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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Avinash Scrapwala’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3585 Post No. : 14337

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 67#
———————————————–——————–

On our blog we have a ‘category’ of ‘songs excluded from movie’, and so far, seventy-nine songs have been posted/included in this category of songs. Today I present a song from the movie ‘Kaalaa Pathhar’ (1979), which belongs to this category.

I vaguely remember to have watched this movie in theatre when I must be 11/12 years old. Thereafter just six-seven years back I got its DVD from an online store to enjoy the movie again and revive the nostalgia. But, I was aware of the today’s song many years before, or exactly since 1991 when I got recorded this movie’s songs from the LP record, for my choice compilation of ‘Daag-Deewaar-Kaalaa Pathhar’ songs in a 90 min cassette.

‘Kaalaa Patthar’ was directed by Yash Chopra for his home productions Yashraj Films, Bombay. This movie was passed by Censor Board on 09.08.1979.

Its cast holds a ‘galaxy of stars’ which includes Shashi Kapoor, Rakhi Gulzar, Amitabh Bachchan, Shatrughan Sinha, Neetu Singh, Parveen Babi, Prem Chopra, Parikshit Sahni, Romesh Sharma and Poonam Dhillon (in special appearance), Manmohan Krishna, Madan Puri, Iftekhar, Satyen Kappu, Yunus Parvez, Geeta Siddharth, Gautam Sarin, Sharat Saxena, Mac Mohan, Sudesh Mahaan, Sudhir Dalvi, Sudha Chopra, Harish, Mohan Sheri, Vikas Anand, Jagdish Raj, Suresh Oberoi, Prem Sagar, Pardesi, Nazeer Kashmiri, Ashok Razdan and many others.

This movie has six songs, penned by Sahir Ludhianvi and composed by Rajesh Roshan. Interesting to note that the background music for this movie is by Salil Chaudhary. Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Mohd Rafi, Pamela Chopra, S.K. Mahan, and Usha Mangeshkar have given their voices to the songs in this movie.

So far, three songs from this movie have been posted on the blog, and the song being presented today is the fourth song from this movie to appear on our blog. The previous posted song of this movie appeared on the blog on 24.05.2012. Wow. . . six years wait to get to the next song. 🙂

Today’s song is written by Sahir Ludhianvi and thus this is the third song of Sahir Ludhianvi which I am able to share here under the category of ‘songs excluded from movie’, the earlier two being, Kya Tum Wahi Ho – from ‘Mann Ki Aankhen’ (1970) and Ja Ri Behna Jaa Tu Apne Ghar Ja from ‘Trishul’ (1978).

The other Sahir songs which were excluded from movies, and which have been posted on the blog so far are also listed here – Rut Phire Par Din Hamaare – from ‘Pyaasa’ (1957), Yoon Hi Dil Ne Chaaha Tha Rona Rulaanaa – from ‘Dil Hi To Hai’ (1963) and Saajan Bin Neend Naa Aawe – from ‘Munimji’ (1955).

HFGK Vol- V doesn’t mention anything about ‘exclusion’ of this song from the movie. I would request knowledgeable readers to share information if any they have about this song please.

 Let us now enjoy the today’s song, which I do like very much. 🙂

 Mujhe pyaar ka tohfa de ke. . .

Song – Mujhe Pyaar Ka Tohfa De Ke (Kaala Pathhar) (1979) Singer – Usha Mangeshkar, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – Rajesh Roshan

Lyrics

mujhe pyaar ka tohfa de ke
tapti baahon mein leke
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
meri har saans mein pyaas jagaa di
tumne ae kya kiya

he ae

tumne itna uksaaya
dil roke ruk na paaya
tumne itna uksaaya
dil roke ruk na paaya
mere ehsaas mein aag lagaa di
tumne kya kiya

ek chhed thhi wo yunhi si
tum jisko haqeeqat samjhe
ae ae ae ae
jab chhed na thhamne paayi
ham usko mohabbat samjhe
ho o
o o
us chhed ke sadke jaayen
jis chhed se tumko paayen
us chhed ke sadke jaayen
jis chhed se tumko paayen
zaraa si chhed ne baat banaa di
tumne ae kya kiya

dil ik din to jaana thhaa
hamne socha jaane do
ho o o
o o
haaye
is dil ko thhaam ke rakkho
itna na lehraane do
o o
o o
ye dil kab lehraata thha
har ik se katraata thha
ye dil kab lehraata thha
har ik se katraata thha
tumhi ne mel ki raah sujhaa di
tumne kya kiya

o ho ho ho ho
aa aa aa aa
o o o o
aa aa aa aa aa

thhamne do meri dhadkan
aisi bhi kya wahshat hai
ae ae ae ae
hamne apni keh di hai
tum bolo kya niyat hai
ho o
o o
bolun to kaise bolun
dil apna kaise kholun
bolun to kaise bolun
dil apna kaise kholun
mere hothon pe mohar lagaa di
tumne kya kiya

mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
meri har saans mein pyaas jagaa di
tumne ae kya kiya

he ae ae

tumne itna uksaaya
dil roke ruk na paaya
tumne itna uksaaya
dil roke ruk na paaya
mere ehsaas mein aag lagaa di
tumne kya kiya

 

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मेरी हर साँस में प्यास जगा दी
तुमने ए क्या किया आ

हे ए ए ए

तुमने इतन उकसाया
दिल रोके रुक ना पाया
तुमने इतन उकसाया
दिल रोके रुक ना पाया
मेरे एहसास में आग लगा दी
तुमने ए क्या किया

इक छेड़ थी वो यूंही सी ई
तुम जिसको हकीकत समझे
ए ए ए ए ए ए
जब छेड़ न थमने पायी ई
हम उसको मोहब्बत समझे
हो ओ ओ ओ
उस छेड़ के सदके जाएँ
जिस छेड़ से तुमको पायें
उस छेड़ के सदके जाएँ
जिस छेड़ से तुमको पायें
ज़रा सी छेड़ ने बात बना दी
तुमने ए क्या किया

दिल एक दिन तो जाना था
हमने सोचा जाने दो
हो ओ ओ
हो हाए ए
इस दिल को थाम के रखो
इतना ना लहराने दो
ओ ओ ओ ओ ओ
ये दिल कब लहराता था
हर इक से कतराता था
ये दिल कब लहराता था
हर इक से कतराता था
तुम्ही ने मेल कि राह सुझा दी
तुमने क्या किया

ओ हो हो हो हो
आ आ आ आ
ओ ओ ओ ओ
आ आ आ आ आ

थमने दो मेरी धड़कन
ऐसी भी या वहशत है
ए ए ए ए
हमने अपनी कह दी है
तुम बोलो क्या नियत है
हो ओ ओ ओ ओ
बोलूं तो कैसे बोलूं
दिल अपना कैसे खोलूं
बोलूं तो कैसे बोलूं
दिल अपना कैसे खोलूं
मेरे होंठों पे मोहर लगा दी
तुमने ए क्या किया

मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मेरी हर साँस में प्यास जगा दी
तुमने ए क्या किया आ

हे ए ए ए
तुमने इतन उकसाया
दिल रोके रुक ना पाया
तुमने इतन उकसाया
दिल रोके रुक ना पाया
मेरे एहसास में आग लगा दी
तुमने ए क्या किया

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3569 Post No. : 14306

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 66# Singer – Mukesh
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Just few days back I came across this song that I am presenting today. After listening to it I was feeling like maybe I had heard it on ‘radio’ many many years back. When I listened to it once I just kept listening to it again and again and with every new day this song is growing on me, on and on. The song is from the 1978 movie ‘Pal Do Pal Ka Saath’ and it is sung by Mukesh ji.

‘Pal Do Pal Ka Saath’ was directed by BR Ishara for Kaveri Films, Bombay. The cast of actors includes Shekhar Kapoor, Rama Vij, Shamli (New Discovery), Asit Sen, Paintal, Johny Whisky, Aarti, Tiger, Mishri Lal, Mohammad Ali, Amal Sen, Narayan Gwalani, Hameed, Sitaram, Jasbir, Prakash Joshi, Vijay Nangia, Bhaiyalal Sharma, Kashi Prasad Chaurasia and others.

This movie has four songs penned by Naqsh Lyallpuri, Yogesh, Balkavi Bairagi and Dev Kohli. Music for this movie is composed by Shyam Saagar. One song from this movie had been posted on the blog earlier in 2014 i.e. four years back and it was introduced by Sudhir ji – ‘Chupke Se Peechhe Se Aa Ke’ sung by Rafi Saab and lyrics of this song are by Dev Kohli.

As mentioned by Sudhir ji in his post this movie seems to be an ‘obscure movie’ though it contains ‘gems of songs’ (‘veritable gems’ as Sudhir ji has mentioned in his post) as we can say for the earlier song and the today’s song after listening to them. I don’t remember to have heard about this movie earlier and not gone through its information before. It was only after listening to the today’s song that I searched for its details in HFGK Vol V and also read the earlier post on the blog. This movie was passed by censor board on 07.04.1978.

Almost forty years have passed since the movie and its music had been created, however listening to its songs revives the memories of the music of those years and Mukesh ji’s singing of the many other songs for Yogesh ji. Yes, today’s song is penned by Yogesh.

Since the movie was an obscure movie I think its songs were also forgotten easily. I am not able to locate online, the other two songs of this film. As per Geet Kosh, these are solo songs in the voices of Asha Bhosle and Manna Dey. We have to search for them and need to bring them here for our listening pleasure. Till then let us listen to this wonderful composition of Shyam Saagar and savour the magic Yogesh ji’s words and Mukesh ji’s singing…

Only the audio of this song is available as of now. I would request knowledgeable readers to throw more light on this movie and its songs please.

Song – Anuraagi Mann Sab Kuchh Seh Le (Pal Do Pal Ka Saath) (1978) Singer – Mukesh, Lyrics – Yogesh, MD – Shyam Saagar

Lyrics

anuraagi mann sab kuchh sah le
anuraagi mann sab kuchh sah le
har uljhan mein
hans ke tu rah le
anuraagi mann sab kuchh sah le

ik sang tera
parichay gehra
janam janam ka ye naata re
ik sudh kho kar
besudh ho kar
geet tumhaare hi gaata re
do chehron ka tu ik darpan
anuraagi mann sab kuchh sah le

mita’ti nahin hai prem ki rekha
toofaanon ke bhi aane se
tripti adhoori
rah jaati hai
saagar ko bhi
paa jaane se
ho na ho poora tera samarpan
anuraagi mann . . .
har uljhan mein
hans ke tu rah le
anuraagi mann sab kuchh sah le

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अनुरागी मन सब कुछ सह ले
अनुरागी मन सब कुछ सह ले
हर उलझन में
हंस के तू रह ले
अनुरागी मन सब कुछ सह ल

इक संग तेरा
परिचय गहरा
जनम जनम का ये नाता रे
इक सुध खो कर
बेसुध हो कर
गीत तुम्हारे ही गाता रे
दो चेहरों का तू इक दर्पण
अनुरागी मन सब कुछ सह ले

मिटती नहीं है प्रेम कि रेखा आ
तूफानों के भी आने से
तृप्ति अधूरी
रह जाती है
सागर को भी
पा जाने से
हो न हो पूरा तेरा समर्पण
अनुरागी मन. . .
हर उलझन में
हंस के तू रह ले
अनुरागी मन सब कुछ सह ले


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3565 Post No. : 14293

In the continuum of the vast annals of history, there are tales and legends in every civilization and every system of knowledge and learning, that identify the supreme importance associated with the very support system that we rest upon. In practically every system, this support system, this concept, is endowed with divine qualities – qualities that are almost always endowed with the mother, as the provider of all that is required in life, and more.

In the Greek wisdom, this concept is name as Gaia. In the Roman legends, she is called by the name Terra. In the Norse mythology, she is named as Erda. In the east, in China, she is known as Houtu or Houtushen – the Goddess Queen of Earth. In the Buddhist scriptures that span the South East Asian region, she goes by the name Phra Mae Thorani. She is worshipped as Atira or Awitelin Tsta amongst the native tribes of the Americas, who gives birth to all life. On the African continent, she is known as Odudua, the beautiful black goddess of Earth with a skin of deepest dark ebony.

In our own land and in our culture, she is known by many names, the most important ones being Bhoo Devi – that which makes possible and supports all existence, and Vasudha – the provider of all wealth and riches.

Wherever, in whichever part of the world one may seek, there is a revered acknowledgement of the divinity of the earth as the mother, and the provider of all things. If one may sit down to list all the things that we need, we desire, and we dream – other than the light energy that comes from the Sun, Moon and the stars, the life breath that is the air that swirls around us, and the waters of rain that descend from the skies – all else, and I mean everything else comes forth from the very earth that we stand upon. Our existence and sustenance is – because the earth is.

The world is celebrating today as the Earth Day. The western dogmas consider a once in a year celebration to be an adequate measure of honor and gratitude. In our belief system, it is a celebration and honor that happens on a daily basis. And we celebrate and seek blessing, not just for our family or our country, but for the entire planet as a whole.

The reminder for this celebration and the suggestion of this song came in yesterday from Avinash ji. The film name itself is so appropriate – ‘Dharti Ke Laal’ from 1946. The music is by Pt Ravi Shankar, who was later destined to be the world famous sitar player from India. No other information relating to singer(s) or songwriter is readily available.

The song is in praise and honor of Mother Earth. It is depicted as a folk song in the tradition of Bengal, being performed at the village fair. It is such a wonderful expression of veneration towards the entity that makes all life possible.

A salute to Mother Earth – today, and every day of the year.

Song – Jai Dharti Maiya Jai Ho  (Dharti Ke Laal) (1946) Singer – Unidentified Male Voice 1, Unidentified Male Voice 2, Lyrics – [Unattributed], MD – Pt Ravi Shankar

Chorus

Lyrics

jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho

yahi maati mein jiyan hamro
yahi mein maran hai bhaiyyaa
yahi sagri poonji
yahi hai hamro dhan hai bhaiyya aa
aa aa aa
ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho

god mein tori sukh ke saagar
khelat maiyyaa
aa
yahi mein sona upjey
yahi mein barse amrit maiyyaa
aa aa
ho

jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho

ab maiyya vardaan se tore
sang jiyenge sang marenge
tori chhaati se atyaachaari ko
door karenge ae
ho

jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho
jai ho
jai dharti maiyyaa jai ho

jag taaran haari jai ho
jai ho
jag paalan haari jai ho
jai ho

jag taaran haari jai ho
jag paalan haari jai ho
jag taaran haari jai ho
jag paalan haari
jag taaran haari
jag paalan haari

jag taaran haari
jag paalan haari
jag taaran haari
jag paalan haari

jai ho
jai ho
jai ho
jai ho

jai ho
jai ho
jai ho
jai ho

jai ho
jai ho
jai ho
jai ho

jai ho

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwaala)
———————————————————
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो

यही माती में जियन हमरो
यही में मरण है भैय्या
यही सगरी पूँजी
यही है हमरो धन है भैय्या आ
आ आ आ
हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो

गोद में तोरी सुख के सागर
खेलत मैय्या

यही में सोना उपजे
यही में बरसे अमृत मैय्या
आ आ
हो

जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो

अब मैय्या वरदान से तोरे
संग जियेंगे संग मरेंगे
टोरी छाती से अत्याचारी को
दूर करेंगे ए
हो

जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो
जय हो
जय धरती मैय्या जय हो

जग तारण हारी जय हो
जय हो
जग पालन हारी जय हो
जय हो

जग तारण हारी जय हो
जग पालन हारी जय हो
जग तारण हारी जय हो
जग पालन हारी
जग तारण हारी
जग पालन हारी

जग तारण हारी
जग पालन हारी
जग तारण हारी
जग पालन हारी

जय हो
जय हो
जय हो
जय हो

जय हो
जय हो
जय हो
जय हो

जय हो
जय हो
जय हो
जय हो

जय हो


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3545 Post No. : 14228

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# The Special Voices of the decade – 3 # Jaspal Singh #
———————————————–———————————–

Welcome all to the third article in this series.

So far, we have the following two articles posted earlier on this blog under this series, where we are discussing the ‘special voices of the seventies’ and the nostalgia and memories associated with the songs of these ‘special voices’ from Hindi Movies.

‘Maa ne kahaa thhaa o betaa’
‘Haseen haseen waadiyon o’

When I had decided to start this series, my plan was to post one article per month under this series. However, later I thought it was better to combine it with the anniversaries of the Singers if it too falls in the same month of my writing the article.

The song and the ‘voice’ of today was supposed to be covered to mark the end of this series, however there was a good development in the first week of this month (March’2018) which delayed this post and finally it is here today.

The voice that I am presenting today is a ‘’very very special’ and ‘nostalgic’ voice for me.
I can feel the fragrance of the soil of this great land – our country, the purity of green lush fields, a big river flowing with its natural beauty, a small beautiful remote village in the rural part of our country – India, the diversity of our culture and the sweetness of the dialects spoken in our country. In all of its way this voice takes me back to ‘my roots and my soil’ if I think I am able to correctly mention the feelings otherwise the feelings just cannot be expressed in words.

Just listen to this song ‘dharti meri maata pitaa aasmaan’ .

And for that matter take this another song ‘geet gaata chal o saathi gungunaata chal’ from this same movie ‘Geet Gaata Chal -1975’

And then this beautiful ‘bhajan’ ‘O o o mangal bhawan amangal haari ee ee’, again from the same movie – ‘Geet Gaata Chal-1975’, its so soothing and so divine that I can keep it listening again and again just going on.

I remember these songs were played on loudspeakers continuously in a marriage function in our neighbourhood in the colony we were staying then.

I was seven and half years then when the movie was released in 1975.

Since then this voice and these songs also were growing on me as I keep growing over the years.
And yes, I had not watched this movie till many years since it was released. I get to watch it, may be on a TV channel, in the later years of nineties I think. But its songs were there with me and they keep growing on me and with me in my journey of life.

I had watched ‘Ankhiyon Ke Jharokhon Se-1978’, that too on TV around mid or later eighties if I remember correctly. But the ‘dohawali’ from this movie is as fresh ever and soothing whenever I listened to it even now.

I had also not watched ‘Saawan Ko Aane Do-1979’ when it was released or even after that for many years, but I had not and will never escape its magical title song because of the voice singing it and the range of this voice and its sweetness and its melody.

(after coming into contact with this blog I got an opportunity to share the following song from this movie sung by Jaspal Singh; ‘gagan ye samjhe chaand sukhi hai’ )

Those were the days when we were watching any movie coming our way and we were getting a chance to watch. But so far as I remember I didn’t get to watched all the above-mentioned movies then where this singer had his songs which were very popular during those years. But I did watch them when I was a grown adult and I think that was the right time for me to watch them.

One such movie is the 1982 movie ‘Nadiyaa Ke Paar’ of which the songs were so popular then. Those couple of years were the ‘most study focussed’ years for us the students (though I was still very casual in my approach and could not understand its seriousness then, which I can realize now  )
Well, coming back to the songs from this movie, all the songs from this movie were very popular then and all of them are my favorites too.

‘Saanchi kahen tore aawan se hamre’
‘Kaun disha mein leke chalaa re batohiyaa’

These songs from this movie and one of the voice i.e. the male voice of these songs is our ‘special voice’ of the ‘decade of seventies’ for this article today …

The voice I am talking about is none other than Jaspal Singh.

***

Jaspal Singh was born on 23rd March 1943 in Amritsar, Punjab. We wish him a belated “Happy Birthday” on this blog today and a healthy and peaceful life ahead!!!

However, yours ‘junior’ sincerely had already wished him personally over phone a ‘very very happy birthday’ and good wishes to him.

How I came to know about his birthdate also happens just by chance.

It so happened that, during my stay at Nagpur I came across this song (of today) which when I listened to it I liked it so much and immediately fall in love with it. I did share it then to Atul ji but for a different occasion.
(However, now I feel that this is the perfect song for me to share with this article here when I am presenting this voice under this series).

At that time, I do also search for a detailed biographic information about him and after getting his contact number from sources on internet I do make him a call and express my gratitude to him for giving us the treasure of many ‘unforgettable songs’ and for his voice being part of our (people like me who were in pre-teens and teens then) growing years. I had also expressed my wish to meet him sometime if I get a chance of it, which he appreciated whole heartedly and also assured that he can share all information about him whatever is possible and if one wants to go through it.

This happened immediately after the November’16 Mumbai Gang out, so I enquired with our respected Shishir ji, if he had interviewed this personality for this blog, which he told me that it is in his future plans.

Well, from the information available on internet then (even now) it came to my notice that none of the sources (which I came across) had mentioned the birthdate of this personality so I was curious to know about it.

Recently when Atul ji ‘Yippeeee’d’ this movie ‘Geet Gaaata Chal -1975’ on the blog and posted couple of the songs sung by Jaspal Singh ji, I thought I should also write up and complete my post under this series.

After a gap of almost one year and half I thought I should call Jaspal Singh ji and try to get this information directly from him. He was very happy that somebody from a long distance (now from Kenya) had called him and was interested to know about him. He readily shared the information to me which also had an interesting ‘thing’ associated with it.

As mentioned above he was born on 23rd March 1943 at Amritsar Punjab. However, on all official records his date of birth had been recorded as 28th March 1943.

(for the information of our readers I would like to share once again that yours ‘junior’ sincerely have already wished him personally on phone on his birthday on 23rd March itself – ‘thanks, and so nice of you’ was what he replied to me)

Jaspal Singh came from Amritsar where his father was having the business of Hotel and their Hotel was once situated just opposite to the famous ‘Golden Temple in Amritsar’ (which was later demolished and was compensated by the government, as mentioned by him in his interview on RSTV-Guftagoo).

Among the five siblings they are four brothers and one sister. (I hope I am correct as per what I can learn from his interview on RSTV-Guftagoo).

Jaspal Singh completed his graduation from Amritsar and later on persuaded LLB from Ghaziabad. However, he was neither interested in business nor doing the ‘advocacy’. His only interest was to sing and become a ‘play back singer’ which his mother and sister supported well.

Jaspal Singh, since his childhood was fond of singing and he was singing in his school and college functions and was popular among his circles in Amritsar and was invited for singing in functions.
He too (like other upcoming singers) was a great fan of Rafi Saab whom he admires a lot and later on he got a chance to sing with Rafi Saab in films which was a great day for him.

His journey to movies and becoming a play back singer was full of hard work and struggle and he succeeded only because he had this talent, passion and instinct to become a play back singer for movies.

It so happened that his Sister got married and was settled in Mumbai (Bombay) in those years. This came like a blessing for young Jaspal Singh who thereafter keep visiting Bombay, initially during the ‘summer vacation’ and thereafter very often to fulfil his ‘dream’ of becoming a ‘playback singer’ for movies.

His Sister knowing about his passion and intentions persuaded her husband to try that Jaspal Singh gets an opportunity to sing in movies.
There continued efforts resulted in Usha Khanna ji giving him his first break for playback singing in the movie ‘Bandish-1968’ where his first recorded song was a solo song ‘dekho logo ye kaisa zamaana sambhalo sambhalo tang libaada’ which went un-noticed.
Usha Khanna ji give him another chance in 1969 to sung in the movie ‘Anjaan Hai Koi’, this time a duet with Mahendra Kapoor which due to its tune and words was somewhat noticed and reach a larger audience.

However, he was still far away from the ‘big’ and ‘hit’ …

In the meantime, given to the pressure by his father to join the family business in Amritsar he keeps visiting Amritsar, but since he was not interested in Business he returns back to Mumbai.
Later on, his father also gives up to his wish and allow him to stay in Mumbai and even bought a ‘flat’ for him in Mumbai which he is still staying in.

Jaspal Singh also started taking lessons from his guruji Mahendrajeet Singh ji who always encouraged him a lot and always supported him and insisted that he should not leave Mumbai and ‘singing’.
As his struggle for singing opportunities and a major break continued Jaspal Singh also too on practicing as lawyer ship with a senior lawyer in Mumbai and started attending the court proceedings.

***
‘Geet Gaata Chal’ …

Luckily, he got a chance to meet Ravindra Jain who also staying in the same locality and who was aware of his singing.

A ‘big break’ was already waiting for Jaspal Singh when Rajshri Productions were looking for a ‘new singer’ for their upcoming new movie starring Sachin.
Ravindra Jain was the music director of this movie and he thought to give Jaspal Singh a chance for singing.
And, after going through the ‘tests’ Jaspal Sing was given a chance to sing ‘dharti meri maata pitaa aasmaan’, which also was his first recorded song for the movie.

The main title song of the movie came to him only after lot of consultations between the producer of the movie Rajkamal Barjatya and the music director Ravindra Jain who was initially reluctant to give him this song, which he thought was the main song of the movie and he thought a new singer would not be able to do justice with it and had it been gone a wrong way would have spoiled the movie and the music of this movie.
Finally, he was called to sing this ‘title song’ of the movie and after recording of that he was also offered the remaining songs of the movie to sing. (one song of the movie viz. Shyam abhimaani o Shyam abhimaani was already recorded earlier in Rafi Saab’s voice)

However, the title song ‘geet gaata chal o saathi gungunaata chal ’sung by Jaspal Singh went on to create a ‘magic’ for him and for the movie and for the ‘history of ‘Hindi film music’ and this song even today after so many years is as fresh as it was when the movie was released.

This was the first major break he got and which opened for him many avenues further, though he mainly sung for Ravindra Jain (I think so, till we arrive at the total statistics of songs sung by him.)

Thereafter he got to sing in many movies mainly for actor Sachin and many of his songs went on to become very popular and they are as fresh as they were then in the minds of the movie goers and HFM lovers.

***
Here it will be interesting to know if he got to sing in movies after ‘Bandish-1968’ and ‘Anjaan Hai Koi-1969’, because his next song was in 1975 for ‘Geet Gaata Chal’.

Well, after ‘Geet Gaata Chal-1975’ he left his ‘practice in lawyership’ and went on to singing in around one hundred fifty movies (to be authenticated).
However tragically or unfortunately for the history of ‘HFM’ the so-called ‘big banners’ didn’t offer him to sing in their productions.
Nevertheless, the songs that he got to sung so far cannot be forgotten and some of them will remain immortal in the memories of HFM lovers.

The song ‘jab jab tu mere saamne aaye’ from ‘Shyam Tere Kitne Naam-1977’ sung for Sachin is his personal favourite.

On this blog I got the opportunity to share few of his songs (few I mentioned above) and viz. ‘yaar dagaa de gaya dulhan ko le gaya’

His active years in singing last till 2009-2010 (as mentioned by him in his interview on RSTV).
By then already HFM had gone many changes and seen many new singers making entry into movies and singing, so naturally Jaspal Singh also got forgotten by Music Directors.

However, given the quantity of songs he sung, and his not so frequent appearing in movie songs credit some keep wondering that ‘where did he vanish?’😊.

On our blog we have so far only fifteen of ‘Jaspal Singh Songs’ posted, so all those who wondered where he was vanished can try to search for his songs also can try to get them posted here 😊 sharing them with their memories associated with his beautiful songs.

From his interview on RSTV (which is also the main source for this article) and as mentioned by Jaspal Singh himself he is living a happy and contented life with his family (wife, a daughter and a son) and continuing with his riyaaz and readings.
He had been doing stage shows as per demand and whenever he got opportunities for that. (the interview was done in 2014 i.e. only four years back).

***

That brings us to the today’s song being presented here on the blog and the movie it is from …

“Paayal Ki Jhankaar-1980” was directed by Satyen Bose for Ruchi Films, Bombay.

It had Komal Mahuwakar, Alankar, Surinder Kaur (new discovery), Arun Kumar, Shail Chaturvedi, C.S. Dubey, Virendra Gaud, Shrikant Moghe, Anand Joshi, Brijendra Mohan, Pardesi, Master Abhitabh, Deepak, Sudha Shivpuri, Ranjana Sachdev, Bandini, Namrata, Asha Sharma, Rajraani and Nisha.
Master Mayur and Master Sandeep make a guest appearance in this movie.

Music for this movie was composed by Rajkamal and its songs were written by Maya Govind.

This movie had total eleven songs in it and it was passed by Censor Board on 23.08.1980.
Aarti Mukherjee, Alka Yagnik, Anand Kumar C., Jaspal Singh, Purushottam Das Jalota, Sulakshana Pandit and Yesudas gave their voices to the songs of this movie.

Interestingly the song being presented today is the only song sung by Jaspal Singh in this movie and the only male solo too. The other male voices are appearing in duets song only.

Though I had not watched this movie its name was in my vague memories so I had been waiting for sharing of a song of this movie to introduce it on the blog. And it also serves the purpose of bringing ‘movies having same titles’ on the blog.

There was a movie with the same title “Paayal Ki Jhankaar” in 1968 which has already made an entry on the blog.

Today ‘Paayal Ki Jhankaar-1980’ makes a debut on the blog …

***
Let us now enjoy the today’s song in the unique and amazing voice of Jaspal Singh …
Lyrics are by Maya Govind and music is composed by Raj Kamal ji.


Song-Jin khoja tin paaiyaan gehre paani paithh (Paayal Ki Jhankaar)(1980) Singer-Jaspal Singh, Lyrics-Maya Govind, MD-Rajkamal

Lyrics

Jin khoja tin paayiyaan aa aa
Gehre paani paithh
Jo baawraa dooban daraa aa
Rahaa kinaare baithh
O Shyaama aa
Jin khoja tin paayiyaan aa
Jin khoja tin paayiyaan
Jin khoja tin paayiyaan aa aa
Gehre paani paithh
Jo baawraa dooban daraa aa
Rahaa kinaare baithh
O Shyaama
Jin khoja tin paayiyaan aa
Jin khoja tin paayiyaan

Man ki saanchi lagan hamesha
Manzil tak pahunchaati
Behte behte jaise nadiyaa
Saagar se mil jaati
O Shyaama
Jin khoja tin paayiyaan aa

Tulsi Meera aa Soor ke jaisa
Milaa na khojanhaaraa
Karke tapasya laaye Bhageerath
Ganga ki jal dhaaraa
O Shyaama
Jin khoja tin paayiyaan aa
Jin khoja tin paayiyaan

Baiju ne Guru khoja
Swaami Hari Das ko paaya
Baalak Dhruv ne sach khoja
Ho Shyaama ho o o o o
O o o o
o o o
Baalak Dhruv ne sach khoja
Dhruv taara ban muskaaya
O Shyaama aa
Jin khoja tin paayiyaan aa aa
Jin khoja tin paayiyaan

—————————-
(Lyrics in Devnagri Script) (Provided by Avinash Scrapwala)

जिन खोजा तिन पाईयाँ आ आ आ
गहरे पानी पैठ
जो बौरा डूबन डरा आ आ
रहा किनारे बैठ
ओ श्यामा आ
जिन खोजा तिन पाईयाँ आ
जिन खोजा तिन पाईयाँ

जिन खोजा तिन पाईयाँ आ आ आ
गहरे पानी पैठ
जो बौरा डूबन डरा आ आ
रहा किनारे बैठ
ओ श्यामा आ
जिन खोजा तिन पाईयाँ आ
जिन खोजा तिन पाईयाँ

मन कि सच्ची लगन हमेशा
मंजिल तक पहुंचाती
बहते बहते जैसे नदिया
सागर से मिल जाती
ओ श्यामा
जिन खोजा तिन पाईयाँ आ

तुलसी मीरा आ सुर के जैसा
मिला न खोजन हारा
करके तपस्या लाये भगीरथ
गंगा की जल धारा
ओ श्यामा
जिन खोजा तिन पाईयाँ आ
जिन खोजा तिन पाईयाँ

बैजू ने गुरु खोजा
स्वामी हरिदास को पाया
बालक ध्रुव ने सच खोजा
हो श्यामा हो ओ ओ ओ
ओ ओ ओ
बालक ध्रुव ने सच खोजा
ध्रुव तारा बन मुस्काया
ओ श्यामा आ
जिन खोजा तिन पाईयाँ आ आ आ
जिन खोजा तिन पाईयाँ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3531 Post No. : 14183

#the Decade of Seventies – 1971 – 1980 #
—————————————————————
# Bhoole-Bisre Geet # 65# Remembering Navin Nischol
———————————————–————————————-

Today (19th March 2018) is the remembrance day of Navin Nischol (11 April 1946 – 19 March 2011).

He will always be remembered for his ‘soft’ and ‘gentle’ acting with his special touch and he will always be remembered whenever Hindi Movies of ‘seventies’ are discussed.

I vaguely recall having watched his movies of 1970s like ‘Dharma’ (1973), ‘Dhund’ (1973), ‘Victoria No. 203’ (1972), ‘Saawan Bhadon’ (1970), in my childhood with my elders. Much Later, when I grew up, I watched his movies of 1980s like ‘The Burning Train’ (1980), ‘Desh Premee’ (1982), ‘Babu’ (1985),’Raju Ban Gaya Gentleman’ (1992), as well as some of his earlier movies like ‘Hanste Zakhm’ (1973) & ‘Buddha Mil Gaya’ (1971). The latest Navin Nischol movie that I watched was ‘Khosla Ka Ghosla’ from 2006, which I liked very much and I have watched it many times since. I cannot forget his role in the famous TV serial ‘Dekh Bhai Dekh’ (1993) which also I liked very much.

I think I had watched ‘Muqaddar Ka Baadshah’ (1990) and ‘Bahaar Aane Tak’ (1990) as well but do not remember much about them now. There are many such other movies too which I watched during this period of 1989 to 1996, but do not remember them. I may not have watched too many of his movies but there are some songs from his movies that have remained with me right since my younger days. I rememeber the songs of ‘Woh Main Nahin’ (1974), which was one of the earlier movies of Navin Nischol and I have not forgotten these songs even though I do not recall having watched the movie.

‘Woh Main Nahin’ was directed by Mohan Sehgal (or Mohan Segal) for Uma Cine Films Pvt. Ltd., Bombay. Mohan Sehgal was also the producer of this movie. The movie had Navin Nischol, Rekha, Rakesh Pandey, Padmini Kapila, Meena Roy, Iftikhar, Krishna Dhawan, Nadira, Dhumal, Sujata, Jagirdar, Manhar Desai, Kamaldeep, Shauqat Azmi, Sadhna Khote, Birbal, V Gopal, Sophia, Chamapuri, Chinnu, Chanda, Vishal Dutt, Ramlal, Bhola, Assi, Master Asif and others. Nazneen and Narendranath make friendly appearances, while Asha Sachdev makes a special appearance. Praveen Nischol was the Chief Asstt Director of this movie. (I think he is the real brother of Navin Nischol). Pratap Dave was the editor for this movie. Ali Raza was the writer of this movie. This movie was passed by Censor Board on 08.10.1974.

This movie had five songs in it composed by Sonik Omi. Lyrics of all the songs were written by Varma Malik. Asha Bhonsle, Kishore Kumar and Mohd Rafi gave their voices to the songs in this movie. Navin Nishcol’s voice has also been credited in two songs as per HFGK.

The movie was based on prominent Marathi writer, poet and playwriter PK Atre, also known as Acharya Atre’s play ‘To Mi Navhech’ which has been regarded as a ‘classic play’ and has been successfully performed for record number of times since its inception in 1962 (it has a separate wiki page here). The main reason that I remember this movie may be because of the discussion amongst the elderly family members about the play ‘To Mi Navhech’.

Today we listen and enjoy a song from this movie which is sung by Asha Bhonsle and Kishore Kumar. Navin Nischol and Asha Sachdev are performing this song on screen where we can see many other artists in the picturization of this song. Let us now enjoy this rocking song from ‘Woh Main Nahin’ – the film makes its debut on our blog today.


Song-Honthon se kayi lutaaye taraane hain maine (Woh Main Nahin)(1974) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Verma Malik, MD-Sonik Omi
both
Asha Sachdev
Navin Nischol

Lyrics

hi
hi hi
I am Pamella darling you know
Oh, Really
Come on sweetheart

honthon se kayi lutaaye taraane hain maine ae
aankhon se kayi banaaye nishaane hain maine
ho o
honthon se kayi lutaaye taraane hain maine
aankhon se kayi banaaye nishaane hain maine
aai aai aaiya mujhe jisne nishaana banaaya sanam
tu hi hai
tu hi tu hi hai
tu hi tu hai
tu tu
tu hi hai
tu hi tu hi hai
tu hi tu hai

Hey laakhon sune aashiqon ke fasaane hain maine ae
arrey dekhe mohabbat mein bante deewaane hain maine ae
arey laakhon sune aashiqon ke fasaane hain maine ae
arrey dekhe mohabbat mein bante deewaane hain maine
ho o mujhe jisne deewaana banaaya sanam
tu hi hai
tu hi tu hi hai
tu hi tu hai
tu tu tu
tu hi hai
tu hi tu hi hai
tu hi tu hai

dil le ke chalaa naa jaaye tu mujhe shaq hai tujhpe
dil le ke chalaa naa jaaye tu mujhe shaq hai tujhpe
aa haa
palkon mein band kar loongi main
mera haq hai tujhpe
jo milti mohabbat chhod de
aati huyi daulat mod de
wo main nahin hoon
wo o main nahin hoon
honthon se kayi lutaaye taraane hain maine
aankhon se kayi banaaye nishaane hain maine
aai aai aaiya mujhe jisne nishaana banaaya sanam
tu hi hai
tu hi tu hi hai
tu hi tu hai
tu tu
tu hi hai
tu hi tu hi hai
tu hi tu hai

ay ay ay yaa ee ee
laa laa laa laa laa aa
oy oy oy oy oo oo oo
laa laa laa laa laa aa

jis din se meri duniya ko tu aabaad karegi
jis din se meri duniya ko tu aabaad karegi
haa haa
tujhe aisa pyaar main doonga
ke tu yaad karegi
is mulaaqaat ko bhula de
aur apne pyaar ko dagaa de
wo main nahin hoon
wo main nahin hoon
hothon se kayi lutaaye taraane hain maine ae
arey dekhe mohabbat mein bante deewaane hain maine ae
aai aai aaiya mujhe jisne nishaana banaaya sanam
tu hi hai
tu hi tu hi hai
tu hi tu hai
tu tu tu
tu hi hai
tu hi tu hi hai
tu hi tu hai

—————————————–
Devnagri script lyrics (Provided by Avinash Scrapwala)
—————————————–
हाय
हाय हाय
आय एम् पामेला डार्लिंग यू नो
ओह रियली
कम ऑन स्वीटहार्ट

होठों से कई लुटाये तराने हैं मैंने ए
आँखों से कई बनाए निशाने हैं मैंने
हो ओ
होठों से कई लुटाये तराने हैं मैंने ए
आँखों से कई बनाए निशाने हैं मैंने
अई अई अईया मुझे जिसने निशाना बनाया सनम
तू ही है
तू ही तू ही है
तू ही तू है
तू तू
तू ही है
तू ही तू ही है
तू ही तू है
हे लाखों सुने आशिकों के फ़साने हैं मैंने ए
अरे देखे मोहब्बत में बनते दीवाने हैं मैंने ए
अरे लाखों सुने आशिकों के फ़साने हैं मैंने ए
अरे देखे मोहब्बत में बनते दीवाने हैं मैंने ए
हो ओ मुझे जिसने दीवाना बनाया सनम
तू ही है
तू ही तू ही है
तू ही तू है
तू तू तू
तू ही है
तू ही तू ही है
तू ही तू है

दिल ले के चला ना जाए तू
मुझे शक है तुझपे
दिल ले के चला ना जाए तू
मुझे शक है तुझपे
आ हां
पलकों में बंद कर लूंगी मैं
मेरा हक है तुझपे
जो मिलती मोहब्बत छोड़ दे
आती हुयी दौलत मोड़ दे
वो मैं नहीं हूँ
वो ओ मैं नहीं हूँ
होठों से कई लुटाये तराने हैं मैंने ए
आँखों से कई बनाए निशाने हैं मैंने
अई अई अईया मुझे जिसने निशाना बनाया सनम
तू ही है
तू ही तू ही है
तू ही तू है
तू तू
तू ही है
तू ही तू ही है
तू ही तू है

अये अये अये या ई ई
ला ला ला ला ला आ
ओय ओय ओय ओय ऊ ऊ ऊ
ला ला ला ला ला आ

जिस दिन से मेरी दुनिया को तू आबाद करेगी
जिस दिन से मेरी दुनिया को तू आबाद करेगी
हा हा
तुझे ऐसा प्यार मैं दूंगा
के तू याद करेगी
इस मुलाक़ात को भुला दे
और अपने प्यार को दगा दे
वो मैं नहीं हूँ
वो मैं नहीं हूँ
होठों से कई लुटाये तराने हैं मैंने ए
अरे देखे मोहब्बत में बनते दीवाने हैं मैंने ए
अई अई अईया मुझे जिसने निशाना बनाया सनम
तू ही है
तू ही तू ही है
तू ही तू है
तू तू तू
तू ही है
तू ही तू ही है
तू ही तू है


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3530 Post No. : 14178

First of all, let me wish all of you a Happy Ugadi and Happy Gudi Padwa today (18 march 2018). I hope those celebrating the occasion are enjoying themselves.

Today also happens to be the birthday of Shashi Kapoor (18 march 1938-4 december 2017), one of our best-known and most loved actors.

The thought is inescapable – and burdened with more than a tinge of sorrow. The thought that, had I written this post on just his previous birthday, I would have been talking of Shashi Kapoor in the present tense. I’d have been saying “is”, instead of “was”.

But that’s life – and death. And we have to accept it.

Ah, Shashi Kapoor!

Where do I start?

Let me start as usual with “my generation”, the 70s.

For me, and I am sure for many Hindi film lovers born in the early 60s, Shashi Kapoor would have been an integral part of their childhood film-watching experience. He was a very familiar face throughout the 70s – whether in solo roles or in multi-starrer films.

Those were the times when Rajesh Khanna (for the first half of the decade) and Amitabh Bachchan (for the second half) ruled. The 70s also saw a whole lot of new actors emerge. There were also some from the earlier decade who continued to enjoy success – Dharmendra, Manoj Kumar, Sanjeev Kumar, Jeetendra to name a few.

And there was Shashi Kapoor.

One thing most people will agree about Shashi Kapoor – he was very handsome. He had this boyishly cute face, bright eyes, and a smile that got accentuated by crooked teeth and a deep dimple. No wonder you often heard of the term “chocolatey good looks” when people talked of Shashi. 🙂

I think girls found Shashi particularly handsome – he was easily my sisters’ favourite. I was very young then in the late 60s, but I still remember that when the one weekly film in our club happened to be a Shashi film, they’d be thrilled. 🙂 Thus I have fond memories of watching at a very young age, in that club, Shashi films like Haseena Maan Jaayegi, Aamne Saamne, Suhana Safar, Ek Shriman Ek Shrimati, Pyar Ka Mausam, Raja Saab, Rootha Na Karo, Jahaan Pyaar Mile and many more. Whether the film was good or not, was secondary. Shashi was a good enough reason to enjoy it. I remember for days after seeing Pyar Ka Mausam, they’d be singing “ni sultana re”. 🙂 And they loved Aamne Saamne’s “nain milaakar chain churaana kiska hai ye kaam”.

Even when we went on holiday to Bombay for the first time in the early 70s, and we decided to watch a movie, the unanimous choice was Sharmeelee, playing at that time. I think my sisters were even hoping to catch sight of Shashi Kapoor somewhere on the streets of Bombay. 🙂 Not even one in a million chance – but one lives on hope. I remember, for days after watching Sharmeelee, the song “khilte hain gul yahaan” was on their lips. 🙂

Back in our village, when we had to travel 25 km to see a film in a cinema hall, they managed to persuade my dad to take them for Jaanwar Aur Insaan (1972). My dad wasn’t into films at all – it’s possible they told him it was a film about animals (jaanwar). Whereas it’s more likely they were interested in the insaan (Shashi). 🙂

Ah, these childhood memories. 🙂

I was fond of Shashi too – from those late 60s films, while my sisters would sing Shashi’s “tum bin jaoon kahaan” in Antakshari, I’d sing “aaye baithe khaaye piye khiske”. A little more matter-of-fact. 🙂

Today, as I am writing this post, with all these memories coming to the fore, it strikes me that even in an era with Rajesh Khanna as superstar (and Amitabh Bachchan later), Shashi had his own following. Like my sisters. 🙂

Sharmeelee (1971) with superhit songs, Jaanwar Aur Insaan (1972), Aa Gale Lag Ja (1973) with superhit songs, Chor Machaye Shor (1974) with the famous “le jaayenge, le jaayenge, dilwaale dulhaniya le jaayenge”, Chori Mera Kaam and Salaakhen (1975), Fakira (1976) with hit songs.

All solo films for Shashi, all successful. Am not counting the multi-starrers, Roti Kapda Aur Makaan (1974), Deewaar (1975) and Kabhie Kabhie (1976).

As the decade progressed, and multi-starrers became more common, Shashi Kapoor was very much part of them, often to be seen opposite reigning superstar Amitabh Bachchan in films like Trishul (1977) and Suhaag (1979).

Yet, he could carry his own in a solo – as was to be seen in Satyam Shivam Sundaram (1978), a film made by his brother, Raj Kapoor.

So Shashi Kapoor was largely a “safe” actor in the 70s – both for viewers and producers. Of course not every film worked (there are many aspect to a film’s success), but, by and large, audiences liked watching him on screen.

Towards the end of the decade, Shashi got into film production too. He produced some well-known films – Junoon (1979), Kalyug (1981), 36 Chowringhee Lane (1981), Vijeta (1982), Utsav (1984).

But in 1984, disaster struck – his dear wife Jennifer passed away, due to cancer. I think after that Shashi was not the same again.

I’ve talked a lot about his films of the 70s, mainly because that’s the decade I have most memories of. Of course his career started much earlier. As a child artiste (a young Raj Kapoor in Aag and Awara), with his first film as an adult being BR Chopra’s controversial Dharamputra (1961). In that film, he had a negative role.

Although he came from the Kapoor khandaan, it was made clear to Shashi that he had to come up on merit. He had his share of struggles early on – and though he managed the odd hit (like in the multi-starrer Waqt), he really had his first mega solo hit only with Jab Jab Phool Khile (1965).

His co-star in that film was, as usual, Nanda. I say “as usual”, because Nanda was his co-star in many films during the 60s. She was a much bigger star than he was – but was happy to be paired opposite him. Shashi later said he was hugely grateful to Nanda for this. Nanda herself said that Shashi was her favourite co-star.

One thing that struck me in obituaries about Shashi Kapoor last December was that almost everyone spoke a lot about Prithvi Theatre. And rightly so.

While there’s no doubt that Shashi Kapoor gained a lot of popularity from cinema, I think in his heart his love was Prithvi Theatre. After all, he had met his wife Jennifer also through theatre in the 1950s. So one of the most satisfying moments for him and for Jennifer must have been to set up Prithvi Theatre in 1978 and fulfil his father Prithviraj Kapoor’s dream of having a permanent location for his Prithvi Theatres (it had been a travelling troupe during Prithviraj’s time).

Many of the obits talked about how dedicated Shashi Kapoor (and Jennifer, when she was alive) was to Prithvi Theatre. Even when he was in very poor health in his final years, he would want to visit and even watch performances.

So no mention of Shashi Kapoor is complete without a mention of Prithvi Theatre.

I’ve not talked about his acting in English-language films or his partnership with Merchant-Ivory. I’ve myself just watched only one of these films – Bombay Talkie (1970), directed by James Ivory. It also starred Jennifer.

I’ve also not mentioned that Shashi Kapoor was considered to be a true gentleman actor. Many of his co-stars, from Sharmila Tagore to Hema Malini to Zeenat Aman, have said this. He was also supposed to have had a good sense of humour, always keeping the set lively.

All in all, Shashi Kapoor was a much-loved person during his lifetime. And for good reason. And you cannot really ask for more than that.

Now for the song for today.

It is from the film “Suhaana Safar” (1970). A film that I remember seeing as a very young boy, but sadly have only very faint memories of. I seem to vaguely remember a bus in which Shashi and Sharmila travel. That’s all I can remember now. 🙂 A good excuse to watch it again. 🙂

The song is the title song. Aha aha aa ye suhaana safar hai, sung by Rafisaab. The lyrics of this song are by Anand Bakshi, music by Laxmikant Pyarelal.

The picturisation is of Shashi Kapoor in a jeep, generally giving out positive vibes, talking about travel, hawa, manzil etc. He finds himself behind a bus, and this infectious positive mood catches on with the travelers in the bus too. They join him in the song. Towards the end of the song, Sharmila Tagore (one of the travelers) looks out of the bus, Shashi waves to her – and it looks like he loses control of his jeep. (Am pretty sure it’s nothing serious :-)).

While watching the video and listening to the lyrics, I could not help thinking that this could be a metaphor for the suhaana safar of Shashi Kapoor’s life itself. And the suhaana safar that we have had following his films for decades. Indeed, it has been a wonderful journey – and we are thankful to him for letting us be part of it.

Interestingly, while I was having these thoughts, I got a message from Avinashji. As usual, when I thought of writing a post for Shashi Kapoor today, he had promptly messaged me, and offered to help me with providing the lyrics. Now, while sending me the lyrics, he echoed the exact same thoughts I had! About the suhana safar of Shashi Kapoor and what we have had with Shashi Kapoor. Serendipity. 🙂

I’ll now leave you with this positive song – and with remembering our suhaana safar with Shashi Kapoor.

There are two versions of this song – one by Rafisaab, the other by Suman Kalyanpur.

Rafi version (Audio)

Rafi version (Video)

Suman Kalyanpur Version (Audio)

Song-Aha aha aa ye suhaana safar (Suhaana Safar)(1970) Singer-Rafi/ Suman Kalyanpur, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Female chorus
All chorus

——————————————————-
Lyrics(Provided by Avinash Scrapwala)
——————————————————-
O o
o o o
Aa aa aa aa
Aa aa aa aa

Aha aha
aa ye suhaana safar
Hoye
Aha aha
aa ye suhaana safar
Rukti nahin hai nazaaron pe nazar
Aha aha
aa ye suhaana safar
Hoye
Aha aha
aa ye suhaana safar

Ho o o o
Hawaayein jhoom rahi hain
Gulon ko choom rahi hain
Hoye
Hawaayein jhoom rahi hain
Rokoon dil ko main kaise
Aise udaa jaaye jaise
maang liye ho kisi panchhi se parr
Aha aha
aa ye suhaana safar
Hoye
Aha aha
aa ye suhaana safar

O o o
Musaafir chaltaa hi jaaye
Kabhi bhi manzil naa aaye
Musaafir chaltaa hi jaaye
Dheere dheere haule haule
Mujhse ye dil boley
Kat jaaye raste mein
Saari umar
Aha aha
aa ye suhaana safar
Hoye
Aha aha
aa ye suhaana safar

Chhup chhup chhainyya
Chhainyya
Chhup chhup chhainyya
Chhup chhup chhainyya
Chhainyya
Chhup chhup chhainyya
Patli kamar mori
Naazuk bainyya
Chhup chhup chhainyya
Chhainyya
Chhup chhup chhainyya

Ho o o
Mujhe ye raah naa bhulaa de
Kahin ye aur naa pahunchaa de
Mujhe ye raah naa bhulaa de
Kaisi hain ye matwaali
Lambi lambi kaali kaali
Zulf kisi ki hai
Ya ye dagar
Aha aha
aa ye suhaana safar
Hoye
Aha aha
aa ye suhaana safar
Rukti nahin hai nazaaron pe nazar
Aha aha
aa ye suhaana safar
Hoye
Aha aha
aa ye suhaana safar

Aha aha aa ye suhaana safar
Aha aha aa ye suhaana safar
Aha aha aa ye suhaana safar

—————————————-
(Female version)
—————————————–
Hmm hmm
O o o
o o
o o o

Aha aha
aa ye suhaana safar
Ho
Aha aha
aa ye suhaana safar
Rukti nahin hai nazaaron pe nazar
Aha aha
aa ye suhaana safar
Ho
Aha aha
aa ye suhaana safar
Ho o o

Ho o o
Nigaahein jhoom rahi hain
Kisi ko dhoondh rahi hain
Ho
Nigaahein jhoom rahi hain
Koyee mulaakaatee miley
Aisa koyee saathi miley
Jo ban jaaye mera hamsafar
Aha aha
aa ye suhaana safar
Ho
Aha aha
aa ye suhaana safar

Ho o o
Abhi to door hai manzil
Dhadakne lagaa abhi se dil
Abhi to door hai manzil
Taubaa taubaa
Haaye haaye
Dil pe kyaa guzar jaaye
Saamne wo aa jaaye agar
Aha aha
aa ye suhaana safar
Ho o
Aha aha
aa ye suhaana safar

Ho o o o
Mere dil bhool na jaana
Ki hain ye rastaa anjaana
Mere dil bhool na jaana
Aise naa machal jaana
Aagey naa nikal jaana
Chhod ke peechhe sanam ka ghar
Aha aha
aa ye suhaana safar
Ho o
Aha aha
aa ye suhaana safar
Rukti nahin hai nazaaron pe nazar
Aha aha
aa ye suhaana safar
Ho
Aha aha
aa ye suhaana safar

———————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————————
Male version
———————————————


ओ ओ ओ
आ आ आ आ
आ आ आ आ

आहा आहा
आ ये सुहाना सफ़र
होए
आहा आहा
आ ये सुहाना सफ़र
रूकती नहीं है नजारों पे नज़र
आहा आहा
आ ये सुहाना सफ़र
होए
आहा आहा
आ ये सुहाना सफ़र

हो ओ ओ ओ
हवाएं झूम रही हैं
गुलों को चूम रही हैं
होए
हवाएं झूम रही हैं
रोकूँ दिल को मैं कैसे
ऐसे उड़ा जाए जैसे
बाँध लिए हो किसी पंछी से पर
आहा आहा
आ ये सुहाना सफ़र
होए
आहा आहा
आ ये सुहाना सफ़र

ओ ओ ओ
मुसाफिर चलता ही जाए
कभी भी मंजिल ना आये
मुसाफिर चलता ही जाए
धीरे धीरे हौले हौले
मुझसे ये दिल बोले
कट जाए रस्ते में
सारी उम्र
आहा आहा
आ ये सुहाना सफ़र
होए
आहा आहा
आ ये सुहाना सफ़र

छुप छुप छैंया
छैंया
छुप छुप छैंया
पतली कमर मोरी
नाज़ुक बैंया
छुप छुप छैंया
छैंया
छुप छुप छैंया

हो ओ ओ
मुझे ये राह ना भुला दे
कहीं ये और ना पहुंचा दे
मुझे ये राह ना भुला दे
कैसी हैं ये मतवाली
लम्बी लम्बी काली काली
ज़ुल्फ़ किसी की हैं
या ये डगर
आहा आहा
आ ये सुहाना सफ़र
होए
आहा आहा
आ ये सुहाना सफ़र
रूकती नहीं है नजारों पे नज़र
आहा आहा
आ ये सुहाना सफ़र
होए
आहा आहा
आ ये सुहाना सफ़र
आहा आहा
आ ये सुहाना सफ़र
आहा आहा
आ ये सुहाना सफ़र
आहा आहा
आ ये सुहाना सफ़र

————————————
Female version
————————————
हम्म
हम्म
ओ ओ ओ ओ ओ
ओ ओ

आहा आहा
आ ये सुहाना सफ़र
हो
आहा आहा
आ ये सुहाना सफ़र
रूकती नहीं है नजारों पे नज़र
आहा आहा
आ ये सुहाना सफ़र
हो
आहा आहा
आ ये सुहाना सफ़र
हो

हो ओ ओ
निगाहें झूम रही हैं
किसीको ढूंढ रही हैं
हो
निगाहें झूम रही हैं
कोई मुलाकाती मिले
ऐसा कोई साथी मिले
जो बन जाए मेरा हमसफ़र
आहा आहा
आ ये सुहाना सफ़र
हो
आहा आहा
आ ये सुहाना सफ़र

हो ओ ओ
अभी तो दूर है मंजिल
धड़कने लगा अभी से दिल
अभी तो दूर है मंजिल
तौबा तौबा
हाए हाए
दिल पे क्या गुज़र जाए
सामने वो आ जाये अगर
आहा आहा
आ ये सुहाना सफ़र
हो
आहा आहा
आ ये सुहाना सफ़र

हो ओ ओ ओ
मेरे दिल भूल न जाना
कि है ये रास्ता अनजाना
मेरे दिल भूल न जाना
ऐसे न मचल जाना
आगे ना निकल जाना
छोड़ के पीछे सनम का घर
आहा आहा
आ ये सुहाना सफ़र
हो ओ
आहा आहा
आ ये सुहाना सफ़र
रूकती नहीं है नजारों पे नज़र
आहा आहा
आ ये सुहाना सफ़र
हो
आहा आहा
आ ये सुहाना सफ़र


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3520 Post No. : 14136

There are many artists for whom I’ve written posts here, remembering them on their birth or death anniversaries. But there are two artists who have featured more than others in this regard. I remember them every day anyway – so on their anniversary it is only a matter of a different intensity. I am grateful to them every single day for their legacy, the treasure trove they have left us behind with. They are long gone now from this world – coincidentally they went within a few months of each other – but they remain, and will always remain, in my heart. And not just my heart, but millions of hearts. Such is the love we have for them, such is the hold they have over us.

I am of course talking about two giants of the industry – Rafi Saab and Sahir Ludhianvi.

Today happens to be the 97th birth anniversary of Sahir – and here I am, writing yet another post in his memory. I have already written many posts on him, so I expect this will be a short one. At least, by my standards. 🙂

From all accounts, Rafi Saab and Sahir were like chalk and cheese. Rafi Saab is reported always having a smile on his lips, a total lack of ego, easy to work with, a generally non-controversial nature – and was one of the most-loved artistes in the industry.

In contrast, Sahir was seen as egoist, not the easiest person to work with. He was seen as often being bitter and rebellious. He had his fair share of controversies – and differences with other artistes. It’s also fair to say that while everyone acknowledged his genius as a poet and lyricist, he didn’t exactly endear himself to one and all.

And yet both of them have a special place in my heart. They were masters of their craft, and when they executed it, whether through the written word (Sahir) or through his voice (Rafi Saab), the words went straight to my heart.

Since this is a post for Sahir’s anniversary, I will keep it to Sahir from here on.

Sahir needs no introduction to anyone here. And if he does, there are far better sources to discuss him than this post, so I would recommend checking out any of them. Here I will only talk briefly about why I love Sahir so much. It goes without saying that Sahir’s poetry (which often found its way in his lyrics) was in a class of its own. In fact, he often dumbed down (simplified) his poetry to make it more understandable for film-going audiences.

Much of Sahir’s poetry is understandably in Urdu – and his lyrics for film songs too have a strong Urdu slant to them. As a big fan of Urdu, I thoroughly enjoy listening to Sahir’s poetry and lyrics, even if I don’t always understand them. 🙂 But if it were only Urdu that attracted me to him, that would be at one level only. After all, I have a great regard for Shakeel Badayuni too – his lyrics were also often Urdu-based, and second to none.

No, it is more than just Urdu that attracts me. It is the poet himself – Sahir, the person.

To the world, his bitterness (‘talkhi‘), his moodiness, his ego, his sharp tongue might have made him intolerable. To me, I think it is these very qualities that helped him write the poetry he did. You cannot be dispassionate, you cannot be without fire in your belly – and write rousing poetry. It just doesn’t work. An actor might be able to completely keep his persona behind and immerse himself in a role the moment the director screams “Action”. After all, he is an actor – his job is to be somebody he isn’t in real life.

On the contrary, for a poet, his writing is nothing but an expression of himself and his creativity. And that creativity is a function of his mind, heart and soul. So it is only natural that how he thinks or feels will get reflected in his writing. It is possible to of course separate the two – and seasoned poets do – but when the poetry is in sync with the mood, it probably flows much more naturally. I’m guessing this – I’m no poet. 🙂

So Sahir throwing his feelings into his poetry is something I totally approve of. Now, to the content itself.

In his inimitable style, he wrote on a variety of topics. But he is most identified with having a strong opinion on social issues of the day – and never hesitating to express his opinion. He often used his poetry as a medium to convey a strong message. Sometimes showing a mirror to society, sometimes questioning the government of the day. Sometimes exposing hypocrisy, sometimes calling for revolution. Whatever it was, he was not just another poet content to write some lyrics and get paid for them. He was socially sensitive – and clearly the ills in society bothered him deeply. And this is one of the main reasons I SO love Sahir. How I wish we had more poets like him today, with so much awareness and concern for the plight of the common man!

He has written about injustice in society (“Samaaj Ko Badal Daalo”), about the need for unity in a fractured society (“Tu Hindu Banega Na Musalmaan Banega“), about women’s plight in India (“Aurat Ne Janam Diya Mardon Ko”), about hope (“Na Munh Chhupa Ke Jiyo”, “Ponchh Kar Ashq Apni Aankhon Se“, “Wo Subah Kabhi To Aayegi”) and despair (“Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“, “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“, “. . .Rehne Ko Ghar Nahin Hai, Sara Jahaan Hamaara“).

For someone who had a grounding in Urdu, he could write beautiful bhajans like “Tora Mann Darpan Kehlaaye“, “Prabhu Tero Naam“, “Allah Tero Naam“, “Meri Sun Le Araj Banwaari“,  and the immortal “Aan Milo Aan Milo Shyam Saanwre“.

Then there is the philosophical Sahir too, exemplified in songs like “Aage Bhi Jaane Na Tu“.

A recurring theme in his writing is the mother-child relationship, maybe based on his own experiences in life. It is well-known that he was particularly close to his mother – and chose her above his much more affluent father when he had to make a choice. So we see beautiful lyrics on mother-child in ‘Dhool Ka Phool’ (“Tu Mere Pyaar Ka Phool Hai“), ‘Mujhe Jeene Do’ (“Tere Bachpan Ko“), ‘Trishul’ (“Tu Mere Saath Rahega Munne“)  – and I am sure some other films too.

Then there is the qawwaali Sahir. He excelled in them, with the qawwaalis of ‘Barsaat Ki Raat’, ‘Dharamputra’ and ‘Taj Mahal’ showcasing just some of his work.

And then there is the romantic Sahir. Yes, while he wrote about all other aspects of life, he did not come up short on what was bread-and-butter for most poets – romantic poetry. He could write the most romantic lines – the romantic songs of ‘Gumraah’ and ‘Hamraaz’, for example, just take your breath away. And not just these films – think of songs like “Parbaton Ke Pedon Par” from ‘Shagoon’, and on the same ‘parbat’ theme, “Ye Parbaton Ke Daayare” from ‘Vaasna’.

I can go on and on, discussing his songs, but I think I need to now come to the song for today. It is also a romantic song, but this time from very late in his career. It is no secret that in the 1970s, Sahir was disillusioned with the quality of lyrics on offer in Hindi cinema. Urdu, which offered so much richness to lyrics, was being phased out and replaced with more ‘chaalu‘ lyrics. In general, films (and music too, I might add) had become more loud and less, for want of a better word, classy.

He himself withdrew for a bit – and while he continued to work for the BR Chopra/Yash Chopra banners, he wasn’t as prolific as in the 60s. His disillusionment is probably best expressed in one of his most memorable songs of the decade – “Main Pal Do Pal Ka Shaayar Hoon“.

It is in this context one needs to see the song for today. It is from the 1980 film ‘Chehre Pe Chehra’, a film that makes its debut on the blog today. I remember this film being released – and being a flop. I haven’t seen the film – my understanding is, it’s based on the famous ‘Dr. Jekyll and Mr. Hyde’ story. Sanjeev Kumar plays the dual role. The song is a romantic song – and pleasant enough, even if it doesn’t quite scale to the level of his heady songs of the 1960s. Even so, in comparison to the fare around at the time, I’d say its lyrics are better than most other songs of the time. Of course this is just my personal opinion.

Let’s now listen to the song, sung by Sulakshana Pandit and Rafi Saab. Music is by N Datta, one of his most famous pairings. I leave it to you to judge for yourself what you make of this song. I quite like it.

Lyrics were provided to me by the ever-helpful and reliable Avinash ji. A big thanks to him. He makes it so much easier for me to just focus on the write-up itself.

Video (Partial)

Audio (Complete)

Song – Aaj Socha Hai Khayaalon Mein Bula Kar Tum Ko (Chehre Pe Chehra) (1980) Singer – Sulakshana Pandit, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta
Sulakshana Pandit + Mohammed Rafi

Lyrics (Provided by Avinash Scrapwala)

aaj socha hai. . .
aaj socha hai
khayaalon mein bulaa kar tum ko
pyaar ke naam pe thodi si shikaayat kar len
aaj socha hai

aaj socha hai
khayaalon mein bulaa kar tum ko
pyaar ke naam pe thodi si shikaayat kar len
aaj socha hai

aise bichhade ho ke jaise kabhi milna hi nahin
aise bhoole ho ki jaise  kabhi jaana hi na thha
ajnabhi ban ke agar yoon hi sitam dhaana thha
paas aana hi na thha  paas bulaana hi na thha
aao toote huye
aao toote huye
khwaabon ki jiyaarat kar len
aaj socha hai ae

ranjishen bhi wahin palti hain
jahaan pyaar paley
pyaar hi jis se nahin
us se gilaa kya hoga
meri ummeed hai tu
teri tammanna main hoon
aur chaahat ki duaaon ka sila kya hoga
ranjishen bhool ke
ranjishen bhool ke
khwaabon ko haqeeqat kar len
aaj socha hai

kya kahoon main tumhen
kya samjha hai kya maana hai
meri chaahat ne tumhen
apna khudaa maana hai
apna hissa hi tumhe maine sadaa maana hai
jaan ko kis ne bhalaa tan se judaa maana hai
jaan aur tan se
jaan aur tan se naya ahd-e-mohabbat kar len
aaj socha hai
aaj socha hai
khayaalon mein bulaakar tumko
pyaar ke naam pe thodisi shikaa …

hmm hmm hmm hmmmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm

aaj socha hai. . .
———————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————————————
आज सोचा है॰॰॰
आज सोचा है
खयालों में बुला कर तुमको
प्यार के नाम पे थोडी सी शिकायत कर लें
आज सोचा है

आज सोचा है
खयालों में बुला कर तुमको
प्यार के नाम पे थोडी सी शिकायत कर ले ए ए
आज सोचा है

ऐसे बिछड़े हो के जैसे कभी मिलना ही नहीं
ऐसे भूले हो कि जैसे कभी जाना ही नहीं था
अजनबी बन के अगर यूंही सितम ढाना था
पास आना ही न था पास बुलाना ही न था
आओ टूटे हुए
आओ टूटे हुए
ख़्वाबों कि ज़ियारत कर लें
आज सोचा है ए

रंजिशें भी वहीँ पलती हैं
जहाँ प्यार पले
प्यार ही जिससे नहीं
उस से गिला क्या होगा
मेरी उम्मीद है तू
तेरी तमन्ना मैं हूँ
और चाहत की दुआओं का सिला क्या होगा
रंजिशें भूल के
रंजिशें भूल के
ख़्वाबों कों हकीकत कर लें
आज सोचा है

क्या कहूँ मैं तुम्हे
क्या समझा है क्या माना है
मेरी चाहत ने तुम्हें
अपना खुदा माना है
अपना हिस्सा हि तुम्हे मैंने सदा माना है
जान को किसने भला तन से जुदा माना है
जान और तन से
जान और तन से नया अहद-ए-मोहब्बत कर लें
आज सोचा है

आज सोचा है
खयालों में बुला कर तुमको
प्यार के नाम पे थोडी सी शिका…

हम्म हम्म हम्म हम्मम्म
हम्म हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म हम्म

आज सोचा है॰॰॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3515 Post No. : 14119

Regulars know that we in this blog are pursuing two new year resolutions with missionary zeal- one is posting a “debutant” movie song and another is posting a “YIPPEE” movie song.

We are into the first week of march 2018, and we have so far stuck to these new year resolutions. This is a proof that we in the blog are far more serious about our new year resulutions that majority of people. 🙂

Posting a “debutant” movie song is a relatively rather straight forward matter. I need to look for movies that are not yet represented. We still have a couple to thousands movies (at least) that are yet to make their debuts in the blog so finding one “debutant” movie song daily is not much of a challenge.

Posting a “YIPPEE” movie song daily is increasingly becoming challenging through. Unlike “debutant” movie song mission, “”YIPPEE” mission requires that all but one song of the movie to be YIPPEED must have been covered. Moreover, we need to have a list of such YIPPIable” movie available with us. Thirdly, that missing song should be available.

Let us leave aise the unavailable final song movies. The movies where the final songs are available also cannot be discussed just like that. Many of these songs turn out to be special songs requiring special treatment on special occasions. For example, I had a few songs waiting to be YIPPEED because their final song was a Holi festival song. Yesterday, on the occasion of Holi, I used up one song song to finally ensure that “Ek Gaaon Ki Kahaani”(1957) got YIPPEED yesterday (on 2 march 2018).

It is very essential for us to keep posting songs to make sure that more and more movies become YIPPIable. For the last few days, I have been unable to devote much time on the blog and I was content covering the “debutant” and “YIPPEE” movie songs and I did not bother making more movies YIPPIable.

So today (3 march 2018), I found myself paying the price. 🙂 I was struggling to pick songs that I could use today. I picked one song, but that song was so special that I decided that it had to be used on a special occasion. then I looked at another song. I listened to it and realised that this song was no less special and it also deserved its special writeup. Then I looked at another YIPPIable movie, but i found the lyrics of the final song almost undecipherable and so that song and movie too had to be discarded from consideration. There were other songs too but they could not have been touched for some special reasons or the other.

It was evening and 7 AM and I began to despair. I resolved that I would not let that situation come if I somehow managed to find a suitable YIPPIABLE for for today.

It was after 7 PM in the evening that a song came to my rescue. This song was sent to me by Avinash Scrapwala in the past and he had reminded me a few days back that this song was the final song from the movie. My record showed that this movie had two songs left to be covered. This song turned out to be a multiple version song ! So this song indeed fitted the bill.

That is not all. Listening to the song made me realise that there are some divine forces at work as far as this blog is concerned. This song is a “song with a message” and it is a message that I was in need of being reminded of. This song tells us that when we feel helpless then we should pray to the Almighty and he will show the way. Now in Hindi movies, we have so many songs where people are seen “remonstrating with the Almighty” where people are seen trying to shame/ abuse the Almighty. We have lots of such songs in Hindi movies as well as in this blog. Personally I regard these songs are songs of people living in denial which is quite common in our parts of the world. We do no work hard enough/ smart enough/ long enough and then we tend to find a scapegoat to blame for our inadequacy. The Almighty is that scapegoat in a large number of such situations.

It is my firm belief that if you work hard enough/ smart enough/ long enough, then, with a little bit of luck in your favour, you will get what you desrve. I like and subscribe to the comparison of our destiny being like a bank locker. This locker has two keys and both keys must be applied simulutaneously for our destiny to get unlocked. The key with us is work, the key with the bank manager (Almighty) is luck. When we remonsrtate the Almighty for our failures, then it is mostly a case where the Almighty is used his key but the remonstrator had not bothered to use his/her key (working hard enough/ smart enough/ long enough). If someone belives that Almighty is responsible for his/ her miseries then I have little sympathy for such people.

Coming to the song under discussion, I find the song quite a nice and soothing song. It is a philosophical song and a song with a message. And it is a song that will give strenght to people who may be feeling low in life at the moment.

In a somewhat lighter vein, I must say that I was feeling low because I was not able to find a YIPPIable song for the day and this song came to my rescue. It was like the Almghty coming to our rescue with just the perfect song ! We are using our key and the almighty used his key just in the nick of time. our thanks goes to the Almighty who hepled us. It proves that the almighty too likes to help people who are silently going about their tasks. 🙂

The song has two versions. One version is sung by Mahendra Kapoor and chorus. This song is lip synced by Om Shivpuri playing a Swami in front of his disciples. Only the audio of the other version is available. it is sung by Mahendra Kapoor, Asha Bhonsle and chorus.

Bharat Vyas is the lyricist. Music is composed by R D Burman.

Lyrics (including the devnagri lyrics) of this song were sent to me by Avinash Scrapwala. The movie, in case I failed to mention it earlier, is “Karm”(1977). This movie was produced and directed by B R Chopra for B R Productins, Bombay. The movie had Rajesh Khanna, Vidya Sinha, Shabana Azmi, Ifthikhar, Asrani, Om Shivpuri, Achla Sachdev, Manmohan Krishn, Pinchoo Kapoor, Nana Palsikar, S N Bannerji, Jagdis Raj, Keshav Rana, Nazeer Kashmiri, Master Bittu, Bobby Grewal, Jankidas, Madhu Chauhan, Sudha Shivpuri, Seema, R S Chopra, Sahgal, Sunil Dhawan, Abhimanyu Sharma, Prem Sagar etc, with guest appearances by Prema Narayan, Roopesh Kumar, Dines Thakur and Naaz.

The movie had seven songs in it. Five songs were covered in the past. Here are the details of the songs covered earlier:-

Song Title

Post No.

Post Date

Samay tu dheere dheere chal Multi part song 5221 29-Dec-11
Karm kaho kismat kaho Multi part song 11222 27-Jun-15
Maine dekha tujhe 13376 27-Jun-17

With this song, “Karm”(1977) joins the list of movies that have all their songs covered in the blog.

Part I (Video)

Part II

Song-Jab dukh se man ghabra jaaye (Karm)(1977) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Bharat Vyas, MD-R D Burman
All chorus
Male chorus
Female chorus
Mahendra Kapoor/Asha Bhonsle + Chorus

Lyrics(Provided by Avinash Scrapwala)

Jab dukh se man ghabraa jaaye
Har oar niraashaa chhaa jaaye
Jab dukh se man ghabraa jaaye
Har oar niraashaa chha jaaye
Jab ek kiran bhi aasha ki
aati ho nahin nazar
Praarthna kar
Praarthna kar
Jagat ke paalan haare se
Praarthna kar
Praarthna kar
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om

Tu jaan boojh koi paap na kar
Ho jaaye to pashchaataap na kar
Aa aa aa aa
Aa aa aa aa aa
Tu jaan boojh koi paap na kar
Ho jaaye to pashchaataap na kar
Ye sab leelaa us ishwar ki
Tu dhyaan usi ka dhar
Praarthna kar
praarthna kar
Jagat ke paalan haare se
Praarthna kar
praarthna kar
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om

Jisko na kisi ne dekha hai
Wo ek karam ki rekha hai
Jisko na kisi ne dekha hai
Wo ek karam ki rekha hai
Wo sab ka bhaagya vidhaata hai
Sabki hai usey khabar
Praarthna kar
Praarthna kar
Jagat ke paalan haare se
Praarthna kar
Praarthna kar
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om

————————————–
PART – II
————————————–
Hari Om
Hari Om
Hari Om

Jab chaaron taraf andhera ho
Jeewan ko mrityu ne ghera ho
Jab chaaron taraf andhera ho
Jeewan ko mrityu ne ghera ho
Tab man mein rakh vishwaas
Shwaas mein aas nayi ek bhar
Praarthna kar
Praarthna kar
Jagat ke jeewan daataa se
Praarthana kar
Praarthana kar

Hari Om
Hari Om
Hari Om
Hari Om

Karam dharm na jaanoon
na Mujhe paap punya ka bhaan
Aa aa aa aa aa
Aa aa aa aa aa
Karam dharm na jaanoon
na Mujhe paap punya ka bhaan
Kaise karun praarthanaa teri
Iska bhi nahin gyaan
Main bebas dukhiyaari hoon
Bas aayi tere dar
Praarthna kar
Praarthna kar
Jagat ke jeewan daataa se

Praarthana kar
Praarthana kar
Hari Om

Hari Om
Hari Om
Hari Om

Hari Om
Hari Om

Aa aa aa aa
Aa aa aa aa

Mera jeewan saathi mil ke mujhse
Ho jaaye na door
Kahin chita ki raakh na ban jaaye
Meri maang ka ye sindoor
Man mein shehnaayi goonj rahi
Ankhiyaan ansuan se tar
Praarthna kar
Praarthna kar
Jagat ke jeewan daataa se

Praarthna kar
Praarthana kar
Hari Om

Hari Om
Hari Om

Hari Om
Hari Om

Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om
Hari Om

——————————————-
Devnagri Script lyrics
——————————————-
PART- I
——————————————-
जब दुःख से मन घबरा जाए
हर ओर निराशा छा जाए

जब दुःख से मन घबरा जाए
हर ओर निराशा छा जाए
जब एक कीरण भी आशा की आती हो नहीं नज़र
प्रार्थना कर
प्रार्थना कर
जगत के पालन हारे से
प्रार्थना कर
प्रार्थना कर
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम

तू जान बुझ कोई पाप न कर
हो जाए तो पश्चाताप न कर
आ आ आ आ
आ आ आ आ आ
तू जान बुझ कोई पाप न कर
हो जाए तो पश्चाताप न कर
ये सब लिला उस इश्वर की
तू ध्यान उसी का धार
प्रार्थना कर
प्रार्थना कर
जगत के पालन हारे से
प्रार्थना कर
प्रार्थना कर
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम

जिसको न किसी ने देखा है
वो एक करम की रेखा है
जिसको न किसी ने देखा है
वो एक करम की रेखा है
वो सब का भाग्य विधाता है
सब की है उसे खबर
प्रार्थना कर
प्रार्थना कर
जगत के पालन हारे से
प्रार्थना कर
प्रार्थना कर
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम

————————-
PART- II
————————-
हरि ओम
हरि ओम
हरि ओम

जब चारों तरफ अँधेरा हो
जीवन कों मृत्यु ने घेरा हो
जब चारों तरफ अँधेरा हो
जीवन कों मृत्यु ने घेरा हो
तब मन में रख विश्वास
श्वास में आस नयी एक भर
प्रार्थना कर
प्रार्थना कर
जगत के जीवन दाता से
प्रार्थना कर
प्रार्थन कर

हरि ओम
हरि ओम
हरि ओम
हरि ओम

कर्म धर्म न जानू
न मुझे पाप पुण्य का भान
आ आ आ आ आ
आ आ आ आ आ
कर्म धर्म न जानू
न मुझे पाप पुण्य का भान
कैसे करूँ प्रार्थना तेरी
इसका भी नहीं ज्ञान
मैं बेबस दुखियारी हूँ
बस आयी तेरे दर
प्रार्थना कर
प्रार्थना कर
जगत के जीवन दाता से

प्रार्थना कर
प्रार्थना कर
हरि ओम

हरि ओम
हरि ओम

हरि ओम
हरि ओम
हरि ओम

आ आ आ आ आ
आ आ आ आ आ

मेरा जीवन साथ मिल के मुझसे
हो जाए न दूर
कहीं चिता की राख न बन जाए
मेरी मांग का ये सिन्दूर
मन में शहनाई गूँज रही
अँखियाँ अंसुअन से तर
प्रार्थना कर
प्रार्थना कर
जगत के जीवन दाता से

प्रार्थना कर
प्रार्थना कर
हरि ओम

हरि ओम
हरि ओम
हरि ओम

हरि ओम
हरि ओम

हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम
हरि ओम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3514 Post No. : 14116

The novel “Parineeta” penned by Sharatchandra Chattopadhyay has been used in several movies in Hindi as well as in other languages. Some movies had the same title, viz Hindi movies “Parineeta”(1953) and “Parineeta”(2005). Then there have been other movies where the film title was different.

“Sankoch”(1976) was a Hindi movie which was based on the novel “Parineeta”. This movie was directed by Anil Ganguly for Suyog Films, Bombay.

The movie had Jeetendra, Sulakshana Pandit, Vikram, A K Hangal, Om Shivpuri, Aruna Irani, I S Johar, Dulaari, Urmila Bhatt, Baby Chintu, Ramesh Deo, Seema, Roohi, Jankidas, Lalita Kumari, Prreti Ganguly, Dinesh Hingoo, Keshto Mukherji, Birbal, Arvind Rathod, H L Pardesi, Shaukat Bharti, Shail Chaturvedi etc in it.

The movie had four songs in it. With time these songs have ended up becoming quite rare.

One song, arguably the most well known song from the movie has been covered in the blog.

Today (2 match 2018) is the 85th birthday of Anandji (2 march 1933) of Kalyanji Anandji music director duo. On this occasion, here is a song from “Sankoch”(1976). This song is sung by Kishore Kumar. M G Hashmat is the lyricist. Music is composed by Kalyanji Anandji.

HFGK counts this song as one song. This song figures in the movie twice and the lyrics are different in the two occasions. The song gets played while the husband-wife duo of Jeetendra and Sulakshana Pandit are shown having one of their countless disagreements.

This song is one that I do not recall having heard before. It is a nice song to listen to and it quickly grows upon the listener.

We take this opportunity to wish Anandji Veerji Shah a very happy 85th birthday and we wish him many more happy returns of the day.

Part I (audio)

Part I (Video)


Part II (Video)

Song-Chanchal man teri chaturaai(Sankoch)(1976) Singer-Kishore Kumar, Lyrics-M G Hashmat, MD-Kalyanji Anandji

Lyrics

———————–
Part I
———————–
man mere
kaahe kare chaturaai
kaahe kare chaturaai

chanchal man teri chaturaai ee ee
kaam na aayi chanchal man
chanchal man teri chaturaai ee ee ee
kaam na aayi chanchal man
mohmaaya ke jaal mein phans ke ae
mohmaaya ke jaal mein phans ke
toone thokar khaai re khaai
chanchal man
arre chancahal man teri chaturaai ee ee ee
kaam na aayi chanchal man

bheegi palken poochh rahi hain
bheegi palken pooch rahi hain
koi inhen batlaaye
aansu ban ke pyaar bhala kyun
aankhon se beh jaaye
dard usi se ae
paaya toone
dard usi se paaya toone
jis se lagan lagaai lagaai
chanchal man
chanchal man teri chaturaai ee ee ee
kaam na aayi chanchal man

jisko toone apna samjha aa
jisko re toone apna samjha
wo to hua na tera
raat ko uski yaad mein roya
bhoola jo hua sawera
jhoothi aasha aa
phir se tujhko
jhoothi aasha phir se tujhko
usi ke dar pe laayi re laayi
chanchal man
arre chanchal man teri chaturaai ee ee ee
kaam na aayi chanchal man
mohmaaya ke jaal mein phans ke ae
mohmaya ke jaal mein phans ke
toone thokar khai re khai chanchal man
chanchal man teri chaturaayi ee ee ee
kaam na aayi chanchal man

————————-
Part II
————————-
kaun raha hai kaun rahega
kaun raha hai kaun rahega
kiska yahaan hai thhikaana
har koi jaane chhod ke sab kuchh
hoga ik din jaana
phir kyon moorakh
naa jaane kyon
phir kyon moorakh
naa jaane kyon
tujhko samajh na aayi re aayi
chanchal man
arre chancahal man teri chaturaayi ee ee ee
kaam na aayi chanchal man

——————————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————————

———————–
भाग – १
———————–

मन मेरे ए
काहे करे चतुराई
काहे करे चतुराई
चंचल मन तेरी चतुराई ई ई
काम न आयी चंचल मन
चंचल मन तेरी चतुराई ई ई
काम न आयी चंचल मन
मोह माया के जाल में फंस के ए
मोह माया के जाल में फंस के
तूने ठोकर खाई रे खाई
चंचल मन
अरे चंचल मन तेरी चतुराई ई ई ई
काम न आयी चंचल मन

भीगी पलकें पूछ रही हैं
भीगी पलकें पूछ रही हैं
कोई इन्हें बतलाये
आंसू बन के प्यार भला क्यूँ
आँखों से बह जाए
दर्द उसी से ए
पाया तूने
दर्द उसी से ए
पाया तूने
जिससे लगन लगाई लगाई
चंचल मन
चंचल मन तेरी चतुराई ई ई ई
काम न आयी चंचल मन

जिसको तूने अपना समझा आ
जिसको रे तूने अपना समझा
वो तो हुआ न तेरा
रात को उसकी याद में रोया
भूला जो हुआ सवेरा
झूठी आशा आ
फिर से तुझको
झूठी आशा फिर से तुझको
उसी के दर पे लायी रे लायी
चंचल मन
अरे चंचल मन तेरी चतुराई ई ई ई
काम न आयी चंचल मन
मोह माया के जाल में फंस के ए
मोह माया के जाल में फंस के
तूने ठोकर खाई रे खाई
चंचल मन
अरे चंचल मन तेरी चतुराई ई ई ई
काम न आयी चंचल मन

————————-
भाग -२
————————-

कौन रहा है कौन रहेगा
कौन रहा है कौन रहेगा
किसका यहाँ है ठिकाना
हर कोई जाने छोड़ के सब कुछ
होगा इक दिन जाना
फिर क्यों मूरख
ना जाने क्यों
फिर क्यों मूरख
ना जाने क्यों
तुझको समझ न आयी रे आयी
चंचल मन
अरे चंचल मन तेरी चतुराई ई ई ई
काम न आयी चंचल मन


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3514 Post No. : 14114

#the Decade of Seventies – 1971 – 1980 #
—————————————————————
# Bhoole-Bisre Geet # 64# Singer – Kishore Kumar
———————————————–—————————-

In my opinion, Kishore Kumar’s voice reached a different and special plane altogether during late 1960s as compared to his voice prior to earlier years i.e. pre ‘Padosan'(1968) and ‘Aradhana’ (1969). He retained that “something special” in his voice for the rest of his career. His voice was at its ‘versatile peak’ during this phase of his career.

Kishore Kumar was popularly known as the voice of ‘Rajesh Khanna’ during 1970s, but he was also singing for most other actors, whether they were the established stars of the time or newcomers. Today’s song is one such special song. I became aware of this song only in September 2016.

It was during my stay at Nagpur that I had marked this song for presentation here on the blog. When I checked HFGK for this movie songs, I discovered that this song had two versions viz a ‘happy’ as well as ‘sad’. However, at that time only the sad version of this song was available, so I forwarded the movie link to my friend so that he could make the fast version of the song available in time for Holi of 2017. But somehow it did not materialize.

Later on, due to change in my job location it got further delayed. It was just about five weeks back that I requested our beloved Raja Saab to upload video of this song and he, as he always does, was kind enough to respond to my request and he has uploaded both the video versions of this song. (Thank you, Raja Saab, for the videos of both versions of this song). Meanwhile, I also discovered that audio of the ‘happy’ version was also available on YT.

This is a song celebrating ‘Holi’ – the festival of colors – and thus today on the occasion of ‘Holi’ let us enjoy this song from the ‘1975’ movie ‘Andhera’.

‘Andhera’ was directed by Tulsi Ramsay and Shyam Ramsay for their home production under the banner of Ramsay Films, Bombay. It was produced by F.U. Ramsay who also wrote the story of this movie. The star cast of this movie includes Sameer, Vani Ganpati, Surendra Kumar, Imtiaz, Helen, Satyen Kappu, Krishan Dhawan, Mukri, Dulari, Shekhar Purohit, Kumud Tripathi, Tuntun, Heeralal, Murad, Kukku, Arvind Pandya, Major Anand, Madhu, Habib, Moolchand, Seema Kapoor, Ashoo and others.

Dialogues for this movie were written by Kafeel Azar. Shyam Ramsay was the Chief Assistant Editor and Arjun Ramsay was the Associate Director. Editing was done by Bal Korde. Kumar Ramsay was the Executive Producer for this movie and he also wrote the screenplay of this movie.

This movie has four songs. Lyrics for all these songs are penned by Gulshan Bawra. Music for this movie is composed by Sonik-Omi. All the songs are solo songs; two by Kishore Kumar , and other two by Asha Bhonsle. Today’s song is sung by Kishore Kumar and it has two versions ‘happy’and ‘sad’ (or fast and slow 🙂 ). More than the fast version I like the slow version and its tune grows up on one as one listens to it repeatedly

Let us now enjoy this song!!! With this song, ‘Andhera’ (1975) makes its debut in the blog.

Wishing all readers and members of this blog a very happy, peaceful, safe and colorful Holi 2018 …!!!

 

Video-Happy version

Video (sad version-partial)

Audio-Sad version-longer

Song-Rang doonga sabko main pyaar bhari baaton se (Andhera)(1975) Singer-Kishore Kumar, Lyrics-Gulshan Bawra, MD-Sonik Omi
Unidentified Female Voice

Lyrics

hurrrrrr rrr ak

holi hai re holi hai
bhabhunaaku
gori gori chhori hai
bhabhunaaku
chhori badi bholi hai
bheegi bheegi choli hai
holi hain re bholi hai
holi hain re holi hai
holi hain ke bholi hai
holi hain ke choli hai
holi choli hat
choli holi hat
holi bholi hat

rang doonga sabko main
pyaar bhari baaton se
rang doonga sabko main
pyaar bhari baaton se
aaj koyee ee ee
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sabko main
ho laale bachiyo
ha ha
ha ha

choli bhigo doon ho o
chunari bhigo doon
mujhko kiska dar hai
har ek naari hi aaj hai gopi
kaanha har ek nar hai
holi mein jo bhi ho so kam hai
rok le mujhko
jisme dam hai re
aaj koyi ee ee
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sab ko main
ho bhonpu ahe he he
ha ha
he he ae
ah a he he he

aaj wo din hai khelen rang se
naachen gaayen milke ae
aa gori aa
in baahon mein
armaan poore hon dil ke ae
holi to hai milne ka bahaana
ab na chalega re yoon sharmaanaa
aaj koyi ee ae
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sab ko main
o goriye ye le
ha ha ha
ho o
chhodo na
ho ho he he
a ha
oh, please chhodo na
arey kaise chhodoon
chhodo na
arey nahi re
oh ho
o ho
chhodo o
nahin nahin
he he
he he
he he
bruuuurr

ye bhonpu idhar aa
ye baba
o sethiye

aaja aaja
o goriye
oye hoye
he
he

————————————————————-
(Sad Version) based on audio version which is longer one
———————————————————

rang doonga sabko main aen
pyaar bhari baaton se ae
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se ae
choli bhigo doon
chunri bhigo doon
mujhko kiska dar hai
har ik naari ee ee aaj hai gopi ee
kaanhaa har ik nar hai
holi mein jo bhi ee ho so kam hai
rok le mujhko o
jisme dam hai
aaj koyi bach na sakega
mere haathon se
rang doonga sabko main aen
pyaar bhari baaton se
aaj koyi bach na sakega
mere haathon se ae
aaj koyi bach na sakega
mere haathon se

——————————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————————

हुर्र र र र र र रक
होली है रे होली है
भभुनाकू
गोरी गोरी छोरी है
भभुनाकू
छोरी बड़ी भोली है
भीगी भीगी चोली है
होली है रे भोली है
होली है रे होली है
होली है के भोली है
होली है के चोली है
होली चोली हट
चोली होली हट
होली भोली हट

रंग दूंगा सबको मैं
प्यार भरी बातों से
रंग दूंगा सबको मैं
प्यार भरी बातों से
आज कोई ई ई
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सबको मैं
हो लाले बचियो
अहा हा हा हा
चोली भिगो दूं हो ओ
चुनरी भिगो दूं
मुझको किसका डर हैं
हर एक नारी ही आज है गोपी
कान्हा हर एक नर हैं
होलि में जो भी हो सो कम हैं
रोक ले मुझको जिसमें दम है रे
आज कोई ई ई
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सब को मैं
हो भोपू आहे हे हे
हा हा
हे हे ए
अह अ हे हे हे
आज वो दिन हैं खेलें रंग से
नाचें गाएँ मिल के ए
आ गोरी आ इन बाहों में
अरमान पूरे हों दिल के ए
होली तो हैं मिलने का बहाना
अब न चलेगा रे यूं शर्माना
आज कोई ई ए
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सब को मैं
ओ गोरिये ये ले अ हा हा हा
हो ओ
छोडो न
हो हो हे हे
अ हा
ओह प्लीज़ छोडो न
अरे कैसे छोडूं
छोडो न
अरे नहीं रे
ओह हो
ओ हो
छोडो ओ
नहीं नहीं
हे हे
हे हे
हे हे
ब्रुरु ऊऊउर्र
ये भोपू इधर आ
ये बाबा
ओ सेठिये
आजा आजा
ओ गोरिये
ओये होए
हे
हे
———————————–
(भाग -२ , धीमा स्वर या विषाद गीत)
———————————–
रंग दूंगा सबको मैं
प्यार भरी बातों से
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
चोली भिगो दूं
चुनरी भिगो दूं
मुझको किसका डर हैं
हर एक नारी ई ई आज है गोपी ई
कान्हा हर एक नर हैं
होली में जो भी ई हो सो कम हैं
रोक ले मुझको ओ जिसमें दम है
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सबको मैं
प्यार भरी बातों से ए
आज कोई बच न सकेगा
मेरे हाथों से ए
आज कोई बच न सकेगा
मेरे हाथों से


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14300 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14344

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3914

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Active for more than 3500 days.

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