Archive for the ‘Body part song’ Category
- In: "Aankh" song | Asha Bhonsle songs | Body part song | Duet | expression of love | Feelings of heart | Guest posts | Lab/ honth song | One singer singing for two actors | Post by Avinash Scrapwala | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5029 | Post No. : | 16938 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # # Dil Ka Raaja -1972#
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Today’s song is from the ‘1972’ movie ‘Dil Ka Raaja’.
This is another movie which I came across while presenting the ‘missing movies of 1972’ on the blog. Though this movie made its debut on the blog way back on 14.10.2014, only one song from this movie has been posted on the blog. I do not remember to have listened to other songs from this movie. That is the reason for this post where today we will enjoy the second song from this movie.
Music for this movie is also composed by R.D. Burman.
‘Dil Ka Raaja-1972’ was directed by P. Madhwan for ‘Nadiadwala Associates, Bombay’. It was produced by A.A. Nadiadwala.
It had Raj Kumar, Leena Chandavarkar, Ajit, Bindu, Jagdeep, Indrani Mukherjee, Randhir, Meena T., Sheikh, Surendra Rahi, Manjeet, Omkar, Pandit Iqbal, Jankidas, Uma Dutt, Rajesh, Maqbool, Master Anil, Master Ripal, and Waheeda Rehman (in special appearance).
Story and screenplay of this movie was written by Balamurugan. Dialogues of this movie were written by Kaushal Bharti.
Editing of this movie was done by Babubhai Thakkar.
This movie was passed by Censor Board on 29.11.1972.
As I mentioned above one song from this movie has been posted on the blog earlier and that was presented by Shri Satyajit Rajurkar on the blog.
In his post (which is his passionate post about Rafi Saab) he had also mentioned about the story of this movie which I am reproducing below from his post.
This movie is about two brothers who try to retrieve the lost glory of their “king” father through hard work and sincerity. After generously donating all the wealth accumulated by three generations of his family, Ramnagar-based Raja Vichitra Singh (Raaj Kumar), faces humiliation at the hands of Thakur Gajendra Singh (Ajit) when he is unable to pay a dowry for his sister, Gauri (Indrani Mukherjee). He does fulfill his promise by mortgaging his mansion, Raghupathi Bhavan, but the shock kills his wife, Lakshmi (Waheeda Rehman). Humiliated, with no one coming forward to help him, he leaves Ramnagar, along with his three children, Raja (Raaj Kumar), Bajrang (Jagdedep), and Vijaya (Meena T) and re-locates to Bombay, hoping to accumulate Three Lakh Rupees, so that he can get the Bhavan back as well as restore his honour. The rest of the story is about how Vichitra Singh, now a tonga driver and his children, who end up working as a coolies and labourers, try and save the money to enable them to get the mansion back.
The movie is a remake of the A Nageshwar Rao starrer “Dharma Daata” (1970).
‘Dil Ka Raaja’ had five songs written by Majrooh Sultanpuri and composed to music by Rahul Dev Burman.
Mohd Rafi, Asha Bhonsle and Manna Dey had given their voices to the songs in this movie.
Here is the list of songs of this movie.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Sundar hoon aisi main jidhar chaloon | Asha Bhonsle, chorus | |
| 02 | Sundar ho aisi tum jidhar chalo ek baar | Mohd Rafi | |
| 03 | O rajeshwari … badi hai shohrat tumhaare honthhon tumhaari aankhon ki | Mohd Rafi,Asha Bhonsle | |
| 04 | Jinke paas haathi ghoda, unke paas dil hai thodaa | Rafi, Asha,Manna Dey | |
| 05 | Jaao jaao tum bhi jaao, samajhte kya ho | Mohd Rafi | 14.10.2014 |
Today’s song is sung by Rafi Saab and Asha Bhonsle and on screen it is performed by two pairs i.e. Raj Kumar – Leena Chandavarkar, and Jagdeep – Bindu. (Rajkumar and Jagdeep play brothers in this movie).
This is a nice entertaining song sung by Rafi Saab and Asha Bhonsle. I hope readers will enjoy listening and watching this song.
Let us now enjoy today’s song …
Lyrics are by Majrooh Sultanpuri and music is composed by R.D. Burman.
Video
Audio (Partial)
Song-Badi hai shohrat tumhaare honthon tumhaari aankhon ki (Dil Ka Raaja)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Both
Lyrics
rajeshwari ee
parmeshwari ee
rajeshwari
parmeshwari
baageshwari
badi hai shohrat tumhaare honthhon
tumhaari aankhon ki
kabhi meri bhi
muraad poori karo na devi ji
ho badi hai shohrat tumhaare honthhon
tumhaari aankhon ki
kabhi meri bhi
muraad poori karo na devi ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
o yogeshwari
ae agar hai chahaat
hamaare honthhon
hamaare aankhon ki
to kuchh dinon tak
abhi tapasya karo
pujaari ji
agar hai chahaat
hamaare honthhon
hamaare aankhon ki
to kuchh dinon tak
abhi tapasya karo
pujaari ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
yogeshwari ee
hey sundari
upaay kuchh karo
tabeeyat bahot vikal hai
aajkal meri ee
ho o
thhodaasa tu agar sabr kare
kar doon deewaane zindagi
safal teri
seene ae se
lag jaao
aa ha aa
seene ae se
lag jaao
aa ha aa
om namah shivaay
namah shivaay
buri hai ulfat mein
jaldbaazi
suno anaadi ji
kabhi meri bhi
muraad poori karo na devi ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
o yogeshwari
yogi banaa
bhabhoot mal ke main
dekho ye tumne haal kya kiya
meraa aa
hmm mm
mandir mein aake
aaj pyaar ke
yogi re toone dil churaa liya mera aa
dil mera
de jaao o
dil mera
de jaao o
om namah shivaay
namah shivaay
isi adaa par to jaan jaati
hai meri pyaari ji
to kuchh dinon tak
abhi tapasya karo
pujaari ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
yogeshwari ee
agar hai chahaat
hamaare honthhon
hamaare aankhon ki
to kuchh dinon tak
abhi tapasya karo
pujaari ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
yogeshwari ee
Chehre se naqab e husn uthhaa
Posted on: March 19, 2022
- In: Blog Ten Year Challenge (2012-2022) | Body part song | Chehra song | Dance song | Lyrics by Prakashchandra | Lyrics contributed by readers | Raj darbaar song | Songs of 1970s (1971 to 1980) | Songs of 1974 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4992 | Post No. : | 16887 |
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Blog 10-Year Challenge (2012-2022) – Song No. 32
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This date ten years ago (viz 19 March 2012) saw four songs from four different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5656 | Mit nahin sakta kabhi likha huaa taqdeer ka | Sansaar (1951) | 6 songs covered so far out of 14 |
| 5657 | Nasheeli hawaa hai samaa hai suhaana | Commercial Pilot Officer(1963) | 3 songs covered so far out of 6 |
| 5658 | Wo zindagi to thhi ab tak teri panaahon mein | Neelkamal(1968) | Movie YIPPEED by now |
| 5659 | Pukaarti hai muhabbat kareeb aa jaao | Daastaan e Laila Majnu(1974) | One song covered so far out of 11 |
One movie out of four, whose songs were covered on 19 march 2012 has since been YIPPEED. The other three movies are eligible for Blog Ten Year challenge today.
“Daastaan e Laila Majnu”(1974) is one of the eligible movies.
“Daastaan e Laila Majnu”(1974) was produced and directed by R L Desai for Chandra Art, Bombay. The movie had Anaamika, Kanwaljit,Dheeraj Kumar(special appearance), Jayshree.T., Satyajeet, K.N.singh, B.M.Vyas, S.N.Tripathi, Dulari, Mohan Sherry etc in it.
The movie had 11 songs in it. One song has been covered so far and that was ten years ago.
So after a gap of exactly ten years, here is the second song from “Daastaan e Laila Majnu”(1974) to appear in the blog.
The song is sung by Suman Kalyanpur. Jaan Nisaar Akhtar is the lyricist. Iqbal Qureshi is the music director.
The song is picturised on Jayshree T, with Anamika and Dhiraj Kumar also visible as royals. Laila Majnu tale is a medieval tale, that is why Jayshree T dance should not be called a cabarat dance, but that dance and also the music sounds and looks every inch a cabarat dance song to me. 🙂 Hindi movies are in any case not known for attentions to details and accuracy of facts.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
video link:
Song-Chehrey se naqab-e-husn uthhaa (Daastaan e Laila Majnu)(1974) Singer-Suman Kalyanpur, Lyrics-Jaan Nisaar Akhtar, MD-Iqbal Qureshi
Lyrics(Provided by Prakashchandra)
chehrey se ae naqab-e-husn uthhaa aa
jaan-e-adaa aaa aaChehre se naqaab e husn uthhaa (Daastaa
hum bhi tera jalwaa..aaa…aa..aa dekhengey
shaayad koyi bijli
dil pe girey…aey ae
haan dil pe girey ae
achchaa hai tamaashaa aa aa aa dekhengey
chehrey se naqab-e-husn uthhaa..aa…aaa
jaan-e-adaa..aaa..aa
hum bhi tera jalwaa aa aa aa..aa dekhengey
nazrein jo milengi nazron se ae ae
kuchch aur woh sharmaa jaayengey
nazrein jo milengi nazron se ae ae
kuchch aur woh sharmaa jaayengey
dekhengey to meri aankhon mein aen
haan aankhon mein aen
apney hi tamanna..aa…aaa…dekhengey
chehrey se naqaab-e-husn uthhaa aa aaa
haan jaan-e-adaa aaa
hum bhi tera jalawaa aaa aa aa aa dekhengey
jo un`ki khushee woh meri khushee ee ee
jab pyaar kiyaa to pyaar kiyaa aa aa
jo un`ki khushee woh meri khushee ee ee
jab pyaar kiyaa to pyaar kiyaa aa
ae dard-e-muhabbat
dard-e-wafaa…aaa..aa
haan dard-e-wafaa..aa..aa
kaisey tujhey ruswaa aa aa aa dekhengey
chehrey se naqab-e-husn uthhaa aa aa
haan jaan-e-adaa aa
hum bhi tera jalawaa aa aa aa dekhengey
Aaj ka waada pakka haathh milaao
Posted on: January 2, 2022
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Body part song | Duet | expression of love | Feelings of heart | Guest posts | Haath song | Mahendra Kapoor songs | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4916 | Post No. : | 16738 |
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Blog 10-Year Challenge (2012-2022) – Song No. 02
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Today’s song is from the ‘1971’ movie ‘Badnaam Farishtey’.
One song from this movie was posted on the blog on 02.01.2012 and since then the movie has completed its ‘ten-year’ run on the blog 😊 without adding a song to its tally.
Let us see the list of movies represented on the blog ten years back on 02.01.2012.
Here is the list.
| Song | Movie title(Year) | Remarks |
|---|---|---|
| Balmaa hamaar motor car lai ke aayo | Anhonee (1973) | Yippeeee’ed |
| Tere teer ko hamne pyaar se dil mein rakhh liyaa | Qaidi No. 911 (1959) | Yippeeee’ed |
| B.A., M.A., Ph. D, ye diplomaay, ye degree | Badnaam Farishtey (1971) | 1 of 5 songs posted |
From the three movies viz. ‘Anhonee-1973’, ‘Qaidi No.911-1959’ and ‘Badnaam Farishtey-1971’, all songs of two movies have already been covered on the blog. These movie are ‘Anhonee-1973’ and ‘Qaidi No.911-1959’, so only one movie out of three are eligible today for the ‘blog ten-year challenge’.
As mentioned above this movie is ‘Badnaam Farishtey-1971’.
‘Badnaam Farishte-1971’ was directed by Qamar Narvi for ‘Films & Films International, Bombay’. It had Sona, Aatma Prakash, Arvind Rathor, Amrut Patel, Bharat Kapoor, Chetan, Gurnaam, Jayesh, Kunal, Mahendra Zaveri, Raju, Yash Tandon, Rajneesh, Ram Mohan, Shivraj, B.N. Sharma, Rajan Chawla, Nazeer Kashmiri, Nisha Malik, Akram, Robinson, Kishore, Chauhan, Shyam, N.N. Shukla, Nandini Desai, Kabir Kumar, Pinchoo Kapoor and others.
Anwar Hussain makes a guest appearance in the movie. And Sharmila Tagore and Rajesh Khanna make a friendly appearance in this movie.
Actor Dharmendra introduced twelve debutants with actress Sona in the ‘opening commentary’ at the start of the movie, as mentioned in HFGK footnote on the movie-page of this movie.
This movie was passed by Censor Board on 05.11.1971.
This movie had five songs – all written by Asad Bhopali. Music for this film was composed by N. Datta.
Here is the list of the five songs of the movie:-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ujaley samay ki kaali chaadar mein munh chhupaaye | Mohd Rafi | |
| 02 | Nasheeli aankhon se na barsaa itnaa ras | Asha Bhonsle | |
| 03 | B.A., M.A., Ph. D, ye diplomaay, ye degree | Mohd Rafi | 02.01.2012 |
| 04 | Naa saathi hain naa manzil ka pataa hain | Asha Bhonsle | |
| 05 | Aaj ka waada pakka, haath milaao, ab main jaaun | Mahendra Kapoor,Asha Bhonsle | Being posted today |
Only one song from this movie has been posted on the blog as mentioned above. Today’s song is the second song from this movie to appear on the blog.
The voices in today’s song are of that of Mahendra Kapoor and Asha Bhonsle. Only the audio of this song is available as of now.
I have not watched this movie and I was not aware of its songs earlier. I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now listen to today’s song …
(audio)
Song-Aaj ka waada pakka haath milaao (Badnaam Farishtey)(1971) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Asad Bhopali, MD-N Datta
Both
Lyrics
aaj ka waada pakkaa aa
haath milaao o o o
ab main jaaun achchaa
haath milaao
arey aaj ka waada pakkaa
aa aa aa
haath milaao o o o
ab main jaaun achchaa
haath milaao
jaan e jaanaa
kal phir aanaa
bhool na jaanaa aa
aaj ka waada pakkaa
haath milaao o o o
ab main jaaun
jaaun?
haath milaao o
kal main kaise aaungi
arey jaise roz aati ho
badnaami ho jaayegi
arey itni kyun ghabraati ho
sau pehron mein rehti hoon
chaaho to aa sakti ho
sab ko kya samjhaaungi
hmm
kuchh bhi samjhaa sakti ho
chhodo bahaanaa
tumko hai aanaa
bhool na jaanaa aa
ab main jaaun achchaa
haath milaao o o o
aaj ka waada pakkaa
haath milaao o o o
aaj bahot hi der ki
der ki par aayi to
arey jaan hi jaanewaali thhi
ho ho o o o o
ho jaati ruswaayi to
aakhir kya majboori thhi
darr thha koyi aa naa jaaye dekh rahe hain shaam ke saaye
aa bhi jaao
chhodo bhi ab
ham ko sataanaa aa aa aa
aaj ka waada pakkaa
pakka
haath milaao o o o
ab main jaaun hmm hmm mm
haath milaao
tumse bahot kuchh kehnaa hai
arey kiska darr hai keh bhi do
main to sab kuchhh bhool gayi
arey aisaa bhi kya phir socho
baat ye hai ki
ham donon
ham donon
kya saaf kaho
pyaar dilon ka naata hai
khatm naa hoga kuchh bhi ho
jab tak tan mein saans rahegi
pyaar nibhaanaa aa aa aa
aaj ka waada pakkaa
pakka
haath milaao o o o
ab main jaaun achchaa
naa naa
haath milaao o o o
- In: Asha Bhonsle songs | Baanh/ Bainyya song | Blog Ten Year Challenge (2012-2022) | Body part song | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1980 | Title song | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4915 | Post No. : | 16736 |
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Blog 10-Year Challenge (2012-2022) – Song No. 01
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Welcome all to this article and wishing all a ‘very Happy New Year 2022’.
We are again taking a ‘fresh guard’ for a new ‘musical and entertaining year 2022 on this blog’. And, with the music and entertainment we do have valuable information about artists of the golden era of HFM, anecdotes related to them, information about the movies and the songs, and lot of interesting facts and known or unknown things about the artists of Hindi Films.
For today’s posting I was looking for a song from my favourite categories i.e., inspirational, motivational, philosophical and/or a song with a message.
I find a very nice and perfect song for the occasion and started noting it down. I listened to this song three-four times and noted the lyrics. But, ah! I forgot to check if the song has been posted or not. Normally, I do this activity before taking a new song, but in the joy of finding a very nice song I somehow forgot to check it.
This nice song was already posted on the blog on 18.12.2012. The song is ‘gham chhupaate raho, muskuraate raho, zindagi ee geet hai, isko gaate raho’.
This song is from the movie ‘Nazraana Pyaar Ka-1980’. I had to look for another song from the movie. The original reason for sharing a song from this movie, i.e., its eligibility for ‘blog-ten-year-challenge’, was still there, I thought to present a song from this movie.
The message with this post is ‘resuming of blog-ten-year-challenge’ for this year ‘2022’ by posting the song on very first day of this ‘new year 2022’.
So, here we take this challenge of ‘BTYC-2022’ with fresh guard 😊, hopefully for a ‘steady and a long innings’ till the end of ‘2022’!!!
Let us see the list of songs posted on the blog ten years back on 01.01.2012.
Here is the list.
| Song | Movie title(Year) | Remarks |
|---|---|---|
| Saal mubaarak sahib jee | Do Jasoos (1975) | 5 of 7 songs posted |
| Nayaa saal aaye tamaashe dikhaaye | Nazraana Pyaar Ka(1980) | 2 of 5 songs posted |
| Aanewaale saal ko salaam | Aap Ke Saath(1986) | 1 of 7 songs posted |
It is clear from the above table all the three movies represented on the blog on 01.01.2012 are eligible for the ‘blog ten-year challenge’ today.
We are going to listen to a lovely duet from the movie ‘Nazraana Pyaar Ka-1980’.
‘Nazraanaa Pyaar Kaa-1980’ was directed by S.M. Sagar for ‘Adhikar International, Bombay’. It had Ashok Kumar, Sarika, Vijayendra, Raj Kiran, Neeta Mehta, Aruna Irani, Shakti Kapoor, Raj Babbar, Deven Verma, Chandrashekhar, Bhagwan Dada, Maruti, Meena T., Renu, Brahm Bharadwaj, Kundan, Kumud Tripathi, Brahmachari, Raj Mehra, Prakash Mishra, Sahgal, Manmauji, Radheshyam, Masood, and others.
This movie was passed by Censor Board on 29.10.1980.
This movie had five songs penned by Vitthhal Bhai Patel (one song), Nida Fazli (three songs) and Anjaan (one song).
Music for this movie was composed by Hemant Bhonsle.
Here is the list of the five songs this movie had.
| SNo | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | Baahon ke gherey mein mausam bahaar ka | Vitthhal Bhai Patel | Asha Bhonsle, Kishore Kumar | Being discussed today |
| 02 | Aa aa aa balle balle balle… jabse dekha hai | Nida Fazli | Asha Bhonsle, Kishore Kumar, chorus | |
| 03 | Gham chhupaate raho muskuraate raho | Nida Fazli | Mohd Rafi, Asha Bhonsle | 18.12.2012 |
| 04 | Nayaa saal aaye tamaashe dikhaaye | Nida Fazli | Asha Bhonsle, Amit Kumar, Anwar | 01.01.2012 |
| 05 | Aur hogi koyi main nahin wah nahin | Anjaan | Asha Bhonsle |
As mentioned above two songs from this movie ‘Nazraanaa Pyaar Kaa’ have been posted on the blog. Today’s song is the third song from this movie to be posted on the blog.
Today’s lovely song is written by Vitthhal Bhai Patel and composed to music by Hemant Bhonsle. The voices are of Asha Bhonsle and Kishore Kumar which on screen are lip-synced by Sarika and Vijayendra Ghatge.
Let us now listen to this song …
Audio
Video
Song-Baahon ke ghere mein mausam bahaar ka (Nazraana Pyaar Ka)(1980) Singers-Kishore Kumar, Asha Bhonsle, Lyrics – Vitthhal Bhai Patel, Music – Hemant Bhonsle
Both
Lyrics
Baahon ke gherey mein
Hmm hmm hmm hmm hmm hmm
Baahon ke gherey mein
Mausam bahaar ka aa
Baahon ke gherey ae mein
Mausam bahaar ka aa
Deewaana laaya hai
Nazraana pyaar ka aa
Chaahat tumhaari laayi
Mausam bahaar ka aa
Chaahat tumhaari laayi
Mausam bahaar ka aa
Kismat se paaya hai
Nazraana pyaar ka aa
Baahon ke gherey ae mein
Mausam bahaar ka
Palkein uthhen to
Nazaare hon raushan
Dekho jidhar tum
Sitaare hon raushan
Ho o jabse miley tum
Nazaare haseen hain
Tumhaare hi dam pe
Sitaare haseen hain
Hasti pe chhaaya hai
Aalam khumaar ka
Hasti pe chhaaya hai
Aalam khumaar ka
Deewaana laaya hai
Nazraana pyaar ka aa
Chaahat tumhaari laayi
Mausam bahaar ka aa
Kaliyon ke honthhon pe
Rangeen taraana hai
Anjaani raahon par
har pal suhaana hai
Apni mohabbat ka
Itnaa fasaana hai
Tumhaari hi nazron ka
Dil ye nishaana hai
hmm
Aayeena ho tum
Mere singaar ka aa
Aayeena ho tum
Mere singaar ka
Kismat se paaya hai
Nazraana pyaar ka aa
Baahon ke gherey mein
Mausam bahaar ka
Baahon ke gherey ae mein
Mausam bahaar ka
Kismat se paaya hai
Nazraana pyaar ka
Baahon ke gherey ae mein
Hmm hmm hmm hmm hmm hmm
Laa laa la laa laa laa
Laa laa la laa laa aa
Kyun laayo sainyya paan
Posted on: September 19, 2021
- In: "Paan" song | Amitabh Bachchan present (without lip syncing) | Amitabh Bachchan songs | Asha Bhonsle solo | Asha Bhonsle songs | Body part song | expression of love | Feelings of heart | Guest posts | Lab/ honth song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4811 | Post No. : | 16580 |
In recent days the ‘Yippeeee’ activity has taken a backseat on the blog. The ‘Yippeeee’ project too has been slowed down, and it is almost one year now when our ‘Yippeeee Guru’ had appeared last giving his darshan to ‘Yippeeee members like me’. 😊
I wished we should be ‘Yippeeee’ing’ at least one movie in a week if not daily. The last Yippeeee moment on the blog was on 27th July’2021 when the final song of movie ‘Jai Santoshi Maa-1975’ got covered and the movie got YIPPEED.
There are quite a few movies waiting for their final song to be covered in the blog and thus getting admitted to the club of YIPPEED movies.
Today we induct one more movie to the hall of fame of YIPPEELAND. This movie is ‘Saudagar-1973’.
I had watched this movie years back on a TV channel. But until I had not watched this movie, I mainly associated this movie with its songs ‘Har haseen cheez ka main talabgaar hoon’ and ‘Sajna hai mujhe sajna ke liye’ . I think these two songs were the well-known songs from this movie. But after watching the movie I do like other couple of songs from this movie and mainly the ‘majhi song’ – ‘door hai kinaaraa’ which grows up on us as we listen to it more and more. I like the movie and story content and presentation too.
This movie debuted on the blog on 04.04.2009 with its first song Har haseen cheez ka main talabgaar hoon. After that within a gap of less than two weeks the second song of this movie was posted on the blog and this was ‘Sajna hai mujhe sajna ke liye’ which got posted on 15.04.2009.
One more known song from this movie i.e., Tera mera saath rahe followed the second song just after a gap of one day and this was posted on 17.04.2009. The fourth song of this movie followed the third song and was posted on next day i.e., on 18.04.2009. The fourth song posted on the blog was ‘Door hai kinaaraa, gehri nadi ki dhaaraa’.
After this fourth song the movie had to wait the next ten years when its fifth song was posted on the blog. This song was presented by Shri. Sudhir ji. He discussed the story and other details of this movie in his post. This fifth song was ‘champa nahin, chameli nahin, main genda nahin, gulaab nahin… main hoon phool baano’. I would request our readers to visit this post to read about the movie in detail. This song was posted in ‘Blog Ten Years Challenge’ on 04.04.2019. This was the fifth song from this movie posted on the blog.
The sixth song of this movie then appeared after a gap of more than a year and was posted on the blog on 09.10.2019. This song was ‘Husn hai ya koi qayaamat hai’. This song-post was presented by Peevesie’s Mom ji as tribute to the music director Ravindra Jain on his Remembrance Day. Peevesie’s Mom ji had also discussed about the story and other details of the movie in her post. I will not repeat them all again here.
Today’s song is the seventh and final song of this movie to be posted on the blog. This song is sung by Asha Bhonsle. Padma Khanna lip-syncs the song on the screen. Amitabh Bachchan is also seen in the picturization.
“Saudagar-1973” was a ‘Rajshri Pictures Pvt Ltd, Bombay’ ‘s presentation. It was directed by Sudhendu Roy. It had Nutan, Amitabh Bachchan, Padma Khanna, Trilok Kapoor, Murad, Dev Kishan, V. Gopal, C.S. Dubey, Pardesi, Narbada Shankar, Santosh Ghosh, Nadir, Rasraj, Paritosh Chaudhary, Ashok Mitra, Samar Roy, Jugnu, Chandu Ilaahabadi, Ramesh Verma, Shriram Shastri, Chaturvedi, Bihari, Leela Mishra, Paro, Habiba, Salma, Sitara, Suraiyya, Master Saka, Master Firdaus, Baby Shameena and many others.
This movie had seven songs. All songs of this movie were written and composed by Ravindra Jain.
Here is the list of songs of ‘Saudagar-1973’ as mentioned in HFGK-Vol-V (1971-1980).
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Har haseen cheez ka main talabgaar hoon | Kishore Kumar | 04.04.2009 |
| 02 | Husn hai ya koi qayaamat hai | Mohd Rafi, Aarti Mukherjee | 09.10.2020 |
| 03 | Main hoon phoolbaano, champa nahin | Lata Mangeshkar | 04.04.2019 |
| 04 | Tera mera saath rahe | Lata Mangeshkar | 17.04.2009 |
| 05 | Kyon laayo sainyyaa paan | Asha Bhonsle | Being discussed in this post |
| 06 | Door hai kinaaraa, gehri nadi ki dhaaraa | Manna Dey | 18.04.2009 |
| 07 | Sajna hai mujhe sajna ke liye | Asha Bhonsle | 15.04.2009 |
Six songs from this movie have already been posted on the blog as mentioned above. Today’s song is the seventh and final song of this movie.
Let us now listen to today’s song …
With today’s song, all songs of the movie ‘Saudagar-1973’ get covered on the blog and the movie joins the ‘Yippeeee-club’. 😊
Audio
Video
Song-Kyun laayo sainyya paan (Saudaagar)(1973) Singer-Asha Bhonsle, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
piya honthh hain tere kaale
le tu hi ye paan chabaa le
piya honthh hain tere kaale kaale
tu hi ye paan chabaa le
aur apni badhaa le shaan
mere honthh to yoonhi laal
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
kaajar bindi
mahaavar mehendi
kangnaa jhumkaa saadi ee
sabse achchhi sabse mehengi
sainyyaa preet tumhaari ee
sabse achchhi sabse mehengi
sainyyaa preet tumhaari
kiya tan man tere hawaale
din din ye preet badhaa le
kudrat ne kiya ehsaan
mere honthh to yoonhi laal
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
main to thhi aazaad pari
aakaash pe udne waali
tere indarjaal mein phans gayi
haaye main bholi bhaali
tere indarjaal mein phans gayi
haaye main bholi bhaali
toone aise dorey daale
dil sambhlaa nahin sambhaale ae
tu maan bhale naa maan
mere honthh to yoonhi laal
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
jaan gayi main tere man ki
kyun tu paan khilaawe
honthhon ka ras paan ke ras mein
ghol ke peenaa chaahe ae
honthhon ka ras paan ke ras mein
ghol ke peenaa chaahe
tere pyaar ke dhang niraale
o albele matwaale
tu to hai badaa naadaan
mere honthh to yoonhi laal laal
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
piya honthh hain tere kaale
le tu hi ye paan chabaa le
piya honthh hain tere kaale kaale
tu hi ye paan chabaa le
aur apni badhaa le shaan
mere honthh to yoonhi laal
kyun laayo sainyyaa paan
mere honthh to yoonhi laal
- In: "sahelis teasing a lady" song | "ungli" / finger song | Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Body part song | Duet | Guest posts | Post by Peevesie's mom | Songs of 1960s (1961 to 1970) | Songs of 1966 | Teeth/Daant song | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4779 | Post No. : | 16532 |
Hullo Atuldom
“Biwi Aur Makaan” (1966) had songs written by Gulzar, which were tuned by Hemant Kumar. It had 10 or 11 songs that were in the voices of Asha Bhonsle, Lata Mangeshkar, Usha Mangeshkar, Talat Mehmood, Manna Dey, Mukesh, Hemant Kumar, Mohd. Rafi etc. The movie was directed by Hrishikesh Mukherjee and produced by Hemant Kumar. Dialogues (the crux of any comedy movie) were by Rajinder Singh Bedi. Mehmood and Biswajeet headed a cast which also had Kalpana, Shabnam, Padma Khanna, Keshto Mukherjee, Bipin Gupta, Ashish Kumar etc.
The movie was the remake of a Bengali film “Joy Maa Kali Boarding” and an inspiration for the Marathi hit of the ’80s ‘Ashi Hi Banwa Banwi”. In Telugu it was made as “Chitram Bhalare Vichitram”. It has been made in Kannada, Tamil and the story was so inspiring that it had remakes in Bengali in 2017, Punjabi 2014 and Hindi 2009.
The story was of four bachelors who migrate from their villages to the big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accommodation with the Mishra family. Complications arise when the two “women” fall in love with Mishra’s two lovely daughters – with results that can only be described as hilarious. Keshto Mukherjee’s act ad facial expression as ‘Badi Bahu’ and Biswajeet as the beautiful ‘Choti Bahu’ should be seen at least once. Of course, it was Mehmood’s timing that was the highlight of the film.
The following three songs from the movie are already on the blog:
| Song | Date of post | Post by |
|---|---|---|
| Dabe labon se kabhi jo koyi | 23 June 2009 | (by Atulji) |
| Jaane kahaan dekha hai | 2 June 2014 | (by Sudhirji) |
| Mujhe mohabbat ho gayi hai | 22 December 2016 | (by Maheshji) |
I had commented to the song “dabe labon se kabhi jo koyi” in 2017 after seeing the Marathi version of this movie about how Ashok Saraf matched Mehmood (imho) and Sachin looked as pretty as Biswajeet in the guise of a lady.
We are having this song today to wish the poet-lyricist-author-director- producer- screenwriter Sampooran Singh Kalra a.k.a Gulzar on turning a year older. He was born in 1934 in Dina of Jhelum district which is in present day Pakistan. He is married to actress Rakhee and has a daughter Meghana who is also a director of movies like ‘Filhaal’, ‘Raazi’, Chhapaak’ and such other non-run-of-the-mill movies.
Gulzar (who initially worked under the name Gulzar Deenvi) started his music career with SD Burman in the 1963 classic ‘Bandini’ and worked with many music directors like Salil Chowdhury, Vishal Bhardwaj, A.R. Rehman etc. Can one forget the songs that his pairing with RD Burman gave lovers of Bollywood music. He is a winner of the Padma Bhushan, Sahitya Academy award and Dadasaheb Phalke award. He is a 5 time National award, one Academy award (Oscars) and Grammy too in addition to innumerable Filmfare awards.
It would be a ‘chota munh aur badi baat’ (holding a candle to the sun) kind of situation if I attempt writing anything on such an accomplished personality. So, let us get to today’s song and Just wish our favourite writer/ lyricist/ producer/ director/ screenwriter/ poet a healthy and peaceful time ahead.
Audio
Video
Song-Aise daanton mein ungli dabaao nahin (Biwi Aur Makaan)(1966) Singers-Usha Mangeshkar, Asha Bhonsle, Lyrics-Gulzar, MD-Hemant Kumar
Lyrics(Based on Audio link)
aise daanton mein ungli dabaao nahin
raat jaagi ho hamse chhupaao nahin
aise daanton mein ungli dabaao nahin
raat jaagi ho hamse chhupaao nahin
koi sapnon mein aata raha raat bhar
koi sapnon mein aata raha raat bhar
na main soyi na jaagi sataao nahin
aise daanton mein ungli dabaao nahin
raat jaagi ho hamse chhupaao nahin
kaun thha
kaisa thha
bataao naa
koi anjaan si ek pehchaan thhi
meri aankhon pe jhuk kar bulaati rahi
koi anjaan si ek pehchhan thi
meri aankhon pe jhuk kar bulaati rahi
na main boli
na main jaagi
sirf saanson ki awaaz aati rahi
ek aaghosh mein kaid thhi raat bhar
lo bata toh diya sataao nahin
tumko sapnon ki saugandh banaao nahin
raat jaagi ho hamse chhupaao nahin
tumko sapnon ki saugandh banaao nahin
raat jaagi ho hamse chhupaao nahin
jism jalta raha jaise khushboo jale
saans honthon pe aakar sulagte rahe
jism jalta raha jaise khushboo jale
saans honthon pe aakar sulagte rahe
na jali main
na bujhi main
mere honthon pe saawan baraste rahe
shokh malta raha sediyaan raat bhar
lo bata toh diya ab sataao nahin
jaao jaao hamein yoon banaao nahin
dil diya hai kisi ko chhupao nahin
aise daanton mein ungli dabaao nahin
dil diya hai kisi ko chhupaao nahin
- In: "Moonch"/Mustache song | "Nok-Jhonk" song | Anil Biswas Songs | Body part song | Guest posts | Meena Kapoor songs | Post by Arunkumar Deshmukh | Shamshad Begam songs | Shankar Dasgupta songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
- 3 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4725 | Post No. : | 16437 |
Today’s song is from the film Do Raaha-1952, about which not much is known- except whatever is given in the HFGK.The film was made under the banner of ‘Progressive Pictures,Bombay’. It was directed by Bal Chhabra and was produced by his elder brother Sujit Chhabra under their own banner. The cast of the film was Nalini Jayawant, Shekhar, K N Singh, Agha, Dewan Sharara, Jagdish Sethi and many more. The 8 songs of this film were written by Prem Dhawan-6 songs and one each by Sahir Ludhianvi and Josh Malihabadi. It seems, there was one more song ” Sab paise ki hai maya” sung by Shankar Dasgupta, S D Batish and Prem Dhawan. The song was also recorded but not included in the film. The music was by Anil Biswas.
Like the film title ‘Do Raaha’, Anil Biswas was also almost at a Do Raaha point in his life. He was a disturbed person. His relations with wife Ashalata were worsening by the day. At the same time his closeness to Meena Kapoor was increasing. Out of his total 90 films in his career, 60 films were over and he was looking at the last 1/3 part of his career with a pessimistic view. After this film, he gave music to 29 more films, but his old magic seemed to be deserted him on the way somewhere. Only the films Fareb-53, Pardesi-57, Char dil char rahen-59 and Sautela Bhai-62 had songs having his faint old stamp.
Anil Biswas, the Bhishma Pitamaha of HFM, was a respected person in the industry. He started from the mid 30s and for the next 25 years or so, he created many everlasting gems in film songs. In Bombay,the Playback system was first started by him in the film Mahageet-1937. By the mid 50s his magic started waning and by 1960, he was almost gone from the industry.
Initially he did 10-11 films with Sagar, then with Mehboob for National studios and then in Bombay talkies- where his name became immortal with the film Kismet-1943.
He married Ashalata in 1936. Along with her he started variety pictures and they produced films like Laadli-49,Laajawab-50;Badi bahu-51,Hamdard-53 and Bajuband-54. ( a less known fact is-Anil da had made a Guest appearance in film Hamdard-53 as a barber. He also acted in the film Mehman-53 (produced by Ashalata),as a Pujari and a song was shot on him.In both cases he did not get any payments. As a Producer he lost heavily, because Ashalata usurped all the money. Frustrated, he gave up everything and separated from her in 1954.
To sustain life, he bought a Truck and did a business of transportation. In addition he also took the contract for a canteen in Mehboob Studios. He failed in both ventures. By now, his relations with Ashalata were soured and sweet links were established with singer Meena Kapoor-25 years younger to him, since 1948 itself. They got married with each other on 19-3-1957. The death of Brother in law and close friend Pannalal Ghosh in 1960 and younger brother Sunil in 1961 as well as his eldest son, broke his heart. He left Bombay and joined A.I.R. at Delhi on 1-3-1963, where he worked upto 27-6-1975. Later he was a consultant for Nehru University for a few years.
Like many filmi couples, Anil da’s married life was also a failure. In Bombay,he used to stay in a huge bungalow,called ” Asha-Pradeep “, on Vincent Road. From Ashalata,he got 3 sons-Pradeep, Amit and Utpal and 1 daughter-Shikha. His son Utpal formed a pair as Amar-Utpal and gave music to few films. The other son Amit established the First Digital Recording Studio in Bombay. Daughter Shikha too got married and settled.
However, hardly anything is known about his eldest son Pradeep, anywhere. Here is some information, hitherto not known much, brought specially for our readers.
Pradeep was a very bright student and always topped in school and college. He passed his entrance exam and the interview, with flying colours for entry to NDA college at Poona, to join armed forces. He excelled even in NDA training. Not only was he very popular there but sang well too. He participated in the music Festival of Khadakwasla NDA and sang 3 songs, winning all prizes. He was also an NDA Topper.
Shri Gopinath Talwalkar, an A.I.R. Programmer at Delhi, used to interview the Toppers of NDA every year. That year Pradeep was the Topper, so he was interviewed. Though the interview was in Hindi, after the recording, Pradeep asked Talwalkar, in pure Marathi, whether his interview had been good. Talwalkar was shocked. Pradeep then explained that he was Anil Biswas’s son and he had learnt Marathi from his actress mother Ashalata. Pradeep knew Hindi, Marathi, English and Gujarati languages.
After completing his NDA training, he was posted as Flight cadet at Jodhpur. He was further promoted and became Pilot Officer in 1957. During one Training flight some altitude problems occurred and his plane crashed at Begumpet Airport, Hyderabad, killing Pradeep instantly. This happened in 1961.
This was also the time of crisis for Anil da. He was struggling to survive. Films were not coming to him. Since he married Meena Kapoor, Lata Mangeshkar-a fast close friend of Ashalata , had gone against him and Meena’s singing career was suppressed. He had already lost Pannalal Ghosh and Sunil-his brother, and now Pradeep’s death devastated him and he was literally forced to seek employment with Delhi A.I.R., when the opportunity came. After retirement, till his death on 31-5-2003, he spent his life in total anonymity as a recluse. So sad for a composer, who was once a fountain of enthusiasm and who was considered Mentor by leading contemporary composers like C.Ramchandra.
Here is an interesting incident about the film Girls School-1949, between C Ramchandra, Anil Biswas and Lata Mangeshkar. This film was produced by Kavi Pradeep under the banner of Lokmanya Productions, Bombay. This was a company floated by him and Amiya Chakrawarty-director of this film. To understand the complexities of Girls school, we must go back a little. In 1942, Anil Biswas was invited by Ranjit @ 1500 pm and by Bombay Talkies @ 2500 pm. As National studio was winding up, Anil Biswas wanted to make a change anyway, but due to the contract of national he could not join Bombay Talkies openly. He ,however , gave music to film Basant-42 and the name of his brother in Law, Pannalal Ghosh was used as its MD.
Finally when Anil Biswas joined Bombay Talkies, there were already 2 groups there. One was led by Devika Rani and Amiya Chakraborty and the other was led by S. Mukherjee along with Ashok kumar, Gyan Mukherjee, Pradeep etc- a total of 15 artistes. Anil Biswas was invited by Devika Rani and that too at 2500 pm, when Pradeep was getting 1500 pm. This irritated Pradeep no end and he started troubling and finding faults with Anil Biswas. However Anil Biswas gave excellent music to film Kismet and then everyone was happy as the film celebrated jubilees everywhere.
With this background, Anil Biswas joined Girls school as a MD, mainly due to Amiya who knew his calibre. Kavi Pradeep being a producer and a Lyricist started interfering with Anil Bswas’s work and criticising him at every opportunity. Anil Biswas was fed up. He had already recorded 3 songs and a solo by Lata , “tum hi kaho, mera man udas kyun na rahe” was to be recorded. Anil Biswas had taken C Ramchandra as his assistant for this film. Though C Ramchandra was already a popular and well known composer himself, still due to sheer respect for Anil Biswas, he had accepted to be his assistant here. When the tune for Lata’s solo was made, Pradeep passed caustic remarks about it being not so good. There was an altercation between Anil Biswas and Pradeep and Biswas quit then and there and went away.
Automatically, C Ramchandra had to take over as MD for the balance songs. Pradeep was very happy. Next day recording of Lata’s solo song took place under the supervision of C Ramchandra, as planned. Later when Lata came to know that Anil Biswas had left and C Ramchandra had replaced him,she was very angry and said that she would not have recorded the song had she known about AB’s exit. She objected to CR’s taking over and complained to the Artistes association too. (Remember, at that time Lata and CR’s relations had not formed yet, Lata was still with Husnlal.)
Later on in 1954, when O P Nayyar replaced Roshan for Mehbooba-54, Lata took up the issue with the MDs’ association. Anil Biswas was the chairman that time and OPN was boycotted. That time Lata quoted the film Girls school incident to prove that she is “highly Principled” !
Anyway, this was how C Ramchandra became the next MD of Girls school-49, with 4 duets of Shamshad and 1 solo for Lalita Deulkar. All the 4 duets of this pair are very interesting. However, with all this jhamelas, film Girls school-49 was a total Flop. Pradeep lost heavily and closed the production company forthwith, after just one film.
Today’s song is a very good song and I was surprised to see that it was not yet posted here. Actually, there may still be some more such Gems, waiting to be discovered. This song is sung by Anil Biswas, Meena Kapoor, Shankar Dasgupta and Shamshad. I liked this song. You too will like it.
(Information used in this article is from books Sagar Movietone, Journey down melody lane, Ritu aaye Ritu jaaye, my notes and Marathi book Anil Biswas, with thanks).
Song-Arre na jaane kya samjhen ye moonchhon waale moonchhon waale (Doraha)(1952) Singers- Shankar Das Gupta,Shamshad Begam, Meena Kapoor, Anil Biswas, Lyricist- Prem Dhavan, MD- Anil Biswas
Female chorus
Male chorus
Lyrics
ae jee bach ke chalna aa
paaon mein moch aa na jaaye
ae kamar naazuk kahin bal kha na jaaye
are na jaane kya samjhe ye
moonchho waale
moonchhon waale
khud ko shaane khuda samjhen ye
moonchhon waale
moonchhon waale
ye baanki tagdi moonchho waale
ye ulti seedhhi moonchho waale
ye bin moonchho ke moonchho waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
degree lene aaye thhe
mister magar
pad gayi jaane kahaan
unki nazar
ishq ke college mein aise
kho gaye
ho o o
ho o o
B A hote hote Majnoo ho gaye
aur humko bhi Laila samjhe
ye moonchho waale
moonchho waale
aur humko bhi Laila samjhe
ye moonchho waale
moonchho waale
ye chhoti chhoti moonchhon waale
ye moti moti moonchhon waale
ye bin moonchhon ke moonchhon waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
saara din to jootiyaan chatkaayen hum
aur tab kahin ye chaar paise paayen hum
aeji laaye saadi
laayen powder surkhiyaan aan
o o o o
o o o o
tum udaao aur kamaate jaayen hum
arre phir bhi naaz dikhaayen haay
zulfon waale
zulfon waale
o phir bhi naaz dikhaayen haay
zulfon waale
zulfon waale
hoy naagan ban das jaayen haay
zulfon waale
zulfon waale
ho naagan ban das jaayen
ho das jaayen
ho das jaayen
haay
naagan ban das jaayen haay
zulfon waale
zulfon waale
ek din mister zara
ghar bhi raho
aur aane jaane waalon se parda karo
maanjo bartan
jhaadoo do
paani bharo
o o o o
o o o
jis tarah marte hain hum
tum bhi maro
phir dekhen khud ko kya samjhen
ye moonchhon waale
moonchhon waale
phir dekhen khud ko kya samjhen
ye moonchhon waale
moonchhon waale
ye Hitler jaisi moonchhon waale
ye machchar jaisi moonchhon waale
ye bin moonchhon ke moonchhon waale
khud ko shaane khuda samjhen ye
moonchho waale
moonchho waale
humko na jaane kya samjhen
ye moonchhon waale
moonchhon waale
Hansta Hua Ye Pyaara Chehra Tera
Posted on: May 30, 2021
- In: "wooing" song | Baag/Bagiya song | Body part song | Chehra song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | MG Sreekumar Solo Songs | MG Sreekumar Songs | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4699 | Post No. : | 16392 | Movie Count : |
4455 |
Hullo Atuldom
In my post for the song “Kyun Aage Peechhe Dolte Ho Bhanwaron Ki Tarah“, two years ago, I had stated that ‘Hera Pheri’ (2000) had Paresh Rawal playing Baburao Ganpatrao Apte which gave a new angle to Paresh Rawal’s career. In that post I had also said that he had played main villain in movies and had mentioned ‘Roop Ki Rani Choron Ka Raja’ (RKRCKR) in the list of movies where we could see Paresh Rawal as a negative character.
Recently there was a comment to that post where it was pointed out that ‘RKRCKR’ had Anupam Kher as the lead villain. As I was thinking about today’s post I realized another error in that post of mine. Paresh ji had shown his comic side in movies like ‘Andaz Apna Apna’ (1994), ‘Chachi 420’ (1997), ‘Mr. and Mrs. Khiladi’ (1997) etc. before ‘Hera Pheri’ happened. Sorry for the errors.
Over the years Paresh ji has played varied characters and most of them can be easily recalled. He has played the Iron Man (as Sardar Patel was called) in the 1994 release ‘Sardar’ and it is as unforgettable as many of his roles in masala movies like the Gujarati husband of a North-Indian wife in ‘Baghban’ (2003) who is forever quoting all the muhawaras (proverbs) wrong. He played the role of a father to Tabu in ‘Cheeni Kum’ (2007) who is shocked to find a 64-year old Amitabh Bachchan approaching him with a request to marry Tabu. He had played a henchman to Prem Chopra, Amrish Puri and others of the ’80s and even those characters have not been forgotten. He has shaken a leg with Akshay Kumar, Amitabh Bachchan, Suniel Shetty etc. and was not off-the-mark in them.
We have seen Paresh Rawal lip-sync songs in movies and he has had a few romantic songs too which was rather unusual considering that he was never the romantic protagonist. Today we have one such song wherein we can see Paresh Rawal wooing an astonished Mahima Chaudhry with flowers and singing a song in the voice of MG Sreekumar. The song is tuned by Anand Milind and written by Ibrahim Ashq.
The song is from the 2001 released, Priyadarshan directed and Neeraj Vora written ‘Ye Teraa Ghar Ye Meraa Ghar’. (The extra ‘a’ in the title is seen in the movie credits too)
The movie dealt with the troubles a house owner (Suniel Shetty) goes through to get his tenant’s family vacate the rented premises so that he can sell the property. Now the house owner is in a financial crunch and selling the house is an option that will work for his family. The tenant’s family (after the passing of the tenant) is being looked after by the working daughter (Mahima) and her contention is that they have been paying rent without defaulting and so the house owner cannot evict them. The movie has a few interesting and hilarious characters like the neighbor who comes like a knight-in-shining armour to Saraswati’s (Mahima) aid and retreats when he sees Dayashankar Pandey (Suneil Shetty). Similarly we have Saurabh Shukla playing Saraswati’s uncle, supposedly a goonda, who fails to help the family. Then there is OP Yadav (Paresh Rawal) an Inspector and a childhood friend to Pandey who promises to help in the eviction and ends up falling in love with Saraswati. The movie ends with Pandey and Saraswati working out a solution to their problems and the audience is entertained for close to 3 hours.
Priyadarshan had remade it from the Malayalam original ‘Sanmanassullavarkku Samadhanam’ (1986) (which should translate as ‘Peace of mind for the like-minded’). I think this was the first time that Hindi audiences heard MG Sreekumar who is a well-established singer in South Indian movies.
Here is wishing Paresh Rawal ji health and happiness on his 66th birthday. May we be entertained by you in the coming years too.
[Ed Note: Tomorrow, i.e. 31st May, is also the birth anniversary of Milind Srivastav, of the Anand-Milind duo, the music directors of this song. Wishing him many happy returns of the day.]
Audio
Video
Song – Hansta Hua Ye Pyaara Chehra Tera (Ye Teraa Ghar Ye Meraa Ghar) (2001) Singer – MG Sreekumar, Lyrics – Ibrahim Ashq, MD – Anand Milind
Paresh Rawal
Mahima Chaudhry
Lyrics
hansta hua ye pyaara chehra tera
pyaar bhara dil kabhi jhooth nahi bolta
dekha jo maine tujh ko pagal hua
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haaye tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haay tu ne yeh na jaana aa
hansta hua yeh pyara chehra tera
dekha jo maine tujh ko paagal hua
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
ho oo
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
dil maine haara
sab tujhpe vaara
dil maine haara
sab tujhpe vaara
jeena marna tere liye
hansta hua yeh pyaara chehra tera
dekha jo maine tujh ko paagal hua
tu ru ru
tu ru ru
tu ru ru ru ru
aankhen ye teri kaali kaali
gaalon pe tere chhaayi laali
ho oo
aankhen yeh teri kali kali
gaalon pe tere chhayi laali
sun le haseena
tu hai nagina
sun le haseena
tu hai nagina
aa ja meri baahon mein
hansta hua ye pyaara chehra tera
aa der ho rahi hai
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tune na jaana
haay tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हँसता हुआ ये प्यारा चेहरा तेरा
प्यार भरा दिल कभी झूठ नहीं बोलता
देखा जो मैंने तुझको पागल हुआ
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
हो ओ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
दिल मैंने हारा
सब तुझपे वारा
दिल मैंने हारा
सब तुझपे वारा
जीना मरना तेरे लिए
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तु रु रु
तु रु रु
तु रु रु रु रु
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
हो ओ
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
सुन ले हसीना
तू है नगीना
सुन ले हसीना
तू है नगीना
आजा मेरी बाहों में
हँसता हुआ ये प्यारा चेहरा तेरा
आ देर हो रही है
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
Kiska chehraa ab main dekhoon
Posted on: February 8, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Today, February 8th is the 5th Remembrance Day of the poet and lyricist, Nida Fazli (12/10/1938 – 08/02/2016) who left for the heavenly abode on this date 5 years back. 80 years ago, Ghazal singer, Jagjit Singh (08/02/1841 – 10/10/2011) was born on this date. More than a co-incidental connection between the two, they had a special connection through their collaborations. Nida Fazli was the master of expressing the romance, realities and the philosophy of life by way of ghazals and nazms while Jagjit Singh added soul to Nida Fazli’s words through his emotive voice.
There was another co-incidence about Nida Fazli and Jagjit Singh. Both came to Mumbai around the same time, 1964 and 1965 respectively, for pursuing their career. It was Jagjit Singh’s first LP album with his wife, Chitra Singh titled ‘Unforgettable’ (1976) which made him popular as a ghazal singer. Almost at the same point of time, Nida Fazli had also become one of the most sought-after poets in mushairas all over India.
Both Jagjit Singh and Nida Fazli used very simplistic approach in making their ghazals popular among the masses. Jagjit Singh rendered ghazals in his emotive voice with simple music using only 3-4 musical instruments. He mostly avoided the use of semi-classical genre such as thumri and dadra as was the convention at that time. Nida Fazli, by and large, avoided the use of Persianised Urdu words in his ghazal. He used the mix of simple words from Hindi and Urdu to make them understandable to the masses. He moved away from the convention of ghazal writing as an expression of the unrequited love and the piognant mood associated with such love. Instead, he expressed through his poems the human relationships, socio-economic and political situations as also on realities of life. His poem depicted the humanist approach.
I have selected a few of couplets from his ghazals, some of which have been sung by Jagjit Singh, as examples of his non-conventional way of putting his thoughts in simple words with deep meanings:
uss ke dushman hain bahut aadmī achchha hoga
wo bhi meri hi tarah shahar mein tanha hoga
safar mein dhoop to hogi jo chal sako to chalo
sabhi hain bheed mein tum bhi nikal sako to chalo
[Note: This entire ghazal was recited by Prime Minister, Narendra Modi during a Rajya Sabha debate on March 8, 2016 in the context of Government’s difficulties for the smooth passage of bills in Rajya Sabha]
dhoop mein niklo ghataaon mein nahaa kar dekho
zindagi kyaa hai kitaabon ko hataa kar dekho
duniya jise kahte hain jaadoo kaa khilauna hai
mil jaaye to mittī hai kho jaaye to sona hai
hukoomaton ko badalne to kuchh muhaal nahin
hukoomaten jo badalta hai wo samaaj bhī ho
Muhaal= difficult
kabhi kabhi youn bhi ham ne apne jee ko bahlaaya hai
jin baaton ko ḳhud nahin samjhe auron ko samjhaaya hai
ghar se masjid hai bahut dur chalo youn kar le
kisi rote huye bachche ko hansaaya jaaye
hoshwaalon ko khabar kya bekhudi kya cheez hai
ishq keejiye phir samjhiye zindagi kya cheez hai
Both Nida Fazli and Jagjit Singh got associated with Hindi film industry almost at the same time. Nida Fazli wrote his first lyrics for ‘Satranj Ke Mohre’ (1974). Jagjit Singh rendered his first full-pledge song as a playback singer in Hindi film, ‘Aavishkaar’ (1973) with his wife Chitra Singh.
Despite both Nida Fazli and Jagjit Singh being in Mumbai since 1965 and both having the inter-related careers, it took almost 25 years for both of them to collaborate for the first time when Nida Fazli wrote the lyrics for the film ‘Billoo Baadshah’ (1989) for which Jagjit Singh was the music director and also the playback singer for one song. It took another four years when their first non-film album, ‘Insight’ was released in 1993. for which all the songs were written by Nida Fazli. Thereafter their collaborations continued until Jagjit Singh’s death kept them apart.
Nida Fazli entered the Hindi film industry as a lyricist at a time when the quality of song writing had the initial sign of deterioration. In the post-1980’s scenarios, his filmy songs stand apart from most of the songs written during that period. And when he joined with Jagjit Singh, their collaborative as well as individual efforts took us back to the golden period of Hindi film music for few moments.
On the occasion of the 5th Rememberance Day of Nida Fazli and 80th birth anniversary of Jagjit Singh, I have selected one of those Hindi film songs where Jagjit Singh has sung the song written by Nida Fazli. The song is ‘meri aankhon ne chuna hai tujhko duniya dekh kar’ from ‘Tarkieb’ (2000) with Alka Yagnik joining Jagjit Singh in rendition. The song was set to music by Aadesh Srivastav.
‘Tarkieb’ (2000) failed miserably at the box office and faded into oblivion. But the song under discussion has ensured that the name of the film is not forgotten. Such is the power of Jagjit Singh-Nida Fazli combination.
Video Clip:
Audio Clip:
Song-Kiska chehraa ab main dekhoon(Tarkieb)(2000) Singers-Jagjit Singh, Alka Yagnik, Lyrics-Nida Fazli, MD-Aadesh Srivastav
Both
Chorus
Lyrics
chaand bhi dekha
phool bhi dekha
baadal bijli titli jugnu
koi nahin hai aisa
tera husn hai jaisa
tera husn hai jaisa
meri nigaah ne ye kaisa khwaab dekha hai
zameen pe chalta huwa mahtaab dekha hai
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehara
kiska chehara
ab main dekhoo….n
tera chehara dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
hu hu hu hu
ta ta ra ta ra ra ta ra
neend bhi dekhi
khwaab bhi dekha
neend bhi dekhi ee
khwaab bhi dekha aa
choodi bindiya darpan khushboo
koi nahin hai aisa
tera pyaar hai jaisa
haan tera pyaar hai jaisa aa
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehra
kiska chehra..aa
ab main dekhoo…n oon oon
tera chehra dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
ru ru ru
rang bhi dekhaa aa
roop bhi dekhaa aa aa
rang bhi dekhaa aa
roop bhi dekhaa aa
rasta manzil saahil mehfil
koi nahin hai aisa
tera saath hai jaisa
ho tera saath hai jaisa aa
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehra..aa
kiska chehra abb main dekhoo..n oon
tera chehra dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
bahut khubsoorat hai aankhen tumhaari
(aaaaaa aaaaaaaa)
bana dijiye inko kismat hamaari
(aaaaaa aaaaaa )
usse aur kya chaahiye zindagi mein
(hmm hmm hmm hmm hmm)
jise mil gayi mohabbat tumhaari
(hmm hmm hmm hmm hmm)
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4535 | Post No. : | 16103 | Movie Count : |
4396 |
Hullo Atuldom
There is a test match on, ‘Down Under’, and I am recalling the words of Sunny Gavaskar. He had hosted a short tele-series in the late 80s. He had also written his autobiography “Sunny Days”.
What I am quoting here and often prior to today, is something that I have read in “Sunny Days” or heard it on the said serial. It could also be Sunny Gavaskar in his avatar as a commentator. His advice to the batsmen used to be that “One should always reach the milestone of say a 50 or 100 with a four, six or at the most run two runs. This would cover up for any score that the scorer had inadvertently credited to extras”. Possibly this may have been due to his experiences at the start of his career when scorers used to do their work manually.
My reason for quoting Sunny Bhai (as he is sometimes addressed by his co-commentators) is that it has been a while since my last post, that had been a milestone for me. And following Sunnybhai’s advice my quick single (next post) should have come a few days back. But that has not been. I had many posts in mind for various birthdays and anniversaries but I have been away. But, as the elders say ‘better late than never’.
So coming to today’s post it is to wish an actor who is blessed with a good voice almost equaling Amitabh Bachchan’s baritone, a good height again almost equal to Mr. Bachchan and looks that far surpasses many of his contemporaries. He was born in Quetta in present day Pakistan a year before independence, educated in Hyderabad (in India) and was a Tennis and Swimming champion.
His career in the entertainment industry began with Radio Shows (which he got thanks to his voice) and stage plays. He is also trained at FTII. On relocating to Mumbai his experience on radio and stage kept him going and his looks helped him gain modelling assignments; I remember him in ads for ‘Lifebouy soap’ and also ‘Charminar cigarettes’. His Bollywood debut happened in 1977 with “Jeewan Mukt” but it was his role in “Laawaaris” as a potter that is my first recall of him. Hope that rings a bell in the mind of the readers.
Yes, I am speaking of the National Award winning, still handsome Suresh Oberoi. He turns a year older today. He has done a few romantic roles too in his career which are overshadowed by the character roles he has played. We can recall him as ‘Mukhi’ in “Mirch Masaala”, the tormentor in “Coolie”,”Shraddhanjali”, etc. He has played an inspector in a number of movies and may be holding the record for the third highest by an actor after Jagdish Raj and Iftikaar. 🙂
Today’s song is from the 1982 released, Satyen Bose directed “Tumhare Bina”. It had Suresh Oberoi and Swaroop Sampat playing a couple and parents to a little boy. He is a film producer whose wife is suspicious of his relation with a beautiful actress (Simple Kapadia). The couple separate and Robin Dutt (Suresh Oberoi) is forced to abduct his son, go into hiding etc. The movie had songs penned by Govind Moonis and tuned by Raam Laxman. Bhupinder Singh, Behroz Chatterjee (never heard this name before), Manhar Udhas, and Gurpreet Kaur (not heard this name too) were the playback singers used. Apparently the movie was a remake of Kramer v/s Kramer.
Today we have a song which shows that Suresh Oberoi would have made a good romantic hero too. It is duet by Bhupinder and Behroz Chatterjee.
Video (shorter)
Audio (Full)
Song-Lab tak aayi hai jo baat kaho to boloon(Tumhaare Bina)(1982) Singers-Bhupinder Singh, Behroz Chatterjee, Lyrics-Govind Moonis, MD-Ram Laxman
Both
Lyrics
hmm hmh hmm hmm
ho ho ho
aa ha ha
lab tak aai hai jo baat
kaho to boloon
dil mein hai kuchh jazzbaat
kaho to boloon oon
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
kahne do o
kahne do o
kahne na rahne do o
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
milte hi nazron se nazar
sapne suhaane kitne jage
milte hi nazron se nazar
sapne suhaane kitne jage ae
chhoo ke badan sihran si lagi
tumko kya aisa na lage
main kya jaanoon oon
rahne ae do o
thehro na aa aa
kahne do o
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
saath tumhaara jo aaj mila
jeevan bhar ye saath rahe
saath tumhaara jo aaj mila
jeevan bhar ye saath rahe
dil mein rahe ye pyaar sada
haathon mein ye haath rahe
I love you
I love you
I love you
I love you
hmm hmm hmm hmm hmm hm
hmm hmm hmm hmm hmm hmm
lalalalaala
lalalaala
o o o
hmm hmm hmm hmm hmm hmm
hmm mm mmhmm hmm hmm
lalalalaal
lalalaala
o o o
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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