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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Celebration Song’ Category


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is a very special day for all HFM lovers. It is the birth anniversary of one of the most beloved of artistes, and one of the greatest and most respected. I am, of course, talking about the one and only Rafi Saab.

Had he been alive today, he would have completed 93 years. But as fate would have it, he left us in 1980 itself, when he was barely 55. One does not have control over these matters – one can only have fond memories of the person concerned, and enjoy the rich legacy that he or she has left behind.

And WHAT A LEGACY Rafisaab has left behind!

There’s not a single day that his songs are not aired on the Indian radio channels. And I am not talking about just the odd song – we are talking about the chance that every programme (not deliberately exclusionary) that has songs up to 1980 having at least one Rafisaab song. He was just so prolific and his songs just so popular.

There’s also not a single day that I do not sing (to myself only, of course 🙂 ) a Rafisaab song. I sing a lot sub-consciously, it is second nature to me (although it might be an irritant to others). And often the song is a Rafi Saab song. It could be a sad song or a happy song, a bhajan or a qawwali, one of his early songs (like “Yahaan Badla Wafaa Ka. . .”) or one of his 1970s songs (like “Main Tere Dar Pe Aaya Hoon”- one of my favourites from his later years).  But whatever it is, a Rafi Saab song always seems to be on my lips.

Just like Rafisaab is always in my heart.

Which is why I am writing this hurried tribute to him on this occasion. It is hurried because I am already late on this and am writing this post on the day, instead of at least a day earlier, allowing Atul or Sudhirji some time to process it. I hope they are still able to post it on Rafi Saab’s anniversary. If not, a day later is ok too.

It is also hurried because I have suddenly a lot of family-related demands on my time. This has been the situation for more than a month now – there has been a wedding in the family, a lot of work to be done for it, a whole lot of visitors/family arriving to attend, some illnesses in the family, Christmas time (always busier than usual because of family visiting anyway), etc. Due to all this, I have been very limited in my social activities of late. I’ve hardly visited the blog (a lot of catching up to do!), hardly been on other social media either. Family has taken precedence over everything else.

In spite of all this, I was hoping to be able to come up with a Rafi Saab post in time. Whether I miss other occasions or not, I almost always try to write a post, however short, on Rafi Saab’s birth and death anniversaries. But even that has not happened. One big reason is that I’m going to bed very early nowadays. I sleep by 10.30 pm or so – earlier I would sleep after midnight! That extra hour or two in the night would be peaceful – it would give me time for social media, writing and catching up on posts. During the daytime, there’s little chance of being able to concentrate on anything, with lots of people around. 🙂

But I digress – this post isn’t about me, it’s about Rafi Saab. So back on topic. (I still haven’t lost the habit of digressing, have I? 🙂 ). So here I am – with this hurried post. It might not be 2000 words long (do I hear a sigh of relief?), but it is a tribute to Rafi Saab straight from the heart.

After all, Rafi Saab’s songs went straight to the heart, didn’t they? He sang every song, sad or happy, with such love and dedication that you could sense he gave it his best. Not all songs were successful commercially (and that’s natural when you’ve sung so many thousands) but you could rarely fault Rafi Saab for this. And his dedication was the same, whether he was singing for a big composer or a small composer. In that respect, Rafi Saab was a true professional, who did full justice to his art. In fact, Rafisaab worshipped it. It was his humility that always made him refer to his divine voice as a gift from above. He used to point upwards whenever someone complimented him on a song.

I’ve written often enough about how I became a Rafi Saab fan in an era when he was considered to be “down and out” – an era when Kishore Kumar reigned. The early 70s. I am a huge fan of Kishore Kumar too – there’s no contradiction here at all. When you truly love music, you just soak in all the great music that is out there, and be thankful for it.  At least I, for one, don’t like to pit one artiste against another. Once I became a Rafi Saab fan, I listened to his songs more intently – and realized how pure his voice is. Truly divine.

The other thing that makes Rafisaab very special for me is the PERSON he was. It is very easy for a person successful in his field to let this success get to his head. There are many examples of this. But to remain level-headed, and not just that, but also to be humble and big-hearted enough to help others to achieve success too, is a rare quality.

Rafi Saab is highly respected, not just in the industry, but by millions outside it, for this quality. Stories abound of how big-hearted he was. Even at the height of his success, he would sing for absolutely new composers – that too for a token amount. There are many such stories about him. His humility, no airs, always there to help anyone in need. He was far more than “just another great artist” in the industry.

How can you then NOT respect such a person, or hold him in special regard? So for me, Rafisaab is a very very very special person. As many say in interviews about him “Rafi Saab Khuda ke bande the”. God does not seem to make them like him anymore.

So, the 24th of December 1924, when he was born will always be a special day for me. And every year, the 24th of December is a date we should all remember and celebrate. Christmas is a day later, but for us HFM lovers, celebrations start a day earlier.

Now onto the song for today.

Despite time constraints, I spent a lot of time looking for a suitable Rafi Saab song last evening. I found a wonderful short and sweet, song which I was all set to post – but then realized it has already been posted. (A song from the film ‘Saaranga’ (1960) – I left a comment on the song on the blog). Anyway, during the search process, I happened to hear this song for the first time yesterday. I quite liked it – it’s a cheerful, positive song, and fit for a celebration.

The song is from the film ‘Wanted’ of 1961. I haven’t seen the film, but since it is directed by NA Ansari, it’s probably a fun film, worth watching. 🙂 . This song is picturised on Vijay Kumar (brother of Johnny Walker) and Saeeda Khan. (I remember Vijay Kumar from ‘Kaun Apna Kaun Paraya’ (1963), opposite Waheeda Rehman, lip-synching to the lovely “Zara Sun Haseena e Naazneen”.) I think I recognize Bela Bose amongst the other dancers. The lyricist-composer duo is Shakeel Badayuni and Ravi. It is a pleasant song that I took an instant liking to. I hope you like it too.


Song – Aayi Zindagi Ki Raat Chhodo Kal Pe Kal Ki Baat (Wanted) (1961) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Shakeel Badayuni, MD – Ravi
Male Chorus
Female Chorus
All Chorus

Lyrics

aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke

kadam kadam pe shokhiyaan
nazar nazar hijaab hai
nayi nayi umang hai
naya naya shabaab hai
hoo oo oo oo oo
kadam kadam pe shokhiyaan
nazar nazar hijaab hai
nayi nayi umang hai
naya naya shabaab hai
aaj husn ishq ka hai kya haseen saath
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke

aayi zindagi ki raat
(aaa aaa aaa aaa aaa)
chhodo kal pe kal ki baat
(aaa aaa aaa aaa aaa)

naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)
ho naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)

aayi zindagi ki raat
(aaa aaa aaa aaa aaa)

chhodo kal pe kal ki baat
(aaa aaa aaa aaa aaa)

naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)

ho naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)

ha ha ha ha ha ha ha ha ha
ho ho ho ho ho ho ho ho ho

adaa adaa mein mastiyaan
tarang ang ang mein
range hue hain dil sabhi
mohabbaton ke rang mein
aa aa aa aa aa
adaa adaa mein mastiyaan
tarang ang ang mein
range hue hain dil sabhi
mohabbaton ke rang mein
bekhudi ke haath mein hai zindagi ka haath
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke

aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के

कदम कदम पे शोखियाँ
नज़र नज़र हिजाब है
नई नई उमंग है
नया नया शबाब है
हो ओ ओ ओ ओ
कदम कदम पे शोखियाँ
नज़र नज़र हिजाब है
नई नई उमंग है
नया नया शबाब है
आज हुस्न इश्क़ है क्या हसीन साथ
नाचो झूम झूम के
हो नाचो झूम झूम के

आई ज़िंदगी की रात
(आ आ आ आ आ)
छोड़ो कल पे कल की बात
(आ आ आ आ आ)
नाचो झूम झूम के
(आ आ आ आ आ)
हो नाचो झूम झूम के
(आ आ आ आ आ)

आई ज़िंदगी की रात
(आ आ आ आ आ)
छोड़ो कल पे कल की बात
(आ आ आ आ आ)
नाचो झूम झूम के
(आ आ आ आ आ)
हो नाचो झूम झूम के
(आ आ आ आ आ)

अदा अदा में मस्तियाँ
तरंग अंग अंग में
रंगे हुए हैं दिल सभी
मोहब्बतों के रंग में
आ आ आ आ आ
अदा अदा में मस्तियाँ
तरंग अंग अंग में
रंगे हुए हैं दिल सभी
मोहब्बतों के रंग में
बेखुदी के हाथ में है ज़िंदगी का हाथ
नाचो झूम झूम के
हो नाचो झूम झूम के

आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post is the 13600th post, 600th song of Sahir Ludhianvi and 1100th post of Sudhir Jee in the blog.

One more song that I can’t believe has not yet been included in the annals of our blog. Such a melodious, lilting and fast paced lovable song. It used to be aired on the radio quite regularly, and was one of the listening favorites. The vintage is 1964, and so quite well still retained in the memory. As I started to search for a Sahir song for this post today, I was not quite satisfied with some of the ones that showed up as possible candidates. You see, as we progress and post more songs, and the artist counts starts to close in to their total no. of songs, then in all likelihood, the better ones, the favorite ones are mostly accounted for on the blog. So if one is looking for a favorite song as a representative work of an artist, it becomes quite an effort to locate one.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

On this blog, Atul has a page for birthdays of various Hindi film artistes. He has meticulously kept track of these dates and makes it a point, as much as possible, to post a song honouring the artiste on the concerned date. That is like a doctor treating his patients.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

nand ghar anand bhayo
jai kanhaiyya lal ki

Greetings all friends on this auspicious celebration of Nandotsav today. Just a little while back, the prayers and aartis were being held in all temples celebrating the anniversary of the appearance of Krsna, in a jailhouse in Mathura. The main telecast was coming from the Janambhoomi temple in Mathura itself. All temples were crowded with devotees who had come for the darshan of infant Krsna, who appeared to Devaki and Vasudev during their confinement in the prison of Kans, the cruel and vengeful king of Mathura.  And worse, Kans was the cousin brother of the very lady, Devaki, whom he had imprisoned. The story of that confinement and of the reasons behind it has been told many times.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
——————————————————-
# Bhoole-Bisre Geet # 26 # Singer- Kishore Kumar-5 #
——————————————————-

I have been longing to share some posts which have been delayed much due to one reason or the other. This song post is one of them. And I can number it as a ‘vacation nostalgia-post-1’, because I have to share one more in this series.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ganga Ki Saugandh” (1978) was an Sultan Ahmad production. It had Amitabh Bachchan, Rekha, Pran, Amjad Khan, I S Johar, Bindu, Anju Mahendru etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is just past midnight. It continues to be chillingly cold here in Delhi. The standoff is ongoing in the struggle with the beckoning blankets, as the mind is trying its best to continue staying at the keyboard and thwart all the enticements of a cozy quilt. So far so good.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Time to take a breather. Ah, well, not on Atul-Song-a-Day blog. For the celebrations are afoot, and the special songs have to be processed and posted, in time for deadlines.

Talking about deadlines, in the past week to ten days, we have been missing quite a few of them. I was in email communication with Atul ji earlier today. You see, he had informed us well in advance that his family will be with him during the closing weeks of the year, and he would have very little time to devote to the blog activities. Ah yes, when the boss is around, . . . . 🙂
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today we are going to get introduced to yet another great singer from Gujarat, who was so popular in the 50s that people called him ” King of Prabhatiyas “. Prabhatiya is a kind of Bhajan sung in the early hours of mornings, just when the Sun is about to rise.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aap Beeti” (1977) was produced and directed by Mohan Kumar. The movie had Shashi Kapoor, Hema Malini, Premnath, Mehmood, Ashok Kumar, Sujit Kumar, Asrani, Aruna Irani, Nirupa Roy, Madan Puri, Kumari Naaz, Piloo.J.Wadia, Dulari, Ram Mohan, Chaman Puri, Junior Mehmood, Kamal deep, Sadhu Singh, Kuljeet, James Bond, Rirkoo, Kamal, C.L.Shah etc. Then this movie also had Helen, Chitra, Gulshan Bawra, Tuntun and Birbal in guest appearances.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13930

Number of movies covered in the blog

Movies with all their songs covered =1050
Total Number of movies covered =3798

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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