Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bindu dance song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4915 Post No. : 16737 Movie Count :

4556

I count the minutes the days the hours. . .
I count the stars. . .

Days, then weeks, then months – on to years and decades. The march of time incessantly continues. Superimposed on this unremitting progression is a calendar that allows us to measure passages of time. The philosophers of yore had no tools other than observation and contemplation, by which they used to measure natural phenomena. And then this measurement and contemplation over long periods of time uncovered patterns of celestial movements which tied into the the design of changing climate on earth. And thus was born the concept of calendar and measures of years. Over a period of time it got refined into a detailed structure that we now see as twelve months and 365 days. Of course with further refinements of leap years and leap centuries to make accurate adjustments to synchronize the this framework with the precise movement of Sun in our skies.

As aeons progressed, the year became a substantive measure of passage of time that fitted well into the cycle of seasons, and hence into the cycle of agriculture and farming of crops. This was the basic standard that started it all – there is nothing more critical in the world than food for survival. Air and water are available, but food – it has to be grown.

So the year became a standard of passages in life. The human life, its works and its achievements got tied with the cycle of years. Age of humans, education, performance measures of all kinds et al, got tied to the cycle of years. Longevity of relationships and the apparent joy of happiness, trust and loyalty, financial turnovers – you name it. Everything happens with the passage of years.

And the year also become the benchmark of celebrations, be it birthdays, anniversaries etc., everything is in terms of number of years.

And this pyramid is completed when we celebrate the passage of the ‘year’ itself. From time immemorial, different races, different nations, different belief systems, different working systems, and more – have identified their own regulated time points within a year, when the completion of one year is announced. Within our own country we have multiple celebrations around the year, when we announce the dawn of a new year. And so have many other countries, religions and sects of people.

The Gregorian calendar is the most prevalent and accepted calendar around the world at present times. And hence the start of a fresh year as per this calendar is also a celebration that has been accepted worldwide. Come 1st January, and the dawn of the New Year is celebrated across all nations and across all time zones. So that brings us to the celebration of the New Year on our blog also.

Over the past thirteen plus years, we have celebrated this day fourteen times, starting with 1st January 2009, and counting up to today i.e. 2022. As I tried to trace out the songs which are specifically New Year celebration songs, I could locate only 11 songs that have been used so far on this blog. No doubt the celebration and greetings messages are contained in some more posts that are dated 31st Dec and 1st Jan. But not all those songs are specifically New Year celebration songs. Here is the list of these eleven songs. In case I have missed any, please leave a comment, and I shall update this table.

Ye Saal Ki Aakhhri Raat Hai Beraham 1980 31-Dec-11
Saal Mubaarak Saahib Jee Do Jaasoos 1975 1-Jan-12
Naya Saal Aaye Tamaashe Dikhaaye Nazraana Pyaar Ka 1980 1-Jan-12
Aanewaale Saal Ko Salaam Aap Ke Saath 1986 1-Jan-12
Sabko Mubarak Naya Saal Samrat 1954 1-Jan-13
Saal Mubaarak Aaya Ho Jiyo Mere Raaja Toote Khilaune 1954 1-Jan-13
Happy New Year To You Do Jaasoos 1975 1-Jan-13
Naye Puraane Saal Mein Ek Raat Baaki Hai Raksha 1981 31-Dec-14
Aadhi Raat Aayi To Khayaal Aaya Hai Bahaaron Ki Manzil 1991 1-Jan-15
Assalaam-aile-Qum, Saal Mubaarak Ho Telephone 1986 31-Dec-19
Sach Kehta Hai Ye Saara Zamaana Jaagir 1984 1-Jan-20

Our dear Prakash Chandra ji has been very diligent with ferreting out songs for special occasions, and he has been very helpful in the past in getting details about New Year celebration songs to Atul ji and myself. Actually two of his suggested songs are still waiting. As I was trying to use one of them for this post, I discovered that the links provided were not functional at this time. So for today, we are using this song from the 1977 film ‘Zehreeli’. The film makes its debut on our blog today.

‘Zehreeli’ is a run-of-the-mill crime and punishment tale. A B-grade movie, that most likely came and went without raising much interest. The film comes from the production house of Amba Films,Bombay and is directed by VN Reddy, who is also the cinematographer of this film. The star cast of this film is listed as Neetu Singh, Shailendra Singh, Bindu, Jalal Agha, Imtiaz, Virendra, Jairaj, Purnima, Sharat Saxena, Jagirdar, Satish Arora, Nandita Thakur and others.

As per Geet Kosh, there are three songs in this film. The music director for this film is Sharda, whom we better know as a singer.  As I check the MD details on the blog, we already have four songs on board, that have been composed by her. This now is the fifth song composed by her to be showcased here.

Two songs of this film are penned by Vithalbhai Patel and one song is written by Abhilaash. This song is from the pen of Vithalbhai Patel. The singing voices are of Mohammed Rafi and Aarti Mukherji. On screen, Bindu is lip syncing the voice of Aarti Mukherji. I had a hard time trying to identify the gentleman who lip syncs Rafi Sb’s voice. The name is M Naidu, and he is also the choreographer for the film. I must thank my dear friend Ahsaan Bhai, an ardent fan of Rafi Sb, for this identification.

The song is somewhat peculiar. It has only one stanza after the mukhda, and it was also an exercise to confirm that this is the complete version. The audio of the song, and also the song on screen has a longer duration. More than half the duration of the song is simply music and dance by Bindu. Oh well, the powers that may be. It is a song of Happy New Year message, so here we are.

This is the opening song of the film immediately after the credits are displayed on screen.

And so, it is a goodbye to the dear 2021, and a welcome to the fresh and new 2022.
Wishing all readers, friends and fellow band-wagoneers, a Very Happy and Peaceful New Year.

gaya saal gaya aur naya saal aaya

Audio

Video


Song – Jawaan Samaa Jawaan Bahaar Chaman Muskuraaya  (Zehreeli) (1977) Singer – Mohammed Rafi, Aarti Mukherji, Lyrics – Vithalbai Patel, MD – Sharda
Mohammed Rafi + Aarti Mukherji
Chorus

Lyrics

hey
jawaan samaa jawaan bahaar
chaman muskuraaya
gaya saal gaya aur naya saal aaya
jawaan samaa jawaan bahaar
chaman muskuraaya
gaya saal gaya aur naya saal aaya
dil mein pyaar ka nasha
jhoomti disha disha
chaaron or jaadu sa chhaa gaya
chaaron or jaadu sa chhaa gaya

[sounds of revelry and laughter]

har nazar mein pyaar ki hai roshni
muskura rahi hai nai zindagi
hey
hara adaa lagey hamein bhali bhali

baahon mein aa gai hai har khushi
mujh se koi mujh ko hi chura gaya
aankhon mein taare sajaa gaya

hey. . .
jawaan samaa jawaan bahaar
chaman muskuraaya
gaya saal gaya aur naya saal aaya

Happy New Year

[sounds of revelry and laughter]
[music and dance sequence]

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

हे
जवां समा जवां बहार
चमन मुस्कुराया
गया साल गया और नया साल आया
जवां समा जवां बहार
चमन मुस्कुराया
गया साल गया और नया साल आया
दिल में प्यार का नशा
झूमती दिशा दिशा
चारों ओर जादू सा छा गया
चारों ओर जादू सा छा गया

[आमोद प्रमोद और हंसी के शब्द]

हर नज़र में प्यार की है रोशनी
मुस्कुरा रही है नई ज़िंदगी
हर अदा लगे हमें भली भली
बाहों में आ गई है हर खुशी
मुझसे कोई मुझको ही चुरा गया
आँखों में तारे सजा गया

हे
जवां समा जवां बहार
चमन मुस्कुराया
गया साल गया और नया साल आया

हैप्पी न्यू यीयर

[आमोद प्रमोद और हंसी के शब्द]
[नृत्य संगीत]


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14501

ASAD 10th Anniversary Celebrations – 9
———————————————————————

My last post on our blog has been sometime back. I have been meaning to write about this song which has a couple of rare occurrences in the Hindi Film and Music world and was waiting for an opportune moment.

Recently, I have been fighting my own battles on my health front, having been hospitalised for surgical and advanced interventional pain management procedures, more than a couple of times in the last one year. I have diabetes, which is under control, however it has caused neuropathy in both my feet causing severe pain with tingling and burning sensations. I would like to take this opportunity to create awareness amongst all the readers of this blog that diabetes can be very dangerous and draining and that one should take care of their feet. One’s feet bear the entire weight of one’s body but always fail to get the attention and good care, as with other parts of the body.

Well, coming back to today’s post. Late last month, we, the regular (and irregular) contributors of this blog were told by our beloved SudhirJi, that the blog was to celebrate the 10th anniversary of its creation and that song posts were expected from all the contributors. However, as hard as I tried, I couldn’t stick up to the deadline of sending in our contributions. However, Sudhir Ji would not relent and sent me another request to send in my post. This made me very embarrassed and I made a promise to myself that come what may, I will write my post and send it today, three days after my second extended deadline.

My association with this blog actually started around two years after I started my Facebook group – Rare Hindi Film Songs in 2010. In searching for old and rare songs to post, I would often visit the blog and later I came to know that even Atul Ji, the creator of this blog was a member and a regular visitor of my group. However, it took me almost 4 years to write my first post – for the song “Chup Chup Chup Kyon Baithe Ho” – and send it to Atul Ji for moderation and posting. Since then, I have been sending in my posts in bursts, start and stop.

Till date I have just posted about 20 odd songs, but I feel so much drawn to the Atulites group that I feel I have come to my home group amongst these various people across the world, who share similar passion and views. In particular, Avinash Ji and Sudhir Ji seem to like my kind of songs from movies of the 70s and early eighties, not that others are not encouraging.

My heartiest congratulations to Atul Ji, ASAD, Atulites and all the people who love HFM, on the 10th anniversary of this endeavour !!!

Now coming to today’s song. As I have mentioned above, this is a special song for me as it has a few rare characteristics associated with it, in the HFM world and also since it is quite a rare song. It is from the Pran, Navin Nischol and Rekha starrer ‘Dharma’ released in 1973. Two other songs from this movie have been posted earlier on the blog. For those who haven’t seen the movie or have forgotten it, the plot summary can be read here on IMDB.

Now, coming to this song with ‘Two Rare Occurrences’ for a Hindi movie!

It is an almost eight minute long song, starting with a straight cut and paste of the song “Aur Mera Naam Hai Jameela” sung by Lata Mangeshkar from the 1967 film ‘Night in London’ (composed by Laxmikant Pyarelal and penned by Anand Bakshi). In both the films, Helen is the dancer performing this song on screen. But of course, the choreography is different in the two films. In this clip from ‘Dharma’, only one stanza of the original song from ‘Night In London’ is included and it is about 2 minutes in duration. Well this is one rare thing.

The second and most important rare thing about this song is that after Helen’s initial lip syncing to this cut-paste song, the actual song, sung by Asha Bhosle, is lip synced by four of the best cabaret dancers of that era. Of course after the Numero Uno – Helen – who’s in the first part. The subsequent segments are performed by Faryal, Sonia Sahani, Jayashree T and Bindu.

The video opens with Helen beginning the dance with some male dancers. The music has already begun. We can also see Ramesh Deo with Asit Sen, who is watching the dance wide-eyed and lecherously. They go to another dance bar and Faryal starts her part followed by Sonia Sahni performing in the third bar. In the fourth bar, Jayashree T is performing bhangra. In the last bar, they do drugs with drinks while Bindu is performing. In this film, Madan Puri and Ramesh Deo are together shown to cheat rich men by taking them to clubs and tempting them with wine and women. The song shows Seth Garib Das (Asit Sen) is being trapped by them and this cabaret number is organized for him.

I hope all of you like the interesting facts of this song as well as the song. Please comment.

Audio

Video

Song – Arey Saaqi Jo Kal Ki Hai Bachi Baaki (Dharma) (1973) Singer – Lata Mangeshkar, Asha Bhosle, Omi, Lyrics – Verma Malik, MD – Sonik-Omi

Lyrics

yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

har ek dil ko dhadakne ki aadat huyi
main jis gali se bhi guzri qayamat huyi
log nazren bichaane lage
log nazren bichaane lage
haal dil ka sunaane lage
yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
utha parda
dekh jalwa
ke sheeshe mein
jawani ab utar jaaye
arey saaqi

rani hoon main raat ki
tu hai galiyon ka raaja
aa
rani hoon main raat ki
tu hai galiyon ka raaja
soyi hui jawani ko
tu chhoo ke zara jaga ja
meri nigahein, aadayen ye baahein bulaayen
veeraa. . .
hahh veeraa. . .aah
la laa la laa la laa la laa

o ho
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
arey saaqi

dil le ja nishaani
badi meherbaani
haaye dil le jaa nishaani
badi meherbaani
teri jiyegi
teri jiyegi jug jug jawaani
o mere dil jaani
teri jiyegi jug jug jawaani
ho mere dil jaani
haaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajana..aa..aa. . .

dum mein dum hai to dum laga
duniya kya hai nasha hi nasha
aasmaan ke baadal to
kuchh bhi nahin
mazaa to tab hai ke
zameen pe baadal bana
mere humdum
raat hai kam
ke baaton mein
ye saari
raat na jaaye
mere humdum. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

हर एक दिल को धड़कने की आदत हुई
मैं जिस गली से भी गुज़री क़यामत हुई
लोग नज़रें बिछाने लगे
लोग नज़रें बिछाने लगे
हाल दिल का सुनाने लगे
यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
उठा पर्दा
देख जलवा
के शीशे में
जवानी अब उतार जाये
अरे साक़ी

रानी हूँ मैं रात की
तू है गलियों का राजा

रानी हूँ मैं रात की
तू है गलियों का राजा
सोई हुई जवानी को
तू छू के ज़रा जगा जा
मेरी निगाहें अदाएं ये बाहें बुलाएँ
वीरा॰ ॰ ॰
हाहह वीरा॰ ॰ ॰ आहह
ल ला ल ला ल ला ल ला

ओ हो
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
अरे साक़ी

दिल दे जा निशानी
बड़ी मेहरबानी
हाय दिल दे जा निशानी
बड़ी मेहरबानी
तेरी जिएगी
तेरी जिएगी जुग जुग जवानी
ओ मेरे दिल जानी
तेरी जिएगी जुग जुग जवानी
हो मेरे दिल जानी
हाए वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना॰॰आ॰॰आ॰॰आ

दम में दम है तो दम लगा
दुनिया क्या है नशा ही नशा
आसमां के बादल तो
कुछ भी नहीं
मज़ा तो तब है के
ज़मीं पे बादल बना
मेरे हमदम
रात है कम
के बातों में
ये सारी
रात ना जाये
मेरे हमदम॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3528 Post No. : 14170

1970s was an era of sponsored Radio Programmes in India. SLBC as well Vividh Bharati had such sponsored programmes those days. “inspector Eagle ke kaarnaame” was one popular weekly sponsored programme on Vividh Bharati those days. Inspector Eagle would solve a case every week in this programme. The name Eagle was given to the inspector because the programme was sponsored by Eagle Flasks.

“Inspector Eagle”(1978) was a “mystery” (rahasya pradhan) movie which was directed by Vishwamitra Adil for Navprabhat Pictures, Bombay. This movie had Sanjeev Kumar, Neelam Mehra, Bindu, Yunus Parvez, Ranjeet, Shivraj, Macmohan, Shaukat Kaifi, Mohan Sherry, C S Dubey, Asha Chandra, Goga Kapoor, Vikas Anand, Sulabha Arya, R P Sethi, Radheshyam, O P Kohli, Chandu, Pardesi, Ravikant, Habeeb, Paintal, A K Hangal (special appearance) etc in it. This movie “Inspector Eagle”(1978) was very much inspired by that radio programme. In fact I think Eagle Flasks had financed this movie. I request our knowledgeable readers to throw light on this matter.

The movie had three songs in it. All these three songs were sung by Asha Bhonsle. Personally I do not recall having heard any of these songs during those days.

Here is the first song from “Inspector Eagle”(1978) to appear in the blog. This song is sung by Asha Bhonsle. Kaifi Azmi is the lyricist. Music is composed by Madan Mohan.

The song is picturised as a cabarat dance song on Bindu. Those were the days when Bellbottoms were a big rage in India. People who have no idea what bell bottoms looked like can see it in this picturisation. 🙂

With this song, “Inspector Eagle”(1978) makes its debut in the blog.

Video


Audio

Song-Tum kyun aate nahin (Inspector Eagle)(1978) Singer-Asha Bhonsle, Lyrics-Kaifi Azmi, MD-Madan Mohan

Lyrics

tum kyun aate nahin
tum kyun aate nahin
bechain tan hai
pyaasa badan hai
haan haan haan
bechain tan hai
pyaasa badan hai
tum kyun aate nahin
tum kyun aate nahin
tum kyun aate nahin

sab rang in labon ka
tum par fida jo aao
aawaara gesuon ki barsen ghata jo aao
sab rang in labon ka
tum par fida jo aao
aawaara gesuon ki barsen ghata jo aao
madhosh dil ko kar do
daaman mein phool bhar do
daman mein phool bhar do
ya mujhko qatl kar do
qatl kar do
qatl kar do
qatl kar do
tum kyun aate nahin
tum kyun aate nahin
tum kyun aate nahin

betaab dil pe mere
dekho karo na ghaaten
betaab dil pe mere
dekho karo na ghaaten
aa jaao tum to mahke
aur bahke jawaan raaten
raaton ko ek saher do
daaman mein phool bhar do
daaman mein phool bhar do
ya mujhko qatl kar do
qatl kar do
qatl kar do
qatl kar do
tum kyun aate nahin
tum kyun aate nahin
tum kyun aate nahin

ye jism gora gora
jo chhup ke zara dhhalke
aur hogi aise jaise rangeen sharaab chhalke
ye jism gora gora
jo chhup ke zara dhhalke
aur hogi aise jaise rangeen sharaab chhalke
koi apni bhi khabar do
daaman mein phool bhar do
daaman mein phool bhar do
daaman mein phool bhar do
ya mujhko qatl kar do
qatl kar do
qatl kar do
qatl kar do
tum kyun aate nahin
bechain tan hai
pyaasa badan hai
tum kyun aate nahin
tum kyun aate nahin
tum kyun aate nahin


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3523 Post No. : 14152

“Buniyaad”(1972) was produced and directed by Virendra Sharma for Pragati Chitra International movie. The movie had Shatrughan Sinha, Farida Jalal, Yogita Bali, Rakesh Roshan, Bindu, Faryal, Pran, Jankidass, Sajjan etc in it.

The movie had four songs in it. Three songs from the movie have been covered in the blog so far. Here are the details of these three songs :-

Song Title

Post No.

Post Date

Pukaaro mujhe phir pukaaro 7148 9-Dec-12
Main hoon kismatwaala dilwaala matwaala 13277 24-May-17
Muhabbat achchi cheez hai 14147 10-Mar-18

The fourth and final song from the movie, which is the song under discussion, was a popular song of its time. It is a seduction song.

Regular music lovers are aware that Lata normally did not sing cabarat songs/ seduction songs in HFM and they were mostly sung by Asha Bhonsle. But Lata has sung a few songs of such genre and they are awesome songs. The trick was to convince her to sing such songs. Laxmikant Pyarelal, Ganesh, Chitragupta, Shankar Jaikishan, Rajesh Roshan seem to be the only music directors who had the knack of convincing her to sing cabarat/ seduction songs. Just sample the awesome cabarat/ seduction songs that Lata has sung in Hindi movies. It can be noticed that a vast majority of these songs are sung under the baton of Laxmikant Pyarelal:-

Cabarat/ Seduction Song Title

Movie

Music Director

Mere dil kabhi to koi aayega Main Chup Rahoongi (1962) Chitragupta
Dil ka lagaana iss duniyaa mein pooraa dhokhaa khaana hai Smuggler(1966) Ganesh
Jameela Jameela.. yaar ki nigahon mein Night in London(1967) Laxmikant Pyarelal
Jeene waale jhoom ke mastaanaa hoke jee Vaasna(1968) Chitragupta
Aa jaane jaan tere liye main aas lagaaye Inteqam(1969) Laxmikant Pyarelal
Mehfil soyee aisa koyee Inteqam(1969) Laxmikant Pyarelal
Aankhon mein aankhen na daalo mujhe kuchh hota hai Tumse Achcha kaun hai (1969) Shankar Jaikishan
Toone haan haan toone…hone lagi dil me tik tik tik tik Hamjoli(1970) Laxmikant Pyarelal
Meri jaan meri jaan Man Ki Aankhen(1970) Laxmikant Pyarelal
Chaahe buri lage chaahe acchi lage Roop Tera Mastaana(1972) Laxmikant Pyarelal
Wai wai main jal gayi (Gaddaar)(1973) Laxmikant Pyarelal
Kahoon kyaa apni daastaan Ginny Aur Johny(1976) rajesh Roshan

The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

Lyrics of the song were sent to me by Prakashchandra.

The song is lip synced as a seduction song on Bindu and Rakesh Roshan, with Sajjan also visible in the picturisation.
With this song, the fourth and final song from the movie, “Buniyaad”(1972) now joins the list of movies that have all their songs covered in the blog.

Audio

Video


Song-Dard e dil badhta jaaye (Buniyaad)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Provided by Prakashchandra)

dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye
kar koyee jatan
o bairi sajan
de dawaa koyee aisee
ke chain aa jaaye
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye
kar koyee jatan
o bairi sajan
de dawaa koyee aisee
ke chain aa jaaye
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye

hmm hmm hmm hmm hm hmm
hmm hmm hmmm hmm hmm hmmm
hmm hmm hmm hmm hmm hmmm
hmm hmm hmm

nahin vaidh kaa yeh kaam
dil pukaare teraa naam
aankhein karti hain salaam
palkein deti hain payaam
ho ho ho ho ho
tere binaa sooni sooni
haaye meri
armaanon ki mehfil
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye

kaise raat guzaaroon main aen
baithhee door nihaaroon main aen aen aen
uljhee zulf sanwaaroon main
tadpoon aur pukaaroon main
o ho ho ho
yaa toh tujhe mujhse pyaar nahin piyaa
yaa tu hai buzdil
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye

sunn le pyaar ki fariyaad
kar de aaj dil aabaa aa aad
ye zid chhod de saiyyad
varnaa dekh rakhnaa yaad
o ho ho ho
mar jaaoongi main
teraa jeenaa kar doongi mushqil
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye
kar koyee jatan
o bairi sajan
de dawaa koyee aisee
ke chain aa jaaye
dard-e-dil badhtaa jaaye
saaree saaree raat neend na aaye


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
————————————————
# Bhoole-Bisre Geet # 43 # ‘Kishore Kumar-Ashok Kumar’ in remembrance #
———————————————–

‘Harfan Maulaa-1976’ was produced and directed by S.M.Saagar for ‘Adhikar International, Bombay’. It had Ashok Kumar, Kabir Bedi, Asha Sachdev, Satish Kaul, Anwar Hussain, Kundan, Yashraj, Aroop Kumar, Shetty, Ramlal, Master Ripple, Danny Junior, Mumtaz Begam, Mughni Abbasi and Rukhsana. Zaheera, Aruna Irani, Helen, Shakila Banu Bhopali, N.A.Ansari, K.N.Singh, Chandrashekhar, Satyen Kappu, Bindu and Mehmood made special appearances in this movie.
Read more on this topic…


Kati Patang was a musical blockbuster, in addition to being a box office hit. All its songs went on to become popular and some of them are counted as evergreen hits.

Prem Chopra and Bindu were the villain and the vamp in this movie. Prem Chopra had a memorable dialogue in this movie- “Prem naam hai mera, Prem Chopra”. Bindu had an entire cabaret song for herself where she declares- “Mera naam hai Shabnam, pyar se log mujhe Shabbo kahte hain”.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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Total Number of movies covered=4609

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