Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Century songs for the blog’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6600Post No. :20500

Mohd Rafi – A Journey Divine – 2
(1947)

तेरी आवाज की जादूगरी से
ना जाने किस जहां में खो गया हूँ
इसी आवाज से चौंका था लेकिन
इसी आवाज में गुम हो गया हूँ
जहां में खो गया हूँ

The coincidence that we arrive at today, was indicated to me by Mahesh ji about 10 days back. And after some back and forth explanations, discussions and negotiations, the editors agreed to designate today as a dual century milestone day.

Yes, we arrive at the 6600th day of continuous musical disbursal of Hindi film songs. All numerical analysis and all the performance superlatives can be done and stated, but then that will just be a repetition of what has been told and discussed numerous times in the past. What we are moving towards forward is a glorious ongoing celebration, as always. Neither this ocean of HF music is going to deplete, and nor will the momentum and potential of this musical bandwagon will falter and rest. Miles to go yet, yes, many many more miles to go, but nothing like sleep to pause on the way.

May the journey of this bandwagon be blessed, and may it continue to accumulate the accolades and the bouquets – for the unstinted and the peerless effort anywhere on the world wide web. And come to think of it this way – maybe some will ask this in their minds – what purpose is being served by this endeavor ? Besides of course putting together a massive compilation of Hindi film songs. Well, my answer to that is – this venture, this so appropriately and so truly designated as a labor of love – it is the ongoing honoring of the stalwarts – both big and small, both popular and anonymous, both celebrated and neglected – the stalwarts who spent their lives to feed this oceanic enterprise called the Hindi cinema, and build this vast repository of music. A grandiose legacy that has been bequeathed to this world at large – to entertain, to give an expression to all the human emotions in all their various colors and flavors. Taking the thousand foot view of this enterprise, it is an ongoing humungous project that continues to assimilate, enumerate and generate asseverations of the multitude flavors of human emotions.

Yes, the effort of this bandwagon, led by the fearless leader (who now verily has an enhanced observation vision 🙂 ), is unmatched, is without a peer anywhere on the net. And I am proud and delighted to be part of this effort along with all my comrades in arm, all pitching in with their knowledge and insights into this ocean of music.

6600 days is a huge chunk of life itself. A passage of years that brings on at least two new generations in the human population. And so we continue, to work within this enterprise, crossing generations of time. And to compound the celebration today, we just slid past another massive milestone – the 205th century song to showcased on our blog. But what to say about it – so much has been said before, and I will just be rephrasing the past. But then, one certain thing to be said – that we all doff our caps in salute, and with a minimal pause, the trek continues. As always, the backlog in the pipeline does not allow a breather to relax. Past this 20500th song post, and on to now the next song, the next century song, the next thousandth . . .

I continue, after a gap of some months – the journey to track and catalog the flow of that divine voice that we so lovingly and respectfully call as Mohammed Rafi.

In the previous and first episode that was published as the song “Dupatta Mora Aaj Hi Rang Dijo“, (from film ‘Mansarovar’ of 1946) I had covered first three years of Rafi Sb’s career – from 1944 to 46. With this post I venture into 1947, and see the beginning of this singing voice. With three songs in 1944, then 12 songs in 1945, on to 39 songs in 1946, we come into 1947 and find a recorded list of 28 songs in 16 films, which are listed below.

Saawan Kee Ghata Dheere Dheere AanaAage Badho1947Mohd Rafi, KhursheedSudhir FadkeAmar Verma
Desh Mein Sankat Aaya Hai, Ab Kuchh Kar Ke Dikhlaana HaiAap Ki Sewa Mein1947Mohd Rafi, G M Saajan, ChorusDatta DavjekarMahipal
Main Teri Tu Mera, Dono Ka Sang Sang Ho BaseraAap Ki Sewa Mein1947Mohd Rafi, Mohantara TalpadeDatta DavjekarMahipal
Meri Aankhon Ke Taare, Ye Phool Suhaye Haaye PiyaAap Ki Sewa Mein1947Mohd RafiDatta DavjekarMahipal
Jab Baithe Baithe Dil Bhar Aaye Aur Lab Se Nikle HaayeDak Bangla1947Mohd RafiNaresh BhattacharyaDeena Nath madhok
Duniya Mein Meri Aaj Andhera Hee AndheraDo Bhai1947Mohd RafiSachin Dev BurmanRaja Mehndi Ali Khan
Do Din Ginti Ke, Umariya Beeti JaayeDo Dil1947Mohd RafiGobind RamDeena Nath Madhok
Tu Bhi Reh Main BhiEk Kadam1947Mohd Rafi, Shamshad BegumPrakash Nath Sharma
Wo Apni Yaad Dilaane Ko Ek Ishq Ki Duniya Chhod GayeJugnu1947Mohd Rafi, ChorusFiroz NizamiAsgar Sarhadi
Yahan Badla Wafa Ka Bewafayi Ke Siwa Kya HaiJugnu1947Mohd Rafi, Noor JahanFiroz NizamiShakeel Badayuni
Das Na Jaayen Tujh Ko Zulfen KaaliyanMalika1947Mohd RafiAllah Rakkha QureshiTanveer Naqvi
Meri Dilruba, Mere Paas AaMalika1947Mohd, Rafi, Allauddin KhanAllah Rakkha QureshiTanveer Naqvi
Maya Man Ka Rog Hai Moorakh Maya Man Ka RogRishta1947Mohd RafiMohammed ShafiVehashi Jaunpuri
Hum Banjaare Sang Hamare Dhoom Macha Le DuniyaSaajan1947Mohd Rafi, Geeta Dutt, Lalita Deolkar, ChorusC RamachandraMoti
Hum Ko Tumahara Hee Aasra, Tum Hamare Ho Na HOSaajan1947Mohd RafiC RamachandraMoti
Kis Ko Sunaaun Haale Dil… Hum Ko Tumhara Hee AasraSaajan1947Mohd Rafi, Lalita DeolkarC RamachandraMoti
Main Hoon Jaipur Ki Banjaran Chanchal Mera NaamSaajan1947Mohd Rafi, Lalita DeulkarC RamachandraQamar Jalalabadi
O Babu, Aji Babu, Gali Meri Teri Chaand Chamka DekhoSaajan1947Mohd RafiC RamachandraQamar Jalalabadi
Sambhal Sambhal Ke Jaiyo Ho Banjaare, Dilli Door HaiSaajan1947Mohd Rafi, Geeta Dutt, Lalita Deolkar, ChorusC RamachandraRam Murty Chaturvedi
Imtihan Jab Aata Hai… Ae Jee mat Poochho Baat, College AlbeliSamaaj Ko Badal Dalo1947Mohd Rafi, Arun, MannadeyKhemchandra Prakash
Chali Saajan Ghar Jaaye, Aaj Dulhaniya Kes SanwaareShadi Se Pehle / Juve Ka Nateeja1947Mohd RafiPaigankar / KarnaadPt Mukhram Sharma
Chalo Ho Gayi Taiyar, Zara Thehro JeeShadi Se Pehle / Juve Ka Nateeja1947Mohd Rafi, Lata MangeshkarPaigankar / KarnaadPt Mukhram Sharma
Nainon Se Naina Mila LeShahkaar1947Mohd Rafi & RajkumariK.DuttaArzoo Lucknavi
Ae Duniya Hai Sab Prem Kee, Tu Prem Kiye JaShahkar1947Mohd Rafi, Shamshad BegumK DuttaAarzoo Lakhnavi
Jeevan Hai Anmol Musafir, Jeevan Hai AnmolShanti1947Mohd RafiB S ThakurShakeel Badayuni
Tohe Jaana Hai Toh Hanste Hanste JaanaShanti1947Mohd RafiB.S.ThakurShakeel Badayuni

And beginning to track his progress from year to year, I prepare the following table, which will get updated as we progress from one episode to the next.

194433
19451215
19463954
19472882

Listening to this voice in all its different colors, emotions and renditions, the thought goes out to the quality of expression of this voice. I am sure all of us must have come across and viewed the few handful videos live interviews of Rafi Sb. Viewing these videos and hearing him speak, a wondrous thought comes to mind. Listening to his voice in these informal conversations, one is struck by the relaxed soft tones of this voice – so unhurried, so humble. One almost has to strain one’s listening to catch his words. And then the wonder appears in the mind – is this really the voice that has been recorded as “Bhagwaan, Bhagwaan. . . O Duniya Ke Rakhwaale”, or “Baar Baar Dekho, Hazaar Baar Dekho”, or the cresendoing notes of “. . . Inteha Ye Hai Ke Bande Ko Khuda Karta Hai Ishq” in the qawwaali “Na To Karvaan Ki Talash Hai”, and few thousand other sound and emotional variations that we are so used to hearing since childhood. Seriously, it is really a stretch of imagination to equate this humble soft voice in the live interviews, with the wondrous, and sometimes thunderous, variations of rendition that Rafi Sb has produced and presented from within himself. And I keep wondering – is this the same person.

Well, more observations on this topic in the next episode. I am already so drastically late with this post, that I curtail my thoughts – to be continued later.

Today’s song in from the 1947 film ‘Aap Ki Sewa Mein’.

‘Aap Ki Sewa Mein’ is a production from the banner of Chandrama Pictures, and is directed by Vasant Joglekar. The eight songs of this film are penned by Mahipal, yes the same Mahipal that we are more familiar as the actor. The music composition is by Dutta Davjekar. The interesting thing to note is that this is the film in which Lata Mageshkar has sung plaback in Hindi films for the first time.

Rafi Sb’s voice, in this song, sounds so familiar and so mature already. Very similar to the voice we are so used to listening in the songs of 1950s and 60s. Listen and judge for yourself.

Song – Main Teri Tu Mera (Aap Ki Sewa Mein) (1947) Singer – Mohantara Talpade, Mohammed Rafi, Lyrics – Mahipal, MD – Dutta Davjekar
Mohantara Talpade + Mohammed Rafi

Lyrics

ho ho ho oo

ho ho ho oo

main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera

chhod ke mujhko
kidhar chale
o kidhar chale
bichhde door huye
bichhde door huye
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera

aawo
aawo jhoolte chalen kinaare
aawo
aawo jhoolte chalen kinaare
paani mein ho mahal hamaare
paani mein ho mahal hamaare

lehar lehar mein dol dol kar
naache pawan jhakora

lehar lehar mein dol dol kar
naache pawan jhakora

aa ha ha
main teri
(aa ha ha)
tu mera
(aa aa aa aa)
donon ka sang sang ho basera

mann ki rani
mann pe chhaao..oo
mann ki rani
mann pe chhaao
prem hilore laao
prem hilore laao

ghir ghir kaale baadal aaye
aao maine haath badhaaye
ghir ghir kaale baadal aaye
aao maine haath badhaaye
sajan daal de aaj yahaan
meethe sapnon ka ghera
sajan daal de aaj yahaan
meethe sapnon ka ghera
aa ha ha
main teri
(aa ha ha)
tu mera
(aa aa aa aa)
donon ka sang sang ho basera


——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

हो हो हो ओ

हो हो हो ओ

मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
छोड़ के मुझको
किधर चले
ओ किध चले
बिछोड़े दूर हुए
बिछोड़े दूर हुए
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा

आवो
आवो झूलते चलें किनारे
आवो
आवो झूलते चलें किनारे
पानी में हों महल हमारे
पानी में हों महल हमारे
लहर लहर में डोल डोल कर
नाचे पवन झकोरा

लहर लहर में डोल डोल कर
नाचे पवन झकोरा

आ हा हा
मैं तेरी
(आ हा हा)
तू मेरा
(आ हा हा)
दोनों का संग संग हो बसेरा

मन की रानी
मन पर छाओ..o
मन की रानी
मन पर छाओ..o
प्रेम हिलोरे लाओ
प्रेम हिलोरे लाओ

घिर घिर काले बादल आए
आओ मैंने हाथ बढ़ाए
घिर घिर काले बादल आए
आओ मैंने हाथ बढ़ाए
सजन डाल दे आज यहाँ
मीठे सपनों का घेरा
सजन डाल दे आज यहाँ
मीठे सपनों का घेरा
आ हा हा
मैं तेरी
(आ हा हा)
तू मेरा
(आ आ आ)
दोनों का संग संग हो बसेरा





This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is her 400th post in the blog as a guest poster.

Blog Day :6594Post No. :20492

Asking questions is crucial for learning, innovation, and growth, as it drives curiosity, deepens understanding, fosters critical thinking, improves problem-solving, and enhances communication by moving individuals from passive recipients to active participants in exploring ideas and challenging the status quo. It’s essential for uncovering new possibilities, building confidence, and adapting in a changing world, making it vital for both personal and professional success.

Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is his 1900th song post in the blog.

Blog Day :6555Post No. :20402

This is my 1900th post on this Blog. This is the second fastest century. For the 16th century, it took me only 119 days, whereas today’s century took 127 days. For me, it is like a dream. I still can not believe that I wrote 1900 articles on this Blog alone. Add to it another 100+ articles on other blogs and sites. Add to it my 13 books published. Add to it scores of books mentioning me and referring to my writings. Add to it countless friends I have gained in the last 14 odd years. Add to it…..

The list would be too long. When I look back, I wonder how all this happened. After retirement, generally people find it difficult to spend time. Here I was, sometimes I had to strive hard to manage time to cope up with my work. At the age of 86 years, I could do all the above, in addition to my work as an Independent Director on the Board of Directors of two major Pharma companies. For this I thank The Almighty and pray that He continues to provide the required energy to me to go on further, till I am destined to be here.

Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 20400th song post in the blog.

Blog Day :6554Post No. :20400

Previous blog century (20300th song post) appeared on 30 May 2026. 29 days later, we reach the next blog century viz blog post number 20400.

It appeared like we reached the coveted summit of song post 20000 just recently. And now we havealready added another 400 songs to our tally.

In case of the previous century, the century song was identifed in advance. Here in this case, I decided on the song last evening, but when I looked at the songs that preceded the century song, I decided that the century song needed to sound as good as the songs that preceded it early in the day. So I have picked a song that I had earlier earmarked for some other special occasion. I decided that a century post is as special an occasion as any for that song.

This song is from “Apne Paraaye”(1980). This movie in a way is a throwback to those days of yore when story of the movie was taken from a novel written by an eminent littérateur and the movie made on the story would be faithful to the story line contained in the literary masterpiece.

“Apne Paraaye”(1980) was based on a Bengali novel, ‘Nishkriti’ (1917) by Sarat Chandra Chattopadhyay. Sarat Chandra Chattopadhyay needs no introduction, of course. His stories have been made into a large number of well known movies in several languages. His story of “Devdas” itself has been made into over 20 movies in various languages, four of them being in Hindi alone.

Read more on this topic…


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is his 200th post in the blog as a guest poster.

Blog Day :6543Post No. :20362

My 200th post

So, with this post I complete 200 song posts on Atul Song A Day blogpost. This activity gives me immense pleasure at this point in life where one tends to take things little lightly. The first 50 posts were posted in roughly 8-10 years time, but the rest of them have been posted in the last 4-5 years. The first 8-10 years period was the time when I worked full time and would work till late almost everyday. Then, during the weekend it was completely family time. So to find time in such a busy schedule was very difficult. Plus, I had 4-5 surgeries on my feet, specifically from 2017 onwards.

But the last few years have been a bit easier in that I have stopped working full time and have taken a part time position which is located remotely and suits my timing and lifestyle. Therefore, the pace of writing posts has increased.

The 100th song I posted was sung by the legend Lata Mangeshkar. So my 200th song is also sung by another legend – Kishore Kumar.

Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6535Post No. :20330

#the Decade of Fifties – 1951 – 1960 #

(Lyricist Kavi Pradeep-69)

This song under discussion is from the movie ‘Basant Panchami-1956’. It was directed by Jayant Desai for ‘Hemlata Pictures’. Jayant Desai was also the producer of this movie. As mentioned in HFGK Vol-III (1951-1960) ‘Basant Panchami-1956’ was a devotional or ‘bhakti pradhaan’ movie. This movie was passed by Censor Board on 24.07.1956. The cast of this movie included Nirupa Roy, Anant Kumar, Jeevan, S.N. Tripathi, Radhakishan, Yashodhara Katju, Niranjan Sharma, Kumkum, Babu Raje, Charubala, Anand Joshi, Sukumar, Dubey, Uma Dutt, Naazi, Shri Bhagwan and others.

Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 20300th song post in the blog. This article covers the 100th solo song of Lata Mangeshkar which is penned by Rajinder Krishan and composed by C Ramchandra.

Blog Day :

6525 Post No. : 20300

It was in early may (5 may 2026 to be precise) when the blog reached its previous century (blog post number 20200). Today,we are still in the month of may 2026, and we find ourselves reaching next century (blog post number 20300). Two centuries in the same month ! It is like two full moon days in the same month. 🙂

It must be said that reaching two centuries in a month was fairly common for the blog, but the last time this feat was achieved was in February 2018. Prior to that it was achieved in March 2017 and January 2015. This was very common before that. There were as manty as 34 such occasions before 2015. The month of April 2013 was extra special. As many as three century posts were published that month (on 1 april, 14 april and 28 april)! Those were the days when we used to score centuries in 13 and 14 days. The fastest century in the blog is scored in 11 days (song post number 4600 on 9 september 2011).

25 days for a century at a rate of 4 songs a day is quite decent by our present rate of posting. Unlike in the past, most posts now a days are guest posts. It shows that the blog has now firmly become an online collaboration of likeminded music lovers.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6521 Post No. : 20285 Movie Count :

5212

#the Decade of Forties – 1941 – 1950 #

#Debutant Movie – ‘Swarna Bhoomi-1944’#

Today we get introduced to the movie ‘Swarna Bhoomi’ from the year ‘1944’. This movie was directed by Bhalji Pendharkar for Prabhakar Pictures, Bombay. It was a social movie. The cast of this movie had Leela, Swarn Lata, Nandrekar, Chandrakant, Ashalata, Sudha Apte, Saroj Borkar, Vinay Kale, Jai Shankar, Raja Paranjape, Baby Tara and others.

Geet Kosh Vol-II (1941-1950) lists nine songs for this movie. However no information is available about the singers of these nine songs. Music composer is Pandit Tripathi, which the audio link of this song mentions as S.N. Tripathi. Lyricist for all the nine songs is mentioned as Deepak (Saraswati Kumar ‘Deepak’?).
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is his 1300th post in the blog as an article contributor

Blog Day :

6514 Post No. : 20257

#the Decade of Seventies – 1971 – 1980 #

#1300th Post# Chal Saathhee chal… chal saathhee chal …

In my previous post here, I have described how I discovered this great musical blog and how I become associated with it first as a visitor and subsequently as a lyrics contributor. I had developed some inclination (flair?) for writing from my younger days. My first article was published in a Marathi newspaper ‘Dainik Shivshakti’ published from Akola (Maharashtra). My article was about cricket where I had expressed my views about the dropping of Chetan Chauhan from the Indian cricket Team of 1980-1981.

After starting as a lyrics contributor I became a frequent visitor on the blog. I had discovered a vast treasure trove of Hindi Music here. Moreover I was also reading the detailed posts of senior contributors on this blog that enriching my knowledge of Hindi Film Music of the golden years of Hindi Cinema.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 20200th post in the blog on 6500th day of existence of the blog.

Blog Day :

6500 Post No. : 20200

Alphabetical list of actresses who have lip synced in Asha Bhonsle’s voice- Part I

(Asha Bhonsle singing for Actresses whose name begin with the letter A)

Asha Bhonsle passed away recently and many people paid tributes to her in various ways. One tribute that caught my eye was a video that carried snippets of 35 Asha Bhonsle songs picturised on 25 different actresses. The actresss were well known and the songs were well known too.
Read more on this topic…


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