Alankar, Randheer, Sultan Mazhar, Manorama, Rajan Haksar, Nasreen, Lalita Kumari, Madhu, Aarti, Kamal, I S Johar etc in it, with special appearances by Jalal Agha and Mukri.

The movie had five songs in it. Three of these songs have been covered in the past.

This song is sung by Manna Dey and Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The so0ng is picturised on Agha and Helen. It appears to be a fantasy song where Agha has a Jin of Alladin Chirag. The Jin, on the wishes of Agha makes Helen appear to perform a dance. That is my understanding of the picturisation of this song. I request our knowledgeable readers to tell us what is happening in this song.

The movie hade its debut in the blog on this day in 2009 when I was based at Jabalpur. Next song was posted in 2011 when I was based at Nagpur, and the third song was posted in 2017 when I was based at Izatnagar, Bareilly. Now I am covering the fourth song from the movie while I am based at another new place.

The movie has another song left in it. Have no fear. Now that I am aware that only one song is left in this movie, I will cover the song without waiting to get transferred to another place. 🙂


Song-Arre lag gaya re lag gaya (Gomti Ke Kinaare)(1972) Singers-Manna Dey, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

arre lag gaya re lag gaya
pot pot pot pot pot pot pot pot
pot pot
pot pot
jackpot
jackpot

tarse jisko dil
mere haath lag gaya
pyaar ki race mein
jackpot lag gaya
saare jahaan se kaho o o
dilbar kahin ka bhi ho o o
mahboob mera hai wo
saare jahaan se kaho o o o o
dilbar kahin ka bhi ho
mahboob mera hai wo
tarse jisko dil
mere haath lag gaya
pyaar ki race mein
jackpot lag gaya
ha

ho o o
o o o o
main hoon tumhaare hi dil mein
u u u u
main hoon tumhaari nazar mein
u u u u
chaahe rahoon main kahi bhi ee
har roop mein hoon tumhari
har rang mein hoon tumhaari ee
ya jaaneman ya habibi

tarse jisko dil
lalalala
mere haath lag gaya
lalalalala
pyaar ki race mein
jackpot lag gaya

chalna mera koi dekhe
lalalala
doloon jo angdaayi leke
lalalala
naache ye saara zamaana aa aa
chhalkaaun main dil ke pyaale
jo ik nazar mujh pe daale ae
kar doon main usko deewaana

tarse jisko dil
taratatata
mere haath lag gaya
taratatata
pyaar ki race mein
jackpot lag gaya
ha aa aa


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Blog Day : 3856 Post No. : 14869

———————————————
Blog ten year challenge (2009-2019)- Song number 4
———————————————

“Parvarish”(1977) was directed by Manmohan Desai for A G Films, Bombay. This movie had Shammi Kpoor, Amitabh Bachchan, Vinod Khanna, Nitu Singh, Shabana Azmi, Kadar Khan, Amjad Khan, Dev Kumar, Indrani Mukherji, Hina Kausar, Master Ratan, Master Tito, Chand Usmani, Sheikh, Bhushan Tiwari, Viju Khote, Tom Alter, Yusuf, Meena, Baby Shalu, Moolchand etc in it.

This movie has six songs in it. Three of these songs have been covered in the past. This movie made its debut in the blog on 7 february 2009, viz on this day ten years ago. The song was Aji thahro zara thahro.. Jaate ho jaane jaana.

So this movie provided me an opportunity to discuss another song from the movie after exactly ten years. This song is sung by Asha Bhonsle and Kishore Kumar. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

This song is picturised on Nitu Singh and Amitabh Bachchan. I vaguely recall that our two heroes Amitabh Bachchan and Vinod Khanna play cops and the two heroines Neetu Singh and Shabana Azmi play small time crooks. This being a Hindi movie that too a Manmohan Desai movie, such twains are bound to meet and fall in love after initial chhed chhad etc.

I did not watch any movies from 1972 and 1977 and this movie, like many great movies of my formative years fell in this period. I watched this movie much later in 1980s during summer vacations. Watching the movie nearly one decade later in second or third run of the movie was not th same as it would have been if the movie was released in 1977.

This song, nevetheless is a good song to listen to, and it was a popular song of its time.

So, here is a song from a movie released in 1977 which watched by me in 1984, whose first song was covered in the blog on 7 february 2009 and whose fourth song is being covered in the blog on 7 february 2019. How time seems to have flown as hypersonic speed !


Song-Aaiye shauq se kahiye(Parvarish)(1977) Singers- Asha Bhonsle, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics

hmm mm mm
hmm hmm
hmm mm mm
aaiye
shauq se kahiye
hmm
aaiye
shauq se kahiye
kahiye na
hai koi kaam
aji kaam vaam mein kya rakha hai
ham to hain aapke ghulaam
aaiye
baithiye kahiye
kya hai ji aapka naam

aji naam vaam mein kya rakha hai
ham to hain aapke ghulaam
aaiye
shauq se kahiye

by god
aapka to andaaz hai bada pysara
by god
aapka to andaaz hai bada pyaara
kamre mein aap kya aaye
naqsha badal gaya saara

main bhi yahi sochti
miley na miley mauqa phir ye dobaara
ek do ghadi miley to sabki khidamat karte jaaiye
to aaiye
bathiye kahiye
kya hai ji aapka naam

aji naam vaam mein kya rakha hai
ham to hain aapke ghulaam
aaiye
shauq se kahiye

koi dekho aa rahaa hai
thahro udhar nazar kar lo
koi dekho aa rahaa hai
thahro udhar nazar kar lo
ham apna munh idhar kar len
tum apna munh udhar kar lo
chhup nahin sakoge dear
sundar mukhda tum chaahe jidhar kar lo
time aapne ghalat chuna hai
koshish mat farmaaiye

to phir aaiye
shauq se kahiye
kahiye na
hai koi kaam
aji kaam vaam ko goli maaro
ham to hain aapke ghulaam
to aaiye
baithiye kahiye
kya hai ji aapka naam

aji naam vaam mein kya rakha hai
ham to hain aapke ghulaam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3855 Post No. : 14867

———————————————
Blog ten year challenge (2009-2019)- Song number 3
———————————————

When I began Blog ten year challenge (2009-2019) on 2 february 2019, the challenge ran for two days before hitting a roadblock that lasted two days. The reason was, allthe movies that were covered on 4 and 5 february 2009 were already YIPPEED so none of their songs were left to be covered on the same date ten year later. Same fate befell all movies (bar one) that were covered on 6 february 2009 as well.

The only movie whose song was covered on 6 february 2009 and which still has a few songs left to be discussed ten years later is “Sitaaron Se Aage”(1958). This movie was produced by V L Narasu and directed by Satyen Bose for Narasu Studio, Madras. This “social” movie had Ashok Kumar, Vyjyanti Mala, Johny Walker, Jagdeesh Sethi, Raja Sulochana, Shammi, Manmohan Krishna, Ifthikar, Kundan, Sampson, Krishnkant, Leela Mishra, Rama Sukul, Rajendra, Tony Walker, Sagar, Ravikant, Prem Dhawan, Moolchand Kapoor, Radheshyam, Bishan Khanna, Vasantrao Pahalwan, Sailen Bose, B M Dixit, Patanjali etc in it.

The movie had ten songs in it. Eight of these songs are covered in the blog. Here are the details of the eight songs covered in the past:-

Song Title

Post No.

Post Date

Chanda ki chaandni ka jaadoo 691 6-Feb-2009
O zaraa ruk jaa 2455 8-May-2010
Sambhal ke ye duniya hai 6764 1-Oct-2012
Dil le gaya gham de gaya 9072 29-Nov-2013
Mehfil mein aaye wo aaj dheere se 11484 19-Oct-2015
Sainyya kaise dhaaroon dheer 11493 21-Oct-2015
Aaj kal parson mein phoole jab sarson 13299 2-Jun-2017
Aa khilte hai gul o mere bulbul 14666 1-Oct-2018

When I checked the remaining songs, I discovered that they are part one and two of the same song. This multiple version song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by S D Burman. The song is picturised on Vyjyanti Mala.

With this song, all the songs of “Sitaaron Se Aage”(1958) are now showcased in the blog and the movie joins the list of movies that have all their songs covered in the blog.

Part I

Part II

Song-Roye jiya aan milo more piya (Sitaaron Se Aage)(1958) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-S D Burman

Lyrics

roye jiya aa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
panchhi gaaye kahin pyaar se
pi kahaan pi kahaan
dekh liye dil tham ke reh gayi mai yahaan
panchhi gaye kahi pyar se
pi kaha pi kahaan
dekh liye dil thaam ke reh gayi mai yahaan
o sathiya
aan milo more piya
aa aa
roye jiya
aan milo more piya
aa aa

thhandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
thandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
o beliya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo aa milo
more piya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa

————————————
Part II
————————————
roye jiya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
o beliyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
o sathiyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3847 Post No. : 14859 Movie Count :

4063

“Jai Vijay”(1977) was directed by L V Prasad for Prasad Productions, Bombay. This costume drama movie had Jeetendra, Reena Roy, Prem Kishan, Bindiya Goswami, Om Shivpuri, Satyen Kappoo, Urmila Bhatt, Kamal Kapoor, Lalita Pawar, Paintal, Brahamchaari, Sarla Yevlekar, Appi Umrani, Harish, Viju Khote, Lalita Kumari, Vikas Anand, Ranjan, Brahm Bhardwaj, Bhagwan, Roopesh kumar etc, with special appearances by Jayshre T and Veena.

This by now forgotten movie had eight songs in it. Here is the first song from the movie to appear in the blog. This song is sung by Rafi and Suman Kalyanpur. Majrooh Sultanpuri is the lyricist. Music is composed by Rajesh Roshan .

The song is picturised on Prem Kishan and Bindiya Goswami. Prem Kishan, who looks like Rishi Kapoor was Rishi Kapoor’s cousin and more specifically the son of Premnath and Bina Rai. Bindiya Goswami is now happily settled as director J P Dutta’s wife.

With this song, “Jai Vijay”(1977) makes its debut in the blog.


Song-Teri palkon mein kaajal ae haseena(Jai Vijay)(1977) Singers-Rafi, Suman Kalyanpur, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan

Lyrics

teri palkon mein kaajal
ae haseena hamse behtar hai
teri palkon mein kaajal
ae haseena hamse behtar hai
kahaan kismat hamaari
jo teri in kaali aankhon mein
base rahte hamesha
in haseen matwaali aankhon mein
ye kaajal
uff ye kaajal ae haseena
tumse behtar hai
suno ji
tumse behtar hai
ye pehle to charaagon mein jala meri muhabbat mein
ye kaajal phir dhuaan bankar
uda meri muhabbat mein
na kyun palkon mein rakh lo
ye deewaana tumse behtar hai
na kyun palkon mein rakh lo
ye deewaana tumse behtar hai

tera udta sa aanchal ae haseena
ham se behtar hai
tera udta sa aanchal
ae haseena ham se behtar hai
sataane ko hamen ye teri baanhen thaamkar jhoolen
jahaan se chaahe phir ye jhool kar teraa badan chhoo le
ye aanchal
uff ye aanchal
ae haseena
tumse behtar hai
suno jee tumse behtar hai
har ek naazuk se is ke taar ne khaaye hazaaron bal
hazaaron sooraten badlin to resham se bana aanchal
iss ek bejaan kee chaahat kaa kareena tumse behtar hai
iss ek bejaan kee chaahat kaa kareena tumse behtar hai

hamen kaajal banaa le
ham hain jalne ke liye raazi
tujhe paane ko har soorat badalne ke liye raazi
jo yoon hai to teri baanhon mein jeena sabse behtar hai
jo yoon hai to teri baanhon mein jeena sabse behtar hai

ye sach hai sabse behtar hai
suno ji sabse behtar hai
ye sach hai sabse behtar hai
suno ji sabse behtar hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3828 Post No. : 14833

Today’s song is from film Hum kisi se kam nahin-77, made under the banner of Nasir Hussain films.

This is the 3rd consecutive song from the 70s that I am discussing. Do not wonder whether I have shifted sides- from writing on films of 30s and 40s to the 70s. Possibly, for the time being, this is the last one from this period. Actually, I have nothing against the musical or film aspect of the period 70s and beyond. It is only that, mostly they are not of my likings. Of course, I have always said that , ” Everything that was made before 70s was not all good, as much as everything made after 70s was not bad either.”

Good or bad depends upon the personal perceptions, because these are opinions. If you measure them on a scale- like say-durability, then it is measurable and no one can deny the durability quotient of old songs vis-a- vis songs after 70s. A lot can be said on this issue, but not today and not here. Anyway, to each his own !

Why do people like a movie ? If the correct answer was known to anybody, he would be a Trillionnaire in no time ! However, when this question is asked to a common man on the street, the answers one would get would be 1. Story is good. 2. Acting is good. 3. Music is good. 4. I like this Hero/Heroine and many such explanations. My observation is that Music and Songs is one major reason for a movie to be popular and successful. There are many examples like Albela-51, Baiju Bawra-52, Anarkali-53, almost all films of Saigal, most Noorjehan and Suraiya films and most films made by Producer, Director and Writer Nasir Hussain.

Nasir Hussain probably had received from God, the formula for successful films-for a short term use. Out of his 13 films, first 10 were hit films- primarily due to Romance and excellent music. It is said that being a script and story writer himself he used one story for all his films-with some variations, of course- and the time he changed the story his films became a flop. Shammi kapoor, whose sinking career took up turn because of the Nasir Hussain film ” Tumsa nahin dekha”-57, had once said, ” we have heard stories of Marwadis coming here with just one Lota and building empires. Here was a man who used one story for his films for 30 years and succeeded !”

Mohammed Nasir Hussain Khan aka Nasir Hussain was born on 2-2-1931 ( wiki says it is 16-11-1926) in Bhopal.His family was related to Maulana Abul Kalam Azaad. While studying in Lucknow University, he wrote several dramas for A.I.R., Lucknow. He even got First prize for 2 consecutive years in the University writing competition .( one of these stories were used to make film ‘ Baharon ke Sapne’). In 1948, he came to Bombay and joined Filmistan.

His first story was for film Shabnam-49, jointly with Qamar Jalalabadi. Independently he wrote story/screenplay/dialogues for Shabistan-51, Anarkali-53, Shart-54, Munimji-55 and Paying Guest-57. Then he wrote Tumsa Nahin Dekha and insisted to direct the film himself. Tolaram Jalan, the owner of Filmistan was not ready to give it to a New director, but when NH threatened to quit, he relented unwillingly but cut the film’s budget. Nasir took Shammi Kapoor ( who had given 9 flops in a row) and new comer Ameeta and made the low budget film Tumsa Nahin Dekha-57.

When Tolaram Jalan saw the film, he was not happy at all,but the film celebrated Jubilees in 30 cities in India. Nasir Hussain got Rs. 10000/- for the story and his salary for 8 months, Rs.8000/- a total of Rs 18000 for this successful film ! When his mentor Shashdhar Mukherjee left Filmistan, to start his own ‘ Filmalaya Studios’, Nasir also left. For this new company. he made Dil Deke Dekho- 59, introducing Asha parekh as New Heroine. The film was a Hit , but he got only Rs. 25000- . Nasir decided that only his own company can give him more money.

With just Rs. 10,000/- in pocket he established his own Nasir Hussain Films Ltd. and made ‘ Jab pyar kisise hota hai-61. Another Hit. Then he made Phir wohi dil laya hoon-63, Teesri manzil-66. Baharon ke sapne-67, Pyar ka Mausam-69, Carvan-71, Yadon ki baraat-73 and Hum kisise kam nahin-77.

For film Teesri manzil-66, the film started with Dev Anand as the Hero. After 2 reels’ shooting, Dev had some differences and he left the film. Shammi Kapoor was roped in. The film was directed by Vijay Anand and for the first time R D Burman was taken for providing Music. Later on Nasir Hussain, Majrooh Sultanpuri and RD Burman collaborated for another 5 films.R D Burman continued till 1985, doing in all 9 films for Nasir Hussain.

After his films in 1981,84 and 85 flopped serially, Nasir Hussain stopped direction and wrote screen play and dialogues for Qayamat se Qayamat taq-88 and Jo Jeeta Wohi Sikandar-92. His nephew Amir Khan was launched in these films. Nasir Hussain died on 13-3-2002 after a Heart attack.

Actors Asha Parekh, Rajendra Nath , Sidhu, Malika and Krishan Mehta owe their career to Nasir Hussain. Shammi Kapoor ,a struggling actor was given a new identity by him & thanks to him, Shammi Kapoor reached at the pinnacle of popularity. Even Amita became a hit property overnight by the success of Tum Sa Nahin Dekha,

While he encouraged new comers, he did not forget the veteran actors ,who had passed their prime . Late B M Vyas ,who was getting roles only in period/religious/Arabian Night movies was chosen by Nasir Hussain for an important role in main stream movie Tum Sa Nahin Dekha. Old timer Wasti ,who regaled the audiences with his natural acting in Sanjog , Rattan, Pugree made in forties and many Punjabi & Hindi movies later on , was passing through a bad phase . Nasir honored him by offering the roles of substance in Dil Deke Dekho,Jab Pyar Kisi Se Hota Hai & Phir Wohi Dil Laya Hoon. He rekindled the fond memories of the forties ,when he signed actors of proven caliber like Rajinder Singh, Mubarak, Kanu Roy, Raj Mehra ,Mumtaz Ali , Surendra Nath & many more . Here I’ll specifically mention the name of Nasir Khan & Bharat Bhushan ,who were passing through the most difficult phase of their lives . The benign film maker Nasir took them in his movies Yaadon Ki Baraat & Pyar Ka Mausam respectively ,just to assure them that they have not been forgotten and the industry recognizes their contribution . It is my strong belief that it was the blessings of those grateful old timer actors ,which made Nasir Hussain so prosperous and successful.

Nasir Hussain had that typical story formula in most of his films of “overhearing” ! In Tumsa Nahi Dekha, Pran overhears about Shammi Kapoor arriving & after stealing Shammi Kapoor’s recommendation letter, introduces himself as Shankar (Shammi Kapoor) . In Dil Deke Dekho, JPKSHH & Pyar Ka Mausam, the heroes concerned, overhear the heroine speaking about a comedian’s arriving (mostly as a marriage candidate) & after packing the comedian back,the hero banks on the name of the comedian. In Teesri Manzil, Shammi Kapoor overhears Asha Parekh speak, that she has come there to take revenge on himself (Rocky) and implies to Asha & her friends that he is different person named Anil Kumar Sona .
Even though with this common formula in most of his films , all his movies did well at the theatre on the basis of good songs & music !

There was a letter from a reader, in Filmfare, which stated thus, ” It is not at all important to pay attention to that so-called Hindi movie critic group who always referred and called Nasir Hussain as man of the movie with Escapism themes all the time to make his movie at box office hit. Working men need to have some kind of entertainment after spending hours and hours in heaps of works and concerned chores. Naturally there grows the tendency to escape from daily reality by engaging in daydreaming, fantasy….and there comes Nasir Hussain with this magical stick plus his established style of screenplay writing and later directing evergreen chocolate hero viz. Dev Anand…rebellious Shammi Kapoor…smiling Joy Mukherjee….charming Shashi Kapoor….handsome Jeetendra….and there was all time beautiful dancing lady ever present in her gorgeous smile…Asha Parekh who worked with these heroes with her fresh enthusiasm. What else an ordinary cine goer wish to have while spending his money for a ticket at window ? Apart from main hero and heroine there were devoted character actors playing various parts . ”

The Hero of the film Hum kisise kam nahin-77 was Rishi Kapoor, born on 4-9-1952. His first entry through Mera Naam Joker-70 fetched him a Film fare award. His debut as a Hero in Bobby-73 also brought him an award from filmfare. He is one actor who is popular even after he retired from films-not fully though. A film The Body-2019, was just released last week, directed by Jitu Joseph.His son Ranbir Kapoor is carrying the Kapoor mantle very ably.

Rishi Kapoor aka Chintoo has some different records on his name. He is the only actor having had 45 different heroines with whom he was cast. He also worked with 20 New entrant Heroines in their Debut films. He was Hero to seniors like Shabana Azmi, Rekha, Rakhee and Hema ( she was launched by his father), then with Madhuri, Shridevi, Tina Munim and Raveena Tandon. He worked with Simi Garewal in film Karz-1980, after his first film Mera Naam Joker-70. Some of his New heroines were Dimple, Kajal Kiran, Bhavna Bhatt, Ashwini Bhave, Radhika, Farah, Vinita, Zeba, Divya, Naseem, Rukhsaar etc etc. He acted in 162 films and also directed 1 film-Aa ab laut chale-99. He lent his voice in 7 songs in 6 films.

Today’s song is a copy of the famous Abba song ” Mama Mia”. So be it, seeing the youthful Rishi and Kajal Kiran singing and dancing is a real treat, in this video. Enjoy….
( For this article I have used information from Yadon ki Baraat by S Kanekar, The Hindu, wiki, MuVyz, HFGK, article by M N Sardana ji in woh din yaad karo and my notes)


Song- Mil gaya hum ko saathi mil gaya (Ham Kisi Se Kam Nahin)(1977) Singers- Asha Bhonsle, Kishore Kumar, Lyrics- Majrooh Sultanpuri, MD- R D Burman
Chorus

Lyrics

mil gaya
hum ko saathi mil gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de
chal gaya
pyaar ka jaadu chal gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye
tere liye
zamaana tere liye
aur tu mere liye

mil gaya
humko saathi mil gaya
hum se gar koi jal gaya

wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye

tere liye
zamaana tere liye
aur tu mere liye

haa

ae haa

hey

ae haa

haa

turuturututu
ha
turuturututu
ha
turuturututu
ha
turuturututu

wow beauty


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3819 Post No. : 14817

Today’s song is from film ‘Ek Shola’ (1958). It is sung by Asha Bhosle and Geeta Dutt. The lyricist was Majrooh Sultanpuri and the music director was Madan Mohan. The film was produced by Deep and Pradeep Productions –  a joint venture of Deep Khosla and Pradeep Kumar. The film was directed by Chander Sehgal. Not much is known about Chander Sehgal, except that he directed only 2 films – ‘Ek Shola’ and ‘Mitti Mein Sona’ (1960). He died on 29-5-1960. The cast of the film is Pradeep Kumar, Mala Sinha, Jawahar Kaul, Leela Mishra, Nazir Hussain, Shubha Khote etc.

In Hindi films, there have been three actors who were very handsome and very lucky but zero in acting – Karan Dewan, Pradeep Kumar and Bharat Bhushan. They all appeared in leading roles opposite all leading actresses of their times. They had the best films, best songs and best roles. Karan Dewan had about 25 Silver Jubilees to his credit and was considered a lucky star. Bharat Bhushan had the most musical films to his credit like ‘Baiju Bawra’ (1952), ‘Shabaab’ (1954) and ‘Mirza Ghalib’ (1954) etc. Pradeep Kumar had ‘Anarkali’ (1953) and ‘Taj Mahal’ (1963).

All three had their brothers producing films for them. Gemini Dewan made films for Karan Dewan, R. Chandra made films for Bharat Bhushan and Kalidas for Pradeep Kumar. Unfortunately, in later years, all three lost everything and died in poverty and neglectful anonymity. Karan Dewan was a manager with BR Chopra’s production company. When he died no one came for his funeral except for Chandrashekhar and Manmohan Krishan from the Cine Artist’s Association. Bharat Bhushan even worked as a watchman in a film studio, in his last days. He too died unsung and only the men from the Association were present at the cremation.

Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging him, unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful, and even close relatives desert you in bad times.

Pradeep Kumar aka Sital Batabyal was born on 4 January 1925. When he was 17 years old, he started as assistant cameraman. Later he decided to take up acting. He started his film career in Bengali films. His notable roles in Bengali films were in ‘Alaknanda‘ (1947), directed by renowned filmmaker Debaki Bose, and in ’42 (1951). It was Debki Bose, who gave him the filmy name Pradeep Kumar.

Pradeep Kumar  then shifted to Bombay and Filmistan studios, and had an important role in the film ‘Anand Math (1952). He played the lead role with Bina Rai in ‘Anarkali’ (1953) and with Vyjayanthimala in ‘Nagin’ (1954). Both films were very popular and had songs that added to the movies’ success. He had a spate of releases in the second half of the 1950s. He did not enjoy as much success in the 1960s, though ‘Ghoonghat’ (1960), ‘Aarti’ (1962) & ‘Taj Mahal’ (1963) were successful. He worked with Meena Kumari in seven films; ‘Adil-E-Jahangir’, ‘Bandhan’ (1956), ‘Chitralekha’, ‘Bahu Begum’, ‘Bheegi Raat’, ‘Aarti’ and ‘Noorjehan’; and with Mala Sinha in eight films; ‘Naya Zamana’, ‘Hamlet’, ‘Baadshah’, ‘Detective’ (1958 movie), ‘Fashion’ (1959 film), ‘Ek Shola’, ‘Duniya Na Maane’, and ‘Mitti Mein Sona’.

He did not get to act in lead roles with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in ‘Ghoonghat’ and ‘Meri Surat Teri Aankhen and with Waheeda Rehman in ‘Raakhi (1963). In 1969, he moved to character roles with ‘Sambandh’ and ‘Mehboob Ki Mehndi’, but did not have many visible roles till ‘Jaanwar’ and ‘Razia Sultan’ in 1983.

He won the Kalakar Award-Lifetime Achievement Award (1999).

Pradeep Kumar died in Calcutta on 27 October 2001, at the age of 76. He is survived by his daughters Reena, Meena and Beena Banerjee who plays character roles in movies and TV serials including ‘Uttaran’, son Debiprasad and granddaughters Tanisha, Suparna, Riya and Hrishita. Beena Banerjee’s son Siddharth Banerjee worked as assistant director in Sajid Khan’s ‘Housefull 2’ (2012) and ‘Himmatwala’ (2013).

Mala Sinha was an educated, hard working actress. Though she worked with leading banners and was heroine to well known heroes, she was never counted among the class I heroines of her times. She worked with many newcomers, like Dharmendra etc. Her career spanned a long time but she never got a single Filmfare Award, though nominated 4 times.

Mala Sinha was born in a Bengali Nepalese Christian family in Calcutta, on 11-11-1936. Mala Sinha claimed herself a Bengali descent Nepali many years ago in a TV interview Her parents named her Alda. Her friends at school used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Mala. In her childhood she learnt dancing and singing. Although she was an approved singer of All India Radio, she has never done playback singing in films. But as a singer she has done stage shows in many languages from 1947 to 1975.

Mala started her career as child artist in Bengali films ‘Jai Vaishno Devi’ followed by ‘Shri Krishan Leela’, ‘Jog Biyog’ and ‘Dhooli’. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his film ‘Roshanara’ (1952) – Bangla film, her cinematic debut.

After acting in a couple of films in Calcutta, Mala had to go to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to film director Kidar Sharma. It was Sharma who cast her as a heroine in his ‘Rangeen Ratein‘ (1956). Her first Hindi film was ‘Baadshah’ (1954) opposite Pradeep Kumar. Then came ‘Ekadashi’ (1955), a mythological film. Both failed, but her lead role in Kishore Sahu’s ‘Hamlet’ (1954), paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films like ‘Lai Batti’ (ac­tor Balraj Sahni’s only directorial venture), ‘Nausherwan-E-Adil’ where she starred as the fair maiden Marcia in Sohrab Modi’s romance about forbidden love and ‘Phir Subah Hogi’, which was direc­tor Ramesh Saigal’s adapta­tion of Dosteovsky’s novel Crime and Punishment, established Mala Sinha’s reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.

Mala was a singer of some repute and used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972’s ‘Lalkar’. In the 1950s, she had string of hits opposite Pradeep Kumar like ‘Fashion’ (1957), ‘Detective’ (1958), ‘Duniya Na Maane’ (1959) though their first two ventures had failed. The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and film director Guru Dutt (the husband of Geeta Dutt) cast Mala in his film ‘Pyaasa‘ (1957) in a role originally intended for Madhubala. Mala gave a memorable performance as the relatively unsympa­thetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage rather than a poor, unsuccessful poet and her impoverished lover (played by Guru Dutt) whom she ditches. ‘Pyaasa‘ remains to this day a classic in the history of Indian cinema and a turning point for Mala Sinha.

After ‘Pyaasa’ her major success were ‘Phir Subah Hogi’ (1958) and Yash Chopra’s directorial debut ‘Dhool Ka Phool’ (1959) that elevated her into a major dramatic star. There was no looking back for Sinha then as she was part of many successful movies from 1958 to the early ’60s like ‘Parvarish’ (1958), ‘Ujaala’,’ Main Nashe Main Hoon’, ‘Duniya Na Maane’, ‘Love Marriage’ (1959), ‘Bewaqoof’ (1960), ‘Maya’ (1961), ‘Hariyali Aur Rasta’ and ‘Dil Tera Deewana’ (1962), ‘Anpadh’, ‘Bombay Ka Chor’ (1962). Critics believe her career best performance was in ‘Bahurani’ (1963), ‘Gumrah’, ‘Gehra Daag’, ‘Apne Huye Paraaye’ and ‘Jahan Ara’. Apart from pairing with Pradeep Kumar, her pairing opposite Raaj Kumar, Rajendra Kumar, Biswajit and Manoj Kumar in woman-oriented films were appreciated by audiences, with her films opposite Biswajit being the most popular.  She did 10 films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.

The most remarkable feature of career of Mala Sinha was that most of her 1960s and 1970s hits were fueled by her own star power as much as the heroes and most of the times her role was more powerful than the hero. Though she was pitted opposite her seniors like Raj Kapoor, Dev Anand, Kishore Kumar, Pradeep Kumar and when she acted opposite the emerging stars from late 1950s like Shammi Kapoor, Rajendra Kumar and Raaj Kumar, she made sure her role was as good as theirs.

In 1966, Sinha went to Nepal to act in a Nepali film called ‘Maitighar when the Nepali film industry was still in its infancy. This was the only Nepali film she did in her career. Her hero in the film was an estate owner called Chidambar Prasad Lohani. Soon after, Mala Sinha married CP Lohani with the blessings of her parents. From the beginning theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.

From 1974, she cut down on her assignments as the lead actresses. She accepted strong character roles in films like ’36 Ghante (1974), ‘Zindagi‘ (1976), ‘Karmayogi (1978), ‘Be-Reham’ (1980), ‘Harjaee’ (1981), ‘Yeh Rishta Na Tootay’, ‘Babu’ (film) and ‘Khel’, which were popular.

In the early ’90s Madhuri Dixit was promoted as new Mala Sinha in magazines. But, after 1994, she completely withdrew from industry and has given very few public appearances. In ‘Dhool Ka Phool’ and BR Chopra’s ‘Gumrah’, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in ‘Zid’ (1994). Though Mala Sinha evinced as much interest in her daughter Pratibha’s career as her father did in her career, she was unable to achieve the same success for her daughter. (Adapted from wiki).

Mala Sinha came from Calcutta to make a career in Bombay films. In Calcutta she worked in a Bilingual film ‘Chitrangada’ (1954) in Bangla and Hindi. In 1954 again, she did her first film in Bombay, ‘Baadshah’ (1954), then came ‘Hamlet’ (1954), ‘Riyaasat’ (1955) and ‘Ekadashi’ (1955).

In all her interviews, Mala Sinha always quoted ‘Rangeen Raten’ (1956) with Shammi Kapoor as her first film in Bombay. She was ashamed of revealing that in film ‘Riyaasat’ (1955), her Hero was Mahipal and in film ‘Ekadashi’ it was Trilok Kapoor. She always hid this fact. There are many heroines who want to hide their struggling days. For example, in film ‘Professor’ (1962) Shammi Kapoor’s heroine was Kalpana. Though touted as her first film, her first film was ‘Pyar Ki Jeet-62’, opposite Mahipal – a fact which Kalpana always hid from everyone.

Similarly, A grade heroine Meena Kumari also had done several mythological and costume films before ‘Baiju Bawra’ took her high up and above other heroines. Films like ‘Veer Ghatotkach’ (1949), ‘Shri Ganesh Mahima’ (1950), ‘Laxmi Narayan’ (1951), ‘Hanuman Paataal Vijay’ (1951) and ‘Alladin aur Jadui Chirag’ (1953) had Mahipal as her Hero. In her later years, she always hid her earlier film Heroes.

Even comedian Johnny walker, who is supposed to have made a beginning with ‘Baazi’ (1951), had earlier worked in ‘The Last Message’ or ‘Aakhri Paigham’ (1949). However this fact is not told by anyone.

Not only actors, but even singers do this. They hesitate to tell that the first sang for C grade films. Take the case of Sudha Malhotra, who used to declare ‘Arzoo’ (1950) as her first film, under Anil Biswas. But she never told that earlier she had sung 3 songs in film ‘Aakhri Paigham’ (1949), under the baton of Abid Hussein Khan, composer.

It is very unfortunate that once the artiste becomes famous, he tends to forget his humble beginning with less known film or a composer. This is because they are ashamed of it. I feel the blame also goes to people who take their interview, because the interview takers do not do proper homework. Many times they do not know anything and simply note down whatever is told by the artiste.

There were 8 songs in the film ‘Ek Shola’. 3 songs are already discussed. This is the 4th song. It is a long song, recorded on one side each of 78 rpm record nos. N-52832 and 52833). We present here the full song covering both sides.

 


Song – Chanda Se Bhi Pyaara Hai, Akhion Ka Taara Hai  (Ek Shola) (1958) Singer – Asha Bhosle, Geeta Dutt, Lyrics – Majrooh Sultanpuri, Music – Madan Mohan

Lyrics (Provided by Sudhir)

mmmm mmmmm mmmm
mmm mmm mmm mmm mmm mmmmmmm

chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla

ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri
haaye.. apni dhun mein gaa

khushi se saagar jal chhalke
pakad chaley dil sambhal ke
kahen tarangen machal ke
zaraa mauj mein lehra haaye..
khushi se saagar jal chhalke
pakad chaley dil sambhal ke
kahen tarangen machal ke
zaraa mauj mein lehra haaye..
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri
haaye.. apni dhun mein gaa

chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa

jab mera nannha chhaiyan chhaiyan
thummak thummak doley
tuk tuk taakey
jhuk jhuk jhaanke
gudiya ghunghat kholey
jab mera nannha chhaiyan chhaiyan
thummak thummak doley
tuk tuk taakey
jhuk jhuk jhaanke
gudiya ghunghat kholey
ho gudde sa dulaara
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa

ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri..ee
apni dhun mein gaa

jo mastion mein jee’e hain
usey na ?? ?? ??
ye raaz tere liye hai magar
tu nahi samjha haaye..
jo mastion mein jee’e hain
usey na ?? ?? ??
ye raaz tere liye hai magar
tu nahi samjha haaye..
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri..ee
apni dhun mein gaa

chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa
A B C D
aleef bay pay
ka kha ga gha..aa..aa
A B C D
aleef bay pay
aur bhai ka kha ga gha
ab padhne askool chala hai
ye mera shehzaada
ab padhne askool chala hai
ye mera shehzaada
ho parion ne sanwaara hai
akhion ka taara hai
dil ka sahaara mera laadla
aa..aa..aa
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla

mmm mmm mmmmmm mmmm
mmm mmm mmmmmm mmmm
aaa aaa aaaa aaa aaa aaa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
मम्मम मम्ममम मम्मम
मम्म मम्म मम्म मम्म मम्म मम्म मम्ममममम

चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला

घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा

खुशी से सागर जल छलके
पकड़ चले दिल संभाल के
कहें तरंगें मचल के
ज़रा मौज में लहरा हाए॰॰
खुशी से सागर जल छलके
पकड़ चले दिल संभाल के
कहें तरंगें मचल के
ज़रा मौज में लहरा हाए॰॰
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा

चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ

जब मेरा नन्हा छइयाँ छइयाँ
ठुमक ठुमक डोले
टूक टूक ताके
झुक झुक झाँके
गुड़िया घूँघट खोले
जब मेरा नन्हा छइयाँ छइयाँ
ठुमक ठुमक डोले
टूक टूक ताके
झुक झुक झाँके
गुड़िया घूँघट खोले
हो गुड्डे सा दुलारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ

घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा

जो मस्तीओं में जीए हैं
उसे ना ?? ?? ??
ये राज़ तेरे लिए है मगर
तू नहीं समझा हाए॰॰
जो मस्तीओं में जीए हैं
उसे ना ?? ?? ??
ये राज़ तेरे लिए है मगर
तू नहीं समझा हाए॰॰
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी॰॰ई
हाए॰॰ अपनी धुन में गा

चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ

ए बी सी डी
अलीफ बे पे
क ख ग घ॰॰अ॰॰अ
ए बी सी डी
अलीफ बे पे
और भई क ख ग घ
अब पढ़ने अस्कूल चला है
ये मेरा शहज़ादा
अब पढ़ने अस्कूल चला है
ये मेरा शहज़ादा
ओ परियों ने संवारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
आ॰॰आ॰॰आ
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला

मम्म मम्म मम्मममम मम्मम
मम्म मम्म मम्मममम मम्मम
आ आ आ आ आ आ॰॰आ

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3818 Post No. : 14816

“Phaansi”(1978) was directed by Harmesh Malhotra for Eastern Films, Bombay. This movie had Shashi Kapoor, Sulakshana Pandit, Ranjeet, Pran, Jeewan, Ifthikhar, Sapru, Urmila Bhatt, Sudhir, Rammohan, Mohan Sherry, Shetty, Birbal, Aarti, Rajrani, aruna Irani, Asrani etc in it. THe movie also had special appearances by Anwar Hussain, B M Vyas, Randheer, Poornima, Mohan Choti, Chaman Puri and Dev Kumar.

This movie was one of those one hundred odd movies that Shashi Kapoor had signed up after the fortuitious success of his “Chor Machaaye Shor”(1975). The success of that movie had more to do with the music but Shashi Kapoor was the biggest beneficiary. Produceers made a beeline signing up Shashi Kapoor. Shashi Kapoor signed up all the movies indiscriminately. He became so busy that he did not have “dates” to offer for the shooting of these movies. Those were the days when actors gave “dates” in units of “shifts”, but Shashi Kapoor began to give his “dates” in units of “hours” rather than “shifts”, much to the chagrin of his producers, including his elder brother Raj Kapoor, who had signed him up for “Satyam Shivam Sundaram” (1978).

I was no Shashi Kapoor fan, and I did not touc any of these Shashi Kapoor solo movies even with a barge pole.

Coming to “Phaansi”(1978), this movie was no great shakes. I did not watch it. The only thing worth remembering in this movie was a Rafi-Sulakshana Pandit duetsong, “jab aati hogi yaad meri.” This song, one out of four songs in the movie has already been covered in the past.

Here is the second song from “Phaansi”(1978) to appear in the blog. This song is sung by Lata and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a mujra dance song where Aruna Irani plays the mujre waali and Shashi Kapoor is her centre of attention. To this date, I have not understood why Hindi movie heroes (who were supposed to be men of virtue) would make their presence felt in the mujra songs of those days. 🙂


Song-Hamaari beqaraar si nazar bhi dekh lena (Phaansi)(1978) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus

Lyrics

humaari bekaraar si nazar bhi dekh lena
humaari bekaraar si nazar bhi dekh lena
humaari bekaraar si nazar bhi dekh lena
jo sab ko dekh lo to phir
idhar bhi dekh lena
jo sab ko dekh lo to phir
idhar bhi dekh lena
humaari bekaraar si
nazar bhi dekh lena
humaari bekaraar

kya batlaaun mere qaatil
kaise tumko paaya hai
jab galiyaan galiyaan dil bhatka
tab is manzil tak aaya hai
ajeeb hai ye pyaar ka safar bhi dekh lena
ajeeb hai ye pyaar ka safar bhi dekh lena
jo sab ko dekh lo
to phir idhar bhi dekh lena

aap ke deewaane bhi
aap ke deewaane bhi
aise kahaan baaz aate hain
dil se hain jo khelte
jaan pe bhi khel jaate hain
ab chaahe qayaamat uthh jaaye
deewaane kahaan ghabraate hain
ghabraate hain
ghabraate hain
tum aaj gham ke maaron ka jigar bhi dekh lena
tum aaj gham ke maaron ka jigar bhi dekh lena
jo sab ko dekh lo
to phir idhar bhi dekh lena

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

aa aa
loot ke baithhe ho tum
loot ke baithhe ho tum
kis ko andheri raaton mein
lahu ye hai ke rang hai
kuchh to laga hai haathon mein
yoon hi nahi kaha jaane jahaan
kuchh dam hain humari baato mein
haan baato me
ae ji baaton mein
udegi subah tak koi khabar bhi dekh lena
udegi subah tak koi khabar bhi dekh lena
humaari bekaraar si nazar bhi dekh lena
jo sab ko dekh lo to phir idhar bhi dekh lena


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3816 Post No. : 14814

Hullo to all of Atuldom

I seem to be running short of time daily. And I have missed many dates in the month of DECEMBER for which I would have loved to atleast write out the lyrics and send it to Atulji for appropriate posts. Birthdates of Shatrughan Sinha, Dilip Kumar, Rajnikant, Raj Kapoor, Om Prakash, Govinda, Anil Kapoor, Salman Khan etc. I even had songs of Suresh Oberoi, Mahipal, John Abraham ready in my head. Atulji surprised me by nearly missing Mohd. Rafi’s birthdate, but trust the eternal Rafi Bhakts in our group to send in posts on time and remind Atulji (he always tells that he is bad at remembering dates 🙂 🙂 ).

29th December is another important date for bhakts of Hindi films of the 70s- it is the birthdate of Kaka aka Rajesh Khanna of the charming smile that got him a huge female-fan-following that was crazy enough to write him letters dipped in blood, and I have read in numerous articles and heard hundreds of interviews about how his car would be covered with kisses of his fans. Rajesh Khanna the first real superstar of Bollywood who had 15 consecutive solo hits from 1969 to 1971- an unbroken record. He had 127 films (117 released and 11 unreleased) as protagonist and only 22 multi-star films. He had a fan-following among his fraternity too and Mehmood parodied him in “Bombay To Goa” where the driver and conductor of the bus were called ‘Rajesh’ and ‘Khanna’.

We all know that Rajesh Khanna’s career had a great take off with the double role that he played in Shakti Samantha’s ‘Aradhana’ singing “ho oooo,he aeae, ha aaaa” on an open jeep travelling alongside the Darjeeling Himalayan Railway’s toy train to a bashful Sharmila Tagore pretending to be disturbed in her reading of the Alister Maclean’s “Where Eagles Dare”. But his pairings with Asha Parekh, Mumtaz, Hema Malini, Rekha, Rakhee, Zeenat and others of the 70s were no less eye-pleasing. His most popular songs may have been sung by Kishore Kumar but can anyone forget “Ye jo chilman hai dushman hai humari”; “bina badra ke bijuriya kaise chamke”; “humse ka bhool hui jo yeh sazaa humka mili”; “arre jana hai toh jao boolayenge nahin” or the forever classic “zindagi kaisi hai paheli hai re”. A lot of the singers of the 70s and 80s have had opportunity to give playback for Kaka but we cannot escape the Kishore Kumar for Rajesh Khanna songs.

For today’s post I have chosen a Rajesh Khanna – Hema Malini song- this was a favourite pair of mine post “zindagi ek safar hai suhana” and Kudrat, Mehbooba, Rajput etc only made me love this pair even more. They have appeared in 10-15 movies together.

The song I chose is from the 1979 released Mehmood directed “Janta Hawaldaar”. Hema Malini had an extended guest appearance in the movie. I have also managed to steer clear of ‘Kishore Kumar for Rajesh Khanna’ addiction as also the Anand Bakshi- R D Burman strangle. The song is sung by Anwar in a very Rafi-like manner with Majrooh as the lyricist ad Rajesh Roshan as composer. And the added bonus in the song is Rajesh Khanna has danced differently.

This may be my last post for the year. So I thought I should take this opportunity to wish all of Atuldom a very Happy 2019. And close the year thinking of Kaka or Jatin Khanna (his birthname)- our very own Rajesh Khanna.


Song-Aadhi roti saara kabaab (Janta Hawaldaar)(1979)Singers-Lata, Anwar, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan
Chorus

Lyrics

aadhi roti saara kabaab
bol mere murge kukdu koon
haan aadhi roti saara kabaab
bol mere murge kukdu koon

hey jaisi boli waisa jawaab
bol ri kabutari, gutar goon goon

hey jaisi boli waisa jawaab
bol ri kabutari gutar goon goon

ho aadhi roti saara kabaab
bol mere murge kukdu koon

are ye ka nakli toda maarat ho
asli toda humse suno
taa tadkat taa tadkat tai
dhirkat dham dhadakat dhai
tam tadhkat thai
tam tadhkat thai
tam tadhkat thai

aaaaaa
kaali ek bhains thi
kaali ek bhains thi ande pe baiti thhi kal
ab tum bataao
kya iska matlab asal
kal raat chaand ke upar thi kaali ghata
ande ki bhains ki tumne bana di ghazal

arrey waah
aur kya
arey waah
aur kya

achcha to shaayar bhi hain janaab
bol mere murge kukdu koon
haah jaisi boli waisa jawab
bol ri kabutari, gutar goon goon

ghoda be-pair ka
lambi bechaare ki dum
chalta hai dum se
dekhe akal ho gum
jawaab do
arey ee leo
ghoda patang hai
dum uski lambi si dor
udta patang hai dori se
samjhe ji tum

arey waah
aur kya
arey waah
aur kya

achchi kaudi laaye janaab
bol mere murge kukdu koon
hoy jaisi boli waisa jawaab
bol ri kabutari, gutar goon goon

ab humaare sawaal ka jawaab do
humne baadaam ke andar dekha aadmi
kya iska matlab
ab tum bataao ji
bolo
bolo
arey bolo

sakhi sun
ri sakhi sun
inne badaam ke andar dekha aadmi
aisa kahin bhi toone suna hai ri
arey hum bataate hain
baadaam aankon ko bhi toh kehte hain log
inmein jo jhaanke
dikhe wahi aadmi

arey waah
aur kya
arey waah
aur kya
haar gayi main to tumse janaab
ban gayi murgi kukdu koon
heyy jaisi boli waisa jawaab
bol ri kabutari, gutar goon goon

haa aadhi roti saara kabaab
bol mere murge kukdu koon
aadi roti saara kabaab
bol mere murge kukdu koon
bol mere murge kukdu koon
bol mere murge kukdu koon


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14889

Number of movies covered in the blog

Movies with all their songs covered =1162
Total Number of movies covered =4071

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