Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 2010s (2011 to 2020)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5045 Post No. : 16957

Today (11 may 2022) is a very important day in Indian history. To my mind, 11 may 1998,( that was 24 years ago) was as important an event in modern Indian history as 15 August 1947 and 26 January 1950. If we got political freedom on 15 august 1947 and democratic republic on 26 january 1950, then 11 may 1998 was the day when India proclaimed independence from the bullying of foreign powers. It was on this day that India announced itself as a self respecting country that would no longer allow itself to be browbeaten by others.

It was on this date 24 years ago that India detonated three thermonuclear devices (Shakti I, Shakti II, Shakti III) at 3:45 PM from three different shafts in Pokharan. This test was conducted clandestinely evading the prying eyes of foreign spy agencies and their spy satellites. India had tried conducting these tests a few years ago, but USA had come to know about that through their spy satellite and USA had pressurised the then government to halt this test.

Atal Bihari Vajpayee, the BJP PM candidate and a self respecting nationalist leader was firm that India needed to have nuclear capability, in view of the kind of neighbourhood we were located in. When he became PM for the first time in 1996, his tenure lasted for just one week, and there was not much he could do in that tenure. The next time he was sworn in as a PM was in 1998. This tenure would last 13 months. But this time was enough for him to fulfil his promise of seeing India as a nuclear armed country.

His second tenure began on 19 march 1998. The process of nuclear tests were set on motion on top priority. Learning from the previous mistake, this time the whole exercise was conducted in such secrecy that USA, for all its high tech resources failed to get a wind of Indian nuclear tests. In a matter of less than two months, India carried out its nuclear tests on 11 may 1998. Subsequently three more tests were carried out two days later on 13 may 1998.

Soon after the tests, PM Atal Bihari Vajpayee came on national TV and made this announcement:-

Today, at 15:45 hours, India conducted three underground nuclear tests in the Pokhran range. The tests conducted today were with a fission device, a low yield device and a thermonuclear device. The measured yields are in line with expected values. Measurements have also confirmed that there was no release of radioactivity into the atmosphere. These were contained explosions like the experiment conducted in May 1974. I warmly congratulate the scientists and engineers who have carried out these successful tests.

This explosion was condemned worldwide. The nuclear have nots condemning it can be understood, but nuclear armed countries that had themselves carried out hundreds of tests themselves condemning this test was hypocrisy at its worst. These nuclear haves considered themselves above law as far as nuclear proliferation was concerned. They had forced most nations of the world into signing the highly discriminatory NPT (Nuclear non proliferation treaty) and CTBT (Comprehensive test ban treaty), after ensuring that they themselves had violated the provisions of these treaties in the past.

India refused to bow down to all that pressure and did not sign these treaties. Pakistan, ever eager to compare itself with India, did the same.

Pakistan, that was justifiably the most vociferous in condemning Indian nuclear tests, was under intense domestic pressure from the egotist and chauvinistic domestic population to match India and carry out nuclear tests. Pakistan was warned not to do that, but not matching India on this count was something Pakistan could not afford, so they too duly carried out their tests on 30 and 31 may 1998.

This test too drew worldwide condemnation from the entire world. Though Pakistan had condemned Indian nuclear tests, India did not condemn Pakistani tests, rather, Indian PM (Vajpayee) and Home Minister (Advani) secretly gave each other high fives. They were egging on Pakistan all these days -“come on, mard ke bachche ho to test karke dikhaao“. Pakistan could not restrain itself and finally succumbed to pressure. Pakistani tests that were carried out within two weeks of Indian test proved the Indian allegation that Pakistan had already acquired nuclear capability. Indian tests forced Pakistan hand and Pakistan too had to admit that they also had nuclear capability and that they were lying about it all these years.

Indian tests led to sanctions from USA and other countries. Pakistani tests led to they getting sanctioned as well. The way India responded to sanctions and the way Pakistan responded were poles apart and it was quite amusing to watch.

America had a policy called Glen Amendment that prescribed the process of sanctioning the errant nations.

The Glenn Amendment to the Arms Export Control Act of 1994 requires the president to
impose these seven sanctions:
• Suspend foreign aid (except for humanitarian assistance or food and other agricultural commodities);
• Terminate sales of any military items;
• Terminate other military assistance;
• Stop credits or guarantees to the country by US government agencies;
• Vote against credits or assistance by international financial institutions;
• Prohibit US banks from making loans to the foreign government concerned; and
• Prohibit exports of specific goods and technology [as specified in the Export Administration Act of 1979] with civilian and military nuclear applications.

As far as India was concerned, India was getting bullied and ill treated by USA for the last two decades. In effect, India was already under USA sanctions for the last many years. For instance, USA gave India a meagre $ 10 millions as aid in 1984. The figure for Pakistan was a mammoth $ 4.02 billions. Secondly, India did not buy any military equipment from USA. India did not seek any military assistance from USA. India was not looking for any loans from IMF etc that were controlled by USA. In the past India had sought Super computer for weather forecast which was denied by USA on the pretext that this supercomputer could be used for nuclear tests. India manufactured its own super computer and actually used that supercomputer for nuclear tests. India sought cryogenic engines for its space programme. Not from USA but from Russia. But USA arm twisted Russia and prevented them from giving India this technology. So India developed its own cryogenic technology and began to use that in her space programme. After that experience, India had stopped seeking any technologies from USA. In other words, USA sanctions against India was like an empty shell whose charge was already expended many years ago. India cared too hoots about USA sanctions.

It was an entirely different story with Pakistan. Pakistani public were jubilant and they took to street to celebrate their nuclear tests on 30 may 1998. After the USA sanction, Pakistan economy collapsed. The same Pakistani public took to streets once again, not in jubilation tis time, but to protest against the very same government that they were hailing a few weeks ago.

UN passed a resolution on 6 june 1998, condemning nuclear tests by India and Pakistan. This resolution number 1172 read :-

Mindful of its primary responsibility under the Charter of the United Nations for the maintenance of international peace and security,

1. Condemns the nuclear tests conducted by India on 11 and 13 May 1998 and by Pakistan on 28 and 30 May 1998

2. Endorses the Joint Communique issued by the Foreign Ministers of China, France, the Russian Federation, the United Kingdom of Great Britain and Northern Ireland and the United States of America at their meeting in Geneva on 4 June 1998 (S/1998/473);

3. Demands that India and Pakistan refrain from further nuclear tests and in this context calls upon all States not to carry out any nuclear weapon test explosion or any other nuclear explosion in accordance with the provisions of the Comprehensive Nuclear Test Ban Treaty;

4. Urges India and Pakistan to exercise maximum restraint and to avoid threatening military movements, cross-border violations, or other provocations in order to prevent an aggravation of the situation;

5. Urges India and Pakistan to resume the dialogue between them on all outstanding issues, particularly on all matters pertaining to peace and security, in order to remove the tensions between them, and encourages them to find mutually acceptable solutions that address the root causes of those tensions, including Kashmir;

6. Welcomes the efforts of the Secretary-General to encourage India and Pakistan to enter into dialogue;

7. Calls upon India and Pakistan immediately to stop their nuclear weapon development programmes, to refrain from weaponization or from the deployment of nuclear weapons, to cease development of ballistic missiles capable of delivering nuclear weapons and any further production of fissile material for nuclear weapons, to confirm their policies not to export equipment, materials or technology that could contribute to weapons of mass destruction or missiles capable of delivering them and to undertake appropriate commitments in that regard;

8. Encourages all States to prevent the export of equipment, materials or technology that could in any way assist programmes in India or Pakistan for nuclear weapons or for ballistic missiles capable of delivering such weapons, and welcomes national policies adopted and declared in this respect;

9. Expresses its grave concern at the negative effect of the nuclear tests conducted by India and Pakistan on peace and stability in South Asia and beyond;

10. Reaffirms its full commitment to and the crucial importance of the Treaty on the Non-Proliferation of Nuclear Weapons and the Comprehensive Nuclear Test Ban Treaty as the cornerstones of the international regime on the non-proliferation of nuclear weapons and as essential foundations for the pursuit of nuclear disarmament;

11. Expresses its firm conviction that the international regime on the non-proliferation of nuclear weapons should be maintained and consolidated and recalls that in accordance with the Treaty on the Non-Proliferation of Nuclear Weapons India or Pakistan cannot have the status of a nuclear-weapon State;

12. Recognizes that the tests conducted by India and Pakistan constitute a serious threat to global efforts towards nuclear non-proliferation and disarmament;

13. Urges India and Pakistan, and all other States that have not yet done so, to become Parties to the Treaty on the Non-Proliferation of Nuclear Weapons and to the Comprehensive Nuclear Test Ban Treaty without delay and without conditions;

14. Urges India and Pakistan to participate, in a positive spirit and on the basis of the agreed mandate, in negotiations at the Conference on Disarmament in Geneva on a treaty banning the production of fissile material for nuclear weapons or other nuclear explosive devices, with a view to reaching early agreement;

15. Requests the Secretary-General to report urgently to the Council on the steps taken by India and Pakistan to implement the present resolution;

16. Expresses its readiness to consider further how best to ensure the implementation of the present resolution;

17. Decides to remain actively seized of the matter.

As one can see from the above, the UN resolution uses very patronising and condescending language. In a very humiliating tone, the resolution states that Five permanent members are above all the rules and regulations of nuclear tests and proliferations but other countries must strictly follow the dictats of the five permanent members and should remain at the mercy of the nuclear haves.

Those were the days when India was in no position to protest against such language, but today , more than two decades later, India is in a strong position to take exceptions. Ironically, Pakistan has ended up being in a more vulnerable position today than what it was in 1998.

India was yet to discard the inferiority complex and its subservient ways in dealing with the West. India did protest, but their protest to my mind sounded feeble and ineffective. Not that it matters. India were protesting the discriminatory nature of NPT , CTBT etc that the nuclear haves were forcing nuclear have nots to sign. These treaties gave nuclear haves to keep their nuclear bombs and nuclear programs going, while the other countries were strictly prohibited from doing so.

UN Expressed grave concern about the peace and stabilty in South Asia and beyond. The fact that peace and stability in South Asia and beyond was because of terror outfits being trained by Pakistan (with active support of USA) was a non issue as far as UN security council was concerned. Pakistan was pursuing nuclear programme and was indulging in black marketing of nuclear technology to countries like North Korea, Syria, Iraq etc. These facts came to public notice but neither UN nor USA acted to restrain Pakistan. Pakistan nuclear scientist A Q Khan had admitted in an interview in february 1987 that Pakistan was already a nuclear capable country. USA rules prevented USA government from giving aid to such countries. But USA very blatantly ignored this clear evidence and the USA president kept certifying that Pakistan did not have a nuclear programme and so they should be given USA aid of 4.02 billions. USA president kept giving this certificate of nuclear non proliferation to Pakistan year after year till 1998 when Pakistan made a mockery of this presidential certificate.

When USA realised that its sanctions were hurting its ally Pakistan, USA forgot all about its “concerns” about nuclear proliferations etc and they hastily removed sanctions on the two countries. The sole aim was to try and revive Pakistani economy that was in ICU.

Just six months after the sanctions were announced, however, the United States had lifted virtually all of them. The process of weakening the sanctions in place against India and Pakistan had actually begun in July 1998, when the Senate voted to exempt food exports from sanctions. On October 21, 1998, Congress passed the Brownback Amendment, which gave President Clinton the authority to waive certain economic sanctions in place against India and Pakistan and to
resume trade financing and other assistance programs for up to 12 months.

President Clinton wasted little time in using this waiver authority. On November 6, 1998, the president’s declaration, officially titled the “India-Pakistan Relief Act,” waived the prohibitions in place against the activities of the United States Export-Import Bank, the Overseas Private Investment Corporation, and the Trade Development Agency in both India and Pakistan. Perhaps most importantly, the presidential waiver also authorized US officials to support loans
to Pakistan from the International Monetary Fund (IMF) and the World Bank.

Every sentence above mentions India and Pakistan both. But all this subterfuge is basically to cover up for one sentence, namely “… the presidential waiver also authorized US officials to support loans to Pakistan from the International Monetary Fund (IMF) and the World Bank.

Pakistan’s economy had crumbled and so USA forgot all its sanctimonious preaching on NPT and CTBT. All the resolutions and condemnations were hastily thrown into the dustbin and all sanctions were hastily removed so that Pakistan economy could be saved by urgently bailing it out by yet another IMF and world bank bailout package, among other measures.

While USA government rushed in to save Pakistan economy, USA businesses rushed in to pour money into Indian economy, trying to take advantage of the Indian market that was showing big promise and that promise actually turned into a remarkable success story, with India, then a $400 billion economy, becoming $3000 billions economy in two decades !

One year later, When Atal Bihari Vajpayee was trying to mend ways with Pakistan by going there on Bus and holding dialogues with Pakistan PM, Pakistan’s actual rulers the army, did not like this and they clandestinely acted to scuttle all this goodwill gesture undertaken by the two PMs. We know this Pakistani Army misadventure as Kargil War. When Pakistani army realised that they were losing badly, they tried to save face and tried to use their nuclear arms. Bill Clinton, who by now was realising that his country was backing a rouge state against a democratic and responsible state, got angry at Pakistan PM Nawaz Shareef and declared that Pakistan must stop its aggression and withdraw to LOC, and that USA will not ask India to give Pakistan any face saving opportunity. In any case USA did not have any leverage left with India and Clinton realised that it was time USA built bridges with India that they themselves had destroyed.

After Kargil war, Pakistan army duly usurped power and General Musharraf, who had scuttled the attempt of the two Prime Ministers to sue for peace, appointed himself President of Pakistan. This made USA government disillusioned with Pakistan. Bill Clinton then tried to build bridges with India during the remaining three years of his tenure.

Atal Bihari Vajpayee, realising that Pakistan army is the real ruler in Pakistan, tried to sue for peace yet again with General Musharraf. General Musharraf responded, but it turned out that Pakistan army did not want peace with India, even if General Musharraf, head of Pakistani army wanted it. So one could see that it is Pakistan army as a whole, and not Pakistani army chief that calls the shots in Pakistan. and this Pakistan army does not want good relations with India, because they feel that good relations with India will threaten the importance and existence of Pakistan army as rulers of Army.

This, plus the 9/11 attack on USA by Al Qaida terrorists that were trained by Pakistan and later harboured by Pakistan, meant that USA gradually began to distance itself from Pakistan and began to grudgingly accept India as a nuclear power.

To cut a long story short, India, after its nuclear tests gradually found acceptance and grudging respect among other nations, with USA beginning to look at India with respect. USA helped India gets waivers despite being a non signatory to NPT, CTBT, etc. Pakistan too demanded the same treatment as India but they failed to get the same acceptability as India.

Moreover, India, after its assured and credible deterrence, began to concentrate on developing its economy. From a tiny $ 400 billions economy in 1998, today India is the fifth largest economy in the world. On PPP terms, India is already the third largest economy in the world. Indian exports in the year 2021-22 were $ 670 billions which is more than the combined GDP of its south Asian neighbours. Incidentally, four South Asian neighbours of India, including Pakistan are financially crumbling at the moment whereas Indian economy is in a strong position despite global supply chain and energy crisis.

Today India is in a position to tell other countries off when they try to preach us. We saw how our foreign affairs minister told off USA when they tried to preach us on our purchase of Russian Oil and our Human rights issue. “We purchase less Oil in a month compared to what Europe purchases in an afternoon”- Indian Foreign minister told USA. “If USA is taking note of our Human rights matters then we too are watching the human rights matters in USA”- Indian foreign minister stated. Such assertiveness on the part of Indians was unheard of and unimaginable in the past.

The seeds of this assertiveness and self respect were sown on 11 may 1998, at 15:45. Today that seed had become a giant tree.

India celebrated this day as National Technology day. I personally consider it as National Self Respect day.

“Parmanu”(2018) was a fictionalised account of the events that led to Indian nuclear tests in may 1998. I have been discussing songs from this movie on this day for the last three years. I have so far covered three songs from the movie.

Here is the fourth song from “Parmanu”(2018). Unlike the three songs already covered, that fitted the theme, this song does not fit the theme of the movie. This song is better heard than seen, and better heard as a standalone song having no relation to the story of the movie.

This song is sung by Yaser Desai. Kumar Vishwas is the lyricist. Music is composed by Sachin Jigar.

As a stand alone song, this sounds like a superb song.

The singer and lyricist make their debuts in the blog with this song.

I take this opportunity to wish all Indians a happy self respect day as I see this day. Officially it is National Technology day. So happy national Technology day as well.


Song-Ki ab meri saans saans tere paas hai (Parmanu)(1998) Singer-Yaser Desai, Lyrics-Kumar Vishwas, MD-Sachin Jigar

Lyrics

hmm hmm hmm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm

tu hai subah tu shaam hai
jeene ka tu hi hai nazariya haan
teri lehar aathon pahar
main boond tu hi mera dariya
duniya se juda kar de
zarre ko khuda kar de
oh tere ishq se mujhko
na karna kabhi tu juda

ki ab meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
dil mein apne dil bhar kar de de jagah
de de jagah
meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
itni si mere rab tujhse hai dua

hmm hmm hmm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm

jeeta raha khwaabon mein main
khud se hi par door thha
thhoda sa tu majboor thha
thhoda main majboor thha
khwaabon ko zubaan kar de
nazron se bayaan kar de
tere ishq se mujhko na karna kabhi tu juda
ki ab meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
dil mein apne dil bhar kar de de jagah
de de jagah
meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
itni si mere rab tujhse hai dua


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4937 Post No. : 16787

23rd January 2022

Today 23rd January ’22 is the one hundred and twenty-fifth birth anniversary (born on 23rd Janunary, 1897) of our great leader Netaji Subhash Chandra Bose. On this occasion as a tribute to Netaji Subhash Chandra Bose we listen a song from the recent movie ‘Gumnaami’ (2019).

I watched this movie on OTT platform last week and would like to mention here or rather I would like to request that every Indian should watch this movie. I think this movie was made in Bangla and Hindi language. The version available on OTT is the Bangla version. But major part is in Hindi and English so anybody can easily understand this movie.

The movie is based on the Mukherjee commission findings and the research movement taken by Mission Netaji and the later events.

Senior member of our team Shri Sadanand Kamath ji has presented a song from this movie “Shubh Sukh Chain Ki Barkha Barse” on the blog on 23.07.2020. His post elaborately mentions about the movie and its content. So, I would not like to repeat the same again here in this post.

But, yes, I would like to mention here that the movie has been successful in bringing the essence of the movement lead by the two journalists Chandrachur Ghose and Anuj Dhar in real life to bring forward the truth of Gumnaami Baba who died at Faizabad on 16th September 1985. In the movie we have shown that one journalist (Chandrachur Dhar) and his few friends put on their fight through RTI and other sources to prove that Gumnaami Baba was very much Subhash Chandra Bose.

This song is said to be the original song composed to welcome Subhash Chandra Bose in Singapore where he reached after a 90 day marine journey, from Germany in a submarine (U-Boat) provided by Hitler’s Govt.

I present here the film version as sung by Sonu Nigam, as well as the original audio recording that was made just after World War II. The original audio recording has one extra stanza.

An honor salute to the Great Son of India, the only one leader who is called Neta ji.

And it seems that the mystery is destined to abide for a long long time.

Video Clip (Based on Film ‘Gumnaami’)

Audio (Original Recording made after WWII)

Song – Subhash Ji. . . Subhash Ji. . . Wo Jaan e Hind Aa Gaye (Gumnaami) (Bangla) (2019) Singer – Sonu Nigam, Lyrics and Music Composition – Indian Residents of East Asia, Song Recreated by – Indradeep Das Gupta

Lyrics
(Based on Video Clip)

Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji ee

Subhash jaan e Hind hain
Subhash shaan e Hind hain
Subhash aan e Hind hain
Subhash maan e Hind hain
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji ee

kali kali
gali gali
ye andaleeb chah chali
gali gali
gali gali
ye aam khalq gaa rahe
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji ee

(chorus)

toofan e hind laayenge
wo shaan e hind laayenge
phirangiyon ki qaum par
wo qahar ban ke chhayenge
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji ee

Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji ee

(Based on Original Audio Version)

Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

Subhash jaan e Hind hain
Subhash shaan e Hind hain
Subhash aan e Hind hain
Subhash maan e Hind hain
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

kali kali
gali gali
ye andaleeb chah chali
gali gali
gali gali
ye aam khalq gaa rahe
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

wo aan e hind laayenge
wo shaan e hind laayenge
phirangiyon ki qaum par
wo qahar ban ke chhayenge
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

khushi ka daur aa gaya
nishan(??) ban ke chhaa gaya
wo asia ka aaftab
ab asia mein aa gaya
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye
Subhash ji
Subhash ji
wo jaan e hind aa gaye
hai naaz jis pe hind ko
wo shaan e hind aa gaye

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

(विडियो पर आधारित)

सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी॰ ॰ ॰

सुभाष जान ए हिन्द हैं
सुभाष शान ए हिन्द हैं
सुभाष आन ए हिन्द हैं
सुभाष मान ए हिन्द हैं
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी॰ ॰ ॰

कली कली
गली गली
ये अन्दलीब चह चली
गली गली
गली गली
ये आम ख़लक़ गा रही
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी॰ ॰ ॰

वो आन ए हिन्द लाएँगे
वो शान ए हिन्द लाएँगे
फिरंगियों की कौम पर
वो कहर बन के छाएंगे
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी॰ ॰ ॰

(मूल आडियो पर आधारित)

सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए

सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए

सुभाष जान ए हिन्द हैं
सुभाष शान ए हिन्द हैं
सुभाष आन ए हिन्द हैं
सुभाष मान ए हिन्द हैं
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए

कली कली
गली गली
ये अन्दलीब चह चली
गली गली
गली गली
ये आम ख़लक़ गा रही
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए

वो आन ए हिन्द लाएँगे
वो शान ए हिन्द लाएँगे
फिरंगियों की कौम पर
वो कहर बन के छाएंगे
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए

खुशी का दौर आ गया
निशान(??) बन के छा गया
वो एशिया का आफताब
अब एशिया में आ गया
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए
सुभाष जी
सुभाष जी
वो जान ए हिन्द आ गए
है नाज़ जिस पे हिन्द को
वो शान ए हिन्द आ गए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4889 Post No. : 16687 Movie Count :

4547

Yearwise discussion of Lata Mangeshkar songs in HFM: Part LXIII: Year 2015
———————————————————————————————————

In this episode, the 63nd episode, we cover Lata Mangeshkar songs that she sang in Hindi movies released in 2015. In the previous episode, we covered a Lata Mangeshkar song from a movie of 2011. So this time we should have covered a movie song of 2012. But it turns out that Lata Mangeshkar did not sing any songs in Hindi movies released in 2012, 2013 and 2014. In 2015, she sang one song in a movie. So, in this episode we jump over three years and arrive at the year of 2015.

Lata Mangeshkar sang just one song in one movie released in 2015.

Here are the details of the song sung by Lata Mangeshkar in Hindi movies released in 2011 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 DunnoY2 Life is a moment Nikhil Kamath 0 1 1 0 0 0 Vimal Kashyap
Total 1 movie 1 MD 0 1 1 0 0 0 1 lyricist

Lata Mangeshkar worked with 1 music director and 1 lyricist in this one movie released in 2015.

Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2007. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5244 songs that Lata Mangeshkar had sung in Hindi movies till end of 2015. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.

The above figures have remained unchanged for several years because Lata Mangeshkar no longer got to collaborate with the above music directors and lyricists after 2000.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2015 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 17 movies 51 57 42 8 4 3
1949 40 movies 142 160 105 35 13 7
1950 36 movies 116 143 93 32 14 4
1951 49 movies 190 223 158 52 10 3
1952 43 movies 151 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 173 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 190 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 100 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 62 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 60 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 4 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 5 39 9 28 0 2
1995 4 movies 2 8 3 4 0 1
1996 5 movies 2 14 7 7 0 0
1997 5 movies 1 21 2 14 4 1
1998 3 movies 4 11 3 7 0 1
1999 7 movies 3 14 6 7 0 1
2000 2 movies 3 5 1 2 0 2
2001 6 movies 2 12 6 5 0 1
2002 2 movies 1 8 3 5 0 0
2003 NIL movies 0 0 0 0 0 0
2004 1 movie 4 9 2 4 0 3
2005 3 movies 1 4 3 1 0 0
2006 1 movie 1 1 0 1 0 0
2007 1 movie 1 1 0 1 0 0
2008 0 movie 0 0 0 0 0 0
2009 1 movie 1 1 1 0 0 0
2010 1 movie 1 1 1 0 0 0
2011 1 movie 1 1 1 0 0 0
2012 0 movie 0 0 0 0 0 0
2013 0 movie 0 0 0 0 0 0
2014 0 movie 0 0 0 0 0 0
2015 1 movie 0 1 1 0 0 0
Total upto 2015 1884 movies 3767 5244 3390 1515 213 126

“DunnoY2 Life is a moment”(2015) is the only movie released in 2015 that had a song in it which was sung by Lata Mangeshkar.

“DunnoY2 Life is a moment”(2015) was directed by Kapil Sharma for Movies Masti Magic Studios, Mumbai. The movie had Zeenat Aman, Kapil Sharma, Yuvraaj Parashar, Meera, Sadia Khan, Danish Bhat, Roniel Rajkunwar, Tonje Gjevjon, Injeborg Kolle, Edith Roth Gjevjon, Nasrullah Qureshi, Saru Maini, Nary Singh, Rahul Chaudhary, Shubham Sharma, Rahool Chaudhary, Kushal Anand, Manisha Mendonza, Shashi Shaini, Sara Marielle Gaup Beaska, Mona Krager, Ellen Froysaa, Amir Malik, Tarje F. Jortoft , Marius Loftum etc in it.

The movie had four songs in it. One song has the voice of Lata Mangeshkar.

Here is that song.
The song is sung by Lata Mangeshkar and chorus. Vimal Kashyap is the lyricist. Music is composed by Nikhil Kamath.

The song is picturised on Yuvraj Parashar and Kapil Kaustubh Sharma.

Lyrics of the song and other details are provided by Prakashchandra.

With this song, the movie “DunnoY2 Life is a moment”(2015) makes its debut in the blog.

Lata Mangeshkar did not sing any other songs in Hindi movies released in the subsequent years. So with this article, we have come to the end of this marathon series of Lata Mangeshkar songs which began on monday 27 september 2020 and continued for 63 mondays without a break.

List of Lata Mangeshkar songs till 1985 can be taken from the six volumes of HFGK. Songs from 1986 till 1989 can be seen from Lata Mangeshkar Gandhar Swaryatra. But no list of Lata Mangeshkar songs after 1989 is available. Searching for Lata Mangeshkar songs after 1989 was a voyage which was undertaken by me, and also by Prakashchandra (independent of each other). In the process, we may have discovered several Lata Mangeshkar songs that few music lovers may have been aware of.

I take this opportunity to thank Prakashchandra, who on his own initiative was searching for Lata Mangeshkar songs independentally. Searching for Lata Mangehkar songs sung by her after 2000 is like searching for needle in haystack, and prakashchandra has been a great help in this backbreaking work. I cannot thank him enough for this work which he undertook on his own for last so many weeks.

The yearwise breakup of Lata Mangeshkar songs is done and dusted with. During this journey, I have come up with vast amount of statistics pertaining to Lata Mangeshkar songs. For instance, I can now tell you how many male duets and how many female duets she has sung with which singers. I can give exact number of songs that she has sung for various music directors and lyricists. I will come up with those statistics sometime in future on suitable occcasions.

In future, I may undertake similar exercises for other big name singers as well. Keep watching these spaces.

As the final offering of this series here is the very last song of Lata Mangeshkar that she sang in Hindi movies:-


Song-Jeena kya hai jaana maine (DunnoY2 Life is a moment)(2015) Singer-Lata, Lyrics-Vimal Kashyap, MD-Nikhil Kamat
FF00FF

Lyrics(Provided by Prakashchandra)

jeena kya hai
jaanaa maine
jab se tumko jaanaa hai ae aey ae ae
lamhaa lamhaa..aa
kwaahish hai ye ae
bas tumko hee paanaa hai ae ae
ho oho o ho o
neendon se
dooriyan see hain
chain bin tere
ab naheen..een..een..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why

ek doojey mein hee..ee..ee
saans hum lete hain..aen..aen
dard bhee khushee khushee..ee
baant hum lete hain…en..en
hai alag duniyaa se aey ae ae
rishtaa teraa meraa..aa.
manzilon se aagey..ey
rastaa teraa meraa..aaaa
chaahey le chal (chaahey le chal)
tu jahaan bhee (tu jahaan bhee)
sang tere aanaa hai ae ae ae
tere liye ae ae
duniyaa kya hai ae ae
khud ko bhool jaanaa hai ae ae
o ho o o
neendon se
dooriyaan see hain
chaain bin tere
ab naheen..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen ..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why

khwaab ye hai agar..rr…rrr
khwaab ye na tootey aey ae ae ae
maangey dil yehee duaa..aa..aaa
saath ye naa chootey aey ae
khaas har lamhaa hai aey
paas tere honey se aey ae ae
dartaa hai dil meraa..aaa
tumko kho dene se ae ae
ishq kyaa hai (ishq kyaa hai)
pyaar kyaa hai (pyaar kyaa hai)
tumse milke jaanaa hai aey ae ae
phoolon mein hai ae
khushboo jaisey aey ae ae
tujh mein yoon kho jaanaa hai ae ae
o ho o o
neendon se
dooriyaan see hain
chaain bin tere
ab naheen..een..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why

jeena kya hai
jaanaa maine
jab se tumko jaanaa hai ae aey ae ae
lamhaa lamhaa..aan
kwaahish hai ye ae
bas tumko hee paanaa hai ae ae
ho oho o ho o o
neendon se
dooriyan see hain
chain bin tere
ab naheen..een..een..een
rehthi hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why

aaaa…aaa…aaa….aaaaa
aaa..aaa…aaaaa…aaa…aaaan…aaaa
oo …oo.ooo…ooo…ooo
oo ooo ooo ooo ooo ooo ooo
ooo ooo ooo
aaa…aaa…aaa…aaa…aaaa
aaa …aaaan…aaa…aaaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4882 Post No. : 16678 Movie Count :

4545

Yearwise discussion of Lata Mangeshkar songs in HFM: Part LXII: Year 2011
———————————————————————————————————

In this episode, the 62nd episode, we cover Lata Mangeshkar songs that she sang in Hindi movies released in 2011.

Lata Mangeshkar sang just one song in one movie released in 2011.

Here are the details of the song sung by Lata Mangeshkar in Hindi movies released in 2011 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Satrangee Parachute Shamir Tandon 0 1 1 0 0 0 Rajeev Barnwal
Total 1 movie 1 MD 0 1 1 0 0 0 1 lyricist

Lata Mangeshkar worked with 1 music director and 1 lyricist in this one movie released in 2011.

Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2007. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5242 songs that Lata Mangeshkar had sung in Hindi movies till end of 2010. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.

The above figures have remained unchanged for several years because Lata Mangeshkar no longer got to collaborate with the above music directors and lyricists after 2000.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2011 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 17 movies 51 57 42 8 4 3
1949 40 movies 142 160 105 35 13 7
1950 36 movies 116 143 93 32 14 4
1951 49 movies 190 223 158 52 10 3
1952 43 movies 151 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 173 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 190 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 100 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 62 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 60 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 4 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 5 39 9 28 0 2
1995 4 movies 2 8 3 4 0 1
1996 5 movies 2 14 7 7 0 0
1997 5 movies 1 21 2 14 4 1
1998 3 movies 4 11 3 7 0 1
1999 7 movies 3 14 6 7 0 1
2000 2 movies 3 5 1 2 0 2
2001 6 movies 2 12 6 5 0 1
2002 2 movies 1 8 3 5 0 0
2003 NIL movies 0 0 0 0 0 0
2004 1 movie 4 9 2 4 0 3
2005 3 movies 1 4 3 1 0 0
2006 1 movie 1 1 0 1 0 0
2007 1 movie 1 1 0 1 0 0
2008 0 movie 0 0 0 0 0 0
2009 1 movie 1 1 1 0 0 0
2010 1 movie 1 1 1 0 0 0
2011 1 movie 0 1 1 0 0 0
Total upto 2011 1883 movies 3766 5243 3389 1515 213 126

“Satrangee Parachute”(2011) is the only only movie released in 2011 that has a song sung by Lata Mangeshkar.

“Satrangee Parachute”(2011) was produced and directed by Vineet Khetrapal for Wonderworks flms, Bombay. The movie had Sanjay Mishra, Zakir Hussain, Liliput Faruqui,Rupali Ganguli, Ssanjay S.Swaraaj, Asraf-ul-Haq, Kunal Kuchchal etc. The movie introduced Siddhartha Sanghani as Pappu ,Rajvi Suchak Patel as Kuhu, Shubham Sharma as Manu, Azaan Rustam Shah as Shimit, Shlesh Raja as Lateef, Adeeb Hussain as CM, Rajvi Suchak as Kanak, Mayur Mondal as Tulu. The movie also had friendly appearances by Kay Kay Menon, Rajpal Yadav and Jackie Shroff. Others in the cast were Aadil, Aarti, Rajeev Barnwal, Bilu, Nitin Chanda, Ashok Chandalik, Nilesh Deshpande, Dolly, Saurav Ghosh, Rajeev Jha, Meenal Kapur, Kasim, Vineet Khetrapal, Puran, H.S.Rana, Nishad Raj Rana, Soma Rathor, Ritesh, Vijay Sanap, Santosh, Azaan sham,Manish Sharma, Maan Singh, Rahul Singh, Raj Singh,Anil Sinha, Sadanand Yadav aka Sada Yadav,

The movie had seven songs in it. Five songs were composed by Kaushhik Datta. Other songs were by Shamir Tandon, though only one of these songs, viz the song under discussion can be called his composition. The other song was remix of the famous children’s song from “Mr Natwarlal”(1979)- Mere paas aao mere doston ek kissa sono”.

The song under discussion is sung by Lata Mangeshkar. Rajeev Barnwal is the lyricist. Music is composed by Shamir Tandon.

The song is picturised on child artistes Siddhartha Sanghani and Rajvi Suchak Patel. The Video version is partial. The audio version is longer and contains the full song.

Lyrics of the song and other details are provided by Prakashchandra.

With this song, the movie “Satrangee Parachute”(2011) makes its debut in the blog.

audio link (Full)

video link (Partial)

Song-Tere hansne se mujhko aati hai hansi (Satrangee Parachute)(2011) Singer-Lata, Lyrics-Rajeev Barnwal, MD-Shamir Tandon

Lyrics(Provided by Prakashchandra)

tere hansne se mujhko aatee hai hansee
hmm hmm hmm
teri saari baatein chup chaap main suntee
tere hansne se mujhko aatee hai hansee
teri saari baatein chup chaap main suntee
aisa lage tere bina kuchh bhi nahin
kuchh bhi nahin
aisa lage tu hai dua
meri khushi ee ee
tere hansne se mujhko aatee hai hansee
hmm hmm hmm
teri saari baatein chup chaap main suntee

teri unglee pakad kar chalna seekha maine
girte uthhte gir kar sambhalna seekha maine
mere sapnon mein jo rang hai
tu hi laaya hai
toone pankh diye aur udna seekha maine
aisa lage tere bina kuchh bhi nahin
kuchh bhi nahin
aisa lage tu hai duaa
meri khushee ee
tere hansne se mujh ko aatee hai hansee
teree saaree baatein chup chaap main suntee/em>

dhoondhhti hoon tujhko phir bhi na paatee hoon
tu hai bas meraa aur main
teri saathee hoon oon
tere jaaney se chhaayaa phir
andheraa hai ae ae
sapnon se bhee ab main
dar dar jaatee hoon oon
aisa lage tere bina kuchh bhee nahin
kuchh bhee nahin
aa bhee jaa
ab aa bhee jaa
tu hee meree ee
raushnee
raushni
raushnee

tere hansne se
mujhko aati hai hansee
teree saaree baatein
chupchaap main suntee ee ee
tere hansne se
mujhko aati hai hansee
teree saaree baatein
chupchaap main suntee ee ee
aisaa lagey ae
tere binaa
kuchch bhee naheen een
kuchch bhee naheen
aisa lagey ae
tu hai duaa aaa
meree khushee ee ee
tere hansne se
mujhko aati hai hansee
teree saari baatein
chupchaap main suntee ee ee ee


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4866 Post No. : 16658 Movie Count :

4539

Songs Repeated in Hindi Films – 25

– – – – – – – – – – – – – – – – – –

Ah yes, of course. The reading of the title line tells us that we are getting another repeat song. And this one is a blockbuster – everybody knows the original, so I will not spend much time on that.

However, interesting to note the circumstances under which this song has been re used. This song is from a recent Marathi biopic ‘Ekk Albela’ – a 2016 film that chronicles the life of Bhagwan Dada. And so, the making of such a biopic would never have been considered complete without the inclusion of this song.

The song has been re-recorded for the film in the voices of Vinay Mandke and Anwesha. The original lyrics and the original tune has been retained intact. The on screen scenario of the song has also been retained almost in-toto. The song is presented a stage dance song, as it was in the original film ‘Albela’ from 1951. On screen, the roles of Bhagwan and Geeta Bali are enacted by Mangesh Desai and Vidya Balan. Vidya Balan appears in this film in a cameo role, especially for the songs.

The available video of this song seems to be a promotional clip, as it also contains some additional footage about the film. The original 1951 hit has 3 stanzas, but this version uses only two. The first stanza – “Mehki Hawaayen. . .” seems to have been cut out of this video at least. There seems to be a very minute jerk as the song moves from the title lines and jumps straight to the second stanza.

‘Ekk Albela’ is directed by Shekhar Sartandel and produced by Dr Monish Babre under the Kimaya Motion Pictures banner. It is presented by Manglmurti Films. The film stars Mangesh Desai in lead role as Bhagwan Dada and Vidya Balan in cameo role as Geeta Bali. The supporting cast features Vidhyadhar Joshi, Prasad Pandit, Swapnil Rajshekhar, Vighnesh Joshi, Shekhar Phadke, Shriram Kolhatkar and Arun Bhadsavle.

Interestingly, the film also includes two other hits from the original ‘Albela’ – “Shaam Dhale Khidki Taley. . .” and “Naam Bade Aur Darshan Chhote”. Both songs are not available as complete videos as yet. One will have to visit the original Marathi film to ascertain whether these songs were filmed in full, for the latter film. Potential for more repeat song posts. 🙂

Enjoy this song yet once again, in color.

Song – Shola Jo Bhadke Dil Mera Dhadke  (Ek Albela) (2016) Singer – Vinay Mandke, Anwesha, Lyrics – Rajinder Krishan, MD – C Ramchandra

Lyrics

sholaa jo bhadke
dil meraa dhadke
sholaa jo bhadke
dil meraa dhadke
dard jawaani ka sataaye badh-badh ke
sholaa jo bhadke
dil meraa dhadke
sholaa jo bhadke
dil meraa dhadke
dard jawaani ka sataaye badh-badh ke

[The first stanza is not contained in the available video clip]
[mehki hawaayen
[behke kadam mere
[aise mein thaam lo
[aa ke balam more
[mehki hawaayen
[behke kadam mere
[aise mein thaam lo
[aa ke balam more
[pattaa bhi khadke
[to bijli si kadke
[pattaa bhi khadake
[to bijli si kadke
[dard jawaani ka sataaye badh-badh ke
[sholaa jo bhadke
[dil meraa dhadke
[sholaa jo bhadke
[dil meraa dhadke
[dard jawaani ka sataaye badh-badh ke
[sholaa jo bhadke
[dil meraa dhadke
[sholaa jo bhadke
[dil meraa dhadke
[dard jawaani ka sataaye badh-badh ke

pyaar ko mere
kisne pukaaraa
dil mein utar gayaa
kiskaa ishaaraa
pyaar ko mere
kisne pukaaraa
dil mein utar gayaa
kiskaa ishaaraa
yaad ye kiski
laayi pakad ke
yaad ye kiski
laayi pakad ke
dard jawaani ka sataaye badh-badh ke
sholaa jo bhadke
dil meraa dhadke
sholaa jo bhadke
dil meraa dhadke
dard jawaani ka sataaye badh-badh ke
sholaa jo bhadke
dil meraa dhadke
sholaa jo bhadke
dil meraa dhadke
dard jawaani ka sataaye badh-badh ke

aaa
dekhaa jo tumko
dekhaa jo tumko
dard gaya tham
ab to na honge
tumse judaa ham
dekhaa jo tumko
dard gaya tham
ab to na honge
tumse judaa ham
jee na sakenge
tumse bichadke
jee na sakenge
tumse bichadke
dard jawaani ka sataaye badh-badh ke
sholaa jo bhadke
dil meraa dhadke
sholaa jo bhadke
dil meraa dhadke
dard jawaani ka sataaye badh-badh ke
sholaa jo bhadke
dil meraa dhadke
sholaa jo bhadke
dil meraa dhadke
dard jawaani ka sataaye badh-badh ke

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

शोला जो भड़के
दिल मेरा धड़के
शोला जो भड़के
दिल मेरा धड़के
दर्द जवानी का सताये बढ़ बढ़ के
शोला जो भड़के
दिल मेरा धड़के
शोला जो भड़के
दिल मेरा धड़के
दर्द जवानी का सताये बढ़ बढ़ के

[प्रथम अन्तरा इस विडियो क्लिप में नहीं है]
[महकी हवाएँ
[बहके कदम मेरे
[ऐसे में थाम लो
[आ के बलम मेरे
[महकी हवाएँ
[बहके कदम मेरे
[ऐसे में थाम लो
[आ के बलम मेरे
[पत्ता भी खड़के
[तो बिजली सी कड़के
[पत्ता भी खड़के
[तो बिजली सी कड़के
[दर्द जवानी का सताये बढ़ बढ़ के
[शोला जो भड़के
[दिल मेरा धड़के
[शोला जो भड़के
[दिल मेरा धड़के
[दर्द जवानी का सताये बढ़ बढ़ के
[शोला जो भड़के
[दिल मेरा धड़के
[शोला जो भड़के
[दिल मेरा धड़के
[दर्द जवानी का सताये बढ़ बढ़ के

प्यार को मेरे
किसने पुकारा
दिल में उतर गया
किसका इशारा
प्यार को मेरे
किसने पुकारा
दिल में उतर गया
किसका इशारा
याद ये किसकी
लाई पकड़ के
याद ये किसकी
लाई पकड़ के
दर्द जवानी का सताये बढ़ बढ़ के
शोला जो भड़के
दिल मेरा धड़के
शोला जो भड़के
दिल मेरा धड़के
दर्द जवानी का सताये बढ़ बढ़ के
शोला जो भड़के
दिल मेरा धड़के
शोला जो भड़के
दिल मेरा धड़के
दर्द जवानी का सताये बढ़ बढ़ के

आ आ आ
देखा जी तुमको
देखा जी तुमको
दर्द गया थम
अब तो ना होंगे
तुमसे जुदा हम
जी ना सकेंगे
तुमसे बिछड़ के
जी ना सकेंगे
तुमसे बिछड़ के
दर्द जवानी का सताये बढ़ बढ़ के
शोला जो भड़के
दिल मेरा धड़के
शोला जो भड़के
दिल मेरा धड़के
दर्द जवानी का सताये बढ़ बढ़ के
शोला जो भड़के
दिल मेरा धड़के
शोला जो भड़के
दिल मेरा धड़के
दर्द जवानी का सताये बढ़ बढ़ के


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4797 Post No. : 16558 Movie Count :

4509

Today’s song is from the film Humpty Sharma ki Dulhania-2014.

In the morning of 2nd September 2021, all the newspapers had the Front page news about the death of Bollywood’s young actor Sidharth Shukla, by Heart attack. They also flashed his photo. Looking at his photo, I thought he was quite a good looking macho fellow. Unlike my daily habit of reading only the headings of news ( rarely any news is worth reading these days), I read the complete news of Sidharth’s death- in Times of India and Maharashtra Times. I was surprised that such a healthy, athletic looking young man should get a Heart Attack and die of it !

Out of curiosity, I looked for his Bio-Data on the Internet and frankly, I was more than impressed. A boy from a middle class family in Bombay had achieved so much in so short a period-2005 to 2021, that it was just short of a Miracle. I seriously wanted to know more about him, his achievements, his desires, family, his career and his death.

Yesterday, the whole day, I was looking for information about him on the Internet and after learning enough about him, I thought he deserved a special post on our Blog. In the normal routine, I would not write a post on any recent film ( only because I am not in tune with modern cinema), but then this was an unusual event which I thought called for going deep into why such successful artistes die so early.

I came across an interview of Dr. Ashwini Mehta, Cardiologist in Sir Gangaram Hospital, Delhi, on this issue. He is of the opinion that even if the person is perfect in physical health, goes to Gym regularly etc, work stress and an unnatural desire to always remain fit can lead to Heart attack. The methods that artistes adopt to remain ever young are harmful. In case of Sidharth, he was brought dead to the Hospital. His Post Mortem report coming today has not revealed the exact cause. It expresses a doubt that perhaps excess Protein Diet could be one reason. More test reports are awaited.

The show business world is a killing one. On one hand it gives you name, fame and Money and on the other hand it kills you if you attempt to maintain these things beyond a limit by adopting wrong methods. There are many examples. I recollect reading somewhere that even Sri Devi did everything possible to remain beautiful always, till she succumbed to these very attempts.

In the last few years, there have been several unnatural deaths of young and upcoming artistes who adopted too much effort to remain happy and in public eyes all the time. This in turn gave them mental stress. few such examples of recent times are Sushant Rajput, Arathi Agarwal, Jiah Khan, Divya Bharati, Taruni Sachdev, Pratyusha Banerjee, Nafisa Joseph, Kuljit Randhava etc etc.

I gathered the life story of Sidharth Shukla from various sources on the internet. It is simply an outstanding career. However, now we know what attempts he used to adopt and at what cost…His Life !

Sidharth Shukla (12 December 1980 – 2 September 2021) was an actor, host and model who appeard in Hindi television and films. He was known for his roles in Broken But Beautiful 3, Balika Vadhu and Dil Se Dil Tak. He emerged as the winner of reality shows Bigg Boss 13 and Fear Factor: Khatron Ke Khiladi 7. He hosted Savdhaan India and India’s Got Talent. He won the World’s Best Model title in December 2005 beating 40 other participants from across Asia, Latin America, and Europe. He made his acting debut with a lead role in the 2008 show Babul Ka Aangann Chootey Na. In 2014, Shukla made his Bollywood debut in a supporting role in Humpty Sharma Ki Dulhania.

Shukla was born on 12 December 1980 into a Hindu family in Bombay (present-day Mumbai) to Ashok Shukla, a civil engineer employed at the Reserve Bank of India and Rita Shukla, a homemaker. He lost his father because of a lung disorder during his modelling days. He has two elder sisters. Shukla attended St. Xavier’s High School, Fort, Mumbai and holds a bachelor’s degree in Interior Design from Rachana Sansad School of Interior Design. Shukla has described himself as a very athletic child, and represented his school in tennis and football. He played against Italian football club, AC Milan’s under-19 team, on their Mumbai visit as part of Festa Italiana.

After completing bachelor’s degree in interior design, Shukla worked in an interior designing firm for a couple of years.

In 2004, Shukla was runner-up in the Gladrags Manhunt and Megamodel Contest. He appeared in a video “Resham Ka Rumal” sung by Ila Arun.

In 2005, he represented India at the World’s Best Model contest held in Turkey, and became the first Indian, as well as the first Asian, to win the title beating 40 contestants from across Asia, Latin America, and Europe. After winning the title, he appeared in advertisements for Bajaj Avenger, ICICI and Digjam.

2008–2011: Television debut
In 2008, he made his acting debut with a lead role in the television show Babul Ka Aangann Chootey Na on Sony TV .The show ended in February 2009.

In 2009, he appeared as Veer Vardhan Singh in Jaane Pehchaane Se… on Star One . The show ended in September 2010. After Jaane Pehchaane Se… Ye Ajnabbi ended, he also appeared in a few episodes of Aahat.

In 2011, he appeared as Rahul Kashyap in Love U Zindagi opposite Pavitra Punia on StarPlus. He also appeared in an episode of CID.

2012–2014: Breakthrough with Balika Vadhu and Bollywood debut
In 2012, Shukla appeared as District Collector Shivraj Shekhar, opposite Pratyusha Banerjee and Toral Rasputra in Balika Vadhu. . He received the “GR8! Performer of the Year (Male)” award at the Indian Television Academy (ITA) Awards. He left the show in 2015, when his character, Shiv, died fighting with terrorists.

In 2013, Shukla participated in the celebrity dance reality show Jhalak Dikhhla Jaa 6, and was eliminated in the 11th week.

In 2014, Shukla made his Bollywood debut in the romantic comedy Humpty Sharma Ki Dulhania in a supporting role The film earned him an award for “Breakthrough Supporting Performance (Male)” in the 2015 Stardust Awards.

2014–2018: Television hosting, Khatron Ke Khiladi and Dil Se Dil Tak
In 2014, Shukla was named the host of Savdhaan India.

In 2015, after exiting from Balika Vadhu, he hosted India’s Got Talent 6, with Bharti Singh, and the season finale was aired in June 2015.

In 2016, Shukla won the stunt reality show Fear Factor: Khatron Ke Khiladi 7. The same year, he hosted India’s Got Talent 7 with Bharti Singh, and the season finale was aired in July 2016. Later in 2016, Shukla appeared as Mr. Chakraborty, an Indian businessman, in a Kazakhstan movie, Business in Kazakhstan.

In 2017, he appeared as Parth Bhanushali in Dil Se Dil Tak .He left the series in December 2017.

2019–2021: Bigg Boss 13 and Broken But beautiful 3
In 2019, he participated in the reality show Bigg Boss 13, and was declared the winner in February 2020. Ormax media rated Shukla to be the most popular contestant of Bigg Boss 13, ranking him as number one throughout 20 weeks.

In 2020, after winning Bigg Boss 13, Shukla’s massive popularity helped him bag appearances in two music videos, “Bhula Dunga”, and “Dil Ko Karaar Aaya”. The same year, Shukla entered as one of the “Toofani” Seniors in Bigg Boss 14, Shukla then appeared in another music video “Shona Shona”.

In January 2021, Shukla hosted 16th week’s “Weekend Ka Vaar” of Bigg Boss 14, as Shukla was filling in for Salman Khan, who was missing from the show due to other work commitments. Shukla made his OTT debut as Agastya Rao with the third season of the romance web series Broken But Beautiful opposite Sonia Rathee streaming on ALTBalaji & MX Player. The series and Shukla’s performance received positive response from critics, Mugdha Kapoor of DNA India wrote, “It’s the fire and genuineness in Sidharth’s acting and freshness in Sonia’s performance that keeps the viewers glued and wanting to see more.”

In 2014, he won the Gold Awards Most Fit Actor award and was included in Rediff’s Television’s Top 10 Actors. In 2015, he was awarded with the Wellness Icon of the Year award in 8th Geospa Asiaspa India Awards. In 2021, he also won the Synth GlobalSpa Fit and Fab Award.

In 2021, he was declared The Times of India’s Charismatic TV personality. Before Bigg Boss 14 premiere, Sidharth was voted as the Bigg Boss Greatest Of All Times (GOAT) in a series of polls conducted by Colors TV, where 16 popular contestants across all the previous 13 seasons were nominated for the title.

Shukla died on 2 September 2021 after suffering a heart attack at the age of 40.

The film Humpty Sharma ki Dulhania-2014 was having everything in it which the younger generation wanted. The lead pair of Varun Dhawan (son of director David Dhawan) and Alia Bhatt(Daughter of director Mahesh Bhatt) came with filmi background. It does help. The film was released on 11-7-2014. It grossed 120 crores on a budget of 33 crores. The seven songs were written byKumaar, Irshad Kaamil and Shashank Khaitan who also wrote the story as well as directed the film. One song was sung by Alia Bhatt also. The cast of the film was Varun Dhawaqn, Alia Bhatt, Sidharth Shukla, Ashutosh rana, Gaurav Pandey, Shivani Mahajan and many more. The music was by Sachin-Jigar and Shaarib-Toshi. The film story was…..

Kavya Pratap Singh (Alia Bhatt), a beautiful, educated and stylish Punjabi girl from Ambala who is set to be engaged to an NRI American doctor, decides to go to Delhi to buy an expensive designer bridal dress for her wedding, after her father, Kamaljeet (Ashutosh Rana), refuses to get her the pricey dress. While staying at her maternal uncle’s house, she comes across one of his students, Rakesh “Humpty” Kumar Sharma (Varun Dhawan), a young and flirtatious Punjabi boy in Delhi, whose father, Vinod Kumar Sharma, runs a stationery shop. Humpty, with the help of his friends, Shonty (Gaurav Pandey) and Poplu, chases Kavya, but she’s not interested. He, however, manages to befriend her. Kavya confides in Humpty, that her friend in Delhi, Gurpreet Sodhi, was blackmailed by her ex-boyfriend, who had secretly filmed a sex sequence of the two.

Humpty stumbles upon an idea for victimizing Gurpreet’s ex-boyfriend that would also avenge Gurpreet, and also gather the money for the wedding dress for Kavya. They manage to get some money but Kavya isn’t happy about the way that money is obtained. However, these ensuing adventures make Kavya fall for Humpty, and the night before she is to leave for Ambala, they Have Sex and end up sleeping together. When Humpty asks her if she loves him, she says she won’t go against Kamaljeet’s wishes. In order to help Humpty get the money for Kavya’s dress, Vinod, Poplu and Shonty chip in their savings. Kavya reluctantly accepts the money and leaves Delhi.

Kavya is a changed person when she arrives home. She tells her family that she has decided not to buy that expensive dress. In the meantime, she gifts a fancy car to Humpty using that money, as she had known from him about Vinod’s dream for a car. Overwhelmed, Humpty and his friends go to Ambala, where he tries to win over Kavya. Kamaljeet believes firmly in arranged marriages against love marriages, as his elder daughter, Swati, married against his wishes and the marriage turned out to be a disaster ending in divorce. Kamaljeet instantly disapproves of Humpty, and gets the three friends beaten up. Upon repeated persuasion, he gives Humpty a chance to find at least one reason why Kavya shouldn’t marry Angad (Sidharth Shukla). He sets him a five-day deadline to give him the reason. Humpty and his friends try their best to find flaws in Angad but fail to do so.

At the end of the deadline and on her wedding day, Kavya runs away from home and calls Humpty to join her on a train to leave town, but he refuses and convinces Kavya to get off the train. Meanwhile, Kamaljeet and the rest of the family reach the train station, where Kavya and Humpty are embracing each other. Kamaljeet, wrongly assuming the pair was eloping, is enraged and hits Humpty, who gives a powerful and touching explanation saying that he may not be as rich, successful or good-looking as Angad, but he loves Kavya from the core of his heart. He leaves Ambala and heads back to Delhi after that incident. When Kavya is dressed up as a bride, Kamaljeet asks her if she still fancies that expensive wedding dress. She replies she’s not fit for an expensive classy dress, but is suitable for local dresses. As it dawns on Kamaljeet that her relationship would be fuller with Humpty and not Angad, he brings everyone to Delhi where he approaches Humpty and gives his consent to marry his daughter.

With this song, film Humpty Sharma ki Dulhania-2014 makes its debut on this Blog.

Audio

Video

Song- Main tainu Samjhaawaan ki (Humpty Sharma Ki Dulhaniya)(2014) Singers- Arijit Singh, Shreya Ghoshal, Lyricist- Ahmed Anees and Kumaar, MD- Jawad Ahmed and Shaarib – Toshi

Lyrics

nahin jeena tere baaju nahin jeena, nahin jeena
nahin jeena tere baaju nahin jeena, nahin jeena
nahin jeena tere baaju nahin jeena, nahin jeena
nahin jeena tere baaju nahin jeena, nahin jeena

main tainu samjhaawaan ki
na tere bina lagda jee
main tainu samjhaawaan ki
na tere bina lagda jee
tu ki jaane pyaar mera
main karoon intezaar tera
tu dil tuiyon jaan meri
main tainu samjhaavaan ki
na tere bina lagda jee
tu ki jaane pyaar mera
main karoon intezaar tera
tu dil tuiyon jaan meri
main tainu samjhawaan ki
na tere bina lagda jee

mere dil ne chun laiyaa ne
tere dil diyaan raahaan
tu jo mere naal tu rehta
turpe meriyaan saaha
jeena mera hoye
hun hai tera
ki main karaan
tu kar aitbaar mera
main karoon intezaar tera
tu dil tuiyon jaan meri
main tainu samjhaawaan kee
na tere bina lagda jee

ve changa nahion keeta beeba
ve changa nahion keeta beeba
dil mera tod ke
ve bada pachhtaiyaan akhaan
ve bada pachhtaiyaan akhaan
naal tere jod ke ae

tenu chhad ke kitthe jaawaan tu mera parchhaanvaa
tere mukhde vich hi main taan rab nu apne paawaan
mere to
haay
sajda tera kardi sadaa tu sun iqraar mera
main karoon intezar tera
tu dil tuiyon jaan meri
main tainu samjhaawaan ki
na tere bina lagda jee

 


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4753 Post No. : 16492 Movie Count :

4480

Hindi Songs in Bangla Films:36
——————————————————

It has been almost one year when I wrote my last article under the series ‘Hindi songs from Bangla films’ on July 23, 2020 in the Blog. There are some more Hindi songs from Bangla films which are yet to be covered. But most of them are those films from which at least one song has been covered in the Blog. So, I kept the series on the back-burner.

A few days back, Partha Chanda ji, a regular visitor to our Blog, suggested me to write on a Hindi song from a Bangla film, ‘Goynar Boksho’ (Jewellery Box, 2013). The song was of my type which I immensely liked it. The synpsis of the film made an interesting reading. These two factors pushed me to write the article forthwith.

In the film, Maushumi Chatterjee has a pivotal role of a ghost who watches three generations of women brought up in a different social status as to how they attach importance to her jewellery box. I had liked Maushumi Chatterjee’s performance of a middle-aged aunt in ‘Piku’ (2015). Another interesting role of a new daughter-in-law in the film was played by Konkona Sen Sharma whose performance I have liked in ‘Wake Up Sid’ (2009). Surely, it was going to be an interesting film to watch with English sub-titles which I did so on one of the OTT platforms.

‘Goynar Boksho’ (2013, Bangla) was produced under the banner of Shree Venkatesh Films Pvt Ltd and was directed by Aparna Sen. The main cast included Maushumi Chatterjee, Konkona Sen Sharma, Saswata Chatterjee, Srabanti Chatterjee, Paran Banerjee, Pijush Ganguly, Aparajita Adhya, Manasi Sinha etc. The film’s story was adapted from the novel of the same name and a short story ‘Rashmonir Sonadana’ both written by Sirshendu Mukhopadhyay, a well-known Sahitya Akademy Award winner Bangla laureate.

In an interview with the Times of India sometime in 2012, Aparna Sen had revealed that she had read the story for the first time in 1993 and immediately decided to make a film on it. However, she could not get the right type of the film production house to finance the film. It took nearly 20 years to find the right film production house by which time, she had become a kind of celebrity film directors of art/parallel films.

The story of the film is as under:

Chandranath (Paran Banerjee) the patriarch of Mitra joint family was once landlord in East Bengal. After partition, the entire family migrates to West Bengal side. The Mitra family stays in a big 3-story house. Being from the family of landlord, none of the menfolk has worked for a living. Obviously, Chandranath’s two sons – Chandan (Saswata Chatterjee) and Chanchal (Pijush Ganguly) pass their time fishing in the pond near their house and visiting their respective courtesans in the evenings.

In the house, the 70-year old aunt, Pishima (Maushumi Chatterjee) who got married at 11 and became widow at 12 in Faridkot, has been deprived of all worldly pleasure, conjugal relationship and good food. She finds solace in her jewellery box containing 5 kgs of gold jewelleries as a part of her ‘streedhan’. Chandranath’s younger son, Chandan gets married to Somlata (Konkona Sen Sharma), a poor girl from an adjoining village. The family’s financial condition can be judged from the fact that the expenses for the wedding are paid off by selling an old Burma teak-wood double bed and an expensive carpet. All the members of Mitra family are afraid of Pishima because of her authoritative and cursing voice. Also no one in the family wants to be in the bad book of Pishima as she holds the jewellery box which the family can inherit once she dies.

One day, Somlata on a visit to Pishima’s room, finds her dead. Knowing fully well that once she dies, her gold jewellery would be sold over time for the family’s sustenance, Pishima turns ghost and entrusts the jewellery box to Somlata with a condition that she should safely keep it in a secret place without any family members knowing it including her husband. Now, the box has been handed over to the second generation. After the death of Pishima, the family members search for the jewellery box but in vain. They also call the police in case the box has been stolen but again police fail to find out the box.

None of the family members can see the hukka smoking Pishima’s ghost except Somlata to whom she bullies just to make sure that her jewellery box is not misused by her. However, due to adverse financial condition of the family, Somlata looks the gold jewelleries as a means of raising capital for her husband to set up a saree shop. For this purpose, she pledges one of the gold ornaments and convince Pishima that once the business earns profit, she would get the jewellery back in the box. Over a period of time, the fortunes of Mitra family improve enabling Somlata not only to get back the pledged ornament but also some of the antiques of the house which the family had sold for their sustenance.

Somlata gives birth to a daughter who grows up to become a college going Chaitali (Srabanti Chatterjee). One day, Somlata shows all the ornaments in the jewellery box to Chaitali who evinces no interest in the ornaments as they are all old style. Besides, she has no interest in wearing gold ornaments. Chaitali has an affair with a boy who is involved in supporting the underground movements in East Pakistan. On the advice of Pishima’s ghost, Chaitali donates all the ornaments to support the underground movements for an independent Bangla Desh. The film ends with a poem recitation-cum-song when the ghost of Pishima merges with the fog over the river.

Maushumi Chatterjee in the role of Pishima – both live and as a ghost, has given a lively performance. Generally, the role of a ghost should bring horror situations. But in this film, Maushumi Chatterjee in the role of ghost, brings comic situations in the film like her hukka smoking, her bullying tactics, the sarcastic comments on the family members, her suggestion to Somlata that like her husband, she should also have an extra-marital affair etc. Probably, the Bangla audience would enjoy more fun from her dialogues which have to be in East Bengali dialect due to her role being a native of Faridkot.

Konkona Sen Sharma as Somlata, the new daughter-in-law, has a contrasting role vis-à-vis Maushumi Chatterjee. She is so scared with the presence of Pishima in the house that she starts stammering. It is much later that a positive bonding develops between Pishima and Somlata. Both of them have a major presence in the film. The superlative performances of Konkona Sen Sharma as well as Maushumi Chatterjee in the film got them Filmfare Awards for the best actress and the best supporting actress, respectively in Bangla film category.

The coverage of the third generation in the film seems to be too rushed up. It gives an impression that the Aparna Sen was in a great hurry to finish the film. Probably, the film had become too long for a non-mainstream category and she therefore may have edited out some sequences from this part of the film.

It is interesting to note that Aparna Sen’s ‘Goynar Baksho’ (2013) was released, on April 12, 2013. After a week, Vishal Bhardwaj’s ‘Ek Thhi Daayan’ (2013) was released. In both these ‘ghost’ films, Konkona Sen Sharma acted. The story of ‘Ek Thhi Daayan’ (2013) was written by Mukul Sharma, the father of Konkona Sen Sharma and the ex-husband of Aparna Sen.

‘Goynar Boksho’ (2013) has 8 songs of which one song is in Hindi. It is interesting to watch a short Bengali rap song which is sung when some distant relatives of Chandranath visits Chandan’s saree shop to buy sarees for their daughter’s baby shower. The lyrics of the rap song mostly use various names of the sarees. The rap song was rendered by all the actors involved in the scene. All the songs were set to music by Debijyoti Mishra who was the chief assistant to Salil Chowdhury for 14 years and for Ilaiyaraja for 2 years.

I am presenting the Hindi song ‘sakhi ri saawan bhaawat naahi’ which is a ‘biraha’ song rendered by Shubha Mudgal in a Dadra format. The lyricist of the song is not mentioned. As with most of the songs in the film which is played in the background in driblets interspersed with dialogues, this ‘biraha’ song also follows the same pattern in the film. So, it is better to listen to the song on the audio clip for getting its seamless rendering.

This is a sublime song using the minimum musical instruments to give prominence to the singer’s voice. In the film, the song plays in the background when Somlata, on the instigation from the ghost of Pishima, is about to get involved with an extra-marital affair when her husband is away on a long tour.

Audio Clip:

Song-Sakhi ree saawan bhaawat naahin (Goynor Boksho)(Bangla)(2013) Singer-Shubha Mudgal, MD-Debijyoti Mishra
Chorus
Shubha Mudgal + chorus

Lyrics

sakhi ri…eeeee
saawan bhaawat naahi..eeeee ee
sakhi ri…eeeee ee eee
haan saawan bhaawat naahi..eeee

bijuri chamkat dar laagat hai
soona..aaaaa aa aa
soona
soona ghar laagat hai
kaun oar gaye peerahwa
kauno bataawat naahi.eee
bataawat naa..hi
saawan bhaawat naahi..ee
saawan bhaawat naahi
saawan bhaawat naahi..ee
saawan bhaawat naahi..ee

aaaaaaaaaaaa aaa
boondiya barsat aangan aangan
mann su….khaa
aa aa aaa
mann soo….kha bin tere saajan
saawan jaihyen baar phir aihyen….en en
gaile joban phir aawat naahin
sakhi ri..ee
saawan jaihen baar phir aihen….en
aa aa aaa
saawan jaihen baar phir aihen….en
gaile joban phir aawat naahi..ee ee
sakhi ri ..eeee
saawan bhaawat naahin
sakhi ri…eeee ee ee
saawan bhaawat naahi…eeeee
saawan bhaawat naahin


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4748 Post No. : 16480

Hullo Atuldom

Mangte Chungneijang Mary Kom (born 24 November 1982) is an Indian amateur boxer, politician, and incumbent Member of Parliament, Rajya Sabha. She is the only female to win the World Amateur Boxing Championship six times, the only female boxer to have won a medal in each one of the first seven World Championships, and the only boxer (male or female) to win eight World Championship medals. Nicknamed Magnificent Mary, she is the only Indian female boxer to have qualified for the 2012 Summer Olympics, competing in the flyweight (51 kg) category and winning a bronze medal.

She had also been ranked as the world’s No. 1 female light-flyweight by the International Boxing Association (amateur) (AIBA). She became the first Indian female boxer to win a gold medal in the Asian Games in 2014 at Incheon, South Korea and is the first Indian female boxer to win gold at the 2018 Commonwealth Games. She is also the only boxer to become Asian Amateur Boxing Champion for a record six times. She was awarded the Padma Vibhushan, India’s second highest civilian award, in 2020. She is also a recipient of the Rajiv Gandhi Khel Ratna award in 2009 and Arjuna award in 2003.

Born as the eldest child, in Manipur, to parents who were tenant farmers, Mary Kom had her schooling at various schools of the Churachandpur district of Manipur. She was participated in all kinds of athletic events specially javelin throw and 400 metres running. She was among the youngsters who were inspired by Dingko Singh, 1998 Bangkok Asian Games Gold medal winner in Boxing and a fellow Manipuri. She switched from athletics to Boxing but kept it a secret from her father who was an ex-wrestler. The family got to know of her involvement in Boxing when her photo appeared in a newspaper when she won the state championship in 2000. Mary Kom is married to footballer Karung Onkholer (Onler) and has three sons including twins. She resumed her training and went back to her winning ways after the birth of her first two children.
(All the above information I have extracted from Wikipedia)

There was a biographical film on her life in 2014 where Priyanka Chopra enacted the role of Mary Kom. The movie had many lesser known actors playing her husband, coach, family etc. Only Shishir Sharma, who played the National Level coach, was the other known face. Even the music composers- Shashi Suman and Shivamm Pathak- were new along with the lyricists Sandip Ssingh and Prashant Ingole. The movie was directed by Omung Kumar and produced jointly by Sanjay Leela Bhansali and Viacom18 Motion Pictures. The movie was decent and showed incidents in a cinematic way. So I would suggest that anyone who sees the movie should not complain that details shown is not as it happened in Mary Kom’s life.

How did I land on this movie? Well I was thinking up a post on Priyanka Chopra for her birthday as she turns a year older on 18th July. I was going through her filmography and found that she had sung a few songs in her career which began in 2002 in a Tamil film and 2003 in the Sunny Deol- Preity Zinta starrer ‘Hero: Love Story of a Spy’.

She was Miss World 2000. She has done a whole of gamut of characters including a negative shaded Sonia Kapoor in ‘Aitraaz’ in 2004 for which she got a lot of critical acclaim and nominations/ awards as Best supporting actress and Best performance in a Negative Role. Priyanka has also won the National award for her performance in ‘Fashion’ (2008). If I may add she also managed to find a footing on American Television in the series ‘Quantico’ in 2015.

The song with today’s post is the one she has sung in her own voice. I haven’t seen ‘Mary Kom’ completely so I don’t know if the video accompanying the song is how it happens in the movie or whether the video uploaded on YouTube is a cleverly stitched affair.

Happy Birthday Piggy Chops (a nickname she got during the shoot of BluffMaster! in 2005)

(may not be from original soundtrack)

Audio

Song-Teri main balaayen loon (Mary Kom)(2014) Singer-Priyanka Chopra, Lyrics-Sandeep Singh, MD-Shivam Pathak

Lyrics

teri main balaayein loon
tujhe main duaayein doon
tujhko main
khushiyon ke saaye doon oon
khwaabon ko sajaaye tu
aankhon mein basaaye tu
tujhko main
doon sab jo chhaahe tu u
saari raat ye pehra kare
keh doon chaand taaron ko o
chaaoro chaaoro
ichha paari chaaoro
chaaoro chaaoro
ichha paari chaaoro

jaag jaaye na tu
jaagoon raaton mein
jhoole jhoola tu
mere haathon mein
teri choomoon aankhein main
baithh sirhaane
saari raat ye pehra karein
keh doon chaand taaron ko
chaaoro chaaoro
ichha paari chaaoro
chaaoro chaaoro
ichha paari chaaoro
mmmm hmmm
aaaa ahaaa
haa aaa
mmmm hmmm
mmmm hmmm
aaaa ahaaa
haa aa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4683 Post No. : 16365

This post has been a long time in preparation. I was not able to concentrate on this one due to many reasons. The holy month of Ramadan is a factor in this, and also other things.

I will start with a happy news. I am happy to share that the almighty Allah (SWT) has blessed us with a grand daughter earlier this month. So that’s another degree under my belt i.e. of a grandmother. At the time of my daughter’s marriage, a dear friend gave me this idea of having a new degree i.e. of a mother-in-law. I like the concept of gradual increase in degrees, with these important and happy steps in life.

It is not as if the granddaughter has kept me so busy, the pandemic has deprived me of my being a hands-on-grandmother, so far. United Kingdom also put India under the red list w.e.f 23.04.2021, so we are stranded here till things improve and have to get darshan of the new family member on video calls. I had a visa ready when the UK government made the decision on the 20th of April. But with all those high net-worth people from India clamouring to enter UK before the deadline, we had no chance.

Now we reach the serious matter of the pandemic. When the first wave was still on in India in 2020, I heard from the relatives abroad, that no one believes the data coming out of india. I would tell them, there may be some discrepancies in figures, but if there are lines outside the hospitals, morgues, crematoria and graveyardes, like the visuals coming from USA and some European countries, it would be difficult to hide. I would say, mercifully we in India were spared from witnessing such situation, which the experts around the world were predicting for India. And the first wave was spaced out, so the caseload on the medical health infrastructure was by and large managed, which reduced the death toll, for daily, weekly and monthly figures. The medical fraternity and health workers around the world have been grappling with this once a century occurrence, for more than a year now and understandably, are exhausted, fatigued. They include doctors from my family in India and abroad. My sister’s son is a covid warrior currently working in a private hospital in Mumbai. My son also has worked in Covid war rooms established by the BMC in Mumbai.

But the second wave in 2021 has not been so merciful. The virus as we all know does not discriminate, all humans are equally susceptible to it. Only the daily reported death tolls are surpassing the worst case-scenarios predicted by the experts in 2020. Our data compilation abilities being what they are, the situation is grim, very grim especially in the north, Central and Eastern India. The southern states, and Maharashtra have coped well with the second wave. But this is no reason for triumphalism with the situation being what it is in the rest of the country.

All denials, prevarication, perception, need for positivity is besides the point. The costs of human lives being lost is always the highest. This has far surpassed any mass casualty events in the last 2 centuries. All the wars, genocides, the riots, terror attacks pale in comparison to the sheer nos. being affected. It is no exaggeration when it is said, that everyone among us has lost someone dear or knows someone who has. I have lost two near family members and know a few more people who have lost immediate family members.

I also know of some such instances where close members within a community have formed groups of volunteers of medicos and non-medicos, helping the people deal with the problems of sickness, getting medical advice and help, quarantine, and treatment and even final rites of family members if need be. One such group is actively helping people in Belgaum.

This is not the end of the story, as the virus is here to stay and keeps mutating in different ways. Frequent hand washing, social distancing and wearing a medical mask(properly) at all times, are the only ways of disease prevention. The developed countries of the world, with scientific temperament, have already dealt with their second wave, had well planned strategy for the vaccine roll out before the end of 2020. Some of these scientific minds working for the developed countries are of Indian origin, part of the brain drain over the last 50 years. Even then there is no shortage of virologists and epidemiologist in our country.

I have tried to keep abreast of the pandemic related news and happenings around the world also. So I was very happy to learn that the vaccine developed at Oxford University is to be manufactured by SII, Pune. I saw part of an interview that the SII CEO gave to a TV channel in a whatsapp forward in October 2020, where he talked about the manufacturing costs, capacity of the plant and his plans of stockpiling and exporting of the vaccine. I did comment, how this person needs to export vaccine, with the limited capacity of manufacturing the no. of units per month. This, despite the world’s second largest consumer market being at his doorstep. Presumably, he had export orders in hand, so was revealing his plans for export to the world market. He spoke out of assurance about his product and it being in demand the world over. I was able to see all this, and I am not an expert in anything.

Then in January 2021 after the vaccination drive began in India, I read a newspaper article analysing the vaccination process, which said that at the current rate of manufacture and vaccine administering, it will take close to 8 years to vaccinate the whole population. Now with the ramped-up production with the amount advance given by the Govt of India in April 2021, to both the vaccine manufacturers in India, it will still take around three years to vaccinate the 70-75% of indian population, required for herd immunity.

So it does not appear realistic to believe that the indian manufactured vaccines are going to suffice. Foreign vaccines are needed to increase the vaccination speed so that maximum population can be vaccinated in smaller frame of time.

I have also heard it said that we are a huge population. Yes we have a huge population, everyone knows it. If 50-60 % of the population can vote in a 2-3 phase elections all over the country, they can be vaccinated in 4-6 vaccinated in a similar way. It is a matter of priorities. If we prioritise public health, good education and quality of life for all, as the matter of utmost importance, then it is an achievable target. Remember, when we started in 1947, we were short of many things, even food shortages and femines were a regular occurrence. As we became sufficient in food requirements and other essentials basic needs in the late 80’s and 90’s, the focus should have shifted to next essentials such as health facilites and good affordable education. In 2006, while in a personal discussion with a few colleagues, I had elaborated this point in detail as to how the public imagination was hijacked from essential matters, and the country was kept to the level of what it was in the 90’s.

The world at large is worried to see the situation in India. The virus and Pandemic don’t respect borders. India is such a large economy that things going bad in India have repercussions for global economy. As I said in a post last year, where I wrote about the pandemic, it has negative impact on micro economics the world over, not affecting as such on the macro economic level. A part of such micro economic strata is within the indian middle class, of which appx. 10 crore people are said to have gone below poverty line in the last one year.

The month of Ramadan is coming to an end, today. The last 10 days of the month are for asking forgiveness from Allah (swt). The devout and the not so devout the world over have been asking for the mercy of Almighty and asking forgiveness of intentional and not intentional, sins, aberrations, bad conduct and deeds, even as small an act as hurting a soul.

The qawwali I am presenting is a 30 minute, long rendition in the traditional naatiya qawwali format. When I read the news of Farid Sabri of Sabri brothers(Jaipur)’s demise, I thought I would prepare a post of one of his qawwali’s. I tried, but could not find one a truly inspiring one. There is one filmy qawwali by him, which I have plans to post sometime.

Then suddenly the crisis of supply of medical oxygen was the big news, with that came the news that Kingdom of Saudi Arabia is sending 80 MT of liquid oxygen to India to assist in the humanitarian crisis. The social media got flooded with clips of the news and this qawwali’s line in the background:

Har dard ki dawaa hai
Mohammed ke shehar mein

I have always known this qawwali, and it is famous one, but I had never seriously listened to it. When I found the qawwali rendition it was a later recording in a studio rendered by Aslam Sabri. Aslam Sabri seems to have sung songs/qawwali in a few films. I was not able to find any connection between him and the famous Sabri brothers of Pakistan, the first family of qawwal’s or to the Sabri brothers of Jaipur.

The qawwali is an expression of the great love and affection that followers of Islam have for the Prophet (pbuh). His beloved and loved city of Madinah and the Prophet’s masjid i. e. Masjid-e-Nabvi, is the focal point of this qawwali. In the extremities of these emotions, it is perhaps traditional or acceptable to go over the top or exaggerate beyond belief system.

About the two holy cities of Makkah and Madinah, the Harmain sharif, are the most visited sites on the face of this earth. At any given time through the year, these places are visited by 30 to 40 lakh people. The visitors arrive for ‘Umrah’ pilgrimage anytime in the year and ‘Hajj’ in the month of Zil-hajj. For the past 15 months, the govt. of Saudi Arabia, has stopped issuing Visa’s for the pilgrimages. This has caused a huge drop in business for the International Airline industry and hospitality industry. Any person connected with these business’s at the international or global level can verify the facts.

Only local citizens or may be expats are permitting to perform Hajj and Umrah. In the history it is the first time that devotees from other parts of the world could not perform Hajj in 2020. This year hopefully, the authorities will allow fully vaccinated people to perform Hajj 2021, while following the COVID protocol and SOP’s. I have visited the sites twice, but never in the month of Ramadan, which I have heard from those who have, is a special time to spend in Makkah and Madinah. It has been two low keys Ramadan’s now for these holy sites. We have been seeing photos and video’s of how the Harmain Sharif is observing the Covid protocols since last year, with very few people. Even the performing of the Salah(namaz) is with people standing 6 feet apart. The namaz in congregation is usually on the ‘fard’ for 2-5 minutes or longer, 10 minutes or so, if the longer surah is recited. In the Islamic faith, the believers stand shoulder to shoulder in a row. This signifies a basic tenet of Islam, where all humans are equal in eyes of Almighty.

Ek hi saff mein khade ho gaye mehmood-o-ayaz
Na koyi banda raha na koyi banda nawaaz

So said ‘Iqbal’, describing how the powerful and the weak of this world are standing shoulder to shoulder in a row for Salah.

This has been an example of how the religion of Islam adopts to the changing situations. The Hadith i. e. traditions of the Prophet(pbuh) also contain examples of how the protocol prescribed by the physicians at the time of spread of infectious diseases are to be followed at all costs. So that’s what the Harmain Sharif’s management and the Kingdom of Saudi Arabia, who are the custodians of the two holy Masajid, have done. This is the way followers of Islamic faith have tried to cope with the changed circumstances, the world over.

We in India, will be celebrating ‘Eid ul fitr’ on 14th of May, whereas the world over, in UK and Australia etc., it being observed on 13th of May, in accordance with the sighting of new moon in Saudi Arabia. The muslims of Kerela also follow the Gulf schedule. Now who ever has seen the world map or has a geographical sense of how the sun, moon and earth rotate and know that India lies in between the continent of Australia and Europe. This is because the Ulema’s in the many part of India have been very particular about following of the technicalities relating to the date and month, in the lunar calender. So we started Ramadhan a day later than most other parts of the world, also Eid is a day later.

Eid Mubarak everyone. May Allah (swt) keep all of us safe and healthy, in his hifz o amaan, and may he grant us the sa’adat of witnessing, praying in, and fasting in the next Ramadan.

Audio

Video

Song-Har dard ki dawaa hai Muhammad ke shahar mein (Haji Aslam Sabri qawwaali)(2014) Singer-Haji Aslam Sabri, MD-Md Tahir

Lyrics

ae ae ae ae
ae ae ae ae
de re na
ae ae ae
aaaaa aaaaaaa
aaaaaa

jab mera jazb-e-junoon
auj ka zeena hogaa
jab mera jazb-e-junoon
auj ka zeena hogaa
phailne aur simatne ka
qareena hogaa

ya madine mein samaa jaayegi
saari ee ee duniyaa
ya aa aa zamaane mein madinaa hi madinaa hogaa

ya nabi aap ke
jalwon mein wo ra’anaayi hai
ya nabi aap ke
jalwon mein wo ra’anaayi hai
dekhne par bhi meri aankh
tamannaayi hai
haq ta’alaa bhi kareem
aur Muhammad bhi kareem
do kareemon ne gunaahgaar ki banaayi hai

Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
kyun aa ke ro rahaa hai
Muhommad ke shehar mein ae ae
kyun aa ke ro rahaa hai
Muhammad ke shehar mein ae ae
kyun aa ke ro rahaa hai
Muhommad ke shehar mein ae
har dard ki dawaa hai dawaa
har dard ki dawaa hai
Muhommad ke shehar mein
har dard ki dawaa hai
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

dukh dard-o-alam gham kat-te hain
dukh dard-o-alam gham kat-te hain
dukh dard-o-alam gham kat-te hain
hasnain ke sadqe bant-te hain
Muhommad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

Kuchh aisi bheed lag jaati hai
Shah-e-deen ke rauze par
Hawaa ko raasta mushkil se miltaa hai
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

aaa aaaa aa aa
ghamon se jab bhi tabeeyat
malool hoti hai
to shaad kaam banaam-e-rasool hoti hai
ho jis duaa mein Muhammad ka waasta shaamil
huzoor-e-haq wo yaqeenan qubool hoti hai ae ae
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

hawaayen bhi adab ke saathh chalti hain
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

haathh mein tasbeen baghal mein musallah
haathh mein tasbeen baghal mein musallah
lab pe jaari Allah Allah
lab pe jaari Allah Allah
kehti hui pahunchi bait-ul-llah
kehti hui pahunchi bait-ul-llah
aur pukaari aye mere Allah
aur pukaari aye mere Allah
tu gadha ko jo nawaaze
to shehenshah bane ae
aur yateemon ko jo chaahe ae ae
to payambar kar de
aye mere Allah

to awaaz aayi
pagli…
mere parde mein wehdat ke siwaa kya hai
ja jo tujhe lena hai le
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

Duaaon ma multaji hoon
yeh chaar misre jo pesh kar raha hoon
ye sun kar mere haq mein bhi duaa karen
ke aisa ho jaaye

mere baare mein kuchh
irshaad kiya jaayegaa aa
mere baare mein kuchh
irshaad kiya jaayegaa aa
dil-e-nashaad ko phir shaad kiya jaayegaa
main ye ummeed lagaaye huye
baithhaa hoon huzoor
ek baar aur mujhe yaad kiya jaayegaa
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

aao gunaahgaaron
chalo sar ke bal chalen aen
aao gunaahgaaron
chalo sar ke bal chalen aen
aao gunaahgaaron
chalo sar ke bal chalen aen
chalo sar ke bal chalen
chalo sar ke bal chalen en
haan chalo sar ke bal chalen en
chalo sar ke bal chalen en
chalo chaloo
sar ke bal chalen
chalo sar ke bal chalen

waja pesh kar raha hoon
samaat farmaayen

wahaan sar jhukaate hain auliyaa
wahaan sar jhukaate hain auliyaa
wahaan sar jhukaate hain auliyaa
wahaan paaon rakhna rawaa nahin
chalo sar ke bal chalen ea
chalo sar ke bal chalen ea
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen
naazaan hai jis pe husn
wo husn-e-rasool hai
yeh kehkashan to
aap ke qadmon ki dhool hai
ae reh rawaan-e-shauq
chalo sar ke bal chalen en
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen

begaana-e-irfaan ko
haqueeqat ki khabar kya
jo aap se waaqif na ho
wo ehl-e-nazar kya
manzoor-e-nazar kaun huaa
iss ki khabar kyaa
wo fazl pe aa jaaye to phir
a’iyb-o-hunar kya
kaamil ko dar-e-yaar ke sajdon se na roko o
qurbaan jahaan dil ho wahaan qeemat-e-sar kya
chalo sar ke bal chalen en
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen

aao gunaahgaaron
chalo sar ke bal chalen en
aao gunaahgaaron
chalo sar ke bal chalen en
aao gunaahgaaron
chalo sar ke bal chalen en
tauba ka dar khulaa hai
tauba ka dar khulaa hai
Muhammed ke shehar mein
tauba ka dar khulaa hai
Muhammed ke shehar mein
tauba ka dar khulaa hai
Muhammed ke shehar mein
tauba ka dar khulaa hai
Muhammed ke shehar mein

qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa

Allama Iqbal ka nazraana-e-aqeedat
Sarkar ke
qadam-e-mubarak
ki roshni mein

teri nigaah se zarre bhi meher o maah bane
gadaaye besar-o-samaan jahaan panaah bane
huzoor hi ke karam ne mujhe tassalli di
huzoor hi mere gham pe meri panaah bane

zamaana vazdo kunaa ab bhi unn ke tauq mein hai ae

gaar-e-hira se muraad hai
zamaana vazdo kunaa ab bhi unn ke tauq mein hai
jo koh a dasht kabhi teri jalwaagaah bane
wahi maqaam muhobbat ki jalwaagaah bane
jahaan jahaan se wo guzre jahaan jahaan pahunche ae
qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa aa
mitti bhi keemiyaa hai
mitti bhi keemiyaa hai
Muhammed ke shehar mein
mitti bhi keemiyaa hai
Muhammed ke shehar mein
mitti bhi keemiyaa hai
Muhammed ke shehar mein
mitti bhi keemiyaa hai
Muhammed ke shehar mein

sadqaa lutaa raha hai
khudaa unn ke naam kaa aa
sadqaa lutaa raha hai
khudaa unn ke naam kaa aa
sadqaa lutaa raha hai
khudaa unn ke naam kaa aa
sonaa nikal rahaa hai
sonaa nikal rahaa hai
Muhammed ke shehar mein
sonaa nikal rahaa hai
Muhammed ke shehar mein
sonaa nikal rahaa hai
Muhammed ke shehar mein
sonaa nikal rahaa hai
Muhammed ke shehar mein

sab to jhuke hain
khaana-e-kaabaa ke saamne ae ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae ae
aa aa aa aa aa
aa aa aa aa

(maulana ahmed razzak allah barelvi rahmatullah ….ka nazraana e aqeedat
aur sufi bismil baba ?? hilaali ka nazraana e aqeedat jam kar raha hoon is misre par samaat farmaayen )

haajiyon aao shehnshaah ka rauza dekho
kaaba to dekh chuke kaabe ka kaabaa dekho oo
madinaa woh hai ke kaabaa bhi sajdaa kartaa hai ae
kaabaa khud taibaa ki jaanib jhuktaa lagta hai ae
kaabe ka kaaba sarkar ka rauza lagtaa hai ae
phool gulaab ka aap ke chehre jaisa lagta hai ae
aur chamaktaa chaand nabi ka talwa lagtaa hai ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae
kaabaa jhukaa huaa hai
kaaba jhukaa huaa hai
muhammed ke shehar mein
kaaba jhukaa huaa hai
muhammed ke shehar mein
kaaba jhukaa huaa hai
muhammed ke shehar mein
kaaba jhukaa huaa hai
muhammed ke shehar mein

aaaa aaaa
aaaa aaaa
aaaa aaaa
aaaa aaaa

saaya nahi hai gumbad-e-khizra ka aaj bhi ee
saaya nahi hai gumbad-e-khizra ka aaj bhi
aa aa aa aa aa
saaya nahi hai gumbad-e-khizra ka aaj bhi ee ee

samaeen-e-ikram
Aslam sabri
ba-chashm-e-khud
dekh chuka hai

saaya nahi hai gumbad-e-khizra ka aaj bhi ee ee
khinchaa kuchh
is niraali shaan se
naqsha Muhammad ka aa
ke naqqash-e-azal bhi hogayaa
shaidaa Muhammed kaa
koyi kya dekhtaa aks-e-qad-e-baala
Muhammed ka
Saraapa noor wo qaamat-e-zebaa
Muhammed ka
Isi ba’ayis nazar aata na thha
Saaya Muhammed ka aa
saaya nahin hai gumbad-e-khizra ka aaj bhi ee ee
saaya nahin hai gumbad-e-khizra ka aaj bhi ee ee

main tujhe a’alam-e-ashya’a mein bhi paa leta hoon
log kehte hain ke hai a’alam-e-baalaa teraa
ek baar aur bhi hazrat ne falasteen diyaa
raasta dekhti hai masjid-e-aqsaa teraa
poore qad se main khadaa hoon ye karam hai teraa
mujh ko jhukne nahin detaa hai sahaara teraa
log kehte hain ke saaya tere paikar ka na thha
main to kehtaa hoon jahaan bhar pe hai saaya teraa
yehaan tak shauq-e-deedar-e-nabi thha haq taalaa ko o
toone bhejaa yehan waan rakh liyaa saaya

saaya nahin hai gumbad-e-khizra ka aaj bhi ee
saaya nahi hai gumbad-e-khizra ka aaj bhi
saaya nahi hai gumbad-e-khizra ka aaj bhi ee
zindaa ye ma’ujzaa
ma’ujzaa
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein ae
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein

Dhoondha khuda ko dhoondhne
waalon ne har jagah
Dhoondha khuda ko dhoondhne
Waalon ne har jagah
Dhoondha khuda ko dhoondhne
waalon ne har jagah
lekin khudaa milaa hai milaa
lekin khuda milaa hai
Muhammed ke Shehar mein
lekin khudaa milaa hai
Muhammed ke Shehar mein
lekin khudaa milaa hai
Muhammed ke Shehar mein
lekin khudaa milaa hai
Muhammed ke Shehar mein

(hazraat
kuchh nayaa ashaar pesh kar raha hoon)

Khudaa azal se huaa aisa mubtala’a-e-rasool
Ke kaayenaat ko paida kiya baraa-e-rasool
Dilon ko bhaa gayi kuchh iss tarah adaa-e-rasool
Ke jaan-o-dil se sahaba huye fida-e-rasool
Dil-o-nigaah ki duniyaa pe aise chhaaye rasool
ke kaiynaat ki har shai mein jagmagaaye rasool
Agar huzoor na hote to kuchh nahin hotaa
Ye kaiynaat banaayi gayi baraa-e-rasool
Maloon jabeen pe basaaun main apni aankhon mein
Mile naseeb se mujh ko jo khaak-e-paa-e-rasool
Muhammed ke Shehar mein
Muhammed ke Shehar mein
Muhammed ke Shehar mein
Muhammed ke Shehar mein

(hazraat
sufi bismil baba ka ye nazraana jo aapne
peshtar suna
ye nazraana bhi unhin ne pesh kiya hai
Aslam Sabri ki aawaaz mein khuloosh(??) se sunen)

Baab-e-asar khula hai Mohammed ke Shehar mein
Maqbool har duaa hai Mohammed ke shehar mein
Khushiyon ka dar khula hai Mohammed ke Shehar mein
Kyun ghamzada khada hai Mohammed ke Shehar mein

dhokha fareb
ye sher tavajjuh(??) ka aamil hai
jo log baargaahe risaalat mein haaziri ka ?? haasil kar chuke hain
wo gawaah hain
jo pesh kar rahaa hoon ??
Dhoka fareb jhoot dagha aur kalaam-e-bad
koyi na jaanta hai Mohammed ke Shehar mein

behre salaam aate hain har dam malaaye kaa (??)
behre salaam aate hain har dam malaaye kaa (??)
behre salaam aate hain har dam malaaye kaa (??)
Jaari yeh silsilaa hai
Jaari yeh silsilaa hai Mohammed ke Shehar mein
Jaari yeh silsilaa hai Mohammed ke Shehar mein
Jaari yeh silsilaa hai Mohammed ke Shehar mein
Jaari yeh silsilaa hai Mohammed ke Shehar mein

(samaat farmaayen
kuchh naye ashaar pesh kar rahaa hoon)

Har subaha khushnumaa hai Mohammed ke Shehar mein
Har shaam dilrubaa hai Mohammed ke Shehar mein
Dil ka sukoon
rooh ki taskeen
nazar ka noor,
Bikhra hua pada hai Mohammed ke Shehar mein

(ye sher bahut pasand hai mujhe)

Allah re yeh masjid-e-nabwi ki raunaqen
Allah re yeh masjid-e-nabwi ki raunaqen
Jannat ka dar khula hai Mohammed ke Shehar mein
Har zakhm ke liye yehaan marham hai dastiyaab
Har zakhm ke liye yehaan marham hai dastiyaab
Har dard ki dawaa hai Mohammed ke Shehar mein
balke yoon kahoon ki
Har zakhm ke liye yehan marham hai dastiyaab
Har dard khud dawaa hai Mohammed ke Shehar mein
Iss sar zameen ke khaar bhi phoolon se kam nahin
Kaanta bhi gulnuma hai Mohammed ke Shehar mein
Duniya mein uss ne dekh li jannat ba-chashm-e-khud
Jo reh ke aa gayaa hai Mohammed ke Shehar mein

(agla sher sunen)

Shehar-e-nabi ki hadd ka ta’ayyun mahaal hai ae
Shehar-e-nabi ki hadd ka ta’ayyun mahaal hai ae
Shehar-e-nabi ki hadd ka ta’ayyun mahaal hai ae
A’alam basaa huaa hai
A’alam basaa huaa hai Mohammed ke Shehar mein
A’alam basaa huaa hai Mohammed ke Shehar mein
A’alam basaa huaa hai Mohammed ke Shehar mein
A’alam basaa huaa hai Mohammed ke Shehar mein

Be-parda sab ke saamne chamka khudaa ka noor
Abu jehl phir bhi dekh na paaya khudaa ka noor
Arsh-e-bareen se kam nahin taiba ki sar zameen
Khud jis ki god mein khud simat aaya khudaa ka noor
Taarif kya bayaan ho jamaal-e-rasool ki
Shakl-e-bashar mein wo hain saraapa khudaa ka noor

Ae raaz tu to hind mein maujood hai magar
Deen aa ke padh rahaa hai Mohammed ke shehar mein
Main kya kahoon ke kya hai Mohammed ke Shehar mein
Be-pardaa khud khudaa hai Mohammed ke Shehar mein

Aslam wo din bhi aaye ke sab log yeh kahen ea
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
ni sa sa re sa
sa ni sa sa re sa
ni sa sa re sa
sa ni sa sa re sa
Aaaa aaaaaa
ni sa sa re sa
sa ni sa sa re sa
aa aa aa aani sa sa re sa
sa ni sa sa re sa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
ni sa re ma pa ni
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
pa ma pa ma re ma
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
sa re ni sa pa ni pa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
re sa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
yaa habeeb
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
ya mustafa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
ya mustafa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4555 Post No. : 17147 Movie Count :

4401

Hullo Atuldom

Deepika Padukone, daughter of champion badminton player Prakash Padukone, herself a national level player, entered the glamour world of films through the modelling route. She is one of the highest paid actresses currently and winner of three filmfare awards for acting. 2006 was her debut year in Kannada films and 2007 saw her debut in Hindi films through Farah Khan’s ‘Om Shanti Om.’ Since then she has had a mixed bag of fortune as far as successful movies are concerned, but she hasn’t shied away from experimenting with the characters she plays on-screen. Her roles in ‘Piku’, ‘Bajirao Mastaani’, ‘Padmaavat’, ‘Finding Fanny’ etc are all diametrically different from each other and that doesn’t mean that she hasn’t done roles of young, modern damsels as in ‘Happy New Year’, ‘Chennai Express’, ‘Cocktail’, ‘Aarakshan’, ‘Yeh Jawaani Hai Deewani’ etc.

2015 saw her star opposite Ranbir Kapoor in Imtiaz Ali directed “Tamasha”. She played the role of a businessperson who helps Ranbir Kapoor’s character overcome his complexes. The movie was a drama based on a non-linear screenplay. A type of story telling which I have seen in a few movies in recent times. The story was loosely based on a French novel ‘The Little Prince’. It may have been a moderate success but the work of the lead pair was well received. It had music by A. R. Rehman and lyrics were by Irshad Kamil.

Irshad Kamil has been around writing songs for some successful movies for the last 15-16 years. He was born in Punjab and is a graduate of journalism and a post graduate and PhD in Hindi.

A. R. Rehman, born in Chennai as A.S. Dileep Kumar, in 1967 converted to Islam when he was in his 20s. His journey in the music world began when he scored music for jingles and documetaries for Television in the late 80s when he was still Dileep. His most enduring and easily re-callable jingle being for Titan Watches. His first independent score was for Mani Ratnam’s ‘Roja’ in 1991. Prior to that he was playing in the orchestra of famous South Indian music composers.

With today’s song we are wishing the maestro, that A. R. Rehman has turned out to be, on his 54th birthday. May he keep giving us lovely, loving, hummable songs. Let us also wish Deepika on her birthday which was yesterday (5th January) with health and happiness.

The song with this post is something that I have been hearing and seeing from the time it released in 2015. What struck me was the choreography and the spirited performance of Ranbir and Deepika. There is a portion of the song where he tries to ape Dev Anand in terms of steps, costume, cap etc. This is a song which is a good showcase for Deepika’s beauty and Rehman’s music. The playback is by Mohit Chauhan. As I was writing this I realized that there is one other movie with the same title starring Dev Anand, Meena Kumari, Ashok Kumar etc. and that is already present on the blog waiting to be yyiippeed.

Audio

Video

Song-Matargashti (Tamaasha)(2015) Singer-Mohit Chauhan, Lyrics-Irshad Kamil, MD-A R Rahman
Chorus

Lyrics

aaa

nanananana
nanananana
nanananana

matargashti khuli sadak mein
takdi tadak bhadak mein
ole gire sulagte se sulagte se
sadak mein chhatri na thhi bagal mein
aaya hi na akal mein
ke bhaagen ham
ya bheegen ham akad mein
to socha phir geela hua hai jo sukhaana ho ho ho
chaahe janaana ya mardaana
ho ho ho ho ho
attention

phenka naya paasa phir de gayi jhaansa
aenwain mujhe phaansa teri aisi ki ho taisi zindagi
phenka naya paasa phir de gayi jhaansa
aenwe mujhe phaansa
chirkut zindagi you know

nanananaanana
nananaa

tingning ting tenw

tu hi hai wo
hey
jis’se
hey
khela tha mein kho kho
khela tha kho kho
hey
tu hai
hey
laila shirin
hey
sohni juliet
hey
sun lo
hey
mujhko
hey
dhoondha na jungle mele mein
whatsapp
hey
main hoon
hey
ha ha ha ha ha ha
na tera na mera zamaana ho ho ho
na ye janaana na mardaana
ho ho ho ho
pakad paana
phenka naya paasa phir de gayi jhaansa
aenwain mujhe phaansa phir de gayi jhaansa
aenwain mujhe phaansa
chirkut zindagi you ow

ho

tu hi hai wo
hey
jisne
hey
khechi meri dhoti
hey
dhoti khechi
hey
o tu
hey
dhoondhe kahan bande
na main kaba kashi
hey
main twitter pe hoon
dp meri
hey
dekho
hu hu hu hu hu

sun re sun beliya
dil ne dhokha diya
aankhen milin tumse naajneen
mere hosho hawaas kho gaye
ho dil ro roka
ye aankhen hain dil ki jubaan
khwaab roz roz dekhe naye
ho o
dil ka bhanwar bole sun saathiya
chhup na dupatte mein tu o chhaliya
prem pujaari ke
dil ka bayaan hota raha
rota raha priye
to phir deng deng deng deng deng
tang tang dang dang
tand dang dang dang
dang dang dang
chhuk chhuk too too
tenw ting tanw
ting ting ting tenw tain
ding deng deng tenw
mamamamama
dung dung teng
dang dang dang dang
tang tang tang tang
dang dang dang dang
dung dung dung
chhup chhup tu tu
hmm


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17102

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

Total visits so far

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Active for more than 5000 days.

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