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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1966’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 8
– – – – – – – – – – – – – –

“What a find. Such a rollicking song.”

This the comment by our own Ava Suri ji, that I find on the YouTube upload page of this song. Yes, ‘rollicking’ is just the right word to describe the tenor of this song. By the way, the YouTube channel on which this is posted is titled ‘The Edwina Channel’. And for those who are familiar, this channel is managed by Dan Thomas (aka Thomas Daniel). Dan has been actively collaborating with dear Greta Memsaab, for cleaning and sprucing up digital videos of old Hindi films, subtitling them and putting them up on the YT. Our dear Raja ji is also part of this effort.

The eighth edition of this series comes on after a long gap. The previous (7th) episode was posted on 5th April earlier this year (which itself was posted after a gap of almost one and a half years after the 6th one). The delay is all mine, and so is the loss. In the interim, at least two or three songs that I had short listed for this series, got posted otherwise. 😦 🙂 So anyway, the search is on for more Fabulous Foot Tappers from the 1950s and 60s.

The Rock n Roll genre of music took shape and evolved in the United States during late 1940s and early 1950s. The phrase “rocking and rolling” originally described the movements of a ship on the ocean. Later, this phrase was used to describe the spiritual fervor of church rituals, especially the Afro-American church denominations. The phrase also started to be used as a term for amorous tryst between lovers. 😉

Developing from a combination of gospel music, jazz music and the R&B (rhythm and blues) of the Afro-American people, this music very soon caught the fancy of the white teenager population in the growing urban centres in America. Moving on from the origins, where the primary musical instrument used to be a piano or a saxophone, in the early 1950s, the guitar took the centre stage, supported by the drums. And soon, as the electric guitar came along, it became by itself, or in combination with the normal guitar, the lead instrument for this music. As this music became popular across the race divide in the US, radio stations started to dedicatedly play this music, and started to refer to it as Rock n Roll.

Hindi films could not be far behind in adapting this music genre into the film songs. From the mid 1950s onwards, we see quite a number of music directors that took this genre and constructed many a wonderful pieces. Listening to them, there is an urge to tap your feet, or even get up and start dancing to these fabulous rocking sounds.

Today’s treat is a great sampling of this genre. Coming from the obscure film ‘Love And Murder’ (1966), this fast paced song is composed by OP Nayyar. Right from the word go, the drum beats take the centre stage, and in the accompanying visuals we see a group of young men and women dancing to the tune of this wonderful rock n roll song. The dancers are led by Edwina. The other young lady accompanying her in the lead movements is identified as Aruna, as per the YT post by Dan.

If this song had not been so positively rollicking, I would have been tempted to use it in the other series titled “Rare Performances – Things Unique and Unexpected”. We have a surprise – an actor who I see lip syncing a song on screen for the first time – Hiralal, the noted villain character from many a films of the Golden Era. He is accompanied very enthusiastically by Suresh. There is one more bearded young man who accompanies them in the lead singing; I request for help from other knowledgeable readers to identify this actor.

I have noted this as a “diversion” song. As the opening shot shows, this song is being performed during late evening time, on open street in front of a building that carries the sign board of a bank. As the song proceeds, we are treated to some shots which explain what is happening – the plan is to rob the bank. Some members of the gang are inside the bank and are attempting to blast open the vault with explosives. Another part of this gang is on the road outside the bank, with loud music, singing and fireworks, obviously to mask the explosive sounds of the misdeeds of the miscreants inside the bank.

The words of this song are penned by Shewan Rizvi. The music, the drum rhythms, the quick-burst paced singing and the energetic dance action on the street, all combine to make a wholly fabulous foot tapper. When I started exploring this film for songs, and came across this one, I am simply not able to resist listening to it every so often for the past few days. As Ava ji has said it, and I repeat – “Such a rollicking song”.

I suggest you put on your dancing shoes, before playing it. 😉

 

Song – Dekhne Waale Dekh Karishma Yaaron Ka (Love And Murder) (1966) Singer – Mohammed Rafi, Lyrics – Shewan Rizvi, MD – OP Nayyar
Chorus
Rafi + Chorus

Lyrics

dekhne waale dekh karishma yaaron ka
takht mila ya hoga takhta chaaron ka
dekhne waale dekh karishma yaaron ka
takht mila ya hoga takhta chaaron ka

dekh palat ke dhyaan kidhar hai
kisi ki topi kisi ke sar hai
haath safaai bada hunar hai
naam hamaara jaadugar hai
hosh udaa de badey badey hoshiyaaron ka
dekhne waale dekh karishma yaaron ka
takht mila ya hoga takhta chaaron ka

chhuri bagal mein ram ka naara
galey lagaa ke phere aara
aankhen ho to dekh nazaara
raat mein suraj
din mein taara
kehl yahaan pe paise ki jhankaaron ka
dekhne waale dekh karishma yaaron ka
takht mila ya hoga takhta chaaron ka

ajab hai naksha aaj shehar ka
kahin chataakha kahin pataakha
door kahin par hua dhamaaka
koi na samjha shukar khuda ka
shehar mien hoga shor ye kal akhbaaron ka
dekhne waale dekh karishma yaaron ka
takht mila ya hoga takhta chaaron ka

dekhne waale dekh karishma yaaron ka
takht mila ya hoga takhta chaaron ka

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

देखने वाले देख करिश्मा यारों का
तख्त मिला या होगा तख़्ता चारों का
देखने वाले देख करिश्मा यारों का
तख्त मिला या होगा तख़्ता चारों का

देख पलट के ध्यान किधर है
किसी की टोपी किसी के सर है
हाथ सफाई बड़ा हुनर है
नाम हमारा जादूगर है
होश उड़ा दे बड़े बड़े होशियारों का
देखने वाले देख करिश्मा यारों का
तख्त मिला या होगा तख़्ता चारों का

छुरी बगल में राम का नारा
गले लगा के फेरें आरा
आँखें हों तो देख नज़ारा
रात में सूरज दिन में तारा
खेल यहाँ पे पैसे की झंकारों का
देखने वाले देख करिश्मा यारों का
तख्त मिला या होगा तख़्ता चारों का

अजब है नक्शा आज शहर का
कहीं चटाखा कहीं पटाखा
दूर कहीं पर हुआ धमाका
कोई ना समझा शुकर खुदा
शहर में होगा शोर ये कल अखबारों का
देखने वाले देख करिश्मा यारों का
तख्त मिला या होगा तख़्ता चारों का

देखने वाले देख करिश्मा यारों का
तख्त मिला या होगा तख़्ता चारों का

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 36
– – – – – – – – – – – – – – –

Aisa to hota hi hai. The name of the film sometimes is not so interesting; it seems to automatically convey a B/C grade stunt cum familiar crime and punishment fare. And so we tend to pass over such names in our search of favorites. But as always, unfailingly, it is such films that carry some of the best music that we have heard. Plus, as I realized while checking out this film, the music director is OP Nayyar. The year is 1966, and OPN is quite much in the running as one of the top music directors in the industry. And the film that I am un-packaging on this blog for the first time – it is ‘Love And Murder’.

Sure you will say, with such a name, who would pay attention. Plus the star cast – lead pair is Ramesh Deo and Jaimala. Well, who would pause at this film while browsing the lists. Aah, but we err here. If there is Helen in the cast, and the music is by OPN, one can expect some real good songs with Asha Bhosle singing and Helen doing her moves on the screen. Yes, we need to be more sensitive to such tell tale signs as we look for songs to post. Plus given that this film is available, and all its songs are available online – that sure is an error on our part.

So the film ‘Love And Murder’ makes its debut on our blog today, with this signature Helen dance song. It surely caught my fancy as soon as I heard it, and I have repeated heard it many times over the past two three days. And there is more in this film – the other songs are no less exquisite.

This is a stunt film from the banner of Adarshlok, Bombay, and is directed by Raja Paranjape. Cast of actors includes Prithiviraj Kapoor, Ramesh Deo, Jaimala, Helen, Heeralal, Kammo and Chandrakant Ghokale, amongst others. This list is taken from the Geet Kosh details, and possibly more names can be added. One, maybe, in this song itself. Onscreen we see Helen and Ramesh Deo. Later during the performance, Jaimala makes an entry. There is one more familiar face in this clip; the gentleman who gets up and approaches Jaimala as she enters the scene. Is this the actor Suresh? I am guessing, and I request other knowledgeable readers and friends to please confirm or correct my statement.

The film has six songs. Geet Kosh lists names of three songwriters – Shewan Rizvi, SH Behari and Aziz Lucknawi. Of the six songs, two are attributed to Aziz Lucknawi and one each to Shewan Rizvi and SH Behari. Two songs are listed with no name of lyricist attached to it. Today’s song is one of those two songs without an attribution of a songwriter.

OPN + Asha Bhosle + Helen, the combination makes for some very good music and dance performance. This song is no exception. The rhythm and the beats in the song are just superb. OPN shifts between drums for the mukhda and the interludes, and tabla for the antaraas. A typical OPN style that can be seen is some more of his creations.

Enjoy this wholesome debut, wonderful music, and Helen – what more one can ask for. 🙂

 

Song – Mere Dil, Meri Jaan  (Love And Murder) (1966) Singer – Asha Bhosle, Lyrics – [Unattributed], MD – OP Nayyar

Lyrics

ha aa aa ha ha ha
ha aa aa ha ha ha
ha aa aa ha ha ha
ha aa aa ha ha haaa. . .

mere dil
meri jaan
tu keh de to kar daaloon main dil ka haal byaan
ho mere dil
meri jaan
tu keh de to kar daaloon main dil ka haal byaan..aa..aan

ho laara ho laara
ho laara ho laara
ho laara ho laara ho laara ho oo oo

khamoshi kehti hai
bechaini rehti hai
khamoshi kehti hai
bechaini rehti hai
tanhaai ki raaten hain
deewaaron se baaten hain
tanhaai ki raaten hain
deewaaron se baaten hain
ho ja re mujh par zara meharbaan
ho ja re mujh par zara meharbaan

ho mere dil
ho oo
meri jaan
haaaye
tu keh de to kar daaloon main dil ka haal byaan
ha ha ha ha ha
ho mere dil
ho oo
meri jaan
ho oo oo
tu keh de to kar daaloon main dil ka haal byaan..aa..aan

ho ra la ho la ho
o la la ho la ho
ra la ho ra ho ra ho oo oo

aankhon mein tu hi tu
saanson mein tu hi tu
aankhon mein tu hi tu
saanson mein tu hi tu
aa ja meri baahon mein
jannat hai in raahon mein
aa ja meri baahon mein
jannat hai in raahon mein
sun le mere pyaar ki daastaan
sun le mere pyaar ki daastaan

ho mere dil
ho oo
meri jaan
ho oo
tu keh de to kar daaloon main dil ka haal byaan
ha ha ha ha ha
ho mere dil
meri jaan
ho oo oo
tu keh de to kar daaloon main dil ka haal byaan..aa..aan
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हा आ आ हा हा हा
हा आ आ हा हा हा
हा आ आ हा हा हा
हा आ आ हा हा हा॰ ॰ ॰

मेरे दिल
मेरी जाँ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां
हो मेरे दिल
मेरी जाँ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां॰॰आ॰॰आं

हो लारा हो लारा
हो लारा हो लारा
हो लारा हो लारा हो लारा हो ओ ओ

खामोशी कहती है
बेचैनी रहती है
खामोशी कहती है
बेचैनी रहती है
तनहाई की रातें हैं
दीवारों से बातें हैं
तनहाई की रातें हैं
दीवारों से बातें हैं
हो जा रे मुझपे ज़रा महरबां
हो मेरे दिल
हो ओ
मेरी जाँ
हा॰॰ए
तू कह दे तो कर डालूँ मैं दिल का हाल बयां
हा हा हा हा हा
हो मेरे दिल
हो ओ
मेरी जाँ
हो ओ ओ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां॰॰आ॰॰आं

हो रा ला हो ला हो
ओ ला ला हो ला हो
रा ला हो रा हो रा हो ओ ओ

आँखों में तू ही तू
साँसों में तू ही तू
आँखों में तू ही तू
साँसों में तू ही तू
आजा मेरी बाहों में
जन्नत है राहों में
सुन ले मेरे प्यार की दास्ताँ
सुन ले मेरे प्यार की दास्ताँ
हो मेरे दिल
हो ओ
मेरी जाँ
हो ओ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां
हा हा हा हा हा
हो मेरे दिल
मेरी जाँ
हो ओ ओ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां॰॰आ॰॰आं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post celebrates the 1000th song of Majrooh Sultanpuri on our blog.

rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain

Powerful lines, written while he was in prison – no, not under the British rule; that happened back in 1946-47. This was a second time he was imprisoned c1950-51, under the regime of a free India. A poet with leftist leanings, his progressive writings were considered a threat by the British regime (which is understandable), and also considered a threat by then government of Morarji Desai (in Bombay). A song titled ‘Aman Ka Jhanda’ was sung at a meeting of poor labor class workers in the Parel area. Being the author, and the on stage presenter of this song, drew the ire of the establishment, and arrest warrants were issued in his name. He was arrested after being underground for some time, and sentenced to one year imprisonment. Morarji Desai suggested that he may render an apology for his writings, and he would be a free man. In response, the young revolutionary poet wrote this couplet.

rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain

No walls of a prison
No tyranny of a jailer
Has the power to bind me
I am the voice (of conscience)
That permeates through
The walls of confinement
[Note: zindaan = jailer]

Remembering Majrooh Sb on the 98th anniversary of his birth today (1st October).

When born in 1919, he was named Asraar ul Hasan Khan. His father, who worked in the Police department, wanted him to have the traditional education, and learn to be a doctor. The young Asraar studied at the traditional Masrasa, and took up Unaani medicine, to become a ‘hakeem’. These are efforts made by the worldly wise in the family, to get the young man settled in life. But the voice of the revolutionary poet turned to be more strong and it was his shaayari that ascended to claim his life to be its own. Influenced and encouraged by the stalwarts of his era, namely Faiz, Majaaz and Jigar Moradabaadi, he found himself to be much more at home in mushairas and gatherings of writers. He came to Bombay to participate in one such gathering of poets. AR Kardar was present at this mushaira. The impressions made led to a meeting between Kardar, Naushad and this young poet. The outcome was the songs of the film ‘Shahjehan’. The rest, as is often said, is history.

The innings lasted for five and a half decades, probably the longest inning by a songwriter in the Hindi film industry. The body of work consists of more than 2300 songs written for almost 350 films over a period of 55 years. Songs that have entertained generation after generation of movie buffs and radio listeners. The longevity and the creativity can be gauged from the popularity of his writings at the two ends of this long 55 year spectrum. At one end of this spectrum are gems like “Yun To Aapas Mein Bigadte Hain Khafaa Hotey Hain” (‘Andaaz’, 1949) and “Sun Sun Sun Sun Zaalima. . .” (‘Aar Paar’, 1954), and at the other end are the contemporary innovative hits like “Baahon Ke Darmiaan. . .” (‘Khamoshi – The Musical’, 1996) and “Ae, Kya Bolti Tu. . . Aati Kya Khandaala” (‘Ghulam’, 1998). And in between these two ends are crammed a couple of thousand popular hit songs across the decades, that cannot be justifiably dealt with in a single article.

Romanticism apart, the writings of Majrooh touch upon the variety of human sentiments, and have carried an attraction that has appealed to generations. His creativity and his touch of the current in-vogue sentimentalism made him a successful partner of four generations of music directors from Naushad and Ghulam Mohammed all the way to Jatin-Lalit and AR Rahman. That is a prowess and a success that probably no other songwriter in the industry can lay a claim to.

For today’s celebration, I have picked this Mukesh – Usha Mangeshkar duet from the 1966 film ‘Mere Lal’. The music is created by the duo of Laxmikant Pyaarelal. Another significant reason to celebrate today’s anniversary is that we are on the 1,000th post of Majrooh Sb’s songs on our blog. Back in 1993, Majrooh Sb became the first songwriter in the film industry to be honored with the coveted Dada Saheb Phalke Award. And today, he becomes the first songwriter to breach the 1000th milestone on our blog.
[Note: Rajinder Krishan is very close, also in the 990s. The next closest is Anand Bakshi, still a little further behind at 875.]

Today’s song is a roadside tamasha song, as we see a roving entertainer with his trained monkey’s act, present a performance to the roadside public. And now we have a film song to go along with it. 🙂 The singing voices are of Mukesh and Usha Mangeshkar. The latter is singing for assistant of the lead performer.

In the video clip, we hear two antaraas. However, the longer more complete song is available as an audio clip only. Also, the Geet Kosh lists this song twice, and apparently, the second reprise of the song in the film is a solo sung by Usha Mangeshkar. This reprise has only one antaraa, which is a repeat of the first antaraa of the main part of this song. The lyrics noted are based on the longer audio version of the song.

I request the more knowledgeable readers to help identify this performer duo who enact this song on screen.

Note: Avinash ji informs us that the young assistant lip syncing the voice of Usha Mangeshkar, is Mahesh Kothare, who was later active in the Marathi film industry as an actor, producer and director.

Video

Audio (Longer)

Song – Jab Tak Ye Sansaar Nachaaye  (Mere Lal) (1966) Singer – Mukesh, Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Mukesh + Usha Mangeshkar

 

Lyrics (Based on the longer audio version)

Part 1
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jab tak ye sansaar
jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

arre waah mere baanke
naacho isi latak se
lachkaayo re qamariya
o zara aur matak ke
jag tujh pe hanse to
chal sar ko jhatak ke
zara aur mazey mein
pyaare thumak thumak ke
sar par topi laal sajaaye
sar par topi laal
sar par topi laal sajaaye
moonch taan kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

tauba tera mukhda
haaye teri jawaani
o tera naach jo dekhe
prem nagar ki rani
mar jaaye sun sun ke
teri ghunghroo ki baani
andhi hai ye duniya
teri qadar na jaani
tujhko kya koi aaye na aaye
tujhko kya..aa
tujhko kya koi aaye na aaye
ghunghroo baandh ke naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

arre dekh rukey naa
chaahe bahey paseena
o teri raah takey hai
kahin koi haseena
sapnon mein basar ho
chaahe kai maheena
shiqwa mat kariyo
pyaare yahi hai jeena
jab tak pag betaal na jaaye
jab tak pag betaal
jab tak pag betaal na jaaye
yun hi umar bhar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jab tak ye sansaar
jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

Part 2
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jab tak ye sansaar
jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

arre waah mere baanke
naacho isi latak se
lachkaayo re qamariya
o zara aur matak ke
jag tujh pe hanse to
chal sar ko jhatak ke
zara aur mazey mein
pyaare thumak thumak ke
sar par topi laal sajaaye
sar par topi laal
sar par topi laal sajaaye
moonch taan kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

भाग १
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
जब तक ये संसार
जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

अरे वाह मेरे बाँके
नाचो इसी लटक से
लचकायो रे कमरिया
ओ ज़रा और मटक के
जग तुझ पे हँसे तो
चल सर को झटक के
ज़रा और मज़े में
प्यारे ठुमक ठुमक के
सर पर टोपी लाल सजाये
सर पर टोपी लाल
सर पर टोपी लाल सजाये
मूंछ तान कर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

तौबा तेरा मुखड़ा
हाए तेरी जवानी
ओ तेरा नाच जो देखे
प्रेम नगर की रानी
मर जाये सुन सुन के
तेरी घुँघरू की बानी
अंधी है ये दुनिया
तेरी कदर ना जानी
तुझको क्या कोई आए ना आए
तुझको क्या
तुझको क्या कोई आए ना आए
घुँघरू बांध कर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

अरे देख रुके ना
चाहे बहे पसीना
ओ तेरी राह तके है
कहीं कोई हसीना
सपनों में बसर हो
चाहे कई महीना
शिकवा मत करियो
प्यारे यही है जीना
जब तक पग बेताल ना जाये
जब तक पग बेताल
जब तक पग बेताल ना जाये
यूं ही उमर भर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
जब तक ये संसार
जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

भाग २
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
जब तक ये संसार
जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

अरे वाह मेरे बाँके
नाचो इसी लटक से
लचकायो रे कमरिया
ओ ज़रा और मटक के
जग तुझ पे हँसे तो
चल सर को झटक के
ज़रा और मज़े में
प्यारे ठुमक ठुमक के
सर पर टोपी लाल सजाये
सर पर टोपी लाल
सर पर टोपी लाल सजाये
मूंछ तान कर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Feroze Khan – a name that forever spells flamboyance and style. Almost sounding like the Kingdom of the Pathaan. A popular and likeable persona who had to face near disapproval as a leading man, till quite many years into his career. And that too, when he decided to take on the industry on his own terms, and set up his own production house, delivering one hit film after another.

Remembering Feroze Khan on his 78th anniversary of birth today (25th September).
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 34
– – – – – – – – – – – – – – –

Yesterday, 25th July, was the anniversary of passing away of GS Kohli, the music director extraordinaire. He passed away in 1996, in Bombay.

A long time assistant music director to OP Nayyar, he had a short stint as an independent music director in the decade of 1960s. Despite a load of fantastic lilting songs in all his films – songs that became instant hits, very popular in their times, and still continue to be favourites of the lovers of the golden era of Hindi film music – he remained confined to B/C grade stunt films only. He continued to work as OPN’s assistant before, during and after his stint as an independent music director.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 33
– – – – – – – – – – – – – – –

Unbelievable – that this song is still waiting to be posted.

This gem of a song, a forgotten favorite from the radio listening days. Such a lovely and soulful song, a wondrous melody that enhances the poignancy of the emotions contained within the words. And the words – what an ocean of feelings has been captured and bundled, just within the three phrases of the first line itself,

dil liya. . .     gham diya. . .     kya kiya. . .
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Husn Ka Ghulam” (1966) was directed by Kedar Kapoor for Rainbow Pictures Production, Bombay. The movie had Dara Singh, Nishi, Jamal, Maruti,Madhumati, Niranjan Sharma, Khurshid, Krishna Kumari, Bill Robinson etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
With this post, the blog now carries 700 songs by Laxmikant Pyaarelal.

The story of Laxmikant Pyaarelal reads like a dream rags-to-riches story. But it is also a story of hard work and persistent effort. Laxmikant, the senior partner in the team, was three years elder to Pyaarelal. Interestingly, both were born on 3rd of the month, Laxmikant in November and Pyaarelal in September. Pyaarelal is the son of the renowned musician Ram Prasad Sharma. Although active in the film industry since the latter part of 1930s, Ram Prasad did some films independently from 1947 to 1950. Not adept with commercial acumen, his financial status was poor most of his life. Pyaarelal, his eldest son, had to start working as a musician in recording studios at the age of 12, to support his family. The story of Laxmikant’s childhood is even more depressing. He was raised in the slums of Vile Parle in Bombay. His father passed away when he was just a toddler. A friend of his father supported him and guided him towards learning music. With time, his talent shone through, and he too started working as a musician in the film industry.

Remembering Laxmikant Shantaram Kudalkar on the 19th anniversary of his passing away today (25th May).
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aaye Din Bahaar Ke”(1966) was produced by J Omprakash and directed by Raghunath Jhalani for Filmyug Private Limited. The movie had Dharmendra, Asha Parekh, Naazima, Sulochana Latkar, Raj Mehra, Rajendranath, Balraj Sahni, Sunder, Mubarak, Sabita Chatterjee, Leela Mishra, Dulari, Madhu Apte, Khairati, Sarita Devi, Brahm Bhardwaj, C.S.Dubey, Nazir Kashmiri, Lata Bose etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naagin aur Sapera” (1966) was directed by Balwant Bhatt for Pramila Productions Bombay. The movie had Manhar Desai, Bela Bose, Padma Chavhan, Sapru, Paro, Rajan Haksar, Raja Nene, Mirza Musharraf, Leela, Shammi, Bhagwan etc in it.
Read more on this topic…


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13700 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13759

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3761

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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