Archive for the ‘mother-child song’ Category
Teri main balaayen loon
Posted on: July 18, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4748 | Post No. : | 16480 |
Hullo Atuldom
Mangte Chungneijang Mary Kom (born 24 November 1982) is an Indian amateur boxer, politician, and incumbent Member of Parliament, Rajya Sabha. She is the only female to win the World Amateur Boxing Championship six times, the only female boxer to have won a medal in each one of the first seven World Championships, and the only boxer (male or female) to win eight World Championship medals. Nicknamed Magnificent Mary, she is the only Indian female boxer to have qualified for the 2012 Summer Olympics, competing in the flyweight (51 kg) category and winning a bronze medal.
She had also been ranked as the world’s No. 1 female light-flyweight by the International Boxing Association (amateur) (AIBA). She became the first Indian female boxer to win a gold medal in the Asian Games in 2014 at Incheon, South Korea and is the first Indian female boxer to win gold at the 2018 Commonwealth Games. She is also the only boxer to become Asian Amateur Boxing Champion for a record six times. She was awarded the Padma Vibhushan, India’s second highest civilian award, in 2020. She is also a recipient of the Rajiv Gandhi Khel Ratna award in 2009 and Arjuna award in 2003.
Born as the eldest child, in Manipur, to parents who were tenant farmers, Mary Kom had her schooling at various schools of the Churachandpur district of Manipur. She was participated in all kinds of athletic events specially javelin throw and 400 metres running. She was among the youngsters who were inspired by Dingko Singh, 1998 Bangkok Asian Games Gold medal winner in Boxing and a fellow Manipuri. She switched from athletics to Boxing but kept it a secret from her father who was an ex-wrestler. The family got to know of her involvement in Boxing when her photo appeared in a newspaper when she won the state championship in 2000. Mary Kom is married to footballer Karung Onkholer (Onler) and has three sons including twins. She resumed her training and went back to her winning ways after the birth of her first two children.
(All the above information I have extracted from Wikipedia)
There was a biographical film on her life in 2014 where Priyanka Chopra enacted the role of Mary Kom. The movie had many lesser known actors playing her husband, coach, family etc. Only Shishir Sharma, who played the National Level coach, was the other known face. Even the music composers- Shashi Suman and Shivamm Pathak- were new along with the lyricists Sandip Ssingh and Prashant Ingole. The movie was directed by Omung Kumar and produced jointly by Sanjay Leela Bhansali and Viacom18 Motion Pictures. The movie was decent and showed incidents in a cinematic way. So I would suggest that anyone who sees the movie should not complain that details shown is not as it happened in Mary Kom’s life.
How did I land on this movie? Well I was thinking up a post on Priyanka Chopra for her birthday as she turns a year older on 18th July. I was going through her filmography and found that she had sung a few songs in her career which began in 2002 in a Tamil film and 2003 in the Sunny Deol- Preity Zinta starrer ‘Hero: Love Story of a Spy’.
She was Miss World 2000. She has done a whole of gamut of characters including a negative shaded Sonia Kapoor in ‘Aitraaz’ in 2004 for which she got a lot of critical acclaim and nominations/ awards as Best supporting actress and Best performance in a Negative Role. Priyanka has also won the National award for her performance in ‘Fashion’ (2008). If I may add she also managed to find a footing on American Television in the series ‘Quantico’ in 2015.
The song with today’s post is the one she has sung in her own voice. I haven’t seen ‘Mary Kom’ completely so I don’t know if the video accompanying the song is how it happens in the movie or whether the video uploaded on YouTube is a cleverly stitched affair.
Happy Birthday Piggy Chops (a nickname she got during the shoot of BluffMaster! in 2005)
(may not be from original soundtrack)
Audio
Song-Teri main balaayen loon (Mary Kom)(2014) Singer-Priyanka Chopra, Lyrics-Sandeep Singh, MD-Shivam Pathak
Lyrics
teri main balaayein loon
tujhe main duaayein doon
tujhko main
khushiyon ke saaye doon oon
khwaabon ko sajaaye tu
aankhon mein basaaye tu
tujhko main
doon sab jo chhaahe tu u
saari raat ye pehra kare
keh doon chaand taaron ko o
chaaoro chaaoro
ichha paari chaaoro
chaaoro chaaoro
ichha paari chaaoro
jaag jaaye na tu
jaagoon raaton mein
jhoole jhoola tu
mere haathon mein
teri choomoon aankhein main
baithh sirhaane
saari raat ye pehra karein
keh doon chaand taaron ko
chaaoro chaaoro
ichha paari chaaoro
chaaoro chaaoro
ichha paari chaaoro
mmmm hmmm
aaaa ahaaa
haa aaa
mmmm hmmm
mmmm hmmm
aaaa ahaaa
haa aa
Maine maa ko dekha hai
Posted on: May 9, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4678 | Post No. : | 16356 |
Hullo Atuldom
The last time I had written a post for Mother’s Day was in 2016 – Mere chehre mein chhupa hai meri maa ka chehra . In that post I had mentioned how the idea of mother’s day came about. This day has been celebrated in the USA since 1914 as per a proclamation by Woodrow Wilson declaring the second Sunday of May as Mother’s Day.
As far as Indians are concerned everyday is Mother’s Day. Only thing is in the last few decades, with the increase in number of youngsters staying away from their families for studies or work or whatever reason, Mother’s Day is another day that we have started aping the west. We find youngsters definitely calling their mothers to wish, and some even send her some gifts.
There are numerous messages that will flood the social media on Mother’s Day. But a Mother will normally wait only for her children’s messages i.e. if it is not possible for the children to be physically present with her. Then there will be some somber message that will say “learn to appreciate your mother, for some are not as blessed as you”. And still others will say “what does she ask for, only a smile or a message that you are fine”. In all these years of being active on social media, I have not come across any message whose wordings have remained in my memory. But what I have stated above is the general gist of messages that will be in our INBOX on this Sunday, it being the second Sunday of May 2021.
And we must salute the mothers of the modern era. The amount of juggling that they need to do so that the schedule of the family is not upset. And most mothers also are earning members of the family. Till atleast a generation before us, these women who were working to earn, so as to supplement the family income, were seen preparing all meals for the family before they themselves left for their work. And on returning home head straight to the kitchen to make dinner and also engage the children with their studies and attend to whatever other responsibilities that she was meant to do. Being a mother had become a though job, and any lady who was not an expert at that kind of juggling was looked down upon.
In my student days, I used to commute by the Mumbai local trains and I have seen ladies shelling PEAS, cleaning coriander etc in the train. There were (don’t know if this is still happening in the trains) enterprising hawkers who used to sell vegetables and fruits, procured from the markets on the local trains of Mumbai. And to be honest, it must have been helpful to the lady travelers as it may have saved them shopping time.
I also know of mothers who have given up on well paying jobs so that they can devote all their attention to the family and children. These ladies doubled up as private tutors so that they didn’t waste their free time and could still contribute monetarily to the family.
And let me not miss talking about a generation of mothers, who are currently in their 80s and beyond. These ladies may not have been as fortunate, as say even the current 50/60 – year old mothers, in terms of getting beyond class 10 in education. But these ladies too, have reared a generation of individuals and instilled values of humanity, taught their children the importance of education and being good citizens – gender no bar. My mother would not have felt proud of her children’s achievements if my grandmother had not encouraged her to study and complete her graduation in spite of being married and a mother to 4 growing up children.
If my mother had been there she would have wished my grandmother just as me and my siblings would have fussed over our mother and my children pamper me on mother’s day. This is the day I also thank the mother in my mother-in-law for being my go-to person whenever I am in trouble, upset or celebrating. I simply love to be around her and learn how she has lived 74 years of her life as a mother.
Mothers have a special place in Indian stories and as an extension of these stories in Indian cinema too. We have movies titled “Maa” (three in our blog itself), “Maa Beta”, “Maai Baap”, “Maa aur Mamta”, “Maa Baap” (two movies with this title in our blog) etc.
In addition we have the classic “Mother India” where the lady had a powerful place in the life of her family members. Saw this movie, recently, with a conscious mind. I was amazed at the strength of the character that Nargis played. This lady could plough her field along side her husband and sons. She wielded a lathi when her son went out-of-line and her teachings; as also on the mean-money minded- lala (moneylender) when he misbehaved with her. This mother-character was a lady made of steel and didn’t tolerate when her son went on to abduct a bride of the village and didn’t hesitate to shoot him in spite of him being her son.
I have seen and read interviews of actresses of the next generation and they all used to say that they want at least one role in there life like the one Nargis played in “Mother India” and realized only now the full meaning of the wish of all these later year actresses.
But that is another story, let us get to today’s song. It is from the 1970 release “Mastaana”. This movie was directed by A. Subba Rao, produced by Premji, had seven songs penned by Anand Bakshi and composed by Laxmi-Pyare. It had a cast headed by Mehmood- Padmini- Bharati- Vinod Khanna and had Shyama, Rehman, Mukri, Leela Mishra, Manorama, Jayshree T., Ramesh Deo, wonder- child (that is how it was in the movie’s titles) Bobby etc. It was an emotional movie showing the bond between a poor-honest man Satya (Mehmood) and Naintara (Baby Bobby) a child of rich parents who misses having her parents when she needs them the most. The movie is a must-see for all Mehmood fans as he was too good in the emotional scenes. This is one of the movies (the other being ‘Lakhon Mein Ek’) where he makes his audience shed a tear or two in addition to making us laugh.
This song is sung by the child Naintara as a stage song at her school’s Parents Day. The parents don’t have time to attend the programme and depute the child’s nanny (Manorama). The child, on her part, takes Satya along for the program and Satya on his part sits in the aisle. The playback for this song is by Lata Mangeshkar.
Salutation and Best wishes to all mothers. Awaiting Father’s Day (in about a month).
Editor’s note-With this song, Anand Bakshi silently completes 1100 songs in the blog as a lyricist. Only the third lyricist (after Rajinder Krishan and Majrooh Sultanpuri) to touch this mark in the blog.
Song-Maine maa ko dekha hai (Mastaana)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
maine maa ko dekha hai,
dekha hai maa ko dekha hai
maa ka pyaar nahin dekha
maine maa ko dekha hai,
maa ka pyaar nahin dekha
maine phool toh dekhe hain,
dekhe hain phool toh dekhe hain
phoolon ka haar nahin dekha
maine maa ko dekha hai,
maa ka pyaar nahin dekha
maine maa ko dekha hai
waise toh ghar mein maa ki tasveer hai ae ae
waise toh ghar mein maa ki tasveer hai
lekin meri kab aisi taqdeer hai
kabhi jo ghabraaoon,
gale se lag jaaoon
agar naa neend aaye
toh lori woh gaaye
mera mann jiska pyaasa hai
pyaasa hai jiska pyaasa hai
woh laad dulaar nahin dekha
maine maa ko dekha hai,
maa ka pyaar nahin dekha
maine maa ko dekha hai
waise meri maa ka dil toh sakht nahin ee ee
waise meri maa ka dil toh sakht nahin
par uske paas zara bhi waqt nahin
hai uska naam bada
hai usko kaam bada
woh devi mamta ki,
hai leader janta ki
maa ke photo ke bina,
bina ji photo ke bina
koi akhbaar nahin dekha
maine maa ko dekha hai,
maa ka pyaar nahin dekha
maine maa ko dekha hai
pyaari pyaari hai woh bholi aisi hai ae ae
pyaari pyaari hai woh bholi aisi hai
kal aaya se poochha baby kaisi hai
meri maa sachchi hai,
badi hi achchi hai
yeh uska dosh nahin
use kuchh hosh nahin
maa ne duniya dekhi hai,
dekhi hai duniya dekhi hai
ghar sansaar nahin dekha
maine maa ko dekha hai,
maa ka pyaar nahin dekha
maine phool toh dekhe hain
dekhe hain phool toh dekhe hain
phoolon ka haar nahin dekha,
maine maa ko dekha hai
So ja nanhe mere tu to so jaa
Posted on: March 31, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4639 | Post No. : | 16298 |
Hullo Atuldom
“Ek Hi Raasta” (1956) was a movie that was produced and directed by B.R.Chopra with story-screenplay- dialogue written by Pt. Mukhram Sharma. Its songs were penned by Majrooh Sultanpuri and composed by Hemant Kumar who had Ravi as assistant and Yash Chopra was assistant to B R Chopra.
This is a movie which I saw only recently. It is popular as a movie on widow remarriage. But it dealt with a lot more.
It showed the young lady’s problems after her remarriage. It showed that the lady had a problem getting her son to accept the new man in her life as his father in spite of the new father being his own father’s boss and friend as also the little one’s. The movie tried to find the mental challenges a little boy faces when he is not told the whole truth regarding his father’s death. There are more complexities when the lady gives birth to a baby from her second marriage. The little boy leaves his foster father’s home with his infant brother in search of his father and mother. There are some tense moments (I was on the edge of my seat) before the movie comes to a close.
Daisy Irani (credited as Raja alias Roop Kumar in the movie’s titles) was simply brilliant. And who better to play the young mother than Meena Kumari.
Meena Kumari may have been typecast as a tragedy queen but there have been movies where she has shown her comic timing as in “Azaad”; “Mem Sahib”; “Miss Mary” etc. This movie too had comic moments between Sunil Dutt, Daisy Irani and Meena Kumari. There are also scenes that show her dancing capabilities.
This movie had eight songs and the blog has five of them. Two of the songs are in the same video on YouTube maybe because they follow each other in the movie with a very small dialogue in between.
| Song | Date of posting |
|---|---|
| Chali gori pee ke milan ko chali | 31 January 2009 |
| Saaanwle salone aaye din bahaar ke | 21 April 2009 |
| Bade bhaiyya laaye hain London se chhori | 11 April 2012 |
| Chamka ban kar aman ka taara | 15 august 2012 |
| Bekas ki aabroo ko neelaam kar ke chhoda | 27 November 2012 |
The above are the songs from “Ek Hi Raasta” that are on the blog. The last post was in November of 2012. Don’t know how the movie has missed being YYIIPPEEEED. This post hopes to take it one step closer.
Meena Kumari was barely 38 when she bid goodbye to this world in 1972. Unbelievable that it is 49 years ago. Paying tribute to this uniquely beautiful lady who had a sweet voice too.
Today’s song is in the voice of Lata Mangeshkar, the first part of the song being in Hemant Kumar’s voice. It shows the young mother trying to forget her pain and put her son to sleep and how both of them are missing the father.
Song-So jaa nanhe mere tu to so jaa(Ek Hi Raasta)(1956) Singers-Hemant Kumar, Lata, Lyrics-Majrooh Sultanpuri, MD-Hemant Kumar
Lyrics
bhola bachpan
dukhi jawaani
lambi sooni raahon mein
nikle dard liye manzil ka
do khaamosh nigaahon mein
kaun kahe raahi ko
kitni door kahaan tak jaana hai
jeewan ki sunsaan dagar mein
kab tak thokar khaana hai
so jaa nanhe mere
tu toh so ja
tu toh so o o ja
so jaa nanhe mere
tu toh so ja
tu toh so o o ja
jaagne ko pade hai
abhi din tere
tu toh so ja
so jaa nanhe mere
tu toh so ja
tu toh so o o ja
laut kar phir na aayenge
bachpan ke din
laut kar phir na aayenge
bachpan ke din
kho ja sapnon mein
tu mere aansoo na gin
tera nanha sa dil
mera gham kyun kare
tu toh so ja
so ja nanhe mere
tu toh so ja
tu toh so o o ja aa
mera saathi chhoota
meri kismat luti
mera saathi chhoota
meri kismat luti
aansuon ki toh ab hai meri zindagi
jaagna meri taqdeer hai baaware
tu toh so ja
so ja nanhe mere
tu toh so ja
tu toh so o o ja
so ja nanhe mere
tu toh so ja
tu toh so o o ja
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4616 | Post No. : | 16250 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXIV: Year 1970
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1970.
In 1970, 98 Hindi movies containing 805 songs were released. Lata Mangeshkar got to sing in 54 of these movies and she sang 129 songs in these movies. So Lata Mangeshkar’s voice was heard in 55.1 % of the movies released in 1969. Her voice was heard in 16 % of the songs appearing in the movies of 1970.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1970 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aan Milo Sajna | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
| 2 | Anand | Salil Chaudhary | 1 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 3 | Aansoo Aur Muskaan | Kalyanji Anandji | 1 | 2 | 2 | 0 | 0 | 0 | Indeewar |
| 4 | Abhinetri | Laxmikant Pyarelal | 3 | 6 | 4 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 5 | Bachpan | Laxmikant Pyarelal | 2 | 3 | 3 | 0 | 0 | 0 | Anand Bakshi |
| 6 | Bhagwan Parshuram | Jai Kumar | 0 | 1 | 1 | 0 | 0 | 0 | Madan |
| 7 | Bhai Bhai | Shankar Jaikishan | 0 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 8 | Daghaabaaz | Dilip Roy | 0 | 2 | 2 | 0 | 0 | 0 | B D Mishra |
| 9 | Darpan | Laxmikant Pyarelal | 2 | 3 | 3 | 0 | 0 | 0 | Anand Bakshi |
| 10 | Dastak | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 11 | Devi | Laxmikant Pyarelal | 1 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 12 | Dharti | Shankar Jaikishan | 4 | 4 | 2 | 2 | 0 | 0 | Rajinder Krishan (2) Hasrat Jaipuri (2) |
| 13 | Ehsan | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 14 | Geet | Kalyanji Anandji | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi (2) Hasrat Jaipuri (1) |
| 15 | Ghar Ghar Ki Kahaani | Kalyanji Anandji | 0 | 2 | 2 | 0 | 0 | 0 | Rajinder Krishan (1) Hasrat Jaipuri (1) |
| 16 | Gopi | Kalyanji Anandji | 3 | 3 | 1 | 2 | 0 | 0 | Rajinder Krishan |
| 17 | Harishchandra Taramati | Hridaynath Mangeshkar | 1 | 4 | 4 | 0 | 0 | 0 | Veerendra Mishra |
| 18 | Heer Ranjha | Madan Mohan | 4 | 4 | 3 | 0 | 0 | 1 | Kaifi Azmi |
| 19 | Himmat | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 20 | Holi Aayee Re | Kalyanji Anandji | 2 | 2 | 1 | 0 | 0 | 1 | Indeewar |
| 21 | Humjoli | Laxmikant Pyarelal | 2 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 22 | Ishq Par Zor Nahin | S D Burman | 5 | 5 | 4 | 1 | 0 | 0 | Anand Bakshi |
| 23 | Jawaab | Laxmikant Pyarelal | 1 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 24 | Jeewan Mrityu | Laxmikant Pyarelal | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 25 | Johny Mera Naam | Kalyanji Anandji | 2 | 2 | 2 | 0 | 0 | 0 | Indeewar |
| 26 | Jwaala | Shankar Jaikishan | 1 | 6 | 3 | 1 | 1 | 1 | Rajinder Krishan (5) Shailendra (1) |
| 27 | Kab Kyon Aur Kahaan | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 28 | Kati Patang | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 29 | Kaun Ho Tum | Usha Khanna | 0 | 1 | 1 | 0 | 0 | 0 | Raja Mehdi Ali Khan |
| 30 | Khilauna | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 31 | Maa Aur Mamta | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
| 32 | Maharaja | Madan Mohan | 1 | 1 | 1 | 0 | 0 | 0 | Kaifi Azmi |
| 33 | Man Ki Aankhen | Laxmikant Pyarelal | 2 | 2 | 0 | 2 | 0 | 0 | Sahir Ludhianvi |
| 34 | Mastaana | Laxmikant Pyarelal | 1 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 35 | Mere Humsafar | Kalyanji Anandji | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 36 | Pagla Kahin Ka | Shankar Jaikishan | 2 | 2 | 1 | 1 | 0 | 0 | Hasrat Jaipuri |
| 37 | Pardesi | Chitragupta | 4 | 4 | 3 | 0 | 1 | 0 | Majrooh Sultanpuri |
| 38 | Pavitra Paapi | Prem Dhawan | 1 | 1 | 1 | 0 | 0 | 0 | Prem Dhawan |
| 39 | Pehchaan | Shankar Jaikishan | 1 | 1 | 0 | 1 | 0 | 0 | Verma Malik |
| 40 | Prem Pujaari | S D Burman | 3 | 3 | 2 | 1 | 0 | 0 | Neeraj |
| 41 | Priya | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 42 | Purab Aur Paschim | Kalyanji Anandji | 1 | 1 | 0 | 0 | 0 | 1 | Santosh Anand |
| 43 | Pushpaanjali | Laxmikant Pyarelal | 2 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 44 | Raaton Ka Raja | R D Burman | 1 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 45 | Saas Bhi Kabhi Bahu Thhi | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 46 | Sachcha Jhoothha | Kalyanji Anandji | 2 | 2 | 0 | 2 | 0 | 0 | Qamar Jalalabadi (1) Indeewar (1) |
| 47 | Safar | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 48 | Samaaj Ko Badal Daalo | Ravi | 2 | 3 | 1 | 1 | 1 | 0 | Sahir Ludhianvi |
| 49 | Sau Saal Beet Gaye | Usha Khanna | 0 | 4 | 2 | 2 | 0 | 0 | Indeewar |
| 50 | Sharaafat | Laxmikant Pyarelal | 1 | 5 | 5 | 0 | 0 | 0 | Anand Bakshi |
| 51 | Suhaana Safar | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 52 | The Train | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 53 | Truck Driver | Sonik Omi | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 54 | Yaadgaar | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| Total | 54 movies | 15 MDs | 86 | 130 | 84 | 39 | 3 | 4 | 18 lyricists |
Lata Mangeshkar worked with 15 music directors and 18 lyricists in these 54 movies released in 1970. Shankar Jaikishan with 406 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (227), Laxmikant Pyarelal (215), Madan Mohan (174), Kalyanji Anandji (157), Roshan (144), S D Burman (134), Naushad (126), Hemant Kumar (124), Anil Biswas (120), Husnlal Bhagatram (108) and Vasant Desai (104). Together these thirteen music directors composed 2313 songs out of 3383 songs that Lata Mangeshkar had sung in Hindi movies till end of 1970. The top nine lyricists till end of 1969 for Lata Mangeshkar were Rajinder Krishan (492), Shailendra (361), Hasrat Jaipuri (274), Majrooh Sultanpuri (241), Prem Dhawan (195), Shakeel Badayuni (189), Bharat Vyas (180), Anand Bakshi (171) and Sahir Ludhianvi (114). These eight lyricists had penned 2217 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with Jai Kumar Parte as a music director in a Hindi movie for the first time this year. Santosh Anand and Veerendra Mishra were two lyricists who got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1970 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 77 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 86 | 130 | 84 | 39 | 3 | 4 | |
| Total upto 1970 | 995 movies | 2856 | 3383 | 2389 | 779 | 170 | 63 |
It can be seen from the table of 1970 that Lata Mangeshkar sang 130 songs in 54 movies released in 1970. 86 of these songs are already covered in the blog.
All Lata Mangeshkar songs from 30 movies of 1970 are already covered in the blog. So 44 Lata Mangeshkar songs from 24 movies of 1970 are still available to be discussed.
Alphabetically the first movie of 1970 that offers us Lata Mangeshkar songs to be discussed is “Aansoo Aur Muskaan”(1970).
“Aansoo Aur Muskaan”(1970) was produced by Ananthaswami and directed by P Madhvan for Screen Gems, Madras. The movie had Hema Malini, Ajay Sahni, Om Prakash, Bobby, Jagdeep, Suresh, Maruti, David, Bindu, Shabnam, Tuntun, Birbal, Padmini, Manmohan, Kishore Kumar etc in it.
The movie had six songs in it. Three songs have been covered so far. Lata Mangeshkar had sung two solo songs in it. One song sung by her has been represented in the blog so far.
Here is another Lata Mangeshkar song from “Aansoo Aur Muskaan”(1970). Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on a child artist. I request our knowledgeable readers to help identify her. My guess from the starcast is that she is Bobby.
Audio
Video
Song-Taara koi bhi aaj gagan se toota nahin (Aansoo Aur Muskaan)(1970) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
o maa aa aaa
o maa aa aa aa
o maa aa aa
o maa aa aa
taara koi bhi aaj gagan se toota nahin een
tara koi bhi aaj gagan se toota nahin
sahaara kisi ka aaj kisi se chhoota nahin
phir kyun maa toot gaya mamta ka naata pyaara aa
taara koi bhi aaj gagan se toota nahin
o maa aa aa aa
o maa aa aa
sabki hi maayen phoolon ko apne baahon ke jhoole jhulaaye ae ae
baaho ke jhule jhulaye
maathe ko sehalake chumke palke
meethi si lori sunaaye aen
mithi si lori sunaaye
chidiya chugaaye bachcho ko daane
kyun tune mujhko bisaara
taara koi bhi aaj gagan se toota nahin
kaahe mujhe tu duniya mein laayi
kaahe bani maa tu meri ee
kaahe bani maa tu meri
paalee naa jaaye, sambhaalee naa jaaye, tujhse jo santaan teri ee
tujhse jo santaan teri
khelegi kab tak aankh michauli
mann mera dhoondh ke haara
tara koi bhi aaj gagan se toota nahin
sahaara kisika aaj kisi se chhoota nahin
phir kyun maa toot gaya mamta ka naata pyaara aa
taara koi bhi aaj gagan se toota nahin
o maa aa aa aa
o maa aa aa
o maa aa
o maa aa aa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4544 | Post No. : | 16118 |
Sahir Ludhianvi & His Music Directors-3 – (two-movie collaboration only)
Welcome all to today’s post, the third in this series. Today we look into a ‘two-movie collaboration’ between Sahir and his music directors.
Here is the list where Sahir had worked with the music directors in two movies each;
| S.no | Name of the Movie | Year | Music Director | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Doraaha | 1952 | Anil Biswas | 1 | 1 | 1 |
| 2 | Chaar Dil Chaar Raahein | 1959 | Anil Biswas | 7 | 7 | 6 |
| 3 | Hum Hindustani | 1960 | Usha Khanna | 1 | 1 | 1 |
| 4 | Vaasna | 1968 | Chitragupta | 6 | 6 | 6 |
| 5 | Nanha Farishta | 1969 | Kalyanji-Anandji | 1 | 4 | 4 |
| 6 | Sansaar | 1971 | Chitragupta | 7 | 7 | 7 |
| 7 | 36 Ghante | 1974 | Sapan Chakravarty | 4 | 4 | 4 |
| 8 | Zameer | 1975 | Sapan Chakravarty | 7 | 7 | 8 |
| 9 | Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
| 10 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 1 | 6 | 6 |
| 11 | Insaaf Ka Taraazu | 1980 | Ravindra Jain | 4 | 4 | 4 |
| 12 | Lakshmi | 1982 | Usha Khanna | 2 | 2 | 2 | TOTAL | 46 | 54 | 54 |
Out of the twelve movies listed above we have already covered the songs of ten movies and only two movies viz. ‘Nanha Farishta-1969’ and ‘Ham Tere Aashiq Hain-1979’ are remaining where only one song from each of these movies is posted.
We go to the older movie first which is ‘Nanha Farishta-1969’. One song from this movie was posted on the blog on 14.11.2014.
‘Nanha Farishta-1969’ was directed by T. Prakash Rao for ‘Vijaya International, Madras’. It was produced by B. Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.
It had Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, who were supported by Suresh, Mukry, Raj Mehra, Sundar, Maruti, Prem Kumar and Johny Walker.
Story of this movie was written by Thuraiyoor K. Moorthy and dialogues were written by Inder Raj Anand. Editing of this movie was done by B.S. Glaad.
This movie had four songs which were written by Sahir Ludhianvi and music was composed by Kalyanji-Anandji.
The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar (the titles of the movie also mentioned the name of Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie)
HFGK mentions the following four songs from this movie;
| Song | Posted On |
|---|---|
| O natkhat nanhi laadli tujhe dekhe | Being posted today |
| Chandaa kaahe ka tera maama | |
| O re o, sharaabi tujhme ek kharaabi | |
| Bachche mein hai bhagwaan | 14.11.2014 |
Let us now enjoy today’s song sung by Lata Mangeshkar.
Music is composed by Kalyanji-Anandji and as mentioned above lyrics are by Sahir Ludhianvi.
Padmini is seen lip-syncing in Lata Mangeshkar’s voice. Baby Rani, Pran, Ajit, Anwar Hussain and Balraj Sahni (in sad version) are also seen in the picturisation.
Audio
Video Part I (Happy version)
Video Part II (Sad version)
Song-O natkhat nanhi laadli tujhe dekhe tera mama (Nanha Farishta)(1969) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Kalyanji Anandji
Lyrics
Part I-Happy version
————————————–
O o o o
O o o o o o
O o
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
Ab jhatpat kehna maan ri
Tujhe dekhe
Tera maama
chandaa maama
Har raat ko chandaa aaye ae
Har raat ko chandaa aaye
Aur doodh malaai laaye ae
Chaandi ki thhaali mein
Sone ki pyaali mein
Tu khaaye
chandaa muskaaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
o o o o o
Tu gudiya pyaari pyaari ee
Tu gudiya pyaari pyaari
Maama ki raaj dulaari ee
Chun-chun ke taaron ko
Bun-bun ke haaron ko
Tera maama tujhko pehnaaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
Yoon tera mukhdaa damke ae
Yun tera mukhdaa damke
Jyun nabh par chandaa chamke
Wo ambar ka moti hai
Tu dharti ki jyoti hai
Teri jyoti jug jug lehraaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
O o o o
Hmm hmm hmm hmm hmm
Hmm hmm hmm
hmm hmm hmm
——————————-
PART – II (sad)
——————————-
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
O gudiya pyaari pyaari
Maama ki raaj dulaari
Tera maama nabh ka moti
Aur tu dharti ki jyoti
Teri jyoti jug jug lehraaye
O natkhat nanhi laadli tujhe dekhe
Tera maama….
Ek thhi nindiya do thhe naina
Posted on: August 18, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4414 | Post No. : | 15814 |
Today, August 18th 2020 is 86th Birth Day of the poet, lyricist, story, screen-play and dialogue writer, producer and director, Gulzar. His presence in Hindi film industries is an assurance that lovers of Hindi films and Hindi film songs would continue to get the opportunity to watch and listen to the meaningful films and songs. I regard Gulzar Saab as an extension of what Sahir Ludhianvi left in October 1980 – a legacy of poetry in Hindi film songs.
I have already covered a substantive information about the filmy career of Gulzar saab in my articles ae hairat-e-aashiqui jagaa mat on the occasion of his 85th birth day last year and in shaam se aankh mein nami si hai, abut 5 years back. Also, there is no dearth of information on Gulzar Saab on the internet, in the print media and his website. So, I would skip this part.
What a great journey Gulzar saab has with Hindi film industry which began in early 1960s as a lyricist. He became an assistant to Bimal Roy and eventually became a director with ‘Mere Apne’ (1971). During his almost six decades in Hindi film industry, he wrote nearly 700 songs, wrote screen-play/dialogues for nearly 50 films and directed 19 films. In addition, he wrote and directed a few TV serials like ‘Mirza Ghalib’(1988), ‘Noopur’ (1990), ‘Potli Baba Ki’ (1991), ‘Tehreer Munshi Premchand Ki’ (2004) etc. He published many novels, short stories and collections of his poems. Of late, Gulzar saab has been busy with translating in Hindi, poems in regional languages from all over India for their wider dessimination.
On the occasion of 86th birth day of Gulzar Saab, I have chosen a song of a rare combination – Gulzar-Suman Kalyanpur-Shankar-Jaikishan. The song is ‘ek thhi nindiya do thhe naina’ from the film ‘Seema’ (1971). Probably, Gulzar saab got involved in writing the lyrics of a couple of songs in this film as he was the story-screen-play-dialogue writer for the film. Surendra Mohan made his debut as a director in this film. The film was produced by Sohanlal Kanwar. The story of the film is summarised below:
Seema (Simi Garewal) has lost her parents in her childhood and she has been brought up by her caring uncle (Abhi Bhattacharya). In her grown-up years, Seema develops a superstition that whoever loved her would get the same fate as her parents. She spends her time mostly alone except with a friend, Rajni (Kanchan) who tries to erase her superstition by saying that she is still alive despite Seema loving her but of no avail.
Seema’s life gets a change when she come across a charming Sunil (Kabir Bedi). But her superstition will not allow her to reciprocate his love. He convinces her to overcome her fear and they get married in a temple. Unfortunately, after few days, Sunil dies in an accident and the fear of superstition returns to Seema as she is pregnant with his child in the womb. She gives birth to Banke (Rakesh Roshan) in secrecy as the society does not know of her marriage to Sunil. The child is brought up by her maid (Chand Usmani) who is kept away from Seema’s home out of fear of losing her child. However, Seema keeps the tab over her son’s activities from a distance.
Banke grows up cosying with Chamki (Bharathi) and also trying to discover as to who his parents are. After a lot of poignant moments in the film, it is Rajni who eventually reveals to Banke that Seema is his mother and his father had died of accident. Seema embraces Banke thus giving up her superstitions.
The song under discussion is a lori which have been picturised in the film on two occasions. First, Suman Kalyanpur sings for Simi on piano. The second, Sushma Shreshta sings for the boy which is taken over by Suman Kalyanpur singing for Chand Usmani as a continuation of the lori. In the audio clip, the entire lori is sung by Suman Kalyanpur.
‘Seema’ (1971) was Jaikishan’s last film. He died while the film was in the making.
Video Clip:
Suman Kalyanpur solo
Video
Audio
Suman Kalyanpur- Sushma Shreshtha duet
Video
Song-Ek thhi nindiyaa do thhe nainaa (Seema)(1971) Singer-Suman Kalyanpur/ Sushma Shreshtha, Suman Kalyanpur, Lyrics-Gulzar, MD-Shankar Jaikishan
Lyrics
———————————
Suman Kalyanpur Solo (based on Audio)
———————————
ek thhi nindiya
do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa
o oo oooo
ooo ooo ooo
hmm hmm hmm hmm hmm
ek thhi nindiya
do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa
roz wo pariyon jaisi nindiya aati thhi
donon judwa nainon ko bahlaati thhi
aankhon pe rakh deti thhi meethhe sapne
sapnon waali nindiya maa kahlaati thhi
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna
roz wo pariyon jaisi nindiya aati thhi
donon judwa nainon ko bahlaati thhi
aankhon pe rakh deti thhi meethhe sapne
sapnon waali nindiya maa kahlaati thhi
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa aa aa
oas ki boondon mein jo barsa karti thhi
wo nindiya ab do nainon se roothh gayi
chhoot gaye wo reshmi jhoole sapnon ke
chaandni jaisi lori ki dhun toot gayi
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behana aa aa aa
raat ki jaayi shaam ki behana
nindiya ki mamta ko baant ke do naina
aadhi aadhi saansen le kar jeete hain
baari baari dekhte hain toote sapne
baari baari aankh ke aansoo peete hain
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behana aa aa aa
raat ki jaayi shaam ki behana
raat ki jaayi shaam ki behana aa aa aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa
—————————————————–
Lyrics: Duet Version – Sushma Shreshta, Suman Kalyanpur
—————————————————–
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa
raat ki jaayi shaam ki behna aa
roz wo pariyon jaisi nindiya aati thhi
donon judwa nainon ko behlaati thhi
aankhon pe rakh deti thhi meethhe sapne
sapnon waali nindiya maa kahlaati thhi
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behana aa
raat ki jaayi shaam ki behana aa
oas ki boondon mein jo barsa karti thhi
wo nindiya ab do nainon se roothh gayi
chhoot gaye wo reshmi jhoole sapnon ke
chaandni jaisi lori ki dhun toot gayi
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna
nindiya ki mamta ko baant ke do naina
aadhi aadhi saansen le kar jeete hain
baari baari dekhte hain toote sapne
baari baari aankh se aansoo peeten hain
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna..aa
Sooraj soya soye ujaale
Posted on: August 13, 2020
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lata solo | Lata song | lullaby | Lyrics by Prakashchandra | Lyrics contributed by readers | mother-child song | Post by Avinash Scrapwala | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4409 | Post No. : | 15802 |
———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No.54
———————————————————————————–
Six songs were posted on 13.08.2010 from six movies viz. ‘Mela-1948’, ‘Kohinoor-1960’, ‘Bandini-1963’,‘Shaheed-1965’, ‘Daadi Maa-1966’, and ‘Aankhon Aankhon Mein-1972’ in chronologically ascending order.
A good variety of popular song, including musical gems were covered on that day.
| Song | Movie title-Year | Remarks |
|---|---|---|
| Gham ka fasaanaa kisko sunaayen | Mela-1948 | All songs covered |
| Do sitaaron ka zameen par hai milan aaj ki raat | Kohinoor-1960 | All songs covered |
| O panchhi pyaare saanjh sakhaare | Bandini-1963 | All songs covered |
| Jogi ham to lut gaye tere pyaar mein | Shaheed-1965 | All songs covered |
| Chale aaye re ham to | Daadi Maa-1967 | 03 songs posted |
| Aankhon aankhon mein baat hone do | Aankhon Aankhon Mein-1972 | All songs covered |
Out of the six movies represented five movies have already been covered with all their songs on the blog and they have attained ‘Yippeeeeee’ status on the blog.
That leaves us with only one movie ‘Daadi Maa-1966’, which is eligible for the blog ten year challenge today.
‘Daadi Maa-1966’ had seven songs and eight sound tracks including the ‘title music track’. All the seven songs were written by Majrooh Sultanpuri and music was composed by Roshan. Lata Mangeshkar, Manna Dey, Mahendra Kapoor, Puran, Asha Bhonsle, and Mohd Rafi had given their voices to the songs in this movie.
So far, the following three songs from ‘Daadi Maa-1966’ have been covered on the blog;
| Song | Posted On |
|---|---|
| Usko nahin dekha hamne kabhi | 27.01.2009 |
| Jaataa hoon main mujhe ab naa bulaanaa | 10.06.2010 |
| Chale aaye re ham to | 13.08.2010 |
We can see that the above three songs include two well known songs from this movie viz. Usko nahin dekha hamne kabhi and Jaataa hoon main mujhe ab naa bulaanaa. These two songs are the only songs I am familiar with and I associate these songs with the movie. I don’t remember to have listened to other songs of this movie.
Today’s song is a ‘lorie’ songs sung by Lata Mangeshkar and lip-synced on screen by Beena Rai.
Also seen in the picturization of this song is Shashikala.
I remember that the heart touching cute lorie ‘nanhi kali sone chali hawaa dheere aanaa’ sung by Geeta Dutt used to trend on ‘top’ in the list of ‘Top Posts’ visited on the blog from 2012 till 2014.
Let us now listen to today’s ‘lorie’ song written by Majrooh Sultanpuri and composed by Roshan.
Lyrics of this song were sent by Prakashchandra.
Audio
Video
Song-Sooraj soya soye ujaale (Daadi Maa)(1966) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Roshan
Lyrics(Provided by Prakashchandra)
sooraj soyaa aa
soye ae ujaaley
mera chaand jaage aa jaa
aa jaa ri aa aa aa
nindiyaa tu aa aa
sooraj soyaa aa
soye ujaaley ae
mera chaand jaage aa jaa
aa jaa ri aa aa aa
nindiyaa tu aa
kaise kahoon kyun dhool milaa re
mere pyaar ka moti
kaise kahoon kyun dhool milaa re
mere pyaar ka moti ee
aayi be-rahem aandhi aisi
door aa padi hai ghar se
ghar ke deep ki jyoti
nindiyaa
mera chaand jaage aajaa
aajaa ri aa aa aa aa aa
nindiyaa tu aa
kyaa jaanoon aakaash hain kitne
gagan mein taaraa kitnaa aa
kyaa jaanoon aakaash hain kitne
gagan mein taaraa kitnaa aa
pagli maamta
bas ye jaane
god mein girey jo aakar
woh taaraa hai apna
nindiyaa
mera chaand jaage aa jaa
aajaa ri aa aa aa aa aa
nindiyaa tu aa
door se nindiya tu kya dekhe
mera bheegtaa mukhdaa
door se nindiya tu kya dekhe
mera bheegtaa mukhdaa
ghaav dekh chhaati ke mere
jod naa sakoon main tan se
apne hi tan ka tukdaa
nindiyaa
mera chaand jaage aa jaa
aajaa ri aa aa aa aa aa
nindiyaa tu aa aa
sooraj soyaa aa
soye ujaaley ae
mera chaand jaage aa jaa
aa jaa ri aa aa aa
nindiyaa tu aa
————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
————————————-
सूरज सोया आ
सोए ए उजाले
मेरा चाँद जागे आ जा
आ जा री आ आ आ
निंदिया तू आ आ
सूरज सोया आ
सोए उजाले ए
मेरा चाँद जागे आ जा
आ जा री आ आ आ
निंदिया तू आ
कैसे कहूं क्यों धुल मिला रे
मेरे प्यार का मोती
कैसे कहूं क्यों धुल मिला रे
मेरे प्यार का मोती ई
आई बे-रहम आंधी ऐसी
दूर आ पड़ी घर से
घर के दीप की ज्योति
निंदिया
मेरा चाँद जागे आ जा
आ जा री आ आ आ आ आ
निंदिया तू आ
क्या जानूं आकाश हैं कितने
गगन में तारा कितना आ
क्या जानूं आकाश हैं कितने
गगन में तारा कितना आ
पगली मामता
बस ये जाने
गोद में गिरे जो आकर
वो तारा है अपना
निंदिया
मेरा चाँद जागे आ जा
आ जा री आ आ आ आ आ
निंदिया तू आ
दूर से निंदिया तू क्या देखे
मेरा भीगता मुखड़ा
दूर से निंदिया तू क्या देखे
मेरा भीगता मुखड़ा
घाव देख छाती के मेरे
जोड़ ना सकूं मैं तन से
अपने ही तन का टुकडा
निंदिया
मेरा चाँद जागे आ जा
आ जा री आ आ आ आ आ
निंदिया तू आ आ
सूरज सोया आ
सोए उजाले ए
मेरा चाँद जागे आ जा
आ जा री आ आ आ
निंदिया तू आ …
Tu man ki ati bhori o maiyya mori
Posted on: June 1, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4336 | Post No. : | 15633 | Movie Count : |
4306 |
Today (1 june 2020) is pehli taareekh. And it turns out that today is World Milk Day. In India, National Milk Day falls on a different day, namely 26 November, which is the birthday of Verghese Kurien, who brought White revolution( Milk revolution) in India.
When I was growing up, India was a desperately poor country. It was deficient in foodgrains and also milk. Our history books wistfully recalled those days in distant past when India was a prosperous country where “दूध की नदियाँ बहा करती थीं” ( “doodh ki nadiyan baha karti thi). Indians wistfully sighed and felt envious of countries like Netherlands that they were the nation that had doodh ki nadi flowing in their country.
A few days ago, I was watching videos that showed progress of various countries over the years in graphical forms in various fields. In most areas, the graph started showing USA and USSR at top and ended showing China, USA and India at the top. It was heartwarming as a Indian to witness the progress of India in all these fields.
One field that really made me proud and came as a pleasant surprise to me was the fact that India had become the number one milk producing country in the world ! And it has been number one since 1998 !
The Milk revolution in India started in Kaira District of Gujrat. The Kaira District Co-operative Milk Producers’ Union was organized in 1946 with the blessings of late Sardar Vallabhai Patel. It started with two village milk producers’ societies and began pasteurizing milk for the Bombay Milk Scheme in June 1948. At that time, only 250 liters of milk per day was being handled. by 1960s, 378 village milk producers’ co-operative societies became affiliated to the main union. These societies in turn had about 65,000 farmers as their members. In these villages, there were about 1, 25,000 adult buffaloes of the Surti Breed. During the year 63-64 about 60,000 tonnes of milk was collected by the union. The cost of the milk and milk products sold in that year was over Rs.6 crores. The Union marketed milk in Gujarat and Maharashtra States and milk products on all-India basis. Its trade name “Amul” had become a household word all over India. The union had established an excellent reputation in the dairy industry and had evoked the admiration of experts from many parts of the world.
Verghese Kurien was the the General Manager of Kaira District Co-operative Milk Producers’ Union Ltd (Amul) at that time. Mr Lal Bahadur Shashtri, the second PM of India, who had taken over charge just a few months back, visited Anand on 31 october 1964. He was very impressed with amul model and he decided to replicate this model all over India. Accordingly, he wrote a letter to all the states. NDDB (National Dairy Development Board) was set up with its HQ at Anand. It began plans called Opweration Flood. It had three phases -phase I , II and III. OF I (from 1 july 1970 to 31 march 1981) sought to establish 18 “Anands” linked to the four urban markets – Mumbai, Delhi, Kolkata and Chennai. OF-II (2 october 1979 to 31 march 1985) aimed to establish a modern and self sustaining dairy industry, building on the foundation of OF-I to meet the nations’s needs in milk and milk products. Of III (1 april 1985 to 30 apr 1996) focused on consolidating the milk procurement, processing and marketing infrastructure created under OF-I & OF-II.
By the time OF III ended, India was already number one milk producing nation in the world, a position it holds to this date. Today India produces 22 % of all milk produced in the world. Indian per capita milk production (394 ml) is higher than the world average. The per capita availability of milk is the highest in Punjab (1181 ml),followed by Haryana (1087 ml), Rajasthan (870 ml), Gujarat (626), MP (538 ml), Andhra (623 ml), Himachal (565) etc. There are states that have surprisingly low milk availability viz Delhi (35 ml), Goa (71 ml), Assam (71 ml),Chandigarh (90 ml) etc. I am sure these milk deficient states get their milk supply from milk surplus states. India produces 22% of world production, followed by USA, China, Pakistan and Brazil.
When India became independent, per capita availability of milk was 130 ml, which reduced to an all time low of 110 ml by 1970 before it picked up. In other words, milk availability in Indian picked up only after operation flood project began.
I grew up in Bihar (now it is Jharkhand) in 1960s. Even today Jharkhand per capita milk availability is only 177 ml. Those days it was far lower. I can honestly say that my pets have had more milk in their earlier lives that I ever had ! 🙂 Today my sole pet Bhhole consumes bulk of the milk that I get every morning, and that is more than what an average human gets to drink in a day. 🙂 It has been made possible because to the pioneers and foot soldiers of operation flood. This, alongwith self sufficiency in the fields of other foodstuff has ensured that India does not have to rely on imports and it is secure as far as food security is concerned. That has made India a confident nation. None of Indian neighbours, including China, has this kind of food security.
I wondered if there was any Hindi movie songs on milk. One song from “Manthan” (1977) has already been covered, and there were no other songs. Then it struck me that milk products too qualify, and that we have so many maakhan (butter) songs in Hindi movies, mostly associated with Lord Krishna. One can say that Lord Krishna, serving as a cowherd in Gokul, was a brand ambassador for milk products in general and maakhan (butter ) in particular. 🙂
A few songs of this genre have already been covered in the blog. While searching for other songs, I came across this song from “Gopal Krishna”(1979) which fits the bill perfectly. This movie was produced by Tarachand Barjatya and directed by Vijay Sharma for Rajshree Productions. The movie had Sachin, Zarina Wahab, Reeta Bhaduri, Manhar Desai, Master Sandip, Jeevan etc in it.
The movie had six songs in it.
Here is the first song from “Gopal Krishna”(1979) to appear in the blog. This song is sung by Chandrani Mukherjee which is lip synced by an actor playing young Lord Krishna . I guess that he is master Sandip, with Reeta Bhaaduri playing Maa Yashoda. Lyrics and music is by Ravindra Jain.
The situation is quite familiar to most of us. Some lady complains that Kanhaiyya has stolen maakhan from har matki. An irate Maaa Yashoda is out to punish Kanhaiyya. Kanhaiyya sings this song where he denies the charge. My own home has abundant quantity of Makhan, why would I go elsewhere for it, he explains. As for the maakhan smeared on his lips, he accused Ahir ki chhori of deliberately framing him by smearing maakhan on his lips. He then plays the emotional card- I do your chaakri for the whole day by tending to the cows in the meadows, but instead of believing me, you believe the words of others. 🙂
Very cute and sweet song, picturised nicely. This song is a hidden gem that I became aware of only today.
On the occasion of World Milk day, here is this lovely song from “Gopal Krishna”(1979).
Song-Tu man ki ati bhori o maiyya mori(Gopal Krishna)(1979) Singer-Chandrani Mukherjee, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics
tu man ki ati bhori o maiyya mori
tu man ki ati bhori
tu man ki aati bhori o maiyya mori
tu man ki ati bhori
jaako ghar bharyo dadhhi maakhan syon
jaako ghar bharyo dadhhi maakhan syon
vo kyon karan lago chori o maiyya mori
tu man ki ati bhori
tu man ki ati bhori o maiyya mori
tu man ki ati bhori
na kaaho ko maakhan khaayo
na koi matki phodi
na kaaho ko ka maakhan khaayo
na koi matki phodi
more mukh maakhan male tore sanmukh
more mukh maakhan male tore sanmukh
laayi aheer ki chhori o maiyya mori
tu man ki ati bhori
tu man ki ati bhori o maiyya mori
tu man ki ati bhori
jaako ghar bharyo dadhhi maakhan syo
jaako ghar bharyo dadhhi maakhan syo
vo kyun karan lagyo chori o maiyya mori
tu man ki ati bhori
din din bhar main to dhenu chaaravat karat chaakri tori
din din bhar main to dhenu chaaravat karat chaakri tori
yaahu par tu unki sunat hai
yaahu par tu unki sunat hai
jhoothi kahaani jori o maiyya mori
tu man ki ati bhori
tu man ki ati bhori o maiyya mori
tu man ki ati bhori
ja ko ghar bharyo dadhhi maakhan syo
ja ko ghar bharyo dadhhi makhan syo
vo kyun karan lagyo chori o maiyya mori
tu man ki ati bhori
- In: Background song | Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Manna Dey solo | Manna Dey songs | mother-child song | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4263 | Post No.: | 15489 |
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Blog 10-Year Challenge (2010-2020) – Song No. 13
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In olden days (even today for that matter) Indians were expected to behave in a particular manner. For instance, when it came to their day to day live, most of them were “gareeb” and they were told that they had the sole right on the resources of the nation in the form of doles aka subsidies. All political parties claimed to be pro poor parties and promised to “hataao” gareebi if voted to power. After repeatedly getting voted to power on the plank of hataaoing gareebi, the same politicians now claim to be for the “gareeb”. These “gareeb” are supposed to be gullible possessing of short memory so the politicians can get away despite failing to fulfill their past promises.
Movie makers were no different. They too made movies for the same segment of society that were treated as “gareeb” by the political classes. This section of society was supposed to like movies with escapist stories that bore little resemblance to real life. Depicting real life was considered no no. Movies depicting real life were considered boring. Why would a “gareeb” audience come to the movie hall to watch movies depicting his real dull life ? This was what the movie makers believed in.
Sometimes, some movie makers would make movies with realistic movies. Ordinary movie goers and even press would describe these movies as boring. Most movies like this flopped.
Top stars acted in such movies for creative satisfaction, but the ordinary fans felt betrayed when they would go to the movie hall and find their star sans his usual mannerisms.
Rajesh Khanna is “Aavishkaar” (1973), and Amitabh Bachchan in “Man Aazaad Hoon” (1990) are two such movies that readily comes to my mind.
“Aavishkaar” (1973) was directed by Basu Bhattacharya Aarohi Film Makers Bombay. This movie had Rajesh Khanna, Sharmila Tagore, Dina Gandhi, Denis Clement, Satyen Kappu, Monika Jasnan (child artist), Devendra Khandelwal, Margaret, new discoveries Mahesh Sharma and Minna Johar etc in it.
The movie dealt with a real life “boring” tale, viz the marital life of a couple, played by Rajesh Khanna and Sharmila Tagore. Fans of superstar Rajesh Khanna, who went to the movie hass expecting a movie like “Aaraadhana”(1969) were disappointed. There was no way juvenile fans (including yours truly) of Rajesh Khanna, who were brought up on stuff like “Haathi Mere Saathi”(1971) and “Apna Desh” (1972) were going to like this movie.
This movie was only for “mature” movie goers. Just like “rich” people were looked down upon by “gareeb” people, “mature” people, with their occasional boring movies were looked down upon by people loving “mainstream” movies.
Please do not believe the review of “Aavishkaar”(1973) that is carried by wikipedia etc. These reviews are written with the benefit of hindsight by people who were not even born when this movie was released. I remember the reviews carried out in mainstream Hindi media during 1973 which bore no resemblance whatsoever with its review that we now find online.
Coming to the songs of the movie, “Aavishkaar” (1973) had five songs in it. Four of these songs are covered in the past as described hereunder:-
| Song | Posted On |
|---|---|
| Hansne ki chaah ne kitna mujhe | 19.09.2008 |
| Naina hain pyaase mere | 20.03.2010 |
| Mahaa shoonya ke mahaan vistaar mein | 18.07.2016 |
| Baabul mora, naihar chhuto hi jaaye | 27.05.2019 |
From the table above, we can see that one song from the movie was covered on this day, ten years ago. So, this movie provides us an opportunity to have a blog ten year challenge. At the same time, all the songs of the movie get covered as well.
Ten years ago on this day, two songs were covered in the blog
| Song | Movie title-Year | Remarks |
|---|---|---|
| Naina hain pyaase mere | Aavishkaar-1973 | 04 of 05 songs posted |
| Kaali badariya maare najariya | Do Roti-1957 | All Songs posted on the blog |
Here is the fifth and final song from “Aavishkaar”(1973) to appear in the blog. The song is sung by Manna Dey. Gyandev Agnihotri is the lyricist. Music is composed by Kanu Roy.
Lyrics of this song were sent to me by Avinash Scrapwala.
With this song, “Aavishkaar”(1973) joins the list of movies that have all their songs covered in the blog.
Video
Audio
Song-Maa ko pukaar kar poochha bachche ne (Aavishkaar)(1973) Singer-Manna Dey, Lyrics-Gyandev Agnihotri, MD-Kanu Roy
Lyrics(Provided by Avinash Scrapwala)
maa ko pukaar kar poochha bachche ne
aaya kahaan se hoon maa
bolo to
padaa kahaan paaya
bolo to
sun kar sawaal ye
maa ke stanon se ufan padaa doodh
aur bah aaya aankhon se
uttar
mere laal
tum to hamesha thhe
mere man ki abhilaasha mein
tan ki paribhaasha mein
bachpan ke gudiyaaghar mein ae
kitni baar tujhe
khelte khelte
toda aa
todte todte ae
jodaa aa
paakar khoya aur
kho kar payaa aa hai
kahaan se bataaun tu aaya hai
padaa tujhe maine kahaan paaya hai
mere ae laal
tu
haan tu hi to hai
meri amar aasha
subah ka sapna
maa aur daadi ki
sunehri khwaahish
prem ki paramparaa aa
aag ki khwaahish
aur prem ki aasha se
bani teri kaaya hai
kahaan se bataaun tu aaya hai
padaa tujhe maine kahaan paaya hai
mere laal
————————————
Devnagri Script lyrics(Provided by Avinash Scrapwala)
—————————————
माँ को पुकार कर पूछा बच्चे ने
आया कहाँ से हूँ माँ
बोलो तो
पडा कहाँ पाया
बोलो तो
सुन कर सवाल ये
माँ के स्तनों से उफन पडा दूध
और बह आया आँखों से
उत्तर
मेरे लाल
तुम तो हमेशा थे
मेरे मन की अभिलाषा में
तन की परिभाषा में
बचपन के गुड़ियाघर में ए
कितनी बार तुझे
खेलते खेलते तोड़ा आ
तोड़ते तोड़ते ए
जोड़ा आ
पाकर खोया और
खो कर पाया आ है
कहाँ से बताऊँ तू आया है
पडा तुझे मैंने कहाँ पाया है
मेरे ए लाल
तू
हां तू ही तो है
मेरी अमर आशा
सुबह का सपना
माँ और दादी कि
सुनहरी ख्वाईश
प्रेम की परंपरा आ
आग की ख्वाईश
और प्रेम की आशा से
बनी तेरी काया है
कहाँ से बताऊँ तू आया है
पडा तुझे मैंने कहाँ पाया है
मेरे लाल
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