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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“chaand” song’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

If it is a post by me then it has to be someone’s’ birthday.

It is 8thSeptember. Our beloved Asha Bhonsle’s 84thbirthday. So let me wish her a very Happy Birthday with this very lively number from her Non- Film album ‘Janam Samjha Karo’ (1997). I just thought that it will be a lovely departure from routine to showcase the versatility of the forever young-at-heart Asha.

I am not going to get into her life history in this post, I will just say I am super excited that I am going to be seeing her in person, live in the show which goes by the name Rendezvous with Asha Bhonsle, which I assume will be as exhilarating an experience as the Rendezvous with Hema Malini has been last year. The minute I got the invite for this I had posted it on our WhatsApp group to find out if any Atulite will be interested and we could have gone as a gang. Our dear Rajaji said that much as he would like to be therehe cannot make it. But I am glad that I will have Gajendraji and his wife as company. By the time we had decided on the number of tickets to be purchased the stock of tickets with the organisers were exhausted but Gajendraji was an angel to book the tickets.

So, coming back to the song which I had in mind for the occasion is from a music album ‘Janam Samjha Karo’ (the only non-film cassette in my collection) which came out when the non-film music industry was booming with albums of people like Hariharan with Leslie Lewis as ‘Colonial Cousins’, Alisha Chinai, Suneeta Rao etc. This was the period when MTV and Channel V exploded on television in the name of satellite television. Songs of this genre were called Indie pop. The album had eight songs all written by Majrooh Sultanpuri and Leslie Lewis was the music director.  Asha Bhonsle was in her sixties and Majrooh in late seventies but the songs were everything that a young at heart could ask for. It had love songs in all the moods that accompany the emotion- roothna-manana; ikraar- inkaar aur takraar; etc.

For people who are not introduced to Leslie Lewis he is the son of prolific film choreographer Devaraj Peter Lewis – going by the name PL Raj in Bollywood. Leslie used to play guitar at the Café Royal, Oberoi Towers Mumbai and recorded with Kalyanji Anandji, Laximkant Pyarelal, RD Burman and Louis Banks. Starting with 1987, he composed advertising jingles and was nominated for awards from the Indian Academy of Advertising Film Art (IAAFA). In 1989 received an award for his work. He went on to make some famous jingles such as “Doodh-Doodh-Doodh (Piyo full glass)”, “Mango Fruity fresh and juicy”, “Thums Up taste the thunder”, “Santoor Santoor”, etc.

Video (2 Stanzas)

Audio (3 stanzas)

Song – Raat Shabnami Bheegi Chaandni (Asha Bhosle – NFS) (1997) Singer – Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – Leslie Lewis

 

Lyrics

raat shabnami
bheegi chandani
teesra koi
door tak nahin
is ke aage hum
aur kya kahen
jaanam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahin
is ke aage hum
aur kya kahen
jaanam samjha karo
ho is ke aage hum
aur kya kahen
jaanam samjha karo

sanam tumko jis din se dekha hum ne
deewaana dil kaboo mein nahin
bada pyaara ye bhi itefaaq dekho
tum hi mil jaate ho har kahin
tum hi mil jaate ho har kahin pyaare
aage khud hi jaan lo
aur kya kahen
jaanam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
jaanam samjha karo
ho is ke aage hum
aur kya kahen
jaanam samjha karo

agar tum bhi wo chaaho jo main chaahun
to gul khil jaaye iqraar ka
dilon ko milne de kuchh na bolen hum
mazaa aaye phir to pyaar ka
mazaa aaye phir to pyaar ka jaani
aage khud hi jaan lo
aur kya kahen
jaanam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
jaanam samjha karo
ho is ke aage hum
aur kya kahen
jaanam samjha karo

thehro padi hai raat yeh saari
kaahe ki jaldi jaane mann
daale hue yeh reshmi bahen
yun hi lipte raho tum gulbadan
taqdeer se yeh mil gaya mauqa
aage khud hi jaan lo
aur kya kahen
janam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
janam samjha karo

raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
janam samjha karo
ho is ke aage hum
aur kya kahen
janam samjha karo
ho is ke aage hum
aur kya kahen
janam samjha karo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो

सनम तुमको जिस दिन से देखा हमने
दीवाना दिल काबू में नहीं
बड़ा प्यारा ये भी इत्तेफाक़ देखो
तुम ही मिल जाते हो हर कहीं
तुम ही मिल जाते हो हर कहीं प्यारे
आगे खुद ही जान लो
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो

अगर तुम भी वो चाहो जो मैं चाहूँ
तो गुल खिल जाये इक़रार का
दिलों को मिलने दें कुछ ना बोलें हम
मज़ा आए फिर तो प्यार का
मज़ा आए फिर तो प्यार का जानी
आगे खुद ही जान लो
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो

ठहरो पड़ी है ये रात सारी
काहे की जल्दी जाने मन
डाले हुये ये रेशमी बाहें
यूं ही लिपटे रहो तुम गुलबदन
तक़दीर से ये मिल गया मौका
आगे खुद ही जान लो
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो

रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaahi Chor”(1955) was produced by Ramniklal N Shah and directed by Naseem Siqqiqui for Shah Pictures, Bombay. This costume movie had Shakeel, Daljeet, Hiralal, Jayant, Noor, Yashodhara Katju, Chaand Burque, Sadiq, Prakash, Shiela, malika, Mumtaz, Nadir, Qamar, Devraj, Aziz Siddiqui, Nazeer Kashmiri, Ansari, Wazir Mohammad Khan etc in it.

This forgotten movie had eight rare songs in it. One song from the movie has been covered in the past.

Here is the second song from “Shaahi Chor”(1955) to appear in the blog. This song is sung by Asha Bhonsle, Mubarak Begam and chorus. Shewan Rizvi is the lyricist. Music is composed by Dhaniram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Mukhda khola yaar ne…aayi chaand raat (Shaahi Chor)(1955) Singers-Asha Bhonsle, Mubarak Begam, Lyrics-Shewan Rizvi, MD-Dhaniram
Chorus

Lyrics

hahahaahaha
hahahahahahaha
hahahahahahaha

Mukhda khola yaar ne
haay dil laga pukaarne
aayi chaand raat
aayi chaand raat
aayi chaand raat
dekho aayi chaand raat
chaand raat aayee
chaand raat aayee
chaand raat aayee
Mukhda khola yaar ne
haay dil laga pukaarne
aayi chaand raat
aayi chaand raat
aayi chaand raat
dekho aayi chaand raat
chaand raat aayee
chaand raat aayee
chaand raat aayee

ude dupatta mast hawa mein
ude dupatta mast hawa mein
khushi se dil lehraaye
haaye khushi se dil lehraaye
haaye
bichhad gaya wo
jiska dilbar
bichhad gaya wo
jiska dilbar
wo kya eid manaaye

haaye
yoon na baithho chhup chhup guinyyaan
thheek nahin ye baat
dekho thheek nahin ye baat
aayi chaand raat
aayi chaand raat
aayi chaand raat
dekho aayi chaand raat
chaand raat aayee
chaand raat aayee
chaand raat aayee
Mukhda khola yaar ne
haay dil laga pukaarne
aayi chaand raat
aayi chaand raat
aayi chaand raat
dekho aayi chaand raat
chaand raat aayee
chaand raat aayee
chaand raat aayee

jhilmil jhilmil karen sitaare
jhilmil jhilmil karen sitaare
jaise dil ki dhadkan
haaye jaise dil ki dhadkan
haaye daag jigar mein
aankh mein aansoo
daag jigar mein
aankh mein aansoo
bheega bheega daaman

haaye
dulha ban kar laaya chanda
taaron ki baaraat
dekho taaron ki baaraat
aayi chaand raat
aayi chaand raat
aayi chaand raat
dekho aayi chaand raat
chaand raat aayee
chaand raat aayee
chaand raat aayee


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pratima”(1945) was directed by P Jairaj for Bombay Talkies, Bombay. The movie had Swarnlata, Dilip Kumar, Jyoti, Mumtaz Ali, Pithawala, Mukri, Zebunnissa, Shahnawaz etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nai Zindagi”(1943) was directed by S Khalil for United Films, Bombay. This “social” movie had Sheikh Mukhtar, Anees Khatoon, Yakoob, Satish, Gope, Najma, Qamar, laddan, Nazeera, Aghajaan, Badri, Akhtar Zia etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Biwi”(1950) was directec by Kishore Sharma for Paristan Pictures, Bombay. The movie had Mumtaz Shanti, Veena, Madhuri, Naasser, Pran, Ram Lal, Murad, Gulnaar, Anjaam, Shabnam, Sheila Verman etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Ladies Only’ (1939) was produced under the banner of Sagar Movietone and it was directed by Sarvottam Badami. The star cast included Surendra, Bibbo, Sabita Devi, Prabha, Harish, Budho Advani, Sunalini Devi, Kaushalya etc. The film was released on 16th February 1939 and Moraraji Desai, the Revenue Minister of the then Bombay State was the chief guest.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulwaasis

Yesterday, 16thJune 2017, was the 97th birth anniversary of singer- music director-producer-director Hemant Mukherjee alias Hemant Kumar. He started out his music journey in 1935 on All India Radio with “Amar Ganete Ele Nabarupi Chirantanii” under the influence of his friend Subhas Mukhopadhayay. Hemant Da’s music career was primarily mentored by the Bengali musician, Sailesh Duttagupta. In his early life Hemant Da used to follow the famous Bengali singer Pankaj Mullick. For this he was nicknamed as “Chhoto Pankaj”. In an interview on television in the early 1980s, Hemanta had mentioned that he had also received classical music training from Ustad Faiyaz Khan’s student Phanibhusan Banerjee.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, May 24, 2017 is the Remembrance Day of Bulo C Rani,  the music director and the singer who left this day 24 years ago under unfortunate circumstances. A contemporary of music directors like Anil Biswas, Ghulam Haider, Naushad, C Ramchandra and Khemchand  Prakash, it is a sad commentary on Hindi film industry that Bulo C Rani could not attain the stature of these music directors. And this is despite the fact that he was associated with the Hindi film industry for over 2 decades and had churned out some immortal compositions.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The movie title “Kitna Badal Gaya Insaan”(1957) was clearly inspired from the iconic song of “Nastik”(1954) with this mukhda.

“Kitna Badal Gaya Insaan”(1957) was directed by I S Johar for Modern Theatre, Bombay. The movie had Ajit, Nalini Jaywant, I S Johar, Kamaljeet, Uday Laxmi, Shanti, Harbans Lal, Saroja, Anil Dutta etc in it. Inbcidentally, I S Johar was the director of “Nastik”(1954) as well. Ajit, Nalini Jaywant and I S Johar were there is “Nastik” (1954) as well. So it appears that this movie was inspired by “Nastik” (1954) in more ways than one.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 34
– – – – – – – – – – – – – – – – – – – – – – – – – –

“वो चाँद सा चेहरा लिए, छत पर तेरा आना

tu raat khadi thi chhat pe
nee main samjha ke chaand nikla

There is something so uniquely desi about this romantic element – ‘chhat pe’ – ‘on the rooftop’ scenario. If it were the western milieu, the thought would be to go as far as the balcony; the scenario being Juliet present at the balcony and Romeo serenading her from the garden below. No where the western writer has thought of ascending to the terrace, bring in the soubriquet of the moon, and then let the verse take over from there. On the subcontinent, so much romance seems to have happened on the terrace, in the pages of prose and in the lines of verse.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13603

Number of movies covered in the blog

Movies with all their songs covered =1020
Total Number of movies covered =3725

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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