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Mere pyaar ki umar ho itni sanam

Posted by: Atul on: June 23, 2021

In: Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Lata Manmohan Singh duet | Lata song | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1988 | Yearwise breakup of songs
4 Comments

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4723

Post No. :

16435

Movie Count :

4462

Music Composer – Uttam Singh – 02
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We are discussing songs composed by Uttam Singh as music director. In the first post we discussed a song from the ‘1983’ movie ‘Painter Babu’ where music was composed by Uttam Singh with Jagdish Khanna.

Uttam Singh and Jagdish Khanna collaborated as music composers together in many movies. After ‘Painter Babu’, they collaborated in ‘Waaris-1988’. The songs of ‘Waaris’ became very popular and the sales of this movies’s music album created records.

Today we will listen to a song from this movie ‘Waaris-1988’.

‘Waaris-1988’ was directed by Ravinder Peepat for ‘G.G. Widescreen’. It was presented by Iqbal Singh Atwal and Amarjit Singh.

This movie was produced by Mrs. Swarn Yograj, Baldev Gill, and J.S. Cheema. It had Smita Patil, Raj Babbar, Amrita Singh, Raj Kiran, Kulbhushan Kharbanda, and Amrish Puri.
Also featuring in the cast included by Sushma Seth, Sudhir Pandey, Ramesh Tiwari, Avtar Gill, Javed Khan, Shashi Bala, Rana Jang Bahadur, Mohinder Mastan, Rita Sikand, Kuldeep Kaur, Ravi Bhushan, Gurucharan Baggan, Ramna, Sardar Sohi, Mohan Baggan, Sarandeep Dhillon, Amrik Gill, Ashwini Bharadwaj, Arvind Kumar, Manju Bhatia, Ram Murti, and others.

This movie introduced Navneet Singh. Amrit Pal, Anjana Mumtaz and Pradeep Kumar made special appearances in this movie.

This movie was based on Punjab Novel ‘Kaare Haathi’ written by Sohan Singh Hans. Screenplay and dialogues of this movie were written by Baldev Gill. Editing of this movie was done by Subhash Sehgal. This movie was passed by Censor Board on 15.04.1988.

‘Warris-1988’ had nine songs in it (including one multiple version song). Vermal Malik, Qamar Jalalabadi and Sardar Panchhi were the lyricists for this movie. Lata Mangeshkar, Asha Bhonsle, Kishore Kumar, Suresh Wadkar, Manmohan Singh and Mahendra Kapoor had given their voices to the songs in this movie.

As mentioned above music for this movie was composed by Uttam-Jagdish (Uttam Singh-Jagdish Khanna).

Today’s song is sung by Lata Mangeshkar and Man Mohan Singh. On screen it is lip synced by Amrita Singh and Raj Babbar, respectively.

Today 23^rd June 2021 is sixty-nineth birth anniversary of actor Raj Babbar. And on this occasion, we wish him a very happy birthday and a healthy and peaceful life ahead.

With today’s melodious song ‘Waaris-1988’ makes its debut on the blog.

‘Waaris-1988’ also joins with ‘Waaris-1954’ and ‘Waaris-1969’ on the blog. (Both ‘Waaris’ of 1954 and 1969 are already ‘Yippeeeed’ on the blog.)

Let us now enjoy today’s song …

Song-Mere pyaar ki umar ho itni sanam (Waaris)(1988) Singers-Lata Mangeshkar, Man Mohan Singh, Lyrics-Verma Malik, MD-Uttam Jagdish
Both

Lyrics

mere pyaar ki umar ho itni ee sanam
ho o o
mere pyaar ki umr ho o itni ee sanam
tere naam se shuru
tere naam pe khatam
mere pyaar ki umr ho o itni sanam
aa aa aa aa
aa aa a aa
o o o o o
aa aa aa aa
mere pyaar ki umar ho o itni ee sanam
tere naam se shuru
tere naam pe khatam
teri khushi se hai khushi
tere gham se hai gham
teri khushi se hai khushi
tere gham se hai gham
tere naam se shuru
tere naam pe khatam
mere pyaar ki umr ho o itni ee sanam

mere sapne gulaabi
neendein ho gayin jawaan
mere sapne gulaabi
neendein ho gayi jawaan
lo aa ke teri baanhon mein
aen aen aen ae
lo aa ke teri baahon mein
main kho gayi kahaan
haazir hai jaan
jaan e man
jaan ki qasam
haazir hai jaan
jaan e man
jaan ki qasam
tere naam se shuru
tere naam pe khatam
mere pyaar ki umr ho o itni ee sanam

ho o o o o o
o o o o o o
bin tere ik pal bhi
mujhse rahaa nahin jaaye ae
bin tere ik pal bhi
mujhse rahaa nahin jaaye
ye door door rahnaa aa
aa aa aa aa
ye door door rahnaa
ab sahaa nahin jaaye
teri pyaar bhari baahon mein hi
niklegaa dam
teri pyaar bhari baahon mein hi
niklegaa dam
tere naam se shuru
tere naam pe khatam
mere pyaar ki umr ho o itni ee sanam

o o o o o
o o o o o
aa aa aa
aa aa aa
o o o o o o
ik chhotaa saa ghar ho
rahe donon wahaan
jahaan pyaar se milen
ye dharti aasmaan
ik chhotaa saa ghar ho o
ho o o
ik chhotaa saa ghar ho
rahen donon wahaan
jahaan pyaar se milen
ye dharti aasmaan
toot jaaye naa aa
kahin mere pyaar ka bharam
toot jaaye naa aa
kahin mere pyaar ka bharam
tere naam se shuru
tere naam pe khatam
teri khushi se hai khushi
tere gham se hai gham
teri khushi se hai khushi
tere gham se hai gham
tere naam se shuru
tere naam pe khatam
mere pyaar ki umr ho o itni sanam
mere pyaar ki umr ho o itni sanam
mere pyaar ki umr ho o itni ee sanam
mere pyaar ki umr ho o itni ee sanam

—————————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————
मेरे प्यार की उमर हो इतनी ई सनम
ओ ओ ओ ओ
मेरे प्यार की उमर हो इतनी ई सनम
तेरे नाम से शुरू
तेरे नाम पे ख़तम
मेरे प्यार की उमर हो ओ इतनी सनम
आ आ आ आ
ओ ओ ओ
ओ ओ ओ
आ आ आ आ
मेरे प्यार की उमर हो ओ इतनी ई सनम
तेरे नाम से शुरू
तेरे नाम पे ख़तम
तेरी ख़ुशी से है ख़ुशी
तेरे ग़म से है ग़म
तेरी ख़ुशी से है ख़ुशी
तेरे ग़म से है ग़म
तेरे नाम से शुरू
तेरे नाम पे ख़तम
मेरे प्यार की उमर हो ओ इतनी ई सनम

मेरे सपने गुलाबी
नींदें हो गयी जवान
मेरे सपने गुलाबी
नींदें हो गयी जवान
लो आ के तेरी बाहों में
ए ए ए ए
लो आ के तेरी बाहों में
मैं खो गयी कहाँ
हाज़िर है जान
जान ए मन
जान की क़सम
हाज़िर है जान
जान ए मन
जान की क़सम
तेरे नाम से शुरू
तेरे नाम पे ख़तम
मेरे प्यार की उमर हो ओ इतनी ई सनम

हो ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
बिन तेरे इक पल भी
मुझसे रहा नहीं जाए ए
बिन तेरे इक पल भी
मुझसे रहा नहीं जाए ए
ये दूर दूर रहना आ
आ आ आ आ
ये दूर दूर रहना
अब सहा नहीं जाए
तेरी प्यार भरी बाहों में ही
निकलेगा दम
तेरी प्यार भरी बाहों में ही
निकलेगा दम
तेरे नाम से शुरू
तेरे नाम पे ख़तम
मेरे प्यार की उमर हो ओ इतनी ई सनम

ओ ओ ओ ओ
ओ ओ ओ ओ ओ
आ आ आ
आ आ आ
ओ ओ ओ ओ
इक छोटा सा घर हो
रहे दोनों वहाँ
जहां प्यार से मिले
ये धरती आसमान
इक छोटा सा घर हो ओ
हो ओ ओ
इक छोटा सा घर हो
रहे दोनों वहाँ
जहां प्यार से मिले
ये धरती आसमान
टूट जाए ना आ
कहीं मेरे प्यार का भरम
टूट जाए ना आ
कहीं मेरे प्यार का भरम
तेरे नाम से शुरू
तेरे नाम पे ख़तम
तेरी ख़ुशी से है ख़ुशी
तेरे ग़म से है ग़म
तेरी ख़ुशी से है ख़ुशी
तेरे ग़म से है ग़म
तेरे नाम से शुरू
तेरे नाम पे ख़तम
मेरे प्यार की उमर हो ओ इतनी ई सनम
मेरे प्यार की उमर हो ओ इतनी ई सनम
मेरे प्यार की उमर हो ओ इतनी ई सनम
मेरे प्यार की उमर हो ओ इतनी ई सनम

Tags: 1988, Amrita Singh, Lata, Manmohan Singh, Raj Babbar, Uttam Jagdish, Verma Malik, Waaris

Mila Jo Hamen Tera Pyaar

Posted by: skapur01 on: May 26, 2021

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4695

Post No. :

16383

#The Decade of Seventies – 1971 – 1980 #
———————————————————–———-
# Bhoole-Bisre Geet # 141 # Preet Ki Dori-1971 #

————————————————————

‘Preet Ki Dori’ is one of the lesser known films of 1971. It probably did not do well at the box office, maybe that is why the film and its music is not remembered. However it does have some very good songs.

The film was produced by Suraj Prakash Seth under the banner of KS Pictures, Bombay and presented by Krishna Kumari. It was directed by Satish Kumar. Story, dialogues and screenplay of this movie was written by R Priyadarshi. The film was edited by Kamlakar. This movie was passed by the Censor Board on 25.09.1971.

The star cast for the film includs Tanuja, Ajay Sahni (Parikshit Sahni), Bindu, Nazeer Hussain, Jeevan, Lalita Pawar, Asit Sen, Roopesh Kumar, Mohan Choti, Tuntun, Kumud, Mishrilal, Nikita, Maruti, Randhir, Santosh Kumar, Pal Sharma, Rajnath, Radheyshyam, Soni, Nazeer Kashmiri, Maqbool, Abu Bakar, Dalpat Kaka, Ajeet, N Reddi, Paul Sharma and a parrot ‘Mitthoo’.

This movie has five songs, all written by Indeewar. Music for this movie is composed by Kalyanji-Anandji. Asha Bhonsle, Kishore Kumar, and Lata Mangeshkar have given their voices to the songs in this movie. (all songs are solo songs where Asha Bhonsle and Lata Mangeshkar have two solos each and one solo song was by Kishore Kumar).

Following is the list of songs of this movie as mentioned in HFGK Vol-V (1971-1980).

S. No	Song Title	Singer/s
01	Preet ki dori tujh sang baandhi (Posted 01.07.2019)	Lata Mangeshkar
02	O jaane naa jaane naa … dil ki baat	Asha Bhonsle
03	Milaa jo hamen tera pyaar (Posted today)	Lata Mangeshkar
04	Roop hai rang hai phool sa ang hai	Asha Bhonsle
05	Milaa jo pyaar to ham pyaar ke qaabil na rahe (Posted 01.07.2009)	Kishore Kumar

With this Lata song posted, all Lata Mangeshkar songs from this movie will be covered. The song is lip synced by Tanuja on screen. Parikshit Sahni is also seen in the picturization of this lovely song.

This song appears to be complementary to another song in the film. The song “Milaa Jo Pyaar To Hum Pyaar Ke Qaabil Na Rahe“, is a sad song that is sung by Kishore Kumar and is picturized on Ajay Sahni. Although I have not seen the film, it appears that the song being posted today, is from the happier times between Tanuja and Ajay Sahni (in terms of the characters they play in the film). Then maybe things do not go well, and we see Ajay Sahni in a wheelchair, lip syncing the sad song sung by KK. The words in the mukhda in both these songs are similar in part, Just a thought. I would request other readers who may have seen this film to please comment on this.

Whatever songs of this movie I have listened and watched are some nice songs however none of the songs of this movie became popular. Atul ji has also mentioned it in the first song post of this movie, that maybe because the movie flopped at the box office, so its songs had also not done well.

Let us now enjoy today’s song …

Video

Audio

Song – Mila Jo Hamen Tera Pyaar (Preet Ki Dori) (1971) Singer – Lata Mangeshkar, Lyrics – Indeewar, MD – Kalyanji Anandji

Lyrics

milaa jo hamen tera pyaar
milaa jo hamen tera pyaar
ham pyaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar
milaa jo hamen tera pyaar
ham pyaar ke kaabil ho gaye
ho gaye
chhooye jo tune dil ke taar
jhankaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar

tu milaa to hame
khushiyon ke
khazaane miley ae ae ae
tu milaa to hame
khushiyon ke
khazaane miley ae ae ae
tu milaa to hame jeene ke
bahaane miley ae ae ae
dil badhaaya tune baar baar
sansaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar
ham pyaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar

teri parchhaayi bhi dil ko mere
sahaara lagey ae ae ae
teri parchhaayi bhi dil ko mere
sahaara lagey ae ae ae
beech dhaara bhi to sang tere
kinaara lagey ae ae ae
teri baahon ki hai patwaar
manjhdhaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar
ham pyaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar

jise paane ko tarsaa hai jeewan
wahi mil gaya aa aa aa
jise paane ko tarsaa hai jeewan
wahi mil gaya aa aa aa
tere kirnon se nainon ne chooma
man kamal khil gayaa aa aa aa
tune daaman mein bhar di bahaar
tere dwaar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar
ham pyaar ke kaabil ho gaye
ho gaye
chhooye jo tune dil ke taar
jhankar ke kaabil ho gaye
ho gaye
milaa jo hamen tera pyaar

——————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————

मिला जो हमें तेरा प्यार
मिला जो हमें तेरा प्यार
हम प्यार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
मिला जो हमें तेरा प्यार
हम प्यार के काबिल हो गए
हो गए
छूए जो तूने दिल के तार
झंकार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
तू मिला तो हमें
खुशियों के
खजाने मिले ए ए ए
तू मिला तो हमें
खुशियों के
खजाने मिले ए ए ए
तू मिला तो हमें जीने के
बहाने मिले ए ए ए
दिल बढ़ाया तूने बार बार
संसार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
हम प्यार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
तेरी परछाई भी दिल को मेरे
सहारा लगे ए ए ए
तेरी परछाई भी दिल को मेरे
सहारा लगे ए ए ए
बीच धरा भी तो संग तेरे
किनारा लगे ए ए ए
तेरी बाहों कि है पतवार
मंझधार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
हम प्यार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
जिसे पाने को तरसा है जीवन
वही मिल गया आ आ आ
जिसे पाने को तरसा है जीवन
वही मिल गया आ आ आ
तेरे किरणों से नैनों ने चूमा
मन कमल खिल गया आ आ आ
तूने दामन में भर दी बहार
तेरे द्वार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार
हम प्यार के काबिल हो गए
हो गए
छूए जो तूने दिल के तार
झंकार के काबिल हो गए
हो गए
मिला जो हमें तेरा प्यार

Tags: 1971, Ajay Sahni, Indeewar, Kalyanji Anandji, Lata Mangeshkar, Preet Ki Dori, Tanuja

Parda uthhne waala hai tamaasha hone waala hai

Posted by: Atul on: May 9, 2021

Blog Day :

4678

Post No. :

16355

# Superstar Child Artist – Junior Mehmood # 8
——————————————————–

Welcome all to this eighth post in this series where we are discussing songs performed by Junior Mehmood as a ‘superstar child artist’.

So far, the following seven songs in this series have been discussed on the blog earlier.

1) lagey koi lottery koi jackpot lagey

2) Na koi paisa na ilm banaao bambai mein film

3) Mera naam hai Mehmood

4) Birha ki rain sooni sooni sejariya

5) Aisa banoonga actor main yaaron

6) Ham hi jaanen ek torey manwa ki peer

7) Janamdin tujhko mubaraak ho

Today’s song is from the 1970 movie ‘Bachpan’.

As mentioned in the earlier posts under this series, ‘Naunihaal-1967’ was the first released movie of child artist Junior Mehmood.

He went on to act in many movies as a child artist then. He was the most loved child artist in those years of end-sixties to mid-seventies.

As a child artist Junior Mehmood achieved a ‘Superstar’ like status. He got to perform on many songs or rather many songs were picturised on him during those days.

We are going to enjoy one such song of Junior Mehmood as a child artist from the movie ‘Bachpan-1970’. The today’s wonderful entertaining song is performed by Junior Mehmood and other child artist including Sachin and Naeem (?) and many others.

This song is a different from his’ other songs as a child artist, because here he is not doing any mimicry of other actors or his guru, but in today’s song he is performing as a ‘girl’ or in a ‘female’ get-up.

In today’s song we see all the child artists (mentioned above) are singing and dancing in a police station where Sanjeev Kumar is in a lock-up. From the lyrics of this song we can guess that all these children have a plan to divert the attention of the on-duty police staff in their singing-dancing activities so that Sanjeev Kumar is able to escape from their custody.

The lyrics, music and singing of this song is very lively and entertaining to watch as Junior Mehmood, Sachin performs by lip syncing in Lata Mangeshkar’s voice and lead other children in the performance.

In an interview with Zarina Wahab (available here) Junior Mehmood had mentioned this song as his most favourite song among all the songs picturised on him.

‘Bachpan’ was directed by K.P. Atma for ‘Atma Arts Universal, Bombay’. K.P. Atma co-produced this movie with K.H. Rao. It had Sanjeev Kumar, Master Sachin, Junior Mehmood, Shahid, Anwar Hussain, Mukri, Sunder, Joginder, Baldev Mehta, Keshto Mukherji, Aruna Irani, Sulochana Chatterjee, Tabassum, Pratima Devi, Baby Gayatri, Baby Guddi, Master Alankar, Naeem and Tanuja.

Story of this movie was written by K.P. Atma. Screenplay and dialogues were written by Raj Baldev Raj. Editing of this movie was done by Shivaji Awdhut.

This movie was passed by Censor Board on 24.09.1970.

This movie had total six songs which were written by Anand Bakshi and composed to music by Laxmikant-Pyarelal.

Kishore Kumar, Lata Mangeshkar, Mohd Rafi, and P. Susheela were the playback singers for the songs in this movie.

Three songs from the movie ‘Bachpan-1970’ have been posted earlier on the blog. Today’s song is the fourth song from this movie to be posted on the blog.

Song	Posted on
Aaya re khilaune waala	30.08.2010
Mother Mary maa ham tere dulaare hain	25.12.2016
Prem ka rog lagaa loon kaise jee ko main saanwariya	30.08.2020

I had not watched this movie ‘Bachpan-1970’. I would request knowledgeable readers to throw more light on the movie and its songs.

Let us now enjoy today’s rocking entertaining song in the voice of Lata Mangeshkar.

Video

Audio

Song-Parda uthhne waala hai (Bachpan)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Ho mantar chalne waala hai
Jaadu hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Kaale baadal jaise udte hain
Barsaat mein
Kaale baadal jaise udte hain
Barsaat mein
Tu bhi ud jaa panchhi pinjraa
Le ke saath mein
Tu bhi ud jaa panchhi pinjraa
Le ke saath mein
Qismat jaagne waali hai
Qismat jaagne waali hai
Qismat jaagne waali hai
Shikaari sone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ham laaye hain sandesaa tere naam ye ae
Ham laaye hain sandeshaa tere naam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Naseeba dhoney waala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Sun o bhole bhaale raahi
Tujhko kya pataa aa
Sun o bhole bhaale raahi
Tujhko kya pataa
Jisne tujhko hai bhulaaya
Tera raasta aa
Jisne tujhko hai bhulaaya
Tera raasta
Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Wo khud hi khonewaala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Ho mantar chalne waala hai
O Jaadu honewaala hai
Koyi hansne waala hai
Koyi rone waala hai

——————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हो मंतर चलने वाला है
जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

काले बादल जैसे उड़ते है
बरसात में
काले बादल जैसे उड़ते है
बरसात में
तू भी उड़ जा पंछी पिंजरा
ले के साथ में
तू भी उड़ जा पंछी पिंजरा
ले के साथ में
किस्मत जागने वाली है
किस्मत जागने वाली है
किस्मत जागने वाली है
शिकारी सोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हम लाये हैं संदेशा तेरे नाम ये ए
हम लाये हैं संदेशा तेरे नाम ये ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे दामन के धब्बे
तेरे दामन के धब्बे
तेरे दामन के धब्बे
नसीबा धोने वाले है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

सुन ओ भोले भाले राही
तुझको क्या पता आ
सुन ओ भोले भाले राही
तुझको क्या पता
जिसने तुझको है भुलाया
तेरा रास्ता
जिसने तुझको है भुलाया
तेरा रास्ता
अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
वो खुद ही खोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
हो मंतर चलने वाला है
ओ जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

Tags: 1970, Anand Bakshi, Bachpan, Junior Mehmood, Lata, Laxmikant Pyarelal, Sachin

Imtehaan imtehaan insaaniyat ka aaj imtehaan

Posted by: Atul on: April 24, 2021

Blog Day :

4663

Post No. :

16334

(#Music Composer-Singer-Bappi Lahiri#6)
————————————————
#the Decade of Eighties – 1981 – 1990 #Year-1983 – The year of ‘Himmatwaalaa’
——————————————————————–

We are back for yet another ‘warmer’ summer. Temperatures are already soaring day by day. e are in the midst of the second summer in the ‘pandemic age’. If we compare it to last year’s summer, this year ‘surge of the pandemic’ is decidedly more serious than what it was in the previous year.

For students also, an unusual summer in terms of classes and exams. And that reminds me of the ‘summers’ in my childhood. We would wait for the exams to get over, which would be conducted in March-April. From May it would be vacations till June 7th (or the first or second Monday of June, hope I am correct) when the schools reopened for the next educational year.

The normal planning for the vacations would be to visit grandparents, playing cricket, reading story books, magazines, comics, cricket-samrat’, ‘listening to music on SLBC, ‘Vividh Bharati’ and ‘listening to BBC Khel Samachar etc. on radio’. Watching movies in the nearby city (Akola) would be one more option. Also common in those days were ‘touring talkies’ which would be camping in the season. After a full day of warm summer, one ould enjoy movies in the evening and night shows in these touring talkies which generally would be in open fields.

That was the planning for ‘summer vacations’ but before that we had to go through exams.

When I talk of ‘summer nostalgia’, I cannot forget the summer of the most important year in my life, and that is the year ‘1983’ (educational year 1982-83) when I was in 10^th standard and I appeared for the board exams in Mar-1983 (or may be Mar-April-1983).

A crucial year of studies in one’s life according to the general ‘perception’ in our society (in those years, or it is the same even today?) 😊.
However, we were not having those many comforts we have now. There was no TV, no mobile, no internet, no fridge (at our home).
But there was ‘Radio’ or ‘Transistor’ and there were books and newspapers. Other than cricket it was ‘carrom’ ‘badminton’ and other outdoor games etc.

However, my Uncle staying at Koradi (Nagpur) had purchased a ‘Dynora’ ‘b/w’ TV. And India and Pakistan were having a test series. So, somehow, I convinced my parents to allow me to go for few days and watch the matches on TV and come back.

Imagine, on one side all my friends, classmates were tense, and I had bunked my ‘tuitions’ to watch India-Pakistan matches on TV. My tuition teacher asked my parents to please call me back and when I returned from Nagpur, he humbly requested me ‘aata he cricket vagaire soda, ani abhyasaat laksh ghaala’ (forget the cricket now and concentrate on the studies now) And why not he was not even charging me the tuition fees like my other friends.

So, I concentrated on on studies, but still not giving a serious thought to Teacher and Parent’s instructions I continued to at least play half an hour every day and even on examination days, citing the reason of ‘relieving exam stress’ to my parents.

After examinations it was again ‘cricket’ and ‘movies’ too … And when I talk of summer’1983 I cannot forget the movies I watched during the vacation after appearing for the board exams which was like normal exams for me.

Cassette players had already made entry into our colony and a few people possessed them . So, there were songs and movies. Songs of ‘Nikaah’, ‘Disco Dancer’, ‘Himmatwaala’ etc. could be heard anywhere either on radio or ‘tape recorders.’

As a cricket fan, this summer turned out to be the most memorable and unforgettable as Kapil’s Devils clinched the ‘first world cup title’ for India in June’1983.

Given my age that time I was more interested in cricket, movies, books, and study to pass the exams 😊.

Now, when I check the important happenings in our country in that year – 1983 – google had the following results.

● Waiting telephone connections.
● Silk Smitha.
● Khushwant Singh.
● Kapil Dev brings World Cup to India.
● Nellie Massacre tragedy.
● Jarnail Singh Bhindranwale.

Challenges were still there, and the next year 1984 was a crucial year as we are all aware we lost our Prime Minister Indira Gandhi. The previous years to 1983 i.e., 1981 & 1982 saw floods playing havoc in Rajasthan, and Saurashtra & Orissa, respectively.

All was lost for the peoples residing there, but life had to find its way, so the people of this country do, from time immemorial – facing challenges – fighting them – and winning over them and re-creating more than what has been lost. ‘To fight back with more strength after all is lost’ is in the blood of the people of this land.

Ah! but one cannot bring back the lives that are lost.

Today, again, we are facing challenges and our ‘warriors’ from different fields of the society are fighting with the pandemic and helping people going far out of the way of what they could be.

The stories of highest sacrifices done by individuals and group of peoples never cease to hit the media and life goes on …

Here is a song, that could better explain the ‘challenge’, we as ‘human’ must overcome and save our people, help them, and ‘rebuild’ them.

‘The dignity’ of ‘humanity’ should be upheld and protected.

If 1983 was the year of filmy ‘Himmatwaalaa’ the year ‘2020’ and ‘2021’ have been the years of the ‘real heroes’, who have shown exemplary courage during the ‘lock-down-1’ and first phase of the pandemic, and during the second and worst phase of the pandemic.

Whether they are frontline health workers, doctors, social workers, non-governmental organizations providing food and shelters to many, migrant labors, small entrepreneurs, or start-ups … all of them have suffered a lot themselves. and have still helped many to stand in this hour of calamity.

The ‘pandemic challenge’ is not over yet and still a lot needs to be done by all collectively…

Today’s song is the song which I like most from this movie ‘Himmatwaalaa-1983’ and Bappi Lahiri has given this different composition among the other ‘dance-romance-dream’ songs in this movie. Same thing applies to the lyricist Indeever who penned this song.

In the movie the song happens when nearby villages have been washed off due to flood and nature’s fury (in the movie it is shown taking place in Gujarat).
The hero of the movie Jeetendra calls a meeting of the youths and motivates them to join him in collectively helping those who have lost their all.
However, the elders in the town did not agree with Jeetendra and try to prevent their kin from joining him.

This song takes place here when Jeetendra give the clarion call to all singing this song. As it happens the people (Arun Govil and many others) respond to his call and joined him in this mission.

Video

Audio

Song-Imtehaan imtehaan insaaniyat ka aaj imtehaan (Himmatwaala)(1983) Singer-S P Balasubrahmaniam, Lyrics-Indeever,MD-Bappi Lahiri
Chorus

Lyrics

Insaan wo insaan ke jo Kaam aata hai
Insaan wo insaan ke jo Kaam aata hai
Khud ko khatre mein daal ke
Auron ko bachaata hai
Auron ko bachaata hai

Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Toote dil ko jo sambhaale
Doobte ko jo bachaa le ae
Toote dil ko jo sambhaale
Doobte ko jo bachaa le ae
Kaam aaye auron ke
Wohi to hai insaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan

Aa aa
Aa
Aa aa
Aa aa
Aa

Paani zehar har ik lehar
Ban gayi toofaan
Muskuraati gaati bastiyaan
Huyin veeraan
Aankhon mein hai jinki
Ganga jamuna ke dhaare ae ae
Apne hi deshwaasi
Ham watan hai hamaare
Ashqon ka ek rang
Sab ka dard ek samaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan

Ghoonghat dulhan ka kholey bina
Koyi so gaya aa
Maa ko nahin khabar
Bhanwar mein laal kho gaya
Maa mar chuki hai
Bhookha laal phir bhi pukaare ae ae
Aa aa aa aa aa aa aa
Kamzor budhaape ko dega
Kaun sahaare ae ae
Gaaon ko shamshaan dekh
Ro diya bhagwaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan

Aa aa aa aa
Aa aa aa aa
Aa aa aa aa aa aa
Aa aa aa aa
Aa aa aa aa aa aa
Aa aa aa aa
Aa
Aa
Aa
Aa
Aa

————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-
इंसान वो इंसान के जो
काम आता है
इंसान वो इंसान के जो
काम आता है
खुद को खतरे में डाल के
औरों को बचाता है
औरों को बचाता है

इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
टूटे दिल को जो संभाले
डूबते को जो बचा ले ए
टूटे दिल को जो संभाले
डूबते को जो बचा ले ए
काम आये औरों के
वो ही तो है इंसान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान

आ आ
आ
आ आ
आ आ
आ

पानी ज़हर हर इक लहर
बन गयी तूफ़ान
मुस्कुराती गाती बस्तियां
हुयी वीरान
आँखों में है जिनकी
गंगा जमुना के धारे ए ए
अपने ही देशवासी
हम वतन है हमारे
अश्कों का एक रंग
सब का दर्द एक सामान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान

घूंघट दुल्हन का खोले बिना
कोई सो गया आ
माँ को नहीं खबर
भंवर में लाल खो गया
माँ मर चुकी हा
भूखा लाल फिर भी पुकारे ए ए
आ आ आ आ आ आ आ
कमज़ोर बुढापे को देगा
कौन सहारे ए ए
गाँव को शमशान देख
रो दिया भगवान्
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान

आ आ आ आ
आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ
आ
आ
आ
आ
आ

Tags: 1983, Bappi Lahiri, Himmatwaala, Indeewar, Jeetendra, S P Balasubramanyam

Jagmag jagmag si mehfil mein

Posted by: Atul on: April 16, 2021

Blog Day :

4655

Post No. :

16323

Welcome all to this ‘Yippeeee’ song post after some gap. The activity of ‘Yippeeee-ing’ of movies seem to have taken a backseat amid other posts.

If I correctly remember the last movie ‘Yippeeee’ed’ on 05^th this month and the movie was ‘Amir Gharib-1974’.

Today’s ‘Yippeeee’ movie is ‘Dard-1981’.

‘Dard-1981’ (conflict of emotions) was directed by Ambrish Sangal for ‘Murghan Enterprises, Bombay’. It was produced by Shyam Sundar Shivdasani. It had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishan Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaljeet, Harjeet, Poornima Jairam, Mazhar Khan, and Master Raju Shreshtha. Actress Ranjeeta made a ‘freindly appearance’ in this movie.

Story of this movie was written by Aruna Sangal. Its screenplay and dialogues were written by V.K. Sharma. Narendra Goel was the Chief Assistant Director of this movie. Kamlakar was the editor of this movie and he was assisted by Babubhai Shah.

This film was passed by censor board on 24.07.1981.

Lyrics for all the seven songs (including one multiple version song) in this movie were written by Naqsh Layallpuri. Music of this film was composed by Khayyam Saab. Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Bhupinder had given their voices to the songs in this movie.

Six songs (including the one multiple version song) from ‘Dard-1981’ have been posted on the blog as per following details.

SNo	Song Title	Posted On
01	Aisi haseen chaandni pehle kabhi na thhi	21.09.2012
02	Pyaar ka dard hai meetha meetha pyaara pyaara	19.07.2018
03	Ahl e dil yoon bhi nibhaa lete hain (multiple version)	18.02.2019
04	Na jaane kya hua jo toone choo liya	28.09.2019
05	Qubool keejiye pehle salaam aankhon kaa	24.02.2021

Today’s song is the final song from this movie being posted on the song.

This song is a party song (celebration song) wherein we can see Rajesh Khanna and Poonam Dhillon, with Hema Malini and others present in the picturisatin of this song.
I hope I have been able to correctly note the ‘Punjabi’ words in this song.

Let us now enjoy today’s song.

With this song all the songs of the movie ‘Dard-1981’ gets covered on the blog and the movie gets ‘Yippeeee’ed on the blog.

Editor’s note: This movie is the 107^th movie starting with the letter D to get YIPPEED in the blog.
Audio

Song-Jagmag jagmag si mehfil mein naach uthhe armaan (Dard)(1981) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Kishore Kumar + Asha Bhonsle + chorus

Lyrics

jagmag jagmag si mehfil mein ae
jagmag jagmag si mehfil mein
naach uthhe armaan
dil ne geet khushi ka chheda
mehfil huyi jawaan
o mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
ho o o

dil se dil ka jab yaaraana ho jaaye ae
kaise na har khwaab suhaana ho jaaye ae
chupke chupke jab bhi teri aankhon se ae
aankh miley to
pyaar deewaana ho jaaye ae
ji chaahe main tujh pe sadke ae
ji chaahe main tujh pe sadke
kar doon apni jaan
mehfil taan sajdi
taan sajdi
je nache munde di maa
mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
ho o o

pal pal huaa sunehra mere jeewan ka aa
meri palkon mein hai sapna dulhan ka aa
tu jis roz chali aayegi ghoonghat mein ae
nayaa sawera hoga mere aangan ka aa
jaanoon dil se ho jaaungi
jaanoon dil se ho jaaungi
tujh pe main qurbaan
o mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
ho o o

mamta ke daaman mein khushiyaan lehraaye ae ae
mere sang sang naache meri aashaayein
har mausam in do phoolon mein rang bhare ae ae
dil se yahi duaayen honthon par aaye
phoole phaley dilon ka gulshan
mehka rahe samaa
mehfil taan sajdi
taan sajdi
je nache munde di maa
mehfil taan sajdi
taan sajdi
je nache munde di maa
mehfil taan sajdi
ho o o

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————

जगमग जगमग सी महफ़िल में ए
जगमग जगमग सी महफ़िल में
नाच उठे अरमान
दिल ने गीत ख़ुशी का छेड़ा
महफ़िल हुयी जवान
ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
हो ओ ओ

दिल से दिल का जब याराना हो जाए ए
कैसे न हर ख्वाब सुहाना हो जाए ए
चुपके चुपके जब तेरी आँखों से ए
आँख मिले तो
प्यार दीवाना हो जाए ए
जी चाहे मैं तुझ पे सदके ए
जी चाहे मैं तुझ पे सदके
कर दूं अपनी जान
महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
हो ओ ओ

पल पल हुआ सुनेहरा मेरे जीवन का आ
मेरी पलकों में है सपना दुल्हन का आ
तू जिस रोज़ चली आएगी घूँघट में ए
नया सवेरा होगा मेरे आँगन का आ
जानू दिल से हो जाउंगी
जानू दिल से हो जाउंगी
तुझ पे मैं कुर्बान
ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
हो ओ ओ

ममता के दामन में खुशियाँ लहराए ए ए
मेरे संग संग नाचे मेरी आशाएं
हर मौसम इन दो फूलों में रंग भरे ए ए
दिल से यही दुआएं होंठों पर आये
फूले पहले दिलों का गुलशन
महका रहे समा
महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
महफ़िल ताँ सजदी
हो ओ ओ

Tags: 1981, Asha Bhonsle, Dard, Khayyam, Kishore Kumar, Naqsh Llayalpuri

Chhak chhak chali hamaari rail

Posted by: Atul on: April 1, 2021

This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4640

Post No. :

16300

The musical bandwagon may be moving slower now a days, but it is moving on nevertheless. Everyday sees at least one post in the blog. The last DOT day for the blog was on 25 december 2019 (4177^th day for the blog). Since then, the blog has added at least one song every day for the last 563 days.

Today is 4640^th day for the blog. On this day we achieve yet another landmark figure, viz post number 16300. In other words, we complete the 163rd century for the blog today. It works out to an average of 28.5 days for one century. So by the time our moon completes one rotation of the earth, the blog completes one century of songs. 🙂

Here I have likened the progress of the blog to moon. But in the past, I have likened the blog to a bandwagon. And on other occasions, I have likened it to a train as well. 🙂

Come to think of it, trains fascinate us nearly as much as Hindi movie songs fascinate us. Trains in fact fascinate Hindi movie makers also. And so we find trains playing important roles in many Hindi movies. Many songs in these movies take place on trains.

When I checked up, I realised that the blog has just over one hundred train songs already. We have 102 rail related songs in the blog so far.

If one thinks that all these rail related songs have been covered by me ( a Railwayman myself), you cannot be more wrong. Most regular contributors of the blog have contributed to this impressive catalog of rail songs in the blog. Just take a look at the chart here to see the contributions of rail related posts and lyrics by our regulars :-

Contributor	Number of Articles	Lyrics	Remarks
Atif M	–	2	Post no. 6157 and 6286
Ava Suri	2	–	Post no. 8536 and 14992
Arunkumar Deshmukh	6	–	Post no. 7670, 8255,9709,10742,10960 and 14578
Avinash Scrapwala	3	1 + 2 (Devnagri)	Post no. 16069,16134 and 16135 Both Lyrics for posts 13964 and devnagri lyrics for 14903
Bharat Upadhyay	1	–	Post no. 11305
K Satish Shenoy	1	–	Post no. 14486
Khyati Bhatt	–	2	Post no. 5248 and 7450
Mahesh Mamadapur	1	–	Post no. 11226
nahm	2	–	Post no. 7676 and 9898
Nitin Shah	–	5	Lyrics for Post no. 5753,5791,8732,9606 and 10817
Pamir Harvey	1	–	Post no. 8160
Peevesie	–	1	Post no. 5756
Peevesie’s mom	4	–	Post no. 7564,8867,11717 and 16141
Prakashchandra	–	10	Lyrics for Post no. 5039,6447,6579,6705,6782,6871,8626,8865,10051 and 12828
Raja	2	–	Post no. 3161 and 13374
Sadanand Kamath	–	1	Post no. 7053
Satyajit Rajurkar	1	–	Post no. 9325
Sudhir Kapur	10	1	Post no. 3900, 3988,7368,8537,9561,9973,10729,11111,13929 and 15551. Lyrics for post number 3486

What an impressive collection of Rail related songs by our regulars.

Some of these songs have doubled up as blog century posts as well. Here is the list of Rail songs that have been used as blog century posts :-

Blog post number	Song	Movie (Year)	Date of posting
2000	Dhak dhak karti chali jeewan ki rail re	Dilruba(1950)	27 september 2009
2700	Jeewan hai ik sapnaa madhur suhaanaa sapnaa	Honeymoon (1973)	30 july 2010
3500	Main hoon jhum jhum jhum jhum jhumroo	Jhumru (1961)	4 February 2011
3900	Ye hai jeewan ki rail	Mehlon Ke Khwaab	17 may 2011
15800	Hamaare dil ke station pe bhi baabu kabhi aanaa	Fifty Fifty(1950)	12 August 2020

I have decided to use another Rail song as this blog century song. I had a good number of Rail songs to chose from. Avinash Scrapwala, one of the bigger Railway fans among the regulars, had sent me several rail related lyrics and he keeps reminding me about them periodically. I have chosen one of those lyrics for this post.

This song is from “Naach”(1949). “Naach” (1949) was directed by Ravindra Dave for Kuldip Pictures. The movie had Shyam, Suraiya, Kuldip, Raj Mehra, Gulab, Yashodhara Katju, Sofia, Shyama, Wasti, Om Prakash etc in it.

The movie had 11 songs in it. Eight songs have been covered in the past.

This rail song from “Naach”(1949) is sung by Geeta Dutt, Lata Mangeshkar and an unknown male voice.

I take this opportunity to thank one and all for their continued support and encouragement which has kept this musical labour of love to keep rolling on and on without any stoppages. Here is hoping that we will countinue to keep arriving at many more milestones during our musical journey.

Song-Chhak chhak chali hamaari rail (Naach)(1949) Singers-Geeta Dutt, Lata Unknown male voice, Lyrics-Mulkraj Bhakri, Md-Husnlal Bhagatram

Lyrics(Provided by Avinash Scrapwala)

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Liye jaa rahi hai ye kisiko
Bichhda sajan milaane ae ae
Liye jaa rahi hai ye kisiko
Bichhda sajan milaane
Koyi chhod apne sangi ko
Chalaa hai door thhikaane ae ae
Koyi chhod apne sangi ko
Chalaa hai door thhikaane
Kismet se hi hote hain ji
Bichhdon ke phir mel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Malaai hai malaai
Malaai hai malaai
gore haathon ne banaayi
gore haathon ne banaayi
Kunwaara bhi khaaye to
Mil jaaye lugaai
Mil jaaye lugaai
Poochhlo ise
Isne parson hi khaayi
Parson hi khaayi
Malaai hai malaai
Malaai hai malaai

Baalam morey ka shehar hai Dehli
Baalam morey ka shehar hai Dehli
Chhoti bajariyaa mein oonchi haveli
Chhoti bajariyaa mein oonchi haveli
Maikaa hai mora beech Bareilly
Maikaa hai mora beech Bareilly
Wahin ki ticket kataayi re
Wahin ki ticket kataayi re

Guard baabu
O Guard baabu
Guard baabu
O Guard baabu
Gaadi jaldi jaldi khench

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————–

छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने ए ए

लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने
कोई छोड़ अपने संगी को
चला है दूर ठिकाने ए ए
कोई छोड़ अपने संगी को
चला है दूर ठिकाने
किस्मत से ही होते हैं जी
बिछड़ों के फिर मेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल

मलाई है मलाई
मलाई है मलाई
गोरे हाथों ने बनायी
गोरे हाथों ने बनायी
कुंवारा भी खाए तो
मिल जाए लुगाई
मिल जाए लुगाई
पूछलो इसे
इसने परसों ही खायी
परसों ही खायी
मलाई है मलाई
मलाई है मलाई

बालम मोरे का शहर है देहली
बालम मोरे का शहर है देहली
छोटी बजरिया में ऊंची हवेली
छोटी बजरिया में ऊंची हवेली
मैका है मोरा बीच बरेली
मैका है मोरा बीच बरेली
वहीँ की टिकट कटाई रे
वहीँ की टिकट कटाई रे

गार्ड बाबू
ओ गार्ड बाबू
गार्ड बाबू
ओ गार्ड बाबू
गाडी जल्दी जल्दी खेंच

छक छक चली हमारी रेल
छक छक चली हमारी रेल

Tags: 1949, Geeta Dutt, Husnlal Bhagatram, Lata, Mulkraj Bhakri, Naach

Hindu hoon main na Musalmaan hoon

Posted by: Atul on: March 30, 2021

Blog Day :

4638

Post No. :

16296

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 128 # A Tribute to Anand Bakshi#
——————————————-—————————

Today 30^th March 2021 (21.07.1930 – 30.03.2002) is the nineteenth Remembrance anniversary of Lyricist Anand Bakshi. As a tribute to him here is a song from the ‘1976’ movie ‘Mahaachor’ On this occasion .

‘Mahaachor-1976’ was directed by Narinder Bedi for ‘Dachi Films Pvt Ltd, Bombay’. It had Rajesh Khanna, Neetu Singh, Prem Chopra, Kamini Kaushal, Manorama, Anwar Hussain, Krishna Dhawan, Manmohan, Rajan Haksar, Aruna Irani, Sonia Sahni (Special appearance), Master Lollipop, Viju Khote, Rajpal, Narbada Shankar, Jagdish Raj, Pinchoo Kapoor, Birbal, Pratima Devi, Rajnath, Moolchand, Ratnamala, Nishan Singh, Chandu, Dhanna, Mishrilal and others.

This movie was passed by Censor Board on 16.10.1976.

This movie had six songs (as listed below) written by Anand Bakshi and composed by R.D. Burman.

S.No.	Song Title	Singer/s	Posted On
01	Ae..ho..aa …mera naam yaaron mahaachor hai	Kishore Kumar
02	Hindu hoon main naa musalmaan hoon	Kishore Kumar
03	Sun Banto baat meri… naiyyo katni raat meri	Anand Bakshi, Asha Bhonsle
04	Main tumse pyaar karti hoon	Lata Mangeshkar, Kishore Kumar	29.12.2011
05	Tu kya mujhe barbaad karega …	Lata Mangeshkar
06	Meethhi meethhi ankhiyon se man bhar de	Kishore Kumar, Asha Bhonsle	18.07.2016

It can be seen that only two songs from this movie have been posted on the blog. The second song appeared after a gap of a little more than four years and six months after the first song. Incidentally today’s song, the third one from this movie, is appearing after a gap of more than four years and eight months (almost about five years). The earlier two songs were posted on anniversaries of Rajesh Khanna. Today’s song is being posted on the ‘Remembrance anniversary’ of Anand Bakshi – the lyricist for this movie.

Today’s song is sung by Kishore Kumar and it is lip-synced by Rajesh Khanna. From the picturization of this song it seems to be lip synced after a communal clash between followers of to religions, where this song serves to preach the values of communal harmony

As mentioned above lyrics are by Anand Bakshi and music is composed by R.D. Burman.

In the year ‘1976’ Anand Bakshi wrote lyrics for the following movies;

S. No	Name of the movie	Music Director
01	Aap Beetee	Laxmikant-Pyarelal
02	Baalika Badhu	R.D. Burman
03	Baarood	S.D. Burman
04	Bairaag	Kalyanji-Anandji
05	Bhanwar	R.D. Burman
06	Bullet	R.D. Burman
07	Charas	Laxmikant-Pyarelal
08	Deewaangee	Ravindra Jain
09	Dhongee	R.D. Burman
10	Do Ladkiyaan	Laxmikant-Pyarelal
11	Jaaneman	Laxmikant-Pyarelal
12	Jeewan Jyoti	Salil Chaudhary
13	Koi Jeeta Koi Haaraa	Laxmikant-Pyarelal
14	Maa	Laxmikant-Pyarelal
15	Mahaachor	R.D. Burman
16	Mehboobaa	R.D. Burman
17	Nehale Pe Dehalaa	R.D. Burman
18	Tyaag	S.D. Burman

The songs from ‘Kabhie-Kabhie’, ‘Dharam Karam’ and ‘Jai Santoshi Maa’ stood in the first three ranks respectively in the annual list of ‘Binaca-Geetmala’ that year in 1976. As many as eleven songs written by Anand Bakshi figured in this list of ‘1976’. These included songs from ‘Sholay-1975’, ‘Mehboobaa-1976’, ‘Jaaneman-1976’, ‘Warrant-1975’, and ‘Charas-1976’ as well.

let us now listen to today’s song. It is sung by Kishore Kumar. R.D. Burman is the music director and lyrics are by Anand Bakshi.

Video

Audio

Song-Hindu hoon main na Musalmaan hoon (Mahaachor)(1976) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Unknon voice 1
Unknon voice 2

Lyrics

Hindu hoon main naa Musalmaan hoon
Hindu hoon main naa Musalmaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon
Hindu hoon main naa Musalmaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hain main insaan hoon

Jisko pataa ho boley
Mazhab kaa raaz khole
Main jab paidaa hua thha
Likha hua nahin thha
Chehre pe naam mera
Sabko salaam mera
Logon ne jo bhi pukaara
Main ban gayaa bechaara
Baat samajh nahin aati
Kiskaa banoon main saathi
Taubaa hai
Taubaa hai
Main kitnaa nadaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hai main insaan hoon

Likha padha nahin main
Rakhta hoon ispe yakeen main
Maine kahin suna hai
Kisi shayar ne kahaa hai
Mazhab nahin sikhaata
Aapas mein bair rakhna
Kehne ka ye matlab hai
Ye kaunsa majhab hai
Jisne tumhen bhadkaaya
Aapas mein ladna sikhaaya aa
Tum ho khafaa
Tum ho khafaa aur main hairaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hai main insaan hoon

Om namah shivay nanah
Allah ho akbar r r r

Mandir masjid gurudwaare ae
Mandir masjid gurudwaare ae
Maalik ke ghar hain saare
Ha se Hindu banaa hai
Ma se Muslim banaa hai
Ha aur ma se jaano
Ham sab bane deewaanon
Do haath paanv mere
Do haath paanv tere
Jab jism hain ek jaise
Phir ham judaa hain kaise ae
Pehchaano main sach ki pehchaan hoon
Mazhab se apne main anjaan hoon
Bas itnaa pataa hai main insaan hoon oon
Itnaa pataa hai main insaan hoon

————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-

हिन्दू हूँ मैं ना मुसलमान हूँ
हिन्दू हूँ मैं ना मुसलमान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता हैं मैं इंसान हूँ
हिन्दू हूँ मैं ना मुसलमान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

जिसको पता हो बोले
मजहब का राज़ खोले
मैं जब पैदा हुआ था
लिखा हुआ नहीं था
चेहरे पे नाम मेरा
सबको सलाम मेरा
लोगों ने जो भी पुकारा
मैं बन गया बेचारा
बात समझ नहीं आती
किसका बनूं मैं साथी
तौबा है
तौबा है
मैं कितना नादान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

लिखा पढ़ा नहीं मैं
रखता हूँ इस पे यकीन मैं
मैंने कहीं सूना है
किसी शायर ने कहा है
मजहब नहीं सिखाता
आपस में बैर रखना
कहने का ये मतलब है
ये कौनसा मजहब है
जिसने तुम्हे भड़काया
आपस में लड़ना सिखाया
तुम हो खफा
तुम हो खफा और मैं हैरान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

ॐ नमः शिवाय
अल्लाह हो अकबर

मंदिर मस्जिद गुरुद्वारे
मंदिर मस्जिद गुरुद्वारे
मालिक के घर हैं सारे
ह से हिन्दू बना है
म से मुस्लिम बना है
ह और म से जानो
हम सब बने दीवानों
दो हाथ पाँव मेरे
दो हाथ पाँव तेरे
जब जिस्म हैं एक जैसे
फिर हम जुदा हैं कैसे
पहचानो मैं सच की पहचान हूँ
मजहब से अपने मैं अनजान हूँ
बस इतना पता है मैं इंसान हूँ
इतना पता है मैं इंसान हूँ

Tags: 1976, Anand Bakshi, Kishore Kumar, Mahaachor, R D Burman, Rajesh Khanna

Saans Hai Jab Talak, Naa Rukenge Kadam

Posted by: skapur01 on: March 23, 2021

Blog Day :

4631

Post No. :

16285

Movie Count :

4424

Today 23^rd March 2021 is the ninetieth remembrance anniversary of martyr dome of Sardar Bhagat Singh, Sukhdev and Rajguru. They were hanged to death by the British regime on 23^rd March 1931.

On this occasion as a tribute in remembrance of these great sons of this soil here is a song from the movie ‘23^rd March 1931 Shaheed’ (2002).

As I had mentioned in my earlier post on the blog, in the year 2002 there were three movies released on the life of Bhagat Singh;

23rd March 1931 Shaheed
The Legend of Bhagat Singh
Shaheed-E-Azam

I would like to reproduce here what Dharmendra expressed about this movie his home production, (as appearing on the blurb of the audio cassette);

It is not the first time in the history of Indian Cinema that a film has been inspired by India’s favorite revolutionary. And quite honestly, it might not even be the last. This Sikh youth of character so powerful and deep represents the meaning of true patriotism and fearlessness to one and all. It can be assured that every time a movie is made on Bhagat Singh, not one person leaves the cinema hall carrying the same heart with which he arrives. It is not just his sacrifice that moves you; his biggest revolutionary thought and his smallest patriotic action, stir your blood inside. Bhagat Singh cannot be imitated, no matter how impressed you might feel. And yet, the one reason he chose death over life was to create a thousand of his kind so that each one of them could bear the depth of the same patriotic fervor to serve their country.
– Dharmendra

I was staying at Bareilly when this movie was released in 2002 and I had watched both the movies simultaneously i.e. ‘The Legend of Bhagat Singh’ and ‘23^rd March 1931-Shaheed’. I remember both the movie were welcomed by huge crowds in their first week of release and thereafter ‘The Legend of Bhagat Singh’ had a good run on the box office, better than the today’s movie.

‘23^rd March 1931 Shaheed’ was directed by Guddu Dhanoa for ‘Sunny Super Sound Presentation’. It was produced by Dharmendra.

It had Sunny Deol, Bobby Deol, Amrita Singh, Rahul Dev, Akshay Anand, Vicky Ahuja, Divya Dutta, Raja Bundela, Suresh Oberoi, Shakti Kapoor, Vivek Shauq, Samaresh Rautrai, Indal Singh, Sanjay Tripathi, Tej Sapru, Rajesh Khera, Deepak Sharma, Suresh Chatwal, Sachin Khedekar, Manoj Tiwari, Rana Jung Bahadur, Ishrat Ali, Imran Khan, Master Atit, Master Honey and Aishwarya Rai (in friendly appearance).

Screenplay of this movie is written by Sutanu Gupta and Dialogues of this movie are written by Sanjay S. Masoom Editing of this movie is done by Keshav Naidu. This movie was passed by Censor Board on 30.05.2002.

This movie has seven songs, written by Dev Kohli. The song “Sarfaroshi Ki Tamanna” by Ramprasad Bismil was included in the movie and with it the total number of songs makes it to eight. Songs in this film are sung by Udit Narayan, Alka Yagnik, Vinod Rathod, Hans Ran Hans (as per titles of the movie) and Bhupinder Singh, Mohd Salamat and Veer Rajendra (as mentioned in the blurb of the audio cassette of this movie and in addition to the names mentioned in the titles of the movie).

Today’s song is sung by Veer Rajinder and lyrics are by Dev Kohli. This song is in two parts (or may be three parts) in the movie as per video links available in the domain.

With the today’s song this movie ‘23^rd March 1931 Shaheed’ (2002) makes its debut on the blog.

Let us now listen to the today’s song. . .

Video

Audio

Video (Part 2)

Audio (Part 2)

Song – Saans Hai Jab Talak, Naa Rukenge Kadam (23 March 1931 – Shaheed) (2002), Singer – Veer Rajinder, Lyrics – Dev Kohli, MD – Anand Raj Anand
Chorus
Lyrics

saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se hamen
marte marte sabhi ko
bataa jaayenge
aye watan
aye watan
aye watan
aye watan

wo jawaani jo khoon ko
jalaati nahin
hmm hmm hmm hmm
wo watan ke liye
rang laati nahin
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
daagh lekar ghulaami ka
kyun ham jeeyen
haan kyun ham jeeyen
soch kar raaton ko
neend aati nahin
saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se hamen
marte marte sabhi ko
bataa jaayenge
aye watan
aye watan
aye watan
aye watan

aa aa aa aa aa aa aa
aa aa aa

hamne tay kar liyaa
hamne le li qasam
khoon se apne seechenge
apnaa chaman
hmm hmm hmm hmm
hamne tay kar liyaa
hamne le li qasam
khoon se apne seecnhenge
apnaa chaman
jaan lekar hatheli pe
ham chal diye
haan ham chal diye
baandh kar sar pe nikle
hain ham ye qafan
saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se hamen
marte marte sabhi ko
bataa jaayenge
aye watan
aye watan
aye watan
aye watan
aye watan
aye watan
aye watan
aye watan
———–
(part-2)
———–
naaz tujhko to hogaa
bhagatsingh ki maa
tera beta watan ke kaam aa gayaa
sar jhukaa kar nahin
sar uthha ke chalaa
desh ke waaste
jaan lootaa ke chalaa
jaane waaloon ko dekho
watan ke liye
aa aa aa aa
shamma aazaadi ki wo
jalaa jaayenge
saans hai jab talak
naa rukenge kadam
chal pade hain to
manzil ko paa jaayenge
jaan pyaari nahin hai
watan se inhen
marte marte sabhi ko
bataa jaayenge
inquilaab zindabaad
inquilaab zindabaad
inquilaab zindabaad

——————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————–

सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से हमें
मरते मरते सभी को
बता जायेंगे
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन

वो जवानी जो खून को
जलाती नहीं
ह्म ह्म ह्म ह्म
वो वतन के लिए
रंग लाती नहीं
आ आ आ आ आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ आ आ
दाग़ लेकर ग़ुलामी का
क्यूँ हम जीयें
हाँ क्यूँ हम जीयें
सोच कर रातों को
नींद आती नहीं
सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से हमें
मरते मरते सभी को
बता जायेंगे
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन

आ आ आ आ आ आ आ
आ आ आ

हमने तय कर लिया
हमने ले ली क़सम
खून से अपने सींचेंगे
अपना चमन
ह्म ह्म ह्म ह्म
हमने तय कर लिया
हमने ले ली क़सम
खून से अपने सींचेंगे
अपना चमन
जान लेकर हथेली पे
हम चल दिए
हाँ हम चल दिए
बाँध कर सर पे निकले
हैं हम ये कफन
सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से हमें
मरते मरते सभी को
बता जायेंगे
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
ऐ वतन
————–
(भाग- २ )
————–

नाज़ तुझको तो होगा
भगतसिंह कि माँ
तेरा बेटा वतन के काम आ गया
सर झुका कर नहीं
सर उठा के चला
देश के वास्ते
जान लूटा के चला
जाने वालों को देखो
वतन के लिए
आ आ आ आ
शम्मा आज़ादी को वो
जला जायेंगे
सांस है जब तलक
ना रुकेंगे कदम
चल पड़े हैं तो
मंजिल को पा जायेंगे
जान प्यारी नहीं है
वतन से इन्हें
मरते मरते सभी को
बता जायेंगे
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद

Tags: 2002, 23rd March 1931 Shaheed, Amrita Singh, Anand Raj Anand, Bobby Deol, Dev Kohli, Sunny Deol, Veer Rajinder

Seeta ke liye likkha hai yahi

Posted by: Atul on: March 8, 2021

This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616

Post No. :

16252

Today is the 8th of March.
A date that has an immediate connect with those who love Urdu poetry, and lyrics of Hindi films.

They celebrate it every year as the birth anniversary of one of the giants of 20th century Urdu poetry, and easily one of the most highly regarded lyricists the Hindi film industry has known.

I’m talking about Sahir Ludhianvi, of course.
He is right up there as one of the greatest – and I don’t think anyone disputes this.

It’s no secret to those who have read my previous posts here that I’m a massive fan of Sahir. I’ve written many posts on him here – on practically every birth and death anniversary of his. And even some in between.

And yet today is an extra extra special day.

For it’s not just another birth anniversary of his – it is his birth CENTENARY.

Yes, he was born on 8^th March 1921 – in other words, exactly 100 years ago.

I need to take a deep breath here to take in this occasion.

What a momentous one it is!

I suppose a centenary is also an opportunity to take a step back and look at what the person’s influence has been over the period in question.

And that is what I hope to do a little bit of here in this post.

Sahir passed away in 1980 – he was only 59 at the time.

But what a life!

Like Lincoln supposedly said “It’s not the years in your life that count, it’s the life in your years”.

Sahir lived a life that influenced not only people during his lifetime, but is also inspirational for people, like me and many others, 40 years after his death.

(I hope you can hear this from up there, Sahir saab!)

To understand the influence of Sahir, we need to look at him as more than just a poet.
There were poets before him – and there have been poets after him too.
In his own words, “mujhse pehle kitne shaayar aaye aur aakar chale gaye” and “kal aur aayenge naghmon ki khilti kaliyaan chunne waale”.
And it’s true.
And mind you, they have all, in their own ways, been fabulous too.
We should not demean any of their poetic abilities.

And yet where Sahir stands out, even while being exceptional as a poet, is in being exceptional in speaking out against power and oppression.

No one, NO ONE, did it as well as Sahir.
Or as frequently.

And for that, Sahir is in a league of one.

He exemplified the saying “The pen is mightier than the sword” better than any other poet I know, post-independence, with his poetry repeatedly exposing the hypocrisy in Indian society, and the ills prevalent across various sections of it. He railed against patriarchy and misogyny, against capitalists exploiting labour, against the government silencing dissent.

How can you NOT love such a person?

It all probably started early in Sahir’s life, when, having to choose between his rich father and his suffering mother, he chose the latter.

Maybe that was the trigger for him for the rest of his life, because he always spoke up for the poor, the underprivileged, the oppressed, the marginalized.

Of course there’s more to Sahir than just this.
He had amazing variety too.
Romantic songs. The songs of Hum Dono, Taj Mahal, Gumraah, Humraaz, Shagun and Waqt come immediately to my mind.
Philosophical songs. Main zindagi ka saath, aage bhi jaane na tu, mann ri tu kaahe na dheer dhare, kabhi khud pe…
Bhajans. Aan milo aan milo Shyam saanvre , Allah tero naam and tora mann darpan kehlaaye come to mind.
Qawwalis. Songs of Barsaat Ki Raat and Taj Mahal, for example.
Songs on mother-child relationship – Mujhe Jeene Do, Dhool Ka Phool and Trishul, among others.
Pure fun, zany songs. Sar jo tera chakraaye, aye meri topi palat ke aa.

Each one a gem.

And yet, as I look back on this centenary occasion, it is Sahir’s songs that speak of society, and speak TO society, that I would consider as his most significant and lasting influence.

Without them too, he would be a GREAT poet, no doubt.
But with them, he elevates himself from being just a great poet, to being a decent and conscious human being.

And that to me is far more important than anything else.

So let’s quickly run through some of his poetry where he talks about, or, to, society.
There are many songs of course, but I’ll just mention a few here.

Ye kooche ye neelaam ghar dilkashi ke – Pyaasa (1957)
Ye mehlon ye takhton – Pyaasa (1957)
Saathi haath badhaana – Naya Daur (1957)
Aurat ne janam diya mardon ko – Sadhna (1958)
Tu Hindu banega na Musalmaan banega – Dhool Ka Phool (1959)
Wo subah kabhi to aayegi – Phir Subah Hogi (1958)
Cheen-o-Arab hamaara – Phir Subah Hogi (1958)
Khuda-e-bartar – Taj Mahal (1963)
Na munh chhupa ke jiyo – Humraaz (1967)
Ponchh kar ashq apni aankhon se – Naya Raasta (1970)
Samaj ko badal daalo – Samaj Ko Badal Daalo (1970)

Sahir’s lyrics for such songs were piercing – they went straight to the heart.
It was as if he was pouring out his agony, venting his frustration at society. Showing it a mirror, exposing its hypocrisy.

For example, these seemingly innocuous lines (Sadhna-1958):

kaho jee tum kya kya khareedoge
yahaan to har cheez bikti hai

mohabbat bechti hoon main
sharaafat bechti hoon main
na ho ghairat to le jo
ki ghairat bechti hoon main

Powerful.

Of course, it was not always doom and gloom in his lyrics.
Even while he was critical of society and its ills, he also wrote uplifting lyrics, with hope in them.
Like na munh chhupa ke jiyo , ponchh kar ashq, wo subah kabhi to aayegi mentioned above.
So it’s a combination of frustration and hope – which is probably a pretty accurate representation of his own personality. 🙂
Sahir was himself known to be fairly moody – cheerful one moment, morose the next.

I can keep on and on about Sahir and his songs – I haven’t even scratched the surface.
I haven’t even talked about gems like “pyar par bas to nahin” – Sone Ki Chidiya (1958). But then, one really can’t do justice to Sahir in one post.

So I’m going to force myself to move on – and get to the song for this post.

Before I get to the song, one other thing.

Today, the 8^th of March, is also celebrated as International Women’s Day.

It is such a coincidence that both Sahir’s birth date and this date are the same.

Or was it pre-ordained in a sense, because if there was one person who regularly spoke up for women, their rights, how they’ve been oppressed, it was Sahir.

Aurat ne janam diya mardon ko from Sadhna-1958 is of course one of Hindi cinema’s classics. I’ve heard this song many times – and every time it gives me a punch in the gut.

But there were other lesser-known songs too.

And this song which I’m posting today is in that category.

It is from Jiyo Aur Jeene Do (1982).

Since Sahir passed away in 1980, I’m presuming this was one of his last few songs.
Or maybe he had written this earlier, but it got used only later in this film.

Anyway, as usual, it is Avinashji who has helped me with this.
He sent me the lyrics – and, considering it is Sahir’s Day AND Woman’s Day today, it seems to be just the right song for the occasion.

I haven’t seen the film, so I can’t comment about the situation, but the words of the song are powerful – and typically Sahir.

As usual, he talks about exploitation of women in Indian society.
And he references often to Seeta to bring home his point.
How women even today have to go through Agni Pariksha like Seeta had to.
How every woman is expected to just accept oppression without protest.
How even Seeta, who accompanied Ram during his exile, had to listen to his admonition of her.
How a woman can be expected to save herself in a world that has been created for man.
How, when even Ram could be influenced against Seeta, what hope for mere mortals?
How it is the lot of women like Seeta to be born in every era only to bear the burdens of this world.

I must admit the lyrics are very depressing.
Possibly some of the most depressing I have ever come across.
And I’d really like to think the lyrics are also highly exaggerated, and this isn’t today’s reality anyway. After all these lyrics are from more than 40 years ago, and a lot has changed since.

Or has it?

Yes, on one level, it has.
Many more women are better off today than they were 40 years ago.
More educated, more independent.
And yet, most of these are probably from middle- or upper classes of society.
(And even amongst them, there are many horror stories that don’t come to light).
But beyond these, there are many millions of women in India for whom life is a daily struggle.
From the moment they wake up early in the morning, to the moment they finally go to sleep that night, it is a day of just work, work and work. Women are taken so much for granted that society expects nothing less from them.
A woman just relaxing or enjoying herself is a rare sight – it almost seems out of place.
And so many women (especially among the poor) have sadly internalized this lifestyle of struggle, so they think it’s the most normal thing to do.
And I haven’t even talked about women’s safety here – that’s another minefield of a topic where, thanks to men, women don’t feel safe at all anytime during the day, every single day of their lives.
As a man, enjoying freedom that I take for granted, I just cannot imagine how it must be to live like this. All one’s life.

So yes, LOTS to think about.
And LOTS of work to do.
And the ball is in the court of MEN, not WOMEN.
For the simple reason that the cause of the problem is MEN, not WOMEN.

So then I think, however depressing the lyrics of this Sahir song are, are they more depressing than the actual lives of many women in India?

Anyway, this is supposed to be a day of celebration – I do not want to spoil the mood.
And yet, I cannot pretend – so if you don’t mind, I’d like it to be treated as a day of reflection for men too. Sahir would’ve liked that.

Thank you, Sahir saab, for your searing poetry. And for always standing up for the oppressed, and raising awareness on the right issues.
It is entirely our failing as a society that we have failed to make the lyrics you wrote all those decades ago irrelevant.
They are just as relevant today as they were when they were written.

And on that extremely sobering note, let me now end this post.
Thank you for reading.

Video

Audio (Longer)

Song-Seeta ke liye likkhaa hai yahi (Jiyo Aur Jeene Do)(1982) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus

Lyrics(Provided by Avinash Scrapwala)

Chup chup apni jaan pe sah jaa aa aa
Duniya ka anyaay
Koyi nahin is dharti par
Jo tera dard bataaye

Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

Gairon ke kadwe bol sune
Apnon ka atyaachaar sahe
Gairon ke ae kadwe bol sune
Apnon ka atyaachaar sahe
Jis Raam ke sang ban ban bhatke
Us Raam ki bhi dutkaar sahe
Dharti mein samaane se pehle
Dharti mein samaane se pehle
Dharti ki tarah har bhaar sahe
Seeta ke liye likkha hai yahi

Purushon ki banaayi duniyaa mein
Kya ik naari ka maan bache
Purushon ki banaayi ee duniyaa mein
Kya ik naari ka maan bache
Jis zahar se Raam ka man na bachaa
Us zahar se kya insaan bache
Jo reet yugon se jaari hai
Jo reet yugon se jaari hai
Us reet se kaise jaan bache
Seeta ke liye likkha hai yahi

Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa

Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Jeete ji kasht uthhaana
Marne pe sati kahlaana hai
Marne ae pe sati kahlaana hai
Itihaas ke pannon ko sadiyon
Itihaas ke pannon ko sadiyon
Yoon hi ye katha dohraana hai
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
चुप चुप अपनी जान पे सह जा आ
दुनिया का अन्याय
कोई नहीं इस धरती पर
जो तेरा दर्द बटाय

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही

गैरों के कडवे बोल सुने
अपनों का अत्याचार सहे
गैरों के ए कडवे बोल सुने
अपनों का अत्याचार सहे ए
जिस राम के संग बन बन भटके
उस राम की भी दुत्कार सहे
धरती में समाने से पहले
धरती में समाने से पहले
धरती की तरह हर भार सहे
सीता के लिए लिखा है यही

पुरुषों की बनायी दुनिया में
क्या इक नारी का मान बचे
पुरुषों की बनायी ई दुनिया में
क्या इक नारी का मान बचे
जिस ज़हर से राम का मन न बचा
उस ज़हर से क्या इंसान बचे
जो रीत युगों से जारी है
जो रीत युगों से जारी है
उस रीत से कैसे जान बचे
सीता के लिए लिखा है यही

आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ

इस अंधी बहरी नगरी में
जब जब सीता को आना है
इस अंधी बहरी नगरी में
जब जब सीता को आना है
जीते जी कष्ट उठाना
मरने पे सती कहलाना है
मरने ए पे सती कहलाना है
इतिहास के पन्नो को सदियों
इतिहास के पन्नो को सदियों
यूँ ही ये कथा दोहराना है

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही

Tags: 1982, Jiyo Aur Jeene Do, Laxmikant Pyaarelal, Nutan, Rafi, Sahir Ludhianvi

Gham is qadar badhe ke main ghabra ke pi gayaa

Posted by: Atul on: March 8, 2021

This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616

Post No. :

16251

Rafi Sahab’s legendary associations: 02
—————————————————-

Saahir Ludhianvi’s 100^th birth anniversary
———————————————————————
It is Sahir Ludhianvi’s 100^th birth anniversary on 08/03/2021 and I have the good fortune of writing for the last remaining song/snippet from ‘Pyasa’ 1957 to post on this occassion. There is no better showcase then the musical canvas of this classic film, I could not ask for a better opportunity. Thank you Avinash ji for giving me this gift.

It is arguably the best of Sahir, among the very best of S. D. Burman and most intense music score by him. It was Rafi sahab’s voice that becomes the poet and the poet becomes a Rafi personified because of the voice over in playback, in romance, in confusion, in jest, in irritation, in poetic narration, in bitterness, inebriation, in rebellion, and in cursing. Sahir made the so-called curse words in urdu palpable in poetry.

This is the list of all songs of “Pyaasa(1957)” already posted in the blog:

Song	Date of posting
Jaane wo kaise log the jinke pyaar ko pyaar mila	21 April 2009
Ham aapki aankhon mein is dil ko basaa den to	10 september 2009
Aaj sajan mohe ang lagaalo janam safal ho jaaye	25 October 2009
Ye duniya agar mil bhi jaaye to kyaa hai	26 September 2009
Sar jo tera chakraaye yaa dil doobaa jaaye	27 September 2009
Jinhe naaz hai Hind par wo kahaan hain	16 October 2010
Jaane kyaa toone kahi jaane kyaa maine suni	5 October 2011
Rut phire par din hamaare phire na	13 January 2012
Tang aa chuke hain kashmakashe zindagi se ham	17 January 2012
Ye hanste huye phool ye mehka hua gulshan	8 June 2017
Peechhe peechhe duniya aage aage hum	9 July 2017

S. D. Burman was never averse to having both Lata and Asha Bhonsle sing for his song, but they are conspicuously absent in this music score. Geeta Dutt is singing for both Waheeda Rehman and Mala Sinha in this film.

My post on Sahir Ludhianvi’s remembrance day in 2020 is for the song where I have highlighted the effect of Iqbal on the Sahir and his poetry. This blog is one of the widely followed and read serious blogs on film music, and I thought, the aficionados of Sahir’s poetry would have some opinion to put forward, regarding my theory which I gave in that post.

I am reproducing a brief intro of Sahir from the book “Yeh un dinon ki baat hai” by Yasir Abbasi :

“Talkhi (bitterness) entered Sahir’s life early when his father chose to name him Abdul Ha’ee purely to spite a nieghbour. With a troubled childhood behind, he was still in his early 20’s when he stormed the literary arena with his first collection of poems, Talkhiyaan(1944). Films beckoned with Aazadi ke rahh par (1948), but it was with Naujawan and Baazi (both in 1951) – that he arrived with a bang. Widely regarded as the finest lyricist to grace Hindi cinema, he scaled dizzying heights with Pyaasa (1957). He was always vociferously critical of any kind of oppression, and in his indictment of social ills, he spared no one – be it the society(Aurat ne janam diya – Sadhna/1958), a bygone emperor (mere mehboob kahin aur – Ghazal/1964) or God (aasman pe hai khuda – Phir subah hogi/1958). Yet the same man could stir up romance like no one else when he wrote Abhi na jaao chhod kar (Hum dono/1961) or kabhi kabhi mere dil mein khayaal aata hai (Kabhie kabhie/1976). Temperamental but absolutely sublime at his craft, Sahir Ludhianvi elevated the lyricist in hindi films and raised the bench mark to a level that a few could touch.”

I have no arguments with the above introduction, but to add a few more dimensions in the expressing the intricacies of human relationship and romantic entanglements, Sahir’s intro is incomplete without these songs:

1. Tum agar mujh ko na chaaho to koyi baat nahin
2. Chalo ek baar phir se ajnabi ban jaayen
3. Zindagi bhar nahi bhulegi wo barsaat ki raat
4. Jo baat tujh mein hai teri tasveer mein nahin

There are many more, but the above should give a fair idea of the term ‘absolutely sublime’ in the above intro.

One more small para in the same book, an absolute gem, is this:

Aisa mehsoos hota hai ki Sahir ne apni shakhsiyat ka saara gudaaz shai’ri mein bhar diya hai aur sha’iri ki saari jaaduiyat apne khat-o-khaal mein jazb kar li hai. Aaine se aaina-gar ka ubharna lateefa hi sahi lekin Talkhiyaan ka mutaal’aa keejiye to uss ke musannif ki rooh bolti dikhaayi degi – musannif se baatein keejiye to ma’aloom hogaa aap us ki nazmein padh rahe hain.

Here is a list compiled by Avinash ji of the songs/films of the team of SDB and Sahir.

S.no.	Movie	Year	Songs of lyricist in the blog	Song penned by lyricist in movie as per HFGK	Song penned by lyricist in movie as per the book -The People’s Poet
1	Baazi	1951	8	8	8
2	Naujawan	1951	7	7	7
3	Sazaa	1951	1	1	1
4	Jaal	1952	8	8	8
5	Laal Kunwar	1952	8	11	11
6	Armaan	1953	8	8	8
7	Baabla	1953	6	6	6
8	Jeevan Jyoti	1953	8	7	7
9	Shahenshah	1953	9	9	9
10	Angaarey	1954	10	10	10
11	Radha Krishna	1954	2	2	2
12	Taxi Driver	1954	8	8	8
13	Devdas	1955	10	10	10
14	House No.44	1955	8	8	9
15	Munimji	1955	7	7	7
16	Society	1955	8	8	8
17	Funtoosh	1956	8	8	9
18	Pyaasa	1957	11	8	12
Total			135	134	140

The list ends abruptly in 1957, as the association between Sahir and SDB ended soon after the master piece Pyaasa.

Rafi sahab’s association with both these geniuses continued independently till the end of their lives. Here is their tally in the blog:

Name	No of songs in the blog	No of songs in the career
S. D. Burman	641	87 movies (666)
Sahir Ludhianvi	652	724

All the available songs by Rafi sahab under S. D. Burman are already posted in the blog. A few more Rafi songs written by Sahir remain to be posted.

Video

Song-Gham is qadar badhe ke main ghabra ke pi gaya (Pyaasa)(1957) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-S D Burman

Lyrics (Provided by Avinash Scrapwala)

gham is qadar badhe
ke main ghabraa ke pee gayaa
is dil ki bebasi pe taras khaa ke
pee gayaa
thhukraa rahaa thhaa mujhko
badi der se jahaan
thhukraa rahaa thhaa mujhko
badi der se jahaan
main aaj sab jahaan ko
thhukraa ke pee gayaa aa …
main aaj sab jahaan ko
thhukraa ke pee gayaa aa …

——————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————

ग़म इस क़दर बढे
के मैं घबरा के पी गया
इस दिल कि बेबसी पे तरस खा के
पी गया
ठुकरा रहा था मुझको
बड़ी देर से जहां
ठुकरा रहा था मुझको
बड़ी देर से जहां
मैं आज सब जहां को
ठुकरा के पी गया…
मैं आज सब जहां को
ठुकरा के पी गया…

Tags: 1957, Guru Dutt, Rafi, S D Burman, Sahir Ludhianvi

Older Entries

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Avinash Scrapwala’ Category

Mere pyaar ki umar ho itni sanam

Mila Jo Hamen Tera Pyaar

Parda uthhne waala hai tamaasha hone waala hai

Imtehaan imtehaan insaaniyat ka aaj imtehaan

Jagmag jagmag si mehfil mein

Chhak chhak chali hamaari rail

Hindu hoon main na Musalmaan hoon

Saans Hai Jab Talak, Naa Rukenge Kadam

Seeta ke liye likkha hai yahi

Gham is qadar badhe ke main ghabra ke pi gayaa

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