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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3642 | Post No. : | 14470 |
Today’s song is from an almost unknown film ‘Haqdaar’ (1946).
There were two more films with the same title, made in 1964 and 1981. The love of Hindi films for identical titles is well known. In silent films, the situation was different. There used to be one name for Censor Certificate and then in every linguistic state the film would have one local name for the film, to attract local audience. In talkie films, this facility was absent, as everywhere, the film name is the same.
Thus, we find that there was/is ‘Same Name Confusion’ even in film titles. But of course, the system of mentioning the year, made them different, like ‘Haqdaar’ (1946), ‘Haqdaar’ (1964) or ‘Haqdaar’ (1981) etc. Here again confusion was whether the year of Censor Certificate should be mentioned or the year of film’s release. Standard documents, like HFGK, give only the year of Censor Certificate, irrespective of the film’s release year. Regular users of HFGK know this very well. Usually most films are released quickly and very few take time to get released.
Shri Harmandir Singh Hamraaz ji has published a Film Index for films made between 1931 to 2012. I went through this list to find out about the same name titles. Films made 2 times and 3 times are many and beyond count. However, on counting detailed way, I found 80 film titles repeated 4 times, 23 films repeated 5 times and 5 films repeated 6 times. Above all, there is ONE film whose title is repeated 7 times. The name is ‘Insaaf’. It was made at regular intervals – almost every decade. It was made in 1937, 1946, 1956, 1866, 1973, 1987 and 1997! The person who had registered the name first, must have earned a lot!
‘Haqdaar’ of 1946 was directed by Rafiq Rizvi, who had worked as assistant to AR Kardar. He was brother of lyricist Ehsan Rizvi. His first film as an independent director was ‘Waida’ (1940). Then came ‘Awaaz’ (1942), ‘Koshish’ (1943), ‘Haqdaar'(1946), ‘Alladin Ka Beta’ (1955) and lastly ‘Kaarvan’ (1956). Thereafter he migrated to Pakistan.
The Music Director was Mohd Shafi (25-12-1925 to 30-4-1980). He was one of those talented artists of Hindi Film Music who was only used by others and never got enough credit for his work. He is honoured as the ‘The Original Arranger’ in the industry. He was an excellent sitar player. He started with Imperial Film company, where he played Bulbul Tarang. In 1937 he went to Calcutta, joined New Theatres and played Sitar in films ‘Kapaal Kundala’ (1939) and ‘Aandhi’ (1940), as an assistant to Pankaj Mullick and KC Dey. He played sitar in the film ‘Ujaala’ (1942). In this film, the hero – Prithviraj Kapoor played the role of a sitar player, hence the expertise of Shafi was fully utilised in this film.
Starting with film ‘Haqdaar’, he gave music to 19 Hindi films and 2 Marathi films. He worked with Naushad, as his assistant and arranger, for 14 years. He was considered a ‘Daada’ in background music. He gave background music to about 70 films (for Naushad and others). For ‘Mughal e Azam’ (1960), K Asif used to send his personal car to fetch him to studio. It was Shafi who gave the first break to Suman Hemmadi (Kalyanpur) in ‘Mangu’ (1954).
Shafi had bought his first car when he was just 15 year old. He had a posh flat in Shivaji Park area of Dadar in Bombay. In the end , everything was gone.He had helped the families of Shakeel Badayuni and Ghulam Mohammed after their deaths. However in his last difficult days, except Rafi, no one came for his help. In the final few months, his memory had gone. His begum ruefully said,” Good that he does not remember anything. All took his advantage and gave him nothing. There were more things to forget than to remember!”
It is said that the entire music of ‘Sohni Mahiwal’ (1958) was done by him. Naushad was sick during this period and did not attend even one recording. “Do Hanson Ka Joda” and “Dhundho Dhundho Re Saajna” from ‘Gunga Jamuna’ (1961) were his creations. He used to give tunes to many composers too – whoever asked for help.
The cast of film ‘Haqdaar’ was Harish, Najma, H Prakash, Amirbai Karnataki, Kalyani, Azad etc.
Harish was also known as Tara Harish. Tara Harish – this name is quite misleading. At first glance, it looks lie a woman’s name. On second thoughts, one feels it must be a pair of persons like Krishnan Panju or Aruna Vikas. But this is name of a single person, who was an actor, producer, director and a singer too!
Born on 23-10-1916 at Delhi, his real name was Tarachand Harish Mathur. He was distantly related to Motilal and Mukesh. His father died when he was just 3 year old. He was brought up by his brothers and uncle. He graduated in 1937. After trying and failing in a second hand car business, he decided to enter film world and joined Sagar Movietone, where Motilal was getting established. His first foray into films was in film ‘300 Days And After’. In this film he was uncredited. However he got roles in other films like ‘Postman’, ‘Ladies Only’, ‘Service Limited’, ‘Hum,Tum Aur Woh’, ‘Ek Hi Raasta’, ‘Civil Marriage’, ‘Aurat’, ‘Nai Roshni’, ‘Vijay’, ‘Haqdaar etc. He used to sing also in the films. As a hero his last film was ‘Amaanat’ (1943).
Harish took up direction with film ‘Beda Paar’ (1944), a C grade stunt film, but soon he directed many social films also. In his career he directed 21 films. Some of his films are ‘Toote Taare’ (1948), ‘Ustad Pedro’ (1951), ‘Malhaar’ (1951) (originally Harish was to be the hero, but he gave chance to Arjun), ‘Daku Ki Ladki’ (1954), ‘Laalten’ (1956), Kaali Topi Laal Roomaal’ (1959), ‘Do Ustad’ (1959), ‘Burma Road’ (1962). His last film was ‘Awaara Abdulla’ (1963). Harish acted in 21 films. He sang 39 songs in 16 films (stats by MuVyz). He established his own production company – Omar Khayyam Films. When he was directing film ‘Ustad Pedro’ (1951), he changed the name of actress Nargis Rabadi to Shammi, since another more famous actress of same name was already working in films.
Tara Harish died sometime in 1970.
The heroine Najma was born at Lahore in 1928. Her father was a businessman. Her real name was Naseem. Since there was already one famous actress Naseem, she changed her name. She first worked in ‘Kunwaara baap’ (1942) and ‘Uljhan’ (1942) Then came ‘Nai Zindagi’ (1943), ‘Dr Kumar’ (1944), ‘Piya Milan’ (1945) and last film ‘Naseeb’ (1945). Then she got married and left films.
There was an actor Azaad in this film. His real name was Mohd Hanif. He was born in November 1916 at Delhi in a wealthy family. His father was an electrical engineer and a political leader. His elder brother was in the British Army. Hanif started motor vehicles business in Delhi. He got married also. Due to his desire to act in films, he came to Bombay. His acting career started with ‘Himalaya Ki Beti’ (1938). During this film he got to know Kalyani Bai, the singer actress. Soon they got married. While she did well in films, he was struggling in his career, without credit. In film ‘Haqdaar’ (1946), he was credited with his filmi name Azaad. Frustrated, he left films and went back to Delhi to restart his motor vehicles business. Kalyani brought him back and together they started their own production company – Azad Pictures. However, soon after partition, he and his family migrated to Pakistan. Kalyani stayed back.
There were two Kalyanis and there is always a confusion.
Kalyani Bai (1920-2009) (real name – Zarina) was an actor-singer who was trained in classical singing. She sang khayal, thumri and ghazals for All India Radio and recorded such genre of songs for HMV. This led her to a filmy career in Calcutta in 1934 as an actor-singer. After some struggle, she was employed with New Theatres and she acted in films like ‘Anaath Ashram’ (1937), ‘Mukti’ (1937), and ‘President’ (1937) in which she also sang some songs for herself.
In 1937, Kalyani Bai left New Theatres and joined Ranjit Movietone in Bombay (Mumbai). Her first film with Ranjit Movietone was ‘Toofaani Toli’ (1937). In the 40s, she appeared to have become a free-lancer, although I find that she worked in more films directed by VM Vyas of Sunrise Films than other banners. Her last film as an actor-singer was ‘Ghar’ (1945). However, she lent her voice for other actresses in films released during 1947-54. She also acted in small roles in a few films of 1970s and probably early 80s. She later married Seth Chirauddin Bakar. She had 2 sons and a daughter from him. She retired and settled in Bombay.
Kalyani Das was a playback singer who started her career in Hindi films from Calcutta with PC Barua’s ‘Jawaab’ (1942) and ended her playback singing career in Hindi films with ‘Iran Ki Ek Raat’ (1949). She also sang for a few films made in Bombay. To the best of my knowledge, she did not act in any films.
It is not so difficult to segregate ‘Kalyanis’ as both of them worked in Calcutta at different time. Kalyani Bai worked in films produced in Calcutta up to 1937 whereas Kalyani Das commenced her playback singing career from Calcutta from 1942 onward. She mostly worked for music director Kamal Dasgupta (8 out of 11 Hindi films in which she was playback singer).
‘Haqdaar’ had 9 songs. I have heard some more songs also, but as today’s song is somewhat comical, I have selected this. Name of the singer is not mentioned.
[Auth Notes: Credits – ‘Hindi Film Singers’ by Prof Yadav, Harish Raghuwanshi ji, Film Directory, MuVyz, HFGK, Film Index, Swaron Ki Yatra, Beete Kal Ke Sitaare, RMIM and my notes.]
Song – Haaye Khujlaane Laga Phir Mera Sar, Baap Re Baap (Haqdaar) (1946) Singer – [Unattributed], Lyrics – CM Hunar, Music – Mohammed Shafi
Lyrics (Provided by Sudhir)
haaye khujlaane laga phir mera sar baap re baap
haaye khujlaane laga phir mera sar baap re baap
haaye khujlaane laga
phir mera sar baap re baap
khair ab aati nahin
apni nazar baap re baap
hai chhuri haath mein
zaalim ke udhar baap re baap
dil dhadakta hai mera
darr se idhar baap re baap
jaan ab jaa ke bachaaun main kidhar baap re baap
haan
kya meri tarah se
hota hai yun sab ka haal
kya mohabbat mein utarti hai yun hi sab ki khaal
jootian dene ki hai jis tarah rasm e susraal
haa..aaan
kya nasibon mein hai..ai..ai..ai
us shauk ke ye hi janjaal
haan..aan
kya yun hi khijte hain sab shaam o sehar baap re baap
kya yun hi khijte hain sab shaam o sehar baap re baap
kya yun hi khijte hain sab shaam o sehar baap re baap
kya yun hi khijte hain sab shaam o sehar baap re baap
haan
ishq ka bhoot mere
sar pe subh o shaam rahe
mar ke bhi mujhko na ik roz se araam rahe
ae..ae
tarq e majnoon ka mere saamne nakaam rahe
ae..ae
pehla number hi..ee..ee
mahobbat mera naam rahe
paida naalon mein ho kuchh aisa asar baap re baap
paida naalon mein ho kuchh aisa asar baap re baap
paida naalon mein ho kuchh
paida naalon mein ho kuchh aisa asar baap re baap
aisa asar baap re baap
paida naalon mein ho kuchh aisa asar baap re baap
haaye khujlaane laga phir mera sar baap re baa..aap
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हाय खुजलाने लगा फिर मेरा सर बाप रे बाप
हाय खुजलाने लगा फिर मेरा सर बाप रे बाप
हाय खुजलाने लगा
फिर मेरा सर बाप रे बाप
खैर अब आती नहीं
अपनी नज़र बाप रे बाप
है छुरी हाथ में
ज़ालिम के उधर बाप रे बाप
दिल धड़कता है मेरा
डर से इधर बाप रे बाप
जान अब जा के बचाऊँ मैं किधर बाप रे बाप
हाँ
क्या मेरी तरह से
होता है यूंहीं सब का हाल
क्या मोहब्बत में उतरती है यूंही सब की खाल
जूतियाँ देने की है जिस तरह रस्म ए सुसराल
हाँ॰॰आं
क्या नसीबों में है॰॰ऐ॰॰ऐ॰॰ऐ
उस शौक के ये ही जंजा;
हाँ॰॰आं
क्या यूंही खिजते हैं सब शाम ओ सहर बाप रे बाप
क्या यूंही खिजते हैं सब शाम ओ सहर बाप रे बाप
क्या यूंही खिजते हैं सब शाम ओ सहर बाप रे बाप
क्या यूंही खिजते हैं सब शाम ओ सहर बाप रे बाप
हाँ
इश्क़ का भूत मेरे
सर पे सुबहो शाम रहे
मर के भी मुझको ना इक रोज़ से आराम रहे
ए॰॰ए
तर्क ए मजनूँ का मेरे सामने नाकाम रहे
ए॰॰ए
पहला नम्बर ही॰॰ई॰॰ई
महोब्बत में मेरा नाम रहे
पैदा नालों में हो कुछ ऐसा असर बाप रे बाप
पैदा नालों में हो कुछ ऐसा असर बाप रे बाप
पैदा नालों में हो कुछ
पैदा नालों में हो कुछ ऐसा असर बाप रे बाप
ऐसा असर बाप रे बाप
पैदा नालों में हो कुछ ऐसा असर बाप रे बाप
हाय खुजलाने लगा फिर मेरा सर बाप रे बा॰॰आप
Ho chehra hai ya chaand khila hai
Posted on: June 17, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3621 | Post No. : | 14433 |
The Golden era of HFM was well and truly over after 1980s, with Disco “music” sounding the death knell of HFM as we knew till then. In these “music”, lyrics were all but dispensed with.
HFM continued to have a few nice songs even during the “disco” era. There were still some artists who refused to compromise with quality and refused to stoop to the new low that was set as the new standards of HFM post 1980.
“Saagar”(1985) was one such movie whose music felt like a breath of fresh air during that era. This movie had come from the stables of a well known and well respected production house, one that had given us “Sholay”(1975).
“Saagar”(1985) was Produced by G P Sippy and directed by Ramesh Sippy. The movie had Rishi Kapoor, Kamal Haasan, Dimple Kapadia, Saeed Jaffrey, Shafi Inamdaar, Nadira, A K Hangal, Madhur Jaffrey, Satish Kaushik, Goga Kapoor, Kiran Vairale, Lilliput, Shobha Khote, Sudhir Pandey, Sharat Saxena, Mushtaq Merchant, Jairaj etc in it.
The movie had seven songs in it. Three of these songs have been covered in the past.
Here is the fourth song from “Saagar”(1985) to appear in the blog. This song is sung by Kishore Kumar. Jawed Akhtar, who wrote the script of “Sholay”(1975) alongwith Salim Khan as Salim Jawed, had turned a lyricist by then. “Saagar”(1975) was one of the first (if not the first) movies where he penned lyrics.
R D Burman composed the music.
The song is picturised as a club song where Rishi Kapoor, holding a guitar, is seen lip syncing this song. The song is addressed to his long separated flame (played by Dimple Kapadia). Rishi Kapoor and Dimple Kapadia had last actded together in “Bobby”(1973) which was the launch vehcle for Rishi Kapoor as well as Dimple Kapadia. while Rishi Kapoor successfully got launched and established, Dimple Kapadia, in a surprise movie married Rajesh Khanna and vanished from films. It was more than one decade later that she was persuaded to make comeback to movies. She made quite a stunning comback in movie like “Aitbaar”(1985) and “Saagar”(1985).
Music of these movies were quie stunning and played stellar roles in the box office success of these movies.
The song under discussion is one such song. It remains a timeless classic to this day.
Song-Ho chehra hai ya chaand khila hai (Saagar)(1985) Singer-Kishore Kumar, Lyrics-Jawed Akhtar, MD-R D Burman
Chorus
Lyrics
ho chehra hai yaa chaand khila hai
zulf ghaneri shaam hai kya
saagar jaisi aankhon waali
ye to bata tera naam hai kya
chehra hai yaa chaand khila hai
zulf ghaneri shaam hai kya
saagar jaisi aankhon waali
ye to bata tera naam hai kya
arre tu kya jaane teri khaatir
kitna hai betaab ye dil
tu kya jaane dekh rahaa hai
kaise kaise khwaab ye dil
dil kehtaa hai tu hai yahaan
to jaataa lamhaa thham jaaye
waqt ka dariyaa behte behte
is manzar mein jam jaaye
toone deewaanaa dil ko banaayaa
is dil par ilzaam hai kya
saagar jaisi aankhon waali
ye to bata tera naam hai kya
ho aaj mai tujhase door sahi
aur tu mujhse anjaan sahi
tera saath nahin paaun to
khair tera aramaan sahi
lalalalala
lalalalala
lalalalala
lalalalala
lalalalalala
lalalalalaa
laalaalaa
ho ye armaan ho
shor nahin ho
khaamoshi ke mele hon
is duniya mein koi nahin ho
ham donon hi akele hon
tere sapne dekh rahaa hoon
aur meraa ab kaam hai kya
saagar jaisi aankhon waali
ye to bataa tera naam hai kya
chehra hai yaa chaand khila hai
zulf ghaneri shaam hai kya
saagar jaisi aankhon waali
ye to bata tera naam hai kya
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3556 | Post No. : | 14265 |
“Naatak” (1975) was produced by C D Shah and Harish Upadhyay and directed by Sohanlal Kanwar for Filmland Production, Bombay. The movie had Vijay Arora, Moushumi Chatterjee, Snehalata, Jayashree T, Sulochana Latkar, Madhup Sharma, Raj Mehra, Raj Rani, Bhagwan Dada, Naazima, Subhash Ghai, Sunder, Tiwari aka Ramayan Tiwari, Shabina, Hari Shivdasani, Alka etc in it.
The movie had five songs in it. Four songs have been covered in the past. Here are the details of these four songs:-
|
Song Title |
Post No. |
Post Date |
| Saagar nahin hai to kyaa hai | 7264 | 27-Dec-12 |
| Zindagi ek naatak hai | 14212 | 28-Mar-18 |
| Sab se buri sharaab hai main hoon buri sharaab se | 14245 | 7-Apr-18 |
| Mera rang mera roop…raaja sach bolo main kaisi lagti hoon | 14260 | 11-Apr-18 |
As can be seen, the movie made its debut as far back as in 2012. That song remained the only song from the movie in the blog till 2018 when the next three songs were covered in the blog.
Here is the fifth and final song from “Naatak”(1975) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a “diversion” song on a very pretty looking Snehlata, who is seen trying to distract a very young looking Subhash Ghai.Yes, this is a song where Subhash Ghai figures as an actor.
I have not watched this movie so I am not fully sure what is the background behind this song. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, “Naatak”(1975) joins the list of movies that have all their songs covered in the blog.
Song-Jo main chehre se ghoonghat hata doon (Naatak)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaaye
jo main chehre se ghoonghat hata doon oon
to chhuriyaan chal jaayen
aankhen upar se neeche jhuka doon oon
aankhen upar se neeche jhuka doon
to teer chal jaaye
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaayen
meri mohabbat meri jawaani
meri mohabbat meri jawaani
in donon ki hai lambi kahaani
meri mohabbat meri jawaani
ye kahaani jo tumko suna doon oon
ye kahaani jo tumko suna doon oon
to raat dhal jaaye
jo main chehre se ghoonghat hata doon oon
to chhuriyaan chal jaayen
nazron pe kitne parde hain naqli
nazron pe kitne parde hain naqli
chehre ke peechhe chehra hai asli
nazron pe kitne parde hain naqli
jo main wo roop tumko dikha doon
jo main wo roop tumko dikha doon
to rang badal jaaye
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaayen
meri adaayen andaaz mere
meri adaayen andaaz mere
parde mein hain ye sab raaz mere
meri adaayen andaaz mere
jo main ye raaz tumko bata doon oon
jo main ye raaz tumko bata doon oon
to jaan nikal jaaye
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3519 | Post No. : | 14134 |
“Tapasya”(1975) was directed by Anil Ganguly for Rajshree Productions, Bombay. The movie was based on a Novel by Ashapoorna Devi. The movie is about sacrificing one’s own life for the sake of bringing up one’s younger siblings and thinking of one’s own personal life only after one’s younger siblings have been settled in their lives.
The movie had Raakhi in the central role. Others in the movie were Parikshat Sahni, Asrani, Manju Bansal Asrani, A K Hangal, Nasir Hussain, Adil, Manju Bhatia, Urmila Bhatt, Birbal, Abha Dhulia, C S Dubey, Raja Duggal, Master Eknath, Gayatri etc in it.
The movie had four songs in it. Two of these songs, arguably the most popular songs of the movie have been covered in the past.
Here is the third song from “Tapasya”(1975) to appear in the blog. This song was also quite popular during its time. The song is sung by Chandrani Mukherji, Hemlata and chorus. M G Hashmat is the lyricist. Music is composed by Ravindra Jain.
The picturisation shows Raakhi’s younger brother (played by Asrani) and his newly wedded wife (played by Manju Bansal Asrani- who was recently married to Asrani in real life as well) being teased by his younger siblings and neighbours which is the usual reception (a sort of ragging)that a newly married couple are subjected to from relatives friends and neighbours in India. The teasing is more addressed to the wife rather than the husband and the song ends with the lady getting irritated by this teasing.
The lady getting disturbed at the end disturbed me as well and so I could not gather the courage to watch the song more than a few times. So I have not provided colour coding by the two main singers in the song. 🙂
Song-Bhaabhi ki ungli mein heere ka chhalla (Tapasya)(1975) Singers-Chandrani Mukherji, Hemlata, Lyrics-M G Hashmat, MD-Ravindra Jain
Chorus
Lyrics
bhaabhi ki ungli mein heere ka chhalla
heere ka chhalla
oye hoy heere ka chhalla
dekho dekho chhalle pe bhaiya ne baandha hai palla
baandha hai palla
arre arre baandha hai palla
kaisi pyaari ye jodi banaayi
kaisi sundar ye jodi banaayi
ki bhaiya makkhan hain bhaabhi malaai
bhaiya makkhan hain bhaabhi malaai
duhaayi
bhaabhi ki ungli mein heere ka chhalla
heere ka chhalla
oye hoy heere ka chhalla
baat suno
samjho gussa na karo
o bhaabhi baat suno
samjho gussa na karo
to hum chanda aa mukhda choom len
hum chanda aa mukhda choom len
pehli khushi hai apne ghar mein
milke gale hum jhoom len
o bhaabhi milke gale hum jhoom len
ab raho na paraayi paraayi
ab raho na paraayi paraayi
ki bhaiya makkhan hain bhaabhi malaai
bhaiya makkhan hai bhabhi malaai
duhaayi
bhabhi ki ungli mein heere ka chhalla
heere ka chhalla
oye hoy heere ka chhalla
o o o
o o
o o o o
o o o
o o o
tang na karo
kyun ji
paanv pado
achchha ji
tang na karo
chalo chalo paanv pado
ki bhaabhi mushkil se ghar mein aayi hai
bhaabhi mushkil se ghar mein aayi hai
pehna bahut din bel bottom
aaj saadi pehan sharmaayi hai
aaj sadi pehan sharmaayi hai
is muhurat pe baanto mithhaayi
is muhurat pe baanto mithhaayi
ki bhaiya makkhan hain bhaabhi malaai
bhaiya makkhan hain bhabhi malai
duhaayi
bhaabhi ki ungli mein heere ka chhalla
heere ka chhalla
oye hoy hire ka chhalla
laal mirach
nahin nahin kali mirach
na na
laal mirach
nahin nahin kaali mirach
ye to hari mirach hai badi tez hai
bhaabhi hari mirach hai badi tez hai
bhaiya bichaara hindi bole
bhabhi bani angrez hai
arre bhaabhi bani angrez hai
aa
bholey bhaaley ko patti padhaai
o seedhe saadhe ko patti padhaai
ki bhaiya makkhan hain bhabhi malaai
bhaiya makkhan hain bhaabhi malaai
Hothon Pe Inkaar Thoda Thoda
Posted on: February 11, 2018
- In: "beach" song | "wooing" song | Body part song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lab/ honth song | Love song | Lyricist-MD | Lyrics contributed by readers | Post by Sudhir | Rafi - Usha Timothy Songs | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1969 | Usha Timothy song | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3495 | Post No. : | 14048 |
The Yippeee film for today is the 1969 ‘Raat Ke Andhere Mein’. Belonging to the B/C grade thriller cum social category, the film is produced under the banner of Ashok Films, Bombay, and is directed by Devraj. The star cast of the film includes Dev Kumar, Sonia Sahni, Shahida, Dev Dutt, Bhagwan, Mohan Choti, Murad, Rajan Haksar amongst others.
The film is a variation on the traditional lost-and-found theme. The variation in this case is that a child is lost; later on he grows up to be a criminal and then found by the parents. The story line is summarized as follows,
Dev Kumar is a bad character, and is on the run from the police. He is the long lost son of Murad and Mridula Rani, who have been searching for him for years, based on the description of a locket that the child was wearing when he got separated from his parents. The child has grown up into a criminal, and actually he knows he is the son of Murad. But because he is a criminal, he refuses to go back to his parents, for the fear of bringing bad name to them. Murad and his family also suspect this to be true, but are not certain.
To reach his son, Murad plans a way to trap him, with the help of police. The criminal son is in love with Sonia Sahni. Murad arranges a stage show in which he brings Sonia Sahni to perform a dance. The plan is put in place, with the expectation that Dev Kumar will find some way or the other come to the program to watch his beloved. The expected happens. Dev Kumar enters the theatre in disguise, but then removes it once he is inside. The police inspector Rajan Haksar is watching the audience and he locates Dev Kumar. By the time the performance comes to an end, he is enters the box section where Dev Kumar is sitting, and takes him into custody. The film moves towards a happy-ending as Rajan Haksar takes the criminal Dev Kumar, not to the police station but to Murad’s residence. After all is sorted out and everybody is happy, the inspector then takes the criminal with him, saying that he will try for a pardon or a light sentence for him.
The film has five songs listed, one of which is a multi version song that appears two times in the film, once as a solo in Rafi Sb’s voice and the second time as a solo in Lata Mangeshkar’s voice. The 4+1 songs already posted on the blog are listed as under,
| Apne Naam Ke Kareeb Mera Bhi Naam Likh Lo | 3712 | 30-Mar-11 | Mohammed Rafi |
| Agar Bewafa Tujhko Pehchaan Jaate | 5935 | 7-May-12 | Mohammed Rafi |
| Agar Bewafa Tujhko Pehchaan Jaate | 5935 | 7-May-12 | Lata Mangeshkar |
| Na Jaane Peer Dil Ki Bepeer Baalma | 9905 | 14-Jun-14 | Lata Mangeshkar |
| Raat Ke Andhere Mein | 14039 | 09-Feb-28 | Asha Bhosle |
In the Geet Kosh listing, it is indicated as if some more songs may be in the film. However, Atul ji, while posting the penultimate song of this film, had done a fast-forward review of the film, and confirms that the 5+1 songs listed in the Geet Kosh are the only songs in the film, and no more.
This is one of the very few films that Prem Dhawan has written the songs, as well as composed the music for. I have written about this in the two earlier posts of the songs of this film, listed at number 1 and number 4 above.
The songs of this film are a veritable treat for the aficionados. Almost all the songs became very popular in their time and were frequently heard on the radio waves. “Apne Naame Ke Kareeb. . .”, the two versions of “Agar Bewafa Tujhko Pehchan Jaate” and the stage dance song “Na Jaane Peer Dil Ki. . .” have been some the all time favorites of the listeners.
Today’s song is a duet, or maybe a so-called duet, in the voices of Rafi Sb and Usha Timothy. I say ‘so-called’, because in the song, most of the singing is done by Rafi Sb, and Usha Timothy just gets to add the words “thoda thoda” once in each refrain. So literally speaking, it is “thoda thoda” contribution by her to this song. On screen, the song is picturized on Dev Dutt and Shahida.
This song too, is a delightful offering, maybe lesser known in comparison to its more popular siblings in this film. But still a pleasure to listen to. Enjoy.
And plus let us celebrate the film ‘Raat Ke Andhere Mein’ joining the list of films with all songs posted, on the blog. Cheers.
Song – Hothon Pe Inkaar Thoda Thoda (Raat Ke Andhere Mein) (1969) Singer – Mohammed Rafi, Usha Timothy, Lyrics – Prem Dhawan, MD – Prem Dhawan
Lyrics
oo
oo oo
o sangdil haseena
maathe pe kyon paseena
pathar bhi pighalte hai
dekha tha ye kabhi na
ke hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda
haan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda
itne burey hum nahin
ke aankhen churaao
katra ke yun na chalo
na daaman bachaao
ik din kisi pe to aayega dil
ik din koi le ke jaayega dil
kar lo hameen pe aitbaar
thoda thoda
haan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda
hota na hum se jo pyaar
to kyon sharmaate
chhup chhup ke yun meri jaan
tum milne na aate
mil ke nazar yun hi jhukti nahin
ye wo lagi hai jo chhupti nahin
tera bhi dil hai beqaraar
thoda thoda
haan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda
milne ki hai aarzoo
to kaisi ye doori
teri meri dastaan
rahe na adhoori
kab tak akele mera dil jaley
tadpaane waale aa lag ja galey
mil jaaye hum ko qaraar
hahn thoda thoda
haahan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ओ
ओ ओ
ओ संगदिल हसीना
माथे पे क्यों पसीना
पत्थर भी पिघलते हैं
देखा था ये कभी ना
के होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा
हाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा
इतने बुरे हम नहीं
का आँखें चुराओ
कतरा के यूं ना चलो
ना दामन बचाओ
इक दिन किसी पे तो आएगा दिल
इक दिन कोई लेके जाएगा दिल
कर लो हमीं पे एतबार
थोड़ा थोड़ा
हाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा
होता ना हमसे जो प्यार
तो क्यों शर्माते
छुप छुप के यूं मेरी जान
तुम मिलने ना आते
मिल के नज़र यूं ही झुकती नहीं
ये वो लगी है जो छुपती नहीं
तेरा भी दिल है बेक़रार
थोड़ा थोड़ा
हाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा
मिलने की है आरज़ू
तो कैसी ये दूरी
तेरी मेरी दास्तान
रहे ना अधूरी
कब तक अकेले मेरा दिल जले
तड़पाने वाले आ लग जा गले
मिल जाये हमको क़रार
हाहं थोड़ा थोड़ा
हाहाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3484 | Post No. : | 13995 |
Today (31 january 2018) is the last day of the first month on the year 2018. The new year began just 31 days ago. It already appears to most people that first january 2018 was long long ago. 🙂 Most people have already given up on their new year resolutions by now, assuming that they actually made such resolutions in the first place.
I am far more disciplined and determined as far as sticking to my resolutions are concerned. My two new year resolutions for the blog were –
(a) to post one “debutant”” movie song every day.
(b) to post one YIPPEE movie song every day.
We have so far managed to stick to our resolutions.
Our regulars have been a great help in the cause of introducing “debutant” movies to the blog as some of the articles contributed by them are the first song of movies. There are still a couple of thousand movies that are not yet covered in the blog so introducing “debutant” songs on a regular basis is a resolution that one can stick to without much problem.
The “YIPPEE” resolution is rather more challenging. It basically means covering ALL the songs of a movie. While it is possible to get a few songs for many movies, getting ALL the songs of a movie is a tough challenge. There may be some movies where all songs are easily available, but most movies turn out to be such where one or two songs are quite rare and are unavailable online. Locating these elusive songs becomes a challenge – and a time consuming challenge at that. The fact that we now a days post only about three or four songs a day, and not six or seven as was the case in the past, can be partially explained by the fact that we give considerable thought to YIPPIABLE movies these days, which was not the case in the past.
I have a list of movies that have just one or two songs left in them. So at any given day, I have several movies to pick from for YIPPYing. This choice sometimes comes to our rescue. For instance, it turns out that not one but two movies with suitable final song that we thought were YIPPiable on 26 January turned out to contain another song in them. Still, I was able to post another appropriate song from another movie that turned out to be the YIPPEE movie of that day. I in fact had one more movie as YIPPEE backup for republic day. 🙂
While posting YIPPEE movies daily, we cannot neglect those movies that have three or four songs left in them. We need to regularly cover these songs so that we have more number of movies with just one song left so that we can have a steady supply of YIPPiable movies.
The final song of some of these YIPPIable movies are so great that I am tempted to hold them back. The song under question is one such song. This song is from “Gauhar” (1953).
“Gauhar” (1953) was directed by F H Hasan for All Indian Pictures production, Bombay. The movie had Bina Rai, Rehman, Agha, Vijaylaxmi, Chaman Puri, Charlie, Cuckoo etc in it.
This movie had six songs in it. Five of these songs have been covered in the blog in the past. This sixth and final song is a rare song, and one that sounds like an archtypical puraani film ka song. I have liked this song so much that I toyed with the idea of this song being utilised as a century song, and even as a thousandth song for the blog. But finally I have decided that we cannot hold on to our YIPPIable songs just like that. Sooner or later we have to cover these songs.
So finally, I am letting go of this superb song from “Gauhar” (1953). This song is sung by Shamshad Begum and Sudha Malhotra. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song,”Gauhar” (1953) joins the list of movies that have all their songs covered in the blog.
song-Sainyya tore painyya padoon aa jaa re (Gauhar)(1953) Singers-Shamshad Begam, Sudha Malhotra , Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus
Lyrics
sainyya tore painyya padoon
aa jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
ho o o o
o o o
o o o
o o o
o o o
aayi rut albeli
naache bela aur chameli
ee ee ee
aayi rut albeli
naache bela aur chameli
ee ee
tujh bin kaise rahoon main akeli
tujh bin kaise rahoon main akeli
dekh dekh mori pyaasi ankhiyaan
o dekh dekh mori pyaasi ankhiyaan
taane maaren sakhiyaan
mohe ab to daras dikhla jaa re
mohe ab to daras dikhla jaa re
sainyya tore paiyya padoon
aa jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
o o o
o o o
o o o o
o o o
chanchal geet sunaayen sakhiyaan
mehfil mein sharmaaun
oon oon oon
chanchal geet sunaayen sakhiyaan
mehfil mein sharmaaun
oon
gaa kar apna main bhed chhupaaoon
gaa kar apna main bhed chhupaaoon
prem raag sun sun ke tora
o prem raag sun sun ke tora
naache hai man mora
tu bhi sajna milan dhun gaa jaa re
tu bhi sajna milan dhun gaa jaa re
sainyya tore painyya padoon
aa jaa re ae
sainyya tore painyya padoon
aa jaa re
more man ki agan ko bujha jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
o o o
o o o
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3472 | Post No. : | 13941 |
“Amaanush”(1975) was produced and directed by Shakti Samanta for Shakti Films, Bombay. The movie, based on a Bangla story by Shaktipada Rajguru, was made in Hindi as well as Bangla with the same actors. The movie had Uttam Kumar, Sharmila Tagore, Anil Chatterjee, Prema Narayan, Utpal Dutt, Abhi Bhattacharya, Manmohan, Asit Sen, Manik Dutt, Tarun Ghosh, Amol Sen, Subrotho Mahapatra, S N Bannerjee, Rajni Gupta, Probir Roy etc in it.
Kishore Kumar and Asha Bhonsle, the two main playback singers of the movie were nominated for filmfare awards for best singers. Kishore Kumar went on to win the best male playback singer award for the song “dil aisa kisi ne mera toda”.
The movie had six songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Amaanush”(1975) to appear in the blog. The song is sung by Kishore Kumar and Asha Bhonsle. Indeewar is the lyricist. Music is composed by Shyamal Mitra.
This song was excluded from the Hindi version of the movie and only its record version is available. However, the Bangla version of this song, sung by the same singers, was picturised in the Bangla version of “Amaanush” on Uttam Kumar and Sharmila Tagore as Jodi hoye chor kaanta. One person has superimposed the Hindi song on the picturisation of the Bangla version of this song and has uploaded it on YT, passing it off as the “rare” clip of this song of “Amaanush”(1975) Hindi version.
Here is this lovely romantic duet from “Amaanush”(1975), which was excluded from the Hindi version but whose Bangla version was retained in the Bangla movie.
Song-Tere gaalon ko choomoon jhumka ban ke (Amaanush)(1975) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Indeewar, MD-Shyamal Mitra
Lyrics
Tere gaalon ko choomoon jhumka ban ke
bhole dikhte ho par ho paapi man ke
dekha navyauvan to man kho gaya
abhi to achhe bhale thhe tum to
abhi tumhen kya ho gaya
tere gaalon ko choomoon jhumka banke
bhole dikhte ho par ho paapi man ke
dekha navyauvan to man kho gaya
arre re re
abhi to achhe bhale thhe tum to
abhi tumhen kya ho gaya
tere gaalon ko choomoon jhumka ban ke
aah
tumhen na laaj na dar kabhi gaalon kabhi balo pe nazar
kis ne diye ye haq tumko saajan ji
bhole dikhte ho
par ho paapi man ke
dekha navyauvan to man kho gaya
gore gaalon ke bhanvar mein tere
mera man gum ho gaya
tere gaalon ko choomoon jhumka ban ke
tere chanchal nainon mein apna maran dekha hai
na na na
in nainon se nain mila ke sundar sapan dekha hai
tere chanchal nainon mein apna maran dekha hai
na na na
in nainon se nain mila ke sundar sapan dekha hai
tumne ye kya kiya
bolo piya
kiya sab toone mujhe dosh diya
tar chhoo liye tune dil ke daaman ke
tere gaalon ko choomoon jhumka ban ke
Dil mein hai baat aisi
Posted on: September 15, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chaalis Baaba Ek Chor”(1954) was produced by Kamini Kaushal and it was directed by P L Santoshi. The movie had Kamini Kaushal, Balraj Sahni, Smriti Biswas, Om Prakash, David, Chandabai, Jagdeep etc in it.
Read more on this topic…
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