Archive for the ‘mother-child song’ Category
Mujhse aisee bhool huyee
Posted on: October 11, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6659 | Post No. : | 20615 |
Today’s song is the last and final song from a social film – Naya Nasha-1973.
The film was made by United Four, Bombay. It was directed by Hari Datt and the music was by a less known Music Director- Sapan Chakraborti. The cast of the film included Nanda, Ranjit Mullick, Sharad Kumar, Manmohan krishna, Achala Sachdev, Asit Sen, Prithviraj and many others.
Chandaa dhheere se aa
Posted on: September 28, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6646 | Post No. : | 20591 |
Today’s song is the last and final song of the social film Sitara-1955.
In India, from the time, when the first Cinema making started,especially after the Talkie films started, there was a new destination for the ambitious boys and girls to join it and become big stars. In those years any child of 10 to 20 years of age that ran away from the home, was sure to reach Bombay to try his/her luck. There are many such cases Most of such adventures failed and there are extremely few cases where the “Run-Aways’ made it to success. I know such cases, from Music Director Jaidev running away to Bombay in 1933 to actor Chandrashekhar-a Barber’s son from Hyderabad. Jaidev finally made it and he was the only Musician to win 3 National Music Awards for his films and actor Chandrashekhar became a well known hero and in later years president of Actors’ Association for many years.
It is not only the ‘Runaways’, who aspired to become big, but many singers in the chorus and small time actors in the mob scenes of films too had such desires. Today’s film is based on such a story where an ordinary girl in films-working as an extra- aspired to become a big star. (after Bhagwan Dada’s hit film Albela-1951, such films came in hordes !) Such stories are good to watch on screen with their happy endings, but real life is not so kind to all !
Baney chaandnee ka palnaa
Posted on: June 6, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6532 | Post No. : | 20321 |
Today’s song is from a very old film -Jeevan Prabhat-1937.
The film was made by Bombay Talkies. It was directed by Franz Osten. The music was by Saraswati Devi and the Lyricist was J.S.Casshyap. The film was Debut film for the lead actor Kishore Sahu and actress Renuka Devi. The cast included Devika Rani, Kishore Sahu, Mumtaz Ali, Maya Devi, Chandraprabha (sister of Saraswati Devi), Renuka Devi, Prithviraj Kapoor and many others.
In the initial era of Talkie films, Calcutta’s New Theatres and Poona’s Prabhat were the most well known filmmakers. They used to make films on social issues. Particularly, Prabhat was famous for keeping their films centred on the Reform themes like,Dowry, Child Marriage, Second Marriage, Cast difference etc.From the mid 30s one more company came into limelight and that was Bombay Talkies- founded by Himanshu Rai and Devika Rani. They also followed the trend and films on social issues like Untouchability, illiteracy etc were made.
Ae mere chanchal chanda
Posted on: April 3, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6468 | Post No. : | 20094 |
“Aa Jaa Sanam”(1975) was produced by S A Mehmood and directed by Yusuf Naqvi. The movie had Feroz Khan,Tanuja,Deven Verma, Shabnam, Sulochana Chatterjee, S N Banerjee, Shivraj, Mukri, Meenaxi, S A Baker, Kalyani Bai etc in it.
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Aaa re aa ree nindiya ree aa
Posted on: March 28, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6462 | Post No. : | 20070 |
“Deepak”(1951) was produced by Ram Ganguly (music director) and directed by Chandrashekhar for Ram Ganguly Productions,Bombay. The movie had Prithviraj, Vijaylakshami, Umesh Sharma, Arun Ganguly, Sajjan, Kamal Mehra, Shanti Madhok etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6452 | Post No. : | 20030 |
Today’s song is from a social film Azad-1940.
The film was made by Bombay Talkies. Bombay Talkies was one of the premiere production companies of India in those times. Its films became very popular and the music was lapped up by the audience. There were other equally famous production houses like Prabhat Films,Ranjit studios and New Theatres of Calcutta, all churning out blockbusters. While Ranjit showed how to make money, Bombay Talkies added prestige to films.
Language in Hindi films was a great issue in those times and it is here that Bombay Talkies won hands down ! Prabhat films had its Hindi totally influenced by Marathi ( and hence was popular in western India), and New Theatres films had their Hindi straight lifted from books of Hindi Prachar Sabha- too pure ! It was only Bombay Talkies films which used the colloquial language of India- easily understood by the masses and acceptable to all classes equally. While Prabhat called it “Preet” , and New Theatres said ” Prem”, Bombay Talkies used the words like ” Pyar” and “Muhabbat” – a mix of Urdu and Hindi ( called Hindustani). Prabhat dialogues were too formal, while New Theatres’ were highly literary and Bombay Talkies used day to day language understood easily over the length and breadth of India.
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So jaa laadley
Posted on: March 17, 2026
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6451 | Post No. : | 20027 |
In Hindi films, a lori refers to a lullaby song sung within the story to soothe a child or express tender emotions such as maternal love, longing, protection, or sacrifice. These songs became a recognizable musical motif in Hindi cinema, especially from the 1940s through the 1980s, when film narratives often included strong family and motherhood themes.
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Aa main tujhko pyaar karoon
Posted on: January 24, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6399 | Post No. : | 19852 |
‘Shaarda’ (1981) was produced by K K Talwar and was directed by Lekh Tandon. The cast included Jeetendra, Rameshwari, Usha Kiran, Om Prakash, Deena Pathak, Kalpana Iyer, Madan Puri, Jagdeep, Iftekhar, Pinchoo Kapoor etc. Sarika and Raj Babbar made guest appearances. The story of the film seems to be partly inspired from a Hollywood film, ‘How To Murder Your Wife’ (1965). While the Hollywood film was a black comedy, Lekh Tandon converted his Hindi film into a family drama. The shooting of the film started in 1978. The film got released on April 10, 1981.
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Chinta mat kariyo ree maata
Posted on: November 8, 2025
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6322 | Post No. : | 19579 |
“Milan Ki Raat”(1967) was produced by Makin,Pratima,Yusuf and Prakash and directed by R Bhattacharya for Musical movies, Bombay. This movie had Sharmila Tagore, Sanjay, Prakash Thapa,Helen, Johnny Walker, Abhi Bhattacharya, Laxmi Chhaya,Jeevan Kala,Chand Usmani, S.K.Prem, Jankidas, Amar,Rirkoo, Moni Chatterji,Jerry, Mirza Musharraf, Master Ranu,Vijay Kumar, Shyama, Sulochana(Latkar),Shahid Bijnori,Paul Sharma, Ranoo,Rajan Kapoor etc in it.
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