Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Roshan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4464 Post No. : 15948

“Baaraati” (1954) was directed by J K Nanda for Kardar Productions, Bombay. The movie had Chand Usmani, Peace Kanwal, Agha, Om Prakash, Sham Kumar, Leela Mishra, Baby Sheela, Darpan, Johny Walker, abbas, Rajan KHaksar, Heera Sawant, Agha Miraz, Kathana, Ameer Ali, Agha Mirza etc. in it.

The movie had eight songs in it. Seven songs have been discussed in the past. Here are their details:-

Blog post number Song Date
1742 Kis naam se pukaaroon kyaa naam hai tumhaara 11 August 2009
2714 Kahin door koyaliyaa gaaye re 2 August 2010
3219 Aa phir se mere pyaar ki kismat sanwaar de 17 November 2010
8572 Teri nazron ne hamko chheda hai 22 August 2013
15728 Haaye koi keh de papeeha se jaa ke 16 July 2020
15775 Saari raat jaage laage jo tose nainwaa 2 August 2020
15875 Dhak dhak dhak dhak kare dil 9 September 2020

Here is the eighth and final song from “Baaraati”(1954). This song is sung by S Balbir, Asha Bhonsle and chorus. D N Madhok is the lyricist. Music is composed by Roshan.

It uis a very long song (over seven minutes long). It is picturised as a “fair” (mela) song. I am unable to identify most actors seen in the picturisation. I feel that a lady seen dancing towards the end of the picturisaation could be Sheila Vaz, though her name does not figure in the credits. I request our knowledgeable readers to help identigfy her as well as others seen in the picturisation.

I have not been able to get the lyrics right to my satisfaction, especially in the parts with Punjabi words. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics as applicable.

With this song, all the songs of “Baaraati”(1954) have been covered in the blog and this movie thus joins the list of movies that have been YIPPEED in the blog.


Song-Naach le baawariya tohe lene aaya sanwariya (Baraati)(1954) Singers-S Balbir, Asha Bhonsle,Lyrics-D N Madhok, MD-Roshan
Male chorus
Female chorus
All chorus

Lyrics

naach le baawariya
naach le baawariya
tohe lene aaya saanwariya
naach le baawariya
naach le
naach le
nach le baawariya
tohe lene aaya saanwariya
naach le baawariya

mera chana masaale vaala
jisko khaaye seth ka saala
kha ker ho jaaye matwaala
moonchh pe taav de
chane hain bade chatpate

jaane waale baabu mohse ankhiyaan milaaye ja
jaane waale baabu mohse ankhiyaan milaaye ja
taras gaye more nain baawre
inko daras dikhaaye ja
jaane waale baabu
jaane waale baabu mohse ankhiyaan milaaye ja

o o o
bhaag ke aaja
kisi bahaane
laakh samjhaaya
jiya nahin maane

aaye jawaani jaaye jawaani raah take na teri
aaye jawaani jaaye jaawani raah take na teri
laakh baar samjhaaya gori
ek na maani meri

ae ae
kaajal waali ankhiyaan tohri
hoye kaajal vaali ankhiyaan tohri
hans hans ke kuchh bolen
inki boli main jaanoon
ye bhed tumhaare kholen
dil uksaaya hai
haaye dekh ke phir bhi hamen bulaayaaya hai
ha ha ha ha
hurr
balle balle balle balle balle
hrr
hahahaha
balle bulle balle

tu bhi sachcha main bhi sachchi donon hain majboor
dilon se hai nazdeek saanwre par kadmon se door
dilon se hai nazdeek saanwre par kadmon se door

hey kasam tumhaari raat kathhin aur din mushkil se beete
kasam tumhaari raat kathhin aur din muskil se beete
bina bulaaye aaja saanware hum haare tum jeete
main mar jaaungi
tere bin mere baalam kal na paaungi

hrr
o balle
o balle
haaye

baarah man ki dulhan dekho
vrindavan ki jogan dekho
london ki sair main kar ke
??
dilli ka raaj dekho
do do paise
do do paise
baarah man ki dulhan dekho
vrindavan ki jogan dekho

le jaana re ae
le jaana re ae
ganderiyaan paise ki paav ser

ye din hain bahaaron ke
aisi jatan karo darshan ho
pyaaro ke ae
aisi jatan karo o o
kajre ki syaahi hai
ansuvan ka paani chithhi saajan ko likh de
ansuvan ka paani ho

dil ro ro den duhaai
yaar tere milne nu
? jaan dukhaan vich paayi
yaar tere milne nu

seene vich laga teer jee
o lab da phirda(?) heer jee
seene vich laga teer jee
o lab da phirda (?) heer ki
?? chaar chaar ke main jee
chaar chaar ke
gal haaye
gall apni ?? chak waali bai
yaar tere milne nu
dil ro ro den duhaai
yaar tere milne nu
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
jhoom jhoom aayi re ghata
jhoom jhoom aayi re

nanadi ke bhaiyya mera
jiya de duhaai re teri
jiya de duhaai re
nanadi ka bhaiyya mera
jiya de duhaai re teri
jiya de duhaai re

re ghata
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
jhoom jhoom aayi re ghata
jhoom jhoom aayi re


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4436 Post No. : 15875

Today’s song is from the film Baraati-54. This is a comedy song sung by Chitalkar and the MD is Roshan. The director was J.K.Nanda and the cast was Chand Usmani, Peace Kanwal,Agha, Omprakash, Shyam Kumar, Leela Mishra, Johnny Walker, Rajan Haksar, Kathana and many others.

The director J.K. Nanda aka Jai Kishen Nanda was born in 1904, in Bham, Punjab. He was a director, story writer and screenwriter. In spite of all these qualities and having got good films to direct, Nanda could not have a crowded career and directed only 12 films in his career. He wrote screenplay and story of films like Jailor-1938, Singaar-49, Baraat-54 and Mirza Ghalib-54. Films of his direction were Pavitra Ganga-32, Inteqaam-33, Bahen ka Pyar-35, Kudmai-41, Ishara-43, Jhumke-46, Parwana-47, Singaar-49, Chamkee-52, Baraati-54, Dhake ki Malmal-56 and Chaalaak-66.

Out of the total 8 songs of this film, 6 songs are already posted here. Today’s song is the 7th song and the 8th song is also available freely on YT. If one of us discusses that, this film too can be Yippeed.

Though this films’ songs are not composed by C Ramchandra, he has sung this song for Roshan. This is because Chitalkar was very fond of singing. From his childhood his interest was in music and singing. He had actually been trained by qualified singers. He had done singing roles in stage dramas also in his younger age. Even in his first ever film ” Naganand-35″ he had sung 2 songs. Though the actual number of his songs-sung by him- is not available, according to one estimate ,he sang about 150 duets or trios with various singers and about 50 odd solo songs in his career, in 77 films. This number is as good as any second line singer in the industry. Of course Chitalkar sang essentially for his own films. However there were occasions when he was invited by other composers for singing songs.
In those days there was a friendly atmosphere and cordial relations existed among the musical fraternity. All composers, singers, their assistants, lyricists, musicians used to have a lot of fun, get-to-gethers and even outings. One can find many such photographs on the Internet. Though there was keen competition, it was very healthy and not a Cut-Throat type – yet. This clean atmosphere started getting spoiled when some conniving composers (read Shankar Jaikishan, Laxmikant Pyarelal and others of their ilk) started unethical means to grab undeserving awards and films. Honest and True to music composers like S D Burman, C Ramchandra, Madan Mohan, Khayyam etc were thrown aside as they proved to be misfits in this new ” Dog Eat Dog ” culture that crept stealthily, in the film industry !

Anyway, Chitalkar sang in films composed by other Music Directors very selectively and for the sake of specific reasons. He seems to have sung for Mir Sahib (his first Guru), Anil Biswas(his idol),S D Burman, Roshan(his close friend), P.Ramakant, Chic Chocolate(his assistant of many years), Hemant Kumar, Laxmikant Pyarelal,Usha Khanna and Kishore Kumar. He sang for the last three in his last few years.

His songs with other Music Directors may not exceed 15 at the most. Lata sang hardly 2-3 songs as duets with him, for other music directors. Remaining of his duets for other music directors were with other singers.

I feel that he sang only ONE duet with Asha Bhonsle for other Music Directors and that song is from today’s film Baraati-54.

Anyway, today’s song is from Baraati, a film from 1954 and the Music Director was Roshan. At this juncture, Roshan was fighting for survival. After Bawre Nain and Malhar he had not given any Hit film. Few songs from his films had become popular. In 1954, he was summarily removed from the film MEHBOOBA and O P Nayyar took over . There was a huge hue and cry and the matter was taken up by the Association too. One good thing that happened was that during this period Lata stood behind Roshan like a Rock. Their relations were extremely sweet, so much so that when Lata decided to produce a Film “Bhairavi”, she appointed Roshan as its Music Director, much to the amazement of the industry ! The film did not materialise, is another matter. Though Roshan was never a Front row composer in the industry, Lata had recognised his Talent in the musical arena. The sweet relations between Lata and Roshan remained so for a long time-only to become bitter when Roshan gave opportunities to Hemlata in his films.

Chitalkar and Roshan were very good friends. After Chitalkar had retired from films, Roshan used to frequently go to his house in the evenings for drinks. Though Roshan hardly drank anything, Chitalkar more than compensated the deficit!. They used to exchange their sorrows. Roshan’s family life was not a happy one, which added to his nervous nature and took its toll finally.

Initially BARAATI-1954 was given to Chitalkar, who was already doing Yasmeen for Kardar Studios. Since Chitalkar knew that Roshan was without work, he persuaded A R Kardar to give the film to Roshan, thus Roshan became the Music Director for this movie.

When this song of Baraati-54 was to be recorded, Roshan purposely opted for Asha, since he knew that in future Chitalkar would try to bank upon her as a replacement for Lata. However it was not to be, though Chitalkar tried his best in this direction. In the film Amardeep-58, out of 12 songs,Asha was given 7 songs while Lata sang only two. In this connection there is an interesting incident….

In January 1957,there was a singing competition called ” MURPHY-METRO SINGING CONTEST ” held on the open grounds of Mahalaxmi Racecourse, Bombay. The judges were Naushad, Anil Biswas, C Ramchandra, Vasat Desai and Madan Mohan (He was the youngest of them all, which was an honour for him). Aarti Mukherjee and Mahendra Kapoor were the winners in this contest.

At the end of the Contest,when the curtain opened after a break, C Ramchandra suddenly appeared at the Centre-stage, with his full orchestra. (This was NOT announced to the audience earlier, giving them a pleasant surprise.)

Within minutes Asha Bhonsle appeared on the stage and they started a live show under his baton, presenting the First ever ROCK N ROLL number in the annals of Hindi film Music. Asha brought down the whole Mahalaxmi house that evening with her ultra spirited singing of ‘ Mr. John, ya Baba khan ya Lala Roshan daan ” from film BAARISH-57 to be released only next month viz. February 1957.

Such was C Ramchandra’s clout in his heydays that he was considered the heralder of westernised music in Indian films. It is well known that once S D Burman told his son, Pancham “If you want to go western, do it by all means, but first study the songs of C Ramchandra,study the vistas explored by him as a composer !!”

In the film Baraati-54, there were two Heroines – Chand Usmani and Peace Kanwal. For both of them, this was their second movie in their career. Peace Kanwal had a very short career of only 10 films. Then she got married and quit films. Chand Usmani survived for a longer period. She did 109 films. Her last film was a record-delayed film. Started in 1987, the film Yaar meri zindagi finally released in 2008 !

Chand Usmani was one of those actresses, who were good in acting but poor in good luck ! Actresses like Farida Jalal, Tabassum, Shubha Khote, Nazima, Zahira,Zahida, Yashodhara katju and many more fell in this category. These actresses never made upto regular Heroine roles, more than a few films. They had some beginner’s luck but that was the end. They continued in side roles only.

Chand Bibi Khanam Usmani was born on 3-7-1933 in Agra, U.P.and came to limelight by participating in ‘Kardar-Kolynos-Teresa Contest’ in 1949.She felt surprised when she was selected for the contest and overjoyed when selected as the second in the finals.She acted as the female lead of ‘Jeevan Jyoti’ directed by Mahesh Kaul in 1953, opposite Shammi Kapoor.It was the debut film of Shammi Kapoor also.
Chand Usmani became an established actress later on, but she got only secondary roles which she performed always nicely.Gradually she accepted supporting roles,character roles,mother roles etc.She got Filmfare Best Supporting actress award for her portrayal of the character as ‘Champa’ in the 1970 film ‘Pehchan’.
Chand Usmani acted in films of all prominent actors of that period.
In 1957 in the film ‘Naya Daur’ directed by B.R.Chopra, and in which Dilip Kumar-Vyjayantimal were the main pair, Chand Usmani acted as sister of the hero Dilip Kumar’s character ‘Shankar’.
In the historical film ‘Samrat Pritviraj Chauhan’ she acted in the role of Rajkumari.
‘Prem Patra’ was a well noted film directed by Bimal Roy in 1962.A medical College student Arun Kumar Mathur(Shashi Kapoor) has a misunderstanding over a love letter and the consequences were the theme of the film.Sadhna was the heroine and Chand Usmani acted in the supporting role as ‘Sumitra’.

‘Biswajeet,Saira Banu,Jayant,Sajjan,Nazima,Chand Usmani’ etc were the cast of ‘April Fool’ directed by Subodh Mukherjee.This film pointed to the fact that sometimes even practical jokes done for just fun can also lead to unexpected serious problems.

In the super hit film ‘Khilona’ in which Sanjeev Kumar acted in leading role in 1970, Chand Usmani acted as the character Laxmi Singh.
In the film ‘Ujala Hi Ujala'(74), she portrayed mother’s role and acted as mother of Yogita Bali’s character Anuradha.
She presented excellent acting skills along with Shabana Azmi in the 1976 classic movie ‘Kadambari’.
In the 1977 super hit movie of Manmohan Desai ‘Parvarish’ in which Amitabh Bachchan,Shammi Kapoor,Neetu Singh,Shabana Azmi,Vinod Khanna,Amjad Khan,Kader Khan’ etc acted, Chand Usmani acted skilfully as the mother of Neetu and Shabu (Neetu Singh and Shabana Azmi).

She had a well noted character role in another super hit film of Amitabh Bachchan-Neetu Singh pair ‘Yaarana’ in 1981 and yet another film ‘Pukar'(83) in which Amitabh Bachchan and Zeenat Aman were the main pair.

She acted as mother of Suraj (Raj Babbar) in the film ‘Zakhmi Aurat'(88). In all, she acted in 109 films. Her first film was Jeewan Jyoti-53 and the last released film was a record delayed film, Yaar meri zindagi, which started in 1987 and was released in 2008 !

Chand Usmani died on 26-11- 1989 at Mumbai.

As far as Peace Kanwal is concerned, film Kismet-56 was her third and last film as a Heroine. When the film was released, she was pregnant and delivered in 1957. Later she did only side or character roles in films. As such, her tenure in films was not very long. she just did 10 films in all.

She was born on 16th December ( she never told the year of her birth). Her father was a doctor in a Mission Hospital in Agra. He had his private Hospital in Amritsar also.He was related to the Royal families of Jaipur and Jodhpur. He converted to Christianity and changed his old name Indriyas to Andrew Kanwal.

Peace studied in Amritsar, Lahore, Rawalpindi and Delhi. She got admission in Ludhiana Medical college.In the vacations after her first year MBBS, she visited Bombay. Due to persuasion from a newly acquired friend, Peace participated in the ” Kardar Kolynos Talent Contest”. She won the contest (Chand Usmani was second. Shubha khote and Anita Guha too competed in the contest).

A R Kardar signed a 2 year contract with Peace for Kardar Studios. Her debut film was ” Dil E Nadaan ”-53 in which Talat Mehmood also made a Debut as a singer Hero, opposite her. The film was a musical hit. her second film was ” Baraati”-54, opposite Agha. On the sets of this film, she got introduced to Susheel Ruia and soon they got married in 1955. Her name after marriage was Rajashri.

Her third film was Kismat-56, opposite Ranjan. In 1957, she gave birth to her first child and took a break from working. Later she started doing character roles. Her husband was against her working in films. They divorced in 1968. She engaged herself in a lot of social work and painting,her hobby. Her Paintings were in great demand and she held exhibitions of her paintings in India and the USA as well as in Australia.

In 1976, she was introduced to Mr. V.Ramesh, grandson of ex-president V.V.Giri. She married him in 1977. Presently, she stays in Juhu, Mumbai and is into social work and paintings upto her neck. She worked in Dil e Nadaan-53, Baraati-54, Kismat-56, Nai maa-60,Maa Baap-60, Barsaat ki raat-60, Aarti-62, Chambal ki kasam-80, Aasmaan-84, and Woh subah kabhi to aayegi-91 ( adapted from interview on Beetehuedin.blogspot.com, with thanks).

The story of the film Baraat was…..Lajo (Chand Usmani) is a homely girl. She has no father and stays with her widowed mother and brother Sunder (Agha). Her mama-Bishen Das(Omprakash) and Mami (Leela Mishra) also stay in the village. Lajo’s mother depends upon Sunder and Mama Bishen for finding a groom for Lajo. Sunder starts visiting prospective grooms, but at one place, falls in love with a girl and marries her. When he and the new Bride Pilu (Peace Kanwal) come home, they are not allowed to enter unless Sunder finds a suitable match for Lajo. Sunder and Bishen start the mission again and finalise a boy, Atmaram, son of a rich Zamindar, Girdharilal(Shyam Kumar),who is very stingy and money minded. He puts many conditions which are all accepted. The marriage takes place, but Girdharilal makes additional demands and refuses to take the bride into his house. Lajo is devastated and attempts suicide, but Bishen Das saves her. He suggests that Lajo win back her husband by her love. She succeeds in doing this and Atmaram rebels against his father,takes Lajo into his home and the father relents.


Song-Dhak Dhak kare dil…Jhatpat pat jhat aake mil (Baaraati)(1954) Singer-C Ramchandra, Lyrics-D N Madhok, MD-Roshan

Lyrics

dhak dhak dhak dhak
dhak dhak kare dil
jhat phat pat jhat jhat phat aake mil aa ke mil
aake mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat phat pat jhat jhat phat aake mil aa ke mil
aake mil

chanda un se jaakar kahna
mushkil un bin jeete rahna
roti hai majboor jawaani
haaye re dhadke hai dhadke hai
bechaara dil
jhat phat pat jhat
jhat pat aake mil
aa ke mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat phat pat jhat jhat phat aake mil aa ke mil
aake mil

mere dil ko dil mein rakh le
dard piya ke aap parakh le
thhes lagi khud kah dogi tum
haaye re
toot gaya
toot gaya mera nannha sa dil
jhat pat pat jhat pat
aake mil
aa ke mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat pat pat jhat
jhat pat aake mil
aake mil

mere pyaar ki alakh jaga de
haaye alakh jaga de
sharam haya ko aag laga de
haan aag laga de
aisi raaten aur tanhaayi
haaye re patther ka
patthar ka hai tera dil
jhat pat pat jhat
jhat pat aake mil
aa ke mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat pat pat jhat jhat pat
aake mil
aa ke mil


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4426 Post No. : 15848

Mohammed Rafi: The incomparable (II) – Song No. 18
——————————————————
30/08/2020 – Birth anniversary of Shailendra

As children’s songs go, there is a healthy dose available of such songs in hindi films especially in the 50’s and 60’s. Or rather, I should say a healthy dose of children’s songs too along with the other types of songs be it religious songs, happy go lucky masti songs, romantic songs, sad songs, club/party songs, dance/folk/stage songs, road-side tamasha songs, comic songs and the philosophical/theme songs. Not to forget the lori/lullaby songs. Good quality songs were many and all the songs were made with painstaking care. So there is nothing like finding unheard songs. They may not remain in memory some months after the actual post is done, because the memory I find is a very fickle thing. It retains the information fed to it years ago, but is rather quick to do away with recently found and heard things. This is no fault of the songs concerned.

There are iconic songs like
‘nanhe munne bachche teri mutthi mein kya hai’, “naani teri morni ko mor le gaye” and
“Lakdi ki kaathhi kaathhi pe ghodaa” to name a few.

Two of three songs song which came to mind are written by Shailendra.

Here I found a children’s song from a the film ‘Deep jalte rahe” (1959), a duet by Rafi sahab with Vijaya, composed by Roshan-to commemorate the birth anniversary today of the lyricist Shailendra. He was a fourth pillar of the one of its kind winsome foursome of Shankar-Jaikishan-Shailendra-Hasrat Jaipuri. We see these names on many famous films credits. The team could not have been the legends they are without one another. Shailendra teamed up with other music directors also with notable success. A prime example is ‘Guide” with S. D. Burman.

Shankardas Kesarilal Shailendra was born on 30th August, 1923 and died on 14th December, 1966 at the age of just 43.

He is said to have died with heartbreak after the failure ‘Teesri Kasam” at the box office, a film close to his heart, also produced by him. Life is nothing if not full of obstacles. One needs to be full of strength to cross each hurdle. What should have been just such obstacle in Shailendra’s life, making him stronger for newer journey, turned out to be his last hurray. The film is a classic on its own, and plus the songs are pearls dotting the necklace of gold. I quote from one of the songs from the film, penned by Shailendra :

sitaaron ne munh pherkar
kaha alvida humsafar
chala kaarwaan ab chalaa
aa aa
aa bhi jaa
raat dhalne lagi
ho
chaand chhupne chala
ho
aa aa bhi jaa

oofaq par khadi hai sehar
andhera hai dil mein idhar
oofaq par khadi hai sehar
ho
andhera hain dil mein idhar
wahi roz ka silsila
aa
aa bhi jaa
raat dhalne lagi
chaand chhupne chala
ho
aa aa bhi jaa

Video :

Audio :

Song-Na ro bhai na ro bhai na ro meri jaan (Deep Jalte Rahe)(1959) Singer-Rafi, Vijaya, Lyrics-Shailendra, MD-Roshan
Both

Lyrics

(child crying)

Mm mm
ae ae
aa haa
ee hee
oo ho
dhin tak
dhin tak
dhin tak
dhin tak
chaama cheek
cheek bomm mm

na ro bhai na ro bhai
na ro bhai na
main teraa Bandar
dug dug naachoon
na ro meri jaan
na ro bhai na ro bhai
na ro bhai na
kahin chali na jaaye
meri naukri
na ro meri jaan

saahab to daftar mein hain….
saahab to daftar mein hain
arrey nau sau jhagde ghar mein hain
lo main royaa aa
aah haa ha haa aa
lo main royaa
mujhi pe hans lo
ae chhote miyaan
haa haa haaa haaan haan
main teraa Bandar
dug dug naachoon
na ro meri jaan
na ro bhai na ro bhai
na ro bhai na
kahin chali na jaaye
meri naukri
na ro meri jaan
(child crying)
na ro munnaa….
na ro meraa betaa aa

huu huu
huu huu hou
binti kartaa hai hanuman
ramaa ho ramaa ho
jai siya raam
binti kartaa hai hanuman
ab to khush ho jaa bhagwaan
yeh hathh teri ee ee
yeh hathh teri
balaa ki hathh hai
kis ki chale yehaan
haa haa haaa haaa
main teraa Bandar
dug dug naachoon
na ro meri jaan

na ro bhai
na ro bhai
na ro bhai na

main teraa Bandar
dug dug naachoon
na ro meri jaan
na ro bhai
na ro bhai
na ro bhai na

kahin chali na jaaye
meri naukri
na ro meri jaan

main teraa haathhi
dum hai kahaan
main teraa choohaa
itna badaa
main teraa totaa
chonch bataa
poochh ye sab upar waale se
main tera Bandar
dug dug naachoon
na ro meri jaan
iyaa iyaa iyaa iyya


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4409 Post No. : 15802

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No.54
———————————————————————————–

Six songs were posted on 13.08.2010 from six movies viz. ‘Mela-1948’, ‘Kohinoor-1960’, ‘Bandini-1963’,‘Shaheed-1965’, ‘Daadi Maa-1966’, and ‘Aankhon Aankhon Mein-1972’ in chronologically ascending order.

A good variety of popular song, including musical gems were covered on that day.

Song Movie title-Year Remarks
Gham ka fasaanaa kisko sunaayen Mela-1948 All songs covered
Do sitaaron ka zameen par hai milan aaj ki raat Kohinoor-1960 All songs covered
O panchhi pyaare saanjh sakhaare Bandini-1963 All songs covered
Jogi ham to lut gaye tere pyaar mein Shaheed-1965 All songs covered
Chale aaye re ham to Daadi Maa-1967 03 songs posted
Aankhon aankhon mein baat hone do Aankhon Aankhon Mein-1972 All songs covered

Out of the six movies represented five movies have already been covered with all their songs on the blog and they have attained ‘Yippeeeeee’ status on the blog.

That leaves us with only one movie ‘Daadi Maa-1966’, which is eligible for the blog ten year challenge today.

‘Daadi Maa-1966’ had seven songs and eight sound tracks including the ‘title music track’. All the seven songs were written by Majrooh Sultanpuri and music was composed by Roshan. Lata Mangeshkar, Manna Dey, Mahendra Kapoor, Puran, Asha Bhonsle, and Mohd Rafi had given their voices to the songs in this movie.

So far, the following three songs from ‘Daadi Maa-1966’ have been covered on the blog;

Song Posted On
Usko nahin dekha hamne kabhi 27.01.2009
Jaataa hoon main mujhe ab naa bulaanaa 10.06.2010
Chale aaye re ham to 13.08.2010

We can see that the above three songs include two well known songs from this movie viz. Usko nahin dekha hamne kabhi and Jaataa hoon main mujhe ab naa bulaanaa. These two songs are the only songs I am familiar with and I associate these songs with the movie. I don’t remember to have listened to other songs of this movie.

Today’s song is a ‘lorie’ songs sung by Lata Mangeshkar and lip-synced on screen by Beena Rai.

Also seen in the picturization of this song is Shashikala.

I remember that the heart touching cute lorie ‘nanhi kali sone chali hawaa dheere aanaa’ sung by Geeta Dutt used to trend on ‘top’ in the list of ‘Top Posts’ visited on the blog from 2012 till 2014.

Let us now listen to today’s ‘lorie’ song written by Majrooh Sultanpuri and composed by Roshan.

Lyrics of this song were sent by Prakashchandra.

Audio

Video

Song-Sooraj soya soye ujaale (Daadi Maa)(1966) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Roshan

Lyrics(Provided by Prakashchandra)

sooraj soyaa aa
soye ae ujaaley
mera chaand jaage aa jaa
aa jaa ri aa aa aa
nindiyaa tu aa aa
sooraj soyaa aa
soye ujaaley ae
mera chaand jaage aa jaa
aa jaa ri aa aa aa
nindiyaa tu aa

kaise kahoon kyun dhool milaa re
mere pyaar ka moti
kaise kahoon kyun dhool milaa re
mere pyaar ka moti ee
aayi be-rahem aandhi aisi
door aa padi hai ghar se
ghar ke deep ki jyoti
nindiyaa
mera chaand jaage aajaa
aajaa ri aa aa aa aa aa
nindiyaa tu aa

kyaa jaanoon aakaash hain kitne
gagan mein taaraa kitnaa aa
kyaa jaanoon aakaash hain kitne
gagan mein taaraa kitnaa aa
pagli maamta
bas ye jaane
god mein girey jo aakar
woh taaraa hai apna
nindiyaa
mera chaand jaage aa jaa
aajaa ri aa aa aa aa aa
nindiyaa tu aa

door se nindiya tu kya dekhe
mera bheegtaa mukhdaa
door se nindiya tu kya dekhe
mera bheegtaa mukhdaa
ghaav dekh chhaati ke mere
jod naa sakoon main tan se
apne hi tan ka tukdaa
nindiyaa
mera chaand jaage aa jaa
aajaa ri aa aa aa aa aa
nindiyaa tu aa aa
sooraj soyaa aa
soye ujaaley ae
mera chaand jaage aa jaa
aa jaa ri aa aa aa
nindiyaa tu aa

————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
————————————-

सूरज सोया आ
सोए ए उजाले
मेरा चाँद जागे आ जा
आ जा री आ आ आ
निंदिया तू आ आ
सूरज सोया आ
सोए उजाले ए
मेरा चाँद जागे आ जा
आ जा री आ आ आ
निंदिया तू आ

कैसे कहूं क्यों धुल मिला रे
मेरे प्यार का मोती
कैसे कहूं क्यों धुल मिला रे
मेरे प्यार का मोती ई
आई बे-रहम आंधी ऐसी
दूर आ पड़ी घर से
घर के दीप की ज्योति
निंदिया
मेरा चाँद जागे आ जा
आ जा री आ आ आ आ आ
निंदिया तू आ

क्या जानूं आकाश हैं कितने
गगन में तारा कितना आ
क्या जानूं आकाश हैं कितने
गगन में तारा कितना आ
पगली मामता
बस ये जाने
गोद में गिरे जो आकर
वो तारा है अपना
निंदिया
मेरा चाँद जागे आ जा
आ जा री आ आ आ आ आ
निंदिया तू आ

दूर से निंदिया तू क्या देखे
मेरा भीगता मुखड़ा
दूर से निंदिया तू क्या देखे
मेरा भीगता मुखड़ा
घाव देख छाती के मेरे
जोड़ ना सकूं मैं तन से
अपने ही तन का टुकडा
निंदिया
मेरा चाँद जागे आ जा
आ जा री आ आ आ आ आ
निंदिया तू आ आ
सूरज सोया आ
सोए उजाले ए
मेरा चाँद जागे आ जा
आ जा री आ आ आ
निंदिया तू आ …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4398 Post No. : 15775

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 48
———————————————————————————–

One movie which is eligible for ‘Blog Ten-Year Challenge’ today (2 august 2020)is the ‘1954’ movie ‘Baraati’.

The other movies represented on the blog ten years back on this day were ‘Anand-1970’, ‘Ek Dil Sau Afsaane-1963’, ‘Dekh Kabeeraa Roya-1957’, ‘Halaaku-1956’, and ‘Singaar-1949’ in their descending order of posting of songs. All of them have already been YIPPEED.

So, we can see that six songs were posted on 01.08.2010 maintaining the ‘six posts per day’ average very well. 🙂

The songs represented on 01.08.2010 on the blog were as follows;

Song Movie title-Year Remarks
Naa jiyaa laage naa Anand-1970 All songs covered
Door ke o chandaa aa meri baahon mein aa Ek Dil Sau Afsaane-1963 All songs covered
Hamse aayaa naa gayaa tumse bulaayaa naa gayaa Dekh Kabeeraa Royaa-1957 All songs covered
Bol mere maalik teraa kyaa yahi hai insaaf Halaaku-1956 All songs covered
Kahin door koyaliyaa gaaye re Baraati -1954 05 songs posted
Ae dard e muhabbat tune mujhe deewaanaa banaakar chhod diyaa Singaar-1949 All songs covered

‘Baraati-1954’ was directed by J.K. Nanda for Kardar Productions, Bombay. It had Chand Usmani, Peace Kanwal, Agha, Om Prakash, Shyam Kumar, Leela Mishra, Baby Sheela, Darpan, Johny Walker, Abbas, Rajan Haksar, Heera Sawant, Agha Miraj, Kathana, Ameer Ali, Agha Mirza and others.

This movie had eight songs written by D.N. Madhok, Raja Mehdi Ali Khan, Tanweer Naqvi and Jaanisar Akhtar. Music was composed by Roshan.

Asha Bhonsle, Chitalkar, Lata Mangeshkar, S. Balbir and Sudha Malhotra were the singers who had given their voices to the songs in this movie.

So far, the following four songs from this movie have been posted on the blog;

Song Posted On
Kis naam se pukaaroon kyaa naam hai tumhaara 11.08.2009
Kahin door koyaliyaa gaaye re 02.08.2010
Aa phir se mere pyaar ki kismat sanwaar de 17.11.2010
Teri nazron ne hamko chheda hai 22.08.2013
Haaye koi keh de papeeha se jaa ke 16.07.2020

Today’s song is sung by Lata Mangeshkar and written by D. N. Madhok. Music is composed by Roshan.

Lyrics for today’s song were sent by Prakashchandra. He has also provided iformation about the picturization of the song. One can see Heera Sawant, Agha, Peace Kanwal and others in the picturisation.

Let us now enjoy listeing to a song from “Baaraati”(1954) the way we were able to enjoy listening to another song from the same movie on this day ten years ago. 🙂

Audio

Video

Song-Saari raat jaage laage jo tose nainwaa (Baaraati)(1954) Singer-Lata, Lyrics-D N Madhok, MD-Roshan

Lyrics(Provided by Prakashchandra)

aa jaa ho aa ja aa aa aa beluaa aa aa..aa
beluaa …aa aa aa o

saari raat jaage
laage jo tose nainwaa aa aa
aa jaa balam
ab aa jaa sajanwaa
aa jaa balam
ab aa jaa sajanwaa
saari raat jaage
laage jo tose nainwaa aa
aa jaa balam
ab aa jaa sajanwaa aa

chaand badariya mein chhipp chhipp jaaye piyaa
chaand badariya mein chhipp chhipp jaaye piyaa
tohe ishaaron mein
ye samjhaaye piyaa
bhaage ae ae
jawaani bhaage
saari raat jaage
laage jo tose nainwaa aa
aa jaa balam
ab aa jaa sajanwaa
aa jaa balam
ab aa jaa sajanwaa
saari raat jaage
laage jo tose nainwaa aa
aa jaa balam
ab aa jaa sajanwaa

mast hawaaon mein tere bin chain nahin
mast hawaaon mein tere bin chain nahin
sun re anaadi piya
toot naa jaaye kahin dhaage ae
pyaar ke dhaage
saari raat jaage
laage jo tose nainwaa aa
aa jaa balam
ab aa jaa sajanwaa
aa jaa balam
ab aa jaa sajanwaa
saari raat jaage
laage jo tose nainwaa aa aa
aa jaa balam
ab aa jaa sajanwaa
aa jaa balam
ab aa jaa sajanwaa

—————————————
(Lyrics in Devnagri Script provided by Avinash Scrapwala)

आ जा हो आ जा आ आ आ बेलुआ आ आ …आ
बेलुआ …आ आ आ ओ

सारी रात जागे
लागे जो तोसे नैनवा आ
आ जा बलम
अब आ जा सजनवा
आ जा बलम
अब आ जा सजनवा
सारी रात जागे
लागे जो तोसे नैनवा आ
आ जा बलम
अब आ जा सजनवा आ

चाँद बदरिया में छिप छिप जाए पिया
चाँद बदरिया में छिप छिप जाए पिया
तोहे इशारों में
ये समझाए पिया
भागे ए ए
जवानी भागे
सारी रात जागे
लागे जो तोसे नैनवा आ
आ जा बलम
अब आ जा सजनवा
आ जा बलम
अब आ जा सजनवा
सारी रात जागे
लागे जो तोसे नैनवा आ
आ जा बलम
अब आ जा सजनवा

मस्त हवाओं में तेरे बिन चैन नहीं
मस्त हवाओं में तेरे बिन चैन नहीं
सुन रे अनाड़ी पिया
टूट ना जाए कहीं धागे ए ए
प्यार के धागे ए
सारी रात जागे
लागे जो तोसे नैनवा आ
आ जा बलम
अब आ जा सजनवा
आ जा बलम
अब आ जा सजनवा
सारी रात जागे
लागे जो तोसे नैनवा आ आ
आ जा बलम
अब आ जा सजनवा
आ जा बलम
अब आ जा सजनवा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4381 Post No. : 15728

“Baaraati”(1954) was directed by J K Nanda for Kardar Productions, Bombay. The movie had Chaand Usmani, Peace Kanwal, Agha, Om Prakash, Leela Mishra, Sham Kumar, bBy Sheela, Darpan, Johny Walker, Abbas, Rajan Haksar, Heera Sawant, Agha Miraz, Kathana, Ameer Ali, etc in it.

The movie had eight songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Baaraati”(1954) to appear in the blog. The song is sung by Lata. D N Madhok is the lyricist. Music is composed by Roshan.

The song is picturised on Chaand Usmaani. Agha and Om Prakash look on from a distance.


Song-Haaye koi keh de papeeha se jaa ke (Baaraati)(1954) Singer-Lata, Lyrics-D N Madhok, MD-Roshan

Lyrics

haaye koi kah de papeeha se jaa ke
bairi kaahe chhede pihu pihu gaa ke
haaye koi kah de papeeha se jaa ke
bairi kaahe chhede pihu pihu gaa ke

rut saawan ki mukh par haaye kyun
jhoomti ghata mein koi aag lagaaye kyun
rut saawan ki mukh par haaye kyun
jhoomti ghata mein koi aag lagaaye kyun
mere paas aaye wo to
mere paas aaye wo to
kahoon samjhaake
bairi kaahe chhede pihu pihu gaa ke
haaye koi kah de papeeha se ja ke
bairi kaahe chhede pihu pihu gaa ke

abhi khile kali aur abhi murjhaaye hai
ja rey paapi kaliyon pe pade teri haaye hai
abhi khile kali aur abhi murjhaaye hai
ja rey paapi kaliyon pe pade teri haaye hai
jiya chaahe noch loon main
jiya chaahe noch loon main pankh tere aake
bairi kaahe chhede pihu pihu gaa ke
haaye koi kah de papeeha se jaa ke
bairi kaahe chhede pihu pihu gaa ke
haaye koi kah de papeeha se ja ke
bairi kaahe chhede pihu pihu gaa ke


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4297 Post No. : 15554

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 23
—————————————————————————
I could not send any write-up from my side on Sahir Ludhianvi’s birth anniversary this year on 08th March. However, I had shared few songs and had compiled an excel sheet on Sahir Ludhianvi’s filmography with the respective music directors, which I intend to use for future posts on the blog as and when possible.

While noting down the movies and number of songs from each movie, I came across the today’s songs or rather this ‘couplet recitation’ song from the movie ‘Dil Hi Toh Hai’ (1963). This song has been mentioned in the list of songs by Sahir Ludhianvi in Akshay Manwani’s book ‘Sahir Ludhianvi – The People’s Poet’. HFGK Vol IV (1961-1970) though does not mention this song in the list of songs under this movie. HFGK mentions ten songs in the movie which have already been posted on the blog.

When I searched for the audio/video of this extra song mentioned in Akshay Manwani’s book it was already available. So, we have an opportunity to bring this ‘couplet recitation’ on the blog today under ‘Blog ten-year challenge’ (since one song from this movie was posted on the blog on 23.04.2010). As this movie has already been ‘Yippeeee’ed’ on the blog the today’s song comes as ‘bonus’ for all of us to listen and enjoy.

I am presenting this beautiful song here which is lip synced on screen by the beautiful Nutan. In the movie this song happens just before the song ‘Tum Agar Mujhko Naa Chaaho To Koi Baat Nahin’ or rather it is after this ‘teasing’ song of today by the heroine Jamila Bano (Nutan), that the hero Chand Sahab of the movie (Raj Kapoor) gets ‘provoked’ (or inspired ? 😉) to sing ‘tum agar mujhko naa chaaho’…

The situation is that Jamila Bano is a great fan of singer Chand Sahab but she had not met him and there is a party on the birth anniversary of her friend Pushpa where Chand Sahab is suppose to attend the party. However, incidentally they both came across in shop where they intend to buy the ‘birthday gift’. Jamila Bano and her ‘sahelis’, unaware of who this fellow is misake Chand Sahab for a ‘loafer’ (badmaash, peechhaa karne waala😊 ) and when they see the same fellow also following them at the party venue, and when her friends ask Jamila Bano to say something, she recites this she’r directed at Chand Sahab. After this when Chand Sahab is invited to sing Jamila Bano is surprised but Chand Sahab also took this opportunity and he sings

tum agar mujhko naa chaaho to koi baat nahin,
tum kisi aur ko chaahogi to mushqil hogi
😊

‘Dil Hi To Hai’ was jointly directed by PL Santoshi and CL Rawal for ‘Rawal Films’, Bombay. It was produced by BL Rawal. It had Raj Kapoor, Nutan, Agha, Nazir Husain, Leela Chitnis, Babloo, Padmini Priyadarshani, Sabita Chatterjee, Shivraj, Manorama, Mumtaz, Hari Shivdasani and Pran. The story, screenplay and dialogues of this movie were written by GL Rawal. Editing was done by Pran Mehra.

Lyrics for this movie were written by Sahir Ludhianvi and music was composed by Roshan. Lata Mangeshkar, Mukesh, Manna Dey, Asha Bhonsle and Suman Kalyanpur had given their voices to the songs in this movie.

As mentioned above the movie has total ten songs as listed below and if we include the today’s ‘couplet-song’ it makes eleven songs in this movie.

Song  Posted On
 Tum agar mujhko na chaaho to koi baat nahin  20.07.2008
 Laaga chunri mein daag chhupaaun kaise  03.11.2008
 Nigaahen milaane ko jee chaahtaa hai  16.11.2008
 Parda uthhe salaam ho jaaye  09.05.2009
 Bhoole se muhabbat kar baithaa  23.04.2010
 Tumhaari mast nazar gar idhar nahin hoti  01.05.2010
 Yoonhi dil ne chaahaa thhaa ronaa rulaanaa  12.12.2010
 Churaa le na tumko ye mausam suhaanaa  13.12.2010
 Gusse mein jo nikhraa hai  16.12.2010
 Dil jo bhi kahegaa maanenge  17.12.2010

Ten years back on 23.04.2010 three songs were represented on the blog including a song from this movie.

Song  Movie title-Year  Remarks
 Bhoole se muhabbat kar baithaa  Dil Hi To Hai-1963  All songs covered
 Mukhdaa dekh le praani zaraa darpan mein  Do Behnen-1959
 Bhalaa karne waale bhalaayi kiye jaa  Ghar Sansaar-1958  All songs covered

Let us now enjoy this lovely song for today …

 

Song – Aap Abhi Ishq Ki Tehzeeb Se Aagaah Nahin (Dil Hi To Hai)(1963) Singer – Nutan, Lyrics – Sahir Ludhianvi, MD – Roshan

Lyrics

aap abhi ishq ki tehzeeb se
aagaah nahin
aap abhi ishq ki tehzeeb se
aagaah nahin
aap se mel badhaane ki
hamen chaah nahin

[Dialogues]

aap se pyaar karey koyi
aap se pyaar karey koyi ee
to kyun pyaar karey ae
aap se pyaar karey koyi ee
to kyun pyaar karey ae

aap ki shaql to kya
baat bhi dil-khwaah nahin

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

आप अभी इश्क कि तहज़ीब से
आगाह नहीं
आप अभी इश्क कि तहज़ीब से
आगाह नहीं
आप से मेल बढ़ाने कि
हमें चाह नहीं

[संवाद]

आप से प्यार करे कोई
आप से प्यार करे कोई ई
तो क्यूँ प्यार करे ए
आप से प्यार करे कोई ई
तो क्यूँ प्यार करे ए
आप कि शक्ल तो क्या
बात भी दिल-ख्वाह नहीं


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4211 Post No. : 15411

“Do Roti”(1957) was produced and directed by Ismail Memon for Ismail Films, Bombay. This movie had Nirupa Roy and Balraj Sahni in lead roles, along with Johny Walker, Nazeer Hussain, Mishra, Manju, Minu Mumtaz, Nana Palsikar, Kanhaiya Lal, Mehmood, Shakuntala devi, Arvind Kumar, Kamal Mohan, Sagar, Nalini Chonkar, Kusum, Chetan Kumar, Mumtaz, G Kallan, Mohan Sandow, Aziz Siddiqui, Omkar, Baby Sultana, Master Raju etc in it.

The movie had eight songs in it. Seven songs from this movie have been discussed in the past. Here is the breakup of the songs from the movie that have been covered so far:
 

Song Movie Year Sono Post number Post date
Kaali badariya maare najariya Do Roti 1957 2359 20-Mar-2010
Badi pyaari kahaani hai muhabbat ki kahaani bhi Do Roti 1957 2363 27-Mar-2010
Ghir ke barsen ye ghataayen to mazaa aa jaaye Do Roti 1957 6690 21-Sep-2012
Aise bhi hain peene waale jo Do Roti 1957 7612 6-Mar-2013
Ashqon ki kahaani kya kahiye Do Roti 1957 7703 18-Mar-2013
Sun lo patey ki baat Do Roti 1957 12228 18-Jul-2016
Gham ki hui haar lo jeet gaya pyaar Do Roti 1957 15389 26-May-2019

Here is the eighth and final song from “Do Roti”(1957) to appear in the blog. This song is sung by Lata. Khumar Barabankwi is the lyricist. Music is composed by Roshan.

Only the audio of the song is available. Based on the picturisation of other Lata songs from the movie, it can be safely assumed that this song is opicturised on Nirupa Roy.

With this sweet and hummable song, all the songs of “Do Roti”(1957) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Tumhen jo pyaar kiya..tumhre kaaran hamaar jiya jaaye re (Do Roti)(1957) Singer-Lata, Lyrics-Khumar Barabankwi, MD-Roshan

Lyrics

aaa aa aa aa
aa aa aa
tumhen jo pyaar kiya
aa aa aa
tumhen jo pyaar kiya
hamne kya aa aa gunaah kiya aa
ye kis kusoor se tumne hamen tabaah kiya haan aan
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
ho tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re

tumhaare ishq mein jeena hamen mohaal hua
aa aa aa
tumhare ishq me jeena hamen mohaal hua
aa aa
hamara aur papeehe ka ek haal hua
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
ho tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re

jaan de ham tumko bedarda
aa aa aa
tum ho bade beimaan aa aa aa aa
de do hamaara dil hamen vaapas
aeji hoga aa bada ehsaan haan haan
ki tumhre karan
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
jiya jaaye re
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re
jiya jaaye re

tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4209 Post No. : 15404

Greetings all for the celebration today – the anniversary of declaration of our nation as a Sovereign Socialist Secular Democratic Republic.

The Constituent Assembly, consisting of 389 eminent people from across all walks of life and all population segments in the country, was established on 6th December, 1946. After a string of debates, which included public debates in different parts of the country, the Assembly agreed to adopt our constitution on 6th November, 1949. And then on 26th January of 1950, the nation of India, that is Bharat, was declared as being governed according to this document which is the supreme law of our land.

The Preamble to the constitution states the following,

WE, THE PEOPLE OF INDIA, having solemnly resolved to constitute India into a SOVEREIGN SOCIALIST SECULAR DEMOCRATIC REPUBLIC and to secure to all its citizens:

JUSTICE, social, economic and political;

LIBERTY of thought, expression, belief, faith and worship;

EQUALITY of status and of opportunity;

and to promote among them all FRATERNITY assuring the dignity of the individual and the unity and integrity of the Nation;

IN OUR CONSTITUENT ASSEMBLY this twenty sixth day of November, 1949, do HEREBY ADOPT, ENACT AND GIVE TO OURSELVES THIS CONSTITUTION.

 

The constitution become the bedrock foundation for enunciating all the defining principles of governance and jurisprudence, which in turn form the source of all the laws that apply to our country and its citizens.

In terms of an identity, a nation is characterized and represented by a set of symbols which identify and define it. Wherever we may be in this world, whatever may be the query about what India is, the answers will always be in terms of certain symbols that are constant and do not change – our flag, our national emblem, our national anthem, our currency, and more.

As a matter of fact, symbols and symbolism form a very imperative part of our lives. All around us, in our everyday environment, we encounter a multitude of symbols that relate to every aspect of our lives. They could be fashion brands, corporate houses, currency, governments, services, road traffic – well, just any class and category of ‘things’ in and around our lives. These symbols are significant artifacts that represent, convey, and inspire a plethora of meanings and emotions relating to our everyday lives and experiences. These symbols may be local or universal. Everywhere in the world, the sign of dollar is a symbol for money. Traffic lights and signs are universal symbols, recognized across national boundaries. Emoticons we use every day now in our communications, are symbols that represents emotions, things, communication snippets. I could go on describing, and there would be no end to how symbols have become such an integral and pervasive part of our lives.

In a world we live in – a fragmented world of divisions that are represented and controlled on the basis of multiple criteria. We are a world of nation states. And the world over, the national identities are represented and underscored by a set of symbols. The flags, the emblem, colors, badges, plants/birds/animals – in fact each nation has a collection of symbols to characterize and epitomize its national identity. In our native Hindi, the word for flag is ‘निशान’ (nishan), which is a synonym for ‘symbol’.

National anniversaries are also in the nature of symbols of a nation. The celebrations of these anniversaries represent a dynamic continuity of the national identity across the pages of history. There is an evolution and transformation that happens with time, but the basic elements and definitions remain a constant. That constancy is an edifice of identity and a hallmark of stability and continuity in the matters of everyday interactions in the lives of the people of the nation. The presence of these symbols in our lives, and their everyday transactions, generates in our hearts a comfortable feeling of being – being an Indian.

For example, encountering the flag – our Tricolour, evokes in the heart, overwhelming emotions of pride, honor, affinity, affection and belonging. These symbols have become so much a part of our existence, that inside ourselves very strong emotions are now linked with these symbols. These symbols are now a cornerstone of our and our country’s existence.

The matter of honor and pride, linked with symbols and the emotions that these symbols evoke, has been a matter of very personal and a very human experience all across the history. The song being presented in this post today is a very forceful and compelling testimony on the inherent relationship between symbols and matter of national honor. Here is a brief slice of history representing a true episode from the annals of the Rajput history. As the reader will go through this song, one will find many symbols – that of patriotism, personal relations and personal sacrifices – being invoked.

The episode tells a piece of history, about Haadi Rani, who is now a folk heroine in Rajasthan. Haadi Rani was the daughter of King Haada Chauhan of the Kingdom of Boondi. She was married to Rawat Ratan Singh Chundaawat of Salumber (in Udaipur). Ratan Singh was the commander of the army of Maharana Raj Singh of Mewar, India was ruled at that time by the sixth Mughal Emperor – Aurangzeb Alamgir.

In a turn of events, the royal Mughal forces invaded Mewar. Maharana Raj Singh sent an urgent emissary to Rawat Ratan Singh, to raise the army and join the battle against Aurangzeb’s forces. As circumstances would have it, Ratan Singh had just been married one week prior. Initially, he was hesitant to leave his newlywed bride, and go to the battlefield. However, Haadi Rani reminded him of his duty towards the king and the kingdom, and prevailed upon him to join the battle. Ratan Singh left Salumber and his bride, and proceeded to join Maharana Raj Singh with his contingent. However, his mind was still engrossed with the amorous affections for Haadi Rani.

Midway from his march towards Udaipur, he sent back a messenger to his palace, with a message for his bride – that she should send him some token symbol of love – ‘प्रेम चिन्ह’, to sustain him through the times he is away from her. On reading the message, Rani sensed the state of mind of her husband, and at first, was quite bewildered as to what she should do. She apprehended that his mind being engrossed with her, he would not be an effective soldier and commander on the battlefield. But quickly she made up her mind, and decided the commit the ultimate sacrifice. She instructed the messenger quite sternly. Then she proceeded to behead herself with a sword. The messenger, very shocked and shaken, followed her instructions, and carried her bleeding head on golden tray, covered with her bridal finery, to Ratan Singh.

Ratan Singh, waiting eagerly for the ‘प्रेम चिन्ह’, received what he never expected in his wildest dreams. Uncovering the tray, he saw the head of his newlywed bride. His grief and his repentance had no bounds, for in a flash he realized what Haadi Rani had done, and why had she done it. As the folklore goes, he picked up the head and slung it around his neck with the tresses that he had once caressed with love. With this demeanor, he launched himself into the battle. It is said that fought valiantly like a man possessed, and led his army to victory against the forces of the Mughal Emperor. Once the victory was attained and the opposition army was in retreat, Ratan Singh alighted from his horse, knelt down on the ground and proceeded to behead himself.

In the intense and turbulent martial history of Rajasthan, this episode stands amongst the most powerful and most emotional, where the honor of the kingdom, and its security is perceived as a paramount commitment, even above personal engagements and requirements. Haadi Rani made the supreme sacrifice for the sake that her commander husband would not be swayed by the thoughts of his recent matrimony, and that the sight that she eventually presented to her husband would have served as a vicious impetus for him to give his utmost in the battle against the enemy.

The symbolism of honor – the trumpets announcing the onset of warfare. The symbolism of love – the ‘प्रेम चिन्ह’ that  Ratan Singh request for. And the symbolism of sacrifice – the ultimate step taken by Haadi Rani. This song converges these symbolisms into itself. A wonderfully emotional and a soul stirring presentation of one of the most chilling episodes of Rajput history.

The song is from the 1965 film ‘Nai Umar Ki Nai Fasal’. In the film, the setting of this song is as follows. A group of students, including Tanuja, Rajeev and Raj Kishore, are visiting another college in another city, for the annual festival of the latter college. As part of the program, all participant colleges are to present a stage item at the festival. This performance is presented by the protagonist group. In the film, Rajeev is the creative spirit of the team, and he completes the writing of this poem just in time for preparing the performance. On stage, the role of Haadi Rani is played by Tanuja, and that of Rawat Ratan Singh by Raj Kishore. We can see Rajeev doing the rendition of the poem on the mike placed in the wings of the stage.

The words of this poem are written by Manmohan Tiwari, the only song of this film that is not written by Neeraj. Music composition is by Roshan. The singing voice is of Manna Dey – the song has been rendered with such flourish and emotional dexterity.

A stirring reminder again today, the price of breathing in free air is defined through examples like this episode from our history. The finale of the song brings us back into convergence of the historical and the present tense – “O Bharat Maa Teri Jai Ho”.

Whatever else may be our compulsions, our personal motivations, our limitations, our interests, I am sure none of us differs about this sentiment – “O Bharat Maa Teri Jai Ho”.

[Ed Note: With this post, all songs of this film are now represented on our blog. The film ‘Nai Umar Ki Nai Fasal’ is now yippeee’d.]

Song – Thi Shubh Suhaag Ki Raat Madhur  (Nai Umar Ki Nai Fasal) (1965) Singer – Manna Dey, Lyrics – Manmohan Tiwari, MD – Roshan

Lyrics (Provided by Avinash Scrapwala)

thi shubh suhaag ki raat madhur
madhu chalak rahaa tha kan kan mein
sapne jagtey the nainon mein
armaan machaltey the mann mein
sardaar magan mann jhoom raha
pal pal har ang phadakta tha
honthon par pyaas mahakti thi
praanon mein pyaar dhadakta tha
tab hi ghunghat mein muskaati

tab hi ghunghat mein muskaati
pag paayal cham cham chamkaati
raani antahpur mein aayi
kuch sakuchaati kuch sharmaati

mehndi se haath rache donon
maathe par kumkum ka teeka
gora mukhda muskaa de to
poonam ka chaand lagey pheeka
dheere se badh choodavat ne

dheere se badh choodavat ne
raani ka ghunghat pat khola
nas nas mein kaundh gayi bijli
peepal patte sa tan dola

adharon se adhar miley jab tak
lajja ke toote chhand band
rann-bigul dwaar par goonj uthaa aa
rann-bigul dwaar par goonj uthaa
shehnaayi ka swar huaa mand
bhuj bandhan bhoola aalingan
aalingan bhool gaya chumban
chumban ko bhool gayi saansen
saanson ko bhool gayi dhadkan
taj kar suhaag ki sej saji

taj kar suhaag ki sej saji
bola aa na yuddh ko jaaunga
teri kajraari alkon mein
mann moti aaj guthaaunga

pehle to raani rahi maun
phir kaal jwaal si bhabhak utthi
bin baadal bin barkhaa maano
kya bijli koyi kadak utthi
ghayal naagan si bhaunh taan
ghunghat ukhaadkar yoon boli
talwaar mujhe de do apni
tum pehan raho choodi choli
pinjde mein koyi band sher

pinjde mein koyi band sher
sehsa sote se jaag utthe
yaa aandhi andhad saath liye
jaise pahaad se aag utthe

ho gaya khadaa tan kar ranaa
haathon mein bhaala utthaa liya
har har bam bam bam mahadev
har har bam bam bam mahadev
kah kar rann ko prasthaan kiya

dekha pati ka jab veer vesh
pehle to raani harshaayi
phir sehmi tthitthki akulaayi
aankhon mein badli ghir aayi
paagal si gayi jharokhe par

paagal si gayi jharokhe par
par-kite hansini thi adheer
ghodey par chadhaa dikhaa ranaa
jaise kamaan par chadhaa teer

donon ki aankhen huyi chaar
choodavat phir sudhbudh khoyi
sandesh pathaa kar raani ko
mangwaaya prem chinh koi

sewak ja pahunchaa mehlon mein
raani se maangi sainaani
raani jhijhki phir cheekh utthi
boli kah de mar gayi raani

le khadag haath
phir kahaa thahar
le sainaani
le sainaani
ambar bola
le sainaani
dharti boli
le sainaani

rakh kar chaandi ki thaali mein
sewak bhaaga le sainaani
ranaa adheer bola badhkar
laa
laa
laa
laa
laa sainaani

kapda jab magar hataaya to
rah gaya khada moorat ban kar
lahuluhaan raani ka sir
hansta tha rakha thaali par
sardaar dekh kar chitkaar uttha
haa raani
haa meri raani
adbhut hai teri qurbaani
tu sach much hi hai kshatraani

phir ed lagaayi ghode par
dharti boli jai ho jai ho
haadi raani teri jai ho
o bharat maa teri jai ho
o bharat maa teri jai ho o
teri jai ho
o bharat maa teri jai ho o

————————————————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————————————-

थी शुभ सुहाग कि रात मधुर
मधु छलक रहा था कण कण में
सपने जगते थे नैनों में
अरमान मचलते थे मन में
सरदार मगन मन झूम रहा
पल पल हर अंग फड़कता था
होंठों पर प्यास महकती थी
प्राणों में प्यार धड़कता था
तब ही घूँघट में मुस्काती

तब ही घूँघट में मुस्काती
पग पायल छम छम छमकाती
रानी अन्तःपुर में आयी
कुछ सकुचाती कुछ शरमाती

मेहँदी से हाथ रचे दोनों
माथे पर कुमकुम का टिका
गोरा मुखड़ा मुस्का दे तो
पूनम का चाँद लगे फीका
धीरे से बढ़ चूंडावत ने

धीरे से बढ़ चूंडावत ने
रानी का घूँघट पट खोला
नस नस में कौंध गयी बिजली
पीपल पत्ते सा तन डोला

अधरों से अधर मिले जब तक
लज्जा के टूटे छंद बन्द
रण बिगुल द्वार पर गूँज उठा आ

रण बिगुल द्वार पर गूँज उठा
शहनाई का स्वर हुआ मन्द
भुज बंधन भूला आलिंगन
आलिंगन भूल गया चुम्बन
चुम्बन को भूल गयी साँसें
साँसों को भूल गयी धड़कन
तज कर सुहाग कि सेज सजी

तज कर सुहाग कि सेज सजी
बोला॰॰आ न युद्ध को जाऊँगा
तेरी कजरारी अलकों में
मन मोती आज गुंथाऊंगा

पहले तो रानी रही मौन
फिर काल ज्वाल सी भभक उठी
बिन बादल बिन बरखा मानो
क्या बिजली कोई कड़क उठी
घायल नागन सी भौंह तान
घूँघट उखाड़कर यूं बोली
तलवार मुझे दे दो अपनी
तुम पहन रहो चूड़ी चोली
पिंजड़े में कोई बंद शेर

पिंजड़े में कोई बंद शेर
सहसा सोते से जाग उठे
या आंधी अंधड़ साथ लिए
जैसे पहाड़ से आग उठे

हो गया खडा तन कर राणा
हाथों में भाला उठा लिया
हर हर बम बम बम महादेव
हर हर बम बम बम महादेव
कह कर रण को प्रस्थान किया

देखा पति का जब वीर वेश
पहले तो रानी हर्षाई
फिर सहमी ठिठकी अकुलाई
आँखों में बदली घिर आई
पागल सी गयी झरोखे पर

पागल सी गयी झरोखे पर
पर-कटी हंसनी थी अधीर
घोडे पर चढ़ा दिखा राणा
जैसे कमान पर चढ़ा तीर

दोनों कि आँखें हुयी चार
चूंडावत फिर सुधबुध खोयी
सन्देश पठा कर रानी को
मंगवाया प्रेमचिन्ह कोई

सेवक जा पहुंचा महलों में
रानी से मांगी सैनाणी
रानी झिझकी फिर चीख उठी
बोली कह दे मर गयी रानी

ले खड्ग हाथ
फिर कहा ठहर
ले सैनाणी
ले सैनाणी
अम्बर बोला
ले सैनाणी
धरती बोली
ले सैनाणी

रख कर चांदी कि थाली में
सेवक भागा ले सैनाणी
राणा अधीर बोला बढ़कर
ला
ला
ला
ला
ला सैनाणी

कपडा जब मगर हटाया तो
रह गया खडा मूरत बन कर
लहुलुहान रानी का सर
हंसता था रक्खा थाली पर

सरदार देख कर चीत्कार उठा
हा रानी
हा मेरी रानी
अद्भुत है तेरी कुर्बानी
तू सचमुच ही है क्षत्राणी

फिर एड़ लगाई घोड़े पर
धरती बोली जय हो जय हो
हाड़ी रानी तेरी जय हो
ओ भारत माँ तेरी जय हो ओ
ओ भारत माँ तेरी जय हो
तेरी जय हो
ओ भारत माँ तेरी जय हो

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4088 Post No. : 15229

“Coffee House”(1957) was produced and directed by Hari Walia for Niti Arts Productions, Bombay. This movie, whose prints are lost had Geeta Bali, Shammi Kapoor, Vijaylaxmi, Jeevan, Bhagwan, Chanchal, Kumud Tripathi, Pal Sharma, Raja Kapoor, Helen etc in it.

Two songs from this movie has been discussed in the past. Here is the tird song from “Coffee House”(1957) to appear in the blog. This song is sung by Geeta Dutt. Prem Dhawan is the lyricist. Music is composed by Roshan, as mentioned earlier.

From the sounds of it, the song appears to be a club dance song/ cabarat dance song.

Only the audio of this song is available. The prints of this movie are lost. It was a fond wish to Shammi Kapoor to be able to watch this movie seeing that it also starred Geeta Bali who would later become his wife.

I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Ye hawa ye fizaa ye samaa (Coffee House)(1957) Singer-Geeta Dutt, Lyrics-Prem Dhawan, MD-Roshan

Lyrics

ye hawa
ye fiza
ye samaa
aaj hai
kis kadar haseen jahaan
shaam hai
jaam hai
saathi hai
sun hi le
dil ki sau daastaan

jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa

husn ki ye meharbaaniyaan phir kahaan
husn ki ye meharbaaniyaan phir kahaan
ishq ki rangeen kahaaniyan phir kahaan
phir kahaan ye sama
ye sama phir kahaan
aa dil ki mehfil mein
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa

ye nigaah
ye dil ki mastiyaan
ye ada
ye nigaah
ye dil ki mastiyaan
ye ada
tez hai kuchh aaj dhadkanon ki sada
ye sada sun zara
sun zara ye sada
aa dil ki mehfil mein
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15981

Number of movies covered in the blog

Movies with all their songs covered =1227
Total Number of movies covered =4375

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