Archive for the ‘Synchronised dance’ Category
Chhapan chhuri hai mera naam
Posted May 18, 2023
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5417 | Post No. : | 17764 |
#the Decade of Sixties – 1961 – 1970 #
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The song in this post is from the movie ‘Apna Khoon Apna Dushman-1969’.
I do not remember to have heard the title of this movie or its songs in the past. Of late, I have been coming across many movies from the sixties where I am not aware either of the movie or it’s’ songs or both.
“Apna Khoon Apna Dushman-1969” was directed by Kamran for ‘Rainbow Films, Bombay’.
It was a ‘social genre’ movie as mentioned in HFGK Vol-IV (1961-1970). This movie was passed by Censor Board on 07.10.1969.
The cast of this movie included Dara Singh, Sanjana, Kamran, Tiwari, Maruti, Meenakshi, Mumtaz Begam, Habib, Anjum, Dilip Dutt, Tun Tun, Fazal Khan, Khurshid Khan, and Shyam Kumar and others.
Dialogues for this movie were written by Farooque Qaisar who also wrote the lyrics for the songs of this movie.
Music for this movie was composed by Lala-Sattar.
This movie has four songs as per details given below.
SNo | Song Title | Singer/s | Posted On |
---|---|---|---|
01 | Tumhaari chaand si soorat pe hamko | Asha Bhonsle, Mohd Rafi | 19.11.2011 |
02 | Na aaya hamen pyaar karnaa na aaya | Asha Bhonsle | |
03 | Dilrubaa na sataa aa bhi jaa | Asha Bhonsle | |
04 | Chhappan chhuri hai mera naam | Asha Bhonsle, Usha Timothi |
This movie ‘Apna Khoon Apna Dushman-1969’ had made its debut on the blog on 19.11.2011. So far, that song remains the only song from this movie to be covered on the blog.
Today, let us listen to the second song from this movie. This song is a female duet song sung by Asha Bhonsle and Usha Timothi.
From the video of this song available on internet it is clear that this song is the last song to appear in the movie before the climax of the movie. I have not watched this movie but it seems to be a regular movie with ‘good vs. evil’ theme where the ‘good’ prevails in the end and the evil is defeated.
In the picturisation of the song almost the whole cast of this movie can be seen present. I am unable to identify the actresses performing on this song.
I would request knowledgeable readers to help identify these actresses.
As mentioned above today’s song is sung by Asha Bhonsle and Usha Timothi. Lyrics are by Farooque Qaisar and music is composed by Lala-Sattar.
Let us now enjoy the song …
Audio
Video
Song-Chhapan chhuri hai mera naam (Apna Khoon Apna Dushman)(1969) Singers-Asha Bhonsle, Usha Timothi, Lyrics- Farooque Qaisar, Music- Lala-Sattar
Lyrics
chhappan chhuri
hai mera naam
ho duniyaa mohe
kare hai salaam
salaam
mohe kare hai salaam
salaam
o baabu oo
kare hai salaam
salaam
mohe kare hai salaam
chhappan chhuri
hai mera naam
kaise ae
keh doon
laagi ankhiyaan
tose sainyya
kaise ae
keh doon
laagi ankhiyaan
tose sainyya aa
le chal
mohe
apne ghar tu
thhaame bainyyaa
dil tadpaa ke
aankh bachaa ke ae
dil tadpaa ke
aankh bachaa ke ae
karoon jeenaa
main teraa haraa aam
ho o chhappan chhuri
hai mera naam
ho duniyaa mohe
kare hai salaam
salaam
mohe kare hai salaam
salaam
o baabu oo
kare hai salaam
salaam
mohe kare hain salaam
chhappan chhuri
hai mera naam
zulmi ee
duniyaa
kyun phirtee hai
peechhe peechhe
zulmi ee
duniyaa
kyun phirtee hai
pichhe pichhe ae
apni dhun mein
main khoyee hoon
ankhiyaan meechey
naa dhan maangoon
naa dil maangoo oon
naa dhan maangoon
naa dil maangu oon
pyaar ki ik nazar
meraa raam
ho o o
chhappan chhuri
hai mera naam
ho duniyaa mohe
kare hai salaam
salaam
mohe
kare hai salaam
chhappan chhuri
hai mera naam
ho duniyaa mohe
kare hai salaam
salaam
mohe
kare hain salaam
salaam
ho baabu
salaam
kare hai salaam
chhappan chhuri
hai mera naam
Naacho Naacho
Posted April 3, 2023
on:This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5372 | Post No. : | 17620 | Movie Count : |
4736 |
13th March 2023 proved to be a very special day for the Indian diaspora all over the world. It was the iconic Academy Awards aka Oscars night and all eyes were glued onto the stage awaiting the results. Indian film industry saw three nominations from it’s side and its winning two that night was something we will always remember.The Oscars are considered to be the top awards in the world by many. In my opinion, It is primarily an American Award primarily about American films and aimed at the American audience. In fact, most of the jury is also indeed American. Since, some time, it is however seen as aiming to be more ‘inclusive’ with one seeing awards beyond the usual suspects. We are seeing winners from around the world and artists of all kinds of backgrounds. Usually there are many entries sent from around the world for various categories and obviously it is not possible for all to make it to the final selections or winners. But whoever, reaches there is definitely something special.
Before talking about it further, let me talk about the awards themselves for a historical background. The Academy of Motion Picture Arts and Sciences (AMPAS; also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academy’s corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches.
As of April 2020, the organization was estimated to consist of around 9,921 motion picture professionals. The Academy is an international organization and membership is open to qualified filmmakers around the world.
The Academy is known around the world for its annual Academy Awards now officially and popularly known as “The Oscars”. The Academy had been formed on May 11, 1927 and it’s purpose in its own words is, “To recognize and uphold excellence in the motion picture arts and sciences, inspire imagination, and connect the world through the medium of motion pictures”. It is headquartered in Beverley Hills, California.
The notion of the Academy of Motion Picture Arts and Sciences (AMPAS) began with Louis B. Mayer, head of Metro-Goldwyn-Mayer (MGM). He said he wanted to create an organization that would mediate labor disputes without unions and improve the film industry’s image. He met with actor Conrad Nagel, director Fred Niblo, and the head of the Association of Motion Picture Producers, Fred Beetson to discuss these matters. The idea of this elite club having an annual banquet was discussed, but no mention of awards at that time. They also established that membership into the organization would only be open to people involved in one of the five branches of the industry: actors, directors, writers, technicians, and producers.
After their brief meeting, Mayer gathered up a group of thirty-six people involved in the film industry and invited them to a formal banquet at the Ambassador Hotel in Los Angeles on January 11, 1927. That evening Mayer presented to those guests what he called the International Academy of Motion Picture Arts and Sciences. Everyone in the room that evening became a founder of the Academy.Between that evening and when the official Articles of Incorporation for the organization were filed on May 4, 1927, the “International” was dropped from the name, becoming the “Academy of Motion Picture Arts and Sciences”.
Several organizational meetings were held prior to the first official meeting held on May 6, 1927. Their first organizational meeting was held on May 11 at the Biltmore Hotel. At that meeting Douglas Fairbanks, Sr. was elected as the first president of the Academy, while Fred Niblo was the first vice-president, and their first roster, composed of 230 members, was printed.That night, the Academy also bestowed its first honorary membership, to Thomas Edison. Initially, the Academy was broken down into five main groups, or branches, although this number of branches has grown over the years. The original five were: Producers, Actors, Directors, Writers and Technicians .
The initial concerns of the group had to do with labor.” However, as time went on, the organization moved “further away from involvement in labor-management arbitrations and negotiations.” One of several committees formed in those initial days was for “Awards of Merit,” but it was not until May 1928 that the committee began to have serious discussions about the structure of the awards and the presentation ceremony. By July 1928, the board of directors had approved a list of 12 awards to be presented. During July the voting system for the Awards was established, and the nomination and selection process began.This “award of merit for distinctive achievement” is what we know now as the Academy Awards.
The initial location of the organization was 6912 Hollywood Boulevard. In November 1927, the Academy moved to the Roosevelt Hotel at 7010 Hollywood Boulevard, which was also the month the Academy’s library began compiling a complete collection of books and periodicals dealing with the industry from around the world. In May 1928, the Academy authorized the construction of a state of the art screening room, to be located in the Club lounge of the hotel. The screening room was not completed until April 1929.
With the publication of Academy Reports (No. 1): Incandescent Illumination in July 1928, the Academy began a long history of publishing books to assist its members. Research Council of the Academy of Motion Picture Arts and Sciences trained Signal Corps officers, during World War II, who later won two Oscars, for Seeds of Destiny and Toward Independence.
In 1929, Academy members, in a joint venture with the University of Southern California, created America’s first film school to further the art and science of moving pictures. The school’s founding faculty included Fairbanks (President of the Academy), D. W. Griffith, William C. deMille, Ernst Lubitsch, Irving Thalberg, and Darryl F. Zanuck.
1930 saw another move, to 7046 Hollywood Boulevard, in order to accommodate the enlarging staff, and by December of that year the library was acknowledged as “having one of the most complete collections of information on the motion picture industry anywhere in existence.” They remained at that location until 1935 when further growth caused them to move once again. This time, the administrative offices moved to one location, to the Taft Building at the corner of Hollywood and Vine, while the library moved to 1455 North Gordon Street.
In 1934, the Academy began publication of the Screen Achievement Records Bulletin, which today is known as the Motion Picture Credits Database. This is a list of film credits up for an Academy Award, as well as other films released in Los Angeles County, using research materials from the Academy’s Margaret Herrick Library. Another publication of the 1930s was the first annual Academy Players Directory in 1937. The Directory was published by the Academy until 2006 when it was sold to a private concern. The Academy had been involved in the technical aspects of film making since its founding in 1927, and by 1938, the Science and Technology Council consisted of 36 technical committees addressing technical issues related to sound recording and reproduction, projection, lighting, film preservation, and cinematography.
The Academy Award statuette’s nickname, “Oscar,” has three possible sources. Actress Bette Davis claimed that the name derived from her observation that the backside of the statuette looked like that of her husband Harmon Oscar Nelson. Columnist Sidney Skolsky maintained that he gave the award its nickname. The name has also been attributed to academy librarian Margaret Herrick, who declared that the statuette looked like her Uncle Oscar.
Oscar Awards have evolved with passage of time. With time, the number of categories has gone up to quite an extent and even new segments have been added. At the same time, many categories that were earlier a part of Oscars have now been removed. In short, there have many inclusions and exclusions in Oscar categories, according to changing times. Presently, the Academy Awards ceremony has 24 categories, in which winners are announced. Apart from that, yet another set of award, known as the Students Academy Awards, is also presented by the Academy of Motion Pictures Arts and Sciences, separately.
Several Indian individuals and films have received or been nominated for the Academy Awards in different categories. As of 2023, 20 Indians have been nominated and 10 have won Oscars including in the scientific and technical category.
At the 30th Academy Awards, Mehboob Khan’s 1957 Hindi-language film Mother India was India’s first submission for the Academy Award for Best International Feature Film category. It was nominated alongside four other films and lost to the Italian film Nights of Cabiria (1957) by one vote. In 1982, The National Film Development Corporation of India was instrumental in co-producing Richard Attenborough’s biographical film Gandhi. At the 55th Academy Awards, Bhanu Athaiya became the first Indian to win an Academy Award for designing the costumes. Ravi Shankar was nominated for Best Original Score for the same film. As of 2023, three Indian films have been nominated for Best International Feature—Mother India, Salaam Bombay! (1988) and Lagaan (2001).
In 1992, legendary Bengali filmmaker Satyajit Ray was bestowed with an Honorary Academy Award, becoming the only Indian to date to receive the honour. Resul Pookutty and A. R. Rahman won the Academy Award for Best Sound Mixing and Best Original Score, respectively, for the 2008 British film Slumdog Millionaire. Rahman also won for Best Original Song alongside lyricist Gulzar for the song “Jai Ho”, becoming the first Indian to date to have won more than one Academy Award. Rahman also holds the record for most nominations for an Indian with five total nominations to date, followed by Ismail Merchant with four nominations (three for Best Picture and once for Live Action Short).
Several Indians and Indian Americans have received the Oscars in the technical category like Rahul Thakkar, Cottalango Leon and Vikas Sathaye.
This year (2023) we had three Indian nominations. Shaunak Sen and Aman Mann’s “All That Breathes’ had been nominated for the best Documentary feature but unfortunately failed to win the Oscars though it has won several other noted awards. The film follows siblings Mohammad Saud and Nadeem Shehzad, who rescue and treat injured birds in India.
The second nomination was for Kartiki Gonsalves and Guneet Monga’s ‘The Elephant Whisperers’ which won the Oscars for Best Documentary (Short Feature) category. The Elephant Whisperers is a 2022 Tamil-language Indian short documentary film directed by documentary filmmaker Kartiki Gonsalves in her directorial debut. The documentary is about the bond that develops between a couple and an orphaned baby elephant, Raghu, who was entrusted to their care. The Elephant Whisperers tells the story of an indigenous couple named Bomman and Bellie who are entrusted with an orphaned baby Indian elephant named Raghu. They take great pains to ensure that the fragile, injured infant survives and grows to be a healthy juvenile. A strong bond develops between the couple and the elephant. They adopt another elephant Ammukutty and eventually have to give up Raghu. Set in the Mudumalai National Park in the border of Karnataka and Tamil Nadu states of India, the documentary also highlights the natural beauty of the location. It explores the life of the tribal people in harmony with nature.
The film is not just a heart-touching story of a bond between animal and human and co-existence, but also showcases Indian culture and tradition of environment conservation. Kartiki Gonsalves spent five years following human-elephant blended family belonging to Kattunayakan tribe to make this documentary. The beautiful film is available on Netflix for those interested. The win will prove to be a great inspiration for Indian women film makers.
The third nomination which won is “Naatu Naatu” from the film RRR for Best Original Score. It was great to see the composer M M Keeravani and lyricist Chandrabose receive the award. They received it with so much dignity and it was so nice to see Keeravani sing a loved Carpenters song during his speech while accepting the award. There is a lot to say about M M Keeravani (aka M M Kreem to Hindi film audiences) and I am already planning a post with his song ‘Khoobsurat Hai Woh Kitna’ from the movie Rog (2005) which was recently introduced by Sadanand ji. I will talk about his work in that article and today we will focus on RRR and “Naatu Naatu” instead today.
“Naatu Naatu” (transl. Native, Local, Wild) is an Indian Telugu-language song composed by M. M. Keeravani, with lyrics by Chandrabose and recorded by Rahul Sipligunj and Kaala Bhairava for the soundtrack album of the 2022 Indian film RRR. It was released on 10 November 2021 (released on YouTube as a lyrical video song) as the second single from the album, through Lahari Music and T-Series. The full video song, featuring visuals directly from the film, was released on 11 April 2022 on YouTube.
The song was also released in Hindi as “Naacho Naacho”, in Tamil as “Naattu Koothu”, in Kannada as “Halli Naatu” and in Malayalam as “Karinthol”. The hook step dance involving N. T. Rama Rao Jr. and Ram Charan – the lead actors of RRR – became popular. “Naatu Naatu” became the first song from an Indian film to win the Academy Award for Best Original Song and the Golden Globe Award for Best Original Song, as well as the first song from an Asian film to win the former.
Today’s post will of course feature the Hindi version “Naacho Naacho”.
Before we talk about the song, It would be appropriate to talk a bit about the movie first. RRR is a 2022 Indian Telugu-language epic action drama film directed by S. S. Rajamouli, who co-wrote the film with V. Vijayendra Prasad. It was produced by D. V. V. Danayya of DVV Entertainment. The film stars N. T. Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt, Shriya Saran, Samuthirakani, Ray Stevenson, Alison Doody, and Olivia Morris. It centers around fictional versions of two Indian revolutionaries, Alluri Sitarama Raju (Charan) and Komaram Bheem (Rama Rao), their friendship, and their fight against the British Raj.
Rajamouli came across stories about the lives of Rama Raju and Bheem and connected the coincidences between them, imagining what would have happened had they met, and been friends. The film was announced in March 2018. Principal photography of the film began in November 2018 in Hyderabad and continued until August 2021, owing to delays caused by the COVID-19 pandemic. It was filmed extensively across India, with a few sequences filmed in Ukraine and Bulgaria. The film’s soundtrack and background score were composed by M. M. Keeravani, with cinematography by K. K. Senthil Kumar and editing by A. Sreekar Prasad. Sabu Cyril is the film’s production designer whilst V. Srinivas Mohan supervised the visual effects.
Made on a budget of ₹550 crore (US$72 million), RRR is the most expensive Indian film to date. The film was initially scheduled for theatrical release on 30 July 2020, which was postponed multiple times due to production delays and the COVID pandemic. RRR was released theatrically on 25 March 2022 in the original Telugu as well as Hindi, Tamil, Kannada and Malayalam. With ₹240 crore (US$30 million) worldwide on its first day, RRR recorded the highest opening-day earned by an Indian film. It emerged as the highest-grossing film in its home market of Andhra Pradesh and Telangana, grossing over ₹415 crore (US$52 million). The film grossed ₹1,200 crore (US$150 million) – ₹1,258 crore (US$160 million) worldwide, setting several box office records for an Indian film, including the third highest-grossing Indian film and second highest-grossing Telugu film worldwide.
RRR received international praise for Rajamouli’s direction, writing, performances (particularly Rama Rao and Charan), soundtrack, action sequences, cinematography and visual effects. The film was considered one of the ten best films of the year by the National Board of Review, making it only the second non-English language film ever to make it to the list. In addition to the awards already mentioned, RRR also won the Best Foreign Language Film and the Best Song award at the 28th Critics’ Choice Awards.
The plot of the movie is as follows:-
In 1920, during the British Raj, Governor Scott Buxton and his wife Catherine visit a forest in Adilabad and there abduct Malli, a young girl with a talent for artistry, from the Gond tribe. Enraged by this, the tribe’s guardian Komaram Bheem embarks for Delhi to rescue her, disguising himself as a Muslim man named Akhtar. Elsewhere, the Nizamate of Hyderabad, sympathetic to the Raj, warns Scott’s office of the impending danger. Undeterred, Catherine enlists A. Rama Raju, an ambitious officer in the Indian Imperial Police, to quell the threat. Seeking clues to Malli’s whereabouts, Raju and his uncle, Venkateswarulu, attend several pro-independence gatherings where he feigns to support independence.
Months later, Lachhu, Bheem’s gullible aide, is taken in by Raju’s ruse and attempts to recruit him into Bheem’s plot, but then discovers his true identity and flees. A short while later, Bheem and Raju encounter one other, unaware of their opposing allegiances. In the course of working in concert to save a boy from a train wreck, they form a friendship and over time grow close. Raju then assists Bheem in courting Jenny, Scott’s niece, unaware that Bheem plans to infiltrate Scott’s residence. When Jenny takes Bheem to her residence, Bheem locates the room where Malli is being held captive; he meets Malli and promises he will free her. Meanwhile, Raju deduces Lachhu’s true identity and apprehends him. While being interrogated, Lachhu goads a banded krait into attacking Raju, then warns him of his imminent fate and that the antidote is only known to the Gonds.
Dazed, Raju approaches Bheem, who immediately tends to him. Noticing similar religious features between Lachhu and Bheem, Raju deduces his true intentions. Nevertheless, Bheem divulges his tribal identity and his mission, still unaware of Raju’s true identity. At an event held in Scott’s honor, Bheem’s men barge into his residence with a lorry filled with wild animals, which creates havoc among the assembled guests. The animals maul Scott’s guards, allowing Bheem to briefly fight; however, Raju arrives and tells him Scott intends to kill Malli; he surrenders out of obligation. In the aftermath of the incident, Raju is promoted for thwarting Bheem, yet he is absorbed with guilt over his own actions, recalling his own pro-nationalistic background and his actual alter-ego as a mole within the police; he was seeking a promotion in order to gain access to shipments of guns to smuggle to his village.
At Bheem’s public flogging, Raju attempts to persuade him to recant his actions; Bheem chooses to be flogged instead. Bheem sings in defiance of his injuries, which incites the assembled crowd into rebellion. The riot further enlightens Raju, who finally realizes the recklessness of his actions. Determined to save his friend, he persuades Scott to execute Bheem in secret while preparing an ambush to rescue him. Scott figures out this scheme. While managing to rescue Malli from Scott’s men, Raju is grievously injured. Bheem, who had also managed to free himself, mistakenly interprets Raju’s actions as an attempt to kill Malli; he bludgeons him and escapes with her. Months later, Bheem, who is hiding out with his group and Malli in Hathras, is cornered by the colonial authorities. He narrowly avoids being exposed when Sita, Raju’s fiancée, repels them by claiming a smallpox epidemic as a pretext.
Unaware of Bheem’s identity, she reveals Raju’s actual, anti-colonial objectives and of his impending execution. Crestfallen upon realizing his own folly, Bheem vows to save him. With the assistance of a sympathetic Jenny, Bheem infiltrates the barracks where Raju is detained and frees him, defeating the many soldiers he aroused in the process. The pair retreat to a nearby forest, where they decimate more soldiers with the use of a longbow taken from a Rama shrine. Taking the fight to Scott, they hurl a flaming motorcycle into the barracks’ magazines, setting it afire. The subsequent explosion kills many within Scott’s company, including Catherine. Having finally cornered a wounded Scott, Raju has Bheem execute him with a British rifle, fulfilling their respective objectives. They steal a cache of Scott’s weaponry and reunite with Sita and Jenny.
To mark the completion of their missions, Raju asks Bheem to make a wish he can grant; Bheem asks Raju to provide education for him and his community.
So this was about the film’s story. Now we come to the song itself. The entire process of producing the song took over 19 months. Keeravani composed 10 to 20 different tunes based on that particular point in the script. Later, the team finalized this particular tune based on a voting process from their inner circle. The Telugu word naatu variously translates to ‘native’, ‘local’, ‘countryside’, ‘raw and rustic’, ‘ethnic’. Chandrabose wrote the lyrics based on his childhood memories. According to Chandrabose, he wrote 90% of the song in half a day but it took 1.7 years to write the remaining 10%. The word ‘naatu’ would be similar to word ‘Desi’ and it is not a surprise that the song is introduced as ‘Desi Naach’ in the Hindi film introduction.
The composer Keeravani likened the sound to the traditional beats of folk songs in Indian villages. Keeravani used duffs, an Indian skin drum for the instrumentation and added in mandolins for the melody. The song features a beat popular in South Indian music and “distinctive” to the dappankuthu genre of popular music.
RRR director Rajamouli conceived “Naatu Naatu” as a kind of fight sequence in which the Indian duo outdance their British counterparts. He also used the song as a foreshadowing for the climax sequence. “I think the biggest achievement for me was incorporating how the song comes into the film, without breaking the narrative,” he noted. Rajamouli described the sequence as “the story behind the story” and is like a short film of its own with different sub-plots.
Prem Rakshith choreographed the dance sequences. Rajamouli wanted steps “that would look great with two people doing it together, but not so complicated that no-one could do it.” Rakshith choreographed 110 moves for the hook step.
“Naatu Naatu” was shot in August 2021 in Ukraine as a part of the final leg of shooting of RRR. Filming took place at the Mariinskyi Palace, the official residence of the president of Ukraine in Kyiv, a few months before the onset of the Russian invasion of Ukraine. The song picturization took 15 days. The music video featured about 50 dancers and 300 to 400 extras.
The music video is a direct clip from a scene in RRR, which features Ram (Ram Charan) and Bheem (Rama Rao) singing the lyrics and out-dancing the rich British men at a fancy British party, encouraged by Bheem’s love interest Jenny (Olivia Morris). By the song’s climax, Ram and Bheem ignite a dance battle between themselves and the British men, who each fall down one by one as they fail to keep up; and despite being cheered for, Ram pretends to injure his leg and falls over to allow Bheem to win the battle and impress Jenny.
Within 24 hours of its release, the song crossed over 17 million views in Telugu (becoming the most-viewed Telugu song), and 35 million views in all five languages on YouTube. It also became the fastest Telugu song to cross 1 million likes. In February 2022, the song crossed over 200 million views in all languages.
The song received positive reception from audiences, praising the music. The hook step, performed by Jr NTR and Ram Charan, went viral on social media. Charan and Rama Rao often recreated the viral portion of the dance in the film’s promotions, as did director Rajamouli at the film’s success party with encouragement from Rama Rao.
In an article, Brenda Haas of Deutsche Welle referred to the song as a “global sensation”. She further opined and wrote that, “the song’s international popularity also underscores the fact that language is no barrier to enjoying music across borders”.
At Edison, New Jersey in 2023, numerous Tesla cars were assembled to have a show of light & sound, set to the music of this song.
We of course had a live performance at the Oscars by the singers of Naatu Naatu, Rahul Sipligunj and Kaala Bhairava (who is also Keeravani’s son) with lots of dancers which was introduced by Deepika Padukone.
The combination of good music, lyrics, dance steps along with a back story featuring anti-coloniolism theme definitely struck a chord with the audience worldwide which explains the song’s huge popularity and the many awards it has been getting. In addition to the music and lyrics, As a youtube commenter observed The choreography, co-ordination of the actors’ moves, energy output and positive vibes from the actors is just outstanding. Another has observed This song belongs not only to India but to the world. The Hindi version Naacho Naacho has successfully conveyed the same emotions. Here Vishal Mishra replaces Kaala Bhairava in the singing department and the lyricist is Riya Mukherjee.
Here is the video of the song for your viewing pleasure, definitely a song to be seen and heard. Hats off to the team who created it.
Detailed credit courtesy Youtube Video
Music Director: M. M. Kreem
Lyricist: Riya Mukherjee
Singers: Vishal Mishra, Rahul Sipligunj
Choreography by: Prem Rakshith
Programmed by: G. Jeevan Babu, Siddharth S
Mixed and Mastered by: G. Jeevan Babu
Recorded at JB Studios.
Song-Naacho naacho (RRR)(2022) Singers-Vishal Mishra, Rahul Sipligunj, Lyrics-Riya Mukherjee, MD-MM Kreem
Lyrics(minus the dialogues by Riya Mukherjee)
Bail Jaise Dhool Uda Ke, Seeng Utha Ke Tum Bhi Naacho
Baaje Jam Ke Taal-Dhol, Beta Raju, Ud Ke Naacho
Teeron Se Bhi Tez Koi Kar Sake Jo Bhed Naacho
Astabal Mein Ghode Jaise Baag-Dor Chhod Naacho
Mitti Jota, Rot Mota, Mircha Khaa Ke Aise Naacho
Haan, Aaja, Chhore
Haan, Aaja, Gore
Haan, Aaja, Chhore
Naacho, Naacho-Naacho, Naacho-Naacho, Naacho, Veere, Naacho
Naacho, Naacho-Naacho, Naacho-Naacho, Naacho, Yaara, Naacho
Naacho, Naacho-Naacho, Kachchi Keri Jaisa Khatta Naacho
Naacho, Naacho-Naacho, Bichchu Kaata Laage Aisa Naacho
Goonje Dhol Aise Dekho Dhan-Dhana Ke Rogi Naache
Shor Sun Lo Hai Dhamaka, Jaise Sher-Haathi Naache
Dekho, Dil Ka Ye Mela, Yaara, Apne Saath Naacho
Ediyon Ke Joron Pe Dhoom-Dhadaak Desi Naacho
Who Paseena Maathe Ka Chamke-Damke Aise Naacho
Haan, Aaja, Chhore
Haan, Aaja, Gore
Haan, Aaja, Chhore
Naacho, Naacho-Naacho, Naacho-Naacho, Naacho, Veere, Naacho
Naacho, Naacho-Naacho, Naacho-Naacho, Naacho, Yaara, Naacho
Naacho, Naacho-Naacho, Aa Dobaara Raag Chheda, Naacho
Naacho, Naacho-Naacho, Usne Chakha Laage Teekha, Naacho
Jhoome Gaon, Hai Rela, Ooncha Paon Yun Patka
Hai ye Desi Ek Mela, Kaisa Raha Yakayaki
Naacho, Naacho, Naacho, Aa-Ha, Naacho
Are, Dhoom-Dhoom Thirke Jaa, Paaon Mein Jaan Jaga
Dhumuk-Dhumuk Naache Ja, Duniya Hila De Saari
Naacho, Naacho, Naacho
Dhink-Chaka
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
Haan, Wahi
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
(Naacho, Naacho, Naacho)
———————————
Devnagari script Lyrics (Provided by Gajendra Khanna) (minus the dialogues by Riya Mukherjee)
——————————–
बैल जैसे धूल उड़ा के, सींग उठा के तुम भी नाचो
बाजे जम के ताल-ढोल, बेटा राजू, उड़ के नाचो
तीरों से भी तेज़ कोई कर सके जो भेद नाचो
अस्तबल में घोड़े जैसे बाग-डोर छोड़ नाचो
मिट्टी जोता, रोट मोटा, मिर्चा खाके ऐसे नाचो
हाँ, आजा, छोरे
हाँ, आजा, गोरे
हाँ, आजा, छोरे
नाचो, नाचो-नाचो, नाचो-नाचो, नाचो, वीरे, नाचो
नाचो, नाचो-नाचो, नाचो-नाचो, नाचो, यारा, नाचो
नाचो, नाचो-नाचो, कच्ची केरी जैसा खट्टा नाचो
नाचो, नाचो-नाचो, बिच्छू काटा लागे ऐसा नाचो
गूँजे ढोल ऐसे देखो धन-धना के रोगी नाचे
शोर सुन लो है धमाका, जैसे शेर-हाथी नाचे
देखो, दिल का ये मेला, यारा, अपने साथ नाचो
एड़ियों के ज़ोरों पे धूम-धड़ाक देसी नाचो
वो पसीना माथे का चमके-दमके ऐसे नाचो
हाँ, आजा, छोरे
हाँ, आजा, गोरे
हाँ, आजा, छोरे
नाचो, नाचो-नाचो, नाचो-नाचो, नाचो, वीरे, नाचो
नाचो, नाचो-नाचो, नाचो-नाचो, नाचो, यारा, नाचो
नाचो, नाचो-नाचो, आ दोबारा राग छेड़ा, नाचो
नाचो, नाचो-नाचो, उसने चखा लागे तीखा, नाचो
झूमे गाँव, है रेला, ऊँचा पाँव यूँ पटका
है ये देसी एक मेला, कैसा रहा यकायकी
नाचो, नाचो, नाचो, आ-हा, नाचो
अरे, धूम-धूम थिरके जा, पाँव में जान जगा
धुमुक-धुमुक नाचे जा, दुनिया हिला दे सारी
नाचो, नाचो, नाचो
ढिंक-चका
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
हाँ, वही
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
(नाचो, नाचो, नाचो)
Uyi Allah re do naina matwaale
Posted January 23, 2023
on:- In: "Aankh" song | Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog Ten Year Challenge (2013-2023) | Duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1967 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5302 | Post No. : | 17373 |
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Blog 10-Year Challenge (2013-2023) – Song No. 9
————————————————————————————–
On this date ten years back viz on 23 January 2013, six songs from six movies were covered in the blog. Here are the details:-
Blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
7389 | Main hoon Alladin mere paas chiraag e cheen | Sargam (1950) | Movie YIPPEED in the blog by now |
7390 | Patey ki baat kahega kahega jab bhi deewaana | Deewaana(1967) | Movie YIPPEED by now |
7391 | Baithe baithe dil e naadaan ye khayaal aaya hai | Maikhaana (1967) | 3 songs covered out of 7 by now |
7392 | Haan jee haan maine sharaab pi hai | Seeta Aur Geeta (1972) | Movie YIPPEED by now |
7393 | Saanjh dhaley gagan taley | Utsav(1984) | 2 songs covered by now out of 4 |
7394 | Mujhe yaad aati hai | Bose- The forgotten hero(2004) | 4 songs covered out of 7 by now |
We observe that three movies (out of six movies) whose songs were represented in the blog on this date ten years ago (viz on 23 January 2013) have since been YIPPEED in the blog. That leaves us with three unYIPPEED movies that are eligible for Blog Ten Year Challenge today(23 January 2023).
Chronologically the oldest of the three unYIPPEED movies is “Maikhaana”(1967).
“Maikhaana”(1967) was produced and directed by Kidar Sharma for Show People, Bombay. The movie had Bambi, Zeb Rehman, Sailesh Kumar, Madhuraj, R.Sheila, Johnny Whiskey etc in it.
The movie had seven songs in it. Three songs have been covered so far.
Here is the fourth song from “Maikhaana”(1967) to appear in the blog. The song is sung by Asha Bhonsle and Usha Mangeshkar. Kidar Sharma is the lyricist. Music is composed by Bhushan.
Only audio of the song is avilable. One can guess that it is picturised as a synchronised dance songs on two female dancers. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Prakashchandra.
audio link:
Song-Uyi Allah re do naina matwaale (Maikhaana)(1967) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Kidar Sharma, MD-Bhushan
Both
Lyrics (Provided by Prakashchandra)
uyyee allaahaa rey aey ae ae ae
allaahaa rey aey ae
allaahaa rey aey ae ae
allaahaa rey aey ae
do naainaa matwaaley
matwaaley
allaahaa rey aey ae
allaahaa rey aey ae ae
haathon se dil thhaam khadey hain
raahon mein dilwaaley
dilwaaley
allaaha rey aey ae ae
allaaha rey aey ae
allaaha rey aey ae ae
allaaha aa
hamne aey ae bahut dekhein hain aen ae ae
dekhe hain nazaaqath waaley ae ae
qaafir..rr bahut bantey hain aen ae ae
bante hain ye bholey bhaale ae
nain sharaabee chhalkey ke chhlke
jaisey mad ke pyaaley
allaaha rey aey ae ae
allaahaa rey aey ae
allaaha rey aey ae ae
allaahaa
sadqey ae aey ae ae ae
but-e- qaafir ye ae ae
qaafir haaye banaa dete hain aen
taubaa aaa
taubaa taubaa taubaa taubaa taubaa
taubaa aaa aaa ye dil nazron se ae
nazron se churaa lete hain aen
rehbhar apno
deen ke hain ye
aafat ke parkaaley
allaaha rey aey ae
allaahaa rey aey ae
allaaha rey aey ae
allaahaa
uff rey aey ae ae ae ae
ye goraa mukhdaa aa aaa
mukhdaa ye umariyaa baali ee ee
haayye haayye aey ae ae
kamar lachkey hai ae ae
lachkey phoolon ki daalee
saawan kee makhmoor ghataayein
ghesoo kaaley kaaley ae
allaaha rey aey ae
allaaha rey aey ae
allaaha rey aey ae
allaaha rey aey ae
do naina matwaaley
matwaaley
allaaha rey aey ae
allaaha rey aey ae
allaaha rey aey ae
allaaha
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Dance song | Duet | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1971 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5277 | Post No. : | 17289 |
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Blog 10-Year Challenge (2012-2022) – Song No. 138
————————————————————————————–
This month ‘December’ was a special month for the blog ten years back i.e., in 2012.
The blog tally hit a double hundred exactly and clocked 200 posts in ‘December 2022’. This was the ‘sixth’ double hundred for the blog after July-August-September’2011, and August & Sepetember’2012 where the blog scored over two hundred posts in single month.
The overall average per day for this month was well above six songs per day. But when we look for today’s day i.e.,29th December’ ten years back in 2012 the blog saw twelve songs posted in a single day !
Regulars on the blog now-a-days or those associated with the blog in recent years would not believe this 😊 but, that is the fact.
Following is the list of songs posted on 29.12.2012 in ascending order (i.e., the last song of the day appears at the bottom of this list below)
Song | Movie title(Year) | Remarks |
---|---|---|
Chinchpokli chinchpokli | Shabistaan(1951) | All songs covered by now |
Meethhi meethhi yaad teri dil tadpaa gayee | Great Show of India(1958) | 01 song posted only |
Aji tum aur ham hon saath saath | Marine Drive(1955 ) | All songs covered |
Ho ruk jaa ruk jaa ruk jaa laut kea aana hoga | Changez Khan(1957) | All songs covered |
Kaho meri Sarkar tabeeyat kaisi hai | Trunk Call(1960) | 01 song posted only |
Hatt jaao deewaane aaye | Singapore(1960) | All songs covered |
Badhaayee ho badhaayee janam din ki tumko | Mera Munna(1967) | 01 song posted only |
Tumhaare dil ko ulfat ka nishaana karke chhodenge | Johar Mehmood In Hong Kong(1971) | 4 of 6 songs posted |
Ham unko dekhte hain | Benazir(1964) | All songs covered by now |
Ram kare babua hamaar phulwaa ko | Anuraag(1972) | All songs covered by now |
Kis ki sadaayen mujhko bulaayen | Red Rose(1980 ) | All songs covered by now |
Shakti de maa | Ashaanti(1982) | 3 of 5 songs posted |
From the above table we can see that out of the twelve movies represented on the blog on 29.12.2012, seven movies have already been ‘Yippeeee’ed on the blog or covered with all their songs on the blog. So today we have five movies viz. ‘Great Show of India-1958’, ‘Trunk Call-1960’, ‘Mera Munna-1967’, ‘Johar Mehmood in Hong Kong-1971’, and ‘Ashanti-1982’.
I am presenting a song from the movie ‘Johar Mehmood in Hon Kong-1971’ today under this ‘blog ten-year challenge’ of today. Lyrics for this song have been sent by Prakash ji.
“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar and was presented by M.O. Bawazir for Mahesh Ashish.
The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appears as Guest Artistes in this movie.
This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.
Music for this movie was composed by Kalyanji-Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.
There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).
Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie.
As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).
So far four songs from this movie have been posted on the blog. Today’s song is the fifth song from this movie to appear on the blog.
Here is the list of songs in this movie :-
SNo | Song Title | Singer/s | Posted On |
---|---|---|---|
01 | Tumhaare dil ko ulfat ka | Laxmi Shankar, Usha Timothy, chorus | 29.12.2012 |
02 | Nathaniyaa haale to badaa mazaa hoye | Shamshad Begam | 23.04.2021 |
03 | Jalti hai duniyaa jalti rahe | Mukesh, Usha Khanna, chorus | 30.06.2012 |
04 | Ham to tere hai deewaane | Mohd Rafi, Manna Dey | |
05 | Laagaa laagaa jhulaniyaa ka dhakka | Asha Bhonsle, Usha Mangeshkar | Being discussed today |
06 | Aayo aayo nav-raatri tyohaar | Mohd Rafi, Mukesh, Chorus | 10.10.2018 |
Let us now enjoy today’s song which is performed on screen by Sonia Sahni and Aruna Irani. We can also see Kamal Kapoor, I.S. Johar, Mehmood, Tun Tun, Tiwari, Pran, Ramayan and others in the picturisation of the song.
Let us now enjoy the today’s entertaining song and ‘push’ this movie a step closer to the ‘Yippeeee-land’. 😊
As mentioned above lyrics for today’s song was sent by Prakashchandra.
Song-Laaga laaga jhulaniya ka dhakka balam Kalkatta pahunch gaye (Johar Mehmood in Hongkong)(1971)Singers – Asha Bhonsle, Usha Mangeshkar Lyrics – Qamar Jalalabadi, MD – Kalyanji-Anandji
Both
Lyrics (Provided by Prakashchandra)
laagaa rey lagaa rey laagaa rey laaga laagaa
hho laagaa laagaa..aaa
laagaa lagaaa jhulaniyaa ka dhakkaa
balam Calcutta pahunch gaye
hoye hoye hoye ae
balam Calcutta pahunch gaye ae
ho paataa kaataa
aisaa kaataa nazariyon se pattaa
balam Calcutta pahunch gaye ae
balam Calcutta pahunch gaye ae
armaan reh gaye ae dil mein dil ke
kuchh bhi na paayaa unn`se mil ke
armaan reh gaye ae dil mein dil ke
kuchh bhi na paayaa unn`se mil ke
woh khilaadi thhe anaadi
woh khilaadi anaadi
na jaane dil ka khel
maine maaraaa….aaa
maine maaraa jo chhakkey pe sattaa
balam Calcutta pahunch gaye
balam Calcutta pahunch gaye
laagaa laagaa jhulaniyaa ka dhakka
balam Calcutta pahunch gaye
balam Calcutta pahunch gaye
usne chaahaa..aaa dey doon dhokhaa
hamne samjhaa..aa ye hai maukaa
usne chaahaa dey doon dhokhaa
hamne samjhaa ye hai maukaa
lagey daaon
ajee aao
lagey daaon ki aao
hamaari hogi jeet
maine kaisaa…aaa
maine kaisaa phiraayaaa hai matkaa
balam Calcutta pahunch gaye ae
balam Calcutta pahunch gaye
laagaa laagaa jhulaniyaa ka dhakkaa
balam Calcutta pahunch gaye ae
balam Calcutta pahunch gaye
hum to unn`se ae badlaa lenge
din mein taare dikhlaa denge
hum to unn`se ae badlaa lenge
din mein taare dikhlaa denge
woh deewaane
woh kyaa jaane
woh deewaane kyaa jaane
hamaare dil ka raaz
maine maaraa
maine maaraa nishaana woh pakkaa
balam Calcutta pahunch gaye..ae
balam Calcutta pahunch gaye
laagaa laagaa jhulaniyaa ka dhakka
balam Calcutta pahunch gaye
balam Calcutta pahunch gaye ae
Pyaari pyaari soorat waale
Posted September 25, 2022
on:- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Dance song | Duet | Guest posts | Mujra song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1974 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5182 | Post No. : | 17159 |
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Blog 10-Year Challenge (2012-2022) – Song No. 99
————————————————————————————–
Ten years back on this day i.e., on 25th September ’2012 the following songs were posted on the blog.
Blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
6712 | Aayi gori Raadhika Brij mein bal khaati | Gopinath(1948) | 4 songs out of 9 posted |
6713 | Lagan morey man ki balam nahin jaane | Baabul (1950) | Movie YIPPEED by now |
6714 | Har phool mein masti hai rangeen hai mausam | Maaya Baazaar(1958) | Movie YIPPEED by now |
6715 | Gusse mein tum aur bhi achchi lagti ho | Chaar Darvesh(1964) | 4 songs out of 7 posted |
6716 | Dulhan se tumhaara milan hoga | Anokhi Raat (1968) | Movie YIPPEED by now |
6717 | Jeevan mein tu darna nahin | Khote Sikkey (1974) | One song out of 3 posted |
6718 | Tere chehre mein wo jaadoo hai | Dharmatma(1975) | Movie YIPPEED by now |
6719 | Mere yaar ko mere Allah de ek chaand sa pyaara lalla | Dacait(1987) | One song out of 5 posted |
We can from the above table that eight songs eight movies were represented on the blog on that day on 25.09.2012.
Out of these eight movies, so far, only four movies have been Yippeeee’ed on the blog. So, we have four movies available for today where we can present a song on the blog.
I am presenting a song from the movie ‘Khote Sikkey-1974’. One song from this movie was posted on the blog on this day ten years back. I think this song was my third lyrics contribution appearing on the blog. My first lyrics contribution was posted on the blog on 13.09.2012.
I was aware of this movie and its song jeewan mein tu darna nahin since my childhood days and when I become associated with this blog I shared this song then.
Few months back, I listened to the other songs from this movie. This movie ‘Khote Sikkey’ has only three songs. When I listened to the remaining two songs, I liked one of them very much and noted it down for my write-up. I was supposed to present it on a special occasion, but I got stuck up with my write-up, and so much so that it took me more than a month to come back to writing and send a post to Atul ji.
Well, I am not presenting that song today, and will present it later the blog with the same ‘thoughts’ I wish to present earlier. 😊
“Khote Sikkey-1974” was directed by Narendra Bedi for ‘Mewar Films, Bombay’.
It had Feroz Khan, Narendra Nath, Danny Dengzongpa, Ranjeet, Sudhir, Paintal, Kunwar Ajit, Ajit, Rehana Sultan, Madhuchhanda, Alka, Rajpal, V. Gopal, Johny Whisky, Bhushan Tiwari, Leela Mishra, Mamaji, Jimmy Sikandar, Rekha Chauhan, Raj Katyal, I. A. Pasha, Mansharam, S. Baghel, Trilok Sharma, Hamid, Harish, Kripa Shankar, Satyanarayan, Tilakraj, Khairati, Chandu, Uma Khosla, Manohar, Bhanumati, Kishan Mehta, Master Shaka, and others.
Satyen Kappu, Kamal Kapoor and Master Alankar made friendly appearances in this movie.
This movie had three songs penned by Majrooh Sultanpuri. Music for this movie was composed by R.D. Burman.
As mentioned above only one song from this movie have been posted on the blog earlier.
SNo | Song-Title | Singer/s | Posted On |
---|---|---|---|
01 | Jeevan mein tu darna nahin | Kishore Kumar, chorus | 25.09.2012 |
Today’s song – the second song from this movie – is sung by Asha Bhonsle and Usha Mangeshkar. Lyrics are by Majrooh Sultanpuri, and music is composed by R.D. Burman.
On screen the today’s song is lip-synced by Rehana and one other actress (whom I am unable to identify) and we can see Sudhir, Ranjeet, Danny, Paintal, Narendra Nath, and others enjoying this ‘mujra’ song, and we can see Feroz Khan (the Client Eastwood in this movie 😊 ) watching them or rather ‘keeping an eye on them all’ from behind the ‘curtains’…
Today 25th September 2022 is also the eighty-third birth anniversary of Feroz Khan (25 September 1939 – 27 April 2009) an actor, producer, and director and one among our many favourites of the seventies …
We pay our tributes to Feroz Khan and thank him for all the lovely memories of his movies he has left for us. Though he has no words or lyrics to perform in the today’s song he is still present there in this song and readers can still watch him in this song and remember this ‘one of his kind of actor’ of Hindi Cinema today.
Let us now enjoy today’s song ..
Song-Pyaari pyaari soorat waale (Khote Sikkey)(1974) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – R D Burman
Both
Lyrics
ho o o o o
pyaari pyaari ee
oye soorat waale
ho pyaari pyaari
ho ho soorat waale
arey haay mere allah
ho o itne saare
haay koyi to hans ke bulaaye
koyi palak maare re ae
haa aa aa aa pyaari pyaari
ho ho sooratwaale
main ye dil kisko doon
kuchh kahaa naa jaaye
haan aa ek anaar sau beemaar
haay re haay re haay
ho o o pyaari pyaari
o o soorat waale
arey haay mere allah
haan aa itne saare
idhar nain jodoon
yaa aa udhar jod doon oon
kise dekhoon jee bhar ke ae
kisey chhod doon
ho o o o
idhar nain jodoon
yaa aa udhar jod doon oon
haan aa aa kise dekhoon jee bhar ke ae
kisey chhod doon
o o jisko dekhoon
usi pe jiyaa lalchaaye
haan aa ek anaar sau beemaar
haay re haay re haay
ho o o
pyaari pyaari
ho ho soorat waale
arey haay mere allah
ho o itne saare
haay koyi to hanske bulaaye
koyi palak maare re ae
ho o o
pyaari pyaari
ho ho soorat waale ae
sabhi pyaar se maangen
nishaani meri ee ee ee
deewaani si thhokar khaaye
jawaani meri
ho o obscurity
sabhi pyaar se maange ae
nishaani meri ee
ho o o deewaani si thhokar khaaye
jawaani meri
ho o
kya karoon kya karoon
ab kahaa na jaaye
ho o o
ek anaar sau beemaar
haay re haay re haay
ho o o pyaari pyaari
ho ho o soorat waale
arey haay mere allah
ho o o itne saare
haay koyi to hanske bulaaye
haa haa haa
a haa haa haa
koyi to hanske bulaaye
koyi palak maare re ae
hoye ae ae
pyaari pyaari
ho ho soorat waale ae
arey haay mere allah
haan aa itne saare ae
Tori Nathni Kaahe Haale Doley Ri
Posted January 18, 2022
on:- In: "Naughty" song | "Nok-Jhonk" song | Chitra Singh Songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lyrics contributed by readers | MD-Singer Song | playful song | Post by Avinash Scrapwala | Question-Answer song | Songs of 1970s (1971 to 1980) | Songs of 1972 | Synchronised dance | Twin Dance Song | Usha Khanna - Chitra Singh Duet | Usha Khanna songs | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4932 | Post No. : | 16775 | Movie Count : |
4566 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 06#
——————————————
Today’s song is from the movie ‘Kaamnaa’ (1972). I had never heard of this movie earlier. I became aware of this movie only through HFGK Vol-V (1971-1980).
The film is directed by K Chatterjee for I.M.K. Films, Bombay. The star cast as listed in Geet Kosh includes Suma, Dinesh Rai, Sajan, Sonal, Darpan, Shambhu Mukherjee, Kailash Sharma, Gopal Bhatnagar, Ranjana, Usha, Sarita Devi, Preetam, Prem Roop, Samajeet, Prakash, Sudhanshu, Anil, Shyam, Manik, Sadanand, Udayveer, Prem, Mirchandani, BK Mukherjee, Sudhir, Satish, Namdev, Awasthi, Krishna, Satyadeep, and others. Anupama had a guest appearance in this movie. This movie was passed by Censor Board on 17.07.1972
This movie has three songs written by Naqsh Lyallpuri and composed to music by Usha Khanna. The list of songs in this movie is as given below (as provided in HFGK).
SNo | Song Title | Singer/s |
01 | Tum Kabhi Saamne Aa Jaao To Poochhoon Tumse | Pankaj Udhas |
02 | Tori Nathani Kaahe Haale Doley Ri | Usha Khanna, Chitra Singh |
03 | Main Aankhen Moond Ke So Jaaun | Chandrani Mukherjee |
I have not watched this movie so can’t say much about it. Today’s song is sung by Usha Khanna and Chitra Singh and picturised on two actresses whom I am unable to identify, and many other artistes are seen in the picturisation of this song.
[Ed Note: The two dancers are Anupama (in orange dress) and Habiba Rehman (in blue dress). Thanks to Prakash ji for the identification.]
Here is the alphabetical list of movies of 1972 up to today’s movie, which is the 61st film in this list.
[Ed Note: In the interest of brevity, the list is collapsed to show the films onward from the previous episode in the series , namely ‘Gaaon Hamaara Shehar Tumhaara’ plus the ones that are without any available information or songs. Readers may refer to previous episodes of this series for earlier details – “Nai Hawa Mein Udne Dekho Ban Ka Mor Chala“.]
Sl. No. |
Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog |
No of Songs as per HFGK |
1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
17 | Bachche Mere Saathi | TN Babu | MS Vishwanathan | 17.11.1972 | 0 | 6 |
24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
46 | Gaaon Hamaaraa Shehar Tumhaaraa | Naresh Kumar | Laxmikant-Pyarelal | 16.10.1972 | 1 | 4 |
47 | Garam Masaalaa | Aspi | R.D. Burman | 06.06.1972 | 2 | 5 |
48 | Gomti Ke Kinaare | Sawan Kumar | R.D. Burman | 22.11.1972 | 5 | 5 |
49 | Goraa Aur Kaalaa | Naresh Kumar | Laxmikant-Pyarelal | 12.12.1972 | 4 | 6 |
50 | Gunfighter Johnny | KSR Das | Aadi Narayan Rao | 25.03.1972 | 0 | 5 |
51 | Haar Jeet | CP Dixit | Laxmikant Pyaarelal | 10.04.1972 | 0 | 5 |
52 | Hari Darshan | Chandrakant | Kalyanji Anandji | 24.08.1972 | 1 | 4 |
53 | Hunterwaali | KS Reddi | Satyam | 02.09.1972 | 1 | 10 |
54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05.06.1972 | 0 | No Information |
55 | Jaanwar Aur Insaan | Chanakya | Kalyanji-Anandji | 30.05.1972 | 2 | 5 |
56 | Jai Jwaalaa | Manoha44r Deepak | Kamalkant | 28.08.1972 | 1 | 6 |
57 | Jawaani Deewaani | Narendra Bedi | R.D. Burman | 24.06.1972 | 6 | 6 |
58 | Jeet | A. Subbarao | Laxmikant-Pyarelal | 19.05.1972 | 6 | 6 |
59 | Joroo Ka Ghulaam | A. Bhim Singh | Kalyanji-Anandji | 07.09.1972 | 5 | 5 |
60 | Jungle Mein Mangal | Rajendra Bhatia | Shankar-Jaikishan | 27.12.1972 |
|
7 |
61 | Kaamnaa | K. Chatterjee | Usha Khanna | 17.07.1972 | Making its debut on the blog today | 3 |
Note: – Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johny’ and ‘Hunterwaali’ seems to be unavailable as of now. And there is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’ and ‘Jaadoo Nagari’ as mentioned above.
Today’s song from the movie ‘Kaamnaa’ is sung by Usha Khanna and Chitra Singh. Music is composed by Usha Khanna. The video and audio versions have common ‘first stanza’ of the song but the second stanza in both the version is different.
As mentioned above I am unable to identify the artistes. I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy the today’s lovely song…
Video
Audio
Song – Tori Nathni Kaahe Haale Doley Ri (Kaamna) (1972) Singers – Usha Khanna, Chitra Singh, Lyrics – Naqsh Layallpuri, MD – Usha Khanna
Usha Khanna + Chitra Singh
Lyrics
(Based on Video Clip)
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
baat jiyaa ki gori
poochh ke chori chori
baat jiyaa ki gori
poochh ke chori chori
laaj ka ghoonghtaa kyun kholey ri
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
boley ye khili khili
gaalon ki kaliyaan
piya ke sang tu manaaye
rang raliyaan
mohe sataa ke tohe
milta hai kyaa ri ee
chhed karogi to main
de doongi gaari
maano maano guiyaa..aa..an
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
daala hai daaka tu ne
mere hi ghar mein ae
phir bhi buri hoon main ri
tori nazar mein
mohe sakhi ri
kaahe deti ho taana
more liye hai tora
bhaiyya deewaana
maano maano guiyaa..aa..an
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
(Different 2nd Stanza in Audio Clip)
kisko bulaaya thha ri
tu ne anganwa
kaisa hai dikhne mein
tora sajanwa
pehle sakhi ri tohe
nanadi banaaungi
paachhe mein sagre
ye batiyaan bataaungi
maano maano guiyaa..aa..an
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
baat jiyaa ki gori
poochh ke chori chori
baat jiyaa ki gori
poochh ke chori chori
laaj ka ghoonghta kyun kholey ri..ee..ee..ee
tori nathani kaahe haale doley ri
tori nathani kaahe haale doley ri
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
(विडियो पर आधारित)
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
बात जिया की गोरी
पूछ के चोरी चोरी
बात जिया की गोरी
पूछ के चोरी चोरी
लाज का घुंघटा क्यों खोले री
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
बोले ये खिली खिली गालों की कलियाँ
पिया के संग तू मनाए रंगरलियाँ
मोहे सता के तोहे मिलता है क्या री
छेड़ करोगी तो मैं दे दूँगी गारी
मानो मानो गुइंया॰॰आं॰॰आं
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
डाला है डाका तू ने मेरे ही घर में
फिर भी बुरी हूँ मैं री तोरी नज़र में
मोहे सखी री काहे देती हो ताना
मोरे लिए है तोरा भैया दीवाना
मानो मानो गुइंया॰॰आं॰॰आं
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
(आडियो में भिन्न दूसरा अंतरा)
किसको बुलाया था री तूने अंगनवा
कैसा है दिखने में तोरा सजनवा
पहले सखी री तोहे ननदी बनाऊँगी
पाछे में सगरे ये बतियाँ बताऊँगी
मानो मानो गुइंया॰॰आं॰॰आं
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
बात जिया की गोरी
पूछ के चोरी चोरी
बात जिया की गोरी
पूछ के चोरी चोरी
लाज का घुंघटा क्यों खोले री
तोरी नथनी काहे हाले डोले री
तोरी नथनी काहे हाले डोले री
Kaisi lagi kaisi lagi
Posted November 5, 2021
on:This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4858 | Post No. : | 16648 |
Today, November 5, 2021 is the 13th Remembrance Day of producer-director, B R Chopra. I admire him for his courage to make films on sensitive and socially relevant issues at a time when most of other producers would have avoided such issues. As far as I know, B R Chopra became the director without working under any one of the well-known directors of his time or even working in any other departments of the film making which is laudable.
Baldev Raj Chopra (22/04/1914 – 05/11/2008) was born in Rahon village in Ludhiana district of Punjab. His father was working in the Public Works Department in Lahore. So, most of his childhood, school and college education were done in Lahore. As a teenager, he was fascinated by films. After the completion of M A in English literature from Punjab University, he took a job as a film journalist for a film magazine, ‘Cine Herald’ which was published from Lahore so that he connects with the film personalities. Over a period of time, he took over the management of the magazine which he managed until 1947.
Just a couple of months before the partition, some friends of B R Chopra’s father suggested him to make a film which they would finance. So, he started his first film, ‘Chandni Chowk’ based on a story by I S Johar. G A Chishti was to be the music director and Khayyam, his assistant. Unfortunately, the film had to be abandoned in the wake of communal riots following the partition. B R Chopra along with his family migrated to Delhi and resumed working as a film journalist for some time. However, his heart was in the film making.
B R Chopra shifted to Mumbai with most of his joint family members sometime in 1948. With the pooling of all the resources from the family, he co-produced and directed ‘Karwat’ (1949) which bombed at the box office. After this, he became apprehensive about making one more attempt in film making. It was one of his friends who bumped in B R Chopra at a café and assured him that he would arrange the finance provided B R Chopra directed the film. That was how the film ‘Afsaana’ (1951) happened which he co-produced and directed based on a story written by I S Johar. The film was a box office success.
B R Chopra co-produced and directed his next two films, ‘Shole’ (1953) and his stalled film of 1947 – ‘Chaandni Chowk’ (1954) with his friend and partner financing these films. While ‘Shole’ (1953) did the average business, ‘Chaandni Chowk’ (1954) was a box office success.
In 1955, with the death of his partner, their joint venture in film production was dissolved. B R Chopra set up his own film production banner, B R Films. The banner’s logo had an interesting text in Latin, ‘Ars longa vita brevis’, meaning ‘Art is long, life is short’. The banner produced its first film, ‘Ek Hi Raasta’ (1956) with a theme of widow remarriage. It was a bold decision on the part of B R Chopra to produce and direct a film with such a sensitive subject in his maiden venture. But the risk paid off. The film scored a box office success.
B R Chopra produced and directed his next film, ‘Naya Daur’ (1957) with a theme of ‘man versus machine’. This was the film, with which Sahir Ludhianvi’s association with B R Films started as a full-pledged lyricist which continued until his death in 1980 with some break during 1976-79. In ‘Sadhna’ (1958), he took the subject of rehabilitation of a prostitute. In ‘Dhool Ka Phool’ (1959), B R Chopra portrayed the issues concerning the children born out of wedlock. In this film, B R Chopra entrusted the direction to his younger brother, Yash Chopra which was his maiden film as a director. Another brother, Dharam Chopra debuted as a full-time cinematographer with this film. Both these films were highly successful on the box office front.
B R Chopra experimented with his first songless film, ‘Kaanoon’ (1960) which focused on the capital punishment based on the eye witness and questioned whether one man’s words should cost another man’s life. It was a daring effort on the part of B R Chopra to produce the songless film especially at a time when the film songs had become one of the main ingredients for the box office success of the films. Later, he also produced another songless film, ‘Ittefaaq’ (1969) which happened to be last film B R Chopra and Yash Chopra worked together.
‘Gumraah’ (1963) was a personal triumph for B R Chopra as a director for his matured handling of a theme of extra-marital affair. He was successful in garnering sympathy for all the three protagonists of the film – Ashok Kumar as husband, Mala Sinha as his cheating wife and Sunil Dutt as the lover of Mala Sinha. By the way, in the same year (1963), ‘Ye Raaste Hain Pyaar Ke’ (1963) was released with a same theme.
‘Waqt’ (1965) was B R Chopra’s first colour. multi-starer and a high budget film. The film was directed by Yash Chopra. The usual ‘lost and found’ formula got reinvented with this film with sleek screen-play and dialogues. For the first time, a B R Film had elaborate sets and high glamour quotients. This film set the trend for Yash Chopra when he produced and directed films under his own banner.
During his 5 decades of association with Hindi films, B R Chopra produced 35 films and directed 20 films. Some of the major films he produced were ‘Hamraaz’ (1967), ‘Aadmi Aur Insaan’ (1969), ‘Daastaan’ (1973), a remake of ‘Afsaana’ (1951), ‘Dhund’ (1973), ‘Zameer’ (1974), ‘Chhoti Si Baat’ (1975), ‘Karm’ (1977), ‘Pati, Patni Aur Woh’ (1978), ‘The Burning Train’ (1979), ‘Insaaf Ka Taraazu’ (1980), ‘Nikkah; (1982), ‘Mazdoor’ (1983), ‘Tawaif’ (1984) ‘Aawaam’ (1987), ‘Kal Ki Aawaaz’ (1992), ‘Baaghbaan’ (2003), ‘Baabul’ (2006), ‘Bhootnath’ (2008) etc.
In 1972, Yash Chopra separated from B R Films and established his own banner, Yash Raj Films. This separation seems to have affected B R Films as most of his film made after Yash Chopra’s exit from B R Films, did not reach the level of successes as his earlier films got. However, B R Chopra undertook a mammoth work of TV serial ‘Mahabharat’ for Doordarshan with 94 episodes which were telecast during 1988-90. ‘Mahabharat’ became one of the most successful TV serials which was high TRP ratings even on the repeat telecasts.
‘Baaghbaan’ 2003) was a sort of a ‘come back’ film for B R Films followed by ‘Baabul’ (2006). However, B R Films could not sustain the new success as both B R Chopra and his son, Ravi Chopra passed away in 2008 and 2014 respectively. After ‘Bhootnath’ (2008), B R Films have not produced any film.
B R Chopra was conferred with Dadasaheb Phalke Award in 1998 in recognition of his contribution to the growth and development of Indian cinemas. He was awared Padma Bhushan in 2001.
‘Ek Hi Raasta’ (1956) was the first film produced and directed by B R Chopra under his own banner, B R Films. The star cast included Ashok Kumar, Meena Kumari, Sunil Dutt, Yashodhara Katju, Ravikant, Manik Kapoor, Uma Dutt, Nazir Kashmiri, Radhakishen etc. Kumkum and Radhika were the guest actors in the film.
The film had 8 songs (including one multiple version) of which 7 songs have already been covered on the Blog, the details of which are as under:
Songs | Date of Posting | Singers |
---|---|---|
Chali gori pee ke milan ko chali | 31/01/2009 | Hemant Kumar |
Saanwle salone aaye din bahaar ke | 21/04/2009 | Hemant Kumar -Lata |
Bade bhaiyya laaye hain London se chhori | 11/04/2012 | Asha Bhosle |
Chamka ban kar aman ka taara | 15/08/2012 | Lata-Hemant Kumar |
Bekas ki aabroo ko neelaam kar ke chhoda | 27/11/2012 | Lata Mangeshkar |
So ja nanhe mere tu to so jaa Multiple version song | 31/03/2021 | Hemant Kumar-Lata Mangeshkar |
On the occasion of 13th Remembrance Day of B R Chopra, I present a song ‘kaisi lagi jaaye to jaaye jiya’ from ‘Ek Hi Raasta’ (1956) rendered by Asha Bhosle and Usha Mangeshkar. The song is written by Majrooh Sultanpuri which is set to music by Hemant Kumar. It is a dance song in which Asha Bhosle and Usha Mangeshkar sing for Kumkum and Radhika respectively.
With this song, all the songs from ‘Ek Hi Raasta’ (1956) have been covered on the Blog.
Note: The early life sketch of B R Chopra is based on his interview recorded in 1995 after he was conferred ‘Filmfare Life Time Achievement Award’. The interview was published on April 4, 1997 in rediff.com.
Audio
Video
Song-Kaisi lagi kaisi lagi (Ek Hi Raasta)(1956) Singers-Asha Bhosle, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Hemant Kumar
Both
Lyrics
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhote aisi lagi
kothhe pe main to khadi thhi bholepan mein
chori chori koi samaaya mere man mein
kothhe pe main to khadi thhi bholepan mein
chori chori koi samaaya mere man mein
dheere se bolo jiya
kaisi lagi
dheere se bolo jiya
kaisi lagi
aisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
jiya na maane ke ruk ruk machle
koi ye pukaare bache to zara bach le
jiya na maane ke ruk ruk machle
koi ye pukaare bache to zara bach le
haaye re haaye daiyya
kaisi lagi
haaye re haaye daiyya
kaisi lagi
aisi lagi
jaaye to jaaye jiya
laagi na chhote aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote aisi lagi
dar ke maare kaleja mora dhadke
kahin more saiyyan ye chunri pakad ke
dar ke maare kaleja mora dhadke
kahin more saiyyan ye chunri pakad ke
laagoon main tohra piya
kaisi lagi
laagoon main tohra piya
kaisi lagi
aisi lagi
aisi lagi
aisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
kaisi lagi
kaisi lagi
jaaye to jaaye jiya
laagi na chhoote
aisi lagi
Tera waade pe waada hota gaya
Posted August 14, 2021
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
Blog Day : |
4775 | Post No. : | 16525 |
Today’s song is from the movie ‘Gaal Ghulaabi Nain Sharaabi-1974’.
This movie made its debut on the blog with its song ‘meri hasraton ki duniya’ on 10.02.2009. However, after that the movie is still waiting for the appearnce of its second song on the blog, and we are going to listen its second song today (14 August 2021).
This will be after a long gap of 4,568 days or twelve years-six months -and -four days. The first song from the movie was song post number 207 for the blog. This second song from the movie is song post number 16525 !
I was aware with this movie-title. I had either read about it somewhere or I must have heard it during my discussions with elders at home. I have neither watched the movie nor listened to its songs attentively. I am familiar with the song that has been posted on the blog which I think that is the only well-known song from this movie.
‘Gaal Ghulaabi Nain Sharaabi-1974’ was directed by Devi Sharma for ‘Janta Chitra’. Devi Sharma was also the producer of this movie.
It had Radha Saluja, Kiran Kumar, Paintal, Arpana Chowdhary, and Ranjeet. They were supported by Jankidas, Dinesh Hingoo, Sunil Dhawan, S.K. Prem and others. Ritu Kamal make a special appearance in this movie.
Story and dialogues of ‘Gaal Ghulaabi Nain Sharaabi’ were written by Devi Sharma. Screenplay of this movie was written by Ravi Kapoor. Editing of this movie was done by Ghulam Hussain.
This movie was passed by Censor Board on 03.12.1974.
This movie had six songs, five were written by Kulwant Jaani and one song was written by Rameshwar Tyagi. Music for this movie was composed by Shamji Ghanshamji.
SNo | Song Title | Singer/s | Posted On |
---|---|---|---|
01 | Oye oye gaal ghulaabi, nain sharaabi … | Mohd Rafi, Krishna Kalle | |
02 | Aa aa mere sapnon ki raani | Mohd Rafi, Krishna Kalle | |
03 | Meri hasraton ki duniya … | Mohd Rafi, Krishna Kalle | 10.02.2009 |
04 | Mehndi rachegi maathe bindiya sajegi | Krishna Kalle | |
05 | Tera waade pe waadaa hota gayaa | Krishan Kalle, Preeti Sagar | |
06 | Balle balle … ham laaye hain Kaabul se | Krishna Kalle, Vani Jairam |
As mentioned above only one song from this movie has been posted on the blog on 10.02.2009.
Today’s song is sung by Krishna Kalle and Preeti Sagar. Lyrics of this song are written by Rameshwar Tyagi, and this is the only song he has written for this movie. That is the reason I selected this song for today’s presentation. Secondly when I listened to this song, I liked the composition too. It is a ‘kotha’ song and picturized on Radha Saluja whom Ranjeet, in a drunken state, imagined performing on this song. However, there are other female artists performing on this song whom I am unable to identify as the video (from the movie available online) is not clear.
As I have said above, I have not watched this movie. So, I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy today’s rocking song with poetic lyrics by Rameshwar Tyagi.
Video
Audio
Song-Tera waade pe waada hota gaya (Gaal Gulaabi Nain Sharaabi)(1974) Singers- Krishna Kalle, Preeti Sagar, Lyrics-Rameshwar Tyagi, MD-Shamji Ghanshamji
Lyrics
tera waade pe waadaa hota gaya
tera waade pe waadaa hota gaya
dil betaab jyaadaa hota gaya
jeene ki mohlat ghat’ti gayi
marne ka taqaaza hota gaya
tera waade pe waadaa hota gaya
ruk jaayen kise ke roke se ae
ye ulfat ka dastoor nahin
aa jaayen teri marzi ke bina
tere dar pe tujhe manzoor nahin
tum jitney bache
utna hi kar
milne ka iraada hota gaya
tera waade pe waadaa hota gaya
dil betaab jyaadaa hota gaya
jeene ki mohlat ghat’ti gayi
marne ka taqaaza hota gaya
tera waade pe waadaa hota gaya
kasam khaayi hai qismat ne
hamen milne nahin degi
hamaare dil ki ye hasrat
nikalne bhi nahin degi
magar ye pyaar to
lalkaar ke dar se nahin rukta
shahenshaahon ki hasti kya
khuda se bhi nahin jhuktaa
shahenshaahon ki hasti kya
khuda se bhi nahin jhuktaa aa
thukraa ke jahaan mera dil to tujhe
paane pe aamaadaa hota gaya
tera waade pe waadaa hota gaya
dil betaab jyaadaa hota gaya
jeene ki mohlat ghat’ti gayi
marne ka taqaaza hota gaya
tera waade pe waadaa hota gaya
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