Archive for the ‘Songs of 2010s (2011 to 2020)’ Category
Wo Jo Tha Khwaab Sa
Posted April 29, 2023
on:- In: Atif Aslam Solo Songs | Atif Aslam Songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | philosophical song | Post by Sadanand Kamath | Song of Introspection | Song picturised in at well known locations | Songs of 2010s (2011 to 2020) | Songs of 2017 | Yearwise breakup of songs
- 4 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5398 | Post No. : | 17708 | Movie Count : |
4747 |
Today, April 29, 2023, is the 3rd Remembrance Day of Irrfan Khan, the actor par excellence. After Guru Dutt, I think, he was the only actor whose eyes spoke more than his dialogues.
It was during the shooting of ‘Qarib Qarib Singlle’ (2017) that Irrfan Khan fell sick giving him a feeling that all was not well with his health. After the release of the film in November 2017, Irrfan Khan revealed through his twitter handle in March 2018 that he was diagnosed with neuroendocrine tumors. He was under treatment in the UK for a year. After recovering from his illness, he returned to India in early 2019 and commenced the shooting for ‘Angrezi Medium’ (2020). The bout of illness resurfaced which prevented him in participating in the promotion of ‘Angrezi Medium’ (2020). He was admitted in a hospital in Mumbai on April 28, 2020, and left for the heavenly abode on April 29, 2020, at the age of 53. By the way, on the eve of Irrfan Khan’s 3rd Remembrance Day, Swiss-French Production’s Hindi (with Rajasthani dialect) film, ‘The Song of Scorpions’ (2023) in which he acted in the lead role, is scheduled to get a theatrical release in India on April 28, 2023.
Irrfan Khan (07/01/1967 – 20/04/2023) was born in Jaipur in a middle-class family, which once belonged to one of the noble families of Tonk in Rajasthan. His father had a business of tyres. From the childhood, he was an introvert person. Surprisingly, he was also an vegetarian from his childhood. His father used to make fun of him that mistakenly a brahmin has been born in his family. He completed his schooling and graduation in Arts from Jaipur. His mother wanted him to become a professor but his interest was to become an actor. During his teenage years, Irrfan Khan used to participate in amateur dramas in Jaipur. He was a fan of Hindi films and used to watch Hindi films regularly. From that time onwards, he had made up his mind to become an actor in Hindi films. He had decided to enroll for post-graduation in Theatre in the National School of Drama (NSD), Delhi. However, with his father’s death, it was not possible to leave Jaipur for Delhi. Being the eldest son, it became his responsibility to look after his mother and, a younger brother. That meant that he had to run his father’s tyre shop. Later, it was his younger brother who took the responsibility of looking after his father’s tyre shop that made him possible to join NSD in 1986. His elder sister helped him in paying fees for the enrollment in NSD.
After completing his post-graduation in theatre from NSD, Irrfan Khan went through a very hard struggle to get the entry into Hindi films. On the advice of Tigmanshu Dhulia, one of his batch-mate in NSD and also his close friend (now a producer-director-actor-writer), Irrfan Khan shifted to Mumbai in 1988. But it was very hard to get even a respectable role in Hindi films. Because of his introvert nature, he was not good at marketing himself as an actor. For the livelihood, he started working in TV Serials. Two of his prominent roles in TV serial which I saw was that of playing historian Badayuni in ‘Bharat Ek Khoj’ (1988) and the Urdu Poet, Makhdoom Mohiuddin in ‘Kahkashan’ (1991). His first acting assignment in Meera Nair’s ‘Salaam Bombay’ (1989) was reduced to a cameo role in the final cut which made his moral low. [Note: The personal information about Irrfan Khan is based on a couple of his TV interviews].
Irrfan Khan got some small roles in Hindi films like ‘Kamala Ki Maut’ (1989), ‘Drishti’ (1990), ‘Ek Doctor Ki Maut’ (1991) and many more but these films did not made the audience to carry a lasting impression about his acting, probably due to small roles and sometime inconsequential roles. After a disappointing decade of 1990s for Irrfan Khan, a silver lining came in his filmy career when London-based director Asif Kapadia offered him the lead role in the movie, ‘The Warrior’ (2001). The film ran successfully and was a hit in international film festivals, making Irrfan Khan an internationally known actor.
Irrfan Khan acted as a villain in ‘Haasil’ (2003), his close friend, Tigmanshu Dhulia’s first film as a director. The film was critically acclaimed though it failed at the box office. However, Irrfan Khan’s villainous role was very much appreciated with his Allahabadi Hindi accent. His other critically acclaimed films included Vishal Bhardwaj’s ‘Maqbool’ (2004), Mira Nair’s ‘Namesake’ (2006), Anurag Basu’s ‘Life in Metro’ (2007), Danny Boyle’s ‘Slumdog Millionaire’ (2008). Tigmanshu Dhulia’s ‘Paan Singh Tomar’ (2012) brought a second boost in the acting career of Irrfan Khan making him as an accomplished actor. He won the National Award for the best actor in this film. He justified his position as an actor par excellence in his subsequent Hindi films like ‘Lunch Box’ (2013), ‘Piku’ (2015), ‘Qarib Qarib Singlle’ (2017), ‘Hindi Medium’ (2017) and his last released film, ‘Angrezi Medium’ (2020). For the last two films, Irrfan Khan won Filmfare’s best actor awards.
During His active filmy career, Irrfan Khan acted in around 85 films. 18 films remained unreleased as of the date. I have watched most of his critically acclaimed films. Irrfan Khan does not have any particular mannerism in his acting like Raj Kapoor, Dilip Kumar, Dev Anand, Shammi Kapoor, Rajesh Khanna, Shahrukh Khan etc. These star-actors had huge fan following who would expect their favorite star-actors to repeat their mannerism in all films. Irrfan Khan, on the other hand, has fan followers who seem to like his varied roles with an unconventional acting style.
On the occasion of the 3rd Remembrance Day of Irrfan Khan, I have selected one of the songs from his film, ‘Qarib Qarib Singlle’ (2017) in which he teamed up with Malayalam actress, Parvathy in lead roles. It is a romantic comedy, a genre in which Irrfan Khan has never done the role as a lead actor in his previous films. The film is produced by Ajay Rai and Sutapa Sikdar (wife of Irrfan Khan) and is directed by Tanuja Chandra. Other supporting cast of the film included Neha Dhupia, Isha Sharvani, Pushti Shakti, Luke Kenny, Brijendra Kala, Navneet Nishan, Siddharth Menon, Bajrang Bali Singh, Avneet Kaur etc.
I have watched the film on OTT sometime last month. The film turned out to be beyond my expectation. I liked the unusual romantic story of single couple, Irrfan Khan and Parvathy during their journey from Rishikesh to Jaipur and finally to Gangtok. They are not usual hero and heroine of the mainstream Hindi films. They travel to these places simply because Irrfan Khan’s three ex-girlfriends are well settled at these places and he would like Parvathy to know that despite his break-up with them, they still remember him and he is welcome at their respective houses. During the journey, both Irrfan Khan and Parvathy appear pole apart in their temperaments. But towards the end of their journey, they realize that they love each other and their differences in temperaments complement each other as a couple.
The film was critically acclaimed. Performances of both Irrfan Khan and Parvathy were highly appreciated. But that did not reflect positively on film’s box office collections. I found the film interesting to watch. The protagonist in the film is Parvathy and the very nature of her role, she has to be less talkative and to act like lacking in confidence which she does very well. But it is Irrfan Khan who generates interest for the audience through his extroversion and witty presence.
‘Qarib Qarib Singlle’ has 4 songs written by Raj Shekhar (2) and Hussain Haidry (2). These songs were set to music by Vishal Mishra (2) and Rochak Kohli (2). All songs are apt to the situations. In addition, there was a Sufi Qawwali which was edited out at the final cut.
I am presenting the film’s first song “Wo Jo Tha Khwaab Sa” to appear on the Blog. The song is sung by Atif Aslam. Raj Shekhar has written the song which is set to music by Vishal Mishra. The song does not have the second antara in the film’s soundtrack while audio clip contains full song. I like the song for its philosophical lyrics and the way Atif Aslam has brought the emotion in his rendering.
In the film, the song is played in the background as Jaya, while in Gangtok, decides to meet her ex-boyfriend (Luke Kenny). On the other hand, Yogi (Irrfan Khan) after meeting his all three ex-girlfriends, gets looped into his past relationships. Note how Irrfan Khan’s eyes speak when he secretly watches the dance trainer, Isha Sharwani who was one of his ex-girlfriends. The lyrics by Raj Shekhar is philosophical. The substance of the song is why should one spoil the present enjoyable moments by recalling and conducting ‘post-mortem’ of the past break-ups? Whether one should be loath about the past break-ups and look for the reasons therefor as to what went wrong or to move on to enjoy whatever one has for the present. The frequent refrain ‘jaane de’ in the song is emphasizing on these two options.
Video
Audio
Song – Wo Jo Tha Khwaab Sa (Qareeb Qareeb Singlle) (2017) Singer – Atif Aslam, Lyrics – Raj Shekhan, MD – Vishal Mishra
Lyrics
(Based on Audio Clip)
aaa aaa aaaa
aaa aaa aaaa aaaaa
aaa aaa aaaa
aaa aaa aaaa aaaaa
wo jo thha khwaab saa
kya kahen jaane de
ye jo hai kam se kam
ye rahe ke jaane dein
wo jo thha khwaab saa
kya kahen jaane de
ye jo hai kam se kam
ye rahe ke jaane dein
kyun na rok kar khud ko
ek mashwara kar len
magar jaane de
aadatan to sochenge
hota yun to kya hota
magar jaane de
wo jo thha khwaab saa
kya kahen jaane de
ye jo hai kam se kam
ye rahe ke jaane dein
beeta jo beete na haaye kyun
aaye yun aankhon mein
hum ne to bemann bhi socha na…aa
kyun aaye tum baaton mein
poochhte jo hamse tum
jaane kya kya hum kehte
magar jaane de
aadatan to sochenge
hota yun to kya hota
magar jaane de
wo jo thha khwaab saa
kya kahen jaane dein
ye jo hai kam se kam
ye rahe ke jaane dein
aasaan nahi hai magar
jaana nahi ab udhar
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
aasaan nahi hai magar
jaana nahi ab udhar
maaloom hai jahaan dard hai
wahin phir bhi kyun jaayen
wahi kashmakash wahi uljhane
wahi tees kyun laayen
behtar to ye hota
hum mile hi na hote
magar jaane de
aadatan to sochenge
hota yun to kya hota
magar jaane de
wo jo thha khwaab saa..aa
kya kahen jaane de
ye jo hai kam se kam
ye rahe ke jaane dein
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आ आ आ
आ आ आ आ
आ आ आ
आ आ आ आ
वो जो था ख्वाब सा
क्या कहें जाने दे
ये जो है कम से कम
ये रहे के जाने दें
वो जो था ख्वाब सा
क्या कहें जाने दे
ये जो है कम से कम
ये रहे के जाने दें
क्यों ना रोक कर खुद को
एक मशवरा कर लें
मगर जाने दे
आदतन तो सोचेंगे
होता यूं तो क्या होता
मगर जाने दे
वो जो था ख्वाब सा
क्या कहें जाने दे
ये जो है कम से कम
ये रहे के जाने दें
बीता जो बीते ना हाए क्यों
आए यूं आँखों में
हमने तो बेमन भी सोचा ना॰॰आ
क्यों आए तुम बातों में
पूछते जो हमसे तुम
जाने क्या क्या हम कहते
मगर जाने दे
आदतन तो सोचेंगे
होता यूं तो क्या होता
मगर जाने दे
वो जो था ख्वाब सा
क्या कहें जाने दे
ये जो है कम से कम
ये रहे के जाने दें
आसां नहीं है मगर
जाना नहीं अब उधर
ह्म्म ह्म्म ह्म्म ह्म्म
ह्म्म ह्म्म ह्म्म ह्म्म
ह्म्म ह्म्म ह्म्म ह्म्म
ह्म्म ह्म्म ह्म्म ह्म्म
आसां नहीं है मगर
जाना नहीं अब उधर
मालूम है जहां दर्द है
वहीं फिर भी क्यों जाएँ
वही कशमकश वही उलझनें
वही टीस क्यों लाएँ
बेहतर तो ये होता
हम तुम मिले ही ना होते
मगर जाने दे
आदतन तो सोचेंगे
होता यूं तो क्या होता
मगर जाने दे
वो जो था ख्वाब सा
क्या कहें जाने दे
ये जो है कम से कम
ये रहे के जाने दें
Aise kyun haan kyun haan kyun
Posted March 24, 2023
on:This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5362 | Post No. : | 17587 | Movie Count : |
4727 |
It has been a while since I have been meaning to write my eighth post for the blog (technically ninth, the first one didn’t appear due to being a Pakistani film song!). Eight is considered a very round number and It would be a good idea to get out of its loop fast (has been long enough since my last post came in 2019 before the pandemic!!).
Hence, I decided to go ahead with two back to back posts about two versions of the same song which appeared in two different seasons of the same series with different lyrics and main singers being used.
The pandemic has seen this gradual shift in audience interest from the screen towards series that come on OTT (“Over the Top”) platforms like Netflix, Amazon Prime, Disney Hotstar, Zee5 etc. OTT refers to the technology that allows streamed content to be made available over the internet. One no longer needs cable networks to get access to serials and movies thanks to such platforms. Thanks to these platforms we have various artists getting an opportunity to participate in projects which are ‘different’ in terms of stories and treatment free from the restrictions imposed by feature films. Such series also give an opportunity to artists to display a wide area of emotions and character curves as there is no restriction of 2 hours etc to tell the story. Many movies have also started releasing directly on these platforms now and the viewer is spoilt for choice. Many of these series and movies are having some lovely songs in them as well. One can see movies and series of even big superstars releasing in OTT platforms as they are ready to pay the huge amounts for exclusive streaming rights to such content. Content is now king and users don’t mind getting a yearly subscription to such platforms in what would probably be lesser than one movie outing for a normal middle class family.
The first version which I am taking up today is from first season of an OTT series. The series in question is called ‘Mismatched’. This season had released on 20th November 2020 but it had been in the making for almost two years before. It is often seen that movie and serial makers often adapt from existing literary works which is the case here as well. This is the brief about the series with some information taken from Wikipedia page of the series.
Mismatched is a 2020 Indian Hindi-language coming-of-age romantic drama web series on Netflix, based on Sandhya Menon’s 2017 novel When Dimple Met Rishi. It was adapted by Gazal Dhaliwal and directed by Akarsh Khurana and Nipun Dharmadhikari. It is produced by Ronnie Screwvala’s RSVP Movies. Starring Prajakta Koli, Rohit Saraf, Rannvijay Singha and Vidya Malvade in prominent roles, the series is about Rishi, a die-hard romantic who believes in traditional ways of dating, who falls for Dimple, a gamer, and eventually wants to marry her. There are many other familiar artists in the series like Aditi Govitrikar, Jugal Hansraj and Suhasini Mulay. It also has Tarruk Raina who I have seen in a couple of series who seems to be a promising actor who can sign decently as well. Dhaliwal adapted the novel in early 2018, with the script being tweaked for the series. While the novel is set in the United States, the story was adapted to take place in Jaipur. The series features cinematography handled by Avinash Arun and Milind Jog, with editing done by Sanyukta Kaza and Namrata Rao. Mismatched features a soundtrack album composed by Jasleen Royal, Samar Grewal, Anurag Saikia, Prateek Kuhad, Shashwat Singh, Taaruk Raina, Deepa Unnikrishnan, Abhijay Negi and Hiphop Bhaiya, with Saikia also composing background score for the series.
The song under discussion today is titled “Aise Kyun”. Its lyrics are by Raj Shekhar and It has been composed by Anurag Saikia.
Anurag Saikia (born in December 1988) is an Indian film score composer , music director , music producer and instrumentalist from Assam, India. He is one of the youngest composers to be awarded with Rajat Kamal for Best Non-Feature Film Music Direction for the short Assamese film Yugadrashta (2013) at the 61st National Film Awards ceremony which took place in 2014.
His mother Dipali Saikia, is an All India Radio artist and teacher and his father Dr. Anil Saikia is an academician, who was conferred the Pratima Barua Pandey memorial Award on 27 December 2011 for his contributions towards the preservation and popularization of folk culture and music of the State of Assam.
After completing graduation from Cotton College, Anurag was admitted into the Swarnabhumi Academy of Music (SAM), Chennai. One of the latest movies he composed music for, is Thappad. He has worked with many popular artists like Sonu Nigam, Arijit Singh etc.
Saikia is known for his initiative of syncing Borgeets to the symphonic orchestra. Some of the movies he has composed for include Holding Back, The Job, One Last Question (2015), Dikchow Banat Palaax (2016), Maj Rati Keteki (2017). Toba Tek Singh (2018), High Jack (2018), Karwaan (2018), Mulk (2018), Article 15 (2019), Thappad (2020), Kaun Pravin Tambe? (2022), Anek (2022) and Bheed (2023). He also sings and writes songs occasionally. He has also composed for this series as well as some others like Cubicles, Gullak and Panchayat. He does the majority of the singing in this song.
The female vocals are provided by Nikhita Gandhi. Nikhita Gandhi (born 1 October 1991) is an Indian playback singer who has worked in Indian films in four different languages. She is half Punjabi and half Bengali. She has worked on Tamil, Hindi, Telugu, Bengali, and Kannada film projects. She sang as the face of Deepika Padukone in Raabta for the title track “Raabta”. Her song ” Ullu ka Pattha” dual with Arijit Singh from the film Jagga Jasoos is a hit song. She sang for Sachin: A Billion Dreams, Chef, Jab Harry Met Sejal, and Ittefaq. She also sang a Bengali song “Mithe Alo” with Atif Aslam for Cockpit. Her song “Aao Kabhi Haveli Pe” and “Poster Lagwa Do” also became popular.
Here is the music video for the song:-
Song-Aise kyun haan kyun haan kyun(Mismatched season one)(2020) Singers-Anurag Saikia, Raghav Chaitanya, Nikhita Gandhi, Lyrics-Raj Shekhar, MD-Anurag Saikia
Lyrics
Zara Zara Abhi Baatein Shuru Hi Hui
Magar Khush Hoon Main Aaj Kal
Hmm Abhi Talak Meri Shaam Toh Aisi Na Thi
Jaise Halki Hai Aaj Kal
Kya Hai Ye Maajra
Kuch To Hai Mil Raha
Ya Fir Main Hi Bas Mann Hi Mann
Kisse Banaane Laga
Aise Kyun Haan Kyun Haan Kyun
Tu Kuchh Bole Na
Aise Kyun Haan Kyun Haan aan aan Kyun
Tu Kuchh Bole Na Bole Na
Ho Ik Din Haule Se
Tujhse Hai Ye Poochhna
Raatein Teri Bhi Thhodi
Firozi Firozi Si Hain Bhi Kya
Ho Ik Din Raat Bhar Jo Tu Dekhe Jaag Kar
Kehna Sapne Sawere Gulabi Gulabi Se Hain Bhi Kya
Ho Ik Din Akele Mein Dil Se Sochna
Ik Din Akele Mein Khud Se Bolna
Kya Hai Ye Maajra
Kuchh To Hai Mil Raha
Ya Fir Main Hi Bas Mann Hi Mann
Kisse Banaane Laga
Aise Kyun
Haan Kyun
Haan Kyun
Tu Kuchh Bole Na
Aise Kyun
Haan Kyun
Haan Kyun
Tu Kuchh Bole Na Bole Na
Aise Kyun
Kuchh To Likhti Hoon
Likh Ke Mitaati Hoon Main Raat Bhar
Aise Kyun Baatein Khud Ki Hi
Khud Se Chhipaati Hoon Main Aaj Kal
Par Ye Sab Sochna
Dil Ko Yun Kholna
Sab Kuch Keh Kar Hi
Sab Ko Bataana Zaroori Hai Kya
Aise Kyun Haan Kyun Haan Kyun
Kyun Hai Bolna
Aise Kyun Haan Kyun Haan Kyun
Kyun Hai Bolna Bolna
————————————
Devnagari script Lyrics(Provided by Gajendra Khanna)
————————————
ज़रा ज़रा अभी बातें शुरु ही हुईं
मगर खुश हूँ मैं आज काल
ह्मम अभी तलक मेरी शाम तो एसी ना थी
जैसे हल्की है आज कल
क्या है ये माजरा
कुछ तो है मिल रहा
या फिर मैं ही बस मन ही मन
किस्से बनाने लगा
एसे क्यों हाँ क्यों हाँ क्यों
तू कुछ बोले ना
एसे क्यों हाँ क्यों हाँ क्यों
तू कुछ बोले ना
हो एक दिन हौले से तुझसे है ये पूछना
रातें तेरी भी थोड़ी
फिरोज़ी फिरोज़ी सी हैं भी क्या
हो एक दिन रात भर जो तु देखे जाग कर
कहना सपने सवेरे गुलाबी गुलाबी से हैं भी क्या
हो एक दिन अकेले में दिल से पूछना
एक दिन अकेले में खुद से बोलना
क्या है ये माजरा
कुछ तो है मिल रहा
या फिर मैं ही बस मन ही मन
किस्से बनाने लगा
एसे क्यों हाँ क्यों हाँ क्यों
तू कुछ बोले ना
एसे क्यों हाँ क्यों हाँ क्यों
तू कुछ बोले ना
एसे क्यों कुछ तो लिखती हूँ
लिख के मिटाती हूँ मैं रात भर
एसे क्यों बातें खुद की ही
खुद से छिपाती हूँ मैं आज कल
पर ये सब सोचना
दिल को यूँ खोलना
सब कुछ कह कर ही
सब को बताना ज़रुरी है क्या
एसे क्यों हाँ क्यों हाँ क्यों
क्यों है बोलना
एसे क्यों हाँ क्यों हाँ क्यों
क्यों है बोलना बोलना
Bismil bismil bulbul e bismil
Posted March 24, 2023
on:This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5362 | Post No. : | 17586 | Movie Count : |
4726 |
Vishal Bhardwaj’s Trilogy of Shakespeare Plays – 3: ‘Haider’ (2014)
————————————————–
In this article, I am exploring ‘Haider’ (2014), the last film of the Shakesperean trilogy by Vishal Bhardwaj which is adapted from ‘Hamlet’ (1599).
In a talk with ‘Mumbai Mirror’ just before the release of ‘Haider’ (2014), Vishal Bhardwaj said that he took a long gap (8 years) from Shakespearean trilogy. For the final film on Shakespearean trilogy, he had two plays in mind – ‘King Lear’ and ‘Hamlet’. Finally, he chose ‘Hamlet’. The film was majorly shot in around Srinagar and Pahalgam in winter months probably to give a feel of gloomy atmosphere inherent in the story. As with his earlier two films of Shakespearean trilogy, Vishal Bhardwaj molded ‘Hamlet’ with intra-family drama in Kashmir in the background of militancy in 1995.
The main characters in ‘Hamlet’ (1599) and their counterparts in ‘Haider’ (2014) are presented in a tabular form below:
Vishal Bhardwaj felt that the idea of ghost in the film may not be believable to the current generation. So, he developed an additional character in Roohdaar who has spent time with Dr Hilaal in detention camp.
In Hamlet | In Haider | Remarks |
---|---|---|
King Hamlet of Denmark | Dr Hilaal Meer (Narendra Jha) | In ‘Hamlet’, there is no character of King Hamlet. His names comes only when his death is announced. In ‘Haider’ (2014), Dr. Hilaal Meer has been shown treating an injured militants in his house. He also appears in army detention camp and also with Haider in his childhood in flashback. |
Prince Hamlet, the son of deceased King Hamlet of Denmark and nephew of Claudius. | Haider (Shahid Kapoor), son of deceased Dr Hilaal Meer and nephew of Khurram Meer. | The tragic hero. Vishal Bhardwaj has made the character of Haider in ‘Haider’ (2014) much more aggressive than Prince Hamlet of ‘Hamlet’ (1599) |
Claudius, younger brother of King Hamlet. | Khurram Meer (Kay Kay Menon), younger brother of Dr Hilaal Meer. | The villainous character responsible for the death of his elder brother. While Claudius becomes the king of Denmark and marries the widow queen, Khurram marries widow of his elder brother and becomes a political leader. |
Gertrude, Queen of Denmark, and mother of Prince Hamlet. | Ghazala (Tabu), wife of Dr Hilaal Meer and mother of Haider. | – |
Polonius, Counsellor to Claudius. | Parvez Lone (Lalit Parimoo), Police Inspector who works in close association with Khurram. | – |
Ophelia, daughter of Polonius. | Arshia (Shraddha Kapoor), daughter of Parvez Lone, a journalist and the beloved of Haider. | Arshia in ‘Haider’ (2014) is more independent than Ophelia in ‘Hamlet’ who is shown as a meek character. |
Ghost of Prince Hamlet’s father | There is no ghost but a character, Roohdaar (Irrfan Khan) does the same role as of ghost in ‘Hamlet’. | |
Laertes, son of Polonius who is based in France. | Liyaqat, (Aamir Bashir) son of Parvez Lone who is based in Bengaluru. | – |
Horatio, Prince Hamlet’s friend. | No equivalent character. | Vishal Bhardwaj has combined the role of Arshia both as the beloved and friend of Haider. |
‘Haider’ (2014) was jointly produced by Vishal Bhardwaj Pictures and UTV and was directed by Vishal Bhardwaj. The cast included Shahid Kapoor, Tabu, Shraddha Kapoor, Kay Kay Menon, Irrfan Khan (special appearance), Ashish Vidyarthi (special appearance), Lalit Parimoo, Kulbhushan Kharbanda, Aamir Bashir etc. The Censor Board has given the film U/A certificate (minor can watch the film under parental guidance) after some cuts suggested in the films and the director agreed to them.
This is one of a few films’ story which I found difficult to summarise as almost every scene in the film is important link to the continuity of the story. So, I have omitted it after finding that the summary of the story itself was more than 1000 words!
In my view, this film should be treated more as an intra-family drama of a Kashmiri family than the commentary on the political situations that prevailed in the mid-1990s in Kashmir. In the divided Meer family, the Khurram (Claudius in ‘Hamlet’) uses Army’s counter-insurgency operations to achieve his political ambition and clear the way for making formal the adulterous relationship with his elder brother’s wife, Ghazala (Queen Gertrude). His nephew, Haider (Prince Hamlet) uses militancy to take revenge against his uncle, Khurram for his betrayal of his father, Dr Hilaal Meer (King Hamlet of Denmark) and for killing him. So, portrayal of and commentaries on militancy and army’s counter-insurgency operations become inevitable part of the film. In ‘Hamlet’, all the main characters are killed or commit suicide. In ‘Haider’ (2014), Khurram (Claudius) and Haider (Prince Hamlet) have been shown seriously injured. The films end with a scene in which a seriously injured Khurram lies on the snow with his lower part missing due to a blast while Haider, also seriously injured walks away from the camera in the midst of dead bodies of militants and para military forces. The director has left to the imagination of the film audience to come o a conclusion as to what will happen to them.
Vishal Bhardwaj has tried to realistically present as to how a majority of innocent Kashmiris who have nothing to do with militancy have been caught in the ‘catch-22’ situation. They cannot antagonise militants and the army out of fear. However, I wish Vishal Bhardwaj had balanced this realistic approach with the other side of the realities by giving some footage in the film as to how difficult is for the army/paramilitary forces to decide between guilty and innocent in hostile and treacherous environments where trust is in deficit. One of the cardinal principles of army and para-military forces is that suspects are treated as guilty until proven otherwise. Also, there is no even a small footage in the film of the extreme hardship the minority communities suffered exactly during the time-frame chosen in the film.
‘Haider’ (2014) has 8 songs of which two songs are from the published poems of Faiz Ahmed Faiz and rests are written by Gulzar. All the songs are set to music by Vishal Bhardwaj in melodramatic mood in keeping with the story of the film.
I have selected a story-telling song from the film, ‘bismil bismil bulbul-e-bismal’ which corresponds to ‘Mousetrap’, a play within the play in ‘Hamlet’. In both ‘Hamlet’ and ‘Haider’ (2014), the play/song is a turning point for Hamlet/Haider to take revenge against his uncle. The song is written by Gulzar and rendered by Sukhwinder Singh and chorus. The song is presented in an opera style for which Norway-based Sudesh Adhana was entrusted with choreography of the song. Renowned puppeteer, Dadi Pudumjee specifically made puppets for this song, one of which was the tallest puppet (100 feet) used in any Hindi film.
The song was picturised at the ruins of Martand Sun temple (located on the way to Pahalgam from Srinagar). Since the shooting was scheduled in the peak winter season, every morning and even during the shooting, the snow accumulated on the dancing arena had to be cleared. On the days of the song picturisation, there used to be 5000-6000 people, many coming from mofussil areas for watching the shooting which created problems for the crew. Finally, Vishal Bhardwaj decided to make them sit in the raised arena of the temple complex in an orderly fashion and made them a part of the song sequence.(As revealed in his TV talk).
The song comes in the film at a time when Haider is emotionally upset after he becomes aware of the conspiracy of his uncle, Khurram in for his father’s death as told to him by Roohdaar (Irrfan Khan). Haider performs the dance in the presence of his uncle, Khurram and mother, Ghazala in celebration of their marriage. Haider’s intention in this dance performance is to gauge from the expressions of his uncle to confirm what Roohdaar had told him was true.
According to Sukhwinder Singh, Vishal Bhardwaj wanted the elements of Kashmiri folk music and folk dance for this song. He hired local musicians to play the Sarangi and the Rabab and recorded with them in a studio there. While picturising the song, he even invited these musicians to the shoot, and they joined Shahid Kapoor in playing Rabab. Vishal blended Kashmiri folk music with western opera music (Source: E-Times, 26/09/2014).
Video Clip:
Audio Clip:
Song-Bismil Bismil Bulbul e Bismil(Haider)(2014) Singer-Sukhwinder Singh, Unknown male voice, Lyrics-Gulzar, MD-Vishal Bhardwaj
Chorus
Lyrics (Based on Audio Clip)
bismil bismil bulbul-e-bismil
bismil bismil
mat mil mat mil
gul se mat mil
mat mil mat mil
ae bismil bismil bulbul-e-bismil
mat mil mat mil
gul se mat mil
bismil bismil bulbul-e-bismil
ae dil-e-bulbul
bulbul-e-bismil
mushkil dil bhi mushkil hoti hai
dil dhadke dil dil dhadke to,/em>
dil dhadke dil dil dhadke to
dhadkan-e-dil bhi harkat-e-dil ho..ti hai
khushboo-e-gul mein ishq bhara hai
mat mil mat mil
gul se mat mil
ae bulbul-e-bismil
mat mil mat mil
gul se mat mil
aye bulbul-e-bismil
ho o o o o
sun le zamaana samjhaata hoon
teri kahaani dohraata hoon
ae dil-e-bulbul
bulbul-e-bismil
ae dil-e-bulbul
bulbul
bulbul-e-bismil
ik joda thha
nar maada kaa
bholi thhi bulbul
nar saada thhaa
ik joda thhaa
nar maada kaa
bholi thhi bulbul
nar saada thhaa
barf gira karti thhi jab
bhar jaati thhi kohsaaron mein
ik baaz bada badneeyat thhaa
haan ik baaz bada badneeyat thhaa
udta thha..aa sabz anzaaron mein
pankhon mein uske maut chhupi thhi
mehfil mehfil dhoondh raha thhaa
mehlon ki manzil
mehfil mehfil dhoondh raha thhaa
mehlon ki manzil
bulbul ke khwaabon mein jaa kar
zaher ke dank lagaaye thhe
khushboo-e-gul mein zaher bhara..aa
aur maada ko bhijwaaye thhe
zaher ke dank lagaaye thhe..ae
bulbul ke khwaabon mein jaa kar
maada ko bhijwaaye thhe
zaher ke dank lagaaye thhe
ho o o o waadi mein chhidka baarood
jheel mein jaal bichha daale
chhuriyon se bechaare nar ke…ae
chhuriyon se bechaare nar ke…
dono pankh kata daale
are dil dil dil dil jhooth kahe ye
jhooth kahe buzdil
mat mil mat mil
gul se mat mil
ae bulbul-e-bismil
ae bulbul-e-bismil
ae bulbul-e-bismil
zakhmi nar ko qaid kiya
qaid kiya
qaid kiya
zanjeeron mein bandhwaaya
Baaraamula ke Sheerinpur se
phir paani mein phinkwaaya..aa
jhelum..m
jhelum
laal laal hua
laal laal hua
laal laal hua laal
jhelum..m
jhelum
laal laal hua
laal laal hua
laal laal hua laal
Kashmir ke paani ki taaseeren
ghul gayi zanjeeren taqdeeren
zinda hai wo zinda hoga..aa
muzrim bhi sharminda hoga..aa
zinda hai wo zinda hoga
muzrim phir sharminda hoga
zinda hai wo zinda hoga
muzrim phir sharminda hoga
hosh mein aaja
hosh mein aaja
ae bulbul-e-bismil
ae bulbul-e-bismil
khushboo-e-gul mein
zaher bhara hai
hosh mein aaja
hosh mein aaja
ae bulbul-e-bismil
hosh mein aaja
hosh mein aaja
ae bulbul-e-bismil
Bataao bataao hai kya ye saheli
Posted March 4, 2023
on:This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5342 | Post No. : | 17516 | Movie Count : |
4713 |
‘Raanjhanaa’ (2013) is a love story which was produced by Krishika Lulla and was directed by Aanand L Rai. Dhanush (of Kolaveri fame) made his debut in Hindi film as a lead actor along with Sonam Kapoor. Other actors in the film were Mohammed Zeeshan Ayub, Swara Bhaskar, Abhay Deol (special appearance), Kumud Mishra, Deepika Amin, Shilpi Marwah, etc in supporting roles. The film was dubbed in Tamil as ‘Ambikapathy’ (2013).
The consequence of unrequited love is the theme of the film’s story.
Kundan Shankar (Dhanush), the son of a Tamil priest in a Varanasi temple is madly in love with his childhood crush, Zoya (Sonam Kapoor) who, now grown up, does not wish to reciprocate his love as they belong to different faith. Bindiya Tripathi (Swara Bhaskar) loves Kundan but he does not reciprocate her love for the obvious reason. When Zoya’s parents come to know about her relationship with Kundan, she is sent away to Aligarh for further schooling. Kundan continues to be in good books with Zoya’s parents who also admires him for his timely help whenever they required.
Zoya gets admission in JNU for higher studies where she gets involved with students’ union activities. Here, she comes in contact with Jasjeet Singh (Abhay Deol). Both are in love with each other and are keen to get married. Knowing her parents’ views on inter-faith marriage, Zoya tells Jasjeet to impersonate himself as Akram Zaidi when they meet her parents.
Zoya returns to Banaras after many years and meets Kundan to tell him that she is in love with Akram and he should convince her parents for her marriage with Akram. She also tells him that he should also get married to Bindiya who loves him. Kundan’s love for Zoya makes him agree to her both requests, albeit reluctantly.
On the day of the pre-wedding ceremonies of both Zoya and Kundan at different venues, Kundan’s comes to know through a newspaper report that the student leader of JNU is a Sikh, Jasjeet Singh in the guise of Akram Zaidi. This enrages Kundan so much that he rushes out of his pre-wedding ceremony to tell Zoya’s parents that Akram is not a Muslim. In the milieu, Jasjeet is badly beaten by Zoya’s relatives for lying them and Zoya tries to commit suicide. When Kundan comes to know about these incidents, he rushes to the hospital leaving his wedding ceremony. Injured Jasjeet is taken to his native place by his parents and Zoya recovers from her attempted suicide injuries.
When Kundan returns from hospital, it is too late for him to get married to Bindiya. His parents, being angry, expels him from the house. The homeless Kundan feels remorseful as it was because of him, Jasjeet got injured and Zoya tried to commit suicide. To redeem himself from his wrongdoing, Kundan takes Zoya to Jasbeer’s native place where he comes to know that he has succumbed to his injury.
Zoya rejoins JNU and carry forward the work of the party floated by Jasjeet. Kundan, after knowing that Zoya is heading the party, joins the party. He becomes popular with the party workers and overtime, he has risen to one of the important functionaries of the party. Zoya, who already holds Kundan responsible for Jasjeet’s death, feels threatened by Kundan’s popularity. With some instigations and support from outside politicians, Zoya plans to get Kundan injured during his campaign speech. However, Kundan gets badly injured in a blast and is hospitalized in a serious condition.
When Zoya comes to know that Kundan who was already aware of her plan, deliberately decided to get injured, she rushes to hospital to be with him. In his dying moment, he tells her that he is now very tired and wish to get a final rest. He wishes to be born in Banaras again and be an unrequited lover of a girl like Zoya.
The highlight of the film is the exceptional performance by Dhanush. He gives through his performance a feeling that no one else but he can only perform the role of Kundan. Dhanush dubbed his dialogues in Hindi in his own voice for which he took extensive coaching in Hindi. Some shades of Tamil accent in his Hindi dialogues worked well for his character of a Tamil brahmin in the film. Swara Bhaskar and Zeeshan Ayub also performed very well in their respective roles of Bindiya and Kundan’s close friend, Murari.
‘Raanjhanaa’ (2013) had 9 songs, all written by Irshad Kamil which were set to music by A R Rahman. According to Aanand L Rai, film’s director, when A R Rahman heard that the script was Banaras based, thoughts of Ustad Bismillah Khan immediately came to his mind. He suggested using elements of shehnai in the film’s songs in honour of the shehnai maestro. (Source: May 9, 2013 issue of ‘Mid-Day’). He composed all the songs in folk-classical base to give a feel of Banaras.
I am presenting the first song from the film, ‘bataao bataao kya hai paheli’ to appear on the Blog. The song is rendered by Madhushree, Vaishali Samant, Chinmayee, Aanchal Sethi and Chorus. The song is written by Irshad Kamil which is set to music by A R Rahman. The background of the song is that when it becomes certain to Kundan that Zoya would be getting married to her fiancé, Jasjeet Singh posing as Akram Zaidi, Kundan agrees to marry Bindiya. At both the places, pre-wedding rituals are going on simultaneously as this song is played in the background.
In this song, there are three riddles in the conversation between two ‘sakhis’ describing some ordinary events. One sakhi who acts as an interlocutor answers the riddles by imagining that she is talking about her ‘saajan’ (beloved). The ‘sakhi’ says ‘no’ and gives the answer which turns out to be something ordinary. The song is inspired from Amir Khusro’s ‘mukriyaan’ (riddles). An example of the many riddles Amir Khusro wrote is as under:
raat samay wah mere aawe
bhor bhaye wah ghari uti jaawe
ye achraj hai sab se nyaara
ae sakhi saajan
naa sakhi taara
Another feature of this song is that there are percussions and shehnai which are vocally played in the interludes. As per the credit titles of the film, the vocal percussions and shehnai were given by Chinmayee and Aanchal Sethi.
Video Clip:
Audio Clip (with video mix):
Song-Bataao bataao hai kya ye saheli (Raanjhana)(2013) Singers-Madhushree, Vaishali Samant, Chinmayee, Aanchal Sethi, Lyrics-Irshad Kamil, MD-A R Rahman
Lyrics: (Based on Audio Clip)
sa dha ni re
aa aa aa
sa dha
aa aa aa aa aa
aa aa aa aa aa
dha ma dha ni
dha ni re
dha ni pa
re ga ma dha pa
re ga pa sa
ga ma dha dha
ni ni sa ni dha pa
re ga ma dha pa re sa
aa aa aa
aa aa aa
ga ma dha dha
ni ni ni ga re ga
sa re sa
aa aa aa aaa
aa aa aa aaa
aa aa aa aaa
bataao bataao hai kya ye saheli
bataao bataao hai kya ye paheli
bataao bataao hai kya ye saheli
bataao bataao hai kya ye paheli
haan hai sakhi uljhan
kya sakhi uljhan
ae sakhi uljhan
kya sakhi uljhan
ae sakhi uljhan
kya sakhi uljhan
tyun tyun tyun tyun tyun….un
tyun tyun tyun tyun tyun….un
tyun tyun tyun
tidid tyun tyun tyun tyun….un
tidid tyun tyun tyun
tyun tyun tyun tyun
tyun tyun tyun
tyun tyun tyun
tyun tyun tyun
tyun tyun
hriday saara badal hai jaata
janam janam kaa usase naata
ho kabhi hai waadi ho o
kabhi suwaadi
kabhi hai waadi ho o
kabhi suwaadi
ae sakhi saajan
naa sakhi shaadi
ae sakhi saajan
naa sakhi shaadi
ae sakhi saajan
naa sakhi shaadi
pein pein pein pein pein
pein pein pein
pein pein pein pein pein
pein pein pein
paaye pa pa
paaye pa pa
paaye pa pa
paaye pa pa
paaye pa pa
paaye pa pa
pei…………..n
paaye pa pa
paaye
paaye pa pa
paaye
paaye pa pa
paaye
pei……………n
chaahe to wo karde andhera
geela karde tanmann mera
chaahe to wo karde andhera
geela karde tanmann mera
main to sukhaati hoon
tera dil daaman
ae sakhi saajan
o sakhi saawan
ae sakhi saajan
naa sakhi saawan
haaye
paas naa ho bada sataaye
sataaye
paas jo ho bada sataaye
sataaye
paas bulaaye bina batlaaye
bataaye
paas wo aaye bina batlaaye
bataaye
paas rahe nazar naa aaye
na aaye
paas rahe nazar lagaaye
lagaaye
paas usike rahen
khwaishen khwaishen
paas usike to hai
khwaishen khwaishen
o uske liye ho
karoon sau jatan
ae sakhi saajan
haan sakhi saajan
ae sakhi saajan
haan sakhi saajan
haan sakhi saajan
haan sakhi saajan
Jiya jiya re jiya re
Posted February 1, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5311 | Post No. : | 17410 | Movie Count : |
4689 |
AR Rehman – The Musician of 21st Century – 4
Agar firdaus bar-rū-e-zamīñ ast
Hamīñ ast o hamīñ ast o hamīñ ast
Dekh tera kya rang kar diya hai
Khushboo ka jhonka tere sang kar diya hai
If I say that the above lines perfectly describe the colourful sights and smells of Kashmir, then it is much less than what I want to say. The first time I travelled outside Maharashtra, north of Mumbai, was the trip to Kashmir combined with Delhi-Agra visit back in 2012. So, after 10 years I just thought, let’s do a package tour this time. There we were, 6 of us in the group, a couple from Bangalore, two senior ladies from Gujarat and my husband with his better half 😊. We two reached a day earlier then the group tour was to start, in the 3rd week of August. This was right after the engagement ceremony in Belgaum. So, we got to stay in two different houseboats and we covered Yusmarg, another beautiful part of the valley, a little off the beaten track. Apart from Srinagar, this was the only place I got to see a crowd of local people. There were some school groups, who were visiting that day. Lots of girls and boys in school uniforms with teachers.
About houseboat stay: Exquisitely carved wooden boat, living in them is a different and unique experience. They are stationary, and all of them have the same type of facilities and services are very basic. Meals are provided in house, by the household of the owners living behind the houseboats, in the houses on the island in the Dal lake. There are many ghats for travelling to and fro from house boats. And you cannot travel from one house boats covered by one ghat, to another houseboat coming under the jurisdiction of another ghat. The shikaras cannot trespass into each other’s territories, in other words. They will drop you to their own ghat, then you can make your own way to which ever ghat your other houseboat comes under and take a fresh shikara from there. In order to find a Kashmir song, I saw a few songs of ‘Mission Kashmir”. In them, the interiors of the houseboat shown are very authentic and close to the real thing. But most of the scenes in that song showing area surrounding the houseboat is shot in studio, and not realistic at all.
Yeh jhonka tere ghar ka rastaa banegaa
Akele mein tujh se mila to kahegaa
Next place to travel was Pahalgham, where we stayed to 2 nights. The hightlight is travelling to Pahalgham by road. The whole area and travel, is a scenic beauty. I was clicking away on my mobile and it was never enough. Another turn of the road, and there is more to see, the same mountains and trees but different to click. This time I can say, I really looked at Kashmir through the camera on my mobile. It also makes me wonder how this type of natural beautiful views must be affecting the professional photographers. I am sure the film industry photographers have shot reels and reels of the views here, and most of it could not be included in the final edited film. Pahalgham has not changed much from 2012. It is a town high up in the mountainous valley, surrounded by huge mountains. They have developed the Betaab valley as a big picnic spot, and entry fee. It has artificially created pebble beach, with patches of forests, pathways and open gardens. The ‘Lidder’ river is really magnificent to travel along, with deep gorges and water dancing along huge boulders. River rafting could be delighting for those who can.
Tu aa jaa main tere sang chaloon
Satrangi ke le ke rang chaloon
Next stop was at Gulmarg, which has changed, more commercial, more horses and horsemen then tourist. The situation is the same at Yusmarg, as there were very few tourists there. But at Gulmarg, tourists were there, but the whole area seems to be swarming with horses and guides. On our last visit, we could not get the tickets for Gondola ride. This time the tour operator has arranged tickets, so I was excited to go so high up in the mountains. But the tour company messed up our booking, and they had booked it for the next day. Next day, we were to leave for Srinagar. All the group members called up the tour operators contacts, but it was a Sunday, the office was closed. Eventually, the issue was resolved, and the tickets were arranged. So, we went up level 1 on the gondola, and 4 of us went to the next level i. e. Level 2 also, and we climbed down a side of the mountain to get to the last remaining patch of ice. That patch had not melted as direct sun light is not falling on that side of the mountain. In August, there is no snow/ice anywhere in Kashmir, except the glaciers, which are obviously too far to reach.
Tere paas yaadon ka melaa rahegaa
Tu logon mein reh kar akelaa rahegaa
We returned to Srinagar, and next day was for sight seeing at Srinagar and shopping. Shankar Acharya temple visit, and Gardens were scheduled, but Nishat Baug was closed that day, so we could only visit Shalimar Garden and click the photos there.
Next day was the day trip to Sonmarg, which is on the road to Laddakh. This is again an enchanting journey through the valleys. With the huge mountains, (we don’t have such mountains in our region) make us wonder at the creator. The Himalayas are the highest mountain range in the world, with top two peaks in this range, the Mount Everest and K-II. I was just writing this on guess work, but thought to research the top ten peaks in the world. This is the result:
List of 10 highest mountains of the world
Rank | Mountain | Range | Country Height (ft.) | |
---|---|---|---|---|
1. | Everest | Himalayas | Nepal, China | 29,031.7 |
2. | K2 (Mount Godwin Austen) | Karakoram | Pakistan, China | 28,251 |
3. | Kangchenjunga | Himalayas | India, Nepal | 28,169 |
4. | Lhotse | Himalayas | Nepal, China | 27,940 |
5. | Makalu | Himalayas | Nepal, China | 27,838 |
6. | Cho Oyu | Himalayas | Nepal, China | 26,864 |
7. | Dhaulagiri | Himalayas | Nepal | 26,795 |
8. | Manaslu | Himalayas | Nepal | 26,781 |
9. | Nanga Parbat | Himalayas | Pakistan | 26,660 |
10. | Annapurna | Himalayas | Nepal | 26,545 |
The Himalayas account for all ten of them. I should have looked for top 20, then maybe I will get some variety. No such luck as the top 20 also all in the Himalayas. (Highest mountains), only the last few out of the 8 thousanders’(in meters) list.
On my last trip, we were unable to tolerate the cold, and returned to Srinagar halfway from Sonamarg. This time since the weather was tolerably cold, we did reach the area where the Glacier is visible. People go near the streams and nearer to the Glacier, on horseback. We travelled a little distance up the mountain on horse but came back early. The couple from Bangalore went the whole hog and made the most of the trip, as they did the horse-riding expedition in Pahalgham too.
Sonmarg in Winter
Sonmarg in Summer
The 55,000 glaciers in the Himalaya, Karakoram, and Hindu Kush (HKHK) mountain ranges store more freshwater than any region outside of the North and South Poles. Their ice reserves feed into three major river basins in South Asia—the Indus, Ganges, and Brahmaputra—that are home to 750 million people.
Ten thousand of these are India, this page has some of the glacier ranges pictures.
I have found another Bollywood song, part of which is shot near to the Thajiwas glacier. I will post that outdoorsy song and then we can see how huge it was then and compare it to the present status in the you tube links given above. There is the chance to write more about the glaciers and rivers and mountains of Kashmir.
Dekh tera kya rang kar diya hai
Khushboo ka jhonka tere sang kar diya hai
(Muhammed Nasir)
My search of songs filmed in Kashmir took me to the movie “Jab tak hai Jaan”(2012), songs of which were composed by A. R. Rehman. There are other songs in the movie that are very rich and appealing. Punjabi folk and sufiana are accounting for 80% of creativity in hindi film music even in the 21st century. But this song won out on location shoots.
So this catchy songs, filmed part in Gulmarg, Part in Pehalgham, part in Yusmarg and the fabulous reflective Dal lake, sung by Neeti Mohan and written by Gulzar is post no. 4 of A. R. Rehman series. River rafting in Lidder river and the road towards Pehelgham are the locations, no one could avoid if you got a film unit to shoot in Kashmir. Anushka Sharma is singing, and Shah Rukh Khan is also seen in the song. The audio recording of the song focuses on Neeti Mohan’s powerful vocals. There are as many different singers as songs in this score.
Video:
Audio:
Song-Jiya jiya re jiya re (Jab Tak Hai Jaan)(2012) Singer-Neeti Mohan, Lyrics-Gulzar, MD-A R Rahman
Lyrics(as per full audio):
Chali re ae
Chali re ae
Junoon oon
ko liye ae
qatraa aa
qatraa aa
lamhon on
ko piye ae
pinjre se udaa
dil ka shikraa
khudi se main ne
ishq kiyaa re ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o ooo
Chali re ae
Chali ee ee re ae
Junoon oon
ko liye ea
pinjre se udaa
dil ka shikraa
khudi se main ne
ishq kiyaa aa aa re ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya oo ooo ooooo
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
(rap by Akira)
Chhote chhote
Lamhon ko
Titlee ke jaise pakdo to oo
Haathhon mein rang
Reh jaata hai ae
Pankhon se jab
chhodo to
Waqt chalta hai
Waqt ka magar
rang Utartaa hai
Akiraa
Udte udte phir
Ek lamhaa main ne
Pakad liyaa re ae ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Halke halke
dardon mein
muskuraana
achha lagta hai ae
Raushni jo
Detaa ho to oo
dil jalaana
achha lagta hai ae
ek pal sahi
umr bhar ise
saathh rakhna
akiraa
zindagi se phir
ek waada
maine kar liya re ae ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya oo ooo ooooo
Chali re ae
Chali re ae
Junoon oon
ko liye ae
pinjre se udaa
dil ka shikraa
khudi se main ne ae ea
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5307 | Post No. : | 17399 | Movie Count : |
4686 |
Celebrating a wedding at Bangalore
———————————————-
The wedding of my nephew (Elder sisters son) was solemnised at Bangalore in the last week of December. The groom is born in Mumbai, but has grown up studied and now working also in Bangalore, so he is a Bangaloria, through and through. I used to call him Bangaloria when he was a kid, for the way he would speak the local dialect. The engagement had taken place at Belgaum in August. The bride’s family are very traditional and conservative. They wanted the wedding to take place within 2-3 months. November was the month, they wanted to plan. Since we had our Turkey visit already planned for November end, and my brother had only few days leave in December, somehow, a date suiting all made final.
By the grace of Almighty Allah, all went well with the wedding and all functions. All the guest from different places and overseas, reached on time. The weddings in Bangalore are more disciplined, and set time is adhered to unlike what happens in Mumbai. I applaud the people of Bangalore city, for ‘jhelofying’ the traffic conditions and keeping to the times. The 4 days I spent there; it was like half the life is spend in travel from place to place. Regulars of the blog, from Bangalore can testify, that if 5 km distance travel is involved, ½ an hour travel time is a given. The groom’s house and the bride’s houses are in the areas on opposite side of an arterial road, not very far from the location where the flyover for the airport starts. What all was looking good and convenient and accessible on paper, was not the same on ground. But eventually everyone reached their destinations safely and no one missed anything. Everyone blessed the couple, enjoyed the hearty feasts, and all went home to their own cities and houses and jobs, having made some new memories of the event.
The nikaah was in the morning so that same evening was free for those who wanted to roam around. So, we also did, roam around the city in the car amid heavy traffic on Christmas eve with my sister, cousins, children etc. We were on MG road for a good dining place. I remembered a scene in Aamir Khan’s “Raakh”, which was set in some year 2030 MG road in an Indian metro city. The movie released in 1989 but the story dated some 50 years after. This is what I recall, but not sure. Eventually we left MG road and went to another area where restaurants were open till 2.00 am. Bangalore has changed in this regard in last 11-12 years.
Weddings are special, in the way they bring people together to catch up, relive the old times. Meeting and greeting the close and far off relations, plus old friends, with whom we have lost touch is also a bonus. My sisters two close friends live in Mumbai, but do not get to meet each other often. They came to Bangalore to attend the wedding and found a rare opportunity to spend time with each other. They were regular visitors in our house till my sister was alive, and they know most of the extended family also because of this.
Many people who knew my sisters since she shifted to Bangalore in 1994, her neighbours in the earlier house and her business associated, were among the guests at reception by grooms’ side, to bless the new couple. One of the associate/friends at the wedding was actor Feroz Khan’s and singer Kanchan’s cousin, who was used to share film industry’s’ inside news with my sister. My sister was a film buff, like I am a film song buff. She used to pore over filmy gossip magazines.
Let us go back to the wedding. The bride is a sweet girl, who has studied in Belgaum, Shimla, Jaipur, and Ajmer. Due to her father’s posting in Belgaum some years ago and for the last few years, they were staying in Belgaum, where the engagement in August took place. Her family hails from ‘Madanapalle’ in Andhra Pradesh. This place is also known and important for when Rabindra Nath Tagore visited the Besant Theosophical College there. It is known that Rabindra Nath Tagore composed the tune of ‘Jana gana mana’ while staying in Madanapalle. As soon as I got to know that the girl is from a place called “madanapalle”, I googled and got the above trivia.
So here to the addition of new member in the family and to the value addition to the nephew s life, where he is now responsible for another person’s wellbeing and happiness. In the small intimate ceremony of family members at home, right after the wedding, the bride and the groom were asked to sing songs and say a poem where they must take each other’s names. When I suggested this song “aaj se teri saari galiyan meri ho gayin” for the groom to sing for his bride, he did not agree, saying this is very unfair, everything belongs to her and I get nothing, only ‘galiyan’ & ‘gham’! 😊.
But it is only fair that you give her everything that she has left behind in her parent’s house, to come to your place, she brings her destiny with her, joins it with you and makes your house, a home. Alhamdullillah.
So the song I am presenting is the same one, from the film ‘Pad Man”(2017). This is the trivia about the film:
• The film was a “cinematic adaptation” of the life story of Arunachalam Muruganantham, a social entrepreneur from Coimbatore. Arunachalam is known for developing low-cost sanitary pads and for increasing awareness about menstrual hygiene practices. The Government of India awarded him the Padma Shri in 2016.
• The film’s concept credited to Twinkle Khanna. While she produced the film, her husband Akshay Kumar played the lead role in it. Twinkle Khanna had written a short story titled “The Sanitary Man of Sacred Land” in 2016 which, like the film, was based on the life of Arunachalam Muruganantham. The story was part of a collection of stories written by her titled “The Legend of Lakshmi Prasad”.
The lead actors in the film were Akshay Kumar, Radhika Apte and Sonam Kapoor. The song is a written by Kausar Munir and composer is Amit Trivedi. Arjit Singh is the singer. Their tally in the blog so far is this:
Amit Trivedi | 5 |
Kausar Munir | 2 |
Arijit Singh | 7 |
This is a celebratory song, with Akshay Kumar making all type of promises to Radhika Apte and in return only needing her to make ‘maalpue’ sometimes and ‘khul ke muskurana’ sometimes. Cute and generous to boot. ‘Bangaluria” bhanje, do take note.
For history of ‘maalpue’ in the blog, one may revisit this post.
Full audio:
Video:
Song-Aaj se teri saari galiyaan meri ho gayin (Pad Man)(2017) Singer-Arijit Singh, Lyrics-Kausar Munir, MD-Amit Trivedi
Lyrics (as per audio)
Aaj se teri
saari galiyaan
meri ho gayin
aaj se meraa
ghar teraa ho gayaa
Aaj se teri
saari galiyaan
meri ho gayin
aaj se meraa
ghar teraa ho gayaa
aaj se meri
saari khushiyaan
teri ho gayin
aaj se teraa
gham meraa ho gayaa
ho tere kaandhe ka jo til hai
ho tere seene mein jo dil hai
ho teri Bijli ka jo bill hai
aaj se meraa ho gayaa
ho mere khwaabon ka ambar
ho meri khushiyon ka samandar
ho mere pin code ka number
aaj se teraa ho gayaa
tere maathe ae ae ae ae ae ae ae ae
tere maathhe ke kumkum ko
main tilak lagaa ke ghoomoongaa
teri baali ki chhum chhum ko
main dil se lagaa ke jhoomoongaa
meri chhotti se bhoolon ko tu
nadiya mein bahaa denaa
tere joode ke phoolon ko
main apni shirt mein pehnoongaa
bas mere liye tu maalpuye
kabhi kabhi bana denaa
aaj se meri saari ratiyaan
teri ho gayin
aaj se tera
din meraa ho gayaa
ho tere kaandhe ka jo til hai
ho tere seene mein jo dil hai
ho teri Bijli ka jo bill hai
aaj se meraa ho gayaa
ho mere khwaabon ka ambar
ho meri khushiyon ka samandar
ho mere pin code ka number
aaj se teraa ho gayaa
tu maange sardi mein Amiya
jo maange garmi mein moongphaliyaan
tu baarish mein agar keh de
ja mere liye tu dhoop khilaa
to main sooraj a a a a a
to main sooraj ko jhatak doonga
to main saawan ko gatak loongaa
to saare taaron sang chanda
main teri goad mein rakh doongaa
bas mere liye tu khil ke kabhi
muskuraa denaa
aaj se meri
saari sadiyaan
teri ho gayin
aaj se teraa
pal meraa ho gayaa
ho tere kaandhe ka jo til hai
ho tere seene mein jo dil hai
ho teri Bijli ka jo bill hai
aaj se meraa ho gayaa
ho mere khwaabon ka ambar
ho meri khushiyon ka samandar
ho mere pin code ka number
aaj se
teraa ho gayaa
Aaj se teri
saari galiyaan
meri ho gayin
aaj se meraa
ghar teraa ho gayaa
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5302 | Post No. : | 17374 | Movie Count : |
4679 |
‘Dedh Ishqiyaan’ (2014) was a sequel to ‘Ishqiya’ (2010). Both the films were produced under the banner of V B Films of Vishal Bhardwaj along with Raman Maroo and were directed by Abhishek Choube. While the main actors, Naseeruddin Shah, Arshad Warsi and Salman Shahid were retained for the sequel, the lead actress, Vidya Balan was replaced with Madhuri Dixit. Other supporting actors were Huma Qureshi, Vijay Raaz, Manoj Pahwa, Mehmood Hashmi, Ravi Gosain etc.
The story of the film was written by Darab Farooqui. It is said that the film’s story has been partly influenced by Ismat Chughtai’s short story ‘Lihaaf’ which was published in a Lahore-based Urdu journal in 1942. ‘Lihaaf’ sets out the events following the sexual awakening in Begum Jan after her unhappy marriage with a Nawab. She gets into a romantic relationship with her female attendant. This became a big issue in 1942. A legal case was filed against Ismat Chughtai on charges of obscenity in the Lahore High Court. She was subsequently exonerated from the charges (Source: ‘The Feminist Voice of Ismat Chughtai’ – The DAWN, 27/11/2016). Probably, the director of ‘Dedh Ishqiyaan’ (2014) did not want to take that risk. So, in the film, the relationship between Begum Para (Madhuri Dixit) and Munniya (Huma Qureshi) were discreetly shown in the film.
I have seen this film 5-6 years back and again a few days back on YouTube. There are plenty of this film’s reviews available online. So, I will not go into the details. The film is a romantic comedy thriller. Everything about this film turned out to be right – the performances of the actors, a sleek screenplay, catchy dialogues in chaste Urdu, good cinematography, excellent lyrics, dance, and music compositions. The pair of Naseeruddin Shah and Arshad Warsi stole the show. Madhuri Dixit excelled in the role of Begum Para, depicting varied emotions apart from her excellent dances. Huma Qureshi acted well in pairing with Madhuri Dixit in the role of Munniya, her attendant. Vijay Raaz in the role of a politician and Nawab-in-waiting and Salman Shahid in the role of a gangster boss have been outstanding.
The film received very good reviews from the critics. But, as per box office report, upon the film’s release in early January 2014, it achieved the average collection at the box office. Based on the worldwide box office collections, the film barely recovered the cost of production. I am not surprised as this is not a mainstream Bollywood film. In my view, this film will attain the status of a classic film over time and all those associated with this film will feel proud.
I was curious to know as to why the film’s sequel title was chosen as ‘Dedh Ishqiyaan’. Why was the usual sequel title ‘Ishqiya-2’ (like Drishyam-2, the latest sequel film) not chosen? I tried to find out from some videos about the film, available online, but could not come across any formal explanation from the producer or director. There were a couple of videos available online on the making of the film in which actors and unit members tried to guess as to what the reason for this title could be. A unit member guessed that it could be a marketing gimmick. Madhuri Dixit pointed out that extra smart persons in Marathi are called ‘Deed Shahane’. She guessed that the film’s title may have reflected the main characters in the film, who are all conmen, who individually think that they are smarter to outwit the other conmen. The most interesting explanation of the title came from a reviewer of the film who felt that ‘Dedh Ishqiyaan’ means ‘one and a half passionate.’ Naseeruddin Shah, posing as a Nawab and Arshad Warsi, posing as his orderly are passionately in love with Madhuri Dixit and Huma Qureshi, respectively. This is ‘one’ type of love. On the other hand, Madhuri Dixit posing as a wealthy Begum of a deceased Nawab and Huma Qureshi as her attendant, have romantic relationship which the reviewer counts as half love.
‘Dedh Ishqiyaan’ (2014) had six songs, excluding remix versions, all written by Gulzar and set to music by Vishal Bhardwaj. None of the songs from the film has been covered in the Blog. My favourite 3 songs from the film are – (1) ‘hamaari atariya pe aaja re saanwariya’, (2) ‘jagaave saari raina’ and (3) ‘na bolun main to kaleja phoonkey’. The first two are semi-classical songs while Gulzar’s lyrics in third song has a Sufiana touch which influenced me to select this as the first song from the film to appear on the Blog. Let me attempt the translation of the song:
na boloon main to kaleja phoonkey
jo bol doon to zabaan jale hai
sulag na jaave agar sune wo
jo baat meri zabaan tale hain
If I don’t say, my heart puffs. If I say, my tongue burns. I hope she does not get angry if she hears what I have concealed below my tongue. [The lover is in catch-22 situation in disclosing his love to the beloved].
lage na phir youn ke rog laage
na saans aave na saans jaave
ye ishq hai namuraad aisa
ke jaan leve tabhi tale hain
Getting infected with love is like a disease. Neither one can inhale or exhale breath. This love is such a loser that it leaves only when it takes one’s life. [In Arabic literature, love has 7 stages. Death is the 7th and the last stage. The film also talks about the 7 stages of love. Hence Gulzar may have in mind the 7th stage of love while writing ‘ke jaan leve tabhi tale hain’] .
hamaari haalat pe kitta rove hai
aasmaan bhi tu dekh leejo
ke surkh ho jaave uski aankhen
jaise jaise din dhale hai
Looking at my condition, you see how much the sky has shed tears so much that even his eyes have become red as the day turns to dusk. [Gulzar has beautifully used the metaphor of the sky’s colour at the dusk as teary eyes turning red as the day ends].
I was under the impression that this song sung by Rahat Fateh Ali Khan was in the film’s soundtrack. While watching the film, I was surprised to know that in the film, it was sung by Raju Singh for Naseeruddin Shah who recites the poem in a mushaira in tarannum (tune) without the accomplishment of music. The song sung by Rahat Fateh Ali Khan with orchestration has been released on audio. I do not think that the song sung by Rahat Fateh Ali Khan is a version song because all the songs of the film, including that of Rahat Fateh Ali Khan were released a week before the release of the film in the theatres. This suggests that initially, the director had thought of Rahat Fateh Ali Khan singing for Naseeruddin Shah as a full-fledged song. Probably, on second thought the director may have felt that it would look authentic to render this song as a recitation of poetry without orchestration in a mushaira scene. Since Rahat Fateh Ali Khan was based in Pakistan, Raju Singh who is also the music director and singer in his own right, was roped in to sing this song sans the last antara.
Enjoy the song in Sufiana lyrics and melody with pop music orchestration, mainly with the string instruments.
Video Clip:
Audio Clip:
Song-Na boloon main to kaleja phoonkey (Dedh Ishqiyaan)(2014) Singer-Rahat Fateh Ali Khan/Raju Singh, Lyrics-Gulzar, MD-Vishal Bhardwaj
Lyrics(Based on Audio)
na boloon main to kaleja phoonkey
na boloon main to kaleja phoonkey
jo bol doon to zabaan jale hai
sulag na jaave agar sune wo….o o o o o o
sulag na jaave agar sune wo
jo baat meri zabaan tale hai ae ae ae
na boloon main to kaleja phoonkey
jo bol doon to zabaan jale hai ae ae ae ae
lage to phir youn ke rog laage ae ae
na saans aave na saans jaave ae ae ae ae
lage to phir youn ke rog laage
na saans aave na saans jaave
yeh ishq hai namuraad aisa….aa aa aa aa aa
yeh ishq hai namuraad aisa
ke jaan leve tabhi taley hai ae
hamaari haalat pe kitta rove hai
aasmaan bhi tu dekh leejo o o
hamaari haalat pe kitta rove hai
aasmaan bhi tu dekh leejo o o
ke surkh ho jaave uski aankhen aen aen aen
ke surkh ho jaave uski aankhen bhi
jaise jaise yeh din dhale hai ae ae
na boloon main to kaleja phoonkey
jo bol doon to zabaan jale hai ae ae
Saiyyaara main saiyyaara
Posted January 21, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5300 | Post No. : | 17364 | Movie Count : |
4676 |
My thoughts and impressions about Turkey
I had zeroed in on this song to write this travelogue post, but keeping it for its turn, as I wanted to do some other post before this. But my last post for Rafi Sahab’s birth anniversary, inspired some very interesting comments and discussions, especially from Shri. Partha Chanda Sir, who is a treasure full of knowledge. Whatever is the outcome of the Voyager I & II’s search, the quest for intelligent life in outer spaces and the milky way will continue. It is a race against time for scientists, who I think are desperate to find another habitable planet, which can sustain life. I also feel, they might even have some definite clues, for they sent two space ships in 2 years in the same direction(?).
Possibilities are as infinite as the outer space is. I think, the information is released for public consumption only when it is deemed fit and what is deemed fit.
So, I am presenting this one of its kind songs which talks of ‘saiyyara’ which means planet. The mukhda of the song is:
saiyyara main saiyyara
saiyyara tu saiyyara
sitaaron ke Jahan mein
milenge ab yaaraa
A planet, I am
A planet, you are
In the world of stars,
We will come together, O friend
There are countless hindi film songs which talk of stars, sun and moon. This is the only song I know, which is literally referring to a planet, though planets are also stars, but very far away, celestial entities, rarely visible to the naked eye.
Original reason for posting this song, is because it is filmed on the coast of Istanbul, Turkey. The magnificent historical monument ‘The Hagia Sophia Grand Mosque’ is visible across the Marmara Sea, in some scenes. Its Turkish name is ‘Ayasofya Camii”. It has existed since the 4th century, was originally built as a Greek orthodox church and has lots of history behind it. Another monument called the Blue Mosque or Sultan Ahmet Mosque is in another part of the huge complex, as also the Topikapi Palace, the official residence of the ottoman sultans. It is said to be the most visited historical site of Turkey.
The year that was 2022 has ended and 2023 has started. The last 5 months of the year were hectic for me. I am at fault for planning 2 trips to different locations, one within India and one out of India, almost back-to-back. But two more trips had to be done, within these 5 months, which was not my fault. Family events necessitated these additional 2 trips. I will come to them in other posts.
This post is about our holiday trip to ‘Turkiye’. What started as a passing comment by my cousin’s wife in UK during out visit in 2021, had become a wave in 2022. She said, that we should all plan a group trip to Turkey, sometime and that it would be nice to go together with family. I said OK, we can plan and spoke about it to more cousins in the UAE, where we all met up when we stopped over for a few days while returning from UK. Many of them seemed to agree and were excited.
Over the next few months, the group discusses various time options and itinerary etc., in WhatsApp group chat and on telephone. Slowly, as the plan neared finalization, people started to withdraw from the plan. Eventually only 6 of us were remaining. The cousin and his wife from UK who originally mooted the idea, me with husband, my sister, and her husband (also my cousin) from UAE. I was super keen for this trip to materialize, having done so much research and work towards planning it. Initial plan was only for 7 days, and plan was to do only Istanbul, Bursa, Pamukkale, Kusadasi, and end at Antalya. As families dropped out, only 6 adults were finalized. And then we were able to add 2 more days which enable us to cover Cappadocia, which is an important and popular tourist’s site. This last-minute addition meant we had the opportune experience of criss-crossing the country, add Konya visit and miss Kusadasi.
Kusadasi falls south of Istanbul in western Turkey, on the coast nearing Aegean Sea. It is supposed to have coastal village market, with the Greek touch maybe. Plus, a small ruins area by the sea called Ephesus. The scenes of Kusadasi and the Thermal water springs falling naturally formed steps on limestone, near to Herapolis ancient city ruins, with ruins of a huge amphitheatre at Pamukkale can be seen in this song posted in the blog:
Actually, Kusadasi is less than 3 hours by road from Pamukkale, and both the places can be covered in 1 full day. But we had to reach Antalya on the same day that we had to visit interesting places at Pamukkale, so Kusadasi could not be included.
Turkey is rightly billed as the meeting point of the world, which it truly is geographically, on the cusp of 3 major continents with 90% the recorded history of this civilization. Istanbul is a “Red Apple” which has drawn all the major ruling powers of the world, the Byzantine, the Romans, the Ottomans, Persians, Mongols, and who else? Surely the British wanted to rule it, but during the rise and fall of British empire, all of three and half centuries, the Ottomans were a strong force. And it is very much evident in Turkey that it was never under a European colonial power, though was ruled by the Romans and Orthodox Greeks for centuries.
It is a cultural shock in many ways, not least of which is it disabused my notion, that if we know English we can get along anywhere in the world. I am aware that there are large parts of the world who do not speak English, like China and Russia. But a region, right in the middle of it all, all the great wars and struggles, power play, so close to the conflicts and crisis ridden middle east, I did not expect it to be so blatant in its disregard for the language, which we have received and embraced as a gift of colonialism.
We stayed for 3 days at Istanbul, earlier known as Constantinople (Qustuntunia in Urdu). We had 1 day to visit the historical sites in the city. We spend 1 days in visiting Sogut(and Bursa) which is small town roughly 3 hours travel south east of Istanbul. It is a place of importance for Turkey’s history because of Ertugrul Gazi, the great warrior and Chieftain of ‘Kayi Tribe’. Kayi tribe is one of the prominent and historical dominant Tribes, of Oghuz Tribes from Turkmenistan. They made the fertile lands of Anatolia their home. The ruling king gave them lands to establish their tribes along the western borders with Romans and the Greek ruled areas. Thus began the legend of Ertugrul Gazi, the founder of Sultanat-e-Osmania, which the world knows as the great Ottoman Empire. His youngest son Osman Gazi, was the first Sultan of this Empire.
This great empire was an exemplary Islamic achievement in every sense and its contribution to our civilization is undeniable. The whole region flourished during the 500 odd years of the Ottoman Rule. It was the seat of power, spiritual and religious, for centuries with the establishment of Islamic Khilafat here. The phenomenal growth and glory of this flourishing society the world has not seen before, or since. It flourished and grew, without debauchery, and its economy working without interest, and slavery. It grew, with the best possible system of equable opportunities and distribution of wealth. The focus of the Europeans had shifted, to colonising and occupying the north and south American continents. By 15th century, the Roman empire had been annihilated, the Mongols had been neutralised and dispersed and been absorbed in the Baltic region around Caspian Sea. The biggest army of foot soldiers in the history of civilization, which was controlling the major part of Central Asia in 11th and 12th Century, had just vanished in thin air. The British, French, Spanish, and Portuguese, everyone went on establish colonies elsewhere in the world, like off shore accounts for bringing home the riches, the Romans were so demoralized that they did not bother. At least I have not heard of any Italian colonies.
For most part, the Turkish people under Ottomans were leading in education, science and medicine and technological advancements. But at some point, complacency set in, things began to go wrong, with the ruling elite and its relations with other elite of the era. The ottomans decision to align with Hitler in world war – I was just the final nail in the coffin, from where we can read. There was too much external interference and internal strife, within the empire. Either way the empire’s rule was doomed. Post the dissolution, Mustafa Kemal Ataturk, established the republic, and according to some managed to save Anatolia from further disintegration. Allied countries were eyeing their share of war spoils. The last century has seen many such foolhardy wars, where someone starts a war at someone’s behest and encouragement, on a sitting goose. Then those same war mongers cry out that this is sacrilege, ‘all must ally against the aggressor’ blah blah blah. It all ends, with a few millions lives lost, a few impoverished regions becoming poorer, and some rich people getting more power and spoils of the war. The original idea of the war, and the purpose/motivation is all but forgotten. While some super powers continued to fight a cold war for decades, not just on land, but in space too 😊. Between Siberia and Alaska, the twain shall meet.
But in space, our love struck planets shall meet in todays song. Before that there is more to add about our Turkey visit.
We visited the tomb of Ertugrul Gazi at Sogut, which was location of his first victory The same day we also visited the town of Bursa, again a historical city, which was first won over by Osman Gazi, whose Tomb is also there. The town is full of ancient markets, modern markets and older Masaajid.
Our last day in Istanbul was spent in Bosphorus Boat tour along the Marmara Sea coast, starting from place called Galata, where the common people could be seen fishing from the bridge. In a city this big, free fishing for self-consumption is a surprising sight. Istanbul is also full of huge Masaajid, built on similar pattern of AayaSofia and the Blue Mosque (ie the Sultan Ahmet Mosque), with multiple domes and Minarets. I also recall that I have seen such big complexes in UAE and Saudi Arab also with similar looking architecture.
Tourists cannot go to historical places, museums, and important places without proper licensed guide in Turkey. The guides are trained and have proper university degree to function as such. Turkey appears as a developed and prosperous country, proud of its rich history and heritage. The people are more content, with very little evidence of impoverishment. In Istanbul, we saw a few Syrian refugees, selling small items, or working menial jobs in restaurants, who appeared poor. One can look at its national airline, to gauge the well being of a nation. A people who are as football crazy as the other western countries, always appear well dressed and courteous, be it the guides, drivers, etc. always soft spoken and well behaved.
It appears as if the cities and towns are relatively free of petty crimes, like theft and pick pocketing etc. as we observed that houses and flats in the cities also are without grills. Shops were closed at night with only glass shutters, not metal shutters. This could mean very good policing or a great system of crime prevention or deterrence. It so happened that my cousin’s wallet fell out of his pocket when we went to see the ‘Sufi dance show’ at Cappadocia. The wallet was returned to the hotel with nothing missing, and the person who brought it, did not even wait for the reward. We had different guides and vehicles /drivers for different locations. Every time, we tipped them, they would just smile and keep the Lira notes in the pocket shyly uttering thanks, without even looking at the amount. It was the same everywhere, small places, big towns. It is rare to find such contentment in the people working for their daily substance. By the way, the guides knew to communicate in English. The system of tourists’ companies works efficiently to provide guide with knowledge of the language to communicate with tourists.
It was colder than what was forecast in Istanbul, but we had a good time in the evenings too. We went to see the shopping and fashionable crowds at the Istiklal Street, near Taksim Square. Istiklal street is like the world fashion street of any big city, with holiday crowds thronging the branded shops and eateries, hotels for local savouries.
Turkish cuisine is an acquired taste, I had no previous exposure to it. But it grew on me as we tasted different Kebab and fish preparations, as also the desserts. Turkish delight and its flavoured colourful varieties are a bit too much for the newly exposed elderly people like us, who must watch sugar intake 😊. But we lost no opportunity to drink the Pomegranate juice every where and anywhere we could get hold of it. It is sold usually for 40-50 Turkish Lira, a big glassful pure juice of 5-6 pomegranates. Each time I held the big glass the thick blood red juice, I was doubtful of ever finishing it. I said to my group “aur kitna khoon piyoge”. Ayran is another drink, which I liked and we all drank with meals. Ayran is like a desi chhaas, but not quite salty, nor sweet, but thicker like Lassi in consistency. You can call is Lassi without sugar.
Before I forget, Turkish Tea is a worthy discovery. The first evening in Istanbul, I tried Turkish coffee, but it was too thick and bitter. Rest of the trip, I stuck to the tried and tested café latte. As the climate remained cold throughout, we ended up having tea frequently while travelling and also after meals. Turkish tea is a plain black tea, served in small curved glasses, with matching saucers. It looked exotic every time we were served 6 -8 cups, 2 additional for the guide and driver travelling with our group. I never tried it without sugar, after the first coffee experience, but it is a good to drink it after a non-spicy but greasy Kebab’s and chips meal. Most places(restaurants), Turkish tea after meal is complimentary. So, we managed to avoid desserts. I kept demanding ice-cream after food, and every time it was deferred for the next meal, by majority consensus. I am holding all 5 of the group members responsible for my missing out on Turkish ice-cream.
The other places like Cappadocia and Antalya, are great for one visit. Cappadocia is known for its unique rock formations, mushrooms like shapes and other sand covered mountains of distinct shapes. The town is also known for the caves and cave houses, some of which are converted into hotels now. Some of the natives were living in the caves till a few decades ago. The government has persuaded them to move to more suitable living spaces since. The highlight of Antalya is the Dudan falls and shopping in the areas around the fort near the coast.
We managed to get a 2-3 hours visit to Konya, the ancient city famous for being the capital of Seljuk Empire and for the Persian Sufi Mohammed Jalaaluddin, known in Turkey as the Mevlana, and rest of the world, as Rumi. Mevlana’s father came to Turkey and he was encouraged to settle there, and thus the Mevlana was born there.
This is about all that I needed to write in this post about Turkey and our visit.
I have also attempted a translation of Kausar Munir’s poetry here:
Aasmaan tera mera huaa
khwaab ki tarah dhuaan dhuaan
Aasmaan tera mera huaa
saans ki tarah ruaan ruaan
jaaye Jahan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
The sky covering you is mine too
Like a dream, full of smoke and mist.
The sky over you is over me too
Like a breath, coming and going.
Go wherever you wish to,
You will find me there.
For within you, are my reflection
saiyyara main saiyyara
saiyyara tu saiyyara
sitaaron ke Jahan mein
milenge ab yaaraa
A planet, I am
A planet, you are
In the world of stars,
We will come together, O friend
tu jo milaa to yun huaa
ho gayi poori adhoori si duaa
tu jo gayaa to le gayaa
sang tere mere jeene ki har wajah
To find you is as if,
A wish and a prayer, comes true.
You take away as you go,
With you, every reason for life.
Go wherever you wish to,
You will find me there.
For within you, are my reflection.
A planet, I am
A planet, you are
In the world of stars,
We will come together, O friend
tum pe miti tum se bani
tum se huaa hai haan khud pe yaqeen
tu jo nahi to na sahi
main hoon yehaan to tu hai yahin kahin
I am dust and made all over again, for you,
Have gained self-belief because of you.
If you are not here, so be it,
I am here, so you will be somewhere nearby.
Go wherever you wish to,
You will find me there.
For within you, are my reflection.
A planet, I am
A planet, you are
In the world of stars,
As I translated it, it makes perfect sense in its poetic urdu. I am not so sure, if the translation is making as good a sense. Kausar Munir is the poet of this songs which is composed by Sohail Sen. Mohit Chauhan and Tarannum Mallik have done a good job for enhancing the poetry and the feel of it.
The movie is ‘Ek thha Tiger” (2012), a YRF production which had Salman Khan, playing the role of an Indian Spy who falls in love with a Pakistani Spy. The song is played in the background as, they the two Spies find themselves in the same city at the same time, meet to clear their status as spy of two neighbouring nations, go away, then find each other again at a diplomatic function.
The poetry in the song is very true in this sense. These two lead characters are like planets, revolving on their own axis as well as rotating along the predestined path. Their paths will surely cross, but how can they be together at any point, however they may wish and dream.
Full Audio:
Video:
Song-Saiyyaara main saiyyaara (Ek Thha Tiger)(2012) Singers-Mohit Chauhan, Tarannum Mallik, Lyrics-Kausar Munir, MD-Sohail Sen
Chorus
Lyrics
Aasmaan
tera mera huaa
khwaab ki tarah
dhuaan dhuaan
Aasmaan
tera mera huaa
saans ki tarah
ruaan ruaan
ho.. jaaye Jahaan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahaan mein
milenge ab yaaraa
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahaan mein
milenge ab yaaraa
tu jo milaa
to yoonn huaa aa
ho gayi poori
adhoori si duaa
tu jo gayaa
to le gayaa
sang tere mere
jeene ki har wajah
ho.. jaaye Jahaan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahan mein
milenge ab yaaraa
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahan mein
milenge ab yaaraa
tum pe miti
tum se bani ee
tum se huaa hai
haan khud pe yaqeen
tu jo nahin
to na sahi ee
main hoon yehaan to
tu hai yahin kahin een
ho.. jaaye Jahan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahaan mein
milenge ab yaaraa
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahan mein
milenge ab yaaraa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5250 | Post No. : | 17252 | Movie Count : |
4644 |
Hullo Atuldom
History of Indian cinema is incomplete without mentioning the influence of Parsi theatre, specially in the initial years of the film industry. When we throw a question to Google about “influence of Parsi theatre on Indian Film Industry” this reply pops up:- “Stylistic elements like declamatory theatrical performances, the progression of narrative through song & dance sequences, melodrama, disguise & plot reversals”. I am sure there are knowledgeable followers of Atuldom who will be able to throw more light on this subject. If I recall, our in-house encyclopaedia Shri Arunkumar Deshmukh, has written about this in a few of his posts.
I think Sohrab Modi was one of the first Parsis in Indian Cinema and there have been many Parsi actors in later years too and I remember many of them in character roles- Dinyar Contractor, Dinyar Tirandaz and his wife Roshan, Daisy Irani, Maneka Irani, Honey Irani, etc. Nauheed Cyrusi, Perizad Zorabian of the current generation have played central characters. There are some mainstream actors who have a Parsi parent or grandparent. I am not going to list all of them here.
I will just say that the celebrity who celebrates his birthday on 2nd December is from Parsi Theatre. He began by playing Mohammad Ali Jinnah in “Gandhi” – a play which was followed by some more theatrical appearances and ads for ‘Krackjack’ (the biscuit), ‘Fanta’ (the cold drink), etc.
Of course he began his life at The Taj Mahal Palace & Tower as a waiter and room service personnel. He also helped his mother in running her bakery & Namkeen shop in South Mumbai. With the tips that he gathered at the Taj he saved up enough to buy a camera which he used to click photos of school cricket & football matches which he sold for 20 and 30 rupees.
We are reading about Boman Irani. He made his on-screen debut in 2000 with a blink-n-miss role in Mansoor Khan’s “Josh”. “Everybody Says I’m Fine!” (2001 release) was an Indian-English language film that was also actor Rahul Bose’s directorial debut and Boman Irani’s first screen presence of substance. Then we have had a deluge of memorable roles of this multi-talented versatile actor- Dr. J.C. Asthana (“Munna Bhai M.B.B.S” in 2003), Principal Viru Sahastrabuddhe a.k.a. VIRUS (“3 Idiots” in 2009), the forgetful college Principal of ‘Main Hoon Na’ (2004) etc etc. He has played Farokh Engineer in the 2021 release “83”. He has also acted in Tamil, Telugu, Malayalam, Marathi, Kannada films. A notable aspect of Boman Irani’s career is that he has never played any character that makes a caricature of any community.
Boman Irani has acted in a movie where he was romantically paired opposite Farha Khan (one of those in the industry with Parsi antecedent). It had a cast of Daisy Irani, Shammi, Mahabanoo Modi Kotwal, Nauheed Cyrusi, Dinyar Contractor, Kurush Deboo etc. The movie was “Shirin Farhad Ki Toh Nikal Padi” (release date 24 August 2012) which was directed by Bela Bhansali Sehgal and produced by Sanjay Leela Bhansali. It had music by Chandrajeet Ganguly a.k.a Jeet Gannguli, Amitabh Bhattacharya and Faraz Ali were the lyricists for sings sung by K.K., Shreya Ghoshal, Usha Uthup, Mohit Chauhan and Neeraj Shridhar.
The song with this post is a romantic song where we see Farha Khan and Boman Irani romancing in typical Bollywood fashion.
Video
Audio
Song-Ishq mein tere bina dil hi na lage(Shirin Farhad Ki to Nikal Padi)(2012) Singer-Shreya Ghoshal, KK, Lyrics-amitabh Bhattacharya, MD-Jeet Ganguly
Lyrics
rum da ra ra ra
pa rararara
rarararara
rum da ra ra ra
pa rararara
rarararara
hai dosti
kuchh zyaada zindagi se ho gayi
hai dosti
phir taaza zindagi se ho gayi
ye pyaar tera
khumaar sa hai
suhaane khwaab humne bhi bune ae
ishq mein tere bina
ishq mein tere bina
dil hi na lage
ishq mein tere bina
ishq mein tere bina
dil hi na lage
ahhahaha
tujhe milke samjhe
tujhse pahle kaisi
thi zindagi
thi zindagi
chehre se gulshan dil se sehra jaisi
thi zindagi ee
thi zindagi ee
ye pyaar tera
ye pyaar tera
bahaar sa hai
bahaar sa hai
to aaj phool humne bhi chune
ishq mein tere bina
ishq mein tere bina
dil hi na lage
ishq mein tere bina
ishq mein tere bina
dil hi na lage
meri har dhadkan pe toone khwaahish likh di
kya baat hai
kya baat hai
mere bikhre sur thhe
toone bandish likh di
kya baat hai
kya baat hai
ye pyaar tera
ye pyaar tera
malhaar sa hai
malhaar sa hai
taraane aaj humne bhi sune ae
ishq mein tere bina
ishq mein tere bina
dil hi na lage
ishq mein tere bina
ishq mein tere bina
dil hi na lage
hai dosti kuchh zyaada zindagi se ho gayi ee ee
hai dosti phir taaza zindagi se ho gayi
ye pyaar tera
ye pyaar tera
bahaar sa hai
bahaar sa hai
suhaane khwaab humne bhi bune
ishq me tere bina
haan tere bina
dil hi na lage
ishq mein tere bina
haan tere bina
dil hi na lage
ishq mein tere bina
haan tere bina
dil hi na lage
ishq mein tere bina
ha tere bina
dil hi na lage
Ki ab meri saans saans tere paas hai
Posted May 11, 2022
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5045 | Post No. : | 16957 |
Today (11 may 2022) is a very important day in Indian history. To my mind, 11 may 1998,( that was 24 years ago) was as important an event in modern Indian history as 15 August 1947 and 26 January 1950. If we got political freedom on 15 august 1947 and democratic republic on 26 january 1950, then 11 may 1998 was the day when India proclaimed independence from the bullying of foreign powers. It was on this day that India announced itself as a self respecting country that would no longer allow itself to be browbeaten by others.
It was on this date 24 years ago that India detonated three thermonuclear devices (Shakti I, Shakti II, Shakti III) at 3:45 PM from three different shafts in Pokharan. This test was conducted clandestinely evading the prying eyes of foreign spy agencies and their spy satellites. India had tried conducting these tests a few years ago, but USA had come to know about that through their spy satellite and USA had pressurised the then government to halt this test.
Atal Bihari Vajpayee, the BJP PM candidate and a self respecting nationalist leader was firm that India needed to have nuclear capability, in view of the kind of neighbourhood we were located in. When he became PM for the first time in 1996, his tenure lasted for just one week, and there was not much he could do in that tenure. The next time he was sworn in as a PM was in 1998. This tenure would last 13 months. But this time was enough for him to fulfil his promise of seeing India as a nuclear armed country.
His second tenure began on 19 march 1998. The process of nuclear tests were set on motion on top priority. Learning from the previous mistake, this time the whole exercise was conducted in such secrecy that USA, for all its high tech resources failed to get a wind of Indian nuclear tests. In a matter of less than two months, India carried out its nuclear tests on 11 may 1998. Subsequently three more tests were carried out two days later on 13 may 1998.
Soon after the tests, PM Atal Bihari Vajpayee came on national TV and made this announcement:-
Today, at 15:45 hours, India conducted three underground nuclear tests in the Pokhran range. The tests conducted today were with a fission device, a low yield device and a thermonuclear device. The measured yields are in line with expected values. Measurements have also confirmed that there was no release of radioactivity into the atmosphere. These were contained explosions like the experiment conducted in May 1974. I warmly congratulate the scientists and engineers who have carried out these successful tests.
This explosion was condemned worldwide. The nuclear have nots condemning it can be understood, but nuclear armed countries that had themselves carried out hundreds of tests themselves condemning this test was hypocrisy at its worst. These nuclear haves considered themselves above law as far as nuclear proliferation was concerned. They had forced most nations of the world into signing the highly discriminatory NPT (Nuclear non proliferation treaty) and CTBT (Comprehensive test ban treaty), after ensuring that they themselves had violated the provisions of these treaties in the past.
India refused to bow down to all that pressure and did not sign these treaties. Pakistan, ever eager to compare itself with India, did the same.
Pakistan, that was justifiably the most vociferous in condemning Indian nuclear tests, was under intense domestic pressure from the egotist and chauvinistic domestic population to match India and carry out nuclear tests. Pakistan was warned not to do that, but not matching India on this count was something Pakistan could not afford, so they too duly carried out their tests on 30 and 31 may 1998.
This test too drew worldwide condemnation from the entire world. Though Pakistan had condemned Indian nuclear tests, India did not condemn Pakistani tests, rather, Indian PM (Vajpayee) and Home Minister (Advani) secretly gave each other high fives. They were egging on Pakistan all these days -“come on, mard ke bachche ho to test karke dikhaao“. Pakistan could not restrain itself and finally succumbed to pressure. Pakistani tests that were carried out within two weeks of Indian test proved the Indian allegation that Pakistan had already acquired nuclear capability. Indian tests forced Pakistan hand and Pakistan too had to admit that they also had nuclear capability and that they were lying about it all these years.
Indian tests led to sanctions from USA and other countries. Pakistani tests led to they getting sanctioned as well. The way India responded to sanctions and the way Pakistan responded were poles apart and it was quite amusing to watch.
America had a policy called Glen Amendment that prescribed the process of sanctioning the errant nations.
The Glenn Amendment to the Arms Export Control Act of 1994 requires the president to
impose these seven sanctions:
• Suspend foreign aid (except for humanitarian assistance or food and other agricultural commodities);
• Terminate sales of any military items;
• Terminate other military assistance;
• Stop credits or guarantees to the country by US government agencies;
• Vote against credits or assistance by international financial institutions;
• Prohibit US banks from making loans to the foreign government concerned; and
• Prohibit exports of specific goods and technology [as specified in the Export Administration Act of 1979] with civilian and military nuclear applications.
As far as India was concerned, India was getting bullied and ill treated by USA for the last two decades. In effect, India was already under USA sanctions for the last many years. For instance, USA gave India a meagre $ 10 millions as aid in 1984. The figure for Pakistan was a mammoth $ 4.02 billions. Secondly, India did not buy any military equipment from USA. India did not seek any military assistance from USA. India was not looking for any loans from IMF etc that were controlled by USA. In the past India had sought Super computer for weather forecast which was denied by USA on the pretext that this supercomputer could be used for nuclear tests. India manufactured its own super computer and actually used that supercomputer for nuclear tests. India sought cryogenic engines for its space programme. Not from USA but from Russia. But USA arm twisted Russia and prevented them from giving India this technology. So India developed its own cryogenic technology and began to use that in her space programme. After that experience, India had stopped seeking any technologies from USA. In other words, USA sanctions against India was like an empty shell whose charge was already expended many years ago. India cared too hoots about USA sanctions.
It was an entirely different story with Pakistan. Pakistani public were jubilant and they took to street to celebrate their nuclear tests on 30 may 1998. After the USA sanction, Pakistan economy collapsed. The same Pakistani public took to streets once again, not in jubilation tis time, but to protest against the very same government that they were hailing a few weeks ago.
UN passed a resolution on 6 june 1998, condemning nuclear tests by India and Pakistan. This resolution number 1172 read :-
Mindful of its primary responsibility under the Charter of the United Nations for the maintenance of international peace and security,
1. Condemns the nuclear tests conducted by India on 11 and 13 May 1998 and by Pakistan on 28 and 30 May 1998
2. Endorses the Joint Communique issued by the Foreign Ministers of China, France, the Russian Federation, the United Kingdom of Great Britain and Northern Ireland and the United States of America at their meeting in Geneva on 4 June 1998 (S/1998/473);
3. Demands that India and Pakistan refrain from further nuclear tests and in this context calls upon all States not to carry out any nuclear weapon test explosion or any other nuclear explosion in accordance with the provisions of the Comprehensive Nuclear Test Ban Treaty;
4. Urges India and Pakistan to exercise maximum restraint and to avoid threatening military movements, cross-border violations, or other provocations in order to prevent an aggravation of the situation;
5. Urges India and Pakistan to resume the dialogue between them on all outstanding issues, particularly on all matters pertaining to peace and security, in order to remove the tensions between them, and encourages them to find mutually acceptable solutions that address the root causes of those tensions, including Kashmir;
6. Welcomes the efforts of the Secretary-General to encourage India and Pakistan to enter into dialogue;
7. Calls upon India and Pakistan immediately to stop their nuclear weapon development programmes, to refrain from weaponization or from the deployment of nuclear weapons, to cease development of ballistic missiles capable of delivering nuclear weapons and any further production of fissile material for nuclear weapons, to confirm their policies not to export equipment, materials or technology that could contribute to weapons of mass destruction or missiles capable of delivering them and to undertake appropriate commitments in that regard;
8. Encourages all States to prevent the export of equipment, materials or technology that could in any way assist programmes in India or Pakistan for nuclear weapons or for ballistic missiles capable of delivering such weapons, and welcomes national policies adopted and declared in this respect;
9. Expresses its grave concern at the negative effect of the nuclear tests conducted by India and Pakistan on peace and stability in South Asia and beyond;
10. Reaffirms its full commitment to and the crucial importance of the Treaty on the Non-Proliferation of Nuclear Weapons and the Comprehensive Nuclear Test Ban Treaty as the cornerstones of the international regime on the non-proliferation of nuclear weapons and as essential foundations for the pursuit of nuclear disarmament;
11. Expresses its firm conviction that the international regime on the non-proliferation of nuclear weapons should be maintained and consolidated and recalls that in accordance with the Treaty on the Non-Proliferation of Nuclear Weapons India or Pakistan cannot have the status of a nuclear-weapon State;
12. Recognizes that the tests conducted by India and Pakistan constitute a serious threat to global efforts towards nuclear non-proliferation and disarmament;
13. Urges India and Pakistan, and all other States that have not yet done so, to become Parties to the Treaty on the Non-Proliferation of Nuclear Weapons and to the Comprehensive Nuclear Test Ban Treaty without delay and without conditions;
14. Urges India and Pakistan to participate, in a positive spirit and on the basis of the agreed mandate, in negotiations at the Conference on Disarmament in Geneva on a treaty banning the production of fissile material for nuclear weapons or other nuclear explosive devices, with a view to reaching early agreement;
15. Requests the Secretary-General to report urgently to the Council on the steps taken by India and Pakistan to implement the present resolution;
16. Expresses its readiness to consider further how best to ensure the implementation of the present resolution;
17. Decides to remain actively seized of the matter.
As one can see from the above, the UN resolution uses very patronising and condescending language. In a very humiliating tone, the resolution states that Five permanent members are above all the rules and regulations of nuclear tests and proliferations but other countries must strictly follow the dictats of the five permanent members and should remain at the mercy of the nuclear haves.
Those were the days when India was in no position to protest against such language, but today , more than two decades later, India is in a strong position to take exceptions. Ironically, Pakistan has ended up being in a more vulnerable position today than what it was in 1998.
India was yet to discard the inferiority complex and its subservient ways in dealing with the West. India did protest, but their protest to my mind sounded feeble and ineffective. Not that it matters. India were protesting the discriminatory nature of NPT , CTBT etc that the nuclear haves were forcing nuclear have nots to sign. These treaties gave nuclear haves to keep their nuclear bombs and nuclear programs going, while the other countries were strictly prohibited from doing so.
UN Expressed grave concern about the peace and stabilty in South Asia and beyond. The fact that peace and stability in South Asia and beyond was because of terror outfits being trained by Pakistan (with active support of USA) was a non issue as far as UN security council was concerned. Pakistan was pursuing nuclear programme and was indulging in black marketing of nuclear technology to countries like North Korea, Syria, Iraq etc. These facts came to public notice but neither UN nor USA acted to restrain Pakistan. Pakistan nuclear scientist A Q Khan had admitted in an interview in february 1987 that Pakistan was already a nuclear capable country. USA rules prevented USA government from giving aid to such countries. But USA very blatantly ignored this clear evidence and the USA president kept certifying that Pakistan did not have a nuclear programme and so they should be given USA aid of 4.02 billions. USA president kept giving this certificate of nuclear non proliferation to Pakistan year after year till 1998 when Pakistan made a mockery of this presidential certificate.
When USA realised that its sanctions were hurting its ally Pakistan, USA forgot all about its “concerns” about nuclear proliferations etc and they hastily removed sanctions on the two countries. The sole aim was to try and revive Pakistani economy that was in ICU.
Just six months after the sanctions were announced, however, the United States had lifted virtually all of them. The process of weakening the sanctions in place against India and Pakistan had actually begun in July 1998, when the Senate voted to exempt food exports from sanctions. On October 21, 1998, Congress passed the Brownback Amendment, which gave President Clinton the authority to waive certain economic sanctions in place against India and Pakistan and to
resume trade financing and other assistance programs for up to 12 months.President Clinton wasted little time in using this waiver authority. On November 6, 1998, the president’s declaration, officially titled the “India-Pakistan Relief Act,” waived the prohibitions in place against the activities of the United States Export-Import Bank, the Overseas Private Investment Corporation, and the Trade Development Agency in both India and Pakistan. Perhaps most importantly, the presidential waiver also authorized US officials to support loans
to Pakistan from the International Monetary Fund (IMF) and the World Bank.
Every sentence above mentions India and Pakistan both. But all this subterfuge is basically to cover up for one sentence, namely “… the presidential waiver also authorized US officials to support loans to Pakistan from the International Monetary Fund (IMF) and the World Bank.
Pakistan’s economy had crumbled and so USA forgot all its sanctimonious preaching on NPT and CTBT. All the resolutions and condemnations were hastily thrown into the dustbin and all sanctions were hastily removed so that Pakistan economy could be saved by urgently bailing it out by yet another IMF and world bank bailout package, among other measures.
While USA government rushed in to save Pakistan economy, USA businesses rushed in to pour money into Indian economy, trying to take advantage of the Indian market that was showing big promise and that promise actually turned into a remarkable success story, with India, then a $400 billion economy, becoming $3000 billions economy in two decades !
One year later, When Atal Bihari Vajpayee was trying to mend ways with Pakistan by going there on Bus and holding dialogues with Pakistan PM, Pakistan’s actual rulers the army, did not like this and they clandestinely acted to scuttle all this goodwill gesture undertaken by the two PMs. We know this Pakistani Army misadventure as Kargil War. When Pakistani army realised that they were losing badly, they tried to save face and tried to use their nuclear arms. Bill Clinton, who by now was realising that his country was backing a rouge state against a democratic and responsible state, got angry at Pakistan PM Nawaz Shareef and declared that Pakistan must stop its aggression and withdraw to LOC, and that USA will not ask India to give Pakistan any face saving opportunity. In any case USA did not have any leverage left with India and Clinton realised that it was time USA built bridges with India that they themselves had destroyed.
After Kargil war, Pakistan army duly usurped power and General Musharraf, who had scuttled the attempt of the two Prime Ministers to sue for peace, appointed himself President of Pakistan. This made USA government disillusioned with Pakistan. Bill Clinton then tried to build bridges with India during the remaining three years of his tenure.
Atal Bihari Vajpayee, realising that Pakistan army is the real ruler in Pakistan, tried to sue for peace yet again with General Musharraf. General Musharraf responded, but it turned out that Pakistan army did not want peace with India, even if General Musharraf, head of Pakistani army wanted it. So one could see that it is Pakistan army as a whole, and not Pakistani army chief that calls the shots in Pakistan. and this Pakistan army does not want good relations with India, because they feel that good relations with India will threaten the importance and existence of Pakistan army as rulers of Army.
This, plus the 9/11 attack on USA by Al Qaida terrorists that were trained by Pakistan and later harboured by Pakistan, meant that USA gradually began to distance itself from Pakistan and began to grudgingly accept India as a nuclear power.
To cut a long story short, India, after its nuclear tests gradually found acceptance and grudging respect among other nations, with USA beginning to look at India with respect. USA helped India gets waivers despite being a non signatory to NPT, CTBT, etc. Pakistan too demanded the same treatment as India but they failed to get the same acceptability as India.
Moreover, India, after its assured and credible deterrence, began to concentrate on developing its economy. From a tiny $ 400 billions economy in 1998, today India is the fifth largest economy in the world. On PPP terms, India is already the third largest economy in the world. Indian exports in the year 2021-22 were $ 670 billions which is more than the combined GDP of its south Asian neighbours. Incidentally, four South Asian neighbours of India, including Pakistan are financially crumbling at the moment whereas Indian economy is in a strong position despite global supply chain and energy crisis.
Today India is in a position to tell other countries off when they try to preach us. We saw how our foreign affairs minister told off USA when they tried to preach us on our purchase of Russian Oil and our Human rights issue. “We purchase less Oil in a month compared to what Europe purchases in an afternoon”- Indian Foreign minister told USA. “If USA is taking note of our Human rights matters then we too are watching the human rights matters in USA”- Indian foreign minister stated. Such assertiveness on the part of Indians was unheard of and unimaginable in the past.
The seeds of this assertiveness and self respect were sown on 11 may 1998, at 15:45. Today that seed had become a giant tree.
India celebrated this day as National Technology day. I personally consider it as National Self Respect day.
“Parmanu”(2018) was a fictionalised account of the events that led to Indian nuclear tests in may 1998. I have been discussing songs from this movie on this day for the last three years. I have so far covered three songs from the movie.
Here is the fourth song from “Parmanu”(2018). Unlike the three songs already covered, that fitted the theme, this song does not fit the theme of the movie. This song is better heard than seen, and better heard as a standalone song having no relation to the story of the movie.
This song is sung by Yaser Desai. Kumar Vishwas is the lyricist. Music is composed by Sachin Jigar.
As a stand alone song, this sounds like a superb song.
The singer and lyricist make their debuts in the blog with this song.
I take this opportunity to wish all Indians a happy self respect day as I see this day. Officially it is National Technology day. So happy national Technology day as well.
Song-Ki ab meri saans saans tere paas hai (Parmanu)(1998) Singer-Yaser Desai, Lyrics-Kumar Vishwas, MD-Sachin Jigar
Lyrics
hmm hmm hmm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
tu hai subah tu shaam hai
jeene ka tu hi hai nazariya haan
teri lehar aathon pahar
main boond tu hi mera dariya
duniya se juda kar de
zarre ko khuda kar de
oh tere ishq se mujhko
na karna kabhi tu juda
ki ab meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
dil mein apne dil bhar kar de de jagah
de de jagah
meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
itni si mere rab tujhse hai dua
hmm hmm hmm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
hmm hmm hm hmm hmm
jeeta raha khwaabon mein main
khud se hi par door thha
thhoda sa tu majboor thha
thhoda main majboor thha
khwaabon ko zubaan kar de
nazron se bayaan kar de
tere ishq se mujhko na karna kabhi tu juda
ki ab meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
dil mein apne dil bhar kar de de jagah
de de jagah
meri saans saans tere paas hai
aur tere aas paas pehchaan hai ab meri
itni si mere rab tujhse hai dua
Recent comments