Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1978’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4364 Post No. : 15691 Movie Count :

4324

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 93 # Remembering Lyricist Gauhar Kanpuri
—————————————–—————————————–
(#Music Composer-Singer-Bappi Lahiri # 3)

In one of my posts on the blog I had mentioned that the month of ‘June’ had many important days or anniversaries of film personalities (and the team members of this blog too).

Today 29th June is the ‘Remembrance Day’ of lyricist Gauhar Kanpuri. He passed away in the year 2002. He was active during the decade of seventies and thereafter till his death in 2002.

As per information available online he wrote lyrics for many songs of Hindi movies (more than one hundred fifty songs for around fifty-six movies). The detailed information about his filmography needs to be compiled. Also, I could not find much detailed information about his biography. (I would request knowledgeable readers to throw more light on the information available on him).

He wrote the famous title song of ‘Saawan Ko Aane Do-1979’, then songs for the movies like ‘Zakhmee-1975’, ‘Do Khiladi-1976’, ‘Phir Janam Lenge Ham-1977’, ‘Haiwaan-1977’, ‘Dada-1978’, ‘Dulha Bikta Hai-1982’, ‘Woh Jo Haseena-1983’, and many others, and including ‘Baazigar-1993’ of the nineties.

I may have missed some of his movies where the songs were popular, but then, as I said above, the list of his filmography needs to be compiled from authentic sources.

Today’s song is from the movie “Shikshaa-1978”. All songs for this movie were written by him. Music was composed by Bappi Lahiri.

I have mentioned it in my earlier post here that there are many Bappi Lahiri compositions before early eighties or his ‘pre-Himmatwaala period which are very nice and needs to be discussed here. And in this case like in this movie ‘Shikshaa-1978’ we have the frequently heard ‘yaari hai phoolon se meri yaari hai’ sung by Bappi Lahiri and the gem ‘teri chhotisi ek bhool ne’ sung by Yesudas and other songs.

But, for today’s presentation I have selected this beautiful ‘Raam ‘Bhajan’ sung by Chandrani Mukherjee which I think was a lesser heard song from this movie. I was also not aware of this song till few weeks before and had not heard it earlier. And when I listened to it first time and second time and more it keeps growing on and I liked this song very much.

Gauhar Kanpuri has a long association with Bappi Lahiri and most of his works have compositions by Bappi Lahiri.

For this post I have compiled his list of movies with Bappi Lahiri in the decade of 1971 to 1980 where they had nine movies together;

Sno. Title Year Date Lyricist BLOG
1 Nanha Shikari 1973 16.04.1973 S.H. Bihari, Yogesh, Gauhar Kanpuri Y
2 Zakhmee 1975 15.05.1975 Gauhar Kanpuri Y
3 Sangraam 1976 21.12.1976 Gauhar Kanpuri, Hasan Puri Y
4 Haiwaan 1977 03.10.1977 Gauhar Kanpuri, Hasrat Jaipuri, Pradeep Roychaudhari, Amit Khanna, Dada Ji Y
5 Phir Janam Lenge Ham 1977 23.06.1977 Gauhar Kanpuri Y
6 Pratima Aur Paayal 1977 03.09.1977 Rajkavi Tulsi, Shivkumar Saroj, Indeevar, Gauhar Kanpuri
7 Khoon Ki Pukaar 1978 29.05.1978 Hasrat Jaipuri, Gauhar Kanpuri Y
8 Shikshaa 1978 28.12.1978 Gauhar Kanpuri
9 Jaan E Bahaar 1979 10.08.1979 Gauhar Kanpuri Y

“Shikshaa-1978” was directed by S. Ramnathan for ‘New Horizon Films, Bombay’. It had Rajkiran, Benjamin Gilani, Shashi Saxena, Jagdeep, Iftekhar, Urmila Bhatt, Pinchoo Kapoor, Krishna Dhawan, Surendra Kumar, Vikrant Taneja, Viju Khote, Brijen Mohan, Babbanlal and others. This movie introduced Sushma Verma, Master Sandeep and Bina Banerjee.
Bhagwan, Mukri, Jairaj, Shobha Khote, Pilu Wadia and Ritu Kamal made a guest appearance in this movie.

This movie had total five songs plus one music track as mentioned in HFGK Vol-V (1971-1980). The lyrics for the songs (all songs) were penned by Gauhar Kanpuri.

As mentioned above music was composed by Bappi Lahiri (assisted by Bansari Lahiri, Anil & Arun).

Arti Mukherjee, Anuradha Paudwal, Bappi Lahiri, Chandrani Mukherjee, Shailendra Singh and Yesudas had given their voices to the songs in this movie.

This movie was passed by Censor Board on 28.12.1978.

Let us now enjoy today’s song – a soulful rendition by Chandrani Mukherjee and lip synced on screen by Bina Banerjee. Also seen in picturization of this song are Benjamin Gilani, Rajkiran, Master Sandeep and others.

With this song the movie “Shikshaa-1978” makes its debut on the blog…

Audio

Video

Song-Jehi vidhi raakhe Raam tehi vidhi rahiye (Shiksha)(1978) Singer-Chandrani Mukherjee, Lyrics-Gauhar Kanpuri, MD-Bappi Lahiri
Chorus

Lyrics

jehi vidhi raakhe raam
tehi vidhi rahiye
jehi vidhi raakhe raam
tehi vidhi rahiye
sukhon ko jo apnaa kahiye
dukhon ko bhi sahiye
raamaa aa
jehi vidhi raakhe raam
tehi vidhi rahiye

ham to khilaune maati ke hain
nirbal aur kamzor
ho ho ho o o o o o
ho o ho o
ham to khilaune maati ke hain
nirbal aur kamzor
haare koyi maane yaa naa maane ae ae
uske haathon hai sabki dor
honi hoke rehti hai
koyi laakh machaaye shor
raaamaa
jehi vidhi raakhe raam
tehi vidhi rahiye
sukhon ko jo apnaa kahiye
dukhon ko bhi sahiye
raamaa aa
jehi vidhi raakhe raam
tehi vidhi rahiye

tan ki ye doori hai majboori
tum to ho man ke saans
o ho ho o
o o o o o
ho o ho o
tan ki ye doori hai majboori
tum to ho man ke saans
swaami saanson ke har taar mein tum ho o
jeewan ke saathi tum hamaar
aanaa jaana
milnaa bichhadnaa
hai daataa ke haath
raamaa
jehi vidhi raakhe ae raam
tehi vidhi rahiye
sukhon ko jo apnaa kahiye
dukhon ko bhi sahiye
raamaa aa
jehi vidhi raakhe raam
tehi vidhi rahiye

raam siyaa raam
raaja raam
jai jai raam
raam siyaa raam
raaja raam
jai jai raam
raam siyaa raam
raaja raam
jai jai raam
raam siyaa raam
raaja raam
jai jai raam
raam siyaa raam
raaja raam
jai jai raam

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Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-
जेहि विधि राखे राम
तेहि विधि रहिये
जेहि विधि राखे राम
तेहि विधि रहिये
सुखों को जो अपना कहिये
दुखों को भी सहिये
रामा आ
जेहि विधि राखे राम
तेहि विधि रहिये

हम तो खिलौने माटी के है
निर्बल और कमज़ोर
ओ हो ओ
ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ
हम तो खिलौने माटी के है
निर्बल और कमज़ोर
हारे कोई माने या ना माने ए
उसके हाथों है सबकी डोर
होनी होके रहती है
कोई लाख मचाये शोर
रामा
जेहि विधि राखे राम
तेहि विधि रहिये
सुखों को जो अपना कहिये
दुखों को भी सहिये
रामा आ
जेहि विधि राखे राम
तेहि विधि रहिये

तन की ये दूरी है मजबूरी
तुम तो हो मन के साँस
ओ हो ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
तन की ये दूरी है मजबूरी
तुम तो हो मन के साँस
स्वामी साँसों के हर तार में तुम हो ओ
जीवन के साथी तुम हमार
आना जाना
मिलना बिछड़ना
है दाता के हाथ
रामा
जेहि विधि राखे राम
तेहि विधि रहिये
सुखों को जो अपना कहिये
दुखों को भी सहिये
रामा आ
जेहि विधि राखे राम
तेहि विधि रहिये

राम सिया राम
राजा राम
जय जय राम
राम सिया राम
राजा राम
जय जय राम
राम सिया राम
राजा राम
जय जय राम
राम सिया राम
राजा राम
जय जय राम
राम सिया राम
राजा राम
जय जय राम


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4300 Post No. : 15563

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 91 # “Dil Aur Deewaar-1978
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In Hindi ‘Dil’appears in a large number of titles. I am not listing them here because it will be a ‘long list’.

There are a few movies having ‘Deewaar’ in their titles (viz. ‘Sheeshe Ki Deewaar-1954’, ‘Chaandi Ki Deewaar-1964’, ‘Deewaar-1975’, ‘Waqt Ki Deewaar-1981’, and if we extend a little bit (or ‘cordon’ it? 😊) then ‘Chaar Deewaari’ in ‘1961’.
(I have included only those movies that have been launched on the blog. While preparing this post I found something new which needs to be checked with HFGK and we are always ready to wait for some interesting information in HFM, so we have to wait 🙂 ).

If I am not mistaken there is only one movie that contains both ‘Dil’ and ‘Deewaar’ in its title.

The movie is ‘Dil Aur Deewaar’ in 1978!!!

‘Dil Aur Deewaar – 1978’ was directed by K. Bappaiah for ‘Vijaya and Suresh Combines, Madras’. It was produced by D. Rama Naidu. It had Ashok Kumar, Jeetendra, Rakesh Roshan, Vijay Arora, Moushmi Chatterjee, Nirupa Roy, Prem Chopra, Jagdeep, Tarun Ghosh, Jagdish Raj, Pinchoo Kapoor, Sarika, Manorama, Shyamli, Shanti, Tuntun, Baby Shalu and others. Kamini Kaushal, Roopesh Kumar and K. Jaggaiah make a guest appearance in this movie.

Story of this movie was by Y. Sulochana Rani and its screenplay was written by Tarun Ghosh and Charandas ‘Shokh’. Charandas ‘Shokh’ also wrote the dialogues of this movie. K.A. Marthand was the Chief Editor.

This movie had six songs written by Anand Bakshi and composed by Laxmikant-Pyarelal. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and Mohd Rafi had given their voices to the songs in this movie.

It was passed by Censor Board on 08.09.1978.

(As mentioned on ‘Wikipedia’ ‘Dil Aur Deewaar-1978 Hindi movie was based on a Telugu movie “Jeevana Tarangalu-1973’ directed by T. Rama Rao.)

I had not watched this movie in those years when I was growing up, but its name somehow was lying dormant in my memory and I don’t know why but I thought that there was something in the posters of this movie (may be a heart shape in place of the ‘ee’ ki maatra’ in its titles in Devnagri Script).

I watched this movie some two years back on my mobile phone (it became the second movie after ‘Aaj aur Kal-1966’ that I watched on my mobile which is the ‘most uncomfortable’ way of watching movies for me. I always prefer and like to watch movies on ‘big screen’ 🙂 )

‘Dil Aur Deewaar-1978’ is an interesting movie to watch and it keeps you engaged till the end of the movie. Few of its songs are also good. While watching the movie, I remembered being familiar with couple of songs from my radio listening days.

The song that I am presenting today appeared most familiar to me. My vaguely memory suggest that I have heard it frequently on radio in those days.

None of the songs of this movie featured in the annual ‘Binaca geetmala’ of that year the movie was released in.

I will not mention about the story of this movie and spoil it for those who wish to watch it. But I would like to write a review of this movie becausee I liked it. The performances of Moushmi Chatterjee, Jeetendra, Rakesh Roshan, Vijay Arora, Sarika and Ashok Kumar are also good given the story line and the regular ‘masaala’ in our movies of that time.

Today 26th April is seventy-second birthday (born on 26th April 1948) of Moushumi Chatterjee and on this occasion I present a song sung by Lata Mangeshkar and Asha Bhonsle, and both of them are singing for Moushumi Chatterjee only. 🙂

The lyrics are by Anand Bakshi and music is composed by Laxmikant-Pyarelal.

Going through the filmography of Moushumi Chatterjee, as I look back at the movies of her that I have watched, I can say I have not watched many of her movies. But I have vague recollections of having watched “Anuraag-1972”, “Ghulam Begam Baadshaah-1973”, “Raftaar-1975”, “Do Jhhoothh-1975” with elders in the family. I surely remember watching “Roti Kapada Aur Makaan-1974”, “Be-naam-1974”, “Jai Bajrangbali-1976”, “Swarg-Narak-1978”, “Manzil-1979”, “Swayamwar-1980”, “Pyaasa Saawan-1981”, watching with family members and cousins.

Also I think I watched “Angoor-1982”, “Ghar Ek Mandir-1984”, “Aag Hi Aag-1987” with cousins in ‘summer vacations’ if I remember clearly.
The latest movie of her I watched was “Piku-2015” and in between there was “Ghaayal-1990”.

I think I watched “Sabse Badaa Rupaiyya-1976” on TV.

Today’s movie “Dil Aur Deewaar-1978” becomes the latest movie of Moushumi Chatterjee that I watched. I like her role in this movie very much and it’s a strong central character in this movie where I think she has performed very well.

Let us now wish Moushumi Chatterjee a very happy birthday today and a healthy and peaceful life ahead. Let us enjoy this song.

Audio

Video

Song-Tod de tu is bandhan ko (Dil aur Deewaar)(1978) Singers-Asha Bhonsle, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Based on audio link)

tod de ae
tod de ae
tod de tu is bandhan ko
tod de tu is bandhan ko
ye farz nahin
dastoor nahin
tod de tu is bandhan ko
ye farz nahin
dastoor nahin
teri maang mein lagaa hai jo
ik daagh hai wo
sindoor nahin
tod de tu is bandhan ko
baandh le
baandh le ae
baandh le man ko is bandhan mein
baandh le man ko is bandhan mein
farz hai ye dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein

tod de ae
tod de ae
baandh le man ko is bandhan mein

jaisa bhi hai jhhoothh se ae
ye sach achchhaa hai
jaisa bhi hai jhhoothh se ae
ye sach achchhaa hai

mangalsutra nahin ye
dhaaga sachchaa hai
kachche dhaage se bandh jaaye
tu itni majboor nahin
tod de tu is bandhan ko
tod de ae
tod de ae

is dhaage mein bandhi
hazaaron qasmein hain ae ae ae
is dhaage mein bandhi
hazaaron qasmein hain
toot nahin sakti ye
jag ki rasmein hain

tujhpar log hanse
taane den
kya tujhko manzoor hai ye
baandh le man ko is bandhan mein
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein

tod de ae
tod de ae

byaah nahin ye dhokha hai
par ab kya ho saktaa hai
mujhko kuchh bhi yaad nahin

phir bhi tu aazaad nahin
ye sab kisne dekhaa hai
saakshi bhaagya ki rekha hai
ye rekha mit sakti hai
kisme itni shakti hai
kaun hai tu
kaun hai tu
kya tera hai
teraa jeevan mera hai
main teri na maanoongi
tujhe main bujhdil jaanoongi
hunh
ha ha ha ha ha
is dukh se dil choor hai ye
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein

—————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
तोड़ दे ए
तोड़ दे ए
तोड़ दे तू इस बंधन को
तोड़ दे तू इस बंधन को
ये फ़र्ज़ नहीं
दस्तूर नहीं
तोड़ दे तू इस बंधन को
ये फ़र्ज़ नहीं
दस्तूर नहीं
तेरी मांग में लगा है जो
इक दाग़ है वो
सिन्दूर नहीं
तोड़ दे तू इस बंधन को
बाँध ले
बाँध ले ए
बाँध ले मन को इस बंधन में
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में

तोड़ दे ए
तोड़ दे ए
बाँध ले मन को इस बंधन में

जैसा भी है झूठ से ए
ये सच अच्छा है
जैसा भी है झूठ से ए
ये सच अच्छा है

मंगलसूत्र नहीं ये
धागा कच्चा है
कच्चे धागे से बंध जाए
तू इतनी मजबूर नहीं
तोड़ दे तू इस बंधन को
तोड़ दे ए
तोड़ दे ए

इस धागे में बंधी
हज़ारों कसमें है ए ए ए
इस धागे में बंधी
हज़ारों कसमें है
टूट नहीं सकती ये
जग की रस्में है

तुझपर लोग हँसे
ताने दे
क्या तुझको मंज़ूर है ये
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में

तोड़ दे ए
तोड़ दे ए

ब्याह नहीं ये धोखा है
पर अब क्या हो सकता है
मुझको कुछ भी याद नहीं

फिर भी तू आज़ाद नहीं
ये सब किसने देखा है
साक्षी भाग्य की रेखा है
ये रेखा मिट सकती है
किसमे इतनी शक्ति है
कौन है तू
कौन है तू
क्या तेरा है
तेरा जीवन मेरा है
मैं तेरी ना मानूंगी
तुझे मैं बुझदिल जानूंगी
हुंह
हा हा हा हा हा
इस दुःख से दिल चूर है ये
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4258 Post No. : 15480

———————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 11
———————————————————————————

‘Satyam Shivam Sundaram’ (1978) was directed by Raj Kapoor for his home production RK Films, Bombay. He dedicated this movie to his beloved friend singer Mukeshchandra whom we fondly know as Mukesh.

The cast of the film includes Kanhaiyalal, AK Hangal, David, Hari Shivdasani, Leela Chitnis, Sheetal, Baby Padmini, Baby Komal, Tun Tun, Vishwa Mehra, Mansaram, Pardesi, Shriram Shastry, Nandini, Mona, Seema, Mani, Yasmin, Bina, Subroto Mahapatra and Javed Khan.

The story of this movie was written by Jainendra Jain. Radhu Karmakar was the Director of Photography. Raj Kapoor who produced and directed this movie was also the editor of this movie.

HFGK lists nine songs and one dialogue track released on records of this movie. The total nine songs are including of their parts and the title song is mentioned to be in four parts. There are two more songs (the ‘aarti’ and ‘shlokas’ with the titles, and ‘’Yashomati maiyya se boley…’) in the movie having two parts. Narendra Sharma, Anand Bakshi and Vithhal Bhai Patel wrote the songs for this movie. Music for this movie was composed by Laxmikant-Pyarelal. Lata Mangeshkar, Manna Dey, Bhupinder, Mukesh, and Nitin Mukesh who debuted as a singer in this movie had given their voices to the songs in this movie.

This movie was passed by Censor Board on 22.03.1978 with restricted viewing certificate.

Three songs from ‘Satyam Shivam Sundaram-1978’ posted on the blog earlier are as follows;

Song  Posted On
 Yashomati maiyya se boley Nandlala  07.09. 2008
 Satyam Shivam Sundaram  15.03.2010
 Suni jo unke aane ki aahat …  11.02.2020

I watched this movie much later in nineties (I think so). However, I remember, in my childhood, the two songs from this movie were very much popular viz. the title song “Satyam Shivam Sundaram“and “Yashomati maiyya se boley Nandlala” as they were frequently played on loud speakers and radio. The title song was also the most favorite number of almost all ‘orchestras’ which used to play it during ‘Ganesh Festival’ or other festival programs. However, I didn’t like both these songs then.

Rather I very much like the song “Chanchal Sheetal Nirmal Komal” and the song being presented today, maybe I heard them on radio during those years. Later on, when I bought the album of this movie (an audio cassette in late eighties) the song “Suni Jo Unke Aane Ki Aahat” also become my favorite song from this movie with all other songs.

When I checked the ‘annual Binaca Geetmala’ for the year ‘1978’ I found ‘Yashomati maiyya se…’ (as expected), at number seven and the song was, surprisingly for me, not the title song of the movie but it was “Chanchal Sheetal Nirmal Komal” ranking at number twenty-four of the list.

Well coming back to the ‘Blog ten-year challenge’ today we have two songs posted on this day ten years back as follows;

 Song  Movie title-Year  Remarks
 Satyam Shivam Sundaram  Satyam Shivam Sundaram (1978)  03 of 09 songs posted
 Hai isi mein pyaar ki aabroo  Anpadh (1962)  All Songs posted on the

Blog

As one of the movies i.e. ‘Anpadh’ (1962) is already ‘Yippeeee éd’ on the blog we have ‘Satyam Shivam Sundaram’ to be represented with a song on the blog today. The song I have selected today was noted long time back and was pending for posting. It is sung by Lata Mangeshkar and Bhupendra. I like this song very much and particularly for those few lines sung by Bhupendra Singh which makes this song very very special of course with great singing by Lata Mangeshkar and so greatly composed by Laxmikant-Pyarelal to the beautiful lyrics by Vithhal Bhai Patel.

Let us enjoy this wonderful song now …

(Note: – In the movie, this song appears in two parts. The video of the second part is not available now however full audio of this song is available).

Video (Partial)

Audio (Complete)

Song – Sainyaan Nikas Gaye Main Naa Ladi Thi (Satyam Shivam Sundaram)(1978) Singers – Lata Mangeshkar, Bhupendra, Lyrics – Vithalbhai Patel, MD – Laxmikant Pyarelal

Lyrics (Based on audio link)

rangmahal ke dus darwaaze
rangmahal ke..ae dus darwaaze
naa jaane kaun si khidki khuli thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi
sar ko jhukaaye..ae main to
chupke khadi thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye..ae
main naa ladi thhi

piyaa..aa..aa
kaun gali gaye shyaam
piyaa..aa..aa
kaun gali gaye shyaam
mori sudh naa leenhi haaye raam
piyaa..aa..aa
kaun gali gaye shyaam

ang mere gehne
pyaasi umariyaa
ang mere gehne
pyaasi umariyaa
jogan ho gayee
main bin sanwariyaa
haathon mein mere ae
mehndi rachi thhi
mehndi mein mere
ansuwan ki ladi thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi

aa aa aa
aa aa aa

chhod piyaa ghar
nehar jaaoon
chhod piyaa ghar
nehar jaaoon
kaun dehri
ab sees jhukaaoon
kar singaar main
dulhan bani thhi
aisi dulhan se
kunwaari bhali thi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

रंगमहल के दस दरवाज़े
रंगमहल के ए दस दरवाज़े
ना जाने कौन सी खिड़की खुली थी ई
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सर को झुकाए॰॰ए मैं तो
चुपके खड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए॰॰ए
मैं ना लड़ी थी

पिया॰॰आ॰॰आ
कौन गली गए श्याम
पिया॰॰आ॰॰आ
कौन गली गए श्याम
मोरी सुध ना लीन्ही हाए राम
पिया॰॰आ॰॰आ
कौन गली गए श्याम

अंग मेरे गहने
प्यासी उमरिया
अंग मेरे गहने
प्यासी उमरिया
जोगन हो गयी
मैं बिन सांवरिया
हाथों में मेरे॰॰ए
मेहंदी रची थी
मेहंदी में मेरे
अंसुवन कि लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी

आ आ आ
आ आ आ

छोड़ पिया घर
नैहर जाऊं
छोड़ पिया घर
नैहर जाऊं
कौन देहरी
अब सीस झुकाऊँ
कर सिंगार मैं
दुल्हन बनी ई थी
ऐसी दुल्हन से
कुंवारी भली थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4225 Post No. : 15430

11th february is the remembrance day of Pt Narendra Sharma (28 February 1913 – 11 February 1989) .

Present day HFM lovers have no idea about the contributions of Pt Narendra Sharma if they just go by the wikipedia entry on him. The person writing his wikipedia entry has no clue about Pt Narendra Sharma.

Pt Narendra Sharma was a renowned poet who wrote poetry in Hindi and Urdu. Lata Mangeshkar used to read his poerty and sing them on Radio before she became a playback singer. Here is how she described her association with Pt Narendra Sharma:

“I used to call him ‘Papa’. The first time, I met Papa (Pandit Narendra Sharma) it was at Master Vinayak’s residence. He was accompanied by the eminent litterateur Amritlal Nagar. He asked me to sing for him. During those days, I didn’t need a second invitation to sing. I’d burst into a song whenever I was asked. He was a learned man. I’d spend hours listening to him. In 1968, when I recorded the Bhagavat Gita, Papa came home to congratulate me. I was anxious about my Sanskrit pronunciation. Papa assured me I had done a good job. Papa stayed in Khar. I’d visit his home. My ties with him and his family were very strong. His 3 daughters were my age. I’d carry extra clothes to his home and stay overnight. His daughters and I would do dhamaal all night. His wife though Gujarati, adopted the Uttar Pradesh culture after marriage, because Papa was from UP. I never heard him saying a bad word about anyone. I met Harivanshrai Bachchan Saab at Papa’s place. They called each other ‘Bandhu’. I don’t think I was so close to anyone outside the family. I discussed all my problems with Papa. He called me daughter but always addressed me as ‘Lataji’. I objected to that. But he persisted. When he died of a heart attack, I was heartbroken. No one could take his place.”

He was a lyricist in Hindi movies. HFM is repletre with lyrics containing Urdu words. Pt Narendra Sharma would mostly write songs conttaining Sarskritised Hindi. And he proved that one can write immortal songs in pure Hindi. Take the example of the immortal bhajan from “Bhaabhi Ki Choodiyaan”(1962).

This song, Jyoti kalash chhalke was covered in the blog within a few weeks after this blog was started. There were visitors of this blog who logged on to this blog daily just to listen to this song. There was one grandmom who one day complained that the song has been taken off and that she is no longer able to make her young grand daughter listen to this bhajan- a practice that she was following without fail every morning !

I put on this song every day for my baby grand-daughter…and today it says the video has been removed by the user….could you reinstate it please? It’e been so lovely to hear it…along with the lyrics…I learnt the song from your blogpost!

This song has so many heartwarming comments in the blog. One of these comments is from Mrs Lavanya Shah, the daughter of Pt Narendra Sharma !

How many of us know that Vividh Bharati, the musical channel of Akashwani, was started by Pt Narendra Sharma ! When Government of India decided to have a music channel, Pt Narendra Sharma was hired as Chief Producer to start this project. He conceptualised and executed this project. “Vividh Bharati” , a name that he thought of, started its broadcast on 2 october 1957 from Bombay. The very first song that was played on this brand new Radio station was “Naach Mayura Naach”. It was sung by Manna Dey, penned by Pt Narendra Sharma and composed by Anil Biswas.

Many of the programmes that we still listen to today on Vividh Bharati were stated during those early days and they were the brainchild of Pt Narendra Sharma himself ! For instance “Hawa Mahal” is being broadcast on Vividh Bharati right from its beginning.

A programme for fauzi bhais, called Jaimala was started in Vividh Bharati on evenings in 1962, in the wake of China war. On saturday evening, this programme would be presented by a celebrity. This vishesh jaimala is one of the most popular programmes on Radio.

When Asian games were held in New Delhi in 1982, it was Pt Narendra Sharma who wrote the theme song-“swaagatam suswaagatam”. This song has now become a standard song to be played during official functions, such as Republic day etc.

On the occasion of the remembrance day of this remarkable artist, we pay our tributes to him by covering a song from “Satyam Shivam Sundaram”(1978). This song is sung by Lata and chorus. Pt Narendra Sharma is the lyricist. Music is composed by Laxmikant Pyarelal.

The song, a welcome song, is lipsynced by Zeenat Aman and others.

Lyrics of this song were sent to me by Avinash Scrapwala. For a change for Pt Narendra Sharma, the lyrics of this song contains mostly Urdu words. The song sounds just as sweet as most songs penned by him.


Song-Suni jo unke aane ki aahat gareebkhaana sajaaya hamne (Satyam Shivam Sundaram)(1978) Singer-Lata, Lyrics-Pt Narendra Sharma, MD-Laxmikant Pyarelal
Chorus

Lyrics (Provided by Avinash Scrapwala)

O o o o o o
Ho o o o o o
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne

Aa aa aa aa
Aa aa aa aa aa aa
Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne
Qadam mubaarak hamaare dar pe
Naseeb apnaa jagaayaa hamne
Qadam mubaarak hamaare dar pe
Naseeb apanaa jagaayaa hamne

Huyee hai aamad khushaamadeedam
Huyee hai aamad khushaamadeedam
Ye kehnaa dil ko sikhaayaa hamne
Khile hain aashaa ke phool man mein
Ye raaz unse chhupaayaa hamne
Khile hain aashaa ke phool man mein
Ye raaz unse chhupaayaa hamne

Wo apne netaa ham unki janataa
Wo apne netaa ham unki janataa
Hameshaa naataa nibhaayaa hamne
Ye teri rehmat aye mere maalik
Gumaan nahin thhaa wo paayaa hamne
Ye teri rahamat aye mere maalik
Gumaan nahi thaa wo paayaa hamne

Unhe jo dekhaa jhukaa lin aankhen
Adab se ehsaan uthaayaa hamne
Unhe jo dekhaa jhukaa lin aankhen
Adab se ehsaan uthaayaa hamane

Suni jo unke aane ki aahat
Gareebkhaanaa sajaayaa hamne

———————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————————

ओ ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने

आ आ आ आ
आ आ आ आ आ आ
सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने
क़दम मुबारक हमारे दर पे
नसीब अपना जगाया हमने
क़दम मुबारक हमारे दर पे
नसीब अपना जगाया हमने

हुयी है आमद खुशामदिदम
हुयी है आमद खुशामदिदम
ये कहना दिल को सिखाया हमने
खिले है आशा के फूल मन में
ये राज़ उनसे छुपाया हमने
खिले है आशा के फूल मन में
ये राज़ उनसे छुपाया हमने

वो अपने नेता हम उनकी जनता
वो अपने नेता हम उनकी जनता
हमेशा नाता निभाया हमने
ये तेरी रहमत अये मेरे मालिक
गुमान नहीं था वो पाया हमने
ये तेरी रहमत अये मेरे मालिक
गुमान नहीं था वो पाया हमने

उन्हें जो देखा झुका ली आँखें
अदब से एहसान उठाया हमने
उन्हें जो देखा झुका ली आँखें
अदब से एहसान उठाया हमने

सुनी जो उनके आने की आहट
ग़रीबखाना सजाया हमने


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4210 Post No. : 15407

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 5
——————————————————————————

Welcome all to this post, where, under the ‘Blog ten-year challenge’, we have another movie which has completed a ‘decade’ on the blog with only one of its song posted on the blog.

This movie is ‘Prem Bandhan-1978’*. And the song ‘main tere pyaar mein paagal’ from this movie was posted on the blog exactly ten years back i.e. on 27.01.2010.

Two more songs were posted on that day and the three songs posted that day were as given below;

Song Movie title-Year Remarks
Door papeeha bola raat aadhi rah gayi Gajre-1948
Husn bhi hai udaas udaas Fareb-1953
Main tere pyaar mein paagal Prem Bandhan-1978

Browsing other songs from ‘Prem Bandhan-1978’ it is clear that only the above-mentioned song of this movie was the most popular song from this movie. It ranked at number 14 in the ‘annual list’ of ‘Binaca Geetmala’ of the year ‘1979’. Since the movie was passed by the Censor Board on 26.12.1978 it must have been released in theatres in around year end 1978 or around first week of January’1979 I guess.

The title song from ‘Ankhiyon Ke Jharokhon Se-1978’ topped the annual list of ‘Binaca Geetmala’ of that year followed by ‘aadmi musaafir hai’ from ‘Apnaapan-1977’.

The other movies released in 1978 and where music was composed by Laxmikant-Pyarelal are as given below;

SNo Movie Passed by Censor Board on
01 Aahuti 25.04.1978
02 Amar Shakti 16.09.1978
03 Badalte Rishtey 03.11.1978
04 Chakravyuha 22.07.1978
05 Daakoo Aur Jawaan 22.11.1978
06 Dil Aur Deewaar 08.09.1978
07 Kaalaa Aadmi 23.02.1978
08 Main Tulsi Tere Aangan Ki 14.07.1978
09 Phaansi 04.03.1978
10 Phool Khile Hain Gulshan Gulshan 04.09.1978
11 Prem Bandhan 26.12.1978
12 Saawan Ke Geet 16.02.1978
13 Satyam Shivam Sundaram 22.03.1978

Songs from ‘Satyam Shivam Sundaram’(two songs), ‘Phaansi’(one song), ‘Main Tulsi Tere Aangan Ki’(two songs) made it to the annual list of ‘Binaca Geetmala-1978’.

Coming back to today’s movie, ‘Prem Bandhan-1978’ was directed by Ramanand Sagar for ‘Gouri Films Pvt. Ltd, Bombay’. It was produced by R.R. Nanda. It had Rajesh Khanna, Rekha, Moushami Chatterjee, Vikram, Keshto Mukherjee, Prema Narayan, A.K. Hangal, Lalita Pawar, Helen with Sheetal, Janki Dass, Bhagwan, Gopi Krishna, Mumtaz Begam, Birbal, V. Suri, Brahm Bharadwaj, Satyadev Dubey, Bhakatani, Surinder Bhatia, Manmauji, Ramlal, Kanwar Sarhadi, Dr. Jayant Abhyankar, Narbada Shankar, Chandru Atma, Sunder Taneja, Ram Avtar, Javed Khan.

This movie introduced Rippy Singh, Arvind Trivedi and Madhu Shah. Story of this movie was written by Suhridkar.

The screenplay was written by Ramanand Sagar, Satish Bhatnagar, Suhridkar. Satish Bhatnagar also wrote the dialogues of this movie. Editing of this movie was done by Lachmandass while C.L. Kavish wrote the script of this movie.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

HFGK Vol-V (1971-1980) lists total six number of songs in this movie. The voices of Lata Mangeshkar, Kishore Kumar, Asha Bhosle, Mahendra Kapoor, Manna Dey and Chandru Atma were used for the songs in this movie).
(HFGK Vol V mentions the voice of Pankaj in today’s song however in the movie credits his name is not appearing among the list of Singers).

This movie was passed by Censor Board on 26.12.1978.

Only one song from this movie has been posted earlier and the today’s song is the second song from this movie to be posted on the blog.

Today’s song is sung by Pankaj, Asha Bhonsle, and Kishore Kumar. Rajesh Khanna and Rekha are lip syncing in the voices of Kishore Kumar and Asha Bhonsle respectively. Prema Narayan and many others are also seen in the picturization of this song.

The song is interesting and nice to listen to and watch. (I think if the video of the full song would have been available it would have been more enjoyable to watch. None the less we can still listen and enjoy this beautiful composition).

As mentioned above I could not locate the full video of this song. However, the audio of the full song is available and the lyrics are noted as per the audio link of this song. I guess that this song was also edited in the movie or maybe it is edited in the online version of this movie.

I have not watched this movie and I would request knowledgeable readers to throw more light on the movie and its songs …

This song is also a nice one and I am sure readers will also like this song like me.
Let us now enjoy the today’s song …

Audio (Full)

Video (Partial)

Song-Hoti hai kisi se jab preet (Prem Bandhan)(1978) Singers- Pankaj, Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Asha Bhonsle+Kishore Kumar
Chorus
Male chorus
Female Chorus

Lyrics

Hoti hai kisi se ae jab preet
Janam leta hai ae koi nayaa geet

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Didhim naatim didhim naatim
didhim naatim
Daiyya

(Haiyya haiyya
Haiyya ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Ho o o o o o naiyya ka maanjhi
Maanjhi ki naiyya

(Haiyya haiyya
Ho ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hain koi nayaa geet
Jise gaate hai galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ghar mein gali mein ae ae ae ae ae ae
jee nahin lagtaa
Jee nahin lagtaa
Achchha buraa kuchh nahin lagtaa
Jee nahin lagtaa
Oye
Jee nahin lagtaa
Kuchh iska kaaran
Hota hai saajan
Kaahe lete hai
Kaahe lete hai jogi jog
Rama

Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Aa haa aa aa

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Ho ho ho o o o o o

Aa

Ho ho ho o
Ho ho ho ho o

Aa
Aa

Ho ho ho o
Ho ho ho ho o

Aa haa

Ho ho ho o
Ho ho ho ho o

Aa haa

Jaane kahaan se chalti hai dhaaraa
Jaane kahaan se chalti hai dhaaraa
O ho o o
Jaane kahaan se chalti hai dhaaraa
Jaane kahaan milta hai kinaaraa
Kab kaise dekho do premiyon ko
O o o o

Milaa dete hain
Milaa dete hain ye sanjog
Ramaa
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Sach kehti hai duiyaa ye saari
Sach kehti hai duiyaa ye saari
Ye preet aisi ek chingaari
Ye preet aisi ek chingaari
Lagti nahin ye
Bujhti nahin ye
Jal jaate hai
Jal jaate hain isme log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog
Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Lagtaa hain ae ae ae ae
O lagtaa aa aa aa aa
Rog
Lagtaa hai ae ae
Ishq ka aa aa aa rog
Ho ishq ka rog
Rama aa haan aa
Ho o Rama
Ho o Rama


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4142 Post No. : 15305

———————————————–——————————-
Blog 10-Year Challenge (2009-19) – Song No. 51
——————————————————————————
Songs from following movies were covered in the blog ten years ago on 20th November’2009 (in descending order);

Song Movie title-Year Remarks
Meri saanson ko jo mahka rahi hai Badalte Rishtey-1978 03 of 05 songs posted
Tere naam ka deewaana tere ghar ko dhoondhta hai Suraj Aur Chandaa-1973 04 of 06 songs posted
Chale bajaa ke seeti jeewan ki raahon mein Zamaanaa-1957 03 of 07 songs posted
Sainyya dekh dekh dekh main hoon laakhon mein ek Police Detective-1960 03 of 06 songs posted

As we can see from above details none of the movies represented on the blog on 20.11.2009 have achieved Yippeeee’ed status so far.

I am today presenting a song from from the movie ‘Badalte Rishtey-1978’, which, as is my wont is from the seventies.

I have vague recollections of watching this movie with my parents and brothers. I must be around eleven years then. I must have liked the movie and its songs. That is why I never forgot its ‘title song’ and couple of ohter songs. When I started collecting cassettes for my music library in 1985-86, I was on the look out for the songs of this movie. Later on, I got them into my collection.

In cassette it came in combination with the songs of ‘Doosra Aadmi-1977’ when I bought it in 1997.

The songs I like most from ‘Badalte Rishtey’ includes the title song and the song ‘meri saanson ko jo …’
Another song that I liked a lot is the song being represented today.

I remember this song very well but I had forgotten that this song had Rishi Kapoor performing it on the screen. I was under the impression that it was Jeetendra. It was only when I watched the video of this song during the preparation of this post that I realized that the song was lip synced by Rishi Kapoor, while Jeetendra and Reena Roy are also present in the picturisation of this song.

I remember this movie being well appreciated and it was a good ‘entertainer’.

“Badaltey Rishtey-1978” was directed by R. Jhalani for ‘Vijayshree Pictures, Bombay’. Sudesh Kumar was the producer of this movie while it was presented by Gobindram Ahuja.

It had Jeetendra, Rishi Kapoor, Reena Roy, Asrani, A.K. Hangal, Pinchu Kapoor, Shubha Khote, Urmila Bhatt, Dina Pathak, Master Raju, Onkar, Madan Joshi, Pardesi, Raja Duggal, Makhan Singh, Chander Dhani, Mrs.Kaushal, Kheura, many others and the members of the ‘Himachal Skiing Club, Simla’.

The movie introduced Shashi Bala Saxena and Rachna Bhatt. Its dialogues were written by Madan Joshi. Editing of this movie was done by B. Prasad. Diljit Singh Bugge was the Chief Assistant Director of this movie.

Story of this movie was written by Mahendra Sarai and screenplay was written by Phani Majumdar.

This movie had total five songs in it. Lyrics for all the five songs were penned by Anjaan and music was composed by Laxmikant-Pyarelal.

Anuradha Paudwal, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Mohd Rafi and Suman Kalyanpur had given their voices to the songs in this movie.

Three songs from this movie have been posted on the blog as given below;

Song Posted on
Na jaane kaise pal mein badal jaate hain 19.11.2008
Meri saanson ko jo mahka rahi hai 20.11.2009
Tum chaahe hamko pasand na karo 01.06.2019

Today’s song is the fourth song from this movie to appear on the blog.

Though the title song of this movie was quite popular, other songs too were quite nice, hummable and popular. However, only the title from this movie make it to the annual Binaca Geetmala list of the year 1979, and it ranked on number four that year.

This movie was passed by Censor Board on 03.11.1978.

Let us now enjoy this beautiful song in Rafi Saab’s voice, and Rishi Kapoor (at his best in such situations 🙂 ) lipsyncing in an accusing tone for his lost love and pretending to sacrifice his love to save many from destroying their lives. 🙂

He befriends Jeetendra specifically so that he could sow seeds of ‘nafrat’ in Reena Roy’s mind about him who otherwise was not able to forgot her past life when she was in love with Rishi Kapoor.
Lots of twists and turns, but we only come to know about him when Asrani discloses his reality towards the end of the movie.

Video

Audio

Song-Wo wo na rahe jinke liye ham thhe beqaraar (Badalte Rishtey)(1978) Singer-Rafi, Lyrics – Anjaan, Music – Laxmikant-Pyarelal

Lyrics

Wo wo naa rahe
Jinke liye ae ham thhe beqaraar
Wo wo naa rahe
Jinke liye ae ham thhe beqaraar
Ab kiskaa intezaar
Aji kaisa intezaar
Wo wo naa rahe
Jinke liye ae ham thhe beqaraar
Wo wo naa rahe

Hona thha jo huaa jo huaa
Kya buraa huaa aa aa aa
Hona thha jo huaa jo huaa
Kya aa buraa huaa aa
Kya buraa huaa aa
Achchha hi huaa
Toot gaya jhoothha aitbaar
Ab kiskaa intezaar
Aji kaisa intezaar
Wo wo naa rahe
Jinke liye ham thhe beqaraar
Wo wo naa rahe

Ik phool tootne se to
Ujdaa nahin chaman n n
Ik phool tootne se to
Ujdaa nahin chaman n
Ujdaa nahin chaman n
Gulshan mein aur bhi hain
Haseen phool beshumaar
Ab kiskaa intezaar
Aji kaisa intezaar
Wo wo naa rahe
Jinke liye ham thhe beqaraar
Wo wo naa rahe ae

Nakaamyaab ishq sahi
Zindagi ee nahin
Ee ee ee
Nakaamyaab ishq sahi
Zindagi nahin ee
Zindagi nahin ee
Hai zindagi to
Aur milenge hazaar yaar
Ab kiskaa intezaar
Aji kaisa intezaar
Wo wo naa rahe
Jinke liye ham thhe beqaraar
Wo wo naa rahe

——————————————————–

Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————
वो वो ना रहे
जिनके लिए ए हम थे बेक़रार
वो वो ना रहे
जिनके लिए ए हम थे बेक़रार
अब किसका इंतज़ार
अजी कैसा इंतज़ार
वो वो ना रहे
जिनके लिए ए हम थे बेक़रार
वो वो ना रहे

होना था जो हुआ जो हुआ
क्या बुरा हुआ
आ आ आ आ आ
होना था जो हुआ जो हुआ
क्या आ बुरा हुआ
क्या बुरा हुआ आ
अच्छा ही हुआ
टूट गया झूठा ऐतबार
अब किसका इंतज़ार
अजी कैसा इंतज़ार
वो वो ना रहे
जिनके लिए ए हम थे बेक़रार
वो वो ना रहे

इक फूल टूटने से तो
उजड़ा नहीं चमन
इक फूल टूटने से तो
उजड़ा नहीं चमन
उजड़ा नहीं चमन
गुलशन में और भी है
हसींन फूल बेशुमार
अब किसका इंतज़ार
अजी कैसा इंतज़ार
वो वो ना रहे
जिनके लिए ए हम थे बेक़रार
वो वो ना रहे

नाकामयाब इश्क सही
ज़िन्दगी ई नहीं
ई ई ई ई
नाकामयाब इश्क सही
ज़िन्दगी नहीं ई
ज़िन्दगी नहीं ई
है ज़िन्दगी तो
और मिलेंगे हज़ार यार
अब किसका इंतज़ार
अजी कैसा इंतज़ार
वो वो ना रहे
जिनके लिए ए हम थे बेक़रार
वो वो ना रहे


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4141 Post No. : 15304

Hullo Atuldom

The song with this post is a walk down memory lane for me. I had seen this movie with my dad in the movie hall and subsequently he had purchased the cassette of its songs too. The songs from this album along with those of “Yaraana”, “Qurbaani” and “Sholay” used to be played constantly on holidays and I had learnt all the songs from these ‘by heart’ prompting the elders in the family to comment that if I had shown similar passion in studies I would have been a topper, not that I was a bad student but I used to top only in mathematics and was reasonably good at all other extra or co-curricular activities.

But that is not the subject of this post.

The subject of this post is Zeenat Aman. It is her birthday today and I would like to present this song to emphasise on how stylish she was.
The song is from the 1978 release “Heeralal Pannalal” about which Atulji has written a very interesting post with this song .

“Heeralal Pannalal” made its debut on the blog with the Pancham- Asha Bhonsle duet on the occasion of Amjad Khans’ birthday. The next song posted for Premnath’s birthday was the second version of the first song posted. It was treated as two posts as the lyrics were different and RD had given entirely different look to them. The movie has six songs and the fourth came on the blog for Shashi Kapoor’s birthday and the fifth one is here for Zeenat’s birthday. I think we should rename this movie as Birthday Special. Whatsay?

The songs were the handiwork of Majrooh and R D Burman. Today’s song is a stage song. The song happens as the two innocent and kind hearted heroes are trying to run away from some goons and land up (drop on would be more correct) on the stage as the heroines are awaiting the arrival of two professional dancers to help them in some inter college competition. The professionals walk-in just as song is coming to a close. This is the first time that the couples meet.

Let us pray for the speedy recovery of Lata Mangeshkar who sings today’s song with Asha, Bupinder and Kishore Kumar.
Happy Birthday to you Zeenie a.k.a Zeenat Aman.

Audio

Video

Song-Kahiye kahaan se aana hua (Heeralal Pannalal)(1978) Singers-Kishore Kumar, Lata, Bhupinder Singh, Asha Bhonsle,Lyrics-Majrooh Sultanpuri, MD-R D Burman
Kishore Kumar + Bhupinder Singh
Lata + Asha Bhonsle
All

Lyrics

Hae ae kahiye kahaan se aana hua
chehra toh hai pehchaana hua
hae ae kahiye kahaan se aana hua
chehra toh hai pehchaana hua

ho oo sochiye nayi baat koyi
ab ye mazaak puraana hua

woh suhana milan
pyaar ki woh lagan
bhool gaye kya sanam

tarram parram parram pam
kahiye kahaan se aana hua
chehra toh hai pehchaana hua
ho o o sochiye nayi baat koyi
ab ye mazaak puraana hua

woh suhana milan
pyar ki woh lagan
bhool gaye kya sanam

yaad ab aaya re ha
aagre ki kunj galiyaan

pa ra paa, pa ra paa,
pa ra paa, pa ra paa

yaad ab aaya re haan
aagre ki kunj galiyaan

o o peechhe peechhe ladkon ki fauj
aage aage tum meri jaan

phir lage the gale tajmahal tale
bhool gaye kya sanam
tarram parram parram pam
kahiye kahaan se aana hua
chehra toh hai pehchaana hua

sochiye nayi baat koyi
ab ye mazaak purana hua

aaine me kabhi, dekh lete chhavi
bhool gaye kya sanam

waa waa waa waa waa waa
waa waa waa waa waa waa
waa waa waa waa waa waa

yaad hai saawan ki rumjhum
jab thhe mere pyaar mein gum
pa ra paa, pa ra paa,
pa ra paa, pa ra paa

yaad hai saawan ki rumjhum
jab thhe mere pyaar me gum
maar ke thokar apnon ko
ghar se bhaag liye thhe tum

phir humari chhadi, yaar kaisi padi
bhool gaye kya sanam

tarram parram parram pam
kahiye kahaan se aana hua
tara raa
chehra to hai pehchaana hua
tara raa
sochiye nayi baat koyi
ab ye mazaak puraana hua

laa la lalaa laa la
laa la lalaa laa la
laa la lalaa laa la

tarram parram parram pam
kahiye kahaan se aana hua
chehra to hai pehchaana hua

are are
ye toh asli tapak pade
kahiye kahaan se aana hua
chehra to hai pehchaana hua
aaaaaa

hu kaa hua
hu kaa hua
hu hu hu kaa hua


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4128 Post No. : 15286

hullo Atuldom

B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.

All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.

I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).

Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.


Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain

Lyrics

ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee

gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa

ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o

kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee

shaabba shabba kudiye shawa
o mundiye shaabba shabba

kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae

tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4125 Post No. : 15281

“Phool Khile Hain Gulshan Gulshan”(1978) was produced by Surinder Kapoor and directed by Sikandar Khanna for Amar Chhaaya, Bombay. The movie had Rishi Kapoor, Moushumi Chatterjee, Mithun Chakraborthy, Amjad Khan, Mala Jaggi, Ashok Kumar, Asrani, Paintal, Ranjeet, Birbal, Chandrashekhar, Dulari, Leela Mishra, Asit Sen, Shivraj, Mukri, Helen, Shree Ram Lagoo, Shobhini Singh etc in it.

The movie had six songs. One song has been covered in the past.

Today (3 November 2019) november 2019) is the 82nd birth nniversary of Laxmikant Kudalkar (3 november 1937- 25 may 1998), one half of Laxmikant Pyarelal duo.

On this occasion, here is a song from “Phool Khile Hain Gulshan Gulshan”(1978). This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is lip synced by Mausami Chatterji on screen.

Lyrics of this song were sent to me by Prakashchandra.

Audio

Video

Song-Sab khil gaye gaalon pe mere (Phool Khile Hain Gulshan Gulshan)(1978) Singer-Lata, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

ho ho
ho ho ho
oho oho ho o
o o o
o o o
o o o

main toh bagiyaa beech khadi thhi
kuchch jaagi kuchch soyee
udte udte keh gayaa mujhse
baat ye panchchi koyee
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaan kahaan aan
sab khil gaye
gaalon pe mere ae ae
ho main naa jaanoon
ye toh duniya kahey
ke teraa jawaab kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaana aan

koyee kahey main titli hoon
koyee kahey main bijlee hoon
koyee kahey main titli hoon
koyee kahey main bijlee hoon
na main titli na main bijlee
main gaaon ki chhoree
haayye rey meri
dushman bann gayee
soorat goree goree
kis kis ki hai buree nazar
main jaanoo ye hisaab
kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaan aan
ho main naa jaanoon
ye toh duniyaa kahey
ke teraa jawaab kahaan aan

log kahein meri
aankhein jaadoo
khushboo meraa badan
ho o o
log kahein meri
aankhein jaadoo
khushboo meraa badan
mujhko pataa kyaa
roop hai meraa
dekhaa kabhi na darpan
main jaanoon yaa meri jawaani
kyon koyee poochhein meri kahaani
ho kuchch jhoothh toh kahaa nahin maine ae
ho kuchch jhoothh toh kahaa nahin maine
ye baat hai kharaab kahaan aan
ho sab khil gaye gaalon pe mere
ke baagon mein gulaab kahaan aan
sab khil gaye gaalon pe mere ae ae
ho main naa jaanoon
ye toh duniyaa kahey ae
ke teraa jawaab kahaan aan


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4093 Post No. : 15237 Movie Count :

4188

Just like so many more human endeavors, wherein the concepts and philosophical models of ‘-isms’ are all so correct and convincing, and their practical implications and implementations are so faulty and distorted that the discussions about the defects and flaws, also sounds very convincing in the hindsight.

Take Communism for example. The writings of Karl Marx, Friedrich Engels and Vladimir Illych Lenin – as they write about the class struggle between the ‘haves’ and the ‘have nots’, and lucidly present their ideas on how to address this social divide, for the betterment of humanity – are so very a convincing, palpable and substantial, that it is easy to be convinced about the failings and deficiencies of the capitalist / imperialistic model of the world order, which should be replaced everywhere with the model of Communist social order. When Marx passed away in 1883, the debate on this subject was quite vigorous both amongst the elite and the working class in the countries of Europe.

Not long thereafter, the revolution of the working class came about in 1917, in Russia, under the leadership of Lenin. A new model of state and governance, and a new social order was established. The history is replete with the narrative of violence and misery that accompanied this change, but the Communist movement had come on to stay. Over the next three decades, this model of a new social order spread to other neighboring states – towards the west of the erstwhile USSR, which formed the countries in eastern European bloc and towards the South East, i.e. China.

For all the populism and the PR that was a big budget activity in the USSR, the model did not quite stick for very long. Within our own lifetimes, we have witnessed the downfall of Communism in 1980s – the so called perestroika or restructuring of the social order and government in the USSR, now Russia. The theories of the great philosophers of the late 19th century, did not quite hold on together when implemented and the rubber met the road. Although China still holds out with their powerful Communist Party supported by their strong army, the Communistic form of social order did last, albeit just for about seven decades.

A similar pageant has played out and is playing out, in India. The ‘-ism’ that is associated with Mahatma Gandhi, that Munna Bhai so endearingly likes to call ‘Gandhi-giri’ (‘Lagey Raho Munna Bhai’, 2006), has seen its prime during the early decades of the twentieth century, and its subsequent devaluation in the closing decades of the same twentieth century. I remember – in the 1980s and 90s, around the time of his birth anniversary (2nd October) every year, one was treated to editorials and articles in newspapers, and panel discussions on Doordarshan, with titles that were variations on “The Relevance of Gandhi Today”. Even then, my mind used to react that as a society, we have apparently lost Gandhi and his ideals, if now that the intelligentsia is beginning to discuss the relevance. Just so strongly underscores the fact that the question of relevance comes to fore, when the storm of doubts and disbelief is surging strong in the society. That discussion still continues.

Where and what are the fault lines? I had read his autobiography – ‘The Story of My Experiments with Truth’ way back when I was in college. I was, and honestly I still am, deeply impressed, influenced, overwhelmed by honesty and simplicity with which he has laid bare his persona and his internal turmoils, his candid admissions of his faults, expressions of his ideals and idealistic resolutions, and the strength of character to personally follow and implement those ideals in practical life. It is a frightening tale of development of a human mind from the basic animalistic existence to literally a sainthood. It goes to establish that Gandhi was no ordinary soul, and such souls appear on this planet quite rarely. Albert Einstein has so beautifully summed it up in his tribute – “Generations to come will scarce believe that such a one as this ever in flesh and blood walked upon this earth”

A time was, at the turn of the century, when the nation was seeking a simple philosophy in leadership. Here was a teacher, who did not just teach. In fact he refused to teach or direct others, for things that he himself had not practiced and not lived through himself. A hallmark of a true saint, whose existence within his own mind, and as seen by those around him, is starkly the same. My readings about the Tolstoy Farm that he established in South Africa in 1910, are such an impactful influence. And also a conviction that this soul is an honest and truthful spiritual leader, who will not lead his flock astray for personal or ideological gains.

For all his goodness and his saintly leadership of the people, his words and his teachings stand at crossroads today. The retinue of his followers diminishing over time, and bevy of protesters calling out their criticisms and insults – their tribe is incessantly increasing. Where is the fallacy? Is there an aberration that we see on the radar of history?

A lot has been written and continues to be written about him. But I really wonder how many of us are actually, really reading him. He has written extensively, and not just one book. His complete works including his articles and speeches, will form a complete section of a good size library. Many years ago, maybe more than three decades ago, I read the following in one of his articles printed in 1927 in the journal ‘Young India’. Countering all that I had read till then, and had been hearing about his philosophy of ahimsa (non-violence), here was a paragraph that stunned me with its clarity of thought and perfection of logic.

“My creed of non-violence is an extremely active force. It has no room for cowardice or even weakness. There is hope for a violent man to be someday non-violent, but there is none for a coward. I have therefore said more than once in these pages that if we do not know how to defend ourselves, our women and our places of worship by the force of suffering, i.e., nonviolence, we must, if we are men, be at least able to defend all these by fighting.”

All his life, he incessantly tried to differentiate for his followers, the distinction he made between non-violence and cowardice. In the same journal, in another article, even earlier in 1920, he writes,

“I do believe that, where there is only a choice between cowardice and violence, I would advise violence…. But I believe that non-violence is infinitely superior to violence, forgiveness is more manly than punishment. Forgiveness adorns a soldier. But abstinence is forgiveness only when there is the power to punish; it is meaningless when it pretend to proceed from a helpless creature.”

At another place, his words on this same theme are

“Where choice is set between cowardice and violence, I would advise violence. . . I prefer to use arms in defense of honor rather than remain the vile witness of dishonor. . .”

Are we, in this age and these circumstances, aware of this strong advocacy of the above distinction he makes between the oh so terribly misunderstood themes of non-violence vs cowardice? And are we teaching, nay even projecting the correct understanding of all that this great soul stood for all his life?

The generation that had spent time with him, that had experienced his influence and his aura first hand, is already relegated to history. Well, almost. The survivors of that generation are very few. In another few years, maybe a decade or so, we shall not be hearing of a Gandhian anymore. For the newer crop of followers that we see, Gandhi is more of a political crutch, and face to be put on the currency notes, nothing much more than that.

Where lies the answer to the ‘WHY’ connected with this scenario? I do not know. There are many an ill of the human tendencies and human traits that we can expound to explain. But probably the answer lies deeper – deeper inside the very constitution of this existence itself. A simple axiom that makes up the destiny of everything that we can observe. Simply put – everything decays. Ensconced in these two simple words is the terrible and profound truth that applies to everything in this universe, and to the universe itself. I will posit it from two different directions that I am aware of.

One – our scriptures. It is written in our scriptures, in the sections where the creation of this universe is described, that when He created this universe, it was perfect, in every possible way that can be thought of. But this perfection lasted for just that first instant of creation. This perfect universe started to decay in the very next instant. It is stated so, in our books. And this decay encompasses everything that is material and even non-material in existence. That is the progression of the ‘yugas’ (eras) that we are so familiar with in our scheme of the universe and its passage through time. The good shall diminish and the things will always be progressively worse.

Two – from the perspective the study of the physical nature of this universe as a subject – Physics. There is a branch of this study called Thermodynamics, which deals with the energy within a system, and all aspects related to it. This branch of physics was formalized as a subject through the research work, both physical and philosophical, of scientists in the 18th and 19th centuries – names like Count Rumford, Sadi Carnot, William Thomson, Gibbs, James Maxwell etc. Based on their works, this branch now has a set of laws called the Laws of Thermodynamics, which are time tested and form the foundations of a huge segment of physical sciences. The second of these laws has a very simple, very interesting statement, and a very profound implication for the entire universe itself. The law states that –

“The total entropy of an isolated system can never decrease over time.”

The key element to understand in this statement is ‘entropy’. Simply defined, entropy is the measure of the state of disorderliness in a physical system. Going by this law, a deduction that can be inferred immediately is that in any physical system, the disorderliness will always increase with time. To put it even more simply, and bluntly, every system will always and only, decay with time. That brings us back to a concurrence with the assertions contained in our scriptures.

And so, as with everything, the social systems will also decay with time. I am sure I do not need to explain this statement further. People with awareness of history, and also, the awareness of the experiences of a lifetime, will concur.

Truth, however, remains unchanged. In all the rigmarole of the eras and human evolution, and the transitions of history that we are aware of, the only thing that remains unchanged is the Truth. In Hindi, the word is ‘सत्य’ which comes from the root ‘सत्’. If I may draw an analogous word from the English language, it would be ‘stat’ or ‘static’, which also means – un-moving, at rest, unchanging. Truth, in this creation, and as a conceptual idea, remains static unchanged, in this tumultuous ocean of creation that is eternally in a chaos of constant change and decay.

The concept of this unchanging Truth is discussed and described quite at length in our scriptures. A basic characteristic of this Truth is that not just that it is unchanging, but it is also inert and passive. It does not DO anything. It just IS.

That thread now brings us back to the Mahatma again. Here is one person who realized quite early in life, the nature of this Truth, as is evident from the title of his autobiography – ‘The Story of My Experiments with Truth’. Understanding the passive and inactive nature of Truth, he set out on a journey to experiment with it, to understand it better. That realization, and his unflinching endeavor to pursue and investigate it, is what makes him stand out as a giant amongst men. He belongs to that list of a handful people in the history of the human civilization who have raised this query within themselves, and have encountered the answer. For that, he is a Mahatma – the extraordinary soul, and a notch above the Atma – the ordinary souls, who can be counted in millions.

The song being presented today, belongs to the 1978 film ‘Nasbandi. The period of history covered in this film is that of June 1975 to January 1977, during which Emergency was proclaimed in our country. I am not going into the politics behind this episode. Enough to say that in 1977, when the elections were held, the powers that proclaimed and benefitted from this state of emergency, lost, and a new political equation was written into history of India. The film deals with the topic of forced sterilization of menfolk, one of the key ingredients of the political battle in 1977.

The film is produced by Johar Films, and is directed by IS Johar. The name is sufficient to give an idea of what kind of a comical spoof this film is. Especially when we have IS Johar and Rajendranath playing the lead roles.

Geet Kosh lists seven songs for this film, written by Indeewar, Rajendra Krishan and Hullad Muradabaadi. This particular song is written by Indeevar and the music is composed by Kalyanji Anandji. This is a background song in the film, rendered by Kishore Kumar.

The song is a regretful complaint about the state of the nation, and a supplication to the Mahatma – as to the social and political conditions prevailing. That the dream of a disciplined and amiable social edifice that the Mahatama had envisioned, was in shambles. The instances of regrets are many, and the passing years and decades, have only added to them. None of them have been is taken away.

And that brings us back to the thread of the continuous decay, everywhere.

The philosophies and the visions of great men are like beacons of light in the thick fog of chaos and uncertainty that this universe, this existence is. And that existence is steadily moving towards more chaos, more uncertainty. That is the nature of existence itself. These great men – Nanak, Buddha, Abraham, Moses Prophet Mohammed, Christ, Socrates, Gandhi, Zoroaster, Kabeer, and many more – have been the extraordinary souls that have realized the Truth of this existence. Their messages to the humankind are an effort to make more of us ordinary souls understand this path, and its goal. But this world is what it is. Despite that so many extraordinary souls have visited and tried to spread this message. Or maybe, we can say that this world is what it is today, because of these enlightened souls – it would have been even a worse present, had these men not visited this earth.

O Gandhi, the vision of society that you shared with us, lies unread in books no one reads anymore, in libraries that no one visits any more.

And thieves have stolen the ‘बकरी’ (goat) whose milk had nourished your soul.

Song – Gandhi Tere Desh Mein Ye Kaisa Atyachaar  (Nasbandi) (1978) Singers – Kishore Kumar, Lyrics – Indeewar, MD – Kalyanji Anand ji
Chorus
Kishore Kumar + Chorus

Lyrics

janta ki awaaz hai ye
sun le o bapu gandhi
ye kaisa hahaakaar desh mein
ye kaisi aag ki aandhi

kahaan gayi wo teri ahinsa. . .
kahaan gayi wo teri ahinsa
kahaan gaya wo pyaar
gandhi tere desh mein
ye kaisa atyaachaar
bapu tere desh mein
ye kaisa atyaachaar
ek bharat mein ban gaye
jalianwaale baagh hazaar
gandhi tere desh mein
ye kaisa atyaachaar
bapu tere desh mein
ye kaisa atyaachaar

tu ne jab awaaz lagaai..ee..ee
saara hindustan utha
saara hindustan utha
angrezon ke dil bhi dehle..ea..ea
aisa ik toofaan utha
aisa ik toofaan utha
khushi khushi tere kehne par
bharatwaasi jail gaye
seene par goli jhel gaye
apne praanon par khel gaye
apne praanon par khel gaye
naam pe tere par laakhon jawaan
duniya ke sab sukh bhool gaye
dulhan ka ghunghat bin khole hi
phaansi par jhool gaye
phaansi pe wo jhool gaye
tu swaraaj le aaya. . .
tu swaraaj le aaya
hum to phir bhi rahe lachaar
gandhi tere desh mein
ye kaisa atyaachaar
bapu tere desh mein
ye kaisa atyaachaar

azaadi ki jung ladaa tha
isi liye kya hindostan
isi liye kya hindostan
arey nyaye maangne nyayaalay mein
ja na sakey koi insaan
ja na sakey koi insaan
kitne hi nirdosh yahaan
misa ke andar band huye
andhe kuen mein kitne hi
azaad samandar band huye
azaad samandar band huye
ismat loota karte hain jo
ban kar raaj ke pehredaar
apni satta rakhne ko jo
chheene janta ke adhikar
chheene janta ke adhikar
gandhi tere desh mein
ye kaisa atyaachaar
bapu tere desh mein
ye kaisa atyaachaar

dekhi kahin kalam-bandi
dekhi kahin zubaan-bandi
dekhi kahin zubaan-bandi
darr ki hukumat har dil par bhi
saara hindostan bandi
saara hindostan bandi
nasbandi ke naam pe zulm huye
wo dukhion deenon par
lagta tha latka ho jaise
prajatantr sangeenon par
prajatantr sangeenon par
prajatantr sangeenon par
turkmaan wo gate aasmaan
toota jahaan zameenon par
chala diye bulldozer jab
bebas logon ke seenon par
bebas logon ke seenon par
bebas logon ke seenon par
apnon ke haathon hi..ee..ee..ee
apnon ke haathon apnon pe
goli ki bauchhaar
gandhi tere desh mein
ye kaisa atyaachaar
bapu tere desh mein
ye kaisa atyaachaar

saare desh par zulmon sitam ke
ghor andhere jab chhaaye
ghor andhere jab chhaaye
tab prakash ki kirnen le kar
jai prakash aage aaye
jai prakash aage aaye
gandhi tere naam ki
ab hogi jai jaikaar
gandhi tere name ki
ab hogi jai jaikaar
arey jo bhi hukumat zulm karegi
uski hogi haar
jo bhi hukumat zulm karegi
uski hogi haar

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जनता की आवाज़ है ये
सुन ले ओ बापू गांधी
ये कैसा हाहाकार देश में
ये कैसी आग की आँधी
कहाँ गई वो तेरी अहिंसा॰ ॰ ॰
कहाँ गई वो तेरी अहिंसा
कहाँ गया वो प्यार
गांधी तेरे देश में
ये कैसा अत्याचार
बापू तेरे देश में
ये कैसा अत्याचार
एक भारत में बन गए
जालियाँवाले बाग हज़ार
गांधी तेरे देश में
ये कैसा अत्याचार
बापू तेरे देश में
ये कैसा अत्याचार

तूने जब आवाज़ लगाई
सारा हिन्दोस्तान उठा
सारा हिन्दोस्तान उठा
अंग्रेजों के दिल भी दहले
ऐसा एक तूफान उठा
ऐसा एक तूफान उठा
खुशी खुशी तेरे कहने पर
भारतवासी जेल गए
सीने पे गोली झेल गए
अपने प्राणों पर खेल गए
अपने प्राणों पर खेल गए
नाम पे तेरे लाखों जवाँ
दुनिया के सब दुख भूल गए
दुल्हन का घूँघट बिन खोले ही
फांसी पर झूल गए
फांसी पे वो झूल गए
तू स्वराज ले आया॰ ॰ ॰
तू स्वराज ले आया
हम तो फिर भी रहे लाचार
गांधी तेरे देश में
ये कैसा अत्याचार
बापू तेरे देश में
ये कैसा अत्याचार

आज़ादी की जंग लड़ा था
इसीलिए क्या हिन्दोस्तान
इसीलिए क्या हिन्दोस्तान
अरे न्याय मांगने न्यायालय में
जा ना सके कोई इंसान
जा ना सके कोई इंसान
कितने ही निर्दोष यहाँ
मीसा के अंदर बंद हुये
अंधे कूंए में कितने ही
आज़ाद समंदर बंद हुये
आज़ाद समंदर बंद हुये
इस्मत लूटा करते हैं जो
बन कर राज के पहरेदार
अपनी सत्ता रखने को जो
छीनें जनता के अधिकार
छीनें जनता के अधिकार
गांधी तेरे देश में
ये कैसा अत्याचार
बापू तेरे देश में
ये कैसा अत्याचार

देखी कहीं कलम-बंदी
देखी कहीं ज़ुबान बंदी
देखी कहीं ज़ुबान बंदी
डर की हुकूमत हर दी पर भी
सारा हिन्दोस्तान बंदी
सारा हिन्दोस्तान बंदी
नसबंदी के नाम पे ज़ुल्म हुए
वो दुखिओं-दीनों पर
लगता था लटका हो जैसे
प्रजातंत्र संगीनों पर
प्रजातंत्र संगीनों पर
तुर्कमान वो गेट आसमान
टूटा जहां ज़मीनों पर
चला दिये बुलडोज़र जब
बेबस लोगों के सीनों पर
बेबस लोगों के सीनों पर
बेबस लोगों के सीनों पर
अपनों के हाथों ही॰॰ई॰॰ई॰॰ई
अपनों के हाथों अपनों पे
गोली की बौछार
गांधी तेरे देश में
ये कैसा अत्याचार
बापू तेरे देश में
ये कैसा अत्याचार

सारे देश पे ज़ुल्म ओ सितम के
घोर अंधेरे जब छाए
घोर अंधेरे जब छाए
तब प्रकाश की किरणें ले कर
जयप्रकाश आगे आए
जयप्रकाश आगे आए
गांधी तेरे नाम की
अब होगी जय जयकार
गांधी तेरे नाम की
अब होगी जय जयकार
अरे जो भी हुकूमत ज़ुल्म करेगी
उसकी होगी हार
जो भी हुकूमत ज़ुल्म करेगी
उसकी होगी हार


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15723

Number of movies covered in the blog

Movies with all their songs covered =1212
Total Number of movies covered =4329

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Active for more than 4000 days.

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