Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Avinash Scrapwala’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4640 Post No. : 16300

The musical bandwagon may be moving slower now a days, but it is moving on nevertheless. Everyday sees at least one post in the blog. The last DOT day for the blog was on 25 december 2019 (4177th day for the blog). Since then, the blog has added at least one song every day for the last 563 days.

Today is 4640th day for the blog. On this day we achieve yet another landmark figure, viz post number 16300. In other words, we complete the 163rd century for the blog today. It works out to an average of 28.5 days for one century. So by the time our moon completes one rotation of the earth, the blog completes one century of songs. 🙂

Here I have likened the progress of the blog to moon. But in the past, I have likened the blog to a bandwagon. And on other occasions, I have likened it to a train as well. 🙂

Come to think of it, trains fascinate us nearly as much as Hindi movie songs fascinate us. Trains in fact fascinate Hindi movie makers also. And so we find trains playing important roles in many Hindi movies. Many songs in these movies take place on trains.

When I checked up, I realised that the blog has just over one hundred rain songs already. We have 102 rail related songs in the blog so far.

If onev thinks that these rail related songs have beebn covered by me ( a Railwayman myself), you cannot be more wrong. Most regular contributors of the blog have contributed to this impressive catalog of rail songs in the blog. Just take a look at the chart here to see the contributions of rail related posts and lyrics by our regulars :-

Contributor Number of Articles Lyrics Remarks
Atif M 2 Post no. 6157 and 6286
Ava Suri 2 Post no. 8536 and 14992
Arunkumar Deshmukh 6 Post no. 7670, 8255,9709,10742,10960 and 14578
Avinash Scrapwala 3 1 + 2 (Devnagri) Post no. 16069,16134 and 16135 Both Lyrics for posts 13964 and devnagri lyrics for 14903
Bharat Upadhyay 1 Post no. 11305
K Satish Shenoy 1 Post no. 14486
Khyati Bhatt 2 Post no. 5248 and 7450
Mahesh Mamadapur 1 Post no. 11226
nahm 2 Post no. 7676 and 9898
Nitin Shah 5 Lyrics for Post no. 5753,5791,8732,9606 and 10817
Pamir Harvey 1 Post no. 8160
Peevesie 1 Post no. 5756
Peevesie’s mom 4 Post no. 7564,8867,11717 and 16141
Prakashchandra 10 Lyrics for Post no. 5039,6447,6579,6705,6782,6871,8626,8865,10051 and 12828
Raja 2 Post no. 3161 and 13374
Sadanand Kamath 1 Post no. 7053
Satyajit Rajurkar 1 Post no. 9325
Sudhir Kapur 10 1 Post no. 3900, 3988,7368,8537,9561,9973,10729,11111,13929 and 15551. Lyrics for post number 3486

What an impressive collection of Rail related songs by our regulars.

Some of these songs have doubled up as blog century posts as well. Here is the list of Rail songs that haave been used as blog century posts :-

Blog post number Song Movie (Year) Date of posting
2000 Dhak dhak karti chali jeewan ki rail re Dilruba(1950) 27 september 2009
2700 Jeewan hai ik sapnaa madhur suhaanaa sapnaa Honeymoon (1973) 30 july 2010
3500 Main hoon jhum jhum jhum jhum jhumroo Jhumru (1961) 4 February 2011
3900 Ye hai jeewan ki rail Mehlon Ke Khwaab 17 may 2011
15800 Hamaare dil ke station pe bhi baabu kabhi aanaa Fifty Fifty(1950) 12 August 2020

I have decided to use another Rail song as this blog century song. I had a good number of Rail songs to chose from. Avinash Scrapwala, one of the bigger Railway fans among the regulars, had sent me several rail related lyrics and he keeps reminding me about them periodically. I have chosen one of those lyrics for this post.

This song is from “Naach”(1949). “Naach” (1949) was directed by Ravindra Dave for Kuldip Pictures. The movie had Shyam, Suraiya, Kuldip, Raj Mehra, Gulab, Yashodhara Katju, Sofia, Shyama, Wasti, Om Prakash etc in it.

The movie had 11 songs in it. Eight songs have been covered in the past.

This rail song from “Naach”(1949) is sung by Geeta Dutt, Lata Mangeshkar and an unknown male voice.

I take this opportunity to thank one and all for their continued support and encouragement which has kept this musical labour of love to keep rolling on and on without any stoppages. Here is hoping that we will countinue to keep arriving at many more milestones during our musical journey.


Song-Chhak chhak chali hamaari rail (Naach)(1949) Singers-Geeta Dutt, Lata Unknown male voice, Lyrics-Mulkraj Bhakri, Md-Husnlal Bhagatram

Lyrics(Provided by Avinash Scrapwala)

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Liye jaa rahi hai ye kisiko
Bichhda sajan milaane ae ae
Liye jaa rahi hai ye kisiko
Bichhda sajan milaane

Koyi chhod apne sangi ko
Chalaa hai door thhikaane ae ae
Koyi chhod apne sangi ko
Chalaa hai door thhikaane
Kismet se hi hote hain ji
Bichhdon ke phir mel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Malaai hai malaai
Malaai hai malaai
gore haathon ne banaayi
gore haathon ne banaayi
Kunwaara bhi khaaye to
Mil jaaye lugaai
Mil jaaye lugaai
Poochhlo ise
Isne parson hi khaayi
Parson hi khaayi
Malaai hai malaai
Malaai hai malaai

Baalam morey ka shehar hai Dehli
Baalam morey ka shehar hai Dehli
Chhoti bajariyaa mein oonchi haveli
Chhoti bajariyaa mein oonchi haveli
Maikaa hai mora beech Bareilly
Maikaa hai mora beech Bareilly
Wahin ki ticket kataayi re
Wahin ki ticket kataayi re

Guard baabu
O Guard baabu
Guard baabu
O Guard baabu
Gaadi jaldi jaldi khench

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————–

छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने ए ए

लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने
कोई छोड़ अपने संगी को
चला है दूर ठिकाने ए ए

कोई छोड़ अपने संगी को
चला है दूर ठिकाने
किस्मत से ही होते हैं जी
बिछड़ों के फिर मेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल

मलाई है मलाई
मलाई है मलाई
गोरे हाथों ने बनायी
गोरे हाथों ने बनायी
कुंवारा भी खाए तो
मिल जाए लुगाई
मिल जाए लुगाई
पूछलो इसे
इसने परसों ही खायी
परसों ही खायी
मलाई है मलाई
मलाई है मलाई

बालम मोरे का शहर है देहली
बालम मोरे का शहर है देहली
छोटी बजरिया में ऊंची हवेली
छोटी बजरिया में ऊंची हवेली
मैका है मोरा बीच बरेली
मैका है मोरा बीच बरेली
वहीँ की टिकट कटाई रे
वहीँ की टिकट कटाई रे

गार्ड बाबू
ओ गार्ड बाबू
गार्ड बाबू
ओ गार्ड बाबू
गाडी जल्दी जल्दी खेंच

छक छक चली हमारी रेल
छक छक चली हमारी रेल


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4638 Post No. : 16296

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 128 # A Tribute to Anand Bakshi#
——————————————-—————————

Today 30th March 2021 (21.07.1930 – 30.03.2002) is the nineteenth Remembrance anniversary of Lyricist Anand Bakshi. As a tribute to him here is a song from the ‘1976’ movie ‘Mahaachor’ On this occasion .

‘Mahaachor-1976’ was directed by Narinder Bedi for ‘Dachi Films Pvt Ltd, Bombay’. It had Rajesh Khanna, Neetu Singh, Prem Chopra, Kamini Kaushal, Manorama, Anwar Hussain, Krishna Dhawan, Manmohan, Rajan Haksar, Aruna Irani, Sonia Sahni (Special appearance), Master Lollipop, Viju Khote, Rajpal, Narbada Shankar, Jagdish Raj, Pinchoo Kapoor, Birbal, Pratima Devi, Rajnath, Moolchand, Ratnamala, Nishan Singh, Chandu, Dhanna, Mishrilal and others.

This movie was passed by Censor Board on 16.10.1976.

This movie had six songs (as listed below) written by Anand Bakshi and composed by R.D. Burman.

S.No. Song Title Singer/s Posted On
01 Ae..ho..aa …mera naam yaaron mahaachor hai Kishore Kumar
02 Hindu hoon main naa musalmaan hoon Kishore Kumar
03 Sun Banto baat meri… naiyyo katni raat meri Anand Bakshi, Asha Bhonsle
04 Main tumse pyaar karti hoon Lata Mangeshkar, Kishore Kumar 29.12.2011
05 Tu kya mujhe barbaad karega … Lata Mangeshkar
06 Meethhi meethhi ankhiyon se man bhar de Kishore Kumar, Asha Bhonsle 18.07.2016

It can be seen that only two songs from this movie have been posted on the blog. The second song appeared after a gap of a little more than four years and six months after the first song. Incidentally today’s song, the third one from this movie, is appearing after a gap of more than four years and eight months (almost about five years). The earlier two songs were posted on anniversaries of Rajesh Khanna. Today’s song is being posted on the ‘Remembrance anniversary’ of Anand Bakshi – the lyricist for this movie.

Today’s song is sung by Kishore Kumar and it is lip-synced by Rajesh Khanna. From the picturization of this song it seems to be lip synced after a communal clash between followers of to religions, where this song serves to preach the values of communal harmony

As mentioned above lyrics are by Anand Bakshi and music is composed by R.D. Burman.

In the year ‘1976’ Anand Bakshi wrote lyrics for the following movies;

S. No Name of the movie Music Director
01 Aap Beetee Laxmikant-Pyarelal
02 Baalika Badhu R.D. Burman
03 Baarood S.D. Burman
04 Bairaag Kalyanji-Anandji
05 Bhanwar R.D. Burman
06 Bullet R.D. Burman
07 Charas Laxmikant-Pyarelal
08 Deewaangee Ravindra Jain
09 Dhongee R.D. Burman
10 Do Ladkiyaan Laxmikant-Pyarelal
11 Jaaneman Laxmikant-Pyarelal
12 Jeewan Jyoti Salil Chaudhary
13 Koi Jeeta Koi Haaraa Laxmikant-Pyarelal
14 Maa Laxmikant-Pyarelal
15 Mahaachor R.D. Burman
16 Mehboobaa R.D. Burman
17 Nehale Pe Dehalaa R.D. Burman
18 Tyaag S.D. Burman

The songs from ‘Kabhie-Kabhie’, ‘Dharam Karam’ and ‘Jai Santoshi Maa’ stood in the first three ranks respectively in the annual list of ‘Binaca-Geetmala’ that year in 1976. As many as eleven songs written by Anand Bakshi figured in this list of ‘1976’. These included songs from ‘Sholay-1975’, ‘Mehboobaa-1976’, ‘Jaaneman-1976’, ‘Warrant-1975’, and ‘Charas-1976’ as well.

let us now listen to today’s song. It is sung by Kishore Kumar. R.D. Burman is the music director and lyrics are by Anand Bakshi.

Video

Audio

Song-Hindu hoon main na Musalmaan hoon (Mahaachor)(1976) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Unknon voice 1
Unknon voice 2

Lyrics

Hindu hoon main naa Musalmaan hoon
Hindu hoon main naa Musalmaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon
Hindu hoon main naa Musalmaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hain main insaan hoon

Jisko pataa ho boley
Mazhab kaa raaz khole
Main jab paidaa hua thha
Likha hua nahin thha
Chehre pe naam mera
Sabko salaam mera
Logon ne jo bhi pukaara
Main ban gayaa bechaara
Baat samajh nahin aati
Kiskaa banoon main saathi
Taubaa hai
Taubaa hai
Main kitnaa nadaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hai main insaan hoon

Likha padha nahin main
Rakhta hoon ispe yakeen main
Maine kahin suna hai
Kisi shayar ne kahaa hai
Mazhab nahin sikhaata
Aapas mein bair rakhna
Kehne ka ye matlab hai
Ye kaunsa majhab hai
Jisne tumhen bhadkaaya
Aapas mein ladna sikhaaya aa
Tum ho khafaa
Tum ho khafaa aur main hairaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hai main insaan hoon

Om namah shivay nanah
Allah ho akbar r r r

Mandir masjid gurudwaare ae
Mandir masjid gurudwaare ae
Maalik ke ghar hain saare
Ha se Hindu banaa hai
Ma se Muslim banaa hai
Ha aur ma se jaano
Ham sab bane deewaanon
Do haath paanv mere
Do haath paanv tere
Jab jism hain ek jaise
Phir ham judaa hain kaise ae
Pehchaano main sach ki pehchaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hai main insaan hoon

————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-

हिन्दू हूँ मैं ना मुसलमान हूँ
हिन्दू हूँ मैं ना मुसलमान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता हैं मैं इंसान हूँ
हिन्दू हूँ मैं ना मुसलमान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

जिसको पता हो बोले
मजहब का राज़ खोले
मैं जब पैदा हुआ था
लिखा हुआ नहीं था
चेहरे पे नाम मेरा
सबको सलाम मेरा
लोगों ने जो भी पुकारा
मैं बन गया बेचारा
बात समझ नहीं आती
किसका बनूं मैं साथी
तौबा है
तौबा है
मैं कितना नादान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

लिखा पढ़ा नहीं मैं
रखता हूँ इस पे यकीन मैं
मैंने कहीं सूना है
किसी शायर ने कहा है
मजहब नहीं सिखाता
आपस में बैर रखना
कहने का ये मतलब है
ये कौनसा मजहब है
जिसने तुम्हे भड़काया
आपस में लड़ना सिखाया
तुम हो खफा
तुम हो खफा और मैं हैरान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

ॐ नमः शिवाय
अल्लाह हो अकबर

मंदिर मस्जिद गुरुद्वारे
मंदिर मस्जिद गुरुद्वारे
मालिक के घर हैं सारे
ह से हिन्दू बना है
म से मुस्लिम बना है
ह और म से जानो
हम सब बने दीवानों
दो हाथ पाँव मेरे
दो हाथ पाँव तेरे
जब जिस्म हैं एक जैसे
फिर हम जुदा हैं कैसे
पहचानो मैं सच की पहचान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4631 Post No. : 16285 Movie Count :

4424

Today 23rd March 2021 is the ninetieth remembrance anniversary of martyr dome of Sardar Bhagat Singh, Sukhdev and Rajguru. They were hanged to death by the British regime on 23rd March 1931.

On this occasion as a tribute in remembrance of these great sons of this soil here is a song from the movie ‘23rd March 1931 Shaheed’ (2002).

As I had mentioned in my earlier post on the blog, in the year 2002 there were three movies released on the life of Bhagat Singh;

  • 23rd March 1931 Shaheed
  • The Legend of Bhagat Singh
  • Shaheed-E-Azam

I would like to reproduce here what Dharmendra expressed about this movie his home production, (as appearing on the blurb of the audio cassette);

It is not the first time in the history of Indian Cinema that a film has been inspired by India’s favorite revolutionary. And quite honestly, it might not even be the last. This Sikh youth of character so powerful and deep represents the meaning of true patriotism and fearlessness to one and all. It can be assured that every time a movie is made on Bhagat Singh, not one person leaves the cinema hall carrying the same heart with which he arrives. It is not just his sacrifice that moves you; his biggest revolutionary thought and his smallest patriotic action, stir your blood inside. Bhagat Singh cannot be imitated, no matter how impressed you might feel. And yet, the one reason he chose death over life was to create a thousand of his kind so that each one of them could bear the depth of the same patriotic fervor to serve their country.
– Dharmendra

I was staying at Bareilly when this movie was released in 2002 and I had watched both the movies simultaneously i.e. ‘The Legend of Bhagat Singh’ and ‘23rd March 1931-Shaheed’. I remember both the movie were welcomed by huge crowds in their first week of release and thereafter ‘The Legend of Bhagat Singh’ had a good run on the box office, better than the today’s movie.

‘23rd March 1931 Shaheed’ was directed by Guddu Dhanoa for ‘Sunny Super Sound Presentation’. It was produced by Dharmendra.

It had Sunny Deol, Bobby Deol, Amrita Singh, Rahul Dev, Akshay Anand, Vicky Ahuja, Divya Dutta, Raja Bundela, Suresh Oberoi, Shakti Kapoor, Vivek Shauq, Samaresh Rautrai, Indal Singh, Sanjay Tripathi, Tej Sapru, Rajesh Khera, Deepak Sharma, Suresh Chatwal, Sachin Khedekar, Manoj Tiwari, Rana Jung Bahadur, Ishrat Ali, Imran Khan, Master Atit, Master Honey and Aishwarya Rai (in friendly appearance).

Screenplay of this movie is written by Sutanu Gupta and Dialogues of this movie are written by Sanjay S. Masoom Editing of this movie is done by Keshav Naidu. This movie was passed by Censor Board on 30.05.2002.

This movie has seven songs, written by Dev Kohli. The song “Sarfaroshi Ki Tamanna” by Ramprasad Bismil was included in the movie and with it the total number of songs makes it to eight. Songs in this film are sung by Udit Narayan, Alka Yagnik, Vinod Rathod, Hans Ran Hans (as per titles of the movie) and Bhupinder Singh, Mohd Salamat and Veer Rajendra (as mentioned in the blurb of the audio cassette of this movie and in addition to the names mentioned in the titles of the movie).

Today’s song is sung by Veer Rajinder and lyrics are by Dev Kohli. This song is in two parts (or may be three parts) in the movie as per video links available in the domain.

With the today’s song this movie ‘23rd March 1931 Shaheed’ (2002) makes its debut on the blog.

Let us now listen to the today’s song. . .

Video

Audio

Video (Part 2)

Audio (Part 2)

Song – Saans Hai Jab Talak, Naa Rukenge Kadam (23 March 1931 – Shaheed) (2002), Singer – Veer Rajinder, Lyrics – Dev Kohli, MD – Anand Raj Anand
Chorus
Lyrics

saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se hamen
marte marte sabhi ko
bataa jaayenge
aye watan
aye watan
aye watan
aye watan

wo jawaani jo khoon ko
jalaati nahin
hmm hmm hmm hmm
wo watan ke liye
rang laati nahin
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
daagh lekar ghulaami ka
kyun ham jeeyen
haan kyun ham jeeyen
soch kar raaton ko
neend aati nahin
saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se hamen
marte marte sabhi ko
bataa jaayenge
aye watan
aye watan
aye watan
aye watan

aa aa aa aa aa aa aa
aa aa aa

hamne tay kar liyaa
hamne le li qasam
khoon se apne seechenge
apnaa chaman
hmm hmm hmm hmm
hamne tay kar liyaa
hamne le li qasam
khoon se apne seecnhenge
apnaa chaman
jaan lekar hatheli pe
ham chal diye
haan ham chal diye
baandh kar sar pe nikle
hain ham ye qafan
saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se hamen
marte marte sabhi ko
bataa jaayenge
aye watan
aye watan
aye watan
aye watan
aye watan
aye watan
aye watan
aye watan
———–
(part-2)
———–
naaz tujhko to hogaa
bhagatsingh ki maa
tera beta watan ke kaam aa gayaa
sar jhukaa kar nahin
sar uthha ke chalaa
desh ke waaste
jaan lootaa ke chalaa
jaane waaloon ko dekho
watan ke liye
aa aa aa aa
shamma aazaadi ki wo
jalaa jaayenge
saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se inhen
marte marte sabhi ko
bataa jaayenge
inquilaab zindabaad
inquilaab zindabaad
inquilaab zindabaad

——————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————–

सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से हमें
मरते मरते सभी को
बता जायेंगे
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन

वो जवानी जो खून को
जलाती नहीं
ह्म ह्म ह्म ह्म
वो वतन के लिए
रंग लाती नहीं
आ आ आ आ आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ आ आ
दाग़ लेकर ग़ुलामी का
क्यूँ हम जीयें
हाँ क्यूँ हम जीयें
सोच कर रातों को
नींद आती नहीं
सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से हमें
मरते मरते सभी को
बता जायेंगे
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन

आ आ आ आ आ आ आ
आ आ आ

हमने तय कर लिया
हमने ले ली क़सम
खून से अपने सींचेंगे
अपना चमन
ह्म ह्म ह्म ह्म
हमने तय कर लिया
हमने ले ली क़सम
खून से अपने सींचेंगे
अपना चमन
जान लेकर हथेली पे
हम चल दिए
हाँ हम चल दिए
बाँध कर सर पे निकले
हैं हम ये कफन
सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से हमें
मरते मरते सभी को
बता जायेंगे
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
————–
(भाग- २ )
————–

नाज़ तुझको तो होगा
भगतसिंह कि माँ
तेरा बेटा वतन के काम आ गया
सर झुका कर नहीं
सर उठा के चला
देश के वास्ते
जान लूटा के चला
जाने वालों को देखो
वतन के लिए
आ आ आ आ
शम्मा आज़ादी को वो
जला जायेंगे
सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से इन्हें
मरते मरते सभी को
बता जायेंगे
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616 Post No. : 16252

Today is the 8th of March.
A date that has an immediate connect with those who love Urdu poetry, and lyrics of Hindi films.

They celebrate it every year as the birth anniversary of one of the giants of 20th century Urdu poetry, and easily one of the most highly regarded lyricists the Hindi film industry has known.

I’m talking about Sahir Ludhianvi, of course.
He is right up there as one of the greatest – and I don’t think anyone disputes this.

It’s no secret to those who have read my previous posts here that I’m a massive fan of Sahir. I’ve written many posts on him here – on practically every birth and death anniversary of his. And even some in between.

And yet today is an extra extra special day.

For it’s not just another birth anniversary of his – it is his birth CENTENARY.

Yes, he was born on 8th March 1921 – in other words, exactly 100 years ago.

I need to take a deep breath here to take in this occasion.

What a momentous one it is!

I suppose a centenary is also an opportunity to take a step back and look at what the person’s influence has been over the period in question.

And that is what I hope to do a little bit of here in this post.

Sahir passed away in 1980 – he was only 59 at the time.

But what a life!

Like Lincoln supposedly said “It’s not the years in your life that count, it’s the life in your years”.

Sahir lived a life that influenced not only people during his lifetime, but is also inspirational for people, like me and many others, 40 years after his death.

(I hope you can hear this from up there, Sahir saab!)

To understand the influence of Sahir, we need to look at him as more than just a poet.
There were poets before him – and there have been poets after him too.
In his own words, “mujhse pehle kitne shaayar aaye aur aakar chale gaye” and “kal aur aayenge naghmon ki khilti kaliyaan chunne waale”.
And it’s true.
And mind you, they have all, in their own ways, been fabulous too.
We should not demean any of their poetic abilities.

And yet where Sahir stands out, even while being exceptional as a poet, is in being exceptional in speaking out against power and oppression.

No one, NO ONE, did it as well as Sahir.
Or as frequently.

And for that, Sahir is in a league of one.

He exemplified the saying “The pen is mightier than the sword” better than any other poet I know, post-independence, with his poetry repeatedly exposing the hypocrisy in Indian society, and the ills prevalent across various sections of it. He railed against patriarchy and misogyny, against capitalists exploiting labour, against the government silencing dissent.

How can you NOT love such a person?

It all probably started early in Sahir’s life, when, having to choose between his rich father and his suffering mother, he chose the latter.

Maybe that was the trigger for him for the rest of his life, because he always spoke up for the poor, the underprivileged, the oppressed, the marginalized.

Of course there’s more to Sahir than just this.
He had amazing variety too.
Romantic songs. The songs of Hum Dono, Taj Mahal, Gumraah, Humraaz, Shagun and Waqt come immediately to my mind.
Philosophical songs. Main zindagi ka saath, aage bhi jaane na tu, mann ri tu kaahe na dheer dhare, kabhi khud pe…
Bhajans. Aan milo aan milo Shyam saanvre , Allah tero naam and tora mann darpan kehlaaye come to mind.
Qawwalis. Songs of Barsaat Ki Raat and Taj Mahal, for example.
Songs on mother-child relationship – Mujhe Jeene Do, Dhool Ka Phool and Trishul, among others.
Pure fun, zany songs. Sar jo tera chakraaye, aye meri topi palat ke aa.

Each one a gem.

And yet, as I look back on this centenary occasion, it is Sahir’s songs that speak of society, and speak TO society, that I would consider as his most significant and lasting influence.

Without them too, he would be a GREAT poet, no doubt.
But with them, he elevates himself from being just a great poet, to being a decent and conscious human being.

And that to me is far more important than anything else.

So let’s quickly run through some of his poetry where he talks about, or, to, society.
There are many songs of course, but I’ll just mention a few here.

Ye kooche ye neelaam ghar dilkashi ke – Pyaasa (1957)
Ye mehlon ye takhton – Pyaasa (1957)
Saathi haath badhaana – Naya Daur (1957)
Aurat ne janam diya mardon ko – Sadhna (1958)
Tu Hindu banega na Musalmaan banega – Dhool Ka Phool (1959)
Wo subah kabhi to aayegi – Phir Subah Hogi (1958)
Cheen-o-Arab hamaara – Phir Subah Hogi (1958)
Khuda-e-bartar – Taj Mahal (1963)
Na munh chhupa ke jiyo – Humraaz (1967)
Ponchh kar ashq apni aankhon se – Naya Raasta (1970)
Samaj ko badal daalo – Samaj Ko Badal Daalo (1970)

Sahir’s lyrics for such songs were piercing – they went straight to the heart.
It was as if he was pouring out his agony, venting his frustration at society. Showing it a mirror, exposing its hypocrisy.

For example, these seemingly innocuous lines (Sadhna-1958):

kaho jee tum kya kya khareedoge
yahaan to har cheez bikti hai

mohabbat bechti hoon main
sharaafat bechti hoon main
na ho ghairat to le jo
ki ghairat bechti hoon main

Powerful.

Of course, it was not always doom and gloom in his lyrics.
Even while he was critical of society and its ills, he also wrote uplifting lyrics, with hope in them.
Like na munh chhupa ke jiyo , ponchh kar ashq, wo subah kabhi to aayegi mentioned above.
So it’s a combination of frustration and hope – which is probably a pretty accurate representation of his own personality. 🙂
Sahir was himself known to be fairly moody – cheerful one moment, morose the next.

I can keep on and on about Sahir and his songs – I haven’t even scratched the surface.
I haven’t even talked about gems like “pyar par bas to nahin” – Sone Ki Chidiya (1958). But then, one really can’t do justice to Sahir in one post.

So I’m going to force myself to move on – and get to the song for this post.

Before I get to the song, one other thing.

Today, the 8th of March, is also celebrated as International Women’s Day.

It is such a coincidence that both Sahir’s birth date and this date are the same.

Or was it pre-ordained in a sense, because if there was one person who regularly spoke up for women, their rights, how they’ve been oppressed, it was Sahir.

Aurat ne janam diya mardon ko from Sadhna-1958 is of course one of Hindi cinema’s classics. I’ve heard this song many times – and every time it gives me a punch in the gut.

But there were other lesser-known songs too.

And this song which I’m posting today is in that category.

It is from Jiyo Aur Jeene Do (1982).

Since Sahir passed away in 1980, I’m presuming this was one of his last few songs.
Or maybe he had written this earlier, but it got used only later in this film.

Anyway, as usual, it is Avinashji who has helped me with this.
He sent me the lyrics – and, considering it is Sahir’s Day AND Woman’s Day today, it seems to be just the right song for the occasion.

I haven’t seen the film, so I can’t comment about the situation, but the words of the song are powerful – and typically Sahir.

As usual, he talks about exploitation of women in Indian society.
And he references often to Seeta to bring home his point.
How women even today have to go through Agni Pariksha like Seeta had to.
How every woman is expected to just accept oppression without protest.
How even Seeta, who accompanied Ram during his exile, had to listen to his admonition of her.
How a woman can be expected to save herself in a world that has been created for man.
How, when even Ram could be influenced against Seeta, what hope for mere mortals?
How it is the lot of women like Seeta to be born in every era only to bear the burdens of this world.

I must admit the lyrics are very depressing.
Possibly some of the most depressing I have ever come across.
And I’d really like to think the lyrics are also highly exaggerated, and this isn’t today’s reality anyway. After all these lyrics are from more than 40 years ago, and a lot has changed since.

Or has it?

Yes, on one level, it has.
Many more women are better off today than they were 40 years ago.
More educated, more independent.
And yet, most of these are probably from middle- or upper classes of society.
(And even amongst them, there are many horror stories that don’t come to light).
But beyond these, there are many millions of women in India for whom life is a daily struggle.
From the moment they wake up early in the morning, to the moment they finally go to sleep that night, it is a day of just work, work and work. Women are taken so much for granted that society expects nothing less from them.
A woman just relaxing or enjoying herself is a rare sight – it almost seems out of place.
And so many women (especially among the poor) have sadly internalized this lifestyle of struggle, so they think it’s the most normal thing to do.
And I haven’t even talked about women’s safety here – that’s another minefield of a topic where, thanks to men, women don’t feel safe at all anytime during the day, every single day of their lives.
As a man, enjoying freedom that I take for granted, I just cannot imagine how it must be to live like this. All one’s life.

So yes, LOTS to think about.
And LOTS of work to do.
And the ball is in the court of MEN, not WOMEN.
For the simple reason that the cause of the problem is MEN, not WOMEN.

So then I think, however depressing the lyrics of this Sahir song are, are they more depressing than the actual lives of many women in India?

Anyway, this is supposed to be a day of celebration – I do not want to spoil the mood.
And yet, I cannot pretend – so if you don’t mind, I’d like it to be treated as a day of reflection for men too. Sahir would’ve liked that.

Thank you, Sahir saab, for your searing poetry. And for always standing up for the oppressed, and raising awareness on the right issues.
It is entirely our failing as a society that we have failed to make the lyrics you wrote all those decades ago irrelevant.
They are just as relevant today as they were when they were written.

And on that extremely sobering note, let me now end this post.
Thank you for reading.

Video

Audio (Longer)

Song-Seeta ke liye likkhaa hai yahi (Jiyo Aur Jeene Do)(1982) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus

Lyrics(Provided by Avinash Scrapwala)

Chup chup apni jaan pe sah jaa aa aa
Duniya ka anyaay
Koyi nahin is dharti par
Jo tera dard bataaye

Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

Gairon ke kadwe bol sune
Apnon ka atyaachaar sahe
Gairon ke ae kadwe bol sune
Apnon ka atyaachaar sahe
Jis Raam ke sang ban ban bhatke
Us Raam ki bhi dutkaar sahe
Dharti mein samaane se pehle
Dharti mein samaane se pehle
Dharti ki tarah har bhaar sahe
Seeta ke liye likkha hai yahi

Purushon ki banaayi duniyaa mein
Kya ik naari ka maan bache
Purushon ki banaayi ee duniyaa mein
Kya ik naari ka maan bache
Jis zahar se Raam ka man na bachaa
Us zahar se kya insaan bache
Jo reet yugon se jaari hai
Jo reet yugon se jaari hai
Us reet se kaise jaan bache
Seeta ke liye likkha hai yahi

Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa

Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Jeete ji kasht uthhaana
Marne pe sati kahlaana hai
Marne ae pe sati kahlaana hai
Itihaas ke pannon ko sadiyon
Itihaas ke pannon ko sadiyon
Yoon hi ye katha dohraana hai
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
चुप चुप अपनी जान पे सह जा आ
दुनिया का अन्याय
कोई नहीं इस धरती पर
जो तेरा दर्द बटाय

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही

गैरों के कडवे बोल सुने
अपनों का अत्याचार सहे
गैरों के ए कडवे बोल सुने
अपनों का अत्याचार सहे ए
जिस राम के संग बन बन भटके
उस राम की भी दुत्कार सहे
धरती में समाने से पहले
धरती में समाने से पहले
धरती की तरह हर भार सहे
सीता के लिए लिखा है यही

पुरुषों की बनायी दुनिया में
क्या इक नारी का मान बचे
पुरुषों की बनायी ई दुनिया में
क्या इक नारी का मान बचे
जिस ज़हर से राम का मन न बचा
उस ज़हर से क्या इंसान बचे
जो रीत युगों से जारी है
जो रीत युगों से जारी है
उस रीत से कैसे जान बचे
सीता के लिए लिखा है यही

आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ

इस अंधी बहरी नगरी में
जब जब सीता को आना है
इस अंधी बहरी नगरी में
जब जब सीता को आना है
जीते जी कष्ट उठाना
मरने पे सती कहलाना है
मरने ए पे सती कहलाना है
इतिहास के पन्नो को सदियों
इतिहास के पन्नो को सदियों
यूँ ही ये कथा दोहराना है

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616 Post No. : 16251

Rafi Sahab’s legendary associations: 02
—————————————————-

Saahir Ludhianvi’s 100th birth anniversary
———————————————————————
It is Sahir Ludhianvi’s 100th birth anniversary on 08/03/2021 and I have the good fortune of writing for the last remaining song/snippet from ‘Pyasa’ 1957 to post on this occassion. There is no better showcase then the musical canvas of this classic film, I could not ask for a better opportunity. Thank you Avinash ji for giving me this gift.

It is arguably the best of Sahir, among the very best of S. D. Burman and most intense music score by him. It was Rafi sahab’s voice that becomes the poet and the poet becomes a Rafi personified because of the voice over in playback, in romance, in confusion, in jest, in irritation, in poetic narration, in bitterness, inebriation, in rebellion, and in cursing. Sahir made the so-called curse words in urdu palpable in poetry.

This is the list of all songs of “Pyaasa(1957)” already posted in the blog:

Song Date of posting
Jaane wo kaise log the jinke pyaar ko pyaar mila 21 April 2009
Ham aapki aankhon mein is dil ko basaa den to 10 september 2009
Aaj sajan mohe ang lagaalo janam safal ho jaaye 25 October 2009
Ye duniya agar mil bhi jaaye to kyaa hai 26 September 2009
Sar jo tera chakraaye yaa dil doobaa jaaye 27 September 2009
Jinhe naaz hai Hind par wo kahaan hain 16 October 2010
Jaane kyaa toone kahi jaane kyaa maine suni 5 October 2011
Rut phire par din hamaare phire na 13 January 2012
Tang aa chuke hain kashmakashe zindagi se ham 17 January 2012
Ye hanste huye phool ye mehka hua gulshan 8 June 2017
Peechhe peechhe duniya aage aage hum 9 July 2017

S. D. Burman was never averse to having both Lata and Asha Bhonsle sing for his song, but they are conspicuously absent in this music score. Geeta Dutt is singing for both Waheeda Rehman and Mala Sinha in this film.

My post on Sahir Ludhianvi’s remembrance day in 2020 is for the song where I have highlighted the effect of Iqbal on the Sahir and his poetry. This blog is one of the widely followed and read serious blogs on film music, and I thought, the aficionados of Sahir’s poetry would have some opinion to put forward, regarding my theory which I gave in that post.

I am reproducing a brief intro of Sahir from the book “Yeh un dinon ki baat hai” by Yasir Abbasi :

“Talkhi (bitterness) entered Sahir’s life early when his father chose to name him Abdul Ha’ee purely to spite a nieghbour. With a troubled childhood behind, he was still in his early 20’s when he stormed the literary arena with his first collection of poems, Talkhiyaan(1944). Films beckoned with Aazadi ke rahh par (1948), but it was with Naujawan and Baazi (both in 1951) – that he arrived with a bang. Widely regarded as the finest lyricist to grace Hindi cinema, he scaled dizzying heights with Pyaasa (1957). He was always vociferously critical of any kind of oppression, and in his indictment of social ills, he spared no one – be it the society(Aurat ne janam diya – Sadhna/1958), a bygone emperor (mere mehboob kahin aur – Ghazal/1964) or God (aasman pe hai khuda – Phir subah hogi/1958). Yet the same man could stir up romance like no one else when he wrote Abhi na jaao chhod kar (Hum dono/1961) or kabhi kabhi mere dil mein khayaal aata hai (Kabhie kabhie/1976). Temperamental but absolutely sublime at his craft, Sahir Ludhianvi elevated the lyricist in hindi films and raised the bench mark to a level that a few could touch.”

I have no arguments with the above introduction, but to add a few more dimensions in the expressing the intricacies of human relationship and romantic entanglements, Sahir’s intro is incomplete without these songs:

1. Tum agar mujh ko na chaaho to koyi baat nahin
2. Chalo ek baar phir se ajnabi ban jaayen
3. Zindagi bhar nahi bhulegi wo barsaat ki raat
4. Jo baat tujh mein hai teri tasveer mein nahin

There are many more, but the above should give a fair idea of the term ‘absolutely sublime’ in the above intro.

One more small para in the same book, an absolute gem, is this:

Aisa mehsoos hota hai ki Sahir ne apni shakhsiyat ka saara gudaaz shai’ri mein bhar diya hai aur sha’iri ki saari jaaduiyat apne khat-o-khaal mein jazb kar li hai. Aaine se aaina-gar ka ubharna lateefa hi sahi lekin Talkhiyaan ka mutaal’aa keejiye to uss ke musannif ki rooh bolti dikhaayi degi – musannif se baatein keejiye to ma’aloom hogaa aap us ki nazmein padh rahe hain.

Here is a list compiled by Avinash ji of the songs/films of the team of SDB and Sahir.

S.no. Movie Year Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Baazi 1951 8 8 8
2 Naujawan 1951 7 7 7
3 Sazaa 1951 1 1 1
4 Jaal 1952 8 8 8
5 Laal Kunwar 1952 8 11 11
6 Armaan 1953 8 8 8
7 Baabla 1953 6 6 6
8 Jeevan Jyoti 1953 8 7 7
9 Shahenshah 1953 9 9 9
10 Angaarey 1954 10 10 10
11 Radha Krishna 1954 2 2 2
12 Taxi Driver 1954 8 8 8
13 Devdas 1955 10 10 10
14 House No.44 1955 8 8 9
15 Munimji 1955 7 7 7
16 Society 1955 8 8 8
17 Funtoosh 1956 8 8 9
18 Pyaasa 1957 11 8 12
Total 135 134 140

The list ends abruptly in 1957, as the association between Sahir and SDB ended soon after the master piece Pyaasa.

Rafi sahab’s association with both these geniuses continued independently till the end of their lives. Here is their tally in the blog:

Name No of songs in the blog No of songs in the career
S. D. Burman 641 87 movies (666)
Sahir Ludhianvi 652 724

All the available songs by Rafi sahab under S. D. Burman are already posted in the blog. A few more Rafi songs written by Sahir remain to be posted.

Video


Song-Gham is qadar badhe ke main ghabra ke pi gaya (Pyaasa)(1957) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-S D Burman

Lyrics (Provided by Avinash Scrapwala)

gham is qadar badhe
ke main ghabraa ke pee gayaa
is dil ki bebasi pe taras khaa ke
pee gayaa
thhukraa rahaa thhaa mujhko
badi der se jahaan
thhukraa rahaa thhaa mujhko
badi der se jahaan
main aaj sab jahaan ko
thhukraa ke pee gayaa aa …
main aaj sab jahaan ko
thhukraa ke pee gayaa aa …

——————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————

ग़म इस क़दर बढे
के मैं घबरा के पी गया
इस दिल कि बेबसी पे तरस खा के
पी गया
ठुकरा रहा था मुझको
बड़ी देर से जहां
ठुकरा रहा था मुझको
बड़ी देर से जहां
मैं आज सब जहां को
ठुकरा के पी गया…
मैं आज सब जहां को
ठुकरा के पी गया…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4604 Post No. : 16234

Today 24th February’2021 is the ninety-third birth anniversary (24 February 1928 – 22 January 2017) of Lyricist Jaswant Rai Sharma popularly known to us by his pen name Naqsh Lyallpuri.

On this occasion as a tribute to him we present a song written by him for the ‘1981’ movie ‘Dard’.

Music for this movie was composed by Khayyam Saab with whom Naqsh Lyallpuri has collaborated to create many memorable songs for Hindi Films.

‘Dard-1981’ (conflict of emotions) was directed by Ambrish Sangal for ‘Murghan Enterprises, Bombay’. It was produced by Shyam Sundar Shivdasani. It had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishan Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaljeet, Harjeet, Poornima Jairam, Mazhar Khan, and Master Raju Shreshtha.

Actress Ranjeeta made a ‘friendly appearance’ in this movie.

Story of this movie was written by Aruna Sangal. Its screenplay and dialogues were written by V.K. Sharma. Narendra Goel was the Chief Assistant Director of this movie.

Kamlakar was the editor of this movie and he was assisted by Babubhai Shah.

This movie had seven songs and lyrics for all the seven songs (including one multiple version song) in this movie were written by Naqsh Layallpuri and Music was composed by Khayyam Saab.

Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Bhupinder had given their voices to the songs in this movie.
Lata Mangeshkar had two solo songs, Kishore Kumar, Asha Bhonsle and Bhupinder have one solo song each and there were two duets sung by Asha Bhonsle and Kishore Kumar in this movie.

So far, the following five songs (including one multiple version song) from this movie have been posted on the blog;

SNo Song Title Posted On
01 Aisi haseen chaandni pehle kabhi na thhi 21.09.2012
02 Pyaar ka dard hai meethha meethha pyaara pyaara 19.07.2018
03 Ahl e dil yoon bhi nibha lete hain Multiple version song 18.02.2019
04 Na jaane kya hua jo toone chhoo liya 28.09.2019
05 Qubool kijiye pehle salaam aankhon ka Being presented today

Today’s song is the sixth song from this movie to be posted on the blog.

On screen this song is lip synced by actress Ranjeeta for Asha Bhonsle’s voice and we can see in the picturisation Mazhar Khan enjoying this performance while others are seen in the background of this song.

Let us now listen to this song …

Video

Audio

Song-Qubool keejiyee pehle salaam aankhon ka (Dard)(1981) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Khayyam

Lyrics

Aa aa aa
aa aa aa aa
Qubool kijiye ae
Qubool kijiye
pehle salaam aankhon ka aa
Qubool kijiye
Pehle salaam aankhon ka aa
Phir aap chaahen to
Phir aap chaahen to
Haazir hai jaam aankhon ka aa
Qubool kijiye

Dilon mein shammaa si
Raushan hui mohabbat ki ee ee ee
Dilon mein shammaa si
Raushan hui mohabbat ki ee ee ee ee
Huaa hain aankhon se
Huaa hain aankhon se
Jab bhi kalaam aankhon ka aa
Huaa hain aankhon se
Jab bhi kalaam aankhon ka aa
Qubool kijiye

Nigaahe naaz se behlaa ke loot leti hai
Ae ae ae ae
Nigaahe naaz se behlaa ke lut leti hai
Ae ae ae ae ae
Khabar hain aapko
Khabar hain aapko
Ye bhi hai kaam aankhon ka aa
Khabar hain aapko
Ye bhi hai kaam aankhon ka aa
Qubool kijiye

Main bekaraar hoon
Main bekaraar hoon oon
Main bekaraar hoon
Le leeje mujhe baahon mein
Khuli kitaab hai
Jaana payaam aankhon ka
Khuli kitaab hai
Jaana payaam aankhon ka aa
Qubool keejiye pehle salaam aankhon ka aa
Phir aap chaahen to
Haazir hai jaam aankhon ka aa
Qubool keejiye
Qubool keejiye
Qubool keejiye ae ae ae ae
Qubool keejiye

————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————
आ आ आ आ आ आ आ
कुबूल कीजिये ए
कुबूल कीजिये पहले सलाम आँखों का आ
कुबूल कीजिये
पहले सलाम आँखों का आ
फिर आप चाहें तो
फिर आप चाहें तो
हाज़िर हैं जाम आँखों का आ
कुबूल कीजिये

दिलों में शम्मा सी
रोशन हुई मोहब्बत कि ई ई ई
दिलों में शम्मा सी
रोशन हुई मोहब्बत कि ई ई ई
हुआ हैं आँखों से
हुआ हैं आँखों से
जब भी कलाम आँखों का आ
हुआ हैं आँखों से
जब भी कलाम आँखों का आ
कुबूल कीजिये

निगाहें नाज़ से बहला के लूट लेती हैं
ए ए ए ए ए
निगाहें नाज़ से बहला के लूट लेती हैं
ए ए ए ए ए
खबर है आपको
खबर है आपको
ये भी है काम आँखों का आ
खबर है आपको
ये भी है काम आँखों का आ
कुबूल कीजिये

मैं बेकरार हूँ
मैं बेकरार हूँ
मैं बेकरार हूँ
ले लीजिये मुझको बाहों में ए ए ए
खुली किताब हैं
जाना पयाम आँखों का
खुली किताब हैं
जाना पयाम आँखों का आ

कुबूल कीजिये पहले सलाम आँखों का आ
फिर आप चाहें तो
हाज़िर हैं जाम आँखों का आ
कुबूल कीजिये
कुबूल कीजिये
कुबूल कीजिये ए ए ए
कुबूल कीजिये


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Naiyya-1947’ was directed by Aslam Noori for ‘Mohan Pictures, Bombay’.

It had Mazhar Khan, Munnawar Sultana, Ashraf Khan, Anwar, Shahzadi, Suman, Balaram, Siraj and others.

As per HFGK Vol-II (1941-1950) this movie had six songs as given below;

Blog Day :

4601 Post No. : 16227
S.No. Song Title Singer Posted On
01 Aayi milan ki bahaar re, aa jaa saanwariya Zohrabai Ambalewali 02.04.2013
02 Saawan bhaadon nain hamaare baras rahe din raat Zohrabai Ambalewali
03 Naiyya jeewan ki doley, haule, haule, haule Master Ramesh
04 Jhoome jiya aaye piya ho, jhoole hiya naache jiya Shamshad Begam
05 Siyaram Ram Siyaram, tan ka pinjara soona soona Ashraf Khan 25.06.2019
06 Raam naam kya japna … Ashraf Khan

HFGK Vol-II does not mention the name of the lyricist for this movie however our respected Sadanand ji in his comments here on the post ‘Siyaram Ram Siyaram, tan ka pinjara soona soona’ has mentioned that lyricist for this movie was Dr. Safdar Aah Sitapuri.

Music for this movie was composed by Anil Biswas. Editor’s note:-According to Girdharilal Vishwakarma (a well known record collector), A R Qureshy is the music director for this song.

Today 21st February’2021 is the thirty-first ‘remembrance anniversary’ (1918 -21.02.1990) of singer Zohrabai Ambalewali.
As a tribute to her here is song from ‘Naiyya-1947’ sung by Zohrabai Ambalewali. Music is composed by Anil Biswas.

I had come across this song in August’2014 and since then it is lying to be posted. However, in between its link that I had shared initially also become obsolete but luckily, I got the audio of this song which is uploaded for listening.

Let us now enjoy this wonderful song remembering Zohrabai Ambalewali who had given us many many memorable and unforgettable songs in HFM history.


Song-Saawan bhaadon nain hamaare (Naiyya)(1947) Singer-Zohrabai Ambalewali,Lyrics-Safdar Aah Sitapuri, MD-A R Qureshi (according to Girdharilal Vishwakarma (a well known record collector)

Lyrics

saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon

saansen gin gin din kaaten
aur taare gin gin raat
saansen gin gin din kaaten
aur taare gin gin raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon

ho o o
ankhiyaan khud darshan ko tarsen aen
rimjhim rimjhim barsen aen
ho o o
ankhiyaan khud darshan ko tarsen aen
rimjhim rimjhim barsen aen
nis din hoti hai nainon se
aankhon ki barsaat
nis din hoti hai nainon se
aankhon ki barsaat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon

chhoot gaya hai
saath sahaaraa aa aa
chhoot gaya hai
saath sahaaraa aa aa
naao bhanwar mein door kinaara
ghor andhiyaari raat
naao bhanwar mein door kinaara
ghor andhiyaari raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon

————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————–

सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों

साँसे गिन गिन दिन काटे
और तारे गिन गिन रात
साँसे गिन गिन दिन काटे
और तारे गिन गिन रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों

ओ ओ अँखियाँ तुझ दर्शन को तरसे ए ए
रिम झिम रिम झिम बरसे ए
ओ ओ अँखियाँ तुझ दर्शन को तरसे ए ए
रिम झिम रिम झिम बरसे ए
निस दिन होती है
नैनों से आंसुओं की बरसात
निस दिन होती है
नैनों से आंसुओं की बरसात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों

छूट गया है ए
साथ सहारा आ आ
छूट गया है ए
साथ सहारा आ आ
नाव भँवर में दूर किनारा
घोर अंधियारी रात
नाव भँवर में दूर किनारा
घोर अंधियारी रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4586 Post No. : 16206

Today 6th February’2021 is the one hundred sixth ‘birth anniversary’ of Kavi Pradeep (06.02.1915-11.12.1998). On this occasion here is a song from the 1941 movie ‘Anjaan’.

‘Anjaan-1941’ was directed by Amey Chakravarti for ‘Bombay Talkies Ltd, Bombay’. It had Devika Rani, Ashok Kumar, V.H. Desai, Girish, Suresh, P.F. Pithawala, Gulab, Faiti Prasad, Yusuf Suleman, Sayyad Mukhtar, David, Reva, Baby Madhuri, Arun Kumar, Ibnul Hasan, Bachan Lal Dikshit, Om Prakash, Tarun Kumar, Thelma, Ammini and others.

This movie had ten songs as given below in the order of appearance in HFGK Vol-II (1941-1950).

S.No. Song Title Posted On
01 Kheencho kamaan kheencho 26.01.2021
02 Pyaare pyaare sapne hamaare
03 Aayi Paschim se ghataa 02.03.2015
04 Saanwariya re saanwariya, chal chal re
05 Pyaare pyaare sapne hamaare
06 Chhalko chhalko na ras ki gagariya 20.01.2021
07 Mere jeewan ke path par chhaayi ye kaun 14.10.2020
08 Main to tumse bandhi rahoon 11.12.2015
09 Saanwariya re saanwariya, chal chal re
10 Pyaare pyaare sapne hamaare

The songs in this movie were written by Kavi Pradeep (08 songs including one three-part song) and P.L. Santoshi (02 songs i.e., one two-part song).

Today’s song is a three-part song sung by Ashok Kumar, Suresh, Reva and Devika Rani.

I had come across the songs of this movie in ‘2015’ when I had the songs written by Kavi Pradeep except the song ‘Chhalko chhalko na ras ki gagariya’.

Let us enjoy today’s wonderful song and take this movie closer to ‘Yippeeee’ 😊 i.e., only one step away now.

Female version

Male version

Group version

Song-Pyaare pyaare sapne hamaare (Anjaan)(1941) Singer-Devika Rani, Ashok Kumar, Suresh, Revashankar, Lyrics-Kavi Pradeep, MD-Pannalal Ghosh

Lyrics
———————————
Female solo version-Devika Rani
———————————

Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare
Janam janam tak sang rahen ham
Janam janam tak sang rahen ham
Kabhi na hon nyaare ae
Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

Ek hamaara rajmahal ho
Jamuna kinaare
Jamuna kinaare
Ek hamaara rajmahal ho
Jamuna kinaare
Ham wahaan par rahen yoon
Jaise gagan mein taare
Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

Ek dor mein bandh gaye ab to
Man hamaare
Tan hamaare
Jeewan hamaare
Ek dor mein bandh gaye ab to
Man hamaare
Tan hamaare
Jeewan hamaare
Hamko o alag na kar sakenge
Hamko o alag na kar sakenge
Duniya ke ishaare
Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

———————————-
Male version- Ashok Kumar
———————————-

Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare
Janam janam tak sang rahe ham
Janam janam tak sang rahe ham
Kabhi na ho nyaare ae
Pyaare pyaare sapne hamaare

Ek dor mein bandh gaye ab to
Man hamaare
Tan hamaare
Jeewan hamaare ae
Ek dor mein bandh gaye ab to
Man hamaare
Tan hamaare
Jeewan hamaare
Hamko o alag na kar sakenge
Hamko o alag na kar sakenge
Duniya ke ae ishaare
Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

———————————–
Group version- Ashok Kumar, Suresh, Revashankat
———————————–

Pyaare pyaare ae
Sapne hamaare
Pyaare pyaare ae
Sapne hamaare

Pyaare pyaare ae
Sapne hamaare
Pyaare pyaare ae
Sapne hamaare

Janam janam tak sang rahe ham
Janam janam tak sang rahe ham
Kabhi na ho nyaare ae

Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare
Janam janam tak sang rahe ham
Janam janam tak sang rahe ham
Kabhi na ho nyaare ae

Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

Ek hamaara rajmahal ho
Jamuna kinaare ae
Jamuna kinaare ae
Ek hamaara rajmahal ho
Jamuna kinaare
Ham wahaan par rahen yoon
Jaise gagan mein taare
Ham wahaan par rahen yoon
Jaise gagan mein taare
Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

Ek dor me bandh gaye ab to
Man hamaare
Tan hamaare
Jeewan hamaare
Ek dor me band gaye ab to
Man hamaare
Tan hamaare
Jeewan hamaare
Hamko alag na kar sakenge
Hamko alag na kar sakenge
Duniya ke ae ishaare
Hamko lag na kar sakenge
Duniya ke ishaare
Pyaare pyaare sapne hamaare
Pyaare pyaare sapne hamaare

———————————————————-
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————————————-
Female version- Devika Rani
———————————————————

प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
जनम जनम तक संग रहे हम
जनम जनम तक संग रहे हम
कभी न हो न्यारे ए
प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
एक हमारा राजमहल हो
जमुना किनारे
जमुना किनारे
एक हमारा राजमहल हो
जमुना किनारे
हम वहाँ पर रहें यूं
जैसे गगन में तारे
प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
एक डोर में बंध गए अब तो
मन हमारे
तन हमारे
जीवन हमारे
एक डोर में बंध गए अब तो
मन हमारे
तन हमारे
जीवन हमारे
हमको ओ अलग न कर सकेंगे
हमको ओ अलग न कर सकेंगे
दुनिया के इशारे
प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
—————————-
Male version Ashok Kumar
—————————-
प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
जनम जनम तक संग रहे हम
जनम जनम तक संग रहे हम
कभी न हो न्यारे ए
प्यारे प्यारे सपने हमारे
एक डोर में बंध गए अब तो
मन हमारे
तन हमारे
जीवन हमारे
एक डोर में बंध गए अब तो
मन हमारे
तन हमारे
जीवन हमारे
हमको ओ अलग न कर सकेंगे
हमको ओ अलग न कर सकेंगे
दुनिया के इशारे
प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
———————————–
Group version Ashok Kumar, Suresh, Rewashankar
————————————
प्यारे प्यारे ए
सपने हमारे
प्यारे प्यारे ए
सपने हमारे
जनम जनम तक संग रहे हम
जनम जनम तक संग रहे हम
कभी न हो न्यारे ए

प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे
जनम जनम तक संग रहे हम
जनम जनम तक संग रहे हम
कभी न हो न्यारे ए

प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे

एक हमारा राजमहल हो
जमुना किनारे ए
जमुना किनारे ए
एक हमारा राजमहल हो
जमुना किनारे
हम वहाँ पर रहें यूं
जैसे गगन में तारे
हम वहाँ पर रहें यूं
जैसे गगन में तारे
प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे

एक डोर में बंध गए अब तो
मन हमारे
तन हमारे
जीवन हमारे
एक डोर में बंध गए अब तो
मन हमारे
तन हमारे
जीवन हमारे
हमको अलग न कर सकेंगे
दुनिया के ए इशारे
हमको अलग न कर सकेंगे
दुनिया के इशारे

प्यारे प्यारे सपने हमारे
प्यारे प्यारे सपने हमारे


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4575 Post No. : 16182

Today is 26th january (2021), which is republic day for India. Arguably, this is the most important day for independent India, more important than even the independence day, in my opinion.

71 years have passed since India was declared a republic on 26 January 1950. During the past 71 years, we have been through lots and lots of changes, upheavels, trials and tribulations, calamities etc. Thankfully today we find ourselves in a better position than what we were at in 1950. In fact, we find ourselves in a much better position vis a vis 1990.

I was born when the first Prime Minister and first President of India were still around. So I have lived through the eras of all the Prime Ministers and Presidents of India that we had !

During all these decades, some good practices have taken root. On the other hand, we still have some bad practices that we need to get rid of.

Instead of talking about what the government should do, here I will largely discuss what we need to do. Since we are a democratic republic, our behaviour decides what the government does, rather than the other way round.

Here are some of my observations.

1. Someone else will do it:- This attitude, which is basically passing the buck, has harmed India a great deal over the decades. Instead of doing the work ourselves, we wait for someone else to do the job. As a result, that job remains pending. Worst still, that creates a long lasting problem for the nation.

2. Chalta hai attitude– We expect others to be perfect, but we ourselves are far too lax in our on dealings. We can find fault in the batting technique of Virat Kohli, but we rarely judge our own performance in our workplace with the same high standards.

3. Putting self interest before national interest– Look at the demands of any unions, be it staff union or officers union. All the ten points of their memorandum would contain demands about betterment of their perks, not a single demand would be about the betterment of the organisation.

4. Very few people, typically 1 % of the people are supposed to bear the burden of the entire population. For instance, only 1 % population of India pays income tax, and that money is then squandered in giving subsidy to “poor” people instead of helping them train to come out of “poverty”.

5. Wealth creation and wealth creators have been demonised in India. Poor people and Poverty get glorified. This state of affairs should change immediately.

6. Many indians suffer from inferiority complex vis a vis western countries. This inferiority complex is misplaced and is a result of systematic brainwashing.

The above are some of the points that one can think of without much effort.

What do I have to suggest to improve matters ?

I will make a one point suggestion, instead of making too many suggestions. My one point suggestion is, we have to overhaul our education system. The present education system churns our zombies, who lack the ability to think for themselves and are easily brainwashed. It serves the purpose of the self seeking politicians but it has harmed the country a great deal in all fields. Our education system encourages rote memory, rather than application of knowledge. No wonder our manpower cannot even do basic works, forget doing cutting edge technical works. Whatever competent manpower we have are not because of our education system but inspite of this education system.

We have framed our constitutution based on the British Constitution. But we have not framed our education system based on British education system. British (namely Lord Macauley) gave us an education system in India. Britain herself has an entirely different kind of education system, one that does not seek to produce semi literate babus, unlike the case in India. As soon as India had our constitution, we needed to have our own education system. It has become too late now. Seven decades too late, but better late than never. we can still try and ensure better education system for the future generations.

Instead of insisting on same degrees for everyone, we need to insist on vocational training based on the aptitude of students, instead of imposing the same kind of education on everyone.

Failing an elephant because it cannot climb a tree, failing a monkey because it cannot fly, comdemning a goat because it cannot uproot a tree, that is how our Macaulean education system judges its students.

India has requirements of qualified people in all fields. What is happening now is that all people take the same education.Those who score higher marks become engineers, doctors. Those who score lower marks become civil servants. Those who score even lower become clerks. People scoring even lower become peons, guards etc. Those who cannot get any jobs become freelancers. Those who are not good enough for any jobs become politicians. And all these people are not trained properly for their jobs ! A clerk is not trained to be a clerk. A security guard is not trained to be a security guard. When a civil contractor hires workers to execute his contract, the workers like say masons, or welders are not properly trained for their jobs. They have mostly learnt their work from other workers. In my proposed education system, a mason or a welder will need to be trained by a recognised welding trainer, a plumber by a recognised plumbing trainer etc. This is because continuous imporovemnt takes place in all fields of activities. Our workers whether in organised sector or unorganised sector are far far behind in their knowledge and mastery about latest advancements in their fields. Even security guards should have training.

The above discussion is largely for workers in manufacturing and services sector. The same is needed for the agriculture sector where Indian productivity is among the lowest in the world. One reason is that majority of farmers are not educated. Farmers too need to be well educated in their area of activity, instead of trying to earn the same meaningless degree as others.

In summary, our education system should ensure the supply of highly skilled manpower in all the fields. Even cleanliness, which is considered a menial work, is a specialised work, and people who are tasked with this work need to be well trained for this work.

As I have mentioned earlier, we need to identify the aptitude of individuals and give them vocational training based on his attitude. This is what happens in advanced nations. They do not encourage mindless enrolment in colleges for taking meaningless degrees.

We need not reinvent the wheel. The kind of education system that I have suggested in already available in advanced nations. I suggest that we adopt the German education system. It is a tried and tested education system and we all are aware of German products and their quality that this education system helps produce.

Any country can have two kinds of resources- one is natural resources (mineral ores etc) and other is human resources. One will notice that a country can develop only when its human resources are developed, even if they lack natural resources. For instance, Japan, Israel, Singapore are three nations that have negligible natural resources but they are highly advanced nations thanks to their sell trained human resource. On the other hand we have examples of countries (for example African countries) that are under developed despite possessing vast mineral resources.

India fortunately is very well blessed by nature. But we have failed to make the most of our nature given resources because we have not made the most of our human resources. If we harness our human resources, we sill not only utilise them produtively, we will also be able to take advantage of what the expetts describe as our potential demographic advantage (vast majority of population of India being in working ager group, unlike most other countries).

Today (26 January 2021) we are celebrating our 71st Republic day. We have quite a few things to feel proud about on this occasion. American and British media had predicted millions of covid 19 deaths in India. India has proved them wrong. It appears that these media were watching their own countries in mirror. As on today USA and Britain continue to reel under COVID 19 epidemic, ith Britain even “pioneering” a more dangerous strain of this virus. Unlike these countries, India is even offering low cost and safer vacceines to many countries of the nation.
See this thank you message by Brazil. Makes every Indian proud.

On this occasion, here is a song from “Anjaan”(1941). “Anjaan”(1941) was directed by Amiya Chakraborty for Bombay Talkies Limited, Bombay. The movie had Devika Rani, Ashok Kumar, V H Desai, Girish, Suresh, P F Pithawala, Gulab, Fatty Prasad, Yusuf Suleman, Saiyyad Mukhtar, David, Reva, baby Madhuri, Arun Kumar, Ibnul Hasan, Bachan Lal Dixit, Om Prakash, Tarun Kumar, Bhargavi etc in it.

One will notice that the song is from an era when India was not even independent, forget being a republic. But still this song is an appropriate song for the occasion. This song is penned by Kavi Pradeep who sore patriotism on his sleeves, that too in an era when it was very risky to do so. In this song, sung by Ashok Kumar and others, they exhort the naujaaan of Bharat (viz the human resource of India) to make the most of the opportunity that has presented itself to them. And the song advises them not to miss this opportunity unlike the missed opportunities of the past.

Pannalal Ghosh is the music director.

Lyrics of this song were sent to me by Avinash Scrapwala many years ago. This happens to be the 500th lyrics contribution by Avinash Scrapwala in the blog. A befitting achievement for him on the occasion of the Indian Republic day, seeing that he too, like Kavi Pradeep, wears his partiotism on his sleeve.

On this occasion, I ish a happy republic day to one and all. Jai Hind.


Song-Kheencho kamaan kheencho (Anjaan)(1941) Singers-Ashok Kumar, Suresh, Revashankar, Lyrics-Kavi Pradeep, MD-Pannalal Ghosh

Lyrics(Provided by Avinash Scrapwala)

Kheencho o
Kheencho o
Kheencho kamaan kheencho o
Kheencho o
Kheencho o
Kheencho kamaan kheencho
O Bharat maa ke naujawaan
Kheencho kamaan kheencho
O Bharat maa ke naujawaan
Kheencho kamaan kheencho
Kheencho kamaan kheencho o
Kheencho kamaan kheencho

Aaj nishaana aa chook na jaana
Pichhli galti mat dohraana
Aaj nishaana aa aa
Aaj nishaana chook na jaana
Pichhli galti mat dohraana
Warnaa phir hoga pachhtaana aa
Warnaa phir hoga pachhtaana
Jagah jagah toofaan bawandar r
Aankhen mat meenchon o
Kheencho kamaan kheencho o
Kheencho kamaan kheencho

Jo bheekh maangne se dar dar
Aazaadi milti ho ghar ghar
Jo bheekh maangne se dar dar
Aazaadi milti ho ghar ghar
Laanat aisi aazaadi par
Laanat aisi aazaadi par
O veeron ke santaan
Desh ko teeron se seencho
Kheencho kamaan kheencho o
Kheencho kamaan kheencho

O Bharat maa ke naujawaan
Kheencho kamaan kheencho
O Bharat maa ke naujawaan
Kheencho kamaan kheencho
Kheencho kamaan kheencho o
Kheencho kamaan kheencho
Kheencho o
Kheencho o
Kheencho kamaan kheencho

———————————-
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————-

खींचो ओ
खींचो ओ
खींचो कमान खींचो ओ
खींचो ओ
खींचो ओ
खींचो कमान खींचो
ओ भारत माँ के नौजवान
खींचो कमान खींचो
ओ भारत माँ के नौजवान
खींचो कमान खींचो
खींचो कमान खींचो ओ
खींचो कमान खींचो
आज निशाना आ चूक न जाना
पिछली गलती मत दोहराना
आज निशाना आ आ
आज निशाना चूक न जाना
पिछली गलती मत दोहराना
वरना फिर होगा पछताना आ
वरना फिर होगा पछताना
जगह जगह तूफ़ान बवंडर र
आँखें मत मीचो ओ
खींचो कमान खींचो ओ
खींचो कमान खींचो

जो भीख मांगने से दर दर
आज़ादी मिलती हो घर घर
जो भीख मांगने से दर दर
आज़ादी मिलती हो घर घर
लानत ऐसी आज़ादी पर
लानत ऐसी आज़ादी पर
ओ वीरों के संतान
देश को
तीरों से सींचो
खींचो कमान खींचो ओ
खींचो कमान खींचो

ओ भारत माँ के नौजवान
खींचो कमान खींचो

ओ भारत माँ के नौजवान
खींचो कमान खींचो
खींचो कमान खींचो ओ
खींचो कमान खींचो
खींचो ओ
खींचो ओ
खींचो कमान खींचो


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4558 Post No. : 16151

‘Josheela’(1973) was produced by Gulshan Rai and directed by Yash Chopra for Trimurti Films Private Limited, Bombay. The movie had
Dev Anand, Hema Malini, Pran, Bindu, Madan Puri, Manmohan Krishna, Padma Khanna, Sulochana, Iftekhar, Sudhir, Hercules, Master Satyajit, I S Johar, Vikas Anand, Jagdish Raj, S.N. Bannerjee, Chandu Allahabadi, Praveen Kumar, Uma Khosla, Ramlal, Shamlal, Uma Dutt Nazeer etc in it. Rakhi and Mahendra Sandhu had made special appearances in this movie. Roopesh Kumar, A K Hangal, Sheetal, Ashu and Laxmichhaya had made guest appearances in the movie.

‘Josheela’(1973) had eight songs in it. The movie made its debut in the blog in 2009. Till no seven songs have been covered. Here are their details:-

Song Posted On
Kiska rasta dekhen ai dil ai saudaayi 15 March 2009
Sona rupaa laayo re 04 August 2009
Kuchh bhi kar lo ik din tumko 28 September 2013
Dil mein jo baaten hain aaj chalo ham keh den 25 March 2015
Kaanp rahi main 07 February 2018
Jo baat ishaaron mein kahi 15 March 2019
Sharmaa naa yoon ghabraa naa yoon … 2 January 2021

Here is the eighth and final song from ‘Josheela’(1973) to appear in the blog. The song is sung by Lata. Sahir Ludhianvi is the lyricist. Music is composed by R D Burman.

Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of the song. The song sounds like a mujra song, or may be a mushaaira song to me.

Lyrics of the song were sent to me by Avinash Scrapwala.

ith this song, all the eight songs of ‘Josheela’(1973) are covered in the blog and the song joins the list of movies that have been YIPPEED in the blog.

Audio

Song-Mehfil mein chhupaane pade jazbaat kisi se (Josheela)(1973) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-R D Burman

Lyrics

hmm hmm hmm mm
mehfil mein chhupaane pade
jazbaat kisi se ae
ho kar bhi na ho paayi
mulaaqaat kisi se ae ae
din raat kasak rehti hai
kuchh roz se ae dil mein ae
le baithhe hain
ham dard ki saugaat kisi se ae ae
kuchh unko takalluf saa hai
kuchh ham ko hayaa si ee
aise mein jo ho bhi
to ho kya baat kisi se ae

wo raat jo bhar deti hai
daaman mein sitaare ae ae
maangi hai
mere dil ne
wohi raat kisi se ae ae ae
hmm mm mm

——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————–

म्म हम्म हम्म म्म
महफ़िल में छुपाने पड़े
जज़्बात किसी से ए
हो कर भी न हो पायी
मुलाक़ात किसी से ए ए
दिन रात कसक रहती है
कुछ रोज़ से ए दिल में ए
ले बैठें हैं
हम दर्द की सौगात किसी से ए ए
कुछ उनको तकल्लुफ़ सा है
कुछ हम को हया सी ई
ऐसे में जो हो भी
तो हो क्या बात किसी से ए

वो रात जो भर देती है
दामन में सितारे ए ए
मांगी है
मेरे दिल ने
वोही रात किसी से ए ए ए
हम्म म्म म्म


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16312

Number of movies covered in the blog

Movies with all their songs covered =1257
Total Number of movies covered =4426

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