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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Century songs for the blog’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3915 Post No. : 14977

Today’s song is from the 1981 movie ‘Pyaasa Saawan’. And let us start from where I left in my last post with the song of the same movie here.

The movie starts with a phone ringing in a ‘central hall’ 🙂 of a ‘spacious’ bungalow, and as the phone bell is ringing, servants from all corners of the house run to pick it up. However, they are stopped by PA (Deven Verma),
‘thehro telephone ham uthhayenge. Ham bade maalik ke PA hain yane ke Personal Assistant’.

From the other side Bade Maalik (of course Jeetendra) calling at home from a Bussiness tour (I think) informs his PA about Chhote Maalik’s (double Jeetendra) birthday today and instructs him to arrange a ‘shaandaar party’ and call all ‘milnewaale’ to the party in evening. He also tells his PA that he will be reaching by the evening flight. I don’t know why his PA gets surprised and asked ‘Hawaai jahaz se?

‘kya kahaa ham nahin jaa sakte’, what do you mean? that is how Bade Maalik appears on screen, when he is informed by one of his assistants that flight tickets are not available in any of the services, so Bade Maalik tells him that
‘aaj hamaare bete ka janamdin hai, aur aaj ke din ham duniya ke kisi bhi kone mein ho, ghar zaroor pahunchte hain’,

‘I am sorry Sir, aaj ki flight mein ek bhi seat khaali nahin hai’

‘agar seat khaali nahin to ‘Charter a plane’ …

At home the PA is looking for Chhote Maalik as Bade Maalik has left by plane for home, but where is Chhote Maalik? all servants in the house report the PA that Chhote Maalik is nowhere neither in his room nor in the garden ??

And here we have Chhote Maalik Ravikant (Ravi Kapoor or Jeetendra for us 🙂 ) celebrating his birthday with singing and dancing with his girlfriend and others in a club …

While he performs and entertain us on his birthday with this song dance performance in this movie ‘Pyaasa Saawan-1981’, in real life, we also wish him a very happy birthday and peaceful and healthy life ahead.

***

Today 7th April 2019 is the seventy-seventh (born on 07.04.1942) birth anniversary of actor Jeetendra.
When I thought of presenting the song under discussion, I was doubtful whether I would be able to write with the same passion as I display for other actors like say Rajesh Khanna. But then I have written on actors other than Rajesh Khanna who are part of the ‘nostalgia’ for me
of my growing years’, when we watched movies without being fans of any specific actor/actress. There were several movies of Jeetendra that I had watched during my growing up years and I thank him for the entertainment, the beautiful memories and many lovely songs from his movies.

I remember I watched many of Jeetendra movies with my Parents and elder ones in the family like Uncles. Those were family drama movies and they were mostly from the producers of South. Here I would mention movies like ‘Farz-1967’, ‘Jeene Ki Raah-1969’, ‘Waaris-1969’, ‘Humjoli-1970’, ‘Ek Naari Ek Brahmachari-1971’, ‘Banphool-1971’ which I vaguely remember some of them. Then movies like ‘Badaltey Rishtey-1978’, ‘Swarg Narak-1978’, ‘Aap Ke Deewaane-1979’, ‘The Burning Train-1980’, ‘Pyaasa Saawan-1981’.

I watched many of his movies with brothers and cousins in summer vacations and these were mainly the multi-starrer movies of the seventies. And these were movies like ‘Nagin-1976’, ‘Dharam Veer-1977’, ‘Dildaar-1977’, ‘Nalayak-1978’, ‘Aatish-1979’,’Jaani Dushman-1979’ (this I watched alone), ‘Khoon Aur Paani-1981’, ‘Samrat-1982’, ‘Udhar Ka Sindoor-1976’, ‘Kinaara-1977’, ‘Priyatama-1977’, ‘Jal Mahal-1980’, ‘Nishaana-1980’ (which I must have watched during end seventies or early eighties)

This trend continued till ‘Himmatwala’. It was round this time that ‘Souten’ and ‘Avtaar’ were released and then it was mainly Rajesh Khanna for me.

Nebertheless I remember that my grandmother, aunts and others tenants in our building wanting to watch ‘Tohfaa-1984’ had asked me to do the advance booking for this movie and so I watched this movie too.

Around the same time, I watched his ‘Farz-1967’, ‘Khilona-1970’, ‘Ek Bechaara-1972’. I watched ‘Maqsad-1984’ because of Rajesh Khanna.

After that as I grew up and was already working, I watched his ‘Geet Gaya Pathhrone-1964’, ‘Gunaahon Ka Devta-1967’. The other reason watching for ‘Geet Gaya Pathhrone’ was it was V. Shantaram’s movie. Then I watched his ‘Caravan-1971’, and all this was during 1985-1988. I also watched ‘Pataal Bhairavi-1985’ for the fantasy factor in it.

I think I had watched ‘Swarg Se Sunder-1986’, ‘Locket-1986’, ‘Souten Ki Beti-1989’,

I think I watched ‘Parichay-1972’, ‘Aasha-1980’, ‘Karmyogi-1978’ either on TV or VCR much later than above.

I must have watched some of his other movies either in theatre or on TV, like ‘Mere Hamsafar’, ‘Dharti Kahe Pukaar Ke’ etc. but don’t remember them.

Also, I must have watched some of his earlier movies or part of them on TV but I don’t remember.

I don’t remember to have watched any Jeetendra movies after that all these years except when I watched ‘Dil Aur Deewaar-1977’ last year on an online facility and on my mobile phone. This was for post with a song from this movie and since I had nostalgia about this movie’s name but had not watched it in those years.

Watching movies then was always enjoyable and it would be interesting now to watch his movies by conscious selection which I have missed, movies like ‘Mere Huzoor-1968’ (which I don’t remember to have watched) or ‘Boond Jo Ban Gaye Moti-1967’, ‘Jigri Dost-1969’ (of which couple of songs are my favorites) and of course ‘Naya Rastaa-1970’ which has songs penned by Sahir Saab.

‘Deedaar-E-Yaar-1982’ is another movie which I think I should watch. And then ‘Apnapan-1977’, ‘Maang Bharo Sajna-1980’, ‘Arpan-1983’, ‘Nishaan-1983’ (for Kaka), and ‘Mehndi Rang Laayegi-1982’ …

Many more to the wish list … and it is my mistake if I have missed to add any of his ‘must-watch’ movies in the above list, like I remember my seniors liked ‘Meri Aawaaz Suno-1981’ very much then, which I am yet to watch.

Now we come back to today’s song which is sung by Kishore Kumar and lip-synced by Jeetendra. Reena Roy is accompanying him in this performance and we can see many others in the picturization of this song.

Lyrics are by Santosh Anand and music is composed by Laxmikant-Pyarelal.

The movie had six songs in it. Five songs have been covered in the past. Here is the list of these songs already covered in the blog:

1 Tera saath hai to Multiple version song 915 17-Mar-09
2 O meri chammak challo 970 25-Mar-09
3 Megha re megha re 6412 10-Aug-12
4 In haseen waadiyon se 14933 17-Mar-19

This is the final song from this movie ‘Pyaasa Saawan-1981’ and with this ‘Pyaasa Saawan-1981’ has all its songs covered on the blog. 🙂

This song is the 800th song of Laxmikant Pyarelal as music directors.

Once again wishing Jeetendra a very happy birthday today, let us now enjoy this song …

Video

Audio

Song-Main wahaan hoon jahaan hain mastiyaan (Pyaasa Saawan)(1981) Singer-Kishore Kumar, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Chorus

Lyrics

Zu oo
ho ho ho o
Raa raa raa
He he he
Hoye ae
Hoye ae
He ae

Main wahaan hoon
Jahaan hain
Main wahaan hoon
Jahaan hain
Mastiyaan
shokhiyaan
Bijliyaan aan
Titliyaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
shokhiyaan
Bijliyaan
Titliyaan aa

Lalalalaa
Laalalalaa
Laalaalalalaa
Tu ru tu ru tu ru tu ru
Lalalalalaa
Laalalalaa
Laalaalalalaa
Tu ru tu ru tu ru tu ru

Hoye
Kar lo pyaar jawaani mein
Kar lo pyaar
Ho ho ho
Kar lo pyaar
Ho ho o
Kar lo pyaar jawaani mein
Ye kaam zaroori hai
Warna zindagaani ki
Tasveer adhoori hai
Hey ae
Kar lo pyaar jawaani mein
Ye kaam zaroori hai
Warna zindagaani ki
Tasveer adhoori hai ae
Ye haseen mehfilein
Milengin phir kahaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan
Hoo hoo hoo
Titliyaan aa

Wai wai
Mazaa jawaani ka yaaron
Na liya jawaani mein
To socho aakhir hamne kya kiya
Jawaani mein
Hey ae
Mazaa jawaani ka yaaron
Na liya jawaani mein
To socho aakhir hamne kya kiya
Jawaani mein
Pyaar bina aa
Kis tarah
Beetenge din jawaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan
Hoo hoo hoo
Titliyaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan aa
Hoo hoo hoo
Titliyaan aa
Hoo

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 1300th Post by Sudhir ji.

Blog Day :

3913 Post No. : 14972 Movie Count :

4092

Missing Films of 1960s – 103
– – – – – – – – – – – – – – –

The film that we bring on board today is ‘Sati Sulochana’ from 1969. One more film that is rarely heard about, although the video of this film is available. And once again, lovely songs that have not been explored. The sound of this song seems like it was heard on the radio, but that was a long time back.

The music is by SN Tripathi, who incidentally has also directed this film. The film is produced under the banner of SA Films, Bombay. The star cast includes Prithviraj, Anita Dutt, Prem Nath, Raj Kumar, Bipin Gupta, Kanan Kaushal, Sundar, Ram Singh, and Ram Mohan etc.

The story of Sati Sulochana is part of the history of Ramayan.  Sulochana is the daughter of Sheshnaag, the king of serpents. She is married to Meghnaad, the son of Raavan. Meghnaad is also known as Indrajit, for he had once vanquished Lord Indra and captured many sophisticated weapons from him. In the narrative of Ramayan, Sulochana is described as a brave lady who is very supportive of her husband. Eventually, when her husband is killed in the battle with Lakshman, she makes a decision to immolate herself on his pyre.

This story has been made into films on many occasions. The first one on record is the silent film ‘Sati Sulochana’ in 1921. Then this film was produced in Kannada, in 1934, as the first talkie film in Kannada language. In 1935, a Hindi film was also released by this name, under the production banner of Godavari Cinetone. In 1961, this tale was also told in a Telegu film starring NT Ramarao. And then in 1969, we have this Hindi production again.

Geet Kosh lists 9 songs of this film. Music is from the mind of SN Tripathi. The songs have been written by Bharat Vyas and BD Mishra. This song is from the pen of Bharat Vyas.  The singing voice is that of Suman Kalyanpur. On screen, it appears as if the leading lady and one of two of her friends are lip syncing the same playback singing.

The song is picturized as a group dance song, in which the leading lady is being teased by her friends, asking her who is the one who comes into your dreams. The song is a lively exchange between the lady and her sahelis. On screen, I am not able to identify with certainty, the lady who leads the song. Is she Kanan Kaushal? I request our more knowledgeable readers and friends to please help identify her.

Enjoy this lovely lilting melody, one of those songs that should have been more popular.

 

Song – Kaun Tere Sapnon Mein Aata  (Sati Sulochana) (1969) Singer – Suman Kalyanpur, Lyrics – Bharat Vyas, MD – SN Tripathi
Chorus

Lyrics

aaa aaaaaaa
aaaa aaaa aaaaa
aaa aaaaaaa
aaaa aaaa aaaaa

kaun tere sapnon mein aata
kaun tere sapnon mein aata
aa ke nainon mein muskaata
bataao na bataao
hum ko ye bataao
jud gaya kis se ye naata
kaun tere sapnon mein aata

hato ri sapne ki na boloon
bhed yeh mann ka na kholoon
jaao ri sakhi jaao
mujhe na yun sataao
khel ye mann ko na bhaata
kaun tere sapnon mein aata

main to soi thi
neend mein khoi thi
chup ke se koi aa gaya
main to soi thi
neend mein khoi thi
chup ke se koi aa gaya
megh varan tha
kanak rang tha
mere jeevan mein samaa gaya
chhup ke kaanon mein kuchh bola
haule se ghunghat pat khola
akhiaan ghabraai
main to sharmaai
aage ab kuchh na kaha jaata
koi tere sapnon mein aata

veer purush tha
kandhe dhanush tha
mukh pe tej samaaya
veer purush tha
kandhe dhanush tha
mukh pe tej samaaya
jaan nahin
pehchaan nahin koi
phir bhi wo mann ko bhaaya
preet meri muskaai hai
pooja meri rang laai hai
chhudaaye se na chhoote
tode to nahin toote
janm janmaantar ka naata
kaun tere sapnon mein aata

kaun tere sapnon mein aata
aa ke nainon mein muskaata
bataao na bataao
hum ko ye bataao
jud gaya kis se ye naata
kaun tere sapnon mein aata

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आss आssssss
आsss आsss आssss
आss आssssss
आsss आsss आssss

कौन तेरे सपनों में आता
कौन तेरे सपनों में आता
आ के नैनों में मुस्काता
बताओ ना बताओ
हम को ये बताओ
जुड़ गया किस से ये नाता
कौन तेरे सपनों में आता

हटो री सपने की ना बोलूँ
भेद ये मन का ना खोलूँ
जाओ री सखी जाओ
मुझे ना यूं सताओ
खेल ये मन को ना भाता’
कौन तेरे सपनों में आता

मैं तो सोई थी
नींद में खोई थी
चुपके से कोई आ गया
मैं तो सोई थी
नींद में खोई थी
चुपके से कोई आ गया
मेघ वरण था
कनक रंग था
मेरे जीवन में समा गया
छुप के कानों में कुछ बोला
हौले से घूँघट पट खोला
अखियाँ घबराईं
मैं तो शरमाई
आगे अब कुछ ना कहा जाता
कोई तेरे सपनों में आता

वीर पुरुष था
कांधे धनुष था
मुख पे तेज समाया
वीर पुरुष था
कांधे धनुष था
मुख पे तेज समाया
जान नहीं
पहचान नहीं कोई
फिर भी वो मन को भाया
प्रीत मेरी मुसकाई है
पूजा मेरी रंग लाई है
छुड़ाए से ना छूटे
तोड़े तो नहीं टूटे
जन्म जन्मांतर का नाता
कौन तेरे सपनों में आता

कौन तेरे सपनों में आता
आ के नैनों में मुस्काता
बताओ ना बताओ
हम को ये बताओ
जुड़ गया किस से ये नाता
कौन तेरे सपनों में आता


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3905 Post No. : 14959 Movie Count :

4088

Missing Films of 1960s – 100
– – – – – – – – – – – – – – –

Ah, finally, we get to a new type of century today. This series of bringing on board the missing films of 1960s becomes the series that has clocked 100 posts – a first one for our blog. This series got initiated three and half years ago on 30th September, 2015, and we arrive at the century station for it, at the rate of about 2 to 3 songs per month on average. The pace could have been faster, yes, but well, we have what we have. 🙂

As you must be aware, this series got kicked off by the efforts of Khyati Ben. She got into the exercise to check how many films of the 1960s (period from 1961 to 1970) have been brought on board our blog, and which ones are still waiting to be included. She came up with a list of some 190+ films, still waiting in the wings. The analysis resulted in this exercise, to bring on board as many of these 190+ films are traceable / available. And it got assigned to yours truly. 🙂

I will wait to present the final analysis of numbers, as there is still about seven of eight more films that are traceable and will be represented here. So bear with me for a little more time for that.

The film that we bring on board today is an obscure and lesser known film by the name ‘Ek Masoom’ from 1969. The interesting thing about this film is that although the gramophone records of this film have been available, the film itself was not available for a very long time. Finally, the film surfaced about a year ago, and I acquired a copy of it through a collector friend. Video clips of some of the songs are now available on the YouTube.

The film is produced under the banner of GNS Films Bombay, and is directed by Akhtar Khalid. The cast of actors listed for this film is Tanuja, Saleem Durrani, Prem Chopra, Surendra, Abhi Bhattacharya, Uma, Azra, Sulochana, Helen, Jagdeep, Murad, Mohan Choti, and Baby Masoom. I have a concern about this list. The name of Saleem Durrani is included. However, I have seen the film, and the Saleem Durrani (the cricketer) that we are familiar with, is not visible in this film. The lead actor opposite to Tanuja is a different person. One possibility is that this actor also has the name Saleem Durrani, or has used this name in this film. I request our more knowledgeable readers to please help to identify the male actor in this song. The face is completely new and unfamiliar.

The film itself is a cops and robbers tale and Mohan Choti plays the role of a gangster boss. The lead person, whom we are trying to identify, plays a triple role in this film. He appears in different situations with different names, causing a lot of confusion to the people around him. And then finally, there is court room drama where all the three appear one by one, and the mystery of the correct identity is solved.

The film does not have much to write home about. The direction and editing is below par and leaves a lot to be desired. The storyline moves with fits and starts. But the songs – now that is a different story, as usual. Seven songs are listed for this film. The music is by N Dutta. The lyricist’s name is just very, very unfamiliar – Fareed Tonki. As I checked some more, I find his name in just one more film – ‘Zaalim Tera Jawab Nahin’ (1960), and one unreleased film ‘Aqidat Ke Phool’. Checking on our blog, I find that one creation by him is posted here. This is a famous non-film qawwaali – “Raste Alag Alag Hain Thikaana To Ek Hai”. So the gentleman is represented already on our blog, although no other information is traceable so far about him. His name, Fareed Tonki, suggest that he may be from the town named Tonk, in Rajasthan.

The song that I present today is an exquisite duet of Rafi Sb and Asha Bhosle – such a lovely lost gem this one is. The composition is easy paced and and light, and the rendition is very soft and soothing. A very pleasing song to hear to. (Of course, the song is much better heard than viewed.) On screen, it is Tanuja, and this gentleman that I am not able to identify.

Song – Poochh Le Dil Se Mere Ho Na Agar Mera Yakeen  (Ek Masoom) (1969) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Fareed Tonki, MD – N Dutta
Mohammed Rafi + Asha Bhosle

Lyrics

hmmmmm mmmmmm mmmm
hmmmmm mmmmmm mmmm
hmmmm hmmmm hmmmm hmmm

pooch le
dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen
par zamaane ka ye kehna
hai ke tu mera nahin
pooch le dil se mere
ho na agar mera yakeen

har taraf phaili hain ye
rangeeniaan rukhsaar ki
har taraf phaili hain ye
rangeeniaan rukhsaar ki
tere hi dum se to hai
shadaabiaan gulzar ki
tu jahaan rakhe kadam
phool khilen laakhon wahin
pooch le dil se mere
ho na agar mera yakeen

saamne tu hai mere
aur main tujhe dekha karoon
saamne tu hai mere
aur main tujhe dekha karoon
tere jalwon mein ab
shaam o sehar khoi rahoon
chhod ke daaman tera
jaaun na main aur kahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen

dil mera hai aaina
gar hai nazar pehchaan le
pehle hi pehchaan ke
dil hai diya ye jaan le
hum se kyon duniya jaley
ulfat koi jurm nahin
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
pooch le dil se mere
ho na agar mera yakeen

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हम्मममम म्मममम म्मम
हम्मममम म्मममम म्मम
हम्ममम हम्ममम हम्ममम हम्म

पूछ ले
दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं
पर ज़माने का ये कहना
है के तू मेरा नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
तेरे ही दम से तो है
शादाबियाँ गुलज़ार की
तू जहां रखे कदम
फूल खिलें लाखों वहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

सामने तू है मेरे
और मैं तुझे देखा करूँ
सामने तू है मेरे
और मैं तुझे देखा करूँ
तेरे जलवों में अब
शाम ओ सहर खोई राहून
छोड़ के दामन तेरा
जाऊँ ना मैं और कहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं

दिल मेरा है आईना
गर है नज़र पहचान ले
पहले ही पहचान के
दिल है दिया ये जान ले
हम से क्यों दुनिया जले
उलफत कोई जुर्म नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं


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Blog Day : 3898 Post No. : 14945

——————————————————–
Blog ten year challenge (2009-2019)- Song number 20
——————————————————–

Today (21 march 2019) is the festival of Holi. Indian festivals are based on Indian festivals and so they fall on different days in different years vis a vis Gregorian Calender). For instance, ten years ago in 2009, Holi festival had taken place on 11 march.

It is not possible to have Ten year challenge for Holi festival songs, because first, the festival falls on different days in different years of Gregorian calender (as discussed above). Secondly, one movie normally has only one Holi song. I have yet to come across a movie that has two separate Holi songs.

This article is not a Holi song, but it is a “Blog Ten Year Challenge” song nevertheless. And it is a very special song as we will come to know soon enough.

Seven songs from seven different movies were covered in the blog on 21 march 2009. Out of these movies, “Dhoop Chhaaon”(1935), “Acchut Kanya”(1936), “Aag”(1948) , Anaadi”(1959) and “Kaaliya”(1981) have been YIPPEED by now. So that leaves only two movies viz “Jantar Mantar”(1964) and “Chaandni”(1989) that are eligible for blog ten year challenge today (21 march 2009).

The movie “Jantar Mantar”(1964) was directed by Radhakant for Omkar enterprises, Bombay. This “kalpnik” movie, which basically means a C grade movie, had Mahipal, Vijaya Chaudhary, Ulhas, Sherri, Jeewankala, Babu Raje, Mridula, Qamar, Ghanshyam, Ajeet Kumar, Dubey, Kesri, Saiyyad, Rajmala, Madhumati etc in it.

The movie has six songs. One song from this movie has been covered in the past. And that one song was discussed exactly ten years ago on 21 march 2009. One song covered in 21 march 2009 and then no khoj khabar of this movie for full one decade. Bahut naainsaafi hai !

That one song from this movie was a Rafi-Suman Kalyanpur duet. The second song from this movie, which is being discussed today after exactly ten years is a Rafi-Suman Kalyanpur duet as well. And this is no ordinary Rafi-Suman Kalyanpur duet. This song, a rare song, is the one hundredth Rafi-Suman Kalyanpur duet in the blog.

With this song, Rafi-Suman Kalyanpur become the seventh singing duo to have a century of their duet songs in the blog. Here are the details of these singing duos:

singing duo Number of duet songs in the blog
Rafi-Asha Bhonsle 518
Rafi-Lata 335
Kishore Kumar-Asha Bhonsle 219
Kishore Kumar-Lata 193
Mukesh-Lata 139
Rafi-Geeta Dutt 107
Rafi-Suman Kalyanpur 100

The song is penned by Hasrat Jaipuri. Music is composed by Sardar Malik. This song is picturised on Mahipal and Vijaya Chaudhary. Incidentally, a song of Anu Malik, Sardar Malik’s son and Hasrat Jaipur I’d nephew was covered in the blog earlier today.


Song-Jaadu dekhe tone dekhe (Jantar Mantar)(1964) Singers-Rafi, Suman Kalyanpur, Lyrics-Hasrat Jaipuri, MD-Sardar Malik
Both

Lyrics

jaadu dekhe tone dekhe
dekhe sab jantar
bigdi baat bana dete hain
pyaar ke do mantar
main hoon pyaasi prem deewaani
aisi baat na kar
main hoon teri tu hai mera
manchaahe dilbar

main door kahin jaaun
aakaash ke taaron mein
ulfat ko nibhaaungi
toofaan ke dhaaron mein
toofaan ke dhaaron mein
hum donon ki ek lagan hai
dil mein dil ka ghar
main hoon teri tu hai mera
manchaahe dilbar

jaadu dekhe tone dekhe
dekhe sab jantar
bigdi baat bana dete hain
pyaar ke do mantar

ye pyaas to saagar hai
main doob ke jaata hoon
tere hi ujaalon se
har cheez ko paata hoon
har cheez ko paata hoon
lab par tera naam suhaana
duniya ka kya darr
bigdi baat bana dete hain
pyaar ke do mantar
jaadu dekhe tone dekhe
dekhe sab jantar
bigdi baat bana dete hain
pyaar ke do mantar

kyun dekhoon kisi ko main
tum meri mohabbat ho
jeewan ka sahaara ho
aankhon ki ibaadat ho
aankhon ki ibaadat ho
koi na samjhe dil aurat ka
hota hai mandir
main hoon teri tu hai mera
manchaahe dilbar

jaadu dekhe tone dekhe
dekhe sab jantar
bigdi baat bana dete hain
pyaar ke do mantar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3877 Post No. : 14900

I began “Blog Ten year challenge (2009-2019)” early this year. As many as ten songs are covered in this series so far. Three other regulars (viz M/s Avinash Scrapwala, Sadanand Kamath and Sudhir Ji) have also chipped in with their articles in this series. In this series, we cover a song from a movie whose song (some other song obviously) was covered in the blog ten years ago on the same day.

There were days when no movies were eligible for “Blog Ten year challenge (2009-2019)” because all the songs covered on that day ten years ago had been YIPPEED by now.

I also noticed that those days in 2009 saw as many as six or seven songs being covered daily. That is in such sharp contrast to the present scene in 2019 where we are barely averaging one song daily thus finally living up to the blog name of “song a day”. 🙂

It basically tells us that a lot of things change in ten years. I was ten years younger in 2009. The blog too was just a few months old and I had a kind of passion and motivation for the blog that I now find impossible to summon for myself.

In one’s younger days, one is not as much in control of one’s life (professional as well as personal) as one becomes later in life. With time, one rises up the ladder in profession life. Simultaneously, ones kids also grow up.

In short, one feels far less in control of one’s life in one’s younger days. Still, that is compensated by youthful energy, passion and motivation. With time, one gains control of one’s life but begins to lose on the gifts of youthful energy, passion and motivation. 🙂

Despite being less in control of my life, I still had time and energy for online activities (which was something new those days). After spending nearly four years in various cricket forums (2004-2008), I began to try my hand in blogging in 2008. This blog was my second blog. My first blog was also related to HFM and associated topics and the articles in that blog were quite exhaustive and time consuming to write. If that blog was like test match, then this song blog was like ODI. 🙂 Much easier and less time consuming. 🙂

Just like ODI is more popular than test cricket, the song blog became popular whereas the other original blog fell by the way side. I posted fifty articles in that blog and then totally stopped updating that. That blog is now lying neglected, with the last post appearing nearly ten years ago in august 2009.

I found posting in the song blog a breeze, that is why I was able to cover six to seven songs everyday in the blog.

That was then ! Today, ten years later, even posting one song a day seems like too much work. Curiously, I had far more workload on me in professional and personal fronts ten years ago. Today I am almost in full control on both fronts. Still my present blog post productivity has taken a major hit. 🙂

There are reasons for that, of course. One reason could be that I posted with an uncluttered mind, like how Sehwag used to bat with an uncluttered mind. In fact, I recall Raja commenting those days that the blog centuries were coming at Sehwag like rate (viz in 14 to 15 days). 🙂

Another cricket concept that we have in the blog is dot day, like how there are dot balls in cricket. The blog more or less lived upto its aim of posting songs everyday come rain or shine, festivals or holidays. But still there are unavaoidable circumstances due to which there have been no posts on certain days. We call those days as dot days for the blog.

When I look at the dot days in the blog, I find that the year 2008 (when this blog began), there were three dot days, viz. 22 sep, 23 sep and 25 september. 2009, the first full year for the blog had as many as 25 dot days. Year 2010 saw a whopping 61 dot days. Year 2011 had 36 dot days.

Situation “improved” in 2012 with only 5 dot days whereas 2013 saw 7 dot days.

Next three years were bad. 2014 had 27, 2015 had 22 and 2016 had 22 dot days.

Amazingly, 2017 was a year with ZERO dot days. So there was a post every day in the year 2017. What an achievement for the blog that year, though I was not aware of it till a few days back.

2018 saw 7 dot days.

So far every day of 2019 has seen at least one post in the blog.

So overall there have been 215 dot days out of 3877 days that the blog has been in existence.

I mentioned above that 2009 had 25 dot days. The first dot day of 2009 was this day ten years ago, viz 28 february 2009.

Now, I would not like today to be a day without posts as part of my ten year challenge. 🙂 It only means that today is a day when blog ten year challenge cannot take place. 🙂

Today 28 february 2019 is the last day of the month. It is the day of clearing hisaab, viz that of milkman etc. It is also the day when many people whose birthday falls in the month superannuate if it was their 60th birthday.

It is a good time for the blog to notch another century, viz century number 149, in other words song post number 14900. This century has taken a glacial 72 days to arrive. The century must have been slow , but looking at the bright side, there was no dot day during these 72 days. 🙂

The song that I have chosen for the occasion is from “Shyam Tere Kitne Naam”(1977). This movie was produced by Vinod Kumar and A Narang and directed by Shantilal Soni. The movie had Sachin, Sarika, Meena T, Manhar Desai, Bharat Bhooshan, Shyama, Jalal Agha, Sunder etc in it.

The movie had six songs in it. Two songs have been covered in the blog.

The song under discussion is sung by Hemlata. Anjaan is the lyricist. Music is composed by Ravindra Jain.

The song is picturised on Sarika and Sachin, who were a hit jodi of low budget movies in 1970s (mostly produced by Rajshree Productions).

This song marks the birth anniversary of Ravindra Jain (28 february 1944-9 October 2015). This song also happens to be the 100th song of Ravindra Jain in the blog as a music director. So Ravindra Jain becomes the latest centurion in the blog. He is the 36th music director and the 87th artist overall to have one hundred (or above) of his songs showcased in the blog.

As always, I thank one and all for their continuous support and encouragement which keeps fuelling the blog which in turn continues to chug on and on relentlessly in its musical journey.


Song-Aaj tak jo kaha tumne kaha (Shyaam Tere Kitne Naam)(1977) Singer-Hemlata, Lyrics-Anjaan, MD-Ravindra Jain

Lyrics

hmm hmm hmm hmm hmm hmm
ho ho
ho ho
aaa aaa
hmm hmm

aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna
mere man ki lagi man mein rahi
ab saajna aa aa
main boloongi
main boloongi main boloongi
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna

dabe dabe bol mere geet ke
ho meri dhadkan se hotho pe aa gaye
piya mera jiya tum jeet ke
ho mere jeewan pe suraj se chha gaye
lagne lagi duniya nayi
lagne lagi duniya nayi
tumhi tumhi tumhi
meri ankhiyon ko bha gaye
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna
mere man ki lagi
man mein rahi
ab sajna aa aa aa
main boloongi main boloongi main boloongi
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna

bujhe bujhe deep jale saanwre
ho naye sukh jaage
dukh saare so gaye
mili naye sapnon ki chaaaw re
mere din kitne rangeen ho gaye
aansu bhare wo pal mere
aansu bhare wo pal mere
yahin kahin yahin kahin
abhi abhi kho gaye
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna
mere man ki lagi man mein rahi
manmohana aa aa aa
main boloongi
mai boloongi mai boloongi
aaj tak jo kaha tune kaha
aaj tak jo suna maine suna

bandhi bandhi nadi meri preet ki
ho dekho chal di kinaare tod ke
baanh mili man chaahe meet ki
ho tere rang rangi jag saara chhod ke
tumse mili to jee uthhi
tumse mili to jee uthhi
nahin nahin jaana nahin
kabhi mukh mod ke
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna
mere man ki lagi man mein rahi
ab saajna aa aa aa
main boloongi
main boloongi main boloongi

main boloongi
main boloongi main boloongi
aaj tak jo kaha tumne kaha
aaj tak jo suna maine suna


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Blog Day : 3805 Post No. : 14800

There was a time when Blog century used to be so common that there used to be as many as two such occasions every month. How times have changed. Now we have one blog century in two months !

Song post number 14600 was covered on August 2018. Next song post number 14700 was covered on 17 october 2018. Now more than two months (62 days) later, at a strike rate of less than two songs a day, now we reach song post number 14800 !

I am not able to specifically pinpoint the reasons for this slow progress. There may be several reasons. One reason could be that I have become “busy”. I would summarily reject this reason. I am not busy any more than what I was during 2011 and 2012 when the blog saw centuries every 16 days. I still recall some music lovers complaining that theere were far too many song notifications every day spamming the inboxes of the subscribers. 🙂 And curiously enough, I used to think that the number of songs being posted those days was rather low. 🙂

One reason for slow progress these days coould be because we have become rather conscious of “records”, unlike the case in the past. During 2011 and 2012, we were not conscious about YIPPEE movies, debutant movies, count of songs in the movie etc. Yhose were simple days when we just covered songs as they occured to us, with far less planning. Today, considerable time is taken up in deciding which song to cover. Since so many thousands of songs have already been covered, searching for songs to cover also takes time now a days. So many songs from yesteryears have been covered that every new song that we discuss from those years appears like a gold dust to me. Unlike in the past, we rarely discuss songs composed by Naushad, Shankar Jaikishan, O P Nayyar, S D Burman etc mainly because bulk of the songs of these composers have already been covered and we are now scraping the bottom of the barrel, as far as remaining songs of these composers are concerned.

Same is the case for singers like say Mukesh, Talat Mehmood, Suraiyya etc. Bulk of songs sung by them have already been covered. In case of K l Saigal and Suraiyya, we have covered each and every song that is available.

During the early days of the year 2018, our new year resolution of covering one debutant song and ne YIPPEE song daily was adhered to with great discipline for the first four months before this resolution had to be abandoned.

Though we in the blog seem less prolific this days, but that is more than compensated by the research work related to HFM that goes on in the background. The well researched articles full of difficult to find information that our inhouse researchers, Mr Arunkumar Deshmuh and Mr Sadanand Kamath regularly come up with have added considerably to our knowledge of forgotten artists and movies of the past. Mr Sudhir Kapur has been digging up forgotten movies of 1960s, some of them so obscure that no details were known about them till they were discussed here. So, we many have slowed down in number of posts, but the quality of posts by our inhouse research scholars remains as high as ever.

Peevesie’s mom, despite being busy, heroically comes up with articles on the occasion of anniversaries of artists and also blog regulars. Regulars like Prakashchandra, Avinash Scrapwala, Mahesh Mamadapur etc silently keep adding value to the blog. So we continue to forge ahead, even if at a slow pace than before

Whenever we discuss a blog century song, we try to combine it with some other special occasion. This blog century post number 13800 is no different. We combine this article with the blog century of an artist. With this song, lyricist Yogesh completes one hundred songs in the blog.

I have gone through the filmography of Yogesh. Here I present the full filmography of Yogesh. This should serve as a ready reference as far as the HFM career of Yogesh is concerned.

I request reders to point out errors/ omissions in the filmography so that it can be made better and more compelete.

Filmography of Yogesh
———————

SNO Movie Title (year) MD Songs of Yogesh in blog Songs of Yogesh in movie Remarks
1 Sakhi Robin (1962) Robin Bannerji 4 6 All songs by Yogesh
2 Rocket Tarzan (1963) Robin Bannerji 1 6 All songs by Yogesh
3 Krisnavtaar (1964) Suresh Kumar 1 5 Total nine songs in movie
4 Marvel Man (1964) Robin Bannerji 3 6 Total seven songs in movie
5 Flying Circus (1965) Robin Bannerji 1 6 All songs by Yogesh
6 Spy in Goa (1966) Robin Bannerji 2 6 All songs by Yogesh
7 Tarzan ki mehbooba (1966) Suresh Kumar 1 2 Total six songs in movie
8 Ek Raat (1967) Usha Khanna 3 3 Total six songs in movie. All covered
9 Anand (1971) Salil Chaudhary 4 4 Total five songs in movie. All covered
10 Nanhi Kaliyaan (1971) Surendra NIL 2 Total five songs in movie. None covered
11 Annadaata (1972) Salil Chaudhary 6 6 All songs by Yogesh. All covered
12 Anokha Daan (1972) Salil Chaudhary 4 4 Total five songs in movie. All covered
13 Bansi Birju (1972) Vijay Raghav Rao 2 7 All songs by Yogesh
14 Mere Bhaiyya (1972) Salil Chaudhary 2 3 Total five songs in movie
15 Sabse Bada Sukh (1972) Salil Chaudhary NIL 2 Total two songs in movie. None covered
16 Bada Kabootar (1973) R D Burman 1 5 All songs by Yogesh
17 Honeymoon (1973) Usha Khanna 4 4 All songs by Yogesh. All covered
18 Nanha Shikaari (1973) Bappi Lahiri NIL 2 Total five songs in movie. One covered
19 Sonal (1973) Manna Dey NIL 4 Total four songs in movie. None covered
20 Jai Radhekrishna (1974) Vasant Desai NIL 5 Total five songs in movie. None covered
21 Manzilein Aur Bhi Hain (1974) Bhupinder Soni NIL 4 Total four songs in movie. None covered
22 Rajnigandha (1974) Salil Chaudhary 2 2 All songs by Yogesh. All covered
23 Us paar (1974) S D Burman 5 5 All songs by Yogesh. All covered
24 Mazaaq (1975) R D Burman 1 2 All songs by Yogesh.
25 Mili (1975) S D Burman 3 3 All songs by Yogesh. All covered
26 Chhoti Si Baat (1976) Salil Chaudhary 3 3 All songs by Yogesh. All covered
27 Anand Mahal (1977) Salil Chaudhary 1 2 Total four songs in movie
28 Chala Murari Hero Banne(1977) R D Burman 2 6 All songs by Yogesh
29 Jeewan Mukt (1977) R D Burman NIL 4 All songs by Yogesh. None covered
30 Mamta (1977) Shyamal Mitra 1 4 All songs by Yogesh
31 Minoo (1977) Salil Chaudhary 2 5 All songs by Yogesh
32 Priyatma (1977) Rajesh Roshan 1 1 Five songs in movie. All songs covered
33 Safed Jhoothh(1977) Shyamal Mitra NIL 4 All songs by Yogesh. None covered
34 Besharam (1978) Kalyanji Anandji 1 4 All songs by Yogesh
35 Daamaad (1978) Hemant Bhonsle 1 4 All songs by Yogesh
36 Dillagi (1978) Rajesh Roshan 4 4 All songs by Yogesh. All songs covered
37 Kaanoon ka shikaar (1978) Meena Mangeshkar NIL 3 Five songs in movie. None covered
38 Pal Do Pal Ka Saath (1978) Shyam Sagar 1 1 Four songs in movie.
39 Baaton Baaton Mein (1979) Rajesh Roshan 2 2 Four songs in movie. All songs covered
40 Do Ladke Donon Kadke (1979) Hemant Kumar NIL 2 All songs by Yogesh.
41 Hamaare Tumhaare (1979) R D Burman 2 5 All songs by Yogesh
42 Jeena Yahaan (1979) Salil Chaudhary 1 3 All songs by Yogesh
43 Saahas (1979) Amin Sangeet unknown unknown Five songs in movie. Breakup of songs among lyricists (Yogesh and Anjaan) unknown
44 Love in Canada (1979) Hemant Kumar 1 5 All songs by Yogesh
45 Manzil (1979) R D Burman 4 4 All songs by Yogesh (one multiple version song)
46 Raj Kumari (1979) Suresh Kumar NIL 6 All songs by Yogesh. None covered
47 Sampark (1979) Ravindra Jain NIL 4 All songs by Yogesh. None covered
48 Apne Paraaye (1980) Bappi Lahiri 2 4 All songs by Yogesh
49 Chaalbaaz (1980) Madan Mohan NIL 4 All songs by Yogesh. None covered
50 Chemmen Lehren (1980) Salil Chaudhary NIL 4 All songs by Yogesh. None covered
51 Room No 203 (1980) Salil Chaudhary NIL 2 Four songs in movie
52 Agni Pareeksha (1981) Salil Chaudhary 4 4 All songs by Yogesh. All songs covered
53 Chalo Bhor Ke Raahi (1981) Salil Chaudhary NIL 1 One song in movie
54 Naani Maa (1981) Salil Chaudhary NIL 2 All songs by Yogesh
55 Adhoora Aadmi (1982) R D Burman NIL 5 All songs by Yogesh
56 Anokha Bandhan (1982) Usha Khanna NIL 1 Six songs in movie. None covered
57 Shaukeen (1982) R D Burman 6 6 All songs by Yogesh. All songs covered
58 Bekhabar (1983) Usha Khanna NIL 3 Six songs in movie. None covered
59 Chatpatee (1983) Basu Manohari NIL 7 All songs by Yogesh. None covered
60 Kisi Se Na Kehna (1983) Bappi Lahiri NIL 5 All songs by Yogesh. None covered
61 Pasand Apni Apni (1983) Bappi Lahiri Unknown Unknown Six songs in movie. Breakup between lyricists ( Anjaan /Yogesh) not known
62 Raaste Aur Rishte (1983) Usha Khanna NIL 5 All songs by Yogesh. None covered
63 Rang Birangi (1983) R D Burman 2 4 All songs by Yogesh
64 Hanste Khelte (1984) Govind Naresh NIL 4 All songs by Yogesh. None covered
65 Laakhon ki baat (1984) Manas Mukherji NIL 5 All songs by Yogesh. None covered
66 I love you (1985) Usha Khanna NIL 5 All songs by Yogesh. None covered
67 Ehsaan Aap Ka (1986) Ravindra Jain NIL 4 All songs by Yogesh. None covered
68 Sheesha (1986) MD-Bappi Lahiri NIL 4 All songs by Yogesh. None covered
69 Tahkhaana(1986) Ajit Singh Unknown Unknown Three songs in movie. Breakup between lyricists ( Kafeel Azar /Yogesh) not known
70 Kaal Chakra (1988) Vijay Batalvi NIL 2 All songs by Yogesh. None covered
71 Trishaagni (1989) Salil Chaudhary Only one song in the movie. According to director Nabendu Ghosh’s book, this song is penned by Nabendu Ghosh
72 Aakhri Badla (1990) Salil Chaudhary NIL 4 All songs by Yogesh. None covered
73 Pyaar Bhara Dil (1991) Nikhil Vinay NIL 6 All songs by Yogesh. None covered
74 Ganga Ka Vachan (1992) Nikhil Vinay NIL 2 Six songs in movie. None covered
75 Jeena Marna Tere Sang (1992) Dilip Sen Samir Sen NIL 1 Thirteen songs in movie. None covered
76 Jhoothhi Shaan (1992) R D Burman NIL 4 Five songs in movie. None covered
77 Umar Pachpan Ki Dil Bachpan Ka (1992) Dilip Samir NIL 7 All songs by Yogesh. None covered
78 Aaja Meri Jaan (1993) Amar Utpal NIL 4 Fourteeen songs songs in movie. None covered
79 Chor Aur Chaand (1993) Nikhil Vinay NIL 9 Ten songs in movie. None covered
80 Dil Apna Preet Paraai (1993) Usha Khanna NIL 3 All songs by Yogesh. None covered
81 Dulaara (1994) Nikhil Vinay NIL 2 Eight songs in movie. None covered
82 Shikhar (1995) Nikhil Vijay NIL 1 Ten songs in movie. None covered
83 Soorajmukhi (1995) Ajay Swami NIL 2 Eight songs in movie. None covered
84 Apne Dam Per (1996) Aadesh Srivastav NIL 1 Seven songs in movie. None covered
85 English Babu Desi Mem (1996) Nikhil Vinay NIL 6 Seven songs in movie. None covered
86 Smuggler (1996) Bappi Lahiri NIL 2 Seven songs in movie. None covered
87 Gudgudee (1997) Bappi Lahiri NIL 4 Six songs in movie. None covered
88 Ham Hain Pyaar Mein (2002) Nishaad Vaidhya NIL 6 All songs by Yogesh. None covered
89 Sssshhh… (2003) Anu Malik NIL 1 Six songs in movie. None covered
90 Dushmani (2002) Nikhil Vinay NIL 1 Five songs in movie. None covered
91 Ye Lamhe Judaai Ke (2004) Nikhil Vinay NIL 2 Eight songs in movie. None covered
92 Suno Na (2009) Sanjay Chaudhary NIL 6 All songs by Yogesh. None covered
93 Khaap (2011) Anujj Kappoo NIL 3 Nine songs in movie. None covered

Coming to the song under discussioon, the song is from “Mazaaq”(1975). This by now forgotten movie was directed by Kumar for Indira Films Bombay. The movie had Vinod Mehra, Mausami Chatterji, Aruna Irani, Ifthikhar, Mehmood, Mridula, Bhagwan, Kanhaiyyalal, Agha, Keshto Mukherji, Mukri, Ridku, Shakeel, Ratan Gaurang, Gopal Mukherji, Samar Roy, V Gopal, Viju Khote, Asrani etc in it. The movie had guest appearances by Shubha Khote, Ravi Ghosh, Paintal, and special appearances by Basu Chatterji and S Ramnathan.

This movie had only two songs in it. First song is covered in the past.

Here is the second and final song from “Mazaaq”(1975) to appear in the blog. The song is a two part song. Part one is sung by Mohammed Rafi and it is lip synced by Vinod Mehra. Part II is a duet which is sung by Mohammed Rafi and Mehmood. It is picturised on Vinod Mehra and Mehmood. The song can be described as the title song as well as “advice” song.

Yogesh is the lyricist. Music is composed by R D Burman.

I vaguely remember having heard this song and then I forgot all about this song. It was only while searching for this song and playing it that I realised that I had last heard this song more than four decades ago ! Needless to state that I had no clue about the details of this song.

In a way, this forgotten gem of a song is a song fit to be covered as a special song in the blog.

With this song, the blog ticks one more landmark. Let us hope that this musical bandwagon, whicgh is moving at a slow pace will soon gain some momentum and will hopefully pick up the speed of train 18, if not bullet train. 🙂

I take this opportunity to thank one and all whose continued support and well wishes are the fuel on which this music bandwagon feeds.

Part I


Part II

Song-Paagal zamaane mein is paagalkhaane mein(Mazaaq)(1975) Singers-Rafi, Mehmood, Lyrics-Yogesh, MD-R D Burman
Both

Lyrics

Part I
—————-
paagal zamaane mein
is paagal khaane mein
sabse tu paagal jee ban ke mil
paagal zamaane mein
is paagal khaane mein
sabse tu paagal jee ban ke mil
paagal ke liye hai maaf
kuchh bhi wo kare mazaak
sun ae mere dil
paagal zamaane mein
is paagal khaane mein
sabse tu paagal jee ban ke mil
paagal ke liye hai maaf
kuchh bhi wo kare mazaak
sun ae mere dil
arre sun ae mere dil

duniya ka ye mela
hoon phir bhi main akela
aandhi mein jaise chiraag
kaisi hai ye uljhan
ke suljhaaye jitna man
utna hi uljhe dimaag
kaabil to bhookha mare
paagal jo chaahe kare
kaisa hai mazaak
paagal zamaane mein
is pagal khaane mein
sabse tu pagal jee ban ke to mil
paagal ke liye hai maaf
kuchh bhi wo kare mazaak
sun ae mere dil
arre sun ae mere dil

jal mein dhobi pyaasa
jab dekha ye tamaasha
tab jaa ke samjha main baat
jab tak khud na chaahen
nahin dhoonden khud hum raahen
dega nahin koi saath
matlab ka hai ye jahaan
inan hai aise yahaan
bolen din ko raat
paagal zamaane mein
is pagal khane me
sabse tu pagal jee ban ke to mil
paagal ke liye hai maaf
kuchh bhi wo kare mazaak
sun ae mere dil
are sun ae mere dil

——————————
Part II
——————————
samajh hai moti teri
jab ungli hogi tedhi
tab hi to niklega ghi
thheek hai
thheek hai
kya kehne hain tere
arre yaar kasam se mere
sach baat toone kahi

ham tum kya pade pade
takte hain khade khade
kar ke dillagi
arre paagal zamaane mein
is paagal khaane mein
sabse tu paagal hi ban ke mil
paagal ke liye hai maaf
kuchh bhi wo kare mazaak
sun ae mere dil
arre sun ae mere dil

oo oo
hahahaha
bol
bol apna thhobda khol
bol
ooohahahaha

maare kaun sa jaadu
jo bankar ghoome baabu
gadbad ghotala hain kya
gadbad ghotala hai kya
gadbad ghotala hain kya
gadbad ghotala
gadbad gadbad gadbad
gadbabd
gadbad ghotala hain kya

arey fark raha kya tujh mein
aur fark raha kya mujh mein
tujhko agar doon bata
yaaron se nahin chhupa
kha pi ke maze uda
toone sach kaha
aa toone sach kaha

paagal zamaane mein
is paagal khaane mein
sabse tu paagal hi ban ke mil
paagal ke liye hai maaf
kuchh bhi wo kare mazaak
sun ae mere dil
arre sun ae mere dil


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is his 700th writeup in the blog.

Blog Day : 3789 Post No. : 14773

This is my 700th article on this Blog. At this moment, of course, I am very happy. I can not forget the people who helped me reach here. The first is our ATUL ji, who has always been very supportive, helpful and considerate. I have been associated with this Blog for more than 8 years now, but believe it or not, I have yet to meet him ! We have not even talked on Phone anytime. His work is so systematic and perfect that this has never been a hindrance. I do hope to meet him in one of his visits to Mumbai.

The other person is the most popular one on this Blog. You guessed it right. SUDHIR ji. From our first interaction in 2011 on E mail, we are in contact with each others. I had the good fortune to meet him a couple of times. He has been very helpful to me in more than one way. Thank you, Atul ji and Sudhir ji.

Besides these two V.I.P.s, I am fortunate in getting many friends in the Atulite’s group. I find that every one of them has some special characteristic, from which I learnt something. Yes, it is never too late to learn from others.

Sometimes I wonder how the Destiny works. I retired from service in 1998. After being a Pharma Consultant for next 6 years, I left working and enjoyed life with family, visiting various places all over India with my wife. After I crossed 70 years of my age, I learnt working on Computers from my grandchildren on a Laptop gifted by my son in law. At the same time I learnt using the smart Phone and some other gadgets. I, then, found this Blog on the Internet and my life changed. I dug out my old diaries and notebooks in which I used to note down information on every film that I saw. Though some had spoiled with white ants, faded and torn, they were very useful . My first article on this Blog appeared on 1-10-2012 and then there was no looking back. I started writing on various sites and Blogs, but my heart was always with this Blog.

I never imagined in my dreams even, that I would ever write more than 700 articles on old films, that I would write a Book, or that I would be invited to join the Boards of some Pharma companies. But all this did happen, after I crossed my 70 years of age. Looks like, that age is just a number. What matters is your outlook towards life. A positive approach and a will to learn new things makes all the difference.

My First 100th article came on 11-4-2013…..after 6 months

Here is the progress of my writeups in the blog.

Century article Number Song Date Period taken
100th article Meri aankhen banin deewaani (Jagmohan Sursagar NFS) 10-4-2013 7 months
200th article Bhagwaan ye de vardaan mujhe (Tulsi Vivaah)(1971) 16-11-2013 7 months
300th article Hey Satyanaraya swaami (Maha Pooja)(1954) 10-6-2014 7 months
400th article Tu mi piaci caara(Bewaqoof)(1960) 21-4-2015 10 months
500th article Bedard tujhko pyaar kiya (Tajmahal)(1941) 6-4-2016 12 months
600th article Main patton mein chhupi kali hoon (Aandhi)(1940) 4-9-2017 17 months
700th article Shehron mein se sheher (Heer Ranjha)(1948) 2-12-2018 15 months

My sincere thanks to everyone.

Today’s song is from film Heer Ranjha-48, the first film in which the great composer Khayyam gave the music, albeit as Sharmaji, along with his colleague Varmaji as a pair Varmaji-Sharma ji. In one of his interviews, Khayyam had said, ” After working with the Batish brothers ( Pt. Amarnath, Pt.Husnlal and Bhagatram), I went to Lahore and joined G.A.Chishti. In 1947, he took me to Calcutta. I assisted him in 2 films- Yehi hai zindagi-47 and Jhuti kasme-48. His other assistant was one Rehman Varma. After these 2 films, Chishti saab went back to Lahore and we two came to Bombay. Those were the Partition times and we were little scared. We met Husnlal-Bhagatram. They not only assured us safety but also encouraged us to start giving music as a pair. They suggested that we call ourselves ” Varma ji-Sharma ji “. On their suggestions we went to Punjab Film Corporation, owned by Wali sahab. He knew me. He heard our tunes. Those days he was making a film Heer Ranjha and wanted some Punjabi type songs. Aziz Hindi, taken by him already was unable to do Punjabi type music. Wali sahab told us to make such songs and Aziz would do other songs. Thus started my music career.”

Today’s song is ” Shehron mein se shehar suna tha Lahore….”. Those who lived in Lahore in pre-partition days were extremely attached to that city. There was a saying ” Jine Lahore nai dekhya, wo te jamiya hi nahin” ( one who has not seen Lahore, has not been born). Everyone is proud of his town, but Lahore wasi people were different.

From my house towards Juhu, there is a building at the corner of Gulmohar Circle which has a board-” Karachi Residents’ Association”. On inquiry I discovered that this was a building owned by ( Sindhi speaking Hindu and Muslims) people who resided in Karachi before Partition. I was told that 5-6 such buildings exist all over Mumbai. On further inquiries, I was informed that there were a few buildings of ” Lahore Residents Association” also( Punjabi speaking Hindus and Muslims). When I met one of the residents of ” Lahore” wala building, that old gentleman was speaking so lovingly about old Lahore that I was surprised. Even after 70 years of Partition, these people had such fondness for Lahore…or Karachi, for that matter.

Lahore had played an important role in India’s film industry till Partition separated us. Lahore had a built in advantage that it was in the midst of Hindi/Urdu speaking population. Bombay was far off and Calcutta and Madras catered mainly to regional aspirations. In the 40s, some really good films like Khazanchi, Khandan, Daasi etc were made in Lahore. All the 3 leading actors, Dilip, Raj and Dev had roots across the border. Shyam, Omprakash, Karan Dewan, Pran, Surendra, Balraj Sahni, Khursheed, Mumtaz Shanti, Veena, Begum Para, Noorjehan, Meena Shorey, Suraiya, Manorama, Kamini Kaushal, Shyama…. a string of artistes who worked in Lahore enriched Indian films. Pancholi, Kardar, Rafi, Shamshad Begum, Jhande Khan, Ghulam Haider, Pt. Amarnath and brothers, Hansraj Behl, Khayyam, Vinod also worked in Lahore.

Lahore city in particular gave us many Gems in Music. They came from HIRA MANDI. (old name ‘ Tibbi’ ). Hira Mandi was an area which was for Tawayafs. For centuries, Hira mandi in Lahore nurtured some outstanding performing artistes. The famous Noorjehan, Khursheed, Shamshad begum, Mumtaz Shanti and many others came from Hira Mandi. Sardar Akhtar and Bahar Akhtar, wives of producer Mehboob khan and A.R.Kardar were also from Hira Mandi.

Most of the early film actresses for pre-partition Lahore cinema came from the Kothas of Hira Mandi. Cine people scouted Hira mandi for fresh new talents. The art of Music was confined to the streets of the courtesans, with Hira Mandi taking the lead as the largest settlement in the cultural capital of the state in the undivided Punjab.

Writer Nirupama Dutt said about Hira Mandi, in her book,’ Half the sky ‘…

Come evening and they would be out in their balconies in the finest of silks and jewels. Their eyes would be lined with kohl and their lips red with dandasa, bark of the walnut tree and the most fragrant of eastern perfumes or itars would fill the air. They were known as diamonds and such was their glitter that the whole street would seem studded with stars. These were the courtesans of Heera Mandi of Lahore in the years before Partition in 1947.

Heera Mandi was to Lahore what Chowk was to Lucknow, Sonagachi to Calcutta, Bhendi Bazar to Bombay and Mehboob ki Mehendi to Hyderabad, before Independence. These forbidden yet most sought-after bazaars where women sold their many talents were known as “kothas”. In these abodes lived women, many of them very talented artists, who were nevertheless social outcasts living on the fringes of the society. Interestingly, this place was first known as Tibbi Bazar. And this name is recorded in a Punjabi “tappa”:

Tibbi waliye la de paan ni teri

Tibbi de vich dukan ni”,

Pran Nevile,a Die hard ” Lahorite” and a retired I.A.S Diplomat of International reputation, says about Lahore,in his book ‘ Lahore ‘ –

Why was Lahore called the gem of India?” I asked. “That it indeed was,” Pran replied, “It was totally different from the rest of India, in every way. It was the educational centre of North India. It had more colleges than any other city of India. The student population of Lahore was lively and wonderful. Co-education came late, but there it was. Lahore was always very prosperous; it was the hub of North India right up to Peshawar. Everything about Lahore was special. If you wanted to see the best-dressed young men in India, they were to be found in Lahore. The best food in India was to be found in Lahore. It was a city of gourmets and it had romance. A popular film song of those days went: Ik shehr ki laundia, nainoon ke teer chala gayee.And this doggerel that we all knew and I to this day remember: Tibbi mein phir ke jalwa-e-Parwardigar dekh: Hai dekhney ki cheez issay baar baar dekh.The great stars, the great movers and shakers of the Bombay movie world were all from Lahore.”

The song mentions not only Lahore, but some other cities of old Punjab( pre-partition) like Multan,Ambala etc. The music and tune has a clear Punjabi style and it is having a fast rhythm too. Considering that it was Khayyam’s first film as an MD, the songs are very catchy.Among the crop of new composers, who began their career after Independence, I rate Khayyam very high. Unlike some others, his name was never heard in any controversy or filmy behaviour. He was always very dignified.

Khayyam did only 69 films composing 381 songs. He wanted to be a singer and actually started his film career by singing a song in film Romeo and Juliet-47. Later he also sang one ore song in film Anjuman-86. His last fil, so far, is Bazaar E Husn-2014.

Let us enjoy this song, obtained from the collection of our Sudhir ji. I am sure you too will like it.


Song- Shehron mein se shehar suna tha (Heer Ranjha)(1948) Singers- Uma Devi,Unknown female voice, Lyrics- Wali Sahab, MD- Varmaji- Sharma ji
chorus

Lyrics

o o
beliyaa
Shehron mein se shehar suna tha
sheher suna Lahore

main mar gayi
sheher suna Lahore
miley jo mera chhail chhabeela
miley jo mera chhail chhabeela
kuchh na maangoon aur
main mar gayi
kuchh na maangoon aur
kuchh na maangoon aur
main mar gayi
kuchh na maangoon aur

ho o
beliyaan

Shehron mein se shehar suna tha
sheher suna thha Dehli
Shehron mein se shehar suna tha
sheher suna thha Dehii
main mar gayi
sheher suna thha Dehli

bina piye wo huye sharaabi
bina piye wo huye sharaabi
dekh ke mujhe akeli

baalam le chal re
le chal re mohe Dehli
baalam le chal re
le chal re mohe Dehli
baalam le chal re ae
ho o

ho o
beliyaan
Shehron mein se shehar suna tha
sheher suna Multan

main mar gayi
sheher suna Multan

aaye jo pardes se baalam
aaye jo pardes se baalam
jaan meri qurbaan beliyaa
jaan meri qurbaan
jaan meri qurbaan beliyaa
jaan meri qurbaan

ho o
beliyaan

Shehron mein se shehar suna tha
sheher suna Kashmir
Shehron mein se shehar suna tha
sheher suna Kashmir
main mar gayi
sheher suna Kashmir

baalam ki mohe yaad sataaye
baalam ki mohe yaad sataaye
uthe ped ke ??

baalam
le chal re
le chal re Kashmir
baalam
le chal re
le chal re Kashmir
baalam
le chal re ae
ha aa

ho o
beliyaan
Shehron mein se shehar suna tha
sheher suna Ambala

main mar gayi
sheher suna Ambala

main chhori hoon gori gori
main chhori hoon gori gori

baalam kaala kaala
main to dekhoongi
dekhoongi Ambala
main to dekhoongi
dekhoongi Ambala
main to dekhoongi
haa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3761 Post No. : 14734 Movie Count :

4027

“Ajaamil”(1948) was directed by Jamnadas Kapadia for Sanskar Chitra, Bombay. The movie had Umakant, Malti, Kanta Kumari, Narmadashankar, Kashinath, Bhimji Bhai, Chandrika, Shanta bai, Suresh, Manhar Desai etc in it.

This obscure movie had twelve songs according to HFGK. A few of these songs have become available on YT. Though HFGK is silent about the singers of all these songs, One can make out which song contain which voices.

Here is the first song from “Ajaamil”(1948) to appear in the blog. This song is sung by Rajkumari. Lyrics are penned by Kavi Prabhulal Dwiwedi according to HFGK. Music is composed by Master Mohan junior.

It is interesting to note that the uploader of this song, well known record collector Mr Girdharilal Vishhwakarma mention the lyricist as S P Tripathi, an entirely different name from what is mentioned in HFGK. I have gone with the name provided by uploader.

Music is composed by Master Mohan Junior.

With this song, “Ajaamil”(1948) makes its debut in the blog. As many as 149 HIndi movies were released in 1948. With this song, “Ajaamil”(1948) becomes the 100th movie of 1948 to find representation in the blog. So this is yet another example of an “artificial” though significant landmark for the blog. 🙂


Song-Maanat naahin bihaari re (Ajaamil)(1948) Singer-Rajkumari, Lyrics-S P Tripathi, MD-Master Mohan Junior

Lyrics

Maanat naahin bihaari re ae
laakh jatan kar haari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae

jaaun jahaan main
sang sang doley
jaaun jahaan main
sang sang doley
madhur madhur sur
bain wo boley
naath hamaare
nain ishaare
lok ki laaj bisaari re ae
lok ki laaj bisaari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae

aap mahaawar mehndi lagaaye
aap mahaawar mehndi lagaaye
aap hi ang hamaar sajaaye
aap hi mohe paan khilaaye
haat se apne lagaayi re
haat se apne lagaayi re
Maanat naahin bihaari re
laakh jatan kar haari re

roothh jo jaaun
mujhko manaaye
roothh jo jaaun
mujhko manaaye
pair paden
aur binti sunaayen
nain neer se
dhoye charan mora
kare manuhaar wo bhaari re ae
kare manuhaar wo bhaari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae
Maanat naahin bihaari re ae
laakh jatan kar haari re ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3743 Post No. : 14700

Those who have followed cricket for as long as I have, old time cricket followers may recall that test cricket centuries used to be quite rare. One test Indian batsman managed to score one test century in one test series then it waas considered a major cricketing achievement. One Indian cricketer scoring more than one test century in a test series was a rarity. It was quite a rarity indeed when Sunil Gavaskar scored as many as four test centuries in one test series, and that too his debut series.

It was three years later that Gavaskar would score his next test century in 1974. After that he did not look back snce and went on to make a record breaking 34 test centuries. Subsequently we have another little master, namely Sachin Tendulkar who rewrote that hrecord by scoring more than 50 test centuries and more than one hundred internationa centuries.

In olden days, we often found batsmen batting quite slowly and taking almost one full day to score a century. Mudassar Nazar of Pakistan took 557 minutes to score a test century in 1977-78 against England. He faced 419 balls to reach his century. In contrast, we had someone like Virender Sehwag who scored a triple century against South Africa in 278 deliveries.

We in this blog also regularly score centuries of posts. We have had 146 such centuries so far. quite a few of these centuries have been Sehwag like when 100 posts were completed in 16 days or even less. Such fast centuries have been described as Sehwag like by our regulars- such as Raja.

On the other end of the scale, sometimes our centuries have been painfully slow, like Chris Tavare or Mudassar Nazar. We “fondly” remember both because they often found it easy to showcase their “talent” against India.

This post is the 14700th song post for the blog or in other words this post marks the 147th century for the blog. This century has come at a Mudassar Nazar like rate. It has taken us as many as 53 days to reach this century.

This song is a rare song from “Fariyaadi”(1953).

“Fariyaadi”(1953) was produced and directed by Habib Sarhadi for Habib Productions, Bombay. This “social” movie had Rehman, Shakuntala, Mirza Musharraf, Wazir Mohammad Khan, Ramesh Thakkar, Parvati Devi, H Prakash, Devraj, Sadiq, Krishn, Chaandni, Qamar, Jankidas, Shanta Kunwar, Manju, Minni etc in it.

The movie had eight songs in it. Two songs from the movie has been covered in the past.

This song, the third song from “Fariyaadi”(1953) to appear in the blog is sung by Rafi. Muzaffar Orkazai is the lyricist. Music is composed by B N Bali.

This song is a rare song, that few people may have heard before. And we have chosen this song as the 14700thsong for a special reason. This song happens to be the 29th century of Rafi in the blog. In other words, Rafi now has as many as 2900 songs in the blog, just 100 songs short of the magical 3000 songs mark.

Instead of taking more time than what has already been consumed while reching this century, I decided to just get on with this century without much fanfare so that we can concentrate of future posts. So here is this post that combines blog century number 147 with Rafi century number 29.

So here we are, to yet another landmark, without much fanfare. I take this opportunity to thank one and all for their support and encouragement. We have come a long way and we still have lots of songs yet to be covered. This post gives us an opportunity to take fresh guard and get down to the task of covering more songs from the teasure of HFM.


Song-Jal jal ke shama ki tarah fariyaad na karna (Fariyaadi)(1953) Singer-Rafi, Lyrics-Muzaffar Orkazai, MD-B N Bali

Lyrics

Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna

mushqil hai bahut pyaar ki duniya ko basaana
bedard zamaane ka tareeqa hai puraana
do pyaar bhare dil kabhi aabaad na karna
main yaad bhi aaun to mujhe yaad na karna
Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna

aakaash ki choti pe mahal hamne banaaya
duniya se bahut door jahaan apna basaaya
kismat ne magar chaaha hamen shaad na karna
main yaad bhi aaun to mujhe yaad na karna
Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna

ab apne khayaalon mein mujhe tum na basaana
bhoole se kabhi tum mere sapnon mein na aana
gar dil mein uthhe dard to fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna
Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3735 Post No. : 14681

“Ameer”(1954) was produced and directed by Chandu for Chandu Studio Limited, Bombay. This “stunt” movie had Geeta Bali, Kamal Kapoor, Tiwari, Patanjali, Manju, Nagpal, Vasantrao Pahalwan, Babu Raje etc in it.

The movie had six songs in it. Three of these songs have been covered in the past. all these songs were discussed in 2011.

Now, after more than seven years, here is the next song from “Ameer”(1954) to appear in the blog. this song is sung by S Balbir and Asha Bhonsle. Udhhav Kumar is the lyricist. Music is composed by Pt Lachchiram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song the blog now has 500 songs from movies relesed in 1954. With this song, 1954 joins 1949, 1950, 1959 and 1960 that have 500 songs each in the blog.


Song-Kahaan se aayi hai…ho tu bol saamne aake (Ameer)(1954) Singer-Balbir, Asha Bhonsle, Lyrics-Uddav Kumar, MD-Pt Lachchiram
Both

Lyrics

kahaan se aayi ee ee
kahaan se aayi hai
nazron mein laakhon teer chhupaa ke
kya laayi
kya le jaayegi
bol saamne aake
kya laayi
kya le jaayegi
bol samne aake
ho tu bol saamne aake

layi hoon main husn jawaani
ulfat ki rangeen kahaani
laayi hoon main husn jawaani
ulfat ki rangeen kahaani
le jaaungi pyaar chura ke

bol saamne aake
ho tu bol samne aake

ye husn hai faani
mast jawaani do din ki
ulfat ki rangeen kahaani do din ki
dekh le dil ki aankhon se
tu parda zara uthha ke
parda zara uthha ke
dekh le dil ki aankhon se
tu parda zara uthha ke
parda zara uthha ke
ho tu bol saamne aake

do din hai to hans loon gaa loon
dushman ko dildaar bana loon
do din hain to hans loon gaa loon
dushman ko dildar bana loon
naagan si zulfen bikhra ke

bol saamne aake
ho tu bol saamne aake

hansna gaana dil ka lagaana khel nahin
dard ki duniya mein muskaana khel nahin
jeena ho to jeene waale
jeena naam kamake
jeena naam kamaake
jeena ho to jeene waale
jeena naam kamaa ke
jeena naam kamaa ke

ho tu bol saamne aake
kya laayi
kya le jaayegi
bol saamne aake
ho tu bol saamne aake


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14995

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4104

Total visits so far

  • 11,572,186 hits

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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