Archive for the ‘Panchhi songs’ Category
Main ik panchhi matwaala re
Posted on: July 3, 2020
- In: Amit Kumar solo | Amit Kumar songs | Bird songs | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | One song used in more than one movie | One song used in two movies | Panchhi songs | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4368 | Post No. : | 15699 |
Main ik panchhi matwaalaa re …
In this case we have a ‘reverse’ ‘repetition of song’ of a Hindi movie, i.e. reverse repetition on our blog 😊 where the new song was posted first and older will be covered here. 😊
– The song has been posted on the blog under the movie ‘Mamta Ki Chhaaon Mein-1989’ and it has also been mentioned there that it was recorded for ‘Door Ka Raahi-1971’ …
1) When it was recorded for ‘Door Ka Raahi-1971’, Amit Kumar (born on 3rd July’1952) must be around 17-18 yrs old.
2) The songs/soundtracks listing of ‘Door Ka Raahi-1971’ included this song, which is also mentioned in HFGK, so technically we need to include this song, the recording which was done when the singer was ‘Amit Ganguly’, on the blog.
3) Then, this song has a second stanza (which TILL NOW has not been mentioned or posted on the blog) and the full song is given below.
4) When the same song was recorded for ‘Mamta Ki Chhaaon Mein-1989’, it was recorded again and it was not the same recording from ‘Door Ka Raahi-1971’. The age of Amit Kumar (now he was Amit Kumar) at the time of second recording must be around 32-34 yrs, so here the voice is more matured now and I think the ‘length of the ‘sur’s’ too.
5) The song in ‘Mamta Ki Chhaaon Mein-1989’ has an additional second stanza as given in this audio link. The link of this song and the earlier song has also been posted by our ‘passionate favorite’ team members, but so far, they do not mention about the second stanza: –
There is onlyone difference in the lyrics at one place highlighted in red.
‘ghor ghataa chhaaye, chaahye bijlee
daraayein’
‘ghor ghataa chhaaye, chaahye bijuri daraayein’
Song-Main ik panchhi matwaala re (Door Ka Raahi)(1971) Singer-Amit Kumar, Lyrics-Kishore Kumar, MD-Kishore Kumar
Lyrics
main ik panchhi matwaala re ae ae ae
matwaala aur niraala re ae
mera is duniyaa ke baagh mein
aanaa jaana re
main ik panchhi matwaala re ae ae ae
matwaala aur niraala re ae
mera is duniyaa ke baagh mein
aanaa jaana re
door gagan ka panchhi hoon main
door thhikaana mera aa
door gagan ka panchhi hoon main
door thhikaana mera aa
is bagiyaa ki daal pe mera
ik pal rain basera aa
hichkoley khaaun
chah-chahaaun
gungunaaun
baadlon ke sang sang
ud ud jaaun
main apne aap mein bhoolaa re
matwaala aur niraala re ae
mera is duniyaa ke baagh mein
aanaa jaana re
toofaanon ka paalaa hoon main
aandhiyon mein khelaa aa
toofaanon ka paalaa hoon main
aandhiyon mein khelaa aa
taan ke seenaa udoon gagan mein
har mushqil ko jhelaa aa
ghor ghataa chhaaye
chaahye bijlee daraayein
badhhtaa chaloon main
lehraaye bal khaaye ae
main dhoop chhaaon mein
khelaa re ae ae
matwaala aur niraala re ae
mera is duniyaa ke baagh mein
aanaa jaana re
mera is duniyaa ke baagh mein
aanaa jaana re
mera is duniyaa ke baagh mein
aanaa jaana re
____________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————-
मैं इक पंछी मतवाला रे ए ए ए
मतवाला और निराला रे
मेरा इस दुनिया के बाग़ मे
आना जाना रे
मैं इक पंछी मतवाला रे ए ए ए
मतवाला और निराला रे ए
मेरा इस दुनिया के बाग़ मे
आना जाना रे
दूर गगन का पंछी हूँ मैं
दूर ठिकाना मेरा आ
दूर गगन का पंछी हूँ मैं
दूर ठिकाना मेरा आ
इस बगिया की डाल पे मेरा
इक पल रेन बसेरा आ
हिचकोले खाऊं
चह चहाऊँ
गुनगुनाऊं
बादलों के संग संग
उड़ उड़ जाऊं
मैं अपने आप में भूला रे
मतवाला और निराला रे ए
मेरा इस दुनिया के बाग़ मे
आना जाना रे
तूफानों का पाला हूँ मैं
आँधियों में खेला आ
तूफानों का पाला हूँ मैं
आँधियों में खेला आ
तान के सीना उडूं गगन में
हर मुश्किल को झेला आ
घोर घटा छाये
चाहे बिजली डरायें
बढ़ता चलूँ मैं
लहराए बल खाए ए
मैं धुप छाँव में खेला रे ए
मतवाला और निराला रे ए
मेरा इस दुनिया के बाग़ मे
आना जाना रे
मेरा इस दुनिया के बाग़ मे
आना जाना रे
मेरा इस दुनिया के बाग़ मे
आना जाना रे
Panchhi Ud Gaya Preet Laga Ke
Posted on: June 17, 2020
- In: "Broken heart" song | "Panchhi" song | Bird songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Hemant Kumar solo | Hemant Kumar songs | Lyrics contributed by readers | Panchhi songs | Poignant Song | Post by Sudhir | sad song | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4352 | Post No. : | 15667 |
A voice that sounds quite mature, dripping with heavy bass – a baritone that appeared to emerge from somewhere deep inside. Playing this sound on the songs like “Zindagi Pyaar Ki Do Chaar Ghadi Hoti Hai”, or “Lele Dard Paraaya Kar De Door Gham Ka Saaya”, or “Jaane Wo Kaise Log The Jinke Pyaar Ko Pyaar Mila”, “Ganga Aaye Kahaan Se. . .”, and many more of this ilk, sounds so natural and, well, so suitable. The deep bass gets to the perfect tone of poignancy that is needed for these songs.
And yet Sachin Da would choose this voice to present the best of the romance-of-the-young-heart songs, when way back in 1952, he recorded “Ye Raat Ye Chandni Phir Kahaan” for a young guitar strumming conman on screen. He would return to this voice again and again, for the same effect. Fast forward to 1955 and he brings on the same voice for a soft romantic song of the night – “Chup Hai Dharti Chup Hain Chaand Sitaare”. Then in 1958, he would once again return to the same voice for the thumping lyrical “Hai Apna Dil To Awaara”, that astoundingly carried the day as the playback. And then in 1962 would be “Na Tum Hamen Jaano. . .“. All four songs – lip synced by Dev Anand onscreen. Only Sachin Da could have visualized the effect of this voice on these romantic creations. And of course, the voice itself, to be able to bring in that young heart effect into the life breath of these songs.
The effect is so endearingly replicated in other songs like “Keh Rahi Hai Zindagi, Jee Sakey To Jee”, and “Beqaraar Kar Ke Hamen Yun Na Jaaiye”, and “Ye Nayan Darey Darey”, or even in “Ek Baar Zara Phir Keh Do Mujhe Sharma Ke Tum Deewaana”, and many more.
Celebrating the birth centennial (on 16 June, 2020) of this magical voice – Hemant Kumar.
This song is from the lesser known film – ‘Raami Dhoban’ from 1953. The film is produced by Ramesh Vyas for the banner Navkala Niketan, Bombay. The film is directed by Hiren Bose, who is also the music director. The star cast of this film is Kamini Kaushal, Abhi Bhattacharya, Tiwari, Ashita, Ramesh Vyas, Shalini, Bannerjee, Mishra, Sankatha Prasad, Rai Mohan, Gautam, Sachin Ghosh, Nandini, Sona Chatterji, Uma Devi, Sulochana Chatterjee, and Prem Adeeb.
The film is a veritable musical, with as many as 14 songs, all written by Ram Murty. Five over these songs are already featured on our blog.
This song is such a beautiful rendition of a sad song of love – “Panchhi Ud Gaya Preet Laga Ke”. I pulled out and heard this beautiful solo song for the first time today. The words tell of a beloved that stole the heart, and has now left, leaving behind loneliness and a broken heart. The words are lovely, and so is the rendition. A vintage Hemant Da song.
Song – Panchhi Ud Gaya Preet Laga Ke (Raami Dhoban) (1953) Singer – Hemant Kumar, Lyrics – Ram Murti, MD – Hiren Bose
Lyrics
panchhi udd gaya..aa..aa
panchhi udd gaya preet laga ke
panchhi udd gaya..aa..aa
sapnon ki
sapnon ki sukh sajia ke bairi piir basa ke
sapnon ki..ee..ee
sapnon ki sukh sajia ke bairi piir basa ke
panchhi udd gaya..aa..aa
mann ke pinjra chori chori
bandh ke raakhi prem ki dori
mann ke pinjra chori chori
bandh ke raakhi prem ki dori
chhod gaya..aa
chhod gaya haaye mohe dard bhara geet suna ke
chhod gaya..aa
chhod gaya haaye mohe dard bhara geet suna ke
panchhi udd gaya..aa..aa
shaam rang kuchh kaam na aaya
radhe radhe..ey..ey
bol chuka
par bedardi raha na apna
apna ho kar hua paraaya
tod gaya wo prem ki dori
chhod gaya wo nagri mori
tod gaya wo prem ki dori
chhod gaya wo nagri mori
haaye chhalia
haaye chhalia mujhse munh mod gaya tthes laga ke
haaye chhalia
haaye chhalia mujhse munh mod gaya tthes laga ke
panchhi udd gaya..aa..aa
panchhi udd gaya preet laga ke
panchhi udd gaya..aa..aa
———————————————
Hindi script lyrics (Provided by Sudhir)
———————————————
पंछी उड़ गया॰॰आ॰॰आ
पंछी उड़ गया प्रीत लगा के
पंछी उड़ गया॰॰आ॰॰आ
सपनों की
सपनों की सुख सजिया के बैरी पीर बसा के
सपनों की॰॰ई॰॰ई
सपनों की सुख सजिया के बैरी पीर बसा के
पंछी उड़ गया॰॰आ॰॰आ
मन के पिंजरा चोरी चोरी
बांध के राखी प्रेम की डोरी
मन के पिंजरा चोरी चोरी
बांध के राखी प्रेम की डोरी
छोड़ गया॰॰आ
छोड़ गया हाय मोहे दर्द भरा गीत सुना के
छोड़ गया॰॰आ
छोड़ गया हाय मोहे दर्द भरा गीत सुना के
पंछी उड़ गया॰॰आ॰॰आ
शाम रंग कुछ काम ना आया
राधे राधे॰॰ए॰॰ए
बोल चुका
पर बेदर्दी रहा ना अपना
अपना होकर हुआ पराया
तोड़ गया वो प्रेम की डोरी
छोड़ गया वो नागरी मोरी
तोड़ गया वो प्रेम की डोरी
छोड़ गया वो नागरी मोरी
हाय छलिया
हाय छलिया मुझसे मुंह मोड़ गया ठेस लगा के
हाय छलिया
हाय छलिया मुझसे मुंह मोड़ गया ठेस लगा के
पंछी उड़ गया॰॰आ॰॰आ
पंछी उड़ गया प्रीत लगा के
पंछी उड़ गया॰॰आ॰॰आ
Udte Udte Pyaase Panchhi
Posted on: October 13, 2019
- In: Bird songs | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Multi part song | Panchhi songs | Poignant Song | Post by Raja | sad song | Songs of 1980s (1981 to 1990) | Songs of 1984 | Yearwise breakup of songs
- 7 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4104 | Post No. : | 15254 | Movie Count : |
4191 |
First of all, my apologies for my infrequent appearances here. Even calling it a cameo is unfair to a cameo, because, to be honest, it is not even that. It is more like, a “blink and you miss” situation.
Anyway, here I am today, back with a post. The occasion is the Remembrance Day of someone very special to the Hindi film industry, and also to me. He has millions of fans around the world and is easily one of the legends of the industry.
I am talking about Kishore Kumar, of course.
I’ve written about Kishore Kumar many times in the past. And yet, when Avinash ji requested me to write a post for this occasion, I immediately agreed. Such is my love for Kishore Kumar that even if I repeat myself and bore my readers in the process 🙂 , I could not bring myself to say no. 🙂
The problem then was to get the required writing mood back. What they say about writing is very true. If you don’t write for an extended period of time, you gradually lose the ability to do so. That is why many writers practise their writing everyday, by writing at least a minimum number of words.
When I wrote to Avinash ji saying “Mere thoughts gather nahin ho rahe. I have lost the ability to write”, he replied “Aap Kishore Kumar ke gaane suniye aur din bhar sunte rahiye. Thoughts will come, I am sure.” 🙂
So I did listen to a few songs – predictably songs of ‘my’ era. “Khizaan Ke Phool”, “Jeevan Se Bhari Teri Aankhen”, “Teri Duniya Se”, “Hum Bewafa Hargiz Na The”, “O Mere Dil Ke Chain”, “Ye Shaam Mastaani” and a few others.
I think that might have helped a bit, because here I am.
Anyway, coming to Kishore Kumar.
The years just roll by – it is already 32 years since he left us.
He was just 58 at the time – far too young to go.
But like they say, it is not the years in your life that count, it is the life in your years.
And Kishore Kumar had plenty of life in his years.
No one will dispute that Kishore Kumar was the No.1 all-rounder in the industry. There have been a few others who have had multiple skills. Manoj Kumar was actor, writer, director, producer. Mehmood was also quite an all-rounder.
But Kishore was in a league of his own, because in each of his roles, he left a mark. Of course he is best-known as a singer, but even today many remember his acting, especially in comedy roles like in ‘Dilli Ka Thug’, ‘Chalti Ka Naam Gaadi’, ‘Half Ticket’ and many other films.
But there was so much more to Kishore Kumar than just comedy. And probably to prove this point, he produced and directed films like ‘Door Gagan Ki Chhaon Mein’ (1964) and ‘Door Ka Raahi’ (1971). I was stunned when I saw both these films – they have tremendous depth and philosophy, uncommon for the times.
His versatility was not limited to singing, acting, producing and directing though. Kishore Kumar also composed music, for some of his films. Like the two films mentioned above, whose songs are quite popular to this day. As are the songs of ‘Jhumroo’ (1961).
This is why I call Kishore Kumar the Gary Sobers of the Hindi film industry. 🙂 He could take on any role, and make a success of it.
But beyond even his multifarious talents, there was Kishore the person. And even as a person, he is quite an inspiration for me. His attitude towards life is something I can only admire.
Those who worked with Kishore Kumar, especially Lata Mangeshkar and Asha Bhosle, vouch for his ability to enliven a recording session with his sense of humour, his cracking a joke or pulling someone’s leg. Some people are like this – never a dull moment with them around.
It is not as if Kishore didn’t have low moments, or tough times. Everyone has these – Kishore was no exception. But he never let this affect his professionalism. He was very clear about himself, his philosophy towards life – and he never allowed others to define it for him.
Like he said “Duniya samajhti hai main paagal hoon….main samajhta hoon duniya paagal hai”.
I think, whatever his conflicts with the world might have been, especially later in his life, he was at peace with himself. And that is most important for a human being. Like he told Lata Mangeshkar in an interview in the fag end of his career “I am quite happy”. He expressed a desire to run away from it all, and go to a place which was calling out to him.
Today, on his Remembrance Day, I feel Kishore Kumar found that place and left us in order to go there.
And left us with SUCH a treasure of songs and memories that we are indebted to him for life.
So thank you, thank you, thank you, Kishore Kumar for what you have given us. Speaking purely for myself, as someone who has been part of my life from my very early years, when I listened repeatedly to songs like “Mere Sapnon Ki Raani” and “Ye Shaam Mastaani” on the radio, your impact on my life cannot be described.
Now onto the song for today.
It is a totally new song for me. In fact I have never even heard of the film. Details, including lyrics of the song, have been sent to me by Avinash ji.
This is what he says :
“Zindagi Jeene Ke Liye-1984’ was directed by K.S. Sethumadhavan for ‘Tirupati Chitra Mandir, Bombay’. It was produced by Hastimal.
It had Rakhi Gulzar, Suresh Oberoi, Vijay Arora, Manmohan Krishan, CS Dubey, Krishan Dhawan, Shobhha Khote, Birbal Raj, Raj Kishore, Rakesh Roshan, Tina Munim, Master Rinku, Shah Chaturvedi, Raghvaiyya, Santosh Kumar, Lata Kashmiri, Dolphin and others. Deepa and Ramu make a guest appearance in this movie.
This movie was passed by Censor Board on 06.06.1984. However, the movie was re-certified by Censor on 15.12.1987 with a UA certificate (as mentioned in HFGK).
The movie has total seven songs, including the three-part song being presented today (as per HFGK Vol-VI 1981-1985) composed by Rajesh Roshan. HFGK mentions Rajesh Roshan as the lyricist for this movie and the same is mentioned on the vinyl cover of this movie available on online sources, which I guess is correct. (myswar.co also mentions the same). Asha Bhonsle, Kishore Kumar, Pankaj Udhas and Yesudas had given their voices to the songs in this movie.”
This film, ‘Zindagi Jeene Ke Liye’ (1984), makes its debut entry on this blog today.
The song itself is amazing. I’d never heard it before, but when I heard it for the first time a few days ago, it touched my heart. It also suits this occasion, as it talks of a person who feels he is ready to move on.
Please do listen to this wonderful song. Quite a gem, it is, especially in Kishore Kumar’s voice. Thanks for the song, Avinash ji.
Audio, All Parts
Song – Udte Udte Pyaase Panchhi (Zindagi Jeene Ke Liye) (1984) Singer – Kishore Kumar, Lyrics – Indeevar, MD – Rajesh Roshan
Lyrics (Provided by Avinash Scrapwala)
Part 1
hmmm mmmm mmmm mmmm mmmm
hmmm mmmm mmmm mmmm mmmm
udte udte pyaase panchhi
pyaase panchhi thhak gaye ae
udte udte pyaase panchhi
pyaase panchhi thhak gaye
armaan pyaase chhaayi udaasi
pyaase panchhi thhak gaye ae
udte udte pyaase panchhi
pyaase panchhi thhak gaye
ek nadi thhi pyaar ki
saari duniya byopaar ki
ek nadi thhi pyaar ki
saari duniya byopaar ki ee
raah roke apni khadi thhi
pyaase panchhi thhak gaye ae
udte udte pyaase panchhi
pyaase panchhi thhak gaye
zindagi ke ae baaki thhe kuchh lamhe
shaayad ke ho milna phir hamen
zindagi ke ae baaki thhe kuchh lamhe
shaayad ke ho milna phir hamen
maar daalegi ye bebasi
pyaase panchhi thhak gaye ae
udte udte pyaase panchhi
pyaase panchhi thhak gaye
armaan pyaase chhaayi udaasi
pyaase panchhi thhak gaye
Part 2
door jaa rahe hain
ke nainaa ro rahe hain
door jaa rahe hain
ke nainaa ro rahe hain
saanson ki na toote ladi ee
pyaase panchhi thhak gaye ae
udte udte pyaase panchhi
pyaase panchhi thhak gaye
Part 3
haathon ne hamesha waar kiya
kabhi naa kisiko pyaar kiya
haathon ne hamesha waar kiya
kabhi naa kisiko pyaar kiya
nas nas basi buzdili thhi
pyaase panchhi thhak gaye ae
udte udte pyaase panchhi
pyaase panchhi thhak gaye ae
————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
————————————————————
भाग १
हम्मम मम्मम मम्मम मम्मम मम्मम
हम्मम मम्मम मम्मम मम्मम मम्मम
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए ए
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए
अरमां प्यासे छायी उदासी
प्यासे पंछी थक गए ए
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए
एक नदी थी प्यार कि
सारी दुनिया ब्योपार कि
एक नदी थी प्यार कि
सारी दुनिया ब्योपार कि ई
राह रोके अपनी खड़ी थी
प्यासे पंछी थक गए ए
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए
ज़िन्दगी के ए बाकी थे कुछ लम्हे
शायद के हो मिलना फिर हमें
ज़िन्दगी के ए बाकी थे कुछ लम्हे
शायद के हो मिलना फिर हमें
मार डालेगी ये बेबसी
प्यासे पंछी थक गए ए
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए
अरमां प्यासे छायी उदासी
प्यासे पंछी थक गए
भाग २
दूर जा रहे हैं
के नैना रो रहे हैं
दूर जा रहे हैं
के नैना रो रहे हैं
साँसों की ना टूटे लड़ी ई
प्यासे पंछी थक गए ए
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए
भाग ३
हाथों ने हमेशा वार किया
कभी ना किसीको प्यार किया
हाथों ने हमेशा वार किया
कभी ना किसीको प्यार किया
नस नस में बसी बुज़दिली थी
प्यासे पंछी थक गए ए
उड़ते उड़ते प्यासे पंछी
प्यासे पंछी थक गए ए
Bole re panchhi bole
Posted on: May 28, 2019
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3966 | Post No. : | 15047 | Movie Count : |
4127 |
Today’s song is from film Bachpan-1945.
In the history of Hindi movies, there have been three films that had the title viz “Bachpan”. The first was of course Bachpan-1945, today’s film under discussion. The next one was made in 1963, in which Salim Khan- father of Salman khan and a member of the famous writer jodi of Salim-Jawed, was the Hero – opposite Menaka Irani. She was the eldest sister of the famous child stars Honey and Daisy Irani. She was also the wife of stunt film actor and director Kamran Khan. Their children are Choreographer and director Farah Khan and Compere cum director Sajid Khan. Incidentally Mrs. P.N.Irani was the mother of these Irani sisters and also the one who took away all their earnings.
The third film was made in 1970, with Sanjeev kumar and Tanuja.
Film Bachpan-45 had a cast consisting of Baby Madhuri, Mazhar Khan, Baby Shakuntala, B.Nandrekar, Chandraprabha, comedian Dikshit, Gulab, Dalpat, Shashi kapoor(sr.) and others. There were two actresses with prefix Baby, but only one Baby Madhuri had the main child role throughout the film. The other Baby-Shakuntala had a role of an invalid child, stuck to the wheelchair only.
Baby Maduri,whose real name was Mah Laqa, was the daughter of M. Ali Baksh,M.D. and Iqbal begum,a cine artiste. In other words Baby Madhuri was the youngest sister of actress Meena Kumari and her sister actress Khurshid Jr. Born in a family of film people,Baby Madhuri was good at acting and singing. She was picked up by Director Nazir of Hind Pictures and took her for his film ‘ Sandesa ‘. ( He is the same Nazir,whose first wife was Sitara Devi. He was the maternal Uncle of K. Asif ( Mughal-e-Azam fame ) i.e. Mama. He later divorced Sitara devi ( actually,she had eloped with k.Asif ) and married Swarnalata and both migrated to Pakistan. Nazir’s studio was burnt during the communal riots in Bombay. Author Manto has detailed all this in his book. )
In Wadia’s film Vishwas-43, the talents of Baby Madhuri in acting and singing flowered and she was appreciated much. Then she acted and sang some songs in films like Anjaan,Jungle princess,Muqabala,Ekta(sindhi),Andhera,Mahatma Vidur,paraya Dhan,Bachpan,Nai maa etc etc.
She was also called as Madhu. She was married to actor Mehmood. She was very fond of new fashions and western clothes. Due to this, she became a cleptomaniac and was caught many times stealing things and shop lifting. She knew Riding,cycling and swimming too. She spoke good English,though not much educated.( Thanks to shri Harish Raghuwanshi ji for info on Baby Madhuri).
Now let us see about the other ‘Baby’ of this film. Right from beginning of the films,child artistes were required to do roles in the films. In the initial stages and also in later periods too, girls used to do Boys’roles ( but never heard of vice versa ! ). We have the famous examples of Honey and Daisy Irani sisters. Many child stars acted in films till they became older or were not suitable for child roles. One such example was Junior Mehmood. It was quite natural that most of them wanted to continue acting in films as an adult too and many tried to become hero/ heroines. Unfortunately, only some of them could shine as heroes or heroines, while most child stars failed as adult Hero/Heroines.
Successful child artistes are few like Meena Kumari, Madhubala,Nargis, Shashi kapoor, Sachin etc, but you can count them on fingers, whereas the list of unsuccessful child artistes who tried to become adult Hero/Heroines is quite long.
Unlike Baby Tabassum, who could not become a successful adult Heroine in good films, there was another ‘Baby’who became quite successful as an adult Heroine opposite well known actors under famous banners and left halfway due to her marriage. Her name is BABY SHAKUNTALA.
Baby Shakuntala was born in a middle class Maharshtrian family of Poona, on 17-11-1932. Those days Prabhat film company had moved to Poona. One of the Prabhat founder partners, Mr. V.G.Damle was their close relative. Along with other children, she too used to go to Prabhat premises for playing there She was 8 to 10 year old when V.Shantaram spotted her and offered a role in film, ‘Das Baje’-42 ( Daha Wajta, in Marathi). The hero’s younger brother’s role was changed to Hero’s sister’s role for accommodating her in the film.
It was a routine matter at Prabhat that for child roles in all films, the children of the partners of Prabhat( Shantaram,Damle,Kulkarni,Fatehlal and Dhaiber) or near relatives were taken. In film Sant Tukaram or other films of Prabhat, all child artistes were from within the Prabhat family only. Shakuntala was very good in studies.She used to get up at 4 am. do school studies, then do household chores, attend school and lastly attend shootings.
Das baje was a hit film. Then came ‘Ramshastri’-44 ( Bilingual-H/M ) meanwhile Shantaram and others left Prabhat and moved to Bombay. After that her work too shifted to Bombay. Due to these changes, she could study only upto Matriculation. But she was proficient in English, Marathi, Hindi/Urdu, Gujarati and Kannada. At the time of shooting for film ‘Shikayat’-48, actor Shyam made her his “Mooh Boli”sister and till he died in an accident he was very close to her.
In 1949, she was 17 year old and she became a heroine in film “Maya bazaar”-49 opposite Balakram. Then came a string of films. She worked with well known actors like Kishore kumar, Bharat Bhooshan,Karan Dewan,Amarnath,Anant Marathe,Master Bhagwan, Abhi bhattachrya etc. She was also luck to have worked under ace directors like V.Shantaram, Bimal Roy,Homi Wadia, kishore Sahu, Raja nene, Gajanan Jahagirdar,Shahid lateef etc. This enriched the depth of her acting.
Kishore Kumar was her Hero in films like, Chham Chhama Chham- 52, fareb-53 and Lehren-53. They had a good tuning like a naughty brother and sister. once kishore kumar surprised her by visiting her in her Kolhapur house ( after her marriage) and spent one day with her family. The famous kishore Kumar- Lata mangeshkar song “aa muhabbat ki basti basayenge hum” from film Fareb-53 was filmed on kishore and Shakuntala only.
Lot of marriage proposals started coming for her and she finally was married in 1954 to Sardar Nadgonde of Kolhapur, a Royal family. After marriage she left films, though she had good demand and became Mrs. Umadevi Nadgonde. She had a son and a daughter. She lived a contented life of 82 years and died recently on 18-1-2015, at Kolhapur.
She had acted in almost 40 Hindi films ( including bi-lingual) and 20 Marathi films from 1942 to 1954. She also acted in famous Marathi dramas on commercial stage. 14 of her films celebrated silver Jubilees. Some of her films were- Das baje-42, Ramshastri-44,Piya Milan-45, Taramati-45, Bachpan-45, Bachhon ka khel-46 ( with Meena kumari), Phir bhi apna hai-46Moti-47, Tohfa-47, Shikayat-48, Seeta Swayamvar-4, maya bazaar-49,, kamal ke Phool-50, Pardes-50,Malti madhav-51 Nanhe Munne-52, Chham chhama chham-52, fareb-53, Lehren-53, Jhamela-53, bhagyawaan-53, Biraj bahu-54, pooja-54, Bindiya-55 etc. ( Bio based on her interview in ” chanderi Aathavani ” by Sulabha Ternikar and material provided by shri Harish Raghuvanshi ji, with Thanks.)
Film India magazine was quite popular in the 40s and the 50s. In its June-1946 issue, the editor Baburao Patel has reviewed this film. As per his judgement, the film was no good. Its story (story, dialogues and songs by I.C.Kapoor) had no life and the director Homi Wadia had spoiled the film by his inept handling and direction. No wonder. Baburao patel rarely praised any film,director or an actor, so this review was on expected lines only.
The film was based onthe ” theme of innocence teaching bitter experience to look at life with a smiling understanding” according to Patel. The story of the film was…
Bhairav (Mazhar Khan) is fed up of life, because his son married outside their cast and all his society criticized him no end. He became very bitter in life and lived in a house on top of a mountain- away from society. He is feared by the villagers around. One of his relatives (Kanta Kumari) sends her niece Madhu (Baby Madhuri) to live with him. Over a period, due to the good and helping nature of optimistic smiling Madhu, Bhairav starts changing and becoming a normal person.
Suddenly, the aunt kidnaps Madhu and sells her as a companion to a rich invalid kamla(Baby Shakuntala). Here too, Madhu wins everyone’s hearts. Envied by this, the Governess (Gulab) of kamla kidnaps Madhu. Meanwhile, Bhairav is also searching Madhu. He rescues her, but the Police detain him and Madhu in the Police station. The village school Teacher Ramesh(B.Nandrekar) and his beloved(Chandraprabha) give positive evidence and Bhairav and Madhu are released. All ends well in the end.
The role of teacher Ramesh was done by B.Nandrekar. This name must be totally unknown to the new generation readers. B.Nandrekar or babasaheb Nandrekar was one of the very few really handsome actors Hindi films ever had. He was born in 1910, in Sangli district of Maharashtra, near Kolhapur. Being a Muslim, he could speak Urdu/Hindi fluently. He completed his schooling from Kolhapur and joined films. Vishnupant Damle (one of the founder partners of Prabhat Films) was making silent film ‘Maharathi Karna’ (1928) for Maharashtra Film Co. He offered Nandrekar a role. Then he worked in other films like ‘Baji Prabhu Deshpande’ (1929), ‘Lanka’ (1930), ‘Kismet’ (1931) and ‘Dushman Ki Raat’ (1931).
His first talkie film was ‘Kurukshetra’ (1933). Prabhat gave him a role in ‘Sant Tukaram’ (1936) (its Hindi version came in 1948). He worked in ‘Amar Jyoti’ (1936) and became quite popular as a hero, opposite Shanta Apte. He was hero in ‘Baghbaan’ (1938) opposite Sitara Devi.
In 1939, he became the first actor to go abroad to shoot scenes in film ‘Africa In Hind’ – ‘हिन्द में अफ्रीका’ (1939). The shooting was done in Africa. Thus this became the first ever Hindi film to shoot in foreign country, and NOT film ‘Naaz’ (1954), as is popularly believed and also as mentioned in HFGK. Nandrekar had become very popular. The chappals he used in film ‘Baghbaan’ became fashionable by the name ‘Nandrekar Chappals‘. This alone is enough to prove his popularity.
His law suit against Prabhat Film Company was a topic of discussion in the industry. There were differences between him and Prabhat over his contract with them. His lawyers were Mr. Jinnah and Mr. Setalwad, who won the case for him. He was also the first actor to work as a freelancer.
Nandrekar appeared in 23 Hindi films. His films were ‘Kurukshetra’ (1933), ‘Amar Jyoti’ (1936), ‘Jaadugarin’ (1937) (UR), ‘Baghbaan’ (1938), ‘Africa In Hind’ (1939), ‘Qaidi’ (1940), ‘Hindustan Hamara’ (1940), ‘Alakh Niranjan’ (1940), ‘Chitralekha’ (1941), ‘Mamaji’ (1942), ‘Duniya Tumhari Hai’ (1942), ‘Nai Kahaani’ (1943), ‘Andhi Duniya’ (1943), ‘Swarn Bhoomi’ (1944), ‘Lady Doctor’ (1944), ‘Ismat’ (1944), ‘Bachpan’ (1945), ‘Kamla’ (1946), ‘Jeevan Sikho’ (1946), ‘Parshuram’ (1947), ‘Meri Amaanat’ (1947), ‘Khandani’ (1947), ‘Sant Tukaram’ (1948) and last film ‘Bihari’ (1948).
He passed away in 1949. No definite information is available about his demise.
With today’s song, film Bachpan-1945 makes its debut on the Blog.
Song-Bole re panchhi bole (Bachpan)(1945) Singers-Unknown female voice, unknown male voice, Lyrics- I C Kapoor, MD- S N Tripathi
Both
Lyrics
Bole re panchhi bole
Bole re panchhi bole
kya bole
Bole re panchhi bole
ambuwa pe baithha shor machaaye
ambuwa pe baithha shor machaaye
suno jee
haan
chhota sa dil mera
chhota sa dil
chhota sa dil mera ghabra jaaye
dole re dil mera dole
dole re dil mera dole
bole re panchhi bole
kya bole
Bole re panchhi bole
teri jawaani meri jawaani
teri jawaani meri jawaani
kehta hai wo to yehi kahaani
kehta hai wo to yehi kahaani
????
hmm
dinon ke ?? soye
?? soye
bole re panchhi bole
kya bole
panchhi to hai naadaan saanwariya
panchhi to hai naadaan saanwariya
patton ke bhi hai jaan saanwariya
baat wo ho bole haule
baat wo ho bole haule
sono je
hmm
?? uski bala se
?? uski bala se
karta hai wo to baat hawa se
jee mein jo aaye wo bole
jee mein jo aaye wo bole
bole re panchhi bole
bole re panchhi bole
Kuchh bol bol panchhi
Posted on: August 8, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3673 | Post No. : | 14556 |
“Aaina”(1944) was directed by S M Yusuf for D R D Productions. This movie had Trilok Kapoor, Husn Bano, Kaushlya, Yakub, Gope, Yashodhara Katju, Rajkumari Shukla, Sulochana Chatterji, Mirza Musharraf, Leela Mishra, Sayyad Ahmad, Bibi, Sultan Bawa etc in it.
The movie had eight songs in it that were composed by two music directors viz Fatah Ali Khan and Gulshan Soofi. HFGK mentions three songs as composed by Fateh Ali Khan and two songs as composed by Gulshan Soofi. Music directors for three remaining songs are not known.
Six songs have been covered in the past.
Here is the seventh song from “Aaina”(1944). This song is sung by Kaushalya. Pt Phaani is the lyricist of this song. Music director for this song is not known. I have provisionally considered Gulshan Soofi to be the composer of this song.
Since Kaushalya has acted in the movie, so it is clear that the song was picturised on her as well.
Song-Kuchh bol bol panchhi (Aaina)(1944) Singer-Kaushalya, Lyrics-Pt Phaani, MD-Gulshan Soofi
Lyrics
kuchh bol bol panchhi
kuchh bol bol panchhi
ho o
par khol khol panchhi
ho o
par khol khol panchhi
kuchh bol bol panchhi
?? sej tujhko
par dekh
ud na jaana
par dekh
ud na jaana
moh lega man kisi ka
tera ye chahchahaana
tera ye chahchahaana
ho o
par khol khol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
ho o
munh khol khol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
aazaad aaj hai tu
kal ki magar na jaane
kal ki magar na jaane
kar lega qaid koi
kitne bhi kar bahaane
kitne bhi kar bahaane
ho o
mat dol dol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
ho o
par khol khol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
- In: "Panchchi" song | Aparesh Lahiri Songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Free Spirit Song | Guest posts | Kanan Devi - Aparesh Lahiri Duet | Kanan Devi songs | Lyrics contributed by readers | Panchhi songs | philosophical song | Post by Sudhir | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3565 | Post No. : | 14291 |
kuchh yaad rahe to sun kar jaa. . .
The nectar tinged fragrance of this voice suffuses through the strings of the heart through so many wonderful renderings. The mind is left amazed by the effortless expressions of the emotions covering the full spectrum of human experience. “Loot Liyo Mann Dheer. . .” is probably the only exclamation that the mind responds with, as it passed through the shower of her musical portrayals.
Kanan Devi – the doyen, the first lady of cinema in Bengal. We remember and honour her today (22nd April), on the anniversary of her birth. During her heydays in the 1930s and 40s, her popularity was so celebrated, that in those years, security had to be arranged when she moved about in public.
She was born this day in 1916, at Howrah. As per her own account, it was a very un-remarkable beginning to a tiny life, in the hands of a couple whom she knew only as her adoptive parents. Her foster father passed away quite early. She and her mother went through some difficult years, and the young Kanan Bala was not able to complete any form of formal school education.
In 1926, a family well wisher, introduced her to the management at Madon Theatres, Calcutta. Kanan was a child of 10 years. She worked in silent films and even did the male lead roles in ‘Vishnu Maya’ and ‘Prahlad’ (both in 1932). Transition from silent films to talkie films was very smooth for her. She had a good command over the spoken word and a remarkable singing talent – it only needed guidance and direction from teachers like Allah Rakha, Anaadi Dastidar, Bhishmdev Chatterjee, and yes, RC Boral.
From Madon, she moved to Radha Films in 1933. She was growing up into a beautiful and sophisticated young woman. In 1937 she transitioned to New Theatres. A regret she carried always – in 1934-35 she was offered a role in New Theatre’s ‘Devdas’ (1935), but could not accept as she was bound by her contract with Radha Films. She worked with New Theatres till 1941, and then moved to MP Productions in 1942.
After her formative years at Madon and Radha Films, her years at New Theatres and MP Productions are the most dazzling years of her career. In both organizations, her films became hugely popular hits, film after film, year after year. The music and the songs of these films made her the first lady singing superstar of Indian cinema. Her last Hindi film was ‘Chandrashekhar’ in 1948, opposite to Ashok Kumar. After this, she turned a producer in 1949, and set up her own company – Shrimati Pictures.
The song being presented today is a such lovely gem from the 1947 film ‘Faisla’. It is a duet sung in accompaniment with Aparesh Lahiri. Music is by Anupam Ghatak; the lyricist’s name is not available. Listening to this wonderful melody, brings to mind another similar song from a decade and a half later. I refer to the Talat-Lata duet from ‘Chhaaya’ (1961) – “Itna Na Mujh Se Tu Pyaar Badha, Ke Main Ik Baadal Awaara”. Although quite different songs, the mind is taken by the similarity in the theme of the song, as the gentleman professes a spirit of freedom, unencumbered by the matters of the heart, and whereas the lady expresses her desire to be together.
As the song begins, the voice of Kanan Devi flows in, giving an expression to the free spirit of the heart – a spirit like a bird that is unaware of the amorous emotions of love. Such a pleasure to listen to this voice.
Song – Khuli Hawa Mein Udne Waala Panchhi Preet Na Jaane (Faisla) (1947) Singer – Kanan Devi, Aparesh Lahiri, Lyrics – Pran, MD – Anupam Ghatak
Both
Lyrics
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
kyun
wo bhanwara..aa..aa
wo bhanwara..aa ye bhi na jaane
kaliyan
kaliyan kyun muskaati
dard bhare
harne ko ye jhoom
daalon par hai gaati
koyal
daalon par hai gaati
aaa aaa aaa aaa aaa
duniya
is duniya se nyaari
khud hi chala basaane
duniya
is duniya se nyaari
khud hi chala basaane
apni dhun ka raahi kaise ho
prem dagar pehchaane
ho oo oo oo
prem dagar pehchaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
kyun udne ki aadat koi
panchhi se chhudwaaye
kyun udne ki aadat koi
panchhi se chhudwaaye
baithi hai duniya
unke raste mein jaal bichhaaye
bhola panchhi
ye na jaane
bhola panchhi
ye na jaane
aaj mujhe bandhan mein apne
kyun deti ghutaane
aaj mujhe bandhan mein apne
kyun deti ghutaane
bhola panchhi
ye na jaane
bhola panchhi
ye na jaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
क्यों
वो भँवरा॰॰आ॰॰आ
वो भँवरा॰॰आ ये भी ना जाने
कलियाँ
कलियाँ क्यों मुसकाती
दर्द भरे
हरने को ये झूम
डालों पर है गाती
कोयल
डालों पर है गाती
आ आ आ आ आ
दुनिया
इस दुनिया से न्यारी
खुद ही चला बसाने
दुनिया
इस दुनिया से न्यारी
खुद ही चला बसाने
अपनी धुन का राही कैसे हो
प्रेम डगर पहचाने
हो ओ ओ ओ
प्रेम डगर पहचाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
क्यों उड़ने की आदत कोई
पंछी से छुड़वाये
क्यों उड़ने की आदत कोई
पंछी से छुड़वाये
बैठी है दुनिया
उनके रस्ते में जाल बिछाए
भोला पंछी
ये ना जाने
भोला पंछी
ये ना जाने
आज मुझे बंधन में अपने
क्यों देती घुटाने
आज मुझे बंधन में अपने
क्यों देती घुटाने
भोला पंछी
ये ना जाने
भोला पंछी
ये ना जाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
Ude panchhi toli mein
Posted on: January 19, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3472 | Post No. : | 13940 |
When one talks of star pairings during the golden era of Hindi movies, one thinks of “A grade” star pairings like Raj Kapoor-Nargis, Dilip Kumar- Madhubala, Dilip Kumar-Meena Kumari, Dev Anand- Waheeda Rehman etc. But there were other pairs too, that would be signed up by smaller budget movie makers, like for instance, Ashok Kumar- Nirupa Roy, Kishore Kumar-Vyjyanti Mala etc.
Movie makers with even smaller budgets would sign up up and coming pairs, who may have started off as child artists. One such pair was Shashi Kapoor and Nanda. Unlike some other pairs, this pair delivered quite a few hits and became a dependable pair.
Names of movies such as Chaar Deewaari (1961), Mohabbat Isko Kehte Hain (1965), Jab Jab Phool Khile (1965), Neend Hamari Khwaab Tumhaare (1966), Juaari (1968), Raja Sahab (1969) and Roothha Na Karo (1970) comes to mind when one thinks of Shashi Kapoor-Nanda pair.
Here is a song picturised on this pair. This playful and cheerful romantic song is from “Mehndi Lagi Mere Haath”(1962). This song is sung by Mahendra Kapoor and Usha Mangeshkar. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.
The song shows playful looking Shashi Kapoor and Nanda teasing each other. The best teasing is reserved in the last stanza of the song where Shashi Kapoor teases the lady -“you show arrogance as if you are baby Nanda.”
Pat comes the retort- “you behave as if you are the kid brother of Raj Kapoor”. 🙂
Great fun lyrics by Anand Bakshi during his early days in Hindi movies.
This song was the sixth song, out of six that this movie had. The earlier five songs, including one multiple version song, have been covered in the blog in the past in 2010 (two songs), 2015 (one multiple version song) and 2017 (one song). Following are the details of the earlier songs from this movie :
|
Song Title |
Post No. |
Post Date |
| Kankariyaa maare karke ishaare | 2513 | 5-Jun-10 |
| Aapne yoon hi dillagi ki thi | 2523 | 8-Jun-10 |
| Mehandi lagi mere haath Multiple version song | 10663 | 8-Jan-15 |
| Teri wo chaal hai ke tauba | 13461 | 22-Jul-17 |
With this song, “Mehndi Lagi Mere Haath”(1962) joins the list of movies that have all their songs covered in the blog.
Song-Ude panchhi toli mein (Mehndi Lagi Mere Haath)(1962) Singers-Mahendra Kapoor, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Lyrics
ude panchhi toli mein aen
ude panchhi toli mein
tujh ko main le jaaunga
bithhlaake doli mein
oye tujh to main le jaawaanga
bithhlaake doli mein
baagon mein hai jhoola aa
baagon mein hai jhoola
mujhse to poochh zara
ban baithha hai tu dulha
o mujhse to poochh zara
ban baithha hai tu dulha
o beri ke boote hain
haaye
beri ke boote hain
na na karte hain
tere naina jhoothhe hain
oy naah naah karte hain
tere naina jhoothhe hain
station pe gaadi hai ae
station pe gaadi hai
haan ko na samjhe
mera balma anaadi hai
o haan ko na samjhe
mera balma anaadi hai
paani hai talaabon mein aen
paani hai talaabon mein
kis’se poochh ke
tu aati hai mere khwaabon mein
oy kis’se hai pooch ke
tu aati hai mere khwaabon mein
raaja mere sapnon ke ae
raaja mere sapnon ke
poochh ke bhi koi
ghar jaata hai apnon ke
ho poochh ke bhi koi
ghar jaata hai apnon ke
o satranj ki goti hai
haaye
satranj ki goti hai
achchi hai meri rajni
par kad ki chhoti hai
oy achchi hai meri rajni
par kad ki chhoti hai
aakaash pe baadal hai ae
aakash pe baadal hai
achcha hai mera deepu
par thhoda sa paagal hai
ho achcha hai mera deepu
par thhoda sa paagal hai
gul hain guldaste mein
haaye
gul hain guldaste mein
boli jo jyaada to
chhad jaaunga raste mein
ho boli jo jyaada to
chhad jaawaanga raste mein
gul hai guldaste mein aen
gul hai guldaste mein
raste mein chhad de to jind chhoote saste mein
ho raste mein chhad de to jind chhoote saste mein
o badli mein chanda hai
haaye
badli mein chanda hai
aise akadti hai ha
jaise baby nanda hai
oy aise akadti hai ha
jaise baby nanda hai
ye ped khazoor ka hai ae
ye ped khazoor ka hai
aise akadta hai
bhai raj kapoor ka hai
o aise akadta hai
bhai raj kapoor ka hai
- In: "Kaaga/Crow" song | Bird songs | Brother Sister song | Crow/Kaagaa songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Panchhi songs | Pathos | Poignant Song | Post by Sudhir | sad song | Songs of 1950s (1951 to 1960) | Songs of 1955 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The first time I saw this film, it was on Doordarshan, and the only song that I could appreciate (given my age) was “Bibi Mendaki Ri Tu To Paani Mein Ki Raani”. Rest of the film, its emotional and familial nuances were all lost on me. Those were the days, when watching television was a privilege bestowed upon oneself by a friendly neighbor. One would go to watch television at a neighbor’s home, or hang on to the windows, if entry was not permitted. And so, the opportunity that one gets to watch a movie was in itself a treat, and an accomplishment. And one always wanted to make the most of such opportunities. Getting bored was not only not an option, but it was a thought furthest from the mind. I have this placement in front of a TV screen, and I will watch it for as long as I am allowed, whatever may be the content. The serious stuff was mostly OHT (Overhead Transmission), and the mind would remember and register the fun parts like Balraj Sahni having poori and lassi at a halwai shop in the morning before reaching his office, or singing this above mentioned song with his children on the Sunday when he is at home. But as far as watching time is concerned, it was to be religiously spent, to watch the entire film, whether I could make out more of it or not.
Read more on this topic…
Mann Panchhi Albela
Posted on: April 23, 2017
- In: "chaayageet" song | "Panchchi" song | Atul ji's 10K Song Milestone Celebration Posts | Bird songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Free Spirit Song | Guest posts | Lata solo | Lata song | Love song | Lyrics contributed by readers | Panchhi songs | Post by Srinivas Ganti | Romantic song | Songs of 1950s (1951 to 1960) | Songs of 1955 | Yearwise breakup of songs
- 3 Comments
This article is written by Srinivas Ganti, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Atul ji’s 10K Song Milestone Celebrations – 2
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mann panchhi albela
taaron ki nagri mein jaaye
If we replace the word ‘taaron’ with the word ‘gaanon’, it would be apt for this blog. Don’t we all freely wander in this cyber world of songs, lyrics and the stories behind them, as we browse the pages on Atul-Song-A-Day.
Coming to the song itself, this is one of the three Lata gems from ‘Mad Bhare Nain’ (1955). The other two are the romantic numbers “Aa Palkon Mein Aa” and the bhajan “Mo Se Saanchi Kaho Banwaari”.
Read more on this topic…
Ho o panchhi pardesiya
Posted on: February 2, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Ghar Ki Bahu”(1947) was directed by Narayan Rao and G K Devre for Kohinoor pictures, Bombay. This “social” movie had Paro Devi, Umakant, Ghulam Mohammad (actor), Pandey, Mehar Sultana, Manohar Ghatwai, Dhuliya, Babu Raje, Geeta Sardesai etc in it.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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