Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Body part song’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3896 Post No. : 14938

We had this post last year on the same date by Avinashji where he has written about the background of the movie “Woh Main Nahi”(1974). He has listed all the famous songs and movies of Navin Nischol. Most of the songs which I like are in that list.

So here’s a duet by Rafi and Asha Bhonsle which was written by Verma Malik. Music direction was by Sonik Omi. Visiting the movie after a full year on the occasion of Navin Nischol’s anniversary.


Song-Ise patli kamar mein na daal ke lahanga khisak jaayega (Woh Main Nahin)(1974) Singers-Asha Bhonsle, Rafi, Lyrics-Verma Malik, MD-Sonik Omi
Male chorus
Female chorus

Lyrics

jhigi jhigi jhigi jhigi jhigi jhina
jhina na re

jhina re jhina ha aa
jhigi jhigi jhigi jhigi jhina re jhina
na re

jhina re jhina haa

hey jhoole jhoole jhoole re jhoole
jhoole re ae
jhool jhool jhool jhool jhool jhoole
hey hey ha haa

hey ae’
mera roop mera rang
mere chalne ke dhang
mera ik ik ang
jaise udti patang hai
aaaa
kayi tujhse malang karen ankhiyon ki jung
meri bholi si jawaani
in aashikon se tang hai
koi rakhta nazar
koi deta hai jigar
koi aahen bhar bhar kar mujhko pukaarta
haan
par tujhsa na dekha maine koi harjaayi
jo andar se marta hai
upar se maarta
arre kaisa tu mard jo hai dil ka sarad
uthh himmat dikha
zaraa saamne toh aa
aa aa
are aa na

hahahahaha
hahahaha

arri dhaai inch ki kamar hai teri
aur pandrah gaz ka lehenga aa aa
haay
chhil gayi kamar bos(?) ki jaisi
toh ye sauda padega mehanga
haan
ri isse patli kamar mein na daal
ke lehanga khisak jaayega
isse patli kamar mein na daal
ke lehanga khisak jaayega
teri umar ka naazuk saal
teri umar ka naazuk saal
uspe tu chale mor ki chaal
ke lahanga
ummm
ke lehenga khisak jaayega

haai haai
isse patli kamar mein na daal
ke lehanga khisak jaayega

arri samjhi

jaa re jaa re
tu dil ko zara sambhaal
nahin to dil michak jaayega
tu dil ko zara sambhaal
nahi to dil michak jaayega
main samajh gayi teri chaal
main samajh gayi teri chaal
ja buri nazar na daal
nahin to dil
hmmm
nahin to dil michak jaayega
ja buri nazar na daal
nahin to dil michak jaayega

nazar hai duniya ki buri
o zara sambhal ke rehna saanwri
nazar hai duniya ki buri
o zara sambhal ke rehna saanwri

o ho o o o
sambhal ke rehna aata hai
arre tu kyun jal jal jaata hai
yoon dil na todo
aji tum peechha chhodo
meri jaan idhar to aa ja
arre hatt ja ja
ja ja
isse kar de kisi ke naam
roop tera dhalak jaayega

haaye
isse kar de kisi ke naam
roop tera dhalak jaayega

ja buri nazar na daal
nahin to dil michak jaayega

bol de kya chaahta hai tu
arre milne kise aata hai tu
bol de kya chaahta hai tu
arre milne kise aata hai tu
oh ho o o
arri chaahta hoon deedaar ko
aur milne aaya yaar ko

kisne bulwaaya
o tujhko lene aaya
agar main shor machaaoon
uthha le jaaoon
jaaoon

phenkoon jo zulf ka jaal
jaal mein atak jaayega
phenkoon jo zulf ka jaal
jaal mein atak jaayega

haay haay
isse patli kamar mein na daal
ke lehenga khisak jaayega

arre hatt
rok na raahen
daal baahon mein baahen
main ungli pe nacha doon
tere chhakke chhuda doon
teri yahaan daal gale na
tera bhi zor chale na
mera gussa bura hai
mera ghoonsa bura hai
laga kar haath to dekho
chhuda kar haath to dekho
bahut dekhe hain aise
na dekhe mere jaise
tere jaise hain kaise
mere jaise hain aise
aise
aise
haan

hahahaaha

Advertisements

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3889 Post No. : 14921

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 15
————————————————

12th March, ten years ago. Six songs posted, and six films represented that day.  The films are ‘President’ (1937), ‘Paarasmani’ (1963), ‘Mera Gaaon Mera Desh’ (1971), ‘Elaan’ (1971), ‘Anjaana’ (1969), and ‘Mehboob Ki Mehndi’ (1971). On that day, the 1971 film ‘Elaan’ made its debut on our blog with the song “Aap Ki Rai Mere Baare Mein”.

Of the six films appearing that day, four have already been yippeee’d.  Given the set of popular and familiar songs, the films ‘Paarasmani’, ‘Mera Gaon Mera Desh’, ‘Mehboob Ki Mehndi’ and ‘Anjaana’ have all their songs posted. ‘President’ – the 1937 film featuring KL Saigal and Kanan Devi, still has some songs pending. However today, I pick up the other pending film from that date – ‘Elaan’ of 1971.

The film has 5 songs listed in the Geet Kosh. Music is by Shankar Jaikishan.  Two of the songs are already showcased here. The interesting thing about this film is that out of the five songs, one is a solo by Lata ji, one is a solo by Asha ji, and the remaining three feature Sharda as the singer. Two of these three are solos, and one is a duet with Rafi Sb.  This choice of singers underscores the then prevailing rumors about Shankar’s fancy for Sharda, and Jaikishan’s displeasure about this state of affairs.

The duet song, and the song by Lata ji are already posted. Today I bring on board the song by Asha Bhosle. Lyrics for this song are written by Farooque Kaiser. The song is presented as a cabaret dance by Rekha. The setting seems to be the villain’s den. The audience for this performance are Vinod Mehra, sporting a French beard in an effort to disguise his identity, Madan Puri playing the role of the gangster boss, and Jankidas as a senior lieutenant of the boss. A few more junior henchmen are spread out around the room.

The provocative cabaret is presented by Rekha. Back then in 1971, this was just her third film that she was appearing in. Her first film ‘Anjaana Safar’, made ready for release in 1969, ran into some problems with the Censors, and its actual release was delayed by a decade. It was released in 1979 with a change in title – ‘Do Shikaari’. Rekha played the leading lady opposite to Biswajit. Then in 1970 came the film ‘Saawan Bhadon’, opposite to Navin Nischol, which is considered as her debut film. And them in 1971, she appears in this film opposite to Vinod Mehra.

The performance, the dress up – all is very enticing and provocative. Rekha appears to be attempting to emulate Helen as she attempts to entice Vinod Mehra, who is apparently a target of something sinister. The gangster boss is seen adding some drug to the drink for Vinod Mehra. And at the end of the song, we see Vinod falling down unconscious.

The song itself is less familiar, however not unheard. Enjoy the song, and Rekha’s performance – every inch a temptress.

Song – Aaj Tumhaare Kaan Mein Keh Doon Mere Dil Mein Kya Hai  (Elaan) (1971) Singer – Asha Bhosle, Lyrics – Farooque Kaiser, MD – Shankar Jaikishan

Lyrics

aaj tumhaare kaan mein keh doon
mere dil mein kya hai

aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na
aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na

kaise sajan ho
khud mein magan ho
dhadke mera mann
ab to milan ho
kaise sajan ho
khud mein magan ho
dhadke mera mann
ab to milan ho
jaan sakey na mere dilbar
is paayal mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
oy hoye hoye hoye
ulajh gaye na

kaun bhala hai
kaun bura hai
aankhon pe teri parda pada hai
kaun bhala hai
kaun bura hai
aankhon pe teri parda pada hai
hanste hanste maar jo daale
us qaatil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
na
ulajh gaye na

aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना
आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना

कैसे सजन हो
खुद में मगन हो
धड़के मेरा मन
अब तो मिलन हो
कैसे सजन हो
खुद में मगन हो
धड़के मेरा मन
अब तो मिलन हो
जान सके ना मेरे दिलबर
इस पायल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
ओय होय होय होय
उलझ गए ना

कौन भला है
कौन बुरा है
आँखों पे तेरी परदा पड़ा है
कौन भला है
कौन बुरा है
आँखों पे तेरी परदा पड़ा है
हँसते हँसते मार जो डाले
उस क़ातिल में क्या है

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3860 Post No. : 14875

“Gomti Ke Kinaare”(1972) was directed by Sawan Kumar for Mercury Productions, Bombay. This “social” movie had Meena Kumari, Mumtaz, Sameer, Rehman, Agha, Helen, Paintal, Asit Sen, Shyama, Chandrima Bhaduri, Tuntun, Daisy Irani, Master Alankar, Randheer, Sultan Mazhar, Manorama, Rajan Haksar, Nasreen, Lalita Kumari, Madhu, Aarti, Kamal, I S Johar etc in it, with special appearances by Jalal Agha and Mukri.

The movie had five songs in it. Four of these songs have been covered in the past. First and fourth song from the movie were covered on 8 february 2009 and 8 february 2019 respectively, viz at an interval of exactly ten years, which thus became a part of the ongoing blog ten year challenge series.

Here are the details of the songs from the movie that have been covered so far:-

Song Title

Post No.

Post Date

Aao aao jaane jahaan 701 8-Feb-2009
Aaj to meri hansi udaayi 13377 20-November-2011
Jeene ka din mar jaane ka mausam 6764 27-June-2017
Arre lag gaya re lag gaya…pyaar ki race mein jackpot lag gaya 14870 8-Feb-2019

Here is the fifth and final song from “Gomti Ke Kinaare”(1972). This song is sung by Manhar Udhas. Majroo Sultanpuri is the lyricist. Music is composed by R D Burman.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, the movie gets YIPPEED and so “Gomti Ke Kinaare”(1972) joined the list of movies that have all their songs covered in the blog.


Song-Khwaab ki tasweer aankhen lab khanakte jaam se(Gomti Ke Kinaare)(1972) Singer-Manhar, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se
o o
khwaab ki tasweeir aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se

lab kahoon chehra kahoon sab pyaar ke kaabil
sar se tum ho paanv tak jaise ke mera dil
o ho
lab kahoon chehra kahoon sab pyaar ke kaabil
sar se tum ho paanv tak jaise ke mera dil
ye kiska tum naseeb ho
baithhi aanchal thhaam ke
khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se

aapke ik pyaar ki daulat jise mil jaaye
reshmi rangeen badan
jis baanh mein dhal jaaye
o oh o
aapke pyaar ke ek daulat jise mil jaaye
reshmi rangeen badan
jis baanh mein dhal jaaye
sanam
usi ki zindagi
ho basar aaraam se
khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
paukaaroon aapko kis naam se
ho o
khwaab ki tasweer aankhen
lab khanakte jaam se
aap hi kahiye
pukaaroon aapko kis naam se


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3847 Post No. : 14859 Movie Count :

4063

“Jai Vijay”(1977) was directed by L V Prasad for Prasad Productions, Bombay. This costume drama movie had Jeetendra, Reena Roy, Prem Kishan, Bindiya Goswami, Om Shivpuri, Satyen Kappoo, Urmila Bhatt, Kamal Kapoor, Lalita Pawar, Paintal, Brahamchaari, Sarla Yevlekar, Appi Umrani, Harish, Viju Khote, Lalita Kumari, Vikas Anand, Ranjan, Brahm Bhardwaj, Bhagwan, Roopesh kumar etc, with special appearances by Jayshre T and Veena.

This by now forgotten movie had eight songs in it. Here is the first song from the movie to appear in the blog. This song is sung by Rafi and Suman Kalyanpur. Majrooh Sultanpuri is the lyricist. Music is composed by Rajesh Roshan .

The song is picturised on Prem Kishan and Bindiya Goswami. Prem Kishan, who looks like Rishi Kapoor was Rishi Kapoor’s cousin and more specifically the son of Premnath and Bina Rai. Bindiya Goswami is now happily settled as director J P Dutta’s wife.

With this song, “Jai Vijay”(1977) makes its debut in the blog.


Song-Teri palkon mein kaajal ae haseena(Jai Vijay)(1977) Singers-Rafi, Suman Kalyanpur, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan

Lyrics

teri palkon mein kaajal
ae haseena hamse behtar hai
teri palkon mein kaajal
ae haseena hamse behtar hai
kahaan kismat hamaari
jo teri in kaali aankhon mein
base rahte hamesha
in haseen matwaali aankhon mein
ye kaajal
uff ye kaajal ae haseena
tumse behtar hai
suno ji
tumse behtar hai
ye pehle to charaagon mein jala meri muhabbat mein
ye kaajal phir dhuaan bankar
uda meri muhabbat mein
na kyun palkon mein rakh lo
ye deewaana tumse behtar hai
na kyun palkon mein rakh lo
ye deewaana tumse behtar hai

tera udta sa aanchal ae haseena
ham se behtar hai
tera udta sa aanchal
ae haseena ham se behtar hai
sataane ko hamen ye teri baanhen thaamkar jhoolen
jahaan se chaahe phir ye jhool kar teraa badan chhoo le
ye aanchal
uff ye aanchal
ae haseena
tumse behtar hai
suno jee tumse behtar hai
har ek naazuk se is ke taar ne khaaye hazaaron bal
hazaaron sooraten badlin to resham se bana aanchal
iss ek bejaan kee chaahat kaa kareena tumse behtar hai
iss ek bejaan kee chaahat kaa kareena tumse behtar hai

hamen kaajal banaa le
ham hain jalne ke liye raazi
tujhe paane ko har soorat badalne ke liye raazi
jo yoon hai to teri baanhon mein jeena sabse behtar hai
jo yoon hai to teri baanhon mein jeena sabse behtar hai

ye sach hai sabse behtar hai
suno ji sabse behtar hai
ye sach hai sabse behtar hai
suno ji sabse behtar hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3839 Post No. : 14849

“Bahu Beti”(1952) was directed by C L Dheer for Badoda Theatre Limited Bombay. This “social” movie had Geeta Bali, Amarnath, Jaswant, Vijaylaxmi, Rashid, Leela Mishra, S Nazeer, Nazirabai etc in it.

This movie had seven songs in it. Six songs were penned by Kaifi Azmi and one by Vishwamita Adil. Two song from the movie has been covered in the past.

Here is the third song from “Bahu Beti”(1952) to appear in the blog. This song is sung by Meena Kapoor. Visgwamita Adil is the lyricist. Music is composed by S D Batish.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the pictturisation of this song.


Song-Dil tod bhi diya mukh mod bhi liya(Bahu Beti)(1952) Singer-Meena Kapoor, Lyrics-Vishwamitra Adil, MD-S D Batish

Lyrics

dil tod bhi diya
mukh mod bhi liya
dil tod bhi diya
mukh mod bhi liya
samjha sake na itna
samjha sake na itna
humne kauno kusoor kiya
dil tod bhi diya
mukh mod bhi liya

tadbeer bhi na samjhi
takdeer ka ishaara
marne ke din nahin hain
jeena nahin gavaara
ek dard ka maara roye pyaar humaara
mila koi na sahaara haay kya kiya
dil tod bhi diya
mukh mod bhi liya

do dil juda huye hain
ab yaad ro rahi hai
majboor hai wafaayen
fariyaad ro rahi hai
ik dard ka maara roye pyaar humaara
mila koi na sahaara haay kya kiya
dil tod bhi diya
mukh mod bhi liya
dil tod bhi diya
mukh mod bhi liya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3836 Post No. : 14845

“Mera Jeewan”(1976) was directed by Vindu Shukla for Shreejee International, Bombay. This “social” movie had Vidya Sinha, Ambika Johar, Dushyant, Satyen Kappu, Jairaj, Shivraj, Viju Khote, Dinesh Hingoo, Padma Rani, Arvind Rathod, Baby Guddi, Sunita, Shekhar Purohit, Uday Kumar, Ranveer Raj, Jugnu, Anand Bihari,Harbans Pape, Pardesi, Amrit Patel, Madhavi, Master Ajay, Baby Sabiha etc. A K Hangal (friendly appearance) and Sulochana, Veena and Harindranath Chattopadhyay (special appearances) also figured in the movie.

The movie had four songs in it. Two songs from the movie have been covered in the past, including the title song which was the most popular song from the movie.

When I checked up on the four songs of this movie, I realised that all the four songs were quite popular during its time before they were forgotten.

Here is the third song from “Mera Jeewan”(1976) to appear in the blog. The song is sung by Asha Bhonsle. M G Hashmat is the lyricist. Music is composed by Sapan Jagmohan.

The song is picturised on Vidya Sinha as a “man mein laddoo phootna” genre of song. 🙂

I have not been able to get one word in the lyrics. I request our readers with keener ears to help fill in the blank/ suggest correction as applicable.


Song-Koi mere haathhon mein mehandi laga de (Mera Jeewan)(1976) Singer-Asha Bhonsle, Lyrics-M G Hashmat, MD-Sapan Jagmohan

Lyrics

Koi mere haathhon mein mehandi laga de
Koi mere haathhon mein mehandi laga de
aaj bole re lagan
jisko kehte hain dulhan
koi kaise sajaa de
Koi mere haathhon mein mehandi laga de
Koi mere haathhon mein mehandi laga de

aaj meri aankhon mein chamke pyaar ki jyoti
seep ke man mein muskaaye armaanon ke moti
khushiyon ke moti
pyaar ki jyoti
khushiyon ke moti
pyaar ki jyoti
aaj meri aankhon mein chamke
pyaar ki jyoti
aaj bole mera man
jisko kehte hain sajan
koi us’se milaa de
Koi mere haathhon mein mehandi laga de
Koi mere haathhon mein mehandi laga de

aaj suni kaanon ne mere
dil ki shehnaai
tod ke pinjra panchhi bhaaga
tooti tanhaai
suni shehnaai
tooti tanhaai
suni shehnaai
tooti tanhaai
aaj suni kaanon ne mere
dil ki shehnaai
jaise udti hai pawan
aur jhhoome re gagan
koi kaise uda de
Koi mere haathhon mein mehandi laga de
Koi mere haathhon mein mehandi laga de
aaj bole re lagan
jisko kehte hain dulhan
koi kaise sajaa de
Koi mere haathhon mein mehandi laga de
Koi mere haathhon mein mehandi laga de


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3792 Post No. : 14778 Movie Count :

4040

Missing Films of 1960s – 85
– – – – – – – – – – – – – – –

The next in this series is a religious film from 1970. Yes, the times were when this genre of films had a serious following, and the producers in the industry would be creating films in this category. Today’s film, ‘Shri Krishna Leela’ is from the house of Wadia’s, under their banner of Basant Pictures. As we review the data about film production under this banner, we find that this has been one of the very active production houses over the decades. [Note: I am examining the data in the Geet Kosh from 1931 to 1980 only.]

Over the years, Wadia film production company went about its business under the names as – Wadia Brothers, Wadia Brothers Productions, Wadia Films and Wadia Movietone. Collectively, these banners have been active since 1933 till the year 1971, having produced 50+ films in various genres – social, stunt, religious, mythical, costume dramas, historical etc. In 1943, the company launched another banner, named Basant Pictures. As we scan their list of films, once again we find slight variations in the banner names as – Basant Pictures, Basant Pictures (Wadia Brothers) and Basant Wadia Brothers Production. Collectively, this banner has a listing of about 60 films between 1943 and 1980. The films in this list also cover just the same set of film genres.

A brief about the House of Wadia. The ancestors of this Parsi family originally settled in Surat after migrating from Persia. The original business of Wadia family was shipbuilding. The logo of Wadia Movietone prominently carries an image of a ship – it is a representation of their origins – the legacy business that started off their fortunes. The Wadia Group’s shipbuilding business was set up in 1736 by Lowjee Nuserwanjee Wadia. Later during that century, the group shifted its base from Surat to Bombay. They built trading ships, and later in 1800s they build maritime vessels for the Royal Navy (Great Britain).

Wadia Movietone was founded in 1933 by the brothers – JBH Wadia and Homi Wadia. JBH Wadia (born 1901) was a very well educated young man, who came into the film industry in the closing years of silent cinema. He produced about a dozen silent films, with moderate success. His productions were mostly adaptations of successful Hollywood productions of that era.

The other co-founders were Manchersha Billimoria, and Burjore and Nadirshaw Tata. Their first film – ‘Laal e Yaman’ (1933) was a major commercial success. In 1935, the company produced ‘Hunterwali’ with Nadia in the title role, along with Boman Shroff and John Cawas in prominent roles. This film became a surprise hit, bringing in a huge commercial windfall for the company. In the process, it set a trend which was duplicated by Wadias themselves and also copied by many other production houses. In 1936 came ‘Miss Frontier Mail’, followed by ‘Lutaru Lalna’ in 1938, ‘Punjab Mail’ in 1939, ‘Diamond Queen’ in 1940, and ‘Bambaiwali’ in 1941. However, by this time, the repeated use of the stunt formula lost its luster, and the company started facing losses. In 1936, the Tata brothers had already moved out from the partnership. In 1942, the Wadia Movietone studio was put up for sale. V Shantaram, who was moving out of Prabhat at the same time, purchased this studio and set up his famous production house – Rajkamal Kalamandir, at this premises.

In 1942 itself, the younger brother, Homi Wadia, set up Basant Pictures as a new production house. He started producing films under this banner using studio facilities at other premises. In 1947, he eventually set up his own studio once again. Basant Studio was functional till 1981. In 1990, the studio was inherited by Riyad Vinci Wadia, the grandson of JBH Wadia. He revived film production once again under this banner. However, he too passed away in 2003. The studio now houses the Wadia Movietone and Basant Pictures archives and memorabilia collection.

The film ‘Shri Krishna Leela’ is directed by Homi Wadia. The star cast includes Master Sachin, Heena Kumari, Jaishri Gadkar, Sapru, Manhar Desai, Kumar Dighe, Deepak, Tabassum, Ratnamala, Padmarani, Uma Dutt, Shekhar, Master Bobby, Master Ratan, Tuntun, Babu Raje, Habeeb, Dalpat, H Prakash, and Prince Arjun. The songs of this film are penned by Bharat Vyas and the music is from the mind of SN Tripathi.

Today’s song is a lullaby, in the voice of Asha Bhosle. On screen, the song is performed by Jaishree Gadkar, in the role of Maa Yashoda, as she is crooning to put the infant Krishna to sleep. Close to the end of this clip, we see a little more grown up child Krishna, role played by Master Sachin.

A wonderfully soothing melody. . . listen, and relax.

Song – Palkon Ka Palna Nainon Ki Dori  (Shri Krishna Leela) (1970) Singer – Asha Bhosle, Lyrics – Bharat Vyas, MD – SN Tripathi

Lyrics

palkon ka palna
nayanon ki dori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
sapnon mein aaye tere
parion ki chhori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

dekhun jo mukhda
mit jaaye dukhda
dekhun jo mukhda
mit jaaye dukhda
mere liye tu hai
chanda ka tukda
mere liye tu hai
chanda ka tukda
mamta bhari hai
mere mann ki katori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

soya hai madhuban
jamuna hai soi
saari nagariya hai
nindiya mein khoi
saari nagariya hai
nindiya mein khoi
tujhko chandaniya sulaaye chori chori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

पलकों का पलना
नयनों की डोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
अपनों में आए तेरे पारियों की छोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

देखूँ जो मुखड़ा
मिट जाये दुखड़ा
देखूँ जो मुखड़ा
मिट जाये दुखड़ा
मेरे लिए तू है चाँद का टुकड़ा
मेरे लिए तू है चाँद का टुकड़ा
ममता भरी है मेरे मन की कटोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

सोया है मधुबन
जमुना है सोई
सारी नगरिया है नींदिया में खोई
सारी नगरिया है नींदिया में खोई
तुझको चंदनीया सुलाये चोरी चोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3782 Post No. : 14763

“Dulhan”(1958) was produced by A A Nadiadwala and directed by V M Vyas for Pushpa Pictures, Bombay. This “social” movie had Nirupa Roy, Rajkumar, Bhagwan, Nanda, Jageerdaar, Sheila Kashmiri, Manorama, Agha, Jeewan, Indira Bansal, Munshi Munaqqa, Maqbool, Iqbal, Kanchan, Ansari, Moti (the dog) etc in it.

The movie had nine songs in it. Four songs from the movie have been covered in the blog.

Here is the fifth song from “Dulhan”(1958) to appear in the blog. This song is a duet sung by Shamshad Begam and Rafi. P L Santoshi is the lyricist. Music is composed by Ravi.

The song is sung in a rock and roll style (which was quite popular in India at that time. The song is picturised as a club dance song. One can see Bhagwan lip syncing in Rafi’s voice. I am unable to identify the lady who lip syncs in Shamshad Begam’s voice. I request our knowledgeable readers to help identify her.

With this song, the blog now has 4800 songs from the decade of 1950s (1951 to 1960), which is easily the most well represented decade in the blog.


Song-Mere gore gore gaal (Dulhan)(1958) Singers-Shamshad Begam, Rafi, Lyrics-P L Santoshi, MD-Ravi
Both
Bhagwaan

Lyrics

yaa hoo

mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawab
meri ada bemisaal

husn waale kahte nahin kitne hum hain haseen
apne husn per unhen hota nahin hai yakeen
o husn vaale kahte nahin kitne hum hai haseen
apne husan pe unhe hota nahin hai yakeen
poochhe kaun husn ko na ishq ki jo shah mile
poochhe kaun husn ko na ishq ki jo shah mile
chaahne valo ki nazar ka hai ye sab kamaal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

pahle kisi but pe kabhi marna nahin chaahiye
mar gaye to shor kabhi karna nahin chaahiye
pahle kisi but pe kabhi marna nahin chaahiye
mar gaye to shor kabhi karna nahin chaahiye
aaye thhe ye ban ke chacha majnu farhaad ke
laila
haaye laila

aaye thhe ye ban ke chacha majnu farhaad ke
kuchh na ban pada to kahen that’s all
that’s all
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
tere gore gore gaal

that’s all
tere kaale kaale baal
that’s all
tera husn laajawaab
that’s all
teri ada bemisaal
that’s all


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3746 Post No. : 14705

Today’s song is the 5th song from the film Aahuti-50, to be discussed here. I have not seen this film, but from its second Title ” Anokhi Kurbani “, the movie seems to be about some kind of sacrifice. Whether it was for the country, family or just a Lover is not known. This was one of those films, made by a less known banner, directed by one whose name I read first time- Kulbhushan and the MD, who left no trace of him either of origin or the end- D.C.Dutt.

D C Dutt is its Music Director. His name is not known to many. All of us know that Lata Mangeshkar had to struggle very hard in her initial attempts of getting into Playback singing in Hindi films. In her early struggle, three Duttas helped her. The first was of course Datta Davjekar who gave her the first opportunity to sing a playback song for his film Aapki sewa mein-47. The second was K.Datta or Datta Korgaonkar, who, after his favourite singer Noorjehan left India, took Lata under his wings and gave her songs. The third Dutt was this-D C Dutt. No information is available about him whatsoever, except what is printed in HFGK and its duplication in Pankaj Raag’s book “Dhunon ki Yatra”. Thanks to this, we know that his debut was through film Sona Chandi-1946. Out of 12 songs of that film, only two were his and one of them was by Lata Mangeshkar. For rest, the composer was Tufail Faruqi.

This Lata song has a history. Film Sona Chandi was censored first on 19-7-46 and released. That time these 2 songs of D.C.Dutt were not there. In January 1948, when Gandhi ji’s death took place, many songs on Gandhi ji were recorded by many singers and composers. One of the most famous, popular and successful song was “Suno suno aye duniya walon, Bapuji ki amar kahani” sung by Mohd. Rafi in 4 parts and recorded by its composers Husnalal-Bhagatram. In this spate, D.C.Dutt also recorded a Gandhi ji song by Lata in 1948. Producers of film Sona Chandi got this and one more song ( by Saroj Borkar) included in the film and the film was re-censored on 9-4-48. Thus an early song of Lata was in a film, because of D.C.Dutt. Meanwhile the original Music Director of the film Sona Chandi-46 aka Bhai-Bhai, Tufail Faruqi ( brother in law of Ghulam Haider) had already migrated to Pakistan after the Partition.

D C Dutt later did some more films like, Sarai ke bahar-47, Dil ki Awaz-48, Anjana-48 ( he even acted in this film), Ram Darshan-50 ( he was one of the 6 Music Directors that the film had), Aahuti-50, Simba-51, Ranee-52 and lastly Sahil-59. Very surprisingly, after film Sona Chandi-46, Lata did not sing a single song in any of his films. After 48-49, Lata had become a very busy and ‘in demand’ singer and she would sing only for established composers ( we all know that she did not sing even in Madan Mohan’s debut film Aankhen-50, just because he was new).

The cast of the film, Aahuti-50 consists of Mumtaz Shanti, Ranjit Kumari ( who married actor Ramsingh and settled in UP), Sapru, Kesari, Bikram Kapoor, Struggling actress Shyama, Sudhir, Indubala and many others.

Mumtaz Shanti or Mumtaz Begum was born in 1922 at village Dinga in Punjab (now in Pakistan). She lost her parents early and she was brought up by her uncle who was a Police constable. After his transfer to Lahore, Mumtaz was able to continue her schooling. She learnt dancing and Music.She was also an expert in household chores. She was first rejected by Shorey Pictures,but then the famous writer/Lyricist Wali Saheb helped her and took her to Calcutta’s East India Film co. to work in a Punjabi film ‘Sohni Kumharan’-37. She also did another Punjabi film ‘Chambai ki Dali’-41 in Calcutta. Meanwhile,she was invited by Shorey pictures to Lahore to act in their Punjabi film ‘Mangti ‘-42. This film ran for 65 weeks giving her name and fame.

Barkat Nizami was the uncle of actress Mumtaz Shanti. It was through the efforts of Barkat Nizami that she was introduced to the Hindi film screen. This person had a knack for recruiting girls to cinema. First he brought in Mumtaz Shanti and then his own wife, Geeta Nizami. According to him this was a business, more than a marriage. He used to take 50% of earnings from Mumtaz Shanti, but after she married Wali Saheb, this stopped.

Rai Bahadur Chunilal Of Bombay Talkies offered her a role in their film Basant-42. She did Basant and Kismet-43. Both the films were hits and famous all over India. Mumtaz was good looking,tall and lithe,so looked attractive. After Kismet she became a freelancer and worked with many different studios, in Badalti Duniya and Sawal-43,Bharthari, Lady Doctor and Pagli Duniya-44,Chand chakori-45,Shravan Kumar, Dharati, Magadhraj and Pujari-46, Dekhojee and Doosri Shaadi-47,Padmini, Heer Ranjha and Ghar ki izzat-48,Putali, Biwi and Aahuti-50. Her last film in India was Zamane ki Hawa-52. In all she worked in 21 Hindi and 4 Punjabi films. She did 2 films in Calcutta, 4 in Lahore and the rest in Bombay.

She had married Lyricist/writer/Director Wali Saheb in 1947. He directed her in 3 films in India. He was very strict and forced her to come to studios only in Burqa. She was not allowed to talk to anyone. Manto has written some interesting incidents about her in his sketch of Ashok Kumar. According to him after marriage she used to come for shootings wearing ‘Burqa’. And Wali Saheb told the Producer/Director that no one should touch her. She was the second wife of Wali Saheb and she didn’t have any issue. Wali Saheb, however adopted a son for her ( who was a child of Wali Saheb’s brother, another famous lyricist, Nazim Panipati). This adopted son, Sikander Bin Wali lives in Washington D.C. Wali Saheb’s elder son from his first marriage, Zafar was Assistant Director of film Ghunghat-1962. They migrated to Pakistan after 1953. She retired from films and remained a housewife only. Walisaheb did 3-4 films,without much success. He died in 1977. Mumtaz Shanti also died in 93/94,unsung and unknown in Pakistan. ( information culled from articles provided by shri Harish Raghuwanshi ji, Filmdom-46, Khwaja Irfan Anwar and my notes).

Many actors, Directors and few actresses came from Kashmir, to join Hindi films. In olden times, some prominent names were Jeevan, Chandra Mohan and Sapru, besides many others. Actresses were Shyama Zutshi and Yashodhara Katju in early times. Here is some information about D.K.Sapru, based on an edited article from Chinar Shade.com, and from shri M.N.Sardana ji with thanks…

“ Where from have you come ? You look like an European . Please sit . I need to talk to you .”

This is what V Shantaram had told the young boy in 1944 who had come all the way from Jalandhar to Prabhat Studios Poona . Shantaram , Babu Rao Pai and S. Fatehlal were the partners of Prabhat Studios present at that point of time.

Looking at his face and after the usual introduction ,V Shantaram signed the blue eyed handsome Daya kishen Sapru for a role in his next movie RAM SHASTRI.. The character of a Peshwa played by him was well noticed and the movie turned out a big hit.. He was signed as lead hero by the Company on a monthly salary of Rs3000/= highest ever paid to any hero during those days . It was a hefty sum that enabled him to live a princely life during those days .It was somewhere around 1945-46.

Films started pouring in later .He acted in Romeo and Juliet ( opposite Nargis . Nargis’s Mother Jaddan Bai was all praise for Sapru. The film was produced by Nargis’s brother Akhtar Hussain . ) ,Jhansi Ki Rani ,Kalapaani , Hum Hindustaani , Sahib Bibi Aur Ghulam, Mujhe Jeene Do , Leader and Shaheed . Who does not remember his role as Majhale Sarkar ( Chaudhary ) in Sahib Bibi Aur Ghulam. Again as Zamindaar in Mujhe Jeene Do , he became quite popular. We saw him in some wonderful roles in Naya Daur , Prem Pujari ,Jewel Thief , Krodhi , Kudrat ,Dharm Veer, Dream Girl, Zanjeer , Pakeezah and many more such films .It was a period when story writers would create a character for him in the story or script. He was seen either as a Zamindaar or a Police commissioner or a Judge in most of his later films .

In Total, he must have acted in more than 350 films and out of which he played lead role in more than 50 films. He also played lead roles in some Gujarati and Punjabi films.

Saprus are Sarswat Brahmins from Kashmir known as kashmiri Pandits who belong to DIPAT SAMAN AUPAMANYAVA Gotra or the lineage of an Aryan Rishi .This clan of kashmiri Pandits actually belongs to village SAPREIN in present day Kulgam district of kashmir and could be safely called as aboriginal kashmiris . some other prominent Saprus are Sir Tej Bahadur Sapru , Jagdish Narayan Sapru ( Prominent Businessman of the country ) Sahaj Ram Sapru Revenue collector during the rule of Afghan Governor Azim Khan ( 1809-1819 ) and Dr Allama Iqbal Urdu poet and Islamic scholar ( He too belonged to a Sapru family from kulgam that had converted to Islam )

Daya kishen Sapru belonged to a well off family from Kashmir and his father was employed in Maharaja’s Treasury . That made the family to move to Jammu and Lahore during winters. Daya Krishen was born at Jammu and had his early education at Jammu and Lahore .Fluent in Punjabi , he was also proficient in Hindi , Urdu and English .From his childhood days , he would love music and singing . He could easily play on his Harmonium.

Before moving to PUNE , D K as he was known amongst his numerous friends lived at Jalandhar cantt for some time where he took up the job of a contractor .He had four brothers and two sisters and D K happened to be the fourth child in this joint family.

D K Sapru met Marathi actress and IPTA activist Hemvati and they fell in love. They married in 1948 .Hemvati was a noted Marathi actress who also worked at PRITHVI Theatres. She acted in SANGRAM with Ashok Kumar and Nalini Jaywant in lead roles. She had also worked with Dev Anand in MOHAN ,Mubarak and Renuka in Ghar Ghar Ki Kahaani and Raj Kapoor in Jail Yatra . A play of Prithvi Theatres, named Deewar had Hemvati and Raj kapoor in lead roles and the play became quite popular on stage during those days.

After marriage , Hemvati played the role of a caring wife and an affectionate mother in her family. After marriage,She possibly acted only in one movie PATIT PAAVAN a home production of sapru family. Hemavati died on 10-4-2005.

Sapru children are also in films. To quote their elder daughter REEMA is a well known script writer while second daughter PREETI is a successful Punjabi actress while their son Tej is a noted film and TV actor. The brother and sisters are closely attached to each other. They too live by the family values that they inherited from their father .

D K Sapru also acquired good and working knowledge of Homeopathy and was seen reading Homeopathic books quite often during his spare time. He then started practicing this school of medicine and would treat everybody without any charge often Buying medicines and distributing them free.

Sapru also committed a folly of producing films . One can say that he was misguided by some selfish friends .Though he had learnt some lessons from his first home production Patit paavan , a movie that earned him a few thousands only yet he took up another production project ” Bahadur Shah Zaffar”’ and brought in a large star cast that included Sudesh Kumar , Chand Usmani ,Shyama , Rehman ,Jeevan, Ulhaas ( M N kaul ) and Nirupa Roy .He pooled in all his resources and raised loans for the project mortgaging his spacious new Bunglow .The movie did not sell on Box office. That landed the family in great trouble. The house had to be sold to repay debts .

Sapru turned diabetic during his later life. Inspite of his failing health he decided to make a last attempt to produce another film JEEVAN CHALNE KAA NAAM. By Now Reema was a trained screen play / script writer . She wrote the script and the family signed in Sanjeev Kumar , Rekha , Shashi Kapoor . DK fell ill suddenly and had to be hospitalized for about an year. The project was abandoned. D K was also operated upon for a malignant growth in his shoulder and finaly died of a heart attack at a young age of 63 years in 1979. His favourite child Reema was already married at that time . And by then he had also turned a grandfather.

It was big blow to the judiciary when Mr Daya Kishen Sapru departed for heavenly abode. There were other esteemed judges, who graced the self-righteous chair of the temple of justice but could not create a niche for them like Mr Sapru and Mr Murad, in Hindi films . It is to their credit ,that they both not only enhanced the prestige of judiciary ,but they were also apt in enacting all types of characters.

Mr D K Sapru,scion of an influential Pandit family of J & K and one of the most handsome actor of his time ,like other young men joined the film line to become hero. Fair complexioned with expressive light eyes like his senior actor & fellow Kashmiri Pandit Chandra Mohan ,soon he became a known actor. His cousin Mr Jeevan was already an established actor in Hindi Films .

In 1948, Jaddan Bai produced a movie which was based upon the tragic tale of Romeo And Juliet, written by William Shakespeare,in which the female leading role was played by her daughter Nargis, opposite Sapru Saab. In the same year he married Hemavati ,a Marathi actress ,who mostly had worked on stage of IPTA and Prithvi Theatres and also in few movies. Interestingly ,she was leading lady in 1947 movie Mohan ,in which the struggling actor Dev Anand was her hero. Hemvati & Sapru ,looked as if they were made for each other ,as both were good looking ,fair coloured and had similar light eyes.

There was a big advertisement in Film India and other papers ,when K Asif announced Mughal E Azam ,for which he took Sapru and Nargis as jilted lovers with Chandra Mohan in the title role of the Great Mughal. The movie could not progress , as firstly the financier migrated to Pakistan and in 49 , Chandra Mohan passed away . Mr Sapru became a full time character actor and his versatility came to the forefront , when he portrayed dissimilar character in different movies . Sapru Saab was man for all seasons ,and could portray saintly person/villain/cop/ foreigner/ villager / sophisticated person /King/ Sultan .all type of characters with ease.

He looked so charming person as rich Jeweller ,father of Tanuja in Jewel Thief and in Tere Mere Sapne, he was a humble villager. In Zanzeer ,he was a mafia lord and in Majboor (1964) ,he was prosecuting lawyer. He appeared in numerous mythological movies and in fact made Patit Pawan in 1955 ,which did average business.

As an actor, he was doing well, therefore one fails to appreciate the reasons as to why he thought of producing movies. He made Bahadur Shah Zafar ,in which he himself essayed the role of unfortunate last Mughal. He took Chand Usmani, Shyama, Jeevan, Sudesh Kumar , Ullhas etc in the movie. Unaware of the lack of honesty of his production team , Mr Sapru kept faith on them and could not monitor the expenses and the movie was over budgeted .He spend all his money and even mortgaged his unmoveable assets to make the movie spectacular and completed the movie. But sadly the movie could not be released and remained in cans . It was a big blow for him.

Today’s song is sung by Uma Devi and Shanti Varma, as per HFGK. However, as per one comment on You Tube by a known collector, she was Shanti Sharma, and not Varma.’Swaron ki Yatra’, by Anil Bhargav also credits this song to Shanti Sharma. I have not found any singer Shanti Varma, but Shanti Sharma’s name as a singer is found in films Raees-48, Kinara, Shaukeen, Dhoom Dham, Rimzim and Veer Ghatotkach-all of 49, and Azmaish-52 in HFGK.

With this song, the blog now has 3000 songs from the decade of 1940s (viz from years between 1941 to 1950).


Song-Ab to hand mein hand nahin(Aahuti)(1950) Singers- Uma Devi, Shanti Sharma, Lyrics- Indeevar, MD- D C Dutt

Lyrics

Ab to hand mein hand nahin
ab dil me bajta
ab dil mein bajta band nahin
oh my dear
o dear
o dear
tum badal gaye
tum pahle se husband nahin
aa ha
ab to hand mein
ab to hand mein hand nahin

ye meri India hai
ye tera to England nahin
ye tera to England nahin

ho ho
ab to hand mein
ab to hand mein hand nahin

o o
yahaan na hogi whisky brandi
aur club ke dance
yahaan na hogi whisky brandi
aur club ke dance
yahaan na hogi whisky brandi
aur club ke dance
yahaan na hogi gitpit gitpit
aur nahin romance
yahaan na hogi gitpit gitpit
aur nahi romance
maal judaane ka na milega
yahaan koi ab chance
maal judaane ka na milega
yahaan koi ab chance

daal diya aafat mein toone
daal diya aafat mein toone
aafat ka koi end nahin
aa haa
ab to hand mein
ab to hand mein hand nahin

ab laut chalo laut chalo
ghar o meri sister
hawa vatan ki lagte hi
badal gaye mister
badal gaye mister
tumhen banaaye rakhne ko main
tumhen banaaye rakhne ko main
kar sakta recommand nahin
aa haa
ab to hand mein
ab to hand mein hand nahin

o ho
tum mere man ke paati
main hoon charnon ki daasi
nyochhaawar ka charanon pe
mathura ho ya kaashi
haath chhodkar saath mera
ab jaana tum england nahin
ab jaana tum england nahin

ho ho
ab to hand mein
ab to hand mein hand nahin
ab dil mein bajta
ab dil mein bajta band nahin
oh my dear
o dear
o dear
tum badal gaye
tum pahle se husband nahin
aa haa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3737 Post No. : 14684

“Mehfil”(1957) was produced by M Masood and directed by A Karim for R F Pictures, Bombay. The movie had Rehana, Daljit, Renu Makad, Altaf, Jankidas, Nayantara, Majnu, Anant Prabhu, P Khandare, Shyam, Sheikh etc in it.

This obscure movie had six equally obscure songs in it.

One song has been covered in the past. Here is the second song from “Mehfil”(1957) to appear in the blog. This song is sung by Asha Bhonsle and chorus. Khumar Barabankwi is the lyricist. Music is composed by Nashaad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

It is a delightful song to listen to. A forgotten gem of a song indeed.


Song-Pyaara pyaara mukhda ho behki behki chaal re(Mehfil)(1957) Singer-Asha Bhonsle, Lyrics-Khumar Barabankvi, MD-Naashaad
Chorus

Lyrics

Pyaara pyaara mukhda
ho Pyaara pyaara mukhda
Pyaara pyaara mukhda
ho behki behki chaal re
meethhi meethhi nazron se
jaadoo na daal re
Pyaara pyaara mukhda
ho behki behki chaal re
meethhi meethhi nazron se
jaadoo na daal re
Pyaara pyaara mukhda
ho behki behki chaal re

tan man ko loote raama chanchal ishaara
chanchal ishaara
raama chanchal ishaara

maange na paani teri nazron ka maara
nazron ka maara
teri nazron ka maara

ankhiyaan milaaye hai ye kiski majaal re
Pyaara pyaara mukhda
ho behki behki chaal re
meethhi meethhi nazron se
jaadoo na daal re
Pyaara pyaara mukhda
ho behki behki chaal re

khaali na jaaye raaja tera nishaana
tera nishaana
raaja tera nishaana

tu jisko taake bane tera deewaana
tera deewaana
bane tera deewaana

dil ka hamaare aji rakhna khayaal re
Pyaara pyaara mukhda
ho behki behki chaal re
meethhi meethhi nazron se
jaadoo na daal re
Pyaara pyaara mukhda
ho behki behki chaal re


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14995

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4104

Total visits so far

  • 11,572,222 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,707 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: