Archive for the ‘Body part song’ Category
- In: "Moonch"/Mustache song | "Nok-Jhonk" song | Anil Biswas Songs | Body part song | Guest posts | Meena Kapoor songs | Post by Arunkumar Deshmukh | Shamshad Begam songs | Shankar Dasgupta songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4725 | Post No. : | 16437 |
Today’s song is from the film Do Raaha-1952, about which not much is known- except whatever is given in the HFGK.The film was made under the banner of ‘Progressive Pictures,Bombay’. It was directed by Bal Chhabra and was produced by his elder brother Sujit Chhabra under their own banner. The cast of the film was Nalini Jayawant, Shekhar, K N Singh, Agha, Dewan Sharara, Jagdish Sethi and many more. The 8 songs of this film were written by Prem Dhawan-6 songs and one each by Sahir Ludhianvi and Josh Malihabadi. It seems, there was one more song ” Sab paise ki hai maya” sung by Shankar Dasgupta, S D Batish and Prem Dhawan. The song was also recorded but not included in the film. The music was by Anil Biswas.
Like the film title ‘Do Raaha’, Anil Biswas was also almost at a Do Raaha point in his life. He was a disturbed person. His relations with wife Ashalata were worsening by the day. At the same time his closeness to Meena Kapoor was increasing. Out of his total 90 films in his career, 60 films were over and he was looking at the last 1/3 part of his career with a pessimistic view. After this film, he gave music to 29 more films, but his old magic seemed to be deserted him on the way somewhere. Only the films Fareb-53, Pardesi-57, Char dil char rahen-59 and Sautela Bhai-62 had songs having his faint old stamp.
Anil Biswas, the Bhishma Pitamaha of HFM, was a respected person in the industry. He started from the mid 30s and for the next 25 years or so, he created many everlasting gems in film songs. In Bombay,the Playback system was first started by him in the film Mahageet-1937. By the mid 50s his magic started waning and by 1960, he was almost gone from the industry.
Initially he did 10-11 films with Sagar, then with Mehboob for National studios and then in Bombay talkies- where his name became immortal with the film Kismet-1943.
He married Ashalata in 1936. Along with her he started variety pictures and they produced films like Laadli-49,Laajawab-50;Badi bahu-51,Hamdard-53 and Bajuband-54. ( a less known fact is-Anil da had made a Guest appearance in film Hamdard-53 as a barber. He also acted in the film Mehman-53 (produced by Ashalata),as a Pujari and a song was shot on him.In both cases he did not get any payments. As a Producer he lost heavily, because Ashalata usurped all the money. Frustrated, he gave up everything and separated from her in 1954.
To sustain life, he bought a Truck and did a business of transportation. In addition he also took the contract for a canteen in Mehboob Studios. He failed in both ventures. By now, his relations with Ashalata were soured and sweet links were established with singer Meena Kapoor-25 years younger to him, since 1948 itself. They got married with each other on 19-3-1957. The death of Brother in law and close friend Pannalal Ghosh in 1960 and younger brother Sunil in 1961 as well as his eldest son, broke his heart. He left Bombay and joined A.I.R. at Delhi on 1-3-1963, where he worked upto 27-6-1975. Later he was a consultant for Nehru University for a few years.
Like many filmi couples, Anil da’s married life was also a failure. In Bombay,he used to stay in a huge bungalow,called ” Asha-Pradeep “, on Vincent Road. From Ashalata,he got 3 sons-Pradeep, Amit and Utpal and 1 daughter-Shikha. His son Utpal formed a pair as Amar-Utpal and gave music to few films. The other son Amit established the First Digital Recording Studio in Bombay. Daughter Shikha too got married and settled.
However, hardly anything is known about his eldest son Pradeep, anywhere. Here is some information, hitherto not known much, brought specially for our readers.
Pradeep was a very bright student and always topped in school and college. He passed his entrance exam and the interview, with flying colours for entry to NDA college at Poona, to join armed forces. He excelled even in NDA training. Not only was he very popular there but sang well too. He participated in the music Festival of Khadakwasla NDA and sang 3 songs, winning all prizes. He was also an NDA Topper.
Shri Gopinath Talwalkar, an A.I.R. Programmer at Delhi, used to interview the Toppers of NDA every year. That year Pradeep was the Topper, so he was interviewed. Though the interview was in Hindi, after the recording, Pradeep asked Talwalkar, in pure Marathi, whether his interview had been good. Talwalkar was shocked. Pradeep then explained that he was Anil Biswas’s son and he had learnt Marathi from his actress mother Ashalata. Pradeep knew Hindi, Marathi, English and Gujarati languages.
After completing his NDA training, he was posted as Flight cadet at Jodhpur. He was further promoted and became Pilot Officer in 1957. During one Training flight some altitude problems occurred and his plane crashed at Begumpet Airport, Hyderabad, killing Pradeep instantly. This happened in 1961.
This was also the time of crisis for Anil da. He was struggling to survive. Films were not coming to him. Since he married Meena Kapoor, Lata Mangeshkar-a fast close friend of Ashalata , had gone against him and Meena’s singing career was suppressed. He had already lost Pannalal Ghosh and Sunil-his brother, and now Pradeep’s death devastated him and he was literally forced to seek employment with Delhi A.I.R., when the opportunity came. After retirement, till his death on 31-5-2003, he spent his life in total anonymity as a recluse. So sad for a composer, who was once a fountain of enthusiasm and who was considered Mentor by leading contemporary composers like C.Ramchandra.
Here is an interesting incident about the film Girls School-1949, between C Ramchandra, Anil Biswas and Lata Mangeshkar. This film was produced by Kavi Pradeep under the banner of Lokmanya Productions, Bombay. This was a company floated by him and Amiya Chakrawarty-director of this film. To understand the complexities of Girls school, we must go back a little. In 1942, Anil Biswas was invited by Ranjit @ 1500 pm and by Bombay Talkies @ 2500 pm. As National studio was winding up, Anil Biswas wanted to make a change anyway, but due to the contract of national he could not join Bombay Talkies openly. He ,however , gave music to film Basant-42 and the name of his brother in Law, Pannalal Ghosh was used as its MD.
Finally when Anil Biswas joined Bombay Talkies, there were already 2 groups there. One was led by Devika Rani and Amiya Chakraborty and the other was led by S. Mukherjee along with Ashok kumar, Gyan Mukherjee, Pradeep etc- a total of 15 artistes. Anil Biswas was invited by Devika Rani and that too at 2500 pm, when Pradeep was getting 1500 pm. This irritated Pradeep no end and he started troubling and finding faults with Anil Biswas. However Anil Biswas gave excellent music to film Kismet and then everyone was happy as the film celebrated jubilees everywhere.
With this background, Anil Biswas joined Girls school as a MD, mainly due to Amiya who knew his calibre. Kavi Pradeep being a producer and a Lyricist started interfering with Anil Bswas’s work and criticising him at every opportunity. Anil Biswas was fed up. He had already recorded 3 songs and a solo by Lata , “tum hi kaho, mera man udas kyun na rahe” was to be recorded. Anil Biswas had taken C Ramchandra as his assistant for this film. Though C Ramchandra was already a popular and well known composer himself, still due to sheer respect for Anil Biswas, he had accepted to be his assistant here. When the tune for Lata’s solo was made, Pradeep passed caustic remarks about it being not so good. There was an altercation between Anil Biswas and Pradeep and Biswas quit then and there and went away.
Automatically, C Ramchandra had to take over as MD for the balance songs. Pradeep was very happy. Next day recording of Lata’s solo song took place under the supervision of C Ramchandra, as planned. Later when Lata came to know that Anil Biswas had left and C Ramchandra had replaced him,she was very angry and said that she would not have recorded the song had she known about AB’s exit. She objected to CR’s taking over and complained to the Artistes association too. (Remember, at that time Lata and CR’s relations had not formed yet, Lata was still with Husnlal.)
Later on in 1954, when O P Nayyar replaced Roshan for Mehbooba-54, Lata took up the issue with the MDs’ association. Anil Biswas was the chairman that time and OPN was boycotted. That time Lata quoted the film Girls school incident to prove that she is “highly Principled” !
Anyway, this was how C Ramchandra became the next MD of Girls school-49, with 4 duets of Shamshad and 1 solo for Lalita Deulkar. All the 4 duets of this pair are very interesting. However, with all this jhamelas, film Girls school-49 was a total Flop. Pradeep lost heavily and closed the production company forthwith, after just one film.
Today’s song is a very good song and I was surprised to see that it was not yet posted here. Actually, there may still be some more such Gems, waiting to be discovered. This song is sung by Anil Biswas, Meena Kapoor, Shankar Dasgupta and Shamshad. I liked this song. You too will like it.
(Information used in this article is from books Sagar Movietone, Journey down melody lane, Ritu aaye Ritu jaaye, my notes and Marathi book Anil Biswas, with thanks).
Song-Arre na jaane kya samjhen ye moonchhon waale moonchhon waale (Doraha)(1952) Singers- Shankar Das Gupta,Shamshad Begam, Meena Kapoor, Anil Biswas, Lyricist- Prem Dhavan, MD- Anil Biswas
Female chorus
Male chorus
Lyrics
ae jee bach ke chalna aa
paaon mein moch aa na jaaye
ae kamar naazuk kahin bal kha na jaaye
are na jaane kya samjhe ye
moonchho waale
moonchhon waale
khud ko shaane khuda samjhen ye
moonchhon waale
moonchhon waale
ye baanki tagdi moonchho waale
ye ulti seedhhi moonchho waale
ye bin moonchho ke moonchho waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
degree lene aaye thhe
mister magar
pad gayi jaane kahaan
unki nazar
ishq ke college mein aise
kho gaye
ho o o
ho o o
B A hote hote Majnoo ho gaye
aur humko bhi Laila samjhe
ye moonchho waale
moonchho waale
aur humko bhi Laila samjhe
ye moonchho waale
moonchho waale
ye chhoti chhoti moonchhon waale
ye moti moti moonchhon waale
ye bin moonchhon ke moonchhon waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
saara din to jootiyaan chatkaayen hum
aur tab kahin ye chaar paise paayen hum
aeji laaye saadi
laayen powder surkhiyaan aan
o o o o
o o o o
tum udaao aur kamaate jaayen hum
arre phir bhi naaz dikhaayen haay
zulfon waale
zulfon waale
o phir bhi naaz dikhaayen haay
zulfon waale
zulfon waale
hoy naagan ban das jaayen haay
zulfon waale
zulfon waale
ho naagan ban das jaayen
ho das jaayen
ho das jaayen
haay
naagan ban das jaayen haay
zulfon waale
zulfon waale
ek din mister zara
ghar bhi raho
aur aane jaane waalon se parda karo
maanjo bartan
jhaadoo do
paani bharo
o o o o
o o o
jis tarah marte hain hum
tum bhi maro
phir dekhen khud ko kya samjhen
ye moonchhon waale
moonchhon waale
phir dekhen khud ko kya samjhen
ye moonchhon waale
moonchhon waale
ye Hitler jaisi moonchhon waale
ye machchar jaisi moonchhon waale
ye bin moonchhon ke moonchhon waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
humko na jaane kya samjhen
ye moonchhon waale
moonchhon waale
Hansta Hua Ye Pyaara Chehra Tera
Posted on: May 30, 2021
- In: "wooing" song | Baag/Bagiya song | Body part song | Chehra song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | MG Sreekumar Solo Songs | MG Sreekumar Songs | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4699 | Post No. : | 16392 | Movie Count : |
4455 |
Hullo Atuldom
In my post for the song “Kyun Aage Peechhe Dolte Ho Bhanwaron Ki Tarah“, two years ago, I had stated that ‘Hera Pheri’ (2000) had Paresh Rawal playing Baburao Ganpatrao Apte which gave a new angle to Paresh Rawal’s career. In that post I had also said that he had played main villain in movies and had mentioned ‘Roop Ki Rani Choron Ka Raja’ (RKRCKR) in the list of movies where we could see Paresh Rawal as a negative character.
Recently there was a comment to that post where it was pointed out that ‘RKRCKR’ had Anupam Kher as the lead villain. As I was thinking about today’s post I realized another error in that post of mine. Paresh ji had shown his comic side in movies like ‘Andaz Apna Apna’ (1994), ‘Chachi 420’ (1997), ‘Mr. and Mrs. Khiladi’ (1997) etc. before ‘Hera Pheri’ happened. Sorry for the errors.
Over the years Paresh ji has played varied characters and most of them can be easily recalled. He has played the Iron Man (as Sardar Patel was called) in the 1994 release ‘Sardar’ and it is as unforgettable as many of his roles in masala movies like the Gujarati husband of a North-Indian wife in ‘Baghban’ (2003) who is forever quoting all the muhawaras (proverbs) wrong. He played the role of a father to Tabu in ‘Cheeni Kum’ (2007) who is shocked to find a 64-year old Amitabh Bachchan approaching him with a request to marry Tabu. He had played a henchman to Prem Chopra, Amrish Puri and others of the ’80s and even those characters have not been forgotten. He has shaken a leg with Akshay Kumar, Amitabh Bachchan, Suniel Shetty etc. and was not off-the-mark in them.
We have seen Paresh Rawal lip-sync songs in movies and he has had a few romantic songs too which was rather unusual considering that he was never the romantic protagonist. Today we have one such song wherein we can see Paresh Rawal wooing an astonished Mahima Chaudhry with flowers and singing a song in the voice of MG Sreekumar. The song is tuned by Anand Milind and written by Ibrahim Ashq.
The song is from the 2001 released, Priyadarshan directed and Neeraj Vora written ‘Ye Teraa Ghar Ye Meraa Ghar’. (The extra ‘a’ in the title is seen in the movie credits too)
The movie dealt with the troubles a house owner (Suniel Shetty) goes through to get his tenant’s family vacate the rented premises so that he can sell the property. Now the house owner is in a financial crunch and selling the house is an option that will work for his family. The tenant’s family (after the passing of the tenant) is being looked after by the working daughter (Mahima) and her contention is that they have been paying rent without defaulting and so the house owner cannot evict them. The movie has a few interesting and hilarious characters like the neighbor who comes like a knight-in-shining armour to Saraswati’s (Mahima) aid and retreats when he sees Dayashankar Pandey (Suneil Shetty). Similarly we have Saurabh Shukla playing Saraswati’s uncle, supposedly a goonda, who fails to help the family. Then there is OP Yadav (Paresh Rawal) an Inspector and a childhood friend to Pandey who promises to help in the eviction and ends up falling in love with Saraswati. The movie ends with Pandey and Saraswati working out a solution to their problems and the audience is entertained for close to 3 hours.
Priyadarshan had remade it from the Malayalam original ‘Sanmanassullavarkku Samadhanam’ (1986) (which should translate as ‘Peace of mind for the like-minded’). I think this was the first time that Hindi audiences heard MG Sreekumar who is a well-established singer in South Indian movies.
Here is wishing Paresh Rawal ji health and happiness on his 66th birthday. May we be entertained by you in the coming years too.
[Ed Note: Tomorrow, i.e. 31st May, is also the birth anniversary of Milind Srivastav, of the Anand-Milind duo, the music directors of this song. Wishing him many happy returns of the day.]
Song – Hansta Hua Ye Pyaara Chehra Tera (Ye Teraa Ghar Ye Meraa Ghar) (2001) Singer – MG Sreekumar, Lyrics – Ibrahim Ashq, MD – Anand Milind
Paresh Rawal
Mahima Chaudhry
Lyrics
hansta hua ye pyaara chehra tera
pyaar bhara dil kabhi jhooth nahi bolta
dekha jo maine tujh ko pagal hua
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haaye tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haay tu ne yeh na jaana aa
hansta hua yeh pyara chehra tera
dekha jo maine tujh ko paagal hua
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
ho oo
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
dil maine haara
sab tujhpe vaara
dil maine haara
sab tujhpe vaara
jeena marna tere liye
hansta hua yeh pyaara chehra tera
dekha jo maine tujh ko paagal hua
tu ru ru
tu ru ru
tu ru ru ru ru
aankhen ye teri kaali kaali
gaalon pe tere chhaayi laali
ho oo
aankhen yeh teri kali kali
gaalon pe tere chhayi laali
sun le haseena
tu hai nagina
sun le haseena
tu hai nagina
aa ja meri baahon mein
hansta hua ye pyaara chehra tera
aa der ho rahi hai
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tune na jaana
haay tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
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Hindi script lyrics (Provided by Sudhir)
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हँसता हुआ ये प्यारा चेहरा तेरा
प्यार भरा दिल कभी झूठ नहीं बोलता
देखा जो मैंने तुझको पागल हुआ
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
हो ओ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
दिल मैंने हारा
सब तुझपे वारा
दिल मैंने हारा
सब तुझपे वारा
जीना मरना तेरे लिए
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तु रु रु
तु रु रु
तु रु रु रु रु
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
हो ओ
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
सुन ले हसीना
तू है नगीना
सुन ले हसीना
तू है नगीना
आजा मेरी बाहों में
हँसता हुआ ये प्यारा चेहरा तेरा
आ देर हो रही है
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
Kiska chehraa ab main dekhoon
Posted on: February 8, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4588 | Post No. : | 16210 | Movie Count : |
4411 |
Today, February 8th is the 5th Remembrance Day of the poet and lyricist, Nida Fazli (12/10/1938 – 08/02/2016) who left for the heavenly abode on this date 5 years back. 80 years ago, Ghazal singer, Jagjit Singh (08/02/1841 – 10/10/2011) was born on this date. More than a co-incidental connection between the two, they had a special connection through their collaborations. Nida Fazli was the master of expressing the romance, realities and the philosophy of life by way of ghazals and nazms while Jagjit Singh added soul to Nida Fazli’s words through his emotive voice.
There was another co-incidence about Nida Fazli and Jagjit Singh. Both came to Mumbai around the same time, 1964 and 1965 respectively, for pursuing their career. It was Jagjit Singh’s first LP album with his wife, Chitra Singh titled ‘Unforgettable’ (1976) which made him popular as a ghazal singer. Almost at the same point of time, Nida Fazli had also become one of the most sought-after poets in mushairas all over India.
Both Jagjit Singh and Nida Fazli used very simplistic approach in making their ghazals popular among the masses. Jagjit Singh rendered ghazals in his emotive voice with simple music using only 3-4 musical instruments. He mostly avoided the use of semi-classical genre such as thumri and dadra as was the convention at that time. Nida Fazli, by and large, avoided the use of Persianised Urdu words in his ghazal. He used the mix of simple words from Hindi and Urdu to make them understandable to the masses. He moved away from the convention of ghazal writing as an expression of the unrequited love and the piognant mood associated with such love. Instead, he expressed through his poems the human relationships, socio-economic and political situations as also on realities of life. His poem depicted the humanist approach.
I have selected a few of couplets from his ghazals, some of which have been sung by Jagjit Singh, as examples of his non-conventional way of putting his thoughts in simple words with deep meanings:
uss ke dushman hain bahut aadmī achchha hoga
wo bhi meri hi tarah shahar mein tanha hoga
safar mein dhoop to hogi jo chal sako to chalo
sabhi hain bheed mein tum bhi nikal sako to chalo
[Note: This entire ghazal was recited by Prime Minister, Narendra Modi during a Rajya Sabha debate on March 8, 2016 in the context of Government’s difficulties for the smooth passage of bills in Rajya Sabha]
dhoop mein niklo ghataaon mein nahaa kar dekho
zindagi kyaa hai kitaabon ko hataa kar dekho
duniya jise kahte hain jaadoo kaa khilauna hai
mil jaaye to mittī hai kho jaaye to sona hai
hukoomaton ko badalne to kuchh muhaal nahin
hukoomaten jo badalta hai wo samaaj bhī ho
Muhaal= difficult
kabhi kabhi youn bhi ham ne apne jee ko bahlaaya hai
jin baaton ko ḳhud nahin samjhe auron ko samjhaaya hai
ghar se masjid hai bahut dur chalo youn kar le
kisi rote huye bachche ko hansaaya jaaye
hoshwaalon ko khabar kya bekhudi kya cheez hai
ishq keejiye phir samjhiye zindagi kya cheez hai
Both Nida Fazli and Jagjit Singh got associated with Hindi film industry almost at the same time. Nida Fazli wrote his first lyrics for ‘Satranj Ke Mohre’ (1974). Jagjit Singh rendered his first full-pledge song as a playback singer in Hindi film, ‘Aavishkaar’ (1973) with his wife Chitra Singh.
Despite both Nida Fazli and Jagjit Singh being in Mumbai since 1965 and both having the inter-related careers, it took almost 25 years for both of them to collaborate for the first time when Nida Fazli wrote the lyrics for the film ‘Billoo Baadshah’ (1989) for which Jagjit Singh was the music director and also the playback singer for one song. It took another four years when their first non-film album, ‘Insight’ was released in 1993. for which all the songs were written by Nida Fazli. Thereafter their collaborations continued until Jagjit Singh’s death kept them apart.
Nida Fazli entered the Hindi film industry as a lyricist at a time when the quality of song writing had the initial sign of deterioration. In the post-1980’s scenarios, his filmy songs stand apart from most of the songs written during that period. And when he joined with Jagjit Singh, their collaborative as well as individual efforts took us back to the golden period of Hindi film music for few moments.
On the occasion of the 5th Rememberance Day of Nida Fazli and 80th birth anniversary of Jagjit Singh, I have selected one of those Hindi film songs where Jagjit Singh has sung the song written by Nida Fazli. The song is ‘meri aankhon ne chuna hai tujhko duniya dekh kar’ from ‘Tarkieb’ (2000) with Alka Yagnik joining Jagjit Singh in rendition. The song was set to music by Aadesh Srivastav.
‘Tarkieb’ (2000) failed miserably at the box office and faded into oblivion. But the song under discussion has ensured that the name of the film is not forgotten. Such is the power of Jagjit Singh-Nida Fazli combination.
Video Clip:
Audio Clip:
Song-Kiska chehraa ab main dekhoon(Tarkieb)(2000) Singers-Jagjit Singh, Alka Yagnik, Lyrics-Nida Fazli, MD-Aadesh Srivastav
Both
Chorus
Lyrics
chaand bhi dekha
phool bhi dekha
baadal bijli titli jugnu
koi nahin hai aisa
tera husn hai jaisa
tera husn hai jaisa
meri nigaah ne ye kaisa khwaab dekha hai
zameen pe chalta huwa mahtaab dekha hai
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehara
kiska chehara
ab main dekhoo….n
tera chehara dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
hu hu hu hu
ta ta ra ta ra ra ta ra
neend bhi dekhi
khwaab bhi dekha
neend bhi dekhi ee
khwaab bhi dekha aa
choodi bindiya darpan khushboo
koi nahin hai aisa
tera pyaar hai jaisa
haan tera pyaar hai jaisa aa
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehra
kiska chehra..aa
ab main dekhoo…n oon oon
tera chehra dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
ru ru ru
rang bhi dekhaa aa
roop bhi dekhaa aa aa
rang bhi dekhaa aa
roop bhi dekhaa aa
rasta manzil saahil mehfil
koi nahin hai aisa
tera saath hai jaisa
ho tera saath hai jaisa aa
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehra..aa
kiska chehra abb main dekhoo..n oon
tera chehra dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
bahut khubsoorat hai aankhen tumhaari
(aaaaaa aaaaaaaa)
bana dijiye inko kismat hamaari
(aaaaaa aaaaaa )
usse aur kya chaahiye zindagi mein
(hmm hmm hmm hmm hmm)
jise mil gayi mohabbat tumhaari
(hmm hmm hmm hmm hmm)
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4535 | Post No. : | 16103 | Movie Count : |
4396 |
Hullo Atuldom
There is a test match on, ‘Down Under’, and I am recalling the words of Sunny Gavaskar. He had hosted a short tele-series in the late 80s. He had also written his autobiography “Sunny Days”.
What I am quoting here and often prior to today, is something that I have read in “Sunny Days” or heard it on the said serial. It could also be Sunny Gavaskar in his avatar as a commentator. His advice to the batsmen used to be that “One should always reach the milestone of say a 50 or 100 with a four, six or at the most run two runs. This would cover up for any score that the scorer had inadvertently credited to extras”. Possibly this may have been due to his experiences at the start of his career when scorers used to do their work manually.
My reason for quoting Sunny Bhai (as he is sometimes addressed by his co-commentators) is that it has been a while since my last post, that had been a milestone for me. And following Sunnybhai’s advice my quick single (next post) should have come a few days back. But that has not been. I had many posts in mind for various birthdays and anniversaries but I have been away. But, as the elders say ‘better late than never’.
So coming to today’s post it is to wish an actor who is blessed with a good voice almost equaling Amitabh Bachchan’s baritone, a good height again almost equal to Mr. Bachchan and looks that far surpasses many of his contemporaries. He was born in Quetta in present day Pakistan a year before independence, educated in Hyderabad (in India) and was a Tennis and Swimming champion.
His career in the entertainment industry began with Radio Shows (which he got thanks to his voice) and stage plays. He is also trained at FTII. On relocating to Mumbai his experience on radio and stage kept him going and his looks helped him gain modelling assignments; I remember him in ads for ‘Lifebouy soap’ and also ‘Charminar cigarettes’. His Bollywood debut happened in 1977 with “Jeewan Mukt” but it was his role in “Laawaaris” as a potter that is my first recall of him. Hope that rings a bell in the mind of the readers.
Yes, I am speaking of the National Award winning, still handsome Suresh Oberoi. He turns a year older today. He has done a few romantic roles too in his career which are overshadowed by the character roles he has played. We can recall him as ‘Mukhi’ in “Mirch Masaala”, the tormentor in “Coolie”,”Shraddhanjali”, etc. He has played an inspector in a number of movies and may be holding the record for the third highest by an actor after Jagdish Raj and Iftikaar. 🙂
Today’s song is from the 1982 released, Satyen Bose directed “Tumhare Bina”. It had Suresh Oberoi and Swaroop Sampat playing a couple and parents to a little boy. He is a film producer whose wife is suspicious of his relation with a beautiful actress (Simple Kapadia). The couple separate and Robin Dutt (Suresh Oberoi) is forced to abduct his son, go into hiding etc. The movie had songs penned by Govind Moonis and tuned by Raam Laxman. Bhupinder Singh, Behroz Chatterjee (never heard this name before), Manhar Udhas, and Gurpreet Kaur (not heard this name too) were the playback singers used. Apparently the movie was a remake of Kramer v/s Kramer.
Today we have a song which shows that Suresh Oberoi would have made a good romantic hero too. It is duet by Bhupinder and Behroz Chatterjee.
Video (shorter)
Audio (Full)
Song-Lab tak aayi hai jo baat kaho to boloon(Tumhaare Bina)(1982) Singers-Bhupinder Singh, Behroz Chatterjee, Lyrics-Govind Moonis, MD-Ram Laxman
Both
Lyrics
hmm hmh hmm hmm
ho ho ho
aa ha ha
lab tak aai hai jo baat
kaho to boloon
dil mein hai kuchh jazzbaat
kaho to boloon oon
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
kahne do o
kahne do o
kahne na rahne do o
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
milte hi nazron se nazar
sapne suhaane kitne jage
milte hi nazron se nazar
sapne suhaane kitne jage ae
chhoo ke badan sihran si lagi
tumko kya aisa na lage
main kya jaanoon oon
rahne ae do o
thehro na aa aa
kahne do o
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
saath tumhaara jo aaj mila
jeevan bhar ye saath rahe
saath tumhaara jo aaj mila
jeevan bhar ye saath rahe
dil mein rahe ye pyaar sada
haathon mein ye haath rahe
I love you
I love you
I love you
I love you
hmm hmm hmm hmm hmm hm
hmm hmm hmm hmm hmm hmm
lalalalaala
lalalaala
o o o
hmm hmm hmm hmm hmm hmm
hmm mm mmhmm hmm hmm
lalalalaal
lalalaala
o o o
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is his 900th write-up in the blog.
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Blog Day : |
4442 | Post No. : | 15887 |
My God ! This is my 900th post on the Blog !
I just can’t believe it. I feel like having written my First post just the other day. How time flies !
But this also means that I have enjoyed writing posts on this Blog. It has been exactly 8 years that I have been writing posts, primarily on old time films, songs and the people connected with them. My first post appeared here on 1-10-2012, when I was 72 year old. At the end of the 8 years period, I have 900 articles on my name and I am 80 years old.
When my first post appeared here on 1-10-2012, I had already posted 400 comments, film reviews and information tit bits on old films on the Blog. With so much of information, it was expected by Atulites that someday I will write posts. Personally. I had never thought of that. There is a story behind how my posts started appearing on this Blog.
At the end of September 2012, one of my friends sent me a song from the film Savitri-1937. I was quite excited to get such a rare song. Savitri-37 was the first Mythological film by Bombay Talkies and also their popular Hero Ashok Kumar ( later he acted in one more Mythological film ” Uttara Abhimanyu”-46. Thank God he never acted in another Mythological film ! He was a perfect misfit in them.). I wrote to Atul ji that I had that song and suggested that he should post it. I volunteered to provide the necessary details of the film etc. He wrote back asking me to send him the information on that song. Enthusiastically, I wrote a long essay-like post about the film, song, story etc. and sent it to him, so that he should post the rare song.
Next day i.e. on 1-10-2012, I got an email from Atul ji that he has posted the write up on film Savitri song, as my Post. I was pleasantly surprised. Honestly, I was thrilled too ! My post and on this Blog ? How sweet ! By evening, there were 36 comments on the post. Most Atulites welcomed my step of becoming a post contributor. I was really overwhelmed. Then I decided, anyway I was in the Swimming Pool, so why not enjoy swimming ?
Thus started my journey of 900 posts. All the credit goes to our Leader- ATUL JI. His encouragement, motivation and help from time to time was an asset for me. Atul ji is not expressive about the good deeds he does, but I am indebted to him. I learnt using the Computer when I was past my 70 years of age. So, there used to be many mistakes in my typing the articles like in using the upper/lower cases, use of Capitals, Punctuation marks, construction of sentences etc etc. But Atul ji and Sudhir ji stretched their tolerance limits to maximum and accepted me as I was. Since 2018 onwards, I conscientiously made changes in my writing, checking the article for mistakes, doing corrections before sending it etc. I also changed the type of the script Font that I was using, for more clarity of reading and today, I feel, my writings are far better than earlier times. Sudhir ji’s help has been particularly useful in the last 8 years. Thank you, ATUL JI and SUDHIR JI, for making me what I am today in the Blogosphere and amongst the like minded people of the Internet, Facebook etc.
My 800th post was on 29-9-2019. The 900th post too is in September. Thanks to all my readers, friends, Group Atulites and well wishers.
Today’s song is from the film Malati Madhav-1955. This is a story from the Sanskrit play ‘Malti Madhav’ written by Bhavbhuti. Wikipedia has this to say about Bhavbhuti and the story of Malati Madhav….
Bhavabhuti was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. Bhavabhuti was born in Padampura, Vidarbha, in Gondia district, on the Maharashtra and Madhya Pradesh border. His real name was Srikantha Nilakantha, and he was the son of Nilakantha and Jatukarni. He received his education at ‘Padmapawaya’, a place some 42 km South-West of Gwalior. Dayananidhi Paramahansa is known to be his guru. He composed his historical plays at ‘Kalpi’, a place on the banks of river Yamuna.
He is believed to have been the court poet of king Yashovarman of Kannauj. Kalhana, the 12th-century historian, places him in the entourage of the king, who was defeated by Lalitaditya Muktapida, king of Kashmir, in 736 AD.
The play is set in the city of Padmavati. The king desires that his minister’s daughter Malati marry a youth called Nandana. Malati has been in love with Madhava ever since she saw him and drew his portrait. Madhava reciprocates, and draws a portrait of her in turn. Malati suspects her father’s motives in falling in with the King’s plans for her. A side plot involves the lovers’ friends Makaranda and Madayantika. The latter is attacked by a tiger, and Makaranda rescues her, getting wounded in the process. After numerous travails, all ends well, with the two couples uniting. According to the renowned Sanskritist Daniel H.H. Ingalls, the Malatimadhava is a work that combines love and horror with a felicity never again equaled in Sanskrit literature.
Today’s song is sung by Malati Pande and chorus. Malati Pande is one of my most favourite marathi singers. Her Bhavgeets in the 50’s decade were extremely popular in Maharashtra and with all the Marathi people wherever they were in the world. Malati Pande was also a Classical singer and has sung very few songs in Hindi films, but excelled in Classical and Marathi songs. Her songs like ” tya tithe, palikade, tikde, maziya priyeche zopde” or ” kunihi paay naka vajavu” are evergreen. She is one of those Marathi singers like Manik Verma, Jyotsna Bhole, Hirabai Badodekar, Saraswati Rane, Shobha Gurtu, Nalini Mulgaonkar, Ram Marathe, Bhimsen Joshi, D.V.Paluskar etc, who just visited Hindi films out of curiosity, but returned to their comfort zones immediately.
Malati was born on 19-4-1930 at Poona, She was attracted to music from her childhood. She was trained by several teachers like Bhaskarrao Ghodke, Trivedi Master, Vilayat Hussain Khan, Vinayak buwa Patwardhan, Bholanath Ghatt and also her husband Pt. Padmakar Barve. At the age of 15 years, she was invited to sing on A.I.R. Poona. She did her Ph.D in Music.
When Sudhir Phadke brought her to Prabhat for audition, for songs of Marathi version of ‘ Aagey Badho ‘-47, Fattelal was very happy with her style of singing and thanked Phadke. Malati Pande’s first lori song “kunihi Paay Naka vajavoo…” was with Singer & Music Director Gajanan Watve and poet Shrinivas Kharkar. It is said that afterwards, many singers and music directors recorded lori songs, but Malati Pande’s this lori song is the best and is still remembered by the Marathi listeners.
Malati Pande sang many Marathi songs under the music direction of Gajanan Watve, Sudhir Phadke, Ram Phatak, Shrinivas Khale, Datta Dawjekar, Madhukar Pathak etc.
Malati Pande sang some 15 Hindi songs under the music direction of K. Bhole, Avinash Vyas, Sudhir Phadke in the following Hindi films – Seeta Swayamvar-48, Maya Bazar-49, Shrikrishna Satyabhama-51, Shri Vishnu Bhagwan-51 and Malati Madhav-55.
Malati married classical singer Pt. Padmakar Barve. They have a son Rajiv Barve who is a singer. His daughter Priyanka Barve is also a famous singer in Marathi and Hindi films. Malati Pande died on 27-12-1997.
Let us now enjoy her last song in Hindi films…
Song-Motiyon se maang bhare sundari suhhaaye re (Maalti Madhav)(1951) Singer- Malti Pande, Lyricist- Pt.Narendra Sharma, MD- Sudhir Phadke
Chorus
Lyrics
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
aarsi na dekho
kahin drishti lag jaaye re
drishti lag jaaye re
sundari suhhaaye re
sundari suhhaaye re
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
nakh range hain laadli ke
choomti usha charan
nakh range hain laadli ke
choomti usha charan
jaise laal laal kamal
khil rahe hain man haran
jaise laal laal kamal
khil rahe hain man haran
ye charan ki jodi kahin
door chali jaaye re
door chali jaaye re
sundari suhhaaye re
sundari suhhaaye re
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
mukh hai jaise chandr chaandni si roop mohani
mukh hai jaise chandr chaandni si roop mohani
apni aaj kal paraayi hogi sakhi sohini
dekho kaali naagin si veni lehraaye re
veni lehraaye re
sundari suhhaaye re
sundari suhhaaye re
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
aarsi na dekho
kahin drishti lag jaaye re
drishti lag jaaye re
sundari suhhaaye re
sundari suhhaaye re
Motiyon se maang bhare sundari suhhaaye re
sundari suhhaaye re
Chal Hand Utha Ke Nachchen
Posted on: July 8, 2020
- In: Body part song | Daler Mehndi Songs | Dance song | Devnagri script lyrics by Sudhir | Group Dance | Guest posts | Haath song | Lyrics contributed by readers | Mika Singh Songs | Post by Peevesie's mom | Song sung by three or more singers | Songs of 2010s (2011 to 2020) | Songs of 2013 | Sunidhi Chauhan Songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4373 | Post No. : | 15712 | Movie Count : |
4331 |
Hullo Atuldom
I don’t remember when was the last birthday post that I wrote for the sweet, chulbuli, very bright, charming and ever smiling Neetu Singh who made her debut in Bollywood as Baby Sonia in the double role of twin sisters, in ‘Do Kaliyan’ (1968).
But my thoughts and appreciation about her are there in the post for the song “Phoolon Ki Duniya Se Taaron Ki Duniya Mein“.
In there I had mentioned that she had appeared in 2013 in a movie called ‘Besharam’ which was directed by Abhinav Kashyap. She played a constable of the Delhi Police going by the name ‘Bulbul Chautala’ who is shown assisting Inspector ‘Chulbul Chautala’ (Rishi Kapoor) in tracking down a car thief Babli (Ranbir Kapoor). I saw this movie recently and realized that I still adore this pyari jodi who had been a craze till Neetu Singh got married and settled to look after her family.
Today’s song plays with the end credits of the movie and is sung by Mika Singh, Daler Mehndi and Sunidhi Chauhan where we have the young couple Rishi and Neetu dancing along with Ranbir and Pallavi Sharda. The song is written by Kumaar which is the mononym for Rakesh Kumar- a lyricist who has been active in Bollywood for a few years now. The music director is Lalit Pandit who used to form a team with his brother Jatin Pandit and gave us some chart-buster songs in movies like ‘Yes Boss’ (1997), ‘DDLJ’ (1995) etc.
The song has the evergreen pair shaking a leg to the beats of a very modern song which is neither a bhangra nor a disco. I must admit that it must have taken lots of guts to take to the dance floor after a gap of thirty years. The last movie where she had danced had come in 1983 ‘Ganga Meri Maa’ which if my guess is right would have been one that released long after it was completed.
Wishing this sweet charming and smiling on her 62nd birthday though I feel she may not celebrate this year. But I think we can still wish her health and happiness.
Song – Chal Hand Utha Ke Nachchen (Besharam) (2013) Singer – Mika Singh, Daler Mehndi, Sunidhi Chauhan, Lyrics – Kumaar, MD – Lalit Pandit
Lyrics
nau baj gaye
hum saj gaye
do peg lagey angrei
ho nau baj gaye
hum saj gaye
do peg lagey angreji
jo chadh gayi
to addh gayi
yeh cheez badi hai creji
aaja thumkon ki.. limit badha le
hain jeb mein jitne.. note udaa de
hum dheet hain jitne
sweet hain utne
to bachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
tu hoga
bada hero
par hum bhi nahi kachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
ab rukne ka time nahin hai
khul ke nachna crime nahin hai
mike pakad ke aaj macha de halla halla
ho o ab rukne ka time nahin hai
khul ke nachna crime nahi hai
mike pakad ke aaj machha de halla halla
dil vil apne phenk huye hain
rahu-ketu theek huye hain
pakad ke finger tu pehna de chhalla chhalla
nainon se zara tu
neat pila de
phir badan soniye
beat hila de
hum desi jitne dude bhi utne hain sachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
tu hoga
bada hero
par hum bhi nahi kachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
chal back hila ke
nachchen
chal taang utha ke
nachchen
chal aag laga ke
nachchen
chal feet badha ke
nachchen
chal pila pila ke
nachchen
chal hila hila ke
nachchen
oye fikr chhod ke sharam faad ke nachchen
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
नौ बज गये
हम साज गये
दो पैग लगे अँग्रेजी
हो नौ बज गये
हम साज गये
दो पैग लगे अँग्रेजी
जो चढ़ गई
तो अढ़ गई
ये चीज़ बड़ी है क्रेजी
आजा ठुमकों की॰॰ लिमिट बढ़ा दे
हैं जेब मैं जीतने॰॰ नोट उड़ा दे
हम ढीठ हैं जीतने
स्वीट हैं उतने
तो बच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
तू होगा
बड़ा हीरो
पर हम भी नहीं कच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
अब रुकने का टाइम नहीं है
खुल के नचना क्राइम नहीं है
माइक पकड़ के आज मचा दे हल्ला हल्ला
हो ओ अब रुकने का टाइम नहीं है
खुल के नचना क्राइम नहीं है
माइक पकड़ के आज मचा दे हल्ला हल्ला
दिल विल अपने फेंक हुये हैं
राहू केतू ठीक हुये हैं
पकड़ के फिंगर तू पहना दे छल्ला छल्ला
नैनों से ज़रा तू
नीट पिला दे
फिर बदन सोनिए
बीट हिला दे
हम देसी जीतने ड्यूड भी उतने हैं सच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
तू होगा
बड़ा हीरो
पर हम भी नहीं कच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
चल बैक हिला के
नच्चें
चल टांग उठा के
नच्चें
चल आग लगा के
नच्चें
चल फीट बढ़ा के
नच्चें
चल पिला पिला के
नच्चें
चल हिला हिला के
नच्चें
ओय फिकर छोड़ के शरम फाड़ के नच्चें
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
Tumhaari Palkon Ki Chilmanon Mein
Posted on: June 27, 2020
- In: "Aankh" song | "expectant parents" song | Body part song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Happy song | Lata - Nitin Mukesh Duet | Lata song | Love song | Lover's tête-à-tête | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Nitin Mukesh songs | Palak song | Post by Sudhir | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4362 | Post No. : | 15688 |
I would prefer to stop counting the numbers, and rather go by the impressions in the memory. Well, it sounds so unbelievable that Nitin Mukesh turns 70 today. It seems like just a little while ago that we heard him sing for the first time in ‘Mera Naam Joker’ (1970). It was actually an unlisted song, in English. A song of good wishes and greetings – “Wish Me Luck”.
Then in 1981, when the song “Zindagi Ki Na Toote Ladi” from the film ‘Kranti’ was doing the rounds of popularity, my first impression on hearing this voice was – how come, was this song recorded earlier? The voice sounds so close to the voice of Mukesh, his father. Well yes, the voice is distinct, if one is listening carefully. But it also has an unmistakable shade of Mukesh’s voice.
Nitin Mukesh was born this day in 1950. Although he made his singing debut in 1970, his songs are few and far between in that first decade of his career. His more active years were the 1980s and 1990s. And even so, one cannot count his career as being prolific.
Today’s song is from the 1981 film ‘Nakhuda’. It was a big banner film of its time, produced by Yash Chopra for Yash Raj Films. The film is directed by Dilip Naik. The star cast for the film is Kulbhushan Kharbanda, Swaroop Sampat, Raj Kiran, Madan Puri, Javed Khan, Vikas Anand, Sudhir Dalvi, Bharat Kapoor, Madhu Malhothra, Mac Mohan, Yunus Parvez, Asha Sachdev, Jagdish Raj, Mahaan, Murlidhar, Bandini, Nandini, Umesh, Murari, Chand, Raj Verma, Chandu, Pardesi, Amarnath, Rajesh, and Rauf Khan.
The film has 6 songs. One song is a composition by Nusrat Fateh Ali Khan, and also sung by him. The remaining 5 songs are from the pen of Nida Fazli, and have been tuned to music by Khayyaam. One song of this film is already showcased on our blog. This is the second song of this film to make its appearance here today. Lyrics for this song have been sent in by our dear Avinash ji.
On screen, the song is picturized on Raj Kiran and Swaroop Sampat. As the words indicate, this is an ‘expectant parents’ song, with the characters expressing happiness and love for each other, with the knowledge that another member of the family is on way.
Wishing Nitin Mukesh, a very happy birthday, and also many many more years of good health and active singing. All the best wishes to him.
Video
Audio
Song – Tumhaari Palkon Ki Chilmanon Mein (Nakhuda) (1981) Singer – Nitin Mukesh, Lata Mangeshkar, Lyrics – Nida Fazli, MD – Khayyaam
Lyrics (Provided by Avinash Scrapwala)
hmmmm…hmmmmm..hhmmm
hmmm…hmmm…hmmmm…hmmmm
hmhmmm….hmmm…hmmmmm
hmmm…hmmm….hmmm..hmmmm
lalla la la laa laaa
lalla llall la la laa laaa
lalla la la laa laaa
lalla llall la la laa laaa
tumhaari palkon ki
chilmanon mein
ye kya chhuppa hai
sitaare jaisa
haseen hai ye
hamaare jaisa
shareer hai ye
tumhaare jaisa
tumhaare khwaabon
ke aayeene mein
ye kyaa chhuppa hai
hamaare jaisa
jawaan hai ye
hamaare jaisa
haseen hai ye
tumhaare jaisa
tumhaari baahon mein
chhup ke hum ne
tumhi ko tum se
chura liya hai
tumhaari baahon mein
chhup ke hamne
tumhi ko tum se
chura liya hai
churaane waale ke
haath hum ne
jo kho diya tha
wo pa liya hai
tumhaare honthon ki
khaamoshi mein
ye kya chhupa hai
ishaare jaisa
tumhaare honton ki
khaamoshi mein
ye kya chhupa hai
ishaare jaisa
haseen hai ye
hamaare jaisa
shareer hai ye
tumhaare jaisa
naye musaafir ke
kaun hain hum
naye musaafir ko
ye bata do
naye musaafir ke
kaun hain hum
naye musaafir ko
ye bata doi
woh tum se khud hi
karega baatein
kareeb aa ke
isey jaga do
tumhaari sharmilee
shokhiyon mein
ye kya chhupa hai
sharaare jaisa
tumhaari sharmilee
shokhiyon mein
ye kya chhupa hai
sharaare jaisa
haseen hai ye
hamaare jaisa
shareer hai ye
tumhaare jaisa
tumhaari palkon ki
chilmanon mein
ye kya chhupa
hai sitaare jaisa
tumhaare khwaabon ke
aayeene mein
ye kyaa chhupa hai
hamaare jaisa
jawaan hai ye
(hmmm…hmmmm)
hamaare jaisa
(hmmmmm)
haseen hai ye
(hmmm…hmmmm)
tumhaare jaisa
(hmmmmm)
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हम्ममम॰॰॰ हम्मममम॰॰॰ हम्म
हम्म॰॰॰ हम्म॰॰॰ हम्मममम॰॰॰ हम्ममम॰॰॰
हम्ममम॰॰॰ हम्मममम॰॰॰ हम्म
हम्म॰॰॰ हम्म॰॰॰ हम्मममम॰॰॰ हम्ममम॰॰॰
लल्ल ला ला ला॰॰ ला॰॰॰
लल्ल लल्ल ला ला ला॰॰ ला॰॰॰
लल्ल ला ला ला॰॰ ला॰॰॰
लल्ल लल्ल ला ला ला॰॰ ला॰॰॰
तुम्हारी पलकों की
चिलमनों में
ये क्या छुपा है
सितारे जैसा
हसीन है ये
हमारे जैसा
शरीर है ये
तुम्हारे जैसा
तुम्हारे ख्वाबों के
आईने में
ये क्या छुपा है
हमारे जैसा
जवान है ये
हमारे जैसा
हसीन है ये
तुम्हारे जैसा
तुम्हारी बाहों में
छुप के हमने
तुम्ही को तुमसे
चुरा लिया है
तुम्हारी बाहों में
छुप के हमने
तुम्ही को तुमसे
चुरा लिया है
चुराने वाले के
हाथ हमने
जो खो दिया था
वो पा लिया है
तुम्हारे होंठों की
खामोशी में
ये क्या छुपा है
इशारे जैसा
तुम्हारे होंठों की
खामोशी में
ये क्या छुपा है
इशारे जैसा
हसीन है ये
हमारे जैसा
शरीर है ये
तुम्हारे जैसा
नए मुसाफिर के
कौन हैं हम
नए मुसाफिर को
ये बता दो
नए मुसाफिर के
कौन हैं हम
नए मुसाफिर को
ये बता दो
वो तुमसे खुद ही
करेगा बातें
करीब आ के
इसे जगा दो
तुम्हारी शर्मीली
शोखियों में
ये क्या छुपा है
शरारे जैसा
तुम्हारी शर्मीली
शोखियों में
ये क्या छुपा है
शरारे जैसा
हसीन है ये
हमारे जैसा
शरीर है ये
तुम्हारे जैसा
तुम्हारी पलकों की
चिलमनों में
ये क्या छुपा है
सितारे जैसा
तुम्हारे ख्वाबों के
आईने में
ये क्या छुपा है
हमारे जैसा
जवान है ये
(हम्मम॰॰॰ हम्ममम)
हमारे जैसा
(हम्ममम)
हसीन है ये
(हम्मम॰॰॰ हम्ममम)
तुम्हारे जैसा
(हम्ममम)
- In: "Jeep" song | "til" song | Body part song | Duet | expression of love | Feelings of heart | Geeta Dutt songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Munh song | Rafi songs | Rafi-Geeta Dutt duet | Songs of 1960s (1961 to 1970) | Songs of 1962 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4348 | Post No. : | 15659 |
Today (13 july 2020) is the birth anniversary of Prem Dhawan (13 june 1923-7 May 2001) Prem Dhawan is mainly known as a lyricist, but he was also a music director as well as an actor and choreographer.
Prem Dhawan made his debut as a lyricist in 1946 with the movie “Dharti Ke Lal”(1946). His last movie as a lyricist was was “Appu Raja”(1989).
He had the distinction of winning the National award for best lyricist in 1971 for his lyrics in Punjabi movie “Nanak Dukhiya Sab Sansaar” (1971). He also received Padma Shree award in 1970.
“Jahaan Daal par par sone ki chidiyaa karti hai basera”, the iconic song from “Sikandar e Azam”(1965) is an iconic song that gets played without fail on 26 januray and 15 august. “Ae watan ae watan” (Shaheed)(1965) and “Mera rang de basanti chola”(Shaheed)(1965) were pennned as well as composed by Prem Dhawan. “Ae mere pyaare watan” (Kaabuliwaala)(1961) was also penned by Prem Dhawan.
It is not that he only penned patriotic songs. He penned songs of all genre that one sees in HFM.”Chandamama door ke”(Vachan)(1955), an iconic mother-child lullaby, was penned by him. “Seene mein sulagte hain armaan (Aarzoo)(1951) was also his creation, as was the case with the folk song extraordinaire-:kaun rang mungwa kaun rang motiya”(Heera Moti)(1959). “Dil ko laakh sambhaala jee (Guest House)(1959), “Do roz mein wo pyaar ka aalam guzar gaya”(Pyaar Ki Raahen)(1959), “Haseen Ho Khuda to nahin ho (Mud Mud Ke an Dekh:(1960), “Dil Hai tera deewaana”(Zimbo Sahhar Mein)(1960), “Teri duniya se hoke majboor chala”(Pavitra Paapi”(1971)- all these were created by Prem Dhawan !
As a choreographer, he was the man behind the dances of “Naya Daur”(1957),”Dhool Ka Phool”(1959), “Waqt”(1965) etc.
The blog has as many as 438 of his songs as a lyricist and 22 of his songs as a composer.
On the occsaion of his berth anniversary, here is a song from “Gangu”(1962). This song is sung by Rafi and Geeta Dutt. Prem Dhawan is the lyricist. Music is composed by Kalyanji Anandji.
THe song is picturised on Chandrashekhar and Naaz who are seen driving in a car. Driving as well as a singing simultaneously, it is not advisable, but HFM safety standards have always been lax. 🙂
The lyrics of this song were sent to me by Avinash Scrapwala.
The audio and video versions contain different stanza towards the end.
Video
Audio
Song-Ye gora gora mukhda ye kaala kaala til (Gangu)(1962) Singers-Rafi, Geeta Dutt, Lyrics-Prem Dhawan, MD-Kalyanji Anandji
Chorus
Lyrics(Provided by Avinash Scrapwala)
Ye gora gora mukhdaa
Ye kaala kaala til
Ye gora gora mukhdaa
Ye kaala kaala til
Le gaye donon mil ke
Dekho ji mera dil
Hain khoti khoti baatein
Aur kaala tera dil
Hain khoti khoti baatein
Aur kaala tera dil
Deeewaane tu kahaan se
Gaya hai humen mil
Haaye
Ye gora gora mukhdaa
Ye kaala kaala til
Le gaye donon mil ke
Dekho ji mera dil
Hain khoti khoti baatein
Aur kaala tera dil
Deeewaane tu kahaan se
Gaya hain hume mil
Ho ho ho o
O o o ho ho o
Yoon itraa ke
humko lubhaa ke ae
Dil ko churaa ke jaati kahaan ho
Deke ye jhaanse
Jo humen phaanse
Jaayenge hum to
Marzi jahaan ho
Dekho akele na milegi Manzil
Haaye Ye gora gora mukhdaa
Ye kaala kaala til
Le gaye donon mil ke
Dekho ji mera dil
Hain khoti khoti baatein
Aur kaala tera dil
Deeewaane tu kahaan se
Gaya hai hamen mil
(Not in video)
Ho ho ho ho o
O o o ho ho o
Kaafir adaayein
Zaalim nigaahen
Jaan se mare
Jisko bhi chaahe
Kisne hain rokaa
Abhi hain maukaa
Khaana na dhokha
Bharna na aahen
Milte hi aankhen
Hum huye hain ghaayal
Haaye
Ye gora gora mukhdaa
Ye kaala kaala til
Le gaye donon mil ke
Dekho ji mera dil
Hain khoti khoti baatein
Aur kaala tera dil
Hain khoti khoti baatein
Aur kaala tera dil
Deeewaane tu kahaan se
Gaya hain hame mil
(Not in audio)
O o o o ho ho o
Aa aa aa ha ha aa
Hawaa jo aayi
Lat lehraayi
Yoon bal khaayi
Ulajh gayi re
Ja re deewaane
Kar na bahaane
Tere nishaane
Samajh gayi re
Phir bhi na jaane tu Hamaari mushqil
Haaye Ye gora gora mukhdaa
Ye kaala kaala til
Le gaye donon mil ke
Dekho ji mera dil
Hain khoti khoti baatein
Aur kaala tera dil
Deeewaane tu kahaan se
Gaya hain hamen mil
Auron ke kyun pag padta hai
Posted on: June 8, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4343 | Post No. : | 15646 |
—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 35
—————————————————————————
This date ten year ago, viz 8 June 2010 was a relatively prolific day by the then prevailing standards of the blog. As many as four songs were covered that day. Here are their details:
| Song | Movie title-Year | Remarks |
|---|---|---|
| Nadi kinaare baithke aao | Jaageerdaar (1937) | 3 songs covered out of 10. The movie made its debut on this date. |
| Bhar bhar aayen ankhiyaan | Samrat Chandragupta (1958) | The movie has been YIPPEED by now |
| Aapne yoon hi dillagi ki thi | Mehndi Lagi Mere Haath (1962) | The movie has been YIPPEED by now |
| Aao jhoome gaayen | Paraaya Dhan(1971) | The movie has been YIPPEED by now |
One can see that four songs from four different decades were covered on 8 june 2010. It was my standard practice in the past to cover around six songs in a day, all belonging to different decades. This practice had become difficult to follow during the last months of 2009 and initial months of 2010 because of disruption due to my transfer. By June 2010, I was finally settled in Nagpur and I was trying to regain the glory days of the blog. And this date was the one when I perhaps decided to shift gears and press the accelerator.
It is to be noticed that the first song of the day was from the decade of 1930s. 1930s was the earliest decade of HFM. Songs of that decade were difficult to come by and so very few songs of that decade were covered by that time. Sudhir Jee has the details. According to him:
On 8th june 2010, the fiilm “Jaagirdaar” of 1937 had made its debut. It was the 690th day of the blog. “Jaagirdaar” was only the 11th film from the 1930s to appear on our blog. And the song was only the 19th song from that decade. Almost two years into this endeavor, and the blog had just scratched the surface of the decade of 1930s. Today that count stands at 210 films and 443 songs from the years 1931-1940. Just for additional information, the approximate total availability of the Hindi film songs of 1930s in public domain is in the range of around 1100.
So we have added considerably to the songs tally of 1930s in the blog and by now we have about 40 % of all available songs of 1930s in the blog.
Coming back to “Jaageerdaar”(1937), this movie was directed by Mehboob Khan for Sagar Film Company, Bombay. The movie had Surendra nath(B.A.L.L.B), Motilal, Bibbo, Maya Bannerjee, Ramchandra Marathe, Yaqoob, Pandey, Sankata, Ziya Sarhadi, Pesi Patel, Bhudho Advani, Mani, Jaaver Bhai Qaiser, Soli Kapadia, Miss Gulzar, Rajkumari etc in it.
The movie had ten songs in it. Three songs have been covered in the past. Here are the details of the three songs covered in the blog:-
| S N | Song | Post number in blog | Date of posting |
|---|---|---|---|
| 1 | Nadi kinaare baithke aao | 2521 | 8-June-2010 |
| 2 | Pujaari morey mandir mein aao | 7951 | 22-April-2013 |
| 3 | Baanke bihaari bhool na jaana | 13656 | 14-October-2017 |
The movie made its debut on this date ten years ago. As “Blog ten year challenge”, here is another song from the movie. It is sung by Rajkumari. Zia Sarhadi is the lyricist. Music is composed by Anil Biswas.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Auron ke kyun pag padta hai (Jaageerdaar)(1937) Singer-Rajkumari, Lyrics-Zia Sarhadi, MD-Anil Biswas
Lyrics (Provided by Prakashchandra)
auron ke kyun pag padta hai
auron ke kyun pag padta hai
aap lagaa de paa aaa aar
aap lagaa de paa aa aar
auron ke kyun pag padta hai
auron ke kyun pag padta hai
aap lagaa de paa aa aar
aap lagaa de paa aa aar
apni apni naiyyaa ke sab
apni apni naiyyaa ke sab
aap hain kewanhaa aa aar
aap hain kewanhaa aa aar
auron ke kyun pag padta hai
auron ke kyun pag padta hai
aap lagaa de paa aa aar
aap lagaa de paa aa aar
himmat haari sab kuchch haaraa aaa
himmat haari sab kuchch haaraa aaa
paayega jab tu na kinaaraa
paayega jab tu na kinaaraa
doob chukaa qismat ka taaraa
doob chukaa qismat ka taaraa
tujhse hai bezaa aa aar
tujhse hai bezaar
aan aan aan aan
apni apni naiyyaa ke sab
apni apni naiyyaa ke sab
aap hain kewanhaa aa aar
aap hain kewanhaa aa aar
auron ke kyun pag padta hai
auron ke kyun pag padta hai
aap lagaa de paa aa aar
aap lagaa de paa aa aar
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