Archive for the ‘Devnagri script lyrics by Avinash Scrapwala’ Category
Ham hi jaanen ek torey manwa ki peer
Posted on: May 14, 2019
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3952 | Post No. : | 15028 |
# Superstar Child Artist – Jr. Mehmood # 6
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(Rafi Sings for Jr. Mehmood # 4)
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Welcome all to this post of today where we are going to enjoy a song from the 1973 movie ‘Ek Naari Do Roop’.
‘Ek Naari Do Roop-1973’ was directed by Madhusudan for ‘Co-operative Pictures’.
It was produced by S. Srivastava and presented by Shatrughan Sinha.
This movie had Shatrughan Sinha, Rashmi, Iftekhar, Madan Puri, Mehmood Junior, Malika, Lalita Kumar, Kajal, Rajni, Sapru, Chaman Puri, Honey Chhaya, Maruti, Moolchand, Qureshi, Ranvir Raj, Subhash, Master, Sheroo, Ratan, Chikoo, with Nadira and Roopesh Kumar. Asha Sachdev makes a special appearance in this movie.
Screenplay and Dialogues of this movie were written by Madhusudan. Editing of this movie was done by Kamlakar with Babubhai Shah as Assistant.
This movie had total five songs in it.
Lyrics of the songs of this movie were written by Naqsh Lyallpuri and Asad Bhopali. (Naqsh Lyallpuri had penned three songs while two songs were penned by Asad Bhopali including <a href="Dil ka soona saaz taraana dhoondhega(Ek naari do roop)(1973)“>the one most well known and popular song from this movie. And incidentally both the songs penned by Asad Bhopali for this movie were sung by Rafi Saab).
So far, three songs from this movie have been posted on the blog, and today’s song will be the fourth song from this movie being posted on the blog.
Asha Bhonsle, Mohd Rafi and Kishore Kumar have given their voices to the songs in this movie.
Music for this movie was composed by Ganesh.
This movie was passed by Censor Board on 15.09.1973…
I have not watched this movie so can’t say much about its performance of other trivia associated with this movie. However, from the part of this movie that I have watched, I can say that this movie must be an interesting movie to watch.
‘Ek Naari Do Roop-1973’ had total five songs in it of which three songs have already been posted earlier. After posting the third song from this movie Atul ji had mentioned that he wants to take movie to ‘Yippeeee’dom’ at the earliest possible. 😊
I had then requested him that one song will be shared by me as it was planned by me for this series almost four and half years back. (however, the video or audio of this song was not available then and even now I could not find it’s audio link. It is because one of our most respected and beloved members that we have the video of this song for our enjoyment).
Also, I would like to thank Atul ji for waiting and allow me to share this song here (the first song from this movie to be posted on the blog was naturally the most known song from this movie i.e. ‘dil ka soona saaz taraana dhoondhega’, and it was posted on the 31.07.2008).
In the previous post under this series we have enjoyed the song ‘aisa banoonga actor main yaaron’ … from the movie ‘Ghar Ghar Ki Kahaani-1970’. We had also gone through the filmography of Junior Mehmood from 1967 to 1970.
Today’s song is sung by Rafi Saab and it is picturised on Junior Mehmood and others.
With this song all the songs sung by Rafi Saab for Junior Mehmood stands covered, however one more song sung by Rafi Saab is there where Junior Mehmood is present without lip-syncing the song. This information was also shared by Junior Mehmood himself during my first conversation with him.
Following are the other three songs sung by Rafi Saab for Junior Mehmood;
Lagey koi lottery koi jackpot lagey
Birha ki rain sooni sooni sejariya
I think there could be more songs (one I have noted) sung by other singers for Junior Mehmood which we have to explore, and thus I am not concluding this series yet. Also, in the next post we can have a look on filmography of Junior Mehmood from 1971-1980.
Lyrics for the today’s song are by Asad Bhopali and music is composed by Ganesh.
This song, may not be that much popular, is still a nice entertaining and hummable song from this movie.
Let us now enjoy today’s song …
Song-Ham hi jaanen ek torey manwaa ki peer (Ek Naari Do Roop)(1973) Singer-Rafi, Lyrics-Asad Bhopali, MD-Ganesh
Lyrics
Ham hi jaanen
ek Torey manwaa ki peer
Ham hi jaanen
ek Torey manwaa ki peer
Jagat mein pyaar lutaayi ke
Ham jaison ko apnayi ke
Haan
Jagat mein pyaar lutaayi ke
Ham jaison ko apnayi ke
Ban jayiho tum bhi ameeron ke ameer haan
Ham hi jaanen
ek Torey manwaa ki peer
Ham hi jaane
ek Torey manwaa°°° aa ki peer
Aahaa o re
O
Aaaha o re
Itna paisa ka kariyo re
Jod jod ke
haan
Haan
Ho o
Itna paisa ka kariyo re
Jod jod ke
Kal daaku le jaiyen taala tod tod ke
Maaya lobh ke chakkar chhodo
Ho o o o
Maaya lobh ke chakkar chhodo
Dukhiyaaron se naataa jodo
Ho o o o
Pochho gareebon ki ankhiyon se neer
Haaye ae
Ham hi jaane ek
Torey manwaa ki peer
Ham hi jaane
ek Torey manwaa°°° aa ki peer
Moochhan pe bal daike
Seenaa taan taan ke ae
haan
Haan
Ho o
Moochhan pe bal daike
Seenaa taan taan ke
Hamse ankhiyaan pher ke gujre
Jaan jaan ke
Oonchaa naam hai
Manwaa chhotaa
Ho o o o o o
Oonchaa naam hai
Manwaa chhotaa
Kaale kaam hai dhandaa khotaa
Ho o o o
Inse ka banbe hamaari taqdeer
Haan aa
Ham hi jaane ek
Ho
Torey manwaa ki peer
Ho
Ham hi jaane ek
Torey manwaa°°° aa ki peer
Aahaa o re
O
Aaaha o re
Hamri aashaa poori kar do
Dhoom dhaam se
Haan
Haan
Ho o hamri aashaa poori kar do
Dhoom dhaam se
man apna atkaa lo
Sai ram naam se
Ye pyaar ka saudaa kariyo
Ho o o o ho o o
Ye pyaar ka saudaa kariyo
Hamre man ki jholi bhariyo
Ho o o
Haathon mein hamre hai
Dhan ki lakeer
Haaye ae
Ham hi jaane ek
Torey manwaa ki peer
Ham hi jaane ek
Torey manwaa ki peer
Jagat mein pyaar lutaayi ke
Ham jaison ko apnayi ke
Haan
Jagat mein pyaar lutaayi ke
Ham jaison ko apnayi ke
Ban jayiho tum bhi ameeron ke ameer haan
Ham hi jaane ek
Torey manwaa ki peer
Ham hi jaane ek
Torey manwaa°°° aa ki peer
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Devnagri Script Lyrics (Provided by Avinash Scrapwala)
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हम ही जाने
एक तोरे मनवा की पीर
हम ही जाने
एक तोरे मनवा की पीर
जगत में प्यार लुटाई के
हम जैसों को अपनाई के
हाँ
जगत में प्यार लुटाई के
हम जैसों को अपनाई के
बन जयिहो तुम भी अमीरों के अमीर
हाँ
हम ही जाने
एक तोरे मनवा की पीर
हम ही जाने
एक तोरे मनवा°°°आ की पीर
अहा ओ रे
ओ
आहा ओ रे
इतना पैसा का करियो रे
जोड़ जोड़ के
हाँ
हाँ
हो ओ
इतना पैसा का करियो रे
जोड़ जोड़ के
कल डाकू ले जयिये ताला तोड़ तोड़ के
माया लोभ के चक्कर छोडो
हो ओ ओ ओ
माया लोभ के चक्कर छोडो
दुखियारों से नाता जोड़ो
हो ओ ओ ओ
पोछो गरीबों की अंखियों से नीर
हाए ए
हम ही जाने
एक तोरे मनवा की पीर
हम ही जाने एक
तोरे मनवा°°°आ की पीर
अ हा
मूछन पे बल दयिके
सीना तान तान के ए
हाँ
हाँ
हो ओ
मूछन पे बल दयिके
सीना तान तान के ए
हमसे अँखियाँ फेर के गुजरे
जान जान के
ऊंचा नाम है
मनवा छोटा
हो ओ ओ ओ ओ ओ
ऊंचा नाम है
मनवा छोटा
काले काम है धंधा खोटा
हो ओ ओ ओ
इनसे का बनबे हमारी तकदीर
हाँ आ
हम ही जाने एक
हो
तोरे मनवा की पीर
हो
हम ही जाने एक
तोरे मनवा°°°आ की पीर
अहा ओ रे
ओ
आहा ओ रे
हमरी आशा पूरी कर दो
धूम धाम से
हाँ
हाँ
हो ओ हमरी आशा पूरी कर दो
धूम धाम से
मन अपना अटका लो
साईं राम नाम से
ये प्यार का सौदा करियो
हो ओ ओ ओ हो ओ ओ
ये प्यार का सौदा करियो
हमरे मन की झोली भरियो
हो ओ ओ
हाथों में हमरे है
धन की लकीर
हाए ए
हम ही जाने
एक तोरे मनवा की पीर
हम ही जाने
एक तोरे मनवा की पीर
जगत में प्यार लुटाई के
हम जैसों को अपनाई के
हाँ
जगत में प्यार लुटाई के
हम जैसों को अपनाई के
बन जयिहो तुम भी अमीरों के अमीर हाँ
हम ही जाने
एक तोरे मनवा की पीर
हम ही जाने
एक तोरे मनवा°°°आ की पीर
- In: Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lata solo | Lata song | Lyrics contributed by readers | Multiple version song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3935 | Post No. : | 15010 | Movie Count : |
4112 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 83 # Remembering Feroz Khan#
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Welcome all to this post of today, where, once again, I am taking you back to a song from the Seventies from a movie which is part of ‘nostalgia’ of my growing years.
In this blog we fondly discuss about ‘songs which bring back memories’. Many of my posts would fall into this ‘category’ as I have tried to share them with the memories of my childhood years and growing years thereafter.
During the ‘blog’s ten thousandth song –milestone’ I had written a post here and mentioned about few songs which for me bring back memories of my childhood and /or growing years.
At that time, I had listed many ‘prominent songs’ for me falling in ‘songs that brings back memories’ category. I had also noted that in future I may come with a second list of such songs which I get reminded time to time due to the connected memories of those years and they surface from vague and dormant memories.
Recently when I was going through this ‘first list’ of mine and noting down the songs which are yet to make it to the blog, I noticed that now very few songs from this list of mine are yet to be posted on the blog. One of these songs is the song being covered today.
And the reason for posting this song today is, it is picturised on actor Feroz Khan whom we fondly remember today on his tenth ‘Remembrance Day’.
(This song also has a female version which is picturised on actress Rekha).
Feroz Khan (25 September 1939 – 27 April 2009), born Zulfikar Ali Shah Khan, was born in Bangalore and he also breath his last in the city of Bangalore on 27th April 2009.
He came to Mumbai (Bombay then) and made his debut in Hindi movies with the movie ‘Didi’ in 1960. Initially he got smaller roles or roles in the second lead. After completing almost a decade in the Hindi Film Industry he ventured into production and direction with the movie ‘Apraadh-1972’.
Though I have not watched many of his movies, but whatever movies I had watched of him have left an indelible impression on my mind since my childhood.
And whenever the Hindi movies of the seventies will be discussed Feroz Khan’s name is going to be surely there. Because he has a special place carved for him in the midst of the so many actors of that decade and his ‘aura’ is something that cannot be forgotten by the ‘fans of the seventies’.
I never forgot the movie ‘Khotey Sikkey-1974’ which I must have watched with my elders earlier and later may be on TV. And for me it is this movie which I remembered most associated with his name. I had also shared a song from this movie when I joined this blog as a lyrics contributor.
Then I remember watching ‘Nagin-1976’, ‘Shankar Shambhu-1976’, ‘Sharaafat Chhod Di Maine-1976’, ‘Kabeela-1976’ and ‘Khoon Aur Paani-1981’ which I clearly remember of watching with my brothers and cousins may be in vacations. I think we also watched ‘Kaala Sona-1975’ and ‘Chunaoti-1979-80’ later, but I don’t remember it now.
‘Qurbaani-1980’ was a big hit in those years and all family watched it together.
Later I watched ‘Safar-191’, ‘Aadmi Aur Insaan-1970’ on TV. ‘Dharmatma-1975’ with friends on VCR (during the VCR days).
In between these years, around 1986-87 I watched ‘Aarzoo-1965’ in theatres in its re-re-released in end eighties.
After that I watched ‘Yalgaar-1992’ and ‘Dayaawan-1988’ in parts (on TV).
I watched ‘Apradh-1972’ again in 2008-2009 by buying its VCD because it had one my favourite songs in it i.e. ‘tum miley pyaar se’.
However I am yet watch his ‘Upaasna-1967’ and ‘Mela-1971’ which I think I should watch sometime in the future.
I will not go into more details about him and thus I will come to the today’s song thanking Feroz Khan for all the entertainment and those lovely memories of his movies he has given to us. His ‘cow boy’ image and specially his ‘dialogue deliveries’ riding on a horse 🙂 are his special features that I am always reminded of with his ‘steering eyes’:) (or may be, because of his image in my mind I am thinking that he might have spent more time sitting on the Horse’s back going by nature of roles he played in the majority of the movies) 🙂
Today’s movie ‘Kabeela-1976’ was directed by Bolu Khosla for ‘Khosla Enterprises, Bombay’. It was a ‘costume drama’ movie. Bolu Khosla was also the producer of this movie.
It had Feroz Khan, Rekha, Kamini Kaushal, Imtiaz, Premnath, V. Gopal, Sudhir, Shyam Kumar, Manju Bansal, Dhoomal, Surendranath, Heeralal, Habib, Baby Soniya, Darshan, Sharad Saxena and others. Bindu and Trilok Kapoor make a Special appearance in this movie.
Story of this movie was written by A.K. Agarwal. Screenplay was written by Jayant Dharmadhikari. Akhtar Romani wrote the dialogues of this movie and editing was done by Waman Bhonsle.
This movie had four songs, including one multiple version song (which is being posted today). All its songs were written by Farooque Qaisar and composed to music by Kalyanji-Anandji. Kishore Kumar, Lata Mangeshkar, and Mukesh had given their voices to the songs in this movie.
This movie was passed by Censor Board on 20.10.1976.
Today I am presenting a song from this movie which since years has been in my memory and it is a ‘catchy’ composition too. This song is in two versions male and female and sung respectively by Kishore Kumar and Lata Mangeshkar.
I could not find a separate video for the female version, but we have audio version for our listening pleasure. The female version is picturised on Rekha and male version is picturised on Feroz Khan and who we can see performing in his ‘dynamic-dashing’:) style on this song.
By the way this song ranked at number twenty-five in the annual list of ‘Binaca Geetmala-1977’.
With this song ‘Kabeela-1976 (or Qabeela-1976’) makes a debut on the blog !!
(I also had the opportunity to introduce ‘Shankar -Shambhu-1976’ on the blog. ‘Naagin-1976’ – I had already shared a song.
And as noted earlier I think this year ‘1976’ had the most impact on my mind relating to songs and movies of that year when I was around 8 years old 🙂 )
Let us enjoy today’s song now.
Male version
Video
Audio
Female version
Audio
Song-Arre koi maane ya na maane mere dil ki mehbooba ne (Kabeela)(1976) Singer-Kishore Kumar/Lata, Lyrics-Farooque Kaiser, MD-Kalyanji Anandji
Female voice
Chorus
Lyrics
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Male version-Kishore Kumar
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Arey koi maane yaa naa maane
Mere dil ki mehbooba ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Koi maane yaa naa maane
Meri dil ki mehbooba ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Aankhen teri tauba tauba
Aankhen teri tauba tauba
Zulfen allaah allaah aa aa
Zulfen allaah allaah
Chaahe kuchh ho
Thhaam liya hai
Maine tera ye pallaa
Chhodo na
Maine tera ye pallaa
Sab kuchh mera leja
Achchaa
Arey sab kuchh mera le ja
Bas ek nishaani de ja
Pyaar bharaa ye phool
De ae de ae
Ye le
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Vaade kya hain
Qasmein kya hain
Vaade kya hain
Qasmein kya hain
Ye to duniyaa jaane ae
Ye to duniyaa jaane
Tera mera pyaar hai sachchaa
Baaki sab afsaane ae ae
Baaki sab afsaane
Kaahe ka ye sharmaana
Arrey kaahe ka ye sharmaana
Kaahe ka ye ghabraana
Aaj mere sang jhool
Aa …
aa naa
Lo aa gayi
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
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(Female version -Singer – Lata Mangeshkar, chorus)
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Koi maane yaa naa maane
Mere zulmi saanwariyaa ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Koi maane yaa naa maane
Mere zulmi saanwariyaa ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Jaane kab se dekh rahi thhi
Jaane kab se dekh rahi thhi
Main to sapne tere ae
Main to sapne tere
Tujh ko paa ke
Ho gaye poore
Ab ye sapne mere
Tu hi tu meri nazron mein
Tu hi tu meri nazron mein
Pyaar se tu meri zulfon mein
Hans ke sajaa de phool
Sajaa de naa
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Hoti hai to
Ho jaane de
Hoti hai to
Ho jaane de
Donon ki ruswaayi ee ee
Donon ki ee ruswaayi
Aaj nahin to kal baajegi
Angnaa mein shehnaayi
Dil ki duniya laayi main
Dil ki duniya laayi main
Bhool ke sab ko aayi
Tu bhi ye gussaa bhool
Bhool gaye na
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
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(Lyrics in Devnagri Script provided by Avinash Scrapwala)
—————————————————-
Male version
—————-
अरे कोई माने या ना माने
मेरे दिल की महबूबा ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
कोई माने या ना माने
मेरे दिल की महबूबा ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
आँखें तेरी तौबा तौबा
आँखें तेरी तौबा तौबा
जुल्फें अल्लाह अल्लाह आ
जुल्फें अल्लाह अल्लाह
चाहे कुछ हो
थाम लिया है
मैंने तेरा ये पल्ला आ
छोडो ना
मैंने तेरा ये पल्ला आ
सब कुछ मेरा लेजा
अच्छा
अरे सब कुछ मेरा ले जा
बस एक निशानी दे जा
प्यार भरा ये फूल
दे ए दे ए
ये ले
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
वादे क्या है
कसमें क्या है
वादे क्या है
कसमें क्या है
ये तो दुनिया जाने ए
ये तो दुनिया जाने ए
तेरा मेरा प्यार है सच्चा
बाकी सब अफ़साने ए ए
बाकी सब अफ़साने
काहे का ये शरमाना
अरे काहे का ये शरमाना
काहे का ये घबराना
आज मेरे संग झूल
आ … आ ना
लो आ गयी
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
————————————
(महिला स्वर)
———————–
कोई माने या ना माने
मेरे जुल्मी सांवरिया ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
कोई माने या ना माने
मेरे जुल्मी सांवरिया ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
जाने कब से देख रही थी
जाने कब से देख रही थी
मैं तो सपने तेरे ए
मैं तो सपने तेरे
तुझ को पा के
हो गए पूरे
अब ये सपने मेरे
तू ही तू मेरी नज़रों में
तू ही तू मेरी नज़रों में
प्यार से तू मेरी जुल्फों में
हँस के सजा दे फूल
सजा दे ना
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
होती है तो
हो जाने दे
होती है तो
हो जाने दे
दोनों की रुसवाई ई ई
दोनों की ई रुसवाई
आज नहीं तो कल बाजेगी
अंगना में शहनाई
दिल की दुनिया लायी मैं
दिल की दुनिया लायी मैं
भूल के सब को आई
तू भी ये गुस्सा भूल
भूल गये ना
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
Bhanwre Ki Gunjan Hai Mera Dil
Posted on: April 15, 2019
- In: "Bhanwra" song | 15K Song Milestone Celebration Posts | Aspirations of Love | Dance song | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | joie de vivre | Kishore Kumar solo | Kishore Kumar songs | Love song | Lyrics contributed by readers | Party song | Post by Avinash Scrapwala | Romantic song | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 16 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3923 | Post No. : | 14989 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 2
– – – – – – – – – – – – – – – – – – – – – – – – – – – –
Welcome all to this special occasion where we are now celebrating Fifteen thousand song-posts on the blog!!! My heartiest congratulations to Atul ji, Sudhir ji and our respected senior and other team members on the blog and to all of our readers and well-wishers of this blog.
Well, my ‘love story’ (‘Prem Kahaani’, pehle ‘affair’ likhnewaala tha, phir ‘relationship’, phir thhik karke ‘love story’ likha 🙂 ) with this blog started around 2009 and it was because of Sahir Saab’s song ‘Dil Karta O Yaara Dildaara Mera Dil Karta’ (which I was looking because it was in my memory and nostalgic for me). So, thanks are very much due to Sahir Saab and I thank him for that. (I am sure he is accepting it there 🙂 )
My first comment was also on a song penned by Sahir Saab ‘Kashti Ka Khamosh Safar Hai’ – that was in 2009. Still, it took me three years more to become a contributor on this blog which happened in 2012.
How much I loved this blog and how HFM was my hobby earlier and became a passion later, and how HFM and this blog became an important part of my life thereafter, has been mentioned by me in few of my other posts on the blog. So, I will not go into more details on that. Rather I would like to write what I have not said earlier.
I came into writing when I was studying into eighth standard and my first article was published from a district newspaper from Akola then. It was an article about Chetan Chauhan when he was dropped from the playing side of India in test cricket. After that few more articles, all on cricket, were published in the same newspaper that time. Simultaneously after that I was approaching tenth standard and the board examinations, but still cricket was always on top in my mind. I did send few articles to the popular magazines in circulation then, but they were returned with some suggestions to me and that gave me a learning on how to plan and arrange the articles.
However, everything changed after I passed out matriculation and joined vocational subjects in eleventh instead of the subjects I liked most i.e. ‘Arts’. I have mentioned that journey on the blog in this article here. And during these two years I was more on movies and cricket and so as expected I failed in the examination. After that I joined a construction company and start working there and continued to working after that.
Now between all these years i.e. 1985 to 2009 I was working and continuing with my hobby of collecting cassettes, watching movies, listening music. And that was the biggest recreation and motivation for me during all those years. It so happened in 2009 that my close friends working in the same company with me in Kachchh but in different units/departments, push me to take up writing and that is how I started my blog and after that my younger daughter who used to write regularly became a part of that blog.
So finally the circle came to round and life brought me back to my passion of writing after a gap of almost twenty-seven years. And when I came into contact with this blog and started sending my contribution for lyrics earlier in 2012 I thought to give a try for writing articles and my first article appeared on the blog in 2013.
When I became a lyric contributor to the blog, that was my ‘new birth’ and at that point, life started again for me with new purpose, new energy, inspiration and motivation. And all these factors – purpose, energy, inspiration, motivation, celebration, and nostalgia keep growing further as my journey with the blog has been continued and still going …
Many childhood memories of watching movies, of songs from movies of yesteryears, keep surfacing and it was like one memory triggering other memory and bringing close to its related vague memories of those beautiful years. I started getting connected to many incidences which were lying dormant in my memory or which I had forgotten. And, I must say that since coming into the contact with the blog and specially after having HFGK Vol-V (1971-1980) when I started sharing song posts of songs with the seventies, I had been transformed to that era only when my age was growing between eight to fifteen years.
In my circles whenever someone asks my age, I always used to tell them that ‘I am only seventeen years old and do not to grow more than that’. But the blog has reduced my age between eight-fifteen and I keep shuffling in that ‘age-era’ only i.e. if I considered up to 1983. And if I considered up to 1980 then my age is twelve years only.
I think I have also mentioned this earlier that finding this blog and being a part of this was a feeling like ‘this was the destination of my life’ and ‘all these years of life I was alive for this purpose only’. Always feeling fortunate and blessed to be a part of this journey and a member of this team …
Meeting some of the team members and seniors in the group during the ‘gang-outs’ has given many unforgettable memories and those are the most cherished moments of my life. And it is going to continue in future too 🙂 . The joy from discussions during such meetings and sharing of thoughts also cannot be expressed in words. And most importantly during such meetings I also got a chance to meet many respected and dedicated ‘like-minded peoples’ who in their own capacity are not less than a ‘encyclopaedia’ about yesteryears Hindi films and Hindi film music.
Thanking again to Atul ji and all other members and this wonderful blog. . . I am trying to express my feelings in the following ‘poem’;
उन यादों को, उन किस्सों को,
उस कहानी को,
शायद इसी दिन के लिए संभाला था
मन गुंजन करता ये भंवर
शायद इसी पल के लिए बेताब थादिल का ये भंवर
नादान ही तो था
कुंज कुंज करता गुंजन
भीतर भीतर बेचैन था
मिले जो आप तो ये चहकने लगा
सुरीली यादें बिखेरने लगा
बचपन फिर से मुस्काया
जवानी ने जैसे ली अंगडाई
एक कहानी को मंजिल मिली
कुछ यादों को भूली हुयी तारीख मिली
कुछ किस्सों को एक पड़ाव मिला
तन्हाई को एक महफ़िल मिली
साथी नए नए मिले
सुरीले सफ़र का कारवां मिला
And let us now enjoy the song with a vintage Kishore voice from the 1971 movie ‘Kal Aaj Aur Kal’. (Yes, the year of this movie is to be corrected as ‘1971’ on the blog and for the two posts already posted on the blog. Though in the second post one tag ‘songs of’ is correct i.e. ‘songs of 1971’)
‘Kal Aaj Aur Kal’ was directed by Randhir Kapoor for R.K. Films, Bombay. This was Randhir Kapoor’s first movie too and he was introduced or launched in style with also given direction of this movie. It was produced by Raj Kapoor.
It had Prithviraj Kapoor, Raj Kapoor, Babita, Narendranath, Roopesh Kumar, Achala Sachdev, David, Tiwari, Iftekhar, Abhi Bhattacharya, Vishwa Mehra, Sarita, Aarti, Asha Chandra, Shri Ram Shastri, Mansaram, Sumita Khurana, Pardesi, Uma Dutt, Rashid Khan, Mandhir Siyal, Prakash Mishra, Ranveer Raj, Ghanshyam Rohida and others.
Story, Screenplay and Dialogues of this movie were written by Virendra Sinha. Editing of this movie was done by S.R. Kabre. It was passed by Censor Board on 11.11.1971.
This movie has six songs penned by three lyricists – Hasrat Jaipuri (two songs), Neeraj (three songs) and Shaily Shailendra (one song). Music for this movie is composed by Shankar-Jaikishan. Asha Bhonsle, Kishore Kumar, Manna Dey, Mukesh, and Sharda had given their voices to the songs in this movie.
I think I have watched some part of this movie or may be the whole movie on TV or somewhere else, but I do not remember it now except I remember vaguely about its storyline. Knowledgeable readers may kindly throw more light on this movie and its songs please.
Two songs from this movie have already been posted on the blog earlier. And the today’s song is the third song of this movie being presented on the blog on the special occasion of ‘Blog’s 15k Songs Festival’ 😊
Today is also the 97th birth anniversary of songwriter Hasrat Jaipuri.
Song – Bhanwre Ki Gunjan Hai Mera Dil (Kal Aaj Aur Kal) (1971) Singer – Kishore Kumar, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Chorus
Lyrics
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
main aaya hoon duniya mein tere liye
mere dil mein jhoomein teri aarzoo
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
tere liye
hmm hmm hmm
aa ha haa
hmm hmm hmm
tere liye
hmm hmm hmm
hmm hmm hmm
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
tu itna samajh le
mere humsafar
tere pyaar se mera sansaar hai
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
hmm hmm hmm
he he he ae
hmm hmm hmm
ho ho ho ho
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
hmm hmm hmm
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
मुझे कब से थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मुझे कबसे थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मैं आया हूँ दुनिया में
तेरे लिए
मेरे दिल में झूमें
तेरी आरज़ू
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
हम्म हम्म हम्म
आ हा हा
हम्म हम्म हम्म
तेरे लिए
हम्म हम्म हम्म
हम्म हम्म हम्म
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
तू इतना समझ ले
मेरे हमसफ़र
तेरे प्यार से मेरा संसार है
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए
हम्म हम्म हम्म
हे हे हे ए
हम्म हम्म हम्म
हो हो हो हो
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ
हम्म हम्म हम्म
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3921 | Post No. : | 14985 | Movie Count : |
4099 |
Today 13th April 2019 marks one hundred years of the most barbaric massacre of people under the British rule in India. On this day every year we also celebrate ‘Baisakhi’ all over India.
It was hundred years ago on 13th April 1919 that people gathered on the occasion of ‘Baisakhi’ at the ‘Jallianwala Bagh’ in Amritsar were fired upon ruthlessly by ‘bullets’ from the British Police and hundreds of them were killed brutally and many hundreds were injured.
This incident can never be forgotten as long as History of India and its freedom struggle will be discussed.
It was during last week that I came across this article on the centenary of this incident of ‘Jallianwala Bagh’.
I was aware that there is a movie on ‘Jallianwala Bagh’ and song of it was posted on the blog. I find ‘Jallianwala Bagh Ki Jyoti’ movie of 1953 on the blog. Since I do not remember any other movie with this title, I thought this ‘1953’ movie was the only one. However, to my surprise I found that there was a movie titled ‘Jallianwala Bagh’ and that too was made in 1987.
When I searched for this movie and its song, I was more surprised to know that the music of this movie was composed by R.D. Burman. and its songs were written by Gulzar Saab. I was shocked that I was not aware of this movie. And to add more to our surprise (or my surprise) Gulzar had acted in this movie and some clips of this movie were available on internet. Though Gulzar Saab acted in this movie his name is not mentioned in the titles of this movie.
This movie is about the ‘Jallianwala Bagh’ massacre which took place hundred years back on this day 13th April in 1919 and how the great revolutionary Shahid Udham Singh take revenge of this incident by killing Governer O’Dwyer in London. And he was hanged by the Britishers thereafter and attained martyrdom.
Parishit Sahni played the role of Udham Singh in this movie.
“Jaliyanwala Bagh-1987’ or ‘Jallianwala Bagh’ (1987) was directed by Balraj Tah for ‘Vijayshri Pictures’ presented by Sanjay Khandelwal Film.
Balraj Tah was also the producer of this movie.
It had Vinod Khanna, Parikshit Sahni, Shabana Azmi, Deepti Naval, Om Shivpuri and Mark Freeman (as Governer).
They were supported by Ram Mohan, Burt Doily, J.N. Singh, Sudhir Thakker, Gurmail Singh, June Greshion.
Story of this movie was written by Balraj Tah. Editing was done by Lachhman Dass.
Screenplay and dialogues were written by Gulzar.
Gulzar also wrote the lyrics for the songs in this movie. He also acted in this movie, however in the title credits his name is not mentioned.
All songs in this movie were sung by Bhupinder Singh. While the music was composed by R.D. Burman.
I could not find the video of the songs of this movie.
The movie had two songs only (I can say that based on the online version of this movie available). First one is ‘Heer’ and the other one which are going to listen today. The today’s song plays at four times in the movie.
First time when Vinod Khanna and Parikshit Sahni are leading the ‘procession’ to assemble in the ‘Jallianwala Bagh’ where we can also see Deepti Naval and many others.
The second version is the sad version and ‘mukhda’ only when Amar (Vinod Khanna) succumbs to the injuries during the firing by British Police.
Few lines of the same song are again repeated when Udham Singh, preparing for O’Dwyer’s assassination remembers his friend Amar. And forth time the song is played with first stanza in the background after Udham Singh (Parikshit Sahni) is hanged by the Britishers and Deepti Naval (widow of Amar-Vinod Khanna) is shown paying tributes at the modern-day ‘Jallianwala Bagh’ memorial.
This movie was passed by Censor Board on 30.01.1987.
Let us pay our tributes to all those martyrs and listen to this song …
Audio (Part I)
Audio (Part II)
Song-Sooliyon pe chadhh ke choome aaftaab ko (Jallianwala Baagh)(1987) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-R D Burman
Lyrics
(at 00:48:40 in the movie)
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadh ke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha Hai
is maidaan se
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha Hai
is maidaan se
Hamne patthar se lahoo girte huye
Dekha hai yaar
Hamne patthar se lahoo girte huye
Dekha hai yaar
Jab bhi takraayi hai janta
Zulm ki chattaan se ae
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Chhoo ke to dekhen
Shaheedon ki anokhi shaan ko
Jaan ki baazi lagaakar aazmaayen
Jaan ko
Chhoo ke to dekhen
Shaheedon ki anokhi shaan ko
Jaan ki baazi lagaakar aazmaayen
Jaan ko
Aaj aazaadi ki shammaa par agar jal jaayenge
Aaj aazaadi ki shammaa par agar jal jaayenge
Raushni degaa hamaara naam
Hindustaan ko
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Inquilaab zindaabaad
Inquilaab zindaabaad
————————————
Part – II (Sad)
————————————
(at 00:57:56 to 00:58:18 in the movie)
—————————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj inquilaab ko
————————–
(01:22:06)
Part-III
—————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj inquilaab ko
ho Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
——————————
(01:40:51)
——————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha
Hai is maidaan se
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha
Hai is maidaan se
Hamne patthar se lahoo girte huye
Dekha hai yaar
Hamne patthar se lahoo girte huye
Dekha hai yaar
Jab bhi takraayi hai janta
Zulm ki chattaan se ae
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao aaj
Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
———————————————————————-
(Lyrics in Devnagri Script provided by Avinash Scrapwala)
———————————————————————-
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
लोग जब उठे बगावत के लिए
ईमान से ए
आँधियों को भागते देखा है इस मैदान से
लोग जब उठे बगावत के लिए
ईमान से ए
आँधियों को भागते देखा है इस मैदान से
हमने पत्थर से लहू गिरते हुए
देखा है यार
हमने पत्थर से लहू गिरते हुए
देखा है यार
जब भी टकराई है जनता
ज़ुल्म की चट्टान से ए
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को ओ
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
छु के तो देखे
शहीदों की अनोखी शान को
जान की बाज़ी लगाकर आजमाएंगे
जान को
छु के तो देखे
शहीदों की अनोखी शान को
जान की बाज़ी लगाकर आजमाएंगे
जान को
आज आज़ादी की शम्मा पर अगर जल जायेंगे
आज आज़ादी की शम्मा पर अगर जल जायेंगे
रौशनी देगा हमारा नाम
हिन्दुस्तान को
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को ओ
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
————————————————————–
(भाग-२)
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
—————————————————————
Pardesi pardesi jaana nahin
Posted on: April 6, 2019
- In: "pardesi" song | Alka Yagnik Song | Background song | Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | Multiple version song | Post by Avinash Scrapwala | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1996 | Suresh Wadkar songs | Udit Narayan Song | Yearwise breakup of songs
- 10 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3914 | Post No. : | 14974 |
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Blog 10-Year Challenge (2009-19) – Song No. 27
————————————————
Welcome all to today’s(6 april 2019) post in the ‘Blog Ten Year Challenge Series’. The song I am going to present today is, by the standards of the blog, from a very recent movie ‘Raja Hindustani-1996’. And this is the movie falling under ‘Blog 10-year challenge’ today on 06.04.20019.
On this day ten years ago (viz on 6 april 2009), Songs of following movies were posted on the blog:-
‘Raja Hindustani-1996’
‘Jawaan Mohabbat-1971’
‘Bin Baadal Barsaat-1963’
‘Baap Bete-1959’
‘Chhaliya-1960’
‘Chaand-1959’
All these movies except ‘Raja Hindustani-1996’ have already achieved ‘Yippeeee’ed’ status on the blog. 🙂
If one look back at the years that have passed by after this movie ‘Raja Hindustani-1996’ was released, almost ‘twenty-three’ years have elapsed since. Many things have happened during these twenty-three years in my life. I have been through many changes and shifting of places in my personal life during all these years.
My last post was about my stay at Kota-Rajasthan and my fond memories of that stay. My parents were staying at Parli Vaijnath at that time and my journey to home took thirty-six hours consisting of of train-bus-travel and transit time. The route I would take was Kota to Ratlam by broad gauge train. Ratlam to Purna junction or Indore junction, Indore to Akola and Akola to Parli Vaijnath by bus or Purna to Parli Vaijnath by train of South-Central railway.
Once I had even travelled the complete route by Bus. I travelled from Parli Vaijnath to Akola (seven hours). From Akola I took State Transport Bus for Indore (fourteen hours) and from Indore to Kota another state transport Bus (of MP) travelling almost eight hours.
I was a bachelor then. However, this travel and the journeys continued after my marriage and after having two daughters.
I was still at Kota Site when I got married. So, after that my wife was my co-traveller (:) ) and sometimes we were accompanied by my younger brother or my Father to support us in carrying our luggage. My elder daughter became a new member in our travelling team after her birth. In between my wife was alternatively staying with me for few months and them with my parents at Parli Vaijnath.
Finally, the project at Kota was completed in 1996 and I left for Phulpur-Allahabad leaving my family at Parli Vaijnath.
I reached Phulpur on 15th August 1996 and started there process of settling down there and began looking for a family accommodation so that I could bring my family to stay with me.
I was also doing my graduation through an ‘open university (IGNOU)’ then and did not want to change my study centre Kota. The next examinations were falling due in December and for that I was supposed to travel to Kota again. I attended my exams and took the same route to home via Indore. The Indore connection was important because I had my friends there whose friendship was cultivated by me during my stay at Kota as they were working there for a company from Indore.
I would meet my friends of Indore and spend some time with them. I often stayed at Indore for few days, visited nearby places of interests (tourists places) , some famous temples and watched a few movies also (and that might be a subject of an article in future 🙂 ) But this time, my plan was to visit Kota for my examinations and from there to go to Parli Vaijnath via Indore.
I took a luxury bus from Indore to Akola. This bus had video facility. Those were the days when many people among such bus travellers were quite keen to watch movies in Bus and they would even argue with the transporters if the video was not working. I was more interested in sleeping which was much needed for me because of the previous equally gruelling travel by road.
That day (or rather night) they played two movies back to back. One was ‘Ghatak-1996’ and other was ‘Raja Hindustani-1996’. I watched some parts of these moving in my half-sleep half-awoke state. I liked some songs and some part of both movies. I don’t think I got to watch this movie ‘Raja Hindustani’ again though I recall having watched ‘Ghatak’ again sometime later.
Both the movies were highly successful at the box-office and their music particularly of ‘Raja Hindustani’ was very popular. Both movies earned award nominations and won some of these awards as well.
‘Raja Hindustani-1996’ was directed by Dharmesh Darshan for ‘Cineyug’. It was produced by Alive Morani, Karim Morani and Bunty Soorma. It had Amir Khan, Karisma Kapoor, Suresh Oberoi, Johny Level, Navneet Nishan, Veeru Krishnan, Kunal Khemu (child artist then), Pramod Moutho, Mohnish Behl, Tiku Talsania, Farida Jalal and Archana Puran Singh.
Story of this movie was written by Dharmesh Darshan. And he was co-author in writing the dialogues of this movie alongwith Javed Siddiqui.Editing of this movie was done by Bharat.
Lyrics of this movie were written by Sameer. And as per Wikipedia this movie had total eight songs including two multiple version song (where one song was having three versions).
Music of this movie was composed by Nadeem-Shravan. Whereas the background music was given by Surinder Sodhi.
Alka Yagnik, Alisha Chinai, Bela Sulakhe, Kumar Sanu, Sapna Awasthi, Sapna Mukherjee, Suresh Wadkar and Udit Narayan have given their voices to the songs of this movie.
‘Raja Hindustani-1996’ was released (as per ‘wiki’) on 15th November’1996.
This movie had some very good soundtracks and as mentioned by Atul ji while posting the first song of the movie Aaye ho meri zindagi me tum bahaar banke
, couple of them were reminiscent of the music of the seventies.
When I noted that this movie was eligible for ‘ten-year challenge’, I promptly decided to take up the ‘challenge’. 🙂 I noted that this song has a female version to, and so it was a ‘multiple version’ song. I am sending our editors the lyrics for the female version of this song and requesting them to update the same in the post of this song.
Personally, I like this song Aaye ho meri zindagi me tum bahaar banke (both versions) very much. After watching this movie on that bus journey, this song was playing in my mind for the next few days. Another song “Kitna pyaara tujhe rab ne banaaya” was also very good.
And what to say about the song under discussion ! It was an enormous hit. This song was the highlight of the movie for many people.
The movie was inspired by ‘Jab Jab Phool Khile-1965’. If that 1965 movie had a “pardesi” song viz ‘pardesiyon se ankhiyaan milaana’, then ‘Raja Hindustani-1996’ had ‘its own “pardesi” song, viz Pardesi Pardesi Jaana Nahin’- which is the song under discussion.
The ‘pardesi’ song from ‘Jab Jab Phool Khile’ was a multiple version song having three versions. Not to be left behind, this “Raja Hinustani” song also has three versions. This song plays important role in taking the story of the movie forward. Like when heroine’s father comes to know about his daughter falling in love with a taxi driver, then – when the hero-heroine are separated due to misunderstanding , with heroine’s stepmother sowing seeds of ‘conflict’ further and heroine is also pregnant at this time, and finally third time – in the end when all ends well and the hero and heroine are re-united.
During all those years I had forgotten that this song was a multiple version song with three versions, and the ‘challenge’ hence got compounded for me. I had to listen to this song many times during its drafting. Also, with the female version to the earlier song added this post serve a purpose of ‘four songs’ “)
In the Suresh Wadkar version of ‘pardesi pardesi jaana nahin’ the hero sings couple of lines which in one version is lip synced by the hero and in another version he lip-syncs in Udit Narayan’s voice. Credit for this third version also mentioned the name of Udit Narayan (as taken from ‘wiki’ page of this movie), I think that is correct. I would request knowledgeable readers to throw more light on this and correct please.
With today’s song on the blog plus addition of the female version to the earlier song this movie ‘Raja Hindustani’ will have its five songs covered on the blog.
I know you are eager to listen this song again after so many years so without taking this article too long I am taking you to the song instead which itself is like an ‘epic song’. 🙂
To finish the tale, after reaching Parli Vaijnath, I travelled back to Phulpur, with my wife and daughter accompanying me, with my father also travelling with us to help us in getting settled at Phulpur.
We stayed at Phulpur for a few months, before it was time for my wife to rejoin my parents at Parli Vaijnath in what could be described as a “Pardesi pardesi jaana nahin” situation for me. 🙂
The first part of the song is sung by Sapna Awasthi (lip syncing by Kalpana Iyer), Alka Yagnik (for Pratibha Sinha) and Udit Narayan (lip synced by Aamir Khan).
Second version is sung by Kumar Sanu (on Aamir Khan) and Alka Yagnik (on Karishna Kapoor).
The movie ending third version is sung by Suresh Wadkar (for Johny Lever), Bela Sulakhe (for Navneet Nishan) and Udit Narayan (for Aamir Khan).
Let us now enjoy this wonderful, entertaining and rocking melodious 🙂 song.
Part I (Video) Singers – Sapna Awasthi, Alka Yagnik,Udit Narayan
Part II (Video) Singers – Kumar Sanu, Alka Yagnik
Part III (Video) Suresh Wadkar, Bela Sulakhe, Udit Narayan
Song-Pardesi pardesi jaana nahin (Raja Hindustani)(1996) Lyrics-Sameer, MD-Nadeem Shrawan
——————————
Lyrics
————————-
(Part-I)
————————-
Main ye nahin kehti ee
Ke pyaar mat karnaa
Kisi musaafir ka magar
Aitbaar mat karnaa aa
Hmm hmm hmm hmm hmm
Hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
Hmm hmm hmm hmm hmm
Hmm hmm hmm hmm hmm
Pardesi pardesi jaana nahin
Pardesi pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi mere yaaraa aa
Waadaa nibhaana
Mujhe yaad rakhnaa
Kahin bhool naa jaana aa
Pardesi pardesi jaana nahin
Pardesi pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi mere yaaraa
Waadaa nibhaana
Tum yaad rakhnaa
Kahin bhool na jaana
Pardesi pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Maine tumko chaaha
Tumse pyaar kiyaa aa
Sab kuchh tum pe yaar
Apnaa waar diyaa
Maine tumko chaaha
Tumse pyaar kiyaa aa
Sab kuchh tum pe yaar
Apnaa waar diyaa aa
Ban gayi jogan
Maine preet ka jog liyaa
Na sochaa na samjha
Dil ka rog liyaa aa
Pardesi mere yaara aa
Laut ke aana
Tum yaad rakhnaa
Kahin bhool naa jaana aa
Pardesi pardesi jaana nahin
Tu jaana nahin
Pardesi pardesi jaana nahin
Re jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Mujhe chhodke ae ae
Mujhe chhodke
Bhool na jaana aa aa
Bhool na jaana aa aa
Bhool na jaana
o o o o
Har pal meri yaad tumhen tadpaayegi
Main jaagoonga
Neend tumhe naa aayegi
Har pal meri yaad tumhen tadpaayegi
Tadpaayegi ee
Main jaagoonga
Neend tumhen naa aayegi ee
Chhod ke aise haal mein jo tum jaaoge
Tum jaaoge ae
Sach kehta hoon jaan
Bahot pachhtaaoge ae
Pardesi mere yaaraa aa
Mujhe naa rulaana aa
Tum yaad rakhnaa
Kahin bhool na jaana aa
Pardesi pardesi jaana nahin
Pardesi pardesi jaana nahin
Mujhe chhod ke ae ae
Mujhe chhod ke
Pardesi mere yaara aa
Waada nibhaana
Pardesi pardesi jaana nahin
mujhe yaad rakhna
kahin bhool na jaana
pardesi pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
(dialogues not included)
Pardesi pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi mere yaara aa
Haan aa aa aa aa aa
Waadaa nibhaanaa aa
Pardesi mere yaara aa
Haan aa aa aa aa aa
Laut ke aanaa aa
Mujhe yaad rakhnaa
Kahin bhool na jaana
O mere pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
O mere pardesi jaana nahin
Mujhe chhodke ae ae
Mujhe chhodke
Aa aa aa aa aa aa
Aa aa aa
Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
——————————————————
(Part-II)
—————————————————–
Main ye nahin kehta aa
Ke pyaar mat karnaa aa
Kisi musaafir ka magar
Aitbaar mat karnaa aa
Hmm hmm hmm hmm
hmm hmm hmm
Hmm hmm hmm hmm
hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Munh mod ke ae
Dil tod ke ae
Pardesi mere yaaraa
Waadaa nibhaana
Mujhe yaad rakhna
Kahin bhool naa jaana aa
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Munh mod ke ae
Dil tod ke ae
Pardesi mere yaaraa
Waadaa nibhaana
Tum yaad rakhnaa
Kahin bhool na jaana
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
Aa aa aa aa aa
Aa aa aa aa aa
Haaye ae ae
Aa aa aa aa
Aa aa aa aa
Mere dil mein yoonhi rehna
Tum pyaar pyaar ban ke
Aaye ho meri zindagi mein
tum Bahaar banke ae
Phoolon ke mausam mein milne aate hai
hmm hmm hmm hmm
Patjhad mein panchhi ban kar ud jaate hain
Phoolon ke mausam mein milne aate hain
hmm hmm hmm hmm
Patjhad mein panchhi ban kar ud jaate hain ae
Hansti aankhon ko aansoo de jaate hain
hmm hmm hmm hmm
Waadaa kar ke bhi naa waapas aate hain
Pardesi mere yaara aa
guzraa zamaana aa
Use yaad rakhna
Kahin bhool na jaana aa
Pardesi pardesi jaana nahin
hmm hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
Aa aa aa aa
Aa aa aa aa
Aa aa
Bhool naa jaana aa
Bhool naa jaana aa
Bhool naa jaana aa
O o o o
Sach kehte hain duniya waale
Pyaar naa kar
hmm hmm hmm hmm
Pyaar to hai ik rog buraa
Is rog se dar
Sach kehte hain duniya waale
Pyaar naa kar
hmm hmm hmm hmm
Pyaar to hai ik rog buraa
Is rog se dar
Deewaanon ki kismat mein tanhaayi hai
hmm hmm hmm hmm
Ishq ka dooja naam to yaar judaayi hai
Pardesi mere yaaraa aa
Mujhe naa rulaana aa
Tum yaad rakhnaa
Kahin bhool na jaana aa
Pardesi pardesi jaana nahin
hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
Pardesi mere yaaraa
O o o
o o o
o o o
Waadaa nibhaana aa
Pardesi mere yaaraa
O o o
o o o
o o o
o o o
Laut ke aana aa
Mujhe yaad rakhnaa
Kahin bhool na jaana
O mere pardesi jaana nahin
hmm hmm hmm
Mujhe chhodke ae ae
Mujhe chhodke
————————————–
Part III
————————————–
Hmm hmm hmm
Hmm hmm hmm
Pardesi ..
Pardesi …
Pardesi pardesi jaana nahin
Jaana nahin
Hamen chhodke ae
Ho o o
Hamen chhodke ae
Pardesi pardesi jaana nahin
Tu jaana nahin
Hamen chhodke ae
Hamen chhodke
Pardesi pardesi jaana nahin
Hamen chhodke ae
Hamen chhodke
Hmm hmm hmm
hmm hmm hmm
Hmm hmm hmm hmm
Pardesi mere yaaraa
Waadaa nibhaana
Hamen yaad rakhnaa
Kahin bhool na jaana
Pardesi
pardesi
jaana nahin
Mujhe chhodke ae
Mujhe chhodke
Mujhe chhodke
Haan aa
Mujhe chhodke
————————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————
(भाग – १)
—————-
मैं ये नहीं कहती ई
के प्यार मत करना
किसी मुसाफिर का मगर
ऐतबार मत करना आ
हम्म हम्म हम्म हम्म हम्म
हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
परदेसी परदेसी जाना नहीं
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
परदेसी मेरे यारा आ
वादा निभाना
मुझे याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
परदेसी मेरे यारा आ
वादा निभाना
तुम याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
मैंने तुमको चाहा
तुमसे प्यार किया आ
सब कुछ तुम पे यार
अपना वार दिया
मैंने तुमको चाहा
तुमसे प्यार किया आ
सब कुछ तुम पे यार
अपना वार दिया आ
बन गयी जोगन
मैंने प्रीत का जोग लिया
ना सोचा ना समझा
दिल का रोग लिया आ
परदेसी मेरे यारा आ
लौट के आना
तुम याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
तू जाना नहीं
परदेसी परदेसी जाना नहीं
रे जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
मुझे छोडके ए ए
मुझे छोडके
भूल ना जाना आ आ
भूल ना जाना आ आ
भूल ना जाना ओ ओ ओ ओ
हर पल मेरी याद तुम्हे तडपाएगी
मैं जागूँगा
नींद तुम्हे ना आएगी
हर पल मेरी याद तुम्हे तडपाएगी
तडपाएगी ई
मैं जागूँगा
नींद तुम्हे ना आएगी ई
छोडके ऐसे हाल में जो तुम जाओगे
तुम जाओगे ए
सच कहता हूँ जान
बहोत पछताओगे ए
परदेसी मेरे यारा आ
मुझे ना रुलाना आ
तुम याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
परदेसी मेरे यारा आ
वादा निभाना
मुझे याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
(कुछ संवाद जो यहाँ पर शामिल नहीं किये गए)
परदेसी परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
परदेसी मेरे यारा आ
हाँ आ आ आ आ आ
वादा निभाना आ
परदेसी मेरे यारा आ
हाँ आ आ आ आ आ
लौट के आना आ
मुझे याद रखना
कहीं भूल ना जाना
ओ मेरे परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
ओ मेरे परदेसी जाना नहीं
मुझे छोडके ए ए
मुझे छोडके
आ आ आ आ आ आ
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
———————————————————–
(भाग – २)
———————————————————-
मैं ये नहीं कहता आ
के प्यार मत करना आ
किसी मुसाफिर का मगर
ऐतबार मत करना आ
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुंह मोडके ए
दिल तोडके ए
परदेसी मेरे यारा
वादा निभाना
मुझे याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुंह मोडके ए
दिल तोड़ के ए
परदेसी मेरे यारा
वादा निभाना
तुम याद रखना
कहीं भूल ना जाना
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
आ आ आ आ आ
आ आ आ आ आ
हाए ए ए
आ आ आ आ
आ आ आ आ
मेरे दिल में यूंही रहना
तुम प्यार प्यार बन के
आये हो मेरी ज़िन्दगी में
तुम बहार बनके ए
फूलों के मौसम में मिलने आते है
हम्म हम्म हम्म
पतझड़ में पंछी बन कर उड़ जाते हैं
फूलों के मौसम में मिलने आते है
हम्म हम्म हम्म
पतझड़ में पंछी बन कर उड़ जाते हैं
हंसती आँखों को आँसू दे जाते हैं
हम्म हम्म हम्म
वादा कर के भी ना वापस आते हैं
परदेसी मेरे यारा आ
गुजरा ज़माना आ
उसे याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
आ आ आ आ
आ आ आ आ
आ आ
भूल ना जाना आ
भूल ना जाना आ
भूल ना जाना आ
ओ ओ ओ ओ
सच कहते है दुनिया वाले
प्यार ना कर
हम्म हम्म हम्म
प्यार तो है इक रोग बुरा
इस रोग से डर
सच कहते है दुनिया वाले
प्यार ना कर
हम्म हम्म हम्म
प्यार तो है इक रोग बुरा
इस रोग से डर
दीवानों की किस्मत में तन्हाई हैं
हम्म हम्म हम्म
इश्क का दूजा नाम तो यार जुदाई है
परदेसी मेरे यारा आ
मुझे ना रुलाना आ
तुम याद रखना
कहीं भूल ना जाना आ
परदेसी परदेसी जाना नहीं
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
परदेसी मेरे यारा
ओ ओ ओ
ओ ओ ओ
ओ ओ
वादा निभाना आ
परदेसी मेरे यारा
ओ ओ ओ
ओ ओ ओ
ओ ओ
लौट के आना आ
मुझे याद रखना
कहीं भूल ना जाना
ओ मेरे परदेसी जाना नहीं
हम्म हम्म हम्म
मुझे छोडके ए ए
मुझे छोडके
———————————————————–
(भाग -३)
———————————————————–
हम्म हम्म हम्म
हम्म हम्म हम्म
परदेसी …
परदेसी …
परदेसी परदेसी जाना नहीं
जाना नहीं
हमें छोडके ए
हो ओ ओ
हमें छोडके ए
परदेसी परदेसी जाना नहीं
तू जाना नहीं
हमें छोडके ए
हमें छोडके
परदेसी परदेसी जाना नहीं
हमें छोडके ए
हमें छोडके
हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
परदेसी मेरे यारा
वादा निभाना
हमें याद रखना
कहीं भूल ना जाना
परदेसी
परदेसी
जाना नहीं
मुझे छोडके ए
मुझे छोडके
मुझे छोडके
हाँ आ
मुझे छोडके
Shahar mein charcha hai
Posted on: March 31, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3908 | Post No. : | 14966 |
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Blog Ten Year Challenge (2009-2019)-Song number 24
—————————————————-
Nowadays, we generally believe that the golden era of HFM lasted from 1949 till 1980 and after that the general standards of HFM fell down several notches, never to recover again.
When I was growing up in 1970s, I felt that this deterioration of HFM had started in 1970s itself. Some of the songs that later were considered classics were regarded by mediocre by me during those days. For instance, the songs of “Do Chor”(1972) were mediocre for me. Song like Yaari ho gayi yaar se lak tunoo tunoo was jarring to my ears. “Sanyaasi” (1974) songs were downright mediocre as far as I was concerned.
Many Laxmikant Pyarelal compositions of 1970s were chaalu to my ears and I did not like them much. I did not like the songs of “Suhaag”(1979) much but today these songs are considered near classics.
“Aas Paas”(1980) songs were very much mediocre songs to my ears and minds. No wonder that I did not watch this movie. The most chaalu and popular song of the movie was Tum jo chale gaye to hogi badi kharaabi. This movie made its debut in the blog with this song. That was on 31 march 2009, viz exactly ten years ago.
The movie had six songs in it, but only one more song from the movie has since been covered. This second song is Hamko bhi gham ne maara which was posted on 6 december 2013. After that, there has been no more covereage of songs from this movie for more than five years.
Now, thanks to the “blog ten year challenge” series, this movie “Aas Paas”(1980) came to the notice of Avinash Scrapwala and he sent the lyrics of another song from “Aas Paas”(1980).
This song, the third from the movie to appear in the blog, is sung by Rafi and Lata. Anand Bakshi is the lyricist. Music is omposed by Laxmikant Pyarelal.
The song is picturised as a typical Punjabi style dance song. It is picturised on Dharmendra, Hema Malini and many other male and female dancers in bright colorful attires. harmendra with his two left feet style dancing makes for a sharp contrast from Hema Malini, a dancing exponent.
As mentioned earlier, I had not watched this movie during its time and I was not even aware of this song till now. So this song comes in the blog exactly ten years after another song appeared in the blog. And at the same time, this song comes to my notice some four decades after it was created. So I suppose this can also form some kind of a challenge series, viz – Songs coming to notice forty year after its creation. 🙂
For now, here is this latest presentation under the “Blog Ten Year Challenge (2009-2019)” series.
Video (Partial)
Audio (Full)
Song-Shahar mein charcha hai (Aas Paas)(1980) Singers-Rafi, Lata Mangeshkar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics(Provided by Avinash Scrapwala)
tere laung da peya lashkaara
te haaliyan ne hal dak lay
ho jatt kudiyaan to darr da maara
te mode utthe daang rakhdaa
oye
shahar mein charchaa hai
aa haa
shahar mein charchaa hai
ye duniya kehti hai ae
shahar mein charchaa hai
ye duniya kehti hai ae
gali mein meri ik ladki kanwaari rehti hai
kahin tu wohi to nahin
wohi to nahin
wohi to nahin. . .
haan haan bol
shahar mein charchaa hai
aa haa
shahar mein charchaa hai
zamaana kehta hai ae
shahar mein charchaa hai
zamaana kehta hai
gali mein meri ik mera
deewaana rehta hai
kahin tu wohi to nahin
wohi to nahin
wohi to nahin. . .
bol
sun ri kamla
ik jat yamla
moonchh naa daadhi
ghoda gaadi ee
leke aaya
ho aaya
dil ghabraayaa aa
leke aaya
ho aaya
dil ghabraaya
main sharmaayi ee
raam duhaayi ee..ee
meri nindiya tooti
jo dekha ye sapna
chhupaata hai kyun soorat
saaf dikha chehra apna
kahin tu wohi to nahin
wohi to nahin
wohi to nahin. . .
bol
dekh o bante
ye khat padh ke
kisne likha hai
is mein likha hai
teri deewaani
deewaani
main dil jaani ee
teri deewaani
deewaani
main dil jaani
band te baaja aa
leke aaja aa
dikhaa doon ye tujhko
ise pehchaane to
mujhe shaq hota hai tujhpe
buraa naa maane to
kahin tu wohi to nahin
wohi to nahin
wohi to nahin. . .
hoye hoye bol naa..aa
sajaa hai mandap saamne tere
aa chal le len ham bhi phere
ho o mud ja jattaa
ho jattaa
chhod dupatta aa aa
mud ja jattaa
ho jattaa
chhod dupatta
aur jo ho par
ye nahin hoga aa aa
yahi ho jaaye na
ye hote dekha hai
mere haathon mein ye jiske
lagan ki rekha hai
kahin tu wohi to nahin
wohi to nahin
wohi to nahin. . .
ho o bol
shahar mein charchaa hai
zamaana kehta hai
gali mein meri ik mera
deewaana rehta hai
kahin tu wohi to nahin
kahin tu wohi to nahin
kahin tu wohi to nahin
wohi to nahin
wohi to nahin. . .
haan haan bol
——————————————-
Devnagri Script lyrics (provided by Avinash Scrapwala)
——————————————–
तेरे लौंग दा पया लश्कारा
ते हालियां ने हल डाक लय
हो जट्ट कुडियां तो डर दा मारा
ते मोड उत्थे डांग रखदा
ओये
शहर में चर्चा है
आ हां
शहर में चर्चा है
ये दुनिया कहती है
शहर में चर्चा है
ये दुनिया कहती है
गली में मेरी इक लड़की कंवारी रहती है
कहीं तू वही तो नहीं
वही तो नहीं
वही तो नहीं॰ ॰ ॰
हाँ हाँ बोल
शहर में चर्चा है
आ हां
शहर में चर्चा है
ज़माना कहता है
शहर में चर्चा है
ज़माना कहता है
गली में मेरी इक मेरा
दीवाना रहता है
कहीं तू वही तो नहीं
वही तो नहीं
वही तो नहीं॰ ॰ ॰
बोल
सुन री कमला
इक जट यमला
मूछ ना दाढ़ी
घोड़ा गाडी ई
लेके आया
हो आया
दिल घबराया आ
लेके आया
हो आया दिल घबराया
मैं शरमाई ई
राम दुहाई॰॰ई
मेरी निंदिया टूटी
जो देखा ये सपना
छुपाता है क्यूँ सूरत
साफ़ दिखा चेहरा अपना
कहीं तू वही तो नहीं
वही तो नहीं
वही तो नहीं॰ ॰ ॰
बोल
देख ओ बंते
ये ख़त पढ़ के
किसने लिखा है
इसमें लिखा है
तेरी दीवानी
दीवानी
मैं दिलजानी
तेरी दीवानी
दीवानी
मैं दिलजानी
बैंड ते बाजा आ
लेके आजा आ
दिखा दूं ये तुझको
इसे पहचाने तो
मुझे शक होता है तुझपे
बुरा ना माने तो
कहीं तू वही तो नहीं
वही तो नहीं
वही तो नहीं॰ ॰ ॰
होए होए बोल ना॰॰आ
सजा है मंडप सामने तेरे
आ चल ले ले हम भी फेरे ए
हो ओ मुड जा जट्टा
हो जट्टा
छोड़ दुपट्टा॰॰आ
मुड जा जट्टा
हो जट्टा
छोड़ दुपट्टा
और जो हो पर
ये नहीं होगा॰॰आ
यही हो जाए ना
ये होते देखा है
मेरे हाथों में ये जिसके
लगन की रेखा है
कहीं तू वही तो नहीं
वही तो नहीं
वही तो नहीं॰ ॰ ॰
हो ओ बोल
शहर में चर्चा है
ज़माना कहता है
गली में मेरी इक मेरा
दीवाना रहता है
कहीं तू वही तो नहीं
कहीं तू वही तो नहीं
कहीं तू वही तो नहीं
वही तो नहीं
वही तो नहीं॰ ॰ ॰
हाँ हाँ बो॰॰ल
Mera rang de basanti chola
Posted on: March 23, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3900 | Post No. : | 14950 |
When I was in school, we had some “boring” subjects like, History, Geography, Social Science etc. These were “arts” subjects and were considered low scoring as well.
When I think about it now, I realise that History text book basically used to be like a collections of a few chapters and each chapter was like a story of a particular era. For instance, first chapter was Ramayana. second Chapter was Mahabharata. Third chapter was Mauryavansh (Chandragupta Maurya , Samrat Ashok etc. A few chapters later, we were into Mughal era (Akbar, Shahjahaan etc, and then British Era.
In British era, we had discussion on freedom struggle. In freedom struggle, we basically read that non violent movement by Mahatma Gandhi earned India their freedom. There was passing mention of Bhagat Singh, Chandrashekhar Azad, Subhash Chandra Bose etc as well.
Then we were told that British were defeated by the non violent movement of Gandhi and they gave India independence, but at the last moment, they played a dirty trick and divided the country into two.
Many decades on, when we can gain information from sources other than test books published by the government or gooverment approved publishers, we can have a more holistic picture of things as they unfolded. We now have access to other sources as well as so we can form our own opinion on what was happening those days.
It could be seen that the country, like now, had people with different ideologies and people followed their own ideologies. There were followers of Mahatma Gandhi, but then there were followers of other leaders as well. We have seen that Subhash Chandra Bose had a tremendous following. And his philosophy of gaining independence for India was different from that of Mahatma Gandhi. Since history is written by “victors” and somehow Mahatma Gandhi’s non violent movie has been credited as the reason for India gaining independence so Indian freedom struggle has been penned accordingly.
When one thinks about it dispassionately, one realises that British were no saints who would somehow be shamed by “non violent” movements and would grant independence to India out of shame. There were many factors that made it increasingly difficult for them to continue to rule India. It was a combination of all these factors that finally broke the back of camel and Britain finally granted independence to India and left at the earliest opportunity.
The major cause why Britain left was that two world wars had taken place and it had taken a heavy toll on Britain financially. Britain was the sole superpower of the world before the first world war. After the end of the second wold war Britain was economically on the verge of collapse. They had to take loan from USA the new superpower of the world to keep their economy afloat.
India had contributed a good number of armymen to fight the world wars for Britain. It was the understanding that Britain would grant Indian independence after the world war.
Moreover, with Media (radio, newspapers etc) becoming influential, world opinion was turning in favour of freedom of India and it was becoming difficult for Britain to hang on to its colonies.
When we look at history, we find India was becoming ungovernable from early 1900s, because there were many cases of armed resistance from all over the country.
Not all freedom fighters were moderates. There were radicals as well. In fact , there was a trio of radicals popularly called Lal, Bal, Pal- viz Lala Lajpat Rai, Bal Gangadhar Tilak, and Bipin Chandra Pal. They incidentally, belonged to three major regions of the country and helped spread their message of armed struggle in their regions. Taken together, that was almost entire India. They advocated civil agitation and direct revolution to overthrow the British Empire.
British Government divided Bangal province and that caused widespread resentment among people. The protest against it was violent and quite a few protests died, some in police custody (viz Brahmabhandav Upadhyay) while some were hanged (Khudiram Bose, Bagha Jatin).
Then Draconian Rowlatt act was passed in 1919. Protest against this act led to the Jallianwala Massacre on 13 april 1919. The main perpetrator Dyer was forced to retire but he was hailed as a hero in Britain. Whatever goodwill Indians had for British government evaporated totally.
During 1920s, several armed resistances happened all over the country. One of the more prominent of them was Kakori Case (1925) in UP. Government treasury was looted while it was being carried in a train. In this case, three revolutionaries, namely Ramprasad Bismil, Rajendra Lahiri, Raushan Singh and Ashfaqullh.
It is noticeable that such activities were happening all over India, and in all these cases some people were prompmtly being found guilty and were being sentenced to death, no less. So many people were sentenced to death those days that the claim of Indian freedom fight being mostly non violent does not sound too convincing.
On March 23, 1931, Bhagat Singh along with his associates Sukhdev Thapar and Shivaram Rajguru were hanged to death for the killing 21-year-old British police officer John Saunders. They mistook Saunders for Superintendent James Scott, who was responsible for leading a lathi charge against Lala Lajpat Rai, who along with his followers was protesting against the Simon Commission.
Lala Lajpatrai was mortally injured in a Lathi charge on him by police led by Superintendent James Scott, when Lala Lajpatrai was leading a protest march against Simon Commision. Death of Lala Lajpat Rai stung Indians. Bhagat Singh, Bhagat Singh along with his associates Sukhdev Thapar and Shivaram Rajguru decided to avenge it by killing James Scott, but instead they killed 21-year-old British police officer John Saunders.
The case was heard on the court of Lahore Case Tribunal from 5th may 1930 and death penalty was pronounced on 27 october 1930.
Bhagat Singh along with Sukhdev Thapar and Shivaram Rajguru were hanged to death this day 88 years ago (23 march 1931).
Several movies have been made on Bhagat Singh. In all these movies, the song “Mera rang de basanti chola” gets played prominently. In these movies the three revolutionaries are seen marching to the gallows while singing this song (or while this song plays in the backgound).
Here is this song from “The Legend of Bhagat Singh”(2002). This song is sung by Sonu Nigam and Manmohan Waris. Sameer is credited as the lyricist, though this lyrics could well be a traditional song. Music is composed by A R Rahman.
Lyrics of this song were sent to me by Avinash Scrapwala.
Video
Song-Mera rang de basanti chola (the Legend of Bhagat Singh)(2002) Singers-Sonu Nigam, Manmohan Waris, Lyrics-Sameer,MD-A R Rahman
Both
Chorus
Lyrics(Provided by Avinash Scrapwala)
Mera rang de ae ae ae ae ae ae ae ae
Mera rang de ae basanti chola
maaye rang de ae
Mera rang de
basanti chola
maaye rang de
Mera rang de
basanti chola rang de
rang de ae ae
rang de
basanti chola
maaye rang de
ho o o o o o°°°°°
o o o o o
o o o o o o o o o o
nikley hai veer jiyaale
yoon apnaa seena taane
hans hans ke jaan lutaane
aazaad saweraa laane ae
mar ke kaise jeete hain
is duniyaa ko batlaane
tere laal chaley hain maaye
ab teri laaj bachaane
mar ke kaise jeete hain
is duniyaa ko batlaane
tere laal chaley hain maaye
ab teri laaj bachaane
aazaadi ka shola banke
khoon ragon mein dolaa aa
Mera rang de ae ae ae ae ae ae ae ae°°°°°
Mera rang de ae basanti chola
maaye rang de ae
Mera rang de
basanti chola
maaye rang de ae
Mera rang de
basanti chola rang de
rang de ae ae
rang de
basanti chola aa maaye rang de
din aaj ka badaa suhaana
Mausam bhi badaa sunehra
Ham sar pe baaandh ke aaye ae
Balidaanon ka ye sehra
Betaab hamaare dil mein
ik masti si chhayai hai
Ae desh alvidaa tujhko
Kehne ki ghadi aayi hai
Mehkenge teri fizaan mein
Ham banke hawaa ka jhonkaa
Kismat waalon ko miltaa aa
Aise marne ka mauka
Nikli ee hai baaraat
sajaa hai
Inquilaab ka dolaa aa
Mera rang de ae ae ae ae ae ae ae ae °°°°°
Mera rang de ae ae ae ae ae ae ae ae °°°°°
Mera rang de basanti chola rang de
rang de ae ae
rang de
basanti chola
maaye rang de ae
Mera rang de
basanti chola rang de
rang de ae ae
rang de
basanti chola maaye rang de ae ae ae
___________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
__________________________________________________________
मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला रंग दे
रंग दे ए
रंग दे
बसंती चोला माये रंग दे
हो ओ ओ ओ ओ ओ°°°°°
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
निकले है वीर जियाले
यूं अपना सीना ताने
हंस हंस के जान लूटाने
आज़ाद सवेरा लाने ए
मर के कैसे जीते है
इस दुनिया को बतलाने
तेरे लाल चले है माये
अब तेरी लाज बचाने
मर के कैसे जीते है
इस दुनिया को बतलाने
तेरे लाल चले है माये
अब तेरी लाज बचाने
आज़ादी का शोला आ बनके खून
रगों में डोला आ
मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला माये रंग दे
रंग दे ए
रंग दे
बसंती चोला आ माये रंग दे
दिन आज का बड़ा सुहाना
मौसम भी बड़ा सुनेहरा
हम सर पे बाँध के आये ए
बलिदानों का ये सेहरा
बेताब हमारे दिल में
इक मस्ती सी छायी है
अय देश अलविदा तुझको
कहने की घडी आयी है
महकेंगे तेरी फिजा में
हम बनके हवा का झोंका
किस्मत वालों को मिलता आ
ऐसे मरने का मौका
निकली ई है बरात सजा है
इन्किलाब का डोला आ
मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए बसंती चोला रंग दे
रंग दे ए
रंग दे
बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला रंग दे
रंग दे
रंग दे ए
रंग दे
बसंती चोला माये रंग दे ए ए ए
Mhaare Rajasthan maa
Posted on: March 20, 2019
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3897 | Post No. : | 14942 |
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Blog 10-Year Challenge (2009-19) – Song No. 19
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Today’s song that I am presenting here is a very special song for me as it is about Rajasthan, a place that I am quite fondly attached to thanks to my stay at Kota, Rajasthan.
I had considered this song under my series ‘Desh Ki Mitti Ki Khushboo’ earlier but that could not materialise.
When I took up this series, I though of discussing songs dealing with folklore, talk about folktales, folksongs, culture, traditions, customs of our Country, patriotic songs, songs be based on historical events and yes geographical settings of our country too.
Even songs based on art and crafts of our country, if any are suitable candidates for inclusion in this ‘Desh Ki Mitti Ki Khushboo’ series. So far three songs have been covered under that series and hopefully I will try to bring more in future.
Coming back to the song of this, it falls under another series namely ‘blog ten-year challenge(2009-2019)’.
Songs from following movies were posted ten years ago on 20.03.2009 on the blog;
‘Kaaliya-1981’
‘Manpasand-1980’
‘Sahib Bahadur-1977’
‘The Great Gambler-1979’
‘Lamhe-1991’
‘Shahjahan-1946’
Out of the abovementioned six movie half of them i.e. three have already been covered with all of their songs posted on the blog viz. ‘Kaaliya-1981’, ‘The Great Gambler-1979’ and ‘Shahjahan-1946’.
The other three movies thus ‘qualify’ for the ‘blog ten-year challenge’. Today I am presenting a song from ‘Lamhe-1991’.
I also like songs from ‘Manpasand’ and ‘Sahib Bahadur’ and wish I could have presented a song from each of them as well 🙂
***
My working life started at the age of 17, with a small company (Nagpur based), at Parli-Vaijnath (Marathwada-Maharashtra) at a Thermal Power Station. When the contract of this company was completed, my boss had ensured that I get a job in a Delhi based company, so that I could continue working and get settled in my professional life.
I have mentioned i in one of my earlier post that the first thing that came to mind on the mention of Delhi was that I will get to see Delhi and other places of our great country. It actually happened and I got the chance to visit New Delhi many times thereafter and travelled a lot to different places due to my postings and official work.
I was enjoying all the travel, even though they were sometime troublesome and uncomfortable, as I was interested in seeing important places of historical and other significance. I was also getting the opportunity to observe the rich historical and cultural heritage our country hase, observe people of diverse areas who spoke different dialects and followed different customs and traditions. That interest and enthusiasm continues even now and I think that I have yet to cover a lot of ground as far as visiting different places in India are concerned.
My first ‘out of Maharashtra’ posting was at the company work site at Kota, Rajasthan.
Here I would also like to mention that fortunately I got site postings at places which were nearer to a city e.g. Phulpur near Allahabad, Aonla near Bareilly etc.
On Nov 30th 1988 late evening, I landed at Kota and stayed there till 14th Aug 1996, when I left for Phulpur-Allahabad.
I have many fond memories of my stay at Kota (and would like to share them in future posts as possible, as they cannot be concluded in just one post here).
While I enjoyed my working life, I did my studies as wello and completed my graduation through IGNOU there.
During my stay there I was always on the lookout for opportunities to visit historical places and tourist destinations, and in the process would buy books on tourism, atlas, maps etc etc.
Though I visited some of them; still many places continue to remain on my wish list till today.
When I rummaged through my travel books in my collection, I came across a book titled ‘Paryatakon ka Swarg- Rajasthan’, which I think I must have bought around 1989-90. Though the date of purchase is not marked there, I find some interesting notes on the index page of this book.
The index page mentions fifteen important places, which have separate chapters in the book, containing pictures and information of these places.
Out of these, Chittorgarh was my favorite and I visited the fort as many as three times in April & August’1992 and Nov’1993. I also travelled to the interior village Nimbaheda near Chittorgarh and stayed there with my friend, while visiting Nimach (MP) once.
I visited Jaipur in July 1990 and Udaipur and the fort at Bundi in August 1992.
(I remember that I visited Jaipur once again in 1994, but that was for an interview and not for sightseeing. So, this does not get into the list 🙂 )
Modern-day Rajasthan was formed on 1st November, 1956. Earlier it was known as ‘Rajputana’ the name given by the Britishers and it was formed on 30th March 1949 (ref – wiki)
It is also known as the ‘Princely State of India’ (Rajputana comprises as many as nineteen princely states (as per wiki).
Rajasthan is divided into thirty-three districts with seven Divisions viz. Jaipur, Udaipur, Ajmer, Jodhpur, Bikaner, Kota and Bharatpur.
By area it is the largest state of India followed by Madhya Pradesh and Maharashtra.
Rajasthan has its glorious history, culture and traditions and so we have many festivals that are celebrated with huge grandeur and enthusiasm.
Hindi films have from time to time included stories and songs based on Rajasthani culture and traditions.
(And since more songs – based on Rajasthan- can be included in this series in future posts I have numbered this post as #Rajasthan-1#)
I watched ‘Lamhe-1991’ at Kota and again twice at Indore when I was travelling for Parli-Vaijnath via Indore-Purna junction. It was after three years that I was going to home since I landed at Kota in 1988. (my parents visited me once in between).
The ‘metre-gauge’ train travel also is one other subject that I wish to cover in another post, so many memories coming back to mind now …
I liked the movie ‘Lamhe’ very much then and also its songs which brings back many memories for me. The film has been shot at many fascinating and beautiful locations of Rajasthan.
So, here is a song from this film ‘Lamhe-1991’ composed by Shiv-Hari and sung by Mohiuddin. Lyrics are by Anand Bakshi and this ‘folk based song’ is composed by Shiv-Hari. If we listen this ‘magical’ composition again and again it fills us with pride and make nostalgic about the ‘glorious’ past of the ‘princely’ state Rajasthan.
I am unable to recollect now when this song appears in the movie. However I think it is a background song. As of now only the audio of this song is available.
Earlier I could not get right words at few places so I contacted one of our senior guest members whom I met during the Mumbai Gang out in 2016 – Shri. Mahendra Bafna ji and he immediately responded to my request and guided me about the correct words in the lyrics.
Enjoy the song while remembering the glorious and colorful part of India- Rajasthan.
So far three songs from this movie have been posted on the blog.
Audio
Song-Mhaare Raajasthan maa (Lamhe)(1991) Song-Mohiuddin, Lyrics-Anand Bakshi, MD-Shiv Hari
Lyrics
Aa aa aa aa aa
aa aa aa
Mhaare Rajasthan maa aa aa aa
Sarson ka nahin khet
Sone si chamke pan
Registaan ki ret
Itni prem kahaaniyaan aa
Kitney ae yuddh sangraam
Rajasthan ke naam se ae ae
ho o
Judey hain binke naam
Laal jyaada hain bahot
Ho o o
Apne khoon ka rang
Ho o o
Pyaar kiyaa to pyaar kiyaa aa aa
Jang kari to jang
Jaise pyaar mein dil diyaa aa aa aa
Yuddh mein di yoon jaan
Ho o o o
Kyun na ham par garv kare ae ae
Saaraa Hindustaan
(Note: jude hai binke naam – unke naam – binke is a word in Rajasthani folk for ‘unke)
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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आ आ आ आ
आ आ आ आ
म्हारे राजस्थान मा आ आ आ
सरसों का नहीं खेत
सोने सी चमके पण
रेगिस्तान की रेत
इतनी प्रेम कहानियां
कितने युद्ध संग्राम
राजस्थान के नाम से ए ए
हो ओ ओ
जुडे है बिनके नाम
लाल ज्यादा है बहोत
हो ओ ओ
अपने खून का रंग
हो ओ ओ
प्यार किया तो प्यार किया आ आ
जंग करी तो जंग
जैसे प्यार में दिल दिया आ आ
युद्ध में दी यूं जान
हो ओ ओ
क्यूँ न हम पर गर्व करे ए ए
सारा हिन्दुस्तान
In Haseen Waadiyon Se
Posted on: March 17, 2019
- In: Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Lata song | Lata-Suresh Wadkar duet | Lover's tête-à-tête | Lyrics contributed by readers | Post by Avinash Scrapwala | Snowy mountain song | Songs of 1980s (1981 to 1990) | Songs of 1981 | Suresh Wadkar songs | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3894 | Post No. : | 14933 |
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Blog 10-Year Challenge (2009-19) – Song No. 18
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‘Pyaasa Saawan’ (1981) is one of the lovely reminders of those movie watching days, when we were (for me) watching movies either with elders in the family or with siblings and cousins or sometimes together with all. Those were the days when movie watching was the biggest attraction after ‘print media’, ‘radio’, and ‘cricket’ (for me).
To be a ‘fan’ of ‘Rajesh Khanna’ was still a year or two in the future to happen.
Another reminder of this movie are of course its songs. Particularly ‘Megha Re Megha Re’ and ‘Tera Saath Hai To’. Other songs of this movie were also good and they were frequently played on radio or loudspeakers.
The first song from this movie to be posted on the blog was ‘Tera Saath Hai To’. It was ten years ago, on 17.03.2009 and so far, no comment appears on this song on the blog. However, and that is another reason for this article of today, this song was covered only with one version and i.e. the female version sung by Lata Mangeshkar. Whereas, the song is a ‘multiple version’ song and the male version is sung by Kamlesh Awasthi. I am also sharing the lyrics for this male version of the song with a request to our ‘Editors’ to please update this in the ‘main post’. Also, the third stanza in the ‘female version’ was not included in the post of 17.03.2009, which I have included in full lyrics and would request Shri Atul ji and Shri Sudhir ji to kindly update in this song’s post.
Now coming back to the ‘ten-year challenge’ – 2009-2019 – the other movies represented on the blog that day i.e. on 17.03.2009 were;
- ‘Dost’ (1974) (all songs have already been covered and needs to painted ‘red’)
- ‘Deewaana’ (1992)
- ‘Manchali’ (1973)
- ‘Parwana’ (1971)
- ‘Baat Ek Raat Ki’ (1962)
All the above movies except ‘Deewaana’ and ‘Pyaasa Saawan’ have already been covered for their all songs on the blog and Yippeeee’ed 🙂
‘Pyaasa Saawan-1981’ was directed by Dasari Narayan Rao for Tirupati Pictures Combine, Bombay. It was produced by Prasan Kapoor (brother of actor Jeetendra) and as such it was Jeetendra’s home production. Dasari Narayan Rao had also written the story and screenplay of this movie. Dialogues of this movie were written by Raj Baldev Raj. Editing of this movie was done by GG Krishna Rao. This movie was passed by Censor Board on 20.08.1981.
The film has Jeetendra (in double role), Moushumi Chatterjee, Reena Roy, Deven Verma, Madan Puri, Asha Lata, Javed, Duggal, NS Bedi, Prem Kumar, Umesh Khanna, Ashok Saxena, Babloo, Babban, Raghvaiyya, Ashok Shivpuri, Heera, Billi, BA Subba Rao, Mahmood Khan, and Verma. Vinod Mehra and Aruna Irani make a special appearance in this movie, and Kumar Aditya makes a guest appearance.
This movie has six songs (including one multiple version song). All its songs are written by Santosh Anand and music is composed by Laxmikant-Pyarelal. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Suresh Wadkar and Kamlesh Awasthi had given their voices to the songs in this movie.
Three songs of this movie have been posted on the blog earlier and third, other than the two mentioned above is ‘O Meri Chhamak Chhallo’. The song being posted today is the fifth song from this movie and that considering of the updating of the multiple version song.
All the songs from this movie were quite good songs and enjoyable songs – ‘Megha Re Megha Re’ and ‘Tera Saath Hai To’ are the ones which I liked most. Though I had watched this movie then I did not remember it completely and as I was preparing for this article I was recollecting its story and other songs. As Atul ji has mentioned in his post while presenting the first song from this movie on the blog, the movie reminds of the ‘Chadamama’ stories. Yes of course!!
Because here we see a Father becoming wealthier after lot of struggle and hard work and though neglecting his wife in the process of accumulating wealth and losing her up brings his only son with lot of love. And when once he has to attend the birthday celebration of this son, and he didn’t get a ticket in the flight (no advance booking may be 🙂 ) he orders his secretary to ‘charter a plane’ and finally reaching only to see that his son is not at home but enjoying in a club. . . (To be concluded 🙂 )
The son also finds himself in a similar situation like his father, when he takes over the family business and his marriage comes to a stage of ‘divorce’. But finally the Father saves it all and we have a ‘happy ending’ there 🙂
Let us now enjoy the today’s song sung by Lata Mangeshkar and Suresh Wadkar. Lyrics are by Santosh Anand and it is composed by Laxmikant-Pyarelal. On screen it is performed by Jeetendra and the beautiful Reena Roy!!
Song – In Haseen Waadiyon Se (Pyaasa Saawan) (1981) Singer – Suresh Wadkar, Lata Mangeshkar, Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Suresh Wadkar + Lata Mangeshkar
Lyrics
in haseen waadiyon se
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
itnaa badaa gagan hai
do chaar sitaare
churaa len to chalen
churaa len to chalen
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
kahin koi jharna ghazal gaa raha hai
hmm
kahin koyi bulbul taraana sunaaye
hmm
yahaan haal ye hai
ke saanson ki lai par
khayaalon mein khoya badan gungunaaye
kahin koi jharnaa ghazal gaa rahaa hai
kahin koyi bulbul taraana sunaaye
yahaan haal ye hai
ke saanson ki lay par
khayaalon mein khoya badan gungunaaye
in lazeej jhurmuton se
do chaar sharaare churaa len to chalen
churaa len to chalen
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
hamaari kahaani shuru ho gayi hai
hamaari kahaani shuru ho gayi hai
samajh lo jawaani shuru ho gayi hai
kayi mod hum ne tay kar liye hain
nayi zindagaani shuru ho gayi hai
in madbhare manzaron se
do chaar sahaare
churaa len to chalen
churaa len to chalen
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
itnaa badaa gagan hai
do chaar sitaare
churaa len to chalen
churaa len to chalen
in haseen
in haseen
waadiyon se
waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
churaa len to chalen
churaa len to chalen
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————–
इन हसीन वादियों से
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें
चुरा लें तो चलें ए
इतना बड़ा गगन है
दो चार सितारे चुरा लें तो चलें
चुरा लें तो चलें
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें
चुरा लें ए तो चलें
कहीं कोई झरना ग़ज़ल गा रहा है
हम्म
कहीं कोई बुलबुल तराना सुनाये
हम्म
यहाँ हाल ये है
के साँसों कि लय पर
ख्यालों में खोया बदन गुनगुनाये
कहीं कोई झरना ग़ज़ल गा रहा है
कहीं कोई बुलबुल तराना सुनाये
यहाँ हाल ये है
के साँसों कि लय पर
ख्यालों में खोया बदन गुनगुनाये
इन लजीज झुरमुटों से
दो चार शरारे चुरा लें तो चलें
चुरा लें ए तो चलें
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें
चुरा लें ए तो चलें
हमारी कहानी शुरू हो गयी है
हमारी कहानी शुरू हो गयी है
समझ लो जवानी शुरू हो गयी है
कई मोड़ हमने तय कर लिए हैं
नयी जिंदगानी शुरू हो गयी है
इन मदभरे मंज़रों से
दो चार सहारे ए चुरा लें तो चलें
चुरा लें तो चलें
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें ए
चुरा लें तो चलें ए
इतना बड़ा गगन है
दो चार सितारे ए चुरा लें तो चलें
चुरा लें तो चलें
इन हसीन
इन हसीन
वादियों से
वादियों से
दो चार नज़ारे
चुरा लें तो चलें
चुरा लें तो चलें
चुरा लें तो चलें
चुरा लें तो चलें
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