Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Song sung by three or more singers’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ever since talkies came in to being in 1931, there have been some classical and semi-classical female singers who got attracted to Hindi film industry as actor-singers and playback singers in the 1930s and the 1940s. Begum Akhtar, Mukhtar Begum, Indubala, Roshanara Begum, Mallika Pukhraj, Saraswati Rane etc were some of the names that come to my mind. However, their filmy careers was short and soon they returned to the concert singing as their main vocation.

One of the lesser known names in this category of singers was Sundarabai of Poona.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 41 # Qawwalis – 5#
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“We are Team – Yippeeee!!”

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# Location – Bunkers in South – The Head Quarters – ‘Yippeeee’- #
(Mar-April -2016)

Sitting in his digitalized, ‘Wi-Fi…ed- musical chamber, ‘Yippeeee Guru’ was restless after he recovered from a short break (:) , due to health problems and other priorities) of nearly six months from ‘Yippeeee’…

The messages through the unseen satellite waves were very well understood by ‘yours very sincerely’ and two other members of the ‘Yippeeee’ locations – one in the country as well as the other across the globe.

The contacts were soon into action and messages started flowing in to and fro!

‘Yippeeee’ group on ‘Whatsapp’ geared-up and emails started floating …

The ‘Yippeeee Guru’ soon took control of the blog too and he was seen enjoying earlier posts and commenting on them.
It seemed that he wanted to compensate for the ‘lull’ that was there for almost five-six months.

Yours sincerely sensed Guru’s restlessness and since he was the first point where it needed to be re-started, he sent a message to ‘Guru’, ‘Her Majesty’ and ‘Ben Katie’ (other two members of the group) …

‘Let us revive Yippeeee!!’
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sometimes, things can’t get more rare than this. As we look for rare combination of artists, and especially singers, we come across combinations where two artists have worked together in a song, once or maybe twice in the entire history of Indian cinema. This song today, is one such song. It is a duet, rather I should correct myself, it is a trio of singers. There are two female voices, and one male voice. The male voice is not identified, even in the Geet Kosh listings. The female voices are Shamshad Begum and Hamida Bano. And the year is 1948.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

We all know the meaning of the word “Bhaand”; for those not conversant with colloquial Hindi; googling the word throws up meanings —Clown, Mimic, Comedian etc. “Bhaands” are also traditionally folk entertainers which might mean a storyteller, minstrels, dancers, actors, impressionists etc. Most bhaands belong to families that are engaged in folk entertainment as their hereditary profession, their specific art forms vary greatly by region, community and language. The term bhaand itself can also mean either a specific dramatic story or an entire form/school of drama.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the story of a ‘self-proprietorship firm’ uniquely named ‘Atul Song A Day’ (hereinafter called the Company) which was set up on July 19, 2008 by Atul Besra. In his venture, he received encouragement from Raja, his Cricforum friend. The mission was to produce at least one song a day. However, due to abundant supply of ‘raw material’ and the demand for the ‘finished product’, the production was increased to more than one song a day within 3 months of its existence.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

There was a very popular movie in our times… here I am considering the period of the late 70s when many of the followers of this blog were in high school or just out of school… no offence meant to the others in the blog. i know for a fact that even they would have enjoyed the movie I am talking of. ? It had one lovely song after another.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Mast Qalandar-55. It is sung by Shamshad Begum, Rafi and Master Sonik alongwith chorus. The mukhada of the song ” Mast qalandar dama dam” is quite a misleading one, as it has nothing to do with famous Punjabi/Sindhi qawali Dama dam mast qalandar. The phrase has been used here to describe a carefree man. This seems to be a street dance, sung to entertain the onlookers.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laal Haweli”(1944) was directed by K B Lal for Bombay Cinetone, Bombay. The movie had Surendra, Noorjahaan, Ulhas, Baby Meena (later known as Meena Kumari), Maya Bannerji, Yaakoob, Kanhaiyalal, Brijrani, Vatsala Kumthekar, Badri Prasad, Ghori, Alaknanda etc in it.
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This article is written by Avinash Scrapwala and Pradeep Raghunathan, fellow enthusiasts of Hindi movie music and contributors to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Avinash Scrapwala’s writeup
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#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 40 # Qawwalis – 4#
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#Chennai Gang Out #1
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As mentioned in my previous post I had to travel in the East for some official work as a part of some strategic planning at my work place.

And at that time i.e. around second/third week of May, there was a discussion at my work place, that I could also be deputed for some official work at Chennai in near future.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Bichhade Balam-48. It is a qawwaali-type song sung by three singers…Meena Kumari, A R Oza and Mohd. Hussain Farooqi.
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(© 2008 - 2016) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12300 song posts by now.

Total number of songs posts discussed

12341

Number of movies covered in the blog

Movies with all their songs covered =813 Total Number of movies covered =3449

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