Archive for the ‘Haunting song’ Category
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5298 | Post No. : | 17351 |
#the Decade of Sixties – 1961 – 1970 #
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“Mera Naam Johar-1967” was directed by Sarankant for ‘Sudarshan Chitra’.
It was produced by Dwarkadas and Shrinathdas.
It had I.S. Johar, Sonia Sahani, Tiwari, Aruna Irani, Jagirdar, and Dhumal, with Paul Sharma, Prem, Sudarshan Sharma, Sadhna Khote, Biharisingh, Bhagwan Sinha, Aruna, Sheela, Darshan, Anil and others.
Story, screenplay and dialogues of this movie were written by Qamer Narvi.
Editing of this movie was done by I.M. Kunnu.
Playback singers for the songs in this movie are Asha Bhonsle, Suman Kalyanpur, Sharda, Usha Khanna, Mahendra Kapoor, and Mukesh.
Asad Bhopali and Qamar Jalalabadi wrote the lyrics of the songs in this movie.
This movie has six songs which were composed by Usha Khanna.
Here is the list of songs in this movie:-
| SNo | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | Saare chiraag gul kar do | Asad Bhopali | Asha Bhonsle, chorus | |
| 02 | Ae meri zindagi koi manzil talaash kar | Asad Bhopali | Sharda | |
| 03 | Aye nazneen sun ja zaraa | Not known | Mahendra Kapoor | |
| 04 | Sainyya ji ke gaaon mein | Asad Bhopali | Usha Khanna | |
| 05 | Krishna agar tum radha hote main hoti ghanshyam | Asad Bhopali | Suman Kalyanpur, Mukesh | |
| 06 | Raam naam satya hai, gopal naam satya hai | Qamar Jalalabadi | Mahendra Kapoor , chorus | 14.01.2018 |
One song from this movie has been posted on the blog on 14.01.2018.
Today’s song is the second from this movie to be posted on the blog. This song is sung by Sharda. Sonia Sahani performing on this song on screen. In the movie this song is shown as a ‘haunting song’ and I.S. Johar is also visible in the picturisation of this song.
I have not watched this movie and so I cannot say in what context this song takes place in the movie. The movie is available on internet and it seems that it is available since last five years now. (This version is revised version wherein the movie certificate mentions the date of passing of this movie by Censor Board on 03.01.1978. So this seems to be a ‘renewed certification’ of the movie in 1978. The video of the songs of this movie also seems to be available for all which has come up in recent years. The video of the movie is uploaded five years back).
Sharda is the singer of the song. Lyrics are by Asad Bhopali and music is composed by Usha Khanna.
Let us now listen to the song …
Audio (Full)
Video (partial)
Song-Ae meri zindagi koi manzil talaash kar (Mera Naam Johar)(1967) Singer-Sharda, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
bhatakti hain
jawaan nazren
fizaa mein …
muhabbat ko o
taras khaana hi hoga
dil e betaab ki
aawaaz sun kar
wo aayega
usey aana hi hoga
aana hi hoga
aana hi hoga
ae meri zindagi
koi manzil talaash kar
jo dil ka dard jaan le
wo dil talaash kar r r r
wo dil talaash kar
ae meri zindagi
koi manzil talaash kar
jo dil ka dard jaan le
wo dil talaash kar r r r
wo dil talaash kar
(sobbing sound)
maathe pe shaam e gham ke
kohraa sa jam rahaa hai
maujen thahar rahi hai
toofaan thham rahaa hai
jo mil ke kho gaya hai
wo saahil talaash kar
jo dil ka dard jaan le
wo dil talaash kar r r r
wo dil talaash kar
kuchh dil bhi hai pareshaan
kuchh rooh bhi hai pyaasi
kab tak rahegi aakhir
ye maut ki udaasi
jo maar ke jilaaye
wo qaatil talaash kar
jo dil ka dard jaan le
wo dil talaash kar r r r
wo dil talaash kar
Mujhe neend aa gayi thhi
Posted on: August 22, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4783 | Post No. : | 16538 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 150 # Year -1971#
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We are celebrating ‘fifty years’ of the year ‘1971’, and discussing the movies released during that year and their songs.
In one of my earlier post I had mentioned the details of movies released from 01st January’1971 to 30th April’1971.
Today we look at the movies released between 01st May’1971 to 31st August’1971.
Here is the list: –
| SNO | Movie Title | Director | Passed by Censor Board | Song Status on the Blog |
|---|---|---|---|---|
| 1 | Aap Aaye Bahaar Aayee | Mohan Kumar | 05.07.1971 | Yippeeee’ed |
| 2 | Badnaam Basti | Prem Kapoor | 11.06.1971 | 1 song posted out of 4 Songs (1/4) |
| 3 | Baghaawat | B. Vitthhalacharya | 21.05.1971 | 0 |
| 4 | Behake Kadam | Dharmesh Dutt | 21.08.1971 | 1/4 Songs posted |
| 5 | Beharoopia | Rajesh Nanda | 17.07.1971 | 1/6 Songs posted |
| 6 | Bikhare Moti | Chanakya | 06.08.1971 | 1/5 Songs posted |
| 7 | Brahmaa Vishnu Mahesh | Babubhai Mistry | 06.08.1971 | 1/7 Songs posted |
| 8 | Buddha Mil Gayaa | Hrishikesh Mukherjee | 24.05.1971 | Yippeeee’ed |
| 9 | Caaravaan | Nasir Hussain | 15.06.1971 | Yippeeee’ed |
| 10 | Chhoti Bahu | K.B. Tilak | 25.05.1971 | 4/6 Songs posted |
| 11 | Daakoo Maan Singh | Babubhai Mistry | 29.07.1971 | 0 |
| 12 | Duniyaa Kya Jaane | Shridhar | 23.08.1971 | 1/7 Songs posted |
| 13 | Ek Din Aadhi Raat | Kamal Sharma | 02.07.1971 | 2/5 Songs posted |
| 14 | Ek Thi Reeta | Roop K Shorie | 15.05.1971 | 9/11 Songs posted |
| 15 | Haathi Mere Saathi | M.A. Tirumugam | 01.05.1971 | Yippeeee’ed |
| 16 | Hulchal | O.P. Ralhan | 18.06.1971 | No Songs |
| 17 | Iraadaa | Rajdeep | 20.05.1971 | 1/4 Songs posted |
| 18 | Jaane Anjaane | Shakti Samant | 17.05.1971 | Yippeeee’ed |
| 19 | Jawaan Mohabbat | Bhappie Soni | 15.05.1971 | Yippeeee’ed |
| 20 | Kathputli | Brij | 28.08.1971 | 2/8 Songs posted |
| 21 | Ladaki Pasand Hai | C.L. Rawal | 07.05.1971 | 1/8 Songs posted |
| 22 | Maayaa Baazaar | K.V. Reddy | 31.07.1971 | 0 |
| 23 | Man Mandir | Chanakya | 20.05.1971 | Yippeeee’ed |
| 24 | Maryaadaa | Arbind Sen | 12.05.1971 | Yippeeee’ed |
| 25 | Meraa Gaaon Meraa Desh | Raj Khosla | 11.06.1971 | Yippeeee’ed |
| 26 | Naadaan | Deven Verma | 20.08.1971 | Yippeeee’ed |
| 27 | Parwaanaa | Jyoti Swaroop | 18.06.1971 | Yippeeee’ed |
| 28 | Patangaa | Kedar Kapoor | 20.08.1971 | Yippeeee’ed |
| 29 | Preetam | Bhappie Soni | 26.07.1971 | Yippeeee’ed |
| 30 | Puraani Pehchaan | Kewal Mishra | 07.06.1971 | 2/6 Songs posted |
| 31 | Rakhwaalaa | A. Subba Rao | 12.08.1971 | Yippeeee’ed |
| 32 | Shaan – E- Khudaa | Nanubhai Vakeel | 20.05.1971 | 1/7 Songs posted |
| 33 | Tere Mere Sapne | Vijay Anand | 13.05.1971 Y | ippeeee’ed |
| 34 | Tulasi Vivaah | Chandrakant | 22.07.1971 | 3/14 Songs posted |
We can see from the above table that three movies viz. ‘Baghaawat’, ‘Dakoo Maan Singh’, and ‘Maayaa Baazaar’ have not yet made their debuts on the blog.
The songs from these three movies seem to be unavailable as of now (as I could not find them). One movie ‘Hulchal’ had no songs in it. That gives us thirty movies from the total of thirty-four movies which have been represented on the blog.
Out of these thirty movies exactly half numbers i.e., fifteen movies have already been YIPPEED on the blog.
So, eleven movies from this period 01.05.1971 to 31.08.1971 still have a few songs left to be covered. Out of these eleven movies I have presented songs from ‘Badnaam Basti’, ‘Bahke Kadam’, ‘Brahmaa Vishnu Mahesh’, ‘Iraadaa’ and ‘Shaan E Khuda’.
Today I am presenting a song from the movie ‘Puraani Pehchaan’. I had not listened to the songs from this movie earlier and even the name was new to me when I came across it first time. I listened to the today’s song while preparation of this post and liked the song too.
“Puraani Pehchaan-1971” was directed by Kewal Mishra for ‘Durga Films, Bombay’.
It had Sanjeev Kumar, Tanuja, Madan Puri, Bela Bose, Shammi, B.B. Bhalla, Tarun Bose, Dhanraj, Dilip Dutt, Johny Whisky, Sangeeta, Rafia Sultana, and others.
This movie had six songs composed by Music Director Bhushan and lyrics for all songs were written by Naqsh Lyallpuri.
Following is the details of the songs of this movie as mentioned in HFGK Vol-V (1971-1980).
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Bachpan ka saath chhoota hai jaise ki khwaab toota hai | Asha Bhonsle, chorus | |
| 02 | Murli naa chhed Kaanha | Asha Bhonsle | |
| 03 | Ye naa hamse poochhiye mil gayaa hai kya hamen | Mohd Rafi,Asha Bhonsle | 24.12.2012 |
| 04 | Aye jaan e bahaaraan rooh e chaman | Mohd Rafi | 27.01.2016 |
| 05 | Aa aa, aa jaa, mujhe neend aa gayi thhi, kisi dard ne jagaaya | Asha Bhonsle | Being discussed today |
| 06 | Aaj ki raat nahin dil ko jalaane ke liye | Asha Bhonsle |
Geet Kosh-V mentions that the title for this movie was changed later from ‘Jab Jab Raat Wo Aayee’ which was its initial title given. Also, the 78 RPM records for the soundtracks of this movie were released by this name – ‘Jab Jab Raat Wo Aayee’ only.
This movie was passed by Censor Board on 07.06.1971.
Two songs from this movie ‘Puraani Pehchaan-1971’ have been posted on the blog earlier.
Today’s song is sung by Asha Bhonsle and on screen it is Tanuja lip syncing for Asha Bhonsle’s voice. Also see in the picturization of this song are Sanjeev Kumar, Bela Bose, Madan Puri and others.
This song seems to be a ‘haunting’ song in the movie. I have not watched this movie, so can’t say much about it.
I would request knowledgeable readers to throw light on this movie and its songs.
The picturization of this song reminds us of similar other songs in Hindi movies, e.g., ‘rulaa ke gayaa sapnaa mera’ from ‘Jewel Thief-1967’ etc. But we do not exactly know in what context the today’s song happens.
However, we can listen and enjoy the today’s song …
As mentioned above singer for today’s song is Asha Bhonsle and lyrics are by Naqsh Lyallpuri. Music is composed by Bhushan.
Song-Mujhe neend aa gayi thhi (Puraani Pehchaan)(1971) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Bhushan
Lyrics
aaja aa aa aa
aaja aa
aaja aa aa
aaja aa aa
aaja aa aa
aaja aa aa
mujhe neend aa gayi thhi
kisi dard ne jagaaya
dhaley aankh se jo aansoo
tera naam yaad aayaa aa
mujhe neend aa gayi thhi
mujhe neend aa gayi thhi
aaja aa aa
aaja aa aa
aaja aa aa
aaja aa aa
meri har khushi pareshaan
meri har nigaah pyaasi
kabhi kaash tu bhi dekhe
mera gham meri udaasi
maine pyaar se hameshaa
tera har sitam uthhaayaa
dhaley aankh se jo aansoo
tera naam yaad aayaa aa
mujhe neend aa gayi thi
mujhe neend aa gayi thi
aaja aa aa
aaja aa aa
aaja aa aa
aaja aa aa
teri berukhi ke haathon
main qaraar kho chuki hoon
kayi baar ashq tadpe
kayi baar ro chuki hoon
mujhe gham ki aag de kar
toone raat din jalaayaa
dhaley aankh se jo aansoo
tera naam yaad aayaa aa
mujhe neend aa gayi thhi
mujhe neend aa gayi thhi
aaja aa aa
aaja aa aa
aaja aa aa
aaja aa aa
tera pyaar ban gayi hai
kisi ajnabi ki baahen
tujhe mil gayi hai manzil
meri kho gayi hain raahen
jo na dekhna thha dekha
jo naseeb thha wo paayaa
dhaley aankh se jo aansoo
tera naam yaad aayaa aa
mujhe neend aa gayi thhi
kisi dard ne jagaaya
dhaley aankh se jo aansoo
tera naam yaad aayaa aa
mujhe neend aa gayi thhi
mujhe neend aa gayi thhi
mujhe neend aa gayi thhi
Tere Ghunghroo Ki Awaaz
Posted on: January 22, 2020
- In: "Ghunghroo" song | "unfulfilled" love | Calling the beloved | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Haunting song | Kishore Kumar solo | Kishore Kumar songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Sudhir | Songs of 1980s (1981 to 1990) | Songs of 1981 | Theme song | Title song | Yearwise breakup of songs
- 13 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4205 | Post No. : | 15395 |
Memories that are pure gold – the mention of his name brings to mind a limited set of memories. Ah but these memories are pure gold.
Remembering Vijay Anand today, on his birth anniversary. He would have been 86 today.
Without any doubts, the best and the most remarkable sense of visualization of music. Not just thinking of films with Navketan – ‘Nau Do Gyaarah’ (1957), ‘Kaala Bazaar’ (1960), ‘Tere Ghar Ke Saamne’ (1963), ‘Guide’ (1965), ‘Jewel Thief’ (1967), ‘Johnny Mera Naam’ (1970) and more, his films outside of Navketan are also as memorable for their songs. ‘Teesri Manzil’ (1966) being the most popular and loved film for its songs, and their presentation. Of course, no one counters the wholesome effect of “O Haseena Zulfon Waali”. But then, see “O Mere Sona Re Sona Re Sona Re”. The superb performances in this song by both Shammi Kapoor and Asha Parekh are the handiwork of a most capable director, who knows how to bring out the maximum impact of everything that goes into presenting a song – the ambience, the words, the music, the facial expressions, the body language, crafting the merger of actions with music, the give and take between the two protagonists – everything brought together to convey this latent feeling in the heart, bringing it to the lips, and then expressing it with an un-tethered exuberance on the part of the lady, and a coy displeasure (to start with) on part of the gentleman. The end result – as Atul ji has often pointed out – after three stanzas, all is well and the lovers are seen walking hand in hand.
Take ‘Black Mail’ (1973) and the wonderfully soft rendition of a surreal presence of the loved one – felt through the written word, the voice of lover echoing through the letters, and the presence is so real that the lady wakes up with a start having felt the reality of a kiss on her forehead. Yes, the song is “Pal Pal Dil Ke Paas, Tum Rehti Ho”. I am never tired of replaying this song, the video I mean. Just the song itself is great, but its presentation on screen has enhanced its beauty and impact many folds.
Vijay Anand has also appeared in a handful of films. In some of the films that he directed himself, and he is not in the list of actors, one can catch a glimpse of him in very brief cameo appearances. However, he has appeared in bigger roles, and also as a hero. The first film in which he made his debut in a meaty role is ‘Joru Ka Bhai’ from 1955, a comedy film in which the lead pair was Balraj Sahni and Sheela Ramani.
His next major appearance is as the hero of the 1957 film ‘Agra Road’, a cops and robbers type of story. Next we see him on screen along with his two elder brothers, Chetan and Dev, in the 1960 film ‘Kala Bazaar’ which he also directed. In this film he plays the role of the ex-boyfriend of Waheeda Rehman, who has gone for higher studies to France, and returns with his amorous loyalties shifted elsewhere.
After a gap of four years, he is seen once again in a supporting role in ‘Haqeeqat’ (1964), a film that had a large ensemble of main line stars. The next gap is much longer – 7 years. And he makes his screen appearance once again in the 1971 film ‘Tere Mere Sapne’, a film that he has directed himself. His role in this film as Dr. Jagannath Kothari, a famous gynecologist (in film), is very impressive and effective.
The next film is ‘Chhupa Rustom’ in 1973. Dev and himself, are police agents who go undercover to capture a gang of smugglers. Once again, this film is directed by him. His role, masquerading as a shady, brash, small time, two-timing con man brings out the comedian in him – in my opinion one of his best screen appearances. This film is an Indianized version of the famous novel by Alistair MacLean – ‘Fear Is The Key’.
Parallel to ‘Chhupa Rustam’ in 1973, he also appeared in the film ‘Double Cross’. In this, he appears in a double role as the hero and his twin brother who is on the wrong side of the law. He was not yet 40, but he looked quite overage for this twin brothers roles. He appears to be trying very hard to be the role, but was not convincing. The con-man role in ‘Chhupa Rustam’ was a great act, but in ‘Double Cross’ he did not quiet click. It is interesting to note that in the role of the brother on the right side of the law, Vijay is a professional photographer. That rang a bell in my mind and I checked. Very much so, the film ‘Heera Panna’ in which Dev Anand plays the role of a professional photographer also, was released in 1973 itself. As one compares the two performances, they are quite similar in mannerism, attire and body language. Now who was copying from whom? 🙂
In 1973 came another good film, produced and directed by his elder brother Chetan – ‘Hindustan Ki Kasam’. He played the role of a fighter pilot, coming from a family of soldiers and pilots. There is a brief but a great monologue by him in this film – “Saathiyo, Dosto, Hum Hi To Aaj Ke Arjun Hain. . .”. (It can be viewed at 39:40 on the timeline at the link for the film ‘Hindustan Ki Kasam‘.) He presents this monologue, takes to the skies and then does not return. A short role, albeit an impressive one.
A year later he produced the film ‘Chor Chor’ (1974), but did not direct it himself. It is a suspense thriller that did not make it good on the box office, however, it was praised by the critics and reviewers. The film had no songs, and its star cast was very interesting. Vijay had assembled many actors of yesteryears for this film – Trilok Kapoor, Jairaj, and Ranjan. The female lead opposite to Vijay himself is Leena Chandawarkar. I have not seen this film, but it seems interesting enough to merit a view.
In 1974, he appeared in another film, in a very impressive performance once again. The film ‘Kora Kaagaz’, and he is cast with Jaya Bhaduri as the leading pair. The film is about an idealistic romance that transforms into matrimony. And the matrimony cannot withstand the reality of social relations and issues of personal choices – it breaks apart. Alas, there is a happy ending as the estranged spouses meet and make up in railway waiting room. Another very impressive performance.
Then, after a gap of another 4 years, Vijay appeared in another very good role – that of a rich landlord, very well performed. The film is ‘Main Tulsi Tere Aangan Ki’. A gem of a film by Raj Khosla, Vijay is pitted against two seasoned performers – Nutan as his first and legally wedded wife and Asha Parekh as his second companion in life, whom he brings home much to the dislike of the first lady of the house.
In 1981, came the film ‘Ghungroo Ki Awaaz’ – a tale of haunting and intrigues. Once again, Vijay finds himself out of his depth. Is that a reflection of being a very good director and then come to act under the direction of another director who may not be as well capable. Don’t know whether we should draw this comparison. But then this film is not in my list of impressive performances by Vijay.
In 1984, Chetan Anand produced and directed ‘Hum Rahe Na Hum’ in which Vijay and Shabana Azmi played the lead pair. Then in 2001, he produced and directed ‘Jaana Na Dil Se Door’ in which he and brother Dev played senior roles in a film with an impressive star cast that includes Kamini Kaushal, Mohnish Behl, Moushumi Chatterji, Indrani Bannerjee, Dinesh Hingoo and Vikram Gokhale.
Vijay also appeared in a mini series on TV in 1994, titled ‘Tehkikaat’, in the role of Sam D’Silva, an investigator.
Readers would remember that Alfred Hitchcock always made it point to appear in his own films in a fleeting cameo appearance. That was his signature mark in his films, and the audiences would eagerly await to catch his appearance as they viewed his films for the first time. Vijay Anand has also a similar reputation, albeit we are not sure we have tracked down his cameos in all the films that he directed. A brief list of what I have been able to compile.
He appears in ‘Funtoosh’ (1956) as a young out-of-work writer, who meets Funtoosh (Dev Anand) after he is released from the mental hospital. Funtoosh gifts him a pen to write.
Then in ‘Tere Ghar Ke Saamne’ (1963) he appears in the stairwell of Qutab Minar, wearing spectacles, walking down the stairs with two other persons, as Dev and Nutan are busy with their amorous inclinations singing “Dil Ka Bhanwar Karey Pukaar”.
In ‘Guide’ (1965), we hear his voice, as an unknown stranger is asking about Raju guide on the railway platform. Just a very brief dialogue.
In ‘Jewel Thief’ (1967), we hear his voice on the phone, in a brief conversation with Helen.
In ‘Prem Pujari’ (1970) he appears very briefly in the role of a spy, a fleeting cameo.
Again in 1970 ‘Johnny Mera Naam’, we hear his voice very briefly as an officer of Nepal Police greets Iftekhar at the Kathmandu airport, welcoming him to Nepal.
Here is a very interesting on screen appearance trivia. Hollywood producer and director, Mike Judge of the ‘Beavis And Butthead’ fame, was a great fan of Vijay Anand. In fact, in his animated film ‘Beavis And Butthead Do America’, there is a song being played in a casino in Las Vegas. On stage, among the musicians, there is a guitar player accompanying the singer. Mike Judge had based this character on Vijay Anand. The song in that film is ‘Love Roller Coaster’, available on YouTube; just click on the link.
A brief list of shelved films of Vijay Anand.
After ‘Rajput’ (1982) and before ‘Main Tere Liye’ (1988), Vijay Anand launched ‘Dekha Jaayega’ with Anil Kapoor and Jackie Shroff. Anil backed out at last moment. After a brief gap, the film was planned again with Saif Ali in place of Anil, but was later shelved.
In 1988, he planned the film ‘Dosti Ka Taqaaza’ starring Mithun and Govinda. It was later shelved.
He appeared in the film ‘Insha Allaah’ as the hero opposite to Zarina Wahab. The film was later shelved.
He directed ‘Chura Lenge Ankhon Se Kajal’ (1992) with Akshay Kumar and Kareena Karishma Kapoor. This film was also shelved.
In 1997 he starred in and directed the NFDC (National Film Development Corporation) film ‘Nyaymurty Krishnamurty’. This film also did not see the light of the day.
In the 1990s, he also started working on another film ‘Pal Pal Dil Ke Paas’, which could not be completed, probably did not go beyond the planning stage.
OK, so today’s song. It is contributed by Avinash ji. The film is ‘Ghungroo Ki Awaaz’. The story is of a family conspiracy with shades of reminders from the film ‘Mera Saaya’. The protagonist falls in love, the lady dies in confusing circumstances, then she returns as a ghost to haunt the man. The plot finally nails down another family member, who is attempting to get rid of the protagonist, for the sake of inheritance. There are maybe some more films that are based on this scenario.
The music is by RD Burman, the words are from the pen of Vijay Anand himself and Kishore Kumar is the playback voice.
A heartfelt salute to this celluloid artist who donned many a hat in his career, and had left behind a memorable legacy.
Video
Audio
Song – Tere Ghungroo Ki Awaaz (Ghungroo Ki Awaaz) (1981) Singer – Kishore Kumar, Lyrics – Vijay Anand, MD – RD Burman
Lyrics (Provided by Avinash Scrapwala)
ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz
ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz
sitaaron ne sajaayee thhi dagar
hawaaon ne jhulaaya bhi magar
hmm hmm hmm
sitaaron ne sajaayee thhi dagar
hawaaon ne jhulaaya bhi magar
jalaa daaley
jalaa daaley
pankh naseebon ne
reh gayee hasrat e parwaaz
tere ghunghroo ki aawaaz
ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz
andheron mein chhupi hai kiran
milan hai par ye kaisa milan
hmm hmm hmm
hmm hmm hmm
andheron mein chhupi hai kiran
milan hai par ye kaisa milan
adhura hai
adhura hain
geet jeewan ka
aur toota toota saaz
tere ghunghroo ki aawaaz
ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghoonghroo ki aawaaz
tere ghoonghroo
ki aawaaz
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़
हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़
सितारों ने सजाई थी डगर
हवाओं ने झुलाया भी मगर
हं हं हं
सितारों ने सजाई थी डगर
हवाओं ने झुलाया भी मगर
जला डाले
जला डाले
पंख नसीबों ने
रह गयी हसरत ए परवाज़
तेरे घुँघरू कि आवाज़
हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़
अंधेरों में छुपी है किरण
मिलन है पर ये कैसा मिलन
हं हं हं
हं हं हं
अंधेरों में छुपी है किरण
मिलन है पर ये कैसा मिलन
अधूरा हैं
अधुरा हैं
गीत जीवन का
और टूटा टूटा साज़
तेरे घुँघरू कि आवाज़
हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़
तेरे घुँघरू कि आवाज़
तेरे घुँघरू ..
कि आवाज़
Main kaun hoon
Posted on: December 2, 2019
- In: Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Haunting song | Lata solo | Lata song | Lyrics contributed by readers | Post by Avinash Scrapwala | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
- 8 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4154 | Post No. : | 15320 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 88 #
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Welcome all to this post which comes after a long gap. I call it a ‘Long gap’ because this post was conceived by me ‘long back’ like many other posts of mine which remained unfinished aften getting started due to various reasons.
My last post on the blog was on 20th November. It was posted when I going through some health-related issues. I had to visit a Hospital in Nairobi, which is around 125 kms from my base station. Since some tests were to be conducted, I had to stay in Nairobi for four days. I stayed with colleagues working there in the Head Office. That didn’t allow me to concentrate on posts though I continued listening to music and watching songs. I even kept reminding our authors about movies that were falling under the ‘blog-ten-year challenge’.
The visit to the Hospital and Doctor made me recall many Hindi movies that had stories woven around ‘medical profession or serious medical complications’ (or diseases, if it is the right word?).
This time I had to specially visit ‘Dil Ka Doctor’. Its English translation ‘cardiologist’ has entirely different connotations from the Hindi word. This offers me material for a separate post provided I came across a suitable song to go with that proposed article.
.
T was another Doctor in India (in ‘Atulites WhatsApp’ group) who was already aware about my ‘dil ka haal’, and was already providing me guidance on the symptoms so that ‘I can bounce back’ without thinking that ‘beemaari ho to aisi ho jiska naam kisi Viceroy se kam naa lage’:)😊
The tests were conducted and results were awaited after two days (due to weekend holidays), I had realized that the problem was not serious and everything was going to be ok. The worries were mainly ‘Beemari ka shaq’like Doctor Kulkarni’s ‘Main usi shaq ka ilaaj karta hoon’, and hence the ‘tests’:)
Finally, the results were ‘declared’ and everything was well in order except a minor ‘Blood Pressure’ on the higher side. I thanked both the Doctors!!!
***
The movie of today’s song has a storyline around ‘Doctors’ or medical profession. But today’s post has nothng to do with that. This covers an an entirely different story behind it.
People of different generations have different taste for music and naturally everybody’s musical nostalgia keeps growing according to the surroundings they grow in and/or even the circumstances they live in (I think so).
Music lovers have their musical nostalgia, which depends on factors like the generation/ backgrounds/ circumstances in which they grow up. This musical nostaligia gets triggered up whenever they are reminded of those days.
Sometimes, people of different generations/ background/ circumstances pass on their brand of musical nostalgia to another (viz younger generation) music lovers. This results in the curious situation when music lovers in their teenns or twenties start loving vintage era music created during the times of his forefathers.
People coming in contact with me are slowly coming to know about my love for Hindi songs and Hindi movies. Some of them who become close friends have also come to know about our blog and my activities for the blog.
Assuming that you are considered a music lover, sometimes people approach you with their music related query. A query , that can stump even music “experts” is when we are asked to tell the details of a song whose details are known only partially or vaguely.
Most of the times I am able to provide the details or answer mkost of the time, but sometimes the challenge is quite tough.
For instance, take the example of a song which someone has heard but he remembers very few details of the song. And hewants you to find that song for him, without providing the usual details about mukhda of the song, or its tune, the artists, or the movie. Only thing he can tell is that this song is picturised on a ‘lady wearing white-blue saree and singing with some ladies sitting around a sea-beach or kisi nadi ke kinaare?
With such sketchy details, you are asked to find the song, because you claim to be a music expert songs and movies? You are also challenged and mocked that if you cannot find this song then
you should not talk about songs of movies 🙂 , chhod do gaane sun’na aur filmon ki baatein karna 😊 .
Anybody in my place would feel like my honour is at stake, and would definitely give this challenge a serious try, so I did …
It happened on one such week-end get together on Saturday evening here in the camp (where we are staying in Kenya). We regularly have such get togethers. If the get together is big and the occasion so demands, then listening to songs and even dancing becomes customary. This calls for a separate detailed post in future. 😊
It was in one such get together that our friend a QC guy, fifteen years younger to me challenged me when we were enjoying listening to songs. This guy wanted me to find a song for him. He must have watched this song on TV somewhere. What he remembered of it was that it is sung by a lady in ‘blue-white saree’ with ‘some ladies sitting around a ‘river bank’ or ‘sea-beach’ (he was not sure).
This guy who was born in early 1980s had one favourite Hindi song.
Guess which?
‘Do ghoont mujhe bhi pilaa de o saaki dekh phir hota hai kya’
He had listened to this song somewhere while he was with his friend on a long drive and since then this song was the most liked Hindi song for him. He is from Andhra so he is not aware of that much of Hindi songs, except few like the above. And, whenever there is a party, he would ask us to play this song so that he can enjoy it 🙂
We are aware that this song is from the movie ‘Jheel Ke Us Paar’ and the year of the movie is 1973 🙂 (and surprisingly this song has not been posted yet on the blog 🙂 )
Now given the challenge, I had to find him this song lip synced by a lady with a blue or white saree, so I was looking for hints. 🙂
The first song that readily came to my mind was the title song from ‘Jheel Ke Us Paar’ and the second thing I made up in my mind was that the song he was looking for must be a ‘haunting song’ or somewhat sad song like ‘naa koi umang hai’ so I started searching on YouTube by entering terms like ‘woman singing a song near sea-beach, river’, woman in white saree singing a song, heroine singing along river bank, sea-beach etc etc
I was sure that the song this guy was looking for must be a ‘haunting song’ (and not his fault though) because I know ‘gham ke chhod ke manaao rang raili’ was not in a white saree, then I thought white saree means should be a widow singing a song or like that.
After browsing couple of songs like ‘naina barse’ I turned to the songs of ‘Mera Saaya’ and ‘Anita’. Now, searching in YouTube has an advantage of suggestions appearing according to your search. (And over the years I have also learnt entering ‘out of the box’ search terms to find a song, it had successfully worked many times 🙂 )
And there with the songs of Anita in the suggestions I found this song …
Can you guess this song my friend was looking for was ‘sun ri pawan, pawan purvaiyya’…
My friend bowed to me, but I told him my friend it is not a white saree song but a blue saree with white border song !!
But I must admit that while my friend was correct in mentioning the scenario. It was I who interpreted it wrong and I was searching with wrong terms and still landed on the right song …
Also, he never mentioned that the song he was looking for is where the heroine is making a ‘baalu ka ghar’ (sand home 🙂 or is it a ‘mud-home’?) on the sea-beach.
Incidentally both the songs that my friend likes are the songs where the heroine is blind.
And our team member Pam Harvey has on his blog covered some blind women songs from Hindi movies in his article here.
And finally, the song we were looking for was a ‘happy song’ instead of a ghost song or haunting song which I presumed it should be.
For today’s post I am presenting a song which I think fits with the theme which I imagined was the theme for song my friend was looking for. 🙂
This song is from the 1980 movie ‘Bandish’, and it is performed on screen by Hema Malini where she is trying to ‘trap’ Rajesh Khanna by posing as a ‘bhatakti aatma’.
I remember to have watched this movie in our colony club during regular weekly screening may be in 1982-1983, I think.
‘Bandish-1980’ was directed by K. Bappaiah for ‘Suresh Productions, Madras’. It was produced by D. Rama Naidu. It had Rajesh Khanna, Hema Malini, Danny, Om Prakash, Asrani, Jeevan, Om Shivpuri, Madan Puri, Mohan Choti, Pinchoo Kapoor, Jagdish Raj, Maruti, Yousuff, Ranveer, Umesh Khanna, Prem Kumar, Dharmesh, Vijay Kumar, Shashiraj, Ganesh Nagpal, Raj Baldev Raj, Vijay Kumar, Kiron, Bedi, Pradeep Jain, Bindiya Goswami, Nalini Jaywant, Manorama, Preeti Ganguly and Tanuja, Padmini Kapila, Vakkalanka Padma, Ashoo, Munni.
Story of this movie was written by V.C. Kuganathan. K.A. Marthand was the Chief Editor of this movie. This movie was passed by Censor Board on 07.10.1980.
The movie had five songs composed by Laxmikant-Pyarelal. Lyrics of all the songs were written by Anand Bakshi.
So far only one song from this movie – ‘Rang bhare mausam se rang churaa ke’ has been posted on the blog and that was on 04.08.2011.
Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie.
Incidentally there was only one Lata song – solo song – in this movie and this song is the one being presented here today.
(PS: recently there was a comment by Peevesie’s Mom ji regarding this ‘song searching or finding a song type issue which I am forgetting where it was, though I had noted the point earlier for this post 😊 )
Video
Audio
Song-Main kaun hoon (Bandish)(1980) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa aa aa
aa aa aa aa
main kaun hoon oon oon
main kaun hoon oon
ae chaand taaron
main kaun hoon oon oon
ae chaand taaron
mera naam le ke
koyi pukaaro o o
main kaun hoon oon
ae chaand taaron
main kaun hoon oon oon
Pyaasa mera man n n
Pyaase mere nainaa aa
Pyaasa mera man n n
Pyaase mere nainaa
Kya dhoondhte hain ae ae
Saari saari rainaa
Kuchh to kaho jaago
Neend ke maaro o
Main kaun hoon oon
Ae chaand taaron o
main kaun hoon oon
ae chaand taaron
haan ye wahi hai ae
phoolon ki galiyaan
haan ye wahi hai ae
phoolon ki galiyaan
main rakh gayee thhi ee
yahaan kuchh kaliyaan
unka huaa kya
bolo o bahaaron
Main kaun hoon oon
Ae chaand taaron o
main kaun hoon oon
ae chaand taaron
Dekhe hain kisne ae ae
Jhonke hawaa ke
Dekhe hain kisne ae ae
Jhonke hawaa ke
Dekho naa mujhko o o
Haath lagaa ke
Door se meri zulfen sanwaaro o
Main kaun hoon oon
Ae chaand taaron o
Mera naam le ae ke
Koyi pukaaro o
Main kaun hoon oon
Ae chaand taaron o
Main kaun hoon oon oon
Main kaun hoon oon
Main kaun hoon oon oon
—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
आ आ आ
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ
मैं कौन हूँ ऊँ ऊँ
मैं कौन हूँ ऊँ
अय चाँद तारों
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
मेरा नाम ले के
कोई पुकारो ओ ओ
मैं कौन हूँ ऊँ
अय चाँद तारों
मैं कौन हूँ ऊँ ऊँ
प्यासा मेरा मन अं अं
प्यासे मेरे नैना आ
प्यासा मेरा मन अं अं
प्यासे मेरे नैना
क्या ढूंढते हैं ए ए
सारी सारी रैना
कुछ तो कहो जागो
नींद के मारो ओ
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
हां ये वही है ए
फूलों की गलियाँ
हां ये वही है ए
फूलों की गलियाँ
मैं रख गयी थी ई
यहाँ कुछ कलियाँ
उनका हुआ क्या
बोलो ओ बहारों
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
देखें हैं कितने ए ए
झोंके हवा के
देखें हैं कितने ए ए
झोंके हवा के
देखो ना मुझको ओ ओ
हाथ लगा के
दूर से मेरी जुल्फें संवारो ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
मेरा नाम ले के
कोई पुकारो ओ
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
मैं कौन हूँ ऊँ
मैं कौन हूँ ऊँ ऊँ
Phir Teri Yaad Aa Gayi
Posted on: April 23, 2019
- In: "remembrance" song | 15K Song Milestone Celebration Posts | Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Devnagari Script Lyrics By Prakashchandra | Guest posts | Haunting song | Lyrics contributed by readers | Multi part song | Poignant Song | Post by Prakashchandra | sad song | Vagaries Of Love | Yearwise breakup of songs
- 8 Comments
This article is written by Prakash Chandra, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3931 | Post No. : | 15004 | Movie Count : |
4108 |
= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 13
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –
Usually one chooses songs full of happiness and celebration for these types of occasions to celebrate, but as usual, I choose this haunting song, to celebrate. 🙂
The song is from the 1983 film ‘Sansani – The Sensation’. I have watched this movie one late night for the sake of this haunting song by Asha Bhosle. The movie was just a masala / murder mystery, where at the end the noble characters like Dr. Shriram Lagoo and Jayashree Gadkar turn out to be characters with grey shades. If you are a die-hard fan of Hindi movies of 70`s and early 80`s like me, you may enjoy this pot-boiler, but watch the movie at your own risk. 🙂
But listen to this song, you may like it audio-wise.
This is an obscure mystery movie produced by Kavita Seth, who is also billed in the credits as “KAVITA – Introducing” as an actress. She is one of the principal lady characters in the movie. She appears wearing a white saree, roaming in the graveyards, and crying for her beloved Shailendra Singh (the playback singer, who got billing as “Friendly Appearance”). Shailendra Singh appears only at the climax, and also in a photograph in front of which the actress cries and sings this haunting song. But he did not get a playback singing chance, which is his original forte.
There is some confusion about the year of release of this movie, LP image of this movie shows the year 1979, censor certificate clearly shows the date 23-6-1983. According to HFGK-6, 1983 is the release of this movie.
The movie was “Dedicated to Late Director Irshad Afzal”, (I guess before the release of the movie the director must have passed away). The movie was produced under the banner of Panorama Pictures. The producer of the movie is Kavita Seth, who also makes her acting debut with this movie. The director’s name is mentioned differently in different sites as Irshad / Irshad Afzal / A Irshad.
The star cast of the movie includes Vinod mehra, Bindiya Goswami, Prem Chopra, Dr Shriram Lagoo, Shailendra Singh (Special Appearance), Kavita (Introducing), Jagdeep, Jayashree T, Jayashree Gadkar, Keshto Mukherjee, Jagdish Raj, Coca Cola, TP Jain, Ali Masood, Nilima, Meena T, Raj Kishore, Amal Sen, M Baig, Amarnath, Dutta Bhatt, Viraj, Gopal, Dina Pathak, Gulshan Grover, Viju Khote etc.
Songs of this film are written by Irshad (who was also the director). Music is composed by Hemant Bhosle. It has been mentioned in the credit sequences of the movie that the assistants to music director are Kersi Lord and Uttam Singh. These two genius composers cum arrangers also contributed to the musical score of this movie to a great extent. Kersi Lord has also done a lot of work with RD Burman.
The musical compositions of the movie are sung by playback singers like Asha Bhosle, Amit Kumar, Bhupender, Varsha Bhosle, and Hemant Bhosle. This movies has got following sound tracks
- Asha Bhosle : Phir Teri Yaad
- Asha Bhosle, Amit Kumar, Bhupinder & Varsha Bhosle : Patthar Ka Hai Sanam
- Asha Bhosle, Hemant Bhosle & Chorus : Sansanikhez Koi Baat
- Asha Bhosle, Varsha Bhosle : Saqiya Tu Koi
- Asha Bhosle, Amit Kumar : Ab Kahaan Jayenge Hum (Happy)
- Amit Kumar : Ab Kahaan Jayenge Hum (Sad)
- Hemant Bhosle : Theme music
Records of the movie were issued by The Gramophone Company of India Ltd. (aka His Master`s Voice). The movie was shot at outdoor locations of Madras, Bangalore, and Tamilnadu.
On screen this song has been divided into 3 parts. The first stanza features Dina Pathak, Shailendra Singh (i.e. appears in a photograph) and Kavita Seth aka Kavita . The 2nd stanza features Kavita Seth, Dr.Sriram Lagoo, and Vinod Mehra. And the 3rd stanza features Kavita Seth, Vinod Mehra and Jayashree Gadkar.
About the Music Director: Hemant Bhosle is the late son of Asha Bhosle. He passed away on September 28th of 2015. I like his musical compositions of the songs of ‘Taxi Taxie’ (1977). Given below is an incomplete filmography for him. If at all any additions or deletions are there in this regard, please let me know.
- Taxi-Taxie (Polydor-1977)
- Jadu Tona (Polydor-1977)
- Anpadh (Polydor-1978)
- Damaad (Polydor-1978)
- Sansani (HMV-1980/Irshad)
- Sweety (Music India-1980)
- Nazrana Pyar Ka (Polydor-1980)
- Shradhanjali (HMV-1981/Anjan)
- Barrister (HMV-1982/Yogesh)
- Teri Meri Kahani (TV Movie 1982/Anjaan,B.R.Chopra)
- Doosra Kinara (1982)
- Beta (1982/HMV/Anjaan)
- Bandhan Kachchey Dhaagon Ka (HMV-1983)
- Raja Jogi (1983)
- Bachchon Ka Khel (1983/Gulshan Bawra)
- Dharti Akash (TV Movie 1983)
- Dharam Shatru (T-series,Super-1985/1988)
- Bhaago Bhoot Aaya (1985)
- Aakhiri Sanghursh (1987/1997)
Hemant Bhosle also provided music for some Marathi songs.
About the Lyricist Irshad: I searched for lyricist Irshad`s other works, but got confused with Irshad who has connection with the Kishore Kumar camp, and has written songs for films such as ‘Door Ka Rahi’ (1971 – which has the famous song “Beqaraar Dil, Tu Gaaye Jaa”), ‘Badhti Ka Naam Dhadi’ (1974) ‘Shabaash Daddy’ (1978) and ‘Chalti Ka Naam Zindagi’ (1982). Irshad also written songs for other movies like ‘Naag Pooja’ (1971), ‘Pattharon Ka Shaher’ (1972) – both for Usha Khanna. Also for ‘Alibaba’ (1976) – Dara Singh starrer with Hansraj Behl as the music director.
I got further confused when I watched the movie credit sequences which displays the photo with garland and agarbatti and lines like “Dedicated to our beloved director – Irshad Afzal”, and further in the credits – “Lyrics, written and directed by IRSHAD”.
I doubt whether all the above Irshads are one and the same. I request our more knowledgeable readers and friends to please help clarify this possible ‘same name confusion’.
One of the comments related to the song in some site is as follows: “Phir Teri Yaad” is a completely mental slice of Indian psych/funk”. I failed to understand this comment, I request someone to please elaborate about this comment.
I will conclude my endless banter here 🙂
Congratulations and best wishes to our blog on its MEGA CELEBRATION. I love everything and everyone related to our blog. Visiting and reading the blog posts gives me immense joy.
Video
Audio
Song – Phir Teri Yaad Aa Gayi (Sansaani) (1983) Singer – Asha Bhosle, Lyrics – Irshad, MD – Hemant Bhosle
Lyrics
aaaaaa aaaaaaa aaaaaaaa aaaaaaa aaa
aaaa aaaaa aaaaaaaaa aaaaaa aaaa aaaaaa
aaaa aaaaaaa aaa
aaa aaaaa aaaaa
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .
kabhi guzar ho
bahaar ka ab
to dil ke zakhmon ko
chhooke guzaregi
koi jo aaye
phuhaar ki rut
to baadalon se
bhi aag barsegi
tere bina ab
mere humdum
hai maut zindagi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .
hai zinda laashein
ye dil ke armaan
tere hi gham ke
kafan mein hain lipte
janaazaa uthne
ko hai tu aa jaa
safar aakhiri
to kar len tai mil ke
varnaa ye
rooh pyaasi
pyaasi hi reh jaayegi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .
chiraag-e-dil bhi
hai bujhne ko ab
panap rahey hain
andheron ke saaye
sulag rahi hain
tadapti saansein
maseehaa ban ke
koi to aa jaaye
sholaa hai
har dhadkan
gham ki chithaaon ki
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .
———————————————————-
Hindi script lyrics (Provided by Prakash Chandra)
———————————————————-
आsssss आssssss आsssssss आssssss आss
आsss आssss आssssssss आsssss आsss आsssss
आsss आssssss आss
आsss आsssss आssss
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰
कभी गुज़र हो
बहार का अब
तो दिल के ज़ख्मों को
छूके गुज़रेगी
कोई जो आये
फुहार की रुत
तो बादलों से
भी आग बरसेगी
तेरे बिना अब
मेरे हमदम
है मौत ज़िन्दगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰
हैं ज़िंदा लाशें
ये दिल के अरमान
तेरे ही ग़म के
खफन में हैं लिपटे
जनाज़ा उठने
को है तू आ जा
सफर आखिरी
तो कर ले तय मिलके
वरना ये
रूह प्यासी
प्यासी ही रह जायेगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰
चिराग ए दिल भी
है बुझने को अब
पनप रहे हैं
अंधेरों के साये
सुलग रही हैं
तड़पती सांसें
मसीहा बन के
कोई तो आ जाए
शोला है
हर धड़कन
ग़म की चिताओं की
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰
Mere Sanam, Sun Mera Gham
Posted on: January 9, 2018
- In: Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Haunting song | Lata solo | Lata song | Lover's Complaint | Lyrics by Prakashchandra | Lyrics contributed by readers | Mahendra Kapoor solo | Mahendra Kapoor songs | Multiple version song | Pathos | Post by Avinash Scrapwala | sad song | Separation song | Songs of 1960s (1961 to 1970) | Songs of 1966 | Twin songs | Vagaries Of Love | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3462 | Post No. : | 13894 |
Today is the eighty fourth birth anniversary (9 Jan 1934 – 27 Sep 2008) of singer Mahendra Kapoor. On this occasion today, I present this lovely and haunting song from the 1966 film ‘Naag Mandir’ here on our blog. This song has two versions one sung by Mahendra Kapoor and another sung by Lata Mangeshkar.
‘Naag Mandir’ was directed by Shantilal Soni for Mayurkala Pictures, Bombay. The star cast was led by Mahipal, Vijaya Choudhry and included Indira and BM Vyas.
This movie has six songs, including one multiple version song. Songs for this movie are written by three songwriters – Shiv Kumar ‘Saroj’, Bharat Vyas and Asad Bhopali. This song is written by Bharat Vyas. Music for this movie is composed by Laxmikant-Pyarelal. Lata Mangeshkar, Mahendra Kapoor and Mohd Rafi have given their voices to the songs in this movie. So far three songs from this movie have been posted on the blog.
Not much other information about this movie is either mentioned in HFGK Vol IV or available on other sources.
I became aware of this song around end-eighties, when I started collecting cassettes and also getting compilations of various singers recorded on blank (TDK/Sony) cassettes. In this endeavor I got recorded the Mahendra Kapoor songs on 14.10.1991 and since then this song is there in my collection. I like this song very much and sometimes it automatically come to my lips and I broke into humming it.
When I checked on the blog, I was surprised to note that this was still to be posted. Also, it was only few weeks back that I discovered that this song also has a female version and that too sung by Lata Mangeshkar. There is some difference in the lyrics. Both versions have one common stanza and one different stanza.
Coming back to the songs of Mahendra Kapoor I would like to mention that I like many of his songs very very much. And as and when I have got the opportunity to share his songs I have tried to get them posted on this blog. I am not going into the biographical details of Mahendra Kapoor and the list of his songs in this post today. I will just stop here and leave you with this song to enjoy today remembering him, and his contribution to Hindi Film Music.
Audio (Male Version – Mahendra Kapoor)
Audio (Female Version – Lata Mangeshkar)
Song – Mere Sanam, Sun Mera Gham (Naag Mandir) (1966) Singer – Mahendra Kapoor/ Lata Mangeshkar, Lyrics – Bharat Vyas, MD – Laxmikant Pyaarelal
Lyrics
Male Version
– – – – – – – – – – –
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
zindagi ke dukh bharey
ye din kahaan bitaaun
jo na koi gham kare
wo dil kahaan se laaun
sab kuchh hai phir bhi jaise
kuchh nahin
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
jal rahaa hai dil mera
main chup rahoon to kaise
ghut rahaa hai dam mera
main kuchh kahoon to kaise
gham se haden khushi ki jaa mili
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
Female Version
– – – – – – – – – – – – –
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
jal rahaa hai dil mera
main chup rahoon to kaise
ghut rahaa hai dam mera
main kuchh kahoon to kaise
gham se haden khushi ki jaa mili
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
kitne din guzar gaye
kismet ko sote sote
kitni umr kat gayi
din raat rote rote
phir bhi to badnaseebi kam nahin
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
mere sanam
mere sanam
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
पुरुष स्वर
– – – – – – – –
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
ज़िन्दगी के दुःख भरे
ये दिन कहाँ बिताऊं
जो न कोई ग़म करे
वो दिल कहाँ से लाऊं
सब कुछ है फिर भी जैसे
कुछ नहीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
जल रहा है दिल मेरा
मैं चुप रहूँ तो कैसे
घुट रहा है दम मेरा
मैं कुछ कहूं तो कैसे
ग़म से हदें ख़ुशी कि जा मिलीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
महिला स्वर
– – – – – – – –
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
जल रहा है दिल मेरा
मैं चुप रहूँ तो कैसे
घुट रहा है दम मेरा
मैं कुछ कहूं तो कैसे
ग़म से हदें ख़ुशी कि जा मिलीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
कितने दिन गुज़र गए
किस्मत को सोते सोते
कितनी उम्र कट गयी
दिन रात रोते रोते
फिर भी तो बदनसीबी कम नहीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
मेरे सनम
मेरे सनम
Aansoo ki ek boond hoon main
Posted on: December 20, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Divas of hindi film music (18)
————————————
Now we return to Suman Kalyanpur. This is the last song by her in this series. This time looking for solos songs, I found a very good multiple version solo song by Suman Kalyanpur from the film ‘Ek Paheli ’(1971).
Read more on this topic…
Gumnaam hai koi
Posted on: April 29, 2012
Here is yet another song of the genre “How come this song was not discussed before !”. Read the explanations that I have given for other songs of this genre why this song was not discussed earlier. 😉
Read more on this topic…
It happens quite often in this blog that when a song is discussed, readers exclaim- “what ! How come this song was not discussed as yet !”. My explanation is that there have been tens of thousands of great songs in Hindi movies, and we have discussed just a small portion of that huge collection of songs, so omission of many great songs should come as no surprise. Hopefully the number of omitted songs will gradually come down as we add more and more of such songs.
Read more on this topic…
“Teri Talaash Mein” (1968) is by now an obscure movie. This B grade movie was an A G Movie arts production. Kewal Mishra was the director of the movie. Its “star” cast consisted of names like Kumkum, Shailesh Kumar, Mohan Choti, Madan Puri, Amaranth, K N Singh, Indira etc.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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